WEBVTT - Redemption w/ David Keith

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<v Speaker 1>Of the Law and Order franchises, SVU is considered especially watchable.

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<v Speaker 2>We are the amateur detectives who kind of investigate the

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<v Speaker 2>vicious felonies. These episodes are based on.

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<v Speaker 3>These are our stories.

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<v Speaker 1>Done done, Hello, and welcome to That's Messed Up, your

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<v Speaker 1>favorite Law and Order SVU podcast.

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<v Speaker 3>I'm Kara and I'm.

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<v Speaker 2>Liza, and we talk SVIE crime, We talked to celebs.

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<v Speaker 2>It's really a podcast that has everything. I'm back from

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<v Speaker 2>my fantastic week alass week. But I mean, I actually

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<v Speaker 2>just saw something terrible on the internet. I don't even

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<v Speaker 2>know if I want to talk about it, but that

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<v Speaker 2>the fucking White House posted like people getting arrested and

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<v Speaker 2>deported and made it an ASMR video. They're like lol

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<v Speaker 2>ASMR and it's like people getting shackled, searched and put

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<v Speaker 2>on a plane.

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<v Speaker 3>Oh my god.

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<v Speaker 2>Yeah, And I went to make sure it wasn't fake

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<v Speaker 2>or AI because it's like, are you like, I mean,

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<v Speaker 2>every none of it is real, But it's like.

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<v Speaker 3>What the fuck?

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<v Speaker 1>Yeah, the course is so long gone, We're so long gone. Yeah,

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<v Speaker 1>the cruelty is part of it. It's the point, you know,

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<v Speaker 1>like it's fucked. We're gonna do I just like, but

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<v Speaker 1>we can't heavily drink because we can't handle it anymore.

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<v Speaker 3>I mean, I don't know what, you know.

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<v Speaker 1>I it's like when you were when you were not

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<v Speaker 1>feeling good last week, Like it just reminds me of

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<v Speaker 1>the time that we went out one of like the

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<v Speaker 1>first nights that I feel like we were all going

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<v Speaker 1>out like after COVID and I. You just kept buying

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<v Speaker 1>shots and I just kept being like, gotta drink these shots,

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<v Speaker 1>gotta keep up. And then our friend that we were

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<v Speaker 1>with later told me that she was throwing all the

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<v Speaker 1>shots and I was like, we were like, I was like,

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<v Speaker 1>I I threw up and I felt like asked.

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<v Speaker 3>But I'm also mad that our friend couldn't just be like.

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<v Speaker 1>For me, I know, I see, you know, I can't

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<v Speaker 1>see that kind of waste of money, Like I had

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<v Speaker 1>to take them. I was like, I'm not she bought them.

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<v Speaker 1>I'm not gonna like not take them. But anyway, Uh, yeah,

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<v Speaker 1>it's kind of the darkest thing I've ever seen.

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<v Speaker 3>Yeah. Fuck, I don't know.

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<v Speaker 1>I don't know what our uh, I don't know what

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<v Speaker 1>our recourse is right now, but I know a lot

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<v Speaker 1>of you are feeling the same way as US so.

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<v Speaker 2>And then it's like the articles are like sparks backlash,

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<v Speaker 2>Oh my god, and it's like, no, it's not bad.

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<v Speaker 2>This is like the people that like it like it.

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<v Speaker 2>I don't know, it's not Yeah, who cares about backlas? Like,

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<v Speaker 2>I don't know, it's just backlash is so minimal and stupid,

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<v Speaker 2>Like why would you write about that? There's no backlas,

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<v Speaker 2>Like nothing's gonna happen, there's no checks and balances.

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<v Speaker 1>I know, there's like a thing because like I saw

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<v Speaker 1>some tweet about impeachment and I was like, can we

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<v Speaker 1>even do We can't even do that.

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<v Speaker 3>We can't do it, but we need to.

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<v Speaker 1>We'll just we need to take the midterms in two years,

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<v Speaker 1>so hopefully we're working on that. I don't know really

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<v Speaker 1>who's in fucking charge anywhere, though. I don't think we're

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<v Speaker 1>gonna get there. I think once putin and try, I mean,

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<v Speaker 1>we can't. Let's just talk about sn L fiftieth.

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<v Speaker 3>I don't know. I know Hunger Games, we're in the

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<v Speaker 3>Hunger Well.

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<v Speaker 1>I have literally have it saved on my DVR, but

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<v Speaker 1>haven't had a chance to watch it yet. It's like

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<v Speaker 1>so long, but I've obviously been checking in on the clips.

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<v Speaker 3>It's so cool. It's so fun.

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<v Speaker 1>Like I have a couple of friends that were there,

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<v Speaker 1>and I'm like, I can't wait for you to tell

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<v Speaker 1>me about it.

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<v Speaker 3>Like I just think it's like cool. Like I don't know.

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<v Speaker 1>Some people hate SNL. My husband doesn't like SNL. I

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<v Speaker 1>love it. I watch every week. I record every episode

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<v Speaker 1>and watch it, and I think it's fun to see

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<v Speaker 1>all these people come back and like get into these

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<v Speaker 1>old characters and do that shit, and to also just

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<v Speaker 1>talk about like the little behind the lines, yeah, and

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<v Speaker 1>the behind the scenes of like how they came up

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<v Speaker 1>with shit, and like I like that.

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<v Speaker 3>I think it's so funny.

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<v Speaker 1>But what were your I mean, I was watching some

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<v Speaker 1>clips of like Meryl Street playing Kate McKinnon, you know

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<v Speaker 1>that the pervert that always gets like abducted.

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<v Speaker 3>That was making me laugh. You know. That was her

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<v Speaker 3>SNL debut. She's never hosted.

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<v Speaker 1>Wait what, that's nothing. You've never had Meryl Streep because

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<v Speaker 1>she seems very fun.

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<v Speaker 3>I don't think she wants to.

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<v Speaker 2>I think kind of the smart and short thing has

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<v Speaker 2>really brought a new side of Meryll out.

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<v Speaker 3>Yeah, I'm really.

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<v Speaker 2>Into them kind of out and about being silly.

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<v Speaker 3>Me too.

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<v Speaker 2>I'm loving that and I'm excited by their their relationship.

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<v Speaker 2>I really like the way Drew Barrymore looked. I didn't

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<v Speaker 2>watch it. I've just been looking at all the like

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<v Speaker 2>clips and fun stuff and like, I'm just in a

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<v Speaker 2>Bravo haes. Like I said, I slimly watched White Lotus yet,

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<v Speaker 2>but I did watch Yellow Jackets. I did watch the

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<v Speaker 2>two the premiere episodes of Yellow Jackets.

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<v Speaker 1>Oh it was two because I started one. I'm halfway

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<v Speaker 1>through the first one. Yeah, there's two, but I didn't

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<v Speaker 1>know it was too you know. I had to fucking

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<v Speaker 1>upgrade to Paramount Plus. It changed my whole I had

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<v Speaker 1>to get Paramount plus showtime. I changed my whole billing cycle.

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<v Speaker 1>I got like a partial refund. It was crazy, but

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<v Speaker 1>really quickly back to Merrill. A little bit of fun

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<v Speaker 1>local interesting information for you. Was I think I've mentioned

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<v Speaker 1>before I've been to an event, a children's party event,

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<v Speaker 1>where Meryl Streep was present. I went to that same

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<v Speaker 1>event this year. She was at SNL fifty, so she

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<v Speaker 1>was not there, but I did. I did speak to

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<v Speaker 1>her son, who is buying the york A bar that

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<v Speaker 1>we used to go to all the time when you

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<v Speaker 1>lived in La and turning.

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<v Speaker 3>It into part venue, part bar.

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<v Speaker 1>And I was like, you gotta let me help you

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<v Speaker 1>find a good comedian to run a good comedy show there,

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<v Speaker 1>and he was like, totally. So I'm gonna try to

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<v Speaker 1>get some comedy going at the York when.

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<v Speaker 2>It's because they're in room, it's not that bit or

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<v Speaker 2>outside the other side.

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<v Speaker 3>Gonna they'll do it. I think they're gonna like trash

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<v Speaker 3>the like bar in the center.

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<v Speaker 1>Like I think they're gonna do like a bifurcated like

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<v Speaker 1>spot and change the whole like layout.

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<v Speaker 3>But I don't know. It's not gonna be ready for

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<v Speaker 3>a while. He's like, probably not till next year or something.

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<v Speaker 1>But I'm exciting because I will say I love that

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<v Speaker 1>place and I used to go there all the time

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<v Speaker 1>pre pandemic, but they have the quality has to Last

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<v Speaker 1>time I went there, it felt like the heat was

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<v Speaker 1>off and we were just.

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<v Speaker 3>Not only that, but it's like change the menu.

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<v Speaker 2>It's been years, like again having a few staple items

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<v Speaker 2>like have your Caesar, but like all right, like just

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<v Speaker 2>nothing ever changed or was that good And it's a

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<v Speaker 2>lot of good memories, but that's it. Like, yeah, the York, Yeah,

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<v Speaker 2>but I guess it's gonna be a venue yeah across

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<v Speaker 2>from the Goldfish.

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<v Speaker 3>A real war.

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<v Speaker 1>Totally, and like there's all kinds of wars because Belle's

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<v Speaker 1>is a bar. Now, I mean, this is we're just

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<v Speaker 1>talking local now, We're just talking local commerce in Liza's

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<v Speaker 1>old neighborhood in my current but listen back to SNL fifty.

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<v Speaker 3>I was a little bit surprised that Ryan Reynolds made

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<v Speaker 3>that little joke. Yeah, I don't know.

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<v Speaker 2>I someone was just like, I don't know if my

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<v Speaker 2>wife was a sexually assaulted at work, I don't know

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<v Speaker 2>if I'd be making little jokes about it.

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<v Speaker 3>That's what I mean. That's what I mean.

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<v Speaker 1>This is a multimillion dollar lawsuit that could destroy her career,

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<v Speaker 1>the other guy's career, whatever. And like, well, Bethany, I

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<v Speaker 1>watched a Bethany TikTok.

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<v Speaker 3>I watched Bethany.

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<v Speaker 1>Bethany is Bethany has a magnifying glass up to her

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<v Speaker 1>eye and is like a private eye for this fucking case.

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<v Speaker 3>She's talks about it so much I don't even follow her.

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<v Speaker 1>She like pops up in my for you page being

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<v Speaker 1>like and another thing about bal Downy, like.

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<v Speaker 3>You know, she's like always in it.

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<v Speaker 2>She says, it's like everyone that's a who's who in

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<v Speaker 2>Hollywood was there. So to them, it's not it's about

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<v Speaker 2>solidifying like these people like me, like I'm in with

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<v Speaker 2>this crowd like these because if all these people are

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<v Speaker 2>okay with me, then everyone's okay with me. So it's

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<v Speaker 2>that and I need to make a joke so that

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<v Speaker 2>everybody's positive. I was there and it's like a full yeah, wow,

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<v Speaker 2>I guess. And then Bill Hayter wasn't there. No, Stefan,

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<v Speaker 2>Bill Hayter wasn't there. Oh, I was really looking forward

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<v Speaker 2>to us.

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<v Speaker 3>I said.

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<v Speaker 2>It was like scheduling, but it's like, no, it's on

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<v Speaker 2>a weekend. I feel like he didn't want to.

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<v Speaker 3>Go interesting, interesting, Interesting.

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<v Speaker 2>He did a pre taped thing, but I heard I

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<v Speaker 2>once said he's like he didn't love his time there, but.

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<v Speaker 3>Still seems like some of you would. I was.

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<v Speaker 1>I think I've told this before, but I was working

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<v Speaker 1>at SNL when he did his first show and it

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<v Speaker 1>was him and Andy Samberg and I met them at

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<v Speaker 1>the after after party and they were both like, how

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<v Speaker 1>do you guys.

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<v Speaker 3>Think it went?

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<v Speaker 1>We were like, you guys were great, Like we were

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<v Speaker 1>like the Pages and we were like hyping them up,

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<v Speaker 1>you know, because we didn't know that they were going

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<v Speaker 1>to go on to become like two of like the

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<v Speaker 1>big ones, you know, and we were just like, you

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<v Speaker 1>guys were awesome.

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<v Speaker 3>And I think Bill Hater made out with one of

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<v Speaker 3>my friends.

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<v Speaker 2>Yeah, so what did you guys do in between when

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<v Speaker 2>everyone went to the after, like to the after after all?

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<v Speaker 3>What would you do to kill time?

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<v Speaker 1>You've been to SNL, so you've probably seen the Pages

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<v Speaker 1>are in their uniforms and they now they wear Brooks

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<v Speaker 1>Brothers cute gray uniforms.

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<v Speaker 3>We wore navy.

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<v Speaker 1>Dresses from Casual Corner with navy tights and navy shoes

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<v Speaker 1>and a navy blazer and our little pins and like

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<v Speaker 1>we called them our blues.

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<v Speaker 3>Like that was like you had to get in your blues.

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<v Speaker 1>So we would go to someone's apartment, get out of

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<v Speaker 1>our blues, get into our tube tops and like whatever

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<v Speaker 1>and start pregaming because you had to like start drinking

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<v Speaker 1>because the show gets over at one. By the time

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<v Speaker 1>you're done whatever, you're getting to someone's house at two,

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<v Speaker 1>But like the after after is not really getting rocking

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<v Speaker 1>into like three p thirty, so like we would be

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<v Speaker 1>like we got to go like get catch up and

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<v Speaker 1>and and be also not spent.

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<v Speaker 3>We were making ten dollars an hour.

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<v Speaker 1>We don't want to spend a ton of money at

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<v Speaker 1>like you know the bar, so and listen were the

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<v Speaker 1>bars open bar?

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<v Speaker 3>I don't remember.

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<v Speaker 1>I would assume they would have been open bar, but

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<v Speaker 1>maybe not for us randoms. But you always had to

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<v Speaker 1>have a password. You'd have a password to go get

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<v Speaker 1>into the after after, and like whoever was the SNL

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<v Speaker 1>page would find out because we were there'd be like

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<v Speaker 1>three dedicated SNL pages, like I was the cone In

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<v Speaker 1>dedicated page, and then there'd be three SNL dedicated pages

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<v Speaker 1>and then the rest of us.

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<v Speaker 3>Just worked the show.

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<v Speaker 1>So the main pages would like tell us like here's

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<v Speaker 1>where it is, here's where you go. And I absolutely

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<v Speaker 1>requested all I want for Christmas is you in April

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<v Speaker 1>at a couple of those parties, you know, so we

0:10:43.200 --> 0:10:43.760
<v Speaker 1>made our mark.

0:10:44.200 --> 0:10:46.520
<v Speaker 3>Uh, but yeah, it's it's fun.

0:10:46.600 --> 0:10:48.959
<v Speaker 1>Like I had a blast, like to be able to

0:10:49.000 --> 0:10:51.360
<v Speaker 1>even stand in the studio. One time Jeff Zucker tapped

0:10:51.360 --> 0:10:54.719
<v Speaker 1>me on this on the shoulder and goes, how did

0:10:54.720 --> 0:10:58.360
<v Speaker 1>this do it at dress? This sketch and I go, great, Like,

0:10:58.559 --> 0:11:00.559
<v Speaker 1>what am I going to tattle on us and tell

0:11:00.559 --> 0:11:02.960
<v Speaker 1>you that the sketch bombed a dress like I was like, Oh,

0:11:03.040 --> 0:11:03.520
<v Speaker 1>it was great.

0:11:03.520 --> 0:11:05.920
<v Speaker 3>It was so funny. I don't know who that is.

0:11:06.280 --> 0:11:09.880
<v Speaker 1>He was thee he was the CEO of NBC and NBCUniversal.

0:11:10.040 --> 0:11:14.400
<v Speaker 1>He was like the headhead like so I was like that,

0:11:14.559 --> 0:11:16.240
<v Speaker 1>and then he went on to start to see it

0:11:16.280 --> 0:11:18.200
<v Speaker 1>and then he went on to run CNN and now

0:11:18.280 --> 0:11:20.040
<v Speaker 1>I think I don't know, he's maybe been canceled. I

0:11:20.080 --> 0:11:22.320
<v Speaker 1>don't really know what's going on with him. But yeah,

0:11:22.360 --> 0:11:26.040
<v Speaker 1>my time at SNL was so fun. But I was

0:11:26.400 --> 0:11:29.840
<v Speaker 1>just a little worker bee and I can't Yeah, I'm

0:11:29.880 --> 0:11:32.080
<v Speaker 1>excited to watch the long show. And the clips I've

0:11:32.120 --> 0:11:34.520
<v Speaker 1>seen were fun and it seemed like a fun at first.

0:11:34.559 --> 0:11:36.600
<v Speaker 1>I was like, so it kicked off with like a

0:11:36.720 --> 0:11:37.360
<v Speaker 1>music thing.

0:11:37.600 --> 0:11:40.760
<v Speaker 2>Well, Friday was the concert and this Sunday was like

0:11:40.840 --> 0:11:41.480
<v Speaker 2>the big thing.

0:11:41.880 --> 0:11:43.120
<v Speaker 3>Okay, got it, got it?

0:11:43.160 --> 0:11:47.040
<v Speaker 2>But I think Miley and Brittany Howard still performed at

0:11:47.040 --> 0:11:48.160
<v Speaker 2>on the Sunday Show.

0:11:48.600 --> 0:11:53.360
<v Speaker 3>Who's Brittany Howard from Alabama? Sheikhs? Oh cool?

0:11:54.400 --> 0:11:57.360
<v Speaker 2>And then Aubrey Plaza introduced them, and it's been her

0:11:57.400 --> 0:11:59.840
<v Speaker 2>first sighting since the tragedy.

0:12:00.120 --> 0:12:04.120
<v Speaker 3>Yeah, I saw that. I saw that. Oh my gosh,

0:12:04.160 --> 0:12:04.720
<v Speaker 3>I made it.

0:12:05.040 --> 0:12:07.600
<v Speaker 2>But I thought the lobster thing is like the John

0:12:07.679 --> 0:12:10.760
<v Speaker 2>Mulaney Pete Davidson, like the lobster and the diner.

0:12:11.440 --> 0:12:12.080
<v Speaker 3>Okay.

0:12:12.400 --> 0:12:14.360
<v Speaker 2>I there was like a giant one of that where

0:12:14.400 --> 0:12:20.640
<v Speaker 2>I think, like, you know, just the celebrity parade. I

0:12:20.640 --> 0:12:22.600
<v Speaker 2>did see a thing about celebs where like it used

0:12:22.640 --> 0:12:24.640
<v Speaker 2>to be not cool to sell out, like you'd be like, eh,

0:12:24.760 --> 0:12:26.840
<v Speaker 2>you fucking sell out, and then it stopped and I

0:12:26.880 --> 0:12:28.839
<v Speaker 2>was like, oh great, everyone's making their money, and now

0:12:28.840 --> 0:12:33.520
<v Speaker 2>it's like can people have some shame, Like I mean,

0:12:33.679 --> 0:12:34.480
<v Speaker 2>fucking losers?

0:12:34.520 --> 0:12:35.560
<v Speaker 3>The super Bowl it's.

0:12:35.440 --> 0:12:37.600
<v Speaker 2>Just celeb commercial after celebcri It's just.

0:12:37.520 --> 0:12:41.280
<v Speaker 1>Like it's it's awesome change. It's also like half the

0:12:41.320 --> 0:12:44.320
<v Speaker 1>time taking jobs from like people that like just want

0:12:44.320 --> 0:12:46.880
<v Speaker 1>to get a cast in a commercial that's like, oh

0:12:46.920 --> 0:12:49.720
<v Speaker 1>they decided to cast like a super celebrity instead, you know,

0:12:50.360 --> 0:12:53.600
<v Speaker 1>and no annoying. It's crazy because who do you remember

0:12:53.640 --> 0:12:56.600
<v Speaker 1>being the first? Like I this isn't definitely like the first,

0:12:56.600 --> 0:12:59.520
<v Speaker 1>but I remember being like, why is Catherine's data Jones

0:12:59.559 --> 0:13:02.439
<v Speaker 1>doing tmobile commercials. Like I remember being like she is

0:13:02.559 --> 0:13:06.559
<v Speaker 1>so famous and she is like a singer and a

0:13:06.679 --> 0:13:09.240
<v Speaker 1>dancer and this like respected actress, Like why is she

0:13:09.280 --> 0:13:09.960
<v Speaker 1>like do do do?

0:13:09.840 --> 0:13:12.640
<v Speaker 3>Do do? Like why is she doing a T mobile commercial?

0:13:13.200 --> 0:13:17.079
<v Speaker 2>And then you know, I guess if it's like a

0:13:17.200 --> 0:13:20.000
<v Speaker 2>quick days of work for a few million dollars, why not.

0:13:20.360 --> 0:13:23.280
<v Speaker 2>But it's just like, I don't know, there just used

0:13:23.320 --> 0:13:25.720
<v Speaker 2>to be a thing of like not wanting to be

0:13:25.760 --> 0:13:28.560
<v Speaker 2>a sellout, and now there's totally it's not even a

0:13:28.679 --> 0:13:32.560
<v Speaker 2>hint of that. It's like everything is just an ad

0:13:32.679 --> 0:13:35.839
<v Speaker 2>and something is someone's trying to sell you something. They

0:13:35.840 --> 0:13:40.000
<v Speaker 2>all want to start a business, yeah, right ahead of

0:13:40.120 --> 0:13:40.680
<v Speaker 2>food book.

0:13:40.880 --> 0:13:44.880
<v Speaker 3>I don't know. It's just like blame yeah, And it.

0:13:44.920 --> 0:13:49.520
<v Speaker 1>Seems like it seemed like, yeah, because did you did

0:13:49.559 --> 0:13:51.360
<v Speaker 1>you sort of think of this because maybe Meryl Streep

0:13:51.400 --> 0:13:53.000
<v Speaker 1>thought like it would be kind of selling out to

0:13:53.000 --> 0:13:55.120
<v Speaker 1>go on SNL when she was like a really respected

0:13:55.160 --> 0:13:58.000
<v Speaker 1>actress back in the day, or like she was so serious.

0:13:58.040 --> 0:14:01.640
<v Speaker 2>Maybe No, I was thinking of it in terms of

0:14:01.760 --> 0:14:04.440
<v Speaker 2>like it was just celeb central, the SNL thing, and

0:14:04.440 --> 0:14:06.440
<v Speaker 2>then I was just thinking about the super Bowl, and

0:14:06.480 --> 0:14:09.520
<v Speaker 2>then I was just thinking about like this thing I

0:14:09.559 --> 0:14:13.520
<v Speaker 2>saw about how it used to like not be cool.

0:14:14.040 --> 0:14:15.920
<v Speaker 3>Yeah yeah, but then I was happy.

0:14:15.960 --> 0:14:18.199
<v Speaker 2>I remember seeing like Amy polar and commercials being like,

0:14:18.280 --> 0:14:20.800
<v Speaker 2>hell yeah, I'm loving that Amy Pohlar is making money.

0:14:20.840 --> 0:14:23.880
<v Speaker 2>I remember thinking that, and now I'm just like eight

0:14:24.000 --> 0:14:28.240
<v Speaker 2>celebrities in this duncan Ad Bill Belichick's Teen Bride, Like

0:14:28.400 --> 0:14:29.479
<v Speaker 2>I just don't.

0:14:31.040 --> 0:14:33.840
<v Speaker 3>Well that, like ooh, yuck.

0:14:34.680 --> 0:14:37.160
<v Speaker 1>That gives me a bad feeling, that whole thing.

0:14:37.320 --> 0:14:39.000
<v Speaker 3>But that's what I thought about it. No, Meryll.

0:14:39.120 --> 0:14:41.040
<v Speaker 2>There was like a list I read of like people

0:14:41.120 --> 0:14:45.000
<v Speaker 2>surprisingly like Leonardo DiCaprio's Never Hosted. I also think it's

0:14:45.040 --> 0:14:48.120
<v Speaker 2>like a vulnerable, crazy thing. But Meryl would of course

0:14:48.240 --> 0:14:50.240
<v Speaker 2>kill it. I don't know why some people just have

0:14:50.360 --> 0:14:54.160
<v Speaker 2>never or maybe because their movies are serious, like Hi,

0:14:54.520 --> 0:14:56.680
<v Speaker 2>and I'm in The Iron Lady, you know, like.

0:14:56.840 --> 0:14:59.920
<v Speaker 1>I know, but it's like at the same growing up,

0:15:00.440 --> 0:15:03.600
<v Speaker 1>growing up, she was in like Postcards from the Edge,

0:15:03.600 --> 0:15:05.920
<v Speaker 1>she was in She Devil, one of my favorite movies

0:15:05.920 --> 0:15:09.600
<v Speaker 1>of all time, so funny like she was in Death

0:15:09.640 --> 0:15:13.960
<v Speaker 1>Becomes Her like all these great comedy roles like that.

0:15:14.000 --> 0:15:19.120
<v Speaker 2>It's like, why, okay, forty celebrity shockingly never hosted, Marishka

0:15:19.120 --> 0:15:23.400
<v Speaker 2>Hargate being one of them, Christian Bale, Kate Blanchette, Sandra Bullock.

0:15:23.480 --> 0:15:28.280
<v Speaker 2>I think that's pretty shocking to me. Yeah, Viola Davis,

0:15:29.360 --> 0:15:33.080
<v Speaker 2>Leonardo DiCaprio, Morgan Freeman, Angelina, Julie, Jessica Lang. I mean,

0:15:33.120 --> 0:15:36.360
<v Speaker 2>I wouldn't imagine Jessica Lang. I'm not surprised, No, she's not,

0:15:36.840 --> 0:15:39.800
<v Speaker 2>but she would kill She would do an al Pacino

0:15:39.880 --> 0:15:42.680
<v Speaker 2>Brad Pitt, although he did make an Emmy nominated appearance

0:15:42.720 --> 0:15:44.600
<v Speaker 2>in twenty twenty, so I don't know what that is.

0:15:45.000 --> 0:15:47.960
<v Speaker 2>Julia Roberts, that's shocking. I can't believe in the nineties

0:15:47.960 --> 0:15:54.440
<v Speaker 2>she wouldn't have done it. Meryl she Downzel Washington, Yeah, weird.

0:15:55.360 --> 0:15:57.960
<v Speaker 2>I don't think Christian Bale should do it. He's angry.

0:15:58.640 --> 0:16:01.600
<v Speaker 2>But Sandra Bullock and Robert's not doing it is like

0:16:01.640 --> 0:16:05.080
<v Speaker 2>pretty shocking to me because they're also America's sweethearts. Like

0:16:05.240 --> 0:16:08.640
<v Speaker 2>they are good actresses, but they're America's sweetheart vibes like

0:16:09.000 --> 0:16:13.280
<v Speaker 2>right and doing comedies and like charming, like we love them.

0:16:13.320 --> 0:16:14.320
<v Speaker 2>Why wouldn't they do it?

0:16:15.680 --> 0:16:16.200
<v Speaker 3>I don't know.

0:16:16.440 --> 0:16:18.920
<v Speaker 1>Like Sandra Bullock is very funny, Yeah, it's such a

0:16:18.920 --> 0:16:19.600
<v Speaker 1>cool history.

0:16:19.600 --> 0:16:21.840
<v Speaker 2>It really is like whatever they I mean, I just

0:16:21.880 --> 0:16:24.080
<v Speaker 2>wish like an old out of touch man didn't have

0:16:24.160 --> 0:16:26.560
<v Speaker 2>Elon Musk and fucking Trump post and like.

0:16:26.640 --> 0:16:30.040
<v Speaker 1>I do too, I really like I listen to this

0:16:30.120 --> 0:16:34.800
<v Speaker 1>so outdated. I listened to this like podcast one time

0:16:34.880 --> 0:16:38.120
<v Speaker 1>and I feel really oh it was like a Malcolm Glodwell,

0:16:38.160 --> 0:16:39.080
<v Speaker 1>which whatever.

0:16:39.080 --> 0:16:41.360
<v Speaker 3>People have mixed feelings about him, but he did.

0:16:41.200 --> 0:16:44.320
<v Speaker 1>This podcast about like this episode of his podcast about

0:16:45.160 --> 0:16:49.040
<v Speaker 1>like satire and how like satire in the United States

0:16:49.040 --> 0:16:51.000
<v Speaker 1>has like lost its teeth because we used to make

0:16:51.000 --> 0:16:53.160
<v Speaker 1>fun of things to like call them out, and now

0:16:53.200 --> 0:16:55.480
<v Speaker 1>instead of we make we'll make fun of Sarah Palin,

0:16:55.520 --> 0:16:57.160
<v Speaker 1>but then we'll invite her to be on the show,

0:16:57.560 --> 0:16:59.000
<v Speaker 1>or like we'll make fun of Donald Trump and then

0:16:59.040 --> 0:17:00.360
<v Speaker 1>invite him to be on the show. And it's like,

0:17:00.400 --> 0:17:04.080
<v Speaker 1>so you're not actually calling out anybody because you're inviting

0:17:04.119 --> 0:17:06.320
<v Speaker 1>them in. Like the teeth is out of the satire

0:17:06.520 --> 0:17:10.440
<v Speaker 1>and so like, I am super disappointed that they had

0:17:10.480 --> 0:17:13.360
<v Speaker 1>Elon Musk and Donald Trump on, you know, like I

0:17:13.400 --> 0:17:15.960
<v Speaker 1>think that sucks, but whatever, everybody makes mistakes.

0:17:16.280 --> 0:17:19.199
<v Speaker 3>I do also think that the rumor is he's going

0:17:19.280 --> 0:17:21.360
<v Speaker 3>to step down now that the fiftieth. After we pass

0:17:21.440 --> 0:17:22.480
<v Speaker 3>the fiftieth.

