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Speaker 1: How do you feel You feel good? You feel like comfortable?

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Speaker 2: Yeah, no, no, this is good.

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Speaker 3: You feel like ready, I'm ready. Look, you look like

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Speaker 3: you gotta get a night's sleep and stuff you did. Yes,

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Speaker 3: let's just go over. We've done a bunch of these.

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Speaker 3: Let's just go over like the basic ground rules. This

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Speaker 3: is not to be released obviously. This is like, this

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Speaker 3: is like basically a screen test. But for the podcast,

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Speaker 3: we've put a bunch of people in the like third

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Speaker 3: host chair and done like try these out. None of

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Speaker 3: them really worked out. Who have we brought into who

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Speaker 3: has done this in the basically.

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Speaker 4: Well, if you remember when Craig Ferguson replaced Craig Kilbourne,

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Speaker 4: there was everyone kind of got to do a week

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Speaker 4: in the in the seat, and surprisingly we reached it

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Speaker 4: in the exact same bag. Damien Fay, it was mich

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Speaker 4: Lean Black, it was Damian Faye, it was d L

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Speaker 4: the usual suspect.

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Speaker 2: Yeah, yeah, scal skeleton, the.

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Speaker 4: Skeleton got to sit down and then they ultimately decided

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Speaker 4: that yes, he should be a part of the show,

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Speaker 4: but no, he shouldn't be the main one because he's

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Speaker 4: scaring the ship out of people.

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Speaker 2: Yeah, Orne Hatch and did not. They did not make

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Speaker 2: the cut.

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Speaker 3: They said no. Okay, they Ornie Adams, Ornie Adams. I

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Speaker 3: also said no. So they went through the whole process,

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Speaker 3: and then at the when it came time to like

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Speaker 3: actually work out a deal, they did, uh turned down.

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Speaker 2: Oh okay, gotcha, gotch retta, Retta.

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Speaker 1: Okay. So basically what we do is Willie Klausner.

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Speaker 3: Yeah, we have you know, the third heat, you sit

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Speaker 3: in the chair. We do it just like a normal episode. Yeah, yeah,

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Speaker 3: we bring in Uh, Will Hines is here to be

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Speaker 3: the guest.

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Speaker 1: Hello, Trial by Fire Tom.

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Speaker 2: That's what it is.

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Speaker 3: And I, like part of me want to apologize for

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Speaker 3: subjecting you to the most difficult.

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Speaker 4: Wicked Will, the nastiest man I've ever interacted with. You

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Speaker 4: know how they say about New York City, if you

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Speaker 4: can make it here, you can make it anywhere. Well,

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Speaker 4: if you can host a show with Will, you can

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Speaker 4: probably make it in New York City or so sure.

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Speaker 2: Well, I mean, guys, look.

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Speaker 5: I'm I'm just going to pretend I didn't hear any

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Speaker 5: of that.

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Speaker 2: I come to this ian no, No, I'm coming to

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Speaker 2: this with humility. But I also do know one thing.

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Speaker 2: I'm the best.

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Speaker 1: Okay, it's good. Humility is good because he will humiliate you.

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Speaker 2: Okay, he will bury you. The only question is how

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Speaker 2: deep If.

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Speaker 4: Will sniff's one shred of ego, he hunts it down,

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Speaker 4: he exposes it. Yeah, he rips it out of you

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Speaker 4: and holds it up for the whole world to see.

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Speaker 1: Okay, and then he like has sex with it in

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Speaker 1: front of your friends.

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Speaker 5: Should I pretend that I'm not in the studio yet?

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Speaker 1: There's no pretending that we're telling. We're just talking about that.

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Speaker 1: It's not even for release.

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Speaker 3: You've done so many of these, Yeah, and this is

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Speaker 3: why well on this showing a long time because he's

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Speaker 3: in here like a couple times a week doing these.

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Speaker 4: And when he's finished having sex with the piece of ego,

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Speaker 4: then he like goes, like, you want to go for

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Speaker 4: a drive or something down the coast, and he like

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Speaker 4: puts the ego in the car with him and they

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Speaker 4: just like go and just like talk. They pull over

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Speaker 4: somewhere in Malibu and just kind of walk along the

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Speaker 4: coast and just think about like what a crazy ride

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Speaker 4: it's been from having been inside of you, getting sniffed out,

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Speaker 4: getting found, getting pulled up, exposed, held up getting had

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Speaker 4: sex with.

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Speaker 1: Yeah, like that sounds right.

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Speaker 3: Before even like a real conversation the sex, but then

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Speaker 3: this very like intimate romance.

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Speaker 1: Dick, before you know it, the sun's coming up. It's funny.

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Speaker 5: It's funny to hear people describe you from the outside,

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Speaker 5: you know, I, of course don't see myself in this

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Speaker 5: way exactly. I can see what they're saying, but that's

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Speaker 5: not my experience.

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Speaker 1: Tom.

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Speaker 2: Okay, Okay, we're just going to be friend. I'm let me.

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Speaker 2: When you tell me you're ready for me to talk

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Speaker 2: to you, I will talk to you.

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Speaker 5: Well, I've done a lot of these screen tests and

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Speaker 5: they're just a blast and a ball and I have

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Speaker 5: a good time and it's just chatting with me.

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Speaker 2: The only one okay, well he's the only one who

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Speaker 2: is has a good time.

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Speaker 3: Okay, So we do we play the song, We do

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Speaker 3: a little fake like talk thing.

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Speaker 1: Which is I'm excited about this.

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Speaker 5: I think it's gonna be fun, Tom, I'm looking forward

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Speaker 5: to it.

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Speaker 1: I think it's one of the biggest mistakes problem for you.

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Speaker 4: Okay, the little fake talk thing we do, I think

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Speaker 4: has been a big part of why people immediately are

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Speaker 4: out on the show when they try because they're just like,

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Speaker 4: what is this like?

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Speaker 2: So, but do you bear that have to do it? Okay, yeah,

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Speaker 2: I'm ready, Look, I'm here, and now I'm gonna just

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Speaker 2: say this. In terms of me getting buried, it's like, uh,

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Speaker 2: it's like uh, it's like uh uh a kill Bill,

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Speaker 2: kill Bill? Oh right, which part the well punch my

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Speaker 2: way on the fucking coffin.

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Speaker 5: Oh yeah, that was my least favorite part of those

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Speaker 5: two movies.

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Speaker 1: Everything else I bought.

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Speaker 2: The pussy Wagon.

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Speaker 1: Pussy Wagon felt non contrived to me. I like that.

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Speaker 5: Uma Thurman having to wiggle her toe like eighteen different

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Speaker 5: times I thought was organic and earned.

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Speaker 2: Uh.

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Speaker 4: Hannah's eye, yeah, she like has her eyes got torn out?

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Speaker 1: Yeah, that I liked.

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Speaker 2: I got a joke for that later. So if we

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Speaker 2: can just th read that through later which you mentioned

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Speaker 2: Daryl Hannah's eye Yeah, in the actual body of the show.

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Speaker 4: Yeah yeah, okay, can I hear what the joke is

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Speaker 4: so I know whether I want to bring it up.

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Speaker 1: Okay, I'll work it in then.

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Speaker 3: Okay, thanks, you can stop anytime. We will assemble it together.

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Speaker 3: Just file a stop request with Engineered Devin and he

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Speaker 3: will process it.

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Speaker 5: Have you guys ever used that sound effect from kill

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Speaker 5: Bill for comedic effect on this show?

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Speaker 1: Which one? Yeah? Oh that one too?

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Speaker 2: They are two different ones. Yeah, the one the one

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Speaker 2: I was doing comes first. Should I call you, sir?

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Speaker 2: Or what should I do with that?

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Speaker 5: Just call me will Man. We're just friends, will Man. No, Will,

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Speaker 5: I'm addressing you as man.

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Speaker 2: That could be a T shirt. Just call me Willman.

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Speaker 1: M Okay, it's helpful. I guess.

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Speaker 5: Well, yeah, we're having a good time. I'm just a

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Speaker 5: friend and it's an easy peasy.

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Speaker 1: And we're here. We're obviously hosting too.

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Speaker 3: It's like a three host we're here, but yeah.

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Speaker 1: We also want to give you.

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Speaker 5: Is that the arrangement you're looking for Tom to be

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Speaker 5: the third host or replacing.

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Speaker 2: Yes, well, this is every single one.

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Speaker 1: Okay, I just can't.

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Speaker 5: I never know every time they do one of these,

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Speaker 5: them like are you taking over or are you looking

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Speaker 5: to add?

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Speaker 2: It's a third host thing.

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Speaker 5: Because people think there's not enough talking over each other

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Speaker 5: or something they want, something they want more is what

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Speaker 5: they say.

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Speaker 2: It's a I look at it along the lines of

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Speaker 2: the great sports dynasties. I always have three great people.

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Speaker 2: When it's what Lebron Wade and Bosh right yeah or

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Speaker 2: Lebron Kyrie Love.

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Speaker 6: Love Yeah, Ruth Gerrygan, I'm out or in the booth,

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Speaker 6: Michaels and Madden or whoever and Dennis.

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Speaker 2: Miller or Dennis Miller or Rush Limbaugh or Rush m

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Speaker 2: doesn't work with just too.

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Speaker 1: So we've been trying and I think this could be.

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Speaker 1: I think this could be.

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Speaker 5: And we have not started yet. No, this is setting up.

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Speaker 4: It's when the song and I didn't I intentionally did

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Speaker 4: not interrupt you when you were saying this, because it's

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Speaker 4: not what we do on this show. But when you said,

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Speaker 4: do people feel like there's not enough talking over each other,

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Speaker 4: we actually don't do that on this show. So you

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Speaker 4: did have room to say that, and you'll have room

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Speaker 4: to say other things that are inaccurate.

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Speaker 1: Point ticket don't talk over me noted.

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Speaker 2: That's I'm ready. I'm ready. This is great.

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Speaker 5: I can't wait either.

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Speaker 1: I'm excited.

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Speaker 3: Okay, okay ready, And if you file a start request

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Speaker 3: then we will be like we can sort of begin

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Speaker 3: that process.

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Speaker 2: Devin, Devin, can you get a start request?

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Speaker 3: Go on?

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Speaker 2: Please for the episode audition song on.

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Speaker 3: What But like Levon, I don't know the lyrics, you

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Speaker 3: don't know the song. No, but what did you say?

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Speaker 3: And I think I said, and it sounds like it

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Speaker 3: sounds like Devon, But that that's what his name, that's

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Speaker 3: what his name sounds like. So and he shall be

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Speaker 3: a diva?

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Speaker 2: Yeah sure, yeah, sure, Devon recalled podcast Wolf.

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Speaker 5: All right up, lots of Hey, I'm ready, I'm ready,

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Speaker 5: I'm excited, me too.

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Speaker 2: Here we go. Usually come in by now.

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Speaker 1: You should have started, you know, we do the you

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Speaker 1: have to do?

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Speaker 2: Sorry? Can we go back? And can we? I do

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Speaker 2: have to find the stops and then wave.

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Speaker 1: You don't need to we can wave that you say,

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Speaker 1: what up?

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Speaker 2: What up? When it started, I got really tight on

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Speaker 2: that one. I'm sorry. If we could start over? Yeah? Thanks?

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Speaker 1: Good.

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Speaker 2: So it was me and I'm walking down the street with.

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Speaker 1: Rock Obama and Claus made it feel real.

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Speaker 2: And I forgot his name for a second because I

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Speaker 2: called him Barry, but I forget his first the full

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Speaker 2: name is because we're tight. I called him Barry. It's me,

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Speaker 2: Barack Obama and and the Bagel Boss and we're He's like,

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Speaker 2: I don't know why these women won't date me? And

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Speaker 2: then Barack Obama is just like he just said, just

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Speaker 2: stop being so angry, dude. So what up?

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Speaker 3: What up?

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Speaker 1: Great?

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Speaker 2: Yeah?

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Speaker 1: Yeah, really good, good story.

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Speaker 2: If I blew that one?

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Speaker 4: No, no, no, Will tried to throw you off a

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Speaker 4: little bit, and we don't know. The guest doesn't even

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Speaker 4: jump in on the story.

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Speaker 5: Okay, goodness, do you want to do one more?

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Speaker 2: Sure, and let me get ready for this one.

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Speaker 1: Yeah, get this out and as.

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Speaker 2: This is so fair, that was me clearing my throat.

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Speaker 4: Well, now Will knows you got your thing. I mean,

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Speaker 4: it could be the same story. The story kicked ass.

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Speaker 4: It was really funny.

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Speaker 3: Yeah, he I mean I usually hear referred to as

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Speaker 3: the Bagel Boss guy. Yes, that's because the place is

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Speaker 3: called the Bagel Boss.

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Speaker 1: I had the same thought. I had the same thought.

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Speaker 2: Okay, all right, Barack Obama kind of a fucked up

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Speaker 2: on that one. Well, can I get a file start,

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Speaker 2: a stop request, and then a restart please?

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Speaker 5: And I won't be involved in this at all.

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Speaker 1: We made it to the end, so you don't need

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Speaker 1: to do a stay that's already happened.

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Speaker 2: If you could replay the theme, that'd be great.

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Speaker 5: Sure, sure, I'm gonna stay up the show.

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Speaker 2: So it's me and Matt LeBlanc and we are at

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Speaker 2: a baseball card show and Matt is looking for a

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Speaker 2: Billy Ripkin fuck face card, which he has wanted his

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Speaker 2: whole career. And we go to the table and who's

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Speaker 2: at the table but Cal Ripken signing autographs. And then

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Speaker 2: Joey goes up to him and he goes you, and

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Speaker 2: then he goes, you want me to sign your bat

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Speaker 2: for you? And he goes nice, what what?

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Speaker 1: Wait?

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Speaker 3: Well, let's let's we talk about the story for a second.

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Speaker 3: So he was going to look for a Billy Ripkin.

