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Speaker 1: Yo, what a world. This is Blu Blue, this is

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Speaker 1: Exile and we're live on.

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Speaker 2: A bootleg keV podcast. Check us out, Yo, bootleg keV podcast.

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Speaker 2: Man special guests in here. We got Blue and Exile

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Speaker 2: in the building.

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Speaker 3: Well well oh yeah, ye years was up with a

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Speaker 3: keV what's up? Manill it to you guys. I know recently,

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Speaker 3: you guys just celebrated what year anniversary of Below the

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Speaker 3: Heavens was it?

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Speaker 1: We just celebrated at the fifteenth, but it's I think

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Speaker 1: it's the eighteenth now or seventeenth, seventeenth.

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Speaker 3: It's such a classic album, man, Oh good looks man? Yeah,

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Speaker 3: all these years later. It's crazy because I just think

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Speaker 3: I think about, like how like an underground classic, Like

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Speaker 3: not a lot of people can say that, like the

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Speaker 3: strength of like how amazing a project was like landing

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Speaker 3: them on a like I feel like that Double XL

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Speaker 3: cover was important because you were like a representation of

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Speaker 3: like to me, like a like a demographic of hip

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Speaker 3: hop that like Double XL's kind of for about you know. Yeah, yeah,

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Speaker 3: who I was on your Freshman cover?

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Speaker 1: Oh let me see Asher Roth Mickey Fax.

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Speaker 3: That was that was like the second one.

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Speaker 1: Right, Yeah, that was the second one, yeap, yup, yup.

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Speaker 2: Yeah, that was like wile A was on it, right,

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Speaker 2: wile A was on it, Cutty was on it.

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Speaker 3: Yeah, very blog era.

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Speaker 1: Yeah, definitely that time yup, Yeah, that's.

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Speaker 3: That was actually the cover that kind of like, uh

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Speaker 3: made that ship because the first cover I feel like

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Speaker 3: kind of came and went I think like Crooked I

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Speaker 3: was on it, Joel was on it. But the second

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Speaker 3: cover I feel like kind of really kicked off like

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Speaker 3: the wave of that freshman class meaning.

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Speaker 1: Yeah, right, I feel that. I feel that. Yeah, that

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Speaker 1: was dope. Man. It was an honor to be a

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Speaker 1: part of that class man, you know what I mean?

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Speaker 3: Man, You guys, uh, obviously just put out a new album.

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Speaker 3: What what was What was it about the timing to

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Speaker 3: give the fans something that they've been asking for in

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Speaker 3: twenty twenty four?

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Speaker 1: X always say, you know, we dropped it because I

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Speaker 1: finally stopped dropping albums for so he had a little

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Speaker 1: window to drop something. You know what I mean, I've

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Speaker 1: been dropping so much lately.

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Speaker 3: You have you been super active? Yeah?

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Speaker 1: Yeah, man, you know what I mean, been going hard?

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Speaker 1: Uh have my son Man and I just turned it up,

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Speaker 1: you know what I mean?

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Speaker 3: Would you say, because sometimes it happens the other way.

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Speaker 3: You'll have kids and then you'll be like, I'm gonna

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Speaker 3: kick back.

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Speaker 1: Yeah for real, for real, you know what I mean.

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Speaker 1: But you gotta pay those bills extra mouth to feed, man,

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Speaker 1: you know what I mean.

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Speaker 3: So would you say that the having a kid motivated

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Speaker 3: you to have more output musically?

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Speaker 1: Yeah, definitely. I just turned it up. I went an

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Speaker 1: overdrive when my son was born.

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Speaker 3: Yeah.

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Speaker 1: You know, I recorded like, uh seven albums last year,

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Speaker 1: that's you know what I mean.

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Speaker 3: Yeah, I was just telling you the album with Evidence

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Speaker 3: is special. Man. Oh thanks, some real fucking you know,

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Speaker 3: for anybody who's like a fan of like like early

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Speaker 3: two thousands, late nineties, just La boombap shit gave me

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Speaker 3: like real remnants.

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Speaker 1: Oh, word up, word up for sure. Yeah, definitely.

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Speaker 3: What's the difference between like working on with someone like

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Speaker 3: EV and working with you know, one of the greatest

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Speaker 3: to ever touch an NPC right now?

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Speaker 4: Man?

