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Speaker 1: Get you know, boys, it's back and reot it all

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Speaker 1: in your mind. Yeah, and that deep throating. This is

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Speaker 1: for the streets, the reel, the rail roaded, the distant franchise,

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Speaker 1: the Truth Escape Doulding, And they ain't know when we

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Speaker 1: speak the truth, so they quoted because we wrote it.

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Speaker 1: The North South East Coat the g B my keeping

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Speaker 1: your head, Bobby, it ain't no stopping and wants to

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Speaker 1: be drips head by then the system is so corrupt

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Speaker 1: they throw the rock out of their heads and then

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Speaker 1: blame me. Do U g B? Don't get twisted on

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Speaker 1: code and me and danced for no buttament biscuits. I got.

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Speaker 1: I got a good question for you, man. What's that?

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Speaker 1: So you on stage at the fucking Oscars and you're

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Speaker 1: telling joke somebody's wife and the husband runs up on you. Quick,

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Speaker 1: what's the first thing you wanna do? Well? I studied

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Speaker 1: have Keto foe out, so I tried maybe kick him

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Speaker 1: in his face, okay, or kick him may maybe low

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Speaker 1: kick him in the knee or something. But what what

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Speaker 1: if you didn't you thought that would be the last thing.

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Speaker 1: Then he hit me, then I would probably kick him

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Speaker 1: in his back if he walked away right, I'll be

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Speaker 1: like this, I'd be like this, what the fund trip?

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Speaker 1: I would like probably push him right funk out of here.

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Speaker 1: Man for turning on the cheek? Was that cool? Oh?

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Speaker 1: It made him actually got him his tickets sales went up.

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Speaker 1: And Will Smith's not a small dude. Well was kind

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Speaker 1: of a big guy. I think if because like let's say,

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Speaker 1: let's say Corey Holkum was on, let's just say Willie

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Speaker 1: d was up there, Oh, that would he would have

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Speaker 1: got them hands right here. Here's the thing, like when

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Speaker 1: he slipped it from me, I have, I have this

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Speaker 1: thing called discernment, right, and I would not I would

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Speaker 1: not have dd a that bit like I know that

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Speaker 1: as a line, and I know the comedians always say

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Speaker 1: ain't no lines, and but that doesn't imaginary line, right,

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Speaker 1: And unless I had a bone to pick with Will,

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Speaker 1: I probably wouldn't have said, well, I know I would

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Speaker 1: not have said that Joe. I would have had to

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Speaker 1: have some type of angst, you know, in regards to him,

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Speaker 1: you know, other than that, you know, I would not

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Speaker 1: tell that joke because I don't want to. I try

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Speaker 1: to avoid situations that will make that that will make

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Speaker 1: me have to engage in conflict, you know, I try to.

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Speaker 1: I try to avoid them type of situations because conflict

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Speaker 1: is costly. Even if you win, you might lose. You

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Speaker 1: did what I'm saying, So I try to avoid them

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Speaker 1: those type of situations. So if let's just say, hypothetically,

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Speaker 1: if it was me, of course my career would they've

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Speaker 1: been over right there on the spot because I would

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Speaker 1: have fun. Well up, I would have fun. We are

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Speaker 1: all the way up. You know, my career would have

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Speaker 1: been over right there in that moment because all that

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Speaker 1: old Oscar ship don't mean nothing to me like that.

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Speaker 1: It's cool. I'm thank y'all for letting me host the Oscars.

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Speaker 1: I know it's a great moment. It's a great accolade

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Speaker 1: for me to have in my career. But this, I

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Speaker 1: just this mother slapped me is one of the slapping

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Speaker 1: a man. It is one of the things that you

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Speaker 1: can do to a man. It's a slapper man. And

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Speaker 1: and and look, I've never been slapped by a man,

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Speaker 1: but I've been spit on by a man. And that

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Speaker 1: man will never spit on another human being in life. Okay,

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Speaker 1: I don't play like that, so I would like I

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Speaker 1: would not play like that. I like that right there.

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Speaker 1: I would have had the funk we are all away,

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Speaker 1: not just a little bit all the way to funk up.

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Speaker 1: I don't care about the oscars. I don't even fuck

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Speaker 1: about decorum. I don't even ship about all y'all talking

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Speaker 1: about where that was the respectful thing to do and

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Speaker 1: say it would have just been what it was. But

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Speaker 1: I'm glad I was not in that decision. And and

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Speaker 1: I'm glad. I'm really glad, you know. And it's easy

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Speaker 1: for me to say because it didn't happen to me,

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Speaker 1: but I'm glad that Chris did not strike him. I'm

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Speaker 1: glad that Chris did not hit him back, because now

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Speaker 1: you got two black men, two prominent black men, engage

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Speaker 1: in this foolish and it would just look really fucking

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Speaker 1: even more. And I'm and I'm not in the embarrassment.

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Speaker 1: To me, it's not about how other people see us.

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Speaker 1: It's about how we see ourselves. I don't give a

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Speaker 1: funk everybody else thinking or whatever. I care about how

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Speaker 1: we see ourselves. And that overall that was not a

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Speaker 1: good look for us, because there are people that young

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Speaker 1: comics and young entertainers and young people period who look

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Speaker 1: up to both of those guys and to see that

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Speaker 1: type of foolish ignorance. You know what I'm saying, that happened,

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Speaker 1: and you can't say certain ships in comedy, you know.

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Speaker 1: I think it's you gotta. It's textual. You're at A.

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Speaker 1: You're at a You're at an award show. You're gonna

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Speaker 1: have a different state of mind. You're at an award show.

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Speaker 1: Everybody's watching, families are watching Boo all right, when he

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Speaker 1: was that really really bad, No, I don't think it

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Speaker 1: was bad because g I j g I Jane looks

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Speaker 1: really good like dim Me Moore look good as fun

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Speaker 1: as g I Jane. I think I think okay, because

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Speaker 1: he said G I Jane, g A Jane too, that's

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Speaker 1: Chris rock Man. That's like within the safeness of it's

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Speaker 1: we're talking about movies. It's it's a celebration of movies.

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Speaker 1: He said, G I Jane. That's contextual to what's going on.

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Speaker 1: It's movies. Dem Me Moore look good as funk with

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Speaker 1: the shaved head. Um, Jada, you're not a bad looking lady.

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Speaker 1: You look good. He was saying that, and and the

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Speaker 1: fact that it got a laugh, she felt like boom

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Speaker 1: the alopecia thing, but you don't look like you have alopecia.

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Speaker 1: It wasn't about that. It was like, you look good,

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Speaker 1: but he's Chris Rock. I'm a comedian. I thought Chris

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Speaker 1: was in the right. I don't think he was that bad.

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Speaker 1: He was complimenting her, and I thought they were friends.

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Speaker 1: I thought he knew them like that. But then he

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Speaker 1: made a comment on them in and that's where that

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Speaker 1: comes from. It's like me, it's like we didn't bump

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Speaker 1: hands a few times before. I got something on my

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Speaker 1: chest right now, and then now here we go again.

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Speaker 1: And actually he probably laughed. That's that's what really laughed.

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Speaker 1: It was like, see now that not now, that's what

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Speaker 1: really really made a lot of people say, now do

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Speaker 1: that wasn't cool because had he had he had that reaction.

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Speaker 1: I think that's what you made me feel. You made

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Speaker 1: me feel bad. There I was cool, and then my

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Speaker 1: wife he was the lame. And then they said it

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Speaker 1: was playing. Everybody's saying it's fixed. Have you heard this ship?

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Speaker 1: I was like, what my thing is this? Even if

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Speaker 1: it was fixed, who the funk plan? That's stupid ship.

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Speaker 1: I'm about to win the Oscar let's go up and

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Speaker 1: once you smack Chris Rock, then go back and say,

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Speaker 1: keep my wife's name out your fucking mouth. What kind

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Speaker 1: of plan is that? I don't know. A people say

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Speaker 1: it was fixed, but I think I think we were just.

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Speaker 1: I think he's coming apart personally because even when in

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Speaker 1: his speech he goes, I'm tired of smiling people's faces

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Speaker 1: when I shoot. I think that he's always been a

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Speaker 1: good black kid for so long that he wants to

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Speaker 1: shake that ship. And I think, and this some people

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Speaker 1: may get mad at this, that Jada is part of

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Speaker 1: this ship man. She's part of making him feel like

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Speaker 1: he ain't ship. Sometimes she might maybe she throws that

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Speaker 1: Tupac ship in his face because he's like, oh, your

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Speaker 1: wraps are a little corny. Tupac had real rhymes. Parents

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Speaker 1: just don't understand. She never knows. I can't believe it. No,

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Speaker 1: I love showing untands dope. She will some time like

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Speaker 1: Smith fan. But I'm saying, come on rock the House

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Speaker 1: album before that. But I'm saying what I'm saying. But

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Speaker 1: what if I'm saying I remember this? Maybe she remember

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Speaker 1: there's a video of her filming Will and he's like,

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Speaker 1: could you not do that. Stop filming me. This is

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Speaker 1: not for your I take social media serious. And she's

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Speaker 1: like clowning him. Maybe maybe that it was like we're

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Speaker 1: not with them all the time. There could be some

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Speaker 1: brawl out hard arguments where he's going, why the fund

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Speaker 1: do you always do that to me? I don't know.

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Speaker 1: Maybe I don't know. And she's living off of him.

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Speaker 1: He's the he's the breadwinner. Funk what you heard? He's

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Speaker 1: the king and she's been riding off his ship for

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Speaker 1: a while. I'm not taking anything from Jada because I'm

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Speaker 1: a Jada pink I always love Jada Pinkett. But people

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Speaker 1: are funking with you because of Will. That's what I think.

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Speaker 1: Will Smith is the king. Funk what you heard? That

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Speaker 1: guy got record for eight movies in a role grossing

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Speaker 1: over a hundred million, and the residuals must be fucking crazy.

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Speaker 1: Well here's here's the thing. Will be all right because

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Speaker 1: he has character equity. Yeah, so he'll he'll be all right.

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Speaker 1: Uh you know, hey, he do one ship. You know,

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Speaker 1: it just shows that he's human. You know, Well we

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Speaker 1: always knew that, but sometimes people got to see that

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Speaker 1: type of ship. You know. That's why personally, I don't

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Speaker 1: mind like somebody seeing me like like going through some ship,

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Speaker 1: because you know sometimes because the thing is is that

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Speaker 1: if you if you come off too squeaky clean, when

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Speaker 1: you do something fucked up, it's gonna be harder for

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Speaker 1: you to recover. Look, man, I've done some fun in

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Speaker 1: the past, and I'm gonna do some fun in the future.

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Speaker 1: I don't know when. I don't know when, but I'm

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Speaker 1: telling you it's coming. And I'm trying to be a

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Speaker 1: better man. I'm trying my ass out. Man, I'm trying

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Speaker 1: to be a better man, and I'm hoping that that

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Speaker 1: that I don't get caught up in something. But some

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Speaker 1: sh it gonna happen because I'm not perfect, and I

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Speaker 1: don't know when somebody's go flip that switch in the light.

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Speaker 1: Don't come on. I don't know. I'm a black guy,

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Speaker 1: you know what I'm saying. I don't know. I don't know.

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Speaker 1: I think our business is very frustrating. There's a lot

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Speaker 1: of ship that they make you bottle up, especially as

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Speaker 1: black man in America. Holy fuck. And then I see

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Speaker 1: some guys I know that do stuff in the business

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Speaker 1: that I wouldn't do, but they're getting there here. But

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Speaker 1: I go, I can't do that kind of ship, and

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Speaker 1: I'm and it angers me. Sometimes when I go, I

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Speaker 1: like what, I like what I do, I feel great.

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Speaker 1: I wake up going, yeah, mind clear, I go. You

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Speaker 1: know what I mean? My ass ain't leaking none of

191
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Speaker 1: that ship. I'm good to go. I don't need a

192
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Speaker 1: butt plug or nothing. I'm not leaving a trail of

193
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Speaker 1: blood and fucking come on anguish and this PGG just day, man,

194
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Speaker 1: I just did it. I said I don't need a

195
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Speaker 1: butt plug. I said, I'm not leaking. I didn't looks

196
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Speaker 1: this guy. He said, you're not toughing this guy up.

197
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Speaker 1: I said, my buddy. I could have said, my asshole

198
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Speaker 1: just got fucked. No, I said, hey, my butts leaking.

199
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Speaker 1: I try to be as safe as I can. This

200
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Speaker 1: guy's Disney World. He gave you a talk to anybody.

201
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Speaker 1: You know what I means. Every time I talk to

202
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Speaker 1: this guy, this guy, let's make a PG. I've been

203
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Speaker 1: coaching off fucking day. All of a sudden, this guy goes, hey,

204
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Speaker 1: I might snap, and I just go, hey, hey, I

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Speaker 1: get no respect. I tell you, I tell you no respect.

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Speaker 1: I talked about my bus leaking all of a sudden,

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Speaker 1: he has a problem with it. Hey, man, you're nick

208
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Speaker 1: this is funny, and the motherfucker jack sleep ship talking

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Speaker 1: about pussy and ship. Niggas ain't shit. I'm tired of

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Speaker 1: this ship. Damn. Nigga can't talk about it. God, Now

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Speaker 1: the niggas is getting funed. We got to keep it real.

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Speaker 1: Kiss my ass to get old. Boys. Your motherfucker's been

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Speaker 1: talking about holes and ship. I said, my ass leaking

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Speaker 1: this motherfucker turning the church and mother bucker. You got

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Speaker 1: a lot of nerve. God damn. Oh, you niggas. You

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Speaker 1: niggas are real funny. You niggas are very funny. Ghetto boys.

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Speaker 1: You got a lot of goddamn nerve. Call yourself goddamn

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Speaker 1: ghetto boys. Fifth ward nigga, fifth goddamn war. God man,

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Speaker 1: you are so fucking telling, man, God damn, God Damn.