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Speaker 4: So Matt Lear, who then became Joey in the middle

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Speaker 4: of the story, was looking for a Billy Ripkin card.

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Speaker 3: And he was in the Big Baseball Player and ed

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Speaker 3: so he is like a baseball as monkey play Monkey

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Speaker 3: played baseball.

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Speaker 2: Yeah, so but he's.

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Speaker 3: Going to look for a Billy Ripkin face card and

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Speaker 3: think and then you go to the table.

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Speaker 2: Yeah, okay, well there's not much of a line for

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Speaker 2: Cal Ripkin autographs anymore. You can kind of walk up

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Speaker 2: at this point.

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Speaker 1: Okay, okay, so you go to the car.

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Speaker 3: You went to the card show to find the car

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Speaker 3: this card. But then it's like, oh, brother, looking for.

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Speaker 1: And he said, what.

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Speaker 2: You want to sign my bat?

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Speaker 1: Do you want to know? You want me to sign

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Speaker 1: your bat or something like that?

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Speaker 2: Yeah, and he said nice, nice close, it was closer.

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Speaker 1: That was so, I mean I think I was jealous. Yeah,

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Speaker 1: let's move on from that. Yeah, Hey, welcome.

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Speaker 3: To Hollywood handle Tider's Guide to kicking button dropping names

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Speaker 3: in the red carpet lineback hallways of this industry we

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Speaker 3: call showbiz.

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Speaker 4: Will Hines, Hey, Will Hines, Today's guess yay, And of

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Speaker 4: course we're and of course we're being supervised by engineer Devin.

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Speaker 1: Hey. Kind of looks like Devon, doesn't it, and it

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Speaker 1: shall be your Devon.

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Speaker 2: That's good.

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Speaker 3: Well, what what's what? Some different stuff?

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Speaker 2: Like?

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Speaker 1: What different stuff?

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Speaker 2: Just let's catch up what not?

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Speaker 5: A lot? Not a lot's going on with mem in

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Speaker 5: a non bullet point phase of my life. You know,

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Speaker 5: things don't coalesce well into easily summarized things. I'm just

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Speaker 5: sort of very foggy right now in my life, the

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Speaker 5: things that are going on.

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Speaker 1: Yes, talk to hear him out of that.

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Speaker 2: You have to. Let's talk about these bullet points.

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Speaker 1: I don't have any I don't have anything.

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Speaker 5: Why don't you have any you know, I guess life

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Speaker 5: is just a gray area, you know, and.

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Speaker 2: Let's not make it so gray. Let's let's say, let's

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Speaker 2: go through your life and make it better.

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Speaker 5: Wow, Okay, let's see what's happening. Well, I teach improv.

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Speaker 2: You teach improv? Okayeh? Cool? Who's the greatest improviser of

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Speaker 2: all time?

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Speaker 5: No idea?

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Speaker 1: I get asked that a lot. I have no idea.

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Speaker 5: There's no answer to that question. You know, nobody really

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Speaker 5: that's hard nobody taste. Yeah, so subjective. It is just

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Speaker 5: sort of like, what are your criteria? What context?

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Speaker 4: You know?

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Speaker 2: What I mean?

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Speaker 1: Are we talking.

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Speaker 2: Which politicians would be good improvisers if they were UCB students? None?

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Speaker 5: None, not a one they would be They would be

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Speaker 5: non starters.

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Speaker 1: Okay to a man and woman.

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Speaker 2: Any pets you have? Any pets?

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Speaker 5: I do?

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Speaker 1: I have a cat?

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Speaker 2: What's your cat's name?

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Speaker 1: Hopey?

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Speaker 2: Hope?

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Speaker 5: Where's Hope with?

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Speaker 2: Why?

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Speaker 1: It's a comic book loving rockets, like very much. And

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Speaker 1: it's a kind of Native American person as well.

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Speaker 5: Right, Oh yeah, Hope the Hopey tribe. Yeah, that's like,

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Speaker 5: but you don't acknowledge that I am the association.

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Speaker 2: Yeah, that's so that's not from when Sarah Palin was like,

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Speaker 2: how's the hopey changey thing going? You weren't like a no, it.

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Speaker 5: Wasn't like it's not an al right pet naming situation.

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Speaker 2: Okay, No, that's good.

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Speaker 5: Yeah, comic book that I liked in the late eighties

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Speaker 5: that nobody read and I still like it and I

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Speaker 5: named Gilbert hernandez Arinus.

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Speaker 1: No close, can we?

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Speaker 3: I'm just I'll sign the just like write up this

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Speaker 3: shop across I'll sign it then, like, can I put

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Speaker 3: one in?

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Speaker 2: Thanks?

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Speaker 5: Uh?

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Speaker 3: So we got to the Wills Pets much earlier then

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Speaker 3: we normally.

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Speaker 4: That's kind of an end of the show thing that

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Speaker 4: we usually do. What I liked you bringing up politicians

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Speaker 4: as improvisers. When Will shuts that down, you steam roll

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Speaker 4: over him and start doing as different politicians. You just

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Speaker 4: you've got to have the impressions loaded up. I'm ready,

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Speaker 4: and you got to get you know, get the suggestion

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Speaker 4: and do the whole thing.

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Speaker 5: I know, Can I ask you guys a question so

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Speaker 5: that I'm doing my part for you?

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Speaker 1: Guys?

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Speaker 5: Am I coming in too hot.

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Speaker 3: You're doing exactly what you always do, which is exactly

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Speaker 3: why we bring you here. Okay, because this is the thing.

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Speaker 3: Will is not going to give it to you. You

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Speaker 3: have to go get Oh I can feel rip it away.

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Speaker 2: I feel the wall on this.

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Speaker 5: Okay, just making sure you guys let me know psych

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Speaker 5: to be here excited for the show.

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Speaker 2: So we'll punch in. At what point now on this.

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Speaker 1: Do we want to do the song again? Yes, let's

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Speaker 1: do the song one more time. We'll introduce Will.

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Speaker 2: Yes, Okay, here we go, and I'll fill in some

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Speaker 2: of the details that make the story.

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Speaker 1: That would be so nice. That's great.

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Speaker 4: Yeah.

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Speaker 2: Hey, so it's me and Matt LeBlanc and we are

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Speaker 2: at a baseball card.

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Speaker 1: Sorry, we don't have to start it over.

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Speaker 4: But when so when you go like, hey, so, I

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Speaker 4: feel like you're finishing up a story, like you're not

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Speaker 4: talking to them. Okay, the idea is that we're talking

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Speaker 4: and then we'll do the show. So it's it's just

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Speaker 4: so the energy is fair enough. And they did say

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Speaker 4: the hey for yes, yeah.

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Speaker 2: I have the elements. I'm putting them in the wrong

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Speaker 2: order exactly exactly, Devin. Can we do a stop request please?

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Speaker 1: Yes, sorry to stop, but yeah, we can do a.

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Speaker 2: Start and then start requests. It's a Union thing. So yeah,

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Speaker 2: it's so good. It's me Tom and I'm with Matt

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Speaker 2: LeBlanc and we are at a baseball card convention and Matt.

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Speaker 4: Is looking looking for the baseball card of his player

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Speaker 4: from Ed.

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Speaker 2: No, actually, that's a that's a that's funny.

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Speaker 1: Yeah, do you want the Monkey's card?

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Speaker 2: No, No, he has those because he worked on the film. Though.

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Speaker 2: He was like one of the first to get those

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Speaker 2: things because they were props, and he's a big collector

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Speaker 2: of memorability from the movies and shows.

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Speaker 1: From his own movie.

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Speaker 2: Yes, But in our story, we were at a baseball

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Speaker 2: card convention. He was looking for a Billy Ripkin fuck

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Speaker 2: face card? Where and what's that? It's a it's a

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Speaker 2: baseball card where Billy Ripkin, the legendary lesser brother of

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Speaker 2: Major League Baseball iron man Cal Ripkin, he wrote on

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Speaker 2: the heel of his bat, fuck face.

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Speaker 1: He wrote it on his own bat and it.

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Speaker 2: Ended up in the photo on a baseball card. And

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Speaker 2: so Matt really water iron.

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Speaker 1: Man U Rhummer Towny junior Cal Ripkin. Who's your iron man?

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Speaker 2: Well they're both dead to me. Oh So anyway, we're

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Speaker 2: at the thing. We're going from table to table, and

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Speaker 2: Matt's starting to get very irritated because he's like, he's like,

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Speaker 2: none of these people have the folk face card. What

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Speaker 2: am I going to do here? And then I noticed

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Speaker 2: over the other side, cal Ripken is signing autographs, Like, Matt,

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Speaker 2: that's his brother. Let's go see if he's got the

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Speaker 2: inside track on what do.

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Speaker 4: You keep from episodes? He said he collects a lot

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Speaker 4: of memorabilia, Like what kind of stuff is Matt hanging

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Speaker 4: on to from episodes?

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Speaker 2: The scripts that got shot out of the sky and

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Speaker 2: the pages that fell in the ocean.

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Speaker 1: They shot the scripts?

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Speaker 2: Yeah, well I love that theme. I always just play

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Speaker 2: that one in the morning to get kind of pumped up.

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Speaker 2: But that's neither here nor there. We go up to

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Speaker 2: the table and Matt's like, do you think he knows

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Speaker 2: who I am? I'm like, Matt, everybody knows friends. And

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Speaker 2: he goes up to the table as cal Ripken. It's

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Speaker 2: not much of a line because everybody by this point,

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Speaker 2: everybody's got a cal Ripken autograph? Who wants one? And

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Speaker 2: the show was not in Baltimore, so yeah, he goes

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Speaker 2: up It was in Corpus Christi, Texas and military. Yes,

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Speaker 2: well we were doing a thing for the USO, and

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Speaker 2: so we put on shows, me and Matt, and they're

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Speaker 2: making fun of the well we belittle the troops. We're

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Speaker 2: kind of like, we we get the troops, get them exactly,

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Speaker 2: then they ship them out. We're the last people they

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Speaker 2: see before they the troops ship out, just get them,

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Speaker 2: and they're so irritated that they're just ready to like

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Speaker 2: mow everyone down.

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Speaker 1: Yeah them up, Yeah, that's smart.

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Speaker 2: So then we go up to the table and I

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Speaker 2: was like, of course he knows friends. And then he

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Speaker 2: goes up and he goes, hell you doing? And then

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Speaker 2: cal Ripken goes, what can I help you with? Chief?

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Speaker 2: And the chief was he did not think of him

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Speaker 2: as a chief. The way he said it, we had

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Speaker 2: a very pointed edge to it. And I said, my

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Speaker 2: friend here wants to get his hands on your brother's

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Speaker 2: fuck face card. And he said, do I look like

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Speaker 2: Billy Ripkin?

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Speaker 4: And you said, well, kind of, yeah, a little bit

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Speaker 4: of family resemblance.

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Speaker 2: And then then he said, how you doing again?

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Speaker 1: Yeah, he's still trying.

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Speaker 2: He's still trying it.

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Speaker 1: Hey, Welcome to Hollywood handbooks.

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Speaker 4: Kicking names in the red carpet lineback hallways of this

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Speaker 4: industry we called Will What Will?

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Speaker 1: Hines is here?

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Speaker 2: What up?

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Speaker 1: What up?

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Speaker 3: What up?

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00:21:42,640 --> 00:21:43,520
Speaker 2: What up? Will?

449
00:21:43,840 --> 00:21:46,160
Speaker 1: Thank you for coming back to the show?

450
00:21:46,560 --> 00:21:49,600
Speaker 2: Way? Was that too? You didn't like to go go go?

451
00:21:49,960 --> 00:21:51,880
Speaker 2: What is going on in your wife?

452
00:21:52,119 --> 00:21:55,080
Speaker 1: Not too much? Not too much, just keeping on, keeping on.

453
00:21:55,600 --> 00:21:58,680
Speaker 2: I think this what up thing needs to be cleared up? Though?

454
00:21:58,920 --> 00:22:00,000
Speaker 2: Did I step on your.

455
00:22:01,440 --> 00:22:01,520
Speaker 1: It?

456
00:22:01,600 --> 00:22:03,080
Speaker 2: I thought I was giving it like a little bit

457
00:22:03,119 --> 00:22:05,120
Speaker 2: of like just keep going.

458
00:22:05,400 --> 00:22:07,840
Speaker 1: I'm sorry it your thing is?

459
00:22:07,840 --> 00:22:08,159
Speaker 5: What up?

460
00:22:08,160 --> 00:22:08,479
Speaker 2: What up?

461
00:22:09,160 --> 00:22:12,639
Speaker 1: Come on? Let's like we can't, yes, we can't, Okay,

462
00:22:13,440 --> 00:22:13,800
Speaker 1: fuck it?

463
00:22:14,160 --> 00:22:15,600
Speaker 5: Yeah, not a lot going on with me, you know,

464
00:22:15,760 --> 00:22:18,879
Speaker 5: just sort of just sort of enjoying my time, having

465
00:22:18,920 --> 00:22:19,840
Speaker 5: happy days.

466
00:22:20,160 --> 00:22:22,320
Speaker 2: No Will. You're an improviser, right, correct?

467
00:22:22,400 --> 00:22:24,760
Speaker 5: Yes, and you teach improv Yep, that's right I do

468
00:22:24,920 --> 00:22:26,440
Speaker 5: at the Upright citiz Supagade Theater.

469
00:22:26,960 --> 00:22:29,439
Speaker 2: What do you feel? Who do you think would be

470
00:22:29,440 --> 00:22:32,600
Speaker 2: the greatest improviser in the world of politics? Anyone?

471
00:22:32,880 --> 00:22:33,280
Speaker 1: Nobody?

472
00:22:33,560 --> 00:22:36,760
Speaker 2: Hm? Well, that's interesting because I think a few politicians

473
00:22:36,800 --> 00:22:41,200
Speaker 2: could be pretty good at it, Like, for one, mister

474
00:22:41,280 --> 00:22:47,120
Speaker 2: Ronald Reagan, what I need a first word last word.

