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Speaker 1: First this room, anywhere else so you get the world's

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Speaker 1: most stagers. Want to shut the camera. I agree. Now listen,

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Speaker 1: City so Dry, the captain of this the only one

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Speaker 1: who can keep these guys in, Charlomagne the God. This

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Speaker 1: is the breakfast Club. I'm telling I'm telling her, what's

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Speaker 1: you doing of yoh? This is your time to get

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Speaker 1: it off your chest, whether you're mad or blessed. Eight

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Speaker 1: hundred five eight five one oh five one. We want

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Speaker 1: to hear from you on the Breakfast Club. Hello, who's

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Speaker 1: this hey? Listen shares from Columbus, Ohio, shares what I'm

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Speaker 1: getting off your chest. And I'm just calling this pread

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Speaker 1: some positivity to all the black people here in Ohio

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Speaker 1: around the world. Everything. What's up? Charlotte Magne, Angelie King,

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Speaker 1: I'm I just want to let everybody know I'm a

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Speaker 1: my day job, I'm like Union electrician, but I'm getting

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Speaker 1: my hustle on as a relator out here in Columbus, Ohio.

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Speaker 1: So follow me on ig at Sharon's Underscore Robinson A

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Speaker 1: S H I R A Z Underscore Robinson very man.

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Speaker 1: I would like to link up with you man and

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Speaker 1: talk about investing in real estate out there in New

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Speaker 1: York and New Jersey. Okay, well just hit me and

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Speaker 1: my Dean's brother. All right, man, y'all be easy man,

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Speaker 1: me too, brother. All right? Hello, who's this? Man? Good

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Speaker 1: morning for all the man of God, peace King. What's

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Speaker 1: happening up? But get it off your chests? Man, Man,

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Speaker 1: I'm just I'm a good spirit, you know. Me and

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Speaker 1: my wife was getting into nar thing back toward cop.

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Speaker 1: I'm feeling understand. Hey, you want to get that thing

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Speaker 1: to him? Hey, man, look you know I have a

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Speaker 1: good one. Brother. Hello, who's this It's Erico. Hey, good morning,

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Speaker 1: Get off chess Mamma. Yeah, I listened to y'all every morning,

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Speaker 1: and I'll be damn I'll be tripping out on your

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Speaker 1: shawl of name. I mean, I'll be laughing like crazy

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Speaker 1: every morning at y'all. Well, thank you. I don't know

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Speaker 1: that's a good thing about I don't know much, man,

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Speaker 1: at least you through y'all every single morning, like every morning.

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Speaker 1: Everyone very much. You appreciate your support, but thank you

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Speaker 1: so much. We have a great and blessed day. Mom.

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Speaker 1: Who are you from? Okay? You too, That's all I

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Speaker 1: want to say, sweet you. I love y'all. We love

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Speaker 1: you back. I love your twin two. That's seven twin Hello.

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Speaker 1: Who's this Hello? Hey? What's your name? Hey? Kay? Look,

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Speaker 1: good morning. To get it off your chest. Mama. Well,

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Speaker 1: I really didn't have much to say. I just want

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Speaker 1: to just congratulate y'all. Y'all doing good and I thought

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Speaker 1: it was so sweet. How y'all games away money because

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Speaker 1: there's really some broke. Stop calling people the N word

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Speaker 1: because I'm fortunate people when it comes there and pockets

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Speaker 1: in America. There you go. That's right, every single it's

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Speaker 1: a financial struggle out here for something. Folks. You got it.

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Speaker 1: You want you want to let you want to get

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Speaker 1: some money to spey. No, I just learned somebody ten

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Speaker 1: dollars yesterday. No, I'm with you. Budget. That's right, budget

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Speaker 1: that money, Thank you, mama. It's just something about that,

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Speaker 1: something about them two words together. Just do something to

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Speaker 1: bro nick broke, God damn lord happened? That's it felt

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Speaker 1: like back in the day when you heard scrubs for

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Speaker 1: the first time that I gotta get my mama. Huh, Hello,

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Speaker 1: who's this yo? What's up? This is fort Corey? What

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Speaker 1: I'm getting off your chests? Yeah? I wanted to call

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Speaker 1: to thank uh, well, good morning to you, Envy and Charlomagne.

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Speaker 1: Good morning, good morning. I wanted to thank you for

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Speaker 1: keeping you guys in check and uh being very beautiful

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Speaker 1: every morning. Nix, my morning is better. Uh. I wanted

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Speaker 1: to thank uh Envy and Charlomagne for all the work

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Speaker 1: that you're too, especially in the mental health area. Uh.

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Speaker 1: I haven't read books in high school, and since you've

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Speaker 1: been doing the audible stuff, actually downloaded the book and

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Speaker 1: I've been reading like the last two months now. It's

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Speaker 1: really got me excited. I love Audible Audible. I mean

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Speaker 1: I loved Audible before I was in business with them,

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Speaker 1: but they're they're great. Yeah. I do. Downloaded up Malcolm

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Speaker 1: Mex's autobiography. I just finished, uh, Think like a Monkey,

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Speaker 1: and now I'm looking for some more books. Uh. I

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Speaker 1: wanted to ask if you could probably send me a

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Speaker 1: book of yours if you don't mind it. I got you.

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Speaker 1: Y'all got to actually stay on hold though people be

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Speaker 1: calling up here saying that, and then they don't stay

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Speaker 1: on hold, so we can't get your address to send

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Speaker 1: it to him. But I'll send you that. I'll send

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Speaker 1: you a copy of my book and a copy of

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Speaker 1: doctor to Walker's book The Unapologetic God in the Black

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Speaker 1: Mental Health. I really appreciate that. And lastly, I just

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Speaker 1: wanted to say, man, y'all got to stop the fruity

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Speaker 1: stuff up there. Many stuff y'all be doing too much.

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Speaker 1: You and envy. Man, y'all got to cut it out, y'all. Well,

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Speaker 1: I we haven't. I don't know if you know. We

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Speaker 1: haven't flirted with each other all week. Well let's keep

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Speaker 1: it that way. I appreciate that. Get it off your

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Speaker 1: chests eight hundred five eight five one or five one?