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Speaker 1: Paul Mooney, good god man, you fucking goddamn telling. Appreciate you, man, Damn.

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Speaker 1: Coming from talented guys like yourself, who I grew up

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Speaker 1: listening to, that's crazy. You know when I first heard

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Speaker 1: about you guys, I was in Chicago and we turned

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Speaker 1: to MPR NPR the end of the it's like a college.

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Speaker 1: You know, every I think every city has an MPR college.

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Speaker 1: And they were like, we're gonna be playing, We're gonna

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Speaker 1: play these new guys from out of Houston, blah blah blah.

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Speaker 1: And it was like ghetto boys, ghett old boys, and

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Speaker 1: ghett old boys don't funk with me. We're like funking

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Speaker 1: these guys and we're like playing. That's how I heard

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Speaker 1: about you, guys. Lout to Chicago, man, Chicago has been

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Speaker 1: there from day y'all, y'all show us so much God,

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Speaker 1: because we really respect Chicago, man. We really respect the

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Speaker 1: people in Chicago. And I'm gonna tell you something before

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Speaker 1: you before you jump in Chicago oftentimes get a bad rap.

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Speaker 1: It's not people. It is not the majority of people

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Speaker 1: in Chicago who It is a very small percentage of

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Speaker 1: people who are doing all they're doing all the foolishness

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Speaker 1: and you know, along with a few corrupt cops. But anyway,

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Speaker 1: just to let you know, Chicago has some of the createst,

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Speaker 1: most beautiful people that don't know about some of the

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Speaker 1: coolest people that I've ever met in my life. You

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Speaker 1: know that lives in it lives in Chicago and are

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Speaker 1: from Chicago, and we have a fantastic black community, middle class,

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Speaker 1: wealthy educated from Chicago. You got parts of the South

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Speaker 1: side of the Western black folks that are killing the

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Speaker 1: game that are all like hbc U ivy leaguers. They

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Speaker 1: got there. They're like scientists, doctors, lawyers, murdering the game.

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Speaker 1: Excuse me, sorry for that word, but they're they're they're there.

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Speaker 1: There's a strong black community and strong black president Chicago

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Speaker 1: that are not all gangbangers the funk out of here.

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Speaker 1: They just like to pump that ship up. But Chicago

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Speaker 1: is a beautiful city. You can go to a lot

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Speaker 1: of beautiful places and no one's doing ship. I mean

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Speaker 1: if you go to the gang area and throw up

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Speaker 1: some signs, yeah, but other than that, it's isolated ship.

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Speaker 1: So yeah, I shout out to my Chicago folks for real,

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Speaker 1: for real house music all day, you know what I mean. Chicago. Yeah,

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Speaker 1: But I'm saying like, yeah, man, this um the comedy,

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Speaker 1: the whole comedy. Ship. Like I'm saying, like, when I

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Speaker 1: look at the business, I go, man, I wish you

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Speaker 1: know you can just go hey, I'm gonna take the

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Speaker 1: road of integrity, all right, You guys, don't mind right,

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Speaker 1: and I can get paid the same amount, you know,

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Speaker 1: but it takes you a little longer when you decide

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Speaker 1: to do that. And I yeah, of course, man, I

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Speaker 1: should be on TENSI cars by now. You should be

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Speaker 1: playing the mail man like, hey, man, I got mail

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Speaker 1: for you. You should be playing whatever the no doubt, doubt, whatever,

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Speaker 1: no doubt you know. And it's that that that just

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Speaker 1: goes to show. Man, the majority of people in this

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Speaker 1: country who are at the top, who are in leadership positions,

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Speaker 1: really ain't ship. I'm gonna tell you straight up, bro,

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Speaker 1: really ain't ship. It's a lot of diabolical people in

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Speaker 1: in top positions because it's no way possible. Somebody could

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Speaker 1: just watched you for five minutes and don't say, man,

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Speaker 1: I need to get this guy. But what they want

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Speaker 1: to know? Wait, waiten, what's his position on politics? What

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Speaker 1: does he think about? But my girlfriend? He's gonna my wife?

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Speaker 1: He is he gonna? Is he gonna? Is he gonna?

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Speaker 1: I don't want to? Is he gonna try to? He gonna?

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Speaker 1: Is he gonna try to? I think I think I'm

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Speaker 1: gonna have to go with a sexuality. I'm gonna say homeo, no, no,

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Speaker 1: I'm a sexual. My friends just let me work. I

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Speaker 1: have no sex. I don't like any of it. I'm nothing.

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Speaker 1: UNI where if you can be anything other than the

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Speaker 1: hetero sexual, you get you straight in well eight, doesn't

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Speaker 1: they include a set? Yeah, LGBT just you. You can

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Speaker 1: just call yourself in a thing sexual male, straight man.

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Speaker 1: The way these motherfucking women are nowadays, they can call

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Speaker 1: you out on anything. Now I'm just a sexual. I'll

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Speaker 1: be like ship man after shows. I used to like, Hey,

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Speaker 1: what's up. I'd be like straight in agreeing room. Thanks by,

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Speaker 1: I'm not ship. Everybody's calling the cops on everybody. Now

295
00:17:24,040 --> 00:17:25,719
Speaker 1: you can't do ship. You can't even say hi, how

296
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Speaker 1: are you? He aggressively said hard to me. I'm not uncomfortable.

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Speaker 1: I look, I'm comfortable with that. He said. Hi. I said,

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Speaker 1: what's up? But it was very I don't like the

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Speaker 1: way he's stressed up. Yeah that that's not cool. Yeah,

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Speaker 1: you know, because that's you know what it's like. But

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Speaker 1: it's like, I come from the city where you're back

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Speaker 1: to it. Hey, how do you take a photo like

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Speaker 1: kenle Reese? That motherucker does this with his hands, He

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Speaker 1: keeps it out, He does that man, I put my

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Speaker 1: hands in front of me. I'm like, yeah yeah, and

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Speaker 1: girls were like, can I help get them? We're not

307
00:18:04,240 --> 00:18:08,400
Speaker 1: doing that? Girl voice belted podcast sheep right back after

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Speaker 1: the point. That's still better than me because at one

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Speaker 1: point I stopped taking pictures with girls I didn't know

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Speaker 1: because yeah, yeah, yeah, I never told you this, Brad,

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Speaker 1: But once once, Um, I was in the club one

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Speaker 1: day in Houston and this dude, uh walked up to

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Speaker 1: me and said, yeah, Willie Man, Yeah, what's up? Man? Uh?

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Speaker 1: You know you you've been about to see my sister later?

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Speaker 1: I mean no, no, he not. He didn't say my sister.

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Speaker 1: He said have you been aby to see my nephew lately?

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Speaker 1: And I said who is your nephew? He said, uh yeah,

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Speaker 1: such such such said the girl name? And man, don't

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Speaker 1: you got a baby? A boy? My sisters? That's to

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Speaker 1: hold on, bro, I ain't got no kids. I ain't

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Speaker 1: got no kids. And he's like, he was like, and

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Speaker 1: she got a picture of you on the man? You

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Speaker 1: would hub on the man. I at my mom my house.

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Speaker 1: I say, dude, do you know how many women that

325
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Speaker 1: I take pictures with every fucking week? And the dude

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Speaker 1: me me. He was a big dude too, but I

327
00:19:13,600 --> 00:19:16,280
Speaker 1: had already sized him up. I'm gonna break his ass down.

328
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Speaker 1: But he was like looking down, like yeah, man, men,

329
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Speaker 1: he got he was mad. He was frustrated that I

330
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Speaker 1: would not claim this little kid that I didn't even know.

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Speaker 1: So for a while, like I would. I would say

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Speaker 1: about three maybe two years, I stopped taking pictures with

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Speaker 1: women I did not know because I was just I

334
00:19:35,280 --> 00:19:39,000
Speaker 1: was paragling. And and one day, one day I woke up, man,

335
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Speaker 1: and I realized I was depressed. And I realized that

336
00:19:42,880 --> 00:19:45,119
Speaker 1: that was part of it, that was part of me

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Speaker 1: trying to like live up to somebody else's expectations, because

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Speaker 1: I wouldn't even if I if I went to a club,

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Speaker 1: I wouldn't do any type of you know, get on

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Speaker 1: the dance floor nothing, you know, not say that I

341
00:19:59,200 --> 00:20:02,320
Speaker 1: could dance, but you know, we don't dance. We don't dance.

342
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Speaker 1: We boogie, but I would not even get on the

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Speaker 1: dance floor. I go into the v I p A

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Speaker 1: and I just see it or I just stand around.

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Speaker 1: And I just realized, goddamn, man, I had to self

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Speaker 1: diagnose in my sounds like I'm depressed. And that was

347
00:20:14,520 --> 00:20:17,800
Speaker 1: why that was the reason, trying to live up to

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Speaker 1: other people's expectations. Have you ever found yourself in that

349
00:20:21,359 --> 00:20:25,080
Speaker 1: type of funk? If it feels like that nowadays, like

350
00:20:25,280 --> 00:20:29,000
Speaker 1: you know, um, you have people turn on you that

351
00:20:29,119 --> 00:20:32,040
Speaker 1: you know, like what And I have a clean record,

352
00:20:32,119 --> 00:20:35,600
Speaker 1: like I'm I'm I don't even if if a woman

353
00:20:35,720 --> 00:20:38,879
Speaker 1: rolls her eyes at me, I walk away if she

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00:20:38,920 --> 00:20:43,000
Speaker 1: hasn't answered, I'm lazy. I've never been an aggressive like yo.

355
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Speaker 1: I don't even know how guys be touching on girls

356
00:20:45,920 --> 00:20:47,679
Speaker 1: and clubs. I'm not how do you just grab my

357
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Speaker 1: hair like that? I just be like hey, And a

358
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Speaker 1: lot of times I'll meet girls two friends to like

359
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Speaker 1: if youre a group of people, hey, this is my

360
00:20:54,560 --> 00:20:57,840
Speaker 1: old hey baba. But I'm never I've never cat called.

361
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Speaker 1: I never was like yo, I never did I never

362
00:21:02,520 --> 00:21:07,680
Speaker 1: did that. I think that's the corny is I've never

363
00:21:07,720 --> 00:21:09,720
Speaker 1: done that in my life. I have said I know

364
00:21:09,760 --> 00:21:16,159
Speaker 1: that's right when the lady pays before, that's right. That

365
00:21:16,880 --> 00:21:21,600
Speaker 1: anything that's not, But that's not like hey, alright girl,

366
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Speaker 1: I've never done that. I'm very like like very you know,

367
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Speaker 1: I don't even rarely look anymore. I'm just because it's

368
00:21:33,800 --> 00:21:36,920
Speaker 1: like they've made it like that sort of you don't

369
00:21:36,920 --> 00:21:38,880
Speaker 1: want to look, you don't want to do anything because

370
00:21:39,080 --> 00:21:46,400
Speaker 1: everything's gonna stop me from looking. Bro I don't give Yeah,

371
00:21:46,480 --> 00:21:48,639
Speaker 1: you could be like you could be like this and

372
00:21:48,640 --> 00:21:50,680
Speaker 1: they'd be like they got you going looking man. That's

373
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Speaker 1: when he changed old girl right after that. You never know.

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Speaker 1: If I can't if I can't look at a fine woman,

375
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Speaker 1: I may as well just gone. I mean, it's like,

376
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Speaker 1: I'm not saying this about all women, but it's like

377
00:22:03,800 --> 00:22:06,000
Speaker 1: there's this empowerment where they go, I'm gonna have my

378
00:22:06,040 --> 00:22:08,240
Speaker 1: titties out in my ass out, but you bet a

379
00:22:08,440 --> 00:22:11,840
Speaker 1: fucking look at me. Uh huh. It's almost like that's

380
00:22:11,840 --> 00:22:13,840
Speaker 1: a well not listen, I'm not talking about all women.

381
00:22:13,880 --> 00:22:16,159
Speaker 1: So I don't want them to go no, of course not.

382
00:22:16,640 --> 00:22:18,600
Speaker 1: But it's like that's why when you go to Brazil

383
00:22:19,040 --> 00:22:21,240
Speaker 1: or you go overseas, they like that you look at them.

384
00:22:21,280 --> 00:22:23,840
Speaker 1: They love that. They're like, yeah, you're a man. It's good.

385
00:22:24,080 --> 00:22:25,880
Speaker 1: You know. When I was in Russia, like yes, your

386
00:22:25,920 --> 00:22:27,879
Speaker 1: the men. It's what you're the woman. Are you supposed

387
00:22:27,920 --> 00:22:30,280
Speaker 1: to look at the woman? What's wrong? Nothing's wrong. It's

388
00:22:30,280 --> 00:22:32,760
Speaker 1: a woman busy. It's not wrong. Your the man you're like,

389
00:22:33,040 --> 00:22:36,959
Speaker 1: it was no, it was I was a pitch. There

390
00:22:37,080 --> 00:22:38,920
Speaker 1: was the foreigners like to go because you let the

391
00:22:39,000 --> 00:22:45,000
Speaker 1: funk like, but you know, bloody got the bigger day,

392
00:22:45,119 --> 00:22:50,080
Speaker 1: like you know, you know what. But one one of

393
00:22:50,119 --> 00:22:52,040
Speaker 1: the one of the biggest reasons why a lot of

394
00:22:52,040 --> 00:22:54,520
Speaker 1: women act the way they act when they come to drace,

395
00:22:54,600 --> 00:22:58,920
Speaker 1: dressing and stuff, is because some men take it too far,

396
00:22:59,680 --> 00:23:04,840
Speaker 1: you know, like women Obviously most women, I do believe

397
00:23:04,840 --> 00:23:06,920
Speaker 1: I'm going good and said most women. I just say

398
00:23:06,960 --> 00:23:11,359
Speaker 1: many women. How about that? Many women dress provocatively because

399
00:23:11,359 --> 00:23:14,200
Speaker 1: they want men to look. But they want the right.

