1 00:00:00,760 --> 00:00:03,760 Speaker 1: I am all in. 2 00:00:04,880 --> 00:00:14,520 Speaker 2: Oh, that's just you. 3 00:00:16,000 --> 00:00:20,200 Speaker 1: Gilmore Girls Gazette with Amy Sugarman and Danielle Romo an 4 00:00:20,239 --> 00:00:25,520 Speaker 1: iHeartRadio podcast. All right, everybody, this is Gilmore Girls Gazette. 5 00:00:25,680 --> 00:00:28,880 Speaker 1: Bun Head's edition with Amy and Janielle. 6 00:00:28,960 --> 00:00:31,200 Speaker 2: Gives such a pleasing voice. It's so different than my 7 00:00:31,760 --> 00:00:38,199 Speaker 2: like terrible voice. I also have this cold. I don't know. 8 00:00:38,360 --> 00:00:40,800 Speaker 2: I think it's a cold. I don't think it was 9 00:00:40,840 --> 00:00:45,120 Speaker 2: anything else, but it I sound crazy. It's I'm just coughing. 10 00:00:45,479 --> 00:00:49,320 Speaker 2: I'm sorry for anyone else. It's experiencing whatever's going around. 11 00:00:49,400 --> 00:00:50,720 Speaker 2: It's super bad. 12 00:00:51,159 --> 00:00:52,839 Speaker 1: Well you sound you sound good. 13 00:00:52,680 --> 00:00:55,240 Speaker 2: And you look sounds so thank you. 14 00:00:55,480 --> 00:00:56,960 Speaker 1: Dan with your Halloween sweater. 15 00:00:57,520 --> 00:01:00,880 Speaker 2: Yeah, I'm wearing a Jack o' lantern sweatshirt and my pants. 16 00:01:02,040 --> 00:01:09,760 Speaker 2: Fucking cue oh loowen. Okay, So this is our I 17 00:01:09,760 --> 00:01:12,520 Speaker 2: don't know if we'll call it a rewatch review recap 18 00:01:12,680 --> 00:01:16,080 Speaker 2: of bun Heads, but this is really where we're at 19 00:01:16,080 --> 00:01:20,279 Speaker 2: on it. We're watching bun Heads in the Gilmore Girls 20 00:01:20,480 --> 00:01:23,840 Speaker 2: like like what we care about with yes lens. Oh 21 00:01:23,840 --> 00:01:27,560 Speaker 2: my gosh, Danielle, that is such a perfect word. Thank you. 22 00:01:28,360 --> 00:01:32,760 Speaker 2: We're gonna analyze it in Gilmore Girls like people from 23 00:01:32,800 --> 00:01:35,640 Speaker 2: Gilmar Girls. Does it feel gilmart Girls? Do we like it? Like, 24 00:01:35,640 --> 00:01:37,919 Speaker 2: we're not We're not necessarily gonna go scene by scene, 25 00:01:37,959 --> 00:01:40,119 Speaker 2: like we'll call out things. If you really want scene 26 00:01:40,120 --> 00:01:43,640 Speaker 2: by scene, you can you know what do the kids do? 27 00:01:43,840 --> 00:01:47,160 Speaker 2: Message us? But I don't think dam just want it. Yeah, 28 00:01:47,200 --> 00:01:52,360 Speaker 2: but here's what I'll say. This show premiered in twenty twelve. 29 00:01:52,640 --> 00:01:57,080 Speaker 2: I remember when Bunheads premiered. I think it was ABC Family, 30 00:01:57,720 --> 00:02:01,040 Speaker 2: and I remember like jonesing for it because I was 31 00:02:01,120 --> 00:02:05,400 Speaker 2: missing Gilmore Girls so much, so I was super stoked 32 00:02:05,400 --> 00:02:08,919 Speaker 2: to watch something Gilmore Girls y. Yeah. So Gilmore Girls 33 00:02:09,000 --> 00:02:12,600 Speaker 2: edited in two thousand and seven, so this is eight nine, ten, eleven, twelve, 34 00:02:12,600 --> 00:02:15,920 Speaker 2: five years later, and I was like, and I don't 35 00:02:16,000 --> 00:02:19,120 Speaker 2: remember anything in between that was Gilmore girlsy. So I 36 00:02:19,200 --> 00:02:21,560 Speaker 2: was super stoked. And what I'll say is like, it 37 00:02:21,600 --> 00:02:25,400 Speaker 2: doesn't disappoint in the sense that it does feel Gilmore Girlsy. 38 00:02:25,520 --> 00:02:26,640 Speaker 2: Did did you feel that? 39 00:02:27,240 --> 00:02:30,000 Speaker 1: Yeah? It kind of stressed me out. I'm not gonna 40 00:02:30,040 --> 00:02:34,280 Speaker 1: lie because really, yeah, I got stressed because I have 41 00:02:34,480 --> 00:02:38,840 Speaker 1: the Gilmore Girl's characters, but they're outside of Kelly Bishop, 42 00:02:39,480 --> 00:02:44,840 Speaker 1: Emily Slash Fanny. Yeah, that kind of had a silver thread, 43 00:02:45,080 --> 00:02:51,480 Speaker 1: like they were very similar characters, but like Rose, Rose 44 00:02:51,560 --> 00:02:55,840 Speaker 1: was jarring. I was like, I almost see you want Gypsy, I. 45 00:02:55,960 --> 00:02:57,880 Speaker 2: Get it, okay, snooty. 46 00:02:58,960 --> 00:03:03,080 Speaker 1: Woman of the town. You know, like it just stressed 47 00:03:03,080 --> 00:03:05,640 Speaker 1: me out. But I will say it was entertaining. It 48 00:03:05,760 --> 00:03:08,400 Speaker 1: was entertaining. And the one thing I will say that 49 00:03:08,520 --> 00:03:14,360 Speaker 1: also kind of jarred me was having Emily there and 50 00:03:14,480 --> 00:03:16,560 Speaker 1: she you know, she's doing. 51 00:03:17,000 --> 00:03:18,880 Speaker 2: What's She's not Emily. 52 00:03:19,160 --> 00:03:21,799 Speaker 1: I know she's not Emily, and that's not lore Li. 53 00:03:22,440 --> 00:03:25,200 Speaker 1: So that was like kind of hard for me to 54 00:03:25,320 --> 00:03:29,520 Speaker 1: adjust to. I also think I'm doing this so quickly. 