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Speaker 1: There's a lot of similarities actually, you know what I mean.

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Speaker 1: Both of them are perfectionists in their own right, you

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Speaker 1: know what I mean. But the difference. I always try

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Speaker 1: to make the music different, you know what I mean,

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Speaker 1: And the music is already different, you know what I mean,

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Speaker 1: between Evan and Exile or you know Shaffique or you

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Speaker 1: know Roy Royal with me, I tend to work with

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Speaker 1: one producer on a project.

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Speaker 3: Which is important. I feel like it's the lost art form.

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Speaker 1: Yeah, man, it helps. It helps keep the consistency, you

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Speaker 1: know what I mean. And a project. You know, I

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Speaker 1: love that. I love the consistency of an album that

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Speaker 1: you could just put it on and you get the

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Speaker 1: whole vibe. You just listen to the whole tape, you

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Speaker 1: know what I mean?

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Speaker 3: Uh X for you man? Like you? I feel like

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Speaker 3: are somehow one of the more underrated producers in the game.

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Speaker 3: What outside of working with Blue? Like, what else have

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Speaker 3: you been working on? What else you got going on?

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Speaker 3: Back recently? Uh?

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Speaker 4: Let's see uh uh. Me and Fashion have been starting

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Speaker 4: to work a little bit more.

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Speaker 3: He's on the album right, Yeah, he's on the album

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Speaker 3: as well.

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Speaker 4: Me and Blue still got a whole bunch more. We're

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Speaker 4: still working a lot as well. Yeah, we got some

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Speaker 4: more in store. I did an Exile radio album where

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Speaker 4: I sampled everything off of like LA Radio Waves, the drums,

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Speaker 4: the high hats, and I got.

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Speaker 3: A part two cooking wait when you say you sampled

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Speaker 3: everything off of so you would like just listen to

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Speaker 3: the radio and sample straight from radio de Yeah.

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Speaker 4: Wow yeah, yeah, yeah, it's a it's a slept on,

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Speaker 4: it's a slept on, a gem of a It's all instrumental, yeah, instrumental.

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Speaker 4: But my goal was to try to have like a

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Speaker 4: real message with the music. So I was able to

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Speaker 4: kind of like manipulate what I heard on the radio

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Speaker 4: into a message that I stood by.

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Speaker 3: So well, I gotta check that out. Yeah, you know

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Speaker 3: it's has anybody trying rapping over that ship?

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Speaker 4: Yeah? Actually Evidence did a full album to that.

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Speaker 3: Really, yeah, what he did.

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Speaker 4: But then at the same time, I was doing an

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Speaker 4: album where I was getting different artists to wrap on

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Speaker 4: it as well. I put it out It's called am FM,

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Speaker 4: and I fucked it all up. I should have just

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Speaker 4: I should have put that out because now I'm trying to.

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Speaker 3: Get it's not out.

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Speaker 4: We only used some of it.

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Speaker 3: Yeah, he did a whole album just to that. He did.

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Speaker 3: What in the world in which Evidence is not rapping

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Speaker 3: as much as I'd like him too. That sounds amazing.

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Speaker 4: Yeah, yeah, you can hear some of it. It's called AMFM.

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Speaker 4: Exile AMFM, So.

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Speaker 3: There are some of the evidence, but he did a

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Speaker 3: whole project.

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Speaker 4: He did it was dope. Man. I was just like

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Speaker 4: so involved in the project I was already doing. I'm like,

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Speaker 4: oh man, I'm already doing this, but I always kind

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Speaker 4: of kicked myself for it and let that one drop Blue.

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Speaker 3: I'm curious like your Oh, I guess both of you

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Speaker 3: guys growing up in southern California. I would say you

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Speaker 3: guys were kind of like the generation. I mean, you

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Speaker 3: guys are like blog era, Yeah, very much so right,

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Speaker 3: And prior to you guys, there was like dilated people's

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Speaker 3: in J five and Freestyle Fellowship and all that. What

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Speaker 3: were some of your bigger inspirations in terms of just

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Speaker 3: like the southern California hip hop scene that I feel

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Speaker 3: like doesn't get enough shine.

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Speaker 1: Everybody that was coming out man, J five, self scientific.

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Speaker 3: Self scientific for sure, come on.

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Speaker 1: Man, the Stone Store, Roster, Oh no, Med you know

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Speaker 1: what I mean, Mad Lib Man there from the Bay, Yes,

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Speaker 1: and I from the Bay.

