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Speaker 1: Well, guys, it's here.

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Speaker 2: Yeah, the time has come, a moment we've at one

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Speaker 2: time felt like would never arrive, yet we knew it

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Speaker 2: would at some point, no matter how much we dreaded it.

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Speaker 2: It is time to recap the seventh and final season

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Speaker 2: of Boy Meets World.

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Speaker 1: Shun done, Dune not donny, I don't know.

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Speaker 2: We just started this journey seriously, a grouping of episodes

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Speaker 2: that at least two thirds of performed in.

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Speaker 1: While out of body.

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Speaker 2: So what would you say are your feelings going into

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Speaker 2: this seventh and then final season.

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Speaker 3: I'm nervous mm hmmm.

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Speaker 4: Yeah, I'm sad that the podcast, this this aspect of

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Speaker 4: the podcast is ending.

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Speaker 5: Yeah, I mean again, we're like, we're starting the final chapter.

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Speaker 5: I also, and we'll get into it. Obviously, watching the

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Speaker 5: first episode of season seven was very difficult for me really,

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Speaker 5: so this is oh yeah, this is this is the

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Speaker 5: peak the low part of my life. And this was

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Speaker 5: a really I didn't think I was going to be there,

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Speaker 5: So this was a very this was this was a

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Speaker 5: tough watch for me all the way through. So starting

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Speaker 5: season seven and I know it'll get better, but starting

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Speaker 5: watching this was was rough for me. So yeah, this

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Speaker 5: was a this was, this was this is a tough

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Speaker 5: year and.

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Speaker 2: Yeah, so what do you can you explain it for

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Speaker 2: our listeners a little more?

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Speaker 5: Well, yeah, I mean when I started the podcast, I

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Speaker 5: had I mean I was maybe six weeks or started podcast,

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Speaker 5: started the show, I was season seven. I was maybe

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Speaker 5: six or eight weeks into anxiety, which I've never experienced

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Speaker 5: before in my life. So I still wasn't talking about it.

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Speaker 5: I had just I'd been on medication for maybe a month,

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Speaker 5: which is why I'd put on so much weight. But

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Speaker 5: I my life was spiraling at this point, I mean badly.

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Speaker 5: So it was I mean that wig that we were

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Speaker 5: I was going to get into it, but I remember

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Speaker 5: being called in to have the wig fitting and going

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Speaker 5: to Laurie's house and Karen McCain was there and they

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Speaker 5: were just talking, having a conversation, and I had a

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Speaker 5: massive panic attack in the chair, which I was just

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Speaker 5: was happening every ten minutes in my life at this point.

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Speaker 5: It was just it was awful, and so I just

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Speaker 5: still not talking about to put a smile on my face,

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Speaker 5: excuse myself, and went to the bathroom and essentially had

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Speaker 5: it broke down in Laurie's bathroom and I was like,

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Speaker 5: was literally considering climbing out the window, where I was like,

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Speaker 5: I can't do this. I can't go back to the show.

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Speaker 5: If I can't be in front of these two people

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Speaker 5: that I know and love, I can't be.

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Speaker 3: In front of an audience. I can't do this.

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Speaker 5: So it was this was a horrific time.

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Speaker 3: What's crazy.

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Speaker 4: What's crazy about that for me is like I had

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Speaker 4: no idea. Yeah, well, because when I talk back at

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Speaker 4: this time, like you were always mister positive super.

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Speaker 5: Like I still it is the best acting I've ever

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Speaker 5: done in my life. Is is not letting people know

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Speaker 5: that I was literally dying.

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Speaker 4: Because you and I spent a lot of time together

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Speaker 4: season seven, Like that's most of my memories of backstage

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Speaker 4: are you and me? Because I don't remember any of

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Speaker 4: the show. Like when I saw this episode, I was like,

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Speaker 4: I have no I know we've said that about previous

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Speaker 4: episodes and previous seasons. I have no idea what's coming

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Speaker 4: in season seven because I can't remember, Oh, the Civil War,

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Speaker 4: the Civil War episodes ever, I remember those, but other

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Speaker 4: than that, I can't remember what happens to our characters.

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Speaker 4: I don't know what happens to Sean to Corey to

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Speaker 4: like all this stuff with Tapanga's.

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Speaker 3: Parents and we're never the wedding, right, oh right, right?

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Speaker 4: But yeah, like but I like break up the wedding

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Speaker 4: or I like freak out at the wedding. I don't

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Speaker 4: remember why why is Sean freaking out about the wedd like.

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Speaker 5: Because I think it's we do this? Did we do

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Speaker 5: in our live show? I have to look it up because.

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Speaker 4: I know that I have, like the speech at the wedding,

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Speaker 4: but I don't remember why.

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Speaker 3: Yeah.

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Speaker 4: No.

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Speaker 5: This was a heavily medicated both by a doctor and

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Speaker 5: self medicated with alcohol year for me, and it was

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Speaker 5: just that's why I was putting on weight and just

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Speaker 5: trying to get through my God.

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Speaker 4: At this point, I was having so much fun with you.

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Speaker 3: I never running around film in are behind the scenes.

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Speaker 3: We were laughing.

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Speaker 4: I mean, I feel like you and I and were

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Speaker 4: we also going to because you had a place up

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Speaker 4: an Arrowhead and I think it was on this year

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Speaker 4: we went several times.

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Speaker 5: Yeah, we went up there, but I remember, oh man,

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Speaker 5: there was there were drives to Airhead where I had

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Speaker 5: to pull over every fifteen minutes because I was freaking

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Speaker 5: out like, I shouldn't be in the car. I shouldn't

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Speaker 5: be driving. No, this is a very this is arguably

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Speaker 5: the worst year of my life, just mental health wive.

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Speaker 5: So a fun way to start the episode and the season. Yeah,

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Speaker 5: which is which is always great, but yeah it was.

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Speaker 5: It was so this was just watching the episode and frankly,

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Speaker 5: we'll get into it.

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Speaker 3: I liked the episode.

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Speaker 1: I was pleasantly surprised by the episode.

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Speaker 3: The episode.

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Speaker 5: It was just personal, so interesting.

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Speaker 2: Yeah, by the way, writer, yeah, you're fantastic, so good

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Speaker 2: in this episode.

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Speaker 6: What good?

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Speaker 1: Really fantastic? You are the star of this episode, and yeah, really.

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Speaker 5: Really it was great. I felt like we were all

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Speaker 5: so by by this point, I think, and I hope

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Speaker 5: I'm not ruining everything but that we were supposed to

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Speaker 5: talk about later. But this was the first season since

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Speaker 5: the first season that we had only been picked.

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Speaker 3: Up for thirteen episodes.

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Speaker 5: Oh so we were not picked up for our full

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Speaker 5: twenty two. We did not think we were going to

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Speaker 5: be doing a full twenty two, And to.

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Speaker 3: Me, we were just wedding was coming right, we knew

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Speaker 3: the wedding was playing.

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Speaker 5: I think we knew the wedding was coming out. I

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Speaker 5: think there was a chance that was going to be

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Speaker 5: the end, right, was like, we're going to end with

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Speaker 5: the wedding. And then because remember you and I were

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Speaker 5: shooting our behind the scenes thing, and then when we

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Speaker 5: got picked up for our.

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Speaker 3: Back nine, we put it down more like, oh, we

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Speaker 3: got more time to finish it.

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Speaker 5: But we so we were actively making each other try

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Speaker 5: to laugh and enjoy ourselves while we were shooting this.

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Speaker 5: I could tell, well, Ben's putting on funny voices and

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Speaker 5: doing different accents.

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Speaker 3: Everybody's trying not to laugh.

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Speaker 5: We're just being with each other, and it was almost

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Speaker 5: tongue in cheek for ourselves, and that I loved. So,

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Speaker 5: I mean, the episode itself was great. It was just

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Speaker 5: going back down that.

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Speaker 3: That's interesting. I really did not like the episode.

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Speaker 4: Oh you didn't, But hearing you say that, I was like, yeah,

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Speaker 4: I guess we were having like when I could feel

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Speaker 4: that watching like you know, the like yeah, but but

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Speaker 4: no story wise and character wise.

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Speaker 3: I was really not into this.

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Speaker 5: But yeah, it didn't bother me. I didn't. I guess

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Speaker 5: I just didn't care. It was too I was too

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Speaker 5: watching again just how big I was and how like

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Speaker 5: dead and behind the eyes I was, and and then

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Speaker 5: trying to hide it by being bigger with my comedy. Right,

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Speaker 5: So I was thinking, that's one of the reasons people,

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Speaker 5: I've I had a weird realization last night where people

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Speaker 5: were like, why did Eric get so dumb and so big?

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Speaker 5: And part of me is wondering if one of the

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Speaker 5: reasons is because I was so dying inside that I

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Speaker 5: was pushing it every week like I'm fine, I'm fine,

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Speaker 5: of course I'm fine. Look how big the comedy is.

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Speaker 3: And I was like, oh my god, I wonder if

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Speaker 3: that's why I was doing it.

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Speaker 2: I mean, death is true that the I mean my

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Speaker 2: story to Pega's storyline is so insufferable it.

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Speaker 3: Kind of is, yeah played out. Yeah, I just didn't care.

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Speaker 6: Why would we care.

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Speaker 2: We don't barely know you and we definitely don't know

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Speaker 2: your parents.

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Speaker 4: And you guys were okay with the b story of

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Speaker 4: Alan suddenly cracking down on Morgan, Like what what?

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Speaker 5: I was okay with his Rusty's performance because he was hysterical.

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Speaker 1: Yeah, he was funny.

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Speaker 3: The kind of her calling.

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Speaker 5: Him a pig and all that stuff that was not great,

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Speaker 5: but he was so funny.

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Speaker 3: I just felt like all the.

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Speaker 4: Characters got thrown out of the window in that storyline.

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Speaker 4: I was like, who are these people? Morgan is supposed

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Speaker 4: to be like sassy, independent, always sort of sarcastic. She's

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Speaker 4: not any of that. Alan is like suddenly this like

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Speaker 4: controlling obsession father. I was like what, and like, I

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Speaker 4: don't know, it just I felt like all the characters

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Speaker 4: got thrown out the window on that storyline. And then yeah,

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Speaker 4: I thought Corey being the Cory.

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Speaker 5: That wet you talked a lot about this obsessive Corey

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Speaker 5: is just red flag obsessive Corey. It was literally to

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Speaker 5: Panga that threw me this episode because it was just

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Speaker 5: kind of like the will they won't they of it

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Speaker 5: after a while, and then there's just kind of Trina,

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Speaker 5: like Angela's just two steps behind her, just kind of

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Speaker 5: there the whole time, just agreeing with whatever Tapanga says

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Speaker 5: it was. It was strange, but I guess I just

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Speaker 5: didn't care.

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Speaker 1: Also, like the make it make sense. I can't.

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Speaker 2: I can't have us possibly end up like my parents.

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Speaker 2: So I'm gonna make us our parents.

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Speaker 1: Now.

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Speaker 3: Yeah, we've already been.

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Speaker 2: Together for supposedly seventeen years or whatever it is, and

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Speaker 2: so now I'm going to break up with you, which

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Speaker 2: makes us like my parents, with the exception of the

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Speaker 2: fact that it's not technically a marriage yet, so it's

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Speaker 2: just the divorce part of it versus the breakup part.

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Speaker 1: Of it, because it it how is this helping anything?

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Speaker 4: It doesn't make any sense.

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Speaker 1: It makes it.

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Speaker 4: It's we've entered the complete self conscious zone where we're

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Speaker 4: just commenting on our own storyline and our own.

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Speaker 3: Characters, and that's the entirety.

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Speaker 4: And that's what I'm nervous about Season seven is that

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Speaker 4: it's just characters spinning their wheels about themselves as characters

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Speaker 4: and their habits. And I'm like, I find this so

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Speaker 4: uninteresting story wise. It's just like, Okay, we're just riffing.

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Speaker 4: Sean's gonna talk about being Sean, Corey's gonna talk about

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Speaker 4: being Corey and what we always.

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Speaker 3: You know, I'm like, what this isn't I don't know.

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Speaker 4: It's not storytelling, Like I want real conflict, I want

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Speaker 4: real things to be happening. Instead, it's characters talking about

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Speaker 4: what they do as characters. It's so weird.

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Speaker 2: Yeah, we before we jump into we've kind of started

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Speaker 2: with our thoughts about the episode. But before we jump in,

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Speaker 2: do either of you remember the summer? Will You probably

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Speaker 2: do because it sounds like maybe it was brutal.

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Speaker 5: Very well, what did you do.

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Speaker 1: Between the summer between seasons six and seven?

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Speaker 4: Hm, I traveled a lot. I went it's your road trip, No,

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Speaker 4: the road trip the year before.

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Speaker 3: So this was.

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Speaker 4: Yeah, I guess I didn't send you a postcard saying hey,

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Speaker 4: they're sex.

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Speaker 5: I didn't get run from Europe now, No, I got

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Speaker 5: my sexy postcard.

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Speaker 3: I appreciate it.

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Speaker 4: Yeah, No, I think the summer started or they England.

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Speaker 4: They flew me over to England to do promos for

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Speaker 4: Boy Meets World because I get I don't know what

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Speaker 4: was happening.

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Speaker 5: Boy got a European trip.

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Speaker 4: Yeah, I got a trip to London and I recorded

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Speaker 4: I did.

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Speaker 3: I spent like a week. Disney brought me over to London.

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Speaker 4: I did like talk shows and I think favorite was

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Speaker 4: it was a nightmare. Something something was happening. I think

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Speaker 4: I feel like they were releasing a new season or whatever. Anyway,

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Speaker 4: they picked me to like represent all the Boy Meets World.

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Speaker 4: So I went and did a bunch of talk shows

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Speaker 4: and and then recorded a series of promos. I spent

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Speaker 4: like two days running around London. With a film crew

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Speaker 4: with me, Like now they would seem like influencer videos

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Speaker 4: because it was like me talking to camera like hey,

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Speaker 4: it's rather or strong for boy meets yeah, okay yeah.

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Speaker 4: And it was so funny because years later I went

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Speaker 4: and visited my buddy Sean in London and he had

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Speaker 4: a friend meet us at a bar and he was

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Speaker 4: and the friend showed he was like, you know, when

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Speaker 4: Sean told me that his friend Ryder was visiting, the only.

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Speaker 3: Thing that I could think of was writer's drawn for

255
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Speaker 3: blowing and he.

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Speaker 4: Was able to quote my promos and he's like, I

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Speaker 4: saw that on the on TV all the time.

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Speaker 5: So it actually got out there to Disney Channel where

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Speaker 5: he was Disney Channel UK.

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Speaker 3: And then I did like the Morning what was the

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Speaker 3: big breakfast?

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Speaker 5: Is that?

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Speaker 3: The Morning Talk?

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Speaker 4: Yes?

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Speaker 5: I hate it.

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Speaker 4: I went with my buddy Sean who now lives in England.

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Speaker 4: He ended up going to school and it was I

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Speaker 4: think his first time going to London, so we were nineteen.

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Speaker 3: We had a great time.

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Speaker 4: We went to Dublin for a weekend and that was

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Speaker 4: my first experience in Dublin. Had the greatest time. Then

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Speaker 4: I went to Italy. My parents happened to be in

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Speaker 4: Italy with Judy Savage, my agent her and Judy Savage

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Speaker 4: and Diane Harden, who's the great acting team.

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Speaker 3: They were.

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Speaker 4: They are the three couples, my parents, Diane Harden and

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Speaker 4: Judy and their husbands. They all got a like a

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Speaker 4: villa in Italy for the summer. So Sean and I

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Speaker 4: met up with them, went to Rome, and then when

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Speaker 4: I got home from that, I my two best friends

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Speaker 4: were in Thailand for the summer and we started emailing

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Speaker 4: because back then they would only get every like three days.

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Speaker 3: They would get to a you know, internet.

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Speaker 1: Cafe, internet cafe and they were like they.

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Speaker 4: Told me where they were in Thailand or where they

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Speaker 4: were going to be. It was it's a famous it's

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Speaker 4: a it's a beach called Hadrin Beach where they do

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Speaker 4: a full moon party every month.

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Speaker 5: Is that RelA Bay or is that a different place.

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Speaker 3: It's it's it's not Kosa.

291
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Speaker 4: Movies, the island, the main island. It's a smaller island. Anyway,

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Speaker 4: they were like, we're going to head to this full

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Speaker 4: moon party. You should come, and I was like, okay,

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Speaker 4: I'm getting on a plane and I just flew out there,

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Speaker 4: not knowing where they were exactly and where I was

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Speaker 4: going to meet them.

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Speaker 3: It took me, you know, eighteen.

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Speaker 4: Hours of traveling because I had like fly to Bangkok

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Speaker 4: and then grab a pedal jumper flight that I didn't

300
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Speaker 4: have an advance, and then get on a ferry all night,

301
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Speaker 4: and then I landed on this thing and ended up

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Speaker 4: just finding a guy to take me on the back

303
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Speaker 4: of his motorcycle, which I think of now and I

304
00:13:13,800 --> 00:13:15,760
Speaker 4: told this story because then he was offering me drugs

305
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Speaker 4: while driving without a helmet on.

306
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Speaker 3: The back of this motorcycle.

307
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Speaker 4: So you found guy driving through the streets and suddenly

308
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Speaker 4: heard my name calling out and my friends happened to

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Speaker 4: be walking by on the street.

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Speaker 3: I didn't even know where I was going to stay

311
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Speaker 3: that night.

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Speaker 4: I was just like yeah, and Nathan and Matt were

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Speaker 4: like rider and I'm like stop the bike and we like,

314
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Speaker 4: you know, skid to a stop. And my two best

315
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Speaker 4: friends I had, you know, after traveling like for twenty hours,

316
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Speaker 4: I ran into them on the street and then yeah,

317
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Speaker 4: then I spent like three weeks in Thailand. It was

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Speaker 4: a great summer. Yeah, I just traveled a bunch. I

319
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Speaker 4: didn't I don't think I worked at all. I think

320
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Speaker 4: I was just like, yeah, and we knew that this

321
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Speaker 4: was going to be the final season of Boybys World. Yeah,

322
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Speaker 4: and I was still I was in college. So I

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Speaker 4: went back to school at OXY and started the season seven,

324
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Speaker 4: like yeah, this was but yeah.

325
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Speaker 3: It was very similar.

326
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Speaker 2: I had very similar That's why I said, I did

327
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Speaker 2: exactly the same thing I did that.

328
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Speaker 3: You went to Hawaii? Did you go to Hawaiian?

329
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Speaker 2: So this is this the summer ninety nine before too, right, Okay,

330
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Speaker 2: So I graduated from high school and I was so

331
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Speaker 2: excited that I was not going to have to be

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Speaker 2: in school for one season of the show. I was

333
00:14:26,720 --> 00:14:30,640
Speaker 2: going to feel like an adult finally. And I actually

334
00:14:31,000 --> 00:14:34,720
Speaker 2: I took my family to Malta. My grandfather, my grandparents

335
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Speaker 2: are from Malta. They came over here in like nineteen

336
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Speaker 2: fifty four or fifty two, whatever year was the last

337
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Speaker 2: trip the Queen Mary took. My grandparents were on and

338
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Speaker 2: I had never been to Malta. And it was like

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Speaker 2: my grandfather's big dream. He played the lottery all the

340
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Speaker 2: time because his big goal was that he was going

341
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Speaker 2: to win the lotto and then lie all of us

342
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Speaker 2: to Malta. He's one of twelve. A lot of them

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Speaker 2: still lived in Malta. He's got a sister who's a nun,

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Speaker 2: and quite a few family members that still lived over there.

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Speaker 2: And so when I graduated, I took my family to

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Speaker 2: Malta and it was so much fun and had a

347
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Speaker 2: great time. We stayed there for a little while, and

348
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Speaker 2: so we skipped to YI this year in.

349
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Speaker 1: Favor of Malta.

350
00:15:25,440 --> 00:15:26,160
Speaker 5: Too nice.

351
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Speaker 1: Yeah, that's what I did. But will what about you?

352
00:15:30,160 --> 00:15:32,800
Speaker 5: H double hockey sticks panic attack in the middle of

353
00:15:32,840 --> 00:15:36,000
Speaker 5: a scene, a scene that they used bedridden for three weeks.

354
00:15:36,160 --> 00:15:36,760
Speaker 5: Oh my god.

355
00:15:37,160 --> 00:15:39,440
Speaker 3: So that was you and Matt Lawrence and we're shooting

356
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Speaker 3: in Canada.

357
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Speaker 5: We're shooting in Canada. I was in the middle of

358
00:15:42,320 --> 00:15:46,720
Speaker 5: a scene with Gabrielle Union. The world flipped and my

359
00:15:46,800 --> 00:15:50,040
Speaker 5: life had never been the same since. So just middle

360
00:15:50,040 --> 00:15:52,560
Speaker 5: of a take, its whole life changed to is the

361
00:15:52,560 --> 00:15:55,000
Speaker 5: only time I ever had a Sopranos style panic attack

362
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Speaker 5: where I made it to my trailer, the whole trailer spun.

363
00:15:57,360 --> 00:15:57,920
Speaker 5: I passed out.

364
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Speaker 1: Wow.

365
00:15:58,640 --> 00:16:01,560
Speaker 5: I called the doctor to the set. The doctors like,

366
00:16:01,600 --> 00:16:02,760
Speaker 5: I think you're having a panic attack.

367
00:16:02,800 --> 00:16:05,080
Speaker 3: I went, no, it's not that. That's obviously something horrible.