55 00:03:29,200 --> 00:03:32,440 Speaker 2: After seeing Yeah, I was gonna say, my girls. 56 00:03:32,120 --> 00:03:34,640 Speaker 1: That like maybe five years with the buffer in between 57 00:03:34,680 --> 00:03:37,760 Speaker 1: would have maybe been as barring. 58 00:03:38,080 --> 00:03:40,440 Speaker 2: Yeah, it was years. I mean it was five years, 59 00:03:40,840 --> 00:03:44,800 Speaker 2: and I wasn't like I wanted something gil Mar Girl's esque, 60 00:03:44,960 --> 00:03:48,000 Speaker 2: and I definitely get that in this show. I mean 61 00:03:48,080 --> 00:03:50,040 Speaker 2: right from the start, they're talking a mile a minute, 62 00:03:50,080 --> 00:03:54,000 Speaker 2: Like immediately you're like, yeah, here we go, and I think, 63 00:03:54,240 --> 00:03:57,240 Speaker 2: does it start with them on the Vegas stage? 64 00:03:57,560 --> 00:04:02,080 Speaker 1: Yeah, it starts with her, like with Michelle, who is 65 00:04:02,120 --> 00:04:04,600 Speaker 1: Sutton performing in Vegas? 66 00:04:04,920 --> 00:04:07,720 Speaker 2: And immediately they're kind of talking and you're like, this 67 00:04:07,800 --> 00:04:11,960 Speaker 2: is this feels Gilmore girly, So we're gonna talk about 68 00:04:11,960 --> 00:04:15,560 Speaker 2: in broad strokes. I remember watching it and immediately liking it, 69 00:04:15,600 --> 00:04:18,520 Speaker 2: Like I was like, this is this is good. It's 70 00:04:18,640 --> 00:04:22,240 Speaker 2: not Gilmore Girls, but there's something I'm really drawn to here. 71 00:04:23,200 --> 00:04:26,640 Speaker 2: It's a little over the top, do you know what 72 00:04:26,720 --> 00:04:28,960 Speaker 2: I mean? Like it's a little like there's moments and 73 00:04:29,000 --> 00:04:31,080 Speaker 2: Gilmore Girls that are over the top, but this I 74 00:04:31,160 --> 00:04:33,240 Speaker 2: think maybe has a bit more of that. I don't 75 00:04:33,279 --> 00:04:36,400 Speaker 2: I don't know, like something is not Gilmore Girls, ye, 76 00:04:36,520 --> 00:04:41,679 Speaker 2: but yet I still enjoy it. I love the girls. 77 00:04:41,760 --> 00:04:44,599 Speaker 2: The young girls feel very cool to me. 78 00:04:44,720 --> 00:04:48,040 Speaker 1: They're not over the top, very chilt in just in Ballet'school. 79 00:04:48,080 --> 00:04:50,520 Speaker 2: Yeah, I was very drawn to the girls, right. I 80 00:04:50,560 --> 00:04:55,240 Speaker 2: was like, yeah, I'm into this. You know. I was 81 00:04:55,279 --> 00:04:59,640 Speaker 2: doing that guy a lot because Hubble for me, what 82 00:04:59,720 --> 00:05:01,279 Speaker 2: did you think of when you first see Hubble? 83 00:05:03,080 --> 00:05:07,160 Speaker 1: The whole Hubble storyline was weird. I'm like, so this 84 00:05:07,320 --> 00:05:11,200 Speaker 1: girl does not love this guy, but it's tired of 85 00:05:11,200 --> 00:05:13,400 Speaker 1: her life and the guy's just like, I'm gonna propose 86 00:05:13,440 --> 00:05:15,279 Speaker 1: to you, and I want you to marry me because 87 00:05:15,320 --> 00:05:18,400 Speaker 1: I know I love you and I know I am 88 00:05:18,440 --> 00:05:20,880 Speaker 1: good for you, and I know one day you will 89 00:05:20,920 --> 00:05:24,240 Speaker 1: love me too. So come away with me to my 90 00:05:24,440 --> 00:05:27,240 Speaker 1: home that I live with with my mother and who 91 00:05:27,279 --> 00:05:30,840 Speaker 1: is obsessed with creepy clown crap. And here we go, 92 00:05:31,040 --> 00:05:34,800 Speaker 1: let's get married and then let's have sex during the party. 93 00:05:35,600 --> 00:05:37,640 Speaker 2: That makes the show not sound quite as good as 94 00:05:37,720 --> 00:05:40,479 Speaker 2: I liked it. So I see Hubble and what I 95 00:05:40,520 --> 00:05:44,279 Speaker 2: see is Cameron fry from Ferris Bueller. Immediately I'm like, 96 00:05:44,400 --> 00:05:46,960 Speaker 2: that's Cameron Frye. And then I was like, that's the 97 00:05:47,040 --> 00:05:51,080 Speaker 2: dude on the bus in Speed. So in Speed there's 98 00:05:51,120 --> 00:05:54,000 Speaker 2: a scene and it's obvious. And when I saw Speed, 99 00:05:54,040 --> 00:05:56,960 Speaker 2: I was like, that's Cameron Frye. So and now people 100 00:05:56,960 --> 00:05:59,320 Speaker 2: that watch it are like, that's the dude from Succession. 101 00:05:59,440 --> 00:06:03,720 Speaker 2: But twenty twelve, do you say twenty twelve or twenty twelve? 