WEBVTT - The Comedian Godfrey Episode Part. 2

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<v Speaker 1>Get you know, boys, it's back and reot it all

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<v Speaker 1>in your mind. Yeah, and that deep throating. This is

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<v Speaker 1>for the streets, the reel, the rail roaded, the distant franchise,

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<v Speaker 1>the Truth Escape Doulding, And they ain't know when we

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<v Speaker 1>speak the truth, so they quoted because we wrote it.

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<v Speaker 1>The North South East Coat the g B my keeping

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<v Speaker 1>your head, Bobby, it ain't no stopping and wants to

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<v Speaker 1>be drips head by then the system is so corrupt

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<v Speaker 1>they throw the rock out of their heads and then

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<v Speaker 1>blame me. Do U g B? Don't get twisted on

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<v Speaker 1>code and me and danced for no buttament biscuits. I got.

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<v Speaker 1>I got a good question for you, man. What's that?

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<v Speaker 1>So you on stage at the fucking Oscars and you're

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<v Speaker 1>telling joke somebody's wife and the husband runs up on you. Quick,

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<v Speaker 1>what's the first thing you wanna do? Well? I studied

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<v Speaker 1>have Keto foe out, so I tried maybe kick him

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<v Speaker 1>in his face, okay, or kick him may maybe low

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<v Speaker 1>kick him in the knee or something. But what what

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<v Speaker 1>if you didn't you thought that would be the last thing.

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<v Speaker 1>Then he hit me, then I would probably kick him

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<v Speaker 1>in his back if he walked away right, I'll be

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<v Speaker 1>like this, I'd be like this, what the fund trip?

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<v Speaker 1>I would like probably push him right funk out of here.

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<v Speaker 1>Man for turning on the cheek? Was that cool? Oh?

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<v Speaker 1>It made him actually got him his tickets sales went up.

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<v Speaker 1>And Will Smith's not a small dude. Well was kind

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<v Speaker 1>of a big guy. I think if because like let's say,

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<v Speaker 1>let's say Corey Holkum was on, let's just say Willie

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<v Speaker 1>d was up there, Oh, that would he would have

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<v Speaker 1>got them hands right here. Here's the thing, like when

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<v Speaker 1>he slipped it from me, I have, I have this

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<v Speaker 1>thing called discernment, right, and I would not I would

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<v Speaker 1>not have dd a that bit like I know that

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<v Speaker 1>as a line, and I know the comedians always say

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<v Speaker 1>ain't no lines, and but that doesn't imaginary line, right,

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<v Speaker 1>And unless I had a bone to pick with Will,

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<v Speaker 1>I probably wouldn't have said, well, I know I would

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<v Speaker 1>not have said that Joe. I would have had to

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<v Speaker 1>have some type of angst, you know, in regards to him,

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<v Speaker 1>you know, other than that, you know, I would not

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<v Speaker 1>tell that joke because I don't want to. I try

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<v Speaker 1>to avoid situations that will make that that will make

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<v Speaker 1>me have to engage in conflict, you know, I try to.

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<v Speaker 1>I try to avoid them type of situations because conflict

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<v Speaker 1>is costly. Even if you win, you might lose. You

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<v Speaker 1>did what I'm saying, So I try to avoid them

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<v Speaker 1>those type of situations. So if let's just say, hypothetically,

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<v Speaker 1>if it was me, of course my career would they've

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<v Speaker 1>been over right there on the spot because I would

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<v Speaker 1>have fun. Well up, I would have fun. We are

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<v Speaker 1>all the way up. You know, my career would have

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<v Speaker 1>been over right there in that moment because all that

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<v Speaker 1>old Oscar ship don't mean nothing to me like that.

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<v Speaker 1>It's cool. I'm thank y'all for letting me host the Oscars.

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<v Speaker 1>I know it's a great moment. It's a great accolade

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<v Speaker 1>for me to have in my career. But this, I

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<v Speaker 1>just this mother slapped me is one of the slapping

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<v Speaker 1>a man. It is one of the things that you

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<v Speaker 1>can do to a man. It's a slapper man. And

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<v Speaker 1>and and look, I've never been slapped by a man,

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<v Speaker 1>but I've been spit on by a man. And that

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<v Speaker 1>man will never spit on another human being in life. Okay,

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<v Speaker 1>I don't play like that, so I would like I

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<v Speaker 1>would not play like that. I like that right there.

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<v Speaker 1>I would have had the funk we are all away,

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<v Speaker 1>not just a little bit all the way to funk up.

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<v Speaker 1>I don't care about the oscars. I don't even fuck

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<v Speaker 1>about decorum. I don't even ship about all y'all talking

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<v Speaker 1>about where that was the respectful thing to do and

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<v Speaker 1>say it would have just been what it was. But

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<v Speaker 1>I'm glad I was not in that decision. And and

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<v Speaker 1>I'm glad. I'm really glad, you know. And it's easy

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<v Speaker 1>for me to say because it didn't happen to me,

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<v Speaker 1>but I'm glad that Chris did not strike him. I'm

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<v Speaker 1>glad that Chris did not hit him back, because now

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<v Speaker 1>you got two black men, two prominent black men, engage

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<v Speaker 1>in this foolish and it would just look really fucking

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<v Speaker 1>even more. And I'm and I'm not in the embarrassment.

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<v Speaker 1>To me, it's not about how other people see us.

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<v Speaker 1>It's about how we see ourselves. I don't give a

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<v Speaker 1>funk everybody else thinking or whatever. I care about how

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<v Speaker 1>we see ourselves. And that overall that was not a

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<v Speaker 1>good look for us, because there are people that young

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<v Speaker 1>comics and young entertainers and young people period who look

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<v Speaker 1>up to both of those guys and to see that

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<v Speaker 1>type of foolish ignorance. You know what I'm saying, that happened,

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<v Speaker 1>and you can't say certain ships in comedy, you know.

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<v Speaker 1>I think it's you gotta. It's textual. You're at A.

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<v Speaker 1>You're at a You're at an award show. You're gonna

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<v Speaker 1>have a different state of mind. You're at an award show.

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<v Speaker 1>Everybody's watching, families are watching Boo all right, when he

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<v Speaker 1>was that really really bad, No, I don't think it

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<v Speaker 1>was bad because g I j g I Jane looks

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<v Speaker 1>really good like dim Me Moore look good as fun

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<v Speaker 1>as g I Jane. I think I think okay, because

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<v Speaker 1>he said G I Jane, g A Jane too, that's

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<v Speaker 1>Chris rock Man. That's like within the safeness of it's

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<v Speaker 1>we're talking about movies. It's it's a celebration of movies.

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<v Speaker 1>He said, G I Jane. That's contextual to what's going on.

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<v Speaker 1>It's movies. Dem Me Moore look good as funk with

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<v Speaker 1>the shaved head. Um, Jada, you're not a bad looking lady.

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<v Speaker 1>You look good. He was saying that, and and the

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<v Speaker 1>fact that it got a laugh, she felt like boom

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<v Speaker 1>the alopecia thing, but you don't look like you have alopecia.

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<v Speaker 1>It wasn't about that. It was like, you look good,

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<v Speaker 1>but he's Chris Rock. I'm a comedian. I thought Chris

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<v Speaker 1>was in the right. I don't think he was that bad.

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<v Speaker 1>He was complimenting her, and I thought they were friends.

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<v Speaker 1>I thought he knew them like that. But then he

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<v Speaker 1>made a comment on them in and that's where that

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<v Speaker 1>comes from. It's like me, it's like we didn't bump

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<v Speaker 1>hands a few times before. I got something on my

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<v Speaker 1>chest right now, and then now here we go again.

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<v Speaker 1>And actually he probably laughed. That's that's what really laughed.

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<v Speaker 1>It was like, see now that not now, that's what

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<v Speaker 1>really really made a lot of people say, now do

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<v Speaker 1>that wasn't cool because had he had he had that reaction.

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<v Speaker 1>I think that's what you made me feel. You made

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<v Speaker 1>me feel bad. There I was cool, and then my

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<v Speaker 1>wife he was the lame. And then they said it

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<v Speaker 1>was playing. Everybody's saying it's fixed. Have you heard this ship?

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<v Speaker 1>I was like, what my thing is this? Even if

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<v Speaker 1>it was fixed, who the funk plan? That's stupid ship.

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<v Speaker 1>I'm about to win the Oscar let's go up and

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<v Speaker 1>once you smack Chris Rock, then go back and say,

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<v Speaker 1>keep my wife's name out your fucking mouth. What kind

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<v Speaker 1>of plan is that? I don't know. A people say

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<v Speaker 1>it was fixed, but I think I think we were just.

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<v Speaker 1>I think he's coming apart personally because even when in

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<v Speaker 1>his speech he goes, I'm tired of smiling people's faces

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<v Speaker 1>when I shoot. I think that he's always been a

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<v Speaker 1>good black kid for so long that he wants to

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<v Speaker 1>shake that ship. And I think, and this some people

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<v Speaker 1>may get mad at this, that Jada is part of

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<v Speaker 1>this ship man. She's part of making him feel like

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<v Speaker 1>he ain't ship. Sometimes she might maybe she throws that

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<v Speaker 1>Tupac ship in his face because he's like, oh, your

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<v Speaker 1>wraps are a little corny. Tupac had real rhymes. Parents

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<v Speaker 1>just don't understand. She never knows. I can't believe it. No,

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<v Speaker 1>I love showing untands dope. She will some time like

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<v Speaker 1>Smith fan. But I'm saying, come on rock the House

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<v Speaker 1>album before that. But I'm saying what I'm saying. But

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<v Speaker 1>what if I'm saying I remember this? Maybe she remember

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<v Speaker 1>there's a video of her filming Will and he's like,

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<v Speaker 1>could you not do that. Stop filming me. This is

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<v Speaker 1>not for your I take social media serious. And she's

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<v Speaker 1>like clowning him. Maybe maybe that it was like we're

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<v Speaker 1>not with them all the time. There could be some

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<v Speaker 1>brawl out hard arguments where he's going, why the fund

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<v Speaker 1>do you always do that to me? I don't know.

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<v Speaker 1>Maybe I don't know. And she's living off of him.

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<v Speaker 1>He's the he's the breadwinner. Funk what you heard? He's

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<v Speaker 1>the king and she's been riding off his ship for

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<v Speaker 1>a while. I'm not taking anything from Jada because I'm

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<v Speaker 1>a Jada pink I always love Jada Pinkett. But people

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<v Speaker 1>are funking with you because of Will. That's what I think.

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<v Speaker 1>Will Smith is the king. Funk what you heard? That

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<v Speaker 1>guy got record for eight movies in a role grossing

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<v Speaker 1>over a hundred million, and the residuals must be fucking crazy.

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<v Speaker 1>Well here's here's the thing. Will be all right because

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<v Speaker 1>he has character equity. Yeah, so he'll he'll be all right.

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<v Speaker 1>Uh you know, hey, he do one ship. You know,

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<v Speaker 1>it just shows that he's human. You know, Well we

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<v Speaker 1>always knew that, but sometimes people got to see that

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<v Speaker 1>type of ship. You know. That's why personally, I don't

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<v Speaker 1>mind like somebody seeing me like like going through some ship,

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<v Speaker 1>because you know sometimes because the thing is is that

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<v Speaker 1>if you if you come off too squeaky clean, when

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<v Speaker 1>you do something fucked up, it's gonna be harder for

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<v Speaker 1>you to recover. Look, man, I've done some fun in

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<v Speaker 1>the past, and I'm gonna do some fun in the future.

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<v Speaker 1>I don't know when. I don't know when, but I'm

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<v Speaker 1>telling you it's coming. And I'm trying to be a

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<v Speaker 1>better man. I'm trying my ass out. Man, I'm trying

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<v Speaker 1>to be a better man, and I'm hoping that that

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<v Speaker 1>that I don't get caught up in something. But some

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<v Speaker 1>sh it gonna happen because I'm not perfect, and I

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<v Speaker 1>don't know when somebody's go flip that switch in the light.

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<v Speaker 1>Don't come on. I don't know. I'm a black guy,

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<v Speaker 1>you know what I'm saying. I don't know. I don't know.

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<v Speaker 1>I think our business is very frustrating. There's a lot

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<v Speaker 1>of ship that they make you bottle up, especially as

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<v Speaker 1>black man in America. Holy fuck. And then I see

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<v Speaker 1>some guys I know that do stuff in the business

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<v Speaker 1>that I wouldn't do, but they're getting there here. But

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<v Speaker 1>I go, I can't do that kind of ship, and

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<v Speaker 1>I'm and it angers me. Sometimes when I go, I

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<v Speaker 1>like what, I like what I do, I feel great.

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<v Speaker 1>I wake up going, yeah, mind clear, I go. You

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<v Speaker 1>know what I mean? My ass ain't leaking none of

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<v Speaker 1>that ship. I'm good to go. I don't need a

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<v Speaker 1>butt plug or nothing. I'm not leaving a trail of

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<v Speaker 1>blood and fucking come on anguish and this PGG just day, man,

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<v Speaker 1>I just did it. I said I don't need a

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<v Speaker 1>butt plug. I said, I'm not leaking. I didn't looks

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<v Speaker 1>this guy. He said, you're not toughing this guy up.

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<v Speaker 1>I said, my buddy. I could have said, my asshole

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<v Speaker 1>just got fucked. No, I said, hey, my butts leaking.

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<v Speaker 1>I try to be as safe as I can. This

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<v Speaker 1>guy's Disney World. He gave you a talk to anybody.

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<v Speaker 1>You know what I means. Every time I talk to

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<v Speaker 1>this guy, this guy, let's make a PG. I've been

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<v Speaker 1>coaching off fucking day. All of a sudden, this guy goes, hey,

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<v Speaker 1>I might snap, and I just go, hey, hey, I

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<v Speaker 1>get no respect. I tell you, I tell you no respect.

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<v Speaker 1>I talked about my bus leaking all of a sudden,

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<v Speaker 1>he has a problem with it. Hey, man, you're nick

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<v Speaker 1>this is funny, and the motherfucker jack sleep ship talking

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<v Speaker 1>about pussy and ship. Niggas ain't shit. I'm tired of

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<v Speaker 1>this ship. Damn. Nigga can't talk about it. God, Now

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<v Speaker 1>the niggas is getting funed. We got to keep it real.

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<v Speaker 1>Kiss my ass to get old. Boys. Your motherfucker's been

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<v Speaker 1>talking about holes and ship. I said, my ass leaking

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<v Speaker 1>this motherfucker turning the church and mother bucker. You got

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<v Speaker 1>a lot of nerve. God damn. Oh, you niggas. You

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<v Speaker 1>niggas are real funny. You niggas are very funny. Ghetto boys.