368
00:16:05,440 --> 00:16:08,280
Speaker 5: He gave me four one milligram out of vans for

369
00:16:08,320 --> 00:16:13,560
Speaker 5: the next three weeks of shooting, and I was just

370
00:16:13,720 --> 00:16:17,680
Speaker 5: struggling with my life. I remember, oh God, it's so

371
00:16:17,760 --> 00:16:20,720
Speaker 5: strange to talk about this. I'm we finished the movie

372
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Speaker 5: and I'm curled up in the seat on the plane

373
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Speaker 5: to go home. And I was so in the middle

374
00:16:27,960 --> 00:16:29,880
Speaker 5: of a panic attack that I almost jumped up and

375
00:16:29,920 --> 00:16:31,880
Speaker 5: started screaming to open the door of the plane to

376
00:16:31,920 --> 00:16:34,960
Speaker 5: let me. And so I just kept my eyes shut,

377
00:16:35,080 --> 00:16:37,440
Speaker 5: curled into a ball on the on the seat because

378
00:16:37,440 --> 00:16:38,480
Speaker 5: I wanted to just get home.

379
00:16:39,880 --> 00:16:40,320
Speaker 3: Didn't you you?

380
00:16:40,960 --> 00:16:42,080
Speaker 5: Uh, you fell in love?

381
00:16:42,160 --> 00:16:42,280
Speaker 2: Right?

382
00:16:42,360 --> 00:16:44,280
Speaker 3: You met a girl? I did I met because you

383
00:16:44,560 --> 00:16:46,720
Speaker 3: came back with Yeah.

384
00:16:46,840 --> 00:16:49,120
Speaker 5: Yeah, I'd just broken up with love, our love and

385
00:16:49,120 --> 00:16:51,240
Speaker 5: I had broken up a little while before, and that

386
00:16:51,320 --> 00:16:53,080
Speaker 5: kind of she was my first love, so that like

387
00:16:53,120 --> 00:16:56,640
Speaker 5: threw my life into a tailspin. And then she was

388
00:16:56,680 --> 00:16:59,120
Speaker 5: a skater, right yeah. Then I then I met Keila,

389
00:16:59,160 --> 00:17:01,920
Speaker 5: who was the Canadian figure skater, and she and I

390
00:17:01,960 --> 00:17:04,479
Speaker 5: fell in love. But she met me like at my

391
00:17:04,800 --> 00:17:07,960
Speaker 5: I think she met I met her I think a

392
00:17:08,119 --> 00:17:11,800
Speaker 5: day or two before my first panic attack. Wow, And

393
00:17:11,800 --> 00:17:13,320
Speaker 5: then we were together for a.

394
00:17:13,240 --> 00:17:15,800
Speaker 3: Couple of years, I think, yeah, yeah, the whole season.

395
00:17:16,600 --> 00:17:18,520
Speaker 3: So it was yeah, it was just it was a

396
00:17:18,680 --> 00:17:19,280
Speaker 3: very bad time.

397
00:17:19,320 --> 00:17:22,119
Speaker 5: Then bedridden and then then medicated, and then you know,

398
00:17:22,280 --> 00:17:24,280
Speaker 5: just putting on all the weight and all that kind

399
00:17:24,280 --> 00:17:25,560
Speaker 5: of stuff and then like, oh my god, I have

400
00:17:25,560 --> 00:17:27,600
Speaker 5: to go back to work. So yeah, the summer of

401
00:17:27,680 --> 00:17:30,400
Speaker 5: ninety nine I will always remember.

402
00:17:30,760 --> 00:17:33,080
Speaker 3: Yeah, So I'm sure it'll get better as the season

403
00:17:33,160 --> 00:17:33,439
Speaker 3: goes on.

404
00:17:33,600 --> 00:17:36,679
Speaker 5: Just I mean, it doesn't for me as as twenty

405
00:17:36,720 --> 00:17:38,679
Speaker 5: three year old will, but for me now watching it

406
00:17:38,720 --> 00:17:41,760
Speaker 5: will get better. But this first episode was rough. Yeah,

407
00:17:41,800 --> 00:17:44,119
Speaker 5: this brought back a lot of stuff. So it was

408
00:17:44,400 --> 00:17:46,480
Speaker 5: this is a tough this is arguably the worst time

409
00:17:46,480 --> 00:17:48,000
Speaker 5: in my life right right here. And I get to

410
00:17:48,359 --> 00:17:50,479
Speaker 5: that's the thing about being on a television shows. You're

411
00:17:50,800 --> 00:17:53,680
Speaker 5: it's all filmed, so it's like I get to look

412
00:17:53,720 --> 00:17:55,720
Speaker 5: at this and go like, oh god, dying inside.

413
00:17:56,520 --> 00:17:57,280
Speaker 3: Yeah, So it was.

414
00:17:57,600 --> 00:17:57,960
Speaker 5: I hope.

415
00:17:58,280 --> 00:18:01,560
Speaker 2: I hope that watching it there and maybe it won't.

416
00:18:01,560 --> 00:18:04,600
Speaker 2: Maybe it'll be really hard the first time and maybe

417
00:18:04,600 --> 00:18:06,400
Speaker 2: we need to watch it again, but like, I hope

418
00:18:06,400 --> 00:18:11,600
Speaker 2: there's a little bit of like I don't know how

419
00:18:11,640 --> 00:18:15,800
Speaker 2: to say what I'm thinking, but like you it. You

420
00:18:15,840 --> 00:18:18,880
Speaker 2: still have anxiety, but it's so much more manageable now.

421
00:18:19,600 --> 00:18:22,560
Speaker 2: Your life is your life is everything you could have

422
00:18:22,600 --> 00:18:26,640
Speaker 2: possibly wanted it to be. You're married, and you're healthy,

423
00:18:26,960 --> 00:18:30,439
Speaker 2: and you I mean truly, you have such a great life, everything,

424
00:18:30,760 --> 00:18:33,760
Speaker 2: everything you could have wanted. So I hope that watching it,

425
00:18:33,840 --> 00:18:39,080
Speaker 2: there's a sense of like seeing that young struggling will

426
00:18:39,440 --> 00:18:42,240
Speaker 2: and there's like, I don't know, I hope there's some.

427
00:18:42,160 --> 00:18:42,800
Speaker 3: I hope so too.

428
00:18:43,119 --> 00:18:45,120
Speaker 5: I think it will be because again, everything you said

429
00:18:45,160 --> 00:18:47,960
Speaker 5: is one hundred percent right, and I'm so blessed.

430
00:18:47,800 --> 00:18:50,639
Speaker 3: And you're good in the show, still amazing.

431
00:18:50,720 --> 00:18:53,200
Speaker 4: It's like you're still so funny, and there's so many

432
00:18:53,320 --> 00:18:55,240
Speaker 4: legendary Eric moments to come.

433
00:18:55,400 --> 00:18:59,760
Speaker 3: You know, this is a great season for great girls squirrels.

434
00:19:00,320 --> 00:19:03,760
Speaker 5: Yeah so no, I I yeah, I'm sure you're going

435
00:19:03,800 --> 00:19:04,119
Speaker 5: to be right.

436
00:19:04,160 --> 00:19:04,840
Speaker 3: I'm sure this is.

437
00:19:04,960 --> 00:19:06,840
Speaker 5: But this is what I was dreading was not the

438
00:19:07,000 --> 00:19:09,439
Speaker 5: not the what the show is in season seven, but

439
00:19:09,520 --> 00:19:12,840
Speaker 5: what my life was in season seven, because you know,

440
00:19:13,080 --> 00:19:14,600
Speaker 5: luckily and I know what as they say this, I

441
00:19:14,600 --> 00:19:16,320
Speaker 5: know a lot of people who deal with depression or

442
00:19:16,320 --> 00:19:18,760
Speaker 5: anxiety do get to that point of like I'm not

443
00:19:18,800 --> 00:19:21,119
Speaker 5: sure I can do this in my life anymore, meaning like,

444
00:19:21,280 --> 00:19:25,480
Speaker 5: if there's an out, I was never there. So in

445
00:19:25,480 --> 00:19:28,480
Speaker 5: that sense, I'm I'm very grateful.

446
00:19:29,160 --> 00:19:30,880
Speaker 3: But at the same time, it was, Yeah, it was.

447
00:19:31,119 --> 00:19:33,040
Speaker 5: It was one foot in front of the other just

448
00:19:33,480 --> 00:19:35,200
Speaker 5: for a good couple of years there.

449
00:19:35,200 --> 00:19:36,000
Speaker 3: And this is the start.

450
00:19:36,119 --> 00:19:38,760
Speaker 5: I mean, this is like literally six weeks after my

451
00:19:38,800 --> 00:19:39,600
Speaker 5: first panic attacks.

452
00:19:39,680 --> 00:19:41,840
Speaker 2: I hope you can be really proud of young Will

453
00:19:41,960 --> 00:19:44,160
Speaker 2: and I and have a lot of empathy for him

454
00:19:44,280 --> 00:19:47,160
Speaker 2: and and have it feel very much like, Wow, look

455
00:19:47,200 --> 00:19:51,520
Speaker 2: what I was able to get through, and that instead.

456
00:19:51,200 --> 00:19:53,399
Speaker 5: Of great people around me to help you two are

457
00:19:54,000 --> 00:19:57,119
Speaker 5: tops of that list, my wife and friends that I

458
00:19:57,160 --> 00:19:59,200
Speaker 5: was finally able to open up to, because that's the

459
00:19:59,280 --> 00:20:01,159
Speaker 5: first thing I've told people who deal with this is

460
00:20:01,480 --> 00:20:03,040
Speaker 5: the best thing you can do is talk about it.

461
00:20:03,040 --> 00:20:05,080
Speaker 5: Because the more I was holding it in, the worst

462
00:20:05,080 --> 00:20:07,359
Speaker 5: it was getting. So you just had to. And I

463
00:20:07,359 --> 00:20:10,000
Speaker 5: think I did this whole season without anybody really knowing,

464
00:20:10,040 --> 00:20:12,320
Speaker 5: and it wasn't until years later that I started talking

465
00:20:12,320 --> 00:20:12,719
Speaker 5: about it.

466
00:20:12,960 --> 00:20:15,320
Speaker 4: Yeah, I remember talking to you about I think anxiety

467
00:20:15,359 --> 00:20:18,080
Speaker 4: for the first time. I was in New York, so

468
00:20:18,119 --> 00:20:20,200
Speaker 4: it would have been in the three or four years

469
00:20:20,240 --> 00:20:21,280
Speaker 4: after Boy Meets World.

470
00:20:21,480 --> 00:20:24,600
Speaker 5: Yeah, because people were asking like, why where are you? Yeah,

471
00:20:24,680 --> 00:20:27,520
Speaker 5: you di severed, I know, right, Yeah.

472
00:20:27,200 --> 00:20:29,119
Speaker 1: So that's when that's when it got started that you

473
00:20:29,160 --> 00:20:30,200
Speaker 1: had agoraphobia.

474
00:20:30,520 --> 00:20:33,400
Speaker 5: Yeah, like made papers and stuff that I was agoraphobic,

475
00:20:33,480 --> 00:20:35,159
Speaker 5: which I didn't read because I wouldn't go outside to

476
00:20:35,160 --> 00:20:37,560
Speaker 5: get the paper, but you didn't have it, but I

477
00:20:37,560 --> 00:20:39,199
Speaker 5: would not leave I didn't get it, but I wouldn't

478
00:20:39,240 --> 00:20:41,480
Speaker 5: leave out. Yeah, so yeah, a little rough.

479
00:20:54,920 --> 00:20:59,880
Speaker 2: Well, let's jump into our season seven episode one recap.

480
00:20:59,520 --> 00:21:00,520
Speaker 1: For Show Me the Love.

481
00:21:00,560 --> 00:21:04,320
Speaker 2: It originally aired September twenty fourth, nineteen ninety nine. The

482
00:21:04,320 --> 00:21:07,320
Speaker 2: Synopsish Sean and Corey Sish.

483
00:21:11,960 --> 00:21:16,840
Speaker 1: Shannon Curry Indish hapshs did travel to Pitchbook to persuade

484
00:21:16,880 --> 00:21:20,160
Speaker 1: to Pringish parents to get back together after tapinga cass

485
00:21:20,280 --> 00:21:21,800
Speaker 1: off her and Cory's writing.

486
00:21:22,800 --> 00:21:27,800
Speaker 2: It was directed by David Kendall Ove. It was written

487
00:21:27,880 --> 00:21:33,160
Speaker 2: by Bob Tishler and guest starring Jacob Chase as Dominic.

488
00:21:33,359 --> 00:21:36,880
Speaker 2: Jacob had appeared on Seventh Heaven and Babylovum five the beginning,

489
00:21:37,160 --> 00:21:39,159
Speaker 2: but he stopped acting around two thousand and one and

490
00:21:39,240 --> 00:21:43,040
Speaker 2: is now a writer slash director specializing in horror. He

491
00:21:43,119 --> 00:21:45,800
Speaker 2: wrote and directed the twenty twenty movie Come Play, and

492
00:21:45,840 --> 00:21:48,199
Speaker 2: directed the TV show The Girl in the Woods in

493
00:21:48,240 --> 00:21:51,199
Speaker 2: twenty twenty one for Peacock. But get ready for his

494
00:21:51,320 --> 00:21:55,480
Speaker 2: next project, sure to be Jacob's breakout, he wrote and

495
00:21:55,520 --> 00:21:59,760
Speaker 2: directed the next chapter of Insidious for Sony and Blumhouse.

496
00:22:00,040 --> 00:22:00,879
Speaker 3: You know what's so funny.

497
00:22:01,000 --> 00:22:03,840
Speaker 4: I've known Jacob oh really as an adult and never

498
00:22:03,920 --> 00:22:05,160
Speaker 4: knew he was on Boy Meets World.

499
00:22:05,400 --> 00:22:06,439
Speaker 5: Oh that's so funny.

500
00:22:06,560 --> 00:22:08,560
Speaker 4: Yeah, I mean he must have mentioned it maybe when

501
00:22:08,600 --> 00:22:10,760
Speaker 4: we hung out, like because I met him, I want

502
00:22:10,800 --> 00:22:14,240
Speaker 4: to say, like eight nine years ago, like before he

503
00:22:14,280 --> 00:22:16,520
Speaker 4: when he was just making short films and stuff. But

504
00:22:16,560 --> 00:22:18,040
Speaker 4: I don't think I ever knew that he was on

505
00:22:18,160 --> 00:22:21,080
Speaker 4: the show, or he and he must have maybe mentioned it.

506
00:22:21,119 --> 00:22:22,720
Speaker 3: I just went, oh cool, But I had no idea.

507
00:22:22,800 --> 00:22:24,400
Speaker 3: So that's so cool. He's a good guy.

508
00:22:24,880 --> 00:22:27,200
Speaker 2: So his chapter of Insidious will come out in August

509
00:22:27,240 --> 00:22:29,960
Speaker 2: of twenty twenty six. We already kind of talked about

510
00:22:29,960 --> 00:22:33,000
Speaker 2: it a little bit, so maybe very concisely, let's share

511
00:22:33,080 --> 00:22:36,639
Speaker 2: our early thoughts. Writer, you said you did not like it.

512
00:22:36,680 --> 00:22:37,800
Speaker 2: What was the feeling?

513
00:22:38,000 --> 00:22:40,800
Speaker 4: Yeah, it was just I just you know, this is

514
00:22:40,920 --> 00:22:43,400
Speaker 4: kind of what I remember feeling about Boy Meets World

515
00:22:43,400 --> 00:22:46,760
Speaker 4: when the show ended, which I'm realizing was that I just.

516
00:22:47,440 --> 00:22:48,400
Speaker 3: I felt like.

517
00:22:49,920 --> 00:22:55,360
Speaker 4: I felt like all the everything became exposition. So all

518
00:22:55,400 --> 00:22:58,200
Speaker 4: the dialogue I'm saying, all the conversations with the court

519
00:22:58,280 --> 00:23:03,240
Speaker 4: is like exposition about what's happening, right, not motivated by

520
00:23:03,320 --> 00:23:08,280
Speaker 4: like really playable impulses. Like you know, as an actor,

521
00:23:08,320 --> 00:23:10,680
Speaker 4: you want to have like very direct things that your

522
00:23:10,720 --> 00:23:14,640
Speaker 4: character wants an objective in every scene, and these scenes

523
00:23:14,720 --> 00:23:19,360
Speaker 4: are so objectiveless. It's like literally just Corey freaking out

524
00:23:19,440 --> 00:23:23,080
Speaker 4: or Topanga freaking out, and then having to play in

525
00:23:23,119 --> 00:23:26,120
Speaker 4: these scenes, I've just watching myself not know what to do,

526
00:23:26,320 --> 00:23:29,280
Speaker 4: just having to say the lines, and then I feel

527
00:23:29,320 --> 00:23:31,800
Speaker 4: like all the characters have to sort of double down

528
00:23:32,040 --> 00:23:36,919
Speaker 4: and create emotion around their expositional impulses. So like you

529
00:23:36,960 --> 00:23:39,920
Speaker 4: think Russy's performance was good, I'm like, yeah, because he's

530
00:23:39,920 --> 00:23:42,159
Speaker 4: but he has no motivation. He just has to like

531
00:23:42,240 --> 00:23:44,719
Speaker 4: go big and like you know, and Corey has to

532
00:23:44,760 --> 00:23:47,320
Speaker 4: like have this crazy mind and then everybody reacts to

533
00:23:47,359 --> 00:23:49,639
Speaker 4: them being crazy or I don't know, it's just a

534
00:23:49,680 --> 00:23:52,880
Speaker 4: weird storytelling thing that I feel like Boy Meets World,

535
00:23:53,080 --> 00:23:55,600
Speaker 4: I'm afraid stays in for season seven, you know. I

536
00:23:55,640 --> 00:23:57,199
Speaker 4: mean when I think about like the one episode I

537
00:23:57,200 --> 00:24:00,560
Speaker 4: can remember, the Civil War, it's about us going to

538
00:24:00,640 --> 00:24:03,359
Speaker 4: war with the new characters on our own TV show,

539
00:24:03,560 --> 00:24:05,320
Speaker 4: Like do you know what I mean? Like it's like

540
00:24:05,320 --> 00:24:08,280
Speaker 4: this self consciousness and I feel like our writers, I mean,

541
00:24:08,600 --> 00:24:12,960
Speaker 4: Michael in particular, was just now at this point of

542
00:24:13,040 --> 00:24:16,080
Speaker 4: like reflecting on the show itself and the characters, and

543
00:24:16,080 --> 00:24:19,200
Speaker 4: it's just it's a bizarre mentality. I just it doesn't

544
00:24:19,240 --> 00:24:24,200
Speaker 4: really work for me. Story storytelling wise, I liked it.

545
00:24:24,320 --> 00:24:26,679
Speaker 5: I felt like, frankly, for one of the reasons I

546
00:24:26,680 --> 00:24:28,800
Speaker 5: did is because I didn't read into any of that.

547
00:24:28,960 --> 00:24:31,440
Speaker 5: I saw us as a company for the first time,

548
00:24:32,000 --> 00:24:34,439
Speaker 5: realizing we didn't have to try to get picked up

549
00:24:34,440 --> 00:24:35,119
Speaker 5: for another season.

550
00:24:35,440 --> 00:24:38,959
Speaker 4: Yeah, feels were related to it where we were just

551
00:24:39,080 --> 00:24:40,840
Speaker 4: like you can see that and when you say each

552
00:24:40,880 --> 00:24:43,800
Speaker 4: other last h yeah, when you said that earlier.

553
00:24:43,440 --> 00:24:45,199
Speaker 2: I was like, oh right, Like that must have been

554
00:24:45,280 --> 00:24:47,639
Speaker 2: nice for those of you who got to play relaxed.

555
00:24:47,920 --> 00:24:53,800
Speaker 4: I know you're just never smiling this entire because oh.

556
00:24:52,840 --> 00:24:55,840
Speaker 5: Yeah, no, that Topanga was what they did with Tipanga

557
00:24:55,960 --> 00:24:58,399
Speaker 5: was was a little insufferable and it was one of

558
00:24:58,440 --> 00:24:59,920
Speaker 5: those things where they didn't give you anything to play

559
00:25:00,040 --> 00:25:03,040
Speaker 5: but insufferable. I don't think you had a joke or

560
00:25:03,080 --> 00:25:04,600
Speaker 5: even the semblance of a joke.

561
00:25:04,480 --> 00:25:08,280
Speaker 1: The entire so just say the same thing in every

562
00:25:08,320 --> 00:25:09,440
Speaker 1: scene over and over.

563
00:25:10,720 --> 00:25:13,040
Speaker 5: Yeap, yes, it's it's kind of a shape, and it's

564
00:25:13,080 --> 00:25:16,680
Speaker 5: just like that was the thing where they also if

565
00:25:16,880 --> 00:25:19,840
Speaker 5: My major criticism about this was they weakened the Angela

566
00:25:19,920 --> 00:25:23,080
Speaker 5: character so badly that it was just like, well, my

567
00:25:23,280 --> 00:25:25,720
Speaker 5: friend isn't in love anymore, so that means I can't

568
00:25:25,720 --> 00:25:27,600
Speaker 5: be either, And it's like, really, you can't come up

569
00:25:27,640 --> 00:25:28,840
Speaker 5: with it with an idea of your own.

570
00:25:29,000 --> 00:25:31,840
Speaker 4: The only story point that makes sense is or that

571
00:25:32,000 --> 00:25:36,119
Speaker 4: is like, if if this episode began with Tapega breaking

572
00:25:36,200 --> 00:25:38,880
Speaker 4: up with Corey and Corey deciding to go get hurt,

573
00:25:38,960 --> 00:25:41,480
Speaker 4: that's like a cool, interesting motivation. But at the end

574
00:25:41,480 --> 00:25:44,439
Speaker 4: of this episode, we're just spinning wheels for the entire

575
00:25:44,520 --> 00:25:47,359
Speaker 4: a storyline. It's like, but why did we make this

576
00:25:47,400 --> 00:25:49,639
Speaker 4: a two parter that first, the first moment should be

577
00:25:49,680 --> 00:25:52,960
Speaker 4: oh god, Corey's got a crazy scheme and Sean's gonna

578
00:25:53,000 --> 00:25:55,320
Speaker 4: go along. That is a story, But we spend the

579
00:25:55,440 --> 00:25:56,880
Speaker 4: entire episode just getting there.