102 00:06:03,920 --> 00:06:07,440 Speaker 2: Twenty twenty twelve, Yeah, twenty twelve. Great movie, by the way, 103 00:06:07,520 --> 00:06:12,240 Speaker 2: junk Y Seck shut out, Okay. So uh, I was like, 104 00:06:12,279 --> 00:06:14,479 Speaker 2: that's a dude from the bus on Speed where he's 105 00:06:14,560 --> 00:06:17,039 Speaker 2: like I've already been to the airport. If you haven't 106 00:06:17,080 --> 00:06:19,800 Speaker 2: seen Speed, you gotta watch it because Alan Rock. So 107 00:06:20,480 --> 00:06:22,840 Speaker 2: that was what was going through my mind. Now, I 108 00:06:22,920 --> 00:06:29,920 Speaker 2: will say as weird in quotes as Hubble is. Somehow 109 00:06:30,600 --> 00:06:34,760 Speaker 2: throughout the forty four minutes of this show, I became 110 00:06:34,960 --> 00:06:39,600 Speaker 2: so invested in Hubble that I shed real tears at 111 00:06:39,600 --> 00:06:42,359 Speaker 2: the end of the episode. Back then and now, so 112 00:06:42,440 --> 00:06:44,559 Speaker 2: this is only my second time watching Bunheads. I watched 113 00:06:44,600 --> 00:06:47,480 Speaker 2: it on TV and now I'm watching it again, and 114 00:06:47,560 --> 00:06:50,920 Speaker 2: I knew what happened, and I fully cried. Were you like, look, 115 00:06:50,920 --> 00:06:52,480 Speaker 2: we're not going to see my scene? So were you 116 00:06:52,600 --> 00:06:53,800 Speaker 2: shocked at the end? 117 00:06:54,600 --> 00:06:58,360 Speaker 1: Yeah? I was kind of like because there's that lady. 118 00:06:58,680 --> 00:07:00,280 Speaker 1: Oh and yeah, what was her character name? 119 00:07:01,839 --> 00:07:03,919 Speaker 2: Truly and she's from Gilmore Girls too, she was in 120 00:07:03,960 --> 00:07:06,000 Speaker 2: the movies or whatever. I think she was in the movies. 121 00:07:06,680 --> 00:07:09,440 Speaker 1: Yeah, I was like, Oh, here comes the crazy girl 122 00:07:09,640 --> 00:07:11,720 Speaker 1: is just gonna be crying over the fact that, you know, 123 00:07:11,840 --> 00:07:15,720 Speaker 1: Sun Foster's marrying her old flame. And then she said 124 00:07:15,720 --> 00:07:19,120 Speaker 1: that he seemingly died in a car crash, and I 125 00:07:19,200 --> 00:07:23,240 Speaker 1: was just like, what. 126 00:07:21,880 --> 00:07:26,320 Speaker 2: What's interesting? Is like I get it because now, like 127 00:07:26,760 --> 00:07:28,920 Speaker 2: as Scott would say, we're off to the races, right, 128 00:07:28,960 --> 00:07:32,160 Speaker 2: like now we have a show, right because what happens now? 129 00:07:32,760 --> 00:07:34,760 Speaker 2: I still think we would have had a show with 130 00:07:34,880 --> 00:07:35,960 Speaker 2: Hubble alive. 131 00:07:36,480 --> 00:07:38,480 Speaker 1: Like, yeah, I wanted him. Can I have one more 132 00:07:38,520 --> 00:07:40,480 Speaker 1: episode with him? Just one more at least? 133 00:07:40,600 --> 00:07:43,240 Speaker 2: Like it was, so did I need all the sadness? 134 00:07:43,400 --> 00:07:56,280 Speaker 2: But yeah, I don't know. So it's kind of like 135 00:07:56,840 --> 00:08:01,800 Speaker 2: one of Amy's Amy Sherman Paladina's like like a magical things? 136 00:08:02,000 --> 00:08:05,160 Speaker 2: Is you really get the show from the pilot, right, 137 00:08:05,680 --> 00:08:09,160 Speaker 2: It's like, we know, here's Emily who Now we're gonna 138 00:08:09,160 --> 00:08:13,080 Speaker 2: call Fanny Kelly Bishop and that she was her son. 139 00:08:13,040 --> 00:08:15,680 Speaker 1: Currently miss Patty. In my head, I was like, yes, 140 00:08:15,920 --> 00:08:19,040 Speaker 1: very miss Patty, very miss Patty with an elly twist. 141 00:08:19,360 --> 00:08:21,560 Speaker 2: And I think Kelly Bishop has a dance background too, 142 00:08:21,640 --> 00:08:22,760 Speaker 2: so obviously. 143 00:08:22,520 --> 00:08:26,040 Speaker 1: You can tell she. I was like, she was doing 144 00:08:26,080 --> 00:08:28,360 Speaker 1: those moves beautifully. 145 00:08:28,520 --> 00:08:31,440 Speaker 2: She's legit, so you get that. There's obviously the super 146 00:08:31,440 --> 00:08:33,360 Speaker 2: close relationship with her and her son. They lived together 147 00:08:33,360 --> 00:08:36,680 Speaker 2: in this sort of quirky town of Paradise, which I 148 00:08:36,720 --> 00:08:40,000 Speaker 2: think was filmed in her Massa Beach, but it's not 149 00:08:40,040 --> 00:08:44,600 Speaker 2: a quirky. Yeah. I would have preferred a town like 150 00:08:44,760 --> 00:08:46,880 Speaker 2: Stars Hollow where it was on a set. It seemed 151 00:08:47,000 --> 00:08:49,480 Speaker 2: to her Massa beachie for me. I'm like, this isn't 152 00:08:49,520 --> 00:08:52,600 Speaker 2: a quirky little town but anyway with no movie theaters, 153 00:08:52,640 --> 00:08:56,080 Speaker 2: so we get that. We really start to learn about 154 00:08:56,080 --> 00:08:59,840 Speaker 2: the young girls, right that that Sasha's the best dancer 155 00:08:59,880 --> 00:09:02,960 Speaker 2: but kind of the edgy one. And then Boo, we 156 00:09:03,120 --> 00:09:07,680 Speaker 2: like get really used Boo. And we meet all the 157 00:09:07,720 --> 00:09:10,440 Speaker 2: girls and we start to kind of be invested in them, 158 00:09:10,600 --> 00:09:12,880 Speaker 2: and then we kind of meet the wacky town people 159 00:09:13,080 --> 00:09:17,120 Speaker 2: like Trulee and he Rose's character which was weird two 160 00:09:17,160 --> 00:09:20,960 Speaker 2: worked at the shop with truly, but whatever, We're starting 161 00:09:21,000 --> 00:09:25,160 Speaker 2: to get everybody in the pilot. It's like we've met everybody. 