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<v Speaker 1>You got a lot of goddamn nerve. Call yourself goddamn

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<v Speaker 1>ghetto boys. Fifth ward nigga, fifth goddamn war. God man,

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<v Speaker 1>you are so fucking telling, man, God damn, God Damn.

0:12:54.720 --> 0:13:02.080
<v Speaker 1>Paul Mooney, good god man, you fucking goddamn telling. Appreciate you, man, Damn.

0:13:03.240 --> 0:13:06.480
<v Speaker 1>Coming from talented guys like yourself, who I grew up

0:13:06.800 --> 0:13:09.840
<v Speaker 1>listening to, that's crazy. You know when I first heard

0:13:09.880 --> 0:13:13.720
<v Speaker 1>about you guys, I was in Chicago and we turned

0:13:13.720 --> 0:13:17.480
<v Speaker 1>to MPR NPR the end of the it's like a college.

0:13:17.600 --> 0:13:20.400
<v Speaker 1>You know, every I think every city has an MPR college.

0:13:21.000 --> 0:13:23.800
<v Speaker 1>And they were like, we're gonna be playing, We're gonna

0:13:23.800 --> 0:13:26.880
<v Speaker 1>play these new guys from out of Houston, blah blah blah.

0:13:27.040 --> 0:13:29.559
<v Speaker 1>And it was like ghetto boys, ghett old boys, and

0:13:30.120 --> 0:13:33.480
<v Speaker 1>ghett old boys don't funk with me. We're like funking

0:13:33.559 --> 0:13:37.600
<v Speaker 1>these guys and we're like playing. That's how I heard

0:13:37.640 --> 0:13:40.880
<v Speaker 1>about you, guys. Lout to Chicago, man, Chicago has been

0:13:40.920 --> 0:13:46.000
<v Speaker 1>there from day y'all, y'all show us so much God,

0:13:46.559 --> 0:13:49.360
<v Speaker 1>because we really respect Chicago, man. We really respect the

0:13:49.400 --> 0:13:51.560
<v Speaker 1>people in Chicago. And I'm gonna tell you something before

0:13:51.600 --> 0:13:55.320
<v Speaker 1>you before you jump in Chicago oftentimes get a bad rap.

0:13:55.400 --> 0:13:58.720
<v Speaker 1>It's not people. It is not the majority of people

0:13:58.720 --> 0:14:02.800
<v Speaker 1>in Chicago who It is a very small percentage of

0:14:02.800 --> 0:14:07.160
<v Speaker 1>people who are doing all they're doing all the foolishness

0:14:07.200 --> 0:14:12.520
<v Speaker 1>and you know, along with a few corrupt cops. But anyway,

0:14:12.840 --> 0:14:16.080
<v Speaker 1>just to let you know, Chicago has some of the createst,

0:14:16.120 --> 0:14:18.760
<v Speaker 1>most beautiful people that don't know about some of the

0:14:18.800 --> 0:14:22.120
<v Speaker 1>coolest people that I've ever met in my life. You

0:14:22.120 --> 0:14:25.960
<v Speaker 1>know that lives in it lives in Chicago and are

0:14:26.080 --> 0:14:30.520
<v Speaker 1>from Chicago, and we have a fantastic black community, middle class,

0:14:30.800 --> 0:14:35.080
<v Speaker 1>wealthy educated from Chicago. You got parts of the South

0:14:35.080 --> 0:14:37.280
<v Speaker 1>side of the Western black folks that are killing the

0:14:37.360 --> 0:14:40.960
<v Speaker 1>game that are all like hbc U ivy leaguers. They

0:14:41.040 --> 0:14:45.520
<v Speaker 1>got there. They're like scientists, doctors, lawyers, murdering the game.

0:14:46.200 --> 0:14:50.440
<v Speaker 1>Excuse me, sorry for that word, but they're they're they're there.

0:14:50.480 --> 0:14:53.680
<v Speaker 1>There's a strong black community and strong black president Chicago

0:14:53.880 --> 0:14:56.480
<v Speaker 1>that are not all gangbangers the funk out of here.

0:14:56.600 --> 0:14:58.920
<v Speaker 1>They just like to pump that ship up. But Chicago

0:14:59.000 --> 0:15:01.080
<v Speaker 1>is a beautiful city. You can go to a lot

0:15:01.080 --> 0:15:04.040
<v Speaker 1>of beautiful places and no one's doing ship. I mean

0:15:04.040 --> 0:15:05.760
<v Speaker 1>if you go to the gang area and throw up

0:15:05.800 --> 0:15:08.920
<v Speaker 1>some signs, yeah, but other than that, it's isolated ship.

0:15:09.560 --> 0:15:12.720
<v Speaker 1>So yeah, I shout out to my Chicago folks for real,

0:15:12.960 --> 0:15:18.320
<v Speaker 1>for real house music all day, you know what I mean. Chicago. Yeah,

0:15:18.360 --> 0:15:22.480
<v Speaker 1>But I'm saying like, yeah, man, this um the comedy,

0:15:22.680 --> 0:15:26.440
<v Speaker 1>the whole comedy. Ship. Like I'm saying, like, when I

0:15:26.480 --> 0:15:29.080
<v Speaker 1>look at the business, I go, man, I wish you

0:15:29.120 --> 0:15:31.640
<v Speaker 1>know you can just go hey, I'm gonna take the

0:15:31.720 --> 0:15:34.280
<v Speaker 1>road of integrity, all right, You guys, don't mind right,

0:15:34.640 --> 0:15:37.880
<v Speaker 1>and I can get paid the same amount, you know,

0:15:38.880 --> 0:15:41.320
<v Speaker 1>but it takes you a little longer when you decide

0:15:41.360 --> 0:15:45.080
<v Speaker 1>to do that. And I yeah, of course, man, I

0:15:45.080 --> 0:15:47.520
<v Speaker 1>should be on TENSI cars by now. You should be

0:15:47.520 --> 0:15:49.440
<v Speaker 1>playing the mail man like, hey, man, I got mail

0:15:49.520 --> 0:15:54.680
<v Speaker 1>for you. You should be playing whatever the no doubt, doubt, whatever,

0:15:54.960 --> 0:15:58.840
<v Speaker 1>no doubt you know. And it's that that that just

0:15:58.920 --> 0:16:02.080
<v Speaker 1>goes to show. Man, the majority of people in this

0:16:02.160 --> 0:16:04.760
<v Speaker 1>country who are at the top, who are in leadership positions,

0:16:05.400 --> 0:16:08.080
<v Speaker 1>really ain't ship. I'm gonna tell you straight up, bro,

0:16:08.480 --> 0:16:11.320
<v Speaker 1>really ain't ship. It's a lot of diabolical people in

0:16:11.320 --> 0:16:16.040
<v Speaker 1>in top positions because it's no way possible. Somebody could

0:16:16.080 --> 0:16:20.080
<v Speaker 1>just watched you for five minutes and don't say, man,

0:16:20.600 --> 0:16:22.280
<v Speaker 1>I need to get this guy. But what they want

0:16:22.280 --> 0:16:25.400
<v Speaker 1>to know? Wait, waiten, what's his position on politics? What

0:16:25.480 --> 0:16:29.600
<v Speaker 1>does he think about? But my girlfriend? He's gonna my wife?

0:16:30.560 --> 0:16:35.240
<v Speaker 1>He is he gonna? Is he gonna? Is he gonna?

0:16:35.360 --> 0:16:37.600
<v Speaker 1>I don't want to? Is he gonna try to? He gonna?

0:16:37.880 --> 0:16:40.840
<v Speaker 1>Is he gonna try to? I think I think I'm

0:16:40.880 --> 0:16:45.120
<v Speaker 1>gonna have to go with a sexuality. I'm gonna say homeo, no, no,

0:16:45.280 --> 0:16:48.560
<v Speaker 1>I'm a sexual. My friends just let me work. I

0:16:48.640 --> 0:16:52.600
<v Speaker 1>have no sex. I don't like any of it. I'm nothing.

0:16:52.680 --> 0:16:55.480
<v Speaker 1>UNI where if you can be anything other than the

0:16:55.520 --> 0:16:59.200
<v Speaker 1>hetero sexual, you get you straight in well eight, doesn't

0:16:59.240 --> 0:17:03.840
<v Speaker 1>they include a set? Yeah, LGBT just you. You can

0:17:03.880 --> 0:17:08.720
<v Speaker 1>just call yourself in a thing sexual male, straight man.

0:17:08.800 --> 0:17:11.680
<v Speaker 1>The way these motherfucking women are nowadays, they can call

0:17:11.760 --> 0:17:13.880
<v Speaker 1>you out on anything. Now I'm just a sexual. I'll

0:17:13.880 --> 0:17:16.440
<v Speaker 1>be like ship man after shows. I used to like, Hey,

0:17:16.480 --> 0:17:20.159
<v Speaker 1>what's up. I'd be like straight in agreeing room. Thanks by,

0:17:20.359 --> 0:17:24.000
<v Speaker 1>I'm not ship. Everybody's calling the cops on everybody. Now

0:17:24.040 --> 0:17:25.719
<v Speaker 1>you can't do ship. You can't even say hi, how

0:17:25.760 --> 0:17:30.040
<v Speaker 1>are you? He aggressively said hard to me. I'm not uncomfortable.

0:17:30.880 --> 0:17:34.080
<v Speaker 1>I look, I'm comfortable with that. He said. Hi. I said,

0:17:34.080 --> 0:17:36.520
<v Speaker 1>what's up? But it was very I don't like the

0:17:36.520 --> 0:17:43.040
<v Speaker 1>way he's stressed up. Yeah that that's not cool. Yeah,

0:17:44.240 --> 0:17:48.320
<v Speaker 1>you know, because that's you know what it's like. But

0:17:48.440 --> 0:17:50.480
<v Speaker 1>it's like, I come from the city where you're back

0:17:50.520 --> 0:17:53.320
<v Speaker 1>to it. Hey, how do you take a photo like

0:17:53.400 --> 0:17:55.800
<v Speaker 1>kenle Reese? That motherucker does this with his hands, He

0:17:55.920 --> 0:17:58.080
<v Speaker 1>keeps it out, He does that man, I put my

0:17:58.119 --> 0:18:02.080
<v Speaker 1>hands in front of me. I'm like, yeah yeah, and

0:18:02.119 --> 0:18:04.080
<v Speaker 1>girls were like, can I help get them? We're not

0:18:04.240 --> 0:18:08.400
<v Speaker 1>doing that? Girl voice belted podcast sheep right back after

0:18:08.440 --> 0:18:17.560
<v Speaker 1>the point. That's still better than me because at one

0:18:17.600 --> 0:18:21.280
<v Speaker 1>point I stopped taking pictures with girls I didn't know

0:18:22.240 --> 0:18:24.879
<v Speaker 1>because yeah, yeah, yeah, I never told you this, Brad,

0:18:24.920 --> 0:18:27.520
<v Speaker 1>But once once, Um, I was in the club one

0:18:27.560 --> 0:18:31.159
<v Speaker 1>day in Houston and this dude, uh walked up to

0:18:31.200 --> 0:18:33.720
<v Speaker 1>me and said, yeah, Willie Man, Yeah, what's up? Man? Uh?

0:18:34.000 --> 0:18:36.760
<v Speaker 1>You know you you've been about to see my sister later?

0:18:36.880 --> 0:18:38.480
<v Speaker 1>I mean no, no, he not. He didn't say my sister.

0:18:38.520 --> 0:18:40.800
<v Speaker 1>He said have you been aby to see my nephew lately?

0:18:41.119 --> 0:18:46.439
<v Speaker 1>And I said who is your nephew? He said, uh yeah,

0:18:46.600 --> 0:18:50.200
<v Speaker 1>such such such said the girl name? And man, don't

0:18:50.240 --> 0:18:51.800
<v Speaker 1>you got a baby? A boy? My sisters? That's to

0:18:51.880 --> 0:18:53.840
<v Speaker 1>hold on, bro, I ain't got no kids. I ain't

0:18:53.840 --> 0:18:57.960
<v Speaker 1>got no kids. And he's like, he was like, and

0:18:58.000 --> 0:19:01.080
<v Speaker 1>she got a picture of you on the man? You

0:19:01.119 --> 0:19:03.040
<v Speaker 1>would hub on the man. I at my mom my house.

0:19:03.119 --> 0:19:05.679
<v Speaker 1>I say, dude, do you know how many women that

0:19:05.760 --> 0:19:10.520
<v Speaker 1>I take pictures with every fucking week? And the dude

0:19:10.760 --> 0:19:13.560
<v Speaker 1>me me. He was a big dude too, but I

0:19:13.600 --> 0:19:16.280
<v Speaker 1>had already sized him up. I'm gonna break his ass down.

0:19:16.880 --> 0:19:19.520
<v Speaker 1>But he was like looking down, like yeah, man, men,

0:19:20.240 --> 0:19:22.760
<v Speaker 1>he got he was mad. He was frustrated that I

0:19:22.800 --> 0:19:26.000
<v Speaker 1>would not claim this little kid that I didn't even know.

0:19:26.400 --> 0:19:28.880
<v Speaker 1>So for a while, like I would. I would say

0:19:28.880 --> 0:19:32.119
<v Speaker 1>about three maybe two years, I stopped taking pictures with

0:19:32.160 --> 0:19:35.159
<v Speaker 1>women I did not know because I was just I

0:19:35.280 --> 0:19:39.000
<v Speaker 1>was paragling. And and one day, one day I woke up, man,

0:19:39.040 --> 0:19:42.880
<v Speaker 1>and I realized I was depressed. And I realized that

0:19:42.880 --> 0:19:45.119
<v Speaker 1>that was part of it, that was part of me

0:19:45.400 --> 0:19:50.920
<v Speaker 1>trying to like live up to somebody else's expectations, because

0:19:50.920 --> 0:19:53.000
<v Speaker 1>I wouldn't even if I if I went to a club,

0:19:53.800 --> 0:19:57.280
<v Speaker 1>I wouldn't do any type of you know, get on

0:19:57.320 --> 0:19:59.199
<v Speaker 1>the dance floor nothing, you know, not say that I

0:19:59.200 --> 0:20:02.320
<v Speaker 1>could dance, but you know, we don't dance. We don't dance.

0:20:02.320 --> 0:20:04.639
<v Speaker 1>We boogie, but I would not even get on the

0:20:04.720 --> 0:20:06.359
<v Speaker 1>dance floor. I go into the v I p A

0:20:06.480 --> 0:20:08.200
<v Speaker 1>and I just see it or I just stand around.