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Speaker 4: King T and DJ Pooh. That's kind of one of

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Speaker 4: my first inspirations to want to do a full production album.

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Speaker 3: Actually really shout to the Liquid crew man, Yeah, yeah, serious. Yeah,

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Speaker 3: even all that like era or right before I'm talking

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Speaker 3: about just like like the I feel like there was

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Speaker 3: like such a dope underground scene in La. Oh yeah

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Speaker 3: I was.

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Speaker 4: I was a teenager standing out in front of the

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Speaker 4: club selling tapes out of my backpack, mixtapes and that's

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Speaker 4: what got me and Alo popping off. We had a

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Speaker 4: group called Eminon and one tape would be a mixtape

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Speaker 4: of everybody that we fucked with, and the other side

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Speaker 4: would be all of our songs. So I'd be like, Yo,

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Speaker 4: buy this tape. It's got all these cats, and then

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Speaker 4: they were able.

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Speaker 3: To listen to the other side.

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Speaker 4: Yeah, this is this is a pre you know, internet era.

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Speaker 4: So we went viral by our you know, the tapes

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Speaker 4: being dubbed and dubbed and dubbed, right, and those are

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Speaker 4: the days now.

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Speaker 3: Alos on the album, right, Alos on.

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Speaker 4: The album as well. Yeah. But back then, yeah, you know,

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Speaker 4: Project blowed living legends. You know.

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Speaker 3: I just remember like as a kid going to Fat Beats.

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Speaker 3: I grew up in Phoenix, so we can't we drove

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Speaker 3: out here to go to uh. I think it was

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Speaker 3: the ex Oh yeah, it was the Dilated People's Expansion

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Speaker 3: Team released like week and we went to Fat Beats

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Speaker 3: and I went to Fat Beats for the first time

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Speaker 3: and it was like fucking I was like, this is

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Speaker 3: the greatest place on earth. And there was very much

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Speaker 3: like I remember, like dudes selling like their ship like

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Speaker 3: to the people in line, like that was like a

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Speaker 3: real thing.

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Speaker 4: Oh yeah, yeah, yeah, those are the days, man. I

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Speaker 4: would I would easily press the button to get rid

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Speaker 4: of Internet and just slank tapes out of the backpack. Again, No,

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Speaker 4: I don't know.

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Speaker 3: Well, for I wonder too, could you guys have kind

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Speaker 3: of seen different sides of the music industry in terms

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Speaker 3: of just kind of evolution of how it's being monetized, right,

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Speaker 3: like streaming and you kind of hear streaming obviously it's

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Speaker 3: a little predatory in the way you get paid. But

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Speaker 3: there is like less of a barrier between fans and

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Speaker 3: artists now, like you could just hit upload, I guess,

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Speaker 3: you know, as opposed to like we got to press

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Speaker 3: up CDs and we gotta press up vine and all that.

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Speaker 3: What would you guys say, like, for like a, I

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Speaker 3: guess the business model of your music? How has it

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Speaker 3: changed over the years?

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Speaker 1: For me? The first the first album we did below

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Speaker 1: the heavens. Right when it dropped, they told us, you know,

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Speaker 1: iTunes was just getting popping, you know what I mean.

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Speaker 3: It was like, oh seven right.

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Speaker 1: They put up they put our tape on on uh

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Speaker 1: on iTunes. I don't even think it was.

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Speaker 4: And our album leaked, so it was actually like the

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Speaker 4: blog era that really saved us and championed us, Like

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Speaker 4: our album leaked and okay player chat rooms is really.

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Speaker 1: Yeah, blue and bus up.

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Speaker 4: Like we we were on the road touring before the

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Speaker 4: album even dropped, and there was cats who knew the

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Speaker 4: word the lyrics to the songs we were doing, and

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Speaker 4: me and me and we were bugging out.

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Speaker 1: Yeah, we were debuting the songs and.

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Speaker 3: You were thinking that you guys were doing it for

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Speaker 3: the first time and people know.

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Speaker 1: The lyrics exactly exactly.

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Speaker 3: The whole tour message boards were crazy. Yeah yeah, yeah, no,

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Speaker 3: that's how like my name Bootleg keV I got it

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Speaker 3: because I was I would go on those message boards

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Speaker 3: download mixtapes because it was like the mixtape era. I

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Speaker 3: would just with little money I had go buy some CDs,

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Speaker 3: burn them.