475
00:22:47,440 --> 00:22:51,400
Speaker 5: For okay, first word banana, last word schadenfreud. Okay, where

476
00:22:51,400 --> 00:22:54,879
Speaker 5: are we laundromat? Launder Matt whether it's what's the what

477
00:22:55,160 --> 00:22:57,879
Speaker 5: uh era? When I teach, I usually don't give this

478
00:22:58,000 --> 00:23:01,000
Speaker 5: much set up, but say, lady, late eighties.

479
00:23:00,800 --> 00:23:06,640
Speaker 2: Late eighties laundromat, let me get to banana to Schadenfreud, Okay, well,

480
00:23:07,040 --> 00:23:13,159
Speaker 2: banana second, well is not the word for him. I

481
00:23:13,200 --> 00:23:14,399
Speaker 2: gotta banana.

482
00:23:14,440 --> 00:23:15,200
Speaker 1: It's more of a tick.

483
00:23:16,440 --> 00:23:20,760
Speaker 2: This coin machine won't work. I gotta fill the dryer,

484
00:23:21,880 --> 00:23:26,200
Speaker 2: mister Gorbachev, I need change for a five dollars bill

485
00:23:26,960 --> 00:23:27,840
Speaker 2: shoden Freud.

486
00:23:28,320 --> 00:23:32,160
Speaker 5: Wow, all right, pretty good? Yeah, I guess Reagan would

487
00:23:32,160 --> 00:23:34,480
Speaker 5: be maybe that proves me wrong. I guess Reagan would

488
00:23:34,480 --> 00:23:37,480
Speaker 5: be a was that somebody doing Reagan or him in

489
00:23:37,520 --> 00:23:40,760
Speaker 5: an improv class doing Okay, if Ronald Reagan was in

490
00:23:40,760 --> 00:23:42,320
Speaker 5: a class and he did that, I actually think that

491
00:23:42,359 --> 00:23:44,960
Speaker 5: would be a very fine first scene for somebody.

492
00:23:45,440 --> 00:23:48,439
Speaker 3: You know, That's what it was, Reagan doing that in

493
00:23:48,480 --> 00:23:51,919
Speaker 3: an improv class. It wasn't Reagan in a laundromat, because it's.

494
00:23:52,080 --> 00:23:54,439
Speaker 5: Is Ronald Reagan's taking an improv class trying to do

495
00:23:54,480 --> 00:23:58,479
Speaker 5: the exercise, or some unknown student in an improv class

496
00:23:58,520 --> 00:24:00,440
Speaker 5: impersonating Ronald Reagan in all under.

497
00:24:00,520 --> 00:24:01,320
Speaker 2: It was Ronald Reagan.

498
00:24:01,720 --> 00:24:05,280
Speaker 3: Yeah, kind of playing himself in an improv scene in

499
00:24:05,320 --> 00:24:05,800
Speaker 3: a class.

500
00:24:06,080 --> 00:24:08,119
Speaker 2: He was never told he wasn't Ronald Reagan.

501
00:24:08,200 --> 00:24:10,000
Speaker 5: And I think that's a good assumption. I would say

502
00:24:10,000 --> 00:24:11,639
Speaker 5: that would be a good scene for So do.

503
00:24:11,680 --> 00:24:14,000
Speaker 1: You tell your improv students that, like, you're not you

504
00:24:14,080 --> 00:24:14,399
Speaker 1: with this?

505
00:24:14,720 --> 00:24:18,359
Speaker 5: I don't only have to most students, there's not We

506
00:24:18,400 --> 00:24:19,560
Speaker 5: don't know a lot about them.

507
00:24:19,640 --> 00:24:22,720
Speaker 1: Have you had celebrity students before? And and have they

508
00:24:22,760 --> 00:24:23,200
Speaker 1: played them?

509
00:24:23,200 --> 00:24:23,400
Speaker 3: So?

510
00:24:23,640 --> 00:24:28,040
Speaker 2: Who's the biggest name you've had? Will? Let's see, I said,

511
00:24:28,040 --> 00:24:28,920
Speaker 2: who's the biggest one?

512
00:24:28,920 --> 00:24:29,080
Speaker 1: Though?

513
00:24:29,200 --> 00:24:31,679
Speaker 5: The biggest name that I've ever had? Do you know

514
00:24:31,720 --> 00:24:35,840
Speaker 5: mister Paul Welsh? Ah, he has a couple of lines

515
00:24:35,840 --> 00:24:36,720
Speaker 5: and crazy ex girls.

516
00:24:36,880 --> 00:24:39,560
Speaker 1: Do you know he's one of the hard brothers.

517
00:24:39,720 --> 00:24:43,520
Speaker 5: Yeah, oh yeah, that's he's an Earwolf podcast co host.

518
00:24:43,600 --> 00:24:44,760
Speaker 1: Well he's proving.

519
00:24:44,480 --> 00:24:47,040
Speaker 4: That politicians can be good improvisers too, right.

520
00:24:46,960 --> 00:24:52,280
Speaker 5: Ye, yep, yeah, I had him? Who else have I had?

521
00:24:53,960 --> 00:24:58,800
Speaker 5: I subbed a class that Abby Jacobson was in as

522
00:24:58,800 --> 00:25:05,520
Speaker 5: a student. Ah, one, she was never my student. I

523
00:25:05,560 --> 00:25:09,000
Speaker 5: subed to class once where she was a student.

524
00:25:09,600 --> 00:25:12,240
Speaker 2: What's the what's the deal with that? Is that pre arranged.

525
00:25:12,280 --> 00:25:13,919
Speaker 2: Is there like a piece of paper people say, Hey,

526
00:25:13,960 --> 00:25:15,760
Speaker 2: I'm not gonna be able to make the class. Who

527
00:25:15,840 --> 00:25:18,560
Speaker 2: can fill in for me? Is it in an email?

528
00:25:18,640 --> 00:25:19,199
Speaker 2: Go around?

529
00:25:19,280 --> 00:25:20,160
Speaker 1: That's how it happens.

530
00:25:21,240 --> 00:25:24,680
Speaker 5: I said, like three different things. Email goes around, Okay,

531
00:25:24,760 --> 00:25:27,040
Speaker 5: who can cover this? And then you answer I can?

532
00:25:27,119 --> 00:25:29,040
Speaker 2: And then you do it okay? And then did they

533
00:25:29,119 --> 00:25:31,879
Speaker 2: usually write back say thanks? I know you one.

534
00:25:32,320 --> 00:25:34,360
Speaker 5: No, they'll just be like you've got it. They'll confirm

535
00:25:34,400 --> 00:25:35,040
Speaker 5: that you're doing.

536
00:25:34,960 --> 00:25:36,760
Speaker 2: It and do you kind of let if they don't

537
00:25:36,800 --> 00:25:40,119
Speaker 2: say thanks, does that kind of like never harbor a

538
00:25:40,200 --> 00:25:41,560
Speaker 2: grudge with that.

539
00:25:41,640 --> 00:25:44,000
Speaker 5: I have no emotional attachment to any part of this interaction.

540
00:25:44,240 --> 00:25:48,000
Speaker 1: Okay, Hey Devin, I'm going to put a stop request in.

541
00:25:48,080 --> 00:25:48,280
Speaker 2: Yep.

542
00:25:49,320 --> 00:25:52,320
Speaker 1: So this is just at your wolf. We do a

543
00:25:52,359 --> 00:25:55,240
Speaker 1: lot of like wordplay stuff that's sort of okay, it's

544
00:25:55,280 --> 00:25:59,600
Speaker 1: top down, so that's a union thing as well. When

545
00:25:59,640 --> 00:26:03,679
Speaker 1: Will's said that he subbed a class, there's an opportunity

546
00:26:03,720 --> 00:26:06,119
Speaker 1: to talk about like subs and doms and like s

547
00:26:06,200 --> 00:26:08,840
Speaker 1: and M type sex stuff and kind of get Will

548
00:26:08,920 --> 00:26:12,240
Speaker 1: to open up. Yeah, that would be funny. Yeah, Noise,

549
00:26:12,440 --> 00:26:13,440
Speaker 1: I can get some web sounds.

550
00:26:13,960 --> 00:26:21,080
Speaker 2: You have a requests can I file requests please on it?

551
00:26:22,280 --> 00:26:24,840
Speaker 4: But yeah, and then you can get into asking Will

552
00:26:24,840 --> 00:26:27,040
Speaker 4: if he's into some kinky shit and maybe try to

553
00:26:27,040 --> 00:26:28,760
Speaker 4: get him to open up a little bit about some

554
00:26:28,840 --> 00:26:31,000
Speaker 4: of his boudoir piccadillos.

555
00:26:31,080 --> 00:26:34,800
Speaker 1: And it's just a juicy thing that people could hear

556
00:26:34,840 --> 00:26:35,359
Speaker 1: on the podcast.

557
00:26:35,400 --> 00:26:38,080
Speaker 3: Then like subway, like sandwich artists, why do they call

558
00:26:38,119 --> 00:26:39,679
Speaker 3: it and why do they call it an artist?

559
00:26:40,400 --> 00:26:42,320
Speaker 2: Yeah, like that kind of stuff. Gas.

560
00:26:42,320 --> 00:26:44,120
Speaker 5: When you do these notes, I'm pretending I don't hear

561
00:26:44,160 --> 00:26:45,880
Speaker 5: them so that I can be a good test subject.

562
00:26:46,560 --> 00:26:49,520
Speaker 1: Okay, thank you.

563
00:26:53,320 --> 00:26:56,439
Speaker 3: Had So let's I don't think we have to go

564
00:26:56,760 --> 00:26:58,040
Speaker 3: like all the way all the way back.

565
00:26:58,119 --> 00:27:01,239
Speaker 5: Let's just do the song, not all the way back,

566
00:27:01,280 --> 00:27:02,320
Speaker 5: but you are doing the song.

567
00:27:02,480 --> 00:27:03,919
Speaker 1: We'll do the song, but we don't.

568
00:27:03,760 --> 00:27:07,000
Speaker 3: Think we have to tell what we're doing this again,

569
00:27:07,240 --> 00:27:08,200
Speaker 3: you've been doing it for a while.

570
00:27:08,200 --> 00:27:08,879
Speaker 2: We just do this song.

571
00:27:08,920 --> 00:27:10,600
Speaker 1: We have to like leave the room and come back in,

572
00:27:10,640 --> 00:27:11,480
Speaker 1: but we'll just sit here.

573
00:27:11,520 --> 00:27:13,040
Speaker 5: We'll start on the song, not all the way back,

574
00:27:13,040 --> 00:27:14,920
Speaker 5: but the song at the beginning of the show.

575
00:27:15,000 --> 00:27:16,120
Speaker 1: Song from the beginning.

576
00:27:16,200 --> 00:27:18,280
Speaker 3: Yeah, Okay, I just want to point out so it's

577
00:27:18,280 --> 00:27:20,280
Speaker 3: not like all just like notes I know it's the

578
00:27:20,320 --> 00:27:23,439
Speaker 3: second time you told the Ripkins story, the like do

579
00:27:23,480 --> 00:27:25,880
Speaker 3: you want me to sign your bat line from cal

580
00:27:26,000 --> 00:27:27,320
Speaker 3: Ripken fell Out?

581
00:27:27,359 --> 00:27:28,240
Speaker 2: I think that was great.

582
00:27:28,280 --> 00:27:29,760
Speaker 1: It made no sense, good cut.

583
00:27:29,680 --> 00:27:32,000
Speaker 3: The first time it was in there you liked the cut, Yeah,

584
00:27:32,000 --> 00:27:32,840
Speaker 3: it was a great cut.

585
00:27:33,000 --> 00:27:34,520
Speaker 1: I did not like it the first time.

586
00:27:34,600 --> 00:27:37,600
Speaker 3: There was no sense that he had a bat initially,

587
00:27:37,600 --> 00:27:39,119
Speaker 3: he's looking for a baseball card.

588
00:27:39,320 --> 00:27:40,919
Speaker 4: Oh yeah, I didn't know what the fuck you were

589
00:27:40,960 --> 00:27:42,639
Speaker 4: talking about when you said it the first time, and

590
00:27:42,680 --> 00:27:43,720
Speaker 4: the fact that it wasn't there.

591
00:27:43,800 --> 00:27:45,960
Speaker 1: I didn't even miss it. Hey, thanks for pointing it out.

592
00:27:45,800 --> 00:27:49,080
Speaker 2: Because you know that. I mean that comes from writing stuff.

593
00:27:49,119 --> 00:27:51,240
Speaker 2: There's always the phrase kill children.

594
00:27:52,200 --> 00:27:52,440
Speaker 7: Wow.

595
00:27:52,840 --> 00:27:53,080
Speaker 1: Yeah.

596
00:27:53,160 --> 00:27:55,080
Speaker 4: I don't know if people say it that way or

597
00:27:55,480 --> 00:27:57,960
Speaker 4: make that face when they say it, but I do

598
00:27:58,080 --> 00:28:02,040
Speaker 4: think there's a veryation on that that's popular.

599
00:28:01,920 --> 00:28:05,040
Speaker 2: Because the cat gets in the tree, yep, and then

600
00:28:05,080 --> 00:28:08,720
Speaker 2: you kill a child, then you're at the premiere.

601
00:28:12,160 --> 00:28:13,360
Speaker 1: That's what I've always heard.

602
00:28:14,520 --> 00:28:18,159
Speaker 3: Okay, And so let's just get to the idea of

603
00:28:18,280 --> 00:28:21,760
Speaker 3: subbing in for an improv class as soon as possible

604
00:28:21,960 --> 00:28:23,000
Speaker 3: with this next.

605
00:28:22,760 --> 00:28:24,879
Speaker 2: Version of to do the Reagan thing.

