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Speaker 1: One Bad Movie.

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Speaker 2: That's a great title, One bad Movie. I love that,

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Speaker 2: You're gonna love the cast. My mom is Robert.

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Speaker 3: You want to yeah, yeah, yeah, I hear that. I'm

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Speaker 3: gonna have an embarrass something said to me. So that

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Speaker 3: sounds good.

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Speaker 2: That's a great title of her show, One bad Movie.

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Speaker 2: I'm so jealous. That's such a great title. Oh yeah,

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Speaker 2: one bad So can I explain it quickly?

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Speaker 3: Yes, explain?

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Speaker 2: And I have to beet.

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Speaker 4: I have to tread lately with you, sir, just because

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Speaker 4: I am. I told her, and I told her I'm

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Speaker 4: fangirling a little bit later, just so I can get

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Speaker 4: out what I need to get out later, because Brother Too.

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Speaker 4: Films Star eighty and Papa Granta Village are films I

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Speaker 4: watched many many met Eric many times, two actor buddies

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Speaker 4: of mine. When I was coming up with Sam Rockwell,

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Speaker 4: we had the same agent. It was we were both

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Speaker 4: and last exit to Brooklyn as little tiny supporting actors.

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Speaker 4: We would play a game like we welcome and go.

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Speaker 4: We would quote so, brother, please, it's that thing.

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Speaker 2: So I'll circle back. If that's okay, I'll just follow you. Yeah,

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Speaker 2: I know I love him. Please, I'm telling you now,

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Speaker 2: Stevie's crazy. Those guys were my crew.

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Speaker 4: We were like a little crew and uh and we

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Speaker 4: were all trying to like do what we thought was

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Speaker 4: method and oh my god, it was a disaster. No,

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Speaker 4: it's what got me sober. That movie got me sober

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Speaker 4: back then. YEA, yeah, it's a long story.

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Speaker 3: Yeah I was.

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Speaker 4: I was doing that was a long time ago. I

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Speaker 4: was drinking like a sailor. But one bad movie is

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Speaker 4: an idea out of frustration. About twelve months ago, I

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Speaker 4: was sitting home and upstate with New York with my wife.

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Speaker 4: June tenth is my thirty fourth wedding anniversary. Yeah, and

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Speaker 4: I bowed to your oracle.

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Speaker 3: Brother.

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Speaker 2: I already said, that's what my wife the oracle.

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Speaker 4: So I'm watching this interview and it's a it's a

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Speaker 4: great interview, a new movie coming out, this great new

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Speaker 4: actor and all that's yummy. And I just sent to myself,

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Speaker 4: I went.

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Speaker 1: I'm glad I don't have to do that anymore.

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Speaker 2: Just meaning the studio.

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Speaker 4: Now, this is just me talking the studio radio round table,

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Speaker 4: having to say the same thing over and over again.

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Speaker 4: I did that, and I'm this weirdo.

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Speaker 2: Eric.

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Speaker 4: You'll learn in this conversation like, I'm I don't want

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Speaker 4: to be a Marvel guy.

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Speaker 2: I don't want to be in Marvel movies.

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Speaker 4: I want to do little movies and write and direct

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Speaker 4: for the rest of my life. At fifty seven, so

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Speaker 4: I'm watching this interview and I say, up, you know,

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Speaker 4: I'm kind of not into that kind of vibration anymore.

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Speaker 4: I said, but wouldn't it be cute, Like here's this actor, right,

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Speaker 4: wouldn't it be too funny to talk about like his

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Speaker 4: one bad movie because every actor has like at least

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Speaker 4: one bad movie. I just said it to myself and

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Speaker 4: I said one bad like a literally like a poem.

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Speaker 2: You know.

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Speaker 4: I just went one bad movie. That's funny, and I

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Speaker 4: called John sitting over there. They're gonna chime him in later,

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Speaker 4: but yeah, I called Gian, I said one bed, Like,

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Speaker 4: could there be this thing where you talk to actors

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Speaker 4: about their what it's perfect?

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Speaker 2: So good?

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Speaker 3: Will you talk to everybody about their one mad movie?

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Speaker 2: Well?

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Speaker 4: The foundation of why I work. Okay, Eric Roberts, you're

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Speaker 4: you're you're flipping the thing here, Eric Roberts. Here's what

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Speaker 4: we have to do every time in this interview is

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Speaker 4: Eric Roberts, what's your one bad movie.

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Speaker 1: Comedy Hell.

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Speaker 4: That's the title of the film, comedy Hell. We're gonna

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Speaker 4: talk about comedy Hell.

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Speaker 5: It is right.

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Speaker 3: Yes, I'm just saying, you.

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Speaker 1: Know, you know, house progressed children? Are we rock.

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Speaker 4: That you're having fun? Comedy Hell is the title of

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Speaker 4: the picture. I'm going there now because I do always

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Speaker 4: just it's fresh for me.

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Speaker 2: What's it about?

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Speaker 1: I don't even remember.

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Speaker 6: It's just it's just so I remember shooting it, and

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Speaker 6: I remember thinking, as you're shooting it, you're here as

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Speaker 6: a favorite, So just relax.

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Speaker 1: Herek even though it's embarrassing.

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Speaker 6: That's how I felt, right, Yeah, yeah, but I got

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Speaker 6: through it.

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Speaker 2: And did that happen ever in your past more than

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Speaker 2: once or just that one to that degree only that

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Speaker 2: one time? Really the.

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Speaker 4: Degree of bad movie that qualifies comedy help.

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Speaker 3: There can be conditions that qualify.

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Speaker 7: So the log line for it on IMDb is three

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Speaker 7: stand up comedians cross paths with a religious zealot who's

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Speaker 7: killing devil worshipers, blasphemers and now comedians.

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Speaker 2: Wow, what's the charge? I hope he's like a sheriff.

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Speaker 3: He could religious.

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Speaker 2: Yeah, A lot of.

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Speaker 3: That was amazing.

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Speaker 2: Okay, that just that just means that we're on the

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Speaker 2: right path. Here, we're on the right path.

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Speaker 4: But now I don't even want to go further just

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Speaker 4: with a guests like you know, and he shoots the

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Speaker 4: evangelist like I just you know, who knows, but I

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Speaker 4: love the just whatever that your time there this that

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Speaker 4: that was just one of those.

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Speaker 2: Have we started the show? Yeah, we were already like

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Speaker 2: we've already been recorded.

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Speaker 4: Okay, this is how we do this, and then we

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Speaker 4: they chime in.

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Speaker 6: I'm just an old fashioned guy. I'm like, okay, three

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Speaker 6: two one year on that.

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Speaker 2: Okay, well we may stop and go and do that

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Speaker 2: as well.

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Speaker 4: But because it's taped, because we can edit it, correct things,

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Speaker 4: you know, take stuff out, you know whatever.

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Speaker 6: Here's what I like to you guys, because I'm not

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Speaker 6: a smiley guy. I she'll tell you, but I like

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Speaker 6: to smile on camera when I'm being interviewed. It's as

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Speaker 6: simple as that, yeah you're on here, okay. So almost

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Speaker 6: like if we were I'm saying now, oh yeah, okay, I.

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Speaker 2: Smiling, I would not have picked up that. Yeah.

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Speaker 6: But but but I also get comfortable by staring, by

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Speaker 6: knowing what everybody's doing, and so so so I always

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Speaker 6: look a little is he here yet?

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Speaker 2: You know?

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Speaker 6: And I understand that, but I don't care as long

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Speaker 6: as I'm not on camera. But I'm on camera, it's

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Speaker 6: either the red lights. Hi, okay, so here we got.

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Speaker 2: Great sad lips.

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Speaker 8: It's so bad, it's good.

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Speaker 3: Guilty, bless this sun.

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Speaker 2: It's so bad. It's one bad deal.

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Speaker 4: Now I'm gonna digress. I graduated high school nineteen eighty four.

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Speaker 4: Did you graduate after that or before that?

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Speaker 1: I never graduated from high school.

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Speaker 3: That may really be true.

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Speaker 8: I'm not sure if you are in Grady, if you're

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Speaker 8: in your senior year, Grady eye, I don't know if

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Speaker 8: that ever.

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Speaker 1: I have a diploma, wife, Well, anybody can.

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Speaker 2: Get what years the diploma? What year is the diploma from?

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Speaker 2: Please it's from nineteen seventy four, seventy four. Wow.

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Speaker 4: That you're right in the same as my big brother,

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Speaker 4: same as Alec as Alec seventy and when I was

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Speaker 4: coming out of high school, I went to the American

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Speaker 4: Academy Dramatic Arts.

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Speaker 2: That's a program.

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Speaker 4: You have to be invited to your audition and then

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Speaker 4: for the second year you have to be invited back,

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Speaker 4: which I was not. I wasn't disciplined enough. Yeah, it's okay.

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Speaker 4: I'm okay with it. But again with some of the

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Speaker 4: hooligans in New York City, I was hanging with the

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Speaker 4: guys I did last Exit to Brooklyn. Some of these actors,

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Speaker 4: I'm going to just take a couple of minutes to just.

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Speaker 1: I was such a good cat movie.

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Speaker 2: Oh, the movie's brilliant. The movie's brilliant. And we were.

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Speaker 6: Talking Peter Peter you know him, Peter Dobson. He's a

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Speaker 6: young actor that I became such a fan of through

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Speaker 6: my wife. My wife were hanging out one night. She said,

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Speaker 6: I have to go meet Peter Peter Who Peter Dobson,

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Speaker 6: Come on here, come with us. So what an entertaining, wonderful,

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Speaker 6: innert smart, funny, intelligent, genuine politics.

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Speaker 2: Everything about him.

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Speaker 4: Is just righteous, genuine. I love him down to Peter Dobson.

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Speaker 4: He's the real real Yeah. Now, the rest of those

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Speaker 4: cast members of the Little Hooligan pack in the movie

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Speaker 4: because Stephen Lang was in it, Yes, right, Bert Young

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Speaker 4: was in it. It's just a brilliant film based on

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Speaker 4: the book by Hubert Selby Jr. Fantastic History. Sam rock Well,

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Speaker 4: who's now.

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Speaker 1: You know, Yes, Jennifer Jay.

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Speaker 4: Actor, she's incredible like you, sir, So let me turn,

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Speaker 4: let me get back to my subject here, Okay, my

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Speaker 4: little popa Greenwich Village man.

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Speaker 2: Jennifer is wonderful. But Jennifer Jason, I worked with.

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Speaker 4: Her twice and she's exactly that thing. So coming up

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Speaker 4: to your performances were something that The only way to

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Speaker 4: say this from one actor to another is great.

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Speaker 2: Acting requires a.

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Speaker 4: Certain very similitude within oneself imagination, that childlike thing, whatever

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Speaker 4: your technique is. But it also requires focus. Focus for

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Speaker 4: me is probably the most important thing. So Star eighty Papa,

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Speaker 4: I can't have you for the whole day. So both

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Speaker 4: movies would take six hours, but this one's only going

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Speaker 4: to take three, kidding, Papa. Grenade Village. I watched it

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Speaker 4: again last night and this morning just to remind myself

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Speaker 4: of those moments where I went.

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Speaker 2: Half ah, where did that come from?

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Speaker 4: And I mean that, brother, I could get well weepy

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Speaker 4: right now talk about because I have a great passion

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Speaker 4: for greatness. So you know, there's the people that you

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Speaker 4: looked up to and what that meant to you and

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Speaker 4: the stuff they did which was nice, but for me,

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Speaker 4: like instant hepatitis.

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Speaker 2: You know these little things right now.

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Speaker 4: But these little things, you know, of course I wouldn't

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Speaker 4: have done it if I thought I was going to

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Speaker 4: be wrong, you know, just it just there's a couple

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Speaker 4: of these floaties that if I may like when they say, oh,

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Speaker 4: Brando picks the leaf off her shoulder.

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Speaker 2: To me, that's the same thing.

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Speaker 4: When you see certain nuances in a performance that is uncanny, unreplicable,

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Speaker 4: it's it brands itself. So you have branded yourself.

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Speaker 6: Well, let me let me look. I love kind words.

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Speaker 2: I love you.

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Speaker 6: I find you intelligent and talented, so I love the

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Speaker 6: kind words are coming from you. But let me tell

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Speaker 6: you something. There's only one line in the Pope Greenwich

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Speaker 6: Village that's ad lived. Vinnie Patrick wrote everything that came

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Speaker 6: out of my mouth. There's one line in that movie.