400
00:23:14,240 --> 00:23:16,320
Speaker 1: They want the man they don't you look, No, no,

401
00:23:16,520 --> 00:23:18,760
Speaker 1: they want the man that they're attracted to. The look

402
00:23:18,880 --> 00:23:25,080
Speaker 1: they want but exactly, but but you get the residual effect, right,

403
00:23:26,240 --> 00:23:32,800
Speaker 1: they're getting all of them, all of them, don't. And

404
00:23:32,840 --> 00:23:35,720
Speaker 1: then you have and then you have you have women

405
00:23:35,760 --> 00:23:39,439
Speaker 1: who are who are on guard because now you have

406
00:23:39,560 --> 00:23:43,639
Speaker 1: all these uncivilized MUDs out here, who who if a

407
00:23:43,760 --> 00:23:47,159
Speaker 1: woman rejects them, they want to swing on the h

408
00:23:47,920 --> 00:23:50,000
Speaker 1: they want to stab, but they want to shoot, yeah,

409
00:23:50,000 --> 00:23:54,840
Speaker 1: biting their faces. Yeah, Like come on, man, where did

410
00:23:54,880 --> 00:23:58,600
Speaker 1: these motherfucker's come from and when did it start? In security?

411
00:23:59,400 --> 00:24:02,480
Speaker 1: That's an in curity move when you go funk, that's

412
00:24:02,560 --> 00:24:06,240
Speaker 1: what the She don't owe you her number. Woman, don't

413
00:24:06,240 --> 00:24:09,000
Speaker 1: owe you her information. She don't owe you ship. Just

414
00:24:09,080 --> 00:24:11,119
Speaker 1: because you see a girl don't mean you own her

415
00:24:11,119 --> 00:24:13,000
Speaker 1: because you know they'll be like, oh I saw you

416
00:24:13,080 --> 00:24:16,120
Speaker 1: overre okay, all right, that's cool, but doesn't mean I

417
00:24:16,160 --> 00:24:18,800
Speaker 1: owe you my number. The trip part about it that

418
00:24:18,880 --> 00:24:21,800
Speaker 1: women don't a lot of times women don't know how

419
00:24:21,880 --> 00:24:26,520
Speaker 1: to respond because because because if if they're just polite guy,

420
00:24:26,520 --> 00:24:27,960
Speaker 1: I don't know how to shut it down. He don't

421
00:24:27,960 --> 00:24:32,159
Speaker 1: know if they're too aggressive with with their rejection, then

422
00:24:32,440 --> 00:24:34,840
Speaker 1: he may take exception to it and take it even further.

423
00:24:36,400 --> 00:24:38,680
Speaker 1: It's harder for women, man, it is. I feel bad

424
00:24:38,680 --> 00:24:41,159
Speaker 1: because I'm not even like that. I wish I was, like,

425
00:24:41,200 --> 00:24:42,800
Speaker 1: I don't. I wouldn't even do that. As soon as

426
00:24:42,840 --> 00:24:45,199
Speaker 1: he says no, I remember one time I saw a

427
00:24:45,280 --> 00:24:47,560
Speaker 1: girl and I was she was while I was like, man,

428
00:24:47,600 --> 00:24:49,480
Speaker 1: she's nice looking. You know. I was with my buddies

429
00:24:49,520 --> 00:24:50,959
Speaker 1: and they go, yo, go over there, and just go

430
00:24:51,000 --> 00:24:52,840
Speaker 1: over there, because we used to challenge each other. YO,

431
00:24:52,920 --> 00:24:55,080
Speaker 1: just go try to get a number. I said, I

432
00:24:55,119 --> 00:24:56,800
Speaker 1: don't even do this kind of ship. I said, all right,

433
00:24:56,880 --> 00:24:58,480
Speaker 1: let me go over there. So I said, excuse me.

434
00:24:58,720 --> 00:25:01,199
Speaker 1: I was real, excuse me. And she goes, oh, I

435
00:25:01,200 --> 00:25:03,159
Speaker 1: don't really have to say, oh, that's okay, have a

436
00:25:03,240 --> 00:25:06,200
Speaker 1: nice day. And she goes, you're not even gonna try,

437
00:25:06,840 --> 00:25:10,320
Speaker 1: and I go, you said, no, I'm out. No. I said,

438
00:25:11,000 --> 00:25:13,800
Speaker 1: I'm lazy than motherfucker. She actually laughed at the ship.

439
00:25:13,880 --> 00:25:15,359
Speaker 1: I was like, no, they have a good day. I

440
00:25:15,400 --> 00:25:17,959
Speaker 1: was like, nah, I'm cool, because you know what that

441
00:25:18,040 --> 00:25:20,879
Speaker 1: woman could be. She could have an ex boyfriend that's crazy.

442
00:25:21,200 --> 00:25:23,080
Speaker 1: She can be going through some ship. They could there's

443
00:25:23,119 --> 00:25:24,800
Speaker 1: so many scenarios of what they're going through, and we

444
00:25:24,840 --> 00:25:28,399
Speaker 1: automatic thing. They're bit rejected me. No, dude. First of all,

445
00:25:28,440 --> 00:25:30,200
Speaker 1: she's only got to calling no bitch. You don't have

446
00:25:30,240 --> 00:25:32,240
Speaker 1: to say that. What if she's going through ship in

447
00:25:32,240 --> 00:25:34,240
Speaker 1: her life. What if she got a man that's crazy

448
00:25:34,440 --> 00:25:36,120
Speaker 1: and she wants you to get the funk away from her,

449
00:25:36,400 --> 00:25:38,560
Speaker 1: And what if it's just you don't she don't like you,

450
00:25:39,160 --> 00:25:42,120
Speaker 1: she's not attracted to your ass. Keep it moving. Sometimes

451
00:25:42,480 --> 00:25:44,879
Speaker 1: they don't like the way you were born, Sir, like,

452
00:25:45,040 --> 00:25:46,639
Speaker 1: that's pretty much it like, if I going through go,

453
00:25:46,760 --> 00:25:48,359
Speaker 1: she goes, she don't like the way I look, what

454
00:25:48,400 --> 00:25:51,800
Speaker 1: are you gonna do? You? No, you can't even be

455
00:25:52,359 --> 00:25:54,399
Speaker 1: It's what it is. It's fair. She don't like you.

456
00:25:54,560 --> 00:25:58,480
Speaker 1: Motherfucker move you know what I mean. You know, I'm

457
00:25:58,520 --> 00:26:01,919
Speaker 1: so arrogant bro that in my mind if a woman,

458
00:26:02,160 --> 00:26:04,280
Speaker 1: if I try to talk to a woman and she

459
00:26:04,400 --> 00:26:07,159
Speaker 1: reject me, in my mind, it's her loss at the

460
00:26:07,240 --> 00:26:08,800
Speaker 1: end of the day, because I know him, because I

461
00:26:08,800 --> 00:26:11,120
Speaker 1: know him a good dude. Nothing, I'm a solid dude.

462
00:26:11,119 --> 00:26:13,240
Speaker 1: I know I'm a good dude. And I just feel

463
00:26:13,280 --> 00:26:15,399
Speaker 1: like she ain't gonna find the mother better me noway so,

464
00:26:15,560 --> 00:26:18,199
Speaker 1: And there's nothing wrong that's that's really gonna be her

465
00:26:18,240 --> 00:26:20,840
Speaker 1: long exactly. But I'm cool with that because because that's

466
00:26:20,880 --> 00:26:26,760
Speaker 1: what makes better me anyway. You know, I'm all no, no,

467
00:26:27,760 --> 00:26:30,040
Speaker 1: it's over, it's over. And I always said, you know,

468
00:26:30,160 --> 00:26:32,720
Speaker 1: you're not everybody's type. And another thing too, I said,

469
00:26:32,760 --> 00:26:36,920
Speaker 1: if we were judged by conversation and intelligence, I would

470
00:26:36,960 --> 00:26:40,440
Speaker 1: have I would I'll be smoking everybody I'm talking about

471
00:26:40,480 --> 00:26:44,639
Speaker 1: just literally conversation. Oh come on now, but you got it.

472
00:26:44,840 --> 00:26:47,320
Speaker 1: But yeah, it don't work that way because because the

473
00:26:47,440 --> 00:26:52,399
Speaker 1: impression is made within seconds, and you figured out, she

474
00:26:52,480 --> 00:26:55,879
Speaker 1: figured out right away whether she's gonna be receptive or

475
00:26:55,880 --> 00:26:58,439
Speaker 1: you not. And so she never even get a chance

476
00:26:58,560 --> 00:27:01,480
Speaker 1: to hear you. Here you're saying, yeah, but I can

477
00:27:01,520 --> 00:27:05,960
Speaker 1: guarantee you that once she starts talking, once you get

478
00:27:05,960 --> 00:27:09,600
Speaker 1: her number and y'all start come communicating, or even if

479
00:27:09,640 --> 00:27:13,439
Speaker 1: you're just standing, uh, sitting in the appoint waiting, you know,

480
00:27:14,680 --> 00:27:17,520
Speaker 1: it's a different story, no doubt, And and and I

481
00:27:17,680 --> 00:27:19,399
Speaker 1: you know, I take pride in how I treat it.

482
00:27:19,560 --> 00:27:21,720
Speaker 1: You know, I like to make them laugh that I

483
00:27:21,720 --> 00:27:24,800
Speaker 1: don't try. I don't say sexual ship to women ever.

484
00:27:25,160 --> 00:27:27,520
Speaker 1: Know that's why someone says you, yeah, you said that.

485
00:27:27,600 --> 00:27:30,240
Speaker 1: I go, no, I don't talk like that. And motherfucker's no,

486
00:27:30,280 --> 00:27:33,040
Speaker 1: I don't talk like that. I don't say, oh, you know,

487
00:27:33,080 --> 00:27:34,920
Speaker 1: I'm gonna be like a corny o white man. I'd

488
00:27:34,960 --> 00:27:39,399
Speaker 1: like to have that for a breakfast. The funk is

489
00:27:39,440 --> 00:27:42,120
Speaker 1: that corny ship. I would never say that to anybody.

490
00:27:42,600 --> 00:27:45,000
Speaker 1: And you know, even after shows, women will touch on me,

491
00:27:45,320 --> 00:27:47,639
Speaker 1: but but I'm not. I don't touch on them. I

492
00:27:47,640 --> 00:27:50,880
Speaker 1: don't grab on them when i'm taking do that ship ever?

493
00:27:51,440 --> 00:27:53,080
Speaker 1: You know, you put your arm around somebody, but it's

494
00:27:53,119 --> 00:27:55,439
Speaker 1: like you're taking a photo. But I don't grab him

495
00:27:55,480 --> 00:28:01,840
Speaker 1: rub bullshit. I don't act like that ever unless I

496
00:28:01,880 --> 00:28:06,280
Speaker 1: am consensually with you, and we are consensually sexual each other,

497
00:28:06,560 --> 00:28:09,080
Speaker 1: and it's an agreement. I touch you, you'll touch me.

498
00:28:09,320 --> 00:28:11,720
Speaker 1: I kiss you, you kiss me. You like that. I

499
00:28:11,880 --> 00:28:15,440
Speaker 1: rub you, you rub me. It's all consensual. Yeah, that's

500
00:28:16,119 --> 00:28:18,640
Speaker 1: basic ship. But nah, I don't just do that when

501
00:28:18,640 --> 00:28:21,040
Speaker 1: someone didn't ask him. I didn't ask permission, and they

502
00:28:21,040 --> 00:28:22,720
Speaker 1: don't want that. I know when someone don't want me

503
00:28:22,960 --> 00:28:25,919
Speaker 1: fucking around with them, You know that, you know not

504
00:28:26,040 --> 00:28:30,080
Speaker 1: to tell. You know, woman will let you when she

505
00:28:30,119 --> 00:28:32,640
Speaker 1: wants you too. If she don't want you to even

506
00:28:32,640 --> 00:28:34,720
Speaker 1: be around, and she's gonna let you know, it's not hard.

507
00:28:35,359 --> 00:28:38,840
Speaker 1: Oh yeah, you know. Oh yeah. And that's why I

508
00:28:39,000 --> 00:28:41,600
Speaker 1: what I do is I just don't. I just go

509
00:28:41,680 --> 00:28:44,800
Speaker 1: to the green room. I saved myself. I just go.

510
00:28:44,920 --> 00:28:47,880
Speaker 1: I go into the green room. And if anyway, like

511
00:28:47,960 --> 00:28:53,000
Speaker 1: if you, if you're the guy, if it's Godfrey and here,

512
00:28:53,120 --> 00:28:55,560
Speaker 1: like I said, Godfrey is on the mare a key,

513
00:28:55,720 --> 00:28:59,080
Speaker 1: you already got the edge. That's what I'm saying. You

514
00:28:59,120 --> 00:29:04,000
Speaker 1: know you gotta do. Remember remember Robert Wagner Heart to heart,

515
00:29:03,800 --> 00:29:07,400
Speaker 1: Heart to heart, right, and when they met it was

516
00:29:07,560 --> 00:29:12,440
Speaker 1: moista dad it. So I did a movie with him

517
00:29:12,520 --> 00:29:15,800
Speaker 1: called Dennis the Menace Christmas and comes on every Christmas.

518
00:29:16,080 --> 00:29:19,280
Speaker 1: I shot it in Montreal, and you know, um, Robert

519
00:29:19,320 --> 00:29:22,760
Speaker 1: Wagner's from the days of Sinatra, them cool motherfucker's. And

520
00:29:22,880 --> 00:29:25,360
Speaker 1: one day I was he provided us all to dinner.