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Speaker 1: You got excited, But if you need to visit this

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Speaker 1: up now? Was the Breakfast Club? Good morning, wake up,

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Speaker 1: wake up, wake ya ask if you're trying to get

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Speaker 1: it off your chest you man or blessed, we want

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Speaker 1: to hear from you on the Breakfast Black. Hello? Who's this? Hey?

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Speaker 1: Good morning me? Lestia? How dj n V? Hey? What us? Hey?

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Speaker 1: How are you? I'm fine? Thank you. Last time I

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Speaker 1: called Charlomagne, you wasn't there. But I'm glad to hear

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Speaker 1: your voice. I had a question for you, Charlomagne. Um, yes, man,

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Speaker 1: why are you always why are you always yawning in

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Speaker 1: the microphone like that, like, why do you do that?

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Speaker 1: Why do you do that? Y'all? Ye don't tell me

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Speaker 1: because I'm tired, because I wake up early in the morning.

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Speaker 1: Don't tell me that. Uh duh, it's sick something in

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Speaker 1: the morning. No, you're not. You're not still yawning white.

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Speaker 1: You're not still yawning wiping coal out your eyes six

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Speaker 1: something in the morning. So you want him mute, don't know,

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Speaker 1: abody want to hear all that? That's just to me.

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Speaker 1: That's like somebody yawning right next to me in my ear.

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Speaker 1: I was like, damn, sorry, what are you doing right now?

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Speaker 1: You're like, oh, yes, as if you're don't really know, Well,

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Speaker 1: you're gonna hate to know that. I passed gas too.

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Speaker 1: Sometimes not in my clothes though, oh not. Yeah, yeah,

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Speaker 1: you've got to the bathroom. You put your hands down

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Speaker 1: right anyway? Thank you? Oh one more thing, One more thing.

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Speaker 1: Elijah McClean, Sandra Bland, Brianna Saylor. That's right there, you

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Speaker 1: go out like that. Hello, who's that? Just about the

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Speaker 1: yard before she said that, By the way, Hello, who's this? Hello? Hey?

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Speaker 1: What's your name? Bro? Hello? Money making? Mitch? How you

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Speaker 1: are doing? Money making? Mitch, you ain't making no money

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Speaker 1: right now. You ain't making no money in a recession.

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Speaker 1: You crazy cut it out, Charlomagne, guard, how you making money?

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Speaker 1: Tell me how you making money by giving proper advice

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Speaker 1: on how people should post should be really cleaning that house.

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Speaker 1: That's enough money for me to educate these people you're finessing.

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Speaker 1: Of course, Um, if you really really really want to

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Speaker 1: um chill as coronavirus or to all hospitals and everybody's home,

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Speaker 1: just start from sterilization room. Start from the bathroom that

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Speaker 1: work your way out. Everything you use in the bathroom

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Speaker 1: you can use around the whole apartment. Every hospital that's scared,

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Speaker 1: they have training which sterility is important. So if you

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Speaker 1: just experience your sterilization department and make the whole hospital sterile,

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Speaker 1: then everything, every item, every equipment, every instrument can actually

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Speaker 1: be used properly. All these money making mine. Let me

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Speaker 1: ask you a question. People actually paying for this advice

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Speaker 1: of cleaning the bathroom? Clean your bathroom? Actually I agree.

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Speaker 1: I agree that you have to do sterilization, but you

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Speaker 1: do know that it's transmitted from person to person right exactly,

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Speaker 1: But it depends on how many people are in your house,

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Speaker 1: and do you have a team that's doing sterilization. This

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Speaker 1: is the family. This isn't people from next door to

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Speaker 1: my house. How are you making many of this money?

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Speaker 1: Are you're talking about financial money. I don't need financial money.

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Speaker 1: I don't need no answers. I'm fine financial but yeah,

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Speaker 1: my money there, but financially I'm fine. But the other

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Speaker 1: money is the other important money. That's is information. Knowledge

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Speaker 1: is post knowledge is currency. You mean you know so

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Speaker 1: that so that right there alone, I'm saving lives by

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Speaker 1: telling people I saw in the military. Seventeen years as

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Speaker 1: a medical officer, I've done I've done the all forms

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Speaker 1: of surgery. I've been in so many different situations. And

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Speaker 1: we treat every patient. Now this is the coronavirus. We

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Speaker 1: treat every patient as if they were HIZ. Now we

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Speaker 1: have to treat every patient as if they have HIV,

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Speaker 1: corona and all these other symptoms. That's that's that's that's

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Speaker 1: pretty dope because now you have to stay on top

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Speaker 1: of sterility to the rest of your life. You understand,

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Speaker 1: this is that should awaking all But thank you brother

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Speaker 1: for calling man. We really don't understand. But you know,

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Speaker 1: you're talking about that type of money. You're talking about

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Speaker 1: financial money. What other money is there? He made? He

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Speaker 1: made currency. That's all right, Mike. Man. What I'm getting

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Speaker 1: about I would stuff? Uh, you don't really mad? Years?

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Speaker 1: So many you're waiting five years to tell us that. No,

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Speaker 1: I'll waited five years, y'all. Man, I've been calling for

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Speaker 1: five years? Great many, So what are you gonna say? Right? Man?

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Speaker 1: To shout out? The boys of our bust porporating man,

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Speaker 1: we on our weird work very better. If you ain't matter,

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Speaker 1: I'm happy to be alive. There you go, kay, we're

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Speaker 1: happy to be here. I appreciate it. Man, get it

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Speaker 1: off your chest. Eight hundred five eight five one oh

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Speaker 1: five one. If you need to vent, hit us up now.

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Speaker 1: It's the Breakfast Club. Good morning, the Breakfast Club. Out

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Speaker 1: your phone in right now, call me at your opinion

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Speaker 1: to the Breakfast Club top breaking eight hundred and five

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Speaker 1: eight five one oh five one, The Breakfast Club winning.

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Speaker 1: Everybody's dj n G and ngel yee, Charlomagne the guy.

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Speaker 1: We are the Breakfast Club. Now if you just joined us,

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Speaker 1: we're talking about her recruise and a tweete put out.