0:20:08.560 --> 0:20:11.600
<v Speaker 1>And I just realized, goddamn, man, I had to self

0:20:11.640 --> 0:20:14.520
<v Speaker 1>diagnose in my sounds like I'm depressed. And that was

0:20:14.520 --> 0:20:17.800
<v Speaker 1>why that was the reason, trying to live up to

0:20:17.880 --> 0:20:21.280
<v Speaker 1>other people's expectations. Have you ever found yourself in that

0:20:21.359 --> 0:20:25.080
<v Speaker 1>type of funk? If it feels like that nowadays, like

0:20:25.280 --> 0:20:29.000
<v Speaker 1>you know, um, you have people turn on you that

0:20:29.119 --> 0:20:32.040
<v Speaker 1>you know, like what And I have a clean record,

0:20:32.119 --> 0:20:35.600
<v Speaker 1>like I'm I'm I don't even if if a woman

0:20:35.720 --> 0:20:38.879
<v Speaker 1>rolls her eyes at me, I walk away if she

0:20:38.920 --> 0:20:43.000
<v Speaker 1>hasn't answered, I'm lazy. I've never been an aggressive like yo.

0:20:44.000 --> 0:20:45.880
<v Speaker 1>I don't even know how guys be touching on girls

0:20:45.920 --> 0:20:47.679
<v Speaker 1>and clubs. I'm not how do you just grab my

0:20:47.760 --> 0:20:50.480
<v Speaker 1>hair like that? I just be like hey, And a

0:20:50.520 --> 0:20:52.480
<v Speaker 1>lot of times I'll meet girls two friends to like

0:20:52.520 --> 0:20:54.480
<v Speaker 1>if youre a group of people, hey, this is my

0:20:54.560 --> 0:20:57.840
<v Speaker 1>old hey baba. But I'm never I've never cat called.

0:20:58.200 --> 0:21:02.480
<v Speaker 1>I never was like yo, I never did I never

0:21:02.520 --> 0:21:07.680
<v Speaker 1>did that. I think that's the corny is I've never

0:21:07.720 --> 0:21:09.720
<v Speaker 1>done that in my life. I have said I know

0:21:09.760 --> 0:21:16.159
<v Speaker 1>that's right when the lady pays before, that's right. That

0:21:16.880 --> 0:21:21.600
<v Speaker 1>anything that's not, But that's not like hey, alright girl,

0:21:24.200 --> 0:21:29.040
<v Speaker 1>I've never done that. I'm very like like very you know,

0:21:29.320 --> 0:21:33.760
<v Speaker 1>I don't even rarely look anymore. I'm just because it's

0:21:33.800 --> 0:21:36.920
<v Speaker 1>like they've made it like that sort of you don't

0:21:36.920 --> 0:21:38.880
<v Speaker 1>want to look, you don't want to do anything because

0:21:39.080 --> 0:21:46.400
<v Speaker 1>everything's gonna stop me from looking. Bro I don't give Yeah,

0:21:46.480 --> 0:21:48.639
<v Speaker 1>you could be like you could be like this and

0:21:48.640 --> 0:21:50.680
<v Speaker 1>they'd be like they got you going looking man. That's

0:21:50.720 --> 0:21:54.320
<v Speaker 1>when he changed old girl right after that. You never know.

0:21:54.520 --> 0:21:56.880
<v Speaker 1>If I can't if I can't look at a fine woman,

0:21:56.960 --> 0:22:00.840
<v Speaker 1>I may as well just gone. I mean, it's like,

0:22:01.840 --> 0:22:03.760
<v Speaker 1>I'm not saying this about all women, but it's like

0:22:03.800 --> 0:22:06.000
<v Speaker 1>there's this empowerment where they go, I'm gonna have my

0:22:06.040 --> 0:22:08.240
<v Speaker 1>titties out in my ass out, but you bet a

0:22:08.440 --> 0:22:11.840
<v Speaker 1>fucking look at me. Uh huh. It's almost like that's

0:22:11.840 --> 0:22:13.840
<v Speaker 1>a well not listen, I'm not talking about all women.

0:22:13.880 --> 0:22:16.159
<v Speaker 1>So I don't want them to go no, of course not.

0:22:16.640 --> 0:22:18.600
<v Speaker 1>But it's like that's why when you go to Brazil

0:22:19.040 --> 0:22:21.240
<v Speaker 1>or you go overseas, they like that you look at them.

0:22:21.280 --> 0:22:23.840
<v Speaker 1>They love that. They're like, yeah, you're a man. It's good.

0:22:24.080 --> 0:22:25.880
<v Speaker 1>You know. When I was in Russia, like yes, your

0:22:25.920 --> 0:22:27.879
<v Speaker 1>the men. It's what you're the woman. Are you supposed

0:22:27.920 --> 0:22:30.280
<v Speaker 1>to look at the woman? What's wrong? Nothing's wrong. It's

0:22:30.280 --> 0:22:32.760
<v Speaker 1>a woman busy. It's not wrong. Your the man you're like,

0:22:33.040 --> 0:22:36.959
<v Speaker 1>it was no, it was I was a pitch. There

0:22:37.080 --> 0:22:38.920
<v Speaker 1>was the foreigners like to go because you let the

0:22:39.000 --> 0:22:45.000
<v Speaker 1>funk like, but you know, bloody got the bigger day,

0:22:45.119 --> 0:22:50.080
<v Speaker 1>like you know, you know what. But one one of

0:22:50.119 --> 0:22:52.040
<v Speaker 1>the one of the biggest reasons why a lot of

0:22:52.040 --> 0:22:54.520
<v Speaker 1>women act the way they act when they come to drace,

0:22:54.600 --> 0:22:58.920
<v Speaker 1>dressing and stuff, is because some men take it too far,

0:22:59.680 --> 0:23:04.840
<v Speaker 1>you know, like women Obviously most women, I do believe

0:23:04.840 --> 0:23:06.920
<v Speaker 1>I'm going good and said most women. I just say

0:23:06.960 --> 0:23:11.359
<v Speaker 1>many women. How about that? Many women dress provocatively because

0:23:11.359 --> 0:23:14.200
<v Speaker 1>they want men to look. But they want the right.

0:23:14.240 --> 0:23:16.320
<v Speaker 1>They want the man they don't you look, No, no,

0:23:16.520 --> 0:23:18.760
<v Speaker 1>they want the man that they're attracted to. The look

0:23:18.880 --> 0:23:25.080
<v Speaker 1>they want but exactly, but but you get the residual effect, right,

0:23:26.240 --> 0:23:32.800
<v Speaker 1>they're getting all of them, all of them, don't. And

0:23:32.840 --> 0:23:35.720
<v Speaker 1>then you have and then you have you have women

0:23:35.760 --> 0:23:39.439
<v Speaker 1>who are who are on guard because now you have

0:23:39.560 --> 0:23:43.639
<v Speaker 1>all these uncivilized MUDs out here, who who if a

0:23:43.760 --> 0:23:47.159
<v Speaker 1>woman rejects them, they want to swing on the h

0:23:47.920 --> 0:23:50.000
<v Speaker 1>they want to stab, but they want to shoot, yeah,

0:23:50.000 --> 0:23:54.840
<v Speaker 1>biting their faces. Yeah, Like come on, man, where did

0:23:54.880 --> 0:23:58.600
<v Speaker 1>these motherfucker's come from and when did it start? In security?

0:23:59.400 --> 0:24:02.480
<v Speaker 1>That's an in curity move when you go funk, that's

0:24:02.560 --> 0:24:06.240
<v Speaker 1>what the She don't owe you her number. Woman, don't

0:24:06.240 --> 0:24:09.000
<v Speaker 1>owe you her information. She don't owe you ship. Just

0:24:09.080 --> 0:24:11.119
<v Speaker 1>because you see a girl don't mean you own her

0:24:11.119 --> 0:24:13.000
<v Speaker 1>because you know they'll be like, oh I saw you

0:24:13.080 --> 0:24:16.120
<v Speaker 1>overre okay, all right, that's cool, but doesn't mean I

0:24:16.160 --> 0:24:18.800
<v Speaker 1>owe you my number. The trip part about it that

0:24:18.880 --> 0:24:21.800
<v Speaker 1>women don't a lot of times women don't know how

0:24:21.880 --> 0:24:26.520
<v Speaker 1>to respond because because because if if they're just polite guy,

0:24:26.520 --> 0:24:27.960
<v Speaker 1>I don't know how to shut it down. He don't

0:24:27.960 --> 0:24:32.159
<v Speaker 1>know if they're too aggressive with with their rejection, then

0:24:32.440 --> 0:24:34.840
<v Speaker 1>he may take exception to it and take it even further.

0:24:36.400 --> 0:24:38.680
<v Speaker 1>It's harder for women, man, it is. I feel bad

0:24:38.680 --> 0:24:41.159
<v Speaker 1>because I'm not even like that. I wish I was, like,

0:24:41.200 --> 0:24:42.800
<v Speaker 1>I don't. I wouldn't even do that. As soon as

0:24:42.840 --> 0:24:45.199
<v Speaker 1>he says no, I remember one time I saw a

0:24:45.280 --> 0:24:47.560
<v Speaker 1>girl and I was she was while I was like, man,

0:24:47.600 --> 0:24:49.480
<v Speaker 1>she's nice looking. You know. I was with my buddies

0:24:49.520 --> 0:24:50.959
<v Speaker 1>and they go, yo, go over there, and just go

0:24:51.000 --> 0:24:52.840
<v Speaker 1>over there, because we used to challenge each other. YO,

0:24:52.920 --> 0:24:55.080
<v Speaker 1>just go try to get a number. I said, I

0:24:55.119 --> 0:24:56.800
<v Speaker 1>don't even do this kind of ship. I said, all right,

0:24:56.880 --> 0:24:58.480
<v Speaker 1>let me go over there. So I said, excuse me.

0:24:58.720 --> 0:25:01.199
<v Speaker 1>I was real, excuse me. And she goes, oh, I

0:25:01.200 --> 0:25:03.159
<v Speaker 1>don't really have to say, oh, that's okay, have a

0:25:03.240 --> 0:25:06.200
<v Speaker 1>nice day. And she goes, you're not even gonna try,

0:25:06.840 --> 0:25:10.320
<v Speaker 1>and I go, you said, no, I'm out. No. I said,

0:25:11.000 --> 0:25:13.800
<v Speaker 1>I'm lazy than motherfucker. She actually laughed at the ship.

0:25:13.880 --> 0:25:15.359
<v Speaker 1>I was like, no, they have a good day. I

0:25:15.400 --> 0:25:17.959
<v Speaker 1>was like, nah, I'm cool, because you know what that

0:25:18.040 --> 0:25:20.879
<v Speaker 1>woman could be. She could have an ex boyfriend that's crazy.

0:25:21.200 --> 0:25:23.080
<v Speaker 1>She can be going through some ship. They could there's

0:25:23.119 --> 0:25:24.800
<v Speaker 1>so many scenarios of what they're going through, and we

0:25:24.840 --> 0:25:28.399
<v Speaker 1>automatic thing. They're bit rejected me. No, dude. First of all,

0:25:28.440 --> 0:25:30.200
<v Speaker 1>she's only got to calling no bitch. You don't have

0:25:30.240 --> 0:25:32.240
<v Speaker 1>to say that. What if she's going through ship in

0:25:32.240 --> 0:25:34.240
<v Speaker 1>her life. What if she got a man that's crazy

0:25:34.440 --> 0:25:36.120
<v Speaker 1>and she wants you to get the funk away from her,

0:25:36.400 --> 0:25:38.560
<v Speaker 1>And what if it's just you don't she don't like you,

0:25:39.160 --> 0:25:42.120
<v Speaker 1>she's not attracted to your ass. Keep it moving. Sometimes

0:25:42.480 --> 0:25:44.879
<v Speaker 1>they don't like the way you were born, Sir, like,

0:25:45.040 --> 0:25:46.639
<v Speaker 1>that's pretty much it like, if I going through go,

0:25:46.760 --> 0:25:48.359
<v Speaker 1>she goes, she don't like the way I look, what

0:25:48.400 --> 0:25:51.800
<v Speaker 1>are you gonna do? You? No, you can't even be

0:25:52.359 --> 0:25:54.399
<v Speaker 1>It's what it is. It's fair. She don't like you.

0:25:54.560 --> 0:25:58.480
<v Speaker 1>Motherfucker move you know what I mean. You know, I'm

0:25:58.520 --> 0:26:01.919
<v Speaker 1>so arrogant bro that in my mind if a woman,

0:26:02.160 --> 0:26:04.280
<v Speaker 1>if I try to talk to a woman and she

0:26:04.400 --> 0:26:07.159
<v Speaker 1>reject me, in my mind, it's her loss at the

0:26:07.240 --> 0:26:08.800
<v Speaker 1>end of the day, because I know him, because I

0:26:08.800 --> 0:26:11.120
<v Speaker 1>know him a good dude. Nothing, I'm a solid dude.

0:26:11.119 --> 0:26:13.240
<v Speaker 1>I know I'm a good dude. And I just feel

0:26:13.280 --> 0:26:15.399
<v Speaker 1>like she ain't gonna find the mother better me noway so,

0:26:15.560 --> 0:26:18.199
<v Speaker 1>And there's nothing wrong that's that's really gonna be her

0:26:18.240 --> 0:26:20.840
<v Speaker 1>long exactly. But I'm cool with that because because that's

0:26:20.880 --> 0:26:26.760
<v Speaker 1>what makes better me anyway. You know, I'm all no, no,

0:26:27.760 --> 0:26:30.040
<v Speaker 1>it's over, it's over. And I always said, you know,

0:26:30.160 --> 0:26:32.720
<v Speaker 1>you're not everybody's type. And another thing too, I said,

0:26:32.760 --> 0:26:36.920
<v Speaker 1>if we were judged by conversation and intelligence, I would

0:26:36.960 --> 0:26:40.440
<v Speaker 1>have I would I'll be smoking everybody I'm talking about

0:26:40.480 --> 0:26:44.639
<v Speaker 1>just literally conversation. Oh come on now, but you got it.

0:26:44.840 --> 0:26:47.320
<v Speaker 1>But yeah, it don't work that way because because the

0:26:47.440 --> 0:26:52.399
<v Speaker 1>impression is made within seconds, and you figured out, she

0:26:52.480 --> 0:26:55.879
<v Speaker 1>figured out right away whether she's gonna be receptive or

0:26:55.880 --> 0:26:58.439
<v Speaker 1>you not. And so she never even get a chance

0:26:58.560 --> 0:27:01.480
<v Speaker 1>to hear you. Here you're saying, yeah, but I can

0:27:01.520 --> 0:27:05.960
<v Speaker 1>guarantee you that once she starts talking, once you get

0:27:05.960 --> 0:27:09.600
<v Speaker 1>her number and y'all start come communicating, or even if

0:27:09.640 --> 0:27:13.439
<v Speaker 1>you're just standing, uh, sitting in the appoint waiting, you know,

0:27:14.680 --> 0:27:17.520
<v Speaker 1>it's a different story, no doubt, And and and I

0:27:17.680 --> 0:27:19.399
<v Speaker 1>you know, I take pride in how I treat it.