521
00:29:25,440 --> 00:29:28,920
Speaker 1: He's eating this motherfucker's cool as ship, yo, and he's

522
00:29:28,920 --> 00:29:32,080
Speaker 1: talking about not all this old movie ship. And you

523
00:29:32,120 --> 00:29:34,720
Speaker 1: know when he was young, that motherfucker was handsome as ship.

524
00:29:35,200 --> 00:29:38,480
Speaker 1: And he's like and there was this waitress like sir,

525
00:29:38,840 --> 00:29:41,640
Speaker 1: fine black chick, serving us and stuff. And I was like, man,

526
00:29:41,720 --> 00:29:44,240
Speaker 1: she looked real. She's nice looking, you know, and she's

527
00:29:44,320 --> 00:29:45,800
Speaker 1: laughing with me and this, and I was like, oh,

528
00:29:46,040 --> 00:29:49,280
Speaker 1: I'm being very nice. And then I go and she's

529
00:29:49,320 --> 00:29:51,040
Speaker 1: looking over my way a little bit, and I'm like, oh,

530
00:29:51,080 --> 00:29:52,840
Speaker 1: I'm gonna go over there. So I like kind of

531
00:29:52,880 --> 00:29:54,720
Speaker 1: go over there, right. I go over there, and I

532
00:29:54,720 --> 00:29:57,080
Speaker 1: said a couple of things. I come back and Robert

533
00:29:57,080 --> 00:30:00,680
Speaker 1: Wagner's just sitting there, going you gotta sucked up, kid,

534
00:30:01,000 --> 00:30:03,240
Speaker 1: because like, what do you mean you already had her?

535
00:30:03,360 --> 00:30:06,200
Speaker 1: You didn't have to move, guy like, you shouldn't be

536
00:30:06,200 --> 00:30:09,000
Speaker 1: doing so much moving. He's like, you already had her.

537
00:30:09,360 --> 00:30:12,280
Speaker 1: She she already liked you. You might have funked that up.

538
00:30:12,360 --> 00:30:15,320
Speaker 1: He did too much. He was so fucking gangs. This

539
00:30:15,320 --> 00:30:17,880
Speaker 1: ship was so smoothly goes you didn't have to move

540
00:30:17,960 --> 00:30:19,760
Speaker 1: a guy like you shouldn't have to move that much?

541
00:30:20,440 --> 00:30:25,640
Speaker 1: Now where we were in Montreal? In Montreal, like but

542
00:30:25,680 --> 00:30:27,719
Speaker 1: I'm saying, like what kind of venue were here? We

543
00:30:27,720 --> 00:30:30,000
Speaker 1: were in the like a restaurant. It was a nice

544
00:30:30,000 --> 00:30:32,680
Speaker 1: little rusta. I was private. It was nice. And then

545
00:30:32,680 --> 00:30:36,360
Speaker 1: the girl was yeah, he was like she it was

546
00:30:36,400 --> 00:30:38,640
Speaker 1: just when we were our exchange was very like. It

547
00:30:38,720 --> 00:30:40,440
Speaker 1: was like nice, it was nice. And I was making

548
00:30:40,440 --> 00:30:42,680
Speaker 1: her laugh a little bit because she was I was like, oh,

549
00:30:42,760 --> 00:30:44,840
Speaker 1: what's your name? Oh the great, Yeah I'm from It

550
00:30:44,920 --> 00:30:47,280
Speaker 1: was like that. It wasn't like let me get that number. No,

551
00:30:47,400 --> 00:30:49,880
Speaker 1: it wasn't that ship. And then you know, I was like,

552
00:30:49,920 --> 00:30:51,520
Speaker 1: you know what, I think I wou over there and

553
00:30:51,680 --> 00:30:54,600
Speaker 1: maybe you talk to her a little more because our

554
00:30:54,640 --> 00:30:56,520
Speaker 1: food hadn't come yet, and I was like let me

555
00:30:57,280 --> 00:31:00,240
Speaker 1: and he goes he did too much. Man, Let me

556
00:31:00,280 --> 00:31:03,200
Speaker 1: ask you this, how did it work out? I did

557
00:31:03,280 --> 00:31:11,680
Speaker 1: too much? Man? He was fucking right. Damn. Yeah. Who

558
00:31:11,800 --> 00:31:15,120
Speaker 1: have you had the most fun working with us? Yes?

559
00:31:16,280 --> 00:31:22,240
Speaker 1: Besides beside you guys Man oh Man Breakfast Club. I

560
00:31:22,240 --> 00:31:24,520
Speaker 1: mean you're talking about just in general, just comedy or no,

561
00:31:25,080 --> 00:31:28,640
Speaker 1: I'm saying. I'm saying working with like like, whether it

562
00:31:28,680 --> 00:31:33,200
Speaker 1: be comedy, whether whether it be movies, whether it be

563
00:31:33,640 --> 00:31:38,080
Speaker 1: oh Man, anything, reginal Gangsters, Man, that was fun. I

564
00:31:39,120 --> 00:31:41,760
Speaker 1: had fun because I I have because I was hating

565
00:31:41,920 --> 00:31:49,440
Speaker 1: Richard Rowntree. We we were in original Gangsters. Yes, Cambrira

566
00:31:51,800 --> 00:31:57,520
Speaker 1: of Fred Williamson, Richard Rowntree, um Ron got back together,

567
00:31:57,600 --> 00:32:01,120
Speaker 1: super Fly O'Neil ron super Fly. We had super Fly

568
00:32:01,720 --> 00:32:08,360
Speaker 1: where wings Housing. Bushwick was there. Sorry, guys, I'm sorry

569
00:32:09,280 --> 00:32:14,040
Speaker 1: he was there and Willy weren't there, but he was

570
00:32:14,080 --> 00:32:17,480
Speaker 1: there in spirit right, and then there was who else

571
00:32:17,520 --> 00:32:20,400
Speaker 1: was there? Um yeah, path Brier was cool as ship.

572
00:32:20,520 --> 00:32:22,440
Speaker 1: I had fun doing it because I was at Jim Brown.

573
00:32:23,200 --> 00:32:27,920
Speaker 1: Jim Brown. Let me ask you by Jim, Yeah, have

574
00:32:28,040 --> 00:32:31,920
Speaker 1: you been paying attention to his politics over the last

575
00:32:31,920 --> 00:32:35,720
Speaker 1: two three years or maybe not two three years old?

576
00:32:35,760 --> 00:32:38,560
Speaker 1: I don't really care about his I mean he's been

577
00:32:39,320 --> 00:32:42,400
Speaker 1: remember he was hanging with Trump, right I don't really

578
00:32:43,040 --> 00:32:46,200
Speaker 1: judge him from that. He's done enough work as far

579
00:32:46,240 --> 00:32:49,680
Speaker 1: as for our community enough right now, I'm like, he's

580
00:32:49,720 --> 00:32:52,840
Speaker 1: he really making an impact? But do you do you

581
00:32:53,680 --> 00:32:57,040
Speaker 1: live your entire life where you are making an impact

582
00:32:57,040 --> 00:32:59,760
Speaker 1: and you are doing for your people, and then get

583
00:32:59,800 --> 00:33:02,120
Speaker 1: to the end, you know, you get to the end

584
00:33:02,160 --> 00:33:04,320
Speaker 1: and you just it away, just say, you know what,

585
00:33:04,680 --> 00:33:06,840
Speaker 1: I'm gonna just throw my people under the bus and

586
00:33:06,880 --> 00:33:10,120
Speaker 1: be a coon. Yeah you know what? Oh your song,

587
00:33:11,240 --> 00:33:18,479
Speaker 1: your you're you're, you're comeded twice too? Is he a

588
00:33:18,520 --> 00:33:22,880
Speaker 1: comb because he was because he took the meeting with Trump. Bro.

589
00:33:23,040 --> 00:33:25,000
Speaker 1: You listened to his rhetoric. What is he saying like

590
00:33:25,040 --> 00:33:29,280
Speaker 1: herschel Walk some herschel Walker type. Got it? You gotta

591
00:33:29,360 --> 00:33:31,600
Speaker 1: listen to him talk. What does he say? It's not

592
00:33:31,680 --> 00:33:37,200
Speaker 1: just him, you know, because it's demension. He's fine, He's fine.

593
00:33:37,440 --> 00:33:39,760
Speaker 1: Like when Bill Cozy was talking about black people like

594
00:33:39,840 --> 00:33:44,680
Speaker 1: you you pull your pants up and you got put gls.

595
00:33:45,080 --> 00:33:47,680
Speaker 1: Girls are under age, I'll getting pregnant. But you see,

596
00:33:47,800 --> 00:33:50,440
Speaker 1: but you see, you see Bill ain't saying that ship No,

597
00:33:50,720 --> 00:33:53,520
Speaker 1: Bill got his wake up call and see you know

598
00:33:53,600 --> 00:33:56,640
Speaker 1: it typically happens. Yeah, you got to wait, um, you

599
00:33:56,680 --> 00:33:59,640
Speaker 1: got to wake up call, like someone like Candice Owen's man.

600
00:34:00,040 --> 00:34:01,760
Speaker 1: The past a couple of times she's been saying some

601
00:34:01,800 --> 00:34:08,359
Speaker 1: ship right on point though, it's like that's how they do,

602
00:34:08,640 --> 00:34:10,759
Speaker 1: That's how they do. Charles Barkley is good at that too.

603
00:34:11,239 --> 00:34:14,480
Speaker 1: What what this is? This is what they do. See now,

604
00:34:14,480 --> 00:34:17,200
Speaker 1: I got a question here ship. You know so this this,

605
00:34:17,200 --> 00:34:19,879
Speaker 1: this is what happened. This is what happened solid Yeah,

606
00:34:19,920 --> 00:34:22,200
Speaker 1: I mean I ain't talking about what he'd be saying

607
00:34:22,239 --> 00:34:30,839
Speaker 1: about politics. Great basketball might have been a great basketball player,

608
00:34:30,920 --> 00:34:37,279
Speaker 1: but he ain't ship as a man. The thing. The

609
00:34:37,400 --> 00:34:43,840
Speaker 1: thing is is that you know, we can't afford to

610
00:34:43,840 --> 00:34:47,000
Speaker 1: to have people that are we can't afford to have

611
00:34:47,040 --> 00:34:52,960
Speaker 1: anybody period that's members of our society, um, disparaging us

612
00:34:52,960 --> 00:34:55,200
Speaker 1: and throwing us under the bus. But we damn show

613
00:34:55,239 --> 00:34:59,240
Speaker 1: cannot have people who are in positions of power and

614
00:34:59,400 --> 00:35:03,160
Speaker 1: influence to be out there throwing mixed messages. This is

615
00:35:03,200 --> 00:35:05,560
Speaker 1: something that that's very good at doing. They're threw a

616
00:35:05,600 --> 00:35:08,080
Speaker 1: few a couple of truths out there to get everybody

617
00:35:08,080 --> 00:35:10,480
Speaker 1: gonna Yeah, man, I believe that that's real, that's right, right,

618
00:35:10,680 --> 00:35:13,480
Speaker 1: and then they go like and the rest of it

619
00:35:13,520 --> 00:35:17,200
Speaker 1: be all one sided. See, here's the thing when when

620
00:35:17,280 --> 00:35:21,480
Speaker 1: you're when you when your criticism of the black community

621
00:35:21,520 --> 00:35:26,279
Speaker 1: outwear your contribution, your comb Okay, so watch them. Just

622
00:35:26,320 --> 00:35:28,839
Speaker 1: pay attention to them, Watch what they do, what they're saying,

623
00:35:29,040 --> 00:35:30,520
Speaker 1: you know what I'm saying, because because they can say

624
00:35:30,560 --> 00:35:32,520
Speaker 1: some cool ship and you'd be like, yeah, yeah, yeah yeah.

625
00:35:32,560 --> 00:35:34,120
Speaker 1: Then they say some sucked up ship and even oh

626
00:35:34,160 --> 00:35:35,960
Speaker 1: that's suck up. Then they say good, shoot you back there,

627
00:35:37,120 --> 00:35:41,919
Speaker 1: back there. See what I'm saying. It's always a lot

628
00:35:41,960 --> 00:35:46,759
Speaker 1: of but watch but watch what they do, you know

629
00:35:46,800 --> 00:35:55,000
Speaker 1: what I'm saying. So that ship she she she not.

630
00:35:55,400 --> 00:35:58,759
Speaker 1: She not for us, period. She's not. She's not for

631
00:35:58,840 --> 00:36:01,439
Speaker 1: us period. Man. So you know, it's the same thing

632
00:36:01,560 --> 00:36:05,160
Speaker 1: with the Stacy dass chick. You know she it was

633
00:36:05,200 --> 00:36:09,120
Speaker 1: just she done. She's done, man. You know what I'm saying,

634
00:36:09,160 --> 00:36:12,640
Speaker 1: She's done. She said, I don't even know how people

635
00:36:12,680 --> 00:36:15,080
Speaker 1: have the nerve to say that kind of ship. On TV.

636
00:36:15,200 --> 00:36:18,080
Speaker 1: She goes, what if there was White History Month? But

637
00:36:18,360 --> 00:36:23,000
Speaker 1: but check this out, but check this oute Godfred, People

638
00:36:23,040 --> 00:36:26,719
Speaker 1: like Charles Barkley, Candys One and the rest of them,

639
00:36:26,800 --> 00:36:30,920
Speaker 1: even Steve and A. They're talk that black talk down

640
00:36:30,960 --> 00:36:33,520
Speaker 1: ship where I'm just telling the truth. They'll say shit

641
00:36:33,560 --> 00:36:37,719
Speaker 1: about black people. But when had a motherfucker's collectively are

642
00:36:38,239 --> 00:36:42,000
Speaker 1: generalized bad this bad ship about white people? When have

643
00:36:42,080 --> 00:36:47,040
Speaker 1: they said made the disparaging comments about white folks in general?