606
00:28:24,960 --> 00:28:28,480
Speaker 3: First, though, I think we can we can do that.

607
00:28:28,640 --> 00:28:31,320
Speaker 3: Get to that really fast, and I think maybe a

608
00:28:31,359 --> 00:28:33,200
Speaker 3: different part. You don't even need to get the suggestion,

609
00:28:33,520 --> 00:28:34,159
Speaker 3: different politician.

610
00:28:34,680 --> 00:28:36,600
Speaker 2: Yeah, that would be good. Here we go, Here we go,

611
00:28:37,000 --> 00:28:39,560
Speaker 2: fucking hit it man, do it started over again?

612
00:28:39,600 --> 00:28:40,920
Speaker 1: Please, just we want to.

613
00:28:40,840 --> 00:28:50,000
Speaker 4: Be able to it's got to come clean. And I'm

614
00:28:50,040 --> 00:28:51,360
Speaker 4: not going to do what I'll put up this time.

615
00:28:51,400 --> 00:28:53,080
Speaker 1: You can just do it.

616
00:28:53,520 --> 00:28:58,640
Speaker 2: So it's me and Matt LeBlanc and we are at

617
00:28:58,640 --> 00:29:03,880
Speaker 2: a baseball card can and Corpus Christi, Texas. And because

618
00:29:03,880 --> 00:29:06,760
Speaker 2: we're doing USO shows where we rile the troops up

619
00:29:06,800 --> 00:29:10,280
Speaker 2: to get them really mad so they kill non Americans,

620
00:29:12,240 --> 00:29:15,160
Speaker 2: we're at this show and Matt really wants to get

621
00:29:15,160 --> 00:29:19,800
Speaker 2: his mits. No pun intended on a Billy Ripkin fuck

622
00:29:19,840 --> 00:29:23,560
Speaker 2: Face card, a legendary misprint of a baseball card that

623
00:29:23,600 --> 00:29:25,440
Speaker 2: had the word fuck face written on the heel of

624
00:29:25,480 --> 00:29:28,440
Speaker 2: his bat. Yeah, we're at the show. We're going from

625
00:29:28,440 --> 00:29:30,720
Speaker 2: table to table. We can't come up with one. And

626
00:29:30,760 --> 00:29:34,280
Speaker 2: then I noticed that Cal Ripkin, the brother of Billy Ripkin,

627
00:29:34,520 --> 00:29:37,000
Speaker 2: is what go ahead?

628
00:29:38,000 --> 00:29:41,400
Speaker 3: Wasn't a misprint, it's just what's that There was a

629
00:29:41,440 --> 00:29:44,200
Speaker 3: photo with profanity in it, but it wasn't a misprinted.

630
00:29:44,320 --> 00:29:46,880
Speaker 2: Well in the scheme of that it should not have happened.

631
00:29:47,000 --> 00:29:51,560
Speaker 2: It was a misprint that the can we start over?

632
00:29:55,240 --> 00:29:56,120
Speaker 1: Got a stop request?

633
00:29:56,200 --> 00:29:58,320
Speaker 2: I file a stop request. We're running out of those.

634
00:29:59,240 --> 00:30:01,360
Speaker 2: We're gonna go over Prince more later.

635
00:30:01,400 --> 00:30:03,040
Speaker 1: Where's Kevin today? He should be printing?

636
00:30:03,200 --> 00:30:07,320
Speaker 2: Yeah, and who knew he had so much money? Kevin?

637
00:30:07,560 --> 00:30:08,400
Speaker 2: That's the other thing.

638
00:30:08,360 --> 00:30:12,240
Speaker 3: That has been big and like, like since we found.

639
00:30:11,960 --> 00:30:14,920
Speaker 1: That out, he has really just Kevin's here show.

640
00:30:15,080 --> 00:30:18,640
Speaker 5: Yeah that's weird, right, Yeah, we ride the same bus line.

641
00:30:19,320 --> 00:30:20,120
Speaker 2: But he owns it.

642
00:30:20,200 --> 00:30:23,200
Speaker 1: Yeah, he owns the bus.

643
00:30:23,320 --> 00:30:26,320
Speaker 2: A secret shopper. He's doing like undercover boss ship on

644
00:30:26,360 --> 00:30:29,800
Speaker 2: that bus, putting on a bus hat.

645
00:30:31,840 --> 00:30:34,320
Speaker 1: But you get this bus line stuff. That's juicy. Now

646
00:30:34,360 --> 00:30:35,320
Speaker 1: you know something about Will.

647
00:30:35,480 --> 00:30:36,520
Speaker 2: Yeah, that's good.

648
00:30:36,840 --> 00:30:39,000
Speaker 1: That's rare that we ever get to that in one

649
00:30:39,000 --> 00:30:41,040
Speaker 1: of these tests. That's the best stuff he's given us.

650
00:30:41,320 --> 00:30:47,840
Speaker 2: Let's go, will have you ever done? No?

651
00:30:47,840 --> 00:30:50,280
Speaker 1: No, no, no, we're jumping the line a little bit.

652
00:30:50,320 --> 00:30:52,520
Speaker 3: I understand why you're excited, but we do have to

653
00:30:52,560 --> 00:30:54,880
Speaker 3: do that's a great question though.

654
00:30:55,160 --> 00:30:57,600
Speaker 2: Just tell the story really quick. Okay, there we go.

655
00:31:02,040 --> 00:31:05,760
Speaker 1: Do I talk during this ever? I don't talk? Does

656
00:31:05,760 --> 00:31:08,600
Speaker 1: a guest talk during these ever, they do only when

657
00:31:08,600 --> 00:31:09,280
Speaker 1: they don't know what the.

658
00:31:11,200 --> 00:31:14,520
Speaker 5: Really huge you brought in to like make your show

659
00:31:14,720 --> 00:31:15,960
Speaker 5: bump up and viewers or whatever.

660
00:31:16,120 --> 00:31:17,800
Speaker 1: Then they talk and we just and.

661
00:31:17,880 --> 00:31:19,960
Speaker 5: Obviously don't even know who you guys are, but I.

662
00:31:19,960 --> 00:31:22,080
Speaker 2: Just can I just ask? So you're trying to get

663
00:31:22,120 --> 00:31:23,880
Speaker 2: in my head by saying that though, because you know

664
00:31:23,920 --> 00:31:24,920
Speaker 2: the answer to that round?

665
00:31:24,920 --> 00:31:27,880
Speaker 5: Do you just I'm chilling. I'm just chilling and grilling.

666
00:31:29,000 --> 00:31:40,840
Speaker 2: Let's go. So it's me and it's Matt LeBlanc and

667
00:31:40,840 --> 00:31:43,000
Speaker 2: we're at a baseball card convention. We're looking for a

668
00:31:43,040 --> 00:31:45,400
Speaker 2: Billy Ripkin fu Face card and then we can't find

669
00:31:45,440 --> 00:31:47,960
Speaker 2: when and I noticed Cal Ripkin is signing autographs across

670
00:31:47,960 --> 00:31:51,920
Speaker 2: the room Joey. Matt Lebonk, who plays Joey, says, do

671
00:31:51,960 --> 00:31:53,480
Speaker 2: you think he'll know who I am? I'm like, of course,

672
00:31:53,480 --> 00:31:55,600
Speaker 2: everybody knows Joey. Everybody knows friends. We go up to

673
00:31:55,640 --> 00:31:57,960
Speaker 2: the table and he goes, hell you doing? And then

674
00:31:58,200 --> 00:32:00,560
Speaker 2: and Cal Ripkan is like, what can I do? Chief?

675
00:32:00,600 --> 00:32:03,320
Speaker 2: And it was had a very, uh, kind of prickly

676
00:32:03,440 --> 00:32:05,000
Speaker 2: edged to it, and I said, well, my friend, Matt

677
00:32:05,040 --> 00:32:09,600
Speaker 2: LeBlanc here is looking for a for a a card,

678
00:32:10,000 --> 00:32:12,000
Speaker 2: the Billy Ripkin card. Your brother's like, do I look

679
00:32:12,040 --> 00:32:14,480
Speaker 2: like Billy Ripkin? And then I say, well a little bit.

680
00:32:15,040 --> 00:32:18,520
Speaker 2: And then Matt LeBlanc goes uh, and then Cal Ripkin

681
00:32:19,000 --> 00:32:21,600
Speaker 2: looks at Matt closer. He goes, wait, aren't you Matt

682
00:32:21,680 --> 00:32:25,320
Speaker 2: LeBlanc from episodes? And then he reaches into his pocket

683
00:32:25,320 --> 00:32:29,480
Speaker 2: and pulls out a Billy Ripkin card and then Matt says,

684
00:32:29,560 --> 00:32:32,920
Speaker 2: thank you so much. And then Cal says, oh, one

685
00:32:32,960 --> 00:32:36,120
Speaker 2: other thing, and he says is what he says? Care

686
00:32:36,160 --> 00:32:37,480
Speaker 2: to sign my bat?

687
00:32:37,800 --> 00:32:42,120
Speaker 3: Hey?

688
00:32:42,640 --> 00:32:45,080
Speaker 1: Dropping names in the red carpet allways of this industry?

689
00:32:46,000 --> 00:32:46,720
Speaker 2: Will hi.

690
00:32:48,400 --> 00:32:52,040
Speaker 3: Go ahead? Thank you for being on the show. What's

691
00:32:52,080 --> 00:32:53,840
Speaker 3: happening in your life these days?

692
00:32:53,880 --> 00:32:54,400
Speaker 1: Not a lot?

693
00:32:55,160 --> 00:32:57,280
Speaker 2: Can we not do a full reboot? But can we

694
00:32:57,360 --> 00:32:59,280
Speaker 2: just set this this on off? What if things? Really?

695
00:32:59,280 --> 00:33:00,600
Speaker 2: But I know I stipp don you with that.

696
00:33:00,920 --> 00:33:02,280
Speaker 1: I said, I'm not going to say it.

697
00:33:03,600 --> 00:33:07,000
Speaker 2: I'd prefer I know, And I feel like you did

698
00:33:07,040 --> 00:33:08,560
Speaker 2: not mean that though I feel like I feel like

699
00:33:08,600 --> 00:33:11,680
Speaker 2: you're just I feel like it's very passive aggressive.

700
00:33:11,840 --> 00:33:14,320
Speaker 1: Okay, it's not.

701
00:33:16,040 --> 00:33:17,760
Speaker 2: Can we just try one where you say it then?

702
00:33:17,880 --> 00:33:18,760
Speaker 1: Don't feel that way?

703
00:33:18,840 --> 00:33:24,480
Speaker 2: Hey, It's Hollywood Handbook, the Insider's Guide to the Hallways.

704
00:33:24,960 --> 00:33:25,280
Speaker 1: What up?

705
00:33:25,320 --> 00:33:27,280
Speaker 2: What up? Will Hine?

706
00:33:27,520 --> 00:33:32,800
Speaker 1: Hey, have you been doing a lot of stuff lately?

707
00:33:32,920 --> 00:33:33,320
Speaker 1: Not really?

708
00:33:33,520 --> 00:33:36,880
Speaker 2: Yeah? Now will I've heard you take the bus Fairmount

709
00:33:36,960 --> 00:33:38,000
Speaker 2: in Los Angeles.

710
00:33:38,040 --> 00:33:39,200
Speaker 1: That's right, I do. Yeah.

711
00:33:39,240 --> 00:33:43,160
Speaker 2: And I've also heard that you are an improv teacher.

712
00:33:43,400 --> 00:33:45,480
Speaker 5: Both those things are true. Yeah, I'll take the bus

713
00:33:45,480 --> 00:33:46,920
Speaker 5: to where I teach improv a lot of times.

714
00:33:46,960 --> 00:33:48,920
Speaker 2: Have you ever taught improv on the bus?

715
00:33:49,120 --> 00:33:51,760
Speaker 1: No, that would be unwanted.

716
00:33:52,080 --> 00:33:55,880
Speaker 2: Okay. Now, it's a very political world we live, and

717
00:33:55,960 --> 00:33:58,280
Speaker 2: everybody's talking about politics all the time.

718
00:33:58,280 --> 00:33:59,320
Speaker 1: I don't find that to be true.

719
00:33:59,480 --> 00:34:04,360
Speaker 2: Uh huh, Okay, some people are talking about politics, that's true.

720
00:34:06,040 --> 00:34:09,040
Speaker 2: When you think about a politician, will do you feel?

721
00:34:09,520 --> 00:34:10,880
Speaker 1: I don't really think about politics.

722
00:34:10,960 --> 00:34:11,240
Speaker 2: Okay.

723
00:34:11,440 --> 00:34:13,000
Speaker 5: The older I get, the less faith I have in

724
00:34:13,000 --> 00:34:14,560
Speaker 5: the whole system. I don't think about it too much.

725
00:34:14,719 --> 00:34:20,439
Speaker 2: Okay, if you if you were to think about politics,

726
00:34:21,080 --> 00:34:24,399
Speaker 2: do you feel that any politician would be a great improviser?

727
00:34:24,760 --> 00:34:25,160
Speaker 1: I do not.

728
00:34:25,440 --> 00:34:29,640
Speaker 2: You do not? Well, what if I was to show

729
00:34:29,640 --> 00:34:33,239
Speaker 2: you how a politician could be a great improviser, I'd

730
00:34:33,280 --> 00:34:44,400
Speaker 2: like to see that. So, mister Richard Milhouse Nixon, the

731
00:34:44,440 --> 00:34:52,279
Speaker 2: president thirty a president of the United States. Say he

732
00:34:52,440 --> 00:34:55,480
Speaker 2: was in your improv class and can also as a sidebar,

733
00:34:55,640 --> 00:35:00,239
Speaker 2: Sure any famous uh people come through that improv class.

734
00:35:00,160 --> 00:35:02,040
Speaker 5: Years I did think it went It was a guy

735
00:35:02,040 --> 00:35:03,759
Speaker 5: in SNL for one year. I think his name was

736
00:35:03,800 --> 00:35:05,840
Speaker 5: like John Bitinski or something like that. He was in

737
00:35:05,960 --> 00:35:07,120
Speaker 5: I taught him Improv one O.