0:27:19.560 --> 0:27:21.720
<v Speaker 1>You know, I like to make them laugh that I

0:27:21.720 --> 0:27:24.800
<v Speaker 1>don't try. I don't say sexual ship to women ever.

0:27:25.160 --> 0:27:27.520
<v Speaker 1>Know that's why someone says you, yeah, you said that.

0:27:27.600 --> 0:27:30.240
<v Speaker 1>I go, no, I don't talk like that. And motherfucker's no,

0:27:30.280 --> 0:27:33.040
<v Speaker 1>I don't talk like that. I don't say, oh, you know,

0:27:33.080 --> 0:27:34.920
<v Speaker 1>I'm gonna be like a corny o white man. I'd

0:27:34.960 --> 0:27:39.399
<v Speaker 1>like to have that for a breakfast. The funk is

0:27:39.440 --> 0:27:42.120
<v Speaker 1>that corny ship. I would never say that to anybody.

0:27:42.600 --> 0:27:45.000
<v Speaker 1>And you know, even after shows, women will touch on me,

0:27:45.320 --> 0:27:47.639
<v Speaker 1>but but I'm not. I don't touch on them. I

0:27:47.640 --> 0:27:50.880
<v Speaker 1>don't grab on them when i'm taking do that ship ever?

0:27:51.440 --> 0:27:53.080
<v Speaker 1>You know, you put your arm around somebody, but it's

0:27:53.119 --> 0:27:55.439
<v Speaker 1>like you're taking a photo. But I don't grab him

0:27:55.480 --> 0:28:01.840
<v Speaker 1>rub bullshit. I don't act like that ever unless I

0:28:01.880 --> 0:28:06.280
<v Speaker 1>am consensually with you, and we are consensually sexual each other,

0:28:06.560 --> 0:28:09.080
<v Speaker 1>and it's an agreement. I touch you, you'll touch me.

0:28:09.320 --> 0:28:11.720
<v Speaker 1>I kiss you, you kiss me. You like that. I

0:28:11.880 --> 0:28:15.440
<v Speaker 1>rub you, you rub me. It's all consensual. Yeah, that's

0:28:16.119 --> 0:28:18.640
<v Speaker 1>basic ship. But nah, I don't just do that when

0:28:18.640 --> 0:28:21.040
<v Speaker 1>someone didn't ask him. I didn't ask permission, and they

0:28:21.040 --> 0:28:22.720
<v Speaker 1>don't want that. I know when someone don't want me

0:28:22.960 --> 0:28:25.919
<v Speaker 1>fucking around with them, You know that, you know not

0:28:26.040 --> 0:28:30.080
<v Speaker 1>to tell. You know, woman will let you when she

0:28:30.119 --> 0:28:32.640
<v Speaker 1>wants you too. If she don't want you to even

0:28:32.640 --> 0:28:34.720
<v Speaker 1>be around, and she's gonna let you know, it's not hard.

0:28:35.359 --> 0:28:38.840
<v Speaker 1>Oh yeah, you know. Oh yeah. And that's why I

0:28:39.000 --> 0:28:41.600
<v Speaker 1>what I do is I just don't. I just go

0:28:41.680 --> 0:28:44.800
<v Speaker 1>to the green room. I saved myself. I just go.

0:28:44.920 --> 0:28:47.880
<v Speaker 1>I go into the green room. And if anyway, like

0:28:47.960 --> 0:28:53.000
<v Speaker 1>if you, if you're the guy, if it's Godfrey and here,

0:28:53.120 --> 0:28:55.560
<v Speaker 1>like I said, Godfrey is on the mare a key,

0:28:55.720 --> 0:28:59.080
<v Speaker 1>you already got the edge. That's what I'm saying. You

0:28:59.120 --> 0:29:04.000
<v Speaker 1>know you gotta do. Remember remember Robert Wagner Heart to heart,

0:29:03.800 --> 0:29:07.400
<v Speaker 1>Heart to heart, right, and when they met it was

0:29:07.560 --> 0:29:12.440
<v Speaker 1>moista dad it. So I did a movie with him

0:29:12.520 --> 0:29:15.800
<v Speaker 1>called Dennis the Menace Christmas and comes on every Christmas.

0:29:16.080 --> 0:29:19.280
<v Speaker 1>I shot it in Montreal, and you know, um, Robert

0:29:19.320 --> 0:29:22.760
<v Speaker 1>Wagner's from the days of Sinatra, them cool motherfucker's. And

0:29:22.880 --> 0:29:25.360
<v Speaker 1>one day I was he provided us all to dinner.

0:29:25.440 --> 0:29:28.920
<v Speaker 1>He's eating this motherfucker's cool as ship, yo, and he's

0:29:28.920 --> 0:29:32.080
<v Speaker 1>talking about not all this old movie ship. And you

0:29:32.120 --> 0:29:34.720
<v Speaker 1>know when he was young, that motherfucker was handsome as ship.

0:29:35.200 --> 0:29:38.480
<v Speaker 1>And he's like and there was this waitress like sir,

0:29:38.840 --> 0:29:41.640
<v Speaker 1>fine black chick, serving us and stuff. And I was like, man,

0:29:41.720 --> 0:29:44.240
<v Speaker 1>she looked real. She's nice looking, you know, and she's

0:29:44.320 --> 0:29:45.800
<v Speaker 1>laughing with me and this, and I was like, oh,

0:29:46.040 --> 0:29:49.280
<v Speaker 1>I'm being very nice. And then I go and she's

0:29:49.320 --> 0:29:51.040
<v Speaker 1>looking over my way a little bit, and I'm like, oh,

0:29:51.080 --> 0:29:52.840
<v Speaker 1>I'm gonna go over there. So I like kind of

0:29:52.880 --> 0:29:54.720
<v Speaker 1>go over there, right. I go over there, and I

0:29:54.720 --> 0:29:57.080
<v Speaker 1>said a couple of things. I come back and Robert

0:29:57.080 --> 0:30:00.680
<v Speaker 1>Wagner's just sitting there, going you gotta sucked up, kid,

0:30:01.000 --> 0:30:03.240
<v Speaker 1>because like, what do you mean you already had her?

0:30:03.360 --> 0:30:06.200
<v Speaker 1>You didn't have to move, guy like, you shouldn't be

0:30:06.200 --> 0:30:09.000
<v Speaker 1>doing so much moving. He's like, you already had her.

0:30:09.360 --> 0:30:12.280
<v Speaker 1>She she already liked you. You might have funked that up.

0:30:12.360 --> 0:30:15.320
<v Speaker 1>He did too much. He was so fucking gangs. This

0:30:15.320 --> 0:30:17.880
<v Speaker 1>ship was so smoothly goes you didn't have to move

0:30:17.960 --> 0:30:19.760
<v Speaker 1>a guy like you shouldn't have to move that much?

0:30:20.440 --> 0:30:25.640
<v Speaker 1>Now where we were in Montreal? In Montreal, like but

0:30:25.680 --> 0:30:27.719
<v Speaker 1>I'm saying, like what kind of venue were here? We

0:30:27.720 --> 0:30:30.000
<v Speaker 1>were in the like a restaurant. It was a nice

0:30:30.000 --> 0:30:32.680
<v Speaker 1>little rusta. I was private. It was nice. And then

0:30:32.680 --> 0:30:36.360
<v Speaker 1>the girl was yeah, he was like she it was

0:30:36.400 --> 0:30:38.640
<v Speaker 1>just when we were our exchange was very like. It

0:30:38.720 --> 0:30:40.440
<v Speaker 1>was like nice, it was nice. And I was making

0:30:40.440 --> 0:30:42.680
<v Speaker 1>her laugh a little bit because she was I was like, oh,

0:30:42.760 --> 0:30:44.840
<v Speaker 1>what's your name? Oh the great, Yeah I'm from It

0:30:44.920 --> 0:30:47.280
<v Speaker 1>was like that. It wasn't like let me get that number. No,

0:30:47.400 --> 0:30:49.880
<v Speaker 1>it wasn't that ship. And then you know, I was like,

0:30:49.920 --> 0:30:51.520
<v Speaker 1>you know what, I think I wou over there and

0:30:51.680 --> 0:30:54.600
<v Speaker 1>maybe you talk to her a little more because our

0:30:54.640 --> 0:30:56.520
<v Speaker 1>food hadn't come yet, and I was like let me

0:30:57.280 --> 0:31:00.240
<v Speaker 1>and he goes he did too much. Man, Let me

0:31:00.280 --> 0:31:03.200
<v Speaker 1>ask you this, how did it work out? I did

0:31:03.280 --> 0:31:11.680
<v Speaker 1>too much? Man? He was fucking right. Damn. Yeah. Who

0:31:11.800 --> 0:31:15.120
<v Speaker 1>have you had the most fun working with us? Yes?

0:31:16.280 --> 0:31:22.240
<v Speaker 1>Besides beside you guys Man oh Man Breakfast Club. I

0:31:22.240 --> 0:31:24.520
<v Speaker 1>mean you're talking about just in general, just comedy or no,

0:31:25.080 --> 0:31:28.640
<v Speaker 1>I'm saying. I'm saying working with like like, whether it

0:31:28.680 --> 0:31:33.200
<v Speaker 1>be comedy, whether whether it be movies, whether it be

0:31:33.640 --> 0:31:38.080
<v Speaker 1>oh Man, anything, reginal Gangsters, Man, that was fun. I

0:31:39.120 --> 0:31:41.760
<v Speaker 1>had fun because I I have because I was hating

0:31:41.920 --> 0:31:49.440
<v Speaker 1>Richard Rowntree. We we were in original Gangsters. Yes, Cambrira

0:31:51.800 --> 0:31:57.520
<v Speaker 1>of Fred Williamson, Richard Rowntree, um Ron got back together,

0:31:57.600 --> 0:32:01.120
<v Speaker 1>super Fly O'Neil ron super Fly. We had super Fly

0:32:01.720 --> 0:32:08.360
<v Speaker 1>where wings Housing. Bushwick was there. Sorry, guys, I'm sorry

0:32:09.280 --> 0:32:14.040
<v Speaker 1>he was there and Willy weren't there, but he was

0:32:14.080 --> 0:32:17.480
<v Speaker 1>there in spirit right, and then there was who else

0:32:17.520 --> 0:32:20.400
<v Speaker 1>was there? Um yeah, path Brier was cool as ship.

0:32:20.520 --> 0:32:22.440
<v Speaker 1>I had fun doing it because I was at Jim Brown.

0:32:23.200 --> 0:32:27.920
<v Speaker 1>Jim Brown. Let me ask you by Jim, Yeah, have

0:32:28.040 --> 0:32:31.920
<v Speaker 1>you been paying attention to his politics over the last

0:32:31.920 --> 0:32:35.720
<v Speaker 1>two three years or maybe not two three years old?

0:32:35.760 --> 0:32:38.560
<v Speaker 1>I don't really care about his I mean he's been

0:32:39.320 --> 0:32:42.400
<v Speaker 1>remember he was hanging with Trump, right I don't really

0:32:43.040 --> 0:32:46.200
<v Speaker 1>judge him from that. He's done enough work as far

0:32:46.240 --> 0:32:49.680
<v Speaker 1>as for our community enough right now, I'm like, he's

0:32:49.720 --> 0:32:52.840
<v Speaker 1>he really making an impact? But do you do you

0:32:53.680 --> 0:32:57.040
<v Speaker 1>live your entire life where you are making an impact

0:32:57.040 --> 0:32:59.760
<v Speaker 1>and you are doing for your people, and then get

0:32:59.800 --> 0:33:02.120
<v Speaker 1>to the end, you know, you get to the end

0:33:02.160 --> 0:33:04.320
<v Speaker 1>and you just it away, just say, you know what,

0:33:04.680 --> 0:33:06.840
<v Speaker 1>I'm gonna just throw my people under the bus and

0:33:06.880 --> 0:33:10.120
<v Speaker 1>be a coon. Yeah you know what? Oh your song,

0:33:11.240 --> 0:33:18.479
<v Speaker 1>your you're you're, you're comeded twice too? Is he a

0:33:18.520 --> 0:33:22.880
<v Speaker 1>comb because he was because he took the meeting with Trump. Bro.

0:33:23.040 --> 0:33:25.000
<v Speaker 1>You listened to his rhetoric. What is he saying like

0:33:25.040 --> 0:33:29.280
<v Speaker 1>herschel Walk some herschel Walker type. Got it? You gotta

0:33:29.360 --> 0:33:31.600
<v Speaker 1>listen to him talk. What does he say? It's not

0:33:31.680 --> 0:33:37.200
<v Speaker 1>just him, you know, because it's demension. He's fine, He's fine.

0:33:37.440 --> 0:33:39.760
<v Speaker 1>Like when Bill Cozy was talking about black people like

0:33:39.840 --> 0:33:44.680
<v Speaker 1>you you pull your pants up and you got put gls.

0:33:45.080 --> 0:33:47.680
<v Speaker 1>Girls are under age, I'll getting pregnant. But you see,

0:33:47.800 --> 0:33:50.440
<v Speaker 1>but you see, you see Bill ain't saying that ship No,

0:33:50.720 --> 0:33:53.520
<v Speaker 1>Bill got his wake up call and see you know

0:33:53.600 --> 0:33:56.640
<v Speaker 1>it typically happens. Yeah, you got to wait, um, you

0:33:56.680 --> 0:33:59.640
<v Speaker 1>got to wake up call, like someone like Candice Owen's man.

0:34:00.040 --> 0:34:01.760
<v Speaker 1>The past a couple of times she's been saying some

0:34:01.800 --> 0:34:08.359
<v Speaker 1>ship right on point though, it's like that's how they do,

0:34:08.640 --> 0:34:10.759
<v Speaker 1>That's how they do. Charles Barkley is good at that too.