644
00:36:47,280 --> 00:36:49,520
Speaker 1: They'll do that ship all day with black folks, but

645
00:36:49,600 --> 00:36:52,000
Speaker 1: they will not do that ship with white folks. That

646
00:36:52,160 --> 00:36:55,440
Speaker 1: lets you know what type of motherfucker's they are. That's

647
00:36:55,440 --> 00:36:57,480
Speaker 1: all you gotta do. Just listen if you want to

648
00:36:57,480 --> 00:36:59,160
Speaker 1: listen to him, listen to him, but watch what they

649
00:36:59,239 --> 00:37:01,480
Speaker 1: watch what they do. But you can listen to these

650
00:37:01,480 --> 00:37:04,520
Speaker 1: motherfucker's and tell what they really about just because they

651
00:37:04,520 --> 00:37:07,080
Speaker 1: put on a suit and talk proper and all that

652
00:37:07,080 --> 00:37:10,480
Speaker 1: old ship be on Fox. Dunt done with all the

653
00:37:10,480 --> 00:37:14,080
Speaker 1: theme music and all that old ship. That don't mean ship. Man,

654
00:37:14,400 --> 00:37:17,640
Speaker 1: Watch the motherfucker's, watch what they say, and watch what

655
00:37:17,680 --> 00:37:21,719
Speaker 1: they do. More important, girl Boys Reloaded podcast will be

656
00:37:21,800 --> 00:37:34,280
Speaker 1: right back after the poet. What about Shannon Shark? I like, like,

657
00:37:34,360 --> 00:37:36,200
Speaker 1: I just want to tell you something. Skill. You have

658
00:37:36,200 --> 00:37:39,200
Speaker 1: to understand skill. This is eight It's I've been in

659
00:37:39,200 --> 00:37:41,520
Speaker 1: the NFL for a long time. Skill, and you gotta

660
00:37:41,560 --> 00:37:45,080
Speaker 1: understand some of these players skills. Skill. You really have

661
00:37:45,160 --> 00:37:47,080
Speaker 1: to be on. You have to be aware of yourself.

662
00:37:47,360 --> 00:37:49,480
Speaker 1: Like my grandmother said, if you're a froggy, better jump.

663
00:37:50,040 --> 00:37:53,720
Speaker 1: Now I understand Shannon is consistent. Now I know Skip,

664
00:37:53,800 --> 00:37:55,200
Speaker 1: I say a lot of sayings that don't make no

665
00:37:55,280 --> 00:37:57,879
Speaker 1: damn sense, But that's just the way I talk. From

666
00:37:57,920 --> 00:38:06,720
Speaker 1: Stuth skil kill co on. You don't tell me Shannon.

667
00:38:06,960 --> 00:38:09,840
Speaker 1: I like Shannon. You know Shannon. He's a great shooter,

668
00:38:10,360 --> 00:38:14,279
Speaker 1: you know, and and and he's consistent. Okay, he's very consistent,

669
00:38:14,560 --> 00:38:17,000
Speaker 1: and you know he's gonna say what it is. You know,

670
00:38:17,040 --> 00:38:21,600
Speaker 1: I'm to be honest, I'm surprised Shannon still on going

671
00:38:22,120 --> 00:38:24,799
Speaker 1: because you know, I'm not gonna say he don't give

672
00:38:24,840 --> 00:38:29,279
Speaker 1: a fuck. The reason he does give a fuck, that's

673
00:38:29,280 --> 00:38:32,520
Speaker 1: why he's saying what he's saying, the ratings. He speaks,

674
00:38:32,960 --> 00:38:37,080
Speaker 1: He speaks the truth, he says how he feels, he

675
00:38:37,280 --> 00:38:40,000
Speaker 1: talks about he says what it is because he does care.

676
00:38:40,440 --> 00:38:43,080
Speaker 1: But he has a balance with Skip. Skip. You know,

677
00:38:43,200 --> 00:38:46,400
Speaker 1: Skip his bayliss is they're listening to him, and Skip

678
00:38:46,400 --> 00:38:48,960
Speaker 1: will validate a lot of ship that he says, so

679
00:38:49,200 --> 00:38:53,879
Speaker 1: that the White agreement to helps too. You know, well,

680
00:38:53,920 --> 00:38:57,880
Speaker 1: Skip can't help, but validated. I ain't gonna say validate

681
00:38:57,880 --> 00:38:59,919
Speaker 1: because that means that he needs him to co sign

682
00:39:00,000 --> 00:39:04,280
Speaker 1: to Skip ballet but but but Skip will co signed

683
00:39:04,320 --> 00:39:06,400
Speaker 1: because Skip knows that he's gonna sound like a guy

684
00:39:06,480 --> 00:39:08,239
Speaker 1: damn food if he don't. Because Shannon be so on

685
00:39:08,360 --> 00:39:11,799
Speaker 1: point he's going Shannon takes the wiggle room out of

686
00:39:11,840 --> 00:39:14,799
Speaker 1: the argument. See, anytime you have you have to pick

687
00:39:14,840 --> 00:39:17,879
Speaker 1: the wiggle room out because Motherucker's be sitting around waiting

688
00:39:18,080 --> 00:39:20,400
Speaker 1: waiting to attack. They just be waiting on on the

689
00:39:20,440 --> 00:39:23,160
Speaker 1: way to sneak and slither them in and and say

690
00:39:23,239 --> 00:39:25,920
Speaker 1: something opposing to try to make you look stupid and

691
00:39:25,960 --> 00:39:27,600
Speaker 1: make it seem like you don't know what you're talking about.

692
00:39:28,360 --> 00:39:31,799
Speaker 1: Shannon takes the wiggle room out, and Skip knows it,

693
00:39:32,120 --> 00:39:35,840
Speaker 1: and so you know he has little choice if he

694
00:39:35,880 --> 00:39:38,680
Speaker 1: don't want to look like a damn food Yeah yeah,

695
00:39:39,000 --> 00:39:43,800
Speaker 1: um yeah, that's um because the way, um you gotta

696
00:39:43,880 --> 00:39:48,799
Speaker 1: understand too, they work under Disney. Disney owns ESPN a

697
00:39:48,800 --> 00:39:50,400
Speaker 1: lot of these big so they got it. How do

698
00:39:50,440 --> 00:39:55,120
Speaker 1: you navigate? Okay, I want to be black, not lose integrity,

699
00:39:55,600 --> 00:39:59,040
Speaker 1: And I got these corporate motherfucker's watching me, and Shannon

700
00:39:59,160 --> 00:40:01,839
Speaker 1: knows how to navig hate that stephen A. I used

701
00:40:01,840 --> 00:40:04,000
Speaker 1: to watch him at the beginning. I used to watch

702
00:40:04,080 --> 00:40:05,839
Speaker 1: him like first take it, He's like all right, yeah,

703
00:40:06,040 --> 00:40:08,800
Speaker 1: Like then he just started saying crazy shit about like

704
00:40:08,920 --> 00:40:12,399
Speaker 1: black I was like, really, how about saying nothing about

705
00:40:12,480 --> 00:40:14,279
Speaker 1: us like that. I can understand if you don't want

706
00:40:14,280 --> 00:40:17,120
Speaker 1: to be controversial, but why do you gotta shoot on us?

707
00:40:17,920 --> 00:40:21,759
Speaker 1: And he always shot on black men? Yeah, got when

708
00:40:21,800 --> 00:40:29,200
Speaker 1: he talked about black men. He's super badass. I'm keep

709
00:40:29,200 --> 00:40:32,520
Speaker 1: our name on your mouth. Man, Just be neutral. I'd

710
00:40:32,600 --> 00:40:36,680
Speaker 1: rather you be neutral, and I'll understand, like I'll understand

711
00:40:36,680 --> 00:40:39,440
Speaker 1: a brother's neutrality because I'll go I get it. I

712
00:40:39,560 --> 00:40:41,440
Speaker 1: get it as long as you ain't sucking throwing us

713
00:40:41,480 --> 00:40:44,680
Speaker 1: under the bus. I get why you're neutral, because sometimes

714
00:40:44,680 --> 00:40:48,720
Speaker 1: we gotta be Everybody can't be outspoken. There's people, there's

715
00:40:48,960 --> 00:40:52,040
Speaker 1: people like us that are working different ways. There's different

716
00:40:52,080 --> 00:40:54,600
Speaker 1: ways to skin a cat. You don't want to be

717
00:40:54,640 --> 00:40:57,800
Speaker 1: like I believe that. No, there's people working in the

718
00:40:57,920 --> 00:41:02,640
Speaker 1: law think that the black man and we got to

719
00:41:02,760 --> 00:41:13,040
Speaker 1: come together because every time. Everyone I believe that the

720
00:41:13,080 --> 00:41:15,680
Speaker 1: black man we are we are second class citizens. We

721
00:41:15,719 --> 00:41:17,520
Speaker 1: have to understand that the black man and the black

722
00:41:17,560 --> 00:41:19,920
Speaker 1: woman are not protected. We have to you know, we

723
00:41:19,960 --> 00:41:22,200
Speaker 1: don't always have to do that. There's not everybody's gonna

724
00:41:22,200 --> 00:41:24,520
Speaker 1: be a Malcolm X. There spurs people's skill for that.

725
00:41:24,520 --> 00:41:26,640
Speaker 1: That was Malcolm X. I just did and and and

726
00:41:26,680 --> 00:41:29,319
Speaker 1: we have to understand that the white man makes us

727
00:41:29,360 --> 00:41:31,759
Speaker 1: feel like selling class citizens. And a lot of you

728
00:41:31,920 --> 00:41:35,279
Speaker 1: coons and negroes are walking around here, walking around here

729
00:41:35,520 --> 00:41:39,640
Speaker 1: shucking and jibing all the time. They love using entertainers, clowns,

730
00:41:39,680 --> 00:41:43,160
Speaker 1: and and and and and musicians to speak for black people.

731
00:41:43,360 --> 00:41:45,440
Speaker 1: White people don't do that. I don't see M and

732
00:41:45,600 --> 00:41:48,040
Speaker 1: M speaking up for white people. Do you see that. No,

733
00:41:48,440 --> 00:41:52,080
Speaker 1: you should have black people that are are are educated

734
00:41:52,080 --> 00:41:54,560
Speaker 1: in policy and education. But no, you don't want to

735
00:41:54,560 --> 00:42:02,959
Speaker 1: do that because you might lose that argument anyway. Time. Yeah,

736
00:42:03,680 --> 00:42:06,120
Speaker 1: that's the beautiful thing about all those old footage. It

737
00:42:06,160 --> 00:42:09,080
Speaker 1: is the same ship. It's like it's still happening. That's

738
00:42:09,080 --> 00:42:11,520
Speaker 1: why I said, go watch the Malcolm X videos, go

739
00:42:11,600 --> 00:42:16,200
Speaker 1: watch the it's nothing has changed. When James Baldwin, have

740
00:42:16,239 --> 00:42:20,879
Speaker 1: you watched James bald James your Negro, I'm not your who.

741
00:42:20,920 --> 00:42:26,359
Speaker 1: That ship is fantastic, and I'm not your right, I'm

742
00:42:26,400 --> 00:42:29,960
Speaker 1: not your negro. And and James Balder was a gay

743
00:42:30,000 --> 00:42:33,799
Speaker 1: black man to a white woman he married. He may

744
00:42:35,360 --> 00:42:39,799
Speaker 1: gotta go, but you've been going eight times. I got

745
00:42:39,800 --> 00:42:42,440
Speaker 1: a new kid peeing on. Oh is that? What is

746
00:42:42,480 --> 00:42:45,440
Speaker 1: it working though? Like a motherfucker good. I don't know.

747
00:42:45,520 --> 00:42:49,759
Speaker 1: I thought she was tired of the damn. He's like, man,

748
00:42:49,800 --> 00:42:57,320
Speaker 1: I'm out now, I'm back. Baldwin, James Baldwin, James Baldwin,

749
00:42:57,400 --> 00:43:00,000
Speaker 1: I'm not your negro. Everybody should watch. That came out

750
00:43:00,000 --> 00:43:02,239
Speaker 1: a few years ago. What you got coming up? What

751
00:43:02,360 --> 00:43:07,719
Speaker 1: do I have coming? When is this playing? When is it? Um? Okay?

752
00:43:07,800 --> 00:43:12,200
Speaker 1: Right now? Okay? Uh? When I got coming up? Where

753
00:43:12,320 --> 00:43:14,440
Speaker 1: he's had a white boyfriend? Where you got coming up?

754
00:43:14,440 --> 00:43:16,399
Speaker 1: In the next few months and the next few months,

755
00:43:16,440 --> 00:43:19,560
Speaker 1: I got oh gosh, I got by well the Miami

756
00:43:19,600 --> 00:43:23,040
Speaker 1: Improv twenty two to four. I don't know if it

757
00:43:23,080 --> 00:43:25,120
Speaker 1: comes out at that point. My iam got all the

758
00:43:25,200 --> 00:43:28,960
Speaker 1: different You guys could check my um Instagram comedian Godfree

759
00:43:29,680 --> 00:43:31,719
Speaker 1: and you'll see my dates. You know, I have my

760
00:43:31,840 --> 00:43:34,480
Speaker 1: dates on there? Should I look up my dates? And yeah?

761
00:43:34,480 --> 00:43:39,839
Speaker 1: And what what about the the podcast What you Guys

762
00:43:39,840 --> 00:43:42,480
Speaker 1: should be on Someday is in God Free We Trust,

763
00:43:42,840 --> 00:43:47,839
Speaker 1: which is on the Gas Digital Network Tuesdays and Fridays

764
00:43:48,360 --> 00:43:51,480
Speaker 1: at ten pm Eastern. It's Dope as Hell. I had

765
00:43:51,520 --> 00:43:54,120
Speaker 1: Phase on on there. You know, I've had Lord Jamar

766
00:43:54,280 --> 00:43:56,520
Speaker 1: on there from Brand Newbians, I've had Raw Dick. I've

767
00:43:56,560 --> 00:43:58,839
Speaker 1: had a lot of different people on my my ship.