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Speaker 1: He said there is only one woman on earth. I

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Speaker 1: have to please. Her name is Rebecca, not my mother,

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Speaker 1: my sister. My daughters are co workers. I would let

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Speaker 1: their husband's boyfriend's partners take care of them. Rebecca gives

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Speaker 1: me wings, all right. So we're asking who comes first

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Speaker 1: in your relationship, your wife, your mother, your kids, and

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Speaker 1: for women, your husband, your mother, or your father. I

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Speaker 1: should say, your husband, your father, or your kids. What

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Speaker 1: what's the uh? I should say? In what order? Does

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Speaker 1: it go? Start with you? I mean there's no order,

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Speaker 1: Like you know what I'm saying. You have to say

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Speaker 1: for arguments I have to say. I'm telling you asking

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Speaker 1: me a question, and I'm telling you there is no order.

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Speaker 1: They are on the same, you know level. I please speaking.

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Speaker 1: I don't don't need to do hypotheticals in real life situations.

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Speaker 1: I'm just telling you how I feel. I think at

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Speaker 1: this point in my life, you know, those are all

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Speaker 1: my hearts, and it's not about who comes first in

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Speaker 1: that situation. You know, I will say my wife and

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Speaker 1: kids are the immediates because that's your everyday unit, that's

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Speaker 1: who you see all the time. So of course they get,

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Speaker 1: you know, first, first DIBs on everything. But it's not

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Speaker 1: a who comes first scenario, Like you know, love is

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Speaker 1: something that you you You have an overabundance self, especially

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Speaker 1: when it's unconditional and those three enter teach your names,

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Speaker 1: your mom, your wife, and your kids. At least in

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Speaker 1: my life, that's just unconditional love. I got enough to

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Speaker 1: go around, right, Who's first? Three women hanging off a cliff?

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Speaker 1: Your mom, your wife, and your daughter. You can only

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Speaker 1: grab one? Which one you're grabbing? I got two arms,

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Speaker 1: Come on, come on, two arms, and we can figure

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Speaker 1: it out. Somebody I got two arms, so I can

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Speaker 1: grab two. Somebody else can grab somebody? We can we

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Speaker 1: can we can do a little centipede and get each

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Speaker 1: other up, you know what, figure it out and get

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Speaker 1: what if they fall? I'm jumping with them? Well, how

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Speaker 1: doing to live for after that? Your wife and kids?

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Speaker 1: And mom? Look what I'm gona hanging around for? What? Y'all? Well?

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Speaker 1: I would think that in my opinion, And you know,

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Speaker 1: I don't have kids in r do I have a wife,

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Speaker 1: But I would always think kids come first. But that

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Speaker 1: just would be my thought. But the problem I have

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Speaker 1: is him saying there's only one woman on earth I

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Speaker 1: have to please. That's not true, and it's not about

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Speaker 1: putting things in order. But as a five there, as

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Speaker 1: a husband, as a son, you should feel some type

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Speaker 1: of responsibility to all of these women in your life.

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Speaker 1: And there were so many people that came to your

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Speaker 1: defense when you were having issues, when you said that

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Speaker 1: you were being sexually assaulted that actually stood up for you,

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Speaker 1: including Gabrielle Union. And for you to then turn your

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Speaker 1: back and act like you have no type of what's

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Speaker 1: going to happen when something happens to you and people say, well,

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Speaker 1: I don't care about Terry Crews because all I care

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Speaker 1: about is my own husband. Let his wife take care

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Speaker 1: of that. That's not true. You need people, and people

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Speaker 1: need your support, and black women need to support more

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Speaker 1: than anybody. Well, I see, I feel as your kids first,

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Speaker 1: and I look at the same cliff scenario and the

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Speaker 1: reason I look at yeah, damn. Now, I'm gonna tell

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Speaker 1: you the truth because if I'm hanging from a cliff,

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Speaker 1: I'm not gonna let my wife pick take me first.

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Speaker 1: I'm gonna tell her to take the kids first. And

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Speaker 1: my wife is gonna do the same thing. She's gonna

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Speaker 1: say take the kids first. Make sure the kids to

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Speaker 1: say first, and then come back for me and your

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Speaker 1: mom's that's really what it is. I got to make

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Speaker 1: sure my kids us say first, me and my wife.

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Speaker 1: But how you put yourself in the scenario? You said

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Speaker 1: the wife and the kids. Mom? Now you all of

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Speaker 1: a sudden hanging off the cliff with your pants sagging

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Speaker 1: where you come from? You know what? You It wasn't

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Speaker 1: about you, your wife here you talk about this morning.

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Speaker 1: It was about the wife and the kid and I

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Speaker 1: if the situation happened, my wife would tell me to

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Speaker 1: take the kids first. Yeah, but when you get married,

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Speaker 1: aren't you a unit? So technically you and your wife

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Speaker 1: are one. So I don't see how she could even

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Speaker 1: be put into the equation. Right, I would just jump

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Speaker 1: off they I'm going if they go, you know right now,

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Speaker 1: if they jumping, I'm jumping. I'm gonna stay on this

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Speaker 1: planet with y'all and be going to therapy every day

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Speaker 1: instead of just once a week. And I mean, ain't

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Speaker 1: got time for that, going yeah, we all yeah, we

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Speaker 1: all out. Hello, who's this henri hi? I think so

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Speaker 1: the wife should come first because when she leaves the nest,

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Speaker 1: and it's technically the man's responsibility to make sure that

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Speaker 1: her basic needs are met, then it should be daughters

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Speaker 1: and mom. Once you're not sleeping with your mom and

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Speaker 1: you know you're not seeing your mom every day. So

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Speaker 1: I feel like the wife should definitely come first, and

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Speaker 1: your kids I do, okay, So you want you want

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Speaker 1: to come from? Let the kids be off, the kids done,

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Speaker 1: plenty of five to kid homes kids, huh pretty pretty

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Speaker 1: pretty much a lot of fire. Oh my god, all right,

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Speaker 1: thank you, my god, hard knock life. Who comes first?