162 00:09:25,160 --> 00:09:27,360 Speaker 2: We get it. This is kind of gil Mury, and 163 00:09:27,400 --> 00:09:29,840 Speaker 2: now we've got this sort of messy situation of what's 164 00:09:29,840 --> 00:09:34,160 Speaker 2: gonna happen. Right, little shout out to Glee piano player 165 00:09:34,200 --> 00:09:36,559 Speaker 2: who also was in Gilmore Girls, Brad Ellis. I was 166 00:09:36,600 --> 00:09:40,400 Speaker 2: immediately like, oh my god, and did you see Gary Jeannette. 167 00:09:40,679 --> 00:09:45,480 Speaker 1: Oh my god, Gary was brilliant. We love Gary. So 168 00:09:45,559 --> 00:09:50,160 Speaker 1: Gary Jeannetti is married to Brad Greski, who is one 169 00:09:50,160 --> 00:09:52,400 Speaker 1: of our besties. We love Brad. 170 00:09:52,480 --> 00:09:54,480 Speaker 2: I love Brad, and I had no idea that Brad. 171 00:09:55,200 --> 00:09:57,240 Speaker 2: I just thought Brad's married to this great guy. Right, 172 00:09:57,600 --> 00:10:01,200 Speaker 2: Little did I know that Gary Jeannette is like brilliant writer. 173 00:10:01,240 --> 00:10:04,079 Speaker 1: Curious, like family, family, no idea. 174 00:10:04,120 --> 00:10:06,520 Speaker 2: I just thought it was Brad's husband. I'm like, I 175 00:10:06,600 --> 00:10:09,520 Speaker 2: remember texting Brad one day being like, h your husband's 176 00:10:09,520 --> 00:10:11,960 Speaker 2: like brilliant and He's like, you didn't know, and I'm like, 177 00:10:12,000 --> 00:10:15,800 Speaker 2: there's no idea. I had, like a super cute guy 178 00:10:15,800 --> 00:10:20,679 Speaker 2: and I'm Gary. I'm like, I don't know anyway, So overall, 179 00:10:21,679 --> 00:10:24,960 Speaker 2: what is your like vibe? Do you like it? Do 180 00:10:25,000 --> 00:10:25,760 Speaker 2: you not like it? 181 00:10:26,400 --> 00:10:28,400 Speaker 1: When I was watching it, you know what I said 182 00:10:28,440 --> 00:10:30,440 Speaker 1: to myself that and I wrote it down so that 183 00:10:30,520 --> 00:10:33,400 Speaker 1: I can repeat it, I was like, this feels very 184 00:10:34,280 --> 00:10:37,640 Speaker 1: trying to blend the world of Sex in the City 185 00:10:38,320 --> 00:10:42,640 Speaker 1: and Gilmore girls. You don't feel that way. 186 00:10:42,760 --> 00:10:44,400 Speaker 2: I don't get any Sex in the City from it. 187 00:10:44,440 --> 00:10:46,800 Speaker 2: I love Sex in the City. Well, okay, I'm not 188 00:10:46,840 --> 00:10:47,160 Speaker 2: getting that. 189 00:10:47,280 --> 00:10:48,880 Speaker 1: I've seen a few episodes of Sex and the City. 190 00:10:48,880 --> 00:10:51,800 Speaker 1: But what I mean by that is Sutton Foster was 191 00:10:51,920 --> 00:10:54,320 Speaker 1: very much like, oh, you got a date, you gotta 192 00:10:54,320 --> 00:10:57,040 Speaker 1: do this. I'm gonna drink and you know, I whatever. 193 00:10:57,080 --> 00:10:59,800 Speaker 1: I'm trying to be a career woman, but do I 194 00:11:00,280 --> 00:11:01,880 Speaker 1: the guy who you know, I don't know. It felt 195 00:11:01,880 --> 00:11:05,480 Speaker 1: like very like trying to like pool from these. 196 00:11:05,520 --> 00:11:09,200 Speaker 2: Like you're really saying, I don't know. When you watch 197 00:11:09,240 --> 00:11:11,680 Speaker 2: More in the City, that has a totally different tone 198 00:11:11,679 --> 00:11:14,680 Speaker 2: to me. This does have a Gilmore tone, and it 199 00:11:14,720 --> 00:11:17,960 Speaker 2: also has a mazal tone like if you haven't seen it, 200 00:11:18,000 --> 00:11:21,920 Speaker 2: and obviously that came later, but there's like, you feel 201 00:11:23,400 --> 00:11:27,400 Speaker 2: this is familiar right the way this show is, and 202 00:11:27,960 --> 00:11:32,640 Speaker 2: it's over the top. It's like, what did you think 203 00:11:32,679 --> 00:11:36,720 Speaker 2: of the dance scene in the bar when Kelly Bishop 204 00:11:36,760 --> 00:11:39,320 Speaker 2: and Sutton Foster are like dancing and then they're like 205 00:11:39,760 --> 00:11:42,120 Speaker 2: grab the guy and then she's like, uh, you at 206 00:11:42,160 --> 00:11:44,400 Speaker 2: the bar and then suddenly it's like, oh my god, 207 00:11:44,400 --> 00:11:46,400 Speaker 2: they're doing twists and kicks, and it's just. 208 00:11:48,280 --> 00:11:50,880 Speaker 1: I didn't mind it because I felt like that's how 209 00:11:50,920 --> 00:11:53,920 Speaker 1: the show started. It's not like it was this random 210 00:11:53,960 --> 00:11:56,720 Speaker 1: scene in the middle of the episode. It felt very 211 00:11:56,880 --> 00:11:59,000 Speaker 1: like performative throughout. 212 00:11:59,600 --> 00:12:02,800 Speaker 2: So what did you think of Hubble and Michelle? Right, 213 00:12:02,880 --> 00:12:05,520 Speaker 2: she's obviously blows him off, he comes to see her 214 00:12:05,520 --> 00:12:10,160 Speaker 2: all the time, he brings her gifts. It's not creepy though, 215 00:12:10,320 --> 00:12:11,959 Speaker 2: but with a hint of creepy. 