WEBVTT - 116: Pixar

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<v Speaker 1>Hello, welcome to another edition of Nerdificent. I am one

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<v Speaker 1>half of your host, Danny Fernandez. Sitting across from me

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<v Speaker 1>in the virtual space is if you want you yea, yeah, yeah,

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<v Speaker 1>here we are. If you look slick with your hair,

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<v Speaker 1>and I got to see the process happening as you

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<v Speaker 1>were doing it, Yeah yeah, I got you got straight

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<v Speaker 1>and it got pressed. Every time I anyone puts a

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<v Speaker 1>pressing comb on a stove, I just get like tense

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<v Speaker 1>because there's so many memories of of burn marks right

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<v Speaker 1>on the forehead because that press and comb got too close.

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<v Speaker 1>But now you know my barber, she's a professional, and

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<v Speaker 1>she pressed my hair out and then braided it. Now

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<v Speaker 1>we're just living life. Yes, we have, um, we have

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<v Speaker 1>some news that we wanted to share with everybody. Yeah, yeah,

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<v Speaker 1>some big news. Go ahead and take a seat, you know, come, come,

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<v Speaker 1>come in, grab grab a coffee, because it's time for

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<v Speaker 1>us to tell y'all. You know there there there are

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<v Speaker 1>there are one pieces that go on for nine hundred

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<v Speaker 1>and thirty three episodes and sixteen movies. You have you

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<v Speaker 1>know in U Yasha, which I still never ends, you know,

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<v Speaker 1>even DBZ that go on forever and then you have

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<v Speaker 1>you know Gore and log On twenty six tight episodes.

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<v Speaker 1>You have megalo Box, another tight anime series. These are

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<v Speaker 1>the ones I like, even though I do like DBZ.

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<v Speaker 1>I think this is the way. What we're trying to

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<v Speaker 1>say is we're taking Nerdificent in for a landing, a

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<v Speaker 1>permanent land We're landing, putting in the hangar and closing

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<v Speaker 1>the door. We um. Yeah, if you and I you know,

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<v Speaker 1>we've been doing the podcast for I think over two years. Actually.

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<v Speaker 1>I think when we did our promos it was if

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<v Speaker 1>I remember when we first were recording, but um, yeah,

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<v Speaker 1>and this isn't uh, this isn't my heart's decision. I

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<v Speaker 1>just want to say that this was if then E's decision. Cut.

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<v Speaker 1>They didn't cut us. Honestly, they probably would rather we didn't.

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<v Speaker 1>But yeah, we just felt that this was the good

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<v Speaker 1>conclusion to something that we've done. And if you were

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<v Speaker 1>with us before, we were doing krill in It for

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<v Speaker 1>however many years, and so it's been about you know,

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<v Speaker 1>six years, and so I think that we um are

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<v Speaker 1>just ready to to close the chapter of Nottificent. I

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<v Speaker 1>think that it will still exist. You can still listen

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<v Speaker 1>to all of the episodes. You can still point to

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<v Speaker 1>people if you are I don't know, going on a

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<v Speaker 1>panel and talking about Wonder Woman or Wonder Woman episode

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<v Speaker 1>is still great or Miles Morales episode is still great.

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<v Speaker 1>If you're trying to get your niece or nephew into

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<v Speaker 1>this fandom, you can still send them these episodes, um,

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<v Speaker 1>and you can still hit us up to be on panels.

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<v Speaker 1>But yeah, we just, uh, we decided that next episode

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<v Speaker 1>is going to be our last EPISOD, so so we're

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<v Speaker 1>gonna do some commemorative stuff with some past guests. Definitely

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<v Speaker 1>shout us out on our socials if you have good

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<v Speaker 1>Nerdive sent memories. Um. But yeah, we just felt like

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<v Speaker 1>it was time, and so we wanted to tell y'all,

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<v Speaker 1>so we didn't just disappear to either. Let's give you

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<v Speaker 1>all the heads up so that you don't start the

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<v Speaker 1>next episode and it's like, hey, well, by the way,

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<v Speaker 1>this is it. So yeah, thank you so much to

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<v Speaker 1>all our listeners, to everyone who supported us. It means

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<v Speaker 1>a lot. I mean, you're definitely not going to see

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<v Speaker 1>the last of us, but you know, uh, you probably

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<v Speaker 1>won't be downloading anymore. Well, you can save up some

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<v Speaker 1>space on your phone now, yeah, don't let anyone take

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<v Speaker 1>our name though I think my heart still owns it. Yeah,

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<v Speaker 1>but I did want to bring in our guest this

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<v Speaker 1>week we're talking about Pixar and she was actually on

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<v Speaker 1>our our Haunted Mansion episode. As she is the Queen

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<v Speaker 1>of Disney. It is Sabina Graves. Hey, everyone, thanks for

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<v Speaker 1>calling me the Queen of Disney like that. There many

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<v Speaker 1>There should be more Disney queens have um speaking of

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<v Speaker 1>who is your favorite Disney Princess, Sabina, it's Bell that

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<v Speaker 1>yeah you are. We're in goll right now. One of

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<v Speaker 1>my favorite things about her for the Disney Princess panel

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<v Speaker 1>I did last year that um Pedro Haara, who's a

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<v Speaker 1>voice of Bell, was on and that she was talking

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<v Speaker 1>about it was like this woman who was like, no,

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<v Speaker 1>I don't want to marry you. I just want to

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<v Speaker 1>read my books, like get out of here. Like it

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<v Speaker 1>was so funny to have this princess that was like

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<v Speaker 1>actively turning down, you know, not to not to go

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<v Speaker 1>after Ariel who I adore, but was chasing after a prince,

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<v Speaker 1>but um for her to be she was captured. She felt,

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<v Speaker 1>you know, Belle was captured and eventually fell in love

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<v Speaker 1>but to have this suitor and her be like, nah,

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<v Speaker 1>I'm I'm good, I'm not going to be your wife,

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<v Speaker 1>like l O L to that. I like how it

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<v Speaker 1>takes a look at a toxic masculinity and I think,

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<v Speaker 1>you know, the beast grows out of it. And then

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<v Speaker 1>Gaston does not, even though he's seen as like you know,

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<v Speaker 1>the town hero and stuff like that, and spoiler spoilers, spoiler,

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<v Speaker 1>he has a bit it's like twenty something Plussier spoiler alert.

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<v Speaker 1>But yeah, today we are covering Pixar. I guess I'll

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<v Speaker 1>just go, like, what is everyone's favorite Pixar movie before

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<v Speaker 1>we I hop into it? What a what a good question?

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<v Speaker 1>I definitely say ahead. I was gonna say Sebina probably

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<v Speaker 1>has one rage. I had like a tie between Wally

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<v Speaker 1>and Coco, uh while he was my long time just

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<v Speaker 1>favorite Pixar film. You know, it's such a simple, like

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<v Speaker 1>like simple story that is told through like you know,

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<v Speaker 1>this space and um the commentary about like protecting our planet,

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<v Speaker 1>but also just the beauty in um like the exploration

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<v Speaker 1>of these emotion and through robots that you know, like

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<v Speaker 1>robots don't have emotions, but you know, Whilely and Eve

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<v Speaker 1>are so expressive and uh effective in uh, you know,

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<v Speaker 1>seeing a future we don't want to have, but also

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<v Speaker 1>seeing the importance of what is worth fighting for in life. Yeah,

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<v Speaker 1>that's yeah, it's so hard because they've done so many

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<v Speaker 1>just refreshing I'd say, I'd say before I would have

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<v Speaker 1>probably set the Toy Story series that probably would have

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<v Speaker 1>been mine to Toy Story for I felt was really strong.

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<v Speaker 1>But I think it I think you're right. I think

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<v Speaker 1>it's coca Cocoa is just so there's just so much

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<v Speaker 1>more flavor uh in that movie than than uh than

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<v Speaker 1>than in the other ones. And it and it's and

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<v Speaker 1>I hope it's something they take note of because I mean, uh,

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<v Speaker 1>you know, just in general, I think a lot of

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<v Speaker 1>the like very I guess you would say, like legend

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<v Speaker 1>esque movies are so eurocentric, you know your braves and

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<v Speaker 1>even um you know, uh, what's the what's the one

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<v Speaker 1>is that's not sorry because Pixar and Disney or so

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<v Speaker 1>neck and neck that I get afraid of like confusing

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<v Speaker 1>the two. But yeah, for them, whenever they step out

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<v Speaker 1>and like use like a cultural voice, it just makes

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<v Speaker 1>it so much stronger. Ratitui with the French, you know, yeah, mine,

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<v Speaker 1>um are both of those. I would say Coco is

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<v Speaker 1>so representative obviously of my heritage that it was so anytime, Honestly,

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<v Speaker 1>anytime I feel bad as a creator, like my voice

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<v Speaker 1>doesn't matter, I'm not doing enough for like I'm not

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<v Speaker 1>supposed to be here, or anytime I'm just feeling really down,

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<v Speaker 1>I'll watch it and be like hell, yeah, well through tears,

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<v Speaker 1>then I'll go and want to write. But Toy Story,

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<v Speaker 1>um was so groundbreaking at the time, like just to

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<v Speaker 1>have that type of animation style and the humor it was.

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<v Speaker 1>It's really funny and something that I think adults enjoyed

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<v Speaker 1>as well. It had a lot of adults like inside

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<v Speaker 1>jokes that I wouldn't have gotten until I was older. So,

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<v Speaker 1>um yeah, Mine's definitely both of those two. Nemo is great.

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<v Speaker 1>I love how movies like Nemo and Toy Story informed

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<v Speaker 1>our senses of humor. I would say in very many ways.

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<v Speaker 1>You know, we like, uh, he touched the butt, you know.

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<v Speaker 1>So let's talk about the start of Pixar. Pixar Animation

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<v Speaker 1>Studios is an American computer animation film studio based in Emeryville, California,

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<v Speaker 1>and a part of the Walt Disney Studios group. The

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<v Speaker 1>studio has earned twenties seven Academy Awards honestly thought it

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<v Speaker 1>was more than that, but eight Golden Globes, three Grammy Awards,

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<v Speaker 1>along with many other awards and acknowledgements. It's best known

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<v Speaker 1>for c g I animated feature films created with photo

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<v Speaker 1>realistic render Man, its own implementation of the industry standard

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<v Speaker 1>render Man image rendering application programming interface used to generate

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<v Speaker 1>high quality images. So Pixar actually began back in nineteen

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<v Speaker 1>seventy nine as the graphics group part of the computer

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<v Speaker 1>division of Lucasfilm, before it was acquired by Apple Computer

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<v Speaker 1>co founder Steve Jobs in nineteen eight six. The Walt

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<v Speaker 1>Disney Company bought Pixar in two thousand and six at

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<v Speaker 1>a valuation of seven point four billion dollars. The transaction

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<v Speaker 1>made Jobs the largest shareholder in Disney. A lot of

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<v Speaker 1>big names in there, from it being with Lucasfilm to

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<v Speaker 1>Steve Jobs, just people that were at the forefront also

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<v Speaker 1>of this type of technology in film, definitely, and it's

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<v Speaker 1>all these people who kind of knew each other coming up.