0:17:23.040 --> 0:17:26.919
<v Speaker 1>Lauren, fuck yeah, And the two people I've heard bandied

0:17:26.960 --> 0:17:29.240
<v Speaker 1>about are Seth and Tina, so we'll see.

0:17:29.359 --> 0:17:29.520
<v Speaker 4>Well.

0:17:29.600 --> 0:17:33.280
<v Speaker 3>Yeah, though I feel like those are obviouss me but I.

0:17:33.800 --> 0:17:36.000
<v Speaker 1>But somebody was telling me they were like the thing

0:17:36.080 --> 0:17:37.639
<v Speaker 1>is is like Lauren's the one that gets all the

0:17:37.640 --> 0:17:39.840
<v Speaker 1>money for that show. Like there he kind of like

0:17:39.920 --> 0:17:42.000
<v Speaker 1>swings his dick around and gets like a bunch of

0:17:42.440 --> 0:17:45.040
<v Speaker 1>money for like these digital shorts and all this big

0:17:45.080 --> 0:17:48.879
<v Speaker 1>production and like whatever, and that they don't know that

0:17:49.200 --> 0:17:51.600
<v Speaker 1>without him, the network will like keep giving it the

0:17:51.600 --> 0:17:52.400
<v Speaker 1>same amount of money.

0:17:52.440 --> 0:17:53.080
<v Speaker 3>But I don't know.

0:17:54.520 --> 0:17:56.040
<v Speaker 2>I don't think he's like give it to anyone. I

0:17:56.040 --> 0:17:58.200
<v Speaker 2>think he's going to die there. I think he's a psychopath.

0:17:58.480 --> 0:18:01.080
<v Speaker 2>I think he likes what he's creating. He's eighty, so

0:18:01.080 --> 0:18:04.360
<v Speaker 2>it's fine. But it's like I just don't think he's

0:18:04.400 --> 0:18:09.679
<v Speaker 2>gonna act normal or make a normal decision. Yeah, yeah, yeah, yeah,

0:18:09.960 --> 0:18:16.160
<v Speaker 2>interesting though I'm interested. Dan Akroyd also wasn't there. Oh yeah.

0:18:16.600 --> 0:18:21.040
<v Speaker 1>I loved Lorraine Newman and Jane Curtin holding up Gilda's picture.

0:18:21.160 --> 0:18:23.280
<v Speaker 3>That was so sweet. That was very sweet.

0:18:23.680 --> 0:18:27.040
<v Speaker 2>I was hanging out with Devin Walker right after it,

0:18:27.040 --> 0:18:29.080
<v Speaker 2>and I was like asking, he goes, you seem to

0:18:29.119 --> 0:18:30.800
<v Speaker 2>know more about what happened than I do. I go,

0:18:31.000 --> 0:18:33.240
<v Speaker 2>I've been watching everything on the internet. I've been looking

0:18:33.240 --> 0:18:34.760
<v Speaker 2>at everything, every outfit.

0:18:34.960 --> 0:18:36.320
<v Speaker 3>He's like, you crazy.

0:18:36.480 --> 0:18:40.000
<v Speaker 1>It was like, yeah, it's interesting, and it was taking

0:18:40.000 --> 0:18:41.719
<v Speaker 1>over our feeds for like the whole weekend.

0:18:41.760 --> 0:18:43.760
<v Speaker 2>I mean I saw like nothing else but that, Like, oh,

0:18:43.840 --> 0:18:46.960
<v Speaker 2>Sarah Sherman was dressed so nice. And then everyone's listening

0:18:47.000 --> 0:18:49.560
<v Speaker 2>to this three weeks later. We've already like our country

0:18:49.560 --> 0:18:52.280
<v Speaker 2>will be nuclearly bombed by the time this comes out.

0:18:52.520 --> 0:18:54.879
<v Speaker 1>And people will be like just cooking dinner at the

0:18:54.920 --> 0:18:56.480
<v Speaker 1>camps listening to your podcast.

0:18:58.240 --> 0:19:00.800
<v Speaker 2>I just can't believe we're living this life of like

0:19:01.200 --> 0:19:03.840
<v Speaker 2>joy and terror and frozen.

0:19:03.960 --> 0:19:04.840
<v Speaker 3>This I don't know.

0:19:05.560 --> 0:19:08.879
<v Speaker 2>Yeah, oh but our next intro, we'll be able to

0:19:08.920 --> 0:19:11.040
<v Speaker 2>talk about Luigi's trials, so.

0:19:11.720 --> 0:19:15.360
<v Speaker 1>Oh yes, it's that yes, And I will have watched

0:19:15.480 --> 0:19:17.119
<v Speaker 1>I will be caught up on drug Race by then.

0:19:17.119 --> 0:19:18.679
<v Speaker 1>I've got a lot to catch up on. Also, I'm

0:19:18.720 --> 0:19:20.840
<v Speaker 1>going to New York next week. I'm gonna be God,

0:19:20.840 --> 0:19:22.880
<v Speaker 1>I'm gonna have my laptop. I'm gonna have a TV

0:19:23.040 --> 0:19:24.760
<v Speaker 1>and I'm gonna have no kids, so I'm catching up

0:19:24.800 --> 0:19:25.600
<v Speaker 1>on a lot of shit.

0:19:25.840 --> 0:19:26.520
<v Speaker 3>I'm excited.

0:19:26.640 --> 0:19:28.479
<v Speaker 2>That's those are your big New York plan, Those are

0:19:28.480 --> 0:19:29.920
<v Speaker 2>my big New York plans.

0:19:31.080 --> 0:19:33.440
<v Speaker 1>I'm like, i gotta catch up on all my shit,

0:19:33.640 --> 0:19:35.960
<v Speaker 1>like drag Race White Lights.

0:19:35.960 --> 0:19:38.639
<v Speaker 3>Are you gonna see Connecticut people or just New York people.

0:19:39.880 --> 0:19:42.760
<v Speaker 1>I'm gonna go see my parents on the drive up

0:19:42.760 --> 0:19:44.560
<v Speaker 1>to New Hampshire. I'm gonna stop in and just give

0:19:44.600 --> 0:19:46.359
<v Speaker 1>them a quick high. But I don't think I'm gonna

0:19:46.359 --> 0:19:49.480
<v Speaker 1>see like my brother or anybody else in Connecticut. Yeah,

0:19:49.480 --> 0:19:51.119
<v Speaker 1>I'm gonna be in the city most of the time.

0:19:52.000 --> 0:19:55.679
<v Speaker 1>But I'm excited. I mean, it is gonna be February

0:19:55.680 --> 0:19:58.960
<v Speaker 1>in New York, so I am nervous, but I'm excited

0:19:59.040 --> 0:20:00.560
<v Speaker 1>to be back because I New York.

0:20:01.359 --> 0:20:02.560
<v Speaker 3>I love New York.

0:20:03.960 --> 0:20:07.120
<v Speaker 1>But yeah, should we get started. We've got a great

0:20:07.160 --> 0:20:11.000
<v Speaker 1>episode for today. As always, go to That's Messed Up

0:20:11.040 --> 0:20:13.520
<v Speaker 1>Live dot com. You can buy some merch you can

0:20:13.600 --> 0:20:17.800
<v Speaker 1>check out Lisa's tour dates, follow us, rate us reviews.

0:20:17.520 --> 0:20:18.560
<v Speaker 3>Whatever you gotta do.

0:20:18.640 --> 0:20:20.520
<v Speaker 1>But That's Messed Up Live dot com has all the

0:20:20.560 --> 0:20:23.360
<v Speaker 1>links that you need in your life. Also, promo codes

0:20:23.840 --> 0:20:25.879
<v Speaker 1>for all of our ads. If you're interested in getting

0:20:25.880 --> 0:20:30.240
<v Speaker 1>a little deal. I'm seeing me live, I'm on the road. Yeah, yeah,

0:20:30.280 --> 0:20:32.479
<v Speaker 1>that's on there too, all Lisa's dates go check her

0:20:32.480 --> 0:20:34.199
<v Speaker 1>out and uh and that's it.

0:20:34.280 --> 0:20:35.280
<v Speaker 3>Yeah, let's get started.

0:20:39.480 --> 0:20:44.359
<v Speaker 2>So we are doing Redemption season three, episode six.

0:20:44.520 --> 0:20:47.120
<v Speaker 3>Wow, fresh off nine to eleven November.

0:20:49.560 --> 0:20:51.679
<v Speaker 1>It is the hallmark of our podcast that we always

0:20:51.680 --> 0:20:54.679
<v Speaker 1>put ourselves in time in relation to nine.

0:20:54.520 --> 0:20:59.520
<v Speaker 3>To eleven November. Second. That's yeah, we're not even two

0:20:59.520 --> 0:20:59.960
<v Speaker 3>months out.

0:21:00.320 --> 0:21:04.760
<v Speaker 2>I wonder when they came back, Like they are crazy,

0:21:04.880 --> 0:21:07.480
<v Speaker 2>they don't really rest, but I think everyone rested for

0:21:07.520 --> 0:21:07.919
<v Speaker 2>a while.

0:21:08.119 --> 0:21:10.880
<v Speaker 3>I mean, I don't know. I wasn't there. Yeah.

0:21:10.920 --> 0:21:13.080
<v Speaker 1>There was also the thing where the Twin Towers were

0:21:13.119 --> 0:21:15.159
<v Speaker 1>in the opening credits, and I think they had to

0:21:15.200 --> 0:21:18.919
<v Speaker 1>like remove them, unlike me and my college dorm room,

0:21:18.960 --> 0:21:21.800
<v Speaker 1>where I had just put up a full wallpaper of

0:21:21.840 --> 0:21:23.960
<v Speaker 1>the New York City skyline featuring the Twin Towers and

0:21:24.000 --> 0:21:26.560
<v Speaker 1>it stayed up for my entire senior year of college.

0:21:26.640 --> 0:21:29.840
<v Speaker 1>So we said, the Twin Towers are still standing strong

0:21:30.320 --> 0:21:32.920
<v Speaker 1>in high Rise, which was the name of my dorm.

0:21:33.800 --> 0:21:36.840
<v Speaker 2>But people were like scared when they saw them. Right, Yeah,

0:21:36.880 --> 0:21:38.600
<v Speaker 2>everybody would walk in and go whoa.

0:21:39.280 --> 0:21:41.399
<v Speaker 1>But they did think it looked cool, like it was

0:21:41.440 --> 0:21:42.880
<v Speaker 1>a cool wallpaper we found at home.

0:21:42.920 --> 0:21:43.280
<v Speaker 3>Depot.

0:21:44.600 --> 0:21:50.000
<v Speaker 2>Okay, redemption, redemption. We're in court and Stablers on the sand.

0:21:50.119 --> 0:21:52.760
<v Speaker 2>He's being asked about stating under oath that he tested

0:21:52.840 --> 0:21:57.679
<v Speaker 2>everyone that had any personal contact with Leslie Bellow, and

0:21:57.960 --> 0:22:00.000
<v Speaker 2>you know, he's like correct, But then they're like, well,

0:22:00.040 --> 0:22:02.520
<v Speaker 2>he didn't test the teacher or the bus driver, the plumber,

0:22:02.600 --> 0:22:05.560
<v Speaker 2>so in fact, you didn't test everyone that came in

0:22:05.600 --> 0:22:08.280
<v Speaker 2>contact with her. And he's like, well, Leslie didn't identify

0:22:08.280 --> 0:22:11.600
<v Speaker 2>the plumber as her rapist, so and the lawyers like,

0:22:11.680 --> 0:22:14.720
<v Speaker 2>well eight year olds Lie. So then Cabot has an objection,

0:22:14.880 --> 0:22:17.000
<v Speaker 2>and she does stand. They don't always stand, Did I

0:22:17.080 --> 0:22:17.960
<v Speaker 2>always have to stand?

0:22:18.160 --> 0:22:21.480
<v Speaker 1>Barbara like leans back during his objections, Like I think

0:22:21.520 --> 0:22:23.000
<v Speaker 1>it's like a different I think it's.

0:22:22.880 --> 0:22:23.720
<v Speaker 3>A style thing.

0:22:23.920 --> 0:22:28.040
<v Speaker 1>Like she stands, Casey, I think sometimes stands. Barba's like objection,

0:22:28.160 --> 0:22:30.840
<v Speaker 1>you're on her leading, you know, like Barba's drinking an

0:22:30.920 --> 0:22:34.200
<v Speaker 1>espresso while he's doing it, Like, but yeah, she stands.

0:22:35.320 --> 0:22:38.600
<v Speaker 2>He withdraws though, and goes and sits down. Cabot redirects

0:22:39.440 --> 0:22:42.520
<v Speaker 2>and says whom did Leslie below identify as her rapists?

0:22:42.640 --> 0:22:48.080
<v Speaker 2>And Stabler says her grandfather Frederick Bellow dramatic music. Sabler

0:22:48.119 --> 0:22:51.360
<v Speaker 2>walks out of court and Leslie's in the hallway. She's

0:22:51.400 --> 0:22:54.080
<v Speaker 2>holding a bear. This bear has a purple outfit and

0:22:54.119 --> 0:22:57.440
<v Speaker 2>the mom's there. She's scared, but he's gonna pump He's

0:22:57.480 --> 0:22:59.560
<v Speaker 2>pumping her up that like she's gonna do a good

0:22:59.640 --> 0:23:03.359
<v Speaker 2>job on stand. She's very scared, but Sablor knows that

0:23:03.400 --> 0:23:06.040
<v Speaker 2>she can do it. She hands her stuff to bear

0:23:06.080 --> 0:23:09.480
<v Speaker 2>over to him, Wow huge and goes into the courtroom.

0:23:09.520 --> 0:23:13.040
<v Speaker 2>Sabler says he can't be in there, but that they're

0:23:13.080 --> 0:23:13.760
<v Speaker 2>always in there.

0:23:14.840 --> 0:23:16.399
<v Speaker 1>I know, I don't know why. He's like I can't.

0:23:16.440 --> 0:23:18.800
<v Speaker 1>He's like, I gotta go. I suddenly have to be

0:23:18.880 --> 0:23:20.400
<v Speaker 1>there for my own kids. Like I don't know why

0:23:20.400 --> 0:23:22.400
<v Speaker 1>he has to leave. He's always in lives, always in there,

0:23:22.760 --> 0:23:23.760
<v Speaker 1>like with the victims.

0:23:24.280 --> 0:23:24.600
<v Speaker 4>I know.

0:23:24.920 --> 0:23:26.600
<v Speaker 3>So that's a little confusing to me.

0:23:27.080 --> 0:23:30.000
<v Speaker 1>So also, like this fucking guy, I'm just saying, like

0:23:30.080 --> 0:23:31.720
<v Speaker 1>I know, this isn't even like the main part of

0:23:31.760 --> 0:23:35.159
<v Speaker 1>the episode, but like you're a man who has uh

0:23:35.400 --> 0:23:38.880
<v Speaker 1>sexually assaulted your own granddaughter, like you obviously and you've

0:23:38.920 --> 0:23:41.800
<v Speaker 1>been caught and now you're putting her through a trial.

0:23:41.920 --> 0:23:44.320
<v Speaker 1>It's like double monstrosity, do you know what I mean?

0:23:44.359 --> 0:23:46.400
<v Speaker 1>Like if you were just like, oh my god, I'm

0:23:46.440 --> 0:23:49.320
<v Speaker 1>a monster. I've been doing this in secret. I'm sick. Okay.

0:23:49.520 --> 0:23:51.600
<v Speaker 1>But he's like, nope, take me to trial. I want

0:23:51.600 --> 0:23:55.320
<v Speaker 1>to prove that she's a liar in front, like fucking nuts.

0:23:55.960 --> 0:23:59.119
<v Speaker 3>This is nuts. Now, you know.

0:23:59.160 --> 0:24:01.440
<v Speaker 2>We cut the stabler walking into the precincts. He doesn't

0:24:01.480 --> 0:24:03.920
<v Speaker 2>talk to anybody, and Benson's like, how did it go?

0:24:04.080 --> 0:24:06.280
<v Speaker 2>And we could tell by the body language not good?

0:24:06.520 --> 0:24:10.400
<v Speaker 2>Okay yea, and he goes They let him walk. That's crazy.

0:24:10.520 --> 0:24:14.040
<v Speaker 2>If he had the STD that his granddaughter had, I

0:24:14.080 --> 0:24:17.160
<v Speaker 2>don't know what more evidence that jury really needed.

0:24:17.160 --> 0:24:21.160
<v Speaker 1>Right, And she's telling you she's eight, Like that's eight

0:24:21.240 --> 0:24:21.840
<v Speaker 1>year olds?

0:24:22.800 --> 0:24:25.680
<v Speaker 3>No, what's up? Yeah? They both have gone rha in

0:24:25.760 --> 0:24:28.959
<v Speaker 3>the house like I just fuck that jury. Yeah.

0:24:29.080 --> 0:24:31.080
<v Speaker 2>He pushes all the coffee cups to the ground and

0:24:31.119 --> 0:24:33.880
<v Speaker 2>says the whole system is screwed up and runs off.

0:24:34.480 --> 0:24:36.280
<v Speaker 2>But the city never sleeps, so they have to go

0:24:36.320 --> 0:24:39.119
<v Speaker 2>to another crime scene. A UNI breaks it down at

0:24:39.160 --> 0:24:44.160
<v Speaker 2>a no Hoo apartment so to rape homicide Jennifer Walton

0:24:44.280 --> 0:24:47.239
<v Speaker 2>twenty five. Her friend discovered her after the landlady let

0:24:47.280 --> 0:24:50.560
<v Speaker 2>her in. There's a whole punch through the bedroom door,

0:24:51.080 --> 0:24:53.160
<v Speaker 2>and then we see her in the bed. It's bloody,

0:24:53.400 --> 0:24:56.719
<v Speaker 2>hands bound behind her back with panty hose. They use

0:24:56.760 --> 0:25:00.440
<v Speaker 2>panty hose a lot in the beginning seasons. Yes, every

0:25:00.440 --> 0:25:03.120
<v Speaker 2>woman has panty hose. They're always lying around, Hi, They're

0:25:03.160 --> 0:25:05.760
<v Speaker 2>always being used to tie people up. Yeah, they do.

0:25:08.359 --> 0:25:10.920
<v Speaker 3>And then face pummeled throats.

0:25:10.920 --> 0:25:14.600
<v Speaker 2>Slick Finn finds a white rose and Munch says, oh,

0:25:14.640 --> 0:25:18.840
<v Speaker 2>a romantic psycho sailors in the corner, going damn. I

0:25:18.840 --> 0:25:22.160
<v Speaker 2>thought my day couldn't get any worse. Always about him.

0:25:22.800 --> 0:25:24.880
<v Speaker 2>But we go right into the credits and we're still

0:25:24.880 --> 0:25:27.480
<v Speaker 2>at the crime scene. We're talking to the neighbors who's

0:25:27.480 --> 0:25:29.719
<v Speaker 2>holding a fluffy white dog and she's saying how she

0:25:30.000 --> 0:25:32.800
<v Speaker 2>would watch the victim's dog. When she went away last

0:25:32.840 --> 0:25:36.000
<v Speaker 2>month for the weekend with a man named David. They

0:25:36.000 --> 0:25:39.720
<v Speaker 2>were friendly, she says, she saw him sometimes. He was tall,

0:25:39.840 --> 0:25:43.480
<v Speaker 2>graying hair, brought her flowers all different types, and she

0:25:43.520 --> 0:25:44.160
<v Speaker 2>heard them fighting.

0:25:44.240 --> 0:25:44.720
<v Speaker 3>Last night.

0:25:45.080 --> 0:25:48.119
<v Speaker 2>She was yelling something about trying like her, trying to

0:25:48.200 --> 0:25:51.320
<v Speaker 2>ruin his life. She feels bad for not checking in

0:25:51.400 --> 0:25:54.439
<v Speaker 2>on her. Now they go to the friend who found

0:25:54.440 --> 0:25:57.160
<v Speaker 2>her and she's holding the victims dog. It's a King

0:25:57.280 --> 0:26:03.520
<v Speaker 2>Charles guy, were King Charles Spaniel spaniel.

0:26:03.640 --> 0:26:04.120
<v Speaker 3>There we go.

0:26:04.720 --> 0:26:07.639
<v Speaker 2>Cute, cute dog and they they were gonna meet for

0:26:07.720 --> 0:26:10.000
<v Speaker 2>drinks at nine, but eight thirty she called, saying she's

0:26:10.080 --> 0:26:12.640
<v Speaker 2>gonna be late, and she did. Hear a man's voice

0:26:12.640 --> 0:26:15.440
<v Speaker 2>in the background, sailor's being a dick as this girl

0:26:15.520 --> 0:26:19.040
<v Speaker 2>is crying, she's flustered, and he's being snied and sarcastic

0:26:19.119 --> 0:26:22.119
<v Speaker 2>to her, and he goes, oh, is there anything you're

0:26:22.200 --> 0:26:25.919
<v Speaker 2>sure about? Benson's watching him be a dick from afar.

0:26:26.080 --> 0:26:29.320
<v Speaker 2>She calls him, you know, She's like, all right, come

0:26:29.359 --> 0:26:32.800
<v Speaker 2>over here. She says that it looks like the victim

0:26:32.880 --> 0:26:37.240
<v Speaker 2>was entertaining. There's wine glasses. It seems like the first

0:26:37.280 --> 0:26:39.879
<v Speaker 2>blow happened at the on the couch and then was

0:26:39.960 --> 0:26:43.679
<v Speaker 2>dragged into the bedroom. No sign of a struggle, but

0:26:43.920 --> 0:26:46.080
<v Speaker 2>so that means the first blow really knocked her out

0:26:46.119 --> 0:26:49.320
<v Speaker 2>and like stunned her. Melinda chimes in that she thinks

0:26:49.359 --> 0:26:52.560
<v Speaker 2>the purp was left handed. The knife and blood spatter

0:26:52.800 --> 0:26:55.440
<v Speaker 2>at point two it being left handed. I don't think

0:26:55.480 --> 0:26:57.359
<v Speaker 2>this comes up again, though, so that I know I

0:26:57.440 --> 0:26:58.240
<v Speaker 2>was saying that.

0:26:58.320 --> 0:26:59.800
<v Speaker 1>I was like, Lisa will tell me, but I don't

0:26:59.800 --> 0:27:01.520
<v Speaker 1>think I ever bring up the left handed thing again.

0:27:01.640 --> 0:27:04.439
<v Speaker 3>They never do, so that's funny.

0:27:05.320 --> 0:27:08.440
<v Speaker 2>So then this dude showers and washes the wineglass a

0:27:08.520 --> 0:27:11.480
<v Speaker 2>knife and then takes the dirty towels and stuff with him.

0:27:11.800 --> 0:27:15.760
<v Speaker 2>Stabler goes, wow, you have it all figured out, and

0:27:15.800 --> 0:27:17.960
<v Speaker 2>she goes, yeah, at least I'm trying. We're back at

0:27:18.000 --> 0:27:21.720
<v Speaker 2>Craigan's office, all hands on deck, including George Wang. He

0:27:21.800 --> 0:27:24.399
<v Speaker 2>thinks the violence is soothing to him because it was

0:27:24.480 --> 0:27:27.639
<v Speaker 2>a lot of rage but not out of control, and

0:27:27.680 --> 0:27:31.040
<v Speaker 2>that he has euphoria after like the initial outburst, but

0:27:31.080 --> 0:27:34.359
<v Speaker 2>then it calms him down, and so the more he maims,

0:27:34.400 --> 0:27:36.760
<v Speaker 2>the better he feels, and once the rage goes away,

0:27:36.800 --> 0:27:38.960
<v Speaker 2>he's kind of like a gentle loving you know. Tucks

0:27:38.960 --> 0:27:42.159
<v Speaker 2>her into bed, folds her clothing flower on the pillow,

0:27:43.320 --> 0:27:45.640
<v Speaker 2>and then he also says that this dude wooed her

0:27:45.680 --> 0:27:48.240
<v Speaker 2>before he killed her. So George is thinking this guy

0:27:48.320 --> 0:27:52.400
<v Speaker 2>is smart and charming. Stabler walks off. He's like checks

0:27:52.440 --> 0:27:56.040
<v Speaker 2>out fully, Benson chases him down. I'm like so annoyed.

0:27:56.040 --> 0:27:57.840
<v Speaker 2>It's like, just let him be a little baby. I

0:27:57.880 --> 0:28:02.120
<v Speaker 2>don't like, we have a crime to solve. But they're

0:28:02.119 --> 0:28:05.000
<v Speaker 2>gonna go talk to the boyfriend and then and like

0:28:05.359 --> 0:28:07.400
<v Speaker 2>deal with her work, and then Finn and Munch will

0:28:07.400 --> 0:28:11.720
<v Speaker 2>focus on forensics. So then at Melinda's how oh yeah,

0:28:12.359 --> 0:28:16.639
<v Speaker 2>this girl's tore up. Oh it's rough, teeth beaten out,

0:28:17.119 --> 0:28:20.120
<v Speaker 2>like yeah, he hit her so hard that her teeth

0:28:20.119 --> 0:28:24.439
<v Speaker 2>fell out, like this is crazy. No semen, but spermicide.

0:28:24.640 --> 0:28:28.520
<v Speaker 2>And then ding ding ding weird two circular incisions on

0:28:28.600 --> 0:28:32.800
<v Speaker 2>her chest where the skin was taken out. Melinda says,

0:28:32.800 --> 0:28:35.240
<v Speaker 2>what this woman went through death was a blessing.

0:28:36.080 --> 0:28:37.840
<v Speaker 1>And you know, this reminds me of Silence of the

0:28:37.880 --> 0:28:41.320
<v Speaker 1>Lambs right away, of course, right the removing of the

0:28:41.360 --> 0:28:43.480
<v Speaker 1>skin piece, you know, I was like, oh, it's a

0:28:43.480 --> 0:28:44.520
<v Speaker 1>Buffalo bill type.

0:28:44.560 --> 0:28:46.120
<v Speaker 3>But you know, we find.

0:28:45.880 --> 0:28:50.960
<v Speaker 2>Out they go to talk to a woman at the

0:28:51.000 --> 0:28:53.280
<v Speaker 2>store and her coworker has been found dead, but she

0:28:53.320 --> 0:28:55.120
<v Speaker 2>has not stopped putting clothes away.

0:28:55.560 --> 0:28:58.560
<v Speaker 3>Yeah, she's on the move. She's got to restock.

0:29:00.040 --> 0:29:02.720
<v Speaker 2>And the thing is this is classic SVU, but it

0:29:02.840 --> 0:29:04.920
<v Speaker 2>still needs to be mentioned, and it is one of

0:29:04.960 --> 0:29:07.800
<v Speaker 2>the most egregious I've ever seen, Like you.

0:29:07.760 --> 0:29:09.720
<v Speaker 1>Could even ask your manager, Hey, the cops are here

0:29:09.720 --> 0:29:12.440
<v Speaker 1>to talk about my our dead coworker, Like could could

0:29:12.480 --> 0:29:13.440
<v Speaker 1>I leave for five minutes?

0:29:13.480 --> 0:29:16.560
<v Speaker 2>Can I go outside? Like the manager wouldn't even care.

0:29:16.840 --> 0:29:19.520
<v Speaker 2>It's like you always have to stock. There's no rush,

0:29:19.600 --> 0:29:22.200
<v Speaker 2>there's no like no one was at the store. Like

0:29:23.480 --> 0:29:25.560
<v Speaker 2>the way she was put I mean, maybe that's her,

0:29:25.840 --> 0:29:28.760
<v Speaker 2>like the way she deals with stress, but just put

0:29:28.840 --> 0:29:29.800
<v Speaker 2>the clothes down.

0:29:29.960 --> 0:29:31.800
<v Speaker 1>If we ever get to talk to like Dick woll

0:29:31.920 --> 0:29:34.520
<v Speaker 1>for like or people that direct the episodes, I'd be

0:29:34.560 --> 0:29:38.240
<v Speaker 1>interested to know about, like is there something that's like, oh,

0:29:38.280 --> 0:29:41.000
<v Speaker 1>it's better, like it's better visually to keep the people

0:29:41.120 --> 0:29:44.480
<v Speaker 1>moving fast, because like it's one thing to like be

0:29:44.600 --> 0:29:46.280
<v Speaker 1>on one side of a counter and then move to

0:29:46.280 --> 0:29:48.200
<v Speaker 1>the other side to grab a book or something. These

0:29:48.240 --> 0:29:51.000
<v Speaker 1>people are like running half the time they're talking to

0:29:51.000 --> 0:29:53.920
<v Speaker 1>the cops. Like the the clip at which they are

0:29:53.920 --> 0:29:56.240
<v Speaker 1>getting their jobs done, it's so I mean, it's a

0:29:56.240 --> 0:29:59.760
<v Speaker 1>full SNL sketch, but like it's it's like, I don't know,

0:30:00.120 --> 0:30:00.800
<v Speaker 1>cracks me up.

0:30:01.440 --> 0:30:04.600
<v Speaker 2>Yeah, Okay, So then they ask her about like you know,

0:30:04.640 --> 0:30:06.080
<v Speaker 2>do you know about this guy that was heard at

0:30:06.120 --> 0:30:08.840
<v Speaker 2>her house? And she goes, yeah, and he's a married man,

0:30:09.120 --> 0:30:11.720
<v Speaker 2>but that never stopped him. He was always chasing women

0:30:11.800 --> 0:30:15.320
<v Speaker 2>and he was shameless. Tammy from Cosmetics even filed a

0:30:15.320 --> 0:30:18.640
<v Speaker 2>harassment suit. He never backed off. She had a transfer

0:30:18.680 --> 0:30:21.320
<v Speaker 2>to a store in Brooklyn, and that's when he turned

0:30:21.360 --> 0:30:24.080
<v Speaker 2>all his attention to our girl. The woman says, like

0:30:24.160 --> 0:30:26.720
<v Speaker 2>she warned her, but she kept insisting that they were

0:30:26.760 --> 0:30:27.320
<v Speaker 2>just friends.