580
00:25:57,040 --> 00:25:57,639
Speaker 3: It's weird.

581
00:25:58,000 --> 00:26:00,239
Speaker 5: Yeah, yeah, it was.

582
00:26:00,280 --> 00:26:03,000
Speaker 1: It was. It was difficult in that way. However, I

583
00:26:03,080 --> 00:26:03,880
Speaker 1: will say.

584
00:26:05,320 --> 00:26:08,960
Speaker 2: Outside of me finding my character insufferable and that whole

585
00:26:08,960 --> 00:26:15,760
Speaker 2: storyline insufferable, uh, I thought this episode pleasure. It pleasantly

586
00:26:15,800 --> 00:26:19,679
Speaker 2: surprised me, maybe because my expectations overall for season seven

587
00:26:19,840 --> 00:26:23,200
Speaker 2: are so low. I do think that similar to Writer,

588
00:26:23,320 --> 00:26:25,440
Speaker 2: where you're thinking, like, I have a feeling the entire

589
00:26:25,480 --> 00:26:28,400
Speaker 2: season is going to be us talking about our characters

590
00:26:28,440 --> 00:26:31,840
Speaker 2: and not having motivation. I have the fear. I don't

591
00:26:31,880 --> 00:26:34,280
Speaker 2: think Tapega changes much from this. I think there's at

592
00:26:34,400 --> 00:26:38,760
Speaker 2: least half a season where every single episode I'm playing

593
00:26:38,800 --> 00:26:44,280
Speaker 2: this version of Tapanga that's now no longer Like apparently

594
00:26:44,320 --> 00:26:47,080
Speaker 2: my my parents' marriage was the entire foundation of my

595
00:26:47,119 --> 00:26:49,920
Speaker 2: personality and of my soul, and like.

596
00:26:50,000 --> 00:26:53,720
Speaker 3: I've lived fourteen makes sense exactly.

597
00:26:54,720 --> 00:26:56,920
Speaker 4: The morphine in different people different people.

598
00:26:57,640 --> 00:27:02,200
Speaker 2: That's been really hard on me apparently, so I'm worried

599
00:27:02,240 --> 00:27:05,920
Speaker 2: about I'm like a little worried about that. But I overall,

600
00:27:06,080 --> 00:27:10,199
Speaker 2: I thought I definitely picked up on the relaxed nature

601
00:27:10,440 --> 00:27:13,720
Speaker 2: of I mean, Writer, you are doing so you're doing

602
00:27:13,760 --> 00:27:18,840
Speaker 2: all the storytelling in the a storyline, and I was like, wow,

603
00:27:18,920 --> 00:27:23,000
Speaker 2: here we are season seven, and Writer and Will are

604
00:27:23,040 --> 00:27:28,639
Speaker 2: still the two stars of the show. Just just be

605
00:27:28,720 --> 00:27:32,400
Speaker 2: a storyline, be storyline, and sometimes they'll reverse. Sometimes Will

606
00:27:32,480 --> 00:27:34,520
Speaker 2: will be the A storyline and Writer will be the

607
00:27:34,520 --> 00:27:38,120
Speaker 2: B storyline. But for the most part, even though really

608
00:27:38,240 --> 00:27:40,800
Speaker 2: the synopsis of the episode is that Corey and Tabanka

609
00:27:40,880 --> 00:27:43,960
Speaker 2: are no longer going to get married, they are not

610
00:27:44,359 --> 00:27:48,600
Speaker 2: They are not the stars of this episode. I loved

611
00:27:48,760 --> 00:27:51,919
Speaker 2: that Corey does come up kind of with a scheme

612
00:27:51,960 --> 00:27:55,800
Speaker 2: and we get to see Sean say, I'm not doing that. Okay,

613
00:27:55,960 --> 00:27:58,960
Speaker 2: yeah I am that's cute writer. I love that idea.

614
00:27:58,960 --> 00:28:01,080
Speaker 2: I wish the episode started there. I wish the episode

615
00:28:01,119 --> 00:28:03,359
Speaker 2: started with I can't believe Tapanga broke up with me

616
00:28:03,760 --> 00:28:05,360
Speaker 2: because her parents are getting a divorce.

617
00:28:05,800 --> 00:28:07,960
Speaker 3: Let's go get them back. You know what I would

618
00:28:07,960 --> 00:28:08,200
Speaker 3: have done.

619
00:28:08,280 --> 00:28:10,120
Speaker 5: This is a terrible thing to say for you, Danielle,

620
00:28:10,160 --> 00:28:12,240
Speaker 5: because you wouldn't have been there but Topanga.

621
00:28:12,520 --> 00:28:14,000
Speaker 3: So it would have started in an airport.

622
00:28:15,040 --> 00:28:18,000
Speaker 5: Topanga's parents were breaking up, and they have they broken

623
00:28:18,080 --> 00:28:20,240
Speaker 5: up already, and Topanga needed to some time by herself,

624
00:28:20,280 --> 00:28:22,159
Speaker 5: and Sean and and Coory are there to pick her

625
00:28:22,200 --> 00:28:24,040
Speaker 5: up at the airport and she doesn't doesn't get off

626
00:28:24,040 --> 00:28:24,359
Speaker 5: the plane.

627
00:28:24,440 --> 00:28:26,800
Speaker 3: Yeah, and so it's all about what the hell's going on?

628
00:28:26,880 --> 00:28:29,040
Speaker 5: And the second episode is the scheme to go and

629
00:28:29,080 --> 00:28:31,880
Speaker 5: get Topanga back, and so it would have just been

630
00:28:31,920 --> 00:28:35,000
Speaker 5: like she just didn't show. Yeah, you know there's something

631
00:28:35,080 --> 00:28:37,399
Speaker 5: there about it. But the kind of just walking in

632
00:28:37,480 --> 00:28:39,760
Speaker 5: and saying, you know, where I don't think we should

633
00:28:39,760 --> 00:28:42,320
Speaker 5: be together, with Trina following behind two steps behind going

634
00:28:42,360 --> 00:28:44,800
Speaker 5: and me either like popping out behind like I'm not

635
00:28:44,800 --> 00:28:45,080
Speaker 5: not going.

636
00:28:45,080 --> 00:28:45,720
Speaker 3: To be with you either.

637
00:28:45,760 --> 00:28:47,880
Speaker 5: It was like, what what what is going on now?

638
00:28:48,080 --> 00:28:53,160
Speaker 2: I do very much remember though during this season, and

639
00:28:53,240 --> 00:28:54,959
Speaker 2: maybe it was just this episode, but I feel like

640
00:28:55,040 --> 00:28:59,080
Speaker 2: the Topanga and Angela doing the same thing based on

641
00:28:59,120 --> 00:29:01,440
Speaker 2: how one of them is feel relationship wise. Is a

642
00:29:02,240 --> 00:29:05,680
Speaker 2: is a recurring trope, a recurring trope, And I very

643
00:29:05,800 --> 00:29:06,600
Speaker 2: much remember.

644
00:29:08,440 --> 00:29:10,320
Speaker 1: Maybe it wasn't Michael, but I feel like it was Michael.

645
00:29:10,320 --> 00:29:11,960
Speaker 2: But I'm gonna I'm also going to say my memory

646
00:29:12,000 --> 00:29:13,600
Speaker 2: may be bad and it was someone else, but I

647
00:29:13,600 --> 00:29:17,040
Speaker 2: do remember it just being flat out said, well, you know,

648
00:29:17,080 --> 00:29:20,640
Speaker 2: because that is what happens whenever one woman breaks up

649
00:29:20,680 --> 00:29:24,640
Speaker 2: with her boyfriend, all the other guys panic because most

650
00:29:24,760 --> 00:29:27,320
Speaker 2: likely her best friend is going to do it too.

651
00:29:27,480 --> 00:29:28,880
Speaker 5: But they weird logic.

652
00:29:29,360 --> 00:29:32,440
Speaker 4: I can like now now that I'm middle aged, I

653
00:29:32,440 --> 00:29:35,680
Speaker 4: can kind of see there. I have had conversations where

654
00:29:36,040 --> 00:29:37,560
Speaker 4: it seems like divorce is catching.

655
00:29:37,840 --> 00:29:40,720
Speaker 1: Yeah, you know, because people have a mid.

656
00:29:40,600 --> 00:29:43,720
Speaker 4: Life crisis, you know, when you're forty to forty five,

657
00:29:44,000 --> 00:29:46,360
Speaker 4: and they reevaluate their life and they say, you know what,

658
00:29:46,400 --> 00:29:49,640
Speaker 4: I'm not happy with my partner. So I've had that conversation,

659
00:29:49,640 --> 00:29:52,440
Speaker 4: which seems like maybe our writers were going through Yeah,

660
00:29:52,800 --> 00:29:54,640
Speaker 4: and that's and so they decided to put that into

661
00:29:55,000 --> 00:29:57,680
Speaker 4: But that's that's a different logic, you know, because like

662
00:29:57,720 --> 00:30:00,440
Speaker 4: I said, that's not about the women getting the idea

663
00:30:00,440 --> 00:30:01,080
Speaker 4: from other women.

664
00:30:01,120 --> 00:30:01,520
Speaker 3: That's just what.

665
00:30:03,280 --> 00:30:03,800
Speaker 1: Could be.

666
00:30:04,400 --> 00:30:07,480
Speaker 2: Well, once one woman starts saying, oh, you know what,

667
00:30:07,520 --> 00:30:09,600
Speaker 2: and then he does this and he does that, and

668
00:30:09,680 --> 00:30:10,600
Speaker 2: I don't need that.

669
00:30:10,480 --> 00:30:12,400
Speaker 1: And really like I'm feeling really.

670
00:30:12,280 --> 00:30:15,560
Speaker 2: Good about being on my own and I want to Yeah,

671
00:30:15,600 --> 00:30:17,560
Speaker 2: and that someone else could be like, yeah, my husband

672
00:30:17,560 --> 00:30:18,040
Speaker 2: does that too.

673
00:30:18,080 --> 00:30:18,760
Speaker 1: That is annoying.

674
00:30:19,040 --> 00:30:21,480
Speaker 2: Like we're and and yeah, you know, like hey, we

675
00:30:21,640 --> 00:30:23,440
Speaker 2: we would have each other so we wouldn't be like

676
00:30:23,640 --> 00:30:25,840
Speaker 2: totally alone, you know, Like I could see how that

677
00:30:25,880 --> 00:30:30,840
Speaker 2: could be a real fear. I'm not sure how realistic

678
00:30:30,880 --> 00:30:34,040
Speaker 2: it is, but I but I do remember, let's write.

679
00:30:33,880 --> 00:30:37,000
Speaker 3: It into a kid's TV show. But I also why

680
00:30:37,160 --> 00:30:37,600
Speaker 3: does Jack?

681
00:30:37,720 --> 00:30:39,680
Speaker 4: Does Jack and Rachel break up? We never get an

682
00:30:39,760 --> 00:30:40,280
Speaker 4: understanding that.

683
00:30:40,360 --> 00:30:41,680
Speaker 3: It just says we broke up.

684
00:30:42,360 --> 00:30:45,800
Speaker 1: I mean literally, like, I'm sure there's more. I'm sure

685
00:30:45,840 --> 00:30:46,240
Speaker 1: we get more.

686
00:30:46,320 --> 00:30:48,760
Speaker 5: Right, It'll have to come, They'll have to explain it

687
00:30:48,800 --> 00:30:49,360
Speaker 5: in some ways.

688
00:30:50,280 --> 00:30:52,960
Speaker 4: It's not connected to the rest of the story. It's

689
00:30:53,000 --> 00:30:54,400
Speaker 4: just like, oh, yeah, we broke up, and then they

690
00:30:54,400 --> 00:30:58,800
Speaker 4: both seem okay with it. It's a the show was weird, guys.

691
00:31:11,720 --> 00:31:14,680
Speaker 2: Well, we start with our season seven intro, which should

692
00:31:14,680 --> 00:31:17,400
Speaker 2: look familiar because it is the exact same as our

693
00:31:17,480 --> 00:31:22,120
Speaker 2: season six intro, which was a fictitious recreation of real

694
00:31:22,240 --> 00:31:25,760
Speaker 2: moments seen in the season five intro. So I hope

695
00:31:25,760 --> 00:31:28,640
Speaker 2: that clears that up. Okay, Yeah, And then we are

696
00:31:28,640 --> 00:31:31,560
Speaker 2: in the college dorms. Corey and Sewn are carrying backpacks

697
00:31:31,560 --> 00:31:33,960
Speaker 2: in a boombox walking through the hall when they realized

698
00:31:34,000 --> 00:31:36,080
Speaker 2: they both got Feenie as a professor this year.

699
00:31:36,280 --> 00:31:38,200
Speaker 3: Funny way to start, Funny way to start.

700
00:31:38,280 --> 00:31:39,960
Speaker 5: Body's so funny?

701
00:31:40,160 --> 00:31:40,960
Speaker 3: Great way to start.

702
00:31:41,160 --> 00:31:44,800
Speaker 2: And actually he's teaching every class they're in, which is

703
00:31:44,840 --> 00:31:48,720
Speaker 2: a fun self referential moment, considering he has inexplicably been

704
00:31:48,760 --> 00:31:52,680
Speaker 2: our teacher for the entire series. Corey notices a couple

705
00:31:52,720 --> 00:31:55,000
Speaker 2: making out near their room, and he sighs. He can't

706
00:31:55,000 --> 00:31:58,160
Speaker 2: believe he made it the entire summer without tapanga. Sean

707
00:31:58,200 --> 00:32:00,240
Speaker 2: admits he feels bad about her parents splitting up and

708
00:32:00,280 --> 00:32:02,840
Speaker 2: hating each other, but I mean, get over it. His

709
00:32:02,960 --> 00:32:04,960
Speaker 2: mom walked out on his family when he was nine,

710
00:32:05,000 --> 00:32:05,880
Speaker 2: and he's fine.

711
00:32:06,760 --> 00:32:07,440
Speaker 3: Then twitch.

712
00:32:07,640 --> 00:32:13,240
Speaker 2: He flinches with a nervous tick and repeats himself fine.

713
00:32:13,840 --> 00:32:15,920
Speaker 1: Cory slings an arm around his friend.

714
00:32:15,760 --> 00:32:19,280
Speaker 3: And in the script, I know what what? How did

715
00:32:19,320 --> 00:32:19,880
Speaker 3: that happen?

716
00:32:20,040 --> 00:32:20,600
Speaker 5: Like? Was? Yes?

717
00:32:20,720 --> 00:32:23,800
Speaker 4: He flinches, He winces, repeats I don't know, Yeah, what

718
00:32:23,840 --> 00:32:24,080
Speaker 4: did you?

719
00:32:24,120 --> 00:32:24,760
Speaker 5: What did you read?

720
00:32:24,760 --> 00:32:27,040
Speaker 3: And then I don't know.

721
00:32:27,520 --> 00:32:28,800
Speaker 1: It's funny, though, so funny.

722
00:32:29,120 --> 00:32:31,560
Speaker 2: Before Will gave away all of his scripts, we should

723
00:32:31,560 --> 00:32:34,720
Speaker 2: have made him make photo copies of him so that

724
00:32:34,760 --> 00:32:36,520
Speaker 2: we could check if we.

725
00:32:36,480 --> 00:32:39,360
Speaker 1: Have any of these. Damn it, gosh, go back in time,

726
00:32:39,840 --> 00:32:40,840
Speaker 1: make photo copies.

727
00:32:41,800 --> 00:32:45,080
Speaker 5: Note to self, Note to self, one thing to do,

728
00:32:45,280 --> 00:32:46,000
Speaker 5: one thing to do.

729
00:32:47,600 --> 00:32:50,080
Speaker 1: Corey slings an arm around his friend and asks what's wrong.

730
00:32:50,200 --> 00:32:52,640
Speaker 2: Sean admits he had a bad year, and Corey responds

731
00:32:52,640 --> 00:32:55,520
Speaker 2: with a shocking callback in a much too chipper tone,

732
00:32:56,000 --> 00:33:00,120
Speaker 2: buck up Bucker. Cory goes on to reveal Angela's on

733
00:33:00,160 --> 00:33:02,200
Speaker 2: her way here and everything's going to be.

734
00:33:02,400 --> 00:33:03,840
Speaker 3: Wait, yeah, what was the buckup bucker?

735
00:33:04,080 --> 00:33:07,640
Speaker 2: That's Tapenga saying that in the New Year's Eve episode

736
00:33:07,680 --> 00:33:08,600
Speaker 2: buck up buckers.

737
00:33:08,680 --> 00:33:10,680
Speaker 3: That's right, so at least it's cute.

738
00:33:12,320 --> 00:33:15,840
Speaker 2: He takes something that is something she had said, you know, like,

739
00:33:15,880 --> 00:33:17,880
Speaker 2: at least that's some sort of cute little he does

740
00:33:17,920 --> 00:33:23,080
Speaker 2: listen occasionally. Sean confesses he asked Angela to be his

741
00:33:23,120 --> 00:33:25,920
Speaker 2: girlfriend before summer vacation and her response was just a

742
00:33:26,000 --> 00:33:28,080
Speaker 2: kiss on the cheek. He took that as a sign

743
00:33:28,080 --> 00:33:29,959
Speaker 2: that she's madly in love with him, but now worries

744
00:33:30,000 --> 00:33:33,600
Speaker 2: he's reading too much into this. Corey encourages his bestie.

745
00:33:33,680 --> 00:33:36,560
Speaker 2: These girls think they have them wrapped around their fingers,

746
00:33:36,760 --> 00:33:42,160
Speaker 2: so his suggestion they play it cool, set up on

747
00:33:42,400 --> 00:33:46,560
Speaker 2: cute Topenga walks in like a burst of sunshine and

748
00:33:46,720 --> 00:33:51,920
Speaker 2: says hi. Cory jumps up and screams at the top

749
00:33:52,040 --> 00:33:56,440
Speaker 2: of his lungs. I can't believe that Topenga, Honey, I

750
00:33:56,560 --> 00:33:58,200
Speaker 2: missed you so much.

751
00:33:58,600 --> 00:33:59,600
Speaker 3: Did you hear the accent?

752
00:34:00,120 --> 00:34:00,360
Speaker 5: Yeah?

753
00:34:01,840 --> 00:34:03,840
Speaker 3: He's doing he does this?

754
00:34:04,480 --> 00:34:05,600
Speaker 6: Is it?

755
00:34:05,720 --> 00:34:11,399
Speaker 5: Was it? Yes, this housekeeper, it's a lat Oh my god,

756
00:34:13,000 --> 00:34:15,560
Speaker 5: just doing this. He would always do it offset and

757
00:34:15,600 --> 00:34:16,759
Speaker 5: then it just started to bleed.

758
00:34:18,000 --> 00:34:21,400
Speaker 2: Yes, which when you're the person having to play depressed,

759
00:34:22,280 --> 00:34:23,719
Speaker 2: is well.

760
00:34:23,719 --> 00:34:26,120
Speaker 3: We still have one of our famous bloopers. Is his

761
00:34:26,840 --> 00:34:28,080
Speaker 3: still saying to Panga.

762
00:34:27,840 --> 00:34:28,680
Speaker 5: Is stop stop it?

763
00:34:28,920 --> 00:34:31,000
Speaker 3: To stop it is stop it?

764
00:34:31,160 --> 00:34:32,719
Speaker 6: Stop it?

765
00:34:32,800 --> 00:34:36,080
Speaker 2: Oh man. He runs to her with a bear hug.

766
00:34:37,680 --> 00:34:40,280
Speaker 2: When she doesn't hug back, he pulls away and looks concerned.

767
00:34:40,560 --> 00:34:43,880
Speaker 2: She solemnly reveals her parents officially filed for divorce.

768
00:34:44,000 --> 00:34:46,000
Speaker 5: And did you see what you did and then didn't

769
00:34:46,000 --> 00:34:48,000
Speaker 5: do and then did again and then didn't do to

770
00:34:48,000 --> 00:34:48,719
Speaker 5: where you were like what?

771
00:34:48,840 --> 00:34:51,960
Speaker 3: I had to rewind it three times ago? What the back.

772
00:34:55,040 --> 00:34:55,520
Speaker 1: Not here?

773
00:34:55,640 --> 00:34:57,400
Speaker 2: It's when I I think when I cross, I am

774
00:34:57,440 --> 00:34:59,680
Speaker 2: about ready to cross the room, and the backpack I

775
00:34:59,680 --> 00:35:01,359
Speaker 2: thought it. I put it on the bed and then

776
00:35:01,400 --> 00:35:02,800
Speaker 2: the next thing you know, it's back.

777
00:35:02,600 --> 00:35:03,320
Speaker 3: On my shoulders.

778
00:35:05,280 --> 00:35:07,040
Speaker 1: That terrible backpack connuity.

779
00:35:08,560 --> 00:35:10,760
Speaker 4: Yeah, yeah, can't act with the backpack.

780
00:35:10,880 --> 00:35:12,719
Speaker 1: Can't act with the backpack of jacket. Maybe I just

781
00:35:12,719 --> 00:35:13,160
Speaker 1: can't act.

782
00:35:13,320 --> 00:35:17,880
Speaker 2: It's not it's not not a raw mood, you're Corey stammers,

783
00:35:18,000 --> 00:35:20,920
Speaker 2: that's not good, that's bad. I don't know what to say.

784
00:35:21,200 --> 00:35:23,760
Speaker 2: She gives him a reassuring smile and tells him that's okay.