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Speaker 1: Your wife, your mother, or your kids? Call us up

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Speaker 1: right now? This is from Terry Cruise. Is tweet is

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Speaker 1: the Breakfast Club, go morning, the breakfast Club e j

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Speaker 1: envy angela ye, Charlemagne the guy we are the breakfast club.

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Speaker 1: And now if he just joined us, we're talking Terry Cruise.

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Speaker 1: He uh put out a tweet. Yes, he said, there's

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Speaker 1: only one woman on earth I have to please. Her

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Speaker 1: name is Rebecca, not my mother, my sister. My daughters

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Speaker 1: are co workers. I will let their husband's boyfriend's partners

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Speaker 1: take care of them. Rebecca gives me wings. He said

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Speaker 1: that like that, That's how I interpret did it? Okay?

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Speaker 1: Who comes from your wife, your mom or your kids?

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Speaker 1: I don't respect it, And you know I gave him

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Speaker 1: dunkey today for that. And you know I can't even

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Speaker 1: knock him for how he feels about his mother or

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Speaker 1: sister or co workers, because that's that can all be

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Speaker 1: complicated situations. But your daughters, bro, Like, come on, man,

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Speaker 1: like you post to love your daughters the exact same

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Speaker 1: way that you you love your life, you love your wife.

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Speaker 1: You know what somebody told me a long time ago.

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Speaker 1: He name was Dary Alexandry alexand and said, when you

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Speaker 1: love your significant other the way you love your kids,

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Speaker 1: that's when you really have a soul mate. Because you know,

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Speaker 1: a lot of us don't really experience love until we

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Speaker 1: have children. We don't know what real love actually is.

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Speaker 1: So if you if you love your significant other in

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Speaker 1: that way, then you really got something, all right? Well

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Speaker 1: eight hundred and five eighty five, one on five one,

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Speaker 1: that's what we're asking. Hello, who's this? Hey? Hey, what's

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Speaker 1: coming on the breakfast club? Did Jay from Vas? Going on?

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Speaker 1: Jay from Va? We're asking if you had to pick one,

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Speaker 1: who would come first? Your wife, your mother, or your kids. Yeah,

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Speaker 1: I'm definitely gonna ride with my wife, So you're gonna

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Speaker 1: have to take your clues. If I'm not mistaken, he said,

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Speaker 1: the only one he has to please it's his wife. Yes, yeah,

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Speaker 1: I mean that makes sense to me. Um, I mean

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Speaker 1: I'm not I'm going off the verboe. I'm not here

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Speaker 1: to please my kids. I'm here to raise my kids.

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Speaker 1: You know, I'm not here to a lot of kids

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Speaker 1: be too friendly, or a lot of parents be too

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Speaker 1: friendly with their kids. And you know that's that's not

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Speaker 1: that's how kids score up. You can't be friendly, and

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Speaker 1: I can't be friendly with your kids. Man, No, I'm

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Speaker 1: not friends. I'm not not like what's that? What's that movie?

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Speaker 1: What's that movie with Terrence Jay? Why did I not?

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Speaker 1: Why did I get married? Where he was getting Yama?

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Speaker 1: His mama was all in his business and he was

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Speaker 1: trying to please his mama when he needed to be

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Speaker 1: trying to please his wife. And what happened at the

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Speaker 1: end he buked on his moment. You know that's the movie.

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Speaker 1: I bet it's based off real stuff. You can't you

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Speaker 1: can't be like that. I've seen stuff like that in

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Speaker 1: real life. I'm here to please my girl, my wife,

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Speaker 1: my mom. I'm not really here to please her because

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Speaker 1: my man based on how he treats his mom, and

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Speaker 1: that matters to me a lot as far as who

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Speaker 1: I decide, I'm, you know, deciding to be with him.

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Speaker 1: I love his relationship with his mom and that's important.

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Speaker 1: And you shouldna help on how he treats his kids too,

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Speaker 1: You should you should judge man based on how he

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Speaker 1: treats his children. Let me see, Now, your kids, right,

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Speaker 1: and you're gonna help your mom out when she needs you.

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Speaker 1: But when you're grown, you know you're here to raise

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Speaker 1: her family as your mom raised you to do. Now,

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Speaker 1: my brother, have you ever looked up the definition to please?

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Speaker 1: Do you know what please mean? Please means to cause

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Speaker 1: to feel happy and satisfied, to take only one's own

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Speaker 1: wishes into consideration to deciding how to act or proceed.

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Speaker 1: So that's when you said, like, this is the first time.

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Speaker 1: The ages that I can just please myself. When you're

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Speaker 1: talking about pleasing somebody else is to cause them to

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Speaker 1: feel happy and satisfied. He arranged the fishing trip to

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Speaker 1: please his son, or he arranged the activity to please

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Speaker 1: his daughter, So yes, you should please your kids. King, Well,

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Speaker 1: you know I'm going with the white SI's first. For example,

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Speaker 1: what the love thing like when you say you love somebody,

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Speaker 1: or you know you love your mom, you love your kids,

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Speaker 1: but you're in love with your wife, or you're sniffing

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Speaker 1: at other like. It's a lot of things that come

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Speaker 1: with being in love with somebody that you just can't

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Speaker 1: put on the same terms of loving somebody, Like you

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Speaker 1: love your friends, you love your mom, but you die

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Speaker 1: in love. You're not having sexual things with your those

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Speaker 1: type of people. You're only doing that with your significant other.

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Speaker 1: That's what love. There's some people out there, they don't

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Speaker 1: love their wives. By the way, well you know I'm

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00:18:28,320 --> 00:18:30,320
Speaker 1: going off doing what to do? You know, but I

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Speaker 1: just rather please my wife because that's who I stay with.

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Speaker 1: That's why I'm build my family with you. When your

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Speaker 1: parents die, you know, you still have to please your

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Speaker 1: woman that's still there, which is what you're great though

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Speaker 1: your mom raised you to do. You know, your kids

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Speaker 1: say I'm looking at like in love right now. In

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Speaker 1: love has nothing to do with sexual right. In love

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Speaker 1: says I'm just looking at it says you can't stop

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Speaker 1: staring at them. You feel like you're high, You're always

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Speaker 1: thinking about them. You want to be happy, you want

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Speaker 1: you've you don't want them to feel pain. You don't

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Speaker 1: want them to feel stressed. I'm in love love my daughters,

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Speaker 1: with my kids. I don't know what he's talking about.

