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Speaker 1: We should start right off because I have some ideas.

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Speaker 2: Got ahead, Johnny.

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Speaker 1: Got ahead, Johnny, because you guys have to grind this.

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Speaker 3: And I'm so excited that some things occurred to me

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Speaker 3: while I was watching this thing.

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Speaker 1: Go ahead.

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Speaker 2: I love it when you come on, you know why,

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Speaker 2: because you come prepared. You're like, you're as prepared as

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Speaker 2: Donald and I You're like, you're wound up.

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Speaker 3: Well, I am a big look going back in and

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Speaker 3: watching this, first of all, it's hard not to feel

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Speaker 3: really proud of it. Yeah, and this one I thought

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Speaker 3: deserved some backdrop because the one Last Week one fifteen

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Speaker 3: is a spectacular episode.

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Speaker 1: Zach.

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Speaker 3: You're particularly great in that episode with Sarah and then

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Speaker 3: the monologues with the shrink, let the whole ensemble just shine.

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Speaker 3: And I busted my ass on those monologues because the

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Speaker 3: writing was astonished.

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Speaker 2: And you notice there's no cuts. I mean, we were

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Speaker 2: clearly all.

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Speaker 4: Told that they would be wonders.

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Speaker 2: Yeah, they were, especially since Donald knew it, so we

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Speaker 2: were clearly all that there would be no cuts.

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Speaker 3: But what I thought was really interesting and maybe interesting

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Speaker 3: for people listening is a little bit of context. And

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Speaker 3: what I mean is because in this episode, it became

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Speaker 3: clear to me just how gelled the ensemble is. Whether

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Speaker 3: it's Kenny and Judy, you and me, Zachi Donald and Sarah,

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Speaker 3: the thing is just water tight. And the reason is

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Speaker 3: because I think now, as we discussed.

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Speaker 1: Already, nine to eleven had already occurred.

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Speaker 3: We're round about the middle of December here, and so

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Speaker 3: what happened in New York, which I'll circle this back,

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Speaker 3: was the New York Yankees lost the World Series in

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Speaker 3: seven games to the Arizona Diamondbacks. And the only reason

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Speaker 3: that's relevant is because they lost. There was no tick

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Speaker 3: or tape parade in New York City, so we were

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Speaker 3: invited to the Thanksgiving Parade in New York City. And

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Speaker 3: it was the first taste of real rock Star for

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Speaker 3: all of us because we worked till Wednesday night, till

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Speaker 3: about nine to twenty five, and this was a week

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Speaker 3: or two before this episode, and then we were whisked

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Speaker 3: off to Lax where we occupied the entire front of

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Speaker 3: first class.

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Speaker 5: There was only one other person. There was only one

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Speaker 5: other there, that's right, and it was a boy band.

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Speaker 5: It was like uh oh Town or something like that.

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Speaker 5: We shared first class. It was the cast of Scrubs

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Speaker 5: and Otown.

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Speaker 4: I remember, it.

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Speaker 3: Might as well have been in private plane, it wasn't.

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Speaker 3: But it was first class. It wasn't coach. It was

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Speaker 3: first It wasn't business class. It was first class. And

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Speaker 3: we were going to New York to participate in the

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Speaker 3: Thanksgiving Day parade. Now, remember there had been no mass

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Speaker 3: gatherings allowed in New York since that Tuesday morning in September.

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Speaker 1: This just wasn't allowed. The Yankees were supposed to be there,

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Speaker 1: but they weren't.

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Speaker 3: So we fly overnight, and you guys can chime in,

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Speaker 3: but we fly overnight, we go, we're deposited at some

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Speaker 3: chapel on the Upper West Side somewhere.

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Speaker 5: We didn't even go to the hotel. We just they

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Speaker 5: dropped us off at the freaking parade.

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Speaker 2: We were like lying on the on the ground in

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Speaker 2: the chapel to.

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Speaker 3: Kind absolutely, And we got sideways on the plane, yeah.

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Speaker 2: As you do.

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Speaker 3: And and then we got up and Zachie, I think

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Speaker 3: you brought your nephew onto the float. And it was

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Speaker 3: a quasi racist kind of Pocahontas float.

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Speaker 2: And they've gotten they've gotten rid of some of those

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Speaker 2: since then, I think, Yeah, but.

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Speaker 3: Absolutely, here's the scrubs cast and a quasi racist Pocahonta's

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Speaker 3: float on the upper west side in the staging area.

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Speaker 3: And who pulls up behind us but the Wiggles in

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Speaker 3: the big red car. Now, I had gone to Wiggles

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Speaker 3: concerts with my son every time they're in Los Angeles

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Speaker 3: for the last couple of years. I was eating, sleeping,

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Speaker 3: and drinking the Wiggles. So I got off the float

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Speaker 3: and I went back to the big Red car and

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Speaker 3: produced myself to Murray and Jeff and I introduced myself

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Speaker 3: to everybody, and I became friends with the Wiggles, and

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Speaker 3: I am to this day.

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Speaker 4: You hang out with the Wiggles still not really.

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Speaker 1: But I did a video for them and they became

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Speaker 1: my friends. They're great educating.

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Speaker 2: My memory started interrupt one second, Johnny. My memory is

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Speaker 2: that my nephew was a very outspoken kid and not

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Speaker 2: shy at all. And I don't know how old he was,

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Speaker 2: but he was little, and we had to be like nine, dude,

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Speaker 2: no younger or younger younger.

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Speaker 1: He was a kid.

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Speaker 2: And so Al Roke we're off the flow at one

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Speaker 2: point and Al Roker's interviewing us, and he goes and

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Speaker 2: I'm here with the cast of Scrubs and I've got

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Speaker 2: Johnny ce McGinley and Donald Faiza's going around introducing the

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Speaker 2: whole cast, and my nephew, this is live television. And

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Speaker 2: my nephew goes, what about me? And Al Roker? It's awkward,

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Speaker 2: and Al Roker ignores him and starts so tell us

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Speaker 2: about the show. Interrupts him again, what about me? And

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Speaker 2: finally Al feels bad enough that he's like, oh, I'm sorry,

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Speaker 2: young man, you're right, and what's your name? And then

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Speaker 2: he introduces himself. But I was like, it was my

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Speaker 2: first and.

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Speaker 4: He throwing gang signs too, Like, wasn't throw.

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Speaker 2: He didn't, he didn't, he didn't know any like real

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Speaker 2: gang signs, but he had seen on TV how how

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Speaker 2: how rappers and whomever throw gang signs. So we're on

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Speaker 2: the float and he's like throwing these like almost gang signs.

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Speaker 3: When I when I spoke to Al Roker after after

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Speaker 3: he cut, I said, how, how is this for a turnout?

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Speaker 3: And he said this will be the largest turnout in

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Speaker 3: the history of the Macy's Thanksgiving Day parade. And I said, well,

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Speaker 3: give me an estimate, and he said, there'll be about

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Speaker 3: three and a half million people here. And so every

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Speaker 3: time we went through an intersection, and I'll wrap this

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Speaker 3: story up in a minute, but every time we went

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Speaker 3: down an intersection, you could see it was one hundred

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Speaker 3: to two hundred people deep at every intersection. I've never

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Speaker 3: seen that many people. I never will in my life.

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Speaker 4: Yeah, it was. That was.

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Speaker 5: I remember being like, wow, there are so many people here,

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Speaker 5: and we were on the float and every You're right,

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Speaker 5: every time we passed an intersection it looked like it

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Speaker 5: went so deep into the intersection. I remember thinking, how

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Speaker 5: are all of these people? It was like sardines too,

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Speaker 5: Like they were packed together.

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Speaker 3: Because nobody had been allowed nobody had been allowed to

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Speaker 3: gather since that Tuesday.

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Speaker 2: And another thing I remember is that my nephew was

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Speaker 2: on the float and he I thought, oh, this will

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Speaker 2: be fun for him. He was He was bored in

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Speaker 2: thirty seconds, right, And I was like, oh fuck, I

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Speaker 2: got to take care of this kid for a whole parade.

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Speaker 4: Yeah, we had to. It's all the way from Uptown,

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Speaker 4: all the way to Mason.

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Speaker 1: Yeah.

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Speaker 2: And he's throwing his gang signs for a while and

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Speaker 2: then he got bored of that. And then there was

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Speaker 2: like an upstairs in the float. I don't know if

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Speaker 2: it was like it was like in Pocahontas's head or something.

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Speaker 1: Well, no, it was a multi tiered ship that was

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Speaker 1: a boat.

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Speaker 2: Yeah, but even like in the non outside area, there

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Speaker 2: was some spot he found and then he went up

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Speaker 2: there and he found bubble wrap and I was like, okay,

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Speaker 2: fucking bubble wrap will entertain him for a little while.

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Speaker 2: Then he got over the buck. He was stomping on

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Speaker 2: the bubble wrap, and I was like, this is I'm

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Speaker 2: never having kids. This is like the worst. What about my.

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Speaker 3: My only point bringing this up, and I'll circle it back,

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Speaker 3: was that. And also remember a couple of weeks earlier,

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Speaker 3: actually about a month earlier, we had been picked up

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Speaker 3: for the back nine and we ran around the hospital

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Speaker 3: where our HUDs cut off, and so that meant you

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Speaker 3: had paychecks until.

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Speaker 1: May the first week of run yourself.

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Speaker 3: Because in TV you only get paid for episodes produced, and.

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Speaker 2: So they just you know, it just let's explain to

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Speaker 2: people who don't know the show was picked up for

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Speaker 2: the first thirteen episodes, and they kind of see how

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Speaker 2: you do in the ratings, and then if you do

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Speaker 2: well enough in the ratings, you get the rest of

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Speaker 2: the order, which which is in business talk is called

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Speaker 2: the back nine, meaning you get nine more episodes.

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Speaker 3: And we had been given that news about a month earlier,

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Speaker 3: and we ran around the hospital like we'd won the

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Speaker 3: Stanley Cuppers.

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Speaker 1: I remember vivid that.

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Speaker 4: Yeah.

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Speaker 1: Yeah.

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Speaker 3: And my only point in this is that between getting

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Speaker 3: picked Up and now about fifteen or sixteen episodes into it,

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Speaker 3: and I can see it in this episode, as we'll discuss,

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Speaker 3: but the ensemble is water tight, whether it meant going

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Speaker 3: on a trip together or getting picked up, people are

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Speaker 3: starting to vibe off each other. And it's as clear

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Speaker 3: as day when I was watching it, it's just what

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Speaker 3: Donald and Sarah are doing. As you guys know, I

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Speaker 3: think the camera is an X ray machine and it

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Speaker 3: sees through all the bullshit and.

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Speaker 1: What they're doing together, there's zero bullshit. And what Zach

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Speaker 1: is doing at the end with Sarah in that in

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Speaker 1: that on that cot, there's no bullshit.

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Speaker 3: It's it's just tight and right, and I just get

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Speaker 3: a chill. It just it really got me.

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Speaker 2: You gave me a chill too, because I gotta tell you,

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Speaker 2: I didn't remember in that scene with Sarah what happened.

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Speaker 2: I didn't know if it was going to turn romantic.

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Speaker 2: I didn't know if I cried, I couldn't remember. And

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Speaker 2: I was actually moved by the two of us because

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Speaker 2: nothing happens like I agree, like I agree, like like

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Speaker 2: you like would happen in real life. You know, in

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Speaker 2: the movies, we'd kiss. In the movies, I'd break down

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Speaker 2: and cry, But in real life two friends might just

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Speaker 2: sit there in silence for a minute. And I just

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Speaker 2: thought that was beautifully done.

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Speaker 3: I think it's the real privilege of friendship when nothing

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Speaker 3: does happen, so that I don't have to demonstrate to

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Speaker 3: you anything and you don't have to demonstrate ending to me.

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Speaker 3: And real friendship is when stuff is allowed. And it's

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Speaker 3: a tricky verb to settle, and you guys let it

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Speaker 3: settle in front of the lens. And as we'll discuss

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Speaker 3: Will McKenzie, he just let the scene play and the

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Speaker 3: two actors it's really lovely. And on a primetime comedy,

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Speaker 3: it's spectacular.

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Speaker 1: It's spectacular.

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Speaker 4: Should we start the show?

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Speaker 1: Yeah?

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Speaker 2: But which is that the show? But I think Johnny,

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Speaker 2: because of that beautiful prologue, should should have the honor

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Speaker 2: of counting a Sindo. The song Johnny Fleet stories about show.

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Speaker 4: We made about a bunch of tho.

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Speaker 6: He's a story.

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Speaker 4: Yeah, Scrubs.

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Speaker 2: So I've been using this Scrubs wiki. Johnny that that

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Speaker 2: gets it is Scrubs.

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Speaker 1: I've heard you referenced it. By the way, you guys

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Speaker 1: are killing this podcast. Well, we're having a lot of

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Speaker 1: Scrubs Wiki.

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Speaker 2: Scrubs wiki is uh. If you just put in Scrubs

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Speaker 2: wiki into into the Google machine, it brings you up

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Speaker 2: this this thing that I guess multiple fans are one

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Speaker 2: fan has curated. It's on a website called fandom dot com.

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Speaker 2: I guess it's a place where where fans can collect

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Speaker 2: trivia and share stories, and you know, it's a fan site.

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Speaker 2: But someone, and I'm thinking it might be one person,

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Speaker 2: has put a lot of work into this because every

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Speaker 2: episode it has the synopsis, it has recurring themes, it

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Speaker 2: has guest stars, it has the famous quotes, and it

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Speaker 2: has trivia from each episode. And today and I often

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Speaker 2: reference it, and today I went to look at the

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Speaker 2: trivia and the first line of trivia it says, hi

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Speaker 2: Zac exclamation point, glad you're enjoying Scrubs Wiki. Have me

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Speaker 2: on the podcast question mark, have Joel searched for my email. Wow,

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Speaker 2: so I've been discovered by the curator of Scrubs Wiki

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Speaker 2: as a as an avid fan. But I will have

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Speaker 2: Joel seek you out and I and I have to

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Speaker 2: tell you've done a fantastic job because it's very useful.

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Speaker 2: I can find out all sorts of of trivia. Like

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Speaker 2: Kelso mentions Baxter for the very first time in this episode.

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Speaker 1: There's a lot of trivia in here.

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Speaker 2: There's a lot of interesting stuff. So I think, Yeah,

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Speaker 2: Joel says she's going to track him down, and this

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Speaker 2: fellah knows a lot about Scrubs, so I think it

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Speaker 2: might be fun to have him on. We can, we

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Speaker 2: can try and stump him.

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Speaker 3: Well, let me get to you at at at early

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Speaker 3: on at at a minute or two in you and

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Speaker 3: Sarah in the batting cage.

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Speaker 2: You Zach, Yeah, why am I? Why is Jad at

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Speaker 2: the at the batting kids?

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Speaker 1: You know?

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Speaker 3: Well, it's as Donald as Donald knows. No one says

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Speaker 3: you don't even play sports. There's no no one's ever

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Speaker 3: said that in the history of the English language, which

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Speaker 3: is great writing, and you deliver like you really know sports.

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Speaker 3: But you and Sarah in there, you redeem yourself from

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Speaker 3: early on. When you get bricks dropped on your head

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Speaker 3: and you anticipated it, you don't anticipate the beanball in this,

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Speaker 3: and neither does Sarah.

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Speaker 4: Yeah, well I gotta tell you I commit it.

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Speaker 2: Yeah we did. I did not flinch. I was not

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Speaker 2: gonna let that happen again, Johnny.

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Speaker 1: From that, From that, it happened again.

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Speaker 2: And and it's hard to you know, to anticipate, uh,

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Speaker 2: to not anticipate a softball being thrown at your head.

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Speaker 3: Well, you both did it, and as a result, it's

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Speaker 3: it's Charlie Chaplin funny.

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Speaker 2: But why is why is j D at the batic gage?

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Speaker 2: He's not even with Turk like maybe one thing, be

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Speaker 2: one thing if he's a good turk like Turk made

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Speaker 2: me come I'm alone at the batting gages.

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Speaker 1: Yeah.

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Speaker 5: Neither one of you played sports, neither one of you

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Speaker 5: playing baseball, neither one of you.

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Speaker 4: In real life too, I know.

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Speaker 5: But why I think Sarah Like in high school, Sarah

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Speaker 5: was like on the shot put team.

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Speaker 4: Yeah, who was on the shot.

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Speaker 2: I've never heard Sarah talk about single sport, have you?

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Speaker 1: Oh? Ski?

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Speaker 2: She's a good snowboarder, snowboard Yeah, yeah, yeah, she's Canadian.

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Speaker 2: I think that's a rule up there. You got to

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Speaker 2: be able to ski your snowboard. But she yeah, I

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Speaker 2: just didn't understand that bit of writing. Mike Schwartz, we

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Speaker 2: should say he was the writer of this episode, along

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Speaker 2: with as Johnny mentioned, Will McKenzie, who is a concredible

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Speaker 2: director and directed Everybody's a lot of people's favorite episode,

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Speaker 2: the musical episode.

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Speaker 1: Will McKenzie is famous on set for the way he says.

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Speaker 2: Akido yeah, and and cut yeah do it? Do you remember?

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Speaker 2: Do you remember? Johnny?

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Speaker 4: But he also does this so dogs coming into the room.

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Speaker 2: Yeah, that's it. He sums up the scene. He's like, okay,

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Speaker 2: and here comes Donald and he's mad about what Carla

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Speaker 2: just did and action.

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Speaker 1: This is and cup.

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Speaker 2: I think he's He's directed a zillion sitcoms too. I

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Speaker 2: mean he was, he was, you know, he's a legendary

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Speaker 2: TV director. He I think he's retired, I imagine now,

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Speaker 2: but he is just a legend.

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Speaker 4: And a pretty good tennis player.

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Speaker 1: Apparently.

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Speaker 4: Yeah, that's what I heard.

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Speaker 2: That's what you heard.

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Speaker 4: I heard. Will can make it so you're running around

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Speaker 4: while he's standing in one place.

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Speaker 2: There were a lot of directors that when you showed

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Speaker 2: up on set on Monday morning, you saw who it

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Speaker 2: was and you just had a big old smile on

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Speaker 2: your face. And Will McKenzie was always one of those

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Speaker 2: guys for all of us, we just would like he

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Speaker 2: was like, you know, he just just felt like a

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Speaker 2: grandfather figure because he was an older guy, but he

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Speaker 2: had so much experience and he had a big old

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Speaker 2: smile on his face and I just I love that guy.

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Speaker 3: Also in this in this episode, some of the I

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Speaker 3: don't know how to say this, some of the peripheral characters,

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Speaker 3: whether it's Sammy, which I'll get to in a minute,

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Speaker 3: or Neil is the janitor get to really shine, Yeah,

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Speaker 3: and and the janitor and it I guess I think

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Speaker 3: one O three when he says girl problems and then

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Speaker 3: you say, and then Cox says, I'd say they're a

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Speaker 3: beacup and the button is at least.

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Speaker 1: They're real laugh out loud, stealing, I'm stealing Zachy's laugh

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Speaker 1: out loud. I did.

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Speaker 2: I laughed out loud at that man. And uh, you know,

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Speaker 2: because it's funny because you know, we keep fucking with

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Speaker 2: Bill Johnny because he's he's hanging on by his fingernails

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Speaker 2: to this old lore that the Janitor barely talked to

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Speaker 2: anybody in season one, and and he was just still

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Speaker 2: deciding by the time he started season two if he

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Speaker 2: was going to make the Janitor solely a figment of

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Speaker 2: Jad's imagination hanging on he is.

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Speaker 5: And and and every episode the Janitor's talking to a

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Speaker 5: different cast and Donald and I.

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Speaker 2: Donald and I joked that we're like Detective as being like, well,

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Speaker 2: how would Bill possibly rationalize this one? And uh, you

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Speaker 2: know again, Bill would say, well, he's not interacting with Johnny. See,

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Speaker 2: he just he just if he's a if he's a

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Speaker 2: figure of Jad's imagination, he hears what Cox says and

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Speaker 2: just builds on it, you know.

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Speaker 1: But but also, and I'm going to keep circling back

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Speaker 1: with this, you could see and in this case, it's

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Speaker 1: just a simple, clean scene. Donald and Zach at two nine,

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Speaker 1: when you take the phone call from your mom and

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Speaker 1: you find out about mister Peters.

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Speaker 3: You too are just it's in carpentry. It's called tongue

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Speaker 3: and groove. You guys are just effortless. And it sets

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Speaker 3: up the whole scene. There's a ton of n expository

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Speaker 3: stuff in it, and it's just effortless, and it's only

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Speaker 3: because of what you guys had become in those I

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Speaker 3: guess seventeen or eighteen weeks by then.

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Speaker 5: Yeah, I remember, well, I don't. I don't remember any

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Speaker 5: of this episode except for the handshake. And I had

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Speaker 5: no idea even and when we did the handshake, I

359
00:16:42,360 --> 00:16:44,640
Speaker 5: had no clue what Sarah and I like. I thought

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Speaker 5: it was something that Sarah and I made up on

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Speaker 5: set and it turned into something in the scene. But

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Speaker 5: I think we made it up for the scene and

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Speaker 5: it turned into something that we did on set.

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Speaker 2: Yeah, we saw this handshake. Johnny and I had to

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Speaker 2: endure this handshake get longer and longer. I think by

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Speaker 2: the end of it. I think by the end of

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Speaker 2: nine years, it took them an hour and a half

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Speaker 2: to do the handshake, and.

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Speaker 4: That was just to say hello to each other.

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Speaker 1: Yeah.