0:34:11.239 --> 0:34:14.480
<v Speaker 1>What what this is? This is what they do. See now,

0:34:14.480 --> 0:34:17.200
<v Speaker 1>I got a question here ship. You know so this this,

0:34:17.200 --> 0:34:19.879
<v Speaker 1>this is what happened. This is what happened solid Yeah,

0:34:19.920 --> 0:34:22.200
<v Speaker 1>I mean I ain't talking about what he'd be saying

0:34:22.239 --> 0:34:30.839
<v Speaker 1>about politics. Great basketball might have been a great basketball player,

0:34:30.920 --> 0:34:37.279
<v Speaker 1>but he ain't ship as a man. The thing. The

0:34:37.400 --> 0:34:43.840
<v Speaker 1>thing is is that you know, we can't afford to

0:34:43.840 --> 0:34:47.000
<v Speaker 1>to have people that are we can't afford to have

0:34:47.040 --> 0:34:52.960
<v Speaker 1>anybody period that's members of our society, um, disparaging us

0:34:52.960 --> 0:34:55.200
<v Speaker 1>and throwing us under the bus. But we damn show

0:34:55.239 --> 0:34:59.240
<v Speaker 1>cannot have people who are in positions of power and

0:34:59.400 --> 0:35:03.160
<v Speaker 1>influence to be out there throwing mixed messages. This is

0:35:03.200 --> 0:35:05.560
<v Speaker 1>something that that's very good at doing. They're threw a

0:35:05.600 --> 0:35:08.080
<v Speaker 1>few a couple of truths out there to get everybody

0:35:08.080 --> 0:35:10.480
<v Speaker 1>gonna Yeah, man, I believe that that's real, that's right, right,

0:35:10.680 --> 0:35:13.480
<v Speaker 1>and then they go like and the rest of it

0:35:13.520 --> 0:35:17.200
<v Speaker 1>be all one sided. See, here's the thing when when

0:35:17.280 --> 0:35:21.480
<v Speaker 1>you're when you when your criticism of the black community

0:35:21.520 --> 0:35:26.279
<v Speaker 1>outwear your contribution, your comb Okay, so watch them. Just

0:35:26.320 --> 0:35:28.839
<v Speaker 1>pay attention to them, Watch what they do, what they're saying,

0:35:29.040 --> 0:35:30.520
<v Speaker 1>you know what I'm saying, because because they can say

0:35:30.560 --> 0:35:32.520
<v Speaker 1>some cool ship and you'd be like, yeah, yeah, yeah yeah.

0:35:32.560 --> 0:35:34.120
<v Speaker 1>Then they say some sucked up ship and even oh

0:35:34.160 --> 0:35:35.960
<v Speaker 1>that's suck up. Then they say good, shoot you back there,

0:35:37.120 --> 0:35:41.919
<v Speaker 1>back there. See what I'm saying. It's always a lot

0:35:41.960 --> 0:35:46.759
<v Speaker 1>of but watch but watch what they do, you know

0:35:46.800 --> 0:35:55.000
<v Speaker 1>what I'm saying. So that ship she she she not.

0:35:55.400 --> 0:35:58.759
<v Speaker 1>She not for us, period. She's not. She's not for

0:35:58.840 --> 0:36:01.439
<v Speaker 1>us period. Man. So you know, it's the same thing

0:36:01.560 --> 0:36:05.160
<v Speaker 1>with the Stacy dass chick. You know she it was

0:36:05.200 --> 0:36:09.120
<v Speaker 1>just she done. She's done, man. You know what I'm saying,

0:36:09.160 --> 0:36:12.640
<v Speaker 1>She's done. She said, I don't even know how people

0:36:12.680 --> 0:36:15.080
<v Speaker 1>have the nerve to say that kind of ship. On TV.

0:36:15.200 --> 0:36:18.080
<v Speaker 1>She goes, what if there was White History Month? But

0:36:18.360 --> 0:36:23.000
<v Speaker 1>but check this out, but check this oute Godfred, People

0:36:23.040 --> 0:36:26.719
<v Speaker 1>like Charles Barkley, Candys One and the rest of them,

0:36:26.800 --> 0:36:30.920
<v Speaker 1>even Steve and A. They're talk that black talk down

0:36:30.960 --> 0:36:33.520
<v Speaker 1>ship where I'm just telling the truth. They'll say shit

0:36:33.560 --> 0:36:37.719
<v Speaker 1>about black people. But when had a motherfucker's collectively are

0:36:38.239 --> 0:36:42.000
<v Speaker 1>generalized bad this bad ship about white people? When have

0:36:42.080 --> 0:36:47.040
<v Speaker 1>they said made the disparaging comments about white folks in general?

0:36:47.280 --> 0:36:49.520
<v Speaker 1>They'll do that ship all day with black folks, but

0:36:49.600 --> 0:36:52.000
<v Speaker 1>they will not do that ship with white folks. That

0:36:52.160 --> 0:36:55.440
<v Speaker 1>lets you know what type of motherfucker's they are. That's

0:36:55.440 --> 0:36:57.480
<v Speaker 1>all you gotta do. Just listen if you want to

0:36:57.480 --> 0:36:59.160
<v Speaker 1>listen to him, listen to him, but watch what they

0:36:59.239 --> 0:37:01.480
<v Speaker 1>watch what they do. But you can listen to these

0:37:01.480 --> 0:37:04.520
<v Speaker 1>motherfucker's and tell what they really about just because they

0:37:04.520 --> 0:37:07.080
<v Speaker 1>put on a suit and talk proper and all that

0:37:07.080 --> 0:37:10.480
<v Speaker 1>old ship be on Fox. Dunt done with all the

0:37:10.480 --> 0:37:14.080
<v Speaker 1>theme music and all that old ship. That don't mean ship. Man,

0:37:14.400 --> 0:37:17.640
<v Speaker 1>Watch the motherfucker's, watch what they say, and watch what

0:37:17.680 --> 0:37:21.719
<v Speaker 1>they do. More important, girl Boys Reloaded podcast will be

0:37:21.800 --> 0:37:34.280
<v Speaker 1>right back after the poet. What about Shannon Shark? I like, like,

0:37:34.360 --> 0:37:36.200
<v Speaker 1>I just want to tell you something. Skill. You have

0:37:36.200 --> 0:37:39.200
<v Speaker 1>to understand skill. This is eight It's I've been in

0:37:39.200 --> 0:37:41.520
<v Speaker 1>the NFL for a long time. Skill, and you gotta

0:37:41.560 --> 0:37:45.080
<v Speaker 1>understand some of these players skills. Skill. You really have

0:37:45.160 --> 0:37:47.080
<v Speaker 1>to be on. You have to be aware of yourself.

0:37:47.360 --> 0:37:49.480
<v Speaker 1>Like my grandmother said, if you're a froggy, better jump.

0:37:50.040 --> 0:37:53.720
<v Speaker 1>Now I understand Shannon is consistent. Now I know Skip,

0:37:53.800 --> 0:37:55.200
<v Speaker 1>I say a lot of sayings that don't make no

0:37:55.280 --> 0:37:57.879
<v Speaker 1>damn sense, But that's just the way I talk. From

0:37:57.920 --> 0:38:06.720
<v Speaker 1>Stuth skil kill co on. You don't tell me Shannon.

0:38:06.960 --> 0:38:09.840
<v Speaker 1>I like Shannon. You know Shannon. He's a great shooter,

0:38:10.360 --> 0:38:14.279
<v Speaker 1>you know, and and and he's consistent. Okay, he's very consistent,

0:38:14.560 --> 0:38:17.000
<v Speaker 1>and you know he's gonna say what it is. You know,

0:38:17.040 --> 0:38:21.600
<v Speaker 1>I'm to be honest, I'm surprised Shannon still on going

0:38:22.120 --> 0:38:24.799
<v Speaker 1>because you know, I'm not gonna say he don't give

0:38:24.840 --> 0:38:29.279
<v Speaker 1>a fuck. The reason he does give a fuck, that's

0:38:29.280 --> 0:38:32.520
<v Speaker 1>why he's saying what he's saying, the ratings. He speaks,

0:38:32.960 --> 0:38:37.080
<v Speaker 1>He speaks the truth, he says how he feels, he

0:38:37.280 --> 0:38:40.000
<v Speaker 1>talks about he says what it is because he does care.

0:38:40.440 --> 0:38:43.080
<v Speaker 1>But he has a balance with Skip. Skip. You know,

0:38:43.200 --> 0:38:46.400
<v Speaker 1>Skip his bayliss is they're listening to him, and Skip

0:38:46.400 --> 0:38:48.960
<v Speaker 1>will validate a lot of ship that he says, so

0:38:49.200 --> 0:38:53.879
<v Speaker 1>that the White agreement to helps too. You know, well,

0:38:53.920 --> 0:38:57.880
<v Speaker 1>Skip can't help, but validated. I ain't gonna say validate

0:38:57.880 --> 0:38:59.919
<v Speaker 1>because that means that he needs him to co sign

0:39:00.000 --> 0:39:04.280
<v Speaker 1>to Skip ballet but but but Skip will co signed

0:39:04.320 --> 0:39:06.400
<v Speaker 1>because Skip knows that he's gonna sound like a guy

0:39:06.480 --> 0:39:08.239
<v Speaker 1>damn food if he don't. Because Shannon be so on

0:39:08.360 --> 0:39:11.799
<v Speaker 1>point he's going Shannon takes the wiggle room out of

0:39:11.840 --> 0:39:14.799
<v Speaker 1>the argument. See, anytime you have you have to pick

0:39:14.840 --> 0:39:17.879
<v Speaker 1>the wiggle room out because Motherucker's be sitting around waiting

0:39:18.080 --> 0:39:20.400
<v Speaker 1>waiting to attack. They just be waiting on on the

0:39:20.440 --> 0:39:23.160
<v Speaker 1>way to sneak and slither them in and and say

0:39:23.239 --> 0:39:25.920
<v Speaker 1>something opposing to try to make you look stupid and

0:39:25.960 --> 0:39:27.600
<v Speaker 1>make it seem like you don't know what you're talking about.

0:39:28.360 --> 0:39:31.799
<v Speaker 1>Shannon takes the wiggle room out, and Skip knows it,

0:39:32.120 --> 0:39:35.840
<v Speaker 1>and so you know he has little choice if he

0:39:35.880 --> 0:39:38.680
<v Speaker 1>don't want to look like a damn food Yeah yeah,

0:39:39.000 --> 0:39:43.800
<v Speaker 1>um yeah, that's um because the way, um you gotta

0:39:43.880 --> 0:39:48.799
<v Speaker 1>understand too, they work under Disney. Disney owns ESPN a

0:39:48.800 --> 0:39:50.400
<v Speaker 1>lot of these big so they got it. How do

0:39:50.440 --> 0:39:55.120
<v Speaker 1>you navigate? Okay, I want to be black, not lose integrity,

0:39:55.600 --> 0:39:59.040
<v Speaker 1>And I got these corporate motherfucker's watching me, and Shannon

0:39:59.160 --> 0:40:01.839
<v Speaker 1>knows how to navig hate that stephen A. I used

0:40:01.840 --> 0:40:04.000
<v Speaker 1>to watch him at the beginning. I used to watch

0:40:04.080 --> 0:40:05.839
<v Speaker 1>him like first take it, He's like all right, yeah,

0:40:06.040 --> 0:40:08.800
<v Speaker 1>Like then he just started saying crazy shit about like

0:40:08.920 --> 0:40:12.399
<v Speaker 1>black I was like, really, how about saying nothing about

0:40:12.480 --> 0:40:14.279
<v Speaker 1>us like that. I can understand if you don't want

0:40:14.280 --> 0:40:17.120
<v Speaker 1>to be controversial, but why do you gotta shoot on us?

0:40:17.920 --> 0:40:21.759
<v Speaker 1>And he always shot on black men? Yeah, got when

0:40:21.800 --> 0:40:29.200
<v Speaker 1>he talked about black men. He's super badass. I'm keep

0:40:29.200 --> 0:40:32.520
<v Speaker 1>our name on your mouth. Man, Just be neutral. I'd

0:40:32.600 --> 0:40:36.680
<v Speaker 1>rather you be neutral, and I'll understand, like I'll understand

0:40:36.680 --> 0:40:39.440
<v Speaker 1>a brother's neutrality because I'll go I get it. I

0:40:39.560 --> 0:40:41.440
<v Speaker 1>get it as long as you ain't sucking throwing us

0:40:41.480 --> 0:40:44.680
<v Speaker 1>under the bus. I get why you're neutral, because sometimes

0:40:44.680 --> 0:40:48.720
<v Speaker 1>we gotta be Everybody can't be outspoken. There's people, there's

0:40:48.960 --> 0:40:52.040
<v Speaker 1>people like us that are working different ways. There's different

0:40:52.080 --> 0:40:54.600
<v Speaker 1>ways to skin a cat. You don't want to be

0:40:54.640 --> 0:40:57.800
<v Speaker 1>like I believe that. No, there's people working in the

0:40:57.920 --> 0:41:02.640
<v Speaker 1>law think that the black man and we got to

0:41:02.760 --> 0:41:13.040
<v Speaker 1>come together because every time. Everyone I believe that the

0:41:13.080 --> 0:41:15.680
<v Speaker 1>black man we are we are second class citizens. We

0:41:15.719 --> 0:41:17.520
<v Speaker 1>have to understand that the black man and the black

0:41:17.560 --> 0:41:19.920
<v Speaker 1>woman are not protected. We have to you know, we

0:41:19.960 --> 0:41:22.200
<v Speaker 1>don't always have to do that. There's not everybody's gonna

0:41:22.200 --> 0:41:24.520
<v Speaker 1>be a Malcolm X. There spurs people's skill for that.

0:41:24.520 --> 0:41:26.640
<v Speaker 1>That was Malcolm X. I just did and and and

0:41:26.680 --> 0:41:29.319
<v Speaker 1>we have to understand that the white man makes us

0:41:29.360 --> 0:41:31.759
<v Speaker 1>feel like selling class citizens. And a lot of you

0:41:31.920 --> 0:41:35.279
<v Speaker 1>coons and negroes are walking around here, walking around here

0:41:35.520 --> 0:41:39.640
<v Speaker 1>shucking and jibing all the time. They love using entertainers, clowns,

0:41:39.680 --> 0:41:43.160
<v Speaker 1>and and and and and musicians to speak for black people.

0:41:43.360 --> 0:41:45.440
<v Speaker 1>White people don't do that. I don't see M and

0:41:45.600 --> 0:41:48.040
<v Speaker 1>M speaking up for white people. Do you see that. No,

0:41:48.440 --> 0:41:52.080
<v Speaker 1>you should have black people that are are are educated

0:41:52.080 --> 0:41:54.560
<v Speaker 1>in policy and education. But no, you don't want to

0:41:54.560 --> 0:42:02.959
<v Speaker 1>do that because you might lose that argument anyway. Time. Yeah,

0:42:03.680 --> 0:42:06.120
<v Speaker 1>that's the beautiful thing about all those old footage. It

0:42:06.160 --> 0:42:09.080
<v Speaker 1>is the same ship. It's like it's still happening. That's

0:42:09.080 --> 0:42:11.520
<v Speaker 1>why I said, go watch the Malcolm X videos, go

0:42:11.600 --> 0:42:16.200
<v Speaker 1>watch the it's nothing has changed. When James Baldwin, have

0:42:16.239 --> 0:42:20.879
<v Speaker 1>you watched James bald James your Negro, I'm not your who.