738
00:35:07,200 --> 00:35:10,800
Speaker 2: One and was he was he?

739
00:35:11,200 --> 00:35:13,400
Speaker 3: Just in case he's ever on the just get it clean,

740
00:35:13,760 --> 00:35:16,920
Speaker 3: John Rednitzk Rednitzky too bad because I was going to say,

741
00:35:17,400 --> 00:35:20,640
Speaker 3: and don't say I did think of one because that right?

742
00:35:20,719 --> 00:35:23,160
Speaker 5: Yep, Yes, yes, I did have a famous person in

743
00:35:23,239 --> 00:35:27,960
Speaker 5: my improv class, John Ridinski Reddinsky. Yeah, when he was

744
00:35:28,000 --> 00:35:29,920
Speaker 5: a teenager in New Jersey. He took an improv one

745
00:35:29,960 --> 00:35:32,720
Speaker 5: on one class from me the years and years ago. Sure,

746
00:35:32,880 --> 00:35:34,760
Speaker 5: and then yeah, he showed up in SnO like almost

747
00:35:34,760 --> 00:35:35,279
Speaker 5: ten years later.

748
00:35:35,480 --> 00:35:38,400
Speaker 2: Now, was Ridinski a butt Inski with the improv?

749
00:35:38,560 --> 00:35:39,040
Speaker 1: Not really?

750
00:35:39,239 --> 00:35:42,120
Speaker 2: He learned to not do the talking over each other.

751
00:35:42,320 --> 00:35:43,799
Speaker 1: He was. He was quite good. Mm hmm.

752
00:35:44,440 --> 00:35:48,640
Speaker 2: So now we have Richard Milhouse Nixon. Okay, first word,

753
00:35:48,719 --> 00:35:49,440
Speaker 2: last word.

754
00:35:50,280 --> 00:35:53,520
Speaker 5: First word wash cloth, last word lamp post.

755
00:35:54,239 --> 00:35:56,000
Speaker 2: Where are we you are.

756
00:35:57,880 --> 00:35:59,920
Speaker 1: You're in a grocery store.

757
00:36:01,520 --> 00:36:02,959
Speaker 2: Grocery store? What what era?

758
00:36:04,000 --> 00:36:04,600
Speaker 1: Sixties?

759
00:36:06,120 --> 00:36:06,400
Speaker 2: Where?

760
00:36:07,120 --> 00:36:08,600
Speaker 1: San Francisco.

761
00:36:10,480 --> 00:36:12,520
Speaker 2: Good grocery store, Bad grocery store.

762
00:36:12,600 --> 00:36:15,799
Speaker 5: Pretty good, high end, high end?

763
00:36:16,480 --> 00:36:21,719
Speaker 2: Okay, washcloths, wash cloth to lamp post, washcloth lamp, Richard

764
00:36:21,760 --> 00:36:23,480
Speaker 2: Nixon washcloth lampost.

765
00:36:23,080 --> 00:36:25,120
Speaker 1: Sixties, San Francisco, good grocery store.

766
00:36:25,920 --> 00:36:28,719
Speaker 2: Now is Richard Nixon himself in the grocery store? Do

767
00:36:28,719 --> 00:36:29,919
Speaker 2: you want him to be someone else?

768
00:36:30,080 --> 00:36:31,879
Speaker 5: I think he should be trying to be someone else.

769
00:36:32,239 --> 00:36:33,000
Speaker 2: Who should he be?

770
00:36:33,440 --> 00:36:36,480
Speaker 5: He should be trying to be a flight attendant?

771
00:36:37,239 --> 00:36:41,880
Speaker 2: Who just I'll explain that when I do the thing. Yeah, okay,

772
00:36:44,480 --> 00:36:45,040
Speaker 2: here we go.

773
00:36:47,200 --> 00:36:56,440
Speaker 1: Washcloth, lamp post, quick quick, quick scene. That was really fat.

774
00:36:59,280 --> 00:37:03,600
Speaker 2: Wash cloth. Excuse me, young man. How much is this

775
00:37:03,760 --> 00:37:05,600
Speaker 2: can of Campbell soup?

776
00:37:07,680 --> 00:37:08,759
Speaker 5: It's fifteen cents.

777
00:37:10,280 --> 00:37:11,839
Speaker 2: That's a little pricey, isn't it.

778
00:37:12,280 --> 00:37:13,840
Speaker 5: Oh, that's that's what it's going for with this is

779
00:37:13,960 --> 00:37:16,640
Speaker 5: very We have a high is a high end story.

780
00:37:16,680 --> 00:37:17,760
Speaker 1: We pick only the best stuff.

781
00:37:18,640 --> 00:37:21,400
Speaker 2: Where are these damn hippies in San Francisco?

782
00:37:21,560 --> 00:37:25,040
Speaker 5: They're all over the place. It's the new movement summer love.

783
00:37:26,040 --> 00:37:29,280
Speaker 2: Because I thought I saw one leaning on a lamp post.

784
00:37:30,040 --> 00:37:34,120
Speaker 3: All right, so maybe, well you can like critique settle.

785
00:37:34,719 --> 00:37:36,400
Speaker 1: Well, I mean, I want will to do it. But

786
00:37:38,080 --> 00:37:39,719
Speaker 1: where's the flight attendant?

787
00:37:40,760 --> 00:37:43,080
Speaker 5: Everything was great except I missed the flight attendant stuff.

788
00:37:43,120 --> 00:37:46,120
Speaker 5: But I saw the Nixon, I saw the San Francisco.

789
00:37:46,160 --> 00:37:48,040
Speaker 5: I saw the high end grocery store of the price.

790
00:37:48,160 --> 00:37:48,840
Speaker 2: Okay, here we go.

791
00:37:49,160 --> 00:37:51,480
Speaker 1: We could fulfill the promise of the flight attendant. We will,

792
00:37:51,520 --> 00:37:51,879
Speaker 1: we will.

793
00:37:52,040 --> 00:37:54,160
Speaker 5: Okay, that's a great way to put it too. That's

794
00:37:54,160 --> 00:37:56,239
Speaker 5: what you're doing. You're fulfilling the promise you made to

795
00:37:56,280 --> 00:37:56,680
Speaker 5: the audience.

796
00:37:56,680 --> 00:37:58,040
Speaker 2: And I'm going to dig in a little deeper on

797
00:37:58,080 --> 00:38:02,560
Speaker 2: the sixties stuff. Set the that that's even ready? Yeah,

798
00:38:03,000 --> 00:38:08,279
Speaker 2: ding ding ding ding ding ding.

799
00:38:15,960 --> 00:38:18,480
Speaker 8: There must be some kind of way out of here

800
00:38:19,600 --> 00:38:28,000
Speaker 8: bringing washcloth. Excuse me, young man, I just got off

801
00:38:28,080 --> 00:38:30,920
Speaker 8: my PanAm flight. When where I'm a flight attendant.

802
00:38:30,520 --> 00:38:31,400
Speaker 2: And I am bushed?

803
00:38:31,719 --> 00:38:32,640
Speaker 1: Okay, yeah, you look it.

804
00:38:32,760 --> 00:38:36,480
Speaker 2: I'd love to get some Campbell soup and go back

805
00:38:36,520 --> 00:38:37,080
Speaker 2: to my room.

806
00:38:37,440 --> 00:38:39,120
Speaker 1: Oh well, right here in Ile two is the soups.

807
00:38:39,360 --> 00:38:41,800
Speaker 2: Now, how much is this kind of this kind of

808
00:38:42,120 --> 00:38:42,840
Speaker 2: beef barley?

809
00:38:43,000 --> 00:38:43,800
Speaker 1: Seventeen cents?

810
00:38:44,280 --> 00:38:45,560
Speaker 2: Those are not a little pricey.

811
00:38:46,160 --> 00:38:49,000
Speaker 5: Well we uh, you get what you pay for, sir.

812
00:38:49,040 --> 00:38:50,840
Speaker 5: And this is a high end grocery store. Lots of

813
00:38:50,920 --> 00:38:52,200
Speaker 5: service and the best stuff.

814
00:38:52,760 --> 00:38:57,560
Speaker 2: Come on, people, now small own your brother, everybody, get together,

815
00:38:57,960 --> 00:39:01,359
Speaker 2: try well.

816
00:39:01,400 --> 00:39:05,040
Speaker 8: There's music playing over the pa with this damn grocery stores,

817
00:39:05,200 --> 00:39:05,839
Speaker 8: hippie music.

818
00:39:05,920 --> 00:39:07,960
Speaker 2: Where are all these hippies in San Francisco? I hear

819
00:39:08,000 --> 00:39:08,600
Speaker 2: about there.

820
00:39:08,719 --> 00:39:10,640
Speaker 5: You look outside there everywhere, sir. A lot of our

821
00:39:10,719 --> 00:39:12,759
Speaker 5: clienteleer hippies. We're proud of it.

822
00:39:12,840 --> 00:39:17,320
Speaker 2: Here I think I see one leaning on uh lamp posts.

823
00:39:17,920 --> 00:39:21,279
Speaker 1: Wow, I mean, you know what, that's a pretty fun exercise.

824
00:39:22,520 --> 00:39:22,719
Speaker 2: It was.

825
00:39:22,920 --> 00:39:23,600
Speaker 3: It was good.

826
00:39:23,800 --> 00:39:25,360
Speaker 1: I have two thoughts.

827
00:39:25,600 --> 00:39:28,440
Speaker 5: They're not notes, thoughts, I suggestions.

828
00:39:29,560 --> 00:39:30,960
Speaker 2: One is, you.

829
00:39:31,040 --> 00:39:34,200
Speaker 4: Began the song all along the Watchtower, which is maybe

830
00:39:34,239 --> 00:39:38,520
Speaker 4: a fourteen minute song, and then we were suddenly in

831
00:39:39,960 --> 00:39:43,719
Speaker 4: a different song, right, but it was only a minute later. Sure,

832
00:39:44,640 --> 00:39:45,600
Speaker 4: not sure what happened there.

833
00:39:45,680 --> 00:39:49,440
Speaker 2: It's diagetic versus not diagetic music. It was playing from.

834
00:39:49,320 --> 00:39:51,839
Speaker 1: A car at the second one store, Okay, okay.

835
00:39:52,160 --> 00:39:54,560
Speaker 2: And then he said, Dan he did that was him

836
00:39:54,600 --> 00:39:57,640
Speaker 2: walking into the grocery store. Next question, and the real

837
00:39:57,760 --> 00:39:59,200
Speaker 2: edge this what up?

838
00:39:59,239 --> 00:39:59,560
Speaker 1: What up?

839
00:39:59,680 --> 00:39:59,799
Speaker 2: Thing?

840
00:40:00,000 --> 00:40:10,160
Speaker 4: Hey, hey, I'll take the problem compliment accepted. It's good

841
00:40:10,200 --> 00:40:11,759
Speaker 4: for me to have an edge. I'm glad I haven't

842
00:40:11,800 --> 00:40:13,960
Speaker 4: lost my edge because I've been doing this show for

843
00:40:14,040 --> 00:40:16,200
Speaker 4: a long time. And you have to find a way

844
00:40:16,239 --> 00:40:18,200
Speaker 4: to keep your edge. You have to find a way

845
00:40:18,239 --> 00:40:20,879
Speaker 4: to get mad at that damn microphone when you start

846
00:40:20,920 --> 00:40:23,600
Speaker 4: your podcast. Now, will I do have a note? My

847
00:40:23,719 --> 00:40:25,719
Speaker 4: second thing is for you note for me?

848
00:40:25,840 --> 00:40:27,000
Speaker 1: Okay, yeah, I'm ready to.

849
00:40:27,320 --> 00:40:31,839
Speaker 4: And he said, I'm bushed. You said you look it right?

850
00:40:33,239 --> 00:40:35,279
Speaker 4: I mean, is that a choice. That's kind of a

851
00:40:35,400 --> 00:40:36,200
Speaker 4: nasty thing to do.

852
00:40:37,600 --> 00:40:38,600
Speaker 1: Person wouldn't say that.

853
00:40:39,120 --> 00:40:40,600
Speaker 2: I thought you were going to say when I when

854
00:40:40,600 --> 00:40:42,439
Speaker 2: I said I'm bush, I was teeing you up to say,

855
00:40:42,560 --> 00:40:43,640
Speaker 2: like CI like this.

856
00:40:44,800 --> 00:40:47,000
Speaker 5: I missed it, George. I see, that's a good These

857
00:40:47,040 --> 00:40:49,719
Speaker 5: are both good notes. And it's not natural for a

858
00:40:49,880 --> 00:40:54,000
Speaker 5: grocery store employee to criticize their customers. And any normal

859
00:40:54,120 --> 00:40:57,480
Speaker 5: person at that era would have included into who the

860
00:40:57,520 --> 00:40:58,520
Speaker 5: head of the CIA was.

861
00:40:58,600 --> 00:40:59,759
Speaker 2: And I'm not trying to write your thing, but you

862
00:40:59,800 --> 00:41:01,319
Speaker 2: could no no, no, no kind of thing where it's

863
00:41:01,320 --> 00:41:03,160
Speaker 2: just like I ran into his fifteen year old son.

864
00:41:03,239 --> 00:41:04,359
Speaker 2: He was drunk as fuck.

865
00:41:04,760 --> 00:41:06,520
Speaker 5: That'd be nice, Yeah, because we want to let the

866
00:41:06,520 --> 00:41:06,960
Speaker 5: audience know.

867
00:41:08,120 --> 00:41:11,560
Speaker 1: Yeah, okay, it's nice. Yeah, I think I had one

868
00:41:11,680 --> 00:41:13,880
Speaker 1: for you. Also, love the voice.