0:30:27.680 --> 0:30:29.280
<v Speaker 3>So we have to go find this guy. And he's

0:30:29.320 --> 0:30:29.920
<v Speaker 3>so creepy.

0:30:29.920 --> 0:30:32.160
<v Speaker 2>He's touching this woman's legs as he puts shoes on,

0:30:32.320 --> 0:30:35.920
<v Speaker 2>like he's in the shoe department. So it is, uh,

0:30:36.080 --> 0:30:39.680
<v Speaker 2>it's creepy. It's so touchy. So we're immediately in cement

0:30:39.760 --> 0:30:42.720
<v Speaker 2>room bars. He has a bandage wrapped around his hand

0:30:43.160 --> 0:30:46.640
<v Speaker 2>and he says he broke a knuckle banging it against

0:30:46.680 --> 0:30:49.960
<v Speaker 2>the door. Hello, we saw a hole in the door,

0:30:50.280 --> 0:30:54.160
<v Speaker 2>so ding ding ding, So they bring up I keep saying,

0:30:54.200 --> 0:30:56.760
<v Speaker 2>so I think more than I normally do.

0:30:58.880 --> 0:30:59.640
<v Speaker 3>I'm gonna stop.

0:31:00.440 --> 0:31:02.720
<v Speaker 1>Well, can I jump in really quickly here to say

0:31:02.720 --> 0:31:07.400
<v Speaker 1>that this shoeman is soap opera royalty. He is just

0:31:07.440 --> 0:31:09.800
<v Speaker 1>for any of the soapy girlies. He was on All

0:31:09.840 --> 0:31:14.080
<v Speaker 1>My Children for twelve hundred and eight episodes, it has

0:31:14.120 --> 0:31:18.880
<v Speaker 1>on his IMDb, and and then I think he oh yeah,

0:31:18.880 --> 0:31:20.920
<v Speaker 1>and then he moved Young and the Restless in General Hospital.

0:31:21.000 --> 0:31:22.400
<v Speaker 3>But for me, he's Tad Martin.

0:31:22.840 --> 0:31:25.800
<v Speaker 1>Tad and Dixie were like the couple for me on

0:31:25.880 --> 0:31:27.760
<v Speaker 1>All my Children. They're like the Luke and Laura of

0:31:27.800 --> 0:31:30.120
<v Speaker 1>my all my of all my children for me, I

0:31:30.160 --> 0:31:32.640
<v Speaker 1>mean also All my Children also had Susan Lucci, who

0:31:32.640 --> 0:31:34.680
<v Speaker 1>I was like obsessed with, but like Tad and Dixie

0:31:34.720 --> 0:31:36.600
<v Speaker 1>were like the couple you were like rooting for on

0:31:36.680 --> 0:31:39.640
<v Speaker 1>All my children. So if anyone any Pine Valley heads

0:31:39.640 --> 0:31:42.840
<v Speaker 1>out there, this is him anyway.

0:31:42.640 --> 0:31:42.920
<v Speaker 3>Go on.

0:31:43.840 --> 0:31:46.240
<v Speaker 2>So to me to interrupt, I don't mind. I mean

0:31:46.280 --> 0:31:48.960
<v Speaker 2>it's good. He needs to get his flowers. He was

0:31:49.040 --> 0:31:52.120
<v Speaker 2>just the man. So I'm sure you got really excited.

0:31:52.960 --> 0:31:56.760
<v Speaker 2>They yeah, So they bring up that you know, we

0:31:56.840 --> 0:31:59.760
<v Speaker 2>know you were Jennifer's and we you know you were

0:31:59.800 --> 0:32:02.600
<v Speaker 2>her yelling, and then Sailor leans in and goes, oh,

0:32:02.600 --> 0:32:05.000
<v Speaker 2>I have didn't make you feel good beating a woman.

0:32:05.440 --> 0:32:08.080
<v Speaker 2>He denies it obviously, and he's like, what is what?

0:32:08.080 --> 0:32:10.240
<v Speaker 2>What was this about the door I'll pay for the

0:32:10.320 --> 0:32:13.520
<v Speaker 2>damn door. Sabor leans in again and like his hands

0:32:13.560 --> 0:32:17.400
<v Speaker 2>are on his knees and he goes, what set you off,

0:32:17.480 --> 0:32:22.800
<v Speaker 2>shoe boy, and he says she was going to file

0:32:22.840 --> 0:32:25.280
<v Speaker 2>a complaint with the boss of harassing her. And he's like,

0:32:25.320 --> 0:32:27.719
<v Speaker 2>I only asked her to dinner and they say, so

0:32:27.760 --> 0:32:30.720
<v Speaker 2>you murdered her, and his face is legit shocked, stun

0:32:30.760 --> 0:32:34.400
<v Speaker 2>and he goes what he turns to Benson like just

0:32:34.440 --> 0:32:39.440
<v Speaker 2>flabberg acid, She's dead. Yeah. Stabler does not like this attitude,

0:32:39.600 --> 0:32:41.960
<v Speaker 2>grabs him, pulls him up, slams him on the grates

0:32:41.960 --> 0:32:45.520
<v Speaker 2>of the window. He is scared as how you know, angry,

0:32:45.560 --> 0:32:48.640
<v Speaker 2>angry elliot and Benson you know mommy Mommy is like,

0:32:48.760 --> 0:32:51.920
<v Speaker 2>leave him alone. And so then he says she threw

0:32:51.960 --> 0:32:53.840
<v Speaker 2>me out around seven thirty, and they're like, you're a

0:32:53.840 --> 0:32:56.120
<v Speaker 2>fucking liar, and he goes, no, no, no, I was

0:32:56.160 --> 0:32:59.040
<v Speaker 2>already at the hospital by eight. So then he breathes

0:32:59.080 --> 0:33:01.400
<v Speaker 2>like a sigh of relief because he does know that

0:33:01.440 --> 0:33:04.320
<v Speaker 2>he has an alibi at this point. So Stabler releases

0:33:04.360 --> 0:33:06.280
<v Speaker 2>the grip just a little bit and they all run out.

0:33:06.520 --> 0:33:08.600
<v Speaker 2>Benson is like, bitch, what the hell are you doing.

0:33:08.880 --> 0:33:10.959
<v Speaker 2>Do you want to get sued? And he's rolling up

0:33:10.960 --> 0:33:13.960
<v Speaker 2>his sleeves and speed walking. She is so annoyed, but

0:33:14.120 --> 0:33:17.200
<v Speaker 2>again being mature, So then we had to mercy general

0:33:17.280 --> 0:33:20.040
<v Speaker 2>and what do we have here? David Steadman signed in

0:33:20.080 --> 0:33:24.200
<v Speaker 2>at seven forty seven just discharged. Ew I don't like

0:33:24.240 --> 0:33:28.760
<v Speaker 2>saying discharged. Discharge at twelve fifty two am. They ask

0:33:28.840 --> 0:33:31.080
<v Speaker 2>why it took so long, and it's because every time

0:33:31.120 --> 0:33:32.520
<v Speaker 2>he hit on the nurse, she put him on the

0:33:32.560 --> 0:33:33.360
<v Speaker 2>bottom of the list.

0:33:33.960 --> 0:33:36.000
<v Speaker 3>Love that doing the lord's work.

0:33:36.160 --> 0:33:39.680
<v Speaker 2>Stabler runs off again and guess what, put your money

0:33:39.720 --> 0:33:43.200
<v Speaker 2>on it. Benson's chasing him down the hallway and it's

0:33:43.240 --> 0:33:47.600
<v Speaker 2>like damn like I and in between them rushes in

0:33:47.640 --> 0:33:52.320
<v Speaker 2>a stretcher with EMTs and it's like we hear face pummeled,

0:33:52.360 --> 0:33:55.600
<v Speaker 2>five inch laceration to the throat. Benson on the phone

0:33:55.600 --> 0:33:58.360
<v Speaker 2>trying to hear something. Munch is on the line and

0:33:58.440 --> 0:34:01.040
<v Speaker 2>she's like, I think that person on this stretcher that's

0:34:01.160 --> 0:34:05.040
<v Speaker 2>victim number two. So they head on back and obviously

0:34:05.080 --> 0:34:07.239
<v Speaker 2>this was a commercial break, and so now we're at

0:34:07.240 --> 0:34:10.279
<v Speaker 2>the center board of the precinct. The second victim is

0:34:10.320 --> 0:34:13.560
<v Speaker 2>Celia Mitchum, she's twenty five, a teacher's aid, and the

0:34:13.680 --> 0:34:15.959
<v Speaker 2>landlord found her tucked into bed with all the same

0:34:16.000 --> 0:34:18.400
<v Speaker 2>details from the other crime. So they are looking at

0:34:18.480 --> 0:34:20.359
<v Speaker 2>ye capt to see if there's other crimes that fit

0:34:20.440 --> 0:34:23.640
<v Speaker 2>the mo because obviously he's like like when he was,

0:34:23.719 --> 0:34:26.319
<v Speaker 2>maybe more sloppy, because he's way too organized now. But

0:34:26.360 --> 0:34:29.200
<v Speaker 2>he's not a first timer. This is all according to Huang.

0:34:29.920 --> 0:34:33.160
<v Speaker 2>You know, he's like wine, chocolates, roses, that's all romance,

0:34:33.280 --> 0:34:36.040
<v Speaker 2>you know, white roses, that's a symbol of innocence, purity.

0:34:36.440 --> 0:34:40.080
<v Speaker 2>Huang's like, unfortunately, no woman fulfills his romantic fantasy, and

0:34:40.080 --> 0:34:42.920
<v Speaker 2>that's why he goes nuts. You know, he's frustrated and

0:34:42.960 --> 0:34:46.400
<v Speaker 2>it keeps escalating, and he studies these women. He knows them.

0:34:46.840 --> 0:34:50.160
<v Speaker 2>He's white educated, middle management and stabler. With his feet

0:34:50.200 --> 0:34:52.600
<v Speaker 2>up on the desks, goes, why didn't you pick up

0:34:52.640 --> 0:34:56.560
<v Speaker 2>any of this before? Huang goes, because a pattern didn't

0:34:56.600 --> 0:35:01.000
<v Speaker 2>emerge until the second victim, you fool. Quang thinks, such

0:35:01.000 --> 0:35:07.960
<v Speaker 2>a little bit, it's honestly just so annoying. Quang thinks, he's, uh, well, yeah,

0:35:07.960 --> 0:35:10.560
<v Speaker 2>it's like a bad trait, you know, like if you're

0:35:10.560 --> 0:35:11.160
<v Speaker 2>in a bad mood.

0:35:11.200 --> 0:35:13.680
<v Speaker 3>Everyone has to be in a bad mood. Yeah, that's

0:35:13.719 --> 0:35:14.280
<v Speaker 3>like annoying.

0:35:14.360 --> 0:35:20.759
<v Speaker 2>Yeah, bad quality exactly, Huang thinks. Now, Huang's like, I

0:35:20.760 --> 0:35:22.720
<v Speaker 2>bet he's been doing it like five to ten years.

0:35:22.760 --> 0:35:26.560
<v Speaker 2>And then we hear a new deep man voice. You'll

0:35:26.560 --> 0:35:29.080
<v Speaker 2>have to go hell of a lot further back than that.

0:35:29.840 --> 0:35:32.360
<v Speaker 2>And this man knows Elliott, and Elliott knows him, and

0:35:32.400 --> 0:35:34.960
<v Speaker 2>his name is John and he and he needs a

0:35:35.000 --> 0:35:38.360
<v Speaker 2>few minutes with Cragan. Craigan is expecting him. He's like,

0:35:38.400 --> 0:35:41.720
<v Speaker 2>Detective Hawkins, come this way. And then Craigan invites Elliott

0:35:41.760 --> 0:35:44.200
<v Speaker 2>to join the meeting as well, which is weird. Why

0:35:44.239 --> 0:35:47.200
<v Speaker 2>not Benson, you know, she's actually doing her job and

0:35:47.239 --> 0:35:49.600
<v Speaker 2>not being a big baby fit is like, who the

0:35:49.640 --> 0:35:50.160
<v Speaker 2>hell is that?

0:35:50.400 --> 0:35:54.640
<v Speaker 3>And Stanbler goes, what whyatt here? Right?

0:35:54.960 --> 0:35:57.439
<v Speaker 2>Yeah, but that's not his name? No, but that he's

0:35:57.480 --> 0:35:59.600
<v Speaker 2>making a joke. Why but what is that?

0:36:00.200 --> 0:36:03.480
<v Speaker 1>Wyatterup is like an outlaw or something? Right, Like I

0:36:03.480 --> 0:36:05.640
<v Speaker 1>think I don't know, Like, let me look. I think

0:36:05.640 --> 0:36:08.279
<v Speaker 1>it's like a reference to Yes, it's like a great question.

0:36:08.360 --> 0:36:10.759
<v Speaker 1>I've like literally been to bars called Wyerps and I

0:36:10.800 --> 0:36:13.480
<v Speaker 1>like don't really know who he was, like a cop,

0:36:13.560 --> 0:36:15.480
<v Speaker 1>but I think like he was a cop in like

0:36:15.520 --> 0:36:19.680
<v Speaker 1>the eighteen hundreds or the nineteen hundreds, No, the eighteen hundreds,

0:36:19.719 --> 0:36:25.080
<v Speaker 1>and I think he did like the Deadwood type time period,

0:36:25.200 --> 0:36:26.799
<v Speaker 1>you know, and then he I think was like a

0:36:26.840 --> 0:36:29.640
<v Speaker 1>cop that did things on his own, like like skirted

0:36:29.680 --> 0:36:30.880
<v Speaker 1>the rules and shit. You know.

0:36:31.680 --> 0:36:34.319
<v Speaker 2>Okay, okay, I think he's making that reference, but I

0:36:34.320 --> 0:36:37.480
<v Speaker 2>did have to google that. I don't so renegade cop

0:36:38.400 --> 0:36:43.160
<v Speaker 2>and so Craigan wants the door shut. Shit is getting real.

0:36:43.280 --> 0:36:48.759
<v Speaker 2>Stabler took this man's class at the academy. Hawkins goes, well,

0:36:48.800 --> 0:36:52.280
<v Speaker 2>do you remember the sohost strangler, and you know, Sabler's like, yeah,

0:36:52.400 --> 0:36:56.120
<v Speaker 2>Roger Berry early eighties beating raped his victims and then

0:36:56.160 --> 0:36:59.239
<v Speaker 2>strangle them, and Hawkins put him away. Well he's like,

0:36:59.239 --> 0:37:01.480
<v Speaker 2>well he's out. He was pearled six months ago. And

0:37:01.480 --> 0:37:05.200
<v Speaker 2>Stabler's like what. Stabler fights it immediately. It's like, well no,

0:37:05.320 --> 0:37:08.800
<v Speaker 2>because there was a knife, not strangling, and the Hawkins

0:37:08.840 --> 0:37:11.400
<v Speaker 2>is like yeah, but tucks into bed you know White Rose,

0:37:11.640 --> 0:37:13.640
<v Speaker 2>and Stabler says it, well, it could be a copycat,

0:37:14.160 --> 0:37:17.120
<v Speaker 2>you know. But we find out that information about the

0:37:17.160 --> 0:37:19.799
<v Speaker 2>White Rose was never revealed to the media. So then

0:37:19.840 --> 0:37:22.680
<v Speaker 2>Stable goes, yeah, but he was a biter, and it's like, duh,

0:37:22.719 --> 0:37:25.319
<v Speaker 2>he cut out the encircles in the skin so you

0:37:25.320 --> 0:37:28.840
<v Speaker 2>couldn't see the bites and do the dental records like

0:37:29.120 --> 0:37:33.920
<v Speaker 2>you fool I wrote a real noss ferratu on her hands. Okay,

0:37:34.040 --> 0:37:39.560
<v Speaker 2>So so now Stabler has to work with Hawkins. And

0:37:39.920 --> 0:37:42.200
<v Speaker 2>you know, I always love when they give Stabler a

0:37:42.200 --> 0:37:44.359
<v Speaker 2>man with an attitude that he has to deal with.

0:37:44.840 --> 0:37:48.719
<v Speaker 2>This has happened I think three times where they're like, oh,

0:37:48.800 --> 0:37:50.239
<v Speaker 2>you want to know what it's like to work with

0:37:50.280 --> 0:37:52.280
<v Speaker 2>an asshole, here you go.

0:37:53.840 --> 0:37:58.080
<v Speaker 3>And then he has to like learn this lesson. Sabler's livid.

0:37:58.160 --> 0:38:00.480
<v Speaker 2>He's like, oh, I need a babysitter and crays like

0:38:00.520 --> 0:38:04.080
<v Speaker 2>this is no reflection on you. Sibber says this isn't right,

0:38:05.760 --> 0:38:08.160
<v Speaker 2>but he has no choice. So Hawkins is addressing the

0:38:08.200 --> 0:38:11.760
<v Speaker 2>team and he goes, fuck, I missed one fucking parole

0:38:11.800 --> 0:38:15.080
<v Speaker 2>hearing and they let this lunatic out. Sailor comes out

0:38:15.120 --> 0:38:17.640
<v Speaker 2>and Ben goes, wow, you know a hawk's areal, take

0:38:17.719 --> 0:38:20.399
<v Speaker 2>charge kind of guy. So we know that his PO

0:38:20.480 --> 0:38:23.399
<v Speaker 2>has him working at a flower shop, so they're gonna

0:38:23.440 --> 0:38:27.440
<v Speaker 2>send Munch to the flower shop, and then the angry

0:38:27.480 --> 0:38:30.120
<v Speaker 2>boys are gonna go to the apartment. Benson's gonna go

0:38:30.160 --> 0:38:34.000
<v Speaker 2>meet up with the lab in forensics. Everyone is annoyed

0:38:34.000 --> 0:38:37.319
<v Speaker 2>by him, but they're following along and Benson is with

0:38:38.120 --> 0:38:40.160
<v Speaker 2>an emmy I've never seen in my life. And there's

0:38:40.200 --> 0:38:43.640
<v Speaker 2>no evidence on any of the romance items. They did, though,

0:38:43.719 --> 0:38:48.200
<v Speaker 2>find the same navy slip knot was used on both victims,

0:38:48.600 --> 0:38:52.000
<v Speaker 2>and they found a contact lens. It's for a twenty

0:38:52.239 --> 0:38:55.920
<v Speaker 2>over one point fifty prescription. So this guy was blind

0:38:55.960 --> 0:38:58.440
<v Speaker 2>on his way out, they said, at least in one eye.

0:38:58.920 --> 0:39:01.920
<v Speaker 2>But there's no DNA in the contact. But then they

0:39:01.960 --> 0:39:04.200
<v Speaker 2>did find a hair in the drains that did not

0:39:04.440 --> 0:39:08.799
<v Speaker 2>match either victim, but both hairs matched each other. So

0:39:08.920 --> 0:39:13.759
<v Speaker 2>that's huge, I mean, that's really yeah. So like if

0:39:13.760 --> 0:39:15.920
<v Speaker 2>there's one root on any of these hairs and we

0:39:15.960 --> 0:39:18.480
<v Speaker 2>get a DNA swab like from you know, when he

0:39:18.560 --> 0:39:21.040
<v Speaker 2>was paroled, we could all we could figure this all out.

0:39:21.320 --> 0:39:23.480
<v Speaker 2>We got to find this guy. So they're at the

0:39:23.520 --> 0:39:26.000
<v Speaker 2>apartment and the men are walking and Hawkins goes as

0:39:26.040 --> 0:39:28.799
<v Speaker 2>your partner always this friendly, and Sailor goes, oh no,

0:39:29.000 --> 0:39:34.200
<v Speaker 2>she just doesn't like you get him so they kick

0:39:34.280 --> 0:39:37.040
<v Speaker 2>the door down and there's you know, Sailor's like, well,

0:39:37.080 --> 0:39:39.279
<v Speaker 2>we don't have a warrant, and he goes, well, if

0:39:39.360 --> 0:39:41.719
<v Speaker 2>it's a pearle officer, the pearle officers can do what

0:39:41.760 --> 0:39:43.759
<v Speaker 2>they want. And he goes, well, I don't see a

0:39:43.760 --> 0:39:46.399
<v Speaker 2>parole officer around here, and he goes he'll be here,

0:39:46.560 --> 0:39:49.960
<v Speaker 2>doesn't matter, and it's just like this is so the

0:39:50.040 --> 0:39:52.480
<v Speaker 2>episode of Sex and the City when like Charlotte and

0:39:52.520 --> 0:39:56.279
<v Speaker 2>Samantha learn about like being in like suddenly he's the

0:39:56.320 --> 0:39:59.800
<v Speaker 2>guy that has to be like, wait, what about the rules.

0:40:00.000 --> 0:40:03.240
<v Speaker 2>It's like, yeah, you never follow the fucking roll. Saber

0:40:03.360 --> 0:40:05.800
<v Speaker 2>was like, are we sure this is even the apartment?

0:40:06.080 --> 0:40:09.160
<v Speaker 2>And you know, are like, Huang sat our dude, is

0:40:09.160 --> 0:40:10.719
<v Speaker 2>middle management meticulous.

0:40:10.840 --> 0:40:12.400
<v Speaker 3>That's not what this apartment is. Like.

0:40:12.440 --> 0:40:16.080
<v Speaker 2>This apartment is bear and messy and there's a lot

0:40:16.080 --> 0:40:19.880
<v Speaker 2>of paintings of tugboats and ferry boats and but the

0:40:19.880 --> 0:40:23.160
<v Speaker 2>bed has hospital corners. So that's meticulous. But I also

0:40:23.160 --> 0:40:26.399
<v Speaker 2>think that's trauma for them being in jail for eighteen years.

0:40:26.480 --> 0:40:29.960
<v Speaker 1>Right, I also do hospital corners, but you're right, jail trauma.

0:40:30.080 --> 0:40:32.440
<v Speaker 1>My mom made me do hospital corners. She was like

0:40:32.600 --> 0:40:34.279
<v Speaker 1>she always said about making a bed. She's like, if

0:40:34.320 --> 0:40:35.600
<v Speaker 1>you're not going to do it right, just don't even

0:40:35.640 --> 0:40:37.640
<v Speaker 1>do it. And I was like, okay, and I always

0:40:37.719 --> 0:40:39.239
<v Speaker 1>and she taught me to do hospital corners and I

0:40:39.239 --> 0:40:39.879
<v Speaker 1>always do them.

0:40:40.160 --> 0:40:41.120
<v Speaker 3>What does that even mean?

0:40:42.520 --> 0:40:45.680
<v Speaker 1>Basically, you take the sheet, you go underneath the back,

0:40:45.840 --> 0:40:48.640
<v Speaker 1>like the very bottom of the mattress, tuck it under.

0:40:48.760 --> 0:40:51.839
<v Speaker 1>Then you pull up the little corner and then tuck

0:40:51.920 --> 0:40:55.000
<v Speaker 1>it in so that it makes a little It's like,

0:40:55.120 --> 0:40:57.160
<v Speaker 1>if you don't do it, your sheets are just kind

0:40:57.160 --> 0:41:00.960
<v Speaker 1>of hanging like jagged at the point where you tuck

0:41:01.080 --> 0:41:03.520
<v Speaker 1>it under the very end. So this like tucks it

0:41:03.560 --> 0:41:06.000
<v Speaker 1>in really neat and makes it like a nice corner.

0:41:06.080 --> 0:41:06.480
<v Speaker 3>That's all.

0:41:08.080 --> 0:41:09.600
<v Speaker 1>And I've tried to teach Jared how to do it

0:41:09.640 --> 0:41:11.560
<v Speaker 1>about seventy five times and it's not sticking.

0:41:11.800 --> 0:41:13.759
<v Speaker 3>Can't you like cannot do it? He's like, how do

0:41:13.760 --> 0:41:14.040
<v Speaker 3>you do that?

0:41:14.080 --> 0:41:14.279
<v Speaker 5>Again?

0:41:14.320 --> 0:41:16.600
<v Speaker 1>I'm like, it's two things, it's two steps. You just

0:41:16.600 --> 0:41:24.600
<v Speaker 1>cannot figure it out. Weaponized incompetence anyway, So then we.

0:41:24.600 --> 0:41:29.040
<v Speaker 2>Find newspaper clippings of Celia and Jennifer. The pro officer

0:41:29.120 --> 0:41:32.040
<v Speaker 2>finally gets there and he's just like Crosstown traffics a

0:41:32.120 --> 0:41:34.959
<v Speaker 2>bitch and it is. So then they go to visit

0:41:34.960 --> 0:41:37.279
<v Speaker 2>his mother since he's not at home or at work,

0:41:37.280 --> 0:41:40.080
<v Speaker 2>and the mom's like, ugh you and he's like, yep,

0:41:40.160 --> 0:41:44.279
<v Speaker 2>miss Barry, it's me and he just loves being a

0:41:44.320 --> 0:41:47.480
<v Speaker 2>heel and she's not helping them, so leave her the

0:41:47.520 --> 0:41:50.880
<v Speaker 2>fuck alone. She's convinced he was railroaded. He is innocent.

0:41:51.239 --> 0:41:55.040
<v Speaker 2>The police still eighteen years from him. She's coughing and

0:41:55.239 --> 0:41:57.680
<v Speaker 2>like she's trying a garden and she can't now because

0:41:57.680 --> 0:42:00.040
<v Speaker 2>she's self flustered and she wants to be left alone.

0:42:00.160 --> 0:42:02.840
<v Speaker 2>She grabs an oxygen tank and like takes some breaths.

0:42:02.920 --> 0:42:06.120
<v Speaker 2>Hawkins says, if we find you hiding him again, we're

0:42:06.120 --> 0:42:08.799
<v Speaker 2>going to charge you with accessory after the fact, and

0:42:08.880 --> 0:42:11.640
<v Speaker 2>she says, you don't scare me, go to hell and

0:42:11.680 --> 0:42:15.279
<v Speaker 2>slams the door. Hawkins suggests, like, hey, let's go out

0:42:15.320 --> 0:42:18.320
<v Speaker 2>to eat. Roger used to always like eat at this place.

0:42:18.440 --> 0:42:18.799
<v Speaker 3>Let's go.

0:42:19.440 --> 0:42:21.799
<v Speaker 2>So they head to Charlie's Bar and grill and the

0:42:21.800 --> 0:42:25.000
<v Speaker 2>bartenders and a bunch of Svus Royalty. He was in

0:42:25.080 --> 0:42:32.359
<v Speaker 2>the episode Countdown Deception and Savior, So pretty exciting. Oh

0:42:32.400 --> 0:42:37.200
<v Speaker 2>the Misha Martin yeah, yes, yes, yes, Ray Andacelli, we

0:42:37.280 --> 0:42:41.720
<v Speaker 2>salute you and your work for SVU. So he knows Roger.

0:42:42.000 --> 0:42:44.120
<v Speaker 2>He's like, yeah, he gets a cheeseburger and a root beer.

0:42:44.600 --> 0:42:46.600
<v Speaker 2>And he started coming here like a few months ago.

0:42:47.080 --> 0:42:49.680
<v Speaker 2>And he's also very specific and can only sit at

0:42:49.680 --> 0:42:52.759
<v Speaker 2>one table and he'll even wait hours for it to

0:42:52.840 --> 0:42:55.359
<v Speaker 2>open up, and so we like hold it for him,

0:42:55.440 --> 0:42:57.680
<v Speaker 2>just like with a little sign. Why not, it doesn't

0:42:57.719 --> 0:43:01.080
<v Speaker 2>cost me any trouble. So the boys get burgers and

0:43:01.120 --> 0:43:05.600
<v Speaker 2>then Hawkins gets a double bourbon neat and uh, the

0:43:05.600 --> 0:43:08.560
<v Speaker 2>most stabler order bottle beer domestic.

0:43:10.480 --> 0:43:12.319
<v Speaker 3>I'm surprised he's even having a drink.

0:43:12.320 --> 0:43:14.360
<v Speaker 1>They've been offered a drink many many times on the

0:43:14.440 --> 0:43:19.880
<v Speaker 1>job before and they always are like, no, aer a

0:43:19.920 --> 0:43:23.319
<v Speaker 1>beer is barely anything, I guess yeah, And I think

0:43:23.360 --> 0:43:26.520
<v Speaker 1>he's just like had enough of dealing with this guy. Yeah,

0:43:26.600 --> 0:43:28.800
<v Speaker 1>but a double bourbon in the middle of the weekday,

0:43:29.880 --> 0:43:30.600
<v Speaker 1>that's tough.

0:43:30.600 --> 0:43:32.319
<v Speaker 3>It's kind of a wild move.

0:43:32.520 --> 0:43:34.880
<v Speaker 2>It also like I'm a jack on the rocks drinker

0:43:35.280 --> 0:43:38.319
<v Speaker 2>and like not with a burger, not for lunch, like

0:43:38.440 --> 0:43:43.480
<v Speaker 2>not with dinner, Like that's not that's a like drink

0:43:43.520 --> 0:43:47.400
<v Speaker 2>at a bar. That's not a dinner drink, right, But

0:43:48.040 --> 0:43:50.600
<v Speaker 2>he obviously has a problem. So they go back and

0:43:50.640 --> 0:43:53.239
<v Speaker 2>forth with some attitude. Then angry cop brings up the

0:43:53.239 --> 0:43:56.239
<v Speaker 2>grandfather rape case and they bond, and you know, he

0:43:56.320 --> 0:43:59.520
<v Speaker 2>tries to give stage advice, but Sadler's just way too haunted.

0:44:00.120 --> 0:44:03.239
<v Speaker 2>And so then Stabler is just so tired of losing.