0:42:20.920 --> 0:42:26.359
<v Speaker 1>That ship is fantastic, and I'm not your right, I'm

0:42:26.400 --> 0:42:29.960
<v Speaker 1>not your negro. And and James Balder was a gay

0:42:30.000 --> 0:42:33.799
<v Speaker 1>black man to a white woman he married. He may

0:42:35.360 --> 0:42:39.799
<v Speaker 1>gotta go, but you've been going eight times. I got

0:42:39.800 --> 0:42:42.440
<v Speaker 1>a new kid peeing on. Oh is that? What is

0:42:42.480 --> 0:42:45.440
<v Speaker 1>it working though? Like a motherfucker good. I don't know.

0:42:45.520 --> 0:42:49.759
<v Speaker 1>I thought she was tired of the damn. He's like, man,

0:42:49.800 --> 0:42:57.320
<v Speaker 1>I'm out now, I'm back. Baldwin, James Baldwin, James Baldwin,

0:42:57.400 --> 0:43:00.000
<v Speaker 1>I'm not your negro. Everybody should watch. That came out

0:43:00.000 --> 0:43:02.239
<v Speaker 1>a few years ago. What you got coming up? What

0:43:02.360 --> 0:43:07.719
<v Speaker 1>do I have coming? When is this playing? When is it? Um? Okay?

0:43:07.800 --> 0:43:12.200
<v Speaker 1>Right now? Okay? Uh? When I got coming up? Where

0:43:12.320 --> 0:43:14.440
<v Speaker 1>he's had a white boyfriend? Where you got coming up?

0:43:14.440 --> 0:43:16.399
<v Speaker 1>In the next few months and the next few months,

0:43:16.440 --> 0:43:19.560
<v Speaker 1>I got oh gosh, I got by well the Miami

0:43:19.600 --> 0:43:23.040
<v Speaker 1>Improv twenty two to four. I don't know if it

0:43:23.080 --> 0:43:25.120
<v Speaker 1>comes out at that point. My iam got all the

0:43:25.200 --> 0:43:28.960
<v Speaker 1>different You guys could check my um Instagram comedian Godfree

0:43:29.680 --> 0:43:31.719
<v Speaker 1>and you'll see my dates. You know, I have my

0:43:31.840 --> 0:43:34.480
<v Speaker 1>dates on there? Should I look up my dates? And yeah?

0:43:34.480 --> 0:43:39.839
<v Speaker 1>And what what about the the podcast What you Guys

0:43:39.840 --> 0:43:42.480
<v Speaker 1>should be on Someday is in God Free We Trust,

0:43:42.840 --> 0:43:47.839
<v Speaker 1>which is on the Gas Digital Network Tuesdays and Fridays

0:43:48.360 --> 0:43:51.480
<v Speaker 1>at ten pm Eastern. It's Dope as Hell. I had

0:43:51.520 --> 0:43:54.120
<v Speaker 1>Phase on on there. You know, I've had Lord Jamar

0:43:54.280 --> 0:43:56.520
<v Speaker 1>on there from Brand Newbians, I've had Raw Dick. I've

0:43:56.560 --> 0:43:58.839
<v Speaker 1>had a lot of different people on my my ship.

0:43:58.960 --> 0:44:01.120
<v Speaker 1>It's Dope is Healthy. I came on. We were talking

0:44:01.120 --> 0:44:04.640
<v Speaker 1>about the whole comedy controversy. Um, yeah, it's it's a

0:44:04.640 --> 0:44:08.600
<v Speaker 1>pretty good podcast. Gas Digital Network. Subscribe to it. So

0:44:08.680 --> 0:44:12.080
<v Speaker 1>you talked to after the Oh yeah, after a little

0:44:12.120 --> 0:44:17.880
<v Speaker 1>thing in Atlanta. Yeah, we talked man Atlanta. Hold oh, expeditiously.

0:44:18.480 --> 0:44:21.080
<v Speaker 1>See this is what happened. I was in at the

0:44:21.080 --> 0:44:24.359
<v Speaker 1>Atlanta Comedy Theater and I was finishing. I had done

0:44:24.400 --> 0:44:27.400
<v Speaker 1>like an hour forty minutes. I got off my boys

0:44:27.480 --> 0:44:30.000
<v Speaker 1>like hats hosts and say, yo, man, I'm gonna keep

0:44:30.000 --> 0:44:31.839
<v Speaker 1>the show going. I go why I'm the headlines though

0:44:31.880 --> 0:44:34.359
<v Speaker 1>in the show, no t I is gonna go up.

0:44:34.480 --> 0:44:37.839
<v Speaker 1>And I was like to do what? I was like, like,

0:44:37.880 --> 0:44:39.560
<v Speaker 1>what do you mean like he's going up to wrap

0:44:39.640 --> 0:44:43.440
<v Speaker 1>and some ship. He's doing comedy. I's like, what the fuck?

0:44:43.560 --> 0:44:47.360
<v Speaker 1>And I didn't know O Cave doing to do comedy.

0:44:47.480 --> 0:44:50.000
<v Speaker 1>Didn't know he's doing comedy. So I see him. I

0:44:50.080 --> 0:44:52.719
<v Speaker 1>give him a pound boomba boom. It's t I. I'm

0:44:52.719 --> 0:44:55.000
<v Speaker 1>a t I fan. I said, Yo, I'm gonna wait.

0:44:55.080 --> 0:44:57.640
<v Speaker 1>I'll wait in the green room. Blah blah blah. And

0:44:58.080 --> 0:44:59.839
<v Speaker 1>we talked, hung out a little bit. He was cool

0:44:59.840 --> 0:45:01.759
<v Speaker 1>ash Ship. And then when I went back to my

0:45:01.800 --> 0:45:04.000
<v Speaker 1>podcast back to New York that you know, they were

0:45:04.000 --> 0:45:05.520
<v Speaker 1>asking me, did you go watch him? I said no,

0:45:05.600 --> 0:45:07.520
<v Speaker 1>I didn't watch him because I know he was doing

0:45:07.600 --> 0:45:09.759
<v Speaker 1>comedy on I don't see him as a comedian. Not

0:45:09.840 --> 0:45:13.080
<v Speaker 1>to insult him, but I just headlined, why am I

0:45:13.080 --> 0:45:17.200
<v Speaker 1>gonna go watch him do what I do best? He's

0:45:17.239 --> 0:45:19.879
<v Speaker 1>a rapper. I didn't know he was doing comedy, and

0:45:20.000 --> 0:45:22.400
<v Speaker 1>I and and my thing is, I don't care that

0:45:22.480 --> 0:45:25.200
<v Speaker 1>he's not doing comedy. It's just that I just finished

0:45:25.200 --> 0:45:27.480
<v Speaker 1>doing an hour and forty minutes. I always go to

0:45:27.520 --> 0:45:29.920
<v Speaker 1>the green room and sit my ass down. And did

0:45:29.960 --> 0:45:34.520
<v Speaker 1>he decompress? You know? After performance? You're like, Ship, could

0:45:34.560 --> 0:45:38.279
<v Speaker 1>you could you hear what what? What? It was Atlanta

0:45:38.400 --> 0:45:42.880
<v Speaker 1>Comedy Theater in North Cross is the dressing room the

0:45:42.880 --> 0:45:45.319
<v Speaker 1>green room from Oh, it's not that far. It's like

0:45:45.480 --> 0:45:49.759
<v Speaker 1>it's like it's like a few feet like there's two

0:45:49.760 --> 0:45:53.200
<v Speaker 1>green rooms and the exited stage leads to the first

0:45:53.239 --> 0:45:54.759
<v Speaker 1>green room and you can go to the other one.

0:45:57.200 --> 0:45:58.759
<v Speaker 1>I didn't really hear it. I was I was in

0:45:58.800 --> 0:46:00.319
<v Speaker 1>the other room, in the other green room, the main

0:46:00.360 --> 0:46:02.760
<v Speaker 1>one that I stay in, and I was like, I'm

0:46:02.960 --> 0:46:05.680
<v Speaker 1>already finished. I'm not going to watch because I was like,

0:46:05.760 --> 0:46:08.759
<v Speaker 1>he's doing comedy. I didn't because you know, I took

0:46:08.760 --> 0:46:13.120
<v Speaker 1>it as in everybody's approaching comedy like it's easy. I'm like,

0:46:13.400 --> 0:46:16.279
<v Speaker 1>I'm a purist, I'm a real comedian. I'm I don't

0:46:16.280 --> 0:46:18.839
<v Speaker 1>funk around. I'm a real deal. You know what I'm saying.

0:46:18.880 --> 0:46:21.200
<v Speaker 1>Not just me, but it's like you guys are a

0:46:21.239 --> 0:46:24.560
<v Speaker 1>real deal. It's like I'm the real deal. Like from

0:46:24.640 --> 0:46:30.239
<v Speaker 1>Mike Gabs to cat To to Corey to Ship to Louisa,

0:46:30.400 --> 0:46:33.120
<v Speaker 1>where the real do we do real comedy? And there's

0:46:33.120 --> 0:46:35.600
<v Speaker 1>a lot of like Instagram people or whatever. And there's

0:46:35.640 --> 0:46:37.959
<v Speaker 1>some Instagram people that are taking it serious and there's

0:46:38.000 --> 0:46:40.000
<v Speaker 1>there's and there's younger guys that are and women that

0:46:40.040 --> 0:46:42.959
<v Speaker 1>are taking this ship serious. And everybody's thinking, I'm gonna

0:46:42.960 --> 0:46:46.000
<v Speaker 1>do comedy, like what's her name from Housewives of Atlanta

0:46:46.120 --> 0:46:50.120
<v Speaker 1>name Nini because she's she's a big personality. But it

0:46:50.120 --> 0:46:52.239
<v Speaker 1>doesn't mean the transfers over the comedy. I'm not saying

0:46:52.280 --> 0:46:57.959
<v Speaker 1>you can't do comedy, but I was kind of yeah,

0:46:58.200 --> 0:47:01.439
<v Speaker 1>and I was. I would have. I just wasn't even

0:47:01.440 --> 0:47:03.680
<v Speaker 1>that offended. I was just like, I'm not I'm not

0:47:03.719 --> 0:47:08.759
<v Speaker 1>going to go watch because you were offended. I wasn't.

0:47:09.200 --> 0:47:11.359
<v Speaker 1>I was. I don't. I wasn't offended. I just wasn't

0:47:11.400 --> 0:47:14.319
<v Speaker 1>interested because I was like, he's doing comedy. I don't

0:47:14.320 --> 0:47:16.719
<v Speaker 1>get it. Like I was like, that's all that's for me.

0:47:17.000 --> 0:47:19.600
<v Speaker 1>But he felt like I insulted him the whole nine

0:47:20.040 --> 0:47:22.440
<v Speaker 1>and and he and he expressed it in the video.

0:47:22.600 --> 0:47:24.799
<v Speaker 1>Everybody was calling me. You see the video t I made.

0:47:24.920 --> 0:47:27.160
<v Speaker 1>You know when t I goes into the woods, When

0:47:27.200 --> 0:47:29.399
<v Speaker 1>he goes into the woods, he's mad at something. He goes.

0:47:29.440 --> 0:47:34.080
<v Speaker 1>I asked something to say. I want to express myself. Uh,

0:47:34.200 --> 0:47:39.319
<v Speaker 1>the other day Godfrey expeditiously. You know, t I is

0:47:39.360 --> 0:47:41.880
<v Speaker 1>my man and we and Nick Cannon shout out to

0:47:41.960 --> 0:47:46.480
<v Speaker 1>Nick Cannon um he Um called yeah, I said, can

0:47:46.560 --> 0:47:48.840
<v Speaker 1>we make a FACETI I'm wanna FaceTime him. We talked.

0:47:48.880 --> 0:47:51.480
<v Speaker 1>He said, I respect you man, you O g get you.

0:47:51.480 --> 0:47:53.920
<v Speaker 1>You wanted the best. I appreciate that that man, I

0:47:53.920 --> 0:47:55.919
<v Speaker 1>funk with you. I just was I was just talking

0:47:55.960 --> 0:47:58.200
<v Speaker 1>like a comedian. I'm I'm a headliner. I'm not coming

0:47:58.200 --> 0:48:01.480
<v Speaker 1>out watch you. That's hustling, funk. I look like I'm

0:48:01.480 --> 0:48:05.200
<v Speaker 1>the headliner. You're t you're a superstar, but I'm the

0:48:05.239 --> 0:48:07.840
<v Speaker 1>star of this comedy show. So you were You were

0:48:07.880 --> 0:48:13.520
<v Speaker 1>actually protecting your bag going farward also right by not

0:48:13.600 --> 0:48:15.640
<v Speaker 1>going out there, because if you if you had went

0:48:15.640 --> 0:48:18.920
<v Speaker 1>out there after that, it takes away from the it

0:48:18.960 --> 0:48:21.040
<v Speaker 1>take not only does it take away that moment, but

0:48:21.440 --> 0:48:23.960
<v Speaker 1>it could affect your bag later down the line. You know,

0:48:24.040 --> 0:48:26.839
<v Speaker 1>like if somebody get away with that once, they'll try

0:48:26.880 --> 0:48:30.080
<v Speaker 1>you again. That's what I'm saying. So yeah, it's like

0:48:30.160 --> 0:48:32.640
<v Speaker 1>it's just they's just code of ethics. That's all it was.

0:48:33.239 --> 0:48:35.560
<v Speaker 1>It wasn't him doing comedy. That going good for you.

0:48:35.600 --> 0:48:38.080
<v Speaker 1>And then I said, man, you're really taking this ship serious.

0:48:38.120 --> 0:48:40.359
<v Speaker 1>He goes man I've been going. I said, that's what's up.

0:48:41.120 --> 0:48:44.600
<v Speaker 1>Be ready for the grind, because comedy is a fucking

0:48:44.960 --> 0:48:47.759
<v Speaker 1>what to get the art form itself, I'm not talking

0:48:47.800 --> 0:48:50.160
<v Speaker 1>about the travel t I don't have problem traveling the

0:48:50.239 --> 0:48:53.640
<v Speaker 1>guys loaded. I ain't talking about the art itself is

0:48:53.640 --> 0:48:57.400
<v Speaker 1>a grind. To get it down takes a lot of work.

0:48:57.800 --> 0:49:00.279
<v Speaker 1>It's sculpting. I don't give a funk with anybody's says.