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Speaker 3: During during the Vietnam War, I found out it was

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Speaker 3: called a dap A dap.

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Speaker 1: We would it up, you would adapt somebody.

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Speaker 2: But wait, now, Donald, you don't remember if you guys

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Speaker 2: were just walking around and made this up and then

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Speaker 2: put it in the show, or.

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Speaker 4: I think it came from the handshake in the show.

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Speaker 5: I think our handshake we made it up for the show,

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Speaker 5: and then it turned into something that we did all

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Speaker 5: the time when we saw each other.

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Speaker 3: But that that, once again is what I'm talking about.

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Speaker 3: It's effortless. Yeah, it doesn't. Did you complete with totally

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Speaker 3: long and and then you guys throw it away and

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Speaker 3: go right into the scene and that that's later on.

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Speaker 3: But I was so struck by so many of these vignettes.

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Speaker 3: Ye completely tongue and groove.

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Speaker 2: Yeah, I agree, man, and and and and Donald. Did

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Speaker 2: you make that up or did Sarah contribute? Like it's

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Speaker 2: pretty great?

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Speaker 1: Some of it.

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Speaker 4: I made up a lot of it. I know I

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Speaker 4: made up because it's uh, it has it has rhythm

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Speaker 4: to it.

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Speaker 2: That's why.

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Speaker 4: Well there's that, and then there's also.

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Speaker 1: There's Sarah could do all that stuff, Yes, you could.

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Speaker 5: There was It was also a like what is it

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Speaker 5: that remember how we were talking about the color purple

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Speaker 5: and miss when Celi and her sister are broken.

400
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Speaker 4: Up and they're doing the hand miss patty Cake ca.

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00:18:25,880 --> 00:18:28,560
Speaker 5: Yeah, so it also has a little bit of that

402
00:18:28,680 --> 00:18:32,480
Speaker 5: in it where it's like where we slap each other's hand.

403
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Speaker 5: I don't know, man, all I know is yeah, no,

404
00:18:35,200 --> 00:18:38,440
Speaker 5: that thing was made up for this episode, and it

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Speaker 5: turned into I.

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Speaker 2: Like, I like what Johnny said too, that you kind

407
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Speaker 2: of go into this ele everything and then you just

408
00:18:42,680 --> 00:18:44,679
Speaker 2: kind of go into the scene like nothing happened.

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Speaker 4: It's just dull.

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Speaker 2: You just did a high five. I thought that.

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Speaker 1: But it's the same way. It's the same way. I

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Speaker 1: feel like, I'm maybe it sounds like I'm blowing too

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Speaker 1: much smoke up your guys asses, but I'll take it.

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Speaker 6: We'll take it.

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Speaker 1: I'm like Donald, I don't remember any of this stuff.

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Speaker 3: So then when we go back and watch it, I'm

417
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Speaker 3: I'm sincerely struck by different things. And in this episode,

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Speaker 3: unlike the last one we watched together, I wasn't struck

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Speaker 3: by as many things other than the circumstances that were

420
00:19:10,640 --> 00:19:14,560
Speaker 3: occurring outside of scrubs. In this I was really struck

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Speaker 3: by what was happening in front of the lens and

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Speaker 3: what the writers did. And then at three minutes there's

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Speaker 3: this great walking talk between Zachi and Cox, and the

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00:19:22,800 --> 00:19:28,359
Speaker 3: writers let Cox be this fierce, fierce patient advocate and

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Speaker 3: it grounds them in a way that it's just genius

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Speaker 3: because it gives them license to then.

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Speaker 1: Go do what He's about to go do, which is

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Speaker 1: destroy a lab.

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Speaker 2: Now, this is the first time we really see Cox

430
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Speaker 2: have this raw motion. Johnny, I think that you know,

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Speaker 2: we had seen him be upset. There's the episode Where's

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Speaker 2: where he's just saying, Jad, you need to have a life.

433
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Speaker 2: I have no fucking life. But this is, you know,

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Speaker 2: the first time we see how much pain this man

435
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Speaker 2: has and how dedicated he is to his profession. So

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Speaker 2: I just talked a bit about that, and of course

437
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Speaker 2: destroying this lab. Papper in the backgrounds Charles pappard Our

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00:20:09,160 --> 00:20:11,960
Speaker 2: steadycam operators back is the one of the lab text.

439
00:20:12,240 --> 00:20:15,240
Speaker 2: But I mean, do you remember that day trashing that lab?

440
00:20:15,280 --> 00:20:16,120
Speaker 2: That must have been cathartic.

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Speaker 1: I do, and I had.

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00:20:17,560 --> 00:20:22,359
Speaker 3: I had been lucky enough in nineteen ninety four, and

443
00:20:22,560 --> 00:20:26,840
Speaker 3: lucky is in italics to have been with Michael Caine,

444
00:20:27,000 --> 00:20:31,879
Speaker 3: your actor in your Lovely movie up in Valdize, Alaska,

445
00:20:32,480 --> 00:20:36,440
Speaker 3: and with Steven Seagal directing an epic movie for Warner

446
00:20:36,440 --> 00:20:37,800
Speaker 3: Brothers called on Deadly Ground.

447
00:20:37,840 --> 00:20:38,359
Speaker 1: Stephen was.

448
00:20:40,240 --> 00:20:45,720
Speaker 3: And I got to destroy a house, and halfway through it,

449
00:20:45,800 --> 00:20:49,000
Speaker 3: I find a petrified walrus penis, which is called an usk,

450
00:20:49,680 --> 00:20:49,960
Speaker 3: and so.

451
00:20:50,440 --> 00:20:54,040
Speaker 2: I slow down, You're gonna not you can't rush you.

452
00:20:54,119 --> 00:20:59,040
Speaker 2: You can't the listeners that the listeners have questions, how

453
00:20:59,080 --> 00:21:01,600
Speaker 2: did you find a Don't worry, we're gonna get back

454
00:21:01,600 --> 00:21:04,280
Speaker 2: to destroying the lab. Everybody, How did you How did

455
00:21:04,359 --> 00:21:06,560
Speaker 2: you know that it was a petrified walrus penis?

456
00:21:06,720 --> 00:21:09,879
Speaker 3: I asked, there's this long fallus? And I asked the

457
00:21:09,920 --> 00:21:12,480
Speaker 3: production designer, I said, what's this? And he goes, well,

458
00:21:12,520 --> 00:21:16,080
Speaker 3: it's a petrified walr's penis. And he said, God al mighty,

459
00:21:16,200 --> 00:21:17,760
Speaker 3: just call action and get on my eyeline.

460
00:21:19,880 --> 00:21:22,000
Speaker 1: If you don't think that's coming in the frame, you're

461
00:21:22,040 --> 00:21:22,840
Speaker 1: out of your mind.

462
00:21:23,920 --> 00:21:24,920
Speaker 2: Look out, everybody.

463
00:21:26,160 --> 00:21:30,240
Speaker 3: And so I I what my takeaway from destroying house,

464
00:21:31,400 --> 00:21:32,399
Speaker 3: just destroying it.

465
00:21:33,880 --> 00:21:36,800
Speaker 1: Was go slow. If you destroy a house or a

466
00:21:36,920 --> 00:21:39,320
Speaker 1: lab too fast, the camera doesn't get it.

467
00:21:39,400 --> 00:21:42,359
Speaker 3: It's just like as Donald definitely knows, either taking or

468
00:21:42,400 --> 00:21:44,520
Speaker 3: throwing a punch in front of the lens. If you

469
00:21:44,600 --> 00:21:46,840
Speaker 3: go too fast, the camera doesn't see it. Yeah, and

470
00:21:47,359 --> 00:21:50,040
Speaker 3: it's the same same with destroying a room.

471
00:21:50,400 --> 00:21:51,399
Speaker 1: You've got to go slow.

472
00:21:51,600 --> 00:21:56,280
Speaker 3: And it's funny Billy who or will ramped it up

473
00:21:56,359 --> 00:21:59,119
Speaker 3: to high speed for the throw through the window, because

474
00:21:59,160 --> 00:22:02,920
Speaker 3: otherwise that stuff happens too fast and you don't get it.

475
00:22:03,320 --> 00:22:04,720
Speaker 1: Yeah, and I'm sure Zach.

476
00:22:04,760 --> 00:22:08,000
Speaker 3: As a filmmaker, you know, unless you cover a fight

477
00:22:08,240 --> 00:22:13,359
Speaker 3: or destroying something pretty meticulously, the lens misses it.

478
00:22:13,760 --> 00:22:16,840
Speaker 1: And so my only thought in destroying that lab was

479
00:22:16,920 --> 00:22:18,240
Speaker 1: take your time. Yeah.

480
00:22:18,400 --> 00:22:20,720
Speaker 5: Well, when I watched that, I was like, how much

481
00:22:20,880 --> 00:22:23,680
Speaker 5: trouble would doctor Cox bey and if he were to

482
00:22:23,760 --> 00:22:26,680
Speaker 5: do that, and how much money did he just throw

483
00:22:26,800 --> 00:22:28,960
Speaker 5: out the window by doing all of that?

484
00:22:29,440 --> 00:22:30,600
Speaker 1: I know, I was thinking the same thing.

485
00:22:31,240 --> 00:22:33,040
Speaker 2: I thought the same thing too. I thought like, did

486
00:22:33,080 --> 00:22:35,439
Speaker 2: they have some system or no one's gonna tell kelso,

487
00:22:35,600 --> 00:22:39,320
Speaker 2: because I mean, Carla implies that he freaks out at

488
00:22:39,400 --> 00:22:41,280
Speaker 2: least once a year, right, And I was like, does

489
00:22:41,320 --> 00:22:45,080
Speaker 2: everyone sort of protect him, because you know, in the

490
00:22:45,200 --> 00:22:48,400
Speaker 2: real world of a hospital, he'd be in a phenomenal

491
00:22:48,440 --> 00:22:49,320
Speaker 2: amount of trouble for this.

492
00:22:50,400 --> 00:22:54,920
Speaker 4: Yeah. I couldn't that. That was the first thing I thought.

493
00:22:54,960 --> 00:22:57,240
Speaker 5: And then I thought when Carla said he does this

494
00:22:57,359 --> 00:23:00,840
Speaker 5: once a year, I was like, holy shit, Cox is

495
00:23:01,600 --> 00:23:03,600
Speaker 5: you know, it's clear that he's in pain, but he's

496
00:23:03,680 --> 00:23:06,200
Speaker 5: in like a lot of pain. And to build it

497
00:23:06,320 --> 00:23:09,000
Speaker 5: up to be able to just damage thousands of dollars

498
00:23:09,080 --> 00:23:11,760
Speaker 5: of equipment, you know what? I mean, you have to really,

499
00:23:12,000 --> 00:23:14,920
Speaker 5: you have to really be on that level of fuck it,

500
00:23:15,000 --> 00:23:16,320
Speaker 5: I'm I don't care anymore.

501
00:23:16,359 --> 00:23:19,199
Speaker 1: I just I just he clearly doesn't care care anymore.

502
00:23:19,320 --> 00:23:21,520
Speaker 2: But they also really need Cox, you know, Cox.

503
00:23:21,920 --> 00:23:24,160
Speaker 4: Everybody needs Cox. You're absolutely right.

504
00:23:24,320 --> 00:23:27,040
Speaker 2: Well look what you just said, Donald, that was that came.

505
00:23:26,880 --> 00:23:29,879
Speaker 1: Out a little bit of you're gonna pull over there, Donald,

506
00:23:29,920 --> 00:23:30,600
Speaker 1: You're going fifty.

507
00:23:31,640 --> 00:23:34,040
Speaker 2: I'm gonna. I'm gonna That's gonna be my new ringtone,

508
00:23:34,160 --> 00:23:36,880
Speaker 2: Donald yelling everybody needs Cox.

509
00:23:41,880 --> 00:23:44,040
Speaker 4: In the hospital, in the hospital.

510
00:23:44,160 --> 00:23:47,760
Speaker 2: At the hospital, I met the character, and.

511
00:23:47,800 --> 00:23:50,359
Speaker 3: Then and then at four thirty nine, we get to

512
00:23:50,440 --> 00:23:53,359
Speaker 3: see the janitor do medical jargon.

513
00:23:53,880 --> 00:23:55,560
Speaker 1: Yeah, yeah, and he kills it.

514
00:23:56,000 --> 00:23:56,200
Speaker 4: Yeah.

515
00:23:56,640 --> 00:23:58,840
Speaker 2: I remember you know that Neil audition for your part,

516
00:23:58,920 --> 00:24:00,800
Speaker 2: you know that trivia Johnny of.

517
00:24:00,880 --> 00:24:03,800
Speaker 3: Course, but I mean, he's such a spectacular actor, but

518
00:24:04,160 --> 00:24:07,040
Speaker 3: i'd never seen him do. You gotta remember all medical

519
00:24:07,160 --> 00:24:10,520
Speaker 3: jargon is Latin based, so when you really get into it,

520
00:24:10,960 --> 00:24:12,159
Speaker 3: you're just talking Latin.

521
00:24:12,440 --> 00:24:14,480
Speaker 1: And so for the janitor just to peel out some

522
00:24:14,640 --> 00:24:15,879
Speaker 1: Latin question me.

523
00:24:16,040 --> 00:24:18,159
Speaker 2: By the way, I wondered when I wondered if I

524
00:24:18,240 --> 00:24:20,800
Speaker 2: think that might be the only time the janitors ever

525
00:24:20,920 --> 00:24:21,600
Speaker 2: in our apartment.

526
00:24:21,720 --> 00:24:24,879
Speaker 5: I was gonna ask that we should ask Bill if

527
00:24:24,920 --> 00:24:27,840
Speaker 5: he remembers putting the janitor in the apartment at any point.

528
00:24:28,080 --> 00:24:33,000
Speaker 2: Okay, Donald has pulled the lever for an ask Bill, Joel, Bill,

529
00:24:33,680 --> 00:24:35,800
Speaker 2: you're not gonna remember. I bet the guy on Wiki

530
00:24:36,000 --> 00:24:37,280
Speaker 2: Scrubs knows better than you, but.

531
00:24:37,280 --> 00:24:38,000
Speaker 4: We're gonna ask you.

532
00:24:39,400 --> 00:24:41,520
Speaker 2: By the way, you know we should do We should also, Joelle,

533
00:24:41,520 --> 00:24:43,040
Speaker 2: that's what we should do with that guy. We should

534
00:24:43,040 --> 00:24:46,119
Speaker 2: haven't asked Bill button, but we should haven't also asked

535
00:24:46,160 --> 00:24:50,040
Speaker 2: the Scrubs wicked because he knows he's the keeper of

536
00:24:50,080 --> 00:24:51,879
Speaker 2: the trivia more than Bill. Bill's gonna be like, I

537
00:24:51,920 --> 00:24:56,720
Speaker 2: don't know, five, six, seven, eight, and uh Bill, Bill

538
00:24:56,800 --> 00:24:59,879
Speaker 2: has found is what you're talking about? Willis Johnny. He

539
00:25:00,000 --> 00:25:02,320
Speaker 2: he's found his catchphrase. So now he just says five

540
00:25:02,520 --> 00:25:05,320
Speaker 2: and the fans think it's hilarious. He just starts hilarious,

541
00:25:05,400 --> 00:25:07,440
Speaker 2: he starts the theme song, and Donald and I have

542
00:25:07,560 --> 00:25:11,960
Speaker 2: to stop the damn thing. So anyway, Joelle, when we

543
00:25:12,080 --> 00:25:14,080
Speaker 2: talk to that guy, when we find him, let's ask

544
00:25:14,160 --> 00:25:17,080
Speaker 2: him if we can ask him Scrubs trivia. But for now,

545
00:25:17,200 --> 00:25:19,359
Speaker 2: since we only have Bill, Bill, do you think this

546
00:25:19,520 --> 00:25:21,879
Speaker 2: is the only time that the janitor is ever in

547
00:25:22,119 --> 00:25:23,960
Speaker 2: our apartment, even though it's a fantasy.

548
00:25:24,560 --> 00:25:27,480
Speaker 7: Neil, I'm going by memory here, guys, But Neil Flynn

549
00:25:27,840 --> 00:25:33,399
Speaker 7: was in Turk and JD's apartment when there's a fantasy

550
00:25:33,400 --> 00:25:36,320
Speaker 7: about him being a doctor, and I believe he returns

551
00:25:37,200 --> 00:25:42,040
Speaker 7: to try and fix their air conditioning or pipes or

552
00:25:42,160 --> 00:25:45,119
Speaker 7: something in a later season. But I think he was

553
00:25:45,240 --> 00:25:52,120
Speaker 7: only there twice except once I think he was implied

554
00:25:52,160 --> 00:25:53,680
Speaker 7: that he was there a third time, that he and

555
00:25:53,840 --> 00:25:58,360
Speaker 7: doctor Cox moved JD's bed somewhere and they did it together.

556
00:25:58,760 --> 00:25:59,400
Speaker 2: Thank you, Bill.

557
00:26:00,920 --> 00:26:04,760
Speaker 3: And once again at five forty nine when when Kenny

558
00:26:05,359 --> 00:26:10,440
Speaker 3: and when Kelso and and and Jude are together, they're butter.

559
00:26:11,000 --> 00:26:11,960
Speaker 3: They're total butter.

560
00:26:12,080 --> 00:26:13,960
Speaker 1: Oh gosh, yeah, they're butter.

561
00:26:14,320 --> 00:26:16,800
Speaker 2: Now how about Judy, they're they they're great. How about Judy?

562
00:26:16,960 --> 00:26:19,119
Speaker 2: So for first Judy, I noticed, because this is funny

563
00:26:19,200 --> 00:26:22,440
Speaker 2: tracking the when we shot this in two thousand and one,

564
00:26:22,960 --> 00:26:25,040
Speaker 2: that Judy says I got to get a tape deck,

565
00:26:25,600 --> 00:26:28,000
Speaker 2: which I thought was funny. And then and then when

566
00:26:28,040 --> 00:26:31,200
Speaker 2: she brings in and it's actually a CD player, it's

567
00:26:31,240 --> 00:26:31,639
Speaker 2: just funny.

568
00:26:31,640 --> 00:26:35,480
Speaker 5: Even now you realize that you're you're definitely pretty good show.

569
00:26:35,600 --> 00:26:38,040
Speaker 4: Dude, that's very good because I did not pick up

570
00:26:38,080 --> 00:26:38,639
Speaker 4: on that. Well.

571
00:26:38,640 --> 00:26:40,840
Speaker 2: I caught her. I caught her saying tape deck, and

572
00:26:40,880 --> 00:26:43,200
Speaker 2: then my brain went, there's no way it was cassettes.

573
00:26:43,240 --> 00:26:46,520
Speaker 2: I remember it was at least CDs and uh and

574
00:26:46,640 --> 00:26:49,800
Speaker 2: then and I guess that was just still I'm imagining.

575
00:26:49,840 --> 00:26:51,600
Speaker 2: In two thousand and one, we were still using the

576
00:26:51,680 --> 00:26:54,200
Speaker 2: expression tape deck, like I'll get a tape deck and

577
00:26:54,680 --> 00:26:55,199
Speaker 2: I have a I.

578
00:26:55,200 --> 00:26:56,000
Speaker 1: Have a question for you.

579
00:26:56,160 --> 00:26:59,520
Speaker 3: On the heels of that, when Kenny says, like Motley

580
00:26:59,600 --> 00:27:02,560
Speaker 3: Crue and Winger, my son's a bit of a headbanger,

581
00:27:03,160 --> 00:27:04,159
Speaker 3: first of all, that crushed me.

582
00:27:04,480 --> 00:27:06,400
Speaker 1: And is that the first time?

583
00:27:06,720 --> 00:27:10,000
Speaker 3: First of many when he refers to his son, who

584
00:27:10,160 --> 00:27:13,240
Speaker 3: turns out is just a cavalcade of eccentricity.

585
00:27:15,680 --> 00:27:19,040
Speaker 2: A cavalcade of eccentricities is a great title for a screenplay,

586
00:27:19,880 --> 00:27:24,159
Speaker 2: but that is funny. The Scrubs Wiki said, it's the

587
00:27:24,240 --> 00:27:26,160
Speaker 2: first time he mentions Baxter. I don't know if it's

588
00:27:26,160 --> 00:27:28,159
Speaker 2: the first time his son comes up, but this might

589
00:27:28,240 --> 00:27:30,399
Speaker 2: be the first time his son comes up in terms

590
00:27:30,480 --> 00:27:32,760
Speaker 2: of being a cavalcade of eccentricity.

591
00:27:35,280 --> 00:27:38,920
Speaker 3: His son, it turns out it's the single most tortured

592
00:27:38,960 --> 00:27:40,159
Speaker 3: person on the planet I know.

593
00:27:40,240 --> 00:27:41,960
Speaker 2: And we never got to meet him, and we never

594
00:27:42,080 --> 00:27:43,600
Speaker 2: met his wife. I think it was Enil.

595
00:27:43,760 --> 00:27:45,800
Speaker 1: But it's so much better. It's so much better.

596
00:27:45,920 --> 00:27:47,960
Speaker 2: No, it was all Remember remember on Cheers when you

597
00:27:48,080 --> 00:27:53,600
Speaker 2: never saw Flitzer cliffs. No, I think it was Norm's wife, Vera.

598
00:27:53,680 --> 00:27:56,280
Speaker 2: We never saw. Well gave me the thumbs up?

599
00:27:56,320 --> 00:27:57,520
Speaker 1: Am I right? Joell? Wow?