0:44:03.320 --> 0:44:06.640
<v Speaker 2>And Roger does a toast and he says, all that's

0:44:06.680 --> 0:44:09.319
<v Speaker 2>required for evil to triumph is for good men to

0:44:09.400 --> 0:44:14.120
<v Speaker 2>do nothing. Here's to a few good men. Stabler's phone rings,

0:44:14.160 --> 0:44:17.200
<v Speaker 2>it's munch. Oh no, he has news. So then the

0:44:17.200 --> 0:44:20.160
<v Speaker 2>flower shop boss confirms that this dude did make a

0:44:20.200 --> 0:44:24.440
<v Speaker 2>delivery to Jennifer's apartment like the week before she was murdered,

0:44:24.760 --> 0:44:27.400
<v Speaker 2>and this is how he found his victims before he

0:44:27.480 --> 0:44:31.320
<v Speaker 2>was arrested too, like pre arrests. And so the burgers

0:44:31.360 --> 0:44:34.080
<v Speaker 2>come and they're like, wait, where is he? Like here's

0:44:34.160 --> 0:44:37.879
<v Speaker 2>saying he's always here, same time, same table, and he goes, oh, well,

0:44:37.880 --> 0:44:39.880
<v Speaker 2>sometimes he runs late. He gets caught up looking at

0:44:39.880 --> 0:44:43.080
<v Speaker 2>the boats on Peer forty one. So the men only

0:44:43.120 --> 0:44:45.480
<v Speaker 2>take one bite of the burger and they run without paying,

0:44:45.520 --> 0:44:46.600
<v Speaker 2>and the bartender's annoyed.

0:44:46.640 --> 0:44:48.200
<v Speaker 3>He's like wait, who's gonna pay for this?

0:44:48.880 --> 0:44:51.680
<v Speaker 2>And so they see his ass at the pier and

0:44:51.719 --> 0:44:54.680
<v Speaker 2>they separate and slowly walk towards him on either side

0:44:55.120 --> 0:44:58.920
<v Speaker 2>of the boardwalk. He's scared and kind of slow, and

0:44:59.080 --> 0:45:01.359
<v Speaker 2>so he has I rope around his neck and he

0:45:01.360 --> 0:45:03.520
<v Speaker 2>doesn't like, you know, he doesn't want to go back

0:45:03.560 --> 0:45:06.600
<v Speaker 2>to jail, and he tries to jump, but Stabler catches

0:45:06.680 --> 0:45:09.440
<v Speaker 2>him and he's like they're fighting. It's a lot of fighting.

0:45:09.760 --> 0:45:13.600
<v Speaker 2>The dude punches him and Stabler cuffs him. He's screaming,

0:45:13.800 --> 0:45:16.440
<v Speaker 2>you know no and crying and we're in cement room

0:45:16.520 --> 0:45:18.680
<v Speaker 2>bars and Roger does not want to talk to John

0:45:18.719 --> 0:45:21.959
<v Speaker 2>Hawkins one bit. And he goes the night before last,

0:45:22.000 --> 0:45:23.960
<v Speaker 2>where were you? And he's like, I was, you know,

0:45:24.000 --> 0:45:26.120
<v Speaker 2>with my mom on my birthday. I ate cake and

0:45:26.160 --> 0:45:28.440
<v Speaker 2>I went home. I was in bed by ten. He

0:45:28.480 --> 0:45:30.640
<v Speaker 2>says he doesn't know who Celia is, but he does

0:45:30.680 --> 0:45:34.960
<v Speaker 2>admit to delivering flowers to lots of nice ladies. Hawkins

0:45:35.040 --> 0:45:37.480
<v Speaker 2>is like, yeah, and then you killed this one and

0:45:37.520 --> 0:45:39.759
<v Speaker 2>he's like, no, I did not. I just don't see

0:45:39.800 --> 0:45:42.239
<v Speaker 2>him getting away with the crimes. Like I'm looking at

0:45:42.280 --> 0:45:48.640
<v Speaker 2>this man and I just don't see it. So, so

0:45:48.760 --> 0:45:51.080
<v Speaker 2>why did he have the newspaper clippings And he's like, well,

0:45:51.080 --> 0:45:53.279
<v Speaker 2>my mom gave them to me. My mom told me

0:45:53.320 --> 0:45:54.960
<v Speaker 2>to be careful because you were going to try to

0:45:55.000 --> 0:45:57.600
<v Speaker 2>put me back in jail. And Sailor goes, hey, you're

0:45:57.640 --> 0:45:59.080
<v Speaker 2>not going to go back to jail if you didn't

0:45:59.120 --> 0:46:02.200
<v Speaker 2>do it, and he goes, Nope, you're gonna lie. That's

0:46:02.200 --> 0:46:04.960
<v Speaker 2>like he lied last time, and Hawkins goes, oh, here

0:46:05.000 --> 0:46:08.640
<v Speaker 2>we go. Rogers is like, you know, Hawkins said if

0:46:08.680 --> 0:46:10.520
<v Speaker 2>I signed the papers, I could go home.

0:46:11.280 --> 0:46:12.120
<v Speaker 3>And Hawkins is.

0:46:12.080 --> 0:46:14.880
<v Speaker 2>Screaming, and Roger gets fed up and flips the table

0:46:15.040 --> 0:46:17.640
<v Speaker 2>and Hawkins and Stabler like against the wall.

0:46:17.680 --> 0:46:18.480
<v Speaker 3>Oh my god.

0:46:18.880 --> 0:46:22.480
<v Speaker 2>Hawkins like puts him against the wall starts slapping him

0:46:22.480 --> 0:46:25.560
<v Speaker 2>in the face, and this guy starts crying for his mom,

0:46:26.200 --> 0:46:29.360
<v Speaker 2>and he goes, your mama can't help you now, boy,

0:46:30.800 --> 0:46:33.279
<v Speaker 2>and then he threatens the needle in his arm, and

0:46:33.320 --> 0:46:35.640
<v Speaker 2>at this point, Roger was crying so hard and he

0:46:35.719 --> 0:46:37.759
<v Speaker 2>slides down the wall to the ground and goes, I

0:46:37.800 --> 0:46:42.040
<v Speaker 2>want my mom. Stabler's like staring at him like, oh

0:46:42.080 --> 0:46:45.400
<v Speaker 2>my god, what about Like this is so then Benson's

0:46:45.400 --> 0:46:47.680
<v Speaker 2>telling Hawkins, we gotta cut him loose. We have nothing

0:46:47.760 --> 0:46:50.440
<v Speaker 2>on him, and you know John has pissed. Of course,

0:46:50.800 --> 0:46:53.839
<v Speaker 2>so then Benson's stablor Cragan in Cabot. They're like all

0:46:53.880 --> 0:46:56.839
<v Speaker 2>together around Craigan's desk and it's like a like a

0:46:56.840 --> 0:47:00.319
<v Speaker 2>Sistine chapel painting, you know, and trigger warning.

0:47:00.360 --> 0:47:01.840
<v Speaker 3>I'm gonna say a word, Gregan says.

0:47:01.880 --> 0:47:04.719
<v Speaker 2>But Craigan like leans in and goes the guy is

0:47:04.760 --> 0:47:09.040
<v Speaker 2>borderline retarded. And then Roger's like, oh, no, he's smarter

0:47:09.120 --> 0:47:12.080
<v Speaker 2>than you think, and it's like, no, he's not, Like

0:47:12.280 --> 0:47:15.239
<v Speaker 2>what are you talking about. There's no fucking way this

0:47:15.280 --> 0:47:19.280
<v Speaker 2>guy committed this crime like with with no like leaving

0:47:19.360 --> 0:47:21.920
<v Speaker 2>no evidence and the incision marks and like.

0:47:21.920 --> 0:47:24.439
<v Speaker 1>The unless he's like unless he's pulling like an Edward

0:47:24.520 --> 0:47:27.400
<v Speaker 1>Norton primal fear. This man does not know how to

0:47:27.400 --> 0:47:30.520
<v Speaker 1>commit crimes. Wait, did you see that for movie Snake?

0:47:30.560 --> 0:47:32.880
<v Speaker 2>I got top one percent of players for the Edward

0:47:32.920 --> 0:47:37.920
<v Speaker 2>Norton game. Ooh congratulations, that's a time to shine. I

0:47:37.960 --> 0:47:42.360
<v Speaker 2>mean I was just yeah, so rob, so this guy's like,

0:47:42.960 --> 0:47:44.960
<v Speaker 2>let me just go at him alone. I'll get him,

0:47:45.000 --> 0:47:47.080
<v Speaker 2>don't you worry, And they're like no. His mom reached

0:47:47.120 --> 0:47:49.279
<v Speaker 2>out to legal aid and he's lawyered up. I think

0:47:49.280 --> 0:47:53.800
<v Speaker 2>they are. They're going to cancel legal aids soon. So

0:47:53.800 --> 0:47:55.759
<v Speaker 2>so they're like, you need to back up, like he

0:47:56.160 --> 0:47:58.000
<v Speaker 2>has a lawyer, and he runs out of the squad.

0:47:58.040 --> 0:48:00.759
<v Speaker 2>He's like so upset. Stammler's like, wait, but this is

0:48:00.840 --> 0:48:03.160
<v Speaker 2>like fucked up. The signature was never released. How can

0:48:03.200 --> 0:48:05.239
<v Speaker 2>this be a copycat or someone and they're and then

0:48:05.239 --> 0:48:08.080
<v Speaker 2>they're like, oh, Roger was never the fucking guy. The

0:48:08.160 --> 0:48:10.960
<v Speaker 2>SOHO strangler has been around this whole time, and now

0:48:11.000 --> 0:48:13.400
<v Speaker 2>he gets to come back because this guy's out of jail,

0:48:13.440 --> 0:48:15.880
<v Speaker 2>like duh, And so we got to get to the

0:48:15.920 --> 0:48:18.200
<v Speaker 2>file room to get information on the old case so

0:48:18.239 --> 0:48:21.480
<v Speaker 2>we can like get to work. Benson's like, uugh. He

0:48:21.560 --> 0:48:24.319
<v Speaker 2>will never accept that he did something wrong, especially if

0:48:24.320 --> 0:48:27.480
<v Speaker 2>a woman tells him. And Saber goes, yeah, he's old school,

0:48:27.520 --> 0:48:31.200
<v Speaker 2>and Benson goes, no, I think he's a drunk. So

0:48:31.360 --> 0:48:34.319
<v Speaker 2>then she was calling other cops to get gossip and

0:48:34.360 --> 0:48:36.080
<v Speaker 2>that nobody wants to ride with him.

0:48:36.120 --> 0:48:37.160
<v Speaker 3>Everyone hates him.

0:48:37.640 --> 0:48:39.680
<v Speaker 2>And then guess what when they get to the files,

0:48:39.680 --> 0:48:41.960
<v Speaker 2>they've already been checked out by Hawkins.

0:48:42.080 --> 0:48:42.759
<v Speaker 3>Holy shit.

0:48:43.160 --> 0:48:45.440
<v Speaker 2>He checks everything out to cover his ass because he

0:48:45.520 --> 0:48:47.360
<v Speaker 2>knows he puts a man in jail that did not

0:48:47.440 --> 0:48:50.680
<v Speaker 2>commit the crime. So Stabler goes to his house and

0:48:52.200 --> 0:48:54.879
<v Speaker 2>the tape of the confession is playing. So this man

0:48:54.960 --> 0:48:58.600
<v Speaker 2>is not doing well. Roger is sitting listening to the confession.

0:48:58.800 --> 0:49:02.840
<v Speaker 2>Boxes and papers and everywhere, empty bottles of booze, framed

0:49:02.840 --> 0:49:05.840
<v Speaker 2>photos of a family who probably doesn't speak to him anymore.

0:49:06.360 --> 0:49:10.200
<v Speaker 3>So he admits he was wrong.

0:49:10.840 --> 0:49:13.640
<v Speaker 2>Stadler says, don't worry, We're gonna get this guy, and

0:49:13.719 --> 0:49:16.359
<v Speaker 2>Hawkins goes up to get another bottle of booze. So

0:49:16.400 --> 0:49:18.319
<v Speaker 2>he starts like giving the backstory. He goes at the

0:49:18.320 --> 0:49:21.160
<v Speaker 2>time of the case. You know, he'd only had his

0:49:21.200 --> 0:49:23.520
<v Speaker 2>shields for one year, but he wanted to show off

0:49:23.560 --> 0:49:25.759
<v Speaker 2>and show everyone what a kick ass cop he could be.

0:49:26.520 --> 0:49:29.240
<v Speaker 2>And he saw the flower delivery guy and he searched

0:49:29.239 --> 0:49:31.879
<v Speaker 2>the truck and he found out like porno and creepy shit.

0:49:32.360 --> 0:49:34.799
<v Speaker 3>He got him to confess. He just wanted it so bad.

0:49:34.840 --> 0:49:37.200
<v Speaker 2>He grilled him over and over and over again to

0:49:37.239 --> 0:49:39.560
<v Speaker 2>the point where he convinced him that he fucking did

0:49:39.600 --> 0:49:42.719
<v Speaker 2>it and fed him every single detail, and then he

0:49:42.760 --> 0:49:44.279
<v Speaker 2>lied and said, if he signed this, you can go

0:49:44.320 --> 0:49:46.520
<v Speaker 2>home to your mom. And then he goes the poor

0:49:46.600 --> 0:49:48.239
<v Speaker 2>dumb son of a bitch believed me.

0:49:48.920 --> 0:49:51.520
<v Speaker 1>It reminds me so much of Brendan Dacy, like what

0:49:51.640 --> 0:49:54.040
<v Speaker 1>happened in making a murderer? Like they just brought in

0:49:54.080 --> 0:49:57.200
<v Speaker 1>this like kid, and they kept him there for so long,

0:49:57.239 --> 0:49:58.560
<v Speaker 1>and they were just like if you go home, if

0:49:58.600 --> 0:50:00.000
<v Speaker 1>you go home, you can go home if you signed

0:50:00.080 --> 0:50:01.640
<v Speaker 1>this shit, Like it's so crazy.

0:50:02.400 --> 0:50:06.360
<v Speaker 3>I hate that. I like, I ough, yeah, like solve

0:50:06.400 --> 0:50:07.240
<v Speaker 3>the crime. Okay.

0:50:07.280 --> 0:50:09.399
<v Speaker 2>So Sailor's like, you have a chance to make things right.

0:50:09.840 --> 0:50:12.600
<v Speaker 2>He goes, I took eighteen years from an innocent man.

0:50:13.160 --> 0:50:15.880
<v Speaker 1>It's just occurring to him now, like it's it's just

0:50:15.920 --> 0:50:17.960
<v Speaker 1>occurring to him that maybe this got like that he

0:50:18.000 --> 0:50:20.840
<v Speaker 1>did this wrong thing, Like it's fine to be like, oh,

0:50:20.920 --> 0:50:22.680
<v Speaker 1>I was a young dumb ass. I was looking for

0:50:22.840 --> 0:50:25.440
<v Speaker 1>valor when I was younger, and now I'm it's eighteen

0:50:25.480 --> 0:50:27.239
<v Speaker 1>years later and I've never gone back to be like, oh,

0:50:27.239 --> 0:50:28.600
<v Speaker 1>by the way, I think I might have fucked up

0:50:28.600 --> 0:50:29.160
<v Speaker 1>this case.

0:50:29.280 --> 0:50:31.879
<v Speaker 2>Like it's so I don't know, know, I think that's

0:50:31.880 --> 0:50:35.879
<v Speaker 2>why he's a boozhound. Yeah he's drinking away the doubt

0:50:35.920 --> 0:50:39.319
<v Speaker 2>the shit. Yeah, yeah, Sabler gives him a speech. John

0:50:39.320 --> 0:50:42.759
<v Speaker 2>looks motivated but drunk. So they're gonna go through the

0:50:42.760 --> 0:50:45.719
<v Speaker 2>papers and they're just gonna do old fashioned police work.

0:50:46.640 --> 0:50:50.759
<v Speaker 2>Sabler asks Arthur Blessard, and Hawkins goes, oh, yeah, one

0:50:50.760 --> 0:50:54.040
<v Speaker 2>of the neighbors that I did Roger, and Sailor goes, well,

0:50:54.040 --> 0:50:57.800
<v Speaker 2>that name was an an Chilsholm's date book three weeks

0:50:57.800 --> 0:51:00.840
<v Speaker 2>before she was murdered, so she as an appointment with

0:51:00.920 --> 0:51:04.920
<v Speaker 2>a taxman named ab Holy shit. And then back in

0:51:04.960 --> 0:51:08.080
<v Speaker 2>the day, Hawkins used to sketch faces to keep like

0:51:08.120 --> 0:51:10.399
<v Speaker 2>all the interviews straight in his head. So he goes

0:51:10.440 --> 0:51:12.920
<v Speaker 2>through the old notebook and finds it and says, this

0:51:13.000 --> 0:51:15.920
<v Speaker 2>dude was blind as a bat, holy shit, and like

0:51:15.960 --> 0:51:19.000
<v Speaker 2>he had these thick glasses in the drawing, and they're

0:51:19.040 --> 0:51:21.680
<v Speaker 2>like that could be like the contact from Celia's floor

0:51:22.160 --> 0:51:26.280
<v Speaker 2>vision problems. To me, the contact thing is a stretch,

0:51:26.480 --> 0:51:27.680
<v Speaker 2>like I don't know.

0:51:28.239 --> 0:51:28.719
<v Speaker 3>Yeah.

0:51:28.960 --> 0:51:30.919
<v Speaker 1>Also, it feels like this is like a place where

0:51:30.920 --> 0:51:33.480
<v Speaker 1>they also would have figured out like who's left handed,

0:51:34.200 --> 0:51:36.560
<v Speaker 1>but they just caught it out or something, and that's

0:51:36.560 --> 0:51:39.200
<v Speaker 1>why it's like at the beginning, you know.

0:51:39.360 --> 0:51:42.360
<v Speaker 2>And so we're back at the office and since Roger

0:51:42.480 --> 0:51:45.280
<v Speaker 2>was in prison. Like twelve more crimes in five different

0:51:45.320 --> 0:51:49.160
<v Speaker 2>cities did happen, so he really fucked up, and twelve

0:51:49.200 --> 0:51:52.040
<v Speaker 2>women are dead because he was like wanting to do

0:51:52.120 --> 0:51:56.359
<v Speaker 2>selfish police work and be cool. So that's really And

0:51:56.400 --> 0:51:59.040
<v Speaker 2>like the cities of all the places where the crimes

0:51:59.040 --> 0:52:03.719
<v Speaker 2>occurred match up with Arthur Blessard's employment history, so they

0:52:03.719 --> 0:52:07.160
<v Speaker 2>could place him at seven of those murders. Chicago's where

0:52:07.160 --> 0:52:10.239
<v Speaker 2>he started cutting out the bite marks. Atlanta is where

0:52:10.239 --> 0:52:14.319
<v Speaker 2>he started slitting throats. Every case matches his signature, and

0:52:14.360 --> 0:52:17.080
<v Speaker 2>then Hawkins comes in and goes and now he works

0:52:17.160 --> 0:52:20.719
<v Speaker 2>at twenty six Federal Plaza. He's in New York and

0:52:20.760 --> 0:52:24.759
<v Speaker 2>he works for the IRS. So they go over to

0:52:24.760 --> 0:52:28.719
<v Speaker 2>the RS and so Celia and Jennifer Files are in

0:52:28.800 --> 0:52:32.040
<v Speaker 2>his office. He was using the IRS as a dating

0:52:32.080 --> 0:52:35.440
<v Speaker 2>service and in his date book there's a time like

0:52:35.480 --> 0:52:37.800
<v Speaker 2>it says a woman's name, five PM and their meeting

0:52:37.840 --> 0:52:40.400
<v Speaker 2>and it's four forty five. They have to go now,

0:52:41.000 --> 0:52:43.680
<v Speaker 2>so they rush and they hear a glass shattering. Inside

0:52:43.680 --> 0:52:45.799
<v Speaker 2>they find this loser. They throw him up against the

0:52:45.800 --> 0:52:49.320
<v Speaker 2>wall and they arrest his ass. Benson is talking to Beverly,

0:52:49.360 --> 0:52:51.160
<v Speaker 2>the woman who is about to be murdered.

0:52:51.239 --> 0:52:52.600
<v Speaker 3>We can presume he.

0:52:52.640 --> 0:52:55.960
<v Speaker 2>Contacted her about irregularities on her tax return. She went

0:52:56.000 --> 0:52:57.879
<v Speaker 2>to the office. He was really nice and they worked

0:52:57.880 --> 0:53:02.239
<v Speaker 2>on her taxes. Is that a thing that the IRL does? No,

0:53:03.080 --> 0:53:04.680
<v Speaker 2>you cannot get through to the IRS.

0:53:04.719 --> 0:53:06.480
<v Speaker 1>And I don't think the IRS is ever trying to

0:53:06.520 --> 0:53:09.560
<v Speaker 1>help you, Like, I don't think the IRS is ever Like, hey,

0:53:09.680 --> 0:53:12.120
<v Speaker 1>what happens if you have irregularities on your taxes? Is

0:53:12.160 --> 0:53:14.200
<v Speaker 1>they just like fine you and fuck you? You know,

0:53:14.360 --> 0:53:16.319
<v Speaker 1>like they're not like, come on in, let's work this out.

0:53:16.520 --> 0:53:19.880
<v Speaker 3>Like no. But so then she goes, this is even stranger.

0:53:19.960 --> 0:53:22.720
<v Speaker 2>She goes, I had moved from Ithaca and I couldn't

0:53:22.760 --> 0:53:28.760
<v Speaker 2>fly my accountant out Like what, yeah, I guess people

0:53:28.800 --> 0:53:31.120
<v Speaker 2>are were there not even fax machines at this point?

0:53:31.120 --> 0:53:35.040
<v Speaker 2>What are we I know about fax machines in a phone?

0:53:35.600 --> 0:53:38.040
<v Speaker 2>Oh yeah, I couldn't afford to fly my accountant down

0:53:38.040 --> 0:53:38.719
<v Speaker 2>from Ithaca.

0:53:38.880 --> 0:53:43.799
<v Speaker 3>What. I just think that's season three to even be.

0:53:44.120 --> 0:53:46.640
<v Speaker 1>To be an option of I'm flying my accountant in

0:53:46.920 --> 0:53:47.480
<v Speaker 1>is crazy?

0:53:47.640 --> 0:53:50.560
<v Speaker 2>Yeah, So you offer to take her to lunch. So

0:53:50.680 --> 0:53:53.080
<v Speaker 2>then while she's at work, he gets a call. She

0:53:53.120 --> 0:53:55.560
<v Speaker 2>gets a call from him saying that he accidentally double

0:53:55.600 --> 0:53:58.040
<v Speaker 2>booked and wanted to make it up to her by

0:53:58.040 --> 0:54:01.560
<v Speaker 2>taking her to dinner, and he then but it cuts back,

0:54:01.560 --> 0:54:03.560
<v Speaker 2>so now it cuts to cement room bars. So now

0:54:03.600 --> 0:54:05.759
<v Speaker 2>we're going from woodroom blinds with her to cement room

0:54:05.800 --> 0:54:08.279
<v Speaker 2>bars with him. And he's like, oh, dinner was her

0:54:08.360 --> 0:54:11.959
<v Speaker 2>idea and she goes, well, things started getting weird, lots

0:54:11.960 --> 0:54:14.680
<v Speaker 2>of questions about my personal life. And tonight he showed

0:54:14.719 --> 0:54:18.319
<v Speaker 2>up at my apartment with flowers and she didn't want

0:54:18.320 --> 0:54:20.080
<v Speaker 2>to let him in, but thought that she had to,

0:54:20.239 --> 0:54:22.600
<v Speaker 2>you know, let him down gently for tax reasons, so

0:54:22.680 --> 0:54:24.920
<v Speaker 2>he didn't fuck her in the audit. So now we

0:54:24.960 --> 0:54:27.520
<v Speaker 2>have a chat session in the center room. Finn says

0:54:27.520 --> 0:54:29.879
<v Speaker 2>that they searched his apartment and found a contact case

0:54:29.920 --> 0:54:33.040
<v Speaker 2>with a single contact, so he hasn't gotten new contacts.

0:54:33.080 --> 0:54:35.480
<v Speaker 2>Like all of these don't make sense, like or like what,

0:54:35.719 --> 0:54:39.759
<v Speaker 2>So now he's just been blind this whole time. So

0:54:39.880 --> 0:54:43.720
<v Speaker 2>then he also has a flower receipt to the store.

0:54:44.160 --> 0:54:47.160
<v Speaker 2>He was setting up Roger with those flowers, and he

0:54:47.200 --> 0:54:49.279
<v Speaker 2>did lawyer up, so they can't like talk to him

0:54:49.320 --> 0:54:51.680
<v Speaker 2>right now, but you know, we have to find out

0:54:51.719 --> 0:54:53.879
<v Speaker 2>how we can keep him. We have to figure out

0:54:53.880 --> 0:54:56.160
<v Speaker 2>how to make a case so he does not go home.

0:54:56.680 --> 0:54:58.800
<v Speaker 2>So instead of the new murders, how about we relook

0:54:58.840 --> 0:55:01.239
<v Speaker 2>at the old stuff and see, like when he was

0:55:01.320 --> 0:55:03.959
<v Speaker 2>less experienced, if he fucked up and find some old

0:55:04.000 --> 0:55:07.040
<v Speaker 2>crime evidence. So we find some DNA, but it's a

0:55:07.040 --> 0:55:09.440
<v Speaker 2>mix of two DNA. Oh this is so this is

0:55:09.440 --> 0:55:13.040
<v Speaker 2>honestly the craziest episode. It's like all of these tropes

0:55:13.120 --> 0:55:16.239
<v Speaker 2>all together. They don't make sense, Like nothing makes sense.

0:55:16.280 --> 0:55:18.520
<v Speaker 2>So basically they find DNA, but it's a mix of

0:55:18.640 --> 0:55:21.440
<v Speaker 2>two DNAs. So they have to separate the DNA with

0:55:21.520 --> 0:55:25.440
<v Speaker 2>the victim and then like the suspect. So we need

0:55:25.520 --> 0:55:27.879
<v Speaker 2>to but she's been buried for eighteen years, so we're

0:55:27.960 --> 0:55:29.200
<v Speaker 2>gonna dig her up.

0:55:29.719 --> 0:55:30.560
<v Speaker 3>We're gonna digger up.

0:55:30.560 --> 0:55:32.440
<v Speaker 2>We're not gonna get an old hair brush or clothes

0:55:32.520 --> 0:55:34.800
<v Speaker 2>or like see if the parents have something, we're gonna

0:55:34.840 --> 0:55:38.239
<v Speaker 2>go straight to. Let's dig her up so we can

0:55:38.320 --> 0:55:40.960
<v Speaker 2>separate these DNAs. So they cut to two people that

0:55:41.000 --> 0:55:44.480
<v Speaker 2>look like American Gothic. They say no, They're like, let

0:55:44.560 --> 0:55:47.160
<v Speaker 2>Marsha rest in peace. But they try to convince her,

0:55:47.200 --> 0:55:49.279
<v Speaker 2>and Hawkins is like, we know how difficult this is

0:55:49.320 --> 0:55:52.400
<v Speaker 2>for you, and she says, no, you don't and that

0:55:52.600 --> 0:55:55.200
<v Speaker 2>is true, like fuck you, Hawkins, and then you know,

0:55:55.239 --> 0:55:58.520
<v Speaker 2>they plead with her, and they finally do convince the parents.

0:55:58.960 --> 0:56:02.040
<v Speaker 2>So we see this casket getting pulled up from the ground.

0:56:02.400 --> 0:56:05.720
<v Speaker 2>They got what they needed, they separate the DNA matches.

0:56:05.760 --> 0:56:08.800
<v Speaker 2>So then they go to arrest him. They hear noises inside.

0:56:09.080 --> 0:56:11.640
<v Speaker 2>They break down the door like all guns open, they

0:56:11.680 --> 0:56:15.880
<v Speaker 2>spin around, windows open. He's climbing up on the fire escape,

0:56:16.200 --> 0:56:19.120
<v Speaker 2>so Hawkins climbs up and then Stabler follows as well.

0:56:19.840 --> 0:56:21.840
<v Speaker 2>It's strange to climb up and not down for a

0:56:21.840 --> 0:56:24.239
<v Speaker 2>guilty man, but okay, So now we're on the roof

0:56:24.280 --> 0:56:27.640
<v Speaker 2>and there's a chase. Stabler finally finds them. Arthur is

0:56:27.680 --> 0:56:30.680
<v Speaker 2>hanging off the roof. John Hawkins is standing over him,

0:56:30.719 --> 0:56:34.200
<v Speaker 2>beauty in the Beast style, and he's gripping and like begging,

0:56:35.000 --> 0:56:38.080
<v Speaker 2>and Hawkins is stepping on his hands and Sailor's like,

0:56:38.160 --> 0:56:41.200
<v Speaker 2>don't do it, and the man is screaming. Hawkins is

0:56:41.239 --> 0:56:45.040
<v Speaker 2>thinking Stabler's watching. They pull his ass up together and

0:56:45.200 --> 0:56:47.239
<v Speaker 2>Hawkins is like, you're gonna let an old drunk man

0:56:47.320 --> 0:56:47.920
<v Speaker 2>do the salon?

0:56:48.040 --> 0:56:48.880
<v Speaker 3>Or are you're gonna help me?

0:56:49.040 --> 0:56:51.839
<v Speaker 2>So then they pull his ass up together, they put

0:56:51.880 --> 0:56:55.000
<v Speaker 2>the hardware on his ass, and then yeah, they read

0:56:55.040 --> 0:56:58.879
<v Speaker 2>him his rights. Dick wolf Baby. Honestly, like such an

0:56:58.880 --> 0:57:01.759
<v Speaker 2>interesting story. I wish this was like a season seven

0:57:01.840 --> 0:57:04.080
<v Speaker 2>episode because there's too many crazy things.