785
00:35:24,280 --> 00:35:27,279
Speaker 2: Sean says he's sorry, and Topega shrugs, I'm sorry too.

786
00:35:27,760 --> 00:35:30,200
Speaker 2: I've just accepted that my parents aren't going to spend

787
00:35:30,200 --> 00:35:33,359
Speaker 2: the rest of their lives together. Corey praises her. It's

788
00:35:33,400 --> 00:35:35,840
Speaker 2: good to face reality, and he's glad she's okay. He

789
00:35:35,920 --> 00:35:38,239
Speaker 2: tries to lighten the mood. Now we can get back

790
00:35:38,239 --> 00:35:41,640
Speaker 2: to planning our wedding. Sean looks to Tapanga for a response,

791
00:35:41,680 --> 00:35:44,600
Speaker 2: but she only gives Corey a nervous look. Corey says

792
00:35:44,600 --> 00:35:47,440
Speaker 2: it again, how a little louder. Now we can get

793
00:35:47,480 --> 00:35:50,960
Speaker 2: back to planning our wedding. Sean looks at Topanga again

794
00:35:51,000 --> 00:35:53,839
Speaker 2: and she's obviously at a loss for words. Corey lets

795
00:35:53,840 --> 00:36:01,279
Speaker 2: out a huge sigh and says, here we go.

796
00:36:00,160 --> 00:36:02,920
Speaker 3: Not be together. I mean it's no, it's like, come on,

797
00:36:03,040 --> 00:36:03,879
Speaker 3: at this point, you've.

798
00:36:03,800 --> 00:36:07,560
Speaker 5: Got to go, guys, this is really really unhealthy.

799
00:36:07,760 --> 00:36:10,080
Speaker 3: Yeah, this is really and.

800
00:36:10,080 --> 00:36:12,640
Speaker 4: It's just because her parents kind I know, of course

801
00:36:13,000 --> 00:36:15,280
Speaker 4: we knew that they were official.

802
00:36:16,239 --> 00:36:17,640
Speaker 3: What love I.

803
00:36:17,600 --> 00:36:23,760
Speaker 2: Mean, Oh god, I can totally totally envision as somebody

804
00:36:23,800 --> 00:36:27,239
Speaker 2: whose parents were married for thirty years and then got

805
00:36:27,239 --> 00:36:29,800
Speaker 2: a divorce when I was an adult, and it's still

806
00:36:30,320 --> 00:36:32,840
Speaker 2: at first made me feel like I was five.

807
00:36:33,480 --> 00:36:35,279
Speaker 1: I felt like I felt like I was.

808
00:36:35,200 --> 00:36:37,160
Speaker 2: Going to a got ready to have a tantrum, and

809
00:36:37,239 --> 00:36:39,880
Speaker 2: I was like this, my whole family is a lie.

810
00:36:40,040 --> 00:36:41,480
Speaker 1: I did feel that way.

811
00:36:41,560 --> 00:36:45,240
Speaker 4: There's an emotional reaction that is totally understandable.

812
00:36:44,880 --> 00:36:49,320
Speaker 2: Totally understandable, and it makes perfectly good sense that someone

813
00:36:49,640 --> 00:36:54,279
Speaker 2: might say, I want I want to marry you. I

814
00:36:54,360 --> 00:36:56,640
Speaker 2: cannot wait to spend the rest of my life with you.

815
00:36:57,080 --> 00:36:59,200
Speaker 2: But I can't plan the wedding while my parents are

816
00:36:59,239 --> 00:37:01,520
Speaker 2: going through this. I'm going to need to be there

817
00:37:01,640 --> 00:37:04,719
Speaker 2: to help them separate their houses. I'm going to I'm

818
00:37:04,760 --> 00:37:07,160
Speaker 2: having my own emotional response, and I'm having a hard

819
00:37:07,160 --> 00:37:10,040
Speaker 2: time fight living in both places of an extreme high

820
00:37:10,080 --> 00:37:12,760
Speaker 2: like getting married and the extreme low of my family

821
00:37:12,760 --> 00:37:15,400
Speaker 2: breaking apart that I'm going to want to just post

822
00:37:15,680 --> 00:37:18,320
Speaker 2: like hold off on the wedding, which, if anybody remembers

823
00:37:18,360 --> 00:37:21,040
Speaker 2: the start of season six, the whole point was we

824
00:37:21,040 --> 00:37:24,239
Speaker 2: weren't going to rush into our date, so why would

825
00:37:24,239 --> 00:37:26,719
Speaker 2: that be a problem to just say, this has nothing

826
00:37:26,760 --> 00:37:27,359
Speaker 2: to do with us.

827
00:37:27,440 --> 00:37:29,920
Speaker 1: Our love is still our love. But I don't want

828
00:37:29,920 --> 00:37:31,040
Speaker 1: to plan the wedding right now.

829
00:37:31,120 --> 00:37:34,000
Speaker 5: And you can even start a super healthy Corey going, hey,

830
00:37:34,120 --> 00:37:35,120
Speaker 5: I'm here exactly.

831
00:37:35,320 --> 00:37:36,279
Speaker 3: We don't have to do this right now.

832
00:37:36,360 --> 00:37:38,480
Speaker 2: I'm We're super young, we don't have to do this

833
00:37:38,560 --> 00:37:40,000
Speaker 2: right now. We're still in college.

834
00:37:40,239 --> 00:37:42,840
Speaker 5: Yeah, well, when you have a banker father who's also

835
00:37:42,880 --> 00:37:47,120
Speaker 5: a luthier, I would say the.

836
00:37:47,080 --> 00:37:49,920
Speaker 4: Better story was that Corey overreacts to that. Right that

837
00:37:50,280 --> 00:37:53,400
Speaker 4: Corey that you could have to Pegas say something reasonable

838
00:37:53,880 --> 00:37:57,200
Speaker 4: and then him overreacting. But instead to Panga says something

839
00:37:57,280 --> 00:37:59,880
Speaker 4: pretty intense and doesn't really make a lot of sense.

840
00:38:00,040 --> 00:38:02,839
Speaker 4: So then Corey's overreaction to it. It's like everybody doesn't

841
00:38:02,880 --> 00:38:07,040
Speaker 4: make sense. If the point is that Corey overthinks things

842
00:38:07,040 --> 00:38:09,800
Speaker 4: and takes things too seriously, that could be a story,

843
00:38:09,960 --> 00:38:12,160
Speaker 4: you know, to Pegas just like I can't even talk

844
00:38:12,160 --> 00:38:15,000
Speaker 4: about the wedding right now, dude, Like my parents are like,

845
00:38:15,040 --> 00:38:17,960
Speaker 4: this is just rocking my world, and then Corey goes crazy.

846
00:38:18,000 --> 00:38:21,040
Speaker 4: That would be but in fact, she's saying like, no,

847
00:38:21,239 --> 00:38:22,160
Speaker 4: I'm calling off.

848
00:38:22,000 --> 00:38:22,719
Speaker 5: I'm breaking out.

849
00:38:22,760 --> 00:38:23,680
Speaker 4: I don't believe in love.

850
00:38:24,000 --> 00:38:28,440
Speaker 2: Yeah, we go to commercial, we'll back at Corey and

851
00:38:28,480 --> 00:38:32,319
Speaker 2: Sean's dorm. To Panga confidently explains to Corey, I've had

852
00:38:32,360 --> 00:38:36,160
Speaker 2: nothing but time to think about this. I just don't

853
00:38:36,200 --> 00:38:42,960
Speaker 2: want to get married anymore. All right, I mean end

854
00:38:42,960 --> 00:38:48,319
Speaker 2: to show, end of conversation. I have thought about it.

855
00:38:49,080 --> 00:38:52,760
Speaker 2: I've actually done nothing but think about it. I don't

856
00:38:53,080 --> 00:38:54,279
Speaker 2: wanna yep.

857
00:38:54,360 --> 00:38:56,520
Speaker 5: Right, didn't talk about it with their partner either, just

858
00:38:56,840 --> 00:38:59,680
Speaker 5: made the decision on my own. Came in, took off

859
00:38:59,719 --> 00:39:01,319
Speaker 5: her back pack, put it back on, took it off,

860
00:39:01,320 --> 00:39:03,800
Speaker 5: put it back back on, and then said, I don't.

861
00:39:03,600 --> 00:39:05,640
Speaker 3: Want to be married in front of Sean, in front.

862
00:39:05,440 --> 00:39:06,840
Speaker 1: Of in front of in front of everyone.

863
00:39:06,920 --> 00:39:07,839
Speaker 3: She's up.

864
00:39:08,320 --> 00:39:13,040
Speaker 2: Yeah, it's Romeo her wedding while still in a backpack.

865
00:39:13,400 --> 00:39:16,080
Speaker 5: But it's Romeo and Juliet breaking up. If your Cutio

866
00:39:16,200 --> 00:39:18,279
Speaker 5: was sitting on the bed next then watching the entire time.

867
00:39:21,400 --> 00:39:24,280
Speaker 2: Cory is dumbfounded, even though we love each other, She sighs,

868
00:39:24,560 --> 00:39:28,320
Speaker 2: so did my parents. Then Angela loudly enters andto Pega

869
00:39:28,360 --> 00:39:29,200
Speaker 2: gives her a big hug.

870
00:39:29,360 --> 00:39:32,359
Speaker 1: Corey's jaw drops. He points out to Sean bigger hello

871
00:39:32,440 --> 00:39:33,440
Speaker 1: than me. Did you see that?

872
00:39:33,680 --> 00:39:37,279
Speaker 2: Which I loved that, by the way. Sean says Hi

873
00:39:37,320 --> 00:39:40,399
Speaker 2: to Angela too, but no hugs. Corey pulls to Panga

874
00:39:40,440 --> 00:39:43,319
Speaker 2: aside they need to talk. Angela asks what's going on

875
00:39:43,400 --> 00:39:45,560
Speaker 2: and Sean fills her in not much. She's calling off

876
00:39:45,560 --> 00:39:49,560
Speaker 2: the wedding. Angela is surprised again and Corey adds, even

877
00:39:49,600 --> 00:39:52,440
Speaker 2: though we love each other. Topanga insists, I don't want

878
00:39:52,440 --> 00:39:55,960
Speaker 2: to hear about the word love anymore, and Corey gets defensive.

879
00:39:56,120 --> 00:39:58,960
Speaker 2: She put the word love in finger quotes. Topanga admits

880
00:39:59,000 --> 00:40:01,960
Speaker 2: she did that because she does and think love exists anymore,

881
00:40:02,239 --> 00:40:04,840
Speaker 2: and Corey says that's the craziest thing he's ever heard,

882
00:40:05,280 --> 00:40:06,279
Speaker 2: putting heard an.

883
00:40:08,920 --> 00:40:10,920
Speaker 5: Maybe that's what I liked about this episode now even

884
00:40:10,960 --> 00:40:13,120
Speaker 5: thinking about it. Maybe the overall story isn't great, but

885
00:40:13,239 --> 00:40:16,600
Speaker 5: some of the individual jokes are sharp. You're right, So

886
00:40:16,680 --> 00:40:19,320
Speaker 5: maybe that's what I'm liking, is that the actual jokes

887
00:40:19,360 --> 00:40:20,240
Speaker 5: were were funny.

888
00:40:20,400 --> 00:40:24,600
Speaker 2: There were an actual a couple of laugh out loud moments.

889
00:40:24,840 --> 00:40:26,400
Speaker 1: Yes, so you're right there.

890
00:40:27,480 --> 00:40:30,600
Speaker 4: The witty dialogue is that's what I like, And so

891
00:40:30,719 --> 00:40:32,160
Speaker 4: Ben is having so much fun, so.

892
00:40:35,560 --> 00:40:35,880
Speaker 1: Are you?

893
00:40:36,560 --> 00:40:37,440
Speaker 3: I guess you know.

894
00:40:37,480 --> 00:40:40,560
Speaker 4: Also, this would have been the one the first season

895
00:40:40,719 --> 00:40:42,200
Speaker 4: that Ben was out of school.

896
00:40:42,360 --> 00:40:45,239
Speaker 3: Yes, me too, Oh yeah, you too. So maybe that's

897
00:40:45,239 --> 00:40:46,279
Speaker 3: why he was having so much fun.

898
00:40:46,280 --> 00:40:48,120
Speaker 4: It's like, you know, because I was in college, but

899
00:40:48,160 --> 00:40:50,200
Speaker 4: he wasn't doing He took a year off, so he

900
00:40:50,440 --> 00:40:53,320
Speaker 4: had this entire year to just be Work changes.

901
00:40:52,960 --> 00:40:55,000
Speaker 5: The entire way you work when you don't have to

902
00:40:55,000 --> 00:40:57,480
Speaker 5: spend three hours in school every time. Really, just your

903
00:40:57,520 --> 00:40:58,320
Speaker 5: whole life is different.

904
00:40:58,440 --> 00:40:59,280
Speaker 1: Absolutely.

905
00:40:59,480 --> 00:40:59,880
Speaker 5: Yeah.

906
00:41:00,239 --> 00:41:03,000
Speaker 2: Meanwhile, Sean turns his attention to Angela. Has she thought

907
00:41:03,000 --> 00:41:05,320
Speaker 2: about what he asked her before the summer? She hesitates

908
00:41:05,360 --> 00:41:08,320
Speaker 2: and directs her attention to Topanga. You don't think love exists?

909
00:41:08,640 --> 00:41:11,279
Speaker 2: Sean tells her to ignore Topanga. She's stressed out. He

910
00:41:11,360 --> 00:41:14,760
Speaker 2: quickly compliments Angela's hair to change the subject, but Topanga

911
00:41:14,840 --> 00:41:18,040
Speaker 2: is ready to answer Angela, if love exists, why do

912
00:41:18,120 --> 00:41:21,279
Speaker 2: people hurt each other? Angela asks Sean to answer, and

913
00:41:21,320 --> 00:41:24,920
Speaker 2: he shouts, they don't. Sean turns back to Angela. She's

914
00:41:24,960 --> 00:41:27,000
Speaker 2: only saying that because your hair looks better than hers,

915
00:41:27,120 --> 00:41:29,879
Speaker 2: which is also a very funny, very funny line. Corey

916
00:41:29,920 --> 00:41:34,160
Speaker 2: assures to Panga he would never hurt her, and Topanga asks,

917
00:41:34,239 --> 00:41:36,799
Speaker 2: how do you know I wouldn't hurt you. Corey is

918
00:41:36,840 --> 00:41:39,560
Speaker 2: sure because I know you love me, and that's all

919
00:41:39,560 --> 00:41:42,440
Speaker 2: Topanga needed to hear. She states, that's why I can't

920
00:41:42,440 --> 00:41:43,879
Speaker 2: marry you and walks away.

921
00:41:44,680 --> 00:41:48,320
Speaker 4: They twisted logic again, Brain perfect sense.

922
00:41:49,160 --> 00:41:52,200
Speaker 2: Sean nervously assures Angela she's nuts. Don't let her influence you.

923
00:41:52,239 --> 00:41:54,279
Speaker 2: Trust your heart, don't listen to your brain, because your

924
00:41:54,320 --> 00:41:57,960
Speaker 2: heart and your brain are enemies, and your brain well.

925
00:41:58,160 --> 00:42:01,720
Speaker 2: Angela shuts him down to Panga, makes sense and walks

926
00:42:01,760 --> 00:42:07,520
Speaker 2: out too. Sean sighs, kill me dead, and then we're

927
00:42:07,520 --> 00:42:10,000
Speaker 2: in the student union to Panga, Angela, Corey and Seawan

928
00:42:10,120 --> 00:42:12,799
Speaker 2: enter and Sean still has questions for Angela. What about

929
00:42:12,840 --> 00:42:14,759
Speaker 2: their moment a Poenie's wedding when he put his hand

930
00:42:14,800 --> 00:42:16,280
Speaker 2: on Angela's hand and she pulled away.

931
00:42:16,480 --> 00:42:18,680
Speaker 3: Then is where Susan pointed out to me.

932
00:42:18,719 --> 00:42:22,080
Speaker 5: She's like, that's that's you just waiting for your queue

933
00:42:22,120 --> 00:42:25,640
Speaker 5: outside understanding, and you just see this half of my

934
00:42:25,719 --> 00:42:28,040
Speaker 5: shirt and part of my fake hair, like just waiting

935
00:42:28,160 --> 00:42:29,320
Speaker 5: to come in for the scene.

936
00:42:30,120 --> 00:42:31,520
Speaker 3: And then I disappear a little bit.

937
00:42:31,480 --> 00:42:33,000
Speaker 5: And then I come back and then I disappear a

938
00:42:33,000 --> 00:42:36,719
Speaker 5: little bit, and she's like, that's you're just waiting there

939
00:42:36,760 --> 00:42:44,520
Speaker 5: for you. Oh God, you're like a lobster subject just there.

940
00:42:44,560 --> 00:42:46,200
Speaker 5: It's because I was so big by this point they

941
00:42:46,200 --> 00:42:47,799
Speaker 5: couldn't hide behind the set.

942
00:42:48,480 --> 00:42:50,719
Speaker 3: So h Actually I forgot about the lobster. I didn't

943
00:42:50,760 --> 00:42:52,040
Speaker 3: see it in this episode and looked.

944
00:42:53,160 --> 00:42:56,239
Speaker 5: But I guess is somebody maybe even was like okay,

945
00:42:56,239 --> 00:42:56,640
Speaker 5: I was, I.

946
00:42:56,680 --> 00:42:57,560
Speaker 1: Can't do it anymore.

947
00:42:57,719 --> 00:43:00,600
Speaker 3: I didn't flying too close to the sun, so I

948
00:43:00,640 --> 00:43:01,440
Speaker 3: think she stopped.

949
00:43:01,480 --> 00:43:03,719
Speaker 2: Yeah, remember when he put his hand on her hand,

950
00:43:03,719 --> 00:43:05,160
Speaker 2: and then he put his hand on her hand again,

951
00:43:05,200 --> 00:43:06,759
Speaker 2: and she pulled it away, and then he did it again,

952
00:43:06,800 --> 00:43:07,799
Speaker 2: and she pulled it away again.

953
00:43:08,120 --> 00:43:10,360
Speaker 3: Angela lobster was figured prominently in that shot.

954
00:43:10,600 --> 00:43:15,400
Speaker 2: Correct, Yes, Angela asks, so what, and Sean responds, you

955
00:43:15,440 --> 00:43:19,799
Speaker 2: know you liked it even though it's about hands. I'm

956
00:43:19,800 --> 00:43:22,120
Speaker 2: not sure that's a joke someone would write today, No problem,

957
00:43:22,239 --> 00:43:25,279
Speaker 2: Angela insists their friends, but Sean can't accept that he

958
00:43:25,320 --> 00:43:27,279
Speaker 2: can either hate her or love her for the rest

959
00:43:27,320 --> 00:43:29,960
Speaker 2: of his life. And that's it. Sean shouts at Corey,

960
00:43:30,200 --> 00:43:32,799
Speaker 2: she got this from Tapanga. If you knew how to

961
00:43:32,920 --> 00:43:35,680
Speaker 2: keep your girlfriend. Corey stops it.

962
00:43:35,840 --> 00:43:38,560
Speaker 4: This is where I was like, is this Sean? I

963
00:43:38,600 --> 00:43:43,520
Speaker 4: know Sean is suddenly wanting a relationship yep, and Red

964
00:43:43,560 --> 00:43:46,440
Speaker 4: flagging it and read and like what I just I

965
00:43:46,520 --> 00:43:49,480
Speaker 4: was like, the lot, this doesn't fit the character, Like

966
00:43:50,800 --> 00:43:51,879
Speaker 4: it just doesn't make any sense.

967
00:43:51,920 --> 00:43:52,880
Speaker 3: It doesn't make any sense to me.

968
00:43:53,600 --> 00:43:55,160
Speaker 1: No, it was definitely out of character.

969
00:43:56,480 --> 00:44:01,000
Speaker 5: And maybe that's what That's what I think Season seven

970
00:44:01,080 --> 00:44:05,239
Speaker 5: is going to be us, not as our characters.

971
00:44:05,239 --> 00:44:06,360
Speaker 3: Doing funny things.

972
00:44:06,840 --> 00:44:09,239
Speaker 5: Yeah, right, I think that's what it's going to be,

973
00:44:09,239 --> 00:44:12,400
Speaker 5: because Eric's way more Eric. Sean is now this Sean

974
00:44:12,560 --> 00:44:15,840
Speaker 5: Tapanga's depressed to Panga, which we've never seen before. I

975
00:44:15,880 --> 00:44:18,359
Speaker 5: think we're all going to be doing random stuff more

976
00:44:18,400 --> 00:44:22,640
Speaker 5: as ourselves than we are as our characters. That makes sense.

977
00:44:22,800 --> 00:44:26,760
Speaker 2: Yeah, yeah, and everyone knows I was depressed, you were constantly.

978
00:44:27,160 --> 00:44:30,839
Speaker 2: Corey stops him. Happy, pleasant, quiet. I don't know how

979
00:44:30,880 --> 00:44:33,919
Speaker 2: to do any of those things. Then we see Jack

980
00:44:33,960 --> 00:44:37,479
Speaker 2: and Rachel getting coffee nearby. They all exchange pleasantry, seeing

981
00:44:37,520 --> 00:44:39,440
Speaker 2: each other for the first time in season seven, and

982
00:44:39,480 --> 00:44:42,040
Speaker 2: the boys are most excited to see the happy couple.

983
00:44:42,400 --> 00:44:45,760
Speaker 2: Corey exclaims, you're just the people to tell these women

984
00:44:45,840 --> 00:44:49,120
Speaker 2: how to keep themselves in line. Sean asks, will you

985
00:44:49,120 --> 00:44:50,839
Speaker 2: please tell these two that being in love is the

986
00:44:50,880 --> 00:44:55,279
Speaker 2: greatest thing. Corey commands girls, listen, listen. After a few

987
00:44:55,320 --> 00:44:58,400
Speaker 2: seconds of silence, Rachel reveals Jack and I broke up.