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Speaker 6: It's a very good line. However, it's mine, thank you.

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Speaker 6: But but no, that was all Vinnie Patrick. Vinnie Patrick

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Speaker 6: is a genius, and he's overlooked because I'm the guy

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Speaker 6: on the camera.

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Speaker 1: He's who gave me that idea. Because of the dialogue.

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Speaker 6: Now, he was written as a tough, kind of a dome,

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Speaker 6: kind of cindable guy, and I inverted him into something else.

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Speaker 2: But is that all you did? Circling back on that one? Love,

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Speaker 2: go ahead, but I forgot what I was saying.

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Speaker 8: You're talking about the mont what Stephen saying? Those tipping

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Speaker 8: point Oh.

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Speaker 6: Yeah, oh yeah, there's only one that was mine. It

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Speaker 6: was all Vinni's because of the dialogue, told me how

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Speaker 6: to play it, and so he was a great guide

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Speaker 6: as a writer.

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Speaker 3: What was the line?

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Speaker 6: The line that lived is after I lose my thumb

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Speaker 6: and I go to the hospital and I have the

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Speaker 6: thing about the pills and all that stuff and I'm

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Speaker 6: all messed up. It's it's it's a scene after when

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Speaker 6: a Charlie is serving Polly's soup and he has read

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Speaker 6: on the side of the played in. My line was

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Speaker 6: white bread, no one of these wascott no color. That

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Speaker 6: was mine, But everything else is Vinnie Patrick. Every sitilable

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Speaker 6: is Vinnie Patrick. And he guided me through the language

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Speaker 6: how to play that guy.

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Speaker 1: And it was it.

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Speaker 2: Was a language that actually gave me the idea, Oh,

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Speaker 2: this guy's not tough. He wants to be tough, but

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Speaker 2: I'm not.

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Speaker 6: Gonna play him tough. And it was all from Vinnie.

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Speaker 6: You know, I'm not a bad actor. But I'm not

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Speaker 6: terribly intelligent, as my wife will attest you, and so

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Speaker 6: you know it's got to come organically or it doesn't

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Speaker 6: come with me.

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Speaker 2: Well, you're extremely humble, and it's also probably why you've

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Speaker 2: been so successful and great.

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Speaker 1: No, my wife can also say him not unbelieving you are.

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Speaker 2: Okay, actually, okay. What I mean by that is.

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Speaker 4: You're cognizant now at this stage of your life of

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Speaker 4: your wellness and your health, and you're sticking with what works.

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Speaker 4: That takes humility because some guys with your gifting can

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Speaker 4: have a little attitude, okay, And I think that's really cool,

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Speaker 4: especially for younger people to see in here. And by

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Speaker 4: the way, you just told a little story about they

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Speaker 4: took my thumb, Charlie, right, you know, yeah, many, I

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Speaker 4: bet you if you google for him later they took

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Speaker 4: my thumb, Charlie and showed the different YouTube videos that

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Speaker 4: have been put.

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Speaker 2: Up just from that line. I'll bet it's in the millions.

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Speaker 2: That'd be fun to do. And I've got all day. Yes,

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Speaker 2: it was all the writer.

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Speaker 4: And I watched an interview with the director and Mickey

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Speaker 4: where he said the same thing. He said, it's it's

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Speaker 4: all this it's an old interview and he goes it

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Speaker 4: was it was right around with the Indiana Jones movies

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Speaker 4: were coming out back then, and he goes, hey, look

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Speaker 4: this is a little movie.

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Speaker 2: And he said, really, the.

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Speaker 4: Coolest thing about you he just said, look, and you know,

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Speaker 4: it's it's so cool to be eye to eye at

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Speaker 4: the same level with another actor.

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Speaker 2: Who you know, who I.

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Speaker 4: Respect, Who's Who's he even said, like, who's one of

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Speaker 4: the best actors.

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Speaker 2: But so on the frequency of back in the eighties

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Speaker 2: and the nineties.

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Speaker 4: Tremino part of one bad movie is to invite you

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Speaker 4: to like express what that meant to you back then.

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Speaker 4: The difference between filmmaking back then and filmmaking now. Do

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Speaker 4: you feel like the techno part in the industry is

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Speaker 4: kind of taken.

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Speaker 6: Over to Well, let me tell you a story to

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Speaker 6: an example of how completely different it was when we

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Speaker 6: had film the year I made The Pope of Greenwich Phillage.

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Speaker 6: I got the script in January, I was I was

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Speaker 6: doing a play up at Hartford. I was doing I

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Speaker 6: was doing last naturally because Tennis Williams had just died,

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Speaker 6: so everybody was doing Williams. So I was out there

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Speaker 6: doing that. I get a script in a book from

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Speaker 6: Cotching Costner. Uh the producers they and they said, read

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Speaker 6: this book. Read the script. Pick apart Pauli or Charlie. Okay,

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Speaker 6: I read the book. I read the script. I read

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Speaker 6: the book again. The book is good, man, I go

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Speaker 6: back the script. God, they're identical. Who wrote Oh?

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Speaker 2: He wrote them both?

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Speaker 1: Vinnie Patrick?

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Speaker 2: How cool is see?

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Speaker 1: Okay?

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Speaker 6: I picked Paulie and they said, we want to pick Charlie.

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Speaker 6: I said, what handsome leading man who wears suits.

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Speaker 2: He's cool.

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Speaker 6: We thought it's time that you do that, I said.

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Speaker 6: I said, nah, I like the other part. But here's

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Speaker 6: the deal. He's written like a dumb, tough thug. I'm

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Speaker 6: not going to play that because that's been played to

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Speaker 6: death by everybody, including me.

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Speaker 2: I want to play something very different, but very in

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Speaker 2: the grain of that world. And he said, like what.

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Speaker 6: I said, Well, I've been spending time down there watching

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Speaker 6: those guys and they're all a bunch of mama's boys.

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Speaker 1: And they said yeah.

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Speaker 2: I said, well, I.

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Speaker 6: Want to play a mama's boy who doesn't want to

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Speaker 6: be a mama's boy. Okay, you know we hired you

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Speaker 6: for you, so whatever you do is fine with us.

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Speaker 6: They didn't get it at first, though, so I said, okay,

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Speaker 6: so that's January, so Fairbuary, March, April, May, June, July.

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Speaker 6: I lose thirty pounds. I purn my hair, I learned

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Speaker 6: my dialect. I shut ready to go, let's make a movie.

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Speaker 2: Did you really.

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Speaker 3: Those days you could take that time? Because you're talking

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Speaker 3: abou the difference.

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Speaker 1: Between oh yeah, that's that's the difference to me. You know,

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Speaker 1: you know, between now and then.

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Speaker 6: Because now you're off from a movie on a Friday,

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Speaker 6: can you be there Sunday afternoon?

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Speaker 1: And you're like, yes, sure, I a wife. Can I

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Speaker 1: be their Sunday? Yes, Eric, You're okay, that's how we

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Speaker 1: make movies. Now. Yeah, it's funny.

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Speaker 4: But it's just as far as you know, as much as.

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Speaker 2: As much as you want to share that you want to.

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Speaker 4: But if you were teaching an acting class and a

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Speaker 4: student said, tell me about those months between then and

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Speaker 4: showing up on the set, why did you perm your

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Speaker 4: hair and why did he talk the way he did,

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Speaker 4: and why did you choose to go the other way

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Speaker 4: with the character?

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Speaker 6: Okay, from the time I told him I wanted to

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Speaker 6: play Pauli, and they said, okay, go with it. I

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Speaker 6: started spending time down in literally but innocuously. I would

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Speaker 6: not Robert is here and none of that. I would

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Speaker 6: just show up and hang out and uh in restaurants,

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Speaker 6: on street corners and parks, just all in that area.

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Speaker 6: And I know everybody in Chinatown, everybody literally. But it

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Speaker 6: was not as an actress as as I go, hey,

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Speaker 6: you know, just but I spent and and I spent

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Speaker 6: time talking to those guys, hanging out those guys, watching

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Speaker 6: those guys with each other. And what I got the

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Speaker 6: the most of from that time of my life, the

356
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Speaker 6: understanding of peeps is, uh, we're all a bunch of

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Speaker 6: babies who just get tall and uh and uh and

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Speaker 6: I and I realized that the most then, because these

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Speaker 6: tough guys will and the dress cool, they drive cool,

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Speaker 6: they all cool, they smell cool, everything's cool.

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Speaker 1: And their babies don't do that to me. And you're

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Speaker 1: not tough guys.

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Speaker 6: And when I saw it, I gotta, I gotta bring

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Speaker 6: that to the screen because it's so entertaining and it's

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Speaker 6: so it's so endearing, yeah yeah, yeah, and it's so

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Speaker 6: delicate and and so it's vulnerable yeah, it is, and

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Speaker 6: and that's where I got that, just by watching those

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Speaker 6: guys on the street.

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Speaker 4: Okay, I'm not until you slap me, because no, I

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Speaker 4: just want I almost want to be that kid in

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Speaker 4: the class for a second, just say I get everything

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Speaker 4: you decide. But again, the nuance of the character, the

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Speaker 4: way he talked, was it a dialect you zeroed in

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Speaker 4: on or okay, correct, I'm not going to that. What

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Speaker 4: was their technical behavioral stuff that you applied.

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Speaker 1: Well, a technical aspect of it.

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Speaker 6: That kind of character you have to be careful because

378
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Speaker 6: he can also drown you in a performance, and that

379
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Speaker 6: you can't act while other people are talking, you know

380
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Speaker 6: what I mean. Yes, you have to be polite, and

381
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Speaker 6: not only for them, but the survival of the interest

382
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Speaker 6: of your character. You can't shove him down everybody's throat, right,

383
00:19:59,560 --> 00:20:02,720
Speaker 6: I have to than want anymore. So so so yeah,

384
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Speaker 6: it's a trick and the only place as an actor technically,

385
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Speaker 6: you know, you know, you're doing my homework that I

386
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Speaker 6: was nervous about.

387
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Speaker 1: I can overdo this and blow it in. If I

388
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Speaker 1: blow it, I blow it big.

389
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Speaker 6: Is the one page monologer have that after I lose

390
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Speaker 6: my thumb when I come to it to Charlie's apartment

391
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Speaker 6: and Jolie.

392
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Speaker 2: They took my thom that.

393
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Speaker 6: Speech and my baby sister Lisa ran that speech with

394
00:20:31,680 --> 00:20:37,119
Speaker 6: me endlessly because I would change inflection, I would change rhythm,

395
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Speaker 6: and I really worked out and I really found how

396
00:20:39,640 --> 00:20:41,200
Speaker 6: it was going to work, and I got it where

397
00:20:41,200 --> 00:20:43,560
Speaker 6: it was like it was like a great old like

398
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Speaker 6: one insured I could put it on really quick and

399
00:20:45,560 --> 00:20:47,879
Speaker 6: wear it well, you know, I really got And so

400
00:20:48,200 --> 00:20:49,679
Speaker 6: I didn't know how I was gonna do that speech

401
00:20:49,760 --> 00:20:51,760
Speaker 6: on that day because I had I had found so

402
00:20:51,880 --> 00:20:55,680
Speaker 6: many avenues into it. I just let it ride and

403
00:20:57,080 --> 00:21:00,199
Speaker 6: I knew it and I have my sister Lisa the

404
00:21:00,240 --> 00:21:00,800
Speaker 6: thing for them.

405
00:21:01,040 --> 00:21:04,080
Speaker 2: But you knew the words well enough. Oh yeah, I

406
00:21:04,119 --> 00:21:06,200
Speaker 2: knew the words. Here's why I ask.

407
00:21:07,000 --> 00:21:10,120
Speaker 4: If you look the way it was filmed, you must

408
00:21:10,119 --> 00:21:14,640
Speaker 4: have had to do it several times twice. That's it,

409
00:21:15,320 --> 00:21:17,160
Speaker 4: two angles or how many cameras?

410
00:21:17,280 --> 00:21:17,800
Speaker 2: Do you remember?

411
00:21:18,400 --> 00:21:22,520
Speaker 6: Two cameras once, one camera once twice? Yeah, I was there.

412
00:21:24,280 --> 00:21:25,440
Speaker 3: It didn't look like that.

413
00:21:25,800 --> 00:21:27,080
Speaker 2: Yeah, all those cuts.

414
00:21:27,840 --> 00:21:33,720
Speaker 4: This is what's called thespianic Gold's like for thespians.