0:57:04.960 --> 0:57:07.240
<v Speaker 3>Yeah, sometimes there's.

0:57:07.120 --> 0:57:10.960
<v Speaker 2>Digging, the body, the left hand thing, the contact, like,

0:57:11.320 --> 0:57:13.879
<v Speaker 2>I don't know, it's just it's a lot of goofiness.

0:57:14.000 --> 0:57:18.520
<v Speaker 3>But such a good story. Yeah, yeah, for sure.

0:57:18.640 --> 0:57:22.040
<v Speaker 1>And you know, sadly based on a couple of real things,

0:57:23.400 --> 0:57:33.240
<v Speaker 1>which we will get into now. This is based on

0:57:33.240 --> 0:57:34.720
<v Speaker 1>a couple cases. So the first one I'm going to

0:57:34.800 --> 0:57:37.920
<v Speaker 1>talk about is the Albert de Salvo case, who was

0:57:38.000 --> 0:57:40.160
<v Speaker 1>also known as the Boston Strangler.

0:57:40.640 --> 0:57:42.960
<v Speaker 3>So in Boston this is like famous.

0:57:43.040 --> 0:57:48.520
<v Speaker 1>No, I there's other stranglers, the Hillside Strangler, there's like

0:57:48.560 --> 0:57:49.160
<v Speaker 1>other ones.

0:57:49.360 --> 0:57:50.919
<v Speaker 3>So I don't know how famous this.

0:57:50.840 --> 0:57:56.800
<v Speaker 1>One is because it's from like the sixties. And yeah,

0:57:56.800 --> 0:57:59.440
<v Speaker 1>it's from the sixties, so I don't know. But I

0:57:59.720 --> 0:58:01.880
<v Speaker 1>would say, like the majority of the big ones we've

0:58:01.880 --> 0:58:04.360
<v Speaker 1>heard over like seventies, eighties, but this one's like earlier,

0:58:04.400 --> 0:58:06.960
<v Speaker 1>so I don't know. But inn eighteen month period in

0:58:07.040 --> 0:58:11.280
<v Speaker 1>Boston between nineteen sixty two and nineteen sixty four, so

0:58:11.480 --> 0:58:14.600
<v Speaker 1>eighteen months, like a very short period of thirteen single

0:58:14.640 --> 0:58:20.200
<v Speaker 1>women are found murdered strangemen also thirteen in an eighteen

0:58:20.200 --> 0:58:24.800
<v Speaker 1>month period, which is a lot Strangely, the victims range

0:58:24.800 --> 0:58:27.840
<v Speaker 1>in age from like nineteen to eighty five, like they're

0:58:27.880 --> 0:58:31.600
<v Speaker 1>from different socio economic backgrounds, different races, like which is

0:58:31.720 --> 0:58:34.200
<v Speaker 1>you know, weird, Like most of these guys have like

0:58:34.200 --> 0:58:37.200
<v Speaker 1>a type or like an mo or whatever. So most

0:58:37.200 --> 0:58:39.880
<v Speaker 1>of the victims were sexually assaulted and strangled in their apartments,

0:58:40.200 --> 0:58:42.440
<v Speaker 1>though the eldest victim did die of a heart attack.

0:58:42.880 --> 0:58:45.880
<v Speaker 1>At two were fatally stabbed. One was also horribly beaten.

0:58:45.920 --> 0:58:47.720
<v Speaker 1>I mean, they're obviously getting a lot of the details

0:58:47.760 --> 0:58:51.280
<v Speaker 1>for the episode from this. The last victim was also

0:58:51.320 --> 0:58:54.480
<v Speaker 1>the youngest, nineteen year old Mary Sullivan, found murdered in

0:58:54.480 --> 0:58:57.400
<v Speaker 1>her apartment on Charles Street in Beacon Hill, where you

0:58:57.440 --> 0:59:00.240
<v Speaker 1>and I have been together at my friend's mother's place

0:59:00.360 --> 0:59:04.360
<v Speaker 1>is three blocks from where this happened. There was no

0:59:04.400 --> 0:59:07.640
<v Speaker 1>sign of force entry at any of the crime scenes,

0:59:07.720 --> 0:59:10.120
<v Speaker 1>meaning the victims either knew their killer or he was

0:59:10.160 --> 0:59:13.640
<v Speaker 1>perhaps like a service person coming to repair something and

0:59:13.720 --> 0:59:16.000
<v Speaker 1>authorities were looking for a single killer.

0:59:16.000 --> 0:59:17.560
<v Speaker 3>They did not think he worked with anybody.

0:59:18.440 --> 0:59:22.000
<v Speaker 1>Even though this string of murders was amply covered in

0:59:22.000 --> 0:59:24.960
<v Speaker 1>the media, the cops were not close to catching him,

0:59:25.000 --> 0:59:27.600
<v Speaker 1>like they had no idea who this was. Meanwhile, in

0:59:27.720 --> 0:59:30.720
<v Speaker 1>late nineteen sixty four, the Boston police were trying to

0:59:30.760 --> 0:59:33.320
<v Speaker 1>solve a bunch of rapes that had been committed by

0:59:33.360 --> 0:59:36.080
<v Speaker 1>a purp that they called the Measuring Man, which, if

0:59:36.120 --> 0:59:39.720
<v Speaker 1>you remember the episode or just look like one, was

0:59:40.000 --> 0:59:43.720
<v Speaker 1>what they nicknamed this guy who would pretend that he

0:59:43.840 --> 0:59:45.800
<v Speaker 1>was a modeling scout to lure women and then he

0:59:45.800 --> 0:59:48.560
<v Speaker 1>would sexually assault them. But this purp was called the

0:59:48.600 --> 0:59:51.360
<v Speaker 1>measuring Man or the green Man. That's who this rapist

0:59:51.440 --> 0:59:53.760
<v Speaker 1>was that they're looking for. Around the same time in Boston,

0:59:54.160 --> 0:59:57.520
<v Speaker 1>on October twenty seventh, a stranger entered a young woman's

0:59:57.520 --> 1:00:00.560
<v Speaker 1>home in East Cambridge posing as a detective, tied her

1:00:00.560 --> 1:00:02.880
<v Speaker 1>to the bed, sexually assaulted her, and then left after

1:00:02.960 --> 1:00:07.400
<v Speaker 1>undoing her restraints and apologizing. The woman's description led police

1:00:07.400 --> 1:00:10.960
<v Speaker 1>to identify the assailant as Albert de Salvo. Once his

1:00:11.000 --> 1:00:13.520
<v Speaker 1>photo was published, a lot of other women came forward

1:00:13.560 --> 1:00:16.080
<v Speaker 1>to id him as their rapist, and while he was

1:00:16.120 --> 1:00:18.920
<v Speaker 1>being held in jail, for these rapes. He confessed to

1:00:19.000 --> 1:00:23.040
<v Speaker 1>another inmate named George Nasser that he was the Boston Strangler.

1:00:23.200 --> 1:00:27.880
<v Speaker 3>He isn't that the oh that's Larry Nasser. That's Larry Nasser.

1:00:28.160 --> 1:00:29.080
<v Speaker 3>But I did think of that.

1:00:30.440 --> 1:00:33.440
<v Speaker 1>He told this inmate allegedly that he was the Boston

1:00:33.480 --> 1:00:37.080
<v Speaker 1>Strangler and told him all these grizzly details. Nasar tells

1:00:37.120 --> 1:00:40.280
<v Speaker 1>his lawyer, who is da Da da Eth Lee Bailey,

1:00:40.880 --> 1:00:43.200
<v Speaker 1>And you might recognize him as a member of O. J.

1:00:43.360 --> 1:00:47.160
<v Speaker 1>Simpson's team of lawyers. He represented Patty Hurst like he was.

1:00:47.200 --> 1:00:50.040
<v Speaker 1>He's like a big defense lawyer of our time. He

1:00:50.200 --> 1:00:52.080
<v Speaker 1>just passed away like a few years ago, I think,

1:00:52.840 --> 1:00:56.760
<v Speaker 1>and he eventually became Dessalvo's lawyer. And the wild thing

1:00:56.840 --> 1:00:59.480
<v Speaker 1>is DeSalvo was never tried for any of the murders.

1:01:00.000 --> 1:01:02.920
<v Speaker 1>In nineteen sixty seven, he was sentenced to life in

1:01:02.960 --> 1:01:07.320
<v Speaker 1>prison for the rapes as well as robbery charges, and

1:01:08.000 --> 1:01:10.800
<v Speaker 1>he was in when he was I guess in prison,

1:01:10.920 --> 1:01:14.640
<v Speaker 1>he recanted his confession of the Boston Strangler deaths, and

1:01:15.000 --> 1:01:18.040
<v Speaker 1>six years later, in nineteen seventy three, he was stabbed

1:01:18.040 --> 1:01:21.200
<v Speaker 1>to death in his cell, allegedly by Robert Wilson, who

1:01:21.240 --> 1:01:22.840
<v Speaker 1>was connected to the winter Hill Gang.

1:01:22.920 --> 1:01:25.600
<v Speaker 3>I don't know much about them, but and.

1:01:25.520 --> 1:01:29.000
<v Speaker 1>Then the Robert Wilson was tried for the murder and

1:01:29.040 --> 1:01:31.680
<v Speaker 1>the trial ended in a hung jury. So no one

1:01:31.720 --> 1:01:35.000
<v Speaker 1>pays for Disalvo's death. But also there have been a

1:01:35.000 --> 1:01:37.200
<v Speaker 1>lot of what's kind of wild is that there have

1:01:37.240 --> 1:01:39.920
<v Speaker 1>been a lot of theories that these crimes were committed

1:01:39.920 --> 1:01:42.320
<v Speaker 1>by more than one person because the mos were different

1:01:42.360 --> 1:01:45.040
<v Speaker 1>and like the you know, the victims were all different

1:01:45.080 --> 1:01:49.600
<v Speaker 1>ages and like backgrounds and stuff. Also, Dissalvo apparently got

1:01:49.640 --> 1:01:53.600
<v Speaker 1>details wrong about the crimes. For example, he didn't strangle

1:01:53.680 --> 1:01:56.440
<v Speaker 1>Sullivan with his bare hands, as he claimed, she was

1:01:56.440 --> 1:02:01.160
<v Speaker 1>strangled by a ligature, so forensic pathologists Mike Golbaden our

1:02:01.240 --> 1:02:04.800
<v Speaker 1>favorite also said that DeSalvo incorrectly stated the time of

1:02:04.800 --> 1:02:06.760
<v Speaker 1>the victim's death, and he got that wrong with a

1:02:06.760 --> 1:02:10.680
<v Speaker 1>few other murders as well. So there are some theories

1:02:10.840 --> 1:02:14.920
<v Speaker 1>that Nasser was the strangler and that he gave Albert

1:02:15.040 --> 1:02:19.600
<v Speaker 1>enough details for him to confess. Nasser said later, I

1:02:19.640 --> 1:02:22.400
<v Speaker 1>guess told some news outlet. There's an interview with him

1:02:22.440 --> 1:02:24.760
<v Speaker 1>from jail where he's like, oh, yeah, I broker the

1:02:24.760 --> 1:02:27.320
<v Speaker 1>whole thing. I wanted Albert to confess and for flee

1:02:27.320 --> 1:02:29.320
<v Speaker 1>Bailey to get him a book deal. Then we would

1:02:29.320 --> 1:02:31.160
<v Speaker 1>all make a lot of money, and Albert went along

1:02:31.200 --> 1:02:34.720
<v Speaker 1>with it. So there are also theories that he's behind

1:02:34.760 --> 1:02:39.080
<v Speaker 1>Albert's jailhouse murder, so who knows. But in twenty thirteen,

1:02:39.480 --> 1:02:44.480
<v Speaker 1>after all of this conjecture, Albert DeSalvo was definitively linked

1:02:44.480 --> 1:02:46.880
<v Speaker 1>to one of the Boston Strangler murders, the murder of

1:02:46.880 --> 1:02:49.880
<v Speaker 1>Mary Sullivan, so he definitely killed Mary. It's unclear whether

1:02:49.920 --> 1:02:53.000
<v Speaker 1>he was responsible for all of these murders. In order

1:02:53.040 --> 1:02:55.880
<v Speaker 1>to get his conviction, much like the episode, they had

1:02:55.920 --> 1:02:59.480
<v Speaker 1>to exhume Mary's body for DNA testing, and that took

1:02:59.480 --> 1:03:02.480
<v Speaker 1>place in October of two thousand when the case was reopened.

1:03:02.840 --> 1:03:06.000
<v Speaker 1>They exhumed Albert DeSalvo's body the following year, so two

1:03:06.040 --> 1:03:08.720
<v Speaker 1>thousand and one, and then for some reason, not until

1:03:08.760 --> 1:03:10.880
<v Speaker 1>twenty thirteen did they definitively link to.

1:03:10.880 --> 1:03:11.840
<v Speaker 3>Salvo to Sullivan.

1:03:12.120 --> 1:03:13.840
<v Speaker 1>So it's like so funny in SVU when we get

1:03:13.840 --> 1:03:16.120
<v Speaker 1>these DNA results back in ten minutes, and in other

1:03:16.200 --> 1:03:19.240
<v Speaker 1>crimes it takes truly twelve years to even connect a

1:03:19.320 --> 1:03:23.760
<v Speaker 1>victim and a murderer. So that's one case, the Boston

1:03:23.800 --> 1:03:28.840
<v Speaker 1>strangler case. Who's to say what actually happened with that one?

1:03:29.240 --> 1:03:32.840
<v Speaker 1>This next one is crazy in so let me take

1:03:32.840 --> 1:03:36.480
<v Speaker 1>you back to Fort Lauderdale nineteen seventy nine. A string

1:03:36.520 --> 1:03:38.880
<v Speaker 1>of murders of young women rocked the community. But I'm

1:03:38.920 --> 1:03:41.120
<v Speaker 1>going to start out and tell you it's a black community.

1:03:41.400 --> 1:03:44.680
<v Speaker 1>All the victims are black, and so this doesn't have

1:03:45.040 --> 1:03:47.160
<v Speaker 1>nearly as much media coverage as you would expect it

1:03:47.160 --> 1:03:50.040
<v Speaker 1>would have had. July ninth, they find the body of

1:03:50.120 --> 1:03:53.800
<v Speaker 1>Ernesty German twenty three near high school. July twenty seventh,

1:03:53.880 --> 1:03:58.040
<v Speaker 1>Sonya Marion thirteen found in the exact same area. August seventh,

1:03:58.120 --> 1:04:00.880
<v Speaker 1>Terry Gene Cummings twenty one, also you're the high school.

1:04:01.240 --> 1:04:04.000
<v Speaker 1>August twenty fourth, Kathy Moore twenty four, was found a

1:04:04.040 --> 1:04:07.240
<v Speaker 1>few blocks from the high school. September second, Wanda Virga

1:04:07.280 --> 1:04:09.520
<v Speaker 1>is raped and murdered in Miami. I didn't know this

1:04:09.640 --> 1:04:11.280
<v Speaker 1>until I just went there a year or so ago,

1:04:11.320 --> 1:04:13.560
<v Speaker 1>But Miami and Fort Lauderdale are right there next to

1:04:13.600 --> 1:04:16.280
<v Speaker 1>each other, so the Miami and Fort Lauderdale crimes are close.

1:04:16.840 --> 1:04:22.360
<v Speaker 1>September fifth, Jerry Frank Townsend twenty seven is arrested for

1:04:22.400 --> 1:04:26.600
<v Speaker 1>sexual assault by police in Miami. He is intellectually disabled,

1:04:26.680 --> 1:04:29.080
<v Speaker 1>with the mental capacity of an eight year old, they say,

1:04:29.520 --> 1:04:32.480
<v Speaker 1>And police say that while he's being questioned in this

1:04:32.560 --> 1:04:36.480
<v Speaker 1>sexual assault, he confessed to Wanda Virgo's murder. Soon the

1:04:36.480 --> 1:04:39.080
<v Speaker 1>police tacked on charges for her and the other four

1:04:39.200 --> 1:04:43.000
<v Speaker 1>murders and rapes that I just mentioned, and then they

1:04:43.040 --> 1:04:45.600
<v Speaker 1>claimed Townshend had confessed and had led them to the

1:04:45.640 --> 1:04:49.880
<v Speaker 1>crime scenes. Days after mister Townshend confessed, the police discovered,

1:04:50.040 --> 1:04:52.280
<v Speaker 1>much like in this episode, that he had an alibi

1:04:52.360 --> 1:04:55.280
<v Speaker 1>for Sonya Marian's murder. He had punched into work that

1:04:55.440 --> 1:04:59.200
<v Speaker 1>morning at his job, like at an auto mechanic, The

1:04:59.240 --> 1:05:02.840
<v Speaker 1>police said. Townsend said he'd killed her the night before,

1:05:03.040 --> 1:05:04.880
<v Speaker 1>but her mother's like, no, she was with me the

1:05:04.960 --> 1:05:07.280
<v Speaker 1>night before, she left for school the next morning and

1:05:07.280 --> 1:05:09.720
<v Speaker 1>that's the last time I saw her, So he's getting

1:05:09.720 --> 1:05:12.800
<v Speaker 1>details incorrect. Within a few weeks of his arrest, Townsend

1:05:12.800 --> 1:05:15.760
<v Speaker 1>had admitted to the murders of thirteen women, including in

1:05:15.880 --> 1:05:19.200
<v Speaker 1>Tampa and California, which he said he committed when working

1:05:19.280 --> 1:05:21.800
<v Speaker 1>for a traveling carnival in nineteen seventy six. In nineteen

1:05:21.800 --> 1:05:24.760
<v Speaker 1>seventy seven, I don't know about any of these California victims,

1:05:24.800 --> 1:05:26.480
<v Speaker 1>like they're not in any of the research that I found.

1:05:26.520 --> 1:05:30.920
<v Speaker 1>But four of the other victims were from nineteen seventy

1:05:30.960 --> 1:05:34.480
<v Speaker 1>three Thelma jen Bell, Naomi Gamble, who was only fifteen,

1:05:34.840 --> 1:05:37.280
<v Speaker 1>and Barbara Ann Brown, all in Fort Lauderdale, and then

1:05:37.320 --> 1:05:41.240
<v Speaker 1>in nineteen seventy seven Dorothy Gibson, seventeen in Miami. Despite

1:05:41.280 --> 1:05:44.480
<v Speaker 1>a psychiatric evaluation that put his IQ between fifty five

1:05:44.520 --> 1:05:47.800
<v Speaker 1>and sixty eight, which is below the level of intellectual disability,

1:05:48.000 --> 1:05:51.240
<v Speaker 1>he was declared competent to stand trial because America is

1:05:51.280 --> 1:05:54.400
<v Speaker 1>fucking killing it. He went to trial for three of

1:05:54.400 --> 1:05:57.080
<v Speaker 1>the rape murders, and the case was heavily relying on

1:05:57.120 --> 1:05:59.920
<v Speaker 1>his confessions. The defense argued that the confessions were not

1:06:00.120 --> 1:06:01.760
<v Speaker 1>real and that Townshend just wanted to tell them what

1:06:01.800 --> 1:06:04.880
<v Speaker 1>they wanted to hear, much like this guy in the

1:06:04.920 --> 1:06:08.480
<v Speaker 1>episode July thirtieth of nineteen eighty. He is convicted for

1:06:08.520 --> 1:06:11.120
<v Speaker 1>the murders of Naomi Gamble and Barbara am Brown, but

1:06:11.240 --> 1:06:14.080
<v Speaker 1>acquitted for the murder of Thelma Gene Bell. He sentenced

1:06:14.120 --> 1:06:16.439
<v Speaker 1>to life in prison, with the possibility of parole after

1:06:16.480 --> 1:06:19.880
<v Speaker 1>twenty five years. I also don't understand the parole after

1:06:20.040 --> 1:06:22.960
<v Speaker 1>like violent rapes and murders. I don't understand how parole

1:06:23.000 --> 1:06:26.360
<v Speaker 1>is a possibility. But it's the eighties. In eighty two,

1:06:26.480 --> 1:06:29.880
<v Speaker 1>he pled guilty to murder in the deaths of Dorothy

1:06:29.880 --> 1:06:32.520
<v Speaker 1>Gibson and Wanda Virga because this is now separate trial

1:06:32.560 --> 1:06:35.440
<v Speaker 1>because it's Miami. He also pled no contests to the

1:06:35.480 --> 1:06:38.480
<v Speaker 1>murders of Terry Gen Cummings and Kathy Moore got life again.

1:06:39.000 --> 1:06:41.560
<v Speaker 1>They dropped the charges in the murders of Ernestine German

1:06:41.600 --> 1:06:44.320
<v Speaker 1>and Sonia Marion. And he also pled guilty to that

1:06:44.600 --> 1:06:46.600
<v Speaker 1>very first rape that brought him that the cops brought

1:06:46.640 --> 1:06:47.040
<v Speaker 1>him in for in.

1:06:47.080 --> 1:06:48.000
<v Speaker 3>Nineteen seventy nine.

1:06:48.480 --> 1:06:51.800
<v Speaker 1>So sixteen years later, in nineteen ninety eight, the family

1:06:51.800 --> 1:06:54.640
<v Speaker 1>of Sonia Marion wants to reopen the case. She did

1:06:54.640 --> 1:06:57.920
<v Speaker 1>not get justice because you know, they dropped the charges

1:06:58.400 --> 1:07:01.320
<v Speaker 1>two years later in two in At this point, Townshend

1:07:01.320 --> 1:07:03.640
<v Speaker 1>has been in jail for twenty years at least. The

1:07:03.720 --> 1:07:06.960
<v Speaker 1>Innocence Project requests a DNA that the DNA in the

1:07:07.000 --> 1:07:10.520
<v Speaker 1>case be tested, and huge shock, it does not match Townsend.

1:07:11.280 --> 1:07:15.000
<v Speaker 1>It matches a guy named Eddie Lee Moseley. So they

1:07:15.040 --> 1:07:17.680
<v Speaker 1>obviously tested the DNA from other cases. He did not

1:07:17.840 --> 1:07:20.800
<v Speaker 1>match the DNA in the Terry Jen Cummings case or

1:07:20.880 --> 1:07:24.400
<v Speaker 1>Naomi Gamble, both were connected to Eddie Lee Moseley. There

1:07:24.560 --> 1:07:28.880
<v Speaker 1>was not enough DNA or no DNA to test in

1:07:28.920 --> 1:07:31.320
<v Speaker 1>the cases of Thelmagen Bell Barbara and Brown Kathy Moore

1:07:31.320 --> 1:07:34.880
<v Speaker 1>in Ernestine, German And eventually, though, all of his convictions

1:07:34.880 --> 1:07:37.280
<v Speaker 1>were vacated and dismissed, and he was released from prison

1:07:37.800 --> 1:07:39.920
<v Speaker 1>at the age of forty nine in two thousand and

1:07:39.920 --> 1:07:42.040
<v Speaker 1>one June sixteenth of two thousand and one, after almost

1:07:42.040 --> 1:07:44.800
<v Speaker 1>twenty two years in prison. Because he was just an

1:07:44.880 --> 1:07:48.320
<v Speaker 1>intellectually disabled man who the cops said, you did all

1:07:48.320 --> 1:07:49.960
<v Speaker 1>this stuff, and he's like, I did all this stuff,

1:07:49.960 --> 1:07:51.800
<v Speaker 1>and he just but he did sue the city of

1:07:51.840 --> 1:07:54.160
<v Speaker 1>Miami and he settled for four point two million dollars, so.

1:07:56.080 --> 1:07:57.280
<v Speaker 3>A tiny silver lining.

1:07:57.880 --> 1:08:00.000
<v Speaker 1>And if that is not fucked up enough for you,

1:08:00.280 --> 1:08:02.640
<v Speaker 1>Townsend was not the only guy who took the fall

1:08:02.680 --> 1:08:06.200
<v Speaker 1>for Eddie Lee Moseley's crimes. Another man named Franklee Smith

1:08:06.520 --> 1:08:09.200
<v Speaker 1>served fifteen years on death row for the murder and

1:08:09.240 --> 1:08:11.560
<v Speaker 1>sexual assault of an eight year old girl in Fort

1:08:11.600 --> 1:08:14.920
<v Speaker 1>Lauderdale in April of nineteen eighty five. Also, this man

1:08:15.000 --> 1:08:18.759
<v Speaker 1>was intellectually disabled. The girl's mother wrongfully identified him based

1:08:18.760 --> 1:08:21.720
<v Speaker 1>solely on photos she'd been shown. There was no other

1:08:21.760 --> 1:08:23.920
<v Speaker 1>evidence linking him to this crime, but he was found

1:08:23.920 --> 1:08:26.680
<v Speaker 1>guilty and sentenced to death in nineteen eighty six. He

1:08:27.360 --> 1:08:30.680
<v Speaker 1>had always claimed he was innocent, and then sadly he

1:08:30.840 --> 1:08:34.000
<v Speaker 1>died of cancer on death row in two thousand and eleven.

1:08:34.000 --> 1:08:38.040
<v Speaker 1>Months later, DNA exonerated him and pointed to you got it,

1:08:38.240 --> 1:08:41.839
<v Speaker 1>Eddie Lee Moseley. So I'd love to hear more information

1:08:41.880 --> 1:08:44.280
<v Speaker 1>about how the death penalty is good because I'm not

1:08:44.280 --> 1:08:44.760
<v Speaker 1>seeing it.

1:08:45.000 --> 1:08:47.000
<v Speaker 3>So who is Eddie Lee Moseley.

1:08:47.680 --> 1:08:50.439
<v Speaker 1>Eddie Lee Moseley is this absolute monster of the Fort

1:08:50.479 --> 1:08:53.040
<v Speaker 1>Lauderdale community. He's thought to have raped as many as

1:08:53.080 --> 1:08:55.679
<v Speaker 1>one hundred and fifty women and girls. He was also

1:08:55.720 --> 1:08:59.280
<v Speaker 1>suspected of murdering two young girls in the early seventies,

1:08:59.360 --> 1:09:02.679
<v Speaker 1>but there wasn't an evidence. He was brought in after

1:09:02.720 --> 1:09:06.320
<v Speaker 1>more than forty women identified him as their attacker. After

1:09:06.360 --> 1:09:09.599
<v Speaker 1>one woman was able to get a description of him,

1:09:10.080 --> 1:09:12.680
<v Speaker 1>and she identified him then from photos, and then after

1:09:12.800 --> 1:09:14.559
<v Speaker 1>all the women saw the photo, forty women were like,

1:09:14.600 --> 1:09:18.280
<v Speaker 1>that's the guy who attacked me. His psychiatric evaluation deemed

1:09:18.320 --> 1:09:21.240
<v Speaker 1>him as quote unquote insane. That's what's written everywhere I

1:09:21.240 --> 1:09:24.679
<v Speaker 1>look him up. I'm sure that's not like a great term,

1:09:24.680 --> 1:09:27.799
<v Speaker 1>but that's what they were saying. So he was committed

1:09:27.840 --> 1:09:30.280
<v Speaker 1>to a state hospital where he spent five years, and

1:09:30.320 --> 1:09:33.000
<v Speaker 1>while he was away, no similar crimes were were reported

1:09:33.360 --> 1:09:34.040
<v Speaker 1>in that area.

1:09:34.400 --> 1:09:36.200
<v Speaker 3>But good news, they cured.

1:09:35.920 --> 1:09:38.519
<v Speaker 1>Him and he was deemed no longer a danger to society,

1:09:38.560 --> 1:09:41.280
<v Speaker 1>and he's released in nineteen seventy nine. He goes to

1:09:41.280 --> 1:09:43.599
<v Speaker 1>live with his parents, and over the next seven months,

1:09:43.640 --> 1:09:46.800
<v Speaker 1>seven young girls are raped and murdered, all near his parents' house.

1:09:47.120 --> 1:09:49.640
<v Speaker 1>The following year, he's worried that the cops are on

1:09:49.720 --> 1:09:52.320
<v Speaker 1>too him. I don't understand after two of these murders,

1:09:52.360 --> 1:09:53.400
<v Speaker 1>how they're not finding the sky.

1:09:53.520 --> 1:09:55.080
<v Speaker 3>But again, it is the late seventies.

1:09:55.720 --> 1:09:59.080
<v Speaker 1>I guess there's not as much CCTV or DNA and

1:09:59.120 --> 1:10:01.120
<v Speaker 1>all kinds of ways that we catch people now. But

1:10:01.520 --> 1:10:06.120
<v Speaker 1>the following year he moves to Lakeland, Florida. There he

1:10:06.240 --> 1:10:09.200
<v Speaker 1>is very quickly questioned about the disappearance of two young girls,

1:10:09.200 --> 1:10:11.080
<v Speaker 1>but he's let go because they never found the bodies.

1:10:11.360 --> 1:10:13.760
<v Speaker 1>He goes back to Fort Lauderdale. He gets arrested for

1:10:13.800 --> 1:10:15.920
<v Speaker 1>an attempted rape and he's found guilty and sentence to

1:10:15.960 --> 1:10:19.439
<v Speaker 1>fifteen years. While in prison, they do find the bones

1:10:19.479 --> 1:10:21.880
<v Speaker 1>of these two missing girls. It does not say whether

1:10:21.920 --> 1:10:24.200
<v Speaker 1>they actually link them to him, but I'm going to

1:10:24.240 --> 1:10:25.000
<v Speaker 1>say probably.

1:10:25.400 --> 1:10:27.120
<v Speaker 3>He was also a terror in prison.

1:10:27.200 --> 1:10:30.439
<v Speaker 1>He attacked other inmates physically and sexually, threatened to burn

1:10:30.439 --> 1:10:34.120
<v Speaker 1>the place down, like just the usual, like just you know,

1:10:35.280 --> 1:10:39.439
<v Speaker 1>wild prison character. But his family hired a lawyer and

1:10:39.479 --> 1:10:42.960
<v Speaker 1>they got his conviction overturned because his lawyer never got

1:10:43.000 --> 1:10:47.439
<v Speaker 1>him a psych exam, which is like, what's going on.