0:49:00.480 --> 0:49:02.239
<v Speaker 1>I don't care what anybody says. You can listen to

0:49:02.239 --> 0:49:05.080
<v Speaker 1>the podcast talking whatever you want. We can go pound

0:49:05.120 --> 0:49:07.680
<v Speaker 1>for pound on the mic. It takes a lot of work.

0:49:07.800 --> 0:49:10.040
<v Speaker 1>When I first did comedy, I knew I was funny,

0:49:10.200 --> 0:49:12.399
<v Speaker 1>but I didn't have shipped to say. And Bernie Mac

0:49:12.520 --> 0:49:15.239
<v Speaker 1>used to tell me that ship he's like the motherfucker

0:49:15.400 --> 0:49:18.120
<v Speaker 1>you know, they can just come up here and do

0:49:18.160 --> 0:49:22.680
<v Speaker 1>the ship takes a lot of mother wuck work, you know. Yeah,

0:49:22.760 --> 0:49:25.520
<v Speaker 1>when Bertie used to fucking school me on ship. Yeah,

0:49:25.560 --> 0:49:28.000
<v Speaker 1>he goes to guys, he goes, you know, half the

0:49:28.160 --> 0:49:32.480
<v Speaker 1>motherfucking job. It's being interesting. You gotta mother fucking interesting,

0:49:32.520 --> 0:49:34.120
<v Speaker 1>you know. Motherfucker's I don't want to be in a

0:49:34.200 --> 0:49:36.320
<v Speaker 1>room with your asks. He used to say that ship.

0:49:36.760 --> 0:49:38.600
<v Speaker 1>And I used to be like, yeah, they wanted and

0:49:38.360 --> 0:49:40.520
<v Speaker 1>then he says, you gotta. It's like you gotta put

0:49:40.520 --> 0:49:42.960
<v Speaker 1>the time in. You know. That's I've learned that from

0:49:43.040 --> 0:49:46.800
<v Speaker 1>Seinfeldt Seinfeld when he when he talked to me and say, hey,

0:49:46.920 --> 0:49:49.120
<v Speaker 1>how long you've been doing Comedy's about ten years? I

0:49:49.200 --> 0:49:51.160
<v Speaker 1>said about ten years. He goes, you're a ten year old.

0:49:51.600 --> 0:49:53.920
<v Speaker 1>That's your that's your agent comedy. Remember that, you know

0:49:53.960 --> 0:49:58.040
<v Speaker 1>Seinfeld but doing comedy since the seventies, I've been. I

0:49:58.080 --> 0:50:01.520
<v Speaker 1>was advised by Cosby before all this ship happened. He

0:50:01.760 --> 0:50:03.640
<v Speaker 1>he gave me advice. That's when his son was murdered.

0:50:03.680 --> 0:50:06.279
<v Speaker 1>I was there. I was working there. Yeah, I was there.

0:50:06.360 --> 0:50:09.960
<v Speaker 1>I was there. I remember the day and everything. He said.

0:50:10.200 --> 0:50:12.279
<v Speaker 1>I remember the ship, I said, because you could come

0:50:12.320 --> 0:50:14.200
<v Speaker 1>into his office and talk to him. He had his

0:50:14.280 --> 0:50:22.200
<v Speaker 1>cigar and ship. He goes, hey, you know, I said, hey,

0:50:22.360 --> 0:50:24.080
<v Speaker 1>you can just walk into his armies open, say hey,

0:50:24.120 --> 0:50:29.200
<v Speaker 1>what's up that Steve Black? He better close that damn dope. Yeah,

0:50:29.800 --> 0:50:33.400
<v Speaker 1>just walk your ass in. Yeah no, And Steve. Steve

0:50:33.440 --> 0:50:35.359
<v Speaker 1>gave me advice when I was in a comedy team

0:50:35.360 --> 0:50:38.719
<v Speaker 1>in Chicago. He gave I was in a duo and

0:50:38.760 --> 0:50:41.360
<v Speaker 1>my man, and my man was sucking up the whole

0:50:41.360 --> 0:50:43.000
<v Speaker 1>thing because I was writing all the ship. He was

0:50:43.000 --> 0:50:45.520
<v Speaker 1>getting high drunk for getting the lines. And Steve Harvey.

0:50:45.560 --> 0:50:47.640
<v Speaker 1>I was in the hallway. It was a place called

0:50:47.640 --> 0:50:52.200
<v Speaker 1>All Jokes Aside in Chicago, All Jokes Aside. My man

0:50:52.320 --> 0:50:55.520
<v Speaker 1>Raymond Lambert shout to Raymond Lambert, Mary Lindsay and James

0:50:55.560 --> 0:51:00.359
<v Speaker 1>Alexander and he goes, um, he mean, he goes, what's wrong, man,

0:51:00.440 --> 0:51:03.799
<v Speaker 1>I said, My partner keeps forgetting my house. In the

0:51:03.840 --> 0:51:06.640
<v Speaker 1>comedy team, it was called Godfrey and Alexander. My first

0:51:06.719 --> 0:51:10.120
<v Speaker 1>year we opened up for del Givings and Steve and

0:51:10.200 --> 0:51:13.759
<v Speaker 1>t K. Kirkland and he goes, uh, yeah. T K

0:51:14.040 --> 0:51:15.600
<v Speaker 1>is the one that got me my manager, and he's

0:51:15.600 --> 0:51:17.480
<v Speaker 1>the reason why I moved to New York. T K Kirkland,

0:51:17.560 --> 0:51:20.440
<v Speaker 1>God Damn. T K got his hand and everybody that's

0:51:20.480 --> 0:51:23.719
<v Speaker 1>the truth. T K sounds like he's lying. When t

0:51:23.880 --> 0:51:27.120
<v Speaker 1>K talks, he sounds like he's lying. And he's not. No, No,

0:51:27.239 --> 0:51:31.080
<v Speaker 1>I believe it. One of those he's like Godfrey, I

0:51:31.120 --> 0:51:33.840
<v Speaker 1>got him to go to New York. No, I was

0:51:33.880 --> 0:51:36.239
<v Speaker 1>there and you'd be like he's lying. No, he's telling

0:51:36.239 --> 0:51:39.200
<v Speaker 1>the truth. He talks like how this dude just moves

0:51:39.280 --> 0:51:42.040
<v Speaker 1>around man, and how he's just been involved in so

0:51:42.120 --> 0:51:46.239
<v Speaker 1>many peaks. My my first manager, I moved to New

0:51:46.280 --> 0:51:49.400
<v Speaker 1>York out of him arranging that ship. It was T. K.

0:51:49.520 --> 0:51:53.640
<v Speaker 1>Kirkland shout and my first and my first. My first

0:51:53.719 --> 0:51:58.360
<v Speaker 1>roommate was Viola Davis when she was at Juilliard Acting School.

0:51:58.680 --> 0:52:00.879
<v Speaker 1>And I saw Viola not too long ago at an

0:52:00.880 --> 0:52:03.840
<v Speaker 1>interview at nine two Wide in New York, and I

0:52:03.960 --> 0:52:06.640
<v Speaker 1>met her backstage and she goes, there, goes my roommate.

0:52:06.840 --> 0:52:11.239
<v Speaker 1>She remembered me, So what does Steve. Steve was like, So,

0:52:11.640 --> 0:52:13.799
<v Speaker 1>he's like, you're the funny motherfucker. You're the funny one

0:52:13.840 --> 0:52:15.800
<v Speaker 1>on that one. He's like, you're the funny one. You

0:52:15.880 --> 0:52:18.560
<v Speaker 1>know you You're the mortalented one. He goes, how much

0:52:18.600 --> 0:52:20.640
<v Speaker 1>you getting for this? I said, I'm getting about We're

0:52:20.640 --> 0:52:23.440
<v Speaker 1>getting like a hundred bucks. He goes, are you tired

0:52:23.440 --> 0:52:26.760
<v Speaker 1>of splitting that ship? I said yeah. He goes cut

0:52:26.760 --> 0:52:30.360
<v Speaker 1>his ass and he walked off. That's when Steve Harvey

0:52:30.400 --> 0:52:33.200
<v Speaker 1>had a ball this fot. He goes, I remember, he goes,

0:52:33.360 --> 0:52:35.640
<v Speaker 1>I'll see you later and he walks off. And I go,

0:52:35.880 --> 0:52:39.839
<v Speaker 1>I'm gonna cut his He goes, cut his ass. That's

0:52:39.880 --> 0:52:45.880
<v Speaker 1>your money, boy, he's ass. He's dumbass up there wasting time.

0:52:46.000 --> 0:52:49.359
<v Speaker 1>You ain't got time to be splitting that ship. Get

0:52:49.360 --> 0:52:59.919
<v Speaker 1>your hundred dollars, boy, Cosby said. Cosby goes, he goes,

0:53:00.280 --> 0:53:03.520
<v Speaker 1>he goes. The first thing, he goes writing, you got

0:53:03.560 --> 0:53:06.879
<v Speaker 1>to put it on the paper. You got the right son,

0:53:06.960 --> 0:53:09.920
<v Speaker 1>You got to writing. Your ideas have to go on

0:53:09.960 --> 0:53:13.000
<v Speaker 1>the paper. You have to write every he got to

0:53:13.040 --> 0:53:16.319
<v Speaker 1>be writing the ideas. But oh yeah. Then he goes,

0:53:16.480 --> 0:53:20.200
<v Speaker 1>I want you to see the word show business, show business.

0:53:20.239 --> 0:53:25.680
<v Speaker 1>What is the long bigger word business. He goes, yeah, yeah, yeah,

0:53:25.800 --> 0:53:28.360
<v Speaker 1>he's like writing, you got to write, put it in.

0:53:28.480 --> 0:53:30.239
<v Speaker 1>And he says, you know, sim bad. He knocks it

0:53:30.280 --> 0:53:35.280
<v Speaker 1>out the park, SI bad. But the dupeuper dope. Yeah,

0:53:35.320 --> 0:53:37.200
<v Speaker 1>it was beautiful. Though. I got advice from a lot

0:53:37.200 --> 0:53:40.200
<v Speaker 1>of great people. Man worked with Robin Williams. We have

0:53:40.239 --> 0:53:43.880
<v Speaker 1>the same birthday. No, he never really gave advice. He

0:53:43.960 --> 0:53:47.279
<v Speaker 1>just sat quietly and and and But you if you

0:53:47.320 --> 0:53:49.759
<v Speaker 1>got him hyped like I would, I would talk like that,

0:53:49.840 --> 0:53:52.239
<v Speaker 1>you know, that corny black voice, and he would start

0:53:52.280 --> 0:53:54.520
<v Speaker 1>doing it. I'd be like, what's up, Robbie be like, hey, man,

0:53:54.680 --> 0:53:57.080
<v Speaker 1>I'm good. You know what I'm saying. Yeah, brother, Yeah,

0:53:57.120 --> 0:53:59.960
<v Speaker 1>he's like a little yeah, you know what, the little

0:54:00.000 --> 0:54:02.759
<v Speaker 1>corny black and he does. And he's the nicest man though.

0:54:02.960 --> 0:54:06.160
<v Speaker 1>He's one of my favorite. Such a nice man. Same birthday,

0:54:06.280 --> 0:54:08.719
<v Speaker 1>July twenty one, And he's such a nice I've worked

0:54:08.719 --> 0:54:11.880
<v Speaker 1>with a futimes. He's a humble, humble, humble that dude.

0:54:12.239 --> 0:54:14.560
<v Speaker 1>Oh he was great, great dude. I work with Raymond

0:54:14.600 --> 0:54:17.440
<v Speaker 1>Moano sometimes good another good dude. Yeah, I've worked a

0:54:17.480 --> 0:54:20.880
<v Speaker 1>lot of good, good folks. There's some good comedians. George Wallace,

0:54:21.160 --> 0:54:24.760
<v Speaker 1>same birthday, George. You know, there's a lot of stupid

0:54:24.760 --> 0:54:27.640
<v Speaker 1>people out here. I'm just so tired. You ever see

0:54:27.640 --> 0:54:31.320
<v Speaker 1>somebody just so damn stupid. I'm so you know, that's

0:54:31.320 --> 0:54:35.480
<v Speaker 1>George Wallace. Man, that's my man, real humble dude, always encouraging.

0:54:35.760 --> 0:54:38.640
<v Speaker 1>He's like, man, you're just so talented, Godfrey, You're so talented.

0:54:38.680 --> 0:54:41.440
<v Speaker 1>Just just keep it up. You're just beautiful. Just keep

0:54:41.440 --> 0:54:43.759
<v Speaker 1>doing it, man, just keep doing it. Yeah. Yeah, I

0:54:43.800 --> 0:54:45.560
<v Speaker 1>used to like when he used to do that. There's

0:54:45.560 --> 0:54:49.240
<v Speaker 1>something just don't make no sense. Yeah, Yeah, he's funny,

0:54:49.280 --> 0:54:52.160
<v Speaker 1>funny dude, man. Yes, so yeah, I've been fortunate to

0:54:52.160 --> 0:54:56.440
<v Speaker 1>work around really really great comedians the whole nine, seeing people,

0:54:56.600 --> 0:55:00.520
<v Speaker 1>you know, get to the top, man and you go, yeah,

0:55:00.600 --> 0:55:04.240
<v Speaker 1>I'm almost there. Yeah, I'm there. I'm a successful comedian.

0:55:04.280 --> 0:55:06.600
<v Speaker 1>Not let me not sit there and go you're kind

0:55:06.600 --> 0:55:09.319
<v Speaker 1>of anything. No, I'm a successful that you are. You are,

0:55:09.440 --> 0:55:14.719
<v Speaker 1>you are successful. Uh but with that, we know that

0:55:15.760 --> 0:55:20.239
<v Speaker 1>the opportunities out there for comics on your level. And

0:55:20.320 --> 0:55:22.920
<v Speaker 1>how so how frustrating is it that you don't get

0:55:22.960 --> 0:55:25.840
<v Speaker 1>those opportunities? Fat man? Who doesn't want to be in

0:55:25.880 --> 0:55:29.080
<v Speaker 1>a Spider Man movie? Yeah? Funk? I grew up on

0:55:29.160 --> 0:55:32.239
<v Speaker 1>Spider Man. I met Stanley three times. I you know,

0:55:32.840 --> 0:55:35.799
<v Speaker 1>I uh yeah, who doesn't want to be in all

0:55:35.880 --> 0:55:38.880
<v Speaker 1>that ship? You're I'm a you know, we grew up boys. Man.