600
00:27:57,640 --> 00:27:59,720
Speaker 4: Well well played Zach.

601
00:28:00,040 --> 00:28:03,280
Speaker 2: That bartender would always ali upe him, see I bet

602
00:28:03,359 --> 00:28:06,640
Speaker 2: sports reference, and and then he'd he'd have a one

603
00:28:06,720 --> 00:28:08,359
Speaker 2: liner and and and dunk it if.

604
00:28:08,240 --> 00:28:10,000
Speaker 5: He I blew, I blew one line because I didn't

605
00:28:10,000 --> 00:28:12,560
Speaker 5: remember it. Vera does make an appearance on Cheers, though,

606
00:28:12,600 --> 00:28:13,680
Speaker 5: I guess really?

607
00:28:13,720 --> 00:28:15,639
Speaker 2: And then well won Well, Joelle, did you go on

608
00:28:15,720 --> 00:28:18,239
Speaker 2: the Cheers wiki and find out that Vera does make

609
00:28:18,280 --> 00:28:20,760
Speaker 2: an appearance on the Thanksgiving Day as you.

610
00:28:20,800 --> 00:28:25,119
Speaker 3: Guys, As you guys have done so wonderfully. I do

611
00:28:25,520 --> 00:28:28,719
Speaker 3: want to look at Sammy for a second. Who uh

612
00:28:29,600 --> 00:28:32,200
Speaker 3: is astonishing? Yea episode?

613
00:28:32,280 --> 00:28:35,280
Speaker 2: This really is? Probably is this probably is I hate

614
00:28:35,320 --> 00:28:38,760
Speaker 2: to say it, but probably his first real I mean,

615
00:28:38,840 --> 00:28:41,160
Speaker 2: other than one liners. This is the first episode where

616
00:28:41,200 --> 00:28:44,720
Speaker 2: Sammy really shined as the and even even.

617
00:28:44,560 --> 00:28:47,840
Speaker 1: When he and he and and Jude together are are

618
00:28:48,280 --> 00:28:49,520
Speaker 1: completely money.

619
00:28:49,720 --> 00:28:51,720
Speaker 2: Did you guys get goosebumps when they sang together?

620
00:28:52,320 --> 00:28:53,520
Speaker 1: Yes, yeah, absolutely.

621
00:28:53,760 --> 00:28:56,640
Speaker 3: But the first time we see Sammy, he does this

622
00:28:56,960 --> 00:28:59,800
Speaker 3: thing with his hand where he puts it way in

623
00:28:59,840 --> 00:29:00,560
Speaker 3: the back of his.

624
00:29:02,440 --> 00:29:04,720
Speaker 1: Donald. My triceps are too big to even do this.

625
00:29:06,640 --> 00:29:09,640
Speaker 2: Let me get your fucking arms, arms to you, to

626
00:29:09,800 --> 00:29:12,120
Speaker 2: you listeners out there, I want you to know this

627
00:29:12,280 --> 00:29:16,360
Speaker 2: guy is still fucking ripped. He's got bigger biceps than

628
00:29:16,640 --> 00:29:18,160
Speaker 2: than anyone I I know.

629
00:29:18,400 --> 00:29:18,760
Speaker 1: I think.

630
00:29:19,000 --> 00:29:20,720
Speaker 4: Are you still doing a lot of paddlesurfing?

631
00:29:21,400 --> 00:29:21,600
Speaker 1: Yeah?

632
00:29:21,680 --> 00:29:27,600
Speaker 2: Every day, every day you paddle surf. Yeah, Johnny, Johnny, Johnny, you.

633
00:29:27,640 --> 00:29:30,880
Speaker 5: Are Let me say something, you got, mister Miyagi body

634
00:29:30,880 --> 00:29:34,360
Speaker 5: where it's like you're doing you know active you know,

635
00:29:34,920 --> 00:29:36,400
Speaker 5: everything is for a purpose.

636
00:29:37,720 --> 00:29:42,600
Speaker 4: I row, I row a board in the ocean. I'm

637
00:29:42,680 --> 00:29:44,120
Speaker 4: using my hands to build.

638
00:29:44,400 --> 00:29:46,040
Speaker 2: I thought you were saying. I thought you were saying

639
00:29:46,080 --> 00:29:48,160
Speaker 2: he had the body of Pat Marita, and I was like, no,

640
00:29:48,320 --> 00:29:48,800
Speaker 2: he does not.

641
00:29:50,520 --> 00:29:52,440
Speaker 4: But when Sammy wax On wax off.

642
00:29:53,080 --> 00:29:55,280
Speaker 3: The first time we see Sammy, he's got that hand

643
00:29:55,360 --> 00:29:58,400
Speaker 3: over his head and then the button on the scene

644
00:29:58,440 --> 00:30:00,640
Speaker 3: with Judy is he could was careful.

645
00:30:00,720 --> 00:30:03,680
Speaker 1: I've been hurt before. Yeah, Oh my god, he dropped me,

646
00:30:04,840 --> 00:30:05,200
Speaker 1: drop me.

647
00:30:05,400 --> 00:30:07,600
Speaker 2: He loves Judy, he loves Carla, he loves car.

648
00:30:07,600 --> 00:30:09,400
Speaker 4: She hugs him and he's like, don't let go.

649
00:30:10,200 --> 00:30:13,080
Speaker 3: And for those and well that's later on and for

650
00:30:13,160 --> 00:30:17,320
Speaker 3: those who don't know asides, when you keep it aside real,

651
00:30:17,840 --> 00:30:21,440
Speaker 3: it's almost impossible because if you don't do it right,

652
00:30:21,560 --> 00:30:24,080
Speaker 3: you come off as a crazy person because you're talking

653
00:30:24,120 --> 00:30:24,600
Speaker 3: to yourself.

654
00:30:24,880 --> 00:30:27,480
Speaker 1: And Sammy does it with careful I've been hurt before.

655
00:30:28,000 --> 00:30:30,720
Speaker 3: And then when he and Judy get back together later on,

656
00:30:30,960 --> 00:30:35,280
Speaker 3: he has two that are genius. He says, she knows,

657
00:30:35,800 --> 00:30:39,360
Speaker 3: she knows your name, he says to himself, and then

658
00:30:39,520 --> 00:30:41,320
Speaker 3: he says, don't let go.

659
00:30:43,480 --> 00:30:47,040
Speaker 1: It dropped me. And I can't tell you how hard that.

660
00:30:47,640 --> 00:30:49,480
Speaker 4: Yeah, he has one more when he's like, I love

661
00:30:49,520 --> 00:30:51,680
Speaker 4: you and she turns around like what, and.

662
00:30:51,760 --> 00:30:52,920
Speaker 1: He goes right back to the song.

663
00:30:53,760 --> 00:30:56,280
Speaker 2: Yeah, but that song you got, I mean, we're jumping

664
00:30:56,320 --> 00:30:58,840
Speaker 2: all over the place, but that song moment was so

665
00:30:59,040 --> 00:31:02,440
Speaker 2: beautiful and I forget. I apologize to the universe that

666
00:31:02,480 --> 00:31:06,120
Speaker 2: I forgot how pretty Judy's voice is me too, Yeah,

667
00:31:06,720 --> 00:31:10,760
Speaker 2: and she slays and it's beautiful. And their harmonies, I mean, Sammy.

668
00:31:10,840 --> 00:31:13,360
Speaker 2: We knew because sam was an amazing singer and it

669
00:31:13,440 --> 00:31:15,640
Speaker 2: was an a cappella group, but the two of them together,

670
00:31:15,720 --> 00:31:18,120
Speaker 2: their harmonies were I got goosebumps all over my body.

671
00:31:18,520 --> 00:31:22,280
Speaker 1: Yeah, now let me ask you something, uh Zachi? Yes?

672
00:31:22,400 --> 00:31:24,840
Speaker 1: And I could see you. I could see you ringing

673
00:31:24,880 --> 00:31:27,040
Speaker 1: this one out as hard as you could. Was this

674
00:31:27,240 --> 00:31:30,720
Speaker 1: Billy or you on beer's beakers?

675
00:31:30,800 --> 00:31:31,400
Speaker 2: It's probably me.

676
00:31:32,400 --> 00:31:34,720
Speaker 1: You were ringing everything.

677
00:31:35,520 --> 00:31:35,760
Speaker 3: I know.

678
00:31:35,880 --> 00:31:40,720
Speaker 2: There's certain is there certains, there's just funny beakers. I

679
00:31:41,560 --> 00:31:44,280
Speaker 2: think I think it was probably not in the script

680
00:31:44,400 --> 00:31:47,000
Speaker 2: because that wouldn't probably been funny on the page. But

681
00:31:47,080 --> 00:31:50,400
Speaker 2: I was probably just riffing like words that sounded funny.

682
00:31:51,080 --> 00:31:53,120
Speaker 2: And we should say it's the first appearance of Franklin

683
00:31:53,200 --> 00:31:54,200
Speaker 2: played by masi Oka.

684
00:31:54,240 --> 00:31:57,479
Speaker 5: Yeah, I'm about to say Massi oh. Before he went

685
00:31:57,560 --> 00:31:59,920
Speaker 5: on to be a time traveling star of.

686
00:32:00,080 --> 00:32:04,160
Speaker 2: Heroes, right, he was the star of the show Heroes. Yeah,

687
00:32:04,200 --> 00:32:08,280
Speaker 2: and I think this was his first juicy gig. He

688
00:32:08,640 --> 00:32:10,680
Speaker 2: recurred as Franklin for a while.

689
00:32:10,800 --> 00:32:11,920
Speaker 1: He's very he's very good.

690
00:32:12,160 --> 00:32:15,040
Speaker 2: Yeah, he was funny. Hugging is hugging his favorite microscope

691
00:32:15,080 --> 00:32:16,160
Speaker 2: so that you didn't destroy it.

692
00:32:18,000 --> 00:32:19,920
Speaker 3: And then and then at eight minutes we go to

693
00:32:20,000 --> 00:32:23,840
Speaker 3: what I referenced earlier is Sarah and Donald, and it's

694
00:32:24,040 --> 00:32:26,600
Speaker 3: it's what I started this whole thing off with with. However,

695
00:32:26,720 --> 00:32:31,120
Speaker 3: this ensemble jeld, whether it was just time or traveling

696
00:32:31,160 --> 00:32:35,200
Speaker 3: together and getting into it, you guys are effortless.

697
00:32:35,640 --> 00:32:37,240
Speaker 2: All right, but let's go a little bit back. Johnny,

698
00:32:37,240 --> 00:32:39,880
Speaker 2: you're going too fast. First of all, oh, dear Lord,

699
00:32:40,040 --> 00:32:41,800
Speaker 2: please tell me that's not a onesie.

700
00:32:44,440 --> 00:32:45,000
Speaker 1: Oh god.

701
00:32:45,400 --> 00:32:48,040
Speaker 2: And now doctor Cox says, first of all, I'm wearing

702
00:32:48,080 --> 00:32:50,920
Speaker 2: a onesie, which I love a onesie. I don't wear

703
00:32:51,000 --> 00:32:52,840
Speaker 2: a onesie to bed, but man, when I have a

704
00:32:52,880 --> 00:32:55,920
Speaker 2: onesie on do I love a onesie? And I guess

705
00:32:56,040 --> 00:32:59,680
Speaker 2: JD really loved one because he wears it to the bar.

706
00:33:00,560 --> 00:33:02,800
Speaker 2: And then and then Cox pulls over the two ladies

707
00:33:02,840 --> 00:33:03,160
Speaker 2: to flirt.

708
00:33:03,480 --> 00:33:05,200
Speaker 4: Okay, before you go past what I have.

709
00:33:05,400 --> 00:33:08,560
Speaker 1: But that's that's at eleven eight. I'm gonna I'm gonna eight.

710
00:33:08,760 --> 00:33:11,160
Speaker 2: I know, I'm I'm I'm the ones He occurs at

711
00:33:11,200 --> 00:33:15,760
Speaker 2: seven oh six. Oh okay, now, but go ahead, Donald.

712
00:33:16,040 --> 00:33:19,400
Speaker 4: Uh minty. First of all, what were y' all drinking

713
00:33:19,520 --> 00:33:20,120
Speaker 4: in your shots.

714
00:33:20,160 --> 00:33:23,840
Speaker 2: If that was minty, No, the the the toothbrush was minty.

715
00:33:24,040 --> 00:33:26,320
Speaker 4: Oh still from the after you dipped it in the.

716
00:33:27,040 --> 00:33:28,880
Speaker 2: I don't know, it doesn't track. I guess you're right

717
00:33:28,920 --> 00:33:30,440
Speaker 2: because the toothpaste would have been off of it.

718
00:33:30,520 --> 00:33:34,600
Speaker 4: But that's it was hilarious because and then right after that, yuck, yuck, yuck.

719
00:33:35,080 --> 00:33:37,440
Speaker 2: Yeah, yeah, you know what I was thinking of. Do

720
00:33:37,520 --> 00:33:39,280
Speaker 2: you remember do you remember I don't know if you

721
00:33:39,320 --> 00:33:41,800
Speaker 2: remember this, Donald, but don Johnny, you definitely remember Easy

722
00:33:41,880 --> 00:33:46,120
Speaker 2: Rider when uh, whenever Nicholson would do a shot, he

723
00:33:46,280 --> 00:33:49,840
Speaker 2: would he would just say a random word because.

724
00:33:49,560 --> 00:33:50,440
Speaker 4: The shot was so bad.

725
00:33:50,480 --> 00:33:52,080
Speaker 2: An easy Rider. He'd do the shot and he goes,

726
00:33:53,320 --> 00:33:55,560
Speaker 2: but he would say like a random word that would

727
00:33:55,640 --> 00:33:58,120
Speaker 2: like help him recover from how bad the shot was.

728
00:33:58,680 --> 00:34:00,680
Speaker 2: And that's that's what I was thinking of when I

729
00:34:00,800 --> 00:34:02,640
Speaker 2: when I when I did it, I was like, yuck,

730
00:34:05,160 --> 00:34:07,640
Speaker 2: trying so hard to be manly in front of Cox,

731
00:34:08,120 --> 00:34:10,280
Speaker 2: but I'm in a onesie with a toothbrush.

732
00:34:11,000 --> 00:34:12,440
Speaker 3: It was funny when you go yucky and then the

733
00:34:12,520 --> 00:34:15,320
Speaker 3: writers give Cox, uh, oh great, I'm drinking with a

734
00:34:15,400 --> 00:34:16,040
Speaker 3: mouseket deer.

735
00:34:18,600 --> 00:34:20,520
Speaker 5: Like I said, I didn't remember this episode at all,

736
00:34:20,600 --> 00:34:23,120
Speaker 5: so I never knew that you guys had a wingman

737
00:34:23,920 --> 00:34:26,200
Speaker 5: uh situation going on the two of you.

738
00:34:26,840 --> 00:34:27,400
Speaker 4: What happened?

739
00:34:27,680 --> 00:34:29,839
Speaker 5: I know that one girl blows it because she's talking

740
00:34:29,920 --> 00:34:33,840
Speaker 5: about her ex boyfriend. What happened to the girl you

741
00:34:33,920 --> 00:34:34,480
Speaker 5: were talking to?

742
00:34:34,760 --> 00:34:37,640
Speaker 2: Well, I don't think Cox has gives a flying fuck about.

743
00:34:38,640 --> 00:34:40,840
Speaker 2: He's just like here, if this, if she? Cox is

744
00:34:40,880 --> 00:34:42,640
Speaker 2: like here you want you want a reason to stay here?

745
00:34:42,719 --> 00:34:44,920
Speaker 2: Talk to these girls. I'm gonna I'm gonna, I'm gonna go.

746
00:34:45,400 --> 00:34:47,480
Speaker 2: And then JD is like, okay, now you're telling and

747
00:34:48,040 --> 00:34:50,320
Speaker 2: he tries to hit on that one woman, but she's just,

748
00:34:50,600 --> 00:34:52,480
Speaker 2: you know, rambling and rambling and rambling.

749
00:34:52,600 --> 00:34:53,799
Speaker 1: The hangman's noose is.

750
00:34:55,480 --> 00:34:57,880
Speaker 2: Yeah, it's kind of it's kind of stolen from airplane.

751
00:34:57,920 --> 00:35:00,920
Speaker 3: Though it doesn't matter, no, but he remembers the airplane.

752
00:35:01,080 --> 00:35:05,920
Speaker 3: It's absolutely hilarious. I remember, I know we're dinosaurs.

753
00:35:07,719 --> 00:35:09,160
Speaker 2: No, but I think there's a scene in a moment

754
00:35:09,200 --> 00:35:12,000
Speaker 2: an airplane when someone's doing a long speech about their

755
00:35:12,040 --> 00:35:15,200
Speaker 2: past and and you you cut back and the passenger

756
00:35:15,280 --> 00:35:19,720
Speaker 2: next to him has hung himself and he's swinging anyway.

757
00:35:19,920 --> 00:35:22,799
Speaker 3: I think it's really interesting. After the two girls leave

758
00:35:23,440 --> 00:35:26,880
Speaker 3: and JD and Cox are alone. I don't remember Cox

759
00:35:26,920 --> 00:35:27,760
Speaker 3: being that broken.

760
00:35:28,480 --> 00:35:31,520
Speaker 4: Yeah, that's what I was going to say. He's so broken, dude,

761
00:35:31,560 --> 00:35:32,720
Speaker 4: he's so broken.

762
00:35:32,920 --> 00:35:35,680
Speaker 2: Well, it's like once a year he you know, Carla says,

763
00:35:35,719 --> 00:35:37,640
Speaker 2: like once a year he pretty much has a breakdown.

764
00:35:38,560 --> 00:35:40,120
Speaker 1: And I went back and I went back.

765
00:35:40,400 --> 00:35:42,840
Speaker 3: As I told you guys, I keep composition books and

766
00:35:43,080 --> 00:35:45,480
Speaker 3: it's kind of how I learned my lines. And in

767
00:35:45,600 --> 00:35:48,640
Speaker 3: the margins I wrote notes to myself, and in that

768
00:35:49,040 --> 00:35:52,000
Speaker 3: I the first thing gig I'll digress for a second.

769
00:35:52,040 --> 00:35:53,759
Speaker 3: The first gig I got to get at n YU

770
00:35:54,480 --> 00:35:56,920
Speaker 3: was to understudy John Tatro in Danny and the Deep

771
00:35:56,920 --> 00:36:00,440
Speaker 3: Blue Sea and over ats Circle Rep, which was maybe

772
00:36:00,880 --> 00:36:04,080
Speaker 3: I lived on Sullivan Street and Circle was on Bleakers,

773
00:36:04,080 --> 00:36:06,280
Speaker 3: so it was maybe a half a block from my house,

774
00:36:06,600 --> 00:36:09,200
Speaker 3: and I understudy John, and I was the assistant stage manager,

775
00:36:09,280 --> 00:36:10,960
Speaker 3: so I helped call the lights and I made up

776
00:36:11,000 --> 00:36:13,320
Speaker 3: the actors. But I had keys to the theater. And

777
00:36:13,440 --> 00:36:15,480
Speaker 3: because it's just a two hand er, two hander means

778
00:36:15,600 --> 00:36:18,960
Speaker 3: just two actors on stage, it was June Stein and John,

779
00:36:19,280 --> 00:36:22,520
Speaker 3: and John went to do desperately seeking Susan. After about

780
00:36:22,520 --> 00:36:24,759
Speaker 3: eight months, he wouldn't he wouldn't it's eight shows a

781
00:36:24,840 --> 00:36:26,000
Speaker 3: week off Broadway, and.

782
00:36:26,080 --> 00:36:28,759
Speaker 1: He wouldn't go down. It's very violent play, and so

783
00:36:29,000 --> 00:36:30,239
Speaker 1: I had the keys to the theater.

784
00:36:30,360 --> 00:36:33,719
Speaker 3: So every day I would walk and do circles on

785
00:36:33,840 --> 00:36:35,919
Speaker 3: the stage because I had the keys, and I would

786
00:36:35,960 --> 00:36:38,719
Speaker 3: do both actors' parts out loud a couple of times

787
00:36:38,760 --> 00:36:39,040
Speaker 3: a day.

788
00:36:39,280 --> 00:36:41,440
Speaker 1: And this was all fear based, and you.

789
00:36:41,920 --> 00:36:43,719
Speaker 2: Were afraid to say, Johnny, you were afraid that you

790
00:36:43,840 --> 00:36:45,520
Speaker 2: might have to go on and you didn't want it.

791
00:36:45,640 --> 00:36:46,879
Speaker 1: Yeah, I was scared to death.

792
00:36:47,560 --> 00:36:52,040
Speaker 3: And John finally went to go do Desperately Seeking Susan

793
00:36:52,680 --> 00:36:55,040
Speaker 3: and which every actor in New York wanted to be in,

794
00:36:55,280 --> 00:36:56,800
Speaker 3: and so I got to take over for him for

795
00:36:57,640 --> 00:37:01,080
Speaker 3: about a week. And there's a line that Danny has

796
00:37:01,120 --> 00:37:03,720
Speaker 3: at the end of the play where he says everything hurts.

797
00:37:04,040 --> 00:37:07,279
Speaker 3: And I worked backwards in that play from everything hurts,

798
00:37:07,880 --> 00:37:10,840
Speaker 3: and and what that must mean for someone to actually

799
00:37:10,880 --> 00:37:13,719
Speaker 3: say that that everything hurts. And I gave it to

800
00:37:13,840 --> 00:37:17,000
Speaker 3: Cox in this that when we see him, there's that

801
00:37:17,200 --> 00:37:20,480
Speaker 3: long profile shot of Cox that will stays on it

802
00:37:21,400 --> 00:37:25,839
Speaker 3: and everything hurts. Yeah, and it resonates and it's nothing said,

803
00:37:25,920 --> 00:37:26,640
Speaker 3: it's underneath.