768
00:43:58,960 --> 00:44:01,120
Speaker 1: It's Dope is Healthy. I came on. We were talking

769
00:44:01,120 --> 00:44:04,640
Speaker 1: about the whole comedy controversy. Um, yeah, it's it's a

770
00:44:04,640 --> 00:44:08,600
Speaker 1: pretty good podcast. Gas Digital Network. Subscribe to it. So

771
00:44:08,680 --> 00:44:12,080
Speaker 1: you talked to after the Oh yeah, after a little

772
00:44:12,120 --> 00:44:17,880
Speaker 1: thing in Atlanta. Yeah, we talked man Atlanta. Hold oh, expeditiously.

773
00:44:18,480 --> 00:44:21,080
Speaker 1: See this is what happened. I was in at the

774
00:44:21,080 --> 00:44:24,359
Speaker 1: Atlanta Comedy Theater and I was finishing. I had done

775
00:44:24,400 --> 00:44:27,400
Speaker 1: like an hour forty minutes. I got off my boys

776
00:44:27,480 --> 00:44:30,000
Speaker 1: like hats hosts and say, yo, man, I'm gonna keep

777
00:44:30,000 --> 00:44:31,839
Speaker 1: the show going. I go why I'm the headlines though

778
00:44:31,880 --> 00:44:34,359
Speaker 1: in the show, no t I is gonna go up.

779
00:44:34,480 --> 00:44:37,839
Speaker 1: And I was like to do what? I was like, like,

780
00:44:37,880 --> 00:44:39,560
Speaker 1: what do you mean like he's going up to wrap

781
00:44:39,640 --> 00:44:43,440
Speaker 1: and some ship. He's doing comedy. I's like, what the fuck?

782
00:44:43,560 --> 00:44:47,360
Speaker 1: And I didn't know O Cave doing to do comedy.

783
00:44:47,480 --> 00:44:50,000
Speaker 1: Didn't know he's doing comedy. So I see him. I

784
00:44:50,080 --> 00:44:52,719
Speaker 1: give him a pound boomba boom. It's t I. I'm

785
00:44:52,719 --> 00:44:55,000
Speaker 1: a t I fan. I said, Yo, I'm gonna wait.

786
00:44:55,080 --> 00:44:57,640
Speaker 1: I'll wait in the green room. Blah blah blah. And

787
00:44:58,080 --> 00:44:59,839
Speaker 1: we talked, hung out a little bit. He was cool

788
00:44:59,840 --> 00:45:01,759
Speaker 1: ash Ship. And then when I went back to my

789
00:45:01,800 --> 00:45:04,000
Speaker 1: podcast back to New York that you know, they were

790
00:45:04,000 --> 00:45:05,520
Speaker 1: asking me, did you go watch him? I said no,

791
00:45:05,600 --> 00:45:07,520
Speaker 1: I didn't watch him because I know he was doing

792
00:45:07,600 --> 00:45:09,759
Speaker 1: comedy on I don't see him as a comedian. Not

793
00:45:09,840 --> 00:45:13,080
Speaker 1: to insult him, but I just headlined, why am I

794
00:45:13,080 --> 00:45:17,200
Speaker 1: gonna go watch him do what I do best? He's

795
00:45:17,239 --> 00:45:19,879
Speaker 1: a rapper. I didn't know he was doing comedy, and

796
00:45:20,000 --> 00:45:22,400
Speaker 1: I and and my thing is, I don't care that

797
00:45:22,480 --> 00:45:25,200
Speaker 1: he's not doing comedy. It's just that I just finished

798
00:45:25,200 --> 00:45:27,480
Speaker 1: doing an hour and forty minutes. I always go to

799
00:45:27,520 --> 00:45:29,920
Speaker 1: the green room and sit my ass down. And did

800
00:45:29,960 --> 00:45:34,520
Speaker 1: he decompress? You know? After performance? You're like, Ship, could

801
00:45:34,560 --> 00:45:38,279
Speaker 1: you could you hear what what? What? It was Atlanta

802
00:45:38,400 --> 00:45:42,880
Speaker 1: Comedy Theater in North Cross is the dressing room the

803
00:45:42,880 --> 00:45:45,319
Speaker 1: green room from Oh, it's not that far. It's like

804
00:45:45,480 --> 00:45:49,759
Speaker 1: it's like it's like a few feet like there's two

805
00:45:49,760 --> 00:45:53,200
Speaker 1: green rooms and the exited stage leads to the first

806
00:45:53,239 --> 00:45:54,759
Speaker 1: green room and you can go to the other one.

807
00:45:57,200 --> 00:45:58,759
Speaker 1: I didn't really hear it. I was I was in

808
00:45:58,800 --> 00:46:00,319
Speaker 1: the other room, in the other green room, the main

809
00:46:00,360 --> 00:46:02,760
Speaker 1: one that I stay in, and I was like, I'm

810
00:46:02,960 --> 00:46:05,680
Speaker 1: already finished. I'm not going to watch because I was like,

811
00:46:05,760 --> 00:46:08,759
Speaker 1: he's doing comedy. I didn't because you know, I took

812
00:46:08,760 --> 00:46:13,120
Speaker 1: it as in everybody's approaching comedy like it's easy. I'm like,

813
00:46:13,400 --> 00:46:16,279
Speaker 1: I'm a purist, I'm a real comedian. I'm I don't

814
00:46:16,280 --> 00:46:18,839
Speaker 1: funk around. I'm a real deal. You know what I'm saying.

815
00:46:18,880 --> 00:46:21,200
Speaker 1: Not just me, but it's like you guys are a

816
00:46:21,239 --> 00:46:24,560
Speaker 1: real deal. It's like I'm the real deal. Like from

817
00:46:24,640 --> 00:46:30,239
Speaker 1: Mike Gabs to cat To to Corey to Ship to Louisa,

818
00:46:30,400 --> 00:46:33,120
Speaker 1: where the real do we do real comedy? And there's

819
00:46:33,120 --> 00:46:35,600
Speaker 1: a lot of like Instagram people or whatever. And there's

820
00:46:35,640 --> 00:46:37,959
Speaker 1: some Instagram people that are taking it serious and there's

821
00:46:38,000 --> 00:46:40,000
Speaker 1: there's and there's younger guys that are and women that

822
00:46:40,040 --> 00:46:42,959
Speaker 1: are taking this ship serious. And everybody's thinking, I'm gonna

823
00:46:42,960 --> 00:46:46,000
Speaker 1: do comedy, like what's her name from Housewives of Atlanta

824
00:46:46,120 --> 00:46:50,120
Speaker 1: name Nini because she's she's a big personality. But it

825
00:46:50,120 --> 00:46:52,239
Speaker 1: doesn't mean the transfers over the comedy. I'm not saying

826
00:46:52,280 --> 00:46:57,959
Speaker 1: you can't do comedy, but I was kind of yeah,

827
00:46:58,200 --> 00:47:01,439
Speaker 1: and I was. I would have. I just wasn't even

828
00:47:01,440 --> 00:47:03,680
Speaker 1: that offended. I was just like, I'm not I'm not

829
00:47:03,719 --> 00:47:08,759
Speaker 1: going to go watch because you were offended. I wasn't.

830
00:47:09,200 --> 00:47:11,359
Speaker 1: I was. I don't. I wasn't offended. I just wasn't

831
00:47:11,400 --> 00:47:14,319
Speaker 1: interested because I was like, he's doing comedy. I don't

832
00:47:14,320 --> 00:47:16,719
Speaker 1: get it. Like I was like, that's all that's for me.

833
00:47:17,000 --> 00:47:19,600
Speaker 1: But he felt like I insulted him the whole nine

834
00:47:20,040 --> 00:47:22,440
Speaker 1: and and he and he expressed it in the video.

835
00:47:22,600 --> 00:47:24,799
Speaker 1: Everybody was calling me. You see the video t I made.

836
00:47:24,920 --> 00:47:27,160
Speaker 1: You know when t I goes into the woods, When

837
00:47:27,200 --> 00:47:29,399
Speaker 1: he goes into the woods, he's mad at something. He goes.

838
00:47:29,440 --> 00:47:34,080
Speaker 1: I asked something to say. I want to express myself. Uh,

839
00:47:34,200 --> 00:47:39,319
Speaker 1: the other day Godfrey expeditiously. You know, t I is

840
00:47:39,360 --> 00:47:41,880
Speaker 1: my man and we and Nick Cannon shout out to

841
00:47:41,960 --> 00:47:46,480
Speaker 1: Nick Cannon um he Um called yeah, I said, can

842
00:47:46,560 --> 00:47:48,840
Speaker 1: we make a FACETI I'm wanna FaceTime him. We talked.

843
00:47:48,880 --> 00:47:51,480
Speaker 1: He said, I respect you man, you O g get you.

844
00:47:51,480 --> 00:47:53,920
Speaker 1: You wanted the best. I appreciate that that man, I

845
00:47:53,920 --> 00:47:55,919
Speaker 1: funk with you. I just was I was just talking

846
00:47:55,960 --> 00:47:58,200
Speaker 1: like a comedian. I'm I'm a headliner. I'm not coming

847
00:47:58,200 --> 00:48:01,480
Speaker 1: out watch you. That's hustling, funk. I look like I'm

848
00:48:01,480 --> 00:48:05,200
Speaker 1: the headliner. You're t you're a superstar, but I'm the

849
00:48:05,239 --> 00:48:07,840
Speaker 1: star of this comedy show. So you were You were

850
00:48:07,880 --> 00:48:13,520
Speaker 1: actually protecting your bag going farward also right by not

851
00:48:13,600 --> 00:48:15,640
Speaker 1: going out there, because if you if you had went

852
00:48:15,640 --> 00:48:18,920
Speaker 1: out there after that, it takes away from the it

853
00:48:18,960 --> 00:48:21,040
Speaker 1: take not only does it take away that moment, but

854
00:48:21,440 --> 00:48:23,960
Speaker 1: it could affect your bag later down the line. You know,

855
00:48:24,040 --> 00:48:26,839
Speaker 1: like if somebody get away with that once, they'll try

856
00:48:26,880 --> 00:48:30,080
Speaker 1: you again. That's what I'm saying. So yeah, it's like

857
00:48:30,160 --> 00:48:32,640
Speaker 1: it's just they's just code of ethics. That's all it was.

858
00:48:33,239 --> 00:48:35,560
Speaker 1: It wasn't him doing comedy. That going good for you.

859
00:48:35,600 --> 00:48:38,080
Speaker 1: And then I said, man, you're really taking this ship serious.

860
00:48:38,120 --> 00:48:40,359
Speaker 1: He goes man I've been going. I said, that's what's up.

861
00:48:41,120 --> 00:48:44,600
Speaker 1: Be ready for the grind, because comedy is a fucking

862
00:48:44,960 --> 00:48:47,759
Speaker 1: what to get the art form itself, I'm not talking

863
00:48:47,800 --> 00:48:50,160
Speaker 1: about the travel t I don't have problem traveling the

864
00:48:50,239 --> 00:48:53,640
Speaker 1: guys loaded. I ain't talking about the art itself is

865
00:48:53,640 --> 00:48:57,400
Speaker 1: a grind. To get it down takes a lot of work.

866
00:48:57,800 --> 00:49:00,279
Speaker 1: It's sculpting. I don't give a funk with anybody's says.

867
00:49:00,480 --> 00:49:02,239
Speaker 1: I don't care what anybody says. You can listen to

868
00:49:02,239 --> 00:49:05,080
Speaker 1: the podcast talking whatever you want. We can go pound

869
00:49:05,120 --> 00:49:07,680
Speaker 1: for pound on the mic. It takes a lot of work.

870
00:49:07,800 --> 00:49:10,040
Speaker 1: When I first did comedy, I knew I was funny,

871
00:49:10,200 --> 00:49:12,399
Speaker 1: but I didn't have shipped to say. And Bernie Mac

872
00:49:12,520 --> 00:49:15,239
Speaker 1: used to tell me that ship he's like the motherfucker

873
00:49:15,400 --> 00:49:18,120
Speaker 1: you know, they can just come up here and do

874
00:49:18,160 --> 00:49:22,680
Speaker 1: the ship takes a lot of mother wuck work, you know. Yeah,

875
00:49:22,760 --> 00:49:25,520
Speaker 1: when Bertie used to fucking school me on ship. Yeah,

876
00:49:25,560 --> 00:49:28,000
Speaker 1: he goes to guys, he goes, you know, half the

877
00:49:28,160 --> 00:49:32,480
Speaker 1: motherfucking job. It's being interesting. You gotta mother fucking interesting,

878
00:49:32,520 --> 00:49:34,120
Speaker 1: you know. Motherfucker's I don't want to be in a

879
00:49:34,200 --> 00:49:36,320
Speaker 1: room with your asks. He used to say that ship.

880
00:49:36,760 --> 00:49:38,600
Speaker 1: And I used to be like, yeah, they wanted and

881
00:49:38,360 --> 00:49:40,520
Speaker 1: then he says, you gotta. It's like you gotta put

882
00:49:40,520 --> 00:49:42,960
Speaker 1: the time in. You know. That's I've learned that from

883
00:49:43,040 --> 00:49:46,800
Speaker 1: Seinfeldt Seinfeld when he when he talked to me and say, hey,

884
00:49:46,920 --> 00:49:49,120
Speaker 1: how long you've been doing Comedy's about ten years? I

885
00:49:49,200 --> 00:49:51,160
Speaker 1: said about ten years. He goes, you're a ten year old.