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<v Speaker 1>So because I know that last setter had left Disney

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<v Speaker 1>when he had met up with Steve Jobs and it

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<v Speaker 1>Captain Roll in the early days of Pixar and that

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<v Speaker 1>they had set up to do some computer science stuff

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<v Speaker 1>ended up doing, you know, more of commuter animation for commercials,

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<v Speaker 1>and from there that kind of like snowballed into let's

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<v Speaker 1>make some short films in this style, which led to

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<v Speaker 1>Toy Story. And so now kind of like what you

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<v Speaker 1>were saying, if he is at their neck and neck

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<v Speaker 1>what what um so Walt Disney Animation Studios is in Burbank, California. However,

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<v Speaker 1>it's hard to tell the difference between the two because

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<v Speaker 1>it used to be three D animation, right, and then

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<v Speaker 1>the two D animation. So Toy Story was coming out

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<v Speaker 1>when say they were still making Partisan the Frog or

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<v Speaker 1>Pocahonas which was several years before, or Mulan, you know,

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<v Speaker 1>they it was easy to differentiate between what was Pixar

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<v Speaker 1>and what was Disney or Walt Disney animation. Um now,

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<v Speaker 1>Mowanna is Walt Disney Animation. Frozen is Walt Disney Animation.

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<v Speaker 1>Ralph A lot of people will say, like, oh, your

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<v Speaker 1>Pixar character, I'm not I'm not. Ralph is not Pixar,

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<v Speaker 1>that's all. But it's very confusing now that they're using

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<v Speaker 1>three D animation. I would I would have said, yeah,

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<v Speaker 1>I would have said that that was Pixar. That's why

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<v Speaker 1>I had to catch myself when I was saying the

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<v Speaker 1>Eurocentric because in my head, uh, frozen his Pixar, Because

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<v Speaker 1>you're right, it used to be that Pixar did all

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<v Speaker 1>the three D animation and then Walt Disney Animation did

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<v Speaker 1>the two D and now it's just they just do

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<v Speaker 1>what they do. It gets so confusing because there was

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<v Speaker 1>a point in time where Disney separately was trying to

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<v Speaker 1>do computer animation than Pixar, so they did Chicken Little

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<v Speaker 1>Meet the Robinson. To Meet the Robinson is actually one

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<v Speaker 1>of my favorite movies. It's not Disney. It is Disney,

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<v Speaker 1>but it has like the Pixar touch. They had some

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<v Speaker 1>of the story trust from Pixar come in and try

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<v Speaker 1>to kind of like, uh, fix that movie. Um, and

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<v Speaker 1>I love it for all it's imperfections, honestly. Um. But

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<v Speaker 1>it's based around one of my favorite Disney quotes, which

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<v Speaker 1>just keep moving forward, and that I take that with

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<v Speaker 1>me everywhere in my just like keep moving forward, keep

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<v Speaker 1>moving past things, working through it and stuff. Um. But yeah,

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<v Speaker 1>So after those two films and then like Tangled and

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<v Speaker 1>like Too Onward. Basically, I guess it's like now it's

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<v Speaker 1>like there's it's just this big missimatch of like CG

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<v Speaker 1>feels like Pixar, but it's some some of its Pixar,

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<v Speaker 1>some of it's Disney. Um and uh yeah, I know

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<v Speaker 1>for a while it was very eurocentric and uh I

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<v Speaker 1>really like how with Onward, With Onward Pixar trying to

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<v Speaker 1>make a hero centric movie but with blue people. So

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<v Speaker 1>you know, we all know Pixar is this like huge

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<v Speaker 1>success and big you know, part of Disney history. But

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<v Speaker 1>I mean at first, I think one of the first

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<v Speaker 1>things is that it was they worked with Disney, but

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<v Speaker 1>they kind of because now technically Disney owns it, right,

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<v Speaker 1>but before it was like they were their own entity

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<v Speaker 1>and they and you know it c G I isn't

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<v Speaker 1>cheap and so uh so, like you know, they're the

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<v Speaker 1>first big con sept really, which was Toy Story. Uh

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<v Speaker 1>was was was kind of just touch and go, like

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<v Speaker 1>it wasn't the it was it wasn't like like we

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<v Speaker 1>look back and we're like, oh, yeah, that's a smash

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<v Speaker 1>hit of course, but getting it onto the screen was

0:13:15.720 --> 0:13:19.520
<v Speaker 1>was a challenge. I mean, despite uh the total income

0:13:19.559 --> 0:13:23.199
<v Speaker 1>from the projects before, they continue to lose money and jobs.

0:13:23.360 --> 0:13:26.319
<v Speaker 1>And as the chairman of the board and now at

0:13:26.360 --> 0:13:31.840
<v Speaker 1>the time of this full owner, uh, they like yes,

0:13:31.920 --> 0:13:35.719
<v Speaker 1>Steve Yes, Steve Jobs was considering selling it. Uh and

0:13:36.160 --> 0:13:40.000
<v Speaker 1>as late as it was, they were still trying to

0:13:40.080 --> 0:13:42.559
<v Speaker 1>figure out what they're gonna do. They're trying to sell

0:13:42.600 --> 0:13:46.720
<v Speaker 1>it to like Hallmark, Uh to Microsoft co founder Paul Allen,

0:13:47.120 --> 0:13:50.599
<v Speaker 1>or Oracle, which what is that world Oracle makes like

0:13:50.840 --> 0:13:54.280
<v Speaker 1>Java that you that you use online and they do

0:13:54.360 --> 0:13:58.319
<v Speaker 1>a lot of cloud servers now, but you know, what

0:13:58.520 --> 0:14:04.160
<v Speaker 1>is the world in which they over Pixar or Hallmark? Wow,

0:14:05.040 --> 0:14:07.040
<v Speaker 1>I mean they would make those movies a little bit better.

0:14:07.280 --> 0:14:15.079
<v Speaker 1>But yeah. But so it was only after learning that

0:14:15.280 --> 0:14:17.640
<v Speaker 1>from the New York critics that Toy Story was probably

0:14:17.679 --> 0:14:21.040
<v Speaker 1>going to be a hit and confirming uh that Disney

0:14:21.240 --> 0:14:24.240
<v Speaker 1>was going to distribute it in the Christmas season, that

0:14:24.360 --> 0:14:27.160
<v Speaker 1>they decided to give Pixar one more chance, and for

0:14:27.200 --> 0:14:30.320
<v Speaker 1>the first time, uh, he was taking us. Jobs was

0:14:30.360 --> 0:14:33.320
<v Speaker 1>taking active leadership in the company and made himself CEO,

0:14:33.560 --> 0:14:36.160
<v Speaker 1>and Toy Story then went on a gross more than

0:14:36.240 --> 0:14:40.120
<v Speaker 1>three hundred and seventy three million worldwide. Uh. And that's

0:14:40.200 --> 0:14:43.640
<v Speaker 1>when Pixar held its first initial public offering, which was

0:14:43.680 --> 0:14:48.880
<v Speaker 1>in November twenty nine, and it exceeded Netscape. Uh. Y'all

0:14:48.920 --> 0:14:51.840
<v Speaker 1>remember Netscape of the biggest I p O of the year,

0:14:52.320 --> 0:14:55.800
<v Speaker 1>and only the first half hour of trading, Pixar stock

0:14:55.880 --> 0:14:59.600
<v Speaker 1>shot up from twenty two dollars to forty five dollars. Man,

0:14:59.720 --> 0:15:02.880
<v Speaker 1>if I could have no, I mean, I was a child,

0:15:04.840 --> 0:15:09.960
<v Speaker 1>put money in back then delaying trading because of unmatched

0:15:10.000 --> 0:15:12.960
<v Speaker 1>by orders. Shares climbed up to forty nine dollars before

0:15:13.000 --> 0:15:18.080
<v Speaker 1>closing at the day at thirty nine. Which, man, yeah,

0:15:18.160 --> 0:15:21.080
<v Speaker 1>it's always funny because like, of course now you're thinking, man,

0:15:21.160 --> 0:15:24.240
<v Speaker 1>I wish, But if you were like this animation studio

0:15:24.840 --> 0:15:28.440
<v Speaker 1>that's kind of new, you're you probably like, no, I'm good. Yeah.

0:15:28.600 --> 0:15:31.120
<v Speaker 1>One of the crazy things though, is that during this time,

0:15:31.680 --> 0:15:34.320
<v Speaker 1>Steve Jobs pulled, you know, some of the main people

0:15:34.400 --> 0:15:36.880
<v Speaker 1>at Pixar side and was like, you know, I make computers.

0:15:36.960 --> 0:15:39.520
<v Speaker 1>You that computer reaches your doorstep, it's good for three

0:15:39.600 --> 0:15:42.560
<v Speaker 1>to five years. You have the potential to make things

0:15:42.680 --> 0:15:46.000
<v Speaker 1>that will be um, you know, immortal, that will just

0:15:46.200 --> 0:15:48.920
<v Speaker 1>go on and you know, open the hearts of like

0:15:49.120 --> 0:15:51.840
<v Speaker 1>families over the world, and that's essentially what pis are

0:15:52.240 --> 0:15:57.360
<v Speaker 1>ended up becoming. Yeah, so in the nineties and two thousands,

0:15:57.440 --> 0:16:01.200
<v Speaker 1>they gradually developed the Pixar brain Trust, which if you're

0:16:01.200 --> 0:16:02.960
<v Speaker 1>a Disney person you've heard this quite a bit. I

0:16:03.080 --> 0:16:06.640
<v Speaker 1>think actually before do you remember Sabina the short that

0:16:06.760 --> 0:16:09.600
<v Speaker 1>they showed of this gosh what it was like before

0:16:09.640 --> 0:16:13.400
<v Speaker 1>a movie maybe Finding Nemo. It was like they showed, um,

0:16:13.560 --> 0:16:15.920
<v Speaker 1>some of the created the directors sitting around a table

0:16:16.000 --> 0:16:18.200
<v Speaker 1>and they were talking about how they essentially at this

0:16:18.360 --> 0:16:21.280
<v Speaker 1>one meeting came up with what would eventually be toy

0:16:21.400 --> 0:16:25.640
<v Speaker 1>Story and um monsters E and do you remember that

0:16:26.200 --> 0:16:29.200
<v Speaker 1>I'll have to send up. Yeah, I don't exactly remember

0:16:29.240 --> 0:16:31.200
<v Speaker 1>which one it was in front of, but I loved

0:16:31.280 --> 0:16:33.520
<v Speaker 1>when like movie studios would do that like behind the

0:16:33.600 --> 0:16:35.600
<v Speaker 1>scenes before the movie to kind of get you, like

0:16:35.720 --> 0:16:38.360
<v Speaker 1>interested in like this is how we make things. Um.

0:16:38.480 --> 0:16:40.480
<v Speaker 1>But yeah, I know, like the brain Trust was originally

0:16:40.560 --> 0:16:44.760
<v Speaker 1>composed of the original filmmakers, you know, laster On Rich, Dr.

0:16:44.960 --> 0:16:48.920
<v Speaker 1>Santon and Joe ramp who was their story supervisor. Um.