804
00:37:27,160 --> 00:37:29,840
Speaker 1: And Zaki's so lovely in the scene. But I just

805
00:37:29,880 --> 00:37:30,840
Speaker 1: think the guy's broken.

806
00:37:31,719 --> 00:37:37,319
Speaker 2: Yeah, and he's so incredibly committed to this job, which

807
00:37:37,520 --> 00:37:41,120
Speaker 2: is endlessly frustrating for him, not only what would be

808
00:37:41,239 --> 00:37:44,279
Speaker 2: normal dealing with so much death and pain, but that

809
00:37:44,400 --> 00:37:49,520
Speaker 2: this hospital, this this hospital that it seems is barely

810
00:37:49,600 --> 00:37:54,640
Speaker 2: surviving with with with its finances. And he opens the

811
00:37:54,680 --> 00:37:56,960
Speaker 2: episode walking around, and I noticed that Will made sure

812
00:37:56,960 --> 00:37:59,080
Speaker 2: that the ceiling panels were all fucked up. I don't

813
00:37:59,080 --> 00:38:00,759
Speaker 2: know if you noticed that, but when you when you're

814
00:38:00,800 --> 00:38:02,960
Speaker 2: looking around, being like, everything is here is fucking broken.

815
00:38:03,000 --> 00:38:04,680
Speaker 2: I'm so sick of it. And in that in that

816
00:38:04,880 --> 00:38:07,680
Speaker 2: very walk and talk moment, you're seeing like the ceilings

817
00:38:07,719 --> 00:38:12,080
Speaker 2: all fucked up, and and he's just just so frustrated,

818
00:38:12,160 --> 00:38:15,480
Speaker 2: I imagine with trying to save lives with no with

819
00:38:15,640 --> 00:38:18,359
Speaker 2: no support, with no gear, like so many by the way,

820
00:38:18,520 --> 00:38:21,440
Speaker 2: like so many doctors and nurses and people must be

821
00:38:21,520 --> 00:38:25,200
Speaker 2: feeling now with the lack of of ppe they had

822
00:38:25,320 --> 00:38:26,080
Speaker 2: with with COVID.

823
00:38:26,960 --> 00:38:29,600
Speaker 1: I think it's really interested at what you were just referencing.

824
00:38:29,719 --> 00:38:33,719
Speaker 3: That the writers don't even have Cocks reference it as

825
00:38:34,520 --> 00:38:36,640
Speaker 3: the hospital or or the name of the hospital.

826
00:38:36,719 --> 00:38:39,600
Speaker 1: He he just calls it that place. He can't even he.

827
00:38:39,600 --> 00:38:41,839
Speaker 3: Doesn't even want it in his mouth, and he says,

828
00:38:41,920 --> 00:38:43,800
Speaker 3: I can't, I can't go back to that place.

829
00:38:44,440 --> 00:38:47,320
Speaker 2: Yeah, and then JD at least feels like wow, he

830
00:38:48,080 --> 00:38:50,279
Speaker 2: I don't know what to do. He broke down, what

831
00:38:50,320 --> 00:38:51,800
Speaker 2: are we going to do? And Carl was like, oh no,

832
00:38:51,920 --> 00:38:53,680
Speaker 2: he just does that once a year. He'll be fine today.

833
00:38:53,719 --> 00:38:55,920
Speaker 2: And I'm like, there's no way he's going to be fine.

834
00:38:55,960 --> 00:38:59,440
Speaker 4: And you come in like, hey, look, it's going to

835
00:38:59,520 --> 00:39:00,080
Speaker 4: be a good.

836
00:39:02,880 --> 00:39:06,680
Speaker 1: Ill. I stole that from a brother, my brother's friendship. Humph.

837
00:39:06,760 --> 00:39:08,759
Speaker 1: You lives in Atlanta now. He used to always go

838
00:39:08,840 --> 00:39:13,759
Speaker 1: around and go it's a great day. I put that

839
00:39:13,840 --> 00:39:15,240
Speaker 1: one right in my back pocket.

840
00:39:15,640 --> 00:39:18,520
Speaker 2: You were so funny. All right, Wait, yes, we're gonna

841
00:39:18,560 --> 00:39:20,560
Speaker 2: take a break. We always forget because we're having so

842
00:39:20,680 --> 00:39:34,239
Speaker 2: much fun. We'll be right back and see Donald, you're

843
00:39:34,239 --> 00:39:36,399
Speaker 2: giving the people what they want, which is the mm hmm.

844
00:39:36,880 --> 00:39:38,960
Speaker 4: They asked for it, so I might as well give

845
00:39:39,000 --> 00:39:39,359
Speaker 4: it to him.

846
00:39:39,400 --> 00:39:39,520
Speaker 1: Man.

847
00:39:39,600 --> 00:39:41,840
Speaker 2: A lot of chatter, a lot of chatter on we

848
00:39:41,920 --> 00:39:44,400
Speaker 2: gotta just digress for a moment. So much chatter on

849
00:39:44,440 --> 00:39:47,360
Speaker 2: it on Instagram about this, about the washcloth conversation.

850
00:39:47,920 --> 00:39:50,600
Speaker 4: Well, that was a conversation that was real deal, Holy Field, man.

851
00:39:50,600 --> 00:39:52,880
Speaker 2: Johnny, did you do you use a washcloth in the shower?

852
00:39:53,000 --> 00:39:55,239
Speaker 5: We need to know if my wife wanted to make

853
00:39:55,360 --> 00:39:57,760
Speaker 5: sure that before we get into Johnny using the washcloth,

854
00:39:57,840 --> 00:40:00,880
Speaker 5: she wanted you guys all to know that you are

855
00:40:01,000 --> 00:40:04,440
Speaker 5: supposed to get rid of the washcloth after he.

856
00:40:04,600 --> 00:40:08,560
Speaker 4: Shouts at that one time right period. But you don't,

857
00:40:09,080 --> 00:40:12,560
Speaker 4: I do what you don't? You don't.

858
00:40:12,600 --> 00:40:14,480
Speaker 2: Your wife was like, you better fucking tell him we

859
00:40:14,600 --> 00:40:18,319
Speaker 2: changed the wash cloth. There are too many fucking people

860
00:40:18,400 --> 00:40:21,080
Speaker 2: listen to this podcast. Donald, you better tell them we

861
00:40:21,200 --> 00:40:22,040
Speaker 2: change the wash cloth.

862
00:40:22,160 --> 00:40:24,719
Speaker 5: I'm telling you right I'm telling you right now, we

863
00:40:24,960 --> 00:40:26,240
Speaker 5: changed the wash cloths.

864
00:40:26,320 --> 00:40:27,840
Speaker 4: Baby, I told everybody.

865
00:40:28,000 --> 00:40:29,000
Speaker 2: See, I told everybody.

866
00:40:29,080 --> 00:40:31,600
Speaker 4: Baby taken care of. It's not like she listens to

867
00:40:31,640 --> 00:40:32,280
Speaker 4: the show anyway.

868
00:40:32,400 --> 00:40:34,160
Speaker 2: If you want, we can have Dan go back and

869
00:40:34,280 --> 00:40:37,439
Speaker 2: re edit that that sentence into the original wash.

870
00:40:37,360 --> 00:40:40,680
Speaker 1: Cloth to be okay, okay, Jesus was funny.

871
00:40:40,840 --> 00:40:42,279
Speaker 2: Well, I just want you to know that. You know,

872
00:40:42,520 --> 00:40:44,759
Speaker 2: in one in that episode, we were talking about both

873
00:40:45,120 --> 00:40:47,320
Speaker 2: what kind of merch we should have and the washcloth

874
00:40:47,400 --> 00:40:49,400
Speaker 2: to be. And so now my whole Instagram fee was like,

875
00:40:49,520 --> 00:40:52,760
Speaker 2: how about merch that says team washcloth on a wash cloth.

876
00:40:57,239 --> 00:40:57,719
Speaker 1: I love it.

877
00:40:59,280 --> 00:41:02,640
Speaker 4: So some, he said, And now look man, if not

878
00:41:02,760 --> 00:41:06,319
Speaker 4: look man, if you know me, this is how I am.

879
00:41:07,080 --> 00:41:10,320
Speaker 5: But listen, I accumulate a lot of spit in my

880
00:41:10,440 --> 00:41:17,960
Speaker 5: mouth when I talk, so sometimes I might when I'm talking. Listen, asshole,

881
00:41:18,760 --> 00:41:21,800
Speaker 5: that's how I talk. All right, accept it. I just

882
00:41:21,920 --> 00:41:22,520
Speaker 5: did it again.

883
00:41:22,920 --> 00:41:25,160
Speaker 4: And if you got a problem with it, you can

884
00:41:25,280 --> 00:41:26,520
Speaker 4: kiss my ass all right?

885
00:41:27,640 --> 00:41:31,120
Speaker 3: Of course maybe of course for for avid listards begs

886
00:41:31,200 --> 00:41:32,880
Speaker 3: the question which instructor?

887
00:41:32,960 --> 00:41:36,640
Speaker 1: Did Donald have no yes, because he just went into

888
00:41:36,680 --> 00:41:37,359
Speaker 1: aggressive guy.

889
00:41:37,440 --> 00:41:38,960
Speaker 2: You are right, Johnny, good call.

890
00:41:39,040 --> 00:41:41,719
Speaker 5: You know I need to protect how I sound on

891
00:41:41,800 --> 00:41:43,640
Speaker 5: this thing. Everybody had a problem with me saying you

892
00:41:43,719 --> 00:41:46,200
Speaker 5: know what I mean? And now somebody's talking about the

893
00:41:46,280 --> 00:41:49,040
Speaker 5: way I slurp when I'm done the sentences.

894
00:41:50,400 --> 00:41:53,520
Speaker 2: Slurp by the way, slurp by the way. You know

895
00:41:53,600 --> 00:41:56,000
Speaker 2: they have those fancy spit guards for the mic. We

896
00:41:56,040 --> 00:41:57,919
Speaker 2: could get you, right, Dan, we can. You know, there's

897
00:41:57,960 --> 00:41:59,600
Speaker 2: like a little circle that goes in front of the mic,

898
00:41:59,640 --> 00:42:00,360
Speaker 2: so you have to be.

899
00:42:00,400 --> 00:42:02,400
Speaker 4: Spitting the house. I don't need to do any of.

900
00:42:02,400 --> 00:42:04,120
Speaker 2: It, all right, Well, why don't you reach behind you

901
00:42:04,200 --> 00:42:06,040
Speaker 2: and dab your mouth with some sweatpants.

902
00:42:08,080 --> 00:42:12,360
Speaker 4: Fuck you, fuck you.

903
00:42:18,239 --> 00:42:20,279
Speaker 2: Well anyway, it's just fun to see that so many

904
00:42:20,280 --> 00:42:22,880
Speaker 2: people are engaging, and we love to hear from you,

905
00:42:23,120 --> 00:42:26,680
Speaker 2: especially when it's debating things. We're debating here because I

906
00:42:26,719 --> 00:42:28,600
Speaker 2: love seeing people weigh in and be like, I'm team

907
00:42:28,760 --> 00:42:30,120
Speaker 2: washcloth and I'm from the South.

908
00:42:30,400 --> 00:42:32,799
Speaker 5: I was about to say, right right, Well, a lot

909
00:42:32,880 --> 00:42:35,880
Speaker 5: of white people that got on the on the thing like, yo,

910
00:42:36,800 --> 00:42:39,640
Speaker 5: I do use a washcloth, but I am from the South.

911
00:42:39,920 --> 00:42:42,600
Speaker 2: So and then some women won't be like Zach, you

912
00:42:42,640 --> 00:42:44,600
Speaker 2: can put a loofa between your cheeks, you just have

913
00:42:44,680 --> 00:42:46,920
Speaker 2: to make sure you wash it. They're washable, and I'm not.

914
00:42:47,040 --> 00:42:50,200
Speaker 2: I'm still not gonna put a scratchyof loof of between

915
00:42:50,239 --> 00:42:50,680
Speaker 2: the cheeks.

916
00:42:50,840 --> 00:42:54,000
Speaker 4: Johnny, are you team washcloth or team no washcloth.

917
00:42:54,760 --> 00:42:59,080
Speaker 1: It's funny. I use washcloths at hotels, but not at home.

918
00:42:59,640 --> 00:43:01,360
Speaker 3: But not at home both, I just surf. I just

919
00:43:01,560 --> 00:43:03,760
Speaker 3: I just there's a shower I put in outside the building,

920
00:43:04,160 --> 00:43:05,319
Speaker 3: and I just shower out there.

921
00:43:05,480 --> 00:43:07,360
Speaker 1: And so no, there's no wash cloths up theah.

922
00:43:08,040 --> 00:43:10,560
Speaker 4: But in hotels you use the washcloths.

923
00:43:10,680 --> 00:43:13,120
Speaker 2: You know, you know why he does because he doesn't

924
00:43:13,120 --> 00:43:15,960
Speaker 2: have to worry about cleaning that fucking poo poo stain up.

925
00:43:18,000 --> 00:43:20,400
Speaker 4: That also is a problem for me, Zach, I have

926
00:43:20,480 --> 00:43:22,080
Speaker 4: a problem with your poostain story.

927
00:43:22,200 --> 00:43:25,560
Speaker 2: Now why why dude, You're rehashing some shit right now?

928
00:43:25,600 --> 00:43:26,240
Speaker 2: No pun intended.

929
00:43:26,320 --> 00:43:27,920
Speaker 1: Do you have itchy all day?

930
00:43:28,080 --> 00:43:30,239
Speaker 4: Hold on, do you have itchy butt all the time?

931
00:43:31,000 --> 00:43:31,040
Speaker 1: No?

932
00:43:31,200 --> 00:43:32,600
Speaker 2: You still don't understand what I'm saying.

933
00:43:32,680 --> 00:43:35,359
Speaker 4: There's no way, dude, I do understand what you're saying.

934
00:43:35,520 --> 00:43:37,759
Speaker 2: I don't have poo. If I were to swipe the

935
00:43:38,000 --> 00:43:41,560
Speaker 2: washcloth down the outside of my balloon knot, there'd be

936
00:43:41,640 --> 00:43:43,759
Speaker 2: no poo on it. But if I were to dig

937
00:43:44,480 --> 00:43:47,360
Speaker 2: a quarter inch, there'd be some remnants.

938
00:43:47,560 --> 00:43:49,440
Speaker 4: Why are you digging in your ass?

939
00:43:49,840 --> 00:43:52,600
Speaker 2: Because that's what I feel. The purpose of the washcloth is.

940
00:43:52,680 --> 00:43:55,880
Speaker 2: I have a washcloth as my interface between me and

941
00:43:56,000 --> 00:43:58,200
Speaker 2: my rectum, and I can dig a little. I can

942
00:43:58,280 --> 00:44:01,400
Speaker 2: be aggressive. Check my pros nate while I'm in there.

943
00:44:01,760 --> 00:44:03,719
Speaker 1: Do you guys not have the magic toilet seat that

944
00:44:03,840 --> 00:44:05,239
Speaker 1: does the spray I.

945
00:44:05,280 --> 00:44:05,759
Speaker 4: Wish I had.

946
00:44:06,480 --> 00:44:08,600
Speaker 2: I'm gonna get you one of those. It's a seat.

947
00:44:08,640 --> 00:44:10,680
Speaker 1: It's a seat. You put a seat. It's not even

948
00:44:10,719 --> 00:44:13,080
Speaker 1: a day it's the most genius thing on the planet. Yeah,

949
00:44:13,160 --> 00:44:15,200
Speaker 1: we got him. We got them at the Design Center

950
00:44:15,280 --> 00:44:17,239
Speaker 1: at some invited event that Yeah.

951
00:44:17,280 --> 00:44:19,200
Speaker 2: Yeah, it just blasts a little. It's like a it's

952
00:44:19,239 --> 00:44:20,520
Speaker 2: like a water pick for your anus.

953
00:44:21,640 --> 00:44:23,280
Speaker 1: It's the single greatest gift on the planet.

954
00:44:23,320 --> 00:44:25,200
Speaker 2: It's lovely. Donald. I'm gonna get you one for Honkah

955
00:44:25,640 --> 00:44:26,080
Speaker 2: can't wait.

956
00:44:26,280 --> 00:44:28,960
Speaker 3: Well, what you have to get him with with is

957
00:44:29,040 --> 00:44:32,160
Speaker 3: you also get a contractor to extend a water outlet

958
00:44:32,239 --> 00:44:33,000
Speaker 3: and electricity to.

959
00:44:33,080 --> 00:44:34,839
Speaker 2: Oh that's not coming with my honica. Well maybe that'll

960
00:44:34,840 --> 00:44:36,440
Speaker 2: be the second night. The first night will be the

961
00:44:36,520 --> 00:44:39,040
Speaker 2: water pick for your anus. Second night contractor?

962
00:44:45,480 --> 00:44:47,480
Speaker 1: Could we could we get back to Levern?

963
00:44:48,280 --> 00:44:53,839
Speaker 2: Welcome, Welcome back, Johnny, Johnny, Johnny. This is what happens, uh.

964
00:44:54,200 --> 00:44:56,239
Speaker 2: I know, by the way, when you're into you guys,

965
00:44:56,360 --> 00:44:58,920
Speaker 2: when you're here, we can I love that Johnny's already

966
00:44:58,960 --> 00:45:01,160
Speaker 2: here being like, can we get to the episode? Which

967
00:45:01,200 --> 00:45:03,160
Speaker 2: is what I'm the one. I'm the one who's always saying.

968
00:45:03,000 --> 00:45:05,960
Speaker 4: That we tried to digress several times, and Donny's like,

969
00:45:06,080 --> 00:45:08,719
Speaker 4: but you know when yeah, six so too.

970
00:45:09,120 --> 00:45:12,160
Speaker 1: I wanted to do all right, let's I thought in

971
00:45:12,239 --> 00:45:16,640
Speaker 1: twelve fifty two. I thought Billy Billy likes to take

972
00:45:16,640 --> 00:45:18,200
Speaker 1: a swipe at Zachi every once in a while. He

973
00:45:18,239 --> 00:45:22,759
Speaker 1: always has and and he Laverne says, you think so

974
00:45:23,160 --> 00:45:28,120
Speaker 1: with those ears, And it's just and it's just exact totally.

975
00:45:28,200 --> 00:45:30,200
Speaker 2: I'm called for so fucked up. I must have done

976
00:45:30,280 --> 00:45:32,160
Speaker 2: something that week that he wanted to take me down

977
00:45:32,200 --> 00:45:35,880
Speaker 2: a notge for I never really had my ears this before.

978
00:45:35,960 --> 00:45:39,319
Speaker 2: I mean, obviously I have a large nose, and I'm used,

979
00:45:39,360 --> 00:45:42,000
Speaker 2: you know, anytime a caricature artist would draw me, it

980
00:45:42,040 --> 00:45:45,439
Speaker 2: would be like ninety five percent nose, So I'm used

981
00:45:45,440 --> 00:45:48,160
Speaker 2: to that. But I I never really had my ears

982
00:45:48,200 --> 00:45:51,000
Speaker 2: disc before before Nurse Roberts went after them.

983
00:45:51,719 --> 00:45:54,400
Speaker 1: Yeah, she and she took She took no small amount

984
00:45:54,400 --> 00:45:55,400
Speaker 1: of pleasure in doing it too.

985
00:45:55,680 --> 00:45:55,719
Speaker 3: No.

986
00:45:56,480 --> 00:45:58,640
Speaker 2: Red Dawn fifteen forty. I've never seen Red Dawn. I

987
00:45:58,640 --> 00:45:59,520
Speaker 2: don't know anything about her.

988
00:45:59,600 --> 00:46:01,640
Speaker 4: You fucking kidding me right now. You've never seen Red Dawn.

989
00:46:01,880 --> 00:46:01,920
Speaker 1: No?

990
00:46:02,600 --> 00:46:04,640
Speaker 4: Did you audition John Leis?

991
00:46:05,280 --> 00:46:07,879
Speaker 1: No? I didn't. I wouldn't up to that speed yet.

992
00:46:08,480 --> 00:46:10,440
Speaker 4: Well there's a part in that. Well, you're probably you're

993
00:46:10,440 --> 00:46:11,439
Speaker 4: probably way too young.

994
00:46:11,480 --> 00:46:14,000
Speaker 2: I have no idea what wolverines means. Please tell us.

995
00:46:14,040 --> 00:46:20,440
Speaker 5: Okay, so, uh, the Russians in Red Dawn, Yeah, attack America.

996
00:46:20,680 --> 00:46:23,560
Speaker 2: Yeah, Colorado. The trivia our trivia friend says, there's a

997
00:46:23,600 --> 00:46:26,400
Speaker 2: mistake in the episode. One of you guys says, Michigan,

998
00:46:26,480 --> 00:46:27,759
Speaker 2: but it's actually Colorado.

999
00:46:27,840 --> 00:46:31,319
Speaker 5: Yeah, because the Michigan. Because the Michigan Michigan or the Wolverines.