415
00:21:33,760 --> 00:21:37,800
Speaker 6: This is and that was the only day. The night

416
00:21:38,000 --> 00:21:40,840
Speaker 6: the night before that speech. You know, Mickey doesn't learn dialogue,

417
00:21:40,960 --> 00:21:43,000
Speaker 6: and so I told Mickey for that speech, he said,

418
00:21:43,000 --> 00:21:43,800
Speaker 6: you got to do me a favor.

419
00:21:44,320 --> 00:21:46,040
Speaker 1: You have a line tomorrow.

420
00:21:46,280 --> 00:21:50,160
Speaker 6: A line, just the one, and I need that because

421
00:21:50,520 --> 00:21:53,520
Speaker 6: it's a transitional line, like I have a speech.

422
00:21:53,720 --> 00:21:57,240
Speaker 1: You know, you know, what's hell happened here? She left me.

423
00:21:57,280 --> 00:21:59,280
Speaker 6: I gotta have that line. And then I had the

424
00:21:59,280 --> 00:22:01,800
Speaker 6: other line about why and uh. And I got to

425
00:22:01,840 --> 00:22:04,400
Speaker 6: have him in the right place because I changed direction

426
00:22:04,560 --> 00:22:06,760
Speaker 6: with those lines. So you got to give them to

427
00:22:06,800 --> 00:22:09,840
Speaker 6: me in the right place, Okay, dude, And he goes,

428
00:22:10,720 --> 00:22:14,119
Speaker 6: no problem. So then we show up, we're having a

429
00:22:14,240 --> 00:22:16,480
Speaker 6: run through, and he doesn't know his lines. It's the

430
00:22:16,520 --> 00:22:19,399
Speaker 6: only time on any set ever I've ever pulled the

431
00:22:19,440 --> 00:22:22,719
Speaker 6: actor card. I said, I'll be in my trailer till

432
00:22:22,760 --> 00:22:25,280
Speaker 6: he learns his line. And I walked up the set.

433
00:22:25,960 --> 00:22:27,640
Speaker 6: They call him about half an I'm like, we also

434
00:22:27,800 --> 00:22:30,240
Speaker 6: warned him, No, no, I just I just could not

435
00:22:30,320 --> 00:22:32,840
Speaker 6: get caught up and getting make you ready because I

436
00:22:33,359 --> 00:22:34,120
Speaker 6: had a job.

437
00:22:34,640 --> 00:22:35,720
Speaker 1: It was big, so.

438
00:22:35,680 --> 00:22:37,480
Speaker 6: I couldn't get caught up in that. So when when

439
00:22:37,520 --> 00:22:40,280
Speaker 6: he has just together, I'll be back back. And so

440
00:22:40,760 --> 00:22:44,720
Speaker 6: about half and hourly he knows his line. So I

441
00:22:44,800 --> 00:22:48,760
Speaker 6: went back and we killed it, and uh and and

442
00:22:48,880 --> 00:22:52,360
Speaker 6: uh and Mickey Roar is the most brilliant, fun.

443
00:22:52,200 --> 00:22:54,120
Speaker 1: Guy to work with in the world.

444
00:22:54,960 --> 00:22:58,399
Speaker 6: But you have to be ready yet you have to

445
00:22:58,440 --> 00:23:00,359
Speaker 6: carry your own weight because he's not gonna help you

446
00:23:00,400 --> 00:23:01,000
Speaker 6: with you away.

447
00:23:01,200 --> 00:23:04,320
Speaker 4: It's amazing that you started with Micky saying, well, you

448
00:23:04,359 --> 00:23:06,760
Speaker 4: knew he just doesn't learn his lines. I did a

449
00:23:06,840 --> 00:23:09,800
Speaker 4: very small film with them, and I'm going to tell

450
00:23:09,840 --> 00:23:14,800
Speaker 4: this whole story in ninety seconds. And it's the first

451
00:23:14,880 --> 00:23:17,400
Speaker 4: day on the set, and I see he already knows

452
00:23:17,440 --> 00:23:20,199
Speaker 4: what's coming. It's the first day on the set, and

453
00:23:20,240 --> 00:23:21,640
Speaker 4: I called him and he did a favor and where

454
00:23:21,640 --> 00:23:23,080
Speaker 4: we paid him this money and he showed up and

455
00:23:23,119 --> 00:23:26,520
Speaker 4: it was a lovely little picture called fall Time, with

456
00:23:26,640 --> 00:23:31,240
Speaker 4: a great little cast, and Mickey's the biggest actor obviously

457
00:23:31,640 --> 00:23:34,840
Speaker 4: in the cast. But it's this cameo situation wh we're

458
00:23:34,840 --> 00:23:38,080
Speaker 4: shooting him in three days. So we're sitting there and

459
00:23:38,600 --> 00:23:41,680
Speaker 4: he's in his chair and they're lighting, and we're probably

460
00:23:41,720 --> 00:23:43,720
Speaker 4: ten minutes from shooting, so he's kind of on the

461
00:23:43,760 --> 00:23:46,199
Speaker 4: set a little early. And I recognized that. I'm like, oh, hey, bro.

462
00:23:46,320 --> 00:23:49,600
Speaker 4: He's like, yeah, talking for a few minutes, and he

463
00:23:49,600 --> 00:23:51,520
Speaker 4: says to me, so, what do we shooting?

464
00:23:53,200 --> 00:23:57,800
Speaker 2: And I go, oh, yeah, yeah. He's say, oh yeah,

465
00:23:59,800 --> 00:24:01,399
Speaker 2: this is his assistants.

466
00:24:00,920 --> 00:24:03,040
Speaker 4: There, and he like leans over to the fifteen and

467
00:24:03,080 --> 00:24:04,320
Speaker 4: then he starts talking to me again.

468
00:24:05,040 --> 00:24:07,120
Speaker 2: This goes on and you know what's coming. So six

469
00:24:07,240 --> 00:24:08,480
Speaker 2: or seven minutes into.

470
00:24:08,280 --> 00:24:12,320
Speaker 4: This, he's asking the like the third question was, and

471
00:24:12,359 --> 00:24:14,199
Speaker 4: what's the scene right before this?

472
00:24:14,359 --> 00:24:15,640
Speaker 2: And I'm going with this.

473
00:24:15,400 --> 00:24:19,120
Speaker 4: Guy, there's no way he doesn't know what we're shooting.

474
00:24:19,280 --> 00:24:25,320
Speaker 8: Yeah, And I'm sitting look at your.

475
00:24:21,680 --> 00:24:26,439
Speaker 4: Fast and I walk up to him and I go

476
00:24:26,720 --> 00:24:28,560
Speaker 4: because I brought him on the film, yeah, And I go,

477
00:24:30,280 --> 00:24:32,320
Speaker 4: you're ready to shoot? He goes, yeah, yeah, yeah, it's

478
00:24:32,359 --> 00:24:37,480
Speaker 4: gonna be great. But you've asked me like everything required

479
00:24:37,520 --> 00:24:40,280
Speaker 4: to like understand like from my side that you don't

480
00:24:40,320 --> 00:24:43,119
Speaker 4: have any fn idea what we're doing right now. He goes, no,

481
00:24:43,240 --> 00:24:46,120
Speaker 4: I just had to you know, refresh my memory.

482
00:24:47,000 --> 00:24:47,359
Speaker 2: He goes.

483
00:24:47,440 --> 00:24:53,440
Speaker 4: I go, oh, okay, that's when I learned that process

484
00:24:53,520 --> 00:24:58,880
Speaker 4: about him. But quickly I'll land this plane. We start shooting.

485
00:25:00,640 --> 00:25:02,840
Speaker 4: We're about to break for lunch. We've been shooting four

486
00:25:02,840 --> 00:25:05,200
Speaker 4: hours and he has this line where he says, we're

487
00:25:05,200 --> 00:25:09,359
Speaker 4: on the precipice of a whole new something right before lunch.

488
00:25:09,400 --> 00:25:11,680
Speaker 4: Paul Warner is the director's little nervous. It's the first

489
00:25:11,720 --> 00:25:14,879
Speaker 4: day with Mickey. We're rehearsing and he turns around. He goes, uh,

490
00:25:15,119 --> 00:25:20,440
Speaker 4: doesn't work, Mickey, Right, So I go, what doesn't work?

491
00:25:21,760 --> 00:25:27,560
Speaker 4: Precipice of a whole new era is the line doesn't work.

492
00:25:28,200 --> 00:25:31,159
Speaker 4: Twenty minutes later, we're on a little budget movies a

493
00:25:31,240 --> 00:25:34,359
Speaker 4: lot time. I mean, you now have craft service guys

494
00:25:34,400 --> 00:25:39,600
Speaker 4: going Millennia. Yeah, you know, just there's anything to get

495
00:25:39,640 --> 00:25:41,240
Speaker 4: him to say, you know, to get on his mark.

496
00:25:42,080 --> 00:25:44,800
Speaker 2: So and he's my friend and I go to him

497
00:25:44,800 --> 00:25:47,920
Speaker 2: and I go, we gotta shoot. I go, we gotta shoot.

498
00:25:48,080 --> 00:25:53,359
Speaker 4: He goes, yeah, okay, yeah, let's shoot it.

499
00:25:53,640 --> 00:25:56,600
Speaker 2: He goes just like this right, And.

500
00:25:56,560 --> 00:25:58,560
Speaker 4: It's a scene with me where he's doing my neck tie.

501
00:25:58,880 --> 00:26:00,959
Speaker 4: I'm just like a sidekicking. He's doing my time for

502
00:26:01,000 --> 00:26:02,159
Speaker 4: me and he's talking to me and he goes, so

503
00:26:02,240 --> 00:26:05,399
Speaker 4: listen and he's gonna work out because we're on the

504
00:26:05,400 --> 00:26:09,360
Speaker 4: precipice of a whole new precipice.

505
00:26:11,720 --> 00:26:15,440
Speaker 2: It's in the movie. You're like finet, moving.

506
00:26:15,200 --> 00:26:20,720
Speaker 6: On, freak for lunch, but one more then't move on, No,

507
00:26:20,760 --> 00:26:22,679
Speaker 6: don't take hold of It's priceless.

508
00:26:22,920 --> 00:26:24,320
Speaker 1: Uh, he calls me.

509
00:26:25,040 --> 00:26:27,439
Speaker 6: This is back in before the restaurant when heavy. He

510
00:26:27,520 --> 00:26:30,840
Speaker 6: calls the office and uh and and he says.

511
00:26:30,680 --> 00:26:34,879
Speaker 2: Dude, you work every day? What is that about?

512
00:26:34,960 --> 00:26:36,880
Speaker 6: Yeah, yeah, I'm I'm on the lucky ones. Dude, Yeah,

513
00:26:36,920 --> 00:26:39,880
Speaker 6: well make me lucky. I need a job. Okay, well

514
00:26:39,920 --> 00:26:41,480
Speaker 6: I'm making this moing a little of that night, this

515
00:26:41,520 --> 00:26:45,000
Speaker 6: little roll in it. Blah blah, Yeah sure, Oh thanks dude. Okay,

516
00:26:45,240 --> 00:26:46,680
Speaker 6: so b blah blah blah blah blah blah.

517
00:26:46,680 --> 00:26:48,240
Speaker 2: Okay, great, dude, I love you.

518
00:26:48,359 --> 00:26:50,760
Speaker 6: I'll touch in him minute he shows up on the set,

519
00:26:51,200 --> 00:26:53,000
Speaker 6: It's all gonna happen, you know, mikey blah blah. And

520
00:26:53,200 --> 00:26:55,760
Speaker 6: I set it up and I happened to be there

521
00:26:55,800 --> 00:26:57,760
Speaker 6: as a friend. I'm not on the set that day.

522
00:26:57,800 --> 00:27:00,679
Speaker 6: And he has a dog, of course, And and then

523
00:27:00,680 --> 00:27:03,000
Speaker 6: you talk about seeing blah blah. Okay, let's shoot who

524
00:27:03,000 --> 00:27:04,000
Speaker 6: you're going to hand the dog off to?

525
00:27:04,119 --> 00:27:05,439
Speaker 1: On the hand the dog off? What do you mean?

526
00:27:05,480 --> 00:27:09,280
Speaker 6: No, he's in a movie. If I found a movie, No,

527
00:27:09,320 --> 00:27:12,080
Speaker 6: we can't. No, we can't have a dog be it's

528
00:27:12,359 --> 00:27:14,160
Speaker 6: a psychiatrist's not gonna work with a dog.