216 00:12:11,640 --> 00:12:14,640 Speaker 1: It's like, yeah, it's like you don't you can tell 217 00:12:14,760 --> 00:12:18,920 Speaker 1: he like genuinely likes the girl. But it's weird because 218 00:12:21,280 --> 00:12:25,040 Speaker 1: from what you from what we've gathered, she hasn't spent 219 00:12:25,280 --> 00:12:27,640 Speaker 1: much time with him, so how can he love her 220 00:12:27,720 --> 00:12:29,960 Speaker 1: so much outside of what he sees on stage? Right, 221 00:12:30,040 --> 00:12:32,080 Speaker 1: So like that's just kind of a little bit weird. 222 00:12:32,320 --> 00:12:34,800 Speaker 2: I think they do spend time, like I think he's 223 00:12:34,840 --> 00:12:37,120 Speaker 2: been coming for a while, but then they go to 224 00:12:37,160 --> 00:12:39,960 Speaker 2: that sweet dinner and she's all drunk, right because she's 225 00:12:40,000 --> 00:12:42,840 Speaker 2: com bummed about her audition, I mean her audition for 226 00:12:43,040 --> 00:12:43,760 Speaker 2: was it Chicago? 227 00:12:43,840 --> 00:12:46,320 Speaker 1: What was she audition in Chicago? 228 00:12:46,520 --> 00:12:49,760 Speaker 2: So she's all drunk, but you realize, like he's not creepy, 229 00:12:50,000 --> 00:12:52,120 Speaker 2: Like that's when you start to realize like, yeah, he's not. 230 00:12:52,400 --> 00:12:55,640 Speaker 2: Oh my god, this guy's awesome, and you kind of 231 00:12:55,679 --> 00:12:58,480 Speaker 2: start to think like, oh, they do get along, like 232 00:12:58,520 --> 00:13:01,680 Speaker 2: they're talking and it's it's not so crazy, but she's 233 00:13:01,679 --> 00:13:06,280 Speaker 2: so drunk. And then suddenly they're married and you're like, whoa, Okay, 234 00:13:06,280 --> 00:13:09,439 Speaker 2: she's just in the volvo with him heading back to California. 235 00:13:09,480 --> 00:13:14,600 Speaker 2: Eradite sort of bizarre. And then the scene for me 236 00:13:14,800 --> 00:13:18,840 Speaker 2: where I'm like okay, I'm in is when during the 237 00:13:18,960 --> 00:13:21,960 Speaker 2: first of all, during the party, when he just shuts 238 00:13:22,040 --> 00:13:23,760 Speaker 2: it down, and you're like, oh my god, this guy's 239 00:13:23,880 --> 00:13:26,880 Speaker 2: like a baller and he kind of runs this town 240 00:13:27,080 --> 00:13:28,200 Speaker 2: right like these. 241 00:13:28,080 --> 00:13:32,520 Speaker 1: People, even Emily just calling them out, being like you 242 00:13:32,600 --> 00:13:37,640 Speaker 1: had sex during this party, like just like called it. 243 00:13:37,800 --> 00:13:40,840 Speaker 1: I was laughing. I could not stop laughing. And then 244 00:13:41,120 --> 00:13:45,160 Speaker 1: Hubble just shutting it down. Right after that, I was like, oh, shoot, 245 00:13:45,880 --> 00:13:48,800 Speaker 1: let's go. This was I agree with you that scene. 246 00:13:48,800 --> 00:13:51,200 Speaker 2: I was like, Danielle, you called her Emily, which is fine, 247 00:13:51,240 --> 00:13:51,880 Speaker 2: you can just call her. 248 00:13:51,880 --> 00:13:55,040 Speaker 1: Sorry, you guys are gonna hear that. Sorry, guys, it's 249 00:13:55,040 --> 00:13:55,880 Speaker 1: still fun Fanny. 250 00:13:56,960 --> 00:13:59,360 Speaker 2: But I love when they when he goes upstairs, I think, 251 00:13:59,559 --> 00:14:01,480 Speaker 2: I think what happens. So she's sitting there staring at 252 00:14:01,480 --> 00:14:05,240 Speaker 2: the view and he comes upstairs and they have that 253 00:14:05,400 --> 00:14:08,800 Speaker 2: real moment together where he's like, I know you don't 254 00:14:08,800 --> 00:14:13,760 Speaker 2: love me, and he says like, I'm gonna do this 255 00:14:14,000 --> 00:14:15,960 Speaker 2: for you, like I know what you want and I 256 00:14:16,000 --> 00:14:17,960 Speaker 2: know what you need and I'm gonna provide you that. 257 00:14:18,760 --> 00:14:21,920 Speaker 2: And in my head, I go, great speech. And then 258 00:14:21,960 --> 00:14:23,480 Speaker 2: she says, great speech. 259 00:14:23,600 --> 00:14:26,040 Speaker 1: Well, And she also said that she's never loved somebody, 260 00:14:26,120 --> 00:14:28,320 Speaker 1: which is why. Yeah, you know, so you start to 261 00:14:28,440 --> 00:14:30,200 Speaker 1: understand her a little bit more too. 262 00:14:30,480 --> 00:14:32,800 Speaker 2: And they kiss and then they sleep together, you know, 263 00:14:32,920 --> 00:14:36,240 Speaker 2: allude to that, which makes it all the more like 264 00:14:37,280 --> 00:14:41,120 Speaker 2: devastating when Truly comes into the bar and he's died 265 00:14:41,160 --> 00:14:43,720 Speaker 2: and it's such a twist. It's like you're like, I 266 00:14:43,800 --> 00:14:47,880 Speaker 2: was not expecting that. Yeah, but I'm hooked, but I'm hooked. 