1000
00:46:31,360 --> 00:46:34,320
Speaker 5: The college team Michigan are the Wolverines. But it actually

1001
00:46:34,360 --> 00:46:38,360
Speaker 5: takes place in Colorado. You're right, and they attack and kids,

1002
00:46:38,560 --> 00:46:42,319
Speaker 5: students are the rebellion. They wind up being like all

1003
00:46:42,360 --> 00:46:47,759
Speaker 5: the adults are gathered and put into concentration camps and Stanton. Yeah,

1004
00:46:47,960 --> 00:46:50,640
Speaker 5: see Thomas Howell, Charlie Sheen.

1005
00:46:51,239 --> 00:46:52,640
Speaker 2: Uh does it hold up?

1006
00:46:53,040 --> 00:46:55,719
Speaker 5: I mean they tried to. They tried to remake it

1007
00:46:55,800 --> 00:46:57,600
Speaker 5: and stuff like that. The action is amazing.

1008
00:46:58,080 --> 00:47:01,279
Speaker 4: Who's the the older brother? Oh my gosh, Ghost.

1009
00:47:01,480 --> 00:47:02,799
Speaker 1: Well, Patrick Patrick.

1010
00:47:03,000 --> 00:47:06,440
Speaker 4: Crazy, Patrick swayze Just so many people are in it.

1011
00:47:06,600 --> 00:47:06,719
Speaker 3: Uh.

1012
00:47:07,440 --> 00:47:09,360
Speaker 5: This is the first movie that Jennifer Gray and Patrick

1013
00:47:09,400 --> 00:47:11,759
Speaker 5: swayzey did together. This is before Dirty Dancing.

1014
00:47:12,200 --> 00:47:13,080
Speaker 1: And Leah Thompson.

1015
00:47:13,239 --> 00:47:17,040
Speaker 4: Leah Thompson's in it. Also a lot of people went

1016
00:47:17,080 --> 00:47:17,440
Speaker 4: on to do.

1017
00:47:19,040 --> 00:47:19,080
Speaker 1: It.

1018
00:47:19,200 --> 00:47:22,760
Speaker 2: Makes me think of another before you explain that more Taps.

1019
00:47:22,800 --> 00:47:24,319
Speaker 2: We were talking about Taps the other Do you guys

1020
00:47:24,320 --> 00:47:24,640
Speaker 2: remember that.

1021
00:47:26,320 --> 00:47:30,080
Speaker 3: A lot of George Valley Forge Military Academy.

1022
00:47:30,239 --> 00:47:32,640
Speaker 2: Yeah, and a lot of amazing actors. It was their

1023
00:47:32,680 --> 00:47:36,560
Speaker 2: first big thing, Sewn Sean and Tom Cruise.

1024
00:47:37,239 --> 00:47:37,439
Speaker 4: Yeah.

1025
00:47:37,840 --> 00:47:39,440
Speaker 2: But anyway, go back to the plot of Loverne.

1026
00:47:39,680 --> 00:47:42,560
Speaker 5: So the kids, the kids, and the and the school

1027
00:47:43,040 --> 00:47:45,279
Speaker 5: that the kids they're all like on the football team

1028
00:47:45,320 --> 00:47:47,719
Speaker 5: and stuff like that. And the football team of the

1029
00:47:47,800 --> 00:47:51,319
Speaker 5: school is called the Wolverines. And so when they're when

1030
00:47:51,360 --> 00:47:56,200
Speaker 5: they're in the fight with the Russians, their victory cry

1031
00:47:56,800 --> 00:48:00,160
Speaker 5: is Wolverines. Their battle cry is Wolverines. Like you know,

1032
00:48:00,280 --> 00:48:01,839
Speaker 5: g I Joe was Yo Joe.

1033
00:48:02,480 --> 00:48:04,240
Speaker 4: Theirs was Wolverines.

1034
00:48:05,239 --> 00:48:08,320
Speaker 2: Okay, got it. And in the world of Scrubs, Elliott

1035
00:48:08,400 --> 00:48:10,840
Speaker 2: knows this movie. I don't believe it, but I believe

1036
00:48:10,960 --> 00:48:13,279
Speaker 2: I believe. I believe Turk knows it.

1037
00:48:13,320 --> 00:48:15,360
Speaker 4: I don't believe Turk would know it, so therefore j

1038
00:48:15,520 --> 00:48:16,480
Speaker 4: D would know it, right.

1039
00:48:16,560 --> 00:48:19,480
Speaker 2: But Elliott walks in like, oh, I forget the homework assignment,

1040
00:48:19,560 --> 00:48:22,279
Speaker 2: Let's watch Red Dawn. I'm like, come on, buddy, I'd

1041
00:48:22,320 --> 00:48:22,520
Speaker 2: love it.

1042
00:48:22,600 --> 00:48:25,839
Speaker 3: Yeah, but it's also great again, you guys both throw

1043
00:48:25,880 --> 00:48:28,000
Speaker 3: the gesture away and it's great when Zachi comes in

1044
00:48:28,120 --> 00:48:30,320
Speaker 3: and goes, you know, wolverines and he just throws it

1045
00:48:30,360 --> 00:48:32,000
Speaker 3: away and Sarah does too, and it's great.

1046
00:48:32,160 --> 00:48:34,760
Speaker 2: You know, when I was first watching this episode, before

1047
00:48:34,800 --> 00:48:36,359
Speaker 2: I got through it, I was like, what a dick

1048
00:48:36,520 --> 00:48:40,239
Speaker 2: Turk is for inviting my newly ex girlfriend over to

1049
00:48:40,400 --> 00:48:44,160
Speaker 2: do a homework as Simon at the fucking living room table.

1050
00:48:44,800 --> 00:48:46,080
Speaker 4: But he knew done.

1051
00:48:46,560 --> 00:48:50,200
Speaker 1: Yeah, but then he comes yeah, there's a great thing.

1052
00:48:50,520 --> 00:48:54,279
Speaker 3: Later on at ten forty five that Donald does this

1053
00:48:54,400 --> 00:48:56,919
Speaker 3: great thing where Sarah goes, you and I can still

1054
00:48:57,000 --> 00:48:59,960
Speaker 3: hang out and Donald goes, no, he's my best friend.

1055
00:49:00,480 --> 00:49:02,800
Speaker 1: Either you fix it or and then there's an ellipsis.

1056
00:49:03,400 --> 00:49:07,240
Speaker 1: And for all of us who have had divorced friends

1057
00:49:07,520 --> 00:49:10,920
Speaker 1: or friends who have broken up, it's the way Donald

1058
00:49:11,000 --> 00:49:14,319
Speaker 1: lays it out. You can't have both. It's just it's

1059
00:49:14,440 --> 00:49:17,520
Speaker 1: never you got to be friends with either or the wife.

1060
00:49:18,120 --> 00:49:20,160
Speaker 1: You can't have both. It doesn't work.

1061
00:49:20,360 --> 00:49:22,279
Speaker 2: People always choose a side, don't they.

1062
00:49:23,400 --> 00:49:26,200
Speaker 5: You have to Yeah, yeah, there's no in between. You

1063
00:49:26,320 --> 00:49:28,680
Speaker 5: can't stay in between. You can't be like she's my

1064
00:49:28,840 --> 00:49:30,600
Speaker 5: friend and you're my friend.

1065
00:49:30,760 --> 00:49:33,960
Speaker 2: Right right, I got it? Now now now when so

1066
00:49:34,440 --> 00:49:36,680
Speaker 2: we what we learned is that Turk did it in

1067
00:49:36,920 --> 00:49:40,400
Speaker 2: order to try and get them to be friends again.

1068
00:49:40,880 --> 00:49:44,000
Speaker 1: Right, well, I think his intentions are really good.

1069
00:49:44,200 --> 00:49:46,239
Speaker 2: But it's so raw. I mean, it's still so new,

1070
00:49:46,360 --> 00:49:48,960
Speaker 2: this breakup. You know, It's like, yeah, but you guys.

1071
00:49:48,840 --> 00:49:52,279
Speaker 5: Are running to each running into each other. Elliott and

1072
00:49:52,400 --> 00:49:55,040
Speaker 5: j D are running into each other every day at work,

1073
00:49:55,640 --> 00:49:58,960
Speaker 5: and there's all of this animosity towards each other.

1074
00:49:59,239 --> 00:49:59,920
Speaker 1: It's how the show will.

1075
00:50:00,640 --> 00:50:03,000
Speaker 2: I felt sad about it, you know, I have to say,

1076
00:50:03,120 --> 00:50:06,720
Speaker 2: I guess I'm these old feelings of being so invested

1077
00:50:06,719 --> 00:50:08,959
Speaker 2: in these characters came up, and of course, I'm sure

1078
00:50:10,680 --> 00:50:12,800
Speaker 2: you know memories of times in my own life of

1079
00:50:13,400 --> 00:50:16,279
Speaker 2: this stage of a relationship, and I don't know, I

1080
00:50:16,400 --> 00:50:20,239
Speaker 2: was so invested that I genuinely was feeling sad for

1081
00:50:20,360 --> 00:50:23,080
Speaker 2: these two characters and how they clearly love each other

1082
00:50:23,200 --> 00:50:25,319
Speaker 2: so much, and as we learned in the series, they

1083
00:50:25,760 --> 00:50:29,200
Speaker 2: ultimately choose each other. But but oh, that awkwardness of

1084
00:50:29,560 --> 00:50:32,879
Speaker 2: of you know, of trying to be friends and having

1085
00:50:33,000 --> 00:50:35,960
Speaker 2: mutual friends and working together. I mean, what a nightmare.

1086
00:50:36,520 --> 00:50:38,400
Speaker 3: Yeah, but what you just said pays off in the

1087
00:50:38,520 --> 00:50:40,800
Speaker 3: final before you guys go up on the roof and

1088
00:50:40,840 --> 00:50:44,920
Speaker 3: throw watermelons. When you guys are on that cot, you're Zachi.

1089
00:50:45,120 --> 00:50:49,640
Speaker 3: Your truth is that it made you genuinely sad and

1090
00:50:51,080 --> 00:50:55,840
Speaker 3: it resonates. It absolutely jumps into the lens and it resonates,

1091
00:50:55,960 --> 00:50:57,360
Speaker 3: and it's so lovely.

1092
00:50:57,680 --> 00:50:58,759
Speaker 2: I think I had not so much.

1093
00:50:58,920 --> 00:51:03,040
Speaker 1: There's nothing demand instrative, there's nothing showy. It's just this

1094
00:51:03,160 --> 00:51:05,200
Speaker 1: guy sad and sad sucks. Sometimes.

1095
00:51:05,320 --> 00:51:07,799
Speaker 2: I think that was easy to play because it was real,

1096
00:51:08,080 --> 00:51:10,400
Speaker 2: and I think I had so much love for Sarah

1097
00:51:10,600 --> 00:51:14,520
Speaker 2: and I just, you know, I could just play in

1098
00:51:14,680 --> 00:51:16,960
Speaker 2: my in my heart that we weren't going to be

1099
00:51:17,000 --> 00:51:19,359
Speaker 2: friends anymore, and it was just easy to tap into.

1100
00:51:19,480 --> 00:51:22,040
Speaker 1: You know, right he should it showed.

1101
00:51:22,360 --> 00:51:23,600
Speaker 4: It was very good.

1102
00:51:24,160 --> 00:51:26,520
Speaker 5: I really you know, when in the beginning of the

1103
00:51:26,600 --> 00:51:30,880
Speaker 5: episode when he said when j D says, my teacher died,

1104
00:51:31,560 --> 00:51:33,000
Speaker 5: I was like, oh, this is this is going to

1105
00:51:33,040 --> 00:51:36,400
Speaker 5: be the problem of the episode. And then when you know, Johnny,

1106
00:51:36,400 --> 00:51:38,560
Speaker 5: when Cox goes into this rent, I was like, no,

1107
00:51:38,800 --> 00:51:41,160
Speaker 5: this is the problem of the episode. Then how you

1108
00:51:41,239 --> 00:51:43,480
Speaker 5: bring it full circle? It's always brought back to one

1109
00:51:43,600 --> 00:51:46,360
Speaker 5: right and with our show, so at the end of

1110
00:51:46,400 --> 00:51:48,959
Speaker 5: it all, you remind him, didn't you tell me about

1111
00:51:49,000 --> 00:51:51,560
Speaker 5: your teacher that you know just passed away.

1112
00:51:51,920 --> 00:51:54,719
Speaker 4: How are you gonna deal with that? Because I know

1113
00:51:54,840 --> 00:51:56,480
Speaker 4: you're trying to hide it. What did you do when?

1114
00:51:56,840 --> 00:51:59,279
Speaker 4: What did you do when you found out your teacher died?

1115
00:52:00,000 --> 00:52:01,040
Speaker 4: That's right, you made a joke.

1116
00:52:01,600 --> 00:52:04,239
Speaker 5: That shit stings inside and if you hold on to it,

1117
00:52:04,280 --> 00:52:06,239
Speaker 5: and if you don't have an outlet, you wind up

1118
00:52:06,320 --> 00:52:07,000
Speaker 5: doing what I did.

1119
00:52:07,440 --> 00:52:07,960
Speaker 4: You know what I mean?

1120
00:52:08,160 --> 00:52:10,480
Speaker 5: And there's not a bunch of people at this hospital

1121
00:52:10,520 --> 00:52:12,200
Speaker 5: that are going to protect you the way they protect me.

1122
00:52:12,560 --> 00:52:15,440
Speaker 4: That's that's the honest of goodness truth. Yeah, we'll get

1123
00:52:15,480 --> 00:52:16,000
Speaker 4: this shit out.

1124
00:52:16,080 --> 00:52:18,000
Speaker 2: You know, I was well said. I believe that too.

1125
00:52:18,080 --> 00:52:20,080
Speaker 2: I mean, I feel like I do that in life.

1126
00:52:20,880 --> 00:52:24,439
Speaker 2: I try and dissipate the emotion by making a joke

1127
00:52:25,120 --> 00:52:27,200
Speaker 2: and then you're all, you know, which is fine, it's

1128
00:52:27,239 --> 00:52:30,280
Speaker 2: a coping mechanism. But then you're letting that shit fester

1129
00:52:30,440 --> 00:52:33,480
Speaker 2: and build up. And then Johnny and Cox is saying, like,

1130
00:52:34,239 --> 00:52:36,120
Speaker 2: look what happens if you let it build for three

1131
00:52:36,200 --> 00:52:39,600
Speaker 2: hundred and sixty four days? You fucking destroy Franklin's lab.

1132
00:52:40,640 --> 00:52:43,520
Speaker 3: And I wrote, I wrote, I wrote in my notebook

1133
00:52:43,560 --> 00:52:47,600
Speaker 3: because I'd had about a twenty year ongoing twenty year

1134
00:52:48,360 --> 00:52:51,360
Speaker 3: art crush on a Welsh poet named Dylan Thomas.

1135
00:52:51,960 --> 00:52:54,360
Speaker 1: And I didn't have the spine to go down to

1136
00:52:54,400 --> 00:52:55,320
Speaker 1: the writer's room.

1137
00:52:55,440 --> 00:52:57,480
Speaker 3: And ask Billy if I could put this in, But

1138
00:52:57,600 --> 00:53:00,239
Speaker 3: I did put it in the margins, the poem that

1139
00:53:00,520 --> 00:53:03,040
Speaker 3: do not go gently into that good night rage, rage

1140
00:53:03,040 --> 00:53:03,440
Speaker 3: against the.

1141
00:53:03,480 --> 00:53:04,080
Speaker 1: Dying of the light.

1142
00:53:04,520 --> 00:53:07,920
Speaker 3: And that informs everything I'm telling Zachi in that scene,

1143
00:53:08,040 --> 00:53:11,840
Speaker 3: that you don't go gently into the good night rage, rage,

1144
00:53:12,040 --> 00:53:14,160
Speaker 3: rage against the dying of the light.

1145
00:53:14,239 --> 00:53:16,279
Speaker 1: Oh, I get it. And I wanted to say it

1146
00:53:16,360 --> 00:53:19,120
Speaker 1: to Zachie so bad, but it was a little too esoteric.

1147
00:53:20,040 --> 00:53:21,040
Speaker 1: But it's underneath it.

1148
00:53:21,360 --> 00:53:23,719
Speaker 2: It needs to, John, because it was underneath your whole performance.

1149
00:53:24,160 --> 00:53:25,839
Speaker 1: If it floats it Yeah.

1150
00:53:25,840 --> 00:53:28,160
Speaker 3: And if you can get Dylan Thomas to float something

1151
00:53:28,320 --> 00:53:32,200
Speaker 3: underneath what you're doing again, you're not lying, you're telling

1152
00:53:32,280 --> 00:53:32,680
Speaker 3: your truth.

1153
00:53:33,000 --> 00:53:33,200
Speaker 1: Yeah.

1154
00:53:33,360 --> 00:53:37,240
Speaker 2: I really like that you do that, John, the putting,

1155
00:53:37,719 --> 00:53:41,719
Speaker 2: putting thoughts and inspiration in the margins and letting that

1156
00:53:42,040 --> 00:53:45,120
Speaker 2: sort of exist underneath the scene. I think that's really

1157
00:53:46,200 --> 00:53:47,560
Speaker 2: a smart technique.

1158
00:53:48,080 --> 00:53:50,440
Speaker 1: It's completely selfish and self serving. It helps me.

1159
00:53:51,480 --> 00:53:53,879
Speaker 3: I always find that if you can since we're lying

1160
00:53:54,360 --> 00:53:56,799
Speaker 3: in front of the lens. Everything most of it's a lie.

1161
00:53:57,360 --> 00:54:00,319
Speaker 3: In other words, I'm not doctor Cox, I'm not the guy.

1162
00:54:00,400 --> 00:54:03,680
Speaker 3: I'm not Sergeant O Neil in platoon. I'm not I'm

1163
00:54:03,719 --> 00:54:06,200
Speaker 3: not I'm some guy. I'm just the Irish jack.

1164
00:54:06,280 --> 00:54:06,480
Speaker 1: Yes.

1165
00:54:06,640 --> 00:54:10,759
Speaker 3: And if you can, yeah, if you can reduce, if

1166
00:54:10,800 --> 00:54:14,600
Speaker 3: you can reduce the frequency of the lie, whether it's

1167
00:54:14,640 --> 00:54:17,160
Speaker 3: Oliver putting this through two weeks of boot camp or

1168
00:54:17,600 --> 00:54:22,120
Speaker 3: or putting Dylan Thomas underneath underneath a particular beat that

1169
00:54:22,320 --> 00:54:25,359
Speaker 3: reduces the lie. And if you can reduce the lie

1170
00:54:25,440 --> 00:54:30,000
Speaker 3: to a certain frequency, then the lens doesn't suffer it

1171
00:54:30,040 --> 00:54:31,120
Speaker 3: as a lie quite as much.

1172
00:54:31,640 --> 00:54:33,719
Speaker 2: And I think, and I think genuinely this might be

1173
00:54:33,760 --> 00:54:37,560
Speaker 2: a non sequitor, but for me, genuinely listen. You know

1174
00:54:38,840 --> 00:54:41,759
Speaker 2: a lot of times actors will ask me for and

1175
00:54:41,840 --> 00:54:43,920
Speaker 2: I'm sure this you guys get this as well. Young

1176
00:54:43,960 --> 00:54:46,359
Speaker 2: actors ask you for advice or or and you try

1177
00:54:46,400 --> 00:54:48,120
Speaker 2: and think of like something's a sinc you can say,

1178
00:54:48,200 --> 00:54:51,440
Speaker 2: because it's none of it's that easy. But when I

1179
00:54:51,480 --> 00:54:53,879
Speaker 2: do try and say, the most basic thing that I've

1180
00:54:53,960 --> 00:54:59,480
Speaker 2: learned is genuinely listening. If I'm if the camera's on

1181
00:54:59,640 --> 00:55:02,920
Speaker 2: me and Johnny c playing Cox is saying all these

1182
00:55:02,960 --> 00:55:05,480
Speaker 2: things to me, and I can genuinely listen. I'm not

1183
00:55:05,600 --> 00:55:07,840
Speaker 2: looking in my periphery at the camera. I'm not looking

1184
00:55:07,920 --> 00:55:10,120
Speaker 2: at the jail on the light that's about to fall.

1185
00:55:10,760 --> 00:55:14,360
Speaker 2: I'm not distracted by something. I'm genuinely listening. Then I

1186
00:55:14,480 --> 00:55:18,360
Speaker 2: can't help but react naturally as a human being would. Now,

1187
00:55:18,440 --> 00:55:21,040
Speaker 2: that's not easy to do it. You can only I

1188
00:55:21,360 --> 00:55:23,920
Speaker 2: find I can only do it in spurts, which hopefully

1189
00:55:24,000 --> 00:55:27,040
Speaker 2: those spurts can be edited together into something good. But

1190
00:55:28,080 --> 00:55:30,799
Speaker 2: that's the that's sort of my version of what you're

1191
00:55:30,840 --> 00:55:35,319
Speaker 2: saying is being as present as you can and genuinely.

1192
00:55:34,880 --> 00:55:36,920
Speaker 1: Listening because you're telling the truth.

1193
00:55:37,200 --> 00:55:39,719
Speaker 2: Yeah, and then we react. I remember when I was

1194
00:55:39,760 --> 00:55:41,160
Speaker 2: I did this movie, The Last Kiss, and I was

1195
00:55:41,360 --> 00:55:43,399
Speaker 2: I had a scene with Tom Wilkinson, a wonderful actor,

1196
00:55:43,600 --> 00:55:45,600
Speaker 2: and it was one of those moments where this really

1197
00:55:45,640 --> 00:55:47,800
Speaker 2: worked for me. He was the cameras were kind of

1198
00:55:47,840 --> 00:55:50,000
Speaker 2: far back. I love that when when on the occasion

1199
00:55:50,040 --> 00:55:51,560
Speaker 2: when they can be sort of a little bit far

1200
00:55:51,640 --> 00:55:54,680
Speaker 2: away on longer lenses. And he's too and he was

1201
00:55:54,800 --> 00:55:58,240
Speaker 2: just on the porch and he's giving me a speech

1202
00:55:58,640 --> 00:56:02,480
Speaker 2: about his daughter, and I just remember being so present.