988
00:44:58,760 --> 00:45:03,120
Speaker 2: Corey and Shawn's moods quick change. Cory is furious, you morons.

989
00:45:04,440 --> 00:45:09,239
Speaker 5: I have to say, Matt Lawrence is gorgeous, stunning it.

990
00:45:09,480 --> 00:45:11,880
Speaker 3: This is peak Matt Lawrence. If we talked about peak

991
00:45:11,880 --> 00:45:13,240
Speaker 3: the rest of us, this is peak.

992
00:45:14,520 --> 00:45:15,960
Speaker 5: I was like, oh, for the love of God, like

993
00:45:17,080 --> 00:45:20,320
Speaker 5: he's an insanely good looking dude, just gorgeous.

994
00:45:20,320 --> 00:45:22,240
Speaker 3: Season yeah, crazy crazy.

995
00:45:23,400 --> 00:45:26,759
Speaker 2: Sean jumps in you killed us to pang. The storms off,

996
00:45:26,800 --> 00:45:29,560
Speaker 2: and Corey hurries after her. Angela turns to Sean and

997
00:45:29,560 --> 00:45:34,080
Speaker 2: doesn't buckle friends Okay, Sean loudly reiterates hate you or

998
00:45:34,160 --> 00:45:37,799
Speaker 2: love you? Then he turns on a French accent and know.

999
00:45:37,880 --> 00:45:39,680
Speaker 5: This I hate as.

1000
00:45:46,160 --> 00:45:51,880
Speaker 4: Spanish Spanish, but whatever, I'm wondering if I was in

1001
00:45:51,920 --> 00:45:52,400
Speaker 4: the script.

1002
00:45:52,560 --> 00:45:56,120
Speaker 3: I have no recollection of this, but like, it's funny.

1003
00:45:55,800 --> 00:45:57,760
Speaker 1: But you're having so much fun.

1004
00:45:58,080 --> 00:45:59,640
Speaker 4: I wonder if it wasn't in the script, it was

1005
00:45:59,680 --> 00:46:02,280
Speaker 4: just but know this, or he says in an intense voice,

1006
00:46:02,440 --> 00:46:04,040
Speaker 4: or if it said accident or what, I don't know.

1007
00:46:04,640 --> 00:46:10,120
Speaker 2: It's beautiful, It's really beautiful. Without much emotion, Angela says goodbye,

1008
00:46:10,120 --> 00:46:15,000
Speaker 2: and Sean pretends he's unaffected. Fine, goodbye, you're gone, Fine, goodbye,

1009
00:46:15,040 --> 00:46:17,439
Speaker 2: But after a few seconds he manically runs after her.

1010
00:46:18,160 --> 00:46:20,319
Speaker 2: Back at the coffee shop, Rachel and Jack are having

1011
00:46:20,360 --> 00:46:23,040
Speaker 2: their own big conversation. She reminds him that it's going

1012
00:46:23,080 --> 00:46:26,000
Speaker 2: to get uncomfortable living together now. Jack wanted to talk

1013
00:46:26,000 --> 00:46:29,240
Speaker 2: about that as well, But then an overjoyed and long

1014
00:46:29,320 --> 00:46:32,680
Speaker 2: haired Eric Matthews comes barging in, yelling at the top

1015
00:46:32,680 --> 00:46:37,480
Speaker 2: of his lungs. Everybody look at my head. Jack tells Rachel. No,

1016
00:46:37,920 --> 00:46:39,759
Speaker 2: I promised myself. I'm not going to look at his

1017
00:46:39,800 --> 00:46:43,640
Speaker 2: head all year. Eric, who's now standing on the pool table, announces,

1018
00:46:43,640 --> 00:46:45,839
Speaker 2: I think it was clear that my life needed examination

1019
00:46:45,920 --> 00:46:46,520
Speaker 2: and change.

1020
00:46:46,840 --> 00:46:48,120
Speaker 1: A change was needed.

1021
00:46:47,880 --> 00:46:50,080
Speaker 2: So that Eric Matthews could reach the next plateau in

1022
00:46:50,080 --> 00:46:52,480
Speaker 2: his life, in my life, in all of our lives.

1023
00:46:53,000 --> 00:46:57,000
Speaker 4: And this is a return to hair obsession on boy

1024
00:46:57,040 --> 00:46:57,840
Speaker 4: mats work completely.

1025
00:46:57,920 --> 00:46:58,560
Speaker 3: Who cares?

1026
00:46:58,719 --> 00:47:02,319
Speaker 4: Who cares that Eric cut his hair? We had to

1027
00:47:02,320 --> 00:47:04,480
Speaker 4: make so you. Do you know why this happened? I mean,

1028
00:47:04,840 --> 00:47:07,280
Speaker 4: like in real life, you cut your hair over the summer.

1029
00:47:07,880 --> 00:47:09,120
Speaker 3: I cut my hair before the summer.

1030
00:47:09,160 --> 00:47:13,680
Speaker 5: I remember I had my hair cut, like at the

1031
00:47:13,800 --> 00:47:16,319
Speaker 5: end of the last season. I cut off and they

1032
00:47:16,320 --> 00:47:18,480
Speaker 5: did it. Laurie did it like in the Boy Meets

1033
00:47:18,520 --> 00:47:20,759
Speaker 5: World Room, Like, we cut off on my hair. So

1034
00:47:20,840 --> 00:47:23,560
Speaker 5: I don't know why they insisted on. Michael wanted to

1035
00:47:23,560 --> 00:47:24,840
Speaker 5: make it a think a big scene.

1036
00:47:24,880 --> 00:47:27,239
Speaker 4: I mean, I guess I feel like it's a weird

1037
00:47:27,280 --> 00:47:30,480
Speaker 4: echo of like the Topanga hair cutting being such a

1038
00:47:30,520 --> 00:47:33,160
Speaker 4: big episode and such a good episode, and I feel

1039
00:47:33,160 --> 00:47:34,319
Speaker 4: like they were like, well, we have to make an

1040
00:47:34,320 --> 00:47:37,040
Speaker 4: episode about it. It's like, you don't make it everybody

1041
00:47:37,040 --> 00:47:38,080
Speaker 4: cutting their hair.

1042
00:47:38,320 --> 00:47:40,839
Speaker 5: I mean, do you remember what happened? No is I

1043
00:47:40,880 --> 00:47:42,719
Speaker 5: stand up at the thing and I pull.

1044
00:47:42,520 --> 00:47:44,960
Speaker 1: Off the wig, expecting a big response.

1045
00:47:44,760 --> 00:47:47,759
Speaker 3: Dead silence because no one cared. No one cared. Well,

1046
00:47:47,840 --> 00:47:48,920
Speaker 3: I think there's two reasons.

1047
00:47:49,120 --> 00:47:51,719
Speaker 5: One I don't think anybody cared, and two, this is

1048
00:47:51,760 --> 00:47:54,240
Speaker 5: the first time people are seeing me since the last

1049
00:47:54,239 --> 00:47:56,400
Speaker 5: time they saw Eric. So the people in the audience

1050
00:47:56,680 --> 00:47:58,520
Speaker 5: and I had put on like thirty pounds.

1051
00:47:58,760 --> 00:48:01,240
Speaker 3: I mean, I looked way down that shirt was huge

1052
00:48:01,239 --> 00:48:01,520
Speaker 3: on me.

1053
00:48:01,600 --> 00:48:05,160
Speaker 5: It was not not good wardrobe for somebody who's put

1054
00:48:05,200 --> 00:48:08,919
Speaker 5: on weight, and so I looked enormous and I think

1055
00:48:08,960 --> 00:48:11,920
Speaker 5: they were kind of shocked at what they were seeing.

1056
00:48:12,040 --> 00:48:14,160
Speaker 5: So couple that with now my long hair is gone

1057
00:48:14,160 --> 00:48:17,160
Speaker 5: as well, and it's short hair, and so all the

1058
00:48:17,239 --> 00:48:19,080
Speaker 5: cheers you're hearing are the all that stuff.

1059
00:48:19,080 --> 00:48:20,680
Speaker 3: Michael's like, yeah, don't worry, we'll put it in later,

1060
00:48:20,680 --> 00:48:21,120
Speaker 3: because there was.

1061
00:48:21,200 --> 00:48:22,960
Speaker 5: And they even cut to Matt Lawrence who has kind

1062
00:48:22,960 --> 00:48:25,600
Speaker 5: of a smile on his face because there was no reaction,

1063
00:48:25,880 --> 00:48:26,879
Speaker 5: dead silence and.

1064
00:48:28,480 --> 00:48:29,799
Speaker 3: Cares. Yeah, it was.

1065
00:48:30,040 --> 00:48:31,600
Speaker 5: It was one of those michaels, like it's gonna be

1066
00:48:31,600 --> 00:48:33,640
Speaker 5: big way to end just nothing, no, nothing.

1067
00:48:33,800 --> 00:48:34,200
Speaker 3: Yeah.

1068
00:48:34,520 --> 00:48:36,359
Speaker 4: I mean I remember this season I cut my hair

1069
00:48:36,440 --> 00:48:38,520
Speaker 4: halfway through the season or part way, and I remember

1070
00:48:38,560 --> 00:48:41,319
Speaker 4: it was a series of meetings, Yeah, having to ask

1071
00:48:41,400 --> 00:48:43,640
Speaker 4: if I could cut my hair because I just wanted

1072
00:48:43,680 --> 00:48:45,840
Speaker 4: to cut my hair. Maybe I was following your footsteps,

1073
00:48:45,880 --> 00:48:46,960
Speaker 4: I don't know, but it was a.

1074
00:48:46,719 --> 00:48:48,480
Speaker 3: Big deal, such a big deal.

1075
00:48:49,320 --> 00:48:49,800
Speaker 1: I'm weird.

1076
00:48:50,000 --> 00:48:51,360
Speaker 3: It's so weird. Who cares?

1077
00:48:51,800 --> 00:48:52,040
Speaker 5: I know?

1078
00:49:05,080 --> 00:49:07,799
Speaker 2: Well, he asks the gathered group of students, would you

1079
00:49:07,880 --> 00:49:09,799
Speaker 2: like to know what he did? What I did what

1080
00:49:09,960 --> 00:49:14,760
Speaker 2: he all did. Everyone shouts back no. In unison, Rachel

1081
00:49:14,800 --> 00:49:15,719
Speaker 2: decides to help out.

1082
00:49:15,880 --> 00:49:17,560
Speaker 1: Okay, Eric, tell us what you did?

1083
00:49:17,920 --> 00:49:21,680
Speaker 2: He proudly responds, I did a little something called this.

1084
00:49:22,440 --> 00:49:24,680
Speaker 2: Then he takes the shoulder length wig off of his

1085
00:49:24,680 --> 00:49:28,919
Speaker 2: head to reveal he has short hair. We hear triumphant,

1086
00:49:29,000 --> 00:49:32,480
Speaker 2: almost superman esque music as he swivels around so everyone

1087
00:49:32,520 --> 00:49:34,720
Speaker 2: can take a good look, but no one really cares

1088
00:49:34,800 --> 00:49:38,279
Speaker 2: going but Rachel doesn't understand. He loved his long hair

1089
00:49:38,280 --> 00:49:40,440
Speaker 2: and he swore he'd never cut it. Eric argues that

1090
00:49:40,480 --> 00:49:42,920
Speaker 2: he didn't just cut it. He had a life changing

1091
00:49:42,960 --> 00:49:46,880
Speaker 2: religious experience. He casually adds, I also got a bikini wax.

1092
00:49:46,960 --> 00:49:48,879
Speaker 2: Check this out, and he goes to unzip his pants

1093
00:49:48,920 --> 00:49:51,319
Speaker 2: as they beg him not to. He stops himself and

1094
00:49:51,320 --> 00:49:53,440
Speaker 2: dives deeper into the haircut. He was sitting on the

1095
00:49:53,480 --> 00:49:56,520
Speaker 2: pony and watching his beautiful locks fall to the floor.

1096
00:49:56,560 --> 00:50:01,080
Speaker 1: Sitting on the pony.

1097
00:50:00,640 --> 00:50:04,200
Speaker 2: Very funny, and that's when he realized this new haircut

1098
00:50:04,239 --> 00:50:08,920
Speaker 2: would symbolize the new and smarter Eric. Rachel wonders what

1099
00:50:08,960 --> 00:50:10,800
Speaker 2: he'll do when his hair grows back, and he scoffs

1100
00:50:10,840 --> 00:50:13,560
Speaker 2: at her it's not gonna grow back. I've got my receipt.

1101
00:50:15,600 --> 00:50:17,640
Speaker 2: He proudly pulls it out of his shirt pocket and

1102
00:50:17,680 --> 00:50:21,200
Speaker 2: has never felt smarter. Now outside the student union, Corey

1103
00:50:21,200 --> 00:50:23,279
Speaker 2: and Tapanga in the middle of a deep conversation when

1104
00:50:23,280 --> 00:50:26,640
Speaker 2: Feenie arrives. Ah, my favorite couple back together.

1105
00:50:26,760 --> 00:50:27,080
Speaker 1: Mmmm.

1106
00:50:27,480 --> 00:50:29,880
Speaker 2: Corey's relieved to see him. He's just the man who

1107
00:50:29,920 --> 00:50:32,640
Speaker 2: can talk some sense into Tapanga. Phoeni asks if she's

1108
00:50:32,680 --> 00:50:35,799
Speaker 2: all right, and Corey answers for her. She's so terrific

1109
00:50:35,880 --> 00:50:38,800
Speaker 2: she's calling off the wedding Tapega says high and Feeney

1110
00:50:38,840 --> 00:50:41,279
Speaker 2: acknowledges that this is none of his business, but Corey

1111
00:50:41,320 --> 00:50:44,200
Speaker 2: won't accept that. He reminds Pheenie, you've been butting into

1112
00:50:44,280 --> 00:50:47,720
Speaker 2: my business, my entire life. That is nineteen years of butting.

1113
00:50:47,760 --> 00:50:48,200
Speaker 1: Baby.

1114
00:50:48,400 --> 00:50:51,200
Speaker 2: Now when I actually need butting, why don't you butt?

1115
00:50:52,040 --> 00:50:55,360
Speaker 2: Corey has a point here, peoene commands him to back off.

1116
00:50:55,480 --> 00:50:57,560
Speaker 2: He looks to Topanga and asks if she'd like to

1117
00:50:57,600 --> 00:50:59,719
Speaker 2: talk about this. She admits she just doesn't want to

1118
00:50:59,760 --> 00:51:03,000
Speaker 2: end up divorced like her parents. Feenie admits that divorce

1119
00:51:03,080 --> 00:51:06,680
Speaker 2: is devastating for everyone involved. Corey assures her they aren't

1120
00:51:06,719 --> 00:51:08,839
Speaker 2: going to get divorced. They love each other too much,

1121
00:51:09,080 --> 00:51:12,080
Speaker 2: but Tapanga points out Corey thinks anything can be magically

1122
00:51:12,120 --> 00:51:16,320
Speaker 2: resolved with love. Once again doing the air quotes, Corey asks,

1123
00:51:16,400 --> 00:51:20,200
Speaker 2: how about I bite off those fingers right now. Tapanga

1124
00:51:20,239 --> 00:51:22,319
Speaker 2: tells them that over half of all marriages fail, and

1125
00:51:22,320 --> 00:51:25,520
Speaker 2: it's even worse with people their age. Apparently she just

1126
00:51:25,640 --> 00:51:28,160
Speaker 2: now read that stack that that was true before her

1127
00:51:28,200 --> 00:51:28,960
Speaker 2: parents as well.

1128
00:51:30,120 --> 00:51:32,399
Speaker 5: Oneids in college getting married, and now all of a sudden,

1129
00:51:32,440 --> 00:51:34,880
Speaker 5: you're you're you're doing the research. Yeah, well the internet

1130
00:51:34,920 --> 00:51:35,719
Speaker 5: is starting to pick up.

1131
00:51:35,880 --> 00:51:36,680
Speaker 1: Yeah. True.

1132
00:51:36,840 --> 00:51:39,920
Speaker 2: So Corey says those statistics are about other people, and

1133
00:51:39,960 --> 00:51:42,080
Speaker 2: the only people he cares about are the two of them.

1134
00:51:42,239 --> 00:51:45,640
Speaker 4: But also everyone's been saying to Panga and Cory and

1135
00:51:45,680 --> 00:51:48,880
Speaker 4: you're too young from and so she could just be like,

1136
00:51:48,960 --> 00:51:50,680
Speaker 4: they're all right, that's what I'm ing.

1137
00:51:50,840 --> 00:51:52,040
Speaker 3: Yeah, So we also.

1138
00:51:51,800 --> 00:51:54,640
Speaker 5: Agreed to wait. Yes, That's one of the things was

1139
00:51:54,680 --> 00:51:56,600
Speaker 5: one of the major points of the show is that

1140
00:51:56,640 --> 00:51:57,879
Speaker 5: they agreed to wait.

1141
00:51:58,200 --> 00:52:00,960
Speaker 3: Yes, so yes, rama for drama's sake.

1142
00:52:01,360 --> 00:52:05,160
Speaker 2: He persists, if every marriage failed except one, I guarantee

1143
00:52:05,200 --> 00:52:08,359
Speaker 2: you that one would be ours. Tapanga has no argument left.

1144
00:52:08,880 --> 00:52:10,920
Speaker 2: Cory asks for Feenie's two cents, and he adds that

1145
00:52:10,920 --> 00:52:13,160
Speaker 2: to Panga has always been a practical thinker, and she's

1146
00:52:13,200 --> 00:52:15,560
Speaker 2: going through a terrible time and it's affecting her, but

1147
00:52:15,640 --> 00:52:18,440
Speaker 2: this decision should only be about herself and Corey, no

1148
00:52:18,480 --> 00:52:21,680
Speaker 2: one else. Tapanga thanks Pheenie for his advice and walks away.

1149
00:52:22,040 --> 00:52:24,560
Speaker 2: Corey seems satisfied. He thinks they're going to be okay,

1150
00:52:24,960 --> 00:52:28,080
Speaker 2: but Pheenie seems a little surprised by the assumption. Corey

1151
00:52:28,080 --> 00:52:30,279
Speaker 2: walks away, leaving Phoenie alone to think about it, until

1152
00:52:30,280 --> 00:52:32,799
Speaker 2: he's interrupted by Eric in a very loud Fhenie call.

1153
00:52:33,520 --> 00:52:36,120
Speaker 2: Phoene shouts right back at him with his own call.

1154
00:52:36,600 --> 00:52:38,520
Speaker 3: Eric, Eric, I didn't remember that.

1155
00:52:38,520 --> 00:52:39,880
Speaker 1: That's a funny, so cute.

1156
00:52:40,200 --> 00:52:40,600
Speaker 5: I love it.

1157
00:52:41,200 --> 00:52:43,160
Speaker 1: Is this the only time he does that? Or does he?

1158
00:52:43,200 --> 00:52:45,480
Speaker 1: Does he ever get like a big Eric always.

1159
00:52:45,200 --> 00:52:47,960
Speaker 4: Calls him mister Matthews, right, yeah, so cool.

1160
00:52:48,400 --> 00:52:53,320
Speaker 2: But Eric grins, No, it's me. It's Eric, which is

1161
00:52:53,360 --> 00:52:56,239
Speaker 2: also very funny. I don't blame you for not recognizing me.

1162
00:52:56,600 --> 00:52:59,200
Speaker 2: Phoene tells him he does recognize him, but Eric isn't

1163
00:52:59,200 --> 00:53:01,520
Speaker 2: hearing it. It's because I got my haircut. See this

1164
00:53:01,600 --> 00:53:05,760
Speaker 2: new hair symbolizes the new smarter Eric. Then he earnestly asks,

1165
00:53:05,920 --> 00:53:09,440
Speaker 2: is your head cold? Because mine's cold. Feoene attempts to leave,

1166
00:53:09,440 --> 00:53:12,200
Speaker 2: but Eric remembers some good news. He gladly exclaims, I

1167
00:53:12,200 --> 00:53:15,040
Speaker 2: don't have to sleep in your car anymore. What this

1168
00:53:15,120 --> 00:53:17,440
Speaker 2: is news to feeni How long have you been sleeping

1169
00:53:17,520 --> 00:53:20,359
Speaker 2: in my car? Eric reveals since he got kicked out

1170
00:53:20,360 --> 00:53:22,480
Speaker 2: of the apartment, he'd just wait for Feenie and Dean

1171
00:53:22,520 --> 00:53:23,920
Speaker 2: what's her head to go to bed, and then he'd

1172
00:53:23,960 --> 00:53:25,920
Speaker 2: curl up in the backseat. Well unless, of course, he

1173
00:53:25,920 --> 00:53:29,760
Speaker 2: had company over. Phoene shocked, you had company in my car?

1174
00:53:30,160 --> 00:53:34,120
Speaker 2: Eric nods, Thursday spaghetti night. Eric goes on to explain, well,

1175
00:53:34,160 --> 00:53:36,160
Speaker 2: now that Jack and Rachel are splitsky, they asked me

1176
00:53:36,200 --> 00:53:38,600
Speaker 2: to move back into the apartment, so looks like everything's

1177
00:53:38,640 --> 00:53:42,040
Speaker 2: good for all Eric Again. Phoene's still processing things as

1178
00:53:42,200 --> 00:53:45,560
Speaker 2: Eric walks away. Eventually, Phoene shouts after him, I like

1179
00:53:45,600 --> 00:53:46,600
Speaker 2: spaghetti too, you know.

1180
00:53:47,040 --> 00:53:49,600
Speaker 5: And then I walk I walk out and just stop.