267 00:14:47,880 --> 00:14:51,080 Speaker 2: I'm crying and I'm hooked, right. It's like there's something 268 00:14:51,120 --> 00:14:54,520 Speaker 2: about the way these people do these shows. Amy Sherman 269 00:14:54,560 --> 00:14:57,880 Speaker 2: Paladino does these shows that you're like, oh, I'm totally invested, Okay, 270 00:14:57,920 --> 00:15:02,640 Speaker 2: I'm invested, yeah, invested in the girls somehow, these four 271 00:15:02,680 --> 00:15:05,320 Speaker 2: main girls. I'm in Boo. 272 00:15:05,600 --> 00:15:08,000 Speaker 1: I'm like Boo, I want Boo to get that audition, 273 00:15:08,240 --> 00:15:09,160 Speaker 1: and like all. 274 00:15:09,120 --> 00:15:12,200 Speaker 2: Right, and you kind of want to know what Sasha's 275 00:15:12,280 --> 00:15:15,640 Speaker 2: damage is. You're like, what's going on Sasha, Like, you know, 276 00:15:15,880 --> 00:15:18,560 Speaker 2: even the dance scene where she's teaching them the dance 277 00:15:18,720 --> 00:15:23,520 Speaker 2: and she's like pony pony like somehow that's like enjoyable, 278 00:15:24,280 --> 00:15:27,120 Speaker 2: and the way Kelly Bishop's looking at her through the 279 00:15:27,480 --> 00:15:30,720 Speaker 2: doorway and she's kind of impressed and sort of smiling, 280 00:15:31,360 --> 00:15:35,440 Speaker 2: and I don't know the whole thing. It's like it's 281 00:15:35,520 --> 00:15:38,840 Speaker 2: not Gilmore Girls, but it's enough Gilmar Girls eat that 282 00:15:38,880 --> 00:15:41,440 Speaker 2: I'm like, all right, I'm in and I remember it 283 00:15:41,560 --> 00:15:44,840 Speaker 2: like giving me the fix I needed at the time 284 00:15:45,720 --> 00:15:49,080 Speaker 2: that it's like, oh okay, and it's edgy, right, like, 285 00:15:49,640 --> 00:15:52,400 Speaker 2: you know, it's not it's not super vanilla, like it's 286 00:15:52,480 --> 00:15:54,640 Speaker 2: there's a little edge, and there's they talk about sex 287 00:15:54,640 --> 00:15:57,120 Speaker 2: and the girls are kind of having there's some adult 288 00:15:57,520 --> 00:16:01,440 Speaker 2: undertones to it, you know, you're like, okay for ABC Family. 289 00:16:01,480 --> 00:16:02,880 Speaker 2: At the time, I kind of was like, oh, this 290 00:16:02,960 --> 00:16:13,520 Speaker 2: is kind of whol Yeah. 291 00:16:14,000 --> 00:16:17,000 Speaker 1: I thoroughly enjoyed it, and I'm excited for episode two. 292 00:16:17,640 --> 00:16:23,680 Speaker 1: I'm excited to see what happens if Sutton's character Michelle 293 00:16:23,760 --> 00:16:27,600 Speaker 1: stays at the house with the mother well now really 294 00:16:27,640 --> 00:16:33,320 Speaker 1: her mother in law and see that relationship build with Also, 295 00:16:33,480 --> 00:16:36,080 Speaker 1: I also feel like Michelle is going to be a 296 00:16:36,080 --> 00:16:39,480 Speaker 1: part of this dance academy, you know, like she is 297 00:16:39,560 --> 00:16:41,680 Speaker 1: so good at it, and I think she's finding her 298 00:16:41,720 --> 00:16:45,760 Speaker 1: calling with that. Instead of being the show girl, she's teaching, 299 00:16:46,640 --> 00:16:49,400 Speaker 1: you know, the girls how to be confident, which I 300 00:16:49,440 --> 00:16:51,520 Speaker 1: feel like is something that she's kind of lacking, which 301 00:16:51,560 --> 00:16:55,200 Speaker 1: is a little little you know, I be a little 302 00:16:55,400 --> 00:17:00,800 Speaker 1: bit ironic, but yeah, I think that it's I was 303 00:17:00,840 --> 00:17:04,640 Speaker 1: pleasantly surprised because I didn't really have any expectations going 304 00:17:04,680 --> 00:17:08,800 Speaker 1: into it. But yeah, it is. I would say it 305 00:17:08,840 --> 00:17:12,359 Speaker 1: is hard for me. Even throughout this whole episode. I 306 00:17:12,440 --> 00:17:16,440 Speaker 1: keep saying Emily and Jeff c and you know that's hard. 307 00:17:16,520 --> 00:17:18,440 Speaker 2: Sort of coming that you'll get You'll be like, oh 308 00:17:18,440 --> 00:17:20,399 Speaker 2: my god. And that's kind of how we're gonna watch it, 309 00:17:20,480 --> 00:17:26,040 Speaker 2: right for the Gilmore Girls' esque of it, Yeah, I 310 00:17:27,440 --> 00:17:31,239 Speaker 2: like this show. It's not Gilmore Girls, but I like it. 311 00:17:31,280 --> 00:17:34,359 Speaker 2: And I remember being really bummed because obviously, look, we 312 00:17:34,400 --> 00:17:37,639 Speaker 2: know there's like eighteen episodes and it got canceled. I 313 00:17:37,680 --> 00:17:40,280 Speaker 2: remember being really bummed because I wanted to see what happened. 314 00:17:40,320 --> 00:17:43,840 Speaker 2: And I think critics really liked it or at the time. 315 00:17:43,920 --> 00:17:46,119 Speaker 2: I think it finds its way even more as the 316 00:17:46,119 --> 00:17:49,159 Speaker 2: season goes along, and I think it was kind of 317 00:17:49,160 --> 00:17:50,439 Speaker 2: one of those shows that was on the fence, like 318 00:17:50,480 --> 00:17:53,480 Speaker 2: I thought, I thought it was going to get another season. 319 00:17:54,280 --> 00:17:58,040 Speaker 2: So anyway, uh, how do you like? I we might 320 00:17:58,080 --> 00:17:59,200 Speaker 2: as well rate it. I think we should. 