1203
00:56:02,560 --> 00:56:04,520
Speaker 2: I didn't see the cameras. I just saw this man

1204
00:56:05,080 --> 00:56:07,239
Speaker 2: talking to me and giving me advice about how to

1205
00:56:07,360 --> 00:56:11,520
Speaker 2: deal with my troubled relationship. And I just felt I

1206
00:56:11,640 --> 00:56:14,480
Speaker 2: was so in the moment that in spurts, I was

1207
00:56:14,560 --> 00:56:17,320
Speaker 2: able to just forget that it wasn't real, you know

1208
00:56:17,360 --> 00:56:17,680
Speaker 2: what I mean.

1209
00:56:18,200 --> 00:56:19,719
Speaker 5: No, I totally know what to me when I did

1210
00:56:19,800 --> 00:56:23,239
Speaker 5: Gee's Tripping. I got stone with my boy Dion right.

1211
00:56:23,200 --> 00:56:24,080
Speaker 4: Before I seen.

1212
00:56:29,200 --> 00:56:30,800
Speaker 2: When I was in Homies Pomoni.

1213
00:56:33,600 --> 00:56:37,239
Speaker 5: Oh, and there was you know, we were at a

1214
00:56:37,400 --> 00:56:39,960
Speaker 5: dance at a house party, and I was supposed to

1215
00:56:39,960 --> 00:56:42,200
Speaker 5: be dancing with this girl at the house party, and

1216
00:56:42,320 --> 00:56:44,920
Speaker 5: I was so stone that I forgot we were filming

1217
00:56:44,960 --> 00:56:47,560
Speaker 5: the damn movie. You think this is bullshit, but I

1218
00:56:47,680 --> 00:56:49,000
Speaker 5: remembered my direction was.

1219
00:56:49,120 --> 00:56:50,160
Speaker 2: I thought you were by the way. I just want

1220
00:56:50,200 --> 00:56:51,800
Speaker 2: to stop for a second. I thought you were kidding

1221
00:56:52,080 --> 00:56:54,120
Speaker 2: and it was hilarious, but you're serious. You got so

1222
00:56:54,280 --> 00:56:55,600
Speaker 2: high you forgot you were doing a movie.

1223
00:56:55,760 --> 00:56:59,160
Speaker 5: I forgot that we were making This is how I

1224
00:56:59,200 --> 00:57:03,160
Speaker 5: gotta see this movie. Yeah, so we're in a scene

1225
00:57:03,280 --> 00:57:06,360
Speaker 5: and we're you know, it's a house party, and we're dancing,

1226
00:57:06,680 --> 00:57:09,880
Speaker 5: and I'm dancing with this girl, and I remembered my direction.

1227
00:57:10,040 --> 00:57:13,200
Speaker 5: My direction is tell her to come with you and

1228
00:57:13,320 --> 00:57:16,680
Speaker 5: you guys exit. So we're dancing and everything, and now

1229
00:57:16,720 --> 00:57:18,880
Speaker 5: I'm really fucking in it. I'm looking around at the

1230
00:57:18,960 --> 00:57:23,760
Speaker 5: boys and shit, oh you know what I mean. I'm

1231
00:57:23,840 --> 00:57:25,600
Speaker 5: waving to my boy you know what I mean in

1232
00:57:25,680 --> 00:57:29,080
Speaker 5: the movie and everything like that, and I remember Joe, oh,

1233
00:57:29,120 --> 00:57:31,320
Speaker 5: I'm supposed to tell us something. So I whispered in

1234
00:57:31,360 --> 00:57:33,360
Speaker 5: the ear like, yo, let's go to the other room.

1235
00:57:33,760 --> 00:57:37,120
Speaker 5: And she goes, okay, let's go. And so we're exiting,

1236
00:57:37,280 --> 00:57:39,640
Speaker 5: and as I'm walking out, I'm like, oh shit, I

1237
00:57:39,880 --> 00:57:41,040
Speaker 5: just pulled down.

1238
00:57:42,320 --> 00:57:45,360
Speaker 4: I'm what I did, you know what I mean? And

1239
00:57:45,400 --> 00:57:48,960
Speaker 4: I'm looking at my boys like look how I did it?

1240
00:57:49,440 --> 00:57:53,200
Speaker 4: And then they said cut and I was like, oh no,

1241
00:57:53,320 --> 00:57:53,640
Speaker 4: I didn't.

1242
00:57:53,640 --> 00:57:55,840
Speaker 5: I didn't, but you know, I didn't go like we

1243
00:57:55,880 --> 00:57:57,600
Speaker 5: were making a movie, but it was like cut and

1244
00:57:57,720 --> 00:57:58,720
Speaker 5: we walked away and my boy.

1245
00:57:58,720 --> 00:58:01,080
Speaker 4: Was like, yo, it really like you was taken out

1246
00:58:01,120 --> 00:58:01,800
Speaker 4: of the other room.

1247
00:58:03,840 --> 00:58:07,680
Speaker 2: Oh my god, that's so funny.

1248
00:58:07,720 --> 00:58:10,080
Speaker 1: Man. So that would get me. I would get hives

1249
00:58:10,160 --> 00:58:13,160
Speaker 1: if I ever found myself in that situation. I would

1250
00:58:13,360 --> 00:58:14,360
Speaker 1: I worry too much.

1251
00:58:15,280 --> 00:58:19,440
Speaker 2: How often how often were you stoned while acting on Scrubs?

1252
00:58:21,880 --> 00:58:23,080
Speaker 2: A percentage of the time.

1253
00:58:23,760 --> 00:58:24,960
Speaker 4: It's not It's not as high.

1254
00:58:24,960 --> 00:58:26,520
Speaker 2: I got to add it to the Scrubs Wiki.

1255
00:58:26,880 --> 00:58:29,640
Speaker 5: It's not as high as everybody, you know, as I

1256
00:58:29,760 --> 00:58:32,360
Speaker 5: made it out to be. But there were times where

1257
00:58:32,360 --> 00:58:36,160
Speaker 5: I came to work and I was like, fuck, I

1258
00:58:36,240 --> 00:58:37,080
Speaker 5: did it in the morning.

1259
00:58:37,640 --> 00:58:40,240
Speaker 4: By the end of the day, I'll be fine, dude.

1260
00:58:40,320 --> 00:58:41,800
Speaker 4: I was probably I had a problem.

1261
00:58:42,040 --> 00:58:43,920
Speaker 2: You know'll be funny if on the Scrubs Wiki with

1262
00:58:44,040 --> 00:58:46,880
Speaker 2: each episode it has a little section where it says

1263
00:58:47,000 --> 00:58:49,720
Speaker 2: how high Donald was during the filming of this episode.

1264
00:58:50,400 --> 00:58:51,960
Speaker 2: You know, it has like a it has like a

1265
00:58:52,080 --> 00:58:54,160
Speaker 2: red for very, there's like a there's like a there's

1266
00:58:54,200 --> 00:58:56,280
Speaker 2: like a color system like how dangerous the water is

1267
00:58:56,320 --> 00:58:56,760
Speaker 2: at the beach.

1268
00:58:57,880 --> 00:59:00,280
Speaker 4: Those those days are over, though, Those days over.

1269
00:59:00,640 --> 00:59:03,600
Speaker 5: But I do remember I remember thinking, you know, there's

1270
00:59:03,680 --> 00:59:05,800
Speaker 5: so many actors that are baked when they're working. And

1271
00:59:05,880 --> 00:59:08,000
Speaker 5: I'm sure there are there are, you know what I mean,

1272
00:59:08,440 --> 00:59:10,280
Speaker 5: But it really wasn't for me.

1273
00:59:10,600 --> 00:59:12,280
Speaker 1: Let me tell you something. I'm gonna get us back

1274
00:59:12,320 --> 00:59:13,560
Speaker 1: on track here at AIX.

1275
00:59:13,880 --> 00:59:17,640
Speaker 2: Johnny Johnny, if Johnny was always on the show, we'd

1276
00:59:17,680 --> 00:59:18,720
Speaker 2: be much more on track.

1277
00:59:19,160 --> 00:59:20,760
Speaker 1: Let me tell you, Let me tell you something.

1278
00:59:21,240 --> 00:59:23,960
Speaker 3: The Todd shows up in eight oh six hilarious, and

1279
00:59:24,080 --> 00:59:25,840
Speaker 3: he comes up from behind the couch.

1280
00:59:25,800 --> 00:59:29,320
Speaker 1: And it's kind of creepy. Yeah, it's a little creepy.

1281
00:59:29,720 --> 00:59:31,960
Speaker 4: The things he says to her are creepy.

1282
00:59:31,960 --> 00:59:34,240
Speaker 1: It's a little creepy, I know.

1283
00:59:34,360 --> 00:59:38,240
Speaker 2: But I laughed out loud when he said he goes.

1284
00:59:43,040 --> 00:59:45,200
Speaker 3: So is it safe to assume Donald that at a

1285
00:59:45,360 --> 00:59:48,440
Speaker 3: fifty six, when you do a very graceful jump up

1286
00:59:48,520 --> 00:59:51,120
Speaker 3: onto the nurses station, that you are not, in fact

1287
00:59:51,200 --> 00:59:52,320
Speaker 3: wearing silk boxers.

1288
00:59:52,600 --> 00:59:54,560
Speaker 4: I am definitely not wearing silkboxers.

1289
00:59:55,000 --> 00:59:57,200
Speaker 1: Do you wear do you wear anything out of your scrubs?

1290
00:59:57,920 --> 00:59:59,760
Speaker 4: I did at the time because I was look man,

1291
01:00:00,000 --> 01:00:00,680
Speaker 4: he had a leak.

1292
01:00:01,320 --> 01:00:04,400
Speaker 2: I got a leaky o ring and loose gasket.

1293
01:00:06,000 --> 01:00:08,480
Speaker 5: Sometimes when you go to the bathroom and come back

1294
01:00:08,520 --> 01:00:10,800
Speaker 5: and you got a little peace spot, it's embarrassing.

1295
01:00:10,880 --> 01:00:13,240
Speaker 2: So I don't think that you could. I mean, I

1296
01:00:13,320 --> 01:00:15,400
Speaker 2: don't think that it would be appropriate for you to

1297
01:00:15,560 --> 01:00:20,360
Speaker 2: not have your your what your situation contained.

1298
01:00:20,840 --> 01:00:23,840
Speaker 5: I'm sure there were people that put on their scrubs

1299
01:00:24,440 --> 01:00:27,520
Speaker 5: at as Johnny's hand goes.

1300
01:00:27,480 --> 01:00:29,560
Speaker 2: Un you free ball in your scrubs.

1301
01:00:30,440 --> 01:00:34,000
Speaker 3: Do One time in the Philippines, we were we were

1302
01:00:34,000 --> 01:00:36,680
Speaker 3: shooting a flick and during boot camp, I had to

1303
01:00:36,720 --> 01:00:39,840
Speaker 3: go through u a river is called a blue, and

1304
01:00:39,920 --> 01:00:41,439
Speaker 3: so we had to go through a blue and hold

1305
01:00:41,440 --> 01:00:44,560
Speaker 3: our weapons above our heads and then we got out

1306
01:00:44,560 --> 01:00:47,440
Speaker 3: the other side. I took my fatigues off, and I

1307
01:00:47,520 --> 01:00:51,560
Speaker 3: had about nine leeches right near my power source, and

1308
01:00:51,880 --> 01:00:57,200
Speaker 3: so I decided and then die wee that are our

1309
01:00:57,520 --> 01:01:01,600
Speaker 3: commandant told us that they like warm, wet places like

1310
01:01:01,720 --> 01:01:03,360
Speaker 3: under your arms and down in your crotch.

1311
01:01:03,640 --> 01:01:06,360
Speaker 1: And I haven't worn underwear since nineteen eighty six.

1312
01:01:06,600 --> 01:01:09,920
Speaker 4: Wow, And that's all it took. And that is all.

1313
01:01:10,800 --> 01:01:13,080
Speaker 1: You can't say, you can't preface it with that's all.

1314
01:01:13,560 --> 01:01:18,240
Speaker 1: That's what it took. Seven leeches, seven leeches near my

1315
01:01:18,600 --> 01:01:24,120
Speaker 1: near my powers horse. I'm not no chance, lance, And

1316
01:01:24,240 --> 01:01:25,080
Speaker 1: how do you pull them off?

1317
01:01:25,160 --> 01:01:26,880
Speaker 2: You just can't do you? Just can you just pull

1318
01:01:26,920 --> 01:01:28,720
Speaker 2: a leach off? I've never had a leech stock.

1319
01:01:28,600 --> 01:01:31,360
Speaker 3: Dale Dale came and he used like a cigarette butt

1320
01:01:31,520 --> 01:01:33,320
Speaker 3: and like he burned him and pulled him at the

1321
01:01:33,360 --> 01:01:36,720
Speaker 3: same time. And it was very humiliating to take my

1322
01:01:37,200 --> 01:01:39,240
Speaker 3: you know, to have all twenty four guys looking at

1323
01:01:39,680 --> 01:01:42,240
Speaker 3: you know, the Irish donkey with seven leeches.

1324
01:01:43,720 --> 01:01:45,840
Speaker 1: Wow, I'm not getting any leeches.

1325
01:01:45,640 --> 01:01:47,880
Speaker 2: Near my I guess jeans would be fine, but scrubs

1326
01:01:47,880 --> 01:01:48,440
Speaker 2: wouldn't work.

1327
01:01:48,680 --> 01:01:51,120
Speaker 4: No gross even gene. Oh man, I couldn't do it

1328
01:01:51,160 --> 01:01:53,560
Speaker 4: with my jeans. Too much chafing.

1329
01:01:53,800 --> 01:01:55,240
Speaker 2: All right, should we get back to the episode.

1330
01:01:55,320 --> 01:01:57,640
Speaker 1: Guys, are you boxers or tidy? What do you guys?

1331
01:01:57,960 --> 01:02:01,040
Speaker 4: I'm straight up boxers. Dude, whities can't happen.

1332
01:02:01,120 --> 01:02:03,080
Speaker 2: No, no, I don't do teddy whities. But they're not

1333
01:02:03,200 --> 01:02:07,240
Speaker 2: boxers like traditional boxers, minors sort of like clingy tight

1334
01:02:07,520 --> 01:02:13,919
Speaker 2: soft boxers. Okay, their their stance. If if I highly

1335
01:02:13,960 --> 01:02:17,280
Speaker 2: recommend this brand s t a ncee. They're not a

1336
01:02:17,520 --> 01:02:20,560
Speaker 2: paid sponsor, but I'm giving the dance like the socks. Yes,

1337
01:02:20,640 --> 01:02:22,800
Speaker 2: they make really fun socks. But they also make this

1338
01:02:23,000 --> 01:02:25,480
Speaker 2: like butter It's called like butter Undies.

1339
01:02:25,720 --> 01:02:27,560
Speaker 4: Butter Undies by stance.

1340
01:02:27,800 --> 01:02:30,160
Speaker 2: Yeah, there you go. There's a shout out for butter Undies.

1341
01:02:30,360 --> 01:02:33,280
Speaker 2: Send Donald an XXXL every stance, folks.

1342
01:02:33,720 --> 01:02:36,120
Speaker 4: I don't need an X. My waist isn't that big, dude?

1343
01:02:36,560 --> 01:02:37,680
Speaker 2: Oh quadru blocks.

1344
01:02:38,640 --> 01:02:41,880
Speaker 3: Wow, we got to get back to Kenny and Judy

1345
01:02:42,000 --> 01:02:44,760
Speaker 3: because we haven't given them their due. Because the song,

1346
01:02:45,000 --> 01:02:47,800
Speaker 3: the song he turns Off, is in fact the song

1347
01:02:48,160 --> 01:02:52,280
Speaker 3: that then Sammy and Judy sing together acapella.

1348
01:02:52,120 --> 01:02:55,120
Speaker 1: Beautifully, so pretty, so pretty.

1349
01:02:55,600 --> 01:02:58,800
Speaker 4: That's so tough to do. Also, I guess it was.

1350
01:02:58,960 --> 01:03:00,800
Speaker 2: You know, they must practice a lot.

1351
01:03:00,920 --> 01:03:03,640
Speaker 5: They had to have practiced that, because that's so like

1352
01:03:03,760 --> 01:03:08,960
Speaker 5: even the way lock the Cadence and everything was on fire,

1353
01:03:09,320 --> 01:03:09,840
Speaker 5: you know what I mean.

1354
01:03:09,920 --> 01:03:12,920
Speaker 2: That had to they had to remind everyone who's listening

1355
01:03:13,000 --> 01:03:16,320
Speaker 2: what the song was. It was talk Dirty to Me, Oh,

1356
01:03:16,440 --> 01:03:18,240
Speaker 2: talk Dirty to Me by Poison.

1357
01:03:19,560 --> 01:03:24,240
Speaker 3: But they're not again, Gosh, I'm beating a dead horse here,

1358
01:03:24,320 --> 01:03:27,720
Speaker 3: But the two of them are. They're not showing off.

1359
01:03:28,080 --> 01:03:30,240
Speaker 1: They're not putting it up on a bill they're not

1360
01:03:30,320 --> 01:03:31,600
Speaker 1: putting it up on a billboard.

1361
01:03:31,840 --> 01:03:34,520
Speaker 3: They're so great, they're so graceful, and they're not doing

1362
01:03:35,080 --> 01:03:37,600
Speaker 3: can you believe this ship? Because Sammy never does that

1363
01:03:37,760 --> 01:03:41,240
Speaker 3: and Judy is the master of just navigating her way

1364
01:03:41,280 --> 01:03:43,680
Speaker 3: through a scene, and the two of them together are

1365
01:03:44,040 --> 01:03:45,560
Speaker 3: so money and that.

1366
01:03:45,640 --> 01:03:48,320
Speaker 1: Thing is just so lovely. And then the same says

1367
01:03:48,400 --> 01:03:51,400
Speaker 1: I love you. I dropped.

1368
01:03:54,160 --> 01:03:57,560
Speaker 2: On it really made me miss him too. I had

1369
01:03:57,640 --> 01:04:00,120
Speaker 2: just one of those moments of going fucking hell on

1370
01:04:00,240 --> 01:04:03,200
Speaker 2: too soon. This guy is so funny and so talented,

1371
01:04:03,680 --> 01:04:08,160
Speaker 2: and I just wish more people got to know how

1372
01:04:08,280 --> 01:04:11,080
Speaker 2: talented he was. I mean, he was a successful working actor,

1373
01:04:11,200 --> 01:04:13,840
Speaker 2: but I I you know, I watch him in this

1374
01:04:13,960 --> 01:04:15,760
Speaker 2: and I go, I just I wish everyone in the

1375
01:04:15,760 --> 01:04:17,000
Speaker 2: world knew how genius this guy.

1376
01:04:17,160 --> 01:04:17,920
Speaker 4: His abilities.

1377
01:04:18,000 --> 01:04:20,320
Speaker 5: Man, he's just had so many great abilities, you know

1378
01:04:20,360 --> 01:04:22,560
Speaker 5: what I mean, he could make you did you know problem?

1379
01:04:23,240 --> 01:04:26,840
Speaker 1: Did you guys at the end of the show actually

1380
01:04:26,960 --> 01:04:28,880
Speaker 1: get to throw things off the roof? Yeah?

1381
01:04:29,120 --> 01:04:31,640
Speaker 4: I don't remember I did any of that because I

1382
01:04:31,680 --> 01:04:32,120
Speaker 4: remember that.

1383
01:04:32,280 --> 01:04:35,960
Speaker 5: Being a kind of a nightmare with it also dates

1384
01:04:36,000 --> 01:04:38,200
Speaker 5: the show with Letterman talking about let you want to

1385
01:04:38,240 --> 01:04:39,160
Speaker 5: throw stuff off the roof?

1386
01:04:39,280 --> 01:04:41,640
Speaker 4: Like Letterman. Yeah, it's like Letterman hasn't been on for

1387
01:04:41,720 --> 01:04:42,800
Speaker 4: what ten years now.

1388
01:04:43,800 --> 01:04:45,800
Speaker 2: Well, for those of you who are too young to

1389
01:04:46,080 --> 01:04:49,560
Speaker 2: or didn't ever watch Letterman, he would often throw large

1390
01:04:49,640 --> 01:04:51,880
Speaker 2: objects off the roof of the Ed Sullivan Theater.

1391
01:04:53,760 --> 01:04:56,120
Speaker 4: And was this before he moved to CBS.

1392
01:04:56,880 --> 01:04:58,440
Speaker 2: No, I think it was a bit he did for

1393
01:04:58,720 --> 01:04:59,760
Speaker 2: the whole his whole thing.

1394
01:05:00,040 --> 01:05:00,600
Speaker 1: I don't remember.

1395
01:05:00,880 --> 01:05:03,640
Speaker 2: I don't remember, but but I think we did. I

1396
01:05:03,720 --> 01:05:05,560
Speaker 2: have a weird memory of feeling like it was kind

1397
01:05:05,600 --> 01:05:08,040
Speaker 2: of dangerous. It's probably something they wouldn't let us do today,

1398
01:05:08,080 --> 01:05:10,640
Speaker 2: with all the with with the doubt, with the increase

1399
01:05:10,720 --> 01:05:14,360
Speaker 2: in set safety. Because the wall of that roof wasn't

1400
01:05:14,400 --> 01:05:19,080
Speaker 2: incredibly high and we were hurling watermelons over the side.