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Speaker 1: I'm in love with my kids. Yeah, I don't get it.

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Speaker 1: I'm in love with my daughters. I want to please

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Speaker 1: my daughters. But you know, and of course you know

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Speaker 1: your wife. That's a different level of love. That's something else,

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Speaker 1: you know what I mean. Like, I don't know what's

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Speaker 1: the story. More of the story is, well, I'm surprised

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00:19:18,000 --> 00:19:21,280
Speaker 1: the orphanages ain't more packed. I'm probably these foster homes

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00:19:21,280 --> 00:19:23,920
Speaker 1: ain't more packed because y'all don't give a damn about

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Speaker 1: your kids. And guess what, guess what, tax time right

385
00:19:26,760 --> 00:19:28,640
Speaker 1: around the corner. I bet you're gonna be so happy

386
00:19:28,640 --> 00:19:30,639
Speaker 1: to see them little churing in You're gonna want to

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00:19:30,640 --> 00:19:33,680
Speaker 1: claim all of them on your taxes. All right, We

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00:19:33,800 --> 00:19:37,440
Speaker 1: got more coming up next with a breakfast club. Keep

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Speaker 1: the breakfast club humble. Say to the breakfast club. Hate

390
00:19:40,280 --> 00:19:41,760
Speaker 1: me if you want, to love me if you want,

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00:19:41,840 --> 00:19:48,440
Speaker 1: but just use your comments sense playing at the breakfast club.

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Speaker 1: Who's this dre slaying at the breakfast club? Man? While

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00:19:52,440 --> 00:19:55,960
Speaker 1: you're shying to man like your buddies, man, because we

394
00:19:56,040 --> 00:19:59,760
Speaker 1: are laugh was crazy after I don't even think why

395
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Speaker 1: you say we act like we bought buddies but butt buddies.

396
00:20:02,280 --> 00:20:06,080
Speaker 1: That's wrong with that? Why just say this further thing

397
00:20:06,080 --> 00:20:07,520
Speaker 1: to be stuffing about? I just told you what it is.

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Speaker 1: Who are you? Who are you with? Bronick? Let me

399
00:20:10,720 --> 00:20:12,040
Speaker 1: tell you Nick, Let me talk to you. Let me

400
00:20:12,080 --> 00:20:15,720
Speaker 1: talk to your butt buddy, Nick? Nick? Nick? Why you

401
00:20:15,760 --> 00:20:18,840
Speaker 1: don't love? Why you don't love what's his name? Why

402
00:20:18,920 --> 00:20:23,280
Speaker 1: you don't love Dre? Guy? Bro? That's your buddy and

403
00:20:23,359 --> 00:20:25,119
Speaker 1: that's your bub buddy, and I want you to know that.

404
00:20:26,000 --> 00:20:29,360
Speaker 1: Huh bro. He's just saying, y'all y'all be a little

405
00:20:29,400 --> 00:20:31,679
Speaker 1: off the chain with the comments in the morning. Man. Well,

406
00:20:31,680 --> 00:20:33,679
Speaker 1: I think y'all should be bub buddies, um, because Dre

407
00:20:33,880 --> 00:20:35,840
Speaker 1: rhymes with jay and Nick rhymes with y'all made for

408
00:20:35,920 --> 00:20:39,800
Speaker 1: each other. That'sh bubba. Youn't love your brother? You don't

409
00:20:39,840 --> 00:20:42,440
Speaker 1: love your brother? Give him a hug right now. Tell

410
00:20:42,480 --> 00:20:45,040
Speaker 1: me tell you love him, you value him, and you

411
00:20:45,119 --> 00:20:48,919
Speaker 1: appreciate him. Hug him right now. I loved you. Tell him,

412
00:20:49,119 --> 00:20:53,240
Speaker 1: tell him you love him. Man, y'all whack man that's

413
00:20:53,280 --> 00:20:55,119
Speaker 1: the problem with black man. We can't tell each other

414
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Speaker 1: we love each other, we value each other, we appreciate

415
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Speaker 1: each other. But with me and Nvy do that? Y'all

416
00:20:59,000 --> 00:21:02,200
Speaker 1: call us butt buddies. No, the subspect things you say?

417
00:21:02,440 --> 00:21:05,080
Speaker 1: Love is one thing, because I love my black broke.

418
00:21:05,440 --> 00:21:13,600
Speaker 1: There you go, So this little nives X y'all need

419
00:21:13,640 --> 00:21:17,399
Speaker 1: a double date or something? Hello? Who's asking? This is

420
00:21:17,600 --> 00:21:20,680
Speaker 1: data from d ain't Good morning? Good morning, dat ain't

421
00:21:20,680 --> 00:21:23,720
Speaker 1: from VA? Was up slander the breakfast club day day? Yes,

422
00:21:24,560 --> 00:21:26,800
Speaker 1: dj Envy, I get so tired of here, and you

423
00:21:26,880 --> 00:21:29,360
Speaker 1: say he's gonna get that donkey too? Can't you say

424
00:21:29,359 --> 00:21:31,159
Speaker 1: it another way? How you want me to say? You

425
00:21:31,240 --> 00:21:33,879
Speaker 1: can switch it up today? I mean switch it up

426
00:21:34,280 --> 00:21:35,960
Speaker 1: all right? Let me try this. How you say this

427
00:21:36,000 --> 00:21:39,480
Speaker 1: span of sake to today? Say she wants you to

428
00:21:39,520 --> 00:21:43,280
Speaker 1: say it? Let's flirty and creepy? Oh I don't know. Okay,

429
00:21:43,359 --> 00:21:47,040
Speaker 1: let me try Charlemagne? Who you giving that donkey too?

430
00:21:47,640 --> 00:21:50,040
Speaker 1: How's that one little base? Little base? I like it?