529
00:27:14,960 --> 00:27:16,720
Speaker 1: No. But if I wind a movie, he's in a movie.

530
00:27:17,280 --> 00:27:19,560
Speaker 1: And so I just went home. I just, oh, I

531
00:27:19,560 --> 00:27:20,840
Speaker 1: gotta get out of here. I left.

532
00:27:22,240 --> 00:27:23,600
Speaker 2: What what what if it came of that?

533
00:27:23,760 --> 00:27:25,240
Speaker 3: Okay, but it ended up happening.

534
00:27:27,000 --> 00:27:30,040
Speaker 8: All of that was slightly different because it's close enough.

535
00:27:32,280 --> 00:27:34,120
Speaker 3: We do have a lot more.

536
00:27:34,560 --> 00:27:36,840
Speaker 8: I mean, you can bring dogs on planes and restaurants

537
00:27:36,880 --> 00:27:40,880
Speaker 8: and stuff now. But okay, Mickey's and we've done Mickey's

538
00:27:40,880 --> 00:27:41,440
Speaker 8: dogs before.

539
00:27:41,480 --> 00:27:43,640
Speaker 3: When they did Spun, I was the dog sitter.

540
00:27:43,680 --> 00:27:45,080
Speaker 8: And by the way, the day I showed up and

541
00:27:45,160 --> 00:27:47,000
Speaker 8: was the dog sitter, it happened I had been bitten

542
00:27:47,040 --> 00:27:50,080
Speaker 8: in the face by a dog and I was completely bandage.

543
00:27:50,359 --> 00:27:52,680
Speaker 3: I love dogs. This was a total accident. It was,

544
00:27:53,920 --> 00:27:56,520
Speaker 3: but you could barely see my face. And I had

545
00:27:56,560 --> 00:27:57,120
Speaker 3: just come.

546
00:27:56,960 --> 00:28:00,639
Speaker 8: From from the and Mickey's like, when I'm going to

547
00:28:00,680 --> 00:28:02,639
Speaker 8: trust with what I can't remember it was Loki or

548
00:28:02,640 --> 00:28:03,280
Speaker 8: one of the other dogs.

549
00:28:03,280 --> 00:28:05,879
Speaker 3: The only one I'm gonna trust with the dog is Eliza.

550
00:28:06,040 --> 00:28:07,840
Speaker 8: And somebody said to him, you know, she just was

551
00:28:07,960 --> 00:28:11,240
Speaker 8: bitten by a dog, like an hour ago, and her

552
00:28:11,240 --> 00:28:13,560
Speaker 8: face is gone right, and he's like.

553
00:28:13,600 --> 00:28:15,880
Speaker 3: Yeah, this is fine. The dog won't know and and.

554
00:28:16,200 --> 00:28:18,480
Speaker 8: The whole day, but the whole he'll stop in the

555
00:28:18,480 --> 00:28:20,280
Speaker 8: middle of a scene and be like, how's it.

556
00:28:20,640 --> 00:28:23,960
Speaker 3: You're just you're doing the scene. How's the dog doing?

557
00:28:23,960 --> 00:28:24,560
Speaker 2: How you doing?

558
00:28:24,640 --> 00:28:26,440
Speaker 3: And he'll just be talking to the dog. But the

559
00:28:26,920 --> 00:28:28,359
Speaker 3: time that Eric's.

560
00:28:28,119 --> 00:28:31,520
Speaker 8: Talking about, this dog wasn't a wrangle dog. This was

561
00:28:31,560 --> 00:28:36,000
Speaker 8: not a movie dog. And and it would have been fine,

562
00:28:36,119 --> 00:28:39,320
Speaker 8: it could have worked, but the dog was being a

563
00:28:39,360 --> 00:28:41,520
Speaker 8: dog and wanted to do a lot of other things.

564
00:28:41,960 --> 00:28:45,040
Speaker 8: And Mickey wasn't just letting the dog go do other things.

565
00:28:45,080 --> 00:28:47,280
Speaker 8: Mickey would go do other things with the dog too,

566
00:28:47,320 --> 00:28:48,440
Speaker 8: So you just couldn't in.

567
00:28:48,400 --> 00:28:50,600
Speaker 2: The shot was wherever he was.

568
00:28:51,040 --> 00:28:52,760
Speaker 3: Yeah, and that and.

569
00:28:52,720 --> 00:28:56,040
Speaker 8: This came after the day of where this was one

570
00:28:56,080 --> 00:28:57,719
Speaker 8: of those movies where there's like no budget.

571
00:28:57,840 --> 00:29:00,560
Speaker 6: The reason it's not quite the same story is I

572
00:29:00,600 --> 00:29:03,400
Speaker 6: do this since she does this, Yeah, that's okay.

573
00:29:04,200 --> 00:29:06,800
Speaker 2: Just you understand that's brilliant in this.

574
00:29:06,760 --> 00:29:10,520
Speaker 8: Case that the director they actually replaced him, actually paid

575
00:29:10,560 --> 00:29:11,520
Speaker 8: him and replaced.

576
00:29:11,240 --> 00:29:14,560
Speaker 3: Him with Michael Madsen. I mean, I don't know how you.

577
00:29:14,080 --> 00:29:16,560
Speaker 4: Who has been on this very program did you know

578
00:29:16,600 --> 00:29:18,000
Speaker 4: that one bad movie.

579
00:29:18,920 --> 00:29:22,080
Speaker 8: We love Mickey very much, very very dearly, and he's

580
00:29:22,360 --> 00:29:25,400
Speaker 8: incredibly supportive. And his shout out for Eric at the

581
00:29:25,600 --> 00:29:28,520
Speaker 8: at the what you gonna call it spirit.

582
00:29:28,280 --> 00:29:31,400
Speaker 6: Wards, that had more effect on my on my day

583
00:29:31,400 --> 00:29:33,560
Speaker 6: to day life for quite a while than anything that's.

584
00:29:33,440 --> 00:29:36,280
Speaker 3: Happened in years, more than C A A U T A.

585
00:29:36,640 --> 00:29:38,160
Speaker 6: When he got the when he when he got the

586
00:29:38,560 --> 00:29:42,280
Speaker 6: Independent Spirit Award for for the restler, like that's the trophy,

587
00:29:42,320 --> 00:29:43,400
Speaker 6: and it started talking about me.

588
00:29:43,720 --> 00:29:45,120
Speaker 3: Yeah, we were in the art you know, you know,

589
00:29:45,280 --> 00:29:47,320
Speaker 3: you never know what to say in these moments. It's

590
00:29:47,400 --> 00:29:47,840
Speaker 3: better to.

591
00:29:47,800 --> 00:29:51,400
Speaker 8: Talk about It's like somebody else of performing as as

592
00:29:51,440 --> 00:29:53,080
Speaker 8: an artist is to introduce the band.

593
00:29:53,120 --> 00:29:55,040
Speaker 3: I mean, banter is a pain in the ass. So

594
00:29:55,520 --> 00:29:57,360
Speaker 3: he just did. Couldn't think that. Say I saw him

595
00:29:57,480 --> 00:29:58,240
Speaker 3: zero in on Eric.

596
00:29:58,280 --> 00:30:00,520
Speaker 1: I was like, he's all, wait, here's the thing.

597
00:30:00,560 --> 00:30:04,720
Speaker 6: Though he called her before that that awards someone he said,

598
00:30:04,840 --> 00:30:07,640
Speaker 6: I want Eric there, bring him, I want him there,

599
00:30:08,240 --> 00:30:09,920
Speaker 6: and she goes, Eric, you know, make you want you

600
00:30:10,080 --> 00:30:12,920
Speaker 6: your awards? Ceremoney for French better word, why.

601
00:30:13,320 --> 00:30:14,600
Speaker 1: Because because he does.

602
00:30:15,680 --> 00:30:18,720
Speaker 6: Okay, So I got dressed up and went so I'm

603
00:30:18,720 --> 00:30:19,400
Speaker 6: in the audience.

604
00:30:20,680 --> 00:30:22,840
Speaker 8: Yeah no, and he just said he just went to

605
00:30:22,920 --> 00:30:25,160
Speaker 8: the mic like this. He hadn't said anything. He just

606
00:30:25,200 --> 00:30:25,880
Speaker 8: won an a war.

607
00:30:26,160 --> 00:30:31,920
Speaker 3: He just was, you know, he was exhumed from burial pretty.

608
00:30:31,680 --> 00:30:33,960
Speaker 4: Much like a therapist. I'm going to explain all this

609
00:30:34,000 --> 00:30:35,280
Speaker 4: in a minute. Please continue.

610
00:30:35,480 --> 00:30:37,600
Speaker 8: And he just went into the to the thing and

611
00:30:37,640 --> 00:30:41,880
Speaker 8: he said, you can find it online, Eric Roberts, whatever

612
00:30:41,920 --> 00:30:44,360
Speaker 8: it was that he did fifteen years ago. Like, the

613
00:30:44,400 --> 00:30:47,080
Speaker 8: guy's brilliant. Isn't it time to forgive you forgave me?

614
00:30:47,200 --> 00:30:48,720
Speaker 8: So just let's give him a job.

615
00:30:48,960 --> 00:30:51,320
Speaker 3: And they did, basically.

616
00:30:51,880 --> 00:30:55,000
Speaker 2: But that's a men's thing. That's a mens thing. Oh totally.

617
00:30:56,800 --> 00:30:57,520
Speaker 1: I don't disagree.

618
00:30:57,560 --> 00:31:00,600
Speaker 4: But isn't it funny? I'm gonna circle back again. Now

619
00:31:01,240 --> 00:31:03,560
Speaker 4: this is kind of how the business has changed too.

620
00:31:05,040 --> 00:31:10,360
Speaker 4: The mentioniness is kind of gone. So it's nice to

621
00:31:10,840 --> 00:31:15,600
Speaker 4: legends of cinema. You're a legend of cinema, can chat

622
00:31:15,640 --> 00:31:20,560
Speaker 4: about each other so lovingly and positively in the retrospect.

623
00:31:21,000 --> 00:31:25,120
Speaker 4: But I just again, before I forget, just thank you

624
00:31:25,160 --> 00:31:29,280
Speaker 4: for being here. This is just I'm uh, I was

625
00:31:29,480 --> 00:31:33,240
Speaker 4: very nervous before you got I was very nervous. Brother,

626
00:31:33,560 --> 00:31:36,040
Speaker 4: I smoked to American spirits.

627
00:31:36,400 --> 00:31:37,560
Speaker 3: Wow, you don't even smoke.

628
00:31:37,720 --> 00:31:38,880
Speaker 2: We've hung out lots.

629
00:31:39,120 --> 00:31:42,240
Speaker 6: I don't make you nervous. Why would I make you nervous.

630
00:31:42,400 --> 00:31:43,959
Speaker 6: We've hung out so many times.

631
00:31:44,000 --> 00:31:48,520
Speaker 2: I get to mucination. We have talked about such. Do

632
00:31:48,560 --> 00:31:51,440
Speaker 2: you remember what happened in Russia when I opened the

633
00:31:51,520 --> 00:31:55,280
Speaker 2: door to your car? Do you remember? Not specifically? I

634
00:31:55,320 --> 00:31:56,760
Speaker 2: love you, I know the story.

635
00:31:57,480 --> 00:31:58,080
Speaker 3: I want to hear.

636
00:31:58,120 --> 00:32:00,960
Speaker 4: It was life changing. I'm gonna say, no, you're not

637
00:32:01,000 --> 00:32:03,280
Speaker 4: in trouble because you were nice.

638
00:32:03,880 --> 00:32:07,760
Speaker 2: But you were Eric. So look, not a lot of

639
00:32:07,760 --> 00:32:09,720
Speaker 2: guys like we get to say this. I'm just provessive peak.

640
00:32:10,120 --> 00:32:11,960
Speaker 2: So we go because.

641
00:32:11,680 --> 00:32:15,120
Speaker 4: Of Bruno forget about it, no more.

642
00:32:16,680 --> 00:32:18,280
Speaker 2: So. Yeah, okay, God bless him.

643
00:32:18,320 --> 00:32:19,400
Speaker 3: Yeah.

644
00:32:19,440 --> 00:32:23,000
Speaker 4: And I go to that film festival on the Black

645
00:32:23,040 --> 00:32:27,840
Speaker 4: Sea and you're there and we're both doing appearances.

646
00:32:29,280 --> 00:32:30,080
Speaker 2: No imagine.