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Speaker 4: I go to the spot that's that face to face

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Speaker 4: energy like g UNIT radio and like that.

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Speaker 3: That's all that fifty ship and even.

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Speaker 1: Oh yeah that's oh yeah, fifty cents.

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Speaker 3: It's crazy. So yeah, because for people who don't know,

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Speaker 3: okay player was, it was kind of like the I

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Speaker 3: would say, like the most important hip hop site for

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Speaker 3: like a decade, because like I feel like when I

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Speaker 3: was a little kid and we had internet access to school,

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Speaker 3: we go to okay Player.

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Speaker 1: Mm hmm yeah. I would go to okay Player on

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Speaker 1: Stone Store. That was it, man.

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Speaker 3: And then like I even feel like you could. I

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Speaker 3: feel like we used to chat with people on okay Player,

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Speaker 3: like you could chat with other people, which was like

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Speaker 3: weird because like I never chatted with nobody, but you

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Speaker 3: could go in there and talk with motherfuckers about like whatever. Yeah,

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Speaker 3: that was the roots site.

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Speaker 1: Right, yeah, that was the roots.

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Speaker 3: Yeah yeah, damn, that's crazy because I'm trying to think.

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Speaker 3: So O seven was like I feel like the blogg

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Speaker 3: error really started to crack and like eight on nine,

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Speaker 3: huh because O seven was still pretty early, like you said,

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Speaker 3: that was more like more message boards, like you know,

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Speaker 3: still hand to hand mixtapes and shit like that, and

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Speaker 3: like people were had like bear share and like what LimeWire.

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Speaker 1: Yeah yeah, and all that Twitter and ig started cracking

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Speaker 1: around eight on nine too.

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Speaker 3: For sure, yeah, oh nine for Twitter, Yeah yeah, no,

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Speaker 3: it was definitely uh, it was definitely a time. But

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Speaker 3: fast forward now, Like for you guys, you guys have

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Speaker 3: very few people can say they have like a classic

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Speaker 3: body of work. You guys have a classic body of

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Speaker 3: work that I feel like, you know, if we look

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Speaker 3: at the way that Illmatic has been like repackaged and

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Speaker 3: put out every time, it's like a university timestamp.

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Speaker 1: U huh.

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Speaker 3: I thought it was dope that you guys put out

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Speaker 3: like new hard copies and tapes and new merch for

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Speaker 3: the album. Oh yeah, for you guys, like, how has

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Speaker 3: the business change being like an underground quote unquote hip

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Speaker 3: hop artist in twenty twenty four as opposed to seven?

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Speaker 1: You know, the streaming game is what changed everything. That's

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Speaker 1: the biggest change, just the streaming, you know what I mean.

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Speaker 1: It's like, uh, you you you learn all these tools

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Speaker 1: to like sell your merch, you know what I'm saying,

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Speaker 1: and all of a sudden, your music is just being

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Speaker 1: you know what I mean, right almost for free ten

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Speaker 1: dollars a month.

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Speaker 3: Because you're really not making much money off of streams.

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Speaker 3: For people who don't know, like a million streams is

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Speaker 3: like thirty eight hundred dollars on Spotify yep. So it's

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Speaker 3: like you got to kind of do everything else around

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Speaker 3: the music. The music is kind of like the commercial

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Speaker 3: for the shirt or the hoodeah or real the vinyl

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Speaker 3: exactly exactly.

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Speaker 1: The music is starting to play the backdrop, you know

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Speaker 1: what I'm saying. But we try to keep it in

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Speaker 1: the forefront though, you know what I mean.

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Speaker 3: That's dope.

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Speaker 1: Man.

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Speaker 3: What are you guys most excited about with this new

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Speaker 3: album and the fans been loving it?

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Speaker 1: The fans have been loving it, man, I'm really really

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Speaker 1: excited to hit the roll with it because of how

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Speaker 1: much they're loving it, you know what I mean, how

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Speaker 1: much impact we're getting, how much like a input we're

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Speaker 1: getting already from the album. Yeah, I mean, people are

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Speaker 1: telling us it's just amazing, bro.

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Speaker 3: Yeah, it's a dope album. I listened to it last night.