1401
01:05:21,120 --> 01:05:23,640
Speaker 2: I don't know that that would be approved by by

1402
01:05:23,880 --> 01:05:25,440
Speaker 2: HR this at this day and age.

1403
01:05:25,680 --> 01:05:27,880
Speaker 5: By the way, my Bill cosby that that made me

1404
01:05:28,040 --> 01:05:30,560
Speaker 5: laugh out loud, and I think it made me laugh.

1405
01:05:30,720 --> 01:05:32,720
Speaker 5: I think it made me laugh because of how bad

1406
01:05:32,840 --> 01:05:33,200
Speaker 5: my bill.

1407
01:05:33,720 --> 01:05:36,040
Speaker 2: Yeah, it was like it was turned up to eleven.

1408
01:05:36,720 --> 01:05:38,920
Speaker 1: It was, it was turned up to eleven.

1409
01:05:40,440 --> 01:05:40,720
Speaker 4: I think.

1410
01:05:40,840 --> 01:05:45,200
Speaker 2: Yeah, it was almost like you were doing an impression

1411
01:05:46,080 --> 01:05:49,280
Speaker 2: of Eddie, of Eddie Murphy, of Eddie Murphy doing his impression.

1412
01:05:50,880 --> 01:05:52,520
Speaker 2: Now why pudding. I didn't even that was such a

1413
01:05:52,560 --> 01:05:56,160
Speaker 2: non sequitor, like we put pudding in medical gloves.

1414
01:05:56,200 --> 01:05:57,520
Speaker 4: And then toss them off the roof.

1415
01:05:57,960 --> 01:06:00,920
Speaker 2: Yeah, and then you went into a I wonder if

1416
01:06:00,960 --> 01:06:02,280
Speaker 2: that was in the script. Do you think I was

1417
01:06:02,320 --> 01:06:03,600
Speaker 2: in the script or you just riff that.

1418
01:06:04,120 --> 01:06:06,120
Speaker 5: No, that was definitely in the script. We were putting

1419
01:06:06,160 --> 01:06:09,320
Speaker 5: off the roof. They definitely put it in the show.

1420
01:06:11,240 --> 01:06:14,200
Speaker 2: I would like to talk to you about, would like

1421
01:06:14,400 --> 01:06:18,040
Speaker 2: to talk to you about some of the things you've

1422
01:06:18,080 --> 01:06:19,160
Speaker 2: been doing in your shop.

1423
01:06:19,240 --> 01:06:22,680
Speaker 4: About some of the things that you do and your

1424
01:06:22,760 --> 01:06:23,479
Speaker 4: show now.

1425
01:06:25,000 --> 01:06:29,200
Speaker 1: And then and then and then Neil at the end saying, oh.

1426
01:06:30,520 --> 01:06:34,040
Speaker 2: Yeah, like apocalypse now right. I think that was the

1427
01:06:34,200 --> 01:06:37,520
Speaker 2: I learned from Scrubs wiki that was the first time

1428
01:06:37,720 --> 01:06:40,920
Speaker 2: Neil's ever been alone in a scene.

1429
01:06:42,560 --> 01:06:46,600
Speaker 4: Really, Oh my goodness, Yeah, that's WICKI they really have.

1430
01:06:46,920 --> 01:06:48,000
Speaker 1: But he gets Billy.

1431
01:06:48,160 --> 01:06:51,200
Speaker 3: Billy puts him alone more and more as the when

1432
01:06:51,440 --> 01:06:53,160
Speaker 3: him building that squirrel thing in his.

1433
01:06:53,240 --> 01:06:56,680
Speaker 1: Garage, and I think that I think he gets more

1434
01:06:56,720 --> 01:06:57,440
Speaker 1: and more alone.

1435
01:06:57,800 --> 01:07:01,240
Speaker 2: Yeah, And I think that this was a shift to Neil,

1436
01:07:01,440 --> 01:07:04,280
Speaker 2: Like I think he entered the world of a regular

1437
01:07:04,400 --> 01:07:05,600
Speaker 2: cast member around here.

1438
01:07:06,000 --> 01:07:08,840
Speaker 5: And there is an episode where Neil's not going to

1439
01:07:08,880 --> 01:07:11,640
Speaker 5: be on this show in the first season, and that's

1440
01:07:11,680 --> 01:07:14,200
Speaker 5: how they got around him not being a regular. If

1441
01:07:14,200 --> 01:07:17,320
Speaker 5: I'm really if I recall correctly, let's ask a Bill.

1442
01:07:17,360 --> 01:07:18,360
Speaker 5: We can ask Bill right now.

1443
01:07:18,440 --> 01:07:21,400
Speaker 2: That's a good ask Bill. Go ahead, Donald, ask Bill

1444
01:07:21,520 --> 01:07:22,640
Speaker 2: Bill coma.

1445
01:07:23,120 --> 01:07:26,480
Speaker 5: If my memory serves me correctly, isn't there an episode

1446
01:07:26,520 --> 01:07:28,320
Speaker 5: where there's no janitor.

1447
01:07:28,280 --> 01:07:32,480
Speaker 2: And if so, was that related to tiptoeing around his

1448
01:07:32,720 --> 01:07:35,160
Speaker 2: contract because he would have had to have been a

1449
01:07:35,240 --> 01:07:38,880
Speaker 2: regular of some sort, do not say five six seven eight?

1450
01:07:38,960 --> 01:07:41,320
Speaker 2: Bill Well shut it down.

1451
01:07:41,760 --> 01:07:43,720
Speaker 7: Neil Flynn did not have to test for the part

1452
01:07:43,760 --> 01:07:48,280
Speaker 7: of the janitor, so he was not listed as a regular.

1453
01:07:48,400 --> 01:07:49,640
Speaker 7: You know, I just cast him as a guest star

1454
01:07:49,680 --> 01:07:51,200
Speaker 7: in the pilot with the intention of putting him in

1455
01:07:51,240 --> 01:07:53,680
Speaker 7: every episode, And then we did put him in every

1456
01:07:53,760 --> 01:07:57,520
Speaker 7: episode as a recur guy, and at the very end

1457
01:07:57,720 --> 01:07:59,880
Speaker 7: made him. You know, I was able to convince the

1458
01:08:00,080 --> 01:08:01,640
Speaker 7: networks they liked him a lot, that we needed to

1459
01:08:01,680 --> 01:08:04,600
Speaker 7: pay to make him a regular the second year. Originally

1460
01:08:05,840 --> 01:08:10,040
Speaker 7: they only wanted him in a maximum of four episodes,

1461
01:08:10,440 --> 01:08:11,880
Speaker 7: but I was like four, you're gonna have him in.

1462
01:08:11,920 --> 01:08:17,160
Speaker 2: Like five six seven eight. Stop it, Dan off this

1463
01:08:17,320 --> 01:08:17,880
Speaker 2: fucking guy.

1464
01:08:18,520 --> 01:08:19,240
Speaker 4: Let's take a break.

1465
01:08:19,360 --> 01:08:29,960
Speaker 2: We'll be right back after these fine words. High high, Hi,

1466
01:08:30,160 --> 01:08:35,760
Speaker 2: We're back in. Hello, back quick, after a quick pe break,

1467
01:08:35,800 --> 01:08:37,880
Speaker 2: We're back. Joel introduced us.

1468
01:08:38,160 --> 01:08:39,040
Speaker 4: It's Jeremy.

1469
01:08:39,280 --> 01:08:42,320
Speaker 6: Lee nailed it.

1470
01:08:42,880 --> 01:08:45,800
Speaker 2: There's our Jeremy. You got the Oprah introduction. It's a

1471
01:08:45,880 --> 01:08:47,519
Speaker 2: it's a sacred right that only.

1472
01:08:47,520 --> 01:08:49,360
Speaker 4: Jeremy are you in an office.

1473
01:08:50,479 --> 01:08:51,960
Speaker 6: I'm in my home office right now.

1474
01:08:52,080 --> 01:08:52,280
Speaker 1: Yeah.

1475
01:08:52,880 --> 01:08:57,800
Speaker 2: Well Jeremy's like office baby. Okay, Oprah, can you chill

1476
01:08:57,880 --> 01:09:01,840
Speaker 2: for two seconds, Jeremy, We'll do that. God, do you

1477
01:09:01,920 --> 01:09:02,880
Speaker 2: get a car? You get a car.

1478
01:09:03,000 --> 01:09:03,479
Speaker 4: You get a car.

1479
01:09:04,120 --> 01:09:07,800
Speaker 2: Jeremy tell us you have a special special day to

1480
01:09:07,840 --> 01:09:10,920
Speaker 2: be on the podcast because the legendary, the living legend,

1481
01:09:11,120 --> 01:09:14,200
Speaker 2: Johnny C McGinley has joined us. So, who do you

1482
01:09:14,240 --> 01:09:16,720
Speaker 2: have a question for three of the cast members of

1483
01:09:16,800 --> 01:09:18,320
Speaker 2: the TV show Scrubs.

1484
01:09:18,720 --> 01:09:20,920
Speaker 6: I do have a question with if I don't mind,

1485
01:09:21,000 --> 01:09:24,040
Speaker 6: just a quick background, I work with children with autism,

1486
01:09:24,680 --> 01:09:29,559
Speaker 6: and so we actually did research at my wonderful company

1487
01:09:29,600 --> 01:09:33,880
Speaker 6: and nonprofit Autism Partnership Foundation to research if we could

1488
01:09:34,000 --> 01:09:37,200
Speaker 6: change a kid with autism to like social things, not

1489
01:09:37,360 --> 01:09:40,720
Speaker 6: just toys or food. And so we actually stole from

1490
01:09:40,920 --> 01:09:44,640
Speaker 6: an episode that you guys did and got children to

1491
01:09:44,720 --> 01:09:47,160
Speaker 6: actually enjoy the social aspect of that instead of their

1492
01:09:47,200 --> 01:09:50,200
Speaker 6: favorite toy. So I guess my first question is Wow, Yeah,

1493
01:09:50,240 --> 01:09:52,720
Speaker 6: and it's published in a journal, so you can look

1494
01:09:52,720 --> 01:09:53,520
Speaker 6: at it hungry.

1495
01:09:53,320 --> 01:09:53,880
Speaker 1: Chicken at all.

1496
01:09:54,400 --> 01:09:55,640
Speaker 2: That's incredible. Good for you.

1497
01:09:56,200 --> 01:09:58,680
Speaker 6: I guess the first question is who came up with

1498
01:09:58,720 --> 01:10:00,519
Speaker 6: the hungry Chicken because we use it all the time.

1499
01:10:01,840 --> 01:10:02,439
Speaker 4: Wow, I don't know.

1500
01:10:02,479 --> 01:10:04,720
Speaker 5: I think that's Bill Lawrence. That came up with one

1501
01:10:04,760 --> 01:10:07,040
Speaker 5: of the writers, right am, I right, guys.

1502
01:10:07,400 --> 01:10:09,400
Speaker 3: Oh god, if you if you throw this ability, he's

1503
01:10:09,439 --> 01:10:11,080
Speaker 3: going to do a five bits now, you know, we

1504
01:10:11,160 --> 01:10:11,880
Speaker 3: got to limit him.

1505
01:10:12,040 --> 01:10:13,920
Speaker 2: We got a limit him. He doesn't get too many.

1506
01:10:14,720 --> 01:10:17,320
Speaker 2: That is a good question. I have no idea. I

1507
01:10:17,760 --> 01:10:20,320
Speaker 2: think it must have been one of the writers. I

1508
01:10:20,400 --> 01:10:20,680
Speaker 2: don't know.

1509
01:10:21,160 --> 01:10:22,360
Speaker 4: Yeah, we gotta throw it to Bill.

1510
01:10:22,960 --> 01:10:26,360
Speaker 2: So wait, just explain a little bit more. The children

1511
01:10:26,400 --> 01:10:29,000
Speaker 2: who have autism, you say they would they would rather

1512
01:10:29,160 --> 01:10:31,479
Speaker 2: interact with a toy, and you use this to give

1513
01:10:31,520 --> 01:10:33,799
Speaker 2: them a way to interact without having a toy involved.

1514
01:10:34,200 --> 01:10:36,439
Speaker 6: We both think like children thought to them only like

1515
01:10:36,560 --> 01:10:38,240
Speaker 6: toys or only want food, and they only use that

1516
01:10:38,320 --> 01:10:41,040
Speaker 6: to motivate them. But we know we can motivate them

1517
01:10:41,160 --> 01:10:43,880
Speaker 6: socially too, because they need to be social and it's

1518
01:10:43,880 --> 01:10:47,040
Speaker 6: a social disorder. So we would take the hungry chicken

1519
01:10:47,120 --> 01:10:49,640
Speaker 6: and we would have do it with a friend of

1520
01:10:49,720 --> 01:10:52,360
Speaker 6: theirs and then see if after we did it with

1521
01:10:52,439 --> 01:10:55,559
Speaker 6: them they would pick that or favorite or their favorite toy.

1522
01:10:56,160 --> 01:10:59,000
Speaker 6: And so we were able to show like by really

1523
01:10:59,080 --> 01:11:00,679
Speaker 6: selling it and really do and a lot of hungry

1524
01:11:00,800 --> 01:11:05,120
Speaker 6: chicken that they would pick a social motivator instead of

1525
01:11:05,280 --> 01:11:06,720
Speaker 6: like food or M and M's, which is.

1526
01:11:09,120 --> 01:11:11,400
Speaker 2: That's amazing. Well, now, I really wish I could take

1527
01:11:11,479 --> 01:11:14,479
Speaker 2: credit for inventing that, because that's a very inspiring story.

1528
01:11:16,040 --> 01:11:16,240
Speaker 4: Wow.

1529
01:11:16,360 --> 01:11:17,479
Speaker 2: Do you have another question for us?

1530
01:11:17,920 --> 01:11:21,160
Speaker 6: Yeah, I guess I do. So You've talked a little

1531
01:11:21,160 --> 01:11:23,640
Speaker 6: bit about the music on the show, and I just

1532
01:11:23,760 --> 01:11:26,800
Speaker 6: think the music on the show is great. And Zach

1533
01:11:27,000 --> 01:11:29,800
Speaker 6: just to say, I think the Garden State soundtrack is

1534
01:11:29,800 --> 01:11:30,880
Speaker 6: one of the best soundtracks ever.

1535
01:11:31,080 --> 01:11:31,360
Speaker 2: Thank you.

1536
01:11:31,520 --> 01:11:34,599
Speaker 4: It's a mixtape. Hold on, it's a mix tape.

1537
01:11:34,640 --> 01:11:36,720
Speaker 2: It's a mixtape. I want a Grammy for moment.

1538
01:11:36,840 --> 01:11:39,760
Speaker 4: Yeah, but you yeah, if you want to mix tape Grammy, you.

1539
01:11:39,840 --> 01:11:42,080
Speaker 2: Want to mixed Well, I didn't even know they had

1540
01:11:42,120 --> 01:11:43,960
Speaker 2: a mixtape Grammy, but it turns out they do.

1541
01:11:44,360 --> 01:11:47,200
Speaker 8: And you won that ship I did, I did, You've

1542
01:11:47,240 --> 01:11:55,040
Speaker 8: held it, I have, I got, I got thet I

1543
01:11:55,120 --> 01:11:59,240
Speaker 8: got the I got the fucking first award in my egot.

1544
01:11:59,360 --> 01:12:00,920
Speaker 2: I didn't think was going to be my first. I

1545
01:12:00,960 --> 01:12:02,000
Speaker 2: thought it might be my last.

1546
01:12:04,000 --> 01:12:04,160
Speaker 3: Right.

1547
01:12:04,400 --> 01:12:07,479
Speaker 4: If you get when you get the E got, you

1548
01:12:07,600 --> 01:12:09,320
Speaker 4: already got the Grammy, right.

1549
01:12:09,400 --> 01:12:10,360
Speaker 2: I thought I was gonna have to do like a

1550
01:12:10,400 --> 01:12:11,080
Speaker 2: book on tape.

1551
01:12:15,080 --> 01:12:16,519
Speaker 4: Jeremy, do you know what a he got is?

1552
01:12:17,200 --> 01:12:19,640
Speaker 6: Of course I mean Grammy, Oscar Tony.

1553
01:12:19,600 --> 01:12:23,240
Speaker 2: Yes, sir, yes, but thank you, thank you, Jeremy. I

1554
01:12:23,520 --> 01:12:26,400
Speaker 2: I donald ruined my praise from you, and I want

1555
01:12:26,439 --> 01:12:26,880
Speaker 2: to thank you.

1556
01:12:27,240 --> 01:12:27,360
Speaker 3: Uh.

1557
01:12:27,520 --> 01:12:31,120
Speaker 2: It was it was shocking to everyone involved that that

1558
01:12:31,400 --> 01:12:33,560
Speaker 2: soundtrack was so successful, but I really appreciate it.

1559
01:12:33,760 --> 01:12:35,000
Speaker 4: It really is a good soundtrack.

1560
01:12:35,080 --> 01:12:35,200
Speaker 1: Though.

1561
01:12:36,000 --> 01:12:37,720
Speaker 6: Do you guys just like already have a song in

1562
01:12:37,800 --> 01:12:40,560
Speaker 6: mind you know when that episode comes, or do you

1563
01:12:41,040 --> 01:12:43,040
Speaker 6: listen to a song and you know, oh, that'll be

1564
01:12:43,080 --> 01:12:45,519
Speaker 6: a great song to add to a soundtrack one day.

1565
01:12:45,960 --> 01:12:49,759
Speaker 2: I think what happens is there There were some writers

1566
01:12:49,800 --> 01:12:53,760
Speaker 2: that were involved. There was of course Christa Miller who

1567
01:12:54,120 --> 01:12:56,960
Speaker 2: plays Jordan and is Bill's wife, and she's very very

1568
01:12:57,040 --> 01:12:59,320
Speaker 2: into it and very good at it, and Bill and

1569
01:12:59,400 --> 01:13:01,240
Speaker 2: then the editor, and then I think what happens is

1570
01:13:01,320 --> 01:13:02,479
Speaker 2: you sort of this is the way I do it

1571
01:13:02,560 --> 01:13:04,720
Speaker 2: for my films as well. You sort of build a

1572
01:13:04,800 --> 01:13:08,200
Speaker 2: big ass playlist of potential songs. You feel like, oh,

1573
01:13:08,280 --> 01:13:10,640
Speaker 2: these would be great for a montage or ooh this

1574
01:13:10,760 --> 01:13:13,680
Speaker 2: is a really moving song for somewhere you don't really know,

1575
01:13:14,360 --> 01:13:15,960
Speaker 2: and then when you get in the edit, you start

1576
01:13:16,000 --> 01:13:18,840
Speaker 2: to go, let's try that song. And then you see

1577
01:13:18,920 --> 01:13:23,040
Speaker 2: and I always jokingly have a goosebump detector. You can

1578
01:13:23,120 --> 01:13:26,920
Speaker 2: listen to twenty five songs and they're like, Okay, that's okay,

1579
01:13:27,080 --> 01:13:28,640
Speaker 2: and then all of a sudden you watch it and

1580
01:13:28,760 --> 01:13:30,720
Speaker 2: you just get goosebumps up and down your arm and

1581
01:13:30,760 --> 01:13:35,280
Speaker 2: you go, Okay, well, that's obviously a contender. And that's

1582
01:13:35,400 --> 01:13:37,200
Speaker 2: a lot of trial and error, a lot of trial

1583
01:13:37,240 --> 01:13:40,439
Speaker 2: and error. And these days it's even harder because so

1584
01:13:40,600 --> 01:13:42,680
Speaker 2: many people are doing it that when I made my

1585
01:13:42,720 --> 01:13:45,880
Speaker 2: film Wish I was Here, we would try it and

1586
01:13:45,960 --> 01:13:47,599
Speaker 2: we'd fall in love with the song, and then we'd

1587
01:13:47,600 --> 01:13:49,080
Speaker 2: look up online. I was like, oh no, it's been

1588
01:13:49,160 --> 01:13:50,960
Speaker 2: used in Gray's Anatomy, It's been used on this It's

1589
01:13:51,000 --> 01:13:54,160
Speaker 2: been used in this movie. So it's even harder now

1590
01:13:54,200 --> 01:13:56,599
Speaker 2: because you got to find music that hasn't been done

1591
01:13:56,680 --> 01:13:59,719
Speaker 2: to death in being used with film.

1592
01:14:00,640 --> 01:14:01,120
Speaker 1: Oh wow.

1593
01:14:01,479 --> 01:14:03,719
Speaker 3: I mean, I think a really a really good example

1594
01:14:03,800 --> 01:14:08,120
Speaker 3: that is Joshi is your friend Joshi and the different

1595
01:14:08,240 --> 01:14:09,400
Speaker 3: music he brought to the show.

1596
01:14:09,720 --> 01:14:11,800
Speaker 1: Zachi was just astonishing.

1597
01:14:12,080 --> 01:14:15,760
Speaker 2: Yeah, Joshua Raydon was a a is an artist that

1598
01:14:15,880 --> 01:14:18,479
Speaker 2: we love a lot. And actually, Johnny, I don't even

1599
01:14:18,479 --> 01:14:20,760
Speaker 2: know if you know this trivia, that his song Winter,

1600
01:14:20,920 --> 01:14:24,000
Speaker 2: which is in that famous episode where we where we

1601
01:14:24,080 --> 01:14:26,639
Speaker 2: lose Brendan Fraser, was the first song you'd ever written.