0:16:48.960 --> 0:16:52.000
<v Speaker 1>But they basically all came together to you know, imagine

0:16:52.040 --> 0:16:54.680
<v Speaker 1>the house that Pixar would become. And I think that

0:16:54.840 --> 0:16:57.760
<v Speaker 1>it's definitely like originated by some of those conversations they

0:16:57.800 --> 0:17:00.720
<v Speaker 1>had early on with Steve Jobs about what they could

0:17:00.760 --> 0:17:03.880
<v Speaker 1>do as filmmakers. We have to take a really quick

0:17:03.960 --> 0:17:06.480
<v Speaker 1>break and then we're gonna hop back into more about

0:17:06.560 --> 0:17:17.439
<v Speaker 1>Pixar right after this, and we are back, we are

0:17:17.600 --> 0:17:21.840
<v Speaker 1>still talking about Pixar. And before mommy and Daddy got married,

0:17:22.119 --> 0:17:26.400
<v Speaker 1>they had a bit of a feud together Disney and Pixar.

0:17:27.400 --> 0:17:34.200
<v Speaker 1>Oh they had been married, they had entanglement. Pixar Pier

0:17:34.480 --> 0:17:38.240
<v Speaker 1>is in Disney's California Adventure at Disneyland across a little

0:17:38.240 --> 0:17:43.439
<v Speaker 1>across the way from Disneyland, proper um, and it is filled.

0:17:43.640 --> 0:17:46.200
<v Speaker 1>I was there before. I mean I was there before

0:17:46.240 --> 0:17:49.359
<v Speaker 1>it was Pixar Pier. To be honest, um, I was

0:17:49.400 --> 0:17:54.440
<v Speaker 1>there before California Adventure existed. But um um it is

0:17:54.520 --> 0:17:58.080
<v Speaker 1>a great It has our favorite place to drink, which

0:17:58.440 --> 0:18:00.640
<v Speaker 1>and I go we drink just go a drink fair

0:18:01.119 --> 0:18:03.960
<v Speaker 1>and which is the Lamp Light, which is a restaurant.

0:18:04.280 --> 0:18:06.639
<v Speaker 1>It's okay. So here's the thing I'm explaining to Pixar

0:18:06.720 --> 0:18:08.680
<v Speaker 1>fans who haven't been there, because it is really great.

0:18:08.800 --> 0:18:13.320
<v Speaker 1>So it overlooks a Peer which has the Screaming the

0:18:14.119 --> 0:18:20.920
<v Speaker 1>Incredible and Credit Coaster has formerly known as Screaming then

0:18:20.960 --> 0:18:24.920
<v Speaker 1>Credit Coaster. Um. But it overlooks the water and the

0:18:25.119 --> 0:18:28.600
<v Speaker 1>Mickey Ferris Wheel and they have it's just decked out

0:18:28.760 --> 0:18:32.040
<v Speaker 1>in Pixar everything. So it has the toy story Ball

0:18:32.520 --> 0:18:34.879
<v Speaker 1>sorry if that has an official name. I forgot the

0:18:36.600 --> 0:18:40.000
<v Speaker 1>Pixar pal around, but it still has the Mickey face. Um.

0:18:40.560 --> 0:18:43.640
<v Speaker 1>But my favorite thing about lamp Light the actual places

0:18:43.680 --> 0:18:45.760
<v Speaker 1>that it's all decked out and picks our stuff. Everything

0:18:45.920 --> 0:18:48.320
<v Speaker 1>is Pixar. Like all the drinks, like for the adults,

0:18:48.400 --> 0:18:52.399
<v Speaker 1>they have like monsters inc Like drinks. Yes, they have

0:18:52.600 --> 0:18:56.080
<v Speaker 1>drinks that like cold drink drink alcohol that like they

0:18:56.160 --> 0:18:58.359
<v Speaker 1>put something in it bubbles and you drink it and

0:18:58.760 --> 0:19:01.359
<v Speaker 1>can get you drunk. Um. I just love it because

0:19:01.400 --> 0:19:04.520
<v Speaker 1>it's my two favorite things. I sound like an alcoholic.

0:19:04.560 --> 0:19:06.560
<v Speaker 1>What I'm saying is I love being an adult and

0:19:06.800 --> 0:19:10.880
<v Speaker 1>having the money to buy Pixar things like Disney things,

0:19:10.960 --> 0:19:14.320
<v Speaker 1>but also having fun with my adult friends. Um. And

0:19:14.520 --> 0:19:17.320
<v Speaker 1>so they have a ton of quotes and artwork, Like

0:19:17.440 --> 0:19:20.280
<v Speaker 1>they have a lot of art Pixar art inside the restaurant.

0:19:20.320 --> 0:19:22.840
<v Speaker 1>It's really just beautiful and I adore it. Um. But

0:19:22.960 --> 0:19:26.080
<v Speaker 1>Pixar Pierre has a lot of the games, like Toy

0:19:26.160 --> 0:19:30.359
<v Speaker 1>Story Games, Monsters Inc. Um they now have Coco stuff

0:19:30.640 --> 0:19:33.920
<v Speaker 1>in there. They have an entire Coco mural actually there,

0:19:34.119 --> 0:19:38.320
<v Speaker 1>so it's uh, yeah, did I do it? Justice Sabina.

0:19:39.359 --> 0:19:42.840
<v Speaker 1>So the Monsters Inc. Crede is actually separated from Pixar Pier,

0:19:43.240 --> 0:19:47.720
<v Speaker 1>but that was there before Pixar p Here happened. Um. Yeah,

0:19:47.760 --> 0:19:50.680
<v Speaker 1>and I love all the murals and yeah, the Lamplight

0:19:50.800 --> 0:19:53.560
<v Speaker 1>Lounge is so much fun to go to with friends

0:19:53.680 --> 0:19:56.479
<v Speaker 1>because we're having all these fun fizzy drinks that are

0:19:56.600 --> 0:19:59.920
<v Speaker 1>like very you know, on brand for Pixar, but we're

0:20:00.000 --> 0:20:04.480
<v Speaker 1>surrounded by you know, original art from the studios that

0:20:04.720 --> 0:20:07.520
<v Speaker 1>is stuff from pre production. On the walls. They have

0:20:07.600 --> 0:20:11.320
<v Speaker 1>those quotes. They also have like the crew shirts that

0:20:11.480 --> 0:20:14.680
<v Speaker 1>people get from working on the productions that are like

0:20:15.000 --> 0:20:16.879
<v Speaker 1>way cooler than some of the stuff we have that

0:20:16.960 --> 0:20:19.880
<v Speaker 1>I'm like looking at they have. They had at one point,

0:20:19.920 --> 0:20:22.840
<v Speaker 1>I think a Coco shirt that was a Day of

0:20:22.880 --> 0:20:27.200
<v Speaker 1>the Dead um skull but it was styled like Sid's

0:20:27.440 --> 0:20:31.720
<v Speaker 1>shirt from Toy Story And yeah, that is so rad.

0:20:31.760 --> 0:20:33.840
<v Speaker 1>When I need one. I need one of those in

0:20:33.960 --> 0:20:35.360
<v Speaker 1>my life. I think one of my friends actually got

0:20:35.400 --> 0:20:39.600
<v Speaker 1>one from going to Pixar Um. But yeah, like and

0:20:39.760 --> 0:20:42.960
<v Speaker 1>you're just like hanging out having drinks and having yeah yeah,

0:20:43.040 --> 0:20:46.320
<v Speaker 1>watching it get built out was wild too, because yeah,

0:20:46.320 --> 0:20:50.159
<v Speaker 1>I remember early the biggest Pixar kind of footprint that

0:20:50.320 --> 0:20:54.920
<v Speaker 1>you had in California Screaming or California Adventure. Sorry was

0:20:55.160 --> 0:20:58.040
<v Speaker 1>the Bugs Life. But then you had the things where

0:20:58.119 --> 0:21:00.399
<v Speaker 1>they did a full remodel. I think I was working

0:21:00.680 --> 0:21:02.840
<v Speaker 1>I was working at Disneyland at the time, but they

0:21:02.960 --> 0:21:08.199
<v Speaker 1>fully remodeled uh, California Adventure to look like um uh

0:21:08.280 --> 0:21:11.040
<v Speaker 1>car the carthe Circle, And that's when they started to

0:21:11.040 --> 0:21:13.360
<v Speaker 1>add in the Pixar Land. And one of the biggest

0:21:13.480 --> 0:21:16.920
<v Speaker 1>kind of turnouts that came and probably is my favorite

0:21:16.960 --> 0:21:19.440
<v Speaker 1>part of that is going to be the cars Land

0:21:20.760 --> 0:21:25.000
<v Speaker 1>because the ride is like pretty pretty cool, but they

0:21:25.200 --> 0:21:31.600
<v Speaker 1>like those cone the cone like chili. Yeah, yeah, it

0:21:32.080 --> 0:21:36.879
<v Speaker 1>is undefeated. Uh, probably my favorite. But yeah, that was

0:21:36.960 --> 0:21:39.560
<v Speaker 1>the biggest thing is that, uh and you know y'all

0:21:39.600 --> 0:21:41.680
<v Speaker 1>talking about the drink, but that was the biggest piece

0:21:41.720 --> 0:21:44.320
<v Speaker 1>of trivia, is that that was the only place you

0:21:44.400 --> 0:21:47.680
<v Speaker 1>can drink in Disneyland because the only in the two

0:21:47.800 --> 0:21:50.399
<v Speaker 1>combined parts, because outside of that, the only place you

0:21:50.480 --> 0:21:54.840
<v Speaker 1>can drink in Disneyland was Club thirty three. Um, I

0:21:54.920 --> 0:21:58.680
<v Speaker 1>don't know if that's changed Disney Yeah, uh yeah, yeah,

0:21:59.080 --> 0:22:02.040
<v Speaker 1>like in in part now it's yeah, Paris Cantina a

0:22:02.119 --> 0:22:07.080
<v Speaker 1>galaxy also, you can those drinks are very overrated. Oh really,

0:22:07.560 --> 0:22:12.119
<v Speaker 1>that's yeah. I've heard people say the other just because

0:22:12.160 --> 0:22:14.520
<v Speaker 1>people like the tingly Mouth one I have. I haven't

0:22:14.560 --> 0:22:18.920
<v Speaker 1>seen any I haven't been the galaxies Edge. Yeah, but

0:22:19.040 --> 0:22:21.359
<v Speaker 1>I need the tingly Mouth drink. Going back to the

0:22:21.440 --> 0:22:24.920
<v Speaker 1>Cars Ride in cars Land, the Cars Ride is my

0:22:24.960 --> 0:22:29.959
<v Speaker 1>favorite Cars movie. Yeah, oh wait, what can you? I'm

0:22:30.000 --> 0:22:32.800
<v Speaker 1>sorry say that again. The Car's Ride is my favorite

0:22:32.840 --> 0:22:36.480
<v Speaker 1>Cars movie. Okay, Okay, I was lost. I thought you

0:22:36.560 --> 0:22:38.879
<v Speaker 1>were saying like that's your No. I thought you were

0:22:38.960 --> 0:22:41.760
<v Speaker 1>saying that that's your favorite Okay, I understand you now.

0:22:41.960 --> 0:22:43.800
<v Speaker 1>I thought you were saying that Cars was your favorite

0:22:43.840 --> 0:22:47.840
<v Speaker 1>Pixar movie. And I was like, ma'am, why, ma'am, why

0:22:47.920 --> 0:22:51.600
<v Speaker 1>are you on this? It's great. No, it's just like

0:22:51.680 --> 0:22:54.840
<v Speaker 1>you're going through like, um, you know the what's it

0:22:54.880 --> 0:23:00.920
<v Speaker 1>called the Ornament of the Radiator Spring's going through Radiator Springs.