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Speaker 3: Great album. Oh good, love my workout, great great body

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Speaker 3: of work for.

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Speaker 1: Sure Ward it up, Ward it up. Yeah. Man, excited

294
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Speaker 1: to rock those joints, you know what I'm saying. Yep,

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Speaker 1: that's me.

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Speaker 3: Are you guys putting it tour together?

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Speaker 4: Yeah? We were leaving this Friday.

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Speaker 3: Oh so how many yeah? Shit, how many dates?

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Speaker 4: About like seventeen dates? We're doing a Frisco October four,

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Speaker 4: San Francisco.

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Speaker 3: Nice.

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Speaker 4: Yeah, then yeah, just going all across the country. You know,

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Speaker 4: go look up the dates on Dirty Signs, Ohrecords dot

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Speaker 4: com or just hit the link in our bio XIL.

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Speaker 3: I'm curious. You're one of the goats when it comes

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Speaker 3: to like just working an NPC. How have you, if

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Speaker 3: at all, changed, because technolog I feel like with DJ's

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Speaker 3: like DJ's got Serrado and then shit just kind of

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Speaker 3: changed for everybody. And then now we got controllers, where

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Speaker 3: before it was like we had a turntables and the

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Speaker 3: mixer and now there's just one piece of equipment. Have

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Speaker 3: you switched up your process and making beats at all

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Speaker 3: over the years or is it still just the same.

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Speaker 4: Well, as far as the live show, I do live NPC,

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Speaker 4: you know, no loops or anything, just like live per cushion.

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Speaker 3: It's fine type shit.

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Speaker 4: And I'm still lugging around the heavy ass NPC two

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Speaker 4: thousand uh for tours. As far as production, I still

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Speaker 4: use the NPC two thousand XCEL, but I have started

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Speaker 4: messing around with a little bit of DOS just to

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Speaker 4: help me work with live musicians and whatnot.

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Speaker 3: I was talking to my dude Bugs the Beasts, who's

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Speaker 3: a big producers and a lot of stuff for Kanye

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Speaker 3: and he works exclusively. He used to be an NPC

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Speaker 3: two thousand. He works exclusively off of the the NPC

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Speaker 3: that has the speaker in it.

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Speaker 4: Yeah, you know, I want to get that. I need

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Speaker 4: to get that.

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Speaker 3: He's like, dude, He's like, I take this ship with

330
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Speaker 3: me everywhere. He's like, and I'm making beats on it.

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Speaker 3: But the best part is it is like I could

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Speaker 3: plug in in whatever session and everything I have right there.

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Speaker 4: And it's about, you know, three fourths less the weight

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Speaker 4: of NPC.

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Speaker 3: And I and it's got a battery. Yeah, so you

336
00:14:51,800 --> 00:14:53,520
Speaker 3: don't have to have you don't have to have a power.

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00:14:53,560 --> 00:14:55,280
Speaker 4: I'm sleeping. I gotta do it. I gotta Getah.

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00:14:55,280 --> 00:14:57,400
Speaker 3: There's no power outlet, right, so it's like, if it's charged,

339
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Speaker 3: you could make take that bitch anywhere.

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00:14:58,880 --> 00:14:59,040
Speaker 4: Yeah.

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00:14:59,680 --> 00:15:02,720
Speaker 3: So yeah, no, what what what you said? You do

342
00:15:02,800 --> 00:15:04,400
Speaker 3: some of the digital ship, Like what do you what

343
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Speaker 3: do you use?

344
00:15:05,720 --> 00:15:07,640
Speaker 4: I mess around with Serado.

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Speaker 3: Sample samples home. Yeah, yeah, yeah, I know a lot

346
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Speaker 3: of people love Ableton. Yeah, Ableton looks crazy though.

347
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Speaker 4: Yeah, I've made a couple of beats on that I

348
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Speaker 4: don't you know, I can't.

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Speaker 3: Yeah, Uh, for you guys, man, who I mean being

350
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Speaker 3: your guys's taste and what you guys are into and

351
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Speaker 3: kind of what we know you guys to be making.

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Speaker 3: Is there any artists from the newer generation that you

353
00:15:29,400 --> 00:15:31,720
Speaker 3: guys are fans of that you guys are checking for

354
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Speaker 3: you kind of man?