431
00:21:50,160 --> 00:21:52,680
Speaker 1: I like it along. Maybe you can say something like, Charlemagne,

432
00:21:52,720 --> 00:21:54,240
Speaker 1: I know you got a nice donkey. Who you want

433
00:21:54,280 --> 00:21:56,720
Speaker 1: to give it to? Hey, that's a little freaky. I

434
00:21:56,800 --> 00:22:01,080
Speaker 1: don't know. Good day to switch it up? Switch it up?

435
00:22:01,160 --> 00:22:03,280
Speaker 1: And Angela we talked a couple of months ago. I

436
00:22:03,400 --> 00:22:06,080
Speaker 1: told you your name reminds me of the East infection.

437
00:22:06,200 --> 00:22:10,960
Speaker 1: You said you were gonna change and Angela deed, Angela team,

438
00:22:11,400 --> 00:22:13,840
Speaker 1: you gotta let go of the yed. So you want

439
00:22:13,880 --> 00:22:17,280
Speaker 1: me to just just own my family? Yes, she want

440
00:22:17,320 --> 00:22:19,960
Speaker 1: you to turn Muslim. Angela acts No, I don't want

441
00:22:20,000 --> 00:22:22,040
Speaker 1: you to turn on your culture. That would be roved.

442
00:22:22,119 --> 00:22:24,520
Speaker 1: But it just makes me hitch every time I hear.

443
00:22:24,600 --> 00:22:28,280
Speaker 1: It makes me. Have you ever had a yeast infection pregnant?

444
00:22:28,320 --> 00:22:30,480
Speaker 1: I did and it was not pleasant. So you're giving

445
00:22:30,520 --> 00:22:35,440
Speaker 1: me flashback? I like y'all Goodbye day day. You can't

446
00:22:35,480 --> 00:22:42,119
Speaker 1: tell goodbye Slanders Austin. It is awesome. Man from Houston.

447
00:22:42,200 --> 00:22:44,000
Speaker 1: What's going on? Man? What's up? Brously end of the

448
00:22:44,000 --> 00:22:46,480
Speaker 1: Breakfast Club? Man? What's going on? And I want to say,

449
00:22:46,520 --> 00:22:47,879
Speaker 1: you know you're a real wo man. You know the

450
00:22:47,960 --> 00:22:50,880
Speaker 1: stupid everybody on the show. You know you I really

451
00:22:51,000 --> 00:22:54,400
Speaker 1: looked up to you, man, Angela man, beautiful, your whole

452
00:22:54,480 --> 00:22:56,480
Speaker 1: But I just think you know you ain't thought a

453
00:22:56,520 --> 00:22:58,560
Speaker 1: thought it like like like you be talking about in

454
00:22:58,600 --> 00:23:01,240
Speaker 1: your interviews, you know, to sir, I think you know

455
00:23:01,400 --> 00:23:03,359
Speaker 1: you're a little bit on the soft side. I'm on

456
00:23:03,359 --> 00:23:06,200
Speaker 1: a little bit on that. He said, soft side. I

457
00:23:06,320 --> 00:23:09,560
Speaker 1: am a soft team. Okay, you see, like I said,

458
00:23:09,760 --> 00:23:13,320
Speaker 1: Solomon slom A, right, I'm gonna come out to closing

459
00:23:13,400 --> 00:23:20,199
Speaker 1: man um probably never never. Man. You know you can

460
00:23:20,280 --> 00:23:24,480
Speaker 1: look at it with a little makeup on you. Thank

461
00:23:24,560 --> 00:23:28,840
Speaker 1: you night at this morning. Thank you. I want to

462
00:23:28,960 --> 00:23:32,200
Speaker 1: know your girl. Thank you baby. Hey, today's National Hot

463
00:23:32,280 --> 00:23:34,840
Speaker 1: Fund Sunday Day. But you have a crush on shot.

464
00:23:35,520 --> 00:23:37,520
Speaker 1: I'm sorry. Why did you hang out hang up when

465
00:23:37,520 --> 00:23:39,280
Speaker 1: they're flirting with me? I'm sorry you like that? Why

466
00:23:39,280 --> 00:23:43,040
Speaker 1: ain't people when they flirting with you? I did enjoy it? Okay,

467
00:23:43,200 --> 00:23:46,320
Speaker 1: compliment is a compliment, all right? Well, your makeup looks

468
00:23:46,359 --> 00:23:48,280
Speaker 1: nice today, Bay, I don't win makeup, but thank you

469
00:23:48,359 --> 00:23:51,480
Speaker 1: for complimenting. Doctor Sandy's work is flawless. Skin. My skin

470
00:23:51,560 --> 00:23:54,720
Speaker 1: has flawless by the way, sweet face, Hey, what's up?

471
00:23:54,760 --> 00:23:57,800
Speaker 1: Sweet face club? I wasn't talking about you. I can't

472
00:23:57,840 --> 00:24:01,760
Speaker 1: tell Sho does have a sweet face lay from alone.

473
00:24:03,400 --> 00:24:07,160
Speaker 1: Thank you. Flattery will get you everywhere. He's stupid. Yes,

474
00:24:07,920 --> 00:24:12,440
Speaker 1: slander the breakfast club. Sweet face, DJ, yes, ma'am envy.

475
00:24:12,520 --> 00:24:14,879
Speaker 1: I need you to pick up at the stars, to

476
00:24:15,119 --> 00:24:18,400
Speaker 1: find another word to use instead of amazing. I've been practicing.

477
00:24:18,480 --> 00:24:24,800
Speaker 1: You want to double dawn, you double damn gonna be amazing,

478
00:24:24,920 --> 00:24:29,240
Speaker 1: and you say amazing, amazing. I've been practicing. You want

479
00:24:29,240 --> 00:24:31,000
Speaker 1: to know what I'm not gonna lie v. He's making

480
00:24:31,040 --> 00:24:32,840
Speaker 1: me say the word amazing. I'm like, when did I

481
00:24:32,920 --> 00:24:40,199
Speaker 1: start using this awesome? Breathtaking, fabulous, heart stopping, marvelous, amazing,

482
00:24:41,040 --> 00:24:48,560
Speaker 1: stay amazing all the time, wonderful, extraordinary, a phenomenal, sensational, spectacular?