1602
01:14:28,439 --> 01:14:31,280
Speaker 4: Yeah, wow, thank you because he wasn't the one hit

1603
01:14:31,360 --> 01:14:31,920
Speaker 4: wonder dude.

1604
01:14:32,000 --> 01:14:34,840
Speaker 2: Well this many years yeah, this many years later.

1605
01:14:34,920 --> 01:14:37,639
Speaker 6: I loved his cover on alex Inc. That first episode.

1606
01:14:38,040 --> 01:14:40,519
Speaker 2: Just oh of Bob Dylan, thank you. You're you're the

1607
01:14:40,720 --> 01:14:42,880
Speaker 2: so you're the guy that was watching alex sink. Thank

1608
01:14:42,960 --> 01:14:43,599
Speaker 2: you so much.

1609
01:14:44,080 --> 01:14:46,280
Speaker 6: My wife and I who's really sad she couldn't be here,

1610
01:14:46,320 --> 01:14:48,880
Speaker 6: but she's actually a second year resident, so she's off

1611
01:14:48,920 --> 01:14:49,599
Speaker 6: at the hospital.

1612
01:14:49,760 --> 01:14:53,840
Speaker 2: Oh wow. Yeah, well, thank you, and thank you for

1613
01:14:53,920 --> 01:14:57,360
Speaker 2: being such a fan of of all things Scrubs and

1614
01:14:57,720 --> 01:14:59,400
Speaker 2: alex Inc And Garden State.

1615
01:14:59,479 --> 01:15:02,799
Speaker 6: I really shit that and all you guys guys are amazing.

1616
01:15:03,080 --> 01:15:04,439
Speaker 4: Man, you don't even know my name.

1617
01:15:04,800 --> 01:15:06,120
Speaker 2: That was Jeremy.

1618
01:15:08,160 --> 01:15:08,200
Speaker 1: No.

1619
01:15:08,360 --> 01:15:11,120
Speaker 6: We were just watching Can't Hardly Wait. My wife is

1620
01:15:11,439 --> 01:15:14,560
Speaker 6: not from America. We were watching Can't Hardly Wait it

1621
01:15:15,000 --> 01:15:16,880
Speaker 6: and I forgot you were in it.

1622
01:15:17,280 --> 01:15:19,599
Speaker 4: Oh my gosh. That's the best way to that's great,

1623
01:15:19,680 --> 01:15:22,360
Speaker 4: that's great. It was right, it was going right.

1624
01:15:22,439 --> 01:15:25,000
Speaker 2: And then he's like, He's like. I turned to my

1625
01:15:25,120 --> 01:15:27,760
Speaker 2: wife and I was like, did you remember that Tay Diggs.

1626
01:15:27,560 --> 01:15:35,400
Speaker 4: Is in this movie? All right, Jeremy give it up?

1627
01:15:35,439 --> 01:15:37,840
Speaker 4: Thundrous applause Dan for Jeremy, Me.

1628
01:15:39,040 --> 01:15:42,160
Speaker 2: Jeremy, stay safe and keep doing the beautiful work you're

1629
01:15:42,200 --> 01:15:44,599
Speaker 2: doing with with autistic children. And thank you so much

1630
01:15:44,640 --> 01:15:45,719
Speaker 2: for for the kny words.

1631
01:15:45,920 --> 01:15:48,280
Speaker 6: Oh, thank you so much for having me. We appreciate it.

1632
01:15:48,560 --> 01:15:51,799
Speaker 2: Thanks buddy. Well, guys, I think we did it. We've

1633
01:15:51,880 --> 01:15:54,320
Speaker 2: gone it, We've gone along. The people seem to love it.

1634
01:15:54,360 --> 01:15:56,240
Speaker 2: Whenever I say I've gotten a lot of chatter on

1635
01:15:56,360 --> 01:15:59,000
Speaker 2: my Insta saying stop, saying you've gone too long. We

1636
01:15:59,080 --> 01:16:00,640
Speaker 2: don't want you, guys to stop, but.

1637
01:16:01,120 --> 01:16:01,560
Speaker 3: We want to.

1638
01:16:01,800 --> 01:16:03,439
Speaker 2: You know, I had a great acting teacher. He used

1639
01:16:03,479 --> 01:16:05,960
Speaker 2: to say, give him ten minutes less than they want.

1640
01:16:06,600 --> 01:16:09,080
Speaker 4: Was this great acting teacher that you have ever on scrubs?

1641
01:16:09,439 --> 01:16:09,639
Speaker 1: Yes?

1642
01:16:09,840 --> 01:16:10,880
Speaker 2: But the way did you know that?

1643
01:16:11,880 --> 01:16:12,120
Speaker 4: Dude?

1644
01:16:12,280 --> 01:16:14,280
Speaker 2: Come on, man, I thought you may have forgotten with

1645
01:16:14,360 --> 01:16:15,080
Speaker 2: your stoner brain.

1646
01:16:15,120 --> 01:16:17,040
Speaker 1: Who did who did? Who was your acting teacher? And

1647
01:16:17,120 --> 01:16:17,400
Speaker 1: who did?

1648
01:16:18,560 --> 01:16:22,000
Speaker 5: I had I had the privilege to work with Zach's

1649
01:16:22,040 --> 01:16:23,719
Speaker 5: acting teacher though David Downs.

1650
01:16:24,520 --> 01:16:27,120
Speaker 4: David Downs I work and who did David play?

1651
01:16:27,680 --> 01:16:31,559
Speaker 5: He played the one whose kid was in a coma

1652
01:16:31,840 --> 01:16:35,200
Speaker 5: or broke his Uh, I don't, I don't remember.

1653
01:16:35,400 --> 01:16:38,760
Speaker 2: I directed the episode. Was this wasn't the epic Heather

1654
01:16:38,840 --> 01:16:39,320
Speaker 2: Graham one?

1655
01:16:39,520 --> 01:16:39,640
Speaker 1: Was it?

1656
01:16:40,000 --> 01:16:40,599
Speaker 4: No, it wasn't.

1657
01:16:40,640 --> 01:16:42,960
Speaker 5: It was like he broke his son, either broke his

1658
01:16:43,160 --> 01:16:46,920
Speaker 5: back or I I forget what it was. But you know,

1659
01:16:47,000 --> 01:16:49,760
Speaker 5: he asked me to be honest with him, right, and

1660
01:16:50,040 --> 01:16:53,519
Speaker 5: he was like his one line. I remember the part

1661
01:16:53,560 --> 01:16:55,680
Speaker 5: of the interaction we had. He said to me, do

1662
01:16:55,840 --> 01:16:58,599
Speaker 5: you shave your head because it's cool or because you're bold?

1663
01:16:58,640 --> 01:17:04,000
Speaker 2: And I go, yeah, it was a really good episode.

1664
01:17:04,680 --> 01:17:06,639
Speaker 2: We'll have to figure out what it was. But yeah,

1665
01:17:06,760 --> 01:17:10,920
Speaker 2: David Downs was my acting teacher at Northwestern and also

1666
01:17:11,000 --> 01:17:14,240
Speaker 2: a beautiful actor, and so I had him do a

1667
01:17:14,280 --> 01:17:16,000
Speaker 2: guest star on Scrubs.

1668
01:17:16,280 --> 01:17:16,400
Speaker 1: Yes.

1669
01:17:16,479 --> 01:17:18,760
Speaker 9: I always feel like one of the great gifts of

1670
01:17:18,920 --> 01:17:22,799
Speaker 9: being mister Bulger sorry, either a hit show or producing

1671
01:17:22,880 --> 01:17:28,080
Speaker 9: a movie is throwing talented friends, not just random friends,

1672
01:17:28,479 --> 01:17:30,439
Speaker 9: talented friends, putting them on your piece.

1673
01:17:31,080 --> 01:17:33,040
Speaker 1: And I did it with a half a dozen actors on.

1674
01:17:33,080 --> 01:17:36,320
Speaker 3: Scrubs and then if people are right, I do it

1675
01:17:36,360 --> 01:17:38,000
Speaker 3: all the time with the movies I'm producing too.

1676
01:17:38,479 --> 01:17:40,479
Speaker 4: Yeah, you have some very talented friends.

1677
01:17:40,600 --> 01:17:43,120
Speaker 2: Yeah, you've done quite a posse of Sorry, I just

1678
01:17:43,160 --> 01:17:45,560
Speaker 2: don't interrupt. Oh I know what it was why it

1679
01:17:45,680 --> 01:17:48,679
Speaker 2: was special? It was the Wizard of Oz episode. Joel

1680
01:17:48,840 --> 01:17:50,759
Speaker 2: is telling us in the chat. It was mister Bulger

1681
01:17:50,880 --> 01:17:53,080
Speaker 2: and his son was brain dead and it's almost brain in.

1682
01:17:53,200 --> 01:17:56,280
Speaker 2: It was the it was at season five, episode seven.

1683
01:17:56,840 --> 01:17:59,800
Speaker 2: If you're listening and are curious, it was. Yeah, it

1684
01:17:59,880 --> 01:18:02,519
Speaker 2: was I that that epic Wizard of Oz episode.

1685
01:18:02,760 --> 01:18:04,959
Speaker 4: But Johnny, mister.

1686
01:18:04,800 --> 01:18:07,840
Speaker 1: Bulger would be an homage to Ray Bulger that Wizard

1687
01:18:07,880 --> 01:18:08,240
Speaker 1: of Us.

1688
01:18:08,240 --> 01:18:09,040
Speaker 2: Yes, sir, it would be.

1689
01:18:09,479 --> 01:18:11,760
Speaker 5: Now, Johnny, Johnny, you have a lot of you have

1690
01:18:11,920 --> 01:18:16,080
Speaker 5: a lot of friends that like are almost like mentors

1691
01:18:16,200 --> 01:18:20,000
Speaker 5: to me, like Eric Lasal, Michael Beach. These are people

1692
01:18:20,080 --> 01:18:25,960
Speaker 5: that you've known, yeah, since you like out of college

1693
01:18:26,080 --> 01:18:27,760
Speaker 5: or you went to college with a lot of these guys.

1694
01:18:27,960 --> 01:18:30,160
Speaker 3: Eric and I, Eric and I went to college together, right,

1695
01:18:30,320 --> 01:18:33,480
Speaker 3: and uh, that's he's my guyn.

1696
01:18:34,240 --> 01:18:37,519
Speaker 5: And these guys are like, these guys are like, you know, uh,

1697
01:18:38,320 --> 01:18:40,920
Speaker 5: mentors to me, Like you know, when I was a

1698
01:18:41,040 --> 01:18:44,080
Speaker 5: young actor. Michael Beach was one of the people when

1699
01:18:44,080 --> 01:18:45,800
Speaker 5: I was doing Waiting and Exhale. I was like, well,

1700
01:18:45,840 --> 01:18:47,120
Speaker 5: this is what you need to do if you want

1701
01:18:47,120 --> 01:18:49,920
Speaker 5: to be successful. Stop smoking that damn cigarette that you're

1702
01:18:49,920 --> 01:18:52,160
Speaker 5: holding onto Like I was smoking cigarettes, like I want

1703
01:18:52,200 --> 01:18:54,599
Speaker 5: to be a movie star, smoking a cigarette a table read.

1704
01:18:54,760 --> 01:18:56,080
Speaker 4: He was like, oh, you want to be a movie star.

1705
01:18:56,240 --> 01:18:58,160
Speaker 4: Put the fucking cigarette down, dude, Mike.

1706
01:18:58,439 --> 01:19:00,840
Speaker 1: Mike, Mike is no lie. Mike has no.

1707
01:19:01,240 --> 01:19:03,120
Speaker 4: Straight up, straight up Johnny.

1708
01:19:03,160 --> 01:19:05,040
Speaker 2: I remember I was ticking the other day. You were

1709
01:19:05,120 --> 01:19:09,479
Speaker 2: on a movie, a big movie, the one that took

1710
01:19:09,560 --> 01:19:11,880
Speaker 2: place at the motel with Cusack and all.

1711
01:19:11,960 --> 01:19:15,040
Speaker 1: The Identity Jim Jim Engle directed.

1712
01:19:14,960 --> 01:19:17,519
Speaker 2: Identity, and it's a really good movie. I recommend to you.

1713
01:19:17,720 --> 01:19:20,320
Speaker 2: I I liked it a lot, but I was I.

1714
01:19:20,560 --> 01:19:22,680
Speaker 2: I remember you said you want to come visit the

1715
01:19:22,720 --> 01:19:24,439
Speaker 2: set because the set was really cool. Even though it

1716
01:19:24,479 --> 01:19:26,479
Speaker 2: looks like it's all outside, it was all in a

1717
01:19:26,560 --> 01:19:30,160
Speaker 2: giant soundstage and it was all pissing rain the whole time.

1718
01:19:30,880 --> 01:19:32,920
Speaker 2: And uh, and you said you gotta. You said you

1719
01:19:33,000 --> 01:19:34,640
Speaker 2: got to come see this set. It's really cool, and

1720
01:19:34,720 --> 01:19:37,400
Speaker 2: I was like, I can't believe I'm allowed to. And uh,

1721
01:19:37,680 --> 01:19:39,679
Speaker 2: And I came to visit you one day on set

1722
01:19:39,760 --> 01:19:41,600
Speaker 2: and it was just so cool, And I just I

1723
01:19:41,720 --> 01:19:45,000
Speaker 2: thought of that because I know a bunch of your buddies.

1724
01:19:45,160 --> 01:19:45,240
Speaker 1: Uh.

1725
01:19:46,240 --> 01:19:48,080
Speaker 2: You know, it feels like you and your posse often

1726
01:19:48,240 --> 01:19:50,120
Speaker 2: cast each other in each other's films.

1727
01:19:50,640 --> 01:19:53,160
Speaker 3: I think it's I think if your posse is talented,

1728
01:19:53,240 --> 01:19:58,839
Speaker 3: I mean there's there's some outliers, then then yeah, good audience,

1729
01:19:58,920 --> 01:20:00,240
Speaker 3: it's gonna it's gonna make life.

1730
01:20:00,760 --> 01:20:01,360
Speaker 4: I like that too.

1731
01:20:01,439 --> 01:20:04,040
Speaker 2: I like to use the same people over and over again.

1732
01:20:04,200 --> 01:20:06,240
Speaker 1: But you didn't use Donald in Garden State.

1733
01:20:06,360 --> 01:20:07,640
Speaker 2: Oh Jesus, here you go.

1734
01:20:08,120 --> 01:20:10,960
Speaker 5: Thank you John, Oh God, thank you John, Thank you

1735
01:20:11,200 --> 01:20:14,639
Speaker 5: very very much like Oliver Stone used John c McGinley.

1736
01:20:14,840 --> 01:20:16,920
Speaker 2: Yeah, so many times, so many times.

1737
01:20:17,200 --> 01:20:19,680
Speaker 4: Made you would think that Zach Braff would take a hit,

1738
01:20:19,720 --> 01:20:20,400
Speaker 4: you know what I mean, Like.

1739
01:20:21,000 --> 01:20:23,439
Speaker 2: You know, I want you to be the I want

1740
01:20:23,479 --> 01:20:26,000
Speaker 2: you to be the Johnny c McGinley to my Oliver Stone.

1741
01:20:27,720 --> 01:20:33,120
Speaker 4: You say that now, but I don't think. I don't think.

1742
01:20:33,200 --> 01:20:34,960
Speaker 2: How many movies did you do with him?

1743
01:20:35,479 --> 01:20:37,320
Speaker 1: John? Six?

1744
01:20:38,000 --> 01:20:42,320
Speaker 2: Wow, that's incredible, incredible, And there's some and they're six

1745
01:20:42,400 --> 01:20:45,920
Speaker 2: of the best. What about talk radio. I was thinking

1746
01:20:45,920 --> 01:20:47,600
Speaker 2: about you and talk radio the other day. I was

1747
01:20:47,600 --> 01:20:50,320
Speaker 2: thinking about you in seven. For those of you who

1748
01:20:50,320 --> 01:20:54,479
Speaker 2: don't remember, Johnny's in one of my favorite movies, seven Shot.

1749
01:20:54,600 --> 01:20:57,000
Speaker 2: Take the shot and then Johnny, you go, I don't

1750
01:20:57,000 --> 01:20:58,800
Speaker 2: know if you improv did you improve this? When you

1751
01:20:58,880 --> 01:21:03,360
Speaker 2: go somebody? Oh, somebody I did. That was incredible. He's

1752
01:21:03,400 --> 01:21:06,360
Speaker 2: in the chopper right when uh, right, when the ship

1753
01:21:06,439 --> 01:21:09,680
Speaker 2: goes down with there wasn't the box was in the box.

1754
01:21:10,439 --> 01:21:13,280
Speaker 3: And then David David gave us as much rope as

1755
01:21:13,320 --> 01:21:16,519
Speaker 3: we wanted to hang ourselves with. He he lets the

1756
01:21:16,600 --> 01:21:18,840
Speaker 3: actors run and then he'll chop it together and post,

1757
01:21:18,920 --> 01:21:19,639
Speaker 3: but he lets you run.

1758
01:21:20,160 --> 01:21:21,760
Speaker 5: There were two scenes, so you're in the chopper, but

1759
01:21:21,840 --> 01:21:24,639
Speaker 5: you're also in when they bum rushed the room too, right.

1760
01:21:24,680 --> 01:21:27,120
Speaker 1: Yeah, with the emaciated guy.

1761
01:21:27,400 --> 01:21:31,559
Speaker 2: Yeah, but I'll never forget. I remember getting goosebumps when

1762
01:21:31,840 --> 01:21:33,360
Speaker 2: you know this before I even knew you, Johnny, and

1763
01:21:33,880 --> 01:21:37,400
Speaker 2: you were and you go, oh my god, somebody call somebody,

1764
01:21:37,600 --> 01:21:38,960
Speaker 2: and I was like, that's such a good look.

1765
01:21:39,680 --> 01:21:40,760
Speaker 1: With the emaciated guy.

1766
01:21:40,880 --> 01:21:44,320
Speaker 3: David found out there was asbestos in that building and

1767
01:21:44,760 --> 01:21:46,479
Speaker 3: he wasn't down with it. So we shut down for

1768
01:21:46,560 --> 01:21:48,519
Speaker 3: a while and found another building, and.

1769
01:21:49,840 --> 01:21:53,320
Speaker 1: That was a hole to do. That was a complete

1770
01:21:53,439 --> 01:21:56,400
Speaker 1: clusterfuck when he found out there was asbestos in that building.

1771
01:21:56,600 --> 01:21:57,960
Speaker 2: You know you have but you know you have budget

1772
01:21:58,000 --> 01:22:00,639
Speaker 2: when they're like, there's asbestus in the building, which shutting down.

1773
01:22:04,000 --> 01:22:05,679
Speaker 2: I've never been on a movie that had that power.

1774
01:22:05,960 --> 01:22:09,000
Speaker 2: But again, I'm no Fincher man. I love Fincher and Man,

1775
01:22:09,040 --> 01:22:10,639
Speaker 2: I love that movie. That's one of my favorites.

1776
01:22:11,360 --> 01:22:12,920
Speaker 1: Yeah, everybody shines in that movie.

1777
01:22:13,600 --> 01:22:17,240
Speaker 2: What's in the Box. On that note, we love you

1778
01:22:17,360 --> 01:22:20,800
Speaker 2: all for listening. Keep chatting us on on install. You

1779
01:22:20,880 --> 01:22:23,920
Speaker 2: make us laugh. And if you have a question scrubs

1780
01:22:24,240 --> 01:22:27,920
Speaker 2: iHeart at gmail dot com. Joel will decide if your

1781
01:22:28,000 --> 01:22:31,760
Speaker 2: question is worthy for air, Right Joel, Joel yields all

1782
01:22:31,760 --> 01:22:33,360
Speaker 2: the power. Don't yell at me and Donald. We don't

1783
01:22:33,400 --> 01:22:34,479
Speaker 2: do anything, Joel.

1784
01:22:34,560 --> 01:22:36,320
Speaker 5: A lot of people like the fact that we talk

1785
01:22:36,400 --> 01:22:38,400
Speaker 5: Star Wars too. I'm just gonna put it out there.

1786
01:22:38,840 --> 01:22:45,320
Speaker 2: Yeah, I saw that too. There was a lot of

1787
01:22:46,800 --> 01:22:49,920
Speaker 2: there was a lot of talk about I saw much

1788
01:22:50,000 --> 01:22:52,360
Speaker 2: to my dismay, I saw someone going. I really thought

1789
01:22:52,640 --> 01:22:55,720
Speaker 2: Donald and Joel's inside about Quigan. Joe whatever it.

1790
01:22:55,800 --> 01:22:59,000
Speaker 4: Is, was really interesting. Six seven night.

1791
01:23:00,600 --> 01:23:04,760
Speaker 2: That show we made about a bunch of talks and

1792
01:23:04,920 --> 01:23:10,080
Speaker 2: nurses in Canada who loving I said, here's the stories next.

1793
01:23:10,200 --> 01:23:11,160
Speaker 4: All should know.

1794
01:23:12,800 --> 01:23:16,760
Speaker 2: So gadder around you here, up gather around you here,

1795
01:23:17,000 --> 01:23:19,080
Speaker 2: up spect we want show Wiz and

1796
01:23:21,560 --> 01:23:21,600
Speaker 1: M