0:23:00.960 --> 0:23:02.840
<v Speaker 1>But the ride is just so much fun. Like I

0:23:03.000 --> 0:23:06.680
<v Speaker 1>liken it to the Pandora ride at Disney World where

0:23:06.720 --> 0:23:10.840
<v Speaker 1>that is also my favorite Avatar movie is that ride. Um,

0:23:11.600 --> 0:23:13.520
<v Speaker 1>you know, just like they made some really great high

0:23:13.560 --> 0:23:15.399
<v Speaker 1>concept throw rights for some of the biggest I P

0:23:15.600 --> 0:23:17.320
<v Speaker 1>s you know, and some of the other ones they

0:23:17.400 --> 0:23:19.560
<v Speaker 1>kind of just slap the I P on the ride,

0:23:19.640 --> 0:23:24.200
<v Speaker 1>like the incredi Coaster. Um. But yes, you know, like

0:23:24.280 --> 0:23:26.000
<v Speaker 1>you know, I think cars Land was like the biggest

0:23:26.280 --> 0:23:30.320
<v Speaker 1>like sign for people to redirect them to California Adventure

0:23:30.359 --> 0:23:35.639
<v Speaker 1>because my girl, California Adventure was not doing good. It was.

0:23:36.119 --> 0:23:40.320
<v Speaker 1>It was definitely high mid for a lot of people.

0:23:40.960 --> 0:23:43.359
<v Speaker 1>The biggest highlight for a lot of people I spoke

0:23:43.440 --> 0:23:47.760
<v Speaker 1>to where was the soaring over because you've got the

0:23:47.800 --> 0:23:51.320
<v Speaker 1>smells blown at you. Um. But yeah, you could. I

0:23:51.400 --> 0:23:55.000
<v Speaker 1>could do a whole episode just on Disney Park culture

0:23:55.119 --> 0:23:58.280
<v Speaker 1>because that's a whole underworld that I knew all too well,

0:23:58.520 --> 0:24:02.600
<v Speaker 1>got angry at times about and just it's you know,

0:24:03.000 --> 0:24:05.560
<v Speaker 1>it's a whole thing. I may be involved with something

0:24:05.840 --> 0:24:10.720
<v Speaker 1>like that. Actually, yeah, about the theme parks with with

0:24:10.800 --> 0:24:16.240
<v Speaker 1>a with a mutual friend of everyone here. Yeah, um yeah,

0:24:16.280 --> 0:24:20.000
<v Speaker 1>I know, like definitely with the I p of Pixar

0:24:20.119 --> 0:24:23.640
<v Speaker 1>moving to Disney's Coffee Adventure, it opened up new avenues

0:24:23.880 --> 0:24:27.040
<v Speaker 1>for these worlds that we've always wanted to be a

0:24:27.160 --> 0:24:29.840
<v Speaker 1>part of. Two be places we can go to. Like

0:24:29.960 --> 0:24:32.200
<v Speaker 1>now there's a whole ride based on Inside Out called

0:24:32.280 --> 0:24:35.160
<v Speaker 1>Emotional Whirlwind, which is a re skin of a ride

0:24:35.240 --> 0:24:37.560
<v Speaker 1>from A Bug's Land, but it's still cute because you

0:24:37.600 --> 0:24:39.760
<v Speaker 1>get like the sound effects of like the orbs spinning

0:24:39.920 --> 0:24:42.840
<v Speaker 1>and like you're on this ride where you're you're on

0:24:42.960 --> 0:24:48.120
<v Speaker 1>an Emotional Whirlwind. Well, speaking of A Bug's Life, which

0:24:48.320 --> 0:24:55.240
<v Speaker 1>was the second film Pixar's second film, A Bug's Life, UM,

0:24:55.480 --> 0:24:59.879
<v Speaker 1>almost all subsequent Pixar feature films that were shown in

0:25:00.000 --> 0:25:05.280
<v Speaker 1>theaters had an original short film shown before it. UM.

0:25:05.680 --> 0:25:07.800
<v Speaker 1>And so now you can actually one of my favorite

0:25:07.840 --> 0:25:12.360
<v Speaker 1>things on Disney. Plus you can go and watch all

0:25:12.440 --> 0:25:15.040
<v Speaker 1>of the shorts. And also they're just constantly coming out

0:25:15.119 --> 0:25:17.879
<v Speaker 1>with new shorts. I think it's a great way, aside

0:25:17.920 --> 0:25:20.920
<v Speaker 1>from some of them being Academy Award winning, but it's

0:25:20.920 --> 0:25:22.639
<v Speaker 1>a great way for a lot of these artists to

0:25:22.720 --> 0:25:24.800
<v Speaker 1>kind of get their foot in the door, get their

0:25:24.880 --> 0:25:27.719
<v Speaker 1>name out there, that's kind of there. Um. I got

0:25:27.800 --> 0:25:30.920
<v Speaker 1>to see, not that Ralph was the same obviously it's

0:25:30.920 --> 0:25:32.720
<v Speaker 1>at Walt Disney Animation, but I got to see the

0:25:32.800 --> 0:25:35.639
<v Speaker 1>process of how you get promoted to getting to direct,

0:25:36.040 --> 0:25:38.840
<v Speaker 1>like moving from lead story moving from storyboard artists to

0:25:38.960 --> 0:25:44.919
<v Speaker 1>lead storyboard artist to director. Really fascinating. Um, a lot

0:25:44.960 --> 0:25:48.440
<v Speaker 1>of the people they're been working there for a decade plus. Um.

0:25:48.760 --> 0:25:52.800
<v Speaker 1>But yeah, So Pixar began producing shorts in the nineteen eighties. Actually,

0:25:53.200 --> 0:25:55.560
<v Speaker 1>the first shorts were made while Pixar was still a

0:25:55.640 --> 0:25:58.520
<v Speaker 1>computer hardware company, when John Lassetter was the only professional

0:25:58.560 --> 0:26:03.200
<v Speaker 1>animator in the company's small animation department, starting with Gary's

0:26:03.280 --> 0:26:06.639
<v Speaker 1>Game or Jerry's Game. After Pixar had converted into an

0:26:06.640 --> 0:26:09.600
<v Speaker 1>animation studio. All later shorts have been produced with a

0:26:09.680 --> 0:26:13.760
<v Speaker 1>larger crew and budget, and then are made four c

0:26:13.960 --> 0:26:17.280
<v Speaker 1>g I shorts produced for the TV series Sesame Street.

0:26:18.040 --> 0:26:22.320
<v Speaker 1>The shorts illustrate different weights in directions starring Luxo Jr.

0:26:22.640 --> 0:26:25.680
<v Speaker 1>You don't know Luxo Jr. That is the lamp and

0:26:26.119 --> 0:26:29.920
<v Speaker 1>Luxo light and heavy surprise, up and down in front

0:26:29.960 --> 0:26:33.800
<v Speaker 1>and back. Um, so what are some of y'all's um

0:26:35.160 --> 0:26:38.840
<v Speaker 1>do you have any shorts that stand out to you. Uh,

0:26:39.720 --> 0:26:41.520
<v Speaker 1>they were definitely because that used to be one of

0:26:41.640 --> 0:26:45.639
<v Speaker 1>my favorite parts of Pixar movies or the shorts that

0:26:45.760 --> 0:26:49.760
<v Speaker 1>came up before it. Um, I want to be late

0:26:49.800 --> 0:26:53.800
<v Speaker 1>to the movies. Yeah, you just wanted to catch some

0:26:53.960 --> 0:26:59.359
<v Speaker 1>of those early early joints. I mean, mine, what what

0:26:59.800 --> 0:27:02.920
<v Speaker 1>being is? The one with a guy playing chess with himself?

0:27:03.640 --> 0:27:11.520
<v Speaker 1>Wasn't that game? Oh? Yeah, so yes, so I have Yes,

0:27:12.680 --> 0:27:17.800
<v Speaker 1>you are absolutely correct. My recent favorite everyone should go

0:27:18.160 --> 0:27:22.280
<v Speaker 1>watch is Out. I actually shared it all my Insta stories.

0:27:22.359 --> 0:27:25.320
<v Speaker 1>We can link it, you can go watch it right now. Um.

0:27:25.720 --> 0:27:31.240
<v Speaker 1>It is I think their first main queer story short

0:27:31.320 --> 0:27:35.520
<v Speaker 1>story short about a guy who's afraid to come out

0:27:35.560 --> 0:27:40.360
<v Speaker 1>to his family. It's great and in the traditional Pixar style. Um,

0:27:40.920 --> 0:27:45.040
<v Speaker 1>very heartwarming and has great build They're just really great

0:27:45.040 --> 0:27:47.720
<v Speaker 1>at doing that. There's magical nous to it, there's a

0:27:47.760 --> 0:27:52.000
<v Speaker 1>magical component to it. So sorry, that's part of their

0:27:52.000 --> 0:27:55.880
<v Speaker 1>Spark Shorts series. I should say that Sparks shorts differently

0:27:56.000 --> 0:27:58.560
<v Speaker 1>just there I have been so great, you know, with

0:28:00.000 --> 0:28:05.520
<v Speaker 1>Out by Bobby Rubio, which is a Filipinos Filipino story, um,

0:28:06.200 --> 0:28:10.000
<v Speaker 1>and also about by Donmi she um which won the

0:28:10.040 --> 0:28:16.959
<v Speaker 1>Academy Award in and also made me very hungry. Uh.

0:28:17.320 --> 0:28:19.720
<v Speaker 1>I love the ones that you know incorporate the different

0:28:19.760 --> 0:28:23.520
<v Speaker 1>flavors of everyone's backgrounds and stuff, and even going back

0:28:23.600 --> 0:28:27.359
<v Speaker 1>to other shorts before, like Sparks shorts. Uh, Sanjay Super

0:28:27.400 --> 0:28:29.280
<v Speaker 1>Team was one of my favorites. I think that one

0:28:29.400 --> 0:28:32.360
<v Speaker 1>was before The Good Dinosaur, and that was about Sanjay

0:28:32.400 --> 0:28:34.760
<v Speaker 1>Petel kind of growing up on a show like Power

0:28:34.840 --> 0:28:39.480
<v Speaker 1>Rangers and basically extending himself to see people that look

0:28:39.600 --> 0:28:43.240
<v Speaker 1>like him be a like mashup of his culture and

0:28:43.320 --> 0:28:45.280
<v Speaker 1>the Power Rangers and how like that would look like

0:28:45.320 --> 0:28:49.480
<v Speaker 1>in his imagination. Like that made me cry so much. Um.

0:28:50.520 --> 0:28:53.239
<v Speaker 1>You know, it's interesting because we want to see more

0:28:53.360 --> 0:28:59.400
<v Speaker 1>consistent films with more inclusion behind the helm of these

0:28:59.440 --> 0:29:03.000
<v Speaker 1>big movie these, but with the shorts you definitely like,

0:29:03.400 --> 0:29:05.160
<v Speaker 1>I guess you know, like you said, that became the

0:29:05.400 --> 0:29:08.560
<v Speaker 1>testing grounds for people to get moved to the next level.