483
00:24:48,720 --> 00:24:52,200
Speaker 1: Can you sing amazing? Can you sing amazing? Can you

484
00:24:52,520 --> 00:25:00,440
Speaker 1: sing amazing? Grace? Uh mactacular? Grace? A sweet? I love you?

485
00:25:00,560 --> 00:25:03,840
Speaker 1: But now all right, fine, goodbye? You do Because I

486
00:25:04,000 --> 00:25:06,679
Speaker 1: was like, why am I using this word? He's always

487
00:25:06,680 --> 00:25:09,320
Speaker 1: calling everything. I've never noticed you say amazing so much

488
00:25:09,680 --> 00:25:11,920
Speaker 1: because when I call you amazing, you like it. I mean,

489
00:25:12,080 --> 00:25:15,080
Speaker 1: have you seen my skin? What it is? Amazing? Eye

490
00:25:15,080 --> 00:25:17,399
Speaker 1: would be like Carson's coming to be amazing. We had

491
00:25:17,440 --> 00:25:21,000
Speaker 1: some amazing spots, had an amazing meeting with Lincoln Tech.

492
00:25:21,119 --> 00:25:22,960
Speaker 1: My wife told me the same thing. I've been practicing

493
00:25:23,280 --> 00:25:25,159
Speaker 1: all right, we got more coming up next. We're a

494
00:25:25,200 --> 00:25:34,520
Speaker 1: breakfast club, yeah Wanning, everybody's DJ Envy Angela Yee, Charlomagne

495
00:25:34,560 --> 00:25:36,600
Speaker 1: the guy. We are the breakfast Club. Now we got

496
00:25:36,640 --> 00:25:41,920
Speaker 1: some special guests, some special legends icons. They both friends

497
00:25:41,960 --> 00:25:43,720
Speaker 1: to the room. They both been on the Breakfast Club

498
00:25:43,840 --> 00:25:46,760
Speaker 1: numerous times. We had a brother eat forty but forty,

499
00:25:47,119 --> 00:25:51,399
Speaker 1: what's happening? What's happening Claire? And also too Short? So

500
00:25:51,640 --> 00:25:54,560
Speaker 1: what's up? What's up? Man? Now? What? Now? What do

501
00:25:54,680 --> 00:25:57,000
Speaker 1: we owe the pleasure of having these two icons on

502
00:25:57,080 --> 00:25:59,080
Speaker 1: this zoom for? This is about the super group that

503
00:25:59,160 --> 00:26:01,840
Speaker 1: I'm hearing about with with with forty and Short and

504
00:26:01,920 --> 00:26:04,320
Speaker 1: Snoop Dogs. That's what it's about. You talked to Short

505
00:26:04,359 --> 00:26:05,760
Speaker 1: about that. He don't want to let the cat off

506
00:26:05,800 --> 00:26:11,959
Speaker 1: the bag. Oh man, it's it's big man. It's big man.

507
00:26:11,960 --> 00:26:13,800
Speaker 1: We want some other other stuff right now, Man, we're

508
00:26:13,840 --> 00:26:17,840
Speaker 1: doing um, we're about to do versus mans you mean

509
00:26:18,600 --> 00:26:22,240
Speaker 1: and forty on versus Now? How did this come on

510
00:26:23,119 --> 00:26:26,000
Speaker 1: against each other? Yeah? It would seem like we might

511
00:26:26,040 --> 00:26:28,440
Speaker 1: team up against somebody else, but now we're going against

512
00:26:28,440 --> 00:26:31,400
Speaker 1: each other. Okay, okay, we're doing it for the bat

513
00:26:31,480 --> 00:26:34,240
Speaker 1: Man that's short now pause pause pause. You know he

514
00:26:34,320 --> 00:26:36,000
Speaker 1: Forty got a slick mouth, So how are you gonna

515
00:26:36,040 --> 00:26:41,680
Speaker 1: deal with his his his slick mouth doing the thirty years. Yeah,

516
00:26:41,720 --> 00:26:43,600
Speaker 1: I've been I know, up deal with a little bit. Man.

517
00:26:43,800 --> 00:26:46,240
Speaker 1: I can't control him, but he's he's uh, you just

518
00:26:46,320 --> 00:26:48,040
Speaker 1: gotta like man, I told you before we jump in

519
00:26:48,080 --> 00:26:49,400
Speaker 1: the car. So he got through a couple of jobs

520
00:26:49,480 --> 00:26:51,880
Speaker 1: early because he gonna he's gonna probably like hey, maker

521
00:26:51,920 --> 00:26:54,640
Speaker 1: you in a minute. I think, if I'm not mistaken,

522
00:26:54,760 --> 00:26:57,960
Speaker 1: this is the first West Coast versus West Coast versus.

523
00:26:58,000 --> 00:26:59,680
Speaker 1: I mean, we saw Snoop go up against X, but

524
00:26:59,720 --> 00:27:02,000
Speaker 1: I don't think we've seen the West Coach versus West

525
00:27:02,000 --> 00:27:05,760
Speaker 1: Coach versus yet. We would have did it a little earlier, man,

526
00:27:05,800 --> 00:27:08,800
Speaker 1: But I was resisting. You know, Forty wasn't really wasn't

527
00:27:08,840 --> 00:27:10,920
Speaker 1: really into it. Man, for the fact that you know,

528
00:27:11,000 --> 00:27:13,680
Speaker 1: we coolnest. It seemed like it was a war or

529
00:27:13,760 --> 00:27:15,920
Speaker 1: you gotta go against him and talk bad and stuff,

530
00:27:15,960 --> 00:27:17,800
Speaker 1: and we kind of like you thought it through and

531
00:27:17,960 --> 00:27:20,200
Speaker 1: was like, man, let's let's let's do the bay. Because

532
00:27:20,240 --> 00:27:24,200
Speaker 1: we basically are the story of the beginning of the bay,

533
00:27:24,240 --> 00:27:26,840
Speaker 1: the foundation where it start. You can't really get too

534
00:27:26,880 --> 00:27:31,080
Speaker 1: many stories that come before or even during our early days.