321 00:17:59,280 --> 00:18:08,120 Speaker 1: Yeah, I'll rate it seven out of ten Bad Glasses 322 00:18:08,160 --> 00:18:08,600 Speaker 1: of Wine. 323 00:18:09,440 --> 00:18:11,000 Speaker 2: Oh, that was funny. First of all. It was funny 324 00:18:11,000 --> 00:18:14,000 Speaker 2: also when I think he sort of stops the party 325 00:18:14,040 --> 00:18:18,520 Speaker 2: and says YadA, YadA, YadA, and truly's like, isn't he 326 00:18:18,640 --> 00:18:21,880 Speaker 2: perfect or something? Actually a few giggles out. 327 00:18:21,720 --> 00:18:24,119 Speaker 1: Loudly is great. I hope there's more. 328 00:18:24,400 --> 00:18:29,800 Speaker 2: Truly, I think I'm going to give it eight CDs. 329 00:18:29,960 --> 00:18:31,560 Speaker 2: First of all, it was real great to see the 330 00:18:31,560 --> 00:18:36,080 Speaker 2: boombox with the CDs because I'm like, yeah, and it 331 00:18:36,160 --> 00:18:39,880 Speaker 2: feels like they're in Carmel or Big Sir. 332 00:18:40,320 --> 00:18:40,439 Speaker 1: Like. 333 00:18:40,760 --> 00:18:42,399 Speaker 2: That's why it was sort of so jarring when they 334 00:18:42,440 --> 00:18:45,240 Speaker 2: filmed that the shot this stress shop scene in Hermosa 335 00:18:45,240 --> 00:18:48,360 Speaker 2: because I'm like, this isn't La, like I would say, 336 00:18:48,920 --> 00:18:52,560 Speaker 2: up the coast on a weird little town off the one. 337 00:18:52,840 --> 00:18:55,199 Speaker 1: Yeah, every shot prior to that was like, oh, this 338 00:18:55,240 --> 00:18:57,439 Speaker 1: is cute little town, and then you see it was 339 00:18:57,760 --> 00:19:00,320 Speaker 1: I couldn't decide if it was Hermosa or Manhattan, but 340 00:19:00,359 --> 00:19:04,000 Speaker 1: it's definitely that like Pierre Avenuu Street that like, you know, 341 00:19:04,040 --> 00:19:06,320 Speaker 1: all the shops are lined up on and like, oh 342 00:19:06,400 --> 00:19:08,840 Speaker 1: that doesn't feel so small towny weird, you know. 343 00:19:08,880 --> 00:19:11,600 Speaker 2: Decided to do that because it was that that was 344 00:19:11,640 --> 00:19:14,879 Speaker 2: not the small town feel, like I really think this 345 00:19:15,000 --> 00:19:17,720 Speaker 2: is a small town. So anyway, that was my only critique. 346 00:19:17,760 --> 00:19:21,280 Speaker 2: I remember feeling like it actually is a little racier 347 00:19:21,320 --> 00:19:24,600 Speaker 2: than Gilmore Girls, just a tad like I don't remember 348 00:19:24,600 --> 00:19:30,040 Speaker 2: specifically why, but I kind of remember like, oh, there, there, 349 00:19:30,160 --> 00:19:31,960 Speaker 2: this is a little there's a little bit of a 350 00:19:32,280 --> 00:19:34,160 Speaker 2: I don't know, I just felt a little bit more adult, 351 00:19:34,800 --> 00:19:38,240 Speaker 2: And oh, I know there was a scene that I 352 00:19:38,280 --> 00:19:41,040 Speaker 2: thought that is weird. Did you think it was weird 353 00:19:41,080 --> 00:19:44,840 Speaker 2: when she walked into the Chicago audition and she sort 354 00:19:44,880 --> 00:19:48,000 Speaker 2: of barges in and she's so loud and she's like, 355 00:19:48,160 --> 00:19:51,359 Speaker 2: where's Jimmy Houston? I was sort of like, that felt weird. 356 00:19:52,040 --> 00:19:54,679 Speaker 2: So that was sort of my call out, Like, oh, 357 00:19:54,760 --> 00:19:56,639 Speaker 2: and that she had so many frame pictures of herself 358 00:19:56,640 --> 00:19:58,040 Speaker 2: in her own apartment in Vegas. 359 00:19:58,320 --> 00:20:00,000 Speaker 1: You know people. 360 00:20:01,240 --> 00:20:04,359 Speaker 2: Have that. I'm not gonna call out any did you 361 00:20:04,400 --> 00:20:07,120 Speaker 2: know they do? Did you know it was Alex Borstein? 362 00:20:07,160 --> 00:20:10,000 Speaker 2: By the way, there's a cameo by Alex Borstein as 363 00:20:10,080 --> 00:20:13,840 Speaker 2: the neighbor in Vegas, So you remember, you know, the 364 00:20:13,880 --> 00:20:15,760 Speaker 2: neighbor with the crazy wig and the nutty outfit. 365 00:20:16,400 --> 00:20:17,240 Speaker 1: Yeah, no, I'm. 366 00:20:17,119 --> 00:20:19,719 Speaker 2: Lex Borstein because I think they were best friend They 367 00:20:19,760 --> 00:20:21,520 Speaker 2: are best friends or were, but yeah, I think they 368 00:20:21,520 --> 00:20:24,920 Speaker 2: are best friends Amy and Alex. So she always puts 369 00:20:24,920 --> 00:20:30,040 Speaker 2: her in beautiful shots of Vegas, so that I liked 370 00:20:30,160 --> 00:20:32,000 Speaker 2: because you really felt like you're in Vegas, and you 371 00:20:32,200 --> 00:20:36,120 Speaker 2: felt like you're in a bleep, bleepy apartment in Vegas, 372 00:20:36,160 --> 00:20:38,680 Speaker 2: and then it pans out from the apartment and you 373 00:20:38,760 --> 00:20:41,400 Speaker 2: see Vegas. I thought that was brilliant. 