647
00:32:30,120 --> 00:32:34,680
Speaker 4: I go to a film festival in in wherever I'm from, Pequa,

648
00:32:34,960 --> 00:32:36,160
Speaker 4: it's somewhere at the Black Sea.

649
00:32:36,560 --> 00:32:39,040
Speaker 2: I failed geography, That's what I.

650
00:32:38,960 --> 00:32:42,479
Speaker 4: Had to become an actor. So so I'm there at

651
00:32:42,480 --> 00:32:45,280
Speaker 4: this thing. Eric Roberts is there and before I get

652
00:32:45,320 --> 00:32:46,520
Speaker 4: a chance to go, hey.

653
00:32:46,760 --> 00:32:51,560
Speaker 1: Eric, Eric, Eric, So I go concentrate on the mic.

654
00:32:51,640 --> 00:32:57,600
Speaker 2: I can't forget that, Mica hold on.

655
00:32:58,120 --> 00:33:00,880
Speaker 4: So I followed down. I'm now I'm going down to

656
00:33:00,920 --> 00:33:02,920
Speaker 4: my car to go to get my lunch or go

657
00:33:03,040 --> 00:33:05,680
Speaker 4: somewhere on the schedule. But I get down in there's

658
00:33:05,840 --> 00:33:09,720
Speaker 4: like Eric's people around a car. So Eric's in this car.

659
00:33:10,240 --> 00:33:12,400
Speaker 4: So I go to the people because I'm from Speakle.

660
00:33:12,640 --> 00:33:13,360
Speaker 2: Hey, what's up.

661
00:33:13,440 --> 00:33:16,480
Speaker 4: Yeah, we were just upstairs Steve Baldwin, Alex little brother. Yeah,

662
00:33:16,480 --> 00:33:19,560
Speaker 4: I'm just gonna just real quick. I'm gonna I didn't

663
00:33:19,600 --> 00:33:21,800
Speaker 4: get a chance. And they're kind of like, I think

664
00:33:21,800 --> 00:33:23,680
Speaker 4: he's on a phone call something like that. So to

665
00:33:23,720 --> 00:33:25,960
Speaker 4: day before they say anything, I'm just gonna like, what's

666
00:33:26,000 --> 00:33:28,040
Speaker 4: the big deal. I'm just gonna open this door right

667
00:33:28,040 --> 00:33:30,600
Speaker 4: now and just say, hey, thanks. I didn't get a

668
00:33:30,720 --> 00:33:33,760
Speaker 4: chance to say, hey, you know, let's get some sushi

669
00:33:33,840 --> 00:33:37,960
Speaker 4: here in Russia. It must be good something. I opened

670
00:33:37,960 --> 00:33:40,560
Speaker 4: the door, I poked my head in. This gentleman's there

671
00:33:41,160 --> 00:33:43,880
Speaker 4: and he's on the phone and he goes like this.

672
00:33:44,280 --> 00:33:52,720
Speaker 4: He goes, clearly, in your experience, you have not been

673
00:33:52,800 --> 00:33:59,120
Speaker 4: taught good manners very well. Now please close the door.

674
00:34:02,240 --> 00:34:07,520
Speaker 4: To imagine they took my It's like this, this is

675
00:34:07,560 --> 00:34:11,560
Speaker 4: my first impression with with who could have nobody? Nobody

676
00:34:11,640 --> 00:34:16,279
Speaker 4: was it was fair because now this moment's happening where

677
00:34:16,280 --> 00:34:18,040
Speaker 4: I get to go. I'm so sorry ever o from

678
00:34:18,080 --> 00:34:21,680
Speaker 4: that dor mister efforts, and thank you for being so nice.

679
00:34:21,680 --> 00:34:24,640
Speaker 4: You could have decapitated me if you want to go.

680
00:34:26,520 --> 00:34:30,280
Speaker 4: But it was just it's it's my brush with greatness,

681
00:34:30,360 --> 00:34:30,560
Speaker 4: you know.

682
00:34:30,840 --> 00:34:32,600
Speaker 2: Unique. Eric Roberts like.

683
00:34:32,960 --> 00:34:33,880
Speaker 3: What he do?

684
00:34:33,960 --> 00:34:36,279
Speaker 2: I know, Eric Roberts, I was at the Black Sea.

685
00:34:37,960 --> 00:34:40,880
Speaker 2: I opened the door and looked at me, like, close

686
00:34:41,000 --> 00:34:44,759
Speaker 2: the door, you little pimple. You know how he's on

687
00:34:44,800 --> 00:34:47,359
Speaker 2: the phone with Of course you were you.

688
00:34:47,360 --> 00:34:50,040
Speaker 3: Really probably that's the only about.

689
00:34:51,440 --> 00:34:54,360
Speaker 2: Well then, a man, it makes it perfectly logical.

690
00:34:55,360 --> 00:34:56,880
Speaker 1: Well what Stephen.

691
00:34:58,040 --> 00:35:02,440
Speaker 6: On normal circumstances, I would say, well, yeah, that's what happens.

692
00:35:02,560 --> 00:35:04,640
Speaker 6: But under these circumstances I am with her.

693
00:35:04,640 --> 00:35:06,480
Speaker 1: I have to say I apologize to you.

694
00:35:06,560 --> 00:35:13,480
Speaker 4: Oh you don't have to apologize for my wife? Is

695
00:35:13,600 --> 00:35:18,080
Speaker 4: that sounding board for me too? I mean, both my

696
00:35:18,200 --> 00:35:23,040
Speaker 4: daughters are now grown up married. My oldest daughter, Elijah,

697
00:35:23,200 --> 00:35:28,880
Speaker 4: has my first granddaughter, Iris is her name, and she's intergalactic.

698
00:35:29,120 --> 00:35:32,560
Speaker 4: The kid is already Branda. She's three and a half

699
00:35:32,600 --> 00:35:36,359
Speaker 4: she's Branda. So every time she's a brando thing, they

700
00:35:36,360 --> 00:35:40,400
Speaker 4: look at me, Grandpa, and I look at them. Go

701
00:35:40,400 --> 00:35:43,399
Speaker 4: God is good all the time, all the time. God

702
00:35:43,480 --> 00:35:48,000
Speaker 4: is good. It's genetics. It's not my fault, and they

703
00:35:48,000 --> 00:35:53,680
Speaker 4: don't believe a word of it. So, but it's wonderful

704
00:35:53,680 --> 00:35:56,520
Speaker 4: to hear you say something like that, because not many

705
00:35:56,560 --> 00:36:02,719
Speaker 4: people in this business do give real solid pudos and

706
00:36:02,760 --> 00:36:04,319
Speaker 4: compliments to their spouses.

707
00:36:04,680 --> 00:36:08,840
Speaker 6: Oh, I wouldn't be here. I wouldn't be on the planet,

708
00:36:09,280 --> 00:36:12,160
Speaker 6: let alone in this room if it weren't for my wife.

709
00:36:12,760 --> 00:36:16,600
Speaker 6: Because she picked up the pieces and they were good

710
00:36:16,640 --> 00:36:19,760
Speaker 6: pieces to work with, but they were in pieces, sure,

711
00:36:19,800 --> 00:36:21,520
Speaker 6: but she picked them up and she read it and

712
00:36:21,560 --> 00:36:23,960
Speaker 6: she said, okay, let's get back to work. I said, okay,

713
00:36:24,000 --> 00:36:27,920
Speaker 6: because I'm a great follower if I have a great leader,

714
00:36:27,960 --> 00:36:31,760
Speaker 6: and the only leader I've had really in my adult

715
00:36:31,800 --> 00:36:37,440
Speaker 6: life is my wife. And I so enjoy not only

716
00:36:37,960 --> 00:36:41,040
Speaker 6: the view from the back, but I enjoy following. You know,

717
00:36:41,480 --> 00:36:44,880
Speaker 6: I have no issues with it, and I just I

718
00:36:45,120 --> 00:36:50,560
Speaker 6: just found the temperament I have and temperament she has.

719
00:36:50,719 --> 00:36:54,040
Speaker 6: Our opposites, but they go together like hand in glove,

720
00:36:55,040 --> 00:36:56,440
Speaker 6: and that's what's happened for us.

721
00:36:56,480 --> 00:36:57,920
Speaker 2: She's the ying to your yang.

722
00:36:58,160 --> 00:37:00,799
Speaker 5: It's so tacky to say it like that, and it's

723
00:37:00,800 --> 00:37:03,480
Speaker 5: so true. Yeah, but it is. I don't believe in

724
00:37:03,480 --> 00:37:06,280
Speaker 5: any ying and yang. I'm a little creepy born again Christian,

725
00:37:06,920 --> 00:37:12,640
Speaker 5: but with my life. I'll tell if this makes sense

726
00:37:12,920 --> 00:37:18,279
Speaker 5: in the in the Honeymooner's aspect of my marriage, I'm

727
00:37:18,320 --> 00:37:24,640
Speaker 5: certainly Jackie Gleason, meaning I am the genius that knows

728
00:37:24,680 --> 00:37:29,400
Speaker 5: everything seventy percent of the time, but that thirty percent,

729
00:37:29,800 --> 00:37:30,439
Speaker 5: you know, we were.

730
00:37:30,360 --> 00:37:34,120
Speaker 2: To have lost the house. Where's that receipt? You know,

731
00:37:34,239 --> 00:37:34,640
Speaker 2: it's just.

732
00:37:34,600 --> 00:37:40,000
Speaker 4: Whatever that simple thing is. But I think that's the

733
00:37:40,040 --> 00:37:41,480
Speaker 4: cosmic balance of things.

734
00:37:41,560 --> 00:37:41,759
Speaker 2: You know.

735
00:37:42,160 --> 00:37:47,040
Speaker 6: When I speak of her, I get very moved because

736
00:37:47,120 --> 00:37:51,120
Speaker 6: I feel I feel the real core of what this means,

737
00:37:51,520 --> 00:37:54,359
Speaker 6: and I feel I can never convey it because it's

738
00:37:54,360 --> 00:37:58,520
Speaker 6: so precious. So it like moves me like a child

739
00:37:58,600 --> 00:38:00,600
Speaker 6: being happy about describing Handa Claus.

740
00:38:00,680 --> 00:38:03,360
Speaker 2: Now they even cry, and then it it is, It's.

741
00:38:03,200 --> 00:38:06,160
Speaker 6: Like that's kind of where I go in my mind.

742
00:38:06,239 --> 00:38:09,560
Speaker 6: I act very cool because I'm an actor, but I'm

743
00:38:09,600 --> 00:38:17,200
Speaker 6: like silly, silly, silly, dependent, dependently in love with this woman.

744
00:38:18,120 --> 00:38:21,600
Speaker 1: And you can call it what you want. Have you

745
00:38:21,640 --> 00:38:22,600
Speaker 1: made it your mother.

746
00:38:22,800 --> 00:38:25,000
Speaker 2: Well on Tuesdays?

747
00:38:25,239 --> 00:38:25,439
Speaker 1: Yeah?

748
00:38:25,719 --> 00:38:30,680
Speaker 2: Sometimes, but but it's so textured.

749
00:38:30,880 --> 00:38:36,600
Speaker 6: It's also sexy, and it's it's satisfying to have it,

750
00:38:37,640 --> 00:38:41,000
Speaker 6: and I don't really need anything else except to get

751
00:38:41,000 --> 00:38:41,640
Speaker 6: the bills paid.

752
00:38:41,760 --> 00:38:47,400
Speaker 4: You know, when you get twenty years then yeah, but

753
00:38:47,440 --> 00:38:51,600
Speaker 4: it takes work, and the work that it takes is

754
00:38:52,880 --> 00:38:53,120
Speaker 4: for me.

755
00:38:54,120 --> 00:38:54,279
Speaker 2: You know.

756
00:38:54,320 --> 00:38:57,399
Speaker 4: I won't get all spiritual about it too much from

757
00:38:57,440 --> 00:39:01,960
Speaker 4: my perspective, other than the greatest way now I understand

758
00:39:02,000 --> 00:39:06,640
Speaker 4: to show people what God means to me is to

759
00:39:06,760 --> 00:39:11,080
Speaker 4: express that through my marriage as best I can, as

760
00:39:11,120 --> 00:39:15,560
Speaker 4: best I can, you know, and again late in the game,

761
00:39:16,000 --> 00:39:22,479
Speaker 4: this June is thirty four years married for me. Wow, yeah,

762
00:39:22,840 --> 00:39:26,320
Speaker 4: thirty four years. You were a kid longer than Elik

763
00:39:27,040 --> 00:39:32,760
Speaker 4: forget about it. But he's older than me, with twenty

764
00:39:32,760 --> 00:39:36,480
Speaker 4: seven kids under the edge of ten, exact right, He's busy.