886
00:49:51,600 --> 00:49:53,920
Speaker 1: That's your that's your agent comedy. Remember that, you know

887
00:49:53,960 --> 00:49:58,040
Speaker 1: Seinfeld but doing comedy since the seventies, I've been. I

888
00:49:58,080 --> 00:50:01,520
Speaker 1: was advised by Cosby before all this ship happened. He

889
00:50:01,760 --> 00:50:03,640
Speaker 1: he gave me advice. That's when his son was murdered.

890
00:50:03,680 --> 00:50:06,279
Speaker 1: I was there. I was working there. Yeah, I was there.

891
00:50:06,360 --> 00:50:09,960
Speaker 1: I was there. I remember the day and everything. He said.

892
00:50:10,200 --> 00:50:12,279
Speaker 1: I remember the ship, I said, because you could come

893
00:50:12,320 --> 00:50:14,200
Speaker 1: into his office and talk to him. He had his

894
00:50:14,280 --> 00:50:22,200
Speaker 1: cigar and ship. He goes, hey, you know, I said, hey,

895
00:50:22,360 --> 00:50:24,080
Speaker 1: you can just walk into his armies open, say hey,

896
00:50:24,120 --> 00:50:29,200
Speaker 1: what's up that Steve Black? He better close that damn dope. Yeah,

897
00:50:29,800 --> 00:50:33,400
Speaker 1: just walk your ass in. Yeah no, And Steve. Steve

898
00:50:33,440 --> 00:50:35,359
Speaker 1: gave me advice when I was in a comedy team

899
00:50:35,360 --> 00:50:38,719
Speaker 1: in Chicago. He gave I was in a duo and

900
00:50:38,760 --> 00:50:41,360
Speaker 1: my man, and my man was sucking up the whole

901
00:50:41,360 --> 00:50:43,000
Speaker 1: thing because I was writing all the ship. He was

902
00:50:43,000 --> 00:50:45,520
Speaker 1: getting high drunk for getting the lines. And Steve Harvey.

903
00:50:45,560 --> 00:50:47,640
Speaker 1: I was in the hallway. It was a place called

904
00:50:47,640 --> 00:50:52,200
Speaker 1: All Jokes Aside in Chicago, All Jokes Aside. My man

905
00:50:52,320 --> 00:50:55,520
Speaker 1: Raymond Lambert shout to Raymond Lambert, Mary Lindsay and James

906
00:50:55,560 --> 00:51:00,359
Speaker 1: Alexander and he goes, um, he mean, he goes, what's wrong, man,

907
00:51:00,440 --> 00:51:03,799
Speaker 1: I said, My partner keeps forgetting my house. In the

908
00:51:03,840 --> 00:51:06,640
Speaker 1: comedy team, it was called Godfrey and Alexander. My first

909
00:51:06,719 --> 00:51:10,120
Speaker 1: year we opened up for del Givings and Steve and

910
00:51:10,200 --> 00:51:13,759
Speaker 1: t K. Kirkland and he goes, uh, yeah. T K

911
00:51:14,040 --> 00:51:15,600
Speaker 1: is the one that got me my manager, and he's

912
00:51:15,600 --> 00:51:17,480
Speaker 1: the reason why I moved to New York. T K Kirkland,

913
00:51:17,560 --> 00:51:20,440
Speaker 1: God Damn. T K got his hand and everybody that's

914
00:51:20,480 --> 00:51:23,719
Speaker 1: the truth. T K sounds like he's lying. When t

915
00:51:23,880 --> 00:51:27,120
Speaker 1: K talks, he sounds like he's lying. And he's not. No, No,

916
00:51:27,239 --> 00:51:31,080
Speaker 1: I believe it. One of those he's like Godfrey, I

917
00:51:31,120 --> 00:51:33,840
Speaker 1: got him to go to New York. No, I was

918
00:51:33,880 --> 00:51:36,239
Speaker 1: there and you'd be like he's lying. No, he's telling

919
00:51:36,239 --> 00:51:39,200
Speaker 1: the truth. He talks like how this dude just moves

920
00:51:39,280 --> 00:51:42,040
Speaker 1: around man, and how he's just been involved in so

921
00:51:42,120 --> 00:51:46,239
Speaker 1: many peaks. My my first manager, I moved to New

922
00:51:46,280 --> 00:51:49,400
Speaker 1: York out of him arranging that ship. It was T. K.

923
00:51:49,520 --> 00:51:53,640
Speaker 1: Kirkland shout and my first and my first. My first

924
00:51:53,719 --> 00:51:58,360
Speaker 1: roommate was Viola Davis when she was at Juilliard Acting School.

925
00:51:58,680 --> 00:52:00,879
Speaker 1: And I saw Viola not too long ago at an

926
00:52:00,880 --> 00:52:03,840
Speaker 1: interview at nine two Wide in New York, and I

927
00:52:03,960 --> 00:52:06,640
Speaker 1: met her backstage and she goes, there, goes my roommate.

928
00:52:06,840 --> 00:52:11,239
Speaker 1: She remembered me, So what does Steve. Steve was like, So,

929
00:52:11,640 --> 00:52:13,799
Speaker 1: he's like, you're the funny motherfucker. You're the funny one

930
00:52:13,840 --> 00:52:15,800
Speaker 1: on that one. He's like, you're the funny one. You

931
00:52:15,880 --> 00:52:18,560
Speaker 1: know you You're the mortalented one. He goes, how much

932
00:52:18,600 --> 00:52:20,640
Speaker 1: you getting for this? I said, I'm getting about We're

933
00:52:20,640 --> 00:52:23,440
Speaker 1: getting like a hundred bucks. He goes, are you tired

934
00:52:23,440 --> 00:52:26,760
Speaker 1: of splitting that ship? I said yeah. He goes cut

935
00:52:26,760 --> 00:52:30,360
Speaker 1: his ass and he walked off. That's when Steve Harvey

936
00:52:30,400 --> 00:52:33,200
Speaker 1: had a ball this fot. He goes, I remember, he goes,

937
00:52:33,360 --> 00:52:35,640
Speaker 1: I'll see you later and he walks off. And I go,

938
00:52:35,880 --> 00:52:39,839
Speaker 1: I'm gonna cut his He goes, cut his ass. That's

939
00:52:39,880 --> 00:52:45,880
Speaker 1: your money, boy, he's ass. He's dumbass up there wasting time.

940
00:52:46,000 --> 00:52:49,359
Speaker 1: You ain't got time to be splitting that ship. Get

941
00:52:49,360 --> 00:52:59,919
Speaker 1: your hundred dollars, boy, Cosby said. Cosby goes, he goes,

942
00:53:00,280 --> 00:53:03,520
Speaker 1: he goes. The first thing, he goes writing, you got

943
00:53:03,560 --> 00:53:06,879
Speaker 1: to put it on the paper. You got the right son,

944
00:53:06,960 --> 00:53:09,920
Speaker 1: You got to writing. Your ideas have to go on

945
00:53:09,960 --> 00:53:13,000
Speaker 1: the paper. You have to write every he got to

946
00:53:13,040 --> 00:53:16,319
Speaker 1: be writing the ideas. But oh yeah. Then he goes,

947
00:53:16,480 --> 00:53:20,200
Speaker 1: I want you to see the word show business, show business.

948
00:53:20,239 --> 00:53:25,680
Speaker 1: What is the long bigger word business. He goes, yeah, yeah, yeah,

949
00:53:25,800 --> 00:53:28,360
Speaker 1: he's like writing, you got to write, put it in.

950
00:53:28,480 --> 00:53:30,239
Speaker 1: And he says, you know, sim bad. He knocks it

951
00:53:30,280 --> 00:53:35,280
Speaker 1: out the park, SI bad. But the dupeuper dope. Yeah,

952
00:53:35,320 --> 00:53:37,200
Speaker 1: it was beautiful. Though. I got advice from a lot

953
00:53:37,200 --> 00:53:40,200
Speaker 1: of great people. Man worked with Robin Williams. We have

954
00:53:40,239 --> 00:53:43,880
Speaker 1: the same birthday. No, he never really gave advice. He

955
00:53:43,960 --> 00:53:47,279
Speaker 1: just sat quietly and and and But you if you

956
00:53:47,320 --> 00:53:49,759
Speaker 1: got him hyped like I would, I would talk like that,

957
00:53:49,840 --> 00:53:52,239
Speaker 1: you know, that corny black voice, and he would start

958
00:53:52,280 --> 00:53:54,520
Speaker 1: doing it. I'd be like, what's up, Robbie be like, hey, man,

959
00:53:54,680 --> 00:53:57,080
Speaker 1: I'm good. You know what I'm saying. Yeah, brother, Yeah,

960
00:53:57,120 --> 00:53:59,960
Speaker 1: he's like a little yeah, you know what, the little

961
00:54:00,000 --> 00:54:02,759
Speaker 1: corny black and he does. And he's the nicest man though.

962
00:54:02,960 --> 00:54:06,160
Speaker 1: He's one of my favorite. Such a nice man. Same birthday,

963
00:54:06,280 --> 00:54:08,719
Speaker 1: July twenty one, And he's such a nice I've worked

964
00:54:08,719 --> 00:54:11,880
Speaker 1: with a futimes. He's a humble, humble, humble that dude.

965
00:54:12,239 --> 00:54:14,560
Speaker 1: Oh he was great, great dude. I work with Raymond

966
00:54:14,600 --> 00:54:17,440
Speaker 1: Moano sometimes good another good dude. Yeah, I've worked a

967
00:54:17,480 --> 00:54:20,880
Speaker 1: lot of good, good folks. There's some good comedians. George Wallace,

968
00:54:21,160 --> 00:54:24,760
Speaker 1: same birthday, George. You know, there's a lot of stupid

969
00:54:24,760 --> 00:54:27,640
Speaker 1: people out here. I'm just so tired. You ever see

970
00:54:27,640 --> 00:54:31,320
Speaker 1: somebody just so damn stupid. I'm so you know, that's

971
00:54:31,320 --> 00:54:35,480
Speaker 1: George Wallace. Man, that's my man, real humble dude, always encouraging.

972
00:54:35,760 --> 00:54:38,640
Speaker 1: He's like, man, you're just so talented, Godfrey, You're so talented.

973
00:54:38,680 --> 00:54:41,440
Speaker 1: Just just keep it up. You're just beautiful. Just keep

974
00:54:41,440 --> 00:54:43,759
Speaker 1: doing it, man, just keep doing it. Yeah. Yeah, I

975
00:54:43,800 --> 00:54:45,560
Speaker 1: used to like when he used to do that. There's

976
00:54:45,560 --> 00:54:49,240
Speaker 1: something just don't make no sense. Yeah, Yeah, he's funny,

977
00:54:49,280 --> 00:54:52,160
Speaker 1: funny dude, man. Yes, so yeah, I've been fortunate to

978
00:54:52,160 --> 00:54:56,440
Speaker 1: work around really really great comedians the whole nine, seeing people,

979
00:54:56,600 --> 00:55:00,520
Speaker 1: you know, get to the top, man and you go, yeah,

980
00:55:00,600 --> 00:55:04,240
Speaker 1: I'm almost there. Yeah, I'm there. I'm a successful comedian.

981
00:55:04,280 --> 00:55:06,600
Speaker 1: Not let me not sit there and go you're kind

982
00:55:06,600 --> 00:55:09,319
Speaker 1: of anything. No, I'm a successful that you are. You are,

983
00:55:09,440 --> 00:55:14,719
Speaker 1: you are successful. Uh but with that, we know that

984
00:55:15,760 --> 00:55:20,239
Speaker 1: the opportunities out there for comics on your level. And

985
00:55:20,320 --> 00:55:22,920
Speaker 1: how so how frustrating is it that you don't get

986
00:55:22,960 --> 00:55:25,840
Speaker 1: those opportunities? Fat man? Who doesn't want to be in

987
00:55:25,880 --> 00:55:29,080
Speaker 1: a Spider Man movie? Yeah? Funk? I grew up on

988
00:55:29,160 --> 00:55:32,239
Speaker 1: Spider Man. I met Stanley three times. I you know,

989
00:55:32,840 --> 00:55:35,799
Speaker 1: I uh yeah, who doesn't want to be in all

990
00:55:35,880 --> 00:55:38,880
Speaker 1: that ship? You're I'm a you know, we grew up boys. Man.

991
00:55:39,000 --> 00:55:40,920
Speaker 1: We want to we want to do a tuck and

992
00:55:41,040 --> 00:55:43,480
Speaker 1: roll and shoot a gun. We want to drive a car,

993
00:55:43,640 --> 00:55:47,799
Speaker 1: fast car, get the girl. Yeah I would. I Yeah,

994
00:55:47,880 --> 00:55:50,640
Speaker 1: it's frustrating. Man. I'm a pretty good actor too. I

995
00:55:50,760 --> 00:55:53,200
Speaker 1: have great acting teachers I've studied under in New York

996
00:55:53,239 --> 00:55:57,480
Speaker 1: City and uh yeah, lady by name of Alice Spivack

997
00:55:57,600 --> 00:56:00,280
Speaker 1: she passed away, though. Alice Spivack in New York City's

998
00:56:00,360 --> 00:56:04,680
Speaker 1: legendary active teacher. And yeah, and I yeah, I have

999
00:56:04,920 --> 00:56:07,520
Speaker 1: I have pretty decent chops. I didn't say I was Denzel,

1000
00:56:08,239 --> 00:56:10,480
Speaker 1: but you know, I'm decent. And I see a lot

1001
00:56:10,520 --> 00:56:13,560
Speaker 1: of cats that I go, I think I'd better skilling

1002
00:56:13,640 --> 00:56:17,080
Speaker 1: that guy, and and you go. But you know, it's

1003
00:56:17,160 --> 00:56:19,520
Speaker 1: like it's my bed. I have to lay in it.