0:29:11.040 --> 0:29:13.680
<v Speaker 1>Someone that we should note that we haven't said yet

0:29:14.160 --> 0:29:18.520
<v Speaker 1>is Brad bird Um as being someone who has definitely

0:29:18.640 --> 0:29:22.800
<v Speaker 1>had a large role in shaping Pixar. Obviously is the

0:29:23.080 --> 0:29:27.840
<v Speaker 1>director of The Incredibles, which too many people is along

0:29:27.880 --> 0:29:32.080
<v Speaker 1>with Toy Story, one of the most iconic Pixar films. Uh.

0:29:32.760 --> 0:29:35.280
<v Speaker 1>Something that I think took fourteen years I believe for

0:29:35.360 --> 0:29:38.200
<v Speaker 1>a sequel is that people were writing brad Bird, they

0:29:38.240 --> 0:29:40.280
<v Speaker 1>were like would you will you do it? We were

0:29:40.360 --> 0:29:44.640
<v Speaker 1>like getting all these cars sequels and meanwhile like, oh,

0:29:44.760 --> 0:29:47.320
<v Speaker 1>the Incredible stands where like where where it's our sequel?

0:29:47.360 --> 0:29:51.240
<v Speaker 1>You left us hanging like why are there cars to

0:29:51.520 --> 0:29:55.360
<v Speaker 1>right now? Where is Incredibles too? Like over the years

0:29:55.440 --> 0:29:58.680
<v Speaker 1>and that those which is We're finally answered a few

0:29:58.720 --> 0:30:01.760
<v Speaker 1>years back with The Incredible. Well. I see a very

0:30:02.480 --> 0:30:08.240
<v Speaker 1>um controversial question here from superproducer Joel Monique, which says

0:30:08.320 --> 0:30:10.480
<v Speaker 1>some believe that The Incredibles is one of the greatest

0:30:10.520 --> 0:30:14.600
<v Speaker 1>superhero stories ever told. Do you agree or disagree? Looks

0:30:14.640 --> 0:30:18.880
<v Speaker 1>like she's trying to abit us if he what do

0:30:18.960 --> 0:30:21.520
<v Speaker 1>you think about Incredibles? I think it's I think it's

0:30:21.560 --> 0:30:23.920
<v Speaker 1>pretty solid. I mean, you know, there are while there

0:30:23.920 --> 0:30:29.040
<v Speaker 1>are like family superhero stories told, they're always like superhero

0:30:29.400 --> 0:30:33.200
<v Speaker 1>as family, and I feel like, uh, the Incredibles or

0:30:33.280 --> 0:30:38.160
<v Speaker 1>family as superheroes, which is a different, uh similar but

0:30:38.400 --> 0:30:42.160
<v Speaker 1>different kind of I think spin on it. So I

0:30:42.680 --> 0:30:46.320
<v Speaker 1>think it definitely can sit at the table, but the

0:30:46.480 --> 0:30:50.400
<v Speaker 1>greatest is definitely it's gonna be hard to top All

0:30:50.440 --> 0:30:55.520
<v Speaker 1>Star Superman for me. I think spiritually, an interesting thing

0:30:55.600 --> 0:30:59.000
<v Speaker 1>that has happened with pop culture is taking The Incredibles

0:30:59.040 --> 0:31:02.480
<v Speaker 1>for example, is that The Incredibles is seen as a

0:31:02.640 --> 0:31:07.880
<v Speaker 1>spiritual sort of reimagining of beloved stories like Fantastic Four

0:31:08.080 --> 0:31:09.560
<v Speaker 1>and like the X Men, Like, oh, they did some

0:31:09.680 --> 0:31:12.120
<v Speaker 1>of these things we've seen in the comics in this

0:31:12.280 --> 0:31:14.640
<v Speaker 1>film way better than some of those films at the time,

0:31:14.720 --> 0:31:18.120
<v Speaker 1>you know, like the Jessica Alba Fantastic four movie or

0:31:18.200 --> 0:31:21.360
<v Speaker 1>Slash Chris Chris Evans or like you know, some of

0:31:21.440 --> 0:31:23.520
<v Speaker 1>those X Men movies. People were like, we're seeing some

0:31:23.560 --> 0:31:26.320
<v Speaker 1>of these things we liked about these properties in The Incredibles,

0:31:26.320 --> 0:31:28.280
<v Speaker 1>and they're pulling it off. This should be I like

0:31:28.400 --> 0:31:31.560
<v Speaker 1>this idea of like spiritual sort of like reimaginings and

0:31:31.640 --> 0:31:36.040
<v Speaker 1>reboots that are like really good at uh, distilling some

0:31:36.200 --> 0:31:38.760
<v Speaker 1>of these stories that we love and the core of

0:31:38.880 --> 0:31:42.120
<v Speaker 1>what they mean to us and instead of just remaking it.

0:31:42.600 --> 0:31:44.360
<v Speaker 1>Like one of my examples that I kind of point

0:31:44.360 --> 0:31:45.840
<v Speaker 1>to all the time is the fandom of the opera

0:31:46.440 --> 0:31:49.960
<v Speaker 1>um Amazing Book, all the adaptations like kind of like

0:31:50.040 --> 0:31:52.800
<v Speaker 1>try to tackle like just certain beats of it and

0:31:52.880 --> 0:31:56.000
<v Speaker 1>then like the mask and he's disfigured. And but there's

0:31:56.000 --> 0:31:59.200
<v Speaker 1>a movie called The Fantom of Paradise by Diploma that

0:32:00.120 --> 0:32:02.640
<v Speaker 1>just takes the core of the message behind the fan

0:32:02.760 --> 0:32:05.880
<v Speaker 1>of the opera and is the most faithful adaptation. And

0:32:05.920 --> 0:32:09.880
<v Speaker 1>I'm tying this back to Pixar because, um, you have

0:32:10.360 --> 0:32:12.480
<v Speaker 1>Hunt for the Wilder People, which was directed by tycho

0:32:12.600 --> 0:32:18.160
<v Speaker 1>I t D. That is basically a spiritual like adaptation

0:32:18.320 --> 0:32:21.240
<v Speaker 1>of Pixar's UP that actually kind of think is a

0:32:21.320 --> 0:32:23.400
<v Speaker 1>bit more effective than UP. I don't know if you

0:32:23.440 --> 0:32:25.720
<v Speaker 1>all have seen Hunt for the Wilder People, but it

0:32:25.880 --> 0:32:29.280
<v Speaker 1>is basically the story of a like grumpy old man

0:32:29.440 --> 0:32:31.880
<v Speaker 1>who has to take in a young kid and they

0:32:31.960 --> 0:32:35.000
<v Speaker 1>go on an adventure in the woods, uh, in the

0:32:35.120 --> 0:32:40.000
<v Speaker 1>jungles of New Zealand, and basically it's it's it's up

0:32:40.160 --> 0:32:44.320
<v Speaker 1>but like very raunchy and hilarious and heartfelt. Um it

0:32:44.440 --> 0:32:48.240
<v Speaker 1>hits all those emotional beats of a Pixar story. Um

0:32:49.200 --> 0:32:52.760
<v Speaker 1>that you know, I think honestly draws from the d

0:32:52.920 --> 0:32:55.880
<v Speaker 1>n a of what has made these movies stand apart

0:32:55.920 --> 0:32:58.080
<v Speaker 1>from Disney movies and What I mean by that is

0:32:58.160 --> 0:33:04.000
<v Speaker 1>that Pixar films are about asking questions about the human condition.

0:33:04.200 --> 0:33:07.600
<v Speaker 1>And before then with other Disney movies, we're doing you know,

0:33:07.760 --> 0:33:10.240
<v Speaker 1>things about like I want to like I want to

0:33:10.320 --> 0:33:12.240
<v Speaker 1>meet the love of my life, or you know, like

0:33:12.360 --> 0:33:15.720
<v Speaker 1>these very like eurocentric stories that were about those, like

0:33:15.840 --> 0:33:19.800
<v Speaker 1>fairy tales and stuff. Pixar kind of helped break ground

0:33:20.120 --> 0:33:23.480
<v Speaker 1>in separating itself from that, which is why I think

0:33:23.560 --> 0:33:27.240
<v Speaker 1>it stands as its own entity. What I was going

0:33:27.320 --> 0:33:30.680
<v Speaker 1>to say that I do enjoy about Brad Bird's work

0:33:30.840 --> 0:33:34.160
<v Speaker 1>is he clearly is influenced by this mid century, modern,

0:33:35.200 --> 0:33:38.200
<v Speaker 1>post World War two type of feel like he had

0:33:38.280 --> 0:33:41.320
<v Speaker 1>that in The Iron Giant, which he directed um and

0:33:41.480 --> 0:33:44.040
<v Speaker 1>definitely in The Incredibles. If you look at the architecture,

0:33:44.760 --> 0:33:49.680
<v Speaker 1>the hairstyles, the wardrobe, and so I find that really fascinating.

0:33:49.680 --> 0:33:53.680
<v Speaker 1>It's all very like that mixed with today's technology. I

0:33:53.760 --> 0:33:55.840
<v Speaker 1>always am. I always think that's really cool because it

0:33:55.880 --> 0:33:57.880
<v Speaker 1>reminds me of some of my other favorite things like

0:33:59.040 --> 0:34:02.320
<v Speaker 1>Twilight Zone, you know, or just like that period of

0:34:02.440 --> 0:34:04.960
<v Speaker 1>time where it's very sleek. But they were also super

0:34:05.000 --> 0:34:09.880
<v Speaker 1>into aliens and you know, possible spaceships and whatnot. And

0:34:10.040 --> 0:34:12.920
<v Speaker 1>so I find that really cool that he kind of

0:34:13.000 --> 0:34:16.560
<v Speaker 1>just like has centered in on that hime period, those

0:34:16.640 --> 0:34:19.520
<v Speaker 1>timeless touchstones that get carried on through pop culture of

0:34:19.640 --> 0:34:22.400
<v Speaker 1>things that like we you know, grew up on, but

0:34:22.520 --> 0:34:24.319
<v Speaker 1>then like also look back and they're like, oh my gosh,

0:34:24.360 --> 0:34:27.200
<v Speaker 1>because like the Twilight Zone. One of the things I

0:34:27.360 --> 0:34:31.520
<v Speaker 1>noticed about like movies that Pete Doctor did um was

0:34:31.640 --> 0:34:36.120
<v Speaker 1>that after Pixar for a time had some of their

0:34:36.360 --> 0:34:40.360
<v Speaker 1>storytellers kind of um take care of the Ghibbli films.

0:34:40.360 --> 0:34:42.400
<v Speaker 1>When Disney acquired that for a while they were in

0:34:42.520 --> 0:34:46.400
<v Speaker 1>charge of sort of restructuring them, slash casting the voice

0:34:46.440 --> 0:34:51.000
<v Speaker 1>actors for American audiences or I guess English speaking audiences.

0:34:51.680 --> 0:34:57.560
<v Speaker 1>UM that after they worked on movies like How's Moving Castle?

0:34:57.719 --> 0:35:02.319
<v Speaker 1>For example, Uh, you got movies like Up and Monsters, Inc.