1181
00:53:50,520 --> 00:53:53,759
Speaker 5: It's like I'm not on camera anymore. I don't think

1182
00:53:53,840 --> 00:53:58,080
Speaker 5: so seed's over and you just see me stop. It's

1183
00:53:58,160 --> 00:53:58,800
Speaker 5: so funny.

1184
00:54:00,200 --> 00:54:04,240
Speaker 2: Yeah, And then we're in the Matthew's kitchen. Alan insists

1185
00:54:04,239 --> 00:54:06,400
Speaker 2: to Amy that Morgan is still a baby, but she

1186
00:54:06,480 --> 00:54:09,680
Speaker 2: reminds him that their little girl is now thirteen years old.

1187
00:54:10,239 --> 00:54:12,880
Speaker 2: Alan wants to know about this boy. Amy explains that

1188
00:54:12,960 --> 00:54:15,520
Speaker 2: someone she knows from school, and Alan is still concerned.

1189
00:54:15,880 --> 00:54:18,480
Speaker 2: Amy points out that he doesn't trust his daughter, but

1190
00:54:19,280 --> 00:54:22,320
Speaker 2: Alan tries to play it off cool. Then he just admits,

1191
00:54:22,600 --> 00:54:24,880
Speaker 2: you're right. He runs to the staircase and shouts up

1192
00:54:24,920 --> 00:54:26,960
Speaker 2: to Morgan. Who is this boy? How old is he?

1193
00:54:27,480 --> 00:54:30,240
Speaker 2: Amy begs him to not spoil her first date. Morgan

1194
00:54:30,280 --> 00:54:32,919
Speaker 2: comes down the stairs and explains to her interrogating dad

1195
00:54:33,239 --> 00:54:36,000
Speaker 2: his name is Dominic. He's in the eighth grade. If

1196
00:54:36,040 --> 00:54:40,800
Speaker 2: you embarrass me, I'll die. Lindsey looks so much older.

1197
00:54:41,160 --> 00:54:42,160
Speaker 5: Oh my, he's sent me.

1198
00:54:42,400 --> 00:54:46,040
Speaker 3: She does, And I'm so happy they're giving her something.

1199
00:54:45,719 --> 00:54:47,399
Speaker 1: I know, like a real story.

1200
00:54:47,560 --> 00:54:50,400
Speaker 5: And we got this only daughter as opposed to the sons.

1201
00:54:50,440 --> 00:54:52,520
Speaker 5: Like I was like, oh, there's some stuff here they

1202
00:54:52,520 --> 00:54:53,759
Speaker 5: could mind, yes.

1203
00:54:53,440 --> 00:54:55,600
Speaker 4: Right, But then I also like, halfway through the storyline,

1204
00:54:55,640 --> 00:54:57,440
Speaker 4: I was like, wait, where's the baby?

1205
00:54:58,160 --> 00:54:59,239
Speaker 3: She meant me?

1206
00:55:00,600 --> 00:55:02,640
Speaker 2: He says, He says, we have another one after this,

1207
00:55:02,840 --> 00:55:04,080
Speaker 2: No idea where that baby is.

1208
00:55:04,239 --> 00:55:04,960
Speaker 3: They just neglect.

1209
00:55:05,040 --> 00:55:07,480
Speaker 4: It's like we have now Morgan's finally get attention that

1210
00:55:07,520 --> 00:55:09,160
Speaker 4: we can neglect the other character we interview.

1211
00:55:09,320 --> 00:55:11,239
Speaker 5: Once the kids are a year old, they have to

1212
00:55:11,320 --> 00:55:13,640
Speaker 5: fend for themselves. Everyone knows that, but no, I was

1213
00:55:13,680 --> 00:55:16,440
Speaker 5: happy for Lindsay. I was like, Okay, they're gonna there's

1214
00:55:16,760 --> 00:55:19,120
Speaker 5: and again your only daughter as opposed to sons, and

1215
00:55:19,120 --> 00:55:19,880
Speaker 5: she's thirteen.

1216
00:55:20,000 --> 00:55:21,520
Speaker 3: It's an interesting time, Like, oh, there, it.

1217
00:55:21,520 --> 00:55:23,879
Speaker 4: Would have been such a great storyline to have her

1218
00:55:24,239 --> 00:55:27,320
Speaker 4: meeting the world. She's going through her Corey moment right.

1219
00:55:28,080 --> 00:55:31,239
Speaker 2: For something about this episode with the tankini right there

1220
00:55:31,320 --> 00:55:32,879
Speaker 2: was like a whole backstory for her.

1221
00:55:32,960 --> 00:55:33,799
Speaker 3: We didn't know what it was.

1222
00:55:33,840 --> 00:55:35,360
Speaker 2: Remember, she was like, you don't remember there was like

1223
00:55:35,360 --> 00:55:37,360
Speaker 2: a it was a big deal. And I don't know

1224
00:55:37,360 --> 00:55:41,080
Speaker 2: if it was for her or if it was if

1225
00:55:41,080 --> 00:55:42,560
Speaker 2: there was an argument with Disney.

1226
00:55:42,640 --> 00:55:43,040
Speaker 5: I don't know.

1227
00:55:43,080 --> 00:55:44,479
Speaker 1: I don't know what was going on. But we should

1228
00:55:44,480 --> 00:55:45,319
Speaker 1: have Lindsay.

1229
00:55:45,000 --> 00:55:46,080
Speaker 5: Back, Yeah we should.

1230
00:55:46,239 --> 00:55:46,879
Speaker 3: Yeah.

1231
00:55:47,000 --> 00:55:50,080
Speaker 2: Alan is disturbed the eighth grade. What's wrong with the

1232
00:55:50,080 --> 00:55:53,160
Speaker 2: boys in fifth grade? Morgan reminds him she's in the

1233
00:55:53,239 --> 00:55:56,080
Speaker 2: seventh grade, but Alan tells her not to lie to him.

1234
00:55:56,280 --> 00:55:59,120
Speaker 2: Morgan tries to involve Amy, but Alan explains how hard

1235
00:55:59,120 --> 00:56:01,520
Speaker 2: this is for him. She's his only little girl and

1236
00:56:01,560 --> 00:56:06,040
Speaker 2: he doesn't like this. Morgan jokingly apologizes she grew up.

1237
00:56:06,160 --> 00:56:08,600
Speaker 2: She won't do it again. Alan tells Morgan to go

1238
00:56:08,600 --> 00:56:12,280
Speaker 2: get dressed, and Morgan looks to Amy again. Mom Amy

1239
00:56:12,320 --> 00:56:15,600
Speaker 2: breaks it to her husband she is dressed. He looks

1240
00:56:15,600 --> 00:56:18,000
Speaker 2: at her denim shorts and laughs, the hell she is.

1241
00:56:18,280 --> 00:56:20,600
Speaker 5: That was one of my favorite reads of the whole

1242
00:56:20,760 --> 00:56:22,000
Speaker 5: episode was the hell she is?

1243
00:56:22,200 --> 00:56:22,759
Speaker 1: The hell she is?

1244
00:56:23,000 --> 00:56:28,560
Speaker 5: Just his and again it's big eighties, ridiculous sitcom dad.

1245
00:56:28,640 --> 00:56:32,920
Speaker 5: But the reading was so good. It was just Rusty.

1246
00:56:33,560 --> 00:56:40,200
Speaker 5: He to me, this entire rewatch is me wishing I

1247
00:56:40,280 --> 00:56:41,600
Speaker 5: knew how good.

1248
00:56:41,520 --> 00:56:43,319
Speaker 3: Rusty was when I was there.

1249
00:56:44,000 --> 00:56:47,520
Speaker 5: Oh yeah, because I just episode after episode after I

1250
00:56:47,800 --> 00:56:49,960
Speaker 5: don't think I've seen a single episode with that man

1251
00:56:50,000 --> 00:56:52,520
Speaker 5: where I've gone, Wow, Rusty was really bad this episode

1252
00:56:52,520 --> 00:56:56,600
Speaker 5: like not one. And it's even as the character changes.

1253
00:56:57,320 --> 00:57:00,160
Speaker 5: Now he's the dad of a little girl, which you've

1254
00:57:00,239 --> 00:57:03,400
Speaker 5: never seen before because basically instead of walking down, you know,

1255
00:57:03,440 --> 00:57:05,359
Speaker 5: she'd walk down and say one line and leave, and

1256
00:57:05,400 --> 00:57:07,600
Speaker 5: now it's a hole his daughter's growing up. It was

1257
00:57:07,800 --> 00:57:11,680
Speaker 5: I just love watching him work. So man, his that

1258
00:57:12,320 --> 00:57:14,840
Speaker 5: hell she is? Oh god, that made me laugh. I

1259
00:57:14,840 --> 00:57:17,080
Speaker 5: watched it twice. Yeah, oh I thought it was great.

1260
00:57:17,360 --> 00:57:20,080
Speaker 2: He says she's wearing hot pants, and Amy says they're

1261
00:57:20,120 --> 00:57:22,680
Speaker 2: just shorts, the same shorts she wears all the time.

1262
00:57:23,120 --> 00:57:25,040
Speaker 2: He explains that when she's on a date with a boy,

1263
00:57:25,200 --> 00:57:26,080
Speaker 2: they're hot pants.

1264
00:57:26,520 --> 00:57:27,439
Speaker 3: What are hot pants?

1265
00:57:27,480 --> 00:57:28,920
Speaker 5: Because aren't those a specific thing?

1266
00:57:29,000 --> 00:57:31,600
Speaker 4: Yeah, they're pants, first of all. And these are shorts.

1267
00:57:31,640 --> 00:57:34,360
Speaker 5: And aren't they like normally like think and sparkly? Aren't

1268
00:57:34,360 --> 00:57:35,880
Speaker 5: they like seventies kind of thing?

1269
00:57:35,960 --> 00:57:38,080
Speaker 3: Is pant hot.

1270
00:57:37,920 --> 00:57:41,200
Speaker 1: Cancer or booty shorts? I'll show you shorts.

1271
00:57:41,640 --> 00:57:45,320
Speaker 2: Yes, these are all hot pants where the bottom of

1272
00:57:45,360 --> 00:57:48,840
Speaker 2: the shorts are cut off and you can pants were.

1273
00:57:48,720 --> 00:57:50,920
Speaker 4: Like with you will for somebody's that have this image

1274
00:57:50,960 --> 00:57:56,320
Speaker 4: of like nineteen seventies like yes, go go dancers.

1275
00:57:55,240 --> 00:57:56,160
Speaker 1: Like this picture here.

1276
00:57:56,280 --> 00:57:57,720
Speaker 2: So it is like that, but it's not about a

1277
00:57:57,760 --> 00:58:00,280
Speaker 2: color or a color or a you know.

1278
00:58:00,960 --> 00:58:01,800
Speaker 3: But they're not pants.

1279
00:58:01,800 --> 00:58:04,640
Speaker 4: So why would you call those pants.

1280
00:58:03,720 --> 00:58:05,040
Speaker 3: Because they're short, they're.

1281
00:58:06,400 --> 00:58:07,240
Speaker 1: They used to be pants.

1282
00:58:08,200 --> 00:58:08,600
Speaker 5: Did that?

1283
00:58:08,680 --> 00:58:12,439
Speaker 3: Didn't that because you cut your pants, cut your pants

1284
00:58:12,480 --> 00:58:16,400
Speaker 3: off to what's from the hazards?

1285
00:58:16,480 --> 00:58:19,480
Speaker 1: Yes, exactly, Yeah, those are hot pants.

1286
00:58:21,040 --> 00:58:22,800
Speaker 3: Hot Pants and Daisy Dukes are the same thing.

1287
00:58:23,280 --> 00:58:23,560
Speaker 5: Something.

1288
00:58:25,360 --> 00:58:28,400
Speaker 3: Wow, Okay, glad you thought the same thing I did.

1289
00:58:29,720 --> 00:58:32,360
Speaker 2: Alan forces Morgan to go change and Amy can't believe

1290
00:58:32,400 --> 00:58:35,280
Speaker 2: her husband. Alan insists she's just too young to be dating.

1291
00:58:35,680 --> 00:58:38,320
Speaker 2: Amy reminds him Corey dated to Panga when he was four.

1292
00:58:38,680 --> 00:58:41,800
Speaker 2: Alan quickly explains that's because he's a boy, and so

1293
00:58:41,920 --> 00:58:45,160
Speaker 2: Amy quickly fires back, You're a pig. They continue to

1294
00:58:45,280 --> 00:58:47,880
Speaker 2: argue and we move on to but the scene.

1295
00:58:47,640 --> 00:58:51,200
Speaker 5: Like cuts there. She's like, you're a pig and he's like,

1296
00:58:51,240 --> 00:58:53,400
Speaker 5: excuse me, s over and one.

1297
00:58:53,480 --> 00:58:54,920
Speaker 1: It's also not like hard.

1298
00:58:56,720 --> 00:58:56,920
Speaker 5: It was.

1299
00:58:56,920 --> 00:58:59,560
Speaker 3: I think there was Do you think there was?

1300
00:59:00,560 --> 00:59:01,840
Speaker 4: Do you think there was more to the scene and

1301
00:59:01,880 --> 00:59:03,320
Speaker 4: they just decided to cut it for.

1302
00:59:03,920 --> 00:59:06,840
Speaker 5: Maybe because it was a weird place to have from

1303
00:59:06,880 --> 00:59:09,200
Speaker 5: a writing standpoint, to just be like we're done with

1304
00:59:09,240 --> 00:59:09,760
Speaker 5: the scene now.

1305
00:59:09,800 --> 00:59:11,120
Speaker 3: It was really jarring.

1306
00:59:11,760 --> 00:59:13,920
Speaker 5: Yeah, I thought the same thing, So what the hell?

1307
00:59:14,320 --> 00:59:14,480
Speaker 4: You know?

1308
00:59:14,520 --> 00:59:17,760
Speaker 2: What's funny is that I feel like this episode could

1309
00:59:17,840 --> 00:59:23,280
Speaker 2: have made There's lots of conversation in the for people

1310
00:59:23,280 --> 00:59:26,080
Speaker 2: who have small kids like I do. I don't have daughters,

1311
00:59:26,120 --> 00:59:29,000
Speaker 2: so I'm not like an active participant in the conversation.

1312
00:59:29,120 --> 00:59:30,520
Speaker 1: But I see it all the.

1313
00:59:30,480 --> 00:59:33,720
Speaker 2: Time that if you go to anywhere, if you go

1314
00:59:33,760 --> 00:59:36,320
Speaker 2: to any department store and they have a boy's section

1315
00:59:36,400 --> 00:59:41,520
Speaker 2: in a girls section, the exact same clothes, like shorts

1316
00:59:42,000 --> 00:59:46,520
Speaker 2: are different lengths, Like boys' shorts are three inches longer

1317
00:59:46,560 --> 00:59:53,000
Speaker 2: than the girls' shorts, and the girls are more expensive

1318
00:59:53,520 --> 00:59:56,880
Speaker 2: for the exact same pair of shorts. And there's a

1319
00:59:56,920 --> 01:00:01,840
Speaker 2: lot of conversation around why, right, is there such a

1320
01:00:01,880 --> 01:00:05,400
Speaker 2: difference between the way clothes are cut and made.

1321
01:00:05,680 --> 01:00:09,200
Speaker 1: Why does a six year old girl need to have

1322
01:00:09,240 --> 01:00:12,480
Speaker 1: on shorter shorts than a six year old boy?

1323
01:00:12,800 --> 01:00:14,680
Speaker 5: And why there's more material to make them? Why are

1324
01:00:14,680 --> 01:00:15,680
Speaker 5: they more expensive?

1325
01:00:15,800 --> 01:00:16,200
Speaker 1: Correct?

1326
01:00:16,200 --> 01:00:19,400
Speaker 2: Why would they be more expensive to have these shorts

1327
01:00:19,400 --> 01:00:23,800
Speaker 2: that have less material? And it is actually an interesting

1328
01:00:23,840 --> 01:00:26,480
Speaker 2: conversation to say, well, when Corey would go out on

1329
01:00:26,520 --> 01:00:30,200
Speaker 2: a date, Corey wore the same baggy shirt or whatever.

1330
01:00:30,240 --> 01:00:34,640
Speaker 2: Corey wore the same kind of stuff. Why why is

1331
01:00:34,680 --> 01:00:38,040
Speaker 2: my daughter wearing something that isn't you know what I mean,

1332
01:00:38,040 --> 01:00:40,480
Speaker 2: Like there isn't There is a conversation to be had

1333
01:00:41,200 --> 01:00:48,560
Speaker 2: around the way clothes are marketed to girls versus boys.

1334
01:00:49,320 --> 01:00:52,080
Speaker 3: It reminds me of the stat like that. I've heard

1335
01:00:52,120 --> 01:00:53,560
Speaker 3: before about how.

1336
01:00:54,920 --> 01:00:57,240
Speaker 4: Adults when they meet kids.

1337
01:00:56,920 --> 01:00:59,320
Speaker 3: If they if it's a little girl, they talk about.

1338
01:00:59,040 --> 01:01:02,480
Speaker 1: Her apprenticies, you're so cute, you're so cute, you're so pretty.

1339
01:01:02,880 --> 01:01:05,320
Speaker 4: And I've seen it happen in parent groups like where

1340
01:01:05,520 --> 01:01:07,720
Speaker 4: you know, like no one will comment on my son,

1341
01:01:08,120 --> 01:01:11,040
Speaker 4: like they'll talk about it, maybe how tall he's getting, right,

1342
01:01:11,040 --> 01:01:13,520
Speaker 4: they'll do like that, but like you're so strong a

1343
01:01:13,520 --> 01:01:15,560
Speaker 4: little girl. It's always like, oh, you're so pretty.

1344
01:01:15,760 --> 01:01:17,360
Speaker 3: I love that dress or whatever, and.

1345
01:01:17,320 --> 01:01:19,640
Speaker 4: It's like that's yeah, that's kind of a weird tendency.

1346
01:01:19,880 --> 01:01:32,720
Speaker 6: Yeah.

1347
01:01:32,840 --> 01:01:35,560
Speaker 2: Corey and Sean's dorm room, Sean's contemplating things and they're

1348
01:01:35,600 --> 01:01:38,400
Speaker 2: still unfurnished dorm room where Corey comes barging in. Sean

1349
01:01:38,440 --> 01:01:40,960
Speaker 2: shoots him a depressed clare. Nothing's ever going to be

1350
01:01:41,000 --> 01:01:43,840
Speaker 2: good again, is it? Corey grins, wrong, Me and Feenie

1351
01:01:43,840 --> 01:01:46,720
Speaker 2: got it fixed up. He explained that Topanga's off realizing

1352
01:01:46,720 --> 01:01:49,240
Speaker 2: how much she loves him. Then she's going to tell Angela,

1353
01:01:49,280 --> 01:01:51,520
Speaker 2: and then Angela will say, you know what, I love

1354
01:01:51,560 --> 01:01:54,160
Speaker 2: Sean too. Then they'll come over to the dorm Huggy

1355
01:01:54,200 --> 01:01:57,080
Speaker 2: Huggy Kissy kissy, get your hand off that, and they're

1356
01:01:57,120 --> 01:02:00,320
Speaker 2: back to normal. On Cue, someone knocks on the door

1357
01:02:00,360 --> 01:02:03,680
Speaker 2: and Corey's overjoyed. Who could that be? A knock knock knocking?

1358
01:02:03,880 --> 01:02:05,680
Speaker 3: Can knock knock knocking, can knock.

1359
01:02:05,560 --> 01:02:09,280
Speaker 2: Knock knocking and impressed. Sean opens it to reveal to

1360
01:02:09,360 --> 01:02:10,560
Speaker 2: Panga and Angela just.

1361
01:02:10,520 --> 01:02:12,560
Speaker 3: Wearing backpacks.

1362
01:02:14,160 --> 01:02:19,080
Speaker 5: A new backpack like backpack, just adding one every time.

1363
01:02:20,080 --> 01:02:22,640
Speaker 2: Topega admits that Corey was right to make her think

1364
01:02:22,640 --> 01:02:26,040
Speaker 2: about everything, and Angela reveals she's been thinking about things too.

1365
01:02:26,640 --> 01:02:29,240
Speaker 2: To Panga thinks they probably shouldn't be talking about this

1366
01:02:29,360 --> 01:02:36,000
Speaker 2: in front of Sean and Angela now, but he strongly disagrees,

1367
01:02:36,080 --> 01:02:38,280
Speaker 2: considering they are their best friends and they have no

1368
01:02:38,360 --> 01:02:41,200
Speaker 2: secrets with best friends. He continues with a huge smile,

1369
01:02:41,360 --> 01:02:44,280
Speaker 2: because whatever you're going to say is very very good,

1370
01:02:44,600 --> 01:02:47,280
Speaker 2: So say what you're going to say. Say it, And

1371
01:02:47,360 --> 01:02:50,160
Speaker 2: so Topanga says it, I don't think I can be

1372
01:02:50,240 --> 01:02:53,640
Speaker 2: with you anymore. Before she even finishes the sentence, Corey

1373
01:02:53,680 --> 01:02:56,920
Speaker 2: shushes her. Sean and Angela can hear her, and now panic,

1374
01:02:56,920 --> 01:02:59,120
Speaker 2: Sean quickly turns to Angela for damage control.

1375
01:02:59,400 --> 01:03:00,200
Speaker 1: One thing i.