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Speaker 1: All the new artists I check them out and they

356
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Speaker 1: already got twelve albums out, bro, So I don't know

357
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Speaker 1: if they knew or not. I'm thinking like Code of

358
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Speaker 1: the Friend, He's hard, Navy blue, you know what I mean.

359
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Speaker 1: The Russell L Russell.

360
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Speaker 3: Russell's got a lot of albums.

361
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Speaker 1: Yeah, you know what I'm saying. It has been out

362
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Speaker 1: for a minute. I feel like, you know, I just

363
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Speaker 1: get hip to him and I'm like they new to me.

364
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Speaker 3: But you know, no, he's a new artist. But he's

365
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Speaker 3: also got like yeah, oh yeah, sixty projects or something.

366
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Speaker 1: Man, that's going hard bro.

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00:16:07,200 --> 00:16:08,800
Speaker 3: Yeah, I mean you know what's about him is he

368
00:16:08,840 --> 00:16:10,440
Speaker 3: does it's very similar to you. Is he'll work with

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Speaker 3: like a producer, for a whole album, yeah, or an artist.

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00:16:13,440 --> 00:16:14,680
Speaker 1: Yeah, you know, so.

371
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Speaker 3: You should you should tap in with the Russell. I

372
00:16:16,760 --> 00:16:17,960
Speaker 3: think you guys should have some ship.

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Speaker 4: Yeah, that'd be do I'm down, Yeah, that'd be hard.

374
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Speaker 3: Is there anybody you want to work with us, like

375
00:16:21,840 --> 00:16:26,320
Speaker 3: Younger that you kind of checking for? Yeah?

376
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Speaker 4: Yeah, Huey brissh Nana, who's on our album.

377
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Speaker 3: Not a dope, who's dope as dope?

378
00:16:35,960 --> 00:16:36,720
Speaker 1: Hell yeah?

379
00:16:36,760 --> 00:16:39,600
Speaker 4: And uh, the cat Mugs worked with its crazy too.

380
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Speaker 1: Oh Ross Fresco Ros Fresco.

381
00:16:41,800 --> 00:16:45,880
Speaker 3: Yeah, the Mugs been on his ship man just quietly

382
00:16:45,960 --> 00:16:46,600
Speaker 3: just putting.

383
00:16:46,320 --> 00:16:49,320
Speaker 4: Out he he's low Keith to got man Like, is

384
00:16:49,360 --> 00:16:50,600
Speaker 4: this longevity in the game?

385
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Speaker 3: And I just ran into Mayhem Lorent at the fucking

386
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Speaker 3: Rouse by my house, which is right by Mugs studio

387
00:16:55,920 --> 00:16:58,880
Speaker 3: in Burbank. How's the funk are you doing? Is I'm

388
00:16:58,880 --> 00:16:59,880
Speaker 3: working on album? Bugs?

389
00:17:00,960 --> 00:17:04,439
Speaker 4: Oh yeah, yeah, that's my idol.

390
00:17:05,720 --> 00:17:06,800
Speaker 3: I'm curious for you.

391
00:17:06,920 --> 00:17:07,200
Speaker 1: Blue.

392
00:17:07,280 --> 00:17:11,760
Speaker 3: Like the Freshman covers always like a weird thing because

393
00:17:11,760 --> 00:17:15,720
Speaker 3: it kind of sets up these like expectations for people commercially,

394
00:17:16,600 --> 00:17:18,480
Speaker 3: did you feel like there was like a gift in

395
00:17:18,520 --> 00:17:21,680
Speaker 3: a curse to kind of like being on that cover

396
00:17:21,720 --> 00:17:22,240
Speaker 3: at that time.

397
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Speaker 1: Yeah, nah, I was love, you know what I mean.

398
00:17:24,280 --> 00:17:26,280
Speaker 1: I always felt I was just mad love. They were

399
00:17:26,320 --> 00:17:29,240
Speaker 1: just showing, you know what I mean, Like I'm underground,

400
00:17:29,280 --> 00:17:33,000
Speaker 1: you know what I'm saying. So I wasn't like trying

401
00:17:33,000 --> 00:17:35,200
Speaker 1: to be commercial or anything. We just got a Warner

402
00:17:35,240 --> 00:17:38,199
Speaker 1: Brothers deal at the time, so it was like it

403
00:17:38,280 --> 00:17:40,439
Speaker 1: was fitting, you know what I mean. But you know,

404
00:17:40,720 --> 00:17:42,600
Speaker 1: we still kept it true to being underground.