869
00:41:14,440 --> 00:41:17,960
Speaker 5: You just said the word washcloth and there was no

870
00:41:18,160 --> 00:41:21,600
Speaker 5: reason given, Like as if somebody walks into a grocery

871
00:41:21,600 --> 00:41:23,920
Speaker 5: store and just exclaims washed cloth.

872
00:41:24,320 --> 00:41:26,120
Speaker 3: And now he's gotten you lamp post. Now he's gotten

873
00:41:26,120 --> 00:41:28,959
Speaker 3: even a note off, and you gotta get lamp post.

874
00:41:29,280 --> 00:41:32,160
Speaker 5: Was great at the end, lamp posts flowed. But I'm

875
00:41:32,200 --> 00:41:34,959
Speaker 5: picturing Nixon. I'm picturing a flight attendant walking the gross

876
00:41:34,960 --> 00:41:35,799
Speaker 5: start is going wash.

877
00:41:36,480 --> 00:41:39,680
Speaker 2: Well, you know what your character? Yeah, your character was

878
00:41:40,800 --> 00:41:42,120
Speaker 2: so undercooked. Thank you.

879
00:41:43,360 --> 00:41:46,200
Speaker 5: That's good for me. That's a compliment because I'm trying.

880
00:41:46,200 --> 00:41:46,480
Speaker 2: I don't.

881
00:41:46,560 --> 00:41:48,000
Speaker 1: I'm not making the scene all about me.

882
00:41:48,200 --> 00:41:52,400
Speaker 2: That's kind of my things. We're Mad TV in this.

883
00:41:52,560 --> 00:41:55,600
Speaker 2: You're just clearing a path for me. Yeah, I think. Yeah.

884
00:41:55,640 --> 00:41:57,799
Speaker 5: The main thing people know Mad TV for was how

885
00:41:57,840 --> 00:42:00,160
Speaker 5: the character is all clear to path for each that

886
00:42:00,280 --> 00:42:02,839
Speaker 5: was on for Stewart. Yeah, they were just they were

887
00:42:02,840 --> 00:42:07,279
Speaker 5: a real collaborative, non showy bunch. That's maybe the most

888
00:42:07,280 --> 00:42:09,120
Speaker 5: subtle and dry comedy show I've seen.

889
00:42:09,520 --> 00:42:10,200
Speaker 2: Okay, here we go.

890
00:42:11,440 --> 00:42:12,600
Speaker 1: We're all gonna take all those notes.

891
00:42:12,640 --> 00:42:16,680
Speaker 4: Guys going after Mad TV, Will's found a target that

892
00:42:16,760 --> 00:42:18,040
Speaker 4: he can sink his teeth into.

893
00:42:19,200 --> 00:42:23,480
Speaker 2: Ready again, Yeah, no one, I don't suggested that. I mean,

894
00:42:23,520 --> 00:42:28,000
Speaker 2: we don't have to hiding from the subdom thing. That's

895
00:42:28,000 --> 00:42:28,600
Speaker 2: what I'm worried.

896
00:42:28,760 --> 00:42:31,520
Speaker 1: That's what I'm scared of it. Or do you not

897
00:42:31,719 --> 00:42:32,320
Speaker 1: understand it?

898
00:42:32,800 --> 00:42:33,000
Speaker 3: Will?

899
00:42:33,760 --> 00:42:36,920
Speaker 2: Please? Don't hi up?

900
00:42:37,000 --> 00:42:41,080
Speaker 1: What uh right? You wanted to hear it? Right, that's

901
00:42:41,120 --> 00:42:41,560
Speaker 1: what you said.

902
00:42:41,560 --> 00:42:42,279
Speaker 2: You wanted me to do it.

903
00:42:42,600 --> 00:42:44,440
Speaker 1: Tom, go get this?

904
00:42:45,040 --> 00:42:45,919
Speaker 2: Who am I going after?

905
00:42:46,120 --> 00:42:46,239
Speaker 5: Now?

906
00:42:46,440 --> 00:42:49,120
Speaker 1: You are getting the subdom material.

907
00:42:49,360 --> 00:42:53,000
Speaker 2: Will is more on my side than Sewan. I thought

908
00:42:53,040 --> 00:42:54,600
Speaker 2: Will supposed to be the piece of ship.

909
00:42:56,080 --> 00:42:58,319
Speaker 3: Like if I understand what Sean's going through, I've never

910
00:42:58,440 --> 00:43:02,920
Speaker 3: seen Will be this like joyful, I said.

911
00:43:03,160 --> 00:43:05,799
Speaker 2: He said the improv scene was good, I know, and that.

912
00:43:07,600 --> 00:43:09,719
Speaker 1: I'm interested to see where that goes and then it

913
00:43:09,800 --> 00:43:10,439
Speaker 1: might be a trap.

914
00:43:10,560 --> 00:43:12,520
Speaker 2: And then Sewan had to lay into me with notes,

915
00:43:12,960 --> 00:43:15,160
Speaker 2: you just you gotta keep going time, you gotta press

916
00:43:15,200 --> 00:43:16,719
Speaker 2: and then he did the what up? What up? Thing?

917
00:43:16,960 --> 00:43:18,840
Speaker 2: Out of nowhere. It's clear it's bugging.

918
00:43:18,920 --> 00:43:20,920
Speaker 1: We got to get the subdimes. Okay, we got to

919
00:43:20,960 --> 00:43:21,640
Speaker 1: get the subway.

920
00:43:22,920 --> 00:43:28,200
Speaker 2: Will when you're I said, Will, Hi? Will we have

921
00:43:28,280 --> 00:43:32,359
Speaker 2: Will Hines on the show here. I know that I'm

922
00:43:32,400 --> 00:43:36,200
Speaker 2: talking to the audience now reframing the interview.

923
00:43:37,040 --> 00:43:38,759
Speaker 1: Glad to be here. It's just one of them. I'm

924
00:43:38,760 --> 00:43:41,320
Speaker 1: going to listen. It's one on one listening to it.

925
00:43:41,440 --> 00:43:43,879
Speaker 1: So I am the audience. I know we have Will.

926
00:43:44,239 --> 00:43:50,680
Speaker 2: Yeah. Good, we got Will Hines in studio with us

927
00:43:50,719 --> 00:43:54,279
Speaker 2: here in Hollywood Handbook. How are you are you feeling good?

928
00:43:54,440 --> 00:43:55,399
Speaker 1: I feel just fine?

929
00:43:55,640 --> 00:43:57,640
Speaker 2: Love that shirt. So let me ask you when you're

930
00:43:57,640 --> 00:44:03,440
Speaker 2: doing improvs? You uh any improv and any teachers you

931
00:44:03,560 --> 00:44:04,200
Speaker 2: filled in for.

932
00:44:04,520 --> 00:44:06,439
Speaker 1: Over the years, most famous teacher?

933
00:44:06,920 --> 00:44:10,200
Speaker 2: Okay, so will we have Will Hines here in studio

934
00:44:10,360 --> 00:44:14,080
Speaker 2: and uh, will when you're teaching improv, I know there's

935
00:44:14,120 --> 00:44:16,440
Speaker 2: so many other teachers, and you're one of the you're

936
00:44:16,480 --> 00:44:19,680
Speaker 2: one of the most renowned that's improv's teachers. I am,

937
00:44:20,840 --> 00:44:23,400
Speaker 2: But there are other famous teachers who would be like.

938
00:44:23,440 --> 00:44:26,120
Speaker 5: Some the most famous improv teacher that I subbed for?

939
00:44:26,239 --> 00:44:26,879
Speaker 1: Is that what you're said?

940
00:44:27,040 --> 00:44:30,719
Speaker 2: He didn't ask yet you didn't actually say it. What's

941
00:44:30,760 --> 00:44:33,759
Speaker 2: the most famous Who's the most famous improv teacher that you? Uh?

942
00:44:35,000 --> 00:44:37,880
Speaker 5: I once subbed a Jason Manzukus improv class. He was

943
00:44:37,920 --> 00:44:39,000
Speaker 5: the teacher, and I subbed it.

944
00:44:39,560 --> 00:44:42,920
Speaker 2: Sure, so you subbed it. Yeah, so that was some

945
00:44:43,040 --> 00:44:44,839
Speaker 2: pretty kinky ship. Huh.

946
00:44:44,960 --> 00:44:45,760
Speaker 1: Sorry, I don't follow.

947
00:44:46,040 --> 00:44:56,040
Speaker 7: Give me the whips out, three in a row, faster, faster. Okay,

948
00:44:57,080 --> 00:44:57,920
Speaker 7: it's got a load.

949
00:45:00,719 --> 00:45:03,120
Speaker 2: Yeah you got you probably got your fucking rocks off

950
00:45:03,200 --> 00:45:03,560
Speaker 2: on that one.

951
00:45:03,640 --> 00:45:08,120
Speaker 5: I don't follow, right, I don't see. Yeah, what are

952
00:45:08,160 --> 00:45:10,040
Speaker 5: you talking about? I don't know what you're talking about?

953
00:45:12,600 --> 00:45:12,880
Speaker 2: Sex?

954
00:45:13,560 --> 00:45:15,640
Speaker 1: But why are you talking about sex? I don't get it.

955
00:45:16,120 --> 00:45:20,920
Speaker 2: Sub Oh yeah yeah, submission.

956
00:45:21,239 --> 00:45:25,919
Speaker 1: Sure, get into the sandwich artist stuff.

957
00:45:26,239 --> 00:45:30,839
Speaker 2: Okay, So you go to subway, right? You ever wonder

958
00:45:30,880 --> 00:45:33,040
Speaker 2: if they have like a subway.

959
00:45:33,080 --> 00:45:33,560
Speaker 1: I don't go there.

960
00:45:33,640 --> 00:45:35,600
Speaker 2: Maybe that's what Jared was all about. Huh.

961
00:45:35,800 --> 00:45:36,640
Speaker 1: I don't go the subway.

962
00:45:36,719 --> 00:45:38,719
Speaker 2: Maybe that's why Maybe he was Maybe that's what he

963
00:45:38,800 --> 00:45:40,080
Speaker 2: meant by the subway.

964
00:45:40,440 --> 00:45:42,000
Speaker 5: There's not a ton of them in LA. I don't

965
00:45:42,000 --> 00:45:42,919
Speaker 5: go to subway that often.

966
00:45:43,080 --> 00:45:45,920
Speaker 1: Uh huh, Neil's ass on that.

967
00:45:47,239 --> 00:45:50,400
Speaker 2: So many subways out here, dude, open your eyes?

968
00:45:50,719 --> 00:45:56,440
Speaker 5: Where where Where aren't they on Sunset Boulevard.

969
00:45:57,040 --> 00:46:00,480
Speaker 1: Beverly, Vermont and some in the Bradbury Building.

970
00:46:00,680 --> 00:46:03,440
Speaker 5: There's not one ever mountain Sunset, Well, there is one

971
00:46:04,120 --> 00:46:05,040
Speaker 5: very close to there.

972
00:46:05,239 --> 00:46:07,160
Speaker 1: I guess it's not at Sunset. I guess it's more

973
00:46:07,280 --> 00:46:08,400
Speaker 1: up towards Hollywood.

974
00:46:10,719 --> 00:46:13,200
Speaker 2: Yeah, man, this is where you This is where you

975
00:46:13,400 --> 00:46:15,000
Speaker 2: can actually you can sink them.

976
00:46:15,200 --> 00:46:17,960
Speaker 1: Yes, Western Council, it's closed.

977
00:46:18,000 --> 00:46:22,400
Speaker 2: But this is supposed to be your city, true or false,

978
00:46:22,480 --> 00:46:25,600
Speaker 2: supposed to be your will haunts true, You'd feel like

979
00:46:25,760 --> 00:46:30,080
Speaker 2: somebody would have the the lay of the land down

980
00:46:30,120 --> 00:46:31,839
Speaker 2: a little bit in terms of the type of things

981
00:46:31,880 --> 00:46:34,879
Speaker 2: that regular people eat, not the stuff you eat when

982
00:46:34,920 --> 00:46:35,800
Speaker 2: you're at your.

983
00:46:37,800 --> 00:46:41,680
Speaker 1: What's a good restaurant, what's a good rest fancy place.

984
00:46:41,480 --> 00:46:49,480
Speaker 2: That spog when you're at Spago and you're with your friends,

985
00:46:49,560 --> 00:46:53,879
Speaker 2: with your there with Jason man Zukus and and you're

986
00:46:53,960 --> 00:46:57,280
Speaker 2: talking all about improv and the rest of us.

987
00:46:58,400 --> 00:47:02,680
Speaker 4: Are at Subway and sixty fifty one Hollywood Boulevard, seven

988
00:47:02,719 --> 00:47:06,640
Speaker 4: to fifty Vine Street, fifty five thirty seven Sunset sixty

989
00:47:06,719 --> 00:47:11,359
Speaker 4: one to fifteen Santa Monica Boulevard, ten eighteen North Vermont Avenue. Wow, hmm,

990
00:47:11,560 --> 00:47:15,000
Speaker 4: let's see what the cross street is there. Let's look

991
00:47:15,000 --> 00:47:16,560
Speaker 4: at that one and see what the cross street is.

992
00:47:16,840 --> 00:47:19,160
Speaker 1: Did you say Vermont and Sunset? He said ten eighteen.

993
00:47:19,239 --> 00:47:21,040
Speaker 1: We don't know what that's one of the biggest ones, said,

994
00:47:21,120 --> 00:47:22,720
Speaker 1: Vermont and Sunset one unless it closed.

995
00:47:24,040 --> 00:47:27,120
Speaker 2: Oh well, can we uh can we? Can? I stop

996
00:47:27,800 --> 00:47:30,360
Speaker 2: suld to a stop. Right before Sean started naming the

997
00:47:30,840 --> 00:47:34,080
Speaker 2: yes for sure subway addressing, Marker cut the episode out there,

998
00:47:34,320 --> 00:47:35,319
Speaker 2: just cut that part out.