1376
01:03:00,040 --> 01:03:03,720
Speaker 2: I've always respected is that you're an independent finger and

1377
01:03:03,760 --> 01:03:07,800
Speaker 2: you won't be influenced by the crazy lady. Angela starts

1378
01:03:07,840 --> 01:03:10,600
Speaker 2: to say sorry, but he interrupts her shush. Corey follows

1379
01:03:10,640 --> 01:03:13,560
Speaker 2: suit to Tapanga. Shush. Angela tells Sean that it would

1380
01:03:13,560 --> 01:03:15,720
Speaker 2: be better if they didn't see each other anymore. Then

1381
01:03:15,760 --> 01:03:18,400
Speaker 2: she walks out, and Tapanga tells Corey that it's just

1382
01:03:18,480 --> 01:03:21,040
Speaker 2: too painful to think about them ending up like her parents,

1383
01:03:21,480 --> 01:03:25,400
Speaker 2: so their relationship has to be over. She apologizes and

1384
01:03:25,440 --> 01:03:28,240
Speaker 2: then also leaves the room. We get some sad music

1385
01:03:28,240 --> 01:03:30,200
Speaker 2: as Corey and Sean are left to sit very close

1386
01:03:30,240 --> 01:03:32,080
Speaker 2: to each other in sadness piano music.

1387
01:03:33,440 --> 01:03:36,280
Speaker 3: Oh oh wow, they're sad. They are bracketing the sad.

1388
01:03:36,440 --> 01:03:39,120
Speaker 5: Oh yeah, sad and caase you didn't know, you didn't know?

1389
01:03:39,440 --> 01:03:40,240
Speaker 5: This is sad.

1390
01:03:41,040 --> 01:03:44,480
Speaker 2: Corey says we don't need them, but even he doesn't

1391
01:03:44,480 --> 01:03:47,200
Speaker 2: believe that, and then there's another commercial break and we

1392
01:03:47,280 --> 01:03:50,360
Speaker 2: returned to Corey and Shawn's dorm room. Continuing, Corey is

1393
01:03:50,400 --> 01:03:52,439
Speaker 2: pacing the room and assuring Sean that the girls love

1394
01:03:52,480 --> 01:03:54,960
Speaker 2: them despite what they say. Sean's laying on his bed,

1395
01:03:55,000 --> 01:03:57,600
Speaker 2: shaking his head and repeating the words another bad year,

1396
01:03:58,040 --> 01:04:01,280
Speaker 2: another bad year. He tells him to lighten up. It's

1397
01:04:01,280 --> 01:04:03,480
Speaker 2: not like he's losing his crops.

1398
01:04:03,040 --> 01:04:05,040
Speaker 3: Which is gius.

1399
01:04:06,320 --> 01:04:06,800
Speaker 5: Brilliant.

1400
01:04:11,240 --> 01:04:12,800
Speaker 1: I know, it cracks me up.

1401
01:04:14,080 --> 01:04:17,760
Speaker 2: Such a funny line, he continues, I believe in love

1402
01:04:17,840 --> 01:04:20,240
Speaker 2: like I believe in God. You can't see it, you

1403
01:04:20,280 --> 01:04:22,920
Speaker 2: can't touch it, but you know it's there because you

1404
01:04:23,000 --> 01:04:30,360
Speaker 2: can feel it's rap another very funny line, Sean adds,

1405
01:04:30,680 --> 01:04:35,080
Speaker 2: and goodness, you can feel love's goodness. Corey admits, I

1406
01:04:35,120 --> 01:04:37,160
Speaker 2: wouldn't know, but I do know.

1407
01:04:37,240 --> 01:04:40,720
Speaker 3: The clever virgin joke.

1408
01:04:40,760 --> 01:04:44,120
Speaker 5: That's funny, so funny.

1409
01:04:44,480 --> 01:04:47,080
Speaker 2: And because they love us, proximity is going to be

1410
01:04:47,160 --> 01:04:50,440
Speaker 2: our weapon. They're gonna see the boys every day. Then

1411
01:04:50,520 --> 01:04:52,600
Speaker 2: realize Corey and Sean are the most important people in

1412
01:04:52,640 --> 01:04:55,280
Speaker 2: their lives. Sean starts to buy into it, and then

1413
01:04:55,320 --> 01:04:58,160
Speaker 2: reality sinks in. They're probably moving out of the dorm

1414
01:04:58,240 --> 01:05:01,960
Speaker 2: right now. Why why would we move out of our

1415
01:05:02,000 --> 01:05:04,960
Speaker 2: dorm room because we're not dating you anymore?

1416
01:05:05,040 --> 01:05:07,160
Speaker 3: Because you're not dating them anymore.

1417
01:05:07,560 --> 01:05:08,560
Speaker 1: But we have our own.

1418
01:05:09,400 --> 01:05:13,240
Speaker 4: And like we make this leap of logic and it

1419
01:05:13,240 --> 01:05:13,960
Speaker 4: it's like what.

1420
01:05:14,520 --> 01:05:19,840
Speaker 2: Yeah, I know, why why why are we moving because

1421
01:05:19,880 --> 01:05:20,600
Speaker 2: we don't want to see you?

1422
01:05:20,880 --> 01:05:22,960
Speaker 5: Well yeah, yeah, yeah, because yeah, yeah, yeah, but yes,

1423
01:05:23,000 --> 01:05:24,120
Speaker 5: they don't want to see you don't want to be

1424
01:05:24,120 --> 01:05:27,440
Speaker 5: close to the guys because yeah, so.

1425
01:05:27,400 --> 01:05:30,320
Speaker 1: We want to pay probably a significant amount of money.

1426
01:05:30,320 --> 01:05:32,120
Speaker 5: More right, Well, we're not even going to get into

1427
01:05:32,120 --> 01:05:35,320
Speaker 5: the fact that, you know, Rachel gives away the apartment.

1428
01:05:34,960 --> 01:05:36,240
Speaker 1: That was never hers.

1429
01:05:36,640 --> 01:05:39,760
Speaker 5: She was up the hall, yeah, and we took her

1430
01:05:39,760 --> 01:05:41,720
Speaker 5: in like a straight puppy. But then all of a

1431
01:05:41,760 --> 01:05:44,160
Speaker 5: sudden she's like, oh, I'm sorry, I gave away all

1432
01:05:44,200 --> 01:05:44,800
Speaker 5: the rooms.

1433
01:05:44,880 --> 01:05:52,240
Speaker 2: What Yeah, wow, oh okay. Corey agrees, yes, that's probably true.

1434
01:05:52,480 --> 01:05:55,000
Speaker 2: And then we're at Eric, Jack and Rachel's apartment. Eric

1435
01:05:55,120 --> 01:05:57,560
Speaker 2: is moving back in. He's carrying a box of his

1436
01:05:57,600 --> 01:06:00,800
Speaker 2: things and beams while holding his old keys to the aartment. Wait,

1437
01:06:01,200 --> 01:06:03,040
Speaker 2: Jack thought he gave back the key when he moved out.

1438
01:06:03,400 --> 01:06:05,280
Speaker 2: Eric admits he made a copy just in case he

1439
01:06:05,280 --> 01:06:08,440
Speaker 2: wanted to seek revenge. Eric lets out a tiny psychopathic

1440
01:06:08,520 --> 01:06:11,400
Speaker 2: laugh as they walk inside. Eric asks if Rachel will

1441
01:06:11,400 --> 01:06:13,960
Speaker 2: be okay with him moving back in. Jack says yes,

1442
01:06:14,080 --> 01:06:16,400
Speaker 2: joking he's the one who has a problem with it.

1443
01:06:16,720 --> 01:06:19,120
Speaker 2: Then Jack notices a box of books on the table,

1444
01:06:19,120 --> 01:06:22,560
Speaker 2: and Eric starts reading off the titles Native Son, I

1445
01:06:22,600 --> 01:06:25,800
Speaker 2: Know why the Caged Bird sings the autobiography of Malcolm

1446
01:06:25,880 --> 01:06:28,480
Speaker 2: ten She must be taking arithmetic.

1447
01:06:29,600 --> 01:06:32,920
Speaker 4: That's a funny jokes.

1448
01:06:32,920 --> 01:06:36,640
Speaker 5: Again, they're good jokes. I know there's a lot of

1449
01:06:36,680 --> 01:06:39,200
Speaker 5: really good jokes in this episode, and I think that's

1450
01:06:39,240 --> 01:06:40,000
Speaker 5: what I'm seeing.

1451
01:06:40,040 --> 01:06:41,880
Speaker 1: That's why, Yeah, I liked it.

1452
01:06:41,880 --> 01:06:45,200
Speaker 2: The punchlines, there's a lot other than the ending of

1453
01:06:45,240 --> 01:06:46,800
Speaker 2: that scene being you pig.

1454
01:06:46,760 --> 01:06:49,200
Speaker 5: Yeah, you pig wasn't a huge laugh.

1455
01:06:49,400 --> 01:06:52,960
Speaker 2: No, then we hear those are mine. It's Angela. She's

1456
01:06:52,960 --> 01:06:55,640
Speaker 2: with Rachel and Topanga. Jack and Topanga tell Rachel in

1457
01:06:55,680 --> 01:06:58,320
Speaker 2: perfect unison, he didn't tell me we were having guests

1458
01:06:58,360 --> 01:07:02,360
Speaker 2: for dinner of the Topang has already ye I know.

1459
01:07:03,040 --> 01:07:05,680
Speaker 4: And it took me a second, Like were two people

1460
01:07:05,760 --> 01:07:09,080
Speaker 4: saying the same line. Why this is not a thing

1461
01:07:09,120 --> 01:07:10,800
Speaker 4: that happens and no, it's.

1462
01:07:10,640 --> 01:07:11,680
Speaker 3: Not in real life.

1463
01:07:11,800 --> 01:07:14,840
Speaker 5: Oh, I was trying to say this, this is.

1464
01:07:14,800 --> 01:07:15,160
Speaker 6: Not a.

1465
01:07:16,840 --> 01:07:19,040
Speaker 3: Real life. We did it.

1466
01:07:22,000 --> 01:07:25,080
Speaker 2: Eric jumps in, Wait a second, I know what's going on.

1467
01:07:25,800 --> 01:07:28,640
Speaker 2: No I don't, and then we move from their confusion

1468
01:07:28,680 --> 01:07:31,680
Speaker 2: to the Matthew's kitchen. Amy and Alan are still arguing

1469
01:07:31,720 --> 01:07:34,240
Speaker 2: for what we can only assume has been hours. Alan

1470
01:07:34,280 --> 01:07:37,800
Speaker 2: doesn't appreciate the word pig. He'd prefer loving father who's

1471
01:07:37,840 --> 01:07:41,600
Speaker 2: concerned about his only daughter. Amy counters, how about pig?

1472
01:07:42,200 --> 01:07:43,480
Speaker 2: Then Corey comes walking in.

1473
01:07:43,600 --> 01:07:45,160
Speaker 5: Am I the other one who thought that this is

1474
01:07:45,280 --> 01:07:48,240
Speaker 5: very harsh of Amy? Pig is like, is very very

1475
01:07:48,280 --> 01:07:48,760
Speaker 5: harsh to me?

1476
01:07:49,000 --> 01:07:50,560
Speaker 1: They yeah, I hate you.

1477
01:07:50,680 --> 01:07:54,160
Speaker 5: Later, Yeah, I mean it's just I mean, it's no.

1478
01:07:54,240 --> 01:07:57,479
Speaker 5: They're supposed to Amy supposed to be showing that even

1479
01:07:57,520 --> 01:07:59,560
Speaker 5: the worst fight in the world, you get, I get

1480
01:07:59,600 --> 01:08:01,840
Speaker 5: what they're doing doing, but they weren't doing this in

1481
01:08:01,840 --> 01:08:02,439
Speaker 5: front of the kids.

1482
01:08:02,440 --> 01:08:05,200
Speaker 3: This is supposed her likely looking at you saying you're

1483
01:08:05,200 --> 01:08:05,720
Speaker 3: a pig.

1484
01:08:06,160 --> 01:08:11,040
Speaker 4: Also, she could have a good argument, legitimate, absolutely, like

1485
01:08:11,280 --> 01:08:13,880
Speaker 4: you're being sexist dude because of X y Z. And

1486
01:08:13,920 --> 01:08:16,599
Speaker 4: we've seen it and it's like a real fight instead

1487
01:08:16,640 --> 01:08:19,720
Speaker 4: of just name calling in like the most reductive way.

1488
01:08:19,840 --> 01:08:20,320
Speaker 3: It's weird.

1489
01:08:20,760 --> 01:08:24,760
Speaker 2: Yeah, it's it's so again, totally out of character. This

1490
01:08:24,840 --> 01:08:28,400
Speaker 2: is not This is not how.

1491
01:08:25,880 --> 01:08:30,280
Speaker 5: The occasional funny bits wrapped up with people that aren't

1492
01:08:30,320 --> 01:08:30,919
Speaker 5: the characters.

1493
01:08:30,960 --> 01:08:33,800
Speaker 2: We know they did this storyline even with them one

1494
01:08:33,840 --> 01:08:36,000
Speaker 2: other time. Remember there was a storyline where they got

1495
01:08:36,040 --> 01:08:39,320
Speaker 2: into a huge fight about something and it was really

1496
01:08:39,360 --> 01:08:41,559
Speaker 2: off putting, and then it was like, wait, even at

1497
01:08:41,600 --> 01:08:43,759
Speaker 2: the end of a fight, you guys can say I.

1498
01:08:43,640 --> 01:08:45,640
Speaker 3: Love you, right, that's right.

1499
01:08:45,479 --> 01:08:48,920
Speaker 1: And we were and it was like we were like,

1500
01:08:48,960 --> 01:08:50,719
Speaker 1: this is just this all feels so weird.

1501
01:08:51,120 --> 01:08:54,520
Speaker 2: So apparently someone liked it and decided.

1502
01:08:54,160 --> 01:08:54,639
Speaker 5: To do it again.

1503
01:08:54,720 --> 01:08:54,920
Speaker 2: Well.

1504
01:08:55,040 --> 01:08:58,799
Speaker 5: Corey also says I grew up my entire life watching

1505
01:08:58,840 --> 01:09:01,280
Speaker 5: you guys fight. So it's like, how often did they

1506
01:09:01,280 --> 01:09:04,519
Speaker 5: fight in front of their kids? Where it's like, you know,

1507
01:09:04,600 --> 01:09:06,639
Speaker 5: I grew up watching you guys fight all the time,

1508
01:09:06,680 --> 01:09:09,040
Speaker 5: Like really, was this a volatile house that we didn't

1509
01:09:09,040 --> 01:09:10,920
Speaker 5: get to see because yikes.

1510
01:09:11,200 --> 01:09:15,240
Speaker 2: Yeah, I guess there's a difference between this kind of

1511
01:09:15,280 --> 01:09:19,800
Speaker 2: fighting where people they're name calling and like versus be

1512
01:09:20,000 --> 01:09:20,720
Speaker 2: in conflict.

1513
01:09:21,240 --> 01:09:22,880
Speaker 1: Yeah, I disagree.

1514
01:09:22,439 --> 01:09:25,320
Speaker 2: Because that is really helpful and sure and healthy for

1515
01:09:25,400 --> 01:09:29,200
Speaker 2: children to see, like, oh, look at those two they

1516
01:09:29,240 --> 01:09:32,439
Speaker 2: totally disagree and then oh they work it out and

1517
01:09:32,439 --> 01:09:35,000
Speaker 2: they're still a family and everyone still loves each other.

1518
01:09:34,920 --> 01:09:37,360
Speaker 5: And it's yeah.

1519
01:09:37,479 --> 01:09:39,840
Speaker 2: Then Corey comes walking in. She's packed her things and

1520
01:09:39,880 --> 01:09:43,479
Speaker 2: moved out on me. Amy wonders who and Corey scoffs who.

1521
01:09:43,720 --> 01:09:48,320
Speaker 2: Martina Nevratllova Alan is confused to Penga moved out. I

1522
01:09:48,400 --> 01:09:49,960
Speaker 2: know a funny name, though.

1523
01:09:50,080 --> 01:09:52,639
Speaker 3: It is it's a funny name. Odd pol but funny name.

1524
01:09:52,720 --> 01:09:54,640
Speaker 2: Tapega moved out on you. I didn't even know she

1525
01:09:54,680 --> 01:09:59,200
Speaker 2: was living with you, smooth baby. Amy shoots him a look.

1526
01:10:00,880 --> 01:10:03,240
Speaker 2: The doorbell rings and Amy calls out to Morgan her

1527
01:10:03,280 --> 01:10:06,000
Speaker 2: date is here. Corey asks, since when do you guys

1528
01:10:06,040 --> 01:10:08,360
Speaker 2: allow her to date? Alan blames his mom and she

1529
01:10:08,400 --> 01:10:11,080
Speaker 2: gets the door. Morgan comes running down the stairs and

1530
01:10:11,120 --> 01:10:13,439
Speaker 2: Alan starts to freak out on her. What are you wearing?

1531
01:10:13,920 --> 01:10:16,639
Speaker 2: She tells him it's a tankini, and her dad corrects her,

1532
01:10:16,760 --> 01:10:19,680
Speaker 2: that's a bra. That's a bra. He asks Corey if

1533
01:10:19,680 --> 01:10:22,559
Speaker 2: that's a bra, and Corey admits sadly, I wouldn't know.

1534
01:10:23,280 --> 01:10:26,200
Speaker 2: Morgan assures them it's a tankini and Alan just doesn't

1535
01:10:26,200 --> 01:10:29,519
Speaker 2: want her wearing anything that ends in eenie. Go upstairs

1536
01:10:29,560 --> 01:10:31,680
Speaker 2: and put on some more of that unsexy crap your

1537
01:10:31,720 --> 01:10:39,160
Speaker 2: mother wears, and Amy returns, now introducing Morgan's date Dominic.

1538
01:10:39,479 --> 01:10:42,719
Speaker 2: She adds, and I heard that you pig. By the way,

1539
01:10:42,880 --> 01:10:46,439
Speaker 2: we've seen Amy Matthews wear some real sexy stuff for sexy.

1540
01:10:47,479 --> 01:10:49,600
Speaker 2: I don't know, maybe he just means her day to

1541
01:10:49,680 --> 01:10:52,360
Speaker 2: day bras or not sexy. But I mean, no one

1542
01:10:52,400 --> 01:10:56,080
Speaker 2: would think of missus Matthews and think that unsexy.

1543
01:10:56,120 --> 01:10:59,600
Speaker 1: Hag No, So this isn't working. This wasn't working for me.

1544
01:10:59,800 --> 01:11:01,519
Speaker 2: M and it takes a look at Morgan and grins

1545
01:11:01,560 --> 01:11:05,040
Speaker 2: wow a bra Alan takes a deep breath and clarifies

1546
01:11:05,320 --> 01:11:09,839
Speaker 2: it's a tank of Ray. I thought that was very

1547
01:11:09,880 --> 01:11:14,840
Speaker 2: his turn into tanker Ray is very funny to me.

1548
01:11:15,080 --> 01:11:17,040
Speaker 5: Now, I was trying to look at her face. I

1549
01:11:17,080 --> 01:11:20,640
Speaker 5: can't remember what she said. Was was lindsay super uncomfortable

1550
01:11:20,680 --> 01:11:21,160
Speaker 5: wearing that?

1551
01:11:22,800 --> 01:11:25,000
Speaker 2: Yes, I'm guessing that's what it is too, but I

1552
01:11:25,040 --> 01:11:28,200
Speaker 2: don't remember. I just know she she mentioned like, well,

1553
01:11:28,200 --> 01:11:31,479
Speaker 2: and then there was the whole Tankini episode and.

1554
01:11:31,479 --> 01:11:34,120
Speaker 5: We were like, that's pretty revealing for a thirteen year old,

1555
01:11:34,280 --> 01:11:35,320
Speaker 5: would say, I was.

1556
01:11:35,479 --> 01:11:39,160
Speaker 2: I was, Yes, it's way more revealing than the shorts.

1557
01:11:39,320 --> 01:11:39,679
Speaker 3: Agreed.

1558
01:11:40,120 --> 01:11:42,439
Speaker 5: Agreed. Did She came down that I'd much rather have

1559
01:11:42,479 --> 01:11:44,160
Speaker 5: her in the shorts, And you know, if I was

1560
01:11:44,360 --> 01:11:46,880
Speaker 5: her dad like, okay, God, if I have to pick one,

1561
01:11:47,000 --> 01:11:49,800
Speaker 5: I'd rather pick that, because yeah, the Tankini seems a

1562
01:11:49,840 --> 01:11:50,720
Speaker 5: little I know.

1563
01:11:51,000 --> 01:11:52,920
Speaker 2: So we should have her back and talk to her

1564
01:11:52,960 --> 01:11:58,360
Speaker 2: about it, and can we have a little sensitivity here?

1565
01:11:58,439 --> 01:12:02,240
Speaker 2: Amy declares this is more first date. Morgan is embarrassed

1566
01:12:02,280 --> 01:12:04,919
Speaker 2: and disappointed. I didn't want him to know that, mom.

1567
01:12:05,240 --> 01:12:08,320
Speaker 2: Corey breaks the silence. Well, now he does know, and

1568
01:12:08,360 --> 01:12:11,400
Speaker 2: it's good he knows, because this is where it all begins.

1569
01:12:11,479 --> 01:12:13,920
Speaker 1: Guys, the pain, the torture.

1570
01:12:14,439 --> 01:12:15,800
Speaker 5: Be careful, Dominic.

1571
01:12:16,600 --> 01:12:20,280
Speaker 2: Dominic asks Morgan, is this really your first date? Morgan

1572
01:12:20,360 --> 01:12:23,120
Speaker 2: lets out a smile and Dominic admits it's my first

1573
01:12:23,160 --> 01:12:23,559
Speaker 2: date too.

1574
01:12:23,760 --> 01:12:24,799
Speaker 3: This is very sweet.

1575
01:12:24,960 --> 01:12:26,800
Speaker 5: Oh cute.

1576
01:12:27,240 --> 01:12:29,160
Speaker 2: They take each other's hand and walk out of the

1577
01:12:29,160 --> 01:12:31,120
Speaker 2: house together. Corey yels after them.

1578
01:12:31,400 --> 01:12:34,759
Speaker 1: Fools. Now we're back at the apartment.