405
00:17:42,680 --> 00:17:45,800
Speaker 4: He was extra underground with it, extra artsy. He did

406
00:17:46,359 --> 00:17:49,760
Speaker 4: his back turned to the camera and history for the

407
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Speaker 4: double XCEL. I loved this though.

408
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Speaker 3: Who was it? I wonder because I don't remember all

409
00:17:54,200 --> 00:17:56,720
Speaker 3: the way back then did the ciphers? Was everybody together?

410
00:17:57,040 --> 00:17:58,600
Speaker 3: Because I know now they split.

411
00:17:58,359 --> 00:18:00,240
Speaker 1: Out an interview for the interview.

412
00:18:00,119 --> 00:18:01,840
Speaker 3: But the cipher like did like who did you wrap

413
00:18:01,880 --> 00:18:02,600
Speaker 3: with for your cipher?

414
00:18:02,680 --> 00:18:04,960
Speaker 1: You No, I wasn't even a cipher. They just had us.

415
00:18:04,960 --> 00:18:06,360
Speaker 3: Everyone did an individual rap.

416
00:18:06,440 --> 00:18:07,720
Speaker 1: Yeah makes such yep.

417
00:18:08,080 --> 00:18:12,720
Speaker 3: It's a long time ago, fuck man. Yeah, Yeah, it's

418
00:18:12,760 --> 00:18:15,720
Speaker 3: crazy because like I feel like the music industry can

419
00:18:15,920 --> 00:18:19,399
Speaker 3: have like its ups and downs. Do you guys feel

420
00:18:19,400 --> 00:18:21,320
Speaker 3: like you've ever been through like a point in time

421
00:18:21,359 --> 00:18:24,520
Speaker 3: in your careers where like you were thinking about maybe

422
00:18:24,520 --> 00:18:27,040
Speaker 3: giving up or quitting music, just maybe moving on.

423
00:18:27,320 --> 00:18:31,080
Speaker 1: Yeah, man, I was actually thinking about becoming a producer

424
00:18:31,160 --> 00:18:33,960
Speaker 1: back in the days, and then my studio ended up

425
00:18:33,960 --> 00:18:37,600
Speaker 1: getting robbed, bro, So I had like had this studio

426
00:18:38,400 --> 00:18:42,520
Speaker 1: twenty fifteen, man, you know, And it was weird because

427
00:18:42,640 --> 00:18:46,280
Speaker 1: I was transitioning into like being a DJ and a producer,

428
00:18:47,240 --> 00:18:49,439
Speaker 1: and then all my equipment got jack so then it

429
00:18:49,520 --> 00:18:52,399
Speaker 1: was just me and the raps. That's all I had left,

430
00:18:52,480 --> 00:18:54,080
Speaker 1: you know what I'm saying. So I had to step

431
00:18:54,160 --> 00:18:55,160
Speaker 1: right back into it.

432
00:18:55,240 --> 00:18:56,320
Speaker 3: You know what I'm crazy.

433
00:18:56,840 --> 00:18:59,960
Speaker 1: Yep. I felt it was like it was a weird

434
00:19:00,240 --> 00:19:02,400
Speaker 1: divine intervention right there, you know what I'm saying.

435
00:19:02,400 --> 00:19:05,280
Speaker 3: It like a fork in the road, almost like Verse

436
00:19:05,440 --> 00:19:07,680
Speaker 3: telling you, like, no, you gotta still wrap. Yeah you're

437
00:19:07,680 --> 00:19:12,280
Speaker 3: not done yet. Yeah you're too good man looks yeah. Man,

438
00:19:13,040 --> 00:19:16,480
Speaker 3: all right, So tours come in, people can go. You guys.

439
00:19:16,920 --> 00:19:18,560
Speaker 3: I'm sure you guys are gonna be going overseas too.

440
00:19:18,920 --> 00:19:19,120
Speaker 1: Yeah.

441
00:19:19,160 --> 00:19:21,920
Speaker 4: We have a Europe tour in December, and the dates

442
00:19:21,960 --> 00:19:23,439
Speaker 4: and the tickets a up for sale right now in

443
00:19:23,480 --> 00:19:24,080
Speaker 4: our bio.