1004
00:56:19,719 --> 00:56:22,560
Speaker 1: I chose to do this ship. I chose it. And

1005
00:56:22,840 --> 00:56:25,520
Speaker 1: this business has always been like this. I didn't just

1006
00:56:25,600 --> 00:56:28,600
Speaker 1: come into a go what I didn't know? They It's

1007
00:56:28,640 --> 00:56:30,640
Speaker 1: always been the thing. And and then I then I

1008
00:56:30,760 --> 00:56:32,880
Speaker 1: kind of back up and go, We'll think about what

1009
00:56:33,560 --> 00:56:36,360
Speaker 1: step and Fetch it went through. Think about what Hattie

1010
00:56:36,440 --> 00:56:39,600
Speaker 1: McDaniel went through, Think about what moms maybe went through.

1011
00:56:39,880 --> 00:56:42,560
Speaker 1: Think about what what he Strode went through. Think about

1012
00:56:43,040 --> 00:56:45,719
Speaker 1: Sydney put all these people from the past. Think about

1013
00:56:45,719 --> 00:56:48,120
Speaker 1: how much worse it was, you know what I mean,

1014
00:56:50,160 --> 00:56:54,239
Speaker 1: motherfucker what And I'm and then sometimes I start to

1015
00:56:54,320 --> 00:56:56,480
Speaker 1: do that and I go, let me chill. I've I'm

1016
00:56:56,560 --> 00:57:00,720
Speaker 1: so fortunate to be doing this job for twenty some years.

1017
00:57:01,080 --> 00:57:03,320
Speaker 1: No job, I win. I told my own shots. I

1018
00:57:03,400 --> 00:57:06,080
Speaker 1: do what the funk I want. I get to travel everywhere.

1019
00:57:06,320 --> 00:57:09,160
Speaker 1: I have great crowds. I'm making money doing what I love. Man,

1020
00:57:09,239 --> 00:57:11,440
Speaker 1: Come on, and it's not like I haven't been on anything,

1021
00:57:12,080 --> 00:57:13,839
Speaker 1: you know what I'm saying. But you but as an artist,

1022
00:57:13,960 --> 00:57:16,440
Speaker 1: we still want other things. You're like a plant. If

1023
00:57:16,480 --> 00:57:18,160
Speaker 1: you put a plant in a in a body, it's

1024
00:57:18,160 --> 00:57:20,600
Speaker 1: gonna still try to find other ways to extend. I

1025
00:57:20,720 --> 00:57:22,840
Speaker 1: want to do more films. Hell, yeah, I got the

1026
00:57:22,880 --> 00:57:25,040
Speaker 1: skills that I would love to be on. Have my

1027
00:57:25,160 --> 00:57:28,400
Speaker 1: own show. Yeah, single cameras from Dope ship. I watch

1028
00:57:28,480 --> 00:57:31,760
Speaker 1: a lot of television, lots of movies. Yeah, I want

1029
00:57:31,800 --> 00:57:33,360
Speaker 1: to do my own shift. I would love to go here.

1030
00:57:33,440 --> 00:57:36,080
Speaker 1: I have something, let's do it, you know. And I

1031
00:57:36,240 --> 00:57:39,040
Speaker 1: and it's coming. You know, it's just something. Some people's

1032
00:57:39,120 --> 00:57:41,880
Speaker 1: lanes just it's just it's like traffic. Some lanes are

1033
00:57:41,920 --> 00:57:44,560
Speaker 1: moving slower than others, but you're going to the same destination,

1034
00:57:45,240 --> 00:57:47,240
Speaker 1: you know what I mean. Yeah, I'm gonna get it

1035
00:57:47,320 --> 00:57:50,680
Speaker 1: though it's it's impossible for me not to. Yeah, I

1036
00:57:50,760 --> 00:57:54,880
Speaker 1: want to appreciate that. But I like, like I'll be

1037
00:57:55,000 --> 00:57:57,560
Speaker 1: doing good you know, good times. It's coming out animation,

1038
00:57:57,640 --> 00:58:00,280
Speaker 1: you know, they're doing Good Times animation for that Flix.

1039
00:58:00,400 --> 00:58:03,760
Speaker 1: I'm doing some characters on there and Cree Summer Crease

1040
00:58:03,800 --> 00:58:07,640
Speaker 1: Summer from from what is it called? From Different World?

1041
00:58:07,680 --> 00:58:11,320
Speaker 1: Remember Freddie? Remember the girl Freddie. She was a little

1042
00:58:12,080 --> 00:58:15,640
Speaker 1: She is a you know, she's a voiceover master. Oh,

1043
00:58:15,960 --> 00:58:19,360
Speaker 1: inspector gadget. She was the girl for thirty years. She

1044
00:58:19,520 --> 00:58:22,320
Speaker 1: and she is producing the voices. She coached me and

1045
00:58:22,640 --> 00:58:25,240
Speaker 1: some of the voices I'm doing for Good Times the

1046
00:58:25,320 --> 00:58:29,040
Speaker 1: animation series come out on Netflix. She coached you. She

1047
00:58:29,240 --> 00:58:33,960
Speaker 1: coached me yesterday. Yeah, it was crazy. She was there

1048
00:58:34,000 --> 00:58:36,040
Speaker 1: in the zoom. I was like, how many different voices

1049
00:58:37,280 --> 00:58:39,960
Speaker 1: she's done, like over thirty and forty of them. She

1050
00:58:40,080 --> 00:58:43,680
Speaker 1: does a lot of voices. It's crazy, little girls, different animals,

1051
00:58:43,720 --> 00:58:46,840
Speaker 1: ship like that. She's bad as ship. Yeah, it's like

1052
00:58:46,960 --> 00:58:51,360
Speaker 1: Keith David. You know Keith David. You ever see Dead President?

1053
00:58:51,440 --> 00:58:54,640
Speaker 1: He was curly the older Black Men or um damn

1054
00:58:55,560 --> 00:59:00,320
Speaker 1: Dead Presidents with Lorenz Tate or um something. Oh Atlanta

1055
00:59:00,320 --> 00:59:03,760
Speaker 1: remember Atlanta with t I remember he was the rich father.

1056
00:59:03,880 --> 00:59:07,120
Speaker 1: Remember the girl that was pretending like, yeah, he's good.

1057
00:59:07,200 --> 00:59:11,360
Speaker 1: He does talks like this the whole time. A lot

1058
00:59:11,400 --> 00:59:14,720
Speaker 1: of voice over what I was in on time. I

1059
00:59:14,800 --> 00:59:18,240
Speaker 1: was in an audition, a voice over audition. He walked

1060
00:59:18,280 --> 00:59:20,720
Speaker 1: in and I threw my papers up. Everybody started laughing.

1061
00:59:20,760 --> 00:59:23,760
Speaker 1: I said, the fuck. I'm sitting at him like practicing

1062
00:59:23,800 --> 00:59:27,360
Speaker 1: my ship going remember Prudential. And he comes in, How

1063
00:59:27,440 --> 00:59:33,320
Speaker 1: you doing, gentlemen? I said, man, Yeah, you know, he

1064
00:59:33,360 --> 00:59:34,880
Speaker 1: does a lot of the PPS. He does a lot

1065
00:59:34,920 --> 00:59:39,840
Speaker 1: of PPS, narration, PBS, he has the Jack Johnson documentary.

1066
00:59:39,880 --> 00:59:43,440
Speaker 1: He's He's that's his voice. The Jazz tempar series is

1067
00:59:43,560 --> 00:59:46,240
Speaker 1: Keith David. He does a lot. He does Gargoyle, he

1068
00:59:46,320 --> 00:59:49,160
Speaker 1: does a lot. He's amazing, And I want to do

1069
00:59:49,240 --> 00:59:53,480
Speaker 1: stuff like like him. Yeah, were you amazing? To man?

1070
00:59:53,600 --> 00:59:57,360
Speaker 1: I want to see you do stuff appreciate. Even even

1071
00:59:57,480 --> 01:00:00,480
Speaker 1: even with the Joe Rogan thing, he's following me. Now yeah,

1072
01:00:00,480 --> 01:00:02,800
Speaker 1: I haven't been on it yet, but he's Joe's following Joe.

1073
01:00:02,880 --> 01:00:06,760
Speaker 1: They say, Joe's following me. Yeah, it's following me. Come on, Joe.

1074
01:00:06,960 --> 01:00:09,880
Speaker 1: I mean, he's a big fan of yours. I mean,

1075
01:00:10,040 --> 01:00:12,160
Speaker 1: I know he has to, he has to pick people

1076
01:00:12,200 --> 01:00:14,440
Speaker 1: on his own. But I've done so. I've done like

1077
01:00:14,520 --> 01:00:17,240
Speaker 1: a lot of his friends podcast. You know what I'm

1078
01:00:17,280 --> 01:00:20,000
Speaker 1: saying I just have Everyone's like, what are you going

1079
01:00:20,040 --> 01:00:21,760
Speaker 1: to do? Because it took me a long time to

1080
01:00:21,800 --> 01:00:27,080
Speaker 1: do Breakfast Club. You're on his radar. That's cool. That'd

1081
01:00:27,120 --> 01:00:29,800
Speaker 1: be fun because I love his podcast. Yeah, a lot

1082
01:00:29,840 --> 01:00:31,320
Speaker 1: of my friends are on it, man, and they are

1083
01:00:31,360 --> 01:00:34,200
Speaker 1: blown up from that ship he did had the Magic Touch.

1084
01:00:34,680 --> 01:00:39,480
Speaker 1: But you guys are your numbers are pretty damn good yourself. Yeah, Okay,

1085
01:00:39,840 --> 01:00:42,240
Speaker 1: everyone's like when we can't on a small get old boys.

1086
01:00:42,280 --> 01:00:44,720
Speaker 1: But yeah, but this is what I'm glad to be

1087
01:00:44,800 --> 01:00:48,080
Speaker 1: on this. I was like, what they gotta do this? Hell, yeah,

1088
01:00:48,280 --> 01:00:50,160
Speaker 1: you got to do your show too, man. Yeah, man,

1089
01:00:50,560 --> 01:00:52,600
Speaker 1: we can zoom it. It's all good because to talk

1090
01:00:52,680 --> 01:00:55,240
Speaker 1: to you, that'd be fantastic. What are you recording? I

1091
01:00:55,400 --> 01:00:57,520
Speaker 1: recorded the lour East Side of New York City, but

1092
01:00:57,640 --> 01:00:59,680
Speaker 1: we always got a feed. I just did Sham. You know,

1093
01:00:59,760 --> 01:01:02,040
Speaker 1: I'm have to come to do that show by myself though.

1094
01:01:02,280 --> 01:01:05,240
Speaker 1: Use well, I put it like this, if Brad can

1095
01:01:05,320 --> 01:01:08,200
Speaker 1: make it, fine, But but but my daughter lives in

1096
01:01:08,720 --> 01:01:11,360
Speaker 1: New York and so so I need to go back

1097
01:01:11,400 --> 01:01:13,720
Speaker 1: to New York. She's just left Houston, but to go back,

1098
01:01:13,800 --> 01:01:15,280
Speaker 1: but I need to go to New York because I

1099
01:01:15,440 --> 01:01:17,120
Speaker 1: have to, you know, as I find I got to

1100
01:01:17,120 --> 01:01:20,560
Speaker 1: go in and make sure I got gold to look

1101
01:01:20,600 --> 01:01:24,120
Speaker 1: around seven. Okay, she lived in Manhattan. I have to

1102
01:01:24,200 --> 01:01:28,680
Speaker 1: go down are like. She's like right by Radio City. Meet.

1103
01:01:28,960 --> 01:01:31,600
Speaker 1: She's not that far from me. I'm I'm by not

1104
01:01:31,720 --> 01:01:34,520
Speaker 1: too far from Carnegie Hall. She's she's very she's right there,

1105
01:01:34,600 --> 01:01:39,200
Speaker 1: she's like three blocks. Okay, she's a lawyer. Right, Yeah,

1106
01:01:39,680 --> 01:01:44,320
Speaker 1: that's awesome. Yeah, okay, cool? Yeah, man, And so when's

1107
01:01:44,320 --> 01:01:47,680
Speaker 1: the next time you're gonna play New York you mean comedy?

1108
01:01:48,160 --> 01:01:50,920
Speaker 1: When I get back Monday, Tuesday, Wednesday. I do it

1109
01:01:51,000 --> 01:01:54,320
Speaker 1: a middle week usually, is that right? Yeah? I need to.

1110
01:01:54,400 --> 01:01:56,040
Speaker 1: I need to link y'all up. Man. So so she

1111
01:01:56,080 --> 01:01:57,400
Speaker 1: can come out, and she can come out and come

1112
01:01:57,400 --> 01:02:00,439
Speaker 1: and bring your friends whatever. Boy, Yeah, let her that's cool.

1113
01:02:00,480 --> 01:02:03,120
Speaker 1: I'll be cool. I was like, I'm following. I'm finally

1114
01:02:03,200 --> 01:02:06,240
Speaker 1: met you. Absolutely absolutely man, thank you for coming on

1115
01:02:06,280 --> 01:02:09,360
Speaker 1: the show. Appreciate it. Follow me an Instagram Comedian Godfrey.

1116
01:02:09,800 --> 01:02:11,920
Speaker 1: See me on a new season of Wilding Out Season

1117
01:02:12,000 --> 01:02:14,840
Speaker 1: eight Team Nick Cannon, see me on a new Michael

1118
01:02:14,920 --> 01:02:18,480
Speaker 1: j show on HBO Max And yeah, man, just keep

1119
01:02:18,520 --> 01:02:21,000
Speaker 1: following me. Following me and follow me, Follow me. That's it,

1120
01:02:21,520 --> 01:02:24,640
Speaker 1: and God for retrust. No more talk, no mo talk.

1121
01:02:27,480 --> 01:02:30,000
Speaker 1: This episode was produced by A King and brought to

1122
01:02:30,120 --> 01:02:34,400
Speaker 1: you by The Black Effect Podcast Network and I Heart

1123
01:02:34,680 --> 01:02:35,040
Speaker 1: Radio