765
00:39:38,400 --> 00:39:43,120
Speaker 2: But that's powerful and it's important, you know, when.

766
00:39:44,680 --> 00:39:47,680
Speaker 4: You find that breath, when you find that balance, that

767
00:39:48,480 --> 00:39:51,479
Speaker 4: you don't let the world try to take it away

768
00:39:51,480 --> 00:39:51,719
Speaker 4: from it.

769
00:39:51,920 --> 00:39:56,919
Speaker 6: The longer I'm in this, the more I need it,

770
00:39:57,880 --> 00:39:58,839
Speaker 6: the more it is me.

771
00:40:00,800 --> 00:40:04,120
Speaker 4: What I'm hearing from you is if a tennis instructor

772
00:40:04,160 --> 00:40:07,560
Speaker 4: came along in the future, you'd have to like speak

773
00:40:07,600 --> 00:40:11,440
Speaker 4: to him because you know what I'm saying, you need this,

774
00:40:12,320 --> 00:40:12,919
Speaker 4: you need this.

775
00:40:13,040 --> 00:40:16,560
Speaker 6: But where I'm thoroughly protected from other men all the

776
00:40:16,640 --> 00:40:18,960
Speaker 6: roles I played, they all think I'm out in my shop.

777
00:40:22,320 --> 00:40:23,719
Speaker 2: Yeah I did.

778
00:40:23,920 --> 00:40:26,279
Speaker 4: I did something similar with my daughters. Everyone ever they

779
00:40:26,280 --> 00:40:27,919
Speaker 4: were dating a guy. You know, you had to say

780
00:40:27,920 --> 00:40:30,239
Speaker 4: the old have her home by ten. Yeah, you know

781
00:40:30,520 --> 00:40:33,480
Speaker 4: you're cleaning your shotgun. I just did like a thirty

782
00:40:33,560 --> 00:40:37,759
Speaker 4: second trailer of every kick, punch, stab and shoot that.

783
00:40:37,800 --> 00:40:39,320
Speaker 2: I did in one hundred films.

784
00:40:39,360 --> 00:40:39,960
Speaker 1: That's cute.

785
00:40:40,120 --> 00:40:43,600
Speaker 4: Yeah, we just watch this shorty for thirty seconds, all right,

786
00:40:43,800 --> 00:40:46,160
Speaker 4: and when the lights came up, I went, have her

787
00:40:46,160 --> 00:40:46,759
Speaker 4: home by ten.

788
00:40:47,440 --> 00:40:52,920
Speaker 2: Yeah, that's it. You know I'm the focused. Of course,

789
00:40:53,200 --> 00:40:56,719
Speaker 2: you really do that with my daughter? Would kill me

790
00:40:56,719 --> 00:40:58,240
Speaker 2: if I were that.

791
00:40:58,239 --> 00:41:00,600
Speaker 1: It's a good idea, that it's that's what you thought,

792
00:41:00,600 --> 00:41:01,080
Speaker 1: good idea.

793
00:41:01,080 --> 00:41:04,120
Speaker 9: Some fan probably petid and tell him that, I don't

794
00:41:04,120 --> 00:41:08,080
Speaker 9: know what about three months ago, I got a montage

795
00:41:08,080 --> 00:41:10,120
Speaker 9: from a fan of all the people I've killed, and

796
00:41:10,160 --> 00:41:12,279
Speaker 9: then from another fan who didn't know that fan, I

797
00:41:12,280 --> 00:41:14,160
Speaker 9: got a montage of all the times I've died.

798
00:41:14,800 --> 00:41:16,680
Speaker 2: I have killed thousands, I've died hundreds.

799
00:41:16,800 --> 00:41:20,280
Speaker 3: Yeah, but there's also one of all the times you cried.

800
00:41:20,800 --> 00:41:23,919
Speaker 2: Oh yeah, but but but but that was just said

801
00:41:23,920 --> 00:41:24,120
Speaker 2: to me.

802
00:41:24,160 --> 00:41:24,680
Speaker 1: That's just something.

803
00:41:24,760 --> 00:41:28,160
Speaker 3: Yeah, yeah, you have sent you a link. It's really good.

804
00:41:31,640 --> 00:41:33,520
Speaker 6: I was told I was the biggest shown the world

805
00:41:33,560 --> 00:41:36,600
Speaker 6: in Russia. Beginning beginnings like Elvis Presley and Russia. Okay,

806
00:41:36,640 --> 00:41:37,320
Speaker 6: let's make movies.

807
00:41:37,640 --> 00:41:37,879
Speaker 1: Okay.

808
00:41:37,880 --> 00:41:41,160
Speaker 6: That was nineteen ninety three. Then cut to twenty twenty four.

809
00:41:41,280 --> 00:41:43,200
Speaker 6: I've done forty four movies there. I go there all

810
00:41:43,200 --> 00:41:45,360
Speaker 6: the time. I have a great time. Okay, I do

811
00:41:45,360 --> 00:41:47,280
Speaker 6: an interview. How do you feel about the war in Ukraine?

812
00:41:47,320 --> 00:41:52,000
Speaker 6: I stand with Ukraine that day, pudent' cancel my visa?

813
00:41:52,880 --> 00:41:53,719
Speaker 3: Yeah, yeah, you can't.

814
00:41:53,960 --> 00:41:54,640
Speaker 1: I can't go back to it.

815
00:41:54,800 --> 00:41:57,000
Speaker 2: Is that public knowledge? Obviously, Well.

816
00:41:59,280 --> 00:42:02,319
Speaker 3: It is. It was out there a little bit.

817
00:42:02,880 --> 00:42:06,759
Speaker 8: But but but no, when we went to where we're

818
00:42:06,800 --> 00:42:09,480
Speaker 8: going today after this, where they want us to bring you.

819
00:42:09,560 --> 00:42:11,239
Speaker 3: Stephen is a.

820
00:42:12,719 --> 00:42:17,520
Speaker 8: Ukrainian filmmaker's house who does stuff in Kazakhstan, Ukraine and

821
00:42:17,560 --> 00:42:21,080
Speaker 8: Russia and now has to shoot in Santa Clarita because

822
00:42:21,400 --> 00:42:22,720
Speaker 8: Eric can't get a visa anymore.

823
00:42:23,160 --> 00:42:24,840
Speaker 3: So he wants you to come and be in a

824
00:42:24,880 --> 00:42:25,440
Speaker 3: scene with Eric.

825
00:42:25,480 --> 00:42:30,480
Speaker 4: By the way, number one, I'm in number two, boutin

826
00:42:31,280 --> 00:42:33,759
Speaker 4: thank you for Can I say that just if I

827
00:42:33,800 --> 00:42:36,080
Speaker 4: have to cut it out, I will, I'll beep out

828
00:42:36,120 --> 00:42:41,760
Speaker 4: the s Okay, forgive me. I like unique conversations.

829
00:42:42,360 --> 00:42:44,200
Speaker 2: You're dead serious.

830
00:42:44,520 --> 00:42:47,759
Speaker 4: That was the timeline of what transfers. You literally said,

831
00:42:47,800 --> 00:42:48,920
Speaker 4: I stand with them.

832
00:42:49,680 --> 00:42:54,200
Speaker 6: That day your visa, your visa was canceled to your work.

833
00:42:54,040 --> 00:42:55,880
Speaker 3: Visa to Russia.

834
00:42:55,960 --> 00:42:59,200
Speaker 8: The person who always does our visas for Russia, which

835
00:42:59,239 --> 00:43:01,319
Speaker 8: are always expert and everything, and it's a.

836
00:43:01,320 --> 00:43:03,360
Speaker 2: Whole you've done how many films they were ready.

837
00:43:03,200 --> 00:43:09,319
Speaker 8: For many many and appearances you have to Yeah, it

838
00:43:09,360 --> 00:43:13,000
Speaker 8: came with the link to the to the to the

839
00:43:13,640 --> 00:43:14,160
Speaker 8: I want.

840
00:43:14,040 --> 00:43:17,440
Speaker 4: To start a movie studio now in America. I a

841
00:43:17,480 --> 00:43:21,000
Speaker 4: little this could be the but this could be the

842
00:43:21,040 --> 00:43:26,359
Speaker 4: new remote studio right here that we we set up

843
00:43:26,600 --> 00:43:30,160
Speaker 4: movies for Eric and Russia, so that everybody wants to

844
00:43:30,160 --> 00:43:33,520
Speaker 4: work for there can now just film you from here.

845
00:43:34,080 --> 00:43:35,759
Speaker 4: So the whole thing where you just act from here

846
00:43:36,360 --> 00:43:39,400
Speaker 4: in your Russian films. We booked you from here, and

847
00:43:39,440 --> 00:43:43,160
Speaker 4: we circumvent little hooty tooty pooty.

848
00:43:43,680 --> 00:43:46,080
Speaker 6: Also, I got to tell you, Russian actors are good man.

849
00:43:46,160 --> 00:43:48,960
Speaker 6: Russian actors are cool to work with. They do their homework.

850
00:43:49,960 --> 00:43:50,960
Speaker 1: You've been over there.

851
00:43:50,840 --> 00:43:52,880
Speaker 2: A bunch like question.

852
00:43:53,160 --> 00:43:57,320
Speaker 4: Forgive me, it's not it's not meant to be purposely silly.

853
00:43:58,200 --> 00:44:01,000
Speaker 2: Segal. Do you see do you know him at all? No?

854
00:44:01,800 --> 00:44:05,399
Speaker 6: You know he lives there? He does now, Yeah, he's

855
00:44:05,400 --> 00:44:07,200
Speaker 6: been there a while. I hear he gave up his

856
00:44:07,239 --> 00:44:08,359
Speaker 6: American citizenship.

857
00:44:09,320 --> 00:44:09,920
Speaker 2: Oh I don't know that.

858
00:44:10,000 --> 00:44:12,520
Speaker 8: Yeah, yeah, I think he just got a Russian passport,

859
00:44:12,560 --> 00:44:14,040
Speaker 8: but I don't think he gave up his.

860
00:44:14,000 --> 00:44:15,800
Speaker 2: Isn't that what Oliver Stone?

861
00:44:16,160 --> 00:44:17,279
Speaker 3: Yeah, Oliver Stone did?

862
00:44:17,320 --> 00:44:19,840
Speaker 2: Or I didn't know that he's full time lives in Russia.

863
00:44:19,960 --> 00:44:23,600
Speaker 8: Nobody got in double trouble because he because he also

864
00:44:24,120 --> 00:44:27,560
Speaker 8: had said in many years ago, in an interview in Russia,

865
00:44:27,680 --> 00:44:30,960
Speaker 8: way before any of this, they said, would you ever

866
00:44:31,160 --> 00:44:34,480
Speaker 8: would you ever want to be able to have dual

867
00:44:34,640 --> 00:44:36,080
Speaker 8: citizenship and have a Russian past?

868
00:44:36,520 --> 00:44:36,920
Speaker 2: Yeah?

869
00:44:36,960 --> 00:44:37,680
Speaker 3: And he said yeah.

870
00:44:37,719 --> 00:44:41,080
Speaker 8: And so then the people in Ukraine then wrote to

871
00:44:41,120 --> 00:44:44,520
Speaker 8: us heartbroken with these huge arts a long right.

872
00:44:44,880 --> 00:44:45,640
Speaker 3: They hate him.

873
00:44:45,960 --> 00:44:47,920
Speaker 4: I don't want to you know, I'm the rocket scientist,

874
00:44:48,040 --> 00:44:50,680
Speaker 4: but if somebody said, come do a movie with us

875
00:44:50,760 --> 00:44:53,960
Speaker 4: right now for X amount of money in Russia, I

876
00:44:54,000 --> 00:44:54,520
Speaker 4: wouldn't go.

877
00:44:55,280 --> 00:44:58,640
Speaker 2: That's just me because you're just call me crazy.

878
00:44:59,000 --> 00:44:59,640
Speaker 3: I understand.

879
00:45:01,560 --> 00:45:03,960
Speaker 4: So I think that's weird. I mean, just on a

880
00:45:04,000 --> 00:45:05,719
Speaker 4: common sense level. But none of this stuff is common.