0:35:02.440 --> 0:35:05.759
<v Speaker 1>And if you notice in Up, there's you know, the

0:35:05.840 --> 0:35:10.520
<v Speaker 1>moving house and moves very similarly to how House Moving

0:35:10.600 --> 0:35:14.480
<v Speaker 1>Castle moves in that film, the same thing with the

0:35:14.600 --> 0:35:18.080
<v Speaker 1>doors inside Hell's Castle. They kind of lead to other

0:35:18.160 --> 0:35:21.759
<v Speaker 1>portals in other worlds. That is basically the you know,

0:35:21.840 --> 0:35:24.640
<v Speaker 1>that's where they got I feel like heavy inspiration for

0:35:24.760 --> 0:35:28.520
<v Speaker 1>the Doors and Monsters, Inc. That lead to other kids houses.

0:35:28.680 --> 0:35:31.400
<v Speaker 1>So you kind of see how all these like giant

0:35:31.520 --> 0:35:34.720
<v Speaker 1>touchstones of pop culture kind of all influenced one another

0:35:34.840 --> 0:35:37.759
<v Speaker 1>and carried those things. It's incredible. We have to take

0:35:37.800 --> 0:35:39.960
<v Speaker 1>another really quick break and then we're gonna have Sabina

0:35:40.000 --> 0:35:43.160
<v Speaker 1>talk to us about the Pixar Theory, which will blow

0:35:43.239 --> 0:35:53.239
<v Speaker 1>your mind. Right after this and we are back, Sabina,

0:35:53.560 --> 0:35:57.600
<v Speaker 1>would you like to talk to people about the Pixar theory? Yes,

0:35:57.719 --> 0:36:01.279
<v Speaker 1>I feel like the ground from It's always sunny, of

0:36:01.440 --> 0:36:05.040
<v Speaker 1>like there's all these things that have you know, kind

0:36:05.080 --> 0:36:09.680
<v Speaker 1>of consistently popped back up in Pixar films. Um, I'm

0:36:09.760 --> 0:36:11.759
<v Speaker 1>not quite sure how it started, but for me, I

0:36:11.840 --> 0:36:14.200
<v Speaker 1>think I started hearing about it when people started saying

0:36:14.760 --> 0:36:18.160
<v Speaker 1>that the Witch and Brave is Boo and that she's

0:36:18.239 --> 0:36:23.520
<v Speaker 1>time traveling to find Sully. How did this? And it's

0:36:23.560 --> 0:36:29.760
<v Speaker 1>the whole theory. The theory is created by Um John Negroni.

0:36:30.400 --> 0:36:32.920
<v Speaker 1>He basically put all of the Pixar films into a

0:36:32.960 --> 0:36:36.560
<v Speaker 1>massive timeline that he calls the Pixar Theory, and it

0:36:36.680 --> 0:36:42.120
<v Speaker 1>spans I think sixty five million years, Like it starts

0:36:42.280 --> 0:36:46.000
<v Speaker 1>at the Good Dinosaur essentially, and it makes its way

0:36:46.040 --> 0:36:49.480
<v Speaker 1>onto like onward, but that basically at some point, like

0:36:50.239 --> 0:36:54.520
<v Speaker 1>humans get wiped out, humans developed superpowers that like you know,

0:36:54.880 --> 0:36:58.640
<v Speaker 1>in Up, when Months is trying to like create like

0:36:59.080 --> 0:37:01.640
<v Speaker 1>you know, give dogs like sentients or voices or whatever, like,

0:37:02.280 --> 0:37:05.719
<v Speaker 1>he stumbles upon something that leads to the Incredibles having superpowers.

0:37:06.120 --> 0:37:09.160
<v Speaker 1>It's a lot um, but it's a really fun thing

0:37:09.239 --> 0:37:12.280
<v Speaker 1>to dig into if you're into that thing. And Pixar

0:37:12.520 --> 0:37:17.600
<v Speaker 1>hasn't entirely rejected this idea. UM. I thought that, like

0:37:17.800 --> 0:37:20.120
<v Speaker 1>you know, it would kind of fall apart at movies

0:37:20.280 --> 0:37:25.440
<v Speaker 1>like Coco and Inside Out, um, But actually, like one

0:37:25.480 --> 0:37:28.080
<v Speaker 1>of the things I saw recently was if you noticed

0:37:28.239 --> 0:37:31.000
<v Speaker 1>when someone is forgotten in the Land of the Dead

0:37:31.040 --> 0:37:34.680
<v Speaker 1>and Coco, they shimmer in like the same color that

0:37:34.800 --> 0:37:38.399
<v Speaker 1>the forgotten Memories and Inside Out shimmer when they're gone.

0:37:38.719 --> 0:37:42.640
<v Speaker 1>And that's really upsetting to me. But but it's also

0:37:42.760 --> 0:37:44.880
<v Speaker 1>you know, like you kind of see these little details

0:37:44.920 --> 0:37:47.319
<v Speaker 1>that kind of like informed that, yeah, this is all

0:37:47.440 --> 0:37:51.000
<v Speaker 1>like the same place. Um. Along those lines of thinking,

0:37:51.200 --> 0:37:54.200
<v Speaker 1>one of my personal theories is that being Bong lives,

0:37:54.680 --> 0:37:56.880
<v Speaker 1>and I think it would tie into the Pixar theory

0:37:57.400 --> 0:38:01.200
<v Speaker 1>because I firmly believe that the Being Bong that we

0:38:01.280 --> 0:38:04.359
<v Speaker 1>saw die in Inside Out or be forgotten an inside Out,

0:38:04.880 --> 0:38:08.240
<v Speaker 1>it was just like a mental avatar for Riley's monster

0:38:08.520 --> 0:38:11.160
<v Speaker 1>from Monsters Inc. I think that Being Bong is a

0:38:11.239 --> 0:38:15.680
<v Speaker 1>comedian who you know, was probably collecting Riley's laughter, and

0:38:15.840 --> 0:38:18.400
<v Speaker 1>he is probably somewhere at in Monsters at Work. Like

0:38:18.560 --> 0:38:21.120
<v Speaker 1>I am fingers crossed that he shows up in that

0:38:21.239 --> 0:38:26.120
<v Speaker 1>Pixar show of you know, the changeover from collecting children's

0:38:26.120 --> 0:38:28.759
<v Speaker 1>screams to collecting their laughter, and that we see Being

0:38:28.840 --> 0:38:33.759
<v Speaker 1>Bong return and be glorious and amazing and not dead.

0:38:35.040 --> 0:38:38.080
<v Speaker 1>I do see something here. It says you remember Merida

0:38:38.160 --> 0:38:42.160
<v Speaker 1>opening doors, and I'm saying that right right, yeah, yeah,

0:38:42.160 --> 0:38:44.880
<v Speaker 1>you remember Merida opening doors in the Witch constantly disappearing.

0:38:45.000 --> 0:38:47.879
<v Speaker 1>It's because those doors are made the same way from Monsters, Inc.

0:38:47.960 --> 0:38:50.279
<v Speaker 1>They transport across time, and that's why Mereda couldn't find

0:38:50.280 --> 0:38:52.480
<v Speaker 1>the Witch later in the movie. And then there was

0:38:52.600 --> 0:38:56.360
<v Speaker 1>also obviously this little wood carving of Solely that you

0:38:56.400 --> 0:39:01.800
<v Speaker 1>see for a brief second in the workshop. Now I

0:39:02.160 --> 0:39:05.040
<v Speaker 1>appreciate this. I definitely think they all live in the

0:39:05.120 --> 0:39:09.680
<v Speaker 1>same world. But I think that's just because Pixar and

0:39:09.800 --> 0:39:13.160
<v Speaker 1>Disney in general loves to do Easter eggs, So I

0:39:13.200 --> 0:39:16.120
<v Speaker 1>think that that's why you'll see like in Toy Story,

0:39:16.160 --> 0:39:18.760
<v Speaker 1>You'll see in Cocoa, like some things from Toy Story,

0:39:18.920 --> 0:39:24.359
<v Speaker 1>and you know, you'll see little Easter eggs throughout Disney. Yeah.

0:39:24.400 --> 0:39:27.120
<v Speaker 1>I like how some of them were like, oh, the cars,

0:39:27.239 --> 0:39:30.959
<v Speaker 1>cars talk and have sentience because the emotions have moved

0:39:31.040 --> 0:39:38.839
<v Speaker 1>into them. What it's it's crazy and there's like there's

0:39:38.840 --> 0:39:43.760
<v Speaker 1>a whole machine human uprising, and like have they built

0:39:43.760 --> 0:39:47.200
<v Speaker 1>out a timeline because it's it's a whole time. I'm like, no,

0:39:47.280 --> 0:39:50.200
<v Speaker 1>there's a whole book now, Like it's literally its own podcast. Honestly,

0:39:50.280 --> 0:39:53.120
<v Speaker 1>the problem is the podcast that just breaks down the theory,

0:39:54.520 --> 0:39:57.800
<v Speaker 1>which is basically like just picks our conspiracy theories, so

0:39:58.120 --> 0:40:01.840
<v Speaker 1>it has its own universe conspiracy. I would say, I

0:40:01.920 --> 0:40:08.640
<v Speaker 1>mean why not? And you know the cool thing is

0:40:08.719 --> 0:40:12.480
<v Speaker 1>like Pixar didn't just you know, stick to Pixar. I mean,

0:40:13.280 --> 0:40:16.279
<v Speaker 1>creative heads from Pixar were consulted to fine tune the

0:40:16.360 --> 0:40:20.759
<v Speaker 1>script in the two thousand eleven live action filmed The Muppets. Uh.

0:40:20.920 --> 0:40:23.799
<v Speaker 1>They helped with story development on the Jungle Book as

0:40:23.880 --> 0:40:29.000
<v Speaker 1>well as provide suggestions for the films, like in credit sequences. Yeah,

0:40:29.160 --> 0:40:32.799
<v Speaker 1>And I think that goes to show how, uh, there

0:40:32.960 --> 0:40:36.200
<v Speaker 1>was a big storytelling shift from just retelling mythology that

0:40:36.280 --> 0:40:38.160
<v Speaker 1>we've grown up with in those timeless self but to

0:40:38.280 --> 0:40:42.440
<v Speaker 1>also just ask what we're experiencing now, Like these questions

0:40:42.640 --> 0:40:45.200
<v Speaker 1>of does this story need to be told? What about

0:40:45.280 --> 0:40:48.160
<v Speaker 1>this story will tell us and inform us about the

0:40:48.239 --> 0:40:49.960
<v Speaker 1>life we're living in the life in the places that

0:40:50.040 --> 0:40:53.239
<v Speaker 1>we want to go to. UM and then being able

0:40:53.280 --> 0:40:57.120
<v Speaker 1>to go in and kind of like you know, infuse

0:40:57.440 --> 0:41:01.600
<v Speaker 1>all these other things around them with this tenant is

0:41:02.280 --> 0:41:05.040
<v Speaker 1>kind of I think what's made you know, the fabric

0:41:05.160 --> 0:41:09.000
<v Speaker 1>of film and like animated films like Richer contributed to that.