0:55:39.000 --> 0:55:40.920
<v Speaker 1>We want to we want to do a tuck and

0:55:41.040 --> 0:55:43.480
<v Speaker 1>roll and shoot a gun. We want to drive a car,

0:55:43.640 --> 0:55:47.799
<v Speaker 1>fast car, get the girl. Yeah I would. I Yeah,

0:55:47.880 --> 0:55:50.640
<v Speaker 1>it's frustrating. Man. I'm a pretty good actor too. I

0:55:50.760 --> 0:55:53.200
<v Speaker 1>have great acting teachers I've studied under in New York

0:55:53.239 --> 0:55:57.480
<v Speaker 1>City and uh yeah, lady by name of Alice Spivack

0:55:57.600 --> 0:56:00.280
<v Speaker 1>she passed away, though. Alice Spivack in New York City's

0:56:00.360 --> 0:56:04.680
<v Speaker 1>legendary active teacher. And yeah, and I yeah, I have

0:56:04.920 --> 0:56:07.520
<v Speaker 1>I have pretty decent chops. I didn't say I was Denzel,

0:56:08.239 --> 0:56:10.480
<v Speaker 1>but you know, I'm decent. And I see a lot

0:56:10.520 --> 0:56:13.560
<v Speaker 1>of cats that I go, I think I'd better skilling

0:56:13.640 --> 0:56:17.080
<v Speaker 1>that guy, and and you go. But you know, it's

0:56:17.160 --> 0:56:19.520
<v Speaker 1>like it's my bed. I have to lay in it.

0:56:19.719 --> 0:56:22.560
<v Speaker 1>I chose to do this ship. I chose it. And

0:56:22.840 --> 0:56:25.520
<v Speaker 1>this business has always been like this. I didn't just

0:56:25.600 --> 0:56:28.600
<v Speaker 1>come into a go what I didn't know? They It's

0:56:28.640 --> 0:56:30.640
<v Speaker 1>always been the thing. And and then I then I

0:56:30.760 --> 0:56:32.880
<v Speaker 1>kind of back up and go, We'll think about what

0:56:33.560 --> 0:56:36.360
<v Speaker 1>step and Fetch it went through. Think about what Hattie

0:56:36.440 --> 0:56:39.600
<v Speaker 1>McDaniel went through, Think about what moms maybe went through.

0:56:39.880 --> 0:56:42.560
<v Speaker 1>Think about what what he Strode went through. Think about

0:56:43.040 --> 0:56:45.719
<v Speaker 1>Sydney put all these people from the past. Think about

0:56:45.719 --> 0:56:48.120
<v Speaker 1>how much worse it was, you know what I mean,

0:56:50.160 --> 0:56:54.239
<v Speaker 1>motherfucker what And I'm and then sometimes I start to

0:56:54.320 --> 0:56:56.480
<v Speaker 1>do that and I go, let me chill. I've I'm

0:56:56.560 --> 0:57:00.720
<v Speaker 1>so fortunate to be doing this job for twenty some years.

0:57:01.080 --> 0:57:03.320
<v Speaker 1>No job, I win. I told my own shots. I

0:57:03.400 --> 0:57:06.080
<v Speaker 1>do what the funk I want. I get to travel everywhere.

0:57:06.320 --> 0:57:09.160
<v Speaker 1>I have great crowds. I'm making money doing what I love. Man,

0:57:09.239 --> 0:57:11.440
<v Speaker 1>Come on, and it's not like I haven't been on anything,

0:57:12.080 --> 0:57:13.839
<v Speaker 1>you know what I'm saying. But you but as an artist,

0:57:13.960 --> 0:57:16.440
<v Speaker 1>we still want other things. You're like a plant. If

0:57:16.480 --> 0:57:18.160
<v Speaker 1>you put a plant in a in a body, it's

0:57:18.160 --> 0:57:20.600
<v Speaker 1>gonna still try to find other ways to extend. I

0:57:20.720 --> 0:57:22.840
<v Speaker 1>want to do more films. Hell, yeah, I got the

0:57:22.880 --> 0:57:25.040
<v Speaker 1>skills that I would love to be on. Have my

0:57:25.160 --> 0:57:28.400
<v Speaker 1>own show. Yeah, single cameras from Dope ship. I watch

0:57:28.480 --> 0:57:31.760
<v Speaker 1>a lot of television, lots of movies. Yeah, I want

0:57:31.800 --> 0:57:33.360
<v Speaker 1>to do my own shift. I would love to go here.

0:57:33.440 --> 0:57:36.080
<v Speaker 1>I have something, let's do it, you know. And I

0:57:36.240 --> 0:57:39.040
<v Speaker 1>and it's coming. You know, it's just something. Some people's

0:57:39.120 --> 0:57:41.880
<v Speaker 1>lanes just it's just it's like traffic. Some lanes are

0:57:41.920 --> 0:57:44.560
<v Speaker 1>moving slower than others, but you're going to the same destination,

0:57:45.240 --> 0:57:47.240
<v Speaker 1>you know what I mean. Yeah, I'm gonna get it

0:57:47.320 --> 0:57:50.680
<v Speaker 1>though it's it's impossible for me not to. Yeah, I

0:57:50.760 --> 0:57:54.880
<v Speaker 1>want to appreciate that. But I like, like I'll be

0:57:55.000 --> 0:57:57.560
<v Speaker 1>doing good you know, good times. It's coming out animation,

0:57:57.640 --> 0:58:00.280
<v Speaker 1>you know, they're doing Good Times animation for that Flix.

0:58:00.400 --> 0:58:03.760
<v Speaker 1>I'm doing some characters on there and Cree Summer Crease

0:58:03.800 --> 0:58:07.640
<v Speaker 1>Summer from from what is it called? From Different World?

0:58:07.680 --> 0:58:11.320
<v Speaker 1>Remember Freddie? Remember the girl Freddie. She was a little

0:58:12.080 --> 0:58:15.640
<v Speaker 1>She is a you know, she's a voiceover master. Oh,

0:58:15.960 --> 0:58:19.360
<v Speaker 1>inspector gadget. She was the girl for thirty years. She

0:58:19.520 --> 0:58:22.320
<v Speaker 1>and she is producing the voices. She coached me and

0:58:22.640 --> 0:58:25.240
<v Speaker 1>some of the voices I'm doing for Good Times the

0:58:25.320 --> 0:58:29.040
<v Speaker 1>animation series come out on Netflix. She coached you. She

0:58:29.240 --> 0:58:33.960
<v Speaker 1>coached me yesterday. Yeah, it was crazy. She was there

0:58:34.000 --> 0:58:36.040
<v Speaker 1>in the zoom. I was like, how many different voices

0:58:37.280 --> 0:58:39.960
<v Speaker 1>she's done, like over thirty and forty of them. She

0:58:40.080 --> 0:58:43.680
<v Speaker 1>does a lot of voices. It's crazy, little girls, different animals,

0:58:43.720 --> 0:58:46.840
<v Speaker 1>ship like that. She's bad as ship. Yeah, it's like

0:58:46.960 --> 0:58:51.360
<v Speaker 1>Keith David. You know Keith David. You ever see Dead President?

0:58:51.440 --> 0:58:54.640
<v Speaker 1>He was curly the older Black Men or um damn

0:58:55.560 --> 0:59:00.320
<v Speaker 1>Dead Presidents with Lorenz Tate or um something. Oh Atlanta

0:59:00.320 --> 0:59:03.760
<v Speaker 1>remember Atlanta with t I remember he was the rich father.

0:59:03.880 --> 0:59:07.120
<v Speaker 1>Remember the girl that was pretending like, yeah, he's good.

0:59:07.200 --> 0:59:11.360
<v Speaker 1>He does talks like this the whole time. A lot

0:59:11.400 --> 0:59:14.720
<v Speaker 1>of voice over what I was in on time. I

0:59:14.800 --> 0:59:18.240
<v Speaker 1>was in an audition, a voice over audition. He walked

0:59:18.280 --> 0:59:20.720
<v Speaker 1>in and I threw my papers up. Everybody started laughing.

0:59:20.760 --> 0:59:23.760
<v Speaker 1>I said, the fuck. I'm sitting at him like practicing

0:59:23.800 --> 0:59:27.360
<v Speaker 1>my ship going remember Prudential. And he comes in, How

0:59:27.440 --> 0:59:33.320
<v Speaker 1>you doing, gentlemen? I said, man, Yeah, you know, he

0:59:33.360 --> 0:59:34.880
<v Speaker 1>does a lot of the PPS. He does a lot

0:59:34.920 --> 0:59:39.840
<v Speaker 1>of PPS, narration, PBS, he has the Jack Johnson documentary.

0:59:39.880 --> 0:59:43.440
<v Speaker 1>He's He's that's his voice. The Jazz tempar series is

0:59:43.560 --> 0:59:46.240
<v Speaker 1>Keith David. He does a lot. He does Gargoyle, he

0:59:46.320 --> 0:59:49.160
<v Speaker 1>does a lot. He's amazing, And I want to do

0:59:49.240 --> 0:59:53.480
<v Speaker 1>stuff like like him. Yeah, were you amazing? To man?

0:59:53.600 --> 0:59:57.360
<v Speaker 1>I want to see you do stuff appreciate. Even even

0:59:57.480 --> 1:00:00.480
<v Speaker 1>even with the Joe Rogan thing, he's following me. Now yeah,

1:00:00.480 --> 1:00:02.800
<v Speaker 1>I haven't been on it yet, but he's Joe's following Joe.

1:00:02.880 --> 1:00:06.760
<v Speaker 1>They say, Joe's following me. Yeah, it's following me. Come on, Joe.

1:00:06.960 --> 1:00:09.880
<v Speaker 1>I mean, he's a big fan of yours. I mean,

1:00:10.040 --> 1:00:12.160
<v Speaker 1>I know he has to, he has to pick people

1:00:12.200 --> 1:00:14.440
<v Speaker 1>on his own. But I've done so. I've done like

1:00:14.520 --> 1:00:17.240
<v Speaker 1>a lot of his friends podcast. You know what I'm

1:00:17.280 --> 1:00:20.000
<v Speaker 1>saying I just have Everyone's like, what are you going

1:00:20.040 --> 1:00:21.760
<v Speaker 1>to do? Because it took me a long time to

1:00:21.800 --> 1:00:27.080
<v Speaker 1>do Breakfast Club. You're on his radar. That's cool. That'd

1:00:27.120 --> 1:00:29.800
<v Speaker 1>be fun because I love his podcast. Yeah, a lot

1:00:29.840 --> 1:00:31.320
<v Speaker 1>of my friends are on it, man, and they are

1:00:31.360 --> 1:00:34.200
<v Speaker 1>blown up from that ship he did had the Magic Touch.

1:00:34.680 --> 1:00:39.480
<v Speaker 1>But you guys are your numbers are pretty damn good yourself. Yeah, Okay,

1:00:39.840 --> 1:00:42.240
<v Speaker 1>everyone's like when we can't on a small get old boys.

1:00:42.280 --> 1:00:44.720
<v Speaker 1>But yeah, but this is what I'm glad to be

1:00:44.800 --> 1:00:48.080
<v Speaker 1>on this. I was like, what they gotta do this? Hell, yeah,

1:00:48.280 --> 1:00:50.160
<v Speaker 1>you got to do your show too, man. Yeah, man,

1:00:50.560 --> 1:00:52.600
<v Speaker 1>we can zoom it. It's all good because to talk

1:00:52.680 --> 1:00:55.240
<v Speaker 1>to you, that'd be fantastic. What are you recording? I

1:00:55.400 --> 1:00:57.520
<v Speaker 1>recorded the lour East Side of New York City, but

1:00:57.640 --> 1:00:59.680
<v Speaker 1>we always got a feed. I just did Sham. You know,

1:00:59.760 --> 1:01:02.040
<v Speaker 1>I'm have to come to do that show by myself though.

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<v Speaker 1>Use well, I put it like this, if Brad can

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<v Speaker 1>make it, fine, But but but my daughter lives in

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<v Speaker 1>New York and so so I need to go back

1:01:11.400 --> 1:01:13.720
<v Speaker 1>to New York. She's just left Houston, but to go back,

1:01:13.800 --> 1:01:15.280
<v Speaker 1>but I need to go to New York because I

1:01:15.440 --> 1:01:17.120
<v Speaker 1>have to, you know, as I find I got to

1:01:17.120 --> 1:01:20.560
<v Speaker 1>go in and make sure I got gold to look

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<v Speaker 1>around seven. Okay, she lived in Manhattan. I have to

1:01:24.200 --> 1:01:28.680
<v Speaker 1>go down are like. She's like right by Radio City. Meet.

1:01:28.960 --> 1:01:31.600
<v Speaker 1>She's not that far from me. I'm I'm by not

1:01:31.720 --> 1:01:34.520
<v Speaker 1>too far from Carnegie Hall. She's she's very she's right there,

1:01:34.600 --> 1:01:39.200
<v Speaker 1>she's like three blocks. Okay, she's a lawyer. Right, Yeah,

1:01:39.680 --> 1:01:44.320
<v Speaker 1>that's awesome. Yeah, okay, cool? Yeah, man, And so when's

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<v Speaker 1>the next time you're gonna play New York you mean comedy?

1:01:48.160 --> 1:01:50.920
<v Speaker 1>When I get back Monday, Tuesday, Wednesday. I do it

1:01:51.000 --> 1:01:54.320
<v Speaker 1>a middle week usually, is that right? Yeah? I need to.

1:01:54.400 --> 1:01:56.040
<v Speaker 1>I need to link y'all up. Man. So so she

1:01:56.080 --> 1:01:57.400
<v Speaker 1>can come out, and she can come out and come

1:01:57.400 --> 1:02:00.439
<v Speaker 1>and bring your friends whatever. Boy, Yeah, let her that's cool.

1:02:00.480 --> 1:02:03.120
<v Speaker 1>I'll be cool. I was like, I'm following. I'm finally

1:02:03.200 --> 1:02:06.240
<v Speaker 1>met you. Absolutely absolutely man, thank you for coming on

1:02:06.280 --> 1:02:09.360
<v Speaker 1>the show. Appreciate it. Follow me an Instagram Comedian Godfrey.

1:02:09.800 --> 1:02:11.920
<v Speaker 1>See me on a new season of Wilding Out Season

1:02:12.000 --> 1:02:14.840
<v Speaker 1>eight Team Nick Cannon, see me on a new Michael

1:02:14.920 --> 1:02:18.480
<v Speaker 1>j show on HBO Max And yeah, man, just keep

1:02:18.520 --> 1:02:21.000
<v Speaker 1>following me. Following me and follow me, Follow me. That's it,

1:02:21.520 --> 1:02:24.640
<v Speaker 1>and God for retrust. No more talk, no mo talk.

1:02:27.480 --> 1:02:30.000
<v Speaker 1>This episode was produced by A King and brought to

1:02:30.120 --> 1:02:34.400
<v Speaker 1>you by The Black Effect Podcast Network and I Heart

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<v Speaker 1>Radio