999
00:47:35,520 --> 00:47:37,920
Speaker 1: Yeah, okay, sure, okay, I don't know if we stuck

1000
00:47:38,080 --> 00:47:41,719
Speaker 1: the nail and the coffin on on will.

1001
00:47:41,680 --> 00:47:43,200
Speaker 2: Oh no, no, I was about to, and then Sewn

1002
00:47:43,239 --> 00:47:44,080
Speaker 2: started doing his thing.

1003
00:47:44,200 --> 00:47:45,440
Speaker 1: Okay, he was helping you.

1004
00:47:45,600 --> 00:47:46,920
Speaker 2: Rattling off addresses, just.

1005
00:47:46,920 --> 00:47:48,720
Speaker 1: More like a pause request than a stop request.

1006
00:47:48,840 --> 00:47:50,000
Speaker 2: Yeah, well, I just want to be the one to

1007
00:47:50,040 --> 00:47:52,160
Speaker 2: say those Actually, can you Sean, can you have me

1008
00:47:52,200 --> 00:47:52,600
Speaker 2: your phone?

1009
00:47:52,920 --> 00:47:57,600
Speaker 1: No, it's Vermont and Santa Monica. I mean, so fucking closed,

1010
00:47:57,719 --> 00:47:59,120
Speaker 1: start requiring that's like two avenues.

1011
00:47:59,160 --> 00:48:02,520
Speaker 5: I went here, we go Vermont, Sa Mona Fountain.

1012
00:48:02,280 --> 00:48:06,400
Speaker 1: The Santa Monica. Two avenues. It's if you're for.

1013
00:48:06,440 --> 00:48:08,880
Speaker 5: Mountin Sunset and you know that's subway for Mont Santa Monica,

1014
00:48:09,000 --> 00:48:09,920
Speaker 5: you never go there.

1015
00:48:10,239 --> 00:48:12,120
Speaker 1: You'd be like, forget it, bullshit.

1016
00:48:12,680 --> 00:48:17,560
Speaker 2: Yeah, you know you have two eyes. I do. Even

1017
00:48:17,719 --> 00:48:22,279
Speaker 2: Daryl Hannah in Kill Bill with one eye would be

1018
00:48:22,360 --> 00:48:24,880
Speaker 2: able to see these subways all over Los Angeles, and

1019
00:48:24,920 --> 00:48:27,879
Speaker 2: when they when she popped that eye out that other one,

1020
00:48:28,640 --> 00:48:34,120
Speaker 2: I went, ay ya, yai, that was the joke.

1021
00:48:35,160 --> 00:48:38,080
Speaker 1: The joke was saying, Yeah, we knew that. I should

1022
00:48:38,080 --> 00:48:38,759
Speaker 1: have set up for that.

1023
00:48:39,360 --> 00:48:42,720
Speaker 5: Sorry, I guess you're right. There's more subways than I realized.

1024
00:48:42,760 --> 00:48:45,120
Speaker 5: I'm sorry about that. I don't tend to go to them,

1025
00:48:45,120 --> 00:48:47,239
Speaker 5: but there certainly are a lot of opportunities to go so.

1026
00:48:47,320 --> 00:48:50,880
Speaker 2: In your life. So with your food choices, you clearly

1027
00:48:50,960 --> 00:48:54,360
Speaker 2: do not participate in subway. But when it's time for

1028
00:48:54,480 --> 00:48:57,880
Speaker 2: the old boudoir, I guess you maybe do participate in

1029
00:48:58,000 --> 00:48:58,879
Speaker 2: the sub way.

1030
00:49:00,080 --> 00:49:09,000
Speaker 1: Wrong viral question load? So why is it taking so long?

1031
00:49:09,120 --> 00:49:11,480
Speaker 5: Is it like? Playing is like a silent padding At

1032
00:49:11,520 --> 00:49:13,920
Speaker 5: the end, you're living the file play out, even.

1033
00:49:13,800 --> 00:49:14,400
Speaker 1: If it's silent.

1034
00:49:15,800 --> 00:49:20,759
Speaker 4: It's a video that he watches. A big part of

1035
00:49:20,840 --> 00:49:23,520
Speaker 4: it for Devon is seeing the result of the whip crack.

1036
00:49:25,760 --> 00:49:28,080
Speaker 2: So there, that's so. Is that true or false?

1037
00:49:28,360 --> 00:49:28,600
Speaker 1: False?

1038
00:49:28,680 --> 00:49:30,760
Speaker 5: I don't engage in that sort of activity in the bedroom.

1039
00:49:30,760 --> 00:49:32,200
Speaker 1: I'm a pretty vanilla dude.

1040
00:49:33,680 --> 00:49:34,279
Speaker 2: What's that mean?

1041
00:49:34,719 --> 00:49:37,920
Speaker 5: Plane, Like, my sexual preferences are.

1042
00:49:37,880 --> 00:49:39,279
Speaker 2: Ice cream, no.

1043
00:49:41,080 --> 00:49:46,839
Speaker 3: Nice, no, no, no, just this guy's sounded a little

1044
00:49:46,880 --> 00:49:48,640
Speaker 3: like that might have been Devon laughing, but it was

1045
00:49:48,760 --> 00:49:49,320
Speaker 3: you laughing.

1046
00:49:50,080 --> 00:49:51,760
Speaker 2: This guy's having sex with ice cream.

1047
00:49:52,000 --> 00:49:54,239
Speaker 1: Speaking of Devon kind of sounds like Divon, doesn't it.

1048
00:49:54,840 --> 00:49:58,040
Speaker 3: So that, like I do feel like a lot of

1049
00:49:58,160 --> 00:50:02,560
Speaker 3: my bits of things that I've said off air you

1050
00:50:02,760 --> 00:50:05,239
Speaker 3: have then ended up doing on what we'll end up

1051
00:50:05,280 --> 00:50:08,239
Speaker 3: being like the assembled version of the show. I did

1052
00:50:08,320 --> 00:50:11,839
Speaker 3: the the Devon thing was, Yes, it was. I did

1053
00:50:11,920 --> 00:50:14,520
Speaker 3: the observation that Matt LeBlanc was in ed and then

1054
00:50:14,880 --> 00:50:16,719
Speaker 3: in a version that I think is probably gonna make

1055
00:50:16,760 --> 00:50:17,399
Speaker 3: the final one.

1056
00:50:17,520 --> 00:50:19,400
Speaker 2: If we ended up ever ended up having to release this,

1057
00:50:19,560 --> 00:50:20,400
Speaker 2: people will.

1058
00:50:20,560 --> 00:50:22,400
Speaker 1: Think that that was well, get in there, man, do

1059
00:50:22,480 --> 00:50:26,080
Speaker 1: your stuff. I again, this is about Tom and so.

1060
00:50:26,440 --> 00:50:29,120
Speaker 3: But that's what I'm saying, like, let's not like it

1061
00:50:29,200 --> 00:50:32,040
Speaker 3: doesn't have to be that's what you're taking each other's bits,

1062
00:50:32,120 --> 00:50:34,600
Speaker 3: because we're trying to like elevate Tom for this and

1063
00:50:34,680 --> 00:50:35,600
Speaker 3: it's just a screen test.

1064
00:50:35,640 --> 00:50:37,160
Speaker 1: It's not even in the air. Do you well he's

1065
00:50:37,200 --> 00:50:40,000
Speaker 1: not doing the Devon thing. I mean, are you You're

1066
00:50:40,040 --> 00:50:40,560
Speaker 1: not doing it?

1067
00:50:42,080 --> 00:50:44,000
Speaker 2: I think I think it's fine to leave it on

1068
00:50:44,080 --> 00:50:48,600
Speaker 2: the table, is what I'm is what it is about.

1069
00:50:49,840 --> 00:50:52,440
Speaker 3: And that was in a way mine too, and he

1070
00:50:52,560 --> 00:51:01,120
Speaker 3: shall be a good man. Okay, And so now we

1071
00:51:01,280 --> 00:51:02,360
Speaker 3: usually would do the pets.

1072
00:51:02,760 --> 00:51:09,400
Speaker 2: Okay, get some dog sounds, dog sense, Yeah, okay, we

1073
00:51:09,520 --> 00:51:11,880
Speaker 2: actually have a dog in here. That's what you're not

1074
00:51:11,920 --> 00:51:13,160
Speaker 2: going to get the dog to makes sense?

1075
00:51:14,560 --> 00:51:19,520
Speaker 1: Looks pretty chill right now. Should Tom do Bosh's voice? Yeah, sure,

1076
00:51:19,600 --> 00:51:21,799
Speaker 1: that could be good. Oh like what I mean when

1077
00:51:21,840 --> 00:51:26,840
Speaker 1: you hear when when he hears about what was introducing

1078
00:51:26,880 --> 00:51:28,080
Speaker 1: the pet segment.

1079
00:51:31,960 --> 00:51:32,600
Speaker 2: About a cat?

1080
00:51:33,640 --> 00:51:36,680
Speaker 1: You might have some feelings about that because.

1081
00:51:36,400 --> 00:51:37,520
Speaker 2: I'm I'm Bosh.

1082
00:51:37,640 --> 00:51:40,600
Speaker 3: Now no not now, So you get you talk to

1083
00:51:40,760 --> 00:51:44,040
Speaker 3: well and you get into the cat comers as yes

1084
00:51:44,239 --> 00:51:44,520
Speaker 3: as you.

1085
00:51:44,800 --> 00:51:46,840
Speaker 1: But then I'm terrified to talk now, just so you

1086
00:51:46,960 --> 00:51:51,440
Speaker 1: know the result of you that's hammering me. That's my

1087
00:51:51,680 --> 00:51:55,000
Speaker 1: show about that. It's neither here nor there, because this is.

1088
00:51:55,360 --> 00:51:58,520
Speaker 4: But I could possibly be helpful, but instead now I'm

1089
00:51:58,600 --> 00:52:00,840
Speaker 4: scared to say anything because I'm afraid I'm going to

1090
00:52:00,840 --> 00:52:03,880
Speaker 4: be accused of stealing your material, which, by the way.

1091
00:52:03,840 --> 00:52:05,480
Speaker 1: I'm pretty sure I'm the one who came up with

1092
00:52:05,560 --> 00:52:06,440
Speaker 1: the whole diva thing.

1093
00:52:09,680 --> 00:52:13,120
Speaker 2: I also do want to just say that the thing

1094
00:52:13,200 --> 00:52:22,240
Speaker 2: that makes Hollywood handbook work. It's Sean, it's Hayes, it's Tom,

1095
00:52:23,560 --> 00:52:25,360
Speaker 2: and that's what makes it work. So let's keep the

1096
00:52:25,480 --> 00:52:27,680
Speaker 2: Sewan and Hayes part of it. Because it started with

1097
00:52:27,760 --> 00:52:31,080
Speaker 2: Sean and Hayes. Nobody can deny that. Yeah, it grew.

1098
00:52:31,560 --> 00:52:34,360
Speaker 2: The characters have shown up and some have come in,

1099
00:52:34,480 --> 00:52:36,600
Speaker 2: some have gone out, some have grown and grown and

1100
00:52:36,680 --> 00:52:43,160
Speaker 2: grown to where they're full partners in the show. And

1101
00:52:43,640 --> 00:52:45,160
Speaker 2: I just but I don't want to lose sight of

1102
00:52:45,239 --> 00:52:48,760
Speaker 2: the nugget that started this whole thing, Hayes and Sean,

1103
00:52:48,880 --> 00:52:51,080
Speaker 2: and I feel like that's getting lost a little bit today.

1104
00:52:51,200 --> 00:52:52,520
Speaker 1: I thought it was going to be part of it.

1105
00:52:52,600 --> 00:52:54,719
Speaker 3: But I guess, are you scared of doing the dog

1106
00:52:54,840 --> 00:52:57,600
Speaker 3: cats that I just like against, yes, because I'm not

1107
00:52:57,680 --> 00:52:58,560
Speaker 3: sure what am I doing.

1108
00:53:00,320 --> 00:53:03,400
Speaker 1: Talk to Will about the pets, and then I'll see you.

1109
00:53:03,480 --> 00:53:07,520
Speaker 3: Presumably we'll mention something about his cat, and then hopey

1110
00:53:08,040 --> 00:53:12,120
Speaker 3: the character Bosh might have like a reaction to that.

1111
00:53:12,320 --> 00:53:15,960
Speaker 2: Okay, now I'm gonna do Bosh this time, because usually,

1112
00:53:17,560 --> 00:53:18,240
Speaker 2: like Sean.

1113
00:53:18,080 --> 00:53:19,279
Speaker 1: Does you beat your host?

1114
00:53:19,960 --> 00:53:22,600
Speaker 2: No? I do? I Okay, okay, okay, but I'm just

1115
00:53:22,800 --> 00:53:26,799
Speaker 2: can I just also clear, by the way, well, that's true,

1116
00:53:26,840 --> 00:53:28,759
Speaker 2: but it started with like a lot of the bits

1117
00:53:28,800 --> 00:53:36,080
Speaker 2: that started with Sean Okay, wow, so it's okay if

1118
00:53:36,120 --> 00:53:38,640
Speaker 2: I interpret bosh, you're not going to take offense to that.

1119
00:53:39,680 --> 00:53:40,480
Speaker 1: We'll have to see.

1120
00:53:40,600 --> 00:53:47,560
Speaker 2: Okay, well, so will Yes Pines, legendary actor and improviser. Correct, No,

1121
00:53:48,040 --> 00:53:48,719
Speaker 2: not yet, not yet.

1122
00:53:49,520 --> 00:53:53,080
Speaker 1: I was trying to build some ambiens, trying to build

1123
00:53:53,160 --> 00:53:54,840
Speaker 1: some ambience. You're taking sleeping.

1124
00:53:54,600 --> 00:53:59,120
Speaker 2: Bills, So will Heines, famous actor?