0:41:09.840 --> 0:41:12.799
<v Speaker 1>UM because like now you have I don't know any

0:41:12.800 --> 0:41:16.279
<v Speaker 1>if you've experienced part of this, but like when you

0:41:16.360 --> 0:41:19.640
<v Speaker 1>go into different rooms and get notes from like fellow creatives,

0:41:19.680 --> 0:41:21.880
<v Speaker 1>like that became a big thing with Pixar. So Pixar

0:41:22.320 --> 0:41:27.000
<v Speaker 1>Story Trust would go to Disney give critiques or ideas

0:41:27.200 --> 0:41:30.000
<v Speaker 1>for those films, and then Disney people go to Pixar

0:41:30.239 --> 0:41:33.440
<v Speaker 1>to screen their films and give story notes and like, yeah,

0:41:33.520 --> 0:41:36.759
<v Speaker 1>they'll become that. Yeah. So even though Ralph was at

0:41:36.800 --> 0:41:40.520
<v Speaker 1>Walt Disney Animation, they still went to Pixar to show

0:41:41.200 --> 0:41:45.680
<v Speaker 1>the executives there the movie and then get notes kind

0:41:45.719 --> 0:41:48.680
<v Speaker 1>of like a focus group. Uh. And then they would

0:41:48.719 --> 0:41:51.560
<v Speaker 1>cut scenes which I haven't seen and want to see,

0:41:51.640 --> 0:41:54.800
<v Speaker 1>maybe it's in the extra things or whatever, but Pixar

0:41:54.880 --> 0:41:58.359
<v Speaker 1>would be like, now, go ahead and cut this, and uh.

0:41:58.760 --> 0:42:01.480
<v Speaker 1>So that still does happen even though they're technically separate,

0:42:01.640 --> 0:42:05.840
<v Speaker 1>they are separate animation studios. Um. So another thing that

0:42:06.000 --> 0:42:10.359
<v Speaker 1>we left out was that both former and current uh

0:42:10.520 --> 0:42:16.480
<v Speaker 1>Pixar folks, both former and current Pixar animators, were recruited

0:42:16.640 --> 0:42:21.560
<v Speaker 1>for traditional hand drawn animated sequence for the film Mary

0:42:21.640 --> 0:42:25.560
<v Speaker 1>Poppins Returns. I also know that isn't um. Oh no,

0:42:25.680 --> 0:42:28.359
<v Speaker 1>that's not Pixar. I was about to say, Howard um

0:42:29.400 --> 0:42:32.960
<v Speaker 1>the guys that did, Uh, isn't there Brad Burt, No,

0:42:33.040 --> 0:42:35.239
<v Speaker 1>it is picked Brad Bird is working on something right

0:42:35.280 --> 0:42:40.040
<v Speaker 1>now right, that's that's um live action and animation. Yeah. Yeah,

0:42:40.560 --> 0:42:42.279
<v Speaker 1>well he's he's master and he did, you know, with

0:42:42.360 --> 0:42:47.120
<v Speaker 1>Mission Impossible film and did a tomorrow Land which was Disney,

0:42:47.360 --> 0:42:50.359
<v Speaker 1>which also kind of like brought him and like damon

0:42:50.680 --> 0:42:54.640
<v Speaker 1>Linda after other which ironically, I recently watched Watchman and

0:42:54.920 --> 0:42:58.000
<v Speaker 1>there is a thing in Tomorrowland, like a like a

0:42:58.120 --> 0:43:00.960
<v Speaker 1>memory sort of or but that the main character goes

0:43:01.040 --> 0:43:04.840
<v Speaker 1>to that found new life in Watchman, and I was like,

0:43:04.880 --> 0:43:08.600
<v Speaker 1>oh Tomorrowland reference, uh because Linda lof Um. But yeah,

0:43:08.640 --> 0:43:12.160
<v Speaker 1>he and lindelof like right stuff together. They've done tomar

0:43:12.320 --> 0:43:14.880
<v Speaker 1>Land and I can not remember what the thing he

0:43:15.080 --> 0:43:17.960
<v Speaker 1>is working on right now. Is hinted at it just

0:43:18.040 --> 0:43:20.160
<v Speaker 1>a tiny bit, but I do think it's like a

0:43:20.280 --> 0:43:25.040
<v Speaker 1>combination of both of those. Pixar representatives have also assisted

0:43:25.120 --> 0:43:28.279
<v Speaker 1>in the English localization of Studio Ghibli films, mainly those

0:43:28.320 --> 0:43:33.880
<v Speaker 1>from Hyao Miyazaki, and like Sabina was saying, they developed

0:43:33.880 --> 0:43:37.360
<v Speaker 1>a live action hidden camera reality show titled Pixar in

0:43:37.480 --> 0:43:40.560
<v Speaker 1>Real Life for Disney Plus. So you can watch that

0:43:40.680 --> 0:43:43.279
<v Speaker 1>out on Disney Plus right now. So Pixar in Your

0:43:43.320 --> 0:43:45.719
<v Speaker 1>Life is basically taking characters from Pixar movies and just

0:43:45.800 --> 0:43:49.400
<v Speaker 1>throwing them in like real life environments for strangers to

0:43:49.480 --> 0:43:53.600
<v Speaker 1>stumble upon. People have stumbled upon, like the emotional dashboard.

0:43:54.239 --> 0:43:59.080
<v Speaker 1>They've stumbled across dash from The Incredibles and no one

0:43:59.160 --> 0:44:01.120
<v Speaker 1>actually really got me, like some of some of them

0:44:01.160 --> 0:44:03.040
<v Speaker 1>were kind of like, Okay, this is cute. But the

0:44:03.960 --> 0:44:08.240
<v Speaker 1>Dash one, they had a kid at a block corner

0:44:08.520 --> 0:44:11.080
<v Speaker 1>like adults and be like, hey, can you time me,

0:44:11.120 --> 0:44:13.920
<v Speaker 1>I'm gonna run around this block in five seconds? And

0:44:14.120 --> 0:44:17.000
<v Speaker 1>they would time him and he would run one direction

0:44:17.160 --> 0:44:19.000
<v Speaker 1>and then he would just appear magically from the other

0:44:19.080 --> 0:44:21.200
<v Speaker 1>direction and be like, oh, how many seconds was that?

0:44:21.320 --> 0:44:22.879
<v Speaker 1>And they'd be like, oh, it's nine seconds. But they'd

0:44:22.880 --> 0:44:24.919
<v Speaker 1>also be like, how did this child just get around

0:44:24.960 --> 0:44:28.600
<v Speaker 1>this entire block in nine seconds? Um? But it was

0:44:28.640 --> 0:44:32.960
<v Speaker 1>identical twins spoiler alert that we're pretending to be the

0:44:33.080 --> 0:44:38.120
<v Speaker 1>character and it's adorable. Well, like you said, there's entire

0:44:38.280 --> 0:44:42.520
<v Speaker 1>podcast on Pixar because there's so many films. Their latest film,

0:44:42.520 --> 0:44:44.719
<v Speaker 1>by the way, which we mentioned, is Onward, So that's

0:44:44.719 --> 0:44:47.359
<v Speaker 1>the last Pixar film to come out. It dropped March

0:44:48.560 --> 0:44:50.800
<v Speaker 1>and then kind of didn't really get to be in

0:44:50.880 --> 0:44:53.360
<v Speaker 1>theaters because of the pandemic, so they moved it to

0:44:53.440 --> 0:44:59.440
<v Speaker 1>Disney Plus pretty quickly. I was shocked at how touched

0:44:59.560 --> 0:45:02.480
<v Speaker 1>I was by this film. I really didn't think I

0:45:02.520 --> 0:45:05.520
<v Speaker 1>would be, but they did it. They have a way

0:45:05.560 --> 0:45:08.480
<v Speaker 1>of getting you with parental They know that we all

0:45:08.640 --> 0:45:12.719
<v Speaker 1>have parental issues in our lives and they just really

0:45:12.840 --> 0:45:15.719
<v Speaker 1>know how to capitalize on that. Um, if you have

0:45:15.800 --> 0:45:18.960
<v Speaker 1>you seen Onward not yet, Oh you should watch it.

0:45:19.080 --> 0:45:21.360
<v Speaker 1>If you have, if you're like busy tonight or tomorrow,

0:45:21.440 --> 0:45:23.319
<v Speaker 1>you should watch it and then get back to us.

0:45:23.360 --> 0:45:28.279
<v Speaker 1>I think you would like it super super down. Oh

0:45:28.640 --> 0:45:31.080
<v Speaker 1>we didn't talk about the big thing. The moments that

0:45:31.120 --> 0:45:37.600
<v Speaker 1>picked the movies have made us cry every moment. Every moment. Well, yes,

0:45:37.680 --> 0:45:40.160
<v Speaker 1>we will give a shout out to Randy Newman, who

0:45:40.640 --> 0:45:43.759
<v Speaker 1>I think set the stage for Toy Story. I mean,

0:45:43.800 --> 0:45:46.160
<v Speaker 1>I don't think Toy Story would be the same without

0:45:46.280 --> 0:45:51.160
<v Speaker 1>Randy Newman. Just a lot of iconic UH songs. But

0:45:51.360 --> 0:45:53.680
<v Speaker 1>also he did the music for Cars we have to

0:45:53.680 --> 0:45:58.759
<v Speaker 1>talk about. Michael Chino did the music for The Incredibles,

0:45:58.880 --> 0:46:02.000
<v Speaker 1>also rad a Tui but contrected by Brad Bird and Up.

0:46:02.600 --> 0:46:06.080
<v Speaker 1>So yeah, they all at the stage, like with Michael j.

0:46:06.200 --> 0:46:15.239
<v Speaker 1>Keino's music for for Up and Co and Coco. Yeah. Yeah,

0:46:15.640 --> 0:46:18.080
<v Speaker 1>So we've talked about this on other episodes, but Brad

0:46:18.160 --> 0:46:23.240
<v Speaker 1>Bird has been very um adamant that these are animated films,

0:46:23.280 --> 0:46:27.120
<v Speaker 1>they're not kids films, and so I think he really

0:46:27.239 --> 0:46:29.320
<v Speaker 1>doesn't like when people tweet at him about like, you

0:46:29.400 --> 0:46:31.600
<v Speaker 1>shouldn't say that you make kids films, and he's like,

0:46:31.680 --> 0:46:35.000
<v Speaker 1>I don't. I make animated films, and so they're family

0:46:35.080 --> 0:46:37.479
<v Speaker 1>films for sure, but it should be for every member

0:46:37.520 --> 0:46:39.200
<v Speaker 1>of the family. And I do think that they do

0:46:39.360 --> 0:46:41.320
<v Speaker 1>that great. Like I was saying, there were jokes that

0:46:41.400 --> 0:46:43.600
<v Speaker 1>my parents got in toy story that I didn't understand

0:46:43.640 --> 0:46:46.360
<v Speaker 1>until I was older. It still was very much like

0:46:46.560 --> 0:46:48.359
<v Speaker 1>you know, I had a woody doll, my brother had

0:46:48.400 --> 0:46:52.000
<v Speaker 1>a buzz light ear, so it was still something that

0:46:52.080 --> 0:46:55.960
<v Speaker 1>we latched onto, but also that adults could enjoy. Yeah,

0:46:56.080 --> 0:46:58.759
<v Speaker 1>that's what you know, And I think that's I think

0:46:58.840 --> 0:47:01.360
<v Speaker 1>we've talked about this song one of our many episodes.

0:47:01.440 --> 0:47:04.000
<v Speaker 1>But that's kind of like the makings of a good

0:47:04.960 --> 0:47:12.759
<v Speaker 1>uh film is a good I guess animated film is it?