374 00:20:41,720 --> 00:20:44,760 Speaker 1: And the costumes in the beginning were really cool and 375 00:20:44,840 --> 00:20:46,280 Speaker 1: you know, elaborate and all that. 376 00:20:46,680 --> 00:20:49,000 Speaker 2: And I thought when he gives her that, I thought 377 00:20:49,000 --> 00:20:52,680 Speaker 2: it was a bracelet, but I guess it's a watch watch. Yeah, 378 00:20:52,720 --> 00:20:57,000 Speaker 2: And she really was like, this is the nicest thing 379 00:20:57,040 --> 00:20:59,679 Speaker 2: anyone's ever given me, and this is so beautiful. And 380 00:20:59,760 --> 00:21:04,040 Speaker 2: I really was like, oh, okay, like I'm That was 381 00:21:04,040 --> 00:21:07,959 Speaker 2: the moment when I started to feel like there's something 382 00:21:08,040 --> 00:21:11,520 Speaker 2: going on between them. It's there's I don't think she's 383 00:21:11,680 --> 00:21:14,840 Speaker 2: using him, do you know what I mean? There's something there. 384 00:21:15,080 --> 00:21:17,720 Speaker 1: I think she I think from what I've gathered from 385 00:21:17,760 --> 00:21:23,280 Speaker 1: this first episode, she wants better for her life and 386 00:21:23,359 --> 00:21:27,480 Speaker 1: she feels like this is her shot at getting a 387 00:21:27,560 --> 00:21:33,680 Speaker 1: good man and wants to be happy, yes, and comfortable, 388 00:21:34,000 --> 00:21:38,280 Speaker 1: you know, instead of just the whole grind of what 389 00:21:38,320 --> 00:21:38,879 Speaker 1: she's doing. 390 00:21:39,640 --> 00:21:42,840 Speaker 2: And then she looks so horrendous in the Volvo, like 391 00:21:42,920 --> 00:21:48,119 Speaker 2: she looked they really did her right, meaning she looked hungover, 392 00:21:49,400 --> 00:21:51,320 Speaker 2: dirty makeup. 393 00:21:51,200 --> 00:21:52,760 Speaker 1: And they know her makeup was all over. 394 00:21:53,160 --> 00:21:54,560 Speaker 2: It's so bad. And then you see the ring and 395 00:21:54,600 --> 00:21:58,840 Speaker 2: you're like, oh wow. And then you see the i'll 396 00:21:58,840 --> 00:22:00,439 Speaker 2: call it a barn right, I don't know what to 397 00:22:00,440 --> 00:22:03,199 Speaker 2: call it where the dance studio is and immediately I'm like, 398 00:22:03,320 --> 00:22:06,480 Speaker 2: that is miss Patty's right. You're like wow, So you 399 00:22:06,480 --> 00:22:09,680 Speaker 2: you're getting enough Gilmoury right. 400 00:22:09,720 --> 00:22:11,760 Speaker 1: And one more thing that was very Gilmore to me 401 00:22:11,920 --> 00:22:14,520 Speaker 1: was when you walked in the house and there's just 402 00:22:14,640 --> 00:22:19,959 Speaker 1: clowns everywhere. I immediately was like clown pillow paradise. 403 00:22:20,320 --> 00:22:24,000 Speaker 2: That house was so cluttered and filled with weird crap 404 00:22:24,119 --> 00:22:25,760 Speaker 2: that I was like overwhelmed by it. 405 00:22:26,000 --> 00:22:26,960 Speaker 1: Yeah, I agree with you. 406 00:22:27,840 --> 00:22:29,600 Speaker 2: I thought the kiss was good. I thought it was 407 00:22:29,640 --> 00:22:32,399 Speaker 2: a really good kiss. She even says good kiss, and 408 00:22:32,440 --> 00:22:38,720 Speaker 2: I'm like, it is, m m it is. And then 409 00:22:38,760 --> 00:22:40,760 Speaker 2: she says, I think I could fall in love with 410 00:22:40,840 --> 00:22:43,239 Speaker 2: him like I thought, you know, okay, I mean, and 411 00:22:43,240 --> 00:22:43,960 Speaker 2: I believed her. 412 00:22:44,160 --> 00:22:45,320 Speaker 1: I believed her totally. 413 00:22:45,560 --> 00:22:46,480 Speaker 2: Yeah, I'm in Yeah. 414 00:22:46,520 --> 00:22:51,320 Speaker 1: So eight CDs, seven out of ten. Battleglasses of wine. 415 00:22:51,680 --> 00:22:54,040 Speaker 1: And how do we end this next episode? 416 00:22:54,400 --> 00:22:57,120 Speaker 2: That's not a great unda. We need we need a catchy, 417 00:22:57,640 --> 00:23:02,119 Speaker 2: a catchy send off. More buns next week, a couple 418 00:23:02,160 --> 00:23:05,320 Speaker 2: of good buns. Gotta go with the buns. A bun joke. 419 00:23:06,000 --> 00:23:07,560 Speaker 1: Oh, I don't have it on me right now? 420 00:23:07,680 --> 00:23:10,080 Speaker 2: What do you like on your bun? Would you like 421 00:23:10,119 --> 00:23:11,000 Speaker 2: a bun with that? 422 00:23:11,680 --> 00:23:13,240 Speaker 1: Come back for some more bun. 423 00:23:13,440 --> 00:23:16,400 Speaker 2: Oh yeah, come back for some more buns. That's perfect. 424 00:23:16,960 --> 00:23:19,320 Speaker 2: Every week we'll have a bun butN pun. 425 00:23:19,520 --> 00:23:21,160 Speaker 1: Don't worry you, guys, this is only in the last 426 00:23:21,200 --> 00:23:21,919 Speaker 1: eighteen weeks. 427 00:23:22,240 --> 00:23:26,160 Speaker 2: You're fine, totally fine. 428 00:23:27,760 --> 00:23:55,800 Speaker 3: Bun bun bye bye, bye bye. 429 00:24:00,400 --> 00:24:04,200 Speaker 2: Hey, everybody, don't forget. Follow us on Instagram at im 430 00:24:04,359 --> 00:24:09,280 Speaker 2: all In podcast and email us at Gilmore at iHeartRadio 431 00:24:09,600 --> 00:24:19,960 Speaker 2: dot com.