881
00:45:05,760 --> 00:45:09,240
Speaker 3: So it's baby ish, it's it's it's childishes.

882
00:45:09,600 --> 00:45:12,000
Speaker 4: It's just you know, because when's the last time you

883
00:45:12,040 --> 00:45:14,279
Speaker 4: saw Eric Roberts on a big white horse with his

884
00:45:14,320 --> 00:45:14,799
Speaker 4: shirt off?

885
00:45:15,120 --> 00:45:19,319
Speaker 2: Right, But Vlattie putin he's doing it every weekend for

886
00:45:19,400 --> 00:45:20,200
Speaker 2: crying out loud.

887
00:45:21,360 --> 00:45:23,759
Speaker 4: I think if we edit this episode correctly, Eric, it's

888
00:45:23,760 --> 00:45:27,120
Speaker 4: safe to say that my visa will be revoked. And

889
00:45:27,480 --> 00:45:32,040
Speaker 4: shortly after this public questions, Yes, sir, please, of all.

890
00:45:31,920 --> 00:45:33,840
Speaker 7: The movies that you've done, which movies of yours like?

891
00:45:33,880 --> 00:45:34,840
Speaker 7: Stand up to you?

892
00:45:35,000 --> 00:45:36,479
Speaker 2: What's highlights?

893
00:45:36,520 --> 00:45:38,360
Speaker 6: I made a lot of movies, so I have a

894
00:45:38,360 --> 00:45:42,319
Speaker 6: lot of favorites. King of the Gypsy Star, eighty, Runaway Train,

895
00:45:42,640 --> 00:45:48,640
Speaker 6: It's My Party, Love is a Gun, Purgatory, and and

896
00:45:48,640 --> 00:45:51,960
Speaker 6: and my favorite job I ever had in my career

897
00:45:52,680 --> 00:45:53,840
Speaker 6: was when I was on Righteous.

898
00:45:53,840 --> 00:45:56,680
Speaker 1: Oh yeah, it's my favorite character I ever play.

899
00:45:57,400 --> 00:45:59,319
Speaker 2: Wow, that's amazing to.

900
00:45:59,280 --> 00:46:04,319
Speaker 1: Hear you say, junior, he talked, he is. I loved him.

901
00:46:04,560 --> 00:46:05,439
Speaker 1: I loved him so.

902
00:46:05,440 --> 00:46:08,200
Speaker 2: Much, thank you, thank you.

903
00:46:08,680 --> 00:46:09,239
Speaker 1: I loved him.

904
00:46:09,320 --> 00:46:12,400
Speaker 6: He was based on my best friend and my cousin

905
00:46:12,520 --> 00:46:13,719
Speaker 6: that voice.

906
00:46:14,000 --> 00:46:14,920
Speaker 1: Yeah awesome.

907
00:46:15,440 --> 00:46:21,000
Speaker 4: Hmm, yeah, that's a highlight. Okay, I have a random

908
00:46:21,080 --> 00:46:21,799
Speaker 4: questive one.

909
00:46:22,320 --> 00:46:25,279
Speaker 7: Yeah, but I can go when you're reading scripts and

910
00:46:25,360 --> 00:46:28,120
Speaker 7: choosing parts, do you care less now about like how

911
00:46:28,160 --> 00:46:29,960
Speaker 7: stuff will hold up? Because it sounds like more and

912
00:46:30,040 --> 00:46:32,239
Speaker 7: more every day. Family is the most important thing.

913
00:46:32,360 --> 00:46:38,759
Speaker 6: I've become completely self centered. I used to be artistic,

914
00:46:38,800 --> 00:46:40,120
Speaker 6: and we can I do this?

915
00:46:40,200 --> 00:46:40,839
Speaker 2: Can I do this?

916
00:46:41,200 --> 00:46:41,399
Speaker 1: Now?

917
00:46:41,400 --> 00:46:44,360
Speaker 6: It's uh, this will be fun. I mean it's a

918
00:46:44,400 --> 00:46:48,319
Speaker 6: whole other process. And uh and and I just and

919
00:46:48,920 --> 00:46:54,879
Speaker 6: also this is my these are my brains, right, it's

920
00:46:54,960 --> 00:46:58,600
Speaker 6: a beautiful package here, all my brains, my common sense,

921
00:46:58,719 --> 00:47:02,000
Speaker 6: my power of reason, it's all in this gorgeous situation

922
00:47:02,200 --> 00:47:04,759
Speaker 6: next to me. And I use it as such. I do,

923
00:47:05,080 --> 00:47:07,239
Speaker 6: like what do we do?

924
00:47:06,920 --> 00:47:09,480
Speaker 2: And you know what's amazing? You know who gets to

925
00:47:09,520 --> 00:47:12,279
Speaker 2: see your best work? That girl?

926
00:47:12,480 --> 00:47:12,560
Speaker 7: Right?

927
00:47:15,239 --> 00:47:16,480
Speaker 1: But but yeah, a man.

928
00:47:16,719 --> 00:47:19,600
Speaker 6: And also I could cry when I say this because

929
00:47:19,920 --> 00:47:24,399
Speaker 6: but I won't. But but like just the other day

930
00:47:24,640 --> 00:47:27,279
Speaker 6: she saw this short I made and I was out

931
00:47:27,280 --> 00:47:27,640
Speaker 6: of town.

932
00:47:27,960 --> 00:47:29,439
Speaker 1: I get home and oh.

933
00:47:29,320 --> 00:47:31,040
Speaker 2: By the way, I saw that shortness. Oh yeah, how

934
00:47:31,120 --> 00:47:34,600
Speaker 2: was it? She just honey, you were unbelievable.

935
00:47:35,480 --> 00:47:39,719
Speaker 6: Oh my god, it's like she friends kissed me. I mean,

936
00:47:39,760 --> 00:47:42,600
Speaker 6: I get so like, whoa, because it's her telling me.

937
00:47:42,760 --> 00:47:47,400
Speaker 6: Because she's seen everything from her whole life, her parents.

938
00:47:47,440 --> 00:47:50,560
Speaker 6: I mean, she's seen the kremin or kreme of quality

939
00:47:50,680 --> 00:47:54,239
Speaker 6: work and stuff and everything in her life way before me,

940
00:47:54,880 --> 00:47:56,520
Speaker 6: and then she had and she says that to me,

941
00:47:57,320 --> 00:47:59,320
Speaker 6: It's like, it's it's getting kissed.

942
00:47:59,640 --> 00:48:01,520
Speaker 3: That's is the rest of the time. I'm saying to you,

943
00:48:01,960 --> 00:48:07,680
Speaker 3: what is so difficult about folding the dish? Time? When

944
00:48:07,719 --> 00:48:08,200
Speaker 3: I see it.

945
00:48:08,160 --> 00:48:09,320
Speaker 1: It's kind of true.

946
00:48:09,080 --> 00:48:11,239
Speaker 3: For a minute movie of yours and I'm like, that

947
00:48:11,480 --> 00:48:14,560
Speaker 3: was brilliant. You're like, thank god, it's not about the dish.

948
00:48:16,920 --> 00:48:17,320
Speaker 1: Anyway.

949
00:48:17,360 --> 00:48:20,719
Speaker 6: It's not quite that throwaway. She actually took it upon

950
00:48:20,760 --> 00:48:24,600
Speaker 6: herself to make sure and the ship it was. That's

951
00:48:25,480 --> 00:48:27,960
Speaker 6: and it makes me feel like a whole person.

952
00:48:28,320 --> 00:48:30,120
Speaker 2: Yeah, that my other half.

953
00:48:30,480 --> 00:48:32,960
Speaker 7: Now, have there ever been any times where she had

954
00:48:32,960 --> 00:48:35,000
Speaker 7: to pull you aside and say, you know what, maybe

955
00:48:35,000 --> 00:48:37,840
Speaker 7: you do you need another take? You're the toughest critic

956
00:48:37,880 --> 00:48:40,320
Speaker 7: to every day.

957
00:48:41,400 --> 00:48:43,960
Speaker 3: It does, it does, it does happen, especially with comedy,

958
00:48:44,280 --> 00:48:44,760
Speaker 3: and then.

959
00:48:45,239 --> 00:48:49,319
Speaker 6: Comedy and then she straightens my ass out right.

960
00:48:49,480 --> 00:48:53,879
Speaker 2: Really yeah, no, no, no, she's been your producer on

961
00:48:53,920 --> 00:48:56,760
Speaker 2: some projects. The boss, great boss.

962
00:48:56,920 --> 00:49:00,080
Speaker 4: I think it's all the Jedi mind trick, and I

963
00:49:00,080 --> 00:49:03,320
Speaker 4: I think you're just puppy dog, puppy, madly in love.

964
00:49:03,880 --> 00:49:06,359
Speaker 4: So now you've orchestrated this whole thing where now you

965
00:49:06,440 --> 00:49:09,200
Speaker 4: work for her sometimes so she could just boss you around.

966
00:49:09,280 --> 00:49:11,400
Speaker 3: Yeah, it's sound familiar.

967
00:49:12,360 --> 00:49:14,480
Speaker 1: All good, All good.

968
00:49:16,680 --> 00:49:19,800
Speaker 8: Wait, since we're gonna go to lunch afterwards, yes, ma'am,

969
00:49:19,840 --> 00:49:22,640
Speaker 8: we should think of all the things that we would

970
00:49:22,680 --> 00:49:25,160
Speaker 8: be saying at lunch, saying if only we'd done that

971
00:49:25,239 --> 00:49:25,960
Speaker 8: during the thing.

972
00:49:26,280 --> 00:49:28,160
Speaker 2: That's a great idea.

973
00:49:28,360 --> 00:49:29,200
Speaker 3: What are they going to be?

974
00:49:29,960 --> 00:49:31,160
Speaker 2: Okay? Can I just say this?

975
00:49:31,440 --> 00:49:39,000
Speaker 4: Yes, one bad movie is Steve Baldwin being silly, trying

976
00:49:39,040 --> 00:49:44,920
Speaker 4: to love people talk about interesting things, but hopefully with

977
00:49:45,239 --> 00:49:50,840
Speaker 4: great performers and entertainers about their craft. So this is

978
00:49:50,880 --> 00:49:55,920
Speaker 4: a weird pseudo creation of mine, where yeah, can I

979
00:49:55,960 --> 00:49:57,680
Speaker 4: get you in the room, because the idea is, let's

980
00:49:57,680 --> 00:49:59,760
Speaker 4: talk about a bad movie which you had to explain

981
00:50:00,440 --> 00:50:02,640
Speaker 4: why that was. And you're blessed because you're not too

982
00:50:02,680 --> 00:50:04,560
Speaker 4: many of them. In my hundred movies, I have like

983
00:50:04,600 --> 00:50:07,720
Speaker 4: twenty official Like I could show you trailers of stuff

984
00:50:07,719 --> 00:50:08,200
Speaker 4: that were.

985
00:50:08,680 --> 00:50:10,040
Speaker 3: We got them.

986
00:50:10,080 --> 00:50:10,640
Speaker 2: There's a couple.

987
00:50:10,880 --> 00:50:14,319
Speaker 4: There's a couple in there sounder under the kind of

988
00:50:15,200 --> 00:50:20,280
Speaker 4: interesting idea of that subject. I've just sat here and guys,

989
00:50:20,440 --> 00:50:23,880
Speaker 4: God bless you. Mister Roberts just told stories that I

990
00:50:23,920 --> 00:50:27,440
Speaker 4: don't believe he's ever told before. Yes, and that's gonna

991
00:50:27,520 --> 00:50:32,600
Speaker 4: bless young I look at you, sir, young actors.

992
00:50:32,640 --> 00:50:35,399
Speaker 2: It's gonna bless them to go, wait what was that?

993
00:50:35,480 --> 00:50:38,360
Speaker 4: And oh yeah, I remember him and and he's related

994
00:50:38,360 --> 00:50:40,719
Speaker 4: to this person and Stevens related to that person and.

995
00:50:40,640 --> 00:50:43,640
Speaker 2: Blah blah blah. But what he had to say about

996
00:50:44,520 --> 00:50:51,879
Speaker 2: the work was unique. And yep, thank you brother, so much.

997
00:50:51,920 --> 00:50:54,680
Speaker 2: Thank you. Yes, Okay, because here's the thing.

998
00:50:54,800 --> 00:50:56,920
Speaker 4: If I'm saying thank you to the to the body,

999
00:50:57,239 --> 00:51:00,280
Speaker 4: great to the brains, I say double thank you.