0:47:12.840 --> 0:47:16.080
<v Speaker 1>Should everyone should like it. I think really focusing on

0:47:16.160 --> 0:47:19.960
<v Speaker 1>that word family film, like family isn't just the kids.

0:47:20.040 --> 0:47:23.000
<v Speaker 1>Family is the parents and all that. And that's the difference.

0:47:23.200 --> 0:47:26.440
<v Speaker 1>You know, We'll watch a film uh and it'll and

0:47:26.560 --> 0:47:29.280
<v Speaker 1>I would classify it as a quote unquote kids film

0:47:29.320 --> 0:47:31.919
<v Speaker 1>because I'm like, yeah, I mean, I get why kids

0:47:31.960 --> 0:47:34.879
<v Speaker 1>would enjoy this, but for me net And then you'll

0:47:34.920 --> 0:47:38.120
<v Speaker 1>watch a film and you're like, oh, no, Naomi can

0:47:38.200 --> 0:47:41.399
<v Speaker 1>watch this, but I can want Even if Naomi wasn't here,

0:47:41.480 --> 0:47:44.320
<v Speaker 1>I'd be watching this, which is a lot of not

0:47:44.520 --> 0:47:48.960
<v Speaker 1>a lot. I'd say every Pixar, even cars. That's always

0:47:49.000 --> 0:47:52.120
<v Speaker 1>the discussion whenever. It's so funny. I've meant to mention

0:47:52.200 --> 0:47:55.840
<v Speaker 1>this earlier, but when the discussion of Pixar movies come up,

0:47:56.560 --> 0:47:59.480
<v Speaker 1>they always say, even cars. I don't know what it

0:47:59.600 --> 0:48:05.839
<v Speaker 1>is about cars, but people do not really enjoy it. Yeah,

0:48:06.680 --> 0:48:09.279
<v Speaker 1>and it's about community too though, because it's you know,

0:48:09.400 --> 0:48:11.840
<v Speaker 1>let McQueen was all about like being the winner and

0:48:12.040 --> 0:48:13.560
<v Speaker 1>like being number one or whatever, and he had to

0:48:13.600 --> 0:48:16.600
<v Speaker 1>be humbled down to embrace the community around him that

0:48:16.600 --> 0:48:19.560
<v Speaker 1>would uplift him to succeed again. And like how the

0:48:19.640 --> 0:48:22.520
<v Speaker 1>people around you are like the most important. Okay, fine,

0:48:22.640 --> 0:48:28.360
<v Speaker 1>cars is my favorite cars. I think that we did it.

0:48:29.200 --> 0:48:32.880
<v Speaker 1>I think we talked about we can't get into all

0:48:32.960 --> 0:48:36.040
<v Speaker 1>twenty two movies, but we at least said their names.

0:48:39.719 --> 0:48:42.279
<v Speaker 1>Most of them are actually sequels. As I'm looking through this,

0:48:43.160 --> 0:48:46.600
<v Speaker 1>a good portion of this makeup is this, like you know,

0:48:46.719 --> 0:48:50.560
<v Speaker 1>cars three toy Story three, four Monsters at the second

0:48:50.600 --> 0:48:53.279
<v Speaker 1>Monster Zinc Like they have a lot of sequels in here,

0:48:53.920 --> 0:49:00.160
<v Speaker 1>Finding Dory going along with Finding Nemo, so Incredibles to uh,

0:49:01.000 --> 0:49:04.239
<v Speaker 1>they definitely have that in the bank, making things that

0:49:04.280 --> 0:49:08.000
<v Speaker 1>they're able to make for a decade. You know. The

0:49:08.120 --> 0:49:12.240
<v Speaker 1>first Toy Story came out and the last Toy Story,

0:49:12.320 --> 0:49:15.560
<v Speaker 1>which I can guarantee will not be the last last

0:49:15.680 --> 0:49:18.640
<v Speaker 1>even if they think that it is, um, but Toy

0:49:18.719 --> 0:49:22.400
<v Speaker 1>Story four came out in twenty nineteen, so yeah, wow,

0:49:23.480 --> 0:49:29.319
<v Speaker 1>that is ah, that is a long run. Yeah, dude.

0:49:29.400 --> 0:49:31.399
<v Speaker 1>As we were talking about scenes that made you cry

0:49:31.560 --> 0:49:33.239
<v Speaker 1>with Toy Story four, when I knew that they were

0:49:33.320 --> 0:49:38.319
<v Speaker 1>retiring these characters, I was just like also fascinating because

0:49:38.320 --> 0:49:41.400
<v Speaker 1>it was the same year that this final Star Wars

0:49:41.520 --> 0:49:45.200
<v Speaker 1>came out and they were like, we're retiring these characters.

0:49:45.400 --> 0:49:48.560
<v Speaker 1>You'll never see them again, um. And so when I

0:49:48.640 --> 0:49:51.839
<v Speaker 1>was watching Toy Story four, I was like, this is chill.

0:49:51.960 --> 0:49:54.120
<v Speaker 1>I won't cry until the end. I know they're going

0:49:54.160 --> 0:49:56.160
<v Speaker 1>to be gone. In the end, something's gonna happen, they're

0:49:56.160 --> 0:49:58.120
<v Speaker 1>gonna send us off, but I won't cry until the end.

0:49:58.600 --> 0:50:01.759
<v Speaker 1>The first five minutes of Toy Story for why and

0:50:01.920 --> 0:50:06.400
<v Speaker 1>how dare you? Um? I was just like, no, they

0:50:06.520 --> 0:50:09.080
<v Speaker 1>got me the first how could they did it again?

0:50:09.640 --> 0:50:11.880
<v Speaker 1>They did it again. I'll give I don't want to

0:50:11.880 --> 0:50:15.800
<v Speaker 1>give anything away. But it was between Woody and bo Peep.

0:50:16.640 --> 0:50:20.000
<v Speaker 1>It was a moment between bo Peep and Woody and

0:50:20.160 --> 0:50:23.840
<v Speaker 1>I was like, why did you do this? There was

0:50:24.280 --> 0:50:28.440
<v Speaker 1>it was that was so brutal. It's so weird because

0:50:28.480 --> 0:50:31.239
<v Speaker 1>like some of these fixtre movies recently are kind of

0:50:31.400 --> 0:50:33.359
<v Speaker 1>way too real, because you know, that was like say

0:50:33.400 --> 0:50:35.760
<v Speaker 1>goodbye to your old friends and then you know, obviously

0:50:35.840 --> 0:50:37.759
<v Speaker 1>Coco was like how to say goodbye to your loved

0:50:37.800 --> 0:50:40.879
<v Speaker 1>ones and deal with death not being a final resting place.

0:50:40.960 --> 0:50:42.960
<v Speaker 1>They could you know, you will see them on the

0:50:43.040 --> 0:50:46.200
<v Speaker 1>other side. And then they had to drop the trailer

0:50:46.320 --> 0:50:53.920
<v Speaker 1>for slul like you always you're possibly incoming death. I'm

0:50:53.960 --> 0:50:56.240
<v Speaker 1>like mine, I don't know if I'm ready for this movie.

0:50:56.520 --> 0:50:58.840
<v Speaker 1>It was supposed to come out. I think last week.

0:50:59.640 --> 0:51:05.399
<v Speaker 1>Oh um, I forgot to say check out my friend

0:51:05.560 --> 0:51:10.239
<v Speaker 1>Roy Wood Jr. Starring and soul. Um. He's just so

0:51:10.560 --> 0:51:13.479
<v Speaker 1>roy for those that Jamie Fox is playing the lead

0:51:13.520 --> 0:51:17.200
<v Speaker 1>and soul but the character looks exactly like Roywood. Jr.

0:51:18.239 --> 0:51:22.359
<v Speaker 1>And so he's just been like running along with that joke. Um,

0:51:22.520 --> 0:51:24.879
<v Speaker 1>so check it out. I hope that he is at

0:51:24.920 --> 0:51:27.000
<v Speaker 1>the premiere. At least I think you should be invited

0:51:27.040 --> 0:51:30.080
<v Speaker 1>to the Yeah, when they borrowed his face, you know,

0:51:31.880 --> 0:51:35.239
<v Speaker 1>I feel like you gotta at least get an invite. Well,

0:51:35.320 --> 0:51:38.000
<v Speaker 1>a bunch of the animators follow him too, so I

0:51:38.080 --> 0:51:41.839
<v Speaker 1>want to be like get that, get that picks our money?

0:51:42.280 --> 0:51:46.839
<v Speaker 1>Roy Um. Sabina, where can everyone find you? Everyone can

0:51:46.920 --> 0:51:50.360
<v Speaker 1>find me on Twitter at Sabina has no R. I

0:51:50.480 --> 0:51:52.960
<v Speaker 1>do many things. I'm a filmmaker and I am a

0:51:53.560 --> 0:51:57.760
<v Speaker 1>story coordinator for the Something Scary podcast and channel on YouTube,

0:51:58.640 --> 0:52:00.719
<v Speaker 1>and that's that we are snarl Old. I write the

0:52:00.760 --> 0:52:08.440
<v Speaker 1>spooky things for everyone, um and yeah, like and anything

0:52:08.520 --> 0:52:11.560
<v Speaker 1>I do will be on that platform. And my Instagram

0:52:11.719 --> 0:52:16.359
<v Speaker 1>is at that Lady Graves, that Lady Graves. Um, I'm

0:52:16.600 --> 0:52:19.920
<v Speaker 1>at Ms Danny Fernandez and all the things. Yes, next

0:52:20.239 --> 0:52:22.840
<v Speaker 1>week will be our last episode, but don't worry. We

0:52:22.960 --> 0:52:24.799
<v Speaker 1>have a bunch of things planned and we'll be talking

0:52:24.840 --> 0:52:26.759
<v Speaker 1>to some great people and having a lot of fun.

0:52:27.480 --> 0:52:31.680
<v Speaker 1>So just remember keep it fun. You know, we're not dying.

0:52:31.880 --> 0:52:35.960
<v Speaker 1>We're not going to end Up in soul An Inside Out.

0:52:36.480 --> 0:52:39.520
<v Speaker 1>This isn't the first ten minutes of up or toy

0:52:39.600 --> 0:52:42.400
<v Speaker 1>Story for literally any of those films or finding Nemo.

0:52:43.080 --> 0:52:48.440
<v Speaker 1>Um yeah, Iffe, what about you? Yeah yeah, if you wait, Twitter, Instagram,

0:52:48.520 --> 0:52:52.520
<v Speaker 1>if he's on twitch, you know, uh yeah, just come

0:52:52.560 --> 0:52:55.960
<v Speaker 1>see me on Twitch. We'll be playing video games, you know. Um.

0:52:56.280 --> 0:53:00.120
<v Speaker 1>Thank you again, super producer Joel for popping in and

0:53:00.400 --> 0:53:05.640
<v Speaker 1>uh and for working with us, Zach mckebar, engineer Jacquies

0:53:05.719 --> 0:53:10.680
<v Speaker 1>Neil who's been doing of the editing. And we will

0:53:10.800 --> 0:53:14.680
<v Speaker 1>catch you next week for our final week. Until then,

0:53:15.280 --> 1:06:05.880
<v Speaker 1>stay nerdy, Stay nerdy, m asstssssss