1:10:47.520 --> 1:10:49.759
<v Speaker 1>That's incompetence, Like why would you not have your client

1:10:50.080 --> 1:10:54.120
<v Speaker 1>examined when he's got a history, which he does, by

1:10:54.160 --> 1:10:56.840
<v Speaker 1>the way, he has a history of mental instability and

1:10:56.960 --> 1:10:59.400
<v Speaker 1>into intellectual disability, Like you I don't understan, why you

1:10:59.400 --> 1:11:03.200
<v Speaker 1>wouldnt give an exam? Feels very amateur. He gets a

1:11:03.240 --> 1:11:05.880
<v Speaker 1>new trial and there the judge gives him a shorter sentence,

1:11:05.880 --> 1:11:07.920
<v Speaker 1>and since he'd already done three years, they let him

1:11:07.920 --> 1:11:11.320
<v Speaker 1>out on parole. The system works. Now it's nineteen eighty

1:11:11.360 --> 1:11:14.680
<v Speaker 1>four and Mosley's the suspect in the murders of Geraldine Barfield,

1:11:14.680 --> 1:11:17.559
<v Speaker 1>age thirty six, and Emma Cook, age fifty four, both

1:11:17.640 --> 1:11:21.439
<v Speaker 1>raped and then suffocated. The same year, he's arrested for

1:11:21.520 --> 1:11:23.600
<v Speaker 1>raping a twenty two year old and he pleads not

1:11:23.640 --> 1:11:26.680
<v Speaker 1>guilty at trial, claiming that the sex was consensual, and

1:11:26.720 --> 1:11:28.880
<v Speaker 1>his lawyers got the jury to believe that even though

1:11:28.920 --> 1:11:32.760
<v Speaker 1>this man has a long, long rap sheet. This is

1:11:32.800 --> 1:11:35.400
<v Speaker 1>how much women are not believed, especially in the fucking

1:11:35.479 --> 1:11:38.920
<v Speaker 1>early eighties. He was acquitted, and he's once again let

1:11:38.960 --> 1:11:41.080
<v Speaker 1>out into the world. And I do wonder if this

1:11:41.120 --> 1:11:43.280
<v Speaker 1>guy was accused of killing old white men, if perhaps

1:11:43.280 --> 1:11:44.800
<v Speaker 1>they would not have been so quick to let him go.

1:11:45.040 --> 1:11:48.360
<v Speaker 1>But because he's killing mostly black women and girls, it

1:11:48.360 --> 1:11:52.400
<v Speaker 1>doesn't matter. After he commits two more murders, I've honestly

1:11:52.520 --> 1:11:54.280
<v Speaker 1>lost track of how many he did and how many

1:11:54.439 --> 1:11:56.680
<v Speaker 1>he was suspected of at this point, but I want

1:11:56.720 --> 1:11:59.120
<v Speaker 1>to assume that he did all the ones he was

1:11:59.160 --> 1:12:02.800
<v Speaker 1>accused of. The local authorities finally call the FBI, after

1:12:03.040 --> 1:12:06.040
<v Speaker 1>like a decade of this man terrorizing the area. They're like,

1:12:06.120 --> 1:12:09.439
<v Speaker 1>let's bring in the experts now. So the FBI built

1:12:09.560 --> 1:12:12.120
<v Speaker 1>like does up a profile, and obviously it fits Eddie

1:12:12.160 --> 1:12:15.280
<v Speaker 1>Lee Moseley, Like you know, they figure it's like it's

1:12:15.320 --> 1:12:18.920
<v Speaker 1>this guy. In eighty seven, he's once again the suspect

1:12:19.080 --> 1:12:21.560
<v Speaker 1>and rape and of a rape and murder by strangulation

1:12:21.720 --> 1:12:26.960
<v Speaker 1>of central love age twenty four and months later he

1:12:27.200 --> 1:12:29.280
<v Speaker 1>but again they keep going he's a suspect, But then

1:12:29.479 --> 1:12:31.160
<v Speaker 1>they never say whether he gets brought in for all this.

1:12:31.280 --> 1:12:34.599
<v Speaker 1>He's getting questioned, but I think maybe there's simply he's

1:12:34.600 --> 1:12:37.720
<v Speaker 1>not leaving DNA, or he's just like not leaving yor

1:12:37.760 --> 1:12:40.599
<v Speaker 1>just not figuring it out. Months later, he is arrested

1:12:40.640 --> 1:12:44.760
<v Speaker 1>for theft, and by then they had finally matched his

1:12:44.800 --> 1:12:47.519
<v Speaker 1>blood type to seamen that they had found on murder victims,

1:12:47.520 --> 1:12:51.040
<v Speaker 1>which was eventually a match. So they bring Moseley in.

1:12:51.160 --> 1:12:53.559
<v Speaker 1>They confront him about his involvement in all these crimes

1:12:53.640 --> 1:12:56.200
<v Speaker 1>after almost two decades at this point, and he tries

1:12:56.240 --> 1:12:58.920
<v Speaker 1>to defend himself. He's making up alibis, like he's fucking

1:12:59.000 --> 1:13:01.439
<v Speaker 1>up details, he's fucking up dates like they it's him.

1:13:01.840 --> 1:13:04.680
<v Speaker 1>Eventually he confesses to the murders of Teresa Giles and

1:13:04.720 --> 1:13:09.120
<v Speaker 1>Emma Cook. He stood trial in nineteen eighty seven. Numerous

1:13:09.160 --> 1:13:13.000
<v Speaker 1>Fort Lauderdale's sex workers testified that he was aggressive towards them,

1:13:13.120 --> 1:13:16.320
<v Speaker 1>that he would like attack women with like with impunity,

1:13:16.439 --> 1:13:18.439
<v Speaker 1>like in big crowds, like in front of other people.

1:13:18.479 --> 1:13:19.720
<v Speaker 3>He was not scared to do it.

1:13:20.400 --> 1:13:23.000
<v Speaker 1>And much like Townsend, the man who served at who

1:13:24.040 --> 1:13:26.439
<v Speaker 1>he's like getting with every Yeah, he's getting away with it.

1:13:26.960 --> 1:13:30.439
<v Speaker 1>But much like Townsend and Smith, the two men who

1:13:31.080 --> 1:13:34.880
<v Speaker 1>you know took the fall for his crimes, he had

1:13:34.880 --> 1:13:37.360
<v Speaker 1>an IQ found to be fifty one, which is below

1:13:37.439 --> 1:13:40.160
<v Speaker 1>the average intelligence rate, and therefore he was deemed not

1:13:40.200 --> 1:13:43.559
<v Speaker 1>competent to stand trial. I have no idea why Smith

1:13:43.680 --> 1:13:46.760
<v Speaker 1>was not afforded that same or Townshend were afforded that

1:13:46.800 --> 1:13:49.799
<v Speaker 1>same thing. But this guy seemed maybe has better lawyers

1:13:49.840 --> 1:13:53.080
<v Speaker 1>because he was deemed not competent to stand trial. And

1:13:53.120 --> 1:13:55.000
<v Speaker 1>so in October of eighty seven he sent to a

1:13:55.000 --> 1:13:58.479
<v Speaker 1>Florida State hospital and he's there for a long time.

1:13:58.600 --> 1:14:01.640
<v Speaker 1>Finally in two thousand, gets tested and he's connected with

1:14:01.720 --> 1:14:04.120
<v Speaker 1>a ton of murders, most of the ones that I

1:14:04.160 --> 1:14:07.240
<v Speaker 1>mentioned before. Then twenty nine year old Loretta Young Brown

1:14:07.320 --> 1:14:09.320
<v Speaker 1>killed in eighty four, thirty four year old that a

1:14:09.400 --> 1:14:13.000
<v Speaker 1>Turner killed in seventy three, thirteen year old Sonya Marian

1:14:13.120 --> 1:14:16.120
<v Speaker 1>who was the one who we mentioned earlier. Her family

1:14:16.320 --> 1:14:19.200
<v Speaker 1>never got justice originally, and then finally she was connected

1:14:19.200 --> 1:14:21.720
<v Speaker 1>to him. Twenty one year old Terry Gene Cummings who

1:14:21.720 --> 1:14:24.519
<v Speaker 1>I mentioned, and then Emma Cook and Teresa Giles who

1:14:24.520 --> 1:14:27.320
<v Speaker 1>he confessed to, as well as eight year old Chandra

1:14:27.360 --> 1:14:31.040
<v Speaker 1>Whitehead who was the young girl who's murder and sexual assault.

1:14:31.040 --> 1:14:33.280
<v Speaker 1>Frankly Smith spent the rest of his life serving time

1:14:33.320 --> 1:14:37.240
<v Speaker 1>for so. Fort Lauderdale police wanted to arrest Mosley for

1:14:37.280 --> 1:14:40.559
<v Speaker 1>these murders, but psych psychiatric tests like he's in he's

1:14:40.600 --> 1:14:43.120
<v Speaker 1>basically in the mental hospital, and Fort Lauderdale's like, no,

1:14:43.120 --> 1:14:44.600
<v Speaker 1>we want to arrest him for these murders, but the

1:14:44.600 --> 1:14:47.760
<v Speaker 1>psychiatric tests that they're giving him still continue to find him,

1:14:48.320 --> 1:14:50.280
<v Speaker 1>like you know, incompetent to stand trial.

1:14:50.320 --> 1:14:51.839
<v Speaker 3>So he remains at a mental hospital.

1:14:52.200 --> 1:14:55.799
<v Speaker 1>During his treatment there, he is apparently a model patient,

1:14:56.200 --> 1:15:01.280
<v Speaker 1>friendly followed rules, got into no trouble so and in

1:15:01.320 --> 1:15:04.800
<v Speaker 1>treatment this is a person who would likely not have

1:15:04.800 --> 1:15:07.960
<v Speaker 1>committed these crimes. And he was eventually transferred to a

1:15:08.000 --> 1:15:10.040
<v Speaker 1>low risk unit and was allowed to leave the hospital

1:15:10.080 --> 1:15:13.000
<v Speaker 1>on supervised visits to Walmart, and he remained in mental

1:15:13.040 --> 1:15:15.920
<v Speaker 1>health facilities until he died in May of twenty twenty

1:15:15.960 --> 1:15:18.560
<v Speaker 1>of COVID in one of these facilities.

1:15:19.000 --> 1:15:21.040
<v Speaker 3>So there is, like I.

1:15:21.000 --> 1:15:24.599
<v Speaker 1>Said, wildly not a lot of information about these this case.

1:15:25.479 --> 1:15:27.880
<v Speaker 1>Like there's some a lot of Florida cential articles, some

1:15:27.920 --> 1:15:31.960
<v Speaker 1>I could get to somewhere behind a bay wall. Also, these,

1:15:32.600 --> 1:15:34.800
<v Speaker 1>like I said, these crimes were all perpetrated on black

1:15:34.840 --> 1:15:37.120
<v Speaker 1>women and girls by black men in a black area

1:15:37.160 --> 1:15:39.120
<v Speaker 1>Fort Lauderdale. So I don't think the media gave it

1:15:39.200 --> 1:15:41.200
<v Speaker 1>the coverage that it would have if it was like

1:15:41.680 --> 1:15:44.080
<v Speaker 1>I mean, this is like Ted Bundy levels of murderers

1:15:44.120 --> 1:15:49.000
<v Speaker 1>and sexual assaults. But also every single person either committing

1:15:49.040 --> 1:15:51.920
<v Speaker 1>these crimes or being accused of them was intellectually disabled,

1:15:51.960 --> 1:15:55.000
<v Speaker 1>like Eddie Lee Mosley. Even though I agree he committed

1:15:55.040 --> 1:15:58.280
<v Speaker 1>these horrific crimes, he was exhibiting signs of mental instability

1:15:59.080 --> 1:16:01.840
<v Speaker 1>and in inellectual disability his entire life.

1:16:01.880 --> 1:16:02.960
<v Speaker 3>Like as a child, he.

1:16:02.960 --> 1:16:09.240
<v Speaker 1>Had learning disorders, and he had an entarot grade amnesia

1:16:09.560 --> 1:16:11.719
<v Speaker 1>which caused him to struggle in school. He was forced

1:16:11.760 --> 1:16:14.320
<v Speaker 1>out of school in third grade. He's from low income,

1:16:14.640 --> 1:16:17.960
<v Speaker 1>he lives in terrible conditions, and so he obviously turns

1:16:18.000 --> 1:16:20.479
<v Speaker 1>to a life of crime eventually, So it's kind of

1:16:21.720 --> 1:16:23.920
<v Speaker 1>I mean eventually, it's like it really just feels like

1:16:23.960 --> 1:16:27.240
<v Speaker 1>it's a failure of like the system to get these

1:16:28.800 --> 1:16:31.200
<v Speaker 1>this failure of the justice system that two of these

1:16:31.200 --> 1:16:32.840
<v Speaker 1>men went to jail for crimes they didn't come in

1:16:32.880 --> 1:16:35.240
<v Speaker 1>and then it's a failure from Eddie Lee Moseley that

1:16:35.280 --> 1:16:38.760
<v Speaker 1>he was never given any like mental health support and

1:16:38.960 --> 1:16:44.200
<v Speaker 1>became a serial killer and rapist. So anyway, that's that

1:16:44.720 --> 1:16:47.360
<v Speaker 1>on that And so it wasn't like unlike the episode

1:16:47.400 --> 1:16:50.040
<v Speaker 1>where this guy is calculated, Like I don't think Eddie

1:16:50.120 --> 1:16:52.120
<v Speaker 1>Lee Moseley was like, oh cool, like these guys are

1:16:52.120 --> 1:16:53.640
<v Speaker 1>going down for my crimes. I think it was like

1:16:53.720 --> 1:16:58.639
<v Speaker 1>a coincidence and you know, racism that they just grabbed

1:16:58.640 --> 1:17:02.000
<v Speaker 1>a different guy for this crime. But it's like it's

1:17:02.000 --> 1:17:03.760
<v Speaker 1>different from the episode in the sense that like it

1:17:03.840 --> 1:17:06.600
<v Speaker 1>wasn't this mastermind who like moved to other states and

1:17:06.640 --> 1:17:08.839
<v Speaker 1>then like started working after the guy got paroled.

1:17:10.479 --> 1:17:15.639
<v Speaker 3>Damn. But that's that. Yeah, so many victims, so.

1:17:15.720 --> 1:17:20.800
<v Speaker 1>Many, But I know that was really depressing. But we

1:17:20.880 --> 1:17:32.479
<v Speaker 1>do have a guest coming up, so let's cleanse the ballot. Okay, guys,

1:17:32.600 --> 1:17:35.640
<v Speaker 1>a lot of you have been begging for guests, and

1:17:35.680 --> 1:17:39.599
<v Speaker 1>guests are back. Our guest today is a prolific film

1:17:39.640 --> 1:17:42.840
<v Speaker 1>and television actor. He was the lead in several movies

1:17:42.880 --> 1:17:45.439
<v Speaker 1>in the eighties, like The Lords of Discipline and White

1:17:45.479 --> 1:17:48.160
<v Speaker 1>of the Eye. He also starred in films like Firestarter

1:17:48.280 --> 1:17:50.360
<v Speaker 1>with Drew Barrymore and An Officer and a Gentleman.

1:17:50.680 --> 1:17:51.679
<v Speaker 3>But you know him.

1:17:51.520 --> 1:17:56.599
<v Speaker 1>Best as the unhinged cop who doesn't follow the rules

1:17:57.080 --> 1:18:01.479
<v Speaker 1>John Hawk Hawkins. Please enjoy our chat with David Keith.

1:18:02.120 --> 1:18:05.360
<v Speaker 1>You've been on Law and Order Criminal Intent as well.

1:18:05.400 --> 1:18:08.759
<v Speaker 1>You've been on SVU, Like when you first were casts

1:18:08.760 --> 1:18:11.000
<v Speaker 1>on this episode in season three, did you ever in

1:18:11.080 --> 1:18:13.519
<v Speaker 1>a million years think that they'd be currently in season

1:18:13.560 --> 1:18:15.880
<v Speaker 1>twenty six. I mean, like, this is one of the

1:18:15.920 --> 1:18:18.840
<v Speaker 1>longest running live shows of all time.

1:18:18.960 --> 1:18:21.479
<v Speaker 4>I mean, it's got a built in audience that will

1:18:21.760 --> 1:18:22.559
<v Speaker 4>never go away.

1:18:22.720 --> 1:18:24.840
<v Speaker 3>And yeah, we're we're right here.

1:18:26.760 --> 1:18:31.240
<v Speaker 2>We're assuming this was an offer only there was no auditioning.

1:18:31.080 --> 1:18:36.080
<v Speaker 4>Correct correct, Yeah, I'm pretty sure it was, but I

1:18:36.120 --> 1:18:40.680
<v Speaker 4>can't remember for sure. But yeah, I hadn't done a

1:18:40.720 --> 1:18:45.200
<v Speaker 4>lot of episodic at that point. But the script was

1:18:45.320 --> 1:18:47.760
<v Speaker 4>just great. I mean I read the script and just

1:18:47.920 --> 1:18:51.040
<v Speaker 4>loved it. And that's a part of a longer story

1:18:51.080 --> 1:18:53.559
<v Speaker 4>that we'll get to. When we started tell us that.

1:18:55.360 --> 1:18:58.760
<v Speaker 3>Different stuff, tell us tell us.

1:18:58.520 --> 1:19:02.400
<v Speaker 4>Well, you know how when you're in episodic TV, okay,

1:19:02.439 --> 1:19:05.639
<v Speaker 4>you get the white pages first, and that's the one

1:19:05.720 --> 1:19:09.400
<v Speaker 4>from an actual writer, one of the writers on staff,

1:19:10.320 --> 1:19:13.960
<v Speaker 4>and it was terrific. Well, as soon as the colored pages,

1:19:14.040 --> 1:19:16.800
<v Speaker 4>the pink and the grain and the blues started coming in,

1:19:17.400 --> 1:19:19.680
<v Speaker 4>and it was it had been you know, there were

1:19:19.800 --> 1:19:25.920
<v Speaker 4>some dialogue changes from I guess the studio. Nobody ever

1:19:25.960 --> 1:19:29.320
<v Speaker 4>told us who, but they said, and it started kind

1:19:29.320 --> 1:19:35.040
<v Speaker 4>of diluting the what I thought the original story was.

1:19:35.080 --> 1:19:37.600
<v Speaker 5>It just it didn't have the same impact.

1:19:38.360 --> 1:19:44.080
<v Speaker 4>And so, being a you know, spoiled movie actor, I

1:19:44.320 --> 1:19:49.479
<v Speaker 4>started complaining about that. And and Ted Kotcheff, who was

1:19:49.560 --> 1:19:53.840
<v Speaker 4>directing us. You know, Ted was the I don't know

1:19:53.880 --> 1:19:55.640
<v Speaker 4>what they call it, but he was the he was

1:19:55.680 --> 1:19:57.719
<v Speaker 4>the main director for the series.

1:19:57.800 --> 1:20:01.160
<v Speaker 5>So he was there all the time and he direct maybe.

1:20:01.080 --> 1:20:04.440
<v Speaker 4>Two three episodes a season, and then he would oversee

1:20:04.479 --> 1:20:08.479
<v Speaker 4>the different episodic directors that would come in. So Ted

1:20:08.640 --> 1:20:12.080
<v Speaker 4>was directing this episode and he agreed with me one

1:20:13.200 --> 1:20:17.000
<v Speaker 4>hundred percent on the white pages. So it became white.

1:20:17.040 --> 1:20:19.960
<v Speaker 4>Every morning I'd carry around those white pages and I say,

1:20:20.080 --> 1:20:22.400
<v Speaker 4>this is what I'd like to say. He'd say, do it,

1:20:22.560 --> 1:20:26.800
<v Speaker 4>say it, and that the next time I was going

1:20:26.800 --> 1:20:27.559
<v Speaker 4>a law in order.

1:20:28.120 --> 1:20:30.200
<v Speaker 5>As soon as I suggested.

1:20:29.720 --> 1:20:35.240
<v Speaker 4>One change, I was told, no change whatsoever. You say

1:20:35.280 --> 1:20:38.040
<v Speaker 4>what's on the page. So it didn't I guess it

1:20:38.080 --> 1:20:41.479
<v Speaker 4>didn't go over well with the the you know, the

1:20:41.520 --> 1:20:42.160
<v Speaker 4>big wigs.

1:20:42.200 --> 1:20:45.759
<v Speaker 5>But on that one we ended up shooting the white pages.

1:20:45.880 --> 1:20:49.280
<v Speaker 3>So it was well that Ted was on your side too.

1:20:50.320 --> 1:20:53.360
<v Speaker 5>Yeah, you got to go with great. I loved working

1:20:53.400 --> 1:20:53.760
<v Speaker 5>with him.

1:20:54.000 --> 1:20:56.280
<v Speaker 2>Do you remember some of the things that you hated?

1:20:56.520 --> 1:20:58.439
<v Speaker 2>What were they trying to do? I'm glad you stuck

1:20:58.520 --> 1:21:01.520
<v Speaker 2>to your guns, because we love the I don't.

1:21:02.880 --> 1:21:09.120
<v Speaker 4>Remember. I remember there was one line that Chris has

1:21:09.760 --> 1:21:12.880
<v Speaker 4>when they first talk about me coming into the case,

1:21:13.360 --> 1:21:18.240
<v Speaker 4>and he says it's something about yeah, this is wide. Yes,

1:21:19.280 --> 1:21:22.880
<v Speaker 4>that line vanished and I said I want that line back,

1:21:23.640 --> 1:21:26.840
<v Speaker 4>and Chris didn't really like it, and because he thought

1:21:26.840 --> 1:21:28.679
<v Speaker 4>it was like pumping me up too much or something.

1:21:28.720 --> 1:21:31.519
<v Speaker 4>I said, no, man, it's sarcasm. Yes, this guy's a

1:21:31.560 --> 1:21:34.479
<v Speaker 4>loose cannon, and that says he's a loose cannon because

1:21:34.760 --> 1:21:38.840
<v Speaker 4>why it over was a total loose cannon. Yeah, you know,

1:21:38.920 --> 1:21:45.479
<v Speaker 4>he wasn't some law abiding you know, Marshall. So that line,

1:21:45.720 --> 1:21:48.800
<v Speaker 4>you know, Chris greed and we've got that line back

1:21:48.840 --> 1:21:50.120
<v Speaker 4>in but I don't remember the rest.

1:21:50.640 --> 1:21:53.200
<v Speaker 3>That's a great memory because that line.

1:21:53.360 --> 1:21:55.960
<v Speaker 1>Talked about it when we did the recap of the episode, like,

1:21:56.640 --> 1:21:59.360
<v Speaker 1>you know, you you come in and we're like, how

1:21:59.360 --> 1:21:59.800
<v Speaker 1>does he know?

1:22:00.200 --> 1:22:01.120
<v Speaker 3>Are they old partners?

1:22:01.120 --> 1:22:01.200
<v Speaker 5>Like?

1:22:01.200 --> 1:22:02.680
<v Speaker 1>And then you find out he took his class at

1:22:02.680 --> 1:22:06.040
<v Speaker 1>the academy. But you're right like right away, you know, oh,

1:22:06.080 --> 1:22:08.439
<v Speaker 1>this is like a guy that one of these guest

1:22:08.439 --> 1:22:10.960
<v Speaker 1>stars that comes in and plays by his own rules,

1:22:11.080 --> 1:22:11.800
<v Speaker 1>you know, and.

1:22:12.040 --> 1:22:13.519
<v Speaker 3>That you just says it right there.

1:22:13.560 --> 1:22:17.200
<v Speaker 1>So glad you want for that line because it definitely

1:22:17.320 --> 1:22:18.280
<v Speaker 1>still works.

1:22:18.840 --> 1:22:21.200
<v Speaker 2>Yeah, and yeah you were a dressed in all black.

1:22:21.280 --> 1:22:23.320
<v Speaker 2>Did you know any of the actors beforehand?

1:22:24.240 --> 1:22:24.439
<v Speaker 5>No?

1:22:24.920 --> 1:22:28.840
<v Speaker 4>Oh yeah yeah yeah Belzer Belser, Yeah, we did a

1:22:28.880 --> 1:22:31.400
<v Speaker 4>movie in nineteen ninety in Miami called.

1:22:33.200 --> 1:22:37.599
<v Speaker 5>Oh Crap. It was with Cindy lawper Cool.

1:22:37.640 --> 1:22:39.040
<v Speaker 3>Oh my gosh. Wow.

1:22:39.240 --> 1:22:41.400
<v Speaker 2>Yeah, she's married to one of the lawyers on the

1:22:41.439 --> 1:22:45.799
<v Speaker 2>show which where oh yeah, yeah, yeah, he's a recurring lawyer.

1:22:45.880 --> 1:22:46.519
<v Speaker 3>Her husband.

1:22:47.200 --> 1:22:48.080
<v Speaker 5>Is that David?

1:22:48.760 --> 1:22:51.439
<v Speaker 3>Yes, yes, see David.

1:22:51.680 --> 1:22:53.559
<v Speaker 4>David had a small part in the movie too, and

1:22:53.600 --> 1:22:55.759
<v Speaker 4>he was down there all the time and we became friends.

1:22:55.760 --> 1:22:57.599
<v Speaker 5>But I haven't talked to I haven't talked.

1:22:57.360 --> 1:23:00.560
<v Speaker 4>To I ran into Cindy at the d n C,

1:23:02.680 --> 1:23:07.280
<v Speaker 4>but I haven't I haven't reconnected with David. But yeah,

1:23:07.360 --> 1:23:11.120
<v Speaker 4>that's that's how I knew Belzer, and we've remained friends.

1:23:11.200 --> 1:23:13.800
<v Speaker 4>So we went out to dinner, and you know, I

1:23:13.880 --> 1:23:16.160
<v Speaker 4>just love Belzer. I love being around him. I love

1:23:16.200 --> 1:23:17.360
<v Speaker 4>here and everything he says.

1:23:17.560 --> 1:23:20.479
<v Speaker 5>I love him politically, Yeah, you know, he just he's

1:23:20.600 --> 1:23:22.320
<v Speaker 5>just one of my heroes.

1:23:22.640 --> 1:23:24.719
<v Speaker 3>Often running nineteen ninety one.

1:23:24.800 --> 1:23:25.320
<v Speaker 5>That's it.

1:23:25.479 --> 1:23:27.280
<v Speaker 3>Yeah, often running our producer.

1:23:28.000 --> 1:23:31.160
<v Speaker 4>I think the original titles Moon over Miami and they

1:23:31.240 --> 1:23:31.600
<v Speaker 4>changed it.

1:23:31.840 --> 1:23:36.639
<v Speaker 2>Okay, Okay, the cover is so cute. It's a drawing

1:23:36.680 --> 1:23:37.360
<v Speaker 2>of you guys.

1:23:38.200 --> 1:23:41.000
<v Speaker 5>Yeah, those drawings are always really great.

1:23:42.600 --> 1:23:44.360
<v Speaker 3>You I love it.

1:23:46.040 --> 1:23:49.280
<v Speaker 2>Well, now I'm seeing the two Jakes in here. That's wild.

1:23:49.360 --> 1:23:51.000
<v Speaker 2>I was just talking about film Newark. Someone told me

1:23:51.000 --> 1:23:53.080
<v Speaker 2>to watch Chinatown today. I can't even believe it.

1:23:53.640 --> 1:23:56.519
<v Speaker 5>Watched Chinatown and watch the two Jakes back to back.

1:23:56.600 --> 1:23:59.639
<v Speaker 3>I can't wait because they're what.

1:24:00.960 --> 1:24:03.920
<v Speaker 5>Well, there is a twenty year sequel.

1:24:04.000 --> 1:24:09.559
<v Speaker 4>Twenty years later, Jack plays the same character, and I'm

1:24:09.600 --> 1:24:12.599
<v Speaker 4>the son. I played the son who's now a detective

1:24:12.640 --> 1:24:17.080
<v Speaker 4>of one of the original Nemesis Police Nemesis of Jack's character,

1:24:17.360 --> 1:24:21.839
<v Speaker 4>Jake Gidtis And yeah, but you know, Jack wrote that script,

1:24:21.880 --> 1:24:25.479
<v Speaker 4>so it's man, it's as hard to follow as sitting

1:24:25.640 --> 1:24:31.960
<v Speaker 4>with him in a long conversations it is. It's I

1:24:32.040 --> 1:24:34.040
<v Speaker 4>read the script and when I went to see the movie,

1:24:34.080 --> 1:24:38.200
<v Speaker 4>I was like, now, what, Oh, yeah, you know. Yeah,

1:24:38.240 --> 1:24:43.559
<v Speaker 4>it's very very meticulously built, and that a lot of

1:24:44.040 --> 1:24:48.639
<v Speaker 4>you know, misleading information intentionally, so it's an interesting movie.

1:24:48.880 --> 1:24:50.200
<v Speaker 3>Wow. Cool.

1:24:50.280 --> 1:24:52.439
<v Speaker 1>I got to watch that. I've seen Chinatown, but not

1:24:52.479 --> 1:24:54.719
<v Speaker 1>the two Jakes. I got to watch that, and.

1:24:54.680 --> 1:24:57.240
<v Speaker 4>I loved working with Jack. He directed it as well,

1:24:57.280 --> 1:25:01.440
<v Speaker 4>and he's the reason I became an actor. His performance

1:25:01.479 --> 1:25:05.880
<v Speaker 4>An Easy Writer is when I switched from wanting to

1:25:05.880 --> 1:25:08.360
<v Speaker 4>be a trial lawyer to wanting to be an actor.

1:25:08.840 --> 1:25:09.120
<v Speaker 3>Wow.