1000
00:51:00,280 --> 00:51:01,160
Speaker 3: You're double welcome.

1001
00:51:01,320 --> 00:51:04,960
Speaker 4: Thank you very much for being here. I think we're

1002
00:51:05,200 --> 00:51:09,640
Speaker 4: other than one Rando. Can I throw a rando random

1003
00:51:09,719 --> 00:51:10,480
Speaker 4: random question?

1004
00:51:10,640 --> 00:51:16,920
Speaker 2: Su eh? Because you could do, because you can. Please

1005
00:51:17,080 --> 00:51:21,359
Speaker 2: just produce this idea. If he likes it, okay, if

1006
00:51:21,400 --> 00:51:23,400
Speaker 2: we could raise enough money.

1007
00:51:23,400 --> 00:51:25,239
Speaker 4: Because I have to respectfully say that to you because

1008
00:51:25,239 --> 00:51:27,920
Speaker 4: you know what that means. You know, if I tell

1009
00:51:27,920 --> 00:51:30,399
Speaker 4: you to let's go make the Titanic for five cents,

1010
00:51:30,440 --> 00:51:30,920
Speaker 4: you're gonna go.

1011
00:51:32,920 --> 00:51:34,440
Speaker 2: Would you make a western?

1012
00:51:35,600 --> 00:51:38,840
Speaker 4: Would you make either an indie series western or movie

1013
00:51:40,120 --> 00:51:43,160
Speaker 4: if it was fun? If you could play a fun

1014
00:51:43,239 --> 00:51:46,399
Speaker 4: character like a sheriff, whatever you want, you know, the cook,

1015
00:51:46,480 --> 00:51:48,239
Speaker 4: the guy who runs the saloon, whatever you want.

1016
00:51:49,719 --> 00:51:51,640
Speaker 2: But do westerns interest you?

1017
00:51:52,640 --> 00:51:57,160
Speaker 6: Western's interesting almost as much as my wife's body. Wow,

1018
00:52:00,239 --> 00:52:03,160
Speaker 6: they love the whole idea. And I've had horses in

1019
00:52:03,200 --> 00:52:05,640
Speaker 6: my life, off and on my whole life. I haven't

1020
00:52:05,640 --> 00:52:07,760
Speaker 6: had a name for six years now.

1021
00:52:07,960 --> 00:52:09,239
Speaker 3: Maybe a little less.

1022
00:52:09,120 --> 00:52:13,280
Speaker 6: Maybe a little less, but but but horses and acting

1023
00:52:13,360 --> 00:52:16,640
Speaker 6: and swimming are the three things I'm really good at.

1024
00:52:17,080 --> 00:52:18,480
Speaker 1: Oh yeah, Oh I didn't.

1025
00:52:18,280 --> 00:52:20,880
Speaker 3: Know se Purgatory. Are you guys like it?

1026
00:52:20,920 --> 00:52:22,319
Speaker 2: Oh yeah, I got a great story for you about

1027
00:52:22,360 --> 00:52:22,720
Speaker 2: the movie.

1028
00:52:23,400 --> 00:52:26,400
Speaker 6: Me and Sam Chev. I'm making a great Western director

1029
00:52:26,480 --> 00:52:31,440
Speaker 6: by uh and uh leitle German director great cat and

1030
00:52:31,480 --> 00:52:35,360
Speaker 6: so making this western and uh, you know, actors lie,

1031
00:52:35,920 --> 00:52:37,040
Speaker 6: they say when they get a job.

1032
00:52:37,160 --> 00:52:37,959
Speaker 1: Can you ride a horse.

1033
00:52:38,000 --> 00:52:43,239
Speaker 6: Oh yeah, okay, so Sam and on these big, tall,

1034
00:52:43,280 --> 00:52:45,440
Speaker 6: badass horses we're sitting there with, and all the other

1035
00:52:45,480 --> 00:52:47,880
Speaker 6: actors come out and they put them on horses. And now, now, guys,

1036
00:52:48,040 --> 00:52:49,680
Speaker 6: we're gonna be in a stampede. Is gonna be about

1037
00:52:49,680 --> 00:52:52,880
Speaker 6: one hundred riders. Here's the deal, though, if you can't ride,

1038
00:52:52,920 --> 00:52:54,839
Speaker 6: you can't be in a stampede because if you come

1039
00:52:54,920 --> 00:52:57,400
Speaker 6: awful horse, you might die.

1040
00:52:58,200 --> 00:52:59,280
Speaker 1: Now, who could ride?

1041
00:52:59,760 --> 00:52:59,840
Speaker 8: On?

1042
00:53:00,120 --> 00:53:03,360
Speaker 1: Me and Sam raised our hands. It's all like, no,

1043
00:53:03,560 --> 00:53:04,480
Speaker 1: I'm not doing this.

1044
00:53:04,680 --> 00:53:08,000
Speaker 6: So and we had this sampede scene of always Me

1045
00:53:08,040 --> 00:53:09,359
Speaker 6: and Sam were the only actors in it.

1046
00:53:09,400 --> 00:53:11,560
Speaker 1: And so I'm so proud of me.

1047
00:53:11,640 --> 00:53:12,200
Speaker 3: He's fearless.

1048
00:53:13,040 --> 00:53:19,799
Speaker 2: H Well, you should think about putting something together. Oh

1049
00:53:19,800 --> 00:53:21,239
Speaker 2: but why do you bring that up?

1050
00:53:21,480 --> 00:53:24,880
Speaker 4: Well, because I think what I do with my friends

1051
00:53:26,080 --> 00:53:30,000
Speaker 4: is we come up with ideas for legends.

1052
00:53:30,080 --> 00:53:33,760
Speaker 6: Well, give me, give me a really good idea about

1053
00:53:33,840 --> 00:53:36,920
Speaker 6: why this character is in that story, and then and

1054
00:53:36,960 --> 00:53:37,880
Speaker 6: then you can sell me.

1055
00:53:38,600 --> 00:53:42,920
Speaker 4: Is there any historical Western theme character anything? Before you

1056
00:53:42,960 --> 00:53:45,840
Speaker 4: say to me present it? Is there any one thing

1057
00:53:46,960 --> 00:53:48,799
Speaker 4: you thought about or you don't care?

1058
00:53:49,800 --> 00:53:53,759
Speaker 6: From eighteen sixty four to eighteen eighty four is the

1059
00:53:53,880 --> 00:53:59,239
Speaker 6: era that I would like to portray because it was

1060
00:53:59,600 --> 00:54:05,200
Speaker 6: before where everything started to go modern, just before we're

1061
00:54:05,960 --> 00:54:10,719
Speaker 6: horses were still the motor transportation eighty six eighteen eighty four,

1062
00:54:11,239 --> 00:54:15,040
Speaker 6: that that generation, and uh.

1063
00:54:14,840 --> 00:54:17,640
Speaker 2: You just that's your early contingency. It's just the time zone.

1064
00:54:17,680 --> 00:54:20,200
Speaker 6: That's what I wanted. Time frame, that's what that's that's

1065
00:54:20,280 --> 00:54:21,160
Speaker 6: stories I want to tell you.

1066
00:54:21,840 --> 00:54:24,680
Speaker 4: I did this TV show years ago with Josh Brolin called,

1067
00:54:24,760 --> 00:54:28,400
Speaker 4: uh the Young Riders Roll, Yeah, Young Riders. We played

1068
00:54:28,400 --> 00:54:31,160
Speaker 4: Pony Express Riders with Tony Zurby. But you know, it

1069
00:54:31,160 --> 00:54:34,880
Speaker 4: was a fun little show we did. When I was

1070
00:54:34,960 --> 00:54:39,240
Speaker 4: doing that show, you could never get.

1071
00:54:39,560 --> 00:54:43,919
Speaker 6: Eric except that's not true. I would never pull rank.

1072
00:54:43,920 --> 00:54:45,120
Speaker 6: I would just be unavailable.

1073
00:54:47,840 --> 00:54:51,920
Speaker 2: Thank yous. But but but uh, you see my logic

1074
00:54:51,960 --> 00:54:54,719
Speaker 2: for asking that question. Is there anything? Is there? Is

1075
00:54:54,719 --> 00:54:57,120
Speaker 2: there a Sinatra of the Is there a Billy the

1076
00:54:57,200 --> 00:55:00,480
Speaker 2: Kid thing? Is there anything you liked in that period?

1077
00:55:01,040 --> 00:55:03,160
Speaker 2: Or you just like Apple Usa?

1078
00:55:03,239 --> 00:55:06,080
Speaker 4: You want to how about a wonderful horse story from

1079
00:55:06,080 --> 00:55:06,520
Speaker 4: that time?

1080
00:55:07,320 --> 00:55:10,239
Speaker 6: It was just after after the Big Goal Wars had

1081
00:55:10,280 --> 00:55:14,239
Speaker 6: exploded on the West coast, and uh, uh that that

1082
00:55:14,480 --> 00:55:17,279
Speaker 6: there there was still the possibility of whole, but about

1083
00:55:17,360 --> 00:55:19,520
Speaker 6: about going west and getting gold. But a lot of

1084
00:55:19,560 --> 00:55:22,399
Speaker 6: guys didn't go because it was already gotten. So there's

1085
00:55:22,440 --> 00:55:24,799
Speaker 6: all that going on, and uh, I just.

1086
00:55:24,760 --> 00:55:27,880
Speaker 2: Want to went out, went out, went out, went out, want.

1087
00:55:27,760 --> 00:55:31,279
Speaker 6: To education people on also the state of America at

1088
00:55:31,320 --> 00:55:37,960
Speaker 6: that time because of the whole, the whole, everything from

1089
00:55:38,000 --> 00:55:42,600
Speaker 6: the racial divide to the religious divide. There's so much cool, meady,

1090
00:55:42,880 --> 00:55:45,680
Speaker 6: meaty stuff in there, and we need to tell it,

1091
00:55:45,840 --> 00:55:47,040
Speaker 6: we need and we need to tell it.

1092
00:55:47,080 --> 00:55:49,600
Speaker 1: Well, Jared's a writer, too cool.

1093
00:55:50,280 --> 00:55:51,120
Speaker 2: Yeah, it's.

1094
00:55:53,680 --> 00:55:58,480
Speaker 4: But just some original thought and if it could be

1095
00:55:58,640 --> 00:56:01,120
Speaker 4: you know, I don't mean black, but if it could

1096
00:56:01,160 --> 00:56:08,000
Speaker 4: be some horse motivated poetic something that then reflected these

1097
00:56:08,040 --> 00:56:13,240
Speaker 4: other things. Okay, I'll get back to you. No, seriously,

1098
00:56:13,400 --> 00:56:15,160
Speaker 4: there's no other way to say. It'll just yeah, I'm

1099
00:56:15,160 --> 00:56:17,760
Speaker 4: feeling it in the holy ghost. So once that happens,

1100
00:56:18,440 --> 00:56:19,200
Speaker 4: it's already done.

1101
00:56:19,840 --> 00:56:26,480
Speaker 2: So shocks. What else do? Let's go eat.

1102
00:56:26,680 --> 00:56:34,200
Speaker 4: Let's bless you man, Thank you God, bless you.

1103
00:56:34,200 --> 00:56:36,480
Speaker 2: May you continue, thank you.

1104
00:56:37,080 --> 00:56:40,719
Speaker 7: You need to think well, of course, of course, but I.

1105
00:56:40,719 --> 00:56:42,200
Speaker 4: Just want to I want to give it eric a

1106
00:56:42,200 --> 00:56:45,960
Speaker 4: little wink wink on. So may God continue to bless

1107
00:56:46,000 --> 00:56:48,640
Speaker 4: you with this point of view. Get it, you said

1108
00:56:48,640 --> 00:56:52,120
Speaker 4: you liked to this point of right. Thank you, amazing,

1109
00:56:52,680 --> 00:56:54,680
Speaker 4: Thanks guys, Thank you guys.

1110
00:56:57,080 --> 00:57:00,600
Speaker 3: It's fun that you're.

1111
00:57:00,440 --> 00:57:06,080
Speaker 4: Gonna nothing during the richly sets up guilty pleasures. This

1112
00:57:06,360 --> 00:57:08,320
Speaker 4: sunder food, it's.

1113
00:57:08,200 --> 00:57:09,439
Speaker 2: So bad, it's good.

1114
00:57:09,680 --> 00:57:12,320
Speaker 4: One bad move, the only sugar