444
00:19:24,440 --> 00:19:26,680
Speaker 3: So go support that, go get the album. I'm sure

445
00:19:26,680 --> 00:19:28,240
Speaker 3: there's vinyls and all that.

446
00:19:28,320 --> 00:19:30,760
Speaker 4: Yeah, we got the vinyls and everything. Yeah, Dirty Science

447
00:19:30,800 --> 00:19:34,080
Speaker 4: Records dot Com. You can go to Exile Radio on Instagram.

448
00:19:34,720 --> 00:19:37,760
Speaker 1: Blue her favorite color. You know what I mean, go

449
00:19:37,920 --> 00:19:38,680
Speaker 1: follow these guys.

450
00:19:38,880 --> 00:19:41,280
Speaker 3: We're gonna have Blue do what he does best. Yeah,

451
00:19:42,080 --> 00:19:44,640
Speaker 3: did you make this beat compilation that's about to pop off?

452
00:19:44,720 --> 00:19:45,000
Speaker 4: Is this was?

453
00:19:45,080 --> 00:19:45,280
Speaker 2: Hey?

454
00:19:45,320 --> 00:19:47,520
Speaker 4: Yeah? You know it's just it's just me on the decks,

455
00:19:47,560 --> 00:19:51,120
Speaker 4: you know, giving Blue some some classic beats. Flip says,

456
00:19:50,960 --> 00:19:52,639
Speaker 4: he's got this freestyle that's crazy.

457
00:19:52,680 --> 00:19:54,720
Speaker 3: Let's get right to it, man, we're gonna have that's

458
00:19:54,760 --> 00:19:57,800
Speaker 3: a separate YouTube video. But yeah, make sure you go

459
00:19:58,200 --> 00:20:02,520
Speaker 3: follow these guys. Man. You guys are fucking amazing. Man.

460
00:20:02,600 --> 00:20:04,160
Speaker 3: So I'm glad you guys put out a new album

461
00:20:04,200 --> 00:20:06,160
Speaker 3: and apparently there's more new music on the way.

462
00:20:06,320 --> 00:20:06,840
Speaker 4: Yep, yep.

463
00:20:07,280 --> 00:20:10,120
Speaker 3: How much unreleased Blue and Xile is like on hard drives?

464
00:20:10,359 --> 00:20:11,840
Speaker 1: Do not even ask? Oh?

465
00:20:11,880 --> 00:20:16,359
Speaker 4: Yeah, over one hundred joints for sure. Wow, But I

466
00:20:16,400 --> 00:20:20,000
Speaker 4: think about like, yeah, we got about seventy that's gonna

467
00:20:20,000 --> 00:20:20,520
Speaker 4: be coming up.

468
00:20:20,560 --> 00:20:23,439
Speaker 3: Is there any other music blew out? I mean outside

469
00:20:23,480 --> 00:20:24,919
Speaker 3: of working with Xile, do you have anything else on

470
00:20:24,920 --> 00:20:25,200
Speaker 3: the way.

471
00:20:26,480 --> 00:20:28,680
Speaker 1: I'm gonna say it is the same way we hit

472
00:20:28,720 --> 00:20:31,040
Speaker 1: this year, We're trying to hit next year, so it's

473
00:20:31,040 --> 00:20:31,720
Speaker 1: gonna be stacked.

474
00:20:31,760 --> 00:20:33,040
Speaker 3: You and Evidence got more shit coming.

475
00:20:33,400 --> 00:20:36,080
Speaker 1: Me and Evidence. We're talking about it about bringing up

476
00:20:36,160 --> 00:20:37,000
Speaker 1: you know what I mean.

477
00:20:37,119 --> 00:20:38,840
Speaker 3: You know what you should since you kind of wanted

478
00:20:38,880 --> 00:20:41,480
Speaker 3: to be a producer, you should say fuck it and

479
00:20:41,680 --> 00:20:44,600
Speaker 3: flip flip the script the next album. Huh your beats

480
00:20:44,960 --> 00:20:49,040
Speaker 3: his wraps. I like it there it is. Man. Appreciate

481
00:20:49,119 --> 00:20:49,480
Speaker 3: you guys.

482
00:20:49,520 --> 00:20:52,280
Speaker 1: Oh yeah, appreciate you. Mall in xile Connor to be here,

483
00:20:52,320 --> 00:20:53,120
Speaker 1: bro Boom