1:25:09.160 --> 1:25:11.559
<v Speaker 4>When he did that little role an Easy Writer, I

1:25:11.640 --> 1:25:15.200
<v Speaker 4>just went, I can do that. That's the kind of

1:25:15.240 --> 1:25:17.439
<v Speaker 4>actor I want to be. I never really wanted to

1:25:17.439 --> 1:25:19.920
<v Speaker 4>be a leading man. Of course, Jack's both. He's a

1:25:20.040 --> 1:25:23.439
<v Speaker 4>character leading man and that's it's always the dream. But

1:25:23.560 --> 1:25:27.400
<v Speaker 4>there's just so many, so much room for character leading men.

1:25:27.520 --> 1:25:29.479
<v Speaker 4>You know, they either have to be good looking or

1:25:30.520 --> 1:25:31.880
<v Speaker 4>o never both.

1:25:33.400 --> 1:25:34.320
<v Speaker 3>Oh god, cool.

1:25:34.560 --> 1:25:36.840
<v Speaker 2>So when you get on set or you meet Jack,

1:25:36.960 --> 1:25:38.880
<v Speaker 2>did you meet him before? Do you let him know

1:25:38.960 --> 1:25:40.960
<v Speaker 2>like you're the reason I become an actor? Or do

1:25:41.040 --> 1:25:42.519
<v Speaker 2>you kind of keep it cool?

1:25:43.080 --> 1:25:45.080
<v Speaker 4>No? No, No, I told him he was the reason I

1:25:45.160 --> 1:25:48.880
<v Speaker 4>became an actor. But that was several years before, maybe

1:25:48.880 --> 1:25:50.280
<v Speaker 4>a decade before, when I met.

1:25:50.240 --> 1:25:53.800
<v Speaker 5>Him at on the Rocks, lou Adler's place on Sunset.

1:25:54.760 --> 1:25:57.439
<v Speaker 4>I was there with my manager, Aaron Russ Russo, and

1:25:57.520 --> 1:26:01.120
<v Speaker 4>he introduced me to Jack, and you know, we saw

1:26:01.160 --> 1:26:03.920
<v Speaker 4>each other off and on. We were always you know,

1:26:04.000 --> 1:26:07.519
<v Speaker 4>I was always pulling for Doctor J in the seventy

1:26:07.560 --> 1:26:10.200
<v Speaker 4>six ers and he was with Showtime and the Lakers.

1:26:10.400 --> 1:26:13.000
<v Speaker 4>So when they played in eighty three, we were we

1:26:13.000 --> 1:26:14.400
<v Speaker 4>were across the court from each.

1:26:14.280 --> 1:26:18.160
<v Speaker 5>Other, you know, talking trash.

1:26:17.479 --> 1:26:20.840
<v Speaker 4>And you know, we well, we talked about sports more

1:26:20.880 --> 1:26:22.519
<v Speaker 4>than really movies.

1:26:23.000 --> 1:26:26.559
<v Speaker 3>Yeah. And I see you're wearing a ball's hat, right.

1:26:27.000 --> 1:26:27.640
<v Speaker 5>You got it right.

1:26:27.640 --> 1:26:31.599
<v Speaker 4>I'm so glad you didn't say Texas because people see

1:26:31.600 --> 1:26:32.840
<v Speaker 4>the orange, they see the tea.

1:26:33.000 --> 1:26:35.680
<v Speaker 5>They see Texas and I say, bite your tongue. So

1:26:35.720 --> 1:26:38.040
<v Speaker 5>I'm glad to see my husband.

1:26:38.240 --> 1:26:40.880
<v Speaker 1>My husband moved to Knoxville halfway through high school and

1:26:40.880 --> 1:26:43.200
<v Speaker 1>finished high school there, and my brother in law still

1:26:43.200 --> 1:26:46.320
<v Speaker 1>lives there. So I've been in Knoxville a bunch of times. Yeah, yeah,

1:26:46.400 --> 1:26:48.920
<v Speaker 1>I found a bunch. It's really it's a it's a

1:26:48.960 --> 1:26:51.400
<v Speaker 1>great tone. Yeah, But I've been there on game day

1:26:51.439 --> 1:26:55.120
<v Speaker 1>where it's like the streets are like empty because everyone's

1:26:55.160 --> 1:26:55.800
<v Speaker 1>just at the game.

1:26:55.840 --> 1:26:58.840
<v Speaker 3>And then you just see all the burnt orange color

1:26:58.880 --> 1:26:59.280
<v Speaker 3>come out.

1:27:00.240 --> 1:27:06.519
<v Speaker 4>Not burnt what is Texas? Well, it's just regular orange orange. Yeah,

1:27:06.840 --> 1:27:09.760
<v Speaker 4>And it's the color of an orange peel, really, and

1:27:10.160 --> 1:27:14.519
<v Speaker 4>and all the other oranges like Syracuse are that you know,

1:27:15.080 --> 1:27:19.360
<v Speaker 4>traffic cone orange, and Clemson and all they're they're that,

1:27:20.320 --> 1:27:23.799
<v Speaker 4>you know, very bright orange, and we're a little more muted.

1:27:24.080 --> 1:27:27.000
<v Speaker 5>But Ora, you know where the color came from.

1:27:27.080 --> 1:27:30.439
<v Speaker 4>It actually came for the yellow and white daisies that

1:27:30.600 --> 1:27:33.719
<v Speaker 4>grew on up on airshol back in the eighteen hundreds

1:27:33.720 --> 1:27:37.000
<v Speaker 4>when the team was first founded, and they took those.

1:27:37.040 --> 1:27:39.960
<v Speaker 4>So it was a yellow orange yellow at first and

1:27:40.000 --> 1:27:41.680
<v Speaker 4>then darkened as the years went on.

1:27:41.880 --> 1:27:43.320
<v Speaker 5>That's that's where they actually go.

1:27:43.600 --> 1:27:46.400
<v Speaker 3>Are a historian of the Valls. I love that.

1:27:46.640 --> 1:27:50.479
<v Speaker 4>Well, the thing around here is the falls are too

1:27:50.560 --> 1:27:58.320
<v Speaker 4>important to enjoys. It transcends funk because it's like having

1:27:58.360 --> 1:28:04.120
<v Speaker 4>a close relative major surgery every Friday, and will they

1:28:04.200 --> 1:28:07.559
<v Speaker 4>live or it's just you know, my father, you didn't

1:28:07.560 --> 1:28:10.559
<v Speaker 4>go around until about Wednesday if Tennessee lost a football game,

1:28:11.439 --> 1:28:15.080
<v Speaker 4>And it's just my grandfather's were going, you know, shortly

1:28:15.120 --> 1:28:18.200
<v Speaker 4>after the turn of the century, and our tickets have

1:28:18.240 --> 1:28:23.040
<v Speaker 4>been We've had these same tickets for four generations. Now

1:28:23.120 --> 1:28:28.519
<v Speaker 4>my kids are the fourth generation. And did they go there, Well,

1:28:28.760 --> 1:28:32.760
<v Speaker 4>my son's thirteen, but my daughter's twenty three, and she

1:28:33.439 --> 1:28:35.680
<v Speaker 4>recently got a theater degree and has moved to New

1:28:35.720 --> 1:28:37.320
<v Speaker 4>York and trying to be an actress.

1:28:37.800 --> 1:28:38.439
<v Speaker 5>She went there.

1:28:38.720 --> 1:28:42.920
<v Speaker 4>Yeah, I think he probably will too. I do have

1:28:43.040 --> 1:28:46.320
<v Speaker 4>one other interesting you know, I thought we'd be talking

1:28:46.360 --> 1:28:50.879
<v Speaker 4>about SVU. Well we were there, so I had planned

1:28:50.960 --> 1:28:53.080
<v Speaker 4>you know, the script, the script part.

1:28:53.160 --> 1:28:56.040
<v Speaker 5>So Ted, as I said, was directing this episode.

1:28:56.200 --> 1:29:00.160
<v Speaker 4>And this was at the end of a shoot that

1:29:00.320 --> 1:29:04.400
<v Speaker 4>instead of one season, they shot two seasons with no hiatus.

1:29:05.000 --> 1:29:10.400
<v Speaker 4>WHOA and the cast was just.

1:29:12.520 --> 1:29:16.200
<v Speaker 5>It was just exhausted. They were sick of it.

1:29:16.280 --> 1:29:19.160
<v Speaker 4>They wanted a break, and this was the last show.

1:29:20.439 --> 1:29:24.240
<v Speaker 4>So Ted comes in and he shoots this thing like

1:29:24.320 --> 1:29:29.080
<v Speaker 4>a movie. I mean more setups per day, Like you'd

1:29:29.080 --> 1:29:31.759
<v Speaker 4>think you'd finish the scene and he'd have like six

1:29:31.880 --> 1:29:35.080
<v Speaker 4>more angles he wanted to shoot. And I was loving

1:29:35.080 --> 1:29:39.280
<v Speaker 4>it because to me, what I dreaded about TV was

1:29:39.320 --> 1:29:41.400
<v Speaker 4>that it would just be, you know, shoot a master,

1:29:41.520 --> 1:29:44.679
<v Speaker 4>shoot four close ups and move on. And he shot

1:29:44.720 --> 1:29:49.719
<v Speaker 4>it like a like a like an expensive movie, and

1:29:49.920 --> 1:29:52.559
<v Speaker 4>so it was really wearing the kids out there, long

1:29:52.720 --> 1:29:56.840
<v Speaker 4>long days, fourteen fifteen sixteen hour days, and the cast

1:29:56.920 --> 1:30:02.040
<v Speaker 4>was just over it. And I was like, yeah, oh yeah,

1:30:02.080 --> 1:30:02.840
<v Speaker 4>I was thinking of that.

1:30:02.920 --> 1:30:04.479
<v Speaker 5>I know, if you'd have time to do it all,

1:30:04.560 --> 1:30:05.559
<v Speaker 5>we have time to do it.

1:30:05.840 --> 1:30:09.280
<v Speaker 4>So I was in heaven with Ted working our asses often,

1:30:10.200 --> 1:30:13.679
<v Speaker 4>but the rest cast of not so much.

1:30:14.400 --> 1:30:19.000
<v Speaker 2>Well, it probably helps Sabler's character, but also Saylor's kind

1:30:19.000 --> 1:30:21.840
<v Speaker 2>of over it during all this. You know, Maloney is

1:30:22.000 --> 1:30:24.799
<v Speaker 2>like annoyed with the like he's in a bad mood.

1:30:24.920 --> 1:30:26.760
<v Speaker 3>So maybe a little bit.

1:30:26.880 --> 1:30:27.080
<v Speaker 5>Yeah.

1:30:27.120 --> 1:30:30.960
<v Speaker 4>Well, you know, they were always great to me and

1:30:30.960 --> 1:30:33.559
<v Speaker 4>always friendly with me, and you know, it was never

1:30:34.320 --> 1:30:38.519
<v Speaker 4>like oh, David's on Ted's side, but you know, and

1:30:38.520 --> 1:30:41.120
<v Speaker 4>I told him, I said, look, man, you know, i

1:30:41.160 --> 1:30:43.439
<v Speaker 4>haven't worked in two or three months and I'm just

1:30:43.600 --> 1:30:46.720
<v Speaker 4>digging this and christ just goes, yeah, but we are

1:30:47.160 --> 1:30:48.639
<v Speaker 4>just so tired.

1:30:48.840 --> 1:30:51.599
<v Speaker 5>Yeah yeah, I said, I got it, buddy, I got it.

1:30:51.640 --> 1:30:54.479
<v Speaker 4>But you know, so I was hopping around the set,

1:30:54.640 --> 1:30:57.519
<v Speaker 4>you know, happier in a big and poop.

1:30:58.040 --> 1:30:58.479
<v Speaker 3>Yeah.

1:30:58.640 --> 1:31:00.680
<v Speaker 1>Well, we've talked to a couple of the regulars that

1:31:00.800 --> 1:31:02.760
<v Speaker 1>said that, like, that's what's so great about the way

1:31:02.800 --> 1:31:05.200
<v Speaker 1>that the show is set up like that, guest stars

1:31:05.240 --> 1:31:07.679
<v Speaker 1>come in with all this energy and like new energy

1:31:07.720 --> 1:31:09.680
<v Speaker 1>for them all the time, you know, so that they

1:31:09.720 --> 1:31:12.160
<v Speaker 1>didn't get bored with I think doing the same kind

1:31:12.200 --> 1:31:14.519
<v Speaker 1>of show and like a procedural and you know, the

1:31:14.560 --> 1:31:16.840
<v Speaker 1>same cast, Like they get people like you that come

1:31:16.880 --> 1:31:19.360
<v Speaker 1>in and are like, yeah, you know, so, I bet you,

1:31:19.840 --> 1:31:22.120
<v Speaker 1>I bet you helped their energy levels a little bit.

1:31:22.760 --> 1:31:25.800
<v Speaker 3>Well yeas. And also shot like a movie. I mean

1:31:25.800 --> 1:31:27.240
<v Speaker 3>it was told kind of like a movie.

1:31:27.360 --> 1:31:29.280
<v Speaker 2>Will you tell us do you remember shooting the scene

1:31:29.320 --> 1:31:32.439
<v Speaker 2>where you finally have come to terms the innocent man

1:31:32.520 --> 1:31:36.679
<v Speaker 2>is in jail, You're drinking, there's bottles, there's papers, it's

1:31:36.680 --> 1:31:37.320
<v Speaker 2>all hitting you.

1:31:39.160 --> 1:31:41.360
<v Speaker 5>I remember, I remember shooting a scene. It was the

1:31:41.439 --> 1:31:42.639
<v Speaker 5>last shot of the night.

1:31:43.400 --> 1:31:47.400
<v Speaker 4>And I was kind of acted out at this point,

1:31:47.800 --> 1:31:49.680
<v Speaker 4>and so I just kind of hung in there and

1:31:50.200 --> 1:31:51.800
<v Speaker 4>try to do the best I could. I was that

1:31:51.960 --> 1:31:55.600
<v Speaker 4>was probably the scene, the only scene will That was

1:31:55.640 --> 1:31:58.280
<v Speaker 4>probably the scene of mine that I was least proud of.

1:31:58.720 --> 1:32:02.120
<v Speaker 4>I thought I had another, should have given another twenty

1:32:02.120 --> 1:32:06.280
<v Speaker 4>five to thirty percent in that scene, and I was drained,

1:32:06.880 --> 1:32:07.679
<v Speaker 4>completely drained.

1:32:07.760 --> 1:32:08.599
<v Speaker 5>Now if you'll.

1:32:08.400 --> 1:32:11.639
<v Speaker 4>Remember, do you remember how that scene started the pan

1:32:11.720 --> 1:32:16.040
<v Speaker 4>across all the stuff. Yeah, started on a Tennessee football helmet.

1:32:16.120 --> 1:32:19.599
<v Speaker 1>Oh my god, you got some little props in there.

1:32:20.439 --> 1:32:23.519
<v Speaker 5>I get him into almost everything I do, And I'll

1:32:23.520 --> 1:32:24.840
<v Speaker 5>tell you this is how I do it.

1:32:25.560 --> 1:32:27.960
<v Speaker 4>I first start with the director and say do you

1:32:28.040 --> 1:32:30.200
<v Speaker 4>want me to use my accent or not?

1:32:31.240 --> 1:32:33.240
<v Speaker 5>And if they say yeah, I like.

1:32:33.240 --> 1:32:35.240
<v Speaker 4>The accent, you know, which most of the time they do,

1:32:35.960 --> 1:32:41.240
<v Speaker 4>and I'll say, well, maybe he's from Tennessee. Maybe in

1:32:41.280 --> 1:32:44.519
<v Speaker 4>his backstory he even played football at Tennessee. So what

1:32:44.600 --> 1:32:47.400
<v Speaker 4>about some Tennessee props I can get him sent for free?

1:32:47.760 --> 1:32:50.400
<v Speaker 4>And they said, well, no, they're copywriter. You can't put

1:32:50.439 --> 1:32:53.479
<v Speaker 4>that I said no, no, no. The ut Athletic Work had

1:32:53.479 --> 1:32:56.960
<v Speaker 4>a formal letter they sent to all my productions throughout

1:32:56.960 --> 1:33:01.280
<v Speaker 4>my career saying it's fine to use Tennessee anything David

1:33:01.360 --> 1:33:02.160
<v Speaker 4>wants to use it.

1:33:02.280 --> 1:33:04.640
<v Speaker 3>I love that. That's so funny.

1:33:05.520 --> 1:33:08.320
<v Speaker 4>I have a power Toat tattooed on my left shoulder

1:33:08.400 --> 1:33:10.840
<v Speaker 4>and in Hawaii Oh, I had a sleeveless shirt on

1:33:10.920 --> 1:33:14.800
<v Speaker 4>and they featured that featured the tattoo in one of

1:33:14.840 --> 1:33:15.840
<v Speaker 4>the shots.

1:33:16.120 --> 1:33:18.479
<v Speaker 3>Are you the number one fan? You must be the

1:33:18.560 --> 1:33:21.000
<v Speaker 3>number one for generation?

1:33:21.680 --> 1:33:26.360
<v Speaker 4>I would say there are hundreds of thousands.

1:33:25.800 --> 1:33:28.320
<v Speaker 5>Of these people just like me.

1:33:28.640 --> 1:33:29.200
<v Speaker 1>Wow.

1:33:29.680 --> 1:33:33.519
<v Speaker 2>Yeah, I have an acting question for you. Sure you're saying,

1:33:33.720 --> 1:33:35.439
<v Speaker 2>you know you look back on that scene and you're

1:33:35.479 --> 1:33:38.000
<v Speaker 2>disappointed in it. What do you do when you leave

1:33:38.040 --> 1:33:40.519
<v Speaker 2>SAT and you're like fuck, like there's nothing you can do.

1:33:40.680 --> 1:33:44.200
<v Speaker 3>How do you deal with that? You're just haunted for decades.

1:33:44.560 --> 1:33:46.400
<v Speaker 4>I just went home and fell in the bed and

1:33:46.400 --> 1:33:48.880
<v Speaker 4>went to sleep. No, I'm not haunted for decades. And

1:33:48.920 --> 1:33:52.680
<v Speaker 4>you know, when I watch it, I don't think anybody

1:33:52.720 --> 1:33:56.639
<v Speaker 4>else is going to feel like I short. It's only

1:33:56.720 --> 1:33:59.000
<v Speaker 4>me because I know I have more.

1:33:59.600 --> 1:34:01.040
<v Speaker 5>I know I knew that.

1:34:02.680 --> 1:34:05.160
<v Speaker 4>Probably have we had we shot that scene earlier in

1:34:05.200 --> 1:34:07.519
<v Speaker 4>the day, I could have done more with it, but

1:34:07.600 --> 1:34:08.799
<v Speaker 4>I was just drained.

1:34:09.120 --> 1:34:09.599
<v Speaker 5>Was empty.

1:34:10.200 --> 1:34:13.599
<v Speaker 4>Tank was empty? Yeah, yeah, not totally empty. So so

1:34:13.680 --> 1:34:17.880
<v Speaker 4>I think the scene is fine. I'm not like, see,

1:34:18.040 --> 1:34:21.960
<v Speaker 4>there's no cringe worthy aspect to it whatsoever.

1:34:22.600 --> 1:34:28.519
<v Speaker 3>It's just you know, dang, yeah we we didn't notice.

1:34:28.600 --> 1:34:30.719
<v Speaker 1>But I mean, I bet you as an actor, notice

1:34:30.760 --> 1:34:32.479
<v Speaker 1>you know what you want, what you wanted it to be.

1:34:32.680 --> 1:34:35.559
<v Speaker 2>You know, well, because it's a big moment, you know,

1:34:35.640 --> 1:34:38.120
<v Speaker 2>he finally admits what happened.

1:34:39.560 --> 1:34:40.120
<v Speaker 3>Yeah.

1:34:40.479 --> 1:34:43.679
<v Speaker 1>My question too, is what is it about you? Because

1:34:43.720 --> 1:34:46.040
<v Speaker 1>I'm going through your IMDb. You've played a lot of cops,

1:34:46.080 --> 1:34:48.479
<v Speaker 1>a lot of detectives, a lot of more than one

1:34:48.479 --> 1:34:49.200
<v Speaker 1>guy named Hawk.

1:34:50.920 --> 1:34:52.800
<v Speaker 3>You just look like a guy that looks like a hawk.

1:34:52.920 --> 1:34:56.040
<v Speaker 1>I mean, it's like, uh, it's very interesting you you've

1:34:56.040 --> 1:34:57.920
<v Speaker 1>played a lot of I mean, do you think you

1:34:58.000 --> 1:35:01.439
<v Speaker 1>mostly play like kind of I mean, you've obviously have

1:35:01.600 --> 1:35:03.720
<v Speaker 1>over one hundred credits, You've played a million different things.

1:35:03.800 --> 1:35:06.240
<v Speaker 1>But would you say, like you play a ton of

1:35:06.720 --> 1:35:09.759
<v Speaker 1>sort of like characters like this, like this guy, like cops.

1:35:12.040 --> 1:35:16.280
<v Speaker 4>Later in my career, but you know, I used to

1:35:16.280 --> 1:35:19.080
<v Speaker 4>get to think, hey, you always played military guys. Oh yeah, right,

1:35:19.600 --> 1:35:22.160
<v Speaker 4>because that was a big part of mine, with Austin

1:35:22.200 --> 1:35:23.120
<v Speaker 4>and a gentleman and.

1:35:25.120 --> 1:35:26.880
<v Speaker 5>Behind me lines and all that stuff.

1:35:26.880 --> 1:35:30.559
<v Speaker 4>But I don't know I have I've never gone gone

1:35:30.600 --> 1:35:32.560
<v Speaker 4>back and looked at.

1:35:32.680 --> 1:35:33.800
<v Speaker 5>Which group.

1:35:35.040 --> 1:35:39.800
<v Speaker 4>Of society I have performed in the most. I'm never

1:35:39.840 --> 1:35:43.280
<v Speaker 4>really never really crossed my mind. But it seems like

1:35:43.640 --> 1:35:45.679
<v Speaker 4>I feel like I've played as many bad guys.

1:35:45.439 --> 1:35:46.240
<v Speaker 5>As I have a good guy.

1:35:46.320 --> 1:35:48.040
<v Speaker 3>Oh yeah, you know, I just.

1:35:48.160 --> 1:35:49.960
<v Speaker 5>Played a role I say justed.

1:35:50.120 --> 1:35:53.240
<v Speaker 4>We shot it in twenty twenty three, but you know

1:35:53.400 --> 1:35:57.320
<v Speaker 4>in a movie that is outstreaming now and it's going

1:35:57.400 --> 1:36:01.559
<v Speaker 4>to be on It starts on Hulu in March, and

1:36:01.600 --> 1:36:05.960
<v Speaker 4>it's called Dead Money, and it's a poker heist movie

1:36:06.479 --> 1:36:10.599
<v Speaker 4>with uh Emil Hirsch is.

1:36:10.560 --> 1:36:12.960
<v Speaker 5>The lead and I'm the villain.

1:36:13.479 --> 1:36:16.920
<v Speaker 4>I also creative executive produced it, and and you know,

1:36:16.960 --> 1:36:17.680
<v Speaker 4>I wrote a lot of.

1:36:17.680 --> 1:36:20.439
<v Speaker 5>The scenes and and really had a lot of input.

1:36:20.520 --> 1:36:23.559
<v Speaker 4>I helped I picked the director, and we did the

1:36:23.600 --> 1:36:26.720
<v Speaker 4>casting together, and so I was involved in that creatively,

1:36:27.040 --> 1:36:29.599
<v Speaker 4>you know, from soup to nuts. So I'm very proud

1:36:29.640 --> 1:36:34.040
<v Speaker 4>of that movie. And I wrote my character in there

1:36:34.080 --> 1:36:36.000
<v Speaker 4>that he had a bad dye job. So I have

1:36:36.120 --> 1:36:38.640
<v Speaker 4>my hair, you know, and my goatee.

1:36:38.680 --> 1:36:43.360
<v Speaker 5>Died this really dark brown that looks totally wrong, you.

1:36:43.320 --> 1:36:49.559
<v Speaker 3>Know, like so, but and it's too Who is just

1:36:49.640 --> 1:36:51.439
<v Speaker 3>in an episode of SPU that we covered.

1:36:52.080 --> 1:36:52.760
<v Speaker 5>Oh yeah he's in.

1:36:53.240 --> 1:36:57.240
<v Speaker 4>Yeah, yeah, I'm not not very nice to him in

1:36:57.280 --> 1:36:58.639
<v Speaker 4>that movie.

1:36:59.560 --> 1:37:02.240
<v Speaker 5>You'll see. That's all I'm gonna say. Okay, but you

1:37:02.240 --> 1:37:05.240
<v Speaker 5>should see the movie. It really is the best movie.

1:37:05.280 --> 1:37:07.800
<v Speaker 4>That's this little company I've been working with out of

1:37:07.880 --> 1:37:09.120
<v Speaker 4>Jacksonville in Atlanta.

1:37:09.760 --> 1:37:12.439
<v Speaker 5>We've done I did the first three.

1:37:12.240 --> 1:37:16.240
<v Speaker 4>Movies with him, and then they've done two more since then,

1:37:16.360 --> 1:37:23.800
<v Speaker 4>and that they're really coming of their own. But Dead

1:37:23.880 --> 1:37:27.040
<v Speaker 4>Money is the best thing that that group has produced

1:37:27.080 --> 1:37:27.360
<v Speaker 4>so far.

1:37:27.479 --> 1:37:30.040
<v Speaker 5>This out cool, but yeah, you'll like it.

1:37:30.560 --> 1:37:34.080
<v Speaker 2>You worked with our favorite Bette Middler with Drew Barrymore.

1:37:34.400 --> 1:37:38.840
<v Speaker 2>We would love to know some a story or something.

1:37:39.960 --> 1:37:42.720
<v Speaker 1>Thatt Middler's my childhood idol into adulthood.

1:37:43.800 --> 1:37:46.839
<v Speaker 4>Well that was Mars. Yeah, that was my first movie.

1:37:47.040 --> 1:37:49.200
<v Speaker 4>I've done a couple of little day player roles before that,

1:37:49.240 --> 1:37:53.240
<v Speaker 4>but that was my first movie. And I was so

1:37:54.640 --> 1:37:58.679
<v Speaker 4>starstruck by her when she played in nineteen seventy three,

1:37:59.320 --> 1:38:02.280
<v Speaker 4>she did a con search here in Knoxville, and I

1:38:02.400 --> 1:38:05.000
<v Speaker 4>slept out in front of the UG ticket office in

1:38:05.080 --> 1:38:08.200
<v Speaker 4>a sleeping bag with my new puppy and was front

1:38:08.240 --> 1:38:10.960
<v Speaker 4>got front row center tickets to that. So when I

1:38:11.000 --> 1:38:15.080
<v Speaker 4>went into the meeting for you know, I told that.

1:38:15.160 --> 1:38:16.639
<v Speaker 4>When I went in the meeting, and they were very

1:38:16.920 --> 1:38:20.320
<v Speaker 4>you know, that meant a lot to Aaron Russo, who

1:38:20.360 --> 1:38:24.320
<v Speaker 4>was her manager. But I went in and read for

1:38:24.439 --> 1:38:27.880
<v Speaker 4>Nancy Clopper, the casting director, and it was this sensitive

1:38:27.920 --> 1:38:30.479
<v Speaker 4>scene in that movie where he's telling her how he

1:38:30.640 --> 1:38:33.080
<v Speaker 4>wanted always wanted to be a vet and he delivered

1:38:33.080 --> 1:38:37.160
<v Speaker 4>this cat that was breached and all that, and and

1:38:37.200 --> 1:38:39.519
<v Speaker 4>I looked up and there were tears coming down the

1:38:39.560 --> 1:38:42.320
<v Speaker 4>casting director's face, and she picked up the phone and

1:38:42.400 --> 1:38:43.720
<v Speaker 4>call the director Mark right Well.

1:38:43.840 --> 1:38:45.040
<v Speaker 5>She said, I'm bringing.

1:38:44.800 --> 1:38:47.320
<v Speaker 4>Mal over to your house right now. So I went

1:38:47.360 --> 1:38:51.639
<v Speaker 4>over there, read with him, and uh, and then nothing happened.

1:38:51.680 --> 1:38:54.080
<v Speaker 4>I didn't hear from anybody. Two months went by, so

1:38:54.120 --> 1:38:55.920
<v Speaker 4>I said, heck, I'm moving back. I'm going back to

1:38:55.960 --> 1:38:59.760
<v Speaker 4>New York. I missed my girlfriend and so I left LA.

1:39:00.000 --> 1:39:01.760
<v Speaker 4>As soon as I landed in New York and got

1:39:01.760 --> 1:39:05.400
<v Speaker 4>to the apartment, my girlfriend had made fried chicken my favorite.

1:39:05.920 --> 1:39:10.360
<v Speaker 4>The phone rings and they say, get back on a plane. Well,

1:39:10.400 --> 1:39:14.439
<v Speaker 4>that's that's not an actor story. I'll tell you one

1:39:14.520 --> 1:39:19.120
<v Speaker 4>quick Jack story. There's a scene in the Two Jakes

1:39:19.800 --> 1:39:22.839
<v Speaker 4>where I'm supposed to be waiting by the car my character,

1:39:23.240 --> 1:39:28.479
<v Speaker 4>who's this, you know, dipshit young cop. And I'm supposed

1:39:28.479 --> 1:39:30.519
<v Speaker 4>to be waiting by the car. And so they've got

1:39:30.560 --> 1:39:35.599
<v Speaker 4>a camera set up and Jack's over there and I said,

1:39:35.680 --> 1:39:37.360
<v Speaker 4>I want to try a couple of things. He said,

1:39:37.439 --> 1:39:40.679
<v Speaker 4>Keith sent you a fucking great actor. You just hold

1:39:40.760 --> 1:39:44.479
<v Speaker 4>up one finger to take one, two fingers for take two.