1125
00:53:59,640 --> 00:54:00,560
Speaker 1: Anything great?

1126
00:54:00,600 --> 00:54:01,439
Speaker 2: Thank you? Good?

1127
00:54:02,719 --> 00:54:05,280
Speaker 1: He has built some ambience. Yeah, I have no interest

1128
00:54:05,320 --> 00:54:08,239
Speaker 1: in that. Say you got a chemistry set, you make

1129
00:54:08,239 --> 00:54:11,000
Speaker 1: it sleeping pills something like that.

1130
00:54:11,239 --> 00:54:13,520
Speaker 2: I mean, heyes, if you're having a hard time coming

1131
00:54:13,560 --> 00:54:15,480
Speaker 2: up with material, I can help you with some stuff.

1132
00:54:16,960 --> 00:54:19,960
Speaker 2: Sit down, and what if you do a thing like

1133
00:54:20,040 --> 00:54:23,799
Speaker 2: building ambience, like like the wall, like Trump building a wall,

1134
00:54:23,960 --> 00:54:25,600
Speaker 2: he's building it out of sleeping pills.

1135
00:54:27,120 --> 00:54:30,200
Speaker 1: That's a biting commentary? Should it be? Should and maybe

1136
00:54:30,320 --> 00:54:31,319
Speaker 1: Roseanne's helping him?

1137
00:54:32,040 --> 00:54:32,239
Speaker 2: Yeah?

1138
00:54:32,880 --> 00:54:39,120
Speaker 3: Why she talked about Okay, really, I do feel like

1139
00:54:39,239 --> 00:54:43,719
Speaker 3: this is just about you not wanting to impersonate the dog.

1140
00:54:44,000 --> 00:54:48,920
Speaker 2: Watch this. Thank you, will Yes You're a famous improviser

1141
00:54:48,960 --> 00:54:52,200
Speaker 2: and actor, But you also from what I've heard are

1142
00:54:52,800 --> 00:54:53,680
Speaker 2: an animal lover.

1143
00:54:54,440 --> 00:54:56,200
Speaker 1: Uh, yeah, I have a I have a pet that

1144
00:54:56,239 --> 00:54:57,120
Speaker 1: I live very much.

1145
00:54:57,760 --> 00:54:58,160
Speaker 2: Waiting for.

1146
00:55:02,200 --> 00:55:03,200
Speaker 1: What video was that?

1147
00:55:05,040 --> 00:55:06,360
Speaker 2: Was that from an animal shelter?

1148
00:55:07,440 --> 00:55:12,279
Speaker 1: Jesus So well, I have a cat, a cat.

1149
00:55:12,400 --> 00:55:15,640
Speaker 2: What's your cat's name? Hopey? Hopey? Now what is the

1150
00:55:15,719 --> 00:55:16,640
Speaker 2: origin of that name?

1151
00:55:16,800 --> 00:55:18,759
Speaker 5: There's a comic book called Love and Rockets and a

1152
00:55:18,880 --> 00:55:22,439
Speaker 5: character named Hopey Glass and I named my cat after

1153
00:55:22,520 --> 00:55:23,080
Speaker 5: that character.

1154
00:55:23,239 --> 00:55:24,759
Speaker 2: And that is a famous comic book.

1155
00:55:24,800 --> 00:55:27,239
Speaker 5: That is I would say, no, I love it, but

1156
00:55:27,320 --> 00:55:29,520
Speaker 5: I don't think it's really famous. I don't think it's

1157
00:55:29,560 --> 00:55:33,839
Speaker 5: like super well famous Love Rockets. Yeah, the comic book.

1158
00:55:34,719 --> 00:55:37,440
Speaker 5: Every comics person is like, oh, you have to read.

1159
00:55:38,800 --> 00:55:43,680
Speaker 2: Play the There we go. Now you know that Hollywood Handbook.

1160
00:55:43,719 --> 00:55:48,520
Speaker 2: We have our own lovable scamp on this show. Who

1161
00:55:49,120 --> 00:55:51,919
Speaker 2: who does a fair amount of the talking from time

1162
00:55:51,960 --> 00:55:57,959
Speaker 2: to time, None other than Hollywood Hound Book. It's really

1163
00:55:58,000 --> 00:56:02,839
Speaker 2: good a star Bosh. And maybe he has a couple

1164
00:56:02,880 --> 00:56:05,640
Speaker 2: of things to ask you. Okay, Bosh, you want to

1165
00:56:05,640 --> 00:56:10,680
Speaker 2: come up to the mic. Shit, Hey, what's up? What's up?

1166
00:56:11,280 --> 00:56:13,960
Speaker 1: The fuck is that? Huckleberry Hound?

1167
00:56:16,920 --> 00:56:20,840
Speaker 2: Oh? What's going on? Not too much? Bosh?

1168
00:56:21,040 --> 00:56:22,360
Speaker 1: How are you good?

1169
00:56:22,719 --> 00:56:23,000
Speaker 4: Good?

1170
00:56:23,760 --> 00:56:24,360
Speaker 1: Nice to see you.

1171
00:56:25,120 --> 00:56:29,680
Speaker 5: You you're kind of a in a nineteen forties mood today.

1172
00:56:29,800 --> 00:56:34,320
Speaker 5: What's happening? I'm just a dog you Okay, nice to

1173
00:56:34,360 --> 00:56:35,879
Speaker 5: see it. I'm more of a cat guy.

1174
00:56:36,600 --> 00:56:39,840
Speaker 2: Ooh kids only kids?

1175
00:56:39,960 --> 00:56:40,239
Speaker 1: Why not?

1176
00:56:41,120 --> 00:56:42,360
Speaker 2: Because they're not dogs?

1177
00:56:43,440 --> 00:56:44,160
Speaker 1: Do you like people?

1178
00:56:45,760 --> 00:56:45,800
Speaker 4: What?

1179
00:56:49,040 --> 00:56:49,080
Speaker 2: No?

1180
00:56:49,440 --> 00:56:49,640
Speaker 3: Bye?

1181
00:56:50,040 --> 00:56:53,160
Speaker 2: Okay so that wait, we're done. Yeah.

1182
00:56:53,160 --> 00:56:54,960
Speaker 3: We always end the show like kind of abruptly, like

1183
00:56:55,040 --> 00:56:59,200
Speaker 3: we hit the time like that. Uh, let's just get

1184
00:56:59,239 --> 00:57:02,959
Speaker 3: into the the review portion. You did a great job

1185
00:57:03,520 --> 00:57:07,040
Speaker 3: of the test where like Sean and I were like

1186
00:57:07,239 --> 00:57:08,759
Speaker 3: at fighting with each other.

1187
00:57:08,960 --> 00:57:10,320
Speaker 2: So this is like a thing that we do.

1188
00:57:11,040 --> 00:57:12,920
Speaker 3: We pretend to be like jealous of each other, like

1189
00:57:12,960 --> 00:57:15,440
Speaker 3: who's doing each other's like bits or whatever. And you

1190
00:57:15,560 --> 00:57:17,480
Speaker 3: did a great job of like getting in the middle

1191
00:57:17,520 --> 00:57:20,120
Speaker 3: and like putting it back together.

1192
00:57:20,360 --> 00:57:27,880
Speaker 2: That was great. Sure the dog was a catastrophe, Well okay,

1193
00:57:27,960 --> 00:57:30,040
Speaker 2: well then help me with it then, please, it was

1194
00:57:30,120 --> 00:57:33,480
Speaker 2: a nightmare, then help me shape the voice right now. Okay,

1195
00:57:35,400 --> 00:57:38,280
Speaker 2: it's just say up down louder like shape.

1196
00:57:38,240 --> 00:57:40,400
Speaker 1: Do it more like bosh like sound like him.

1197
00:57:43,720 --> 00:57:44,720
Speaker 2: It's me bosh.

1198
00:57:46,160 --> 00:57:51,680
Speaker 1: No no, no, that's Marvin the Martian's me bosh.

1199
00:57:53,280 --> 00:57:54,880
Speaker 2: That is way closer.

1200
00:57:55,600 --> 00:57:59,959
Speaker 1: That's way closer. That is closer Bosh Cloth so Bosh Claw.

1201
00:58:00,800 --> 00:58:03,680
Speaker 1: That's pretty I didn't realize so much Bosh was nixony.

1202
00:58:05,560 --> 00:58:10,160
Speaker 3: I will say, you, uh, sort of defeated well to

1203
00:58:10,320 --> 00:58:11,680
Speaker 3: such a degree that I don't know if we can

1204
00:58:11,920 --> 00:58:12,720
Speaker 3: use him again.

1205
00:58:13,320 --> 00:58:15,560
Speaker 1: Oh wow, you've done a lot. I've done so many.

1206
00:58:16,560 --> 00:58:19,800
Speaker 1: Maybe that's just I've just been used up. I have

1207
00:58:19,880 --> 00:58:20,240
Speaker 1: a question.

1208
00:58:20,640 --> 00:58:22,880
Speaker 5: Okay, you know how we have this like funny bit

1209
00:58:22,960 --> 00:58:24,520
Speaker 5: that's just a joke of how I'm like one of

1210
00:58:24,560 --> 00:58:27,040
Speaker 5: the bad guests and how like when I come on

1211
00:58:27,320 --> 00:58:28,960
Speaker 5: that the show is bad, Like it's a big joke

1212
00:58:28,960 --> 00:58:30,520
Speaker 5: amongst us, and it's like a funny thing that we

1213
00:58:30,560 --> 00:58:30,800
Speaker 5: say to.

1214
00:58:30,840 --> 00:58:33,240
Speaker 1: It a song, yeah, a song, And then.

1215
00:58:34,800 --> 00:58:37,080
Speaker 5: The reddit commentators are pretty quick to use it whenever

1216
00:58:37,120 --> 00:58:39,720
Speaker 5: I make any appearance on any Earwolf show.

1217
00:58:40,040 --> 00:58:41,840
Speaker 2: And then some people read it and don't know that

1218
00:58:42,600 --> 00:58:44,280
Speaker 2: yeah it's real, you know, they're.

1219
00:58:44,080 --> 00:58:45,960
Speaker 5: Not how it's like just a totally fake joke. And

1220
00:58:46,000 --> 00:58:48,520
Speaker 5: then I'm actually one of the most electrically huge, huge

1221
00:58:48,560 --> 00:58:50,480
Speaker 5: get like you see how many live shows I'm featured

1222
00:58:50,520 --> 00:58:53,040
Speaker 5: on for the Earwolf stuff, and you know just how

1223
00:58:53,120 --> 00:58:55,440
Speaker 5: often I'm quoted, and like how whenever there's a best

1224
00:58:55,520 --> 00:58:55,919
Speaker 5: of poll.

1225
00:58:56,080 --> 00:58:57,480
Speaker 1: The fans can't stop.

1226
00:58:57,440 --> 00:59:00,120
Speaker 5: Voting for me so far out and I just in

1227
00:59:00,160 --> 00:59:01,800
Speaker 5: a million things, you know what I mean? Like Gabris

1228
00:59:01,880 --> 00:59:05,200
Speaker 5: is a second Gabris and Lapis are after you can't

1229
00:59:05,240 --> 00:59:09,360
Speaker 5: get Will Hines? You know that's true? Was this episode

1230
00:59:09,440 --> 00:59:11,440
Speaker 5: so bad that people are gonna believe that that bit

1231
00:59:11,560 --> 00:59:12,040
Speaker 5: is true?

1232
00:59:12,200 --> 00:59:13,240
Speaker 2: That was I so.

1233
00:59:15,200 --> 00:59:16,680
Speaker 1: Have I made that a true bit?

1234
00:59:16,840 --> 00:59:22,400
Speaker 5: Now? Well, I'll say this, Yes, okay, that's what I

1235
00:59:22,440 --> 00:59:22,840
Speaker 5: wanted to know.

1236
00:59:22,960 --> 00:59:25,520
Speaker 2: Thank you. Well, I can say, as somebody who's been

1237
00:59:25,600 --> 00:59:27,560
Speaker 2: on the show more than any other guest in the

1238
00:59:27,680 --> 00:59:30,600
Speaker 2: history of Hollywood Handbook, how many times have you been

1239
00:59:30,600 --> 00:59:32,120
Speaker 2: at work? I can't even count that high.

1240
00:59:32,520 --> 00:59:32,720
Speaker 1: Wow.

1241
00:59:35,240 --> 00:59:37,280
Speaker 2: You get to a certain point where it's it's rare

1242
00:59:37,320 --> 00:59:39,840
Speaker 2: air and you just feel like you belong. And that's

1243
00:59:39,880 --> 00:59:42,320
Speaker 2: when the fans feel so comfortable with you that they

1244
00:59:42,960 --> 00:59:45,120
Speaker 2: constantly refer to you as an unfunny asshole.

1245
00:59:45,200 --> 00:59:49,560
Speaker 5: Can I just say that I appreciate Can I appreciate

1246
00:59:49,800 --> 00:59:53,200
Speaker 5: your advice and your wisdom on this? What was the

1247
00:59:53,240 --> 00:59:54,400
Speaker 5: phrase that used to describe you?

1248
00:59:54,960 --> 00:59:55,880
Speaker 2: Unfunny asshole?

1249
01:00:01,640 --> 01:00:03,920
Speaker 3: I think the thing I think we will end up

1250
01:00:05,120 --> 01:00:07,440
Speaker 3: doing another one of these. That's where I'm at Sean.

1251
01:00:08,960 --> 01:00:15,440
Speaker 1: Yeah, that means this is inconclusive. I just don't even

1252
01:00:15,520 --> 01:00:18,040
Speaker 1: know what, Like, just so we have something to do,

1253
01:00:18,240 --> 01:00:19,200
Speaker 1: I think, is what you mean.

1254
01:00:19,280 --> 01:00:20,760
Speaker 2: Yes, yes, Bye

1255
01:00:23,800 --> 01:00:24,720
Speaker 3: Hollywood, hamb