1579
01:12:34,880 --> 01:12:37,120
Speaker 2: Rachel asks Eric what he's doing there, and Eric responds

1580
01:12:37,120 --> 01:12:39,519
Speaker 2: by just giving her a big hug. Jack reveals Eric

1581
01:12:39,600 --> 01:12:42,080
Speaker 2: is moving back in with them. Rachel starts to panic.

1582
01:12:42,240 --> 01:12:44,719
Speaker 2: When you said you'd be uncomfortable living together, I assumed

1583
01:12:44,720 --> 01:12:46,559
Speaker 2: you were asking if it would be okay to move out.

1584
01:12:46,920 --> 01:12:49,600
Speaker 2: Jack insists that wasn't the case, and Rachel wins it, of.

1585
01:12:49,600 --> 01:12:51,840
Speaker 5: Course it's not the case. This is my apartment. Why

1586
01:12:51,840 --> 01:12:53,919
Speaker 5: would I be moving out of my apartment?

1587
01:12:54,120 --> 01:12:54,760
Speaker 1: Absolutely?

1588
01:12:55,000 --> 01:12:55,080
Speaker 5: What?

1589
01:12:56,840 --> 01:12:57,160
Speaker 1: Well?

1590
01:12:57,320 --> 01:12:59,879
Speaker 2: I asked Tapanga and Angela to move into the apartment.

1591
01:13:00,439 --> 01:13:03,439
Speaker 2: Eric lights up, Oh wow for us, you know what,

1592
01:13:03,520 --> 01:13:05,240
Speaker 2: I'm gonna have to take a rain check because she's

1593
01:13:05,280 --> 01:13:06,360
Speaker 2: my brother's boute.

1594
01:13:06,600 --> 01:13:08,679
Speaker 1: He gives Angela a little wink and a nod.

1595
01:13:08,760 --> 01:13:12,479
Speaker 2: Instead, weirds like, you haven't even known.

1596
01:13:12,280 --> 01:13:13,439
Speaker 5: That the moment was.

1597
01:13:14,920 --> 01:13:19,559
Speaker 2: Angela, Yeah, and you think that she invited us there

1598
01:13:19,600 --> 01:13:22,320
Speaker 2: to give to you.

1599
01:13:25,560 --> 01:13:27,960
Speaker 5: I'm sorry, it's more. It's more reasonable than the idea

1600
01:13:27,960 --> 01:13:31,280
Speaker 5: that Rachel would just give away an apartment that isn't hers.

1601
01:13:32,040 --> 01:13:32,960
Speaker 3: So it can't be that.

1602
01:13:33,920 --> 01:13:37,240
Speaker 2: I definitely can't be that so crazy. Tapanga points out

1603
01:13:37,280 --> 01:13:40,920
Speaker 2: the obvious misunderstanding, and Angela says they'll leave. Rachel apologizes,

1604
01:13:40,920 --> 01:13:43,880
Speaker 2: says it's all her fault. She feels terrible. Eric shakes

1605
01:13:43,880 --> 01:13:48,000
Speaker 2: his head. I feel horrible, just horrible, horrible. Now get

1606
01:13:48,040 --> 01:13:49,799
Speaker 2: out of my house before I throw you on the street.

1607
01:13:51,000 --> 01:13:53,920
Speaker 2: Rachel follows them out and profusely apologizes more she was

1608
01:13:54,000 --> 01:13:56,160
Speaker 2: so looking forward to the three of them living together.

1609
01:13:56,720 --> 01:13:59,240
Speaker 2: All three girls let out a dramatic sigh and attempt

1610
01:13:59,360 --> 01:14:02,000
Speaker 2: to make the boys feel bad. Eric couldn't care less,

1611
01:14:02,000 --> 01:14:04,400
Speaker 2: but Jack tells the girls to wait. Jack can't just

1612
01:14:04,400 --> 01:14:06,439
Speaker 2: throw them out on the street, and Eric insists they

1613
01:14:06,439 --> 01:14:07,360
Speaker 2: can still.

1614
01:14:07,479 --> 01:14:08,120
Speaker 1: Jack tells the.

1615
01:14:08,040 --> 01:14:10,400
Speaker 2: Girls that they will move out instead. The girls jump

1616
01:14:10,479 --> 01:14:12,559
Speaker 2: up and down in excitement, thanking Jack and calling him

1617
01:14:12,560 --> 01:14:16,519
Speaker 2: the greatest. Eric is shocked. No, no, no, don't fold.

1618
01:14:16,680 --> 01:14:18,680
Speaker 2: I don't want to sleep in Phoene's car anymore. The

1619
01:14:18,680 --> 01:14:22,320
Speaker 2: beaded sea cushions hurts my tushy, Rachel adds, and it's

1620
01:14:22,360 --> 01:14:25,719
Speaker 2: such a cute tushy too. Eric melts, he really thinks,

1621
01:14:25,760 --> 01:14:27,800
Speaker 2: so he tries to look at his butt, spinning around

1622
01:14:27,800 --> 01:14:30,120
Speaker 2: in circles and laughing, trying to get a better view

1623
01:14:30,120 --> 01:14:34,880
Speaker 2: at it, and sorceled because of some size and wanting

1624
01:14:34,920 --> 01:14:35,479
Speaker 2: to live together.

1625
01:14:35,560 --> 01:14:38,719
Speaker 4: Yeah, Jack, that's been sorceled by the sensitivity the girl's

1626
01:14:38,760 --> 01:14:39,360
Speaker 4: being sad.

1627
01:14:39,520 --> 01:14:42,000
Speaker 3: And then Eric isn't sourcelled by Rachel.

1628
01:14:43,120 --> 01:14:50,040
Speaker 5: Yeah, which frankly makes more sense for the character. Yeah yeah.

1629
01:14:50,120 --> 01:14:52,759
Speaker 2: He spins and spins until he's now in the apartment hallway.

1630
01:14:53,040 --> 01:14:55,040
Speaker 2: Eric notices that they're no longer in the apartment and

1631
01:14:55,040 --> 01:14:57,680
Speaker 2: asks Jack what happened. Jack breaks it to him they

1632
01:14:57,680 --> 01:15:00,599
Speaker 2: don't live there anymore. Eric needs to know, oh where

1633
01:15:00,600 --> 01:15:03,840
Speaker 2: do we live? And we're at the Matthew's house. Amy

1634
01:15:03,880 --> 01:15:05,479
Speaker 2: and Alan are waving to bite to Morgan and her

1635
01:15:05,560 --> 01:15:08,000
Speaker 2: date Dominic, telling them to have a great time. Alan

1636
01:15:08,040 --> 01:15:12,679
Speaker 2: adds bring her back at ten minutes. Ha Amy walks

1637
01:15:12,680 --> 01:15:14,040
Speaker 2: back into the house and makes a bee line for

1638
01:15:14,080 --> 01:15:16,559
Speaker 2: the stairs. When Alan asks where she's going, she barks

1639
01:15:16,600 --> 01:15:19,599
Speaker 2: back away from you. Corey uses this opportunity to get

1640
01:15:19,600 --> 01:15:22,080
Speaker 2: advice from his dad. He needs to prove to Tapanga

1641
01:15:22,120 --> 01:15:23,080
Speaker 2: that love never dies.

1642
01:15:23,520 --> 01:15:24,200
Speaker 1: On cue.

1643
01:15:24,320 --> 01:15:27,200
Speaker 2: Amy shouts down to her husband, I hate you, and

1644
01:15:27,280 --> 01:15:31,000
Speaker 2: Alan yells back, I hate you more. Corey wonders what

1645
01:15:31,000 --> 01:15:33,639
Speaker 2: they're fighting about, and Alan responds, I don't know. Very

1646
01:15:33,720 --> 01:15:36,679
Speaker 2: rarely do I know. Amy chimes in, we are fighting

1647
01:15:36,720 --> 01:15:38,680
Speaker 2: because your father and I had all these children and

1648
01:15:38,720 --> 01:15:40,960
Speaker 2: he doesn't get to keep them because they grow up.

1649
01:15:41,439 --> 01:15:44,280
Speaker 2: Alan pouts about being called a pig, and Amy says

1650
01:15:44,280 --> 01:15:47,240
Speaker 2: it was because he was acting like one. Alan doesn't

1651
01:15:47,240 --> 01:15:49,799
Speaker 2: get why Morgan has to grow up, and Amy argues

1652
01:15:50,040 --> 01:15:53,800
Speaker 2: somebody has to. Alan calmly asks, we have another one

1653
01:15:53,800 --> 01:15:57,439
Speaker 2: after her, don't we? Amy smiles, brand new one. Alan

1654
01:15:57,520 --> 01:15:59,679
Speaker 2: makes sure he's still the boss of him, and Amy nods.

1655
01:16:00,080 --> 01:16:02,000
Speaker 2: She takes a seat in his lap and kisses his head.

1656
01:16:02,400 --> 01:16:03,280
Speaker 2: Corey doesn't get it.

1657
01:16:03,600 --> 01:16:04,000
Speaker 5: That's it.

1658
01:16:04,520 --> 01:16:09,080
Speaker 2: The fighting's over, Alan wonders, you disappointed. Corey admits he's happy.

1659
01:16:09,200 --> 01:16:11,000
Speaker 2: He's seen them fight all his life. But no matter what,

1660
01:16:11,040 --> 01:16:13,479
Speaker 2: they always work it out. And they always work it out.

1661
01:16:13,520 --> 01:16:17,599
Speaker 2: Because we cut to Corey and Shawn's dorm and Corey

1662
01:16:17,640 --> 01:16:20,679
Speaker 2: finishes his sentence to Sean because they love each other.

1663
01:16:21,040 --> 01:16:23,840
Speaker 2: They just forgot that they do. Now somebody has to

1664
01:16:23,880 --> 01:16:27,519
Speaker 2: go to Pittsburgh and remind them. Sean says, oh no,

1665
01:16:28,040 --> 01:16:29,360
Speaker 2: and Corey grins.

1666
01:16:29,040 --> 01:16:29,559
Speaker 5: Oh yes.

1667
01:16:30,080 --> 01:16:32,040
Speaker 2: Do you know what the difference is between my parents

1668
01:16:32,040 --> 01:16:36,240
Speaker 2: and Tapanga's parents. Sean answers, yeah, your parents birthed an idiot.

1669
01:16:36,920 --> 01:16:38,519
Speaker 6: Just funny.

1670
01:16:38,680 --> 01:16:41,840
Speaker 2: Corey shakes his head. No, my parents never forget that

1671
01:16:41,920 --> 01:16:43,960
Speaker 2: underneath all the horrible things they do to each other,

1672
01:16:44,240 --> 01:16:45,400
Speaker 2: they're still in love.

1673
01:16:45,840 --> 01:16:47,479
Speaker 1: That's just said straight. I'm not even sure that was

1674
01:16:47,520 --> 01:16:48,240
Speaker 1: supposed to be a joke.

1675
01:16:48,760 --> 01:16:49,360
Speaker 3: No, don't.

1676
01:16:49,360 --> 01:16:50,840
Speaker 5: I don't think it was supposed to be a joke either.

1677
01:16:51,040 --> 01:16:54,400
Speaker 5: All the horrible things they say to each other, Oh no,

1678
01:16:54,479 --> 01:16:58,800
Speaker 5: that's merri they do to each other. Yeah, it's like it.

1679
01:16:59,080 --> 01:17:02,160
Speaker 5: I know. It's it's such an insight into the people.

1680
01:17:02,200 --> 01:17:04,519
Speaker 5: Let's put it this way, to the people writing the show,

1681
01:17:05,439 --> 01:17:08,240
Speaker 5: that it's like, no matter how much we hate each

1682
01:17:08,240 --> 01:17:12,040
Speaker 5: other or how badly they treats to each other, We'll

1683
01:17:12,080 --> 01:17:14,599
Speaker 5: still find our way back to each other. We're still

1684
01:17:14,640 --> 01:17:15,920
Speaker 5: having a healthy relationship.

1685
01:17:16,000 --> 01:17:19,960
Speaker 2: Yeah, yeah, it's crazy to Pega's parents forgot there in love,

1686
01:17:19,960 --> 01:17:21,800
Speaker 2: and we have to go and remind them. The whole

1687
01:17:21,800 --> 01:17:25,080
Speaker 2: thing should take fifteen minutes stops. Corey asks if Shawn

1688
01:17:25,200 --> 01:17:27,600
Speaker 2: is in and Shawn isn't sold, we can't treat this

1689
01:17:27,720 --> 01:17:30,839
Speaker 2: like one of our little scams. We're talking about people's lives.

1690
01:17:31,120 --> 01:17:34,800
Speaker 2: We could ruin too, Pega's parents' lives and ours. Corey

1691
01:17:34,800 --> 01:17:38,280
Speaker 2: pauses for a second inmates, yes, I know, he is unfazed.

1692
01:17:38,520 --> 01:17:42,680
Speaker 2: He again asks, are you with me? Shawn is defeated. Yeah,

1693
01:17:42,720 --> 01:17:45,280
Speaker 2: and then we see two be continued at the bottom

1694
01:17:45,280 --> 01:17:48,200
Speaker 2: of the screen. We're in the tag. Phoenie gets into

1695
01:17:48,240 --> 01:17:50,559
Speaker 2: his car and situates himself in the driver's seat, when

1696
01:17:50,560 --> 01:17:54,040
Speaker 2: suddenly Eric and Jack pop up in the backseat. Eric

1697
01:17:54,080 --> 01:17:56,200
Speaker 2: has a bowl of spaghetti and Jack's eating a sandwich.

1698
01:17:56,600 --> 01:17:58,759
Speaker 2: Eric urges him to taste it, and a disappointed Phoenie

1699
01:17:58,800 --> 01:18:01,479
Speaker 2: asks if it's Thursday. Phoene eventually takes a bite of

1700
01:18:01,600 --> 01:18:04,640
Speaker 2: Eric's pasta and admits it is tasty. Eric looks at

1701
01:18:04,720 --> 01:18:07,360
Speaker 2: Jack and proudly states, see, I told you there was

1702
01:18:07,360 --> 01:18:10,400
Speaker 2: nothing wrong with eating a three week old meatball. Phoene

1703
01:18:10,479 --> 01:18:12,479
Speaker 2: starts gagging and he leans out of his car window

1704
01:18:12,479 --> 01:18:16,280
Speaker 2: as Eric examines the meatball. That's my hair, isn't it?

1705
01:18:16,640 --> 01:18:20,400
Speaker 3: I loved that? Did you remember that specifically?

1706
01:18:20,479 --> 01:18:22,240
Speaker 5: That was one of the probably the five different ones

1707
01:18:22,240 --> 01:18:25,320
Speaker 5: that I gave that just a button. The scene so funny,

1708
01:18:25,320 --> 01:18:25,920
Speaker 5: it was cute.

1709
01:18:26,600 --> 01:18:28,400
Speaker 1: Well that's our episode.

1710
01:18:28,479 --> 01:18:34,040
Speaker 2: Welcome in season seven, Season.

1711
01:18:32,320 --> 01:18:40,160
Speaker 1: Seven as well. Oh gosh, oh gosh, how much dropshock

1712
01:18:40,240 --> 01:18:41,080
Speaker 1: though for you guys?

1713
01:18:41,400 --> 01:18:45,799
Speaker 5: No, no, it was for me, but for for personal reasons,

1714
01:18:45,800 --> 01:18:46,400
Speaker 5: not for the show.

1715
01:18:47,720 --> 01:18:48,360
Speaker 3: I just yet.

1716
01:18:48,720 --> 01:18:52,920
Speaker 4: Yeah, we haven't changed our cast. Maybe the first season

1717
01:18:53,840 --> 01:18:56,040
Speaker 4: ever where we just have the same cast as the

1718
01:18:56,120 --> 01:18:59,120
Speaker 4: last season. Yep, right, because almost every season we introduced

1719
01:18:59,120 --> 01:19:00,559
Speaker 4: a whole set of new care just to start.

1720
01:19:00,600 --> 01:19:00,920
Speaker 5: That's right.

1721
01:19:00,920 --> 01:19:05,880
Speaker 3: Well, let's see, right, last season began with a wedding. Yeah,

1722
01:19:05,880 --> 01:19:09,680
Speaker 3: I guess we did. Mayland got introduced.

1723
01:19:08,880 --> 01:19:11,240
Speaker 5: And before that it was Matt was the season before

1724
01:19:11,280 --> 01:19:14,200
Speaker 5: that with four was Eli?

1725
01:19:15,320 --> 01:19:18,400
Speaker 3: No, that was three? Maybe season four. We didn't add,

1726
01:19:18,479 --> 01:19:21,920
Speaker 3: add or subtract anybody. Our best season m mmm was

1727
01:19:21,920 --> 01:19:23,080
Speaker 3: it four or five? We liked the best?

1728
01:19:23,120 --> 01:19:24,040
Speaker 5: Was it four? Four?

1729
01:19:24,160 --> 01:19:24,360
Speaker 1: Yeah?

1730
01:19:24,400 --> 01:19:24,599
Speaker 2: Four?

1731
01:19:24,720 --> 01:19:25,080
Speaker 5: This game?

1732
01:19:25,760 --> 01:19:31,280
Speaker 1: When did Tony leave season five? Okay, all right, four?

1733
01:19:31,400 --> 01:19:34,240
Speaker 5: No, no, where Tony and Tony and Matt never never

1734
01:19:34,320 --> 01:19:35,519
Speaker 5: crossed pad, so.

1735
01:19:35,479 --> 01:19:35,880
Speaker 3: He must have.

1736
01:19:36,040 --> 01:19:38,600
Speaker 5: Matt came in season five, right, so Tony must have

1737
01:19:38,640 --> 01:19:39,400
Speaker 5: left in season four?

1738
01:19:39,880 --> 01:19:41,599
Speaker 1: H Was that the end of season four?

1739
01:19:41,640 --> 01:19:41,760
Speaker 5: Then?

1740
01:19:42,120 --> 01:19:42,360
Speaker 3: Yeah?

1741
01:19:44,360 --> 01:19:44,639
Speaker 1: Right?

1742
01:19:44,760 --> 01:19:49,040
Speaker 3: Oh no, wait, Matt. Did Matt and Tony cross?

1743
01:19:50,479 --> 01:19:53,280
Speaker 5: No? I'm thinking, oh my god, I'm thinking of two

1744
01:19:53,320 --> 01:19:55,080
Speaker 5: different times you were in the hospital room talking to

1745
01:19:55,080 --> 01:19:57,799
Speaker 5: people and they're right, one of them yet so one

1746
01:19:57,960 --> 01:19:59,920
Speaker 5: and one's Tony. Okay, yeah, so no he did, they did.

1747
01:20:00,000 --> 01:20:01,440
Speaker 5: There was no cross contamination.

1748
01:20:01,800 --> 01:20:03,599
Speaker 3: There you go, Dykes.

1749
01:20:03,680 --> 01:20:06,320
Speaker 2: Well, thank you all for joining us for this episode

1750
01:20:06,320 --> 01:20:08,000
Speaker 2: of Pod Meets World. As always, you can follow us

1751
01:20:08,000 --> 01:20:10,240
Speaker 2: on Instagram pod Meets World Show. You can send us

1752
01:20:10,240 --> 01:20:12,719
Speaker 2: your emails pod meets World Show at gmail dot com.

1753
01:20:12,760 --> 01:20:14,960
Speaker 1: And we've got merch.

1754
01:20:15,800 --> 01:20:17,799
Speaker 3: Everybody, look at my merch.

1755
01:20:19,720 --> 01:20:24,120
Speaker 5: Oh silence, Danielle A second there. I was like, all right,

1756
01:20:26,240 --> 01:20:28,679
Speaker 5: I'm going to tell you something. I came very close.

1757
01:20:28,720 --> 01:20:31,479
Speaker 5: I just couldn't pull it off in time to cutting

1758
01:20:31,479 --> 01:20:35,840
Speaker 5: off all of my hair and then pulling it off

1759
01:20:35,880 --> 01:20:37,760
Speaker 5: to have the thing. I just I couldn't get it done,

1760
01:20:37,760 --> 01:20:39,120
Speaker 5: but I think there's going pretty soon.

1761
01:20:39,160 --> 01:20:40,800
Speaker 1: So really you're going to cut the long hair?

1762
01:20:40,920 --> 01:20:43,760
Speaker 5: Yeah, I think it's time rise, I don't know, just

1763
01:20:43,800 --> 01:20:47,120
Speaker 5: switch it, done with it, Well, we'll see.

1764
01:20:47,479 --> 01:20:50,320
Speaker 1: Podmeets Worldshow dot com writer send us out.

1765
01:20:50,600 --> 01:20:53,960
Speaker 3: We love you all, We love you all.

1766
01:20:55,240 --> 01:20:57,600
Speaker 5: Pod dismissed, dismissed.

1767
01:20:59,320 --> 01:21:01,960
Speaker 4: Pod Meets World is an iHeart podcast producer hosted by

1768
01:21:02,040 --> 01:21:06,040
Speaker 4: Danielle Fischel, Wilfridell and Ryder Strong Executive producers Jensen Karp

1769
01:21:06,080 --> 01:21:09,240
Speaker 4: and Amy Sugarman. Executive in charge of production, Danielle Romo,

1770
01:21:09,479 --> 01:21:13,120
Speaker 4: producer and editor, Taras Ugbasch, producer, Maddi Moore, engineer and

1771
01:21:13,120 --> 01:21:16,160
Speaker 4: Boy Meets World Superman Easton Allen. Our theme song is

1772
01:21:16,200 --> 01:21:19,360
Speaker 4: by Kyle Morton of Typhoon. Follow us on Instagram at

1773
01:21:19,360 --> 01:21:22,479
Speaker 4: Podmeats World Show or email us at Podmeats World Show

1774
01:21:22,640 --> 01:21:27,160
Speaker 4: at gmail dot com