1:39:44.960 --> 1:39:47.720
<v Speaker 5>I'll just let the motherfucker roll.

1:39:48.280 --> 1:39:50.720
<v Speaker 4>And so he just let the camera roll, and I

1:39:50.760 --> 1:39:53.760
<v Speaker 4>did all these things, twirling my pistol and practicing my

1:39:53.880 --> 1:39:57.120
<v Speaker 4>quick drawl and all these crazy things. And that was

1:39:57.160 --> 1:40:01.439
<v Speaker 4>just a it was such a moment of freedom when

1:40:01.439 --> 1:40:05.920
<v Speaker 4>he said that. And you never really have total freedom

1:40:05.960 --> 1:40:09.320
<v Speaker 4>with any director. You know, you're in the confines of

1:40:09.680 --> 1:40:11.880
<v Speaker 4>what he sees and the limit. Now you can bring

1:40:12.040 --> 1:40:15.200
<v Speaker 4>things and you can stretch those boundaries. But that's the

1:40:15.240 --> 1:40:19.000
<v Speaker 4>only time I've ever had the boundaries removed. Yeah, and

1:40:19.120 --> 1:40:21.519
<v Speaker 4>just told do whatever you want. I mean, it's a tiny,

1:40:21.600 --> 1:40:24.559
<v Speaker 4>little scene. You know, it wasn't really dial it wasn't

1:40:24.600 --> 1:40:28.519
<v Speaker 4>dialogue or anything, but it was just amazing feeling the

1:40:29.560 --> 1:40:32.639
<v Speaker 4>best scene I ever played with the best actor.

1:40:32.680 --> 1:40:34.320
<v Speaker 5>Of course, scenes with Jack were great, but.

1:40:34.280 --> 1:40:38.559
<v Speaker 4>They weren't They weren't real, you know, they weren't deep.

1:40:39.400 --> 1:40:42.559
<v Speaker 4>And the scene I played with Gene Hackman where we

1:40:42.640 --> 1:40:46.479
<v Speaker 4>go to toe to toe in behind enemy lines, took

1:40:46.479 --> 1:40:50.160
<v Speaker 4>about three hours to shoot. And that is my that

1:40:50.280 --> 1:40:53.080
<v Speaker 4>is the greatest three hours I've ever spent as an actor.

1:40:54.840 --> 1:40:58.120
<v Speaker 4>No matter how deep I went, he would go just

1:40:58.160 --> 1:41:01.960
<v Speaker 4>as deep, and we just it just kept getting richer

1:41:02.200 --> 1:41:06.720
<v Speaker 4>and richer. And when it was over, I said, I

1:41:06.800 --> 1:41:08.439
<v Speaker 4>just want to tell you, Jane, that's the best three

1:41:08.479 --> 1:41:11.040
<v Speaker 4>hours I've ever ever spent as an actor.

1:41:12.080 --> 1:41:12.880
<v Speaker 5>And he was.

1:41:13.560 --> 1:41:17.400
<v Speaker 4>He was kind of a curmudgeon a little bit in

1:41:17.479 --> 1:41:20.320
<v Speaker 4>the film because he'd just come off a film where

1:41:20.360 --> 1:41:25.400
<v Speaker 4>the director was such a stickler for dialogue and Jane

1:41:25.479 --> 1:41:27.760
<v Speaker 4>was worried about and I remembering his lines, and he

1:41:27.840 --> 1:41:30.719
<v Speaker 4>was the age then that I am now seventy, and.

1:41:30.680 --> 1:41:31.200
<v Speaker 5>So he was.

1:41:31.640 --> 1:41:34.439
<v Speaker 4>He wasn't mean anybody. He was nice, said, you know,

1:41:34.479 --> 1:41:37.439
<v Speaker 4>he's friendly, but he was he was still just you

1:41:37.479 --> 1:41:40.680
<v Speaker 4>could tell it was kind of where it was. He

1:41:40.760 --> 1:41:44.160
<v Speaker 4>was in an abrasive state a little bit, and as

1:41:44.160 --> 1:41:48.680
<v Speaker 4>soon as he finished his last line in the movie,

1:41:49.000 --> 1:41:51.479
<v Speaker 4>he became this total class clown.

1:41:52.280 --> 1:41:54.679
<v Speaker 5>He was laughing, telling jokes.

1:41:55.040 --> 1:41:59.000
<v Speaker 4>He was so happy to have gotten all his dialogue done.

1:41:59.520 --> 1:42:04.360
<v Speaker 4>And it's a different person, different person, But I loved

1:42:04.479 --> 1:42:05.920
<v Speaker 4>working with him.

1:42:06.160 --> 1:42:08.400
<v Speaker 3>He's one of the greats. I mean, I love him

1:42:08.560 --> 1:42:10.639
<v Speaker 3>so much. Like that's exciting.

1:42:10.720 --> 1:42:13.559
<v Speaker 2>You have such a passion for what you do after

1:42:13.840 --> 1:42:14.800
<v Speaker 2>you know all these years.

1:42:14.840 --> 1:42:18.200
<v Speaker 4>It's nice, it's it's great when the cameras roll and

1:42:18.200 --> 1:42:22.800
<v Speaker 4>then you're working. Sitting around is the worst part. And

1:42:23.000 --> 1:42:27.679
<v Speaker 4>Ben Johnson, the famous character actor, some actors complaining about

1:42:27.800 --> 1:42:30.600
<v Speaker 4>having to wait, and he said, son, do you not

1:42:30.760 --> 1:42:33.960
<v Speaker 4>understand where, Uh, we act for free.

1:42:34.080 --> 1:42:35.040
<v Speaker 5>We're paid to wait.

1:42:36.200 --> 1:42:38.639
<v Speaker 4>The reason you make your money is to sit around

1:42:38.720 --> 1:42:41.640
<v Speaker 4>waiting to shoot. Then when you shoot, that's you do

1:42:41.720 --> 1:42:42.360
<v Speaker 4>that for nothing.

1:42:42.960 --> 1:42:46.120
<v Speaker 5>Yeah, it's kind of true. It's kind of true.

1:42:46.800 --> 1:42:49.519
<v Speaker 3>It is so true because I think about that with

1:42:49.600 --> 1:42:50.080
<v Speaker 3>stand up.

1:42:50.160 --> 1:42:51.920
<v Speaker 2>We're both stand ups and I'm on the road all

1:42:51.960 --> 1:42:54.240
<v Speaker 2>the time, and when I'm on stage doing shows, it's

1:42:54.240 --> 1:42:57.360
<v Speaker 2>my favorite thing ever. But of course, like I'm going

1:42:57.400 --> 1:42:59.080
<v Speaker 2>to get in the two hour uber, I'm going to

1:42:59.160 --> 1:42:59.880
<v Speaker 2>get on my flight.

1:43:00.080 --> 1:43:00.960
<v Speaker 3>I'm going to you know, all.

1:43:00.880 --> 1:43:03.719
<v Speaker 2>Of that is what you're getting paid for, the hotel,

1:43:05.200 --> 1:43:09.520
<v Speaker 2>you know, eating like airport food, and then the prize

1:43:09.520 --> 1:43:10.720
<v Speaker 2>is on stage.

1:43:11.439 --> 1:43:13.160
<v Speaker 5>Exactly what's next?

1:43:13.200 --> 1:43:14.920
<v Speaker 3>What do you want to do? What haven't you done?

1:43:15.000 --> 1:43:17.000
<v Speaker 2>Is there a role that you're like, I need to

1:43:17.000 --> 1:43:19.519
<v Speaker 2>play something like this, or you're just open to stuff?

1:43:19.720 --> 1:43:22.680
<v Speaker 5>What's the I'm open to stuff right now. You know

1:43:23.280 --> 1:43:24.400
<v Speaker 5>that I've written.

1:43:25.400 --> 1:43:29.400
<v Speaker 4>I'm just finishing my fourth script in the last like

1:43:29.520 --> 1:43:33.720
<v Speaker 4>six months, and I want to do I want to

1:43:33.760 --> 1:43:36.759
<v Speaker 4>do one of these scripts at least, if not more.

1:43:36.880 --> 1:43:40.400
<v Speaker 4>So I'm hoping that this little movie company that I've

1:43:40.400 --> 1:43:44.000
<v Speaker 4>been working with will come around and decide to do

1:43:44.080 --> 1:43:44.839
<v Speaker 4>one of them.

1:43:45.240 --> 1:43:47.240
<v Speaker 5>And I think I didn't.

1:43:47.040 --> 1:43:49.759
<v Speaker 4>Know I could write, and and I'm very very happy

1:43:49.800 --> 1:43:50.799
<v Speaker 4>with stuff I'm writing.

1:43:51.160 --> 1:43:51.719
<v Speaker 3>That's great.

1:43:52.720 --> 1:43:56.040
<v Speaker 4>I never thought I could even get started, and it

1:43:56.280 --> 1:43:59.719
<v Speaker 4>just flows better than I ever dreamed.

1:44:00.160 --> 1:44:02.519
<v Speaker 5>So I'm really happy with these And do.

1:44:02.520 --> 1:44:05.439
<v Speaker 3>You want to direct them?

1:44:05.640 --> 1:44:06.679
<v Speaker 5>Yes? Everything?

1:44:07.360 --> 1:44:08.719
<v Speaker 3>Yeah.

1:44:08.880 --> 1:44:11.479
<v Speaker 4>The main thing is if you're asking about a plug,

1:44:11.520 --> 1:44:13.360
<v Speaker 4>the main thing I want to plug is dead money,

1:44:13.439 --> 1:44:16.360
<v Speaker 4>oh bad money with me and Emile Hurstad.

1:44:16.360 --> 1:44:19.519
<v Speaker 5>Money on starts on Hulu in March.

1:44:19.920 --> 1:44:23.200
<v Speaker 3>Amazing, okay, perfect, this will come out just in time

1:44:23.240 --> 1:44:23.559
<v Speaker 3>for that.

1:44:24.640 --> 1:44:25.040
<v Speaker 5>Yeah.

1:44:25.080 --> 1:44:28.120
<v Speaker 3>Cool, that's cool. I'm glad you're getting so fun. Yeah,

1:44:28.120 --> 1:44:28.840
<v Speaker 3>this was great.

1:44:30.160 --> 1:44:32.280
<v Speaker 1>Thank you so much, David, will let you will let

1:44:32.320 --> 1:44:36.600
<v Speaker 1>you go, and we will make sure everybody's going to

1:44:36.600 --> 1:44:37.600
<v Speaker 1>see Dead Money.

1:44:37.920 --> 1:44:38.200
<v Speaker 5>Cool.

1:44:39.080 --> 1:44:40.400
<v Speaker 3>All right, thanks David.

1:44:44.640 --> 1:44:47.080
<v Speaker 2>I mean that was really fun. Love talking to him.

1:44:47.120 --> 1:44:49.920
<v Speaker 2>When an unhinged, wild episode, I know.

1:44:50.160 --> 1:44:54.240
<v Speaker 1>I mean it's also because this is season three, he

1:44:54.400 --> 1:44:58.519
<v Speaker 1>might be like the prototype of like the first guy

1:44:58.600 --> 1:45:00.880
<v Speaker 1>that comes in and knows the case tries to act

1:45:00.880 --> 1:45:03.040
<v Speaker 1>like he knows the case better than you know, Like

1:45:03.120 --> 1:45:07.200
<v Speaker 1>we just had Delroy Lindo, We've had you know, I.

1:45:07.200 --> 1:45:09.559
<v Speaker 3>Feel like Anthony Anderson did that. Yeah.

1:45:10.760 --> 1:45:13.519
<v Speaker 1>Yeah, even Erica Christiansen to a degree, is that kind

1:45:13.560 --> 1:45:16.400
<v Speaker 1>of character. Like these characters that just come in and

1:45:16.439 --> 1:45:18.639
<v Speaker 1>like think that they know better than Benson and Stabler

1:45:18.640 --> 1:45:22.280
<v Speaker 1>and then like they have to all work together to.

1:45:21.439 --> 1:45:24.080
<v Speaker 3>Teach that, you know, teamwork makes the dream work.

1:45:24.120 --> 1:45:27.080
<v Speaker 1>But but yeah, this episode is wild.

1:45:27.280 --> 1:45:31.160
<v Speaker 3>It's also it's so freaky because this one.

1:45:31.080 --> 1:45:34.800
<v Speaker 1>I felt had a really really graphic violence against the

1:45:34.880 --> 1:45:37.639
<v Speaker 1>victims and that they sort of like showed parts of it,

1:45:38.040 --> 1:45:39.840
<v Speaker 1>and then the guy who ends up doing it is

1:45:39.880 --> 1:45:43.280
<v Speaker 1>like so just like innocuous, you know, Like when it

1:45:43.320 --> 1:45:45.400
<v Speaker 1>was the guy in baggage, You're like, yeah, that guy

1:45:45.439 --> 1:45:47.599
<v Speaker 1>looks like he would fucking kill you, like for some reason,

1:45:47.600 --> 1:45:50.200
<v Speaker 1>Like the way he was like sneering. This guy did

1:45:50.240 --> 1:45:53.080
<v Speaker 1>truly look just like an unassuming accountant with like.

1:45:54.000 --> 1:45:56.920
<v Speaker 2>I don't trust an accountant. That's I mean a dangerous

1:45:56.960 --> 1:46:02.400
<v Speaker 2>type of person. So yeah, but like suspicious.

1:46:02.520 --> 1:46:03.080
<v Speaker 3>I don't know.

1:46:03.160 --> 1:46:05.000
<v Speaker 1>It just scared me so much the way he was

1:46:05.040 --> 1:46:07.160
<v Speaker 1>just in that woman's apartment, just having wine with her,

1:46:07.200 --> 1:46:08.679
<v Speaker 1>and now she acted like that was no big deal.

1:46:08.920 --> 1:46:11.559
<v Speaker 1>She also is deeply stupid for letting like an IRS

1:46:11.600 --> 1:46:12.719
<v Speaker 1>agent like into her home.

1:46:12.760 --> 1:46:14.400
<v Speaker 2>She was scared she was gonna get fucked you know

1:46:14.439 --> 1:46:17.400
<v Speaker 2>what I mean, Yeah, fucked over financially.

1:46:16.880 --> 1:46:19.000
<v Speaker 1>Yeah, but she was gonna get her teeth fucking knocked

1:46:19.040 --> 1:46:21.519
<v Speaker 1>out and murdered I know of.

1:46:21.720 --> 1:46:24.200
<v Speaker 3>And it's like, you never like to hear Melinda Warner go.

1:46:25.600 --> 1:46:27.559
<v Speaker 1>With what this woman went through death was a blessing,

1:46:27.640 --> 1:46:29.879
<v Speaker 1>Like you never want to hear that from someone who's seen.

1:46:29.760 --> 1:46:32.719
<v Speaker 3>Everything, you know, that is the worst.

1:46:33.160 --> 1:46:36.559
<v Speaker 2>Like she was like this was bud, but Also, I

1:46:36.560 --> 1:46:38.680
<v Speaker 2>can't believe he got away with biting the victims for

1:46:38.680 --> 1:46:40.839
<v Speaker 2>as long as he did with dental stuff.

1:46:41.400 --> 1:46:41.760
<v Speaker 3>I know.

1:46:43.479 --> 1:46:46.000
<v Speaker 2>That's true, or why they would have to exhume the

1:46:46.040 --> 1:46:49.480
<v Speaker 2>body if they had the dental records from the past crimes.

1:46:50.160 --> 1:46:52.840
<v Speaker 1>Yeah again season three. I don't feel like they were

1:46:52.840 --> 1:46:55.200
<v Speaker 1>always connecting all the dots in the very early seasons.

1:46:55.240 --> 1:46:57.160
<v Speaker 1>I didn't think they thought we were be They maybe

1:46:57.200 --> 1:46:58.400
<v Speaker 1>didn't know the show was going to be on for

1:46:58.400 --> 1:47:00.519
<v Speaker 1>twenty five years and that some of us would just

1:47:00.560 --> 1:47:03.800
<v Speaker 1>be watching every episode seventy five times and earning a

1:47:03.840 --> 1:47:05.400
<v Speaker 1>law degree from watching it.

1:47:05.520 --> 1:47:06.840
<v Speaker 3>So I don't know.

1:47:07.160 --> 1:47:09.960
<v Speaker 1>I do feel like we find holes all the time

1:47:10.000 --> 1:47:12.920
<v Speaker 1>in a lot of these episodes, but I don't know

1:47:12.960 --> 1:47:15.880
<v Speaker 1>what we what's the big takeaway lesson? I mean, definitely

1:47:15.920 --> 1:47:18.040
<v Speaker 1>that the cops are constantly don't.

1:47:17.880 --> 1:47:21.439
<v Speaker 2>Put away someone into jail that didn't do it so

1:47:21.520 --> 1:47:23.679
<v Speaker 2>you can look like a cool cop, like but also

1:47:23.760 --> 1:47:26.000
<v Speaker 2>for none of his coworkers to be like, that's not

1:47:26.240 --> 1:47:26.599
<v Speaker 2>the guy.

1:47:26.760 --> 1:47:28.679
<v Speaker 3>He couldn't do that. Yeah.

1:47:29.320 --> 1:47:31.760
<v Speaker 2>Yeah, I just can't believe it went through try like

1:47:31.880 --> 1:47:34.479
<v Speaker 2>this many things that.

1:47:34.640 --> 1:47:35.719
<v Speaker 3>Any many years.

1:47:36.040 --> 1:47:39.639
<v Speaker 2>Yeah, for a crime where like no evidence was left behind.

1:47:39.640 --> 1:47:42.800
<v Speaker 1>I don't know it's well, and then the and in

1:47:42.840 --> 1:47:45.439
<v Speaker 1>the episode, it's like the guy was doing it. So

1:47:46.240 --> 1:47:49.280
<v Speaker 1>he was originally even on their list because he testified

1:47:49.280 --> 1:47:51.200
<v Speaker 1>to seeing the guy in the building, Like so he

1:47:51.320 --> 1:47:54.679
<v Speaker 1>was framing him on purpose, Like pretty hardcore. So you've

1:47:54.680 --> 1:47:57.400
<v Speaker 1>got a psychopath who's framing you. But also it's like,

1:47:57.880 --> 1:47:59.760
<v Speaker 1>did any of you guys have a conversation with this

1:47:59.840 --> 1:48:02.040
<v Speaker 1>man you think this is? This man is like capable

1:48:02.160 --> 1:48:06.000
<v Speaker 1>of like evading the cops on all these murders, like

1:48:06.000 --> 1:48:10.000
<v Speaker 1>the Soho strangler, like just lumbering around. I mean the

1:48:10.000 --> 1:48:13.000
<v Speaker 1>guy is like not like I don't know, he's not

1:48:13.080 --> 1:48:16.320
<v Speaker 1>a stealth killer from not meticulous.

1:48:16.520 --> 1:48:16.880
<v Speaker 3>Yeah.

1:48:17.600 --> 1:48:19.559
<v Speaker 1>Yeah, And it just also goes to show you that

1:48:19.960 --> 1:48:23.280
<v Speaker 1>Huang's profiles are seldom wrong. You know, he knew the

1:48:23.320 --> 1:48:26.400
<v Speaker 1>guy was educated white middle management.

1:48:26.640 --> 1:48:28.560
<v Speaker 3>You know he knew he knew.

1:48:28.800 --> 1:48:33.639
<v Speaker 2>And stabler fuck you with your little attitude. I mean,

1:48:33.680 --> 1:48:35.879
<v Speaker 2>but he had a right to be mad, Like obviously

1:48:35.920 --> 1:48:38.439
<v Speaker 2>that would make me mad too, But like I just

1:48:38.560 --> 1:48:41.439
<v Speaker 2>hate the vibe of like, well, now I'm going to

1:48:41.520 --> 1:48:42.760
<v Speaker 2>ruin it for all of you.

1:48:43.040 --> 1:48:45.040
<v Speaker 1>Yeah, now I'm gonna be rude to a girl who

1:48:45.080 --> 1:48:48.400
<v Speaker 1>just found her roommate dead because I'm like just pissed

1:48:48.400 --> 1:48:51.040
<v Speaker 1>that the like the justice system doesn't work all the time.

1:48:51.160 --> 1:48:54.760
<v Speaker 1>You know, He's he's got a lot going on, that

1:48:54.880 --> 1:48:58.120
<v Speaker 1>fucking guy. But they they definitely had so much in

1:48:58.160 --> 1:49:01.160
<v Speaker 1>the early seasons, like the early handful of seasons that

1:49:01.280 --> 1:49:03.840
<v Speaker 1>was like it's getting to Elliott, Like I don't think

1:49:03.880 --> 1:49:04.679
<v Speaker 1>they do that much.

1:49:04.720 --> 1:49:06.000
<v Speaker 3>With Benson.

1:49:07.200 --> 1:49:10.000
<v Speaker 1>They did so much of like, oh, this case involves

1:49:10.000 --> 1:49:11.600
<v Speaker 1>a little girl, and you guys know Elliott has a

1:49:11.600 --> 1:49:13.800
<v Speaker 1>bunch of little girls. You know, Like there was so

1:49:13.960 --> 1:49:16.040
<v Speaker 1>much like this is how it's getting in his head,

1:49:16.160 --> 1:49:18.879
<v Speaker 1>and they didn't I don't know they.

1:49:19.080 --> 1:49:22.240
<v Speaker 2>Ben's well that well, yeah, that's the thing Stablirt's family,

1:49:22.880 --> 1:49:25.519
<v Speaker 2>And with Benson, it's just like anytime there's a single

1:49:25.520 --> 1:49:28.559
<v Speaker 2>woman or an alcoholic or like a mom that's bad yeah,

1:49:28.640 --> 1:49:30.839
<v Speaker 2>or an alcoholic mom yeah.

1:49:30.720 --> 1:49:34.360
<v Speaker 3>Yeah, yeah totally, or like being popular.

1:49:33.960 --> 1:49:39.040
<v Speaker 2>In school or something, she's connected in different ways.

1:49:39.600 --> 1:49:42.280
<v Speaker 3>Yeah. I mean a good episode.

1:49:42.360 --> 1:49:44.120
<v Speaker 2>I think I've been a little too hard on it

1:49:44.160 --> 1:49:47.200
<v Speaker 2>with some of the silly like I just didn't get

1:49:47.240 --> 1:49:49.400
<v Speaker 2>the contact of it all. Like there was just these

1:49:49.479 --> 1:49:55.639
<v Speaker 2>extra additional clues that were annoying to me. Yeah, yeah,

1:49:55.680 --> 1:49:58.479
<v Speaker 2>but it's not nice because it's an amazing episode, riveting.

1:49:59.120 --> 1:50:01.640
<v Speaker 1>It is a like Honestly, as I was watching it,

1:50:01.680 --> 1:50:03.200
<v Speaker 1>I was like, I know, I've seen this one a

1:50:03.200 --> 1:50:05.120
<v Speaker 1>million times, but it kind of felt like it was

1:50:05.160 --> 1:50:06.320
<v Speaker 1>coming back to me a little bit new.

1:50:06.400 --> 1:50:07.160
<v Speaker 3>So I liked that.

1:50:09.080 --> 1:50:13.040
<v Speaker 1>And I do sort of like the serial Killer episodes

1:50:13.080 --> 1:50:15.120
<v Speaker 1>that feels like so crazy, But I do kind of

1:50:15.160 --> 1:50:16.600
<v Speaker 1>like the ones where like they've been looking for a

1:50:16.640 --> 1:50:18.240
<v Speaker 1>guy for a long time or whatever.

1:50:18.439 --> 1:50:18.640
<v Speaker 3>You know.

1:50:18.720 --> 1:50:20.479
<v Speaker 2>You know what, I'm getting an urge to watch while

1:50:20.520 --> 1:50:23.160
<v Speaker 2>I pack and shower. Well, now when I shower, when

1:50:23.160 --> 1:50:28.120
<v Speaker 2>I dry off, I want to watch the Mattress Killer one.

1:50:27.439 --> 1:50:31.880
<v Speaker 3>With oh the women? What is that one with bedtime? Yeah? Bedtime?

1:50:32.080 --> 1:50:34.960
<v Speaker 1>Yeah, the Bedtime Killer or whatever. Maybe I'll watch it

1:50:35.000 --> 1:50:37.679
<v Speaker 1>before bed tonight. That's what I'm really in the mood for.

1:50:39.240 --> 1:50:42.160
<v Speaker 1>Speaking of old crowd, A cozy little, A cozy little

1:50:42.280 --> 1:50:45.439
<v Speaker 1>like Bedtime where she liked the old butcher.

1:50:45.800 --> 1:50:50.240
<v Speaker 2>Yeah, and she keeps the old sheets. Was she she

1:50:50.280 --> 1:50:52.720
<v Speaker 2>should have won an Emmy for that one. Oh yeah,

1:50:52.760 --> 1:50:54.960
<v Speaker 2>and Margaret was crazy. We talked to Jacqueline Smith for

1:50:55.000 --> 1:50:55.960
<v Speaker 2>that one. That was awesome.

1:50:56.120 --> 1:50:56.960
<v Speaker 3>I was in step.

1:50:57.400 --> 1:51:00.280
<v Speaker 1>We talked to a Charlie's Angel. Anyway, let's move on

1:51:00.280 --> 1:51:02.439
<v Speaker 1>to what would Sister Peg Do? This is our weekly

1:51:02.479 --> 1:51:05.679
<v Speaker 1>segment where we direct you guys to an organization, an article,

1:51:05.720 --> 1:51:08.000
<v Speaker 1>a blog, a documentary, something to give you more info

1:51:08.080 --> 1:51:10.880
<v Speaker 1>about what we talked about in today's episode. And this

1:51:10.920 --> 1:51:14.559
<v Speaker 1>week for WWSPD, we'd like to point you to the

1:51:14.640 --> 1:51:17.800
<v Speaker 1>Equal Justice Initiative. This organization is committed to ending mass

1:51:17.840 --> 1:51:21.719
<v Speaker 1>incarceration and excessive punishment in the United States, challenging racial

1:51:21.720 --> 1:51:25.080
<v Speaker 1>and economic injustice, and protecting basic human rights for the

1:51:25.080 --> 1:51:29.240
<v Speaker 1>most vulnerable people in American society. Obviously, I hated hearing

1:51:29.320 --> 1:51:34.480
<v Speaker 1>about two mentally disabled men going to jail for multiple

1:51:34.840 --> 1:51:38.840
<v Speaker 1>over a decade each for crimes they didn't commit. So

1:51:39.040 --> 1:51:40.920
<v Speaker 1>organizations like this are doing a lot of work to

1:51:40.920 --> 1:51:45.080
<v Speaker 1>stop stuff like that from happening. EJI works with communities

1:51:45.080 --> 1:51:48.320
<v Speaker 1>that have been marginalized by poverty and discouraged by unequal treatment.

1:51:48.400 --> 1:51:51.640
<v Speaker 1>They also provide research and recommendations to assist advocates and

1:51:51.680 --> 1:51:54.920
<v Speaker 1>policymakers in criminal justice reform. So for more info, you

1:51:54.960 --> 1:51:57.680
<v Speaker 1>can go to EJI dot org and we link that

1:51:57.720 --> 1:52:01.320
<v Speaker 1>in our show notes as always, and we will post

1:52:01.320 --> 1:52:03.519
<v Speaker 1>it as a link in our stories, that comes out

1:52:03.560 --> 1:52:05.280
<v Speaker 1>the data this episode comes out, and then that gets

1:52:05.320 --> 1:52:08.800
<v Speaker 1>saved forever in our WWSPD highlight on our Instagram page,

1:52:08.800 --> 1:52:10.599
<v Speaker 1>which is That's Messed Up Pod. If you ever want

1:52:10.600 --> 1:52:14.799
<v Speaker 1>to go back and check out what organizations and docs

1:52:14.840 --> 1:52:17.800
<v Speaker 1>and articles we've highlighted before, they're all saved there.

1:52:18.479 --> 1:52:21.040
<v Speaker 2>Thank you so much for that, And next week we'll

1:52:21.040 --> 1:52:28.240
<v Speaker 2>be doing Gamblers Fallacy Season fifteen, episode seventeen, Boom Boom

1:52:28.400 --> 1:52:41.800
<v Speaker 2>Boom goes to the Dynamite. Thanks for listening. Bye. That's

1:52:41.840 --> 1:52:43.759
<v Speaker 2>Messed Up as an exactly right production.

1:52:44.200 --> 1:52:46.280
<v Speaker 1>If you have compliments you'd like to give us or

1:52:46.360 --> 1:52:48.599
<v Speaker 1>episodes you'd like us to cover, shoot us an email

1:52:48.600 --> 1:52:51.320
<v Speaker 1>at That's Messed uppod at gmail dot com.

1:52:51.520 --> 1:52:54.679
<v Speaker 2>Follow the podcast on Instagram at That's Messed Up Pod

1:52:54.920 --> 1:52:57.800
<v Speaker 2>and on Twitter at messed Up Pod, and follow us

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<v Speaker 2>personally at Kara Klank and Glitter Cheese.

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<v Speaker 1>As always, please see our show notes for sources and

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<v Speaker 1>more information.

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<v Speaker 2>Thank you so much to our senior producer Casey O'Brien

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<v Speaker 2>and our associate producer Christina Chamberlain, and to our.

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<v Speaker 1>Mixer John Bradley and our guest booker Patrick Cottner, and

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<v Speaker 1>to Henry Kaperski for our theme song and Carly Jean

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<v Speaker 1>Andrews for our artwork. Thank you to our executive producers,

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<v Speaker 1>Georgia hard Start, Karen Kilgarriff, Daniel Kramer, and everybody at

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<v Speaker 1>Exactly Right Media.

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<v Speaker 3>Dun Dun