535
00:27:31,080 --> 00:27:32,960
Speaker 1: There's not a lot going on outside of you know,

536
00:27:33,080 --> 00:27:36,040
Speaker 1: Mac Drey was doing this. Drey y'all three, Mac Dray y'all,

537
00:27:36,119 --> 00:27:38,680
Speaker 1: y'all would be like the you know they say jay

538
00:27:38,760 --> 00:27:40,760
Speaker 1: Z Biggie Nas, y'all would be that for the bit.

539
00:27:40,800 --> 00:27:43,440
Speaker 1: I think Mac Drey forty Short. So you know, I

540
00:27:44,560 --> 00:27:47,040
Speaker 1: was just like, man, earl, I don't want to do it. Man,

541
00:27:47,119 --> 00:27:49,240
Speaker 1: I don't want to do it. And then he called

542
00:27:49,280 --> 00:27:50,840
Speaker 1: me one day. This is how they got me. He

543
00:27:50,960 --> 00:27:55,239
Speaker 1: called me on it three way with Twiss, and now

544
00:27:55,280 --> 00:27:57,800
Speaker 1: I got Swiss and Forty trying to give me the

545
00:27:58,000 --> 00:28:01,480
Speaker 1: pros while they're doing you know, by the end of

546
00:28:01,480 --> 00:28:04,040
Speaker 1: the column like all right, let's do it. It's a celebration.

547
00:28:04,200 --> 00:28:06,240
Speaker 1: You know, I wonder I want both of y'all to

548
00:28:06,240 --> 00:28:08,920
Speaker 1: answer this. What does the verses battle between Short and

549
00:28:09,000 --> 00:28:11,399
Speaker 1: forty me to the West coast in the Bay Area,

550
00:28:11,640 --> 00:28:14,879
Speaker 1: I mean to the world m hip hop culture. Man,

551
00:28:15,040 --> 00:28:17,240
Speaker 1: just showing that you know, we me and shure we

552
00:28:17,320 --> 00:28:20,040
Speaker 1: go we go back like angel flights and members only

553
00:28:20,119 --> 00:28:24,280
Speaker 1: jackets feel me. And so you know, when you think

554
00:28:24,320 --> 00:28:26,560
Speaker 1: of the Bay you think of us too, you know

555
00:28:26,640 --> 00:28:29,399
Speaker 1: what I'm saying in the same sentence, you know, and

556
00:28:29,520 --> 00:28:32,840
Speaker 1: so me and Shure they never had no confrontations. All

557
00:28:32,920 --> 00:28:36,359
Speaker 1: his people know my people from the beginning, br before

558
00:28:36,480 --> 00:28:42,360
Speaker 1: rap you feel me, br br before wrap you feel me.

559
00:28:42,920 --> 00:28:46,320
Speaker 1: And so when once we teamed up and did that

560
00:28:46,400 --> 00:28:48,680
Speaker 1: damn Rappers ball, we knew each other through the you know,

561
00:28:48,760 --> 00:28:51,560
Speaker 1: through the soils and the traffic, you know what I'm saying.

562
00:28:51,600 --> 00:28:53,440
Speaker 1: So it just only made sense. So many people was

563
00:28:53,520 --> 00:28:55,880
Speaker 1: hitting us, like so many people was hitting us about this,

564
00:28:56,080 --> 00:28:58,440
Speaker 1: this about versus that It's like, man, we need to

565
00:28:58,480 --> 00:29:01,320
Speaker 1: see you you in short, you know you're in short.

566
00:29:01,360 --> 00:29:03,440
Speaker 1: That would be the ultimate one for us. You feel me?

567
00:29:04,040 --> 00:29:06,360
Speaker 1: And so I have brought it up to Todd one day.

568
00:29:06,360 --> 00:29:07,840
Speaker 1: I say, man, if we ever did versus what you do?

569
00:29:08,000 --> 00:29:09,520
Speaker 1: If they don't know, if they ever asked us to

570
00:29:09,560 --> 00:29:11,600
Speaker 1: do versus, would you do it? And he was like,

571
00:29:12,240 --> 00:29:14,680
Speaker 1: I ain't interest. I wasn't really interested at first either.

572
00:29:15,280 --> 00:29:18,440
Speaker 1: I'm wasn't interested because I said, why why do I

573
00:29:18,640 --> 00:29:20,640
Speaker 1: have to You know, I got this body at work

574
00:29:20,680 --> 00:29:23,440
Speaker 1: that I did. Why should I step up and show

575
00:29:23,520 --> 00:29:26,840
Speaker 1: off or or prove anything. I'm like, bro, I did mine.

576
00:29:26,840 --> 00:29:29,360
Speaker 1: I gotta I gotta cold running like you wish you

577
00:29:29,480 --> 00:29:31,120
Speaker 1: a rapper, wish you could get the run I got in,

578
00:29:31,280 --> 00:29:34,320
Speaker 1: like wish they can have one of your runs? You

579
00:29:35,800 --> 00:29:38,200
Speaker 1: feel me? So you know I was on the same

580
00:29:38,240 --> 00:29:40,480
Speaker 1: page as him, like the same way, like you know

581
00:29:40,640 --> 00:29:42,800
Speaker 1: what what we have to prove. But then you know,

582
00:29:42,880 --> 00:29:44,720
Speaker 1: I'm like, you know what, man, this is. This is

583
00:29:44,760 --> 00:29:47,480
Speaker 1: for for the culture. Man, It's for the for hip hop. Bro.

584
00:29:47,640 --> 00:29:49,360
Speaker 1: They I know they all love to see it, and

585
00:29:49,400 --> 00:29:52,800
Speaker 1: we feel like this is a celebration. You feel me. Now,

586
00:29:53,200 --> 00:29:55,320
Speaker 1: y'all doing a joint? Aum, I know you me talking

587
00:29:55,320 --> 00:29:58,760
Speaker 1: about it, but we're hearing is it Snoop Dog? And

588
00:29:58,800 --> 00:30:01,720
Speaker 1: I heard ice Cube? But y'all, I'm just kidding. Yeah,

589
00:30:01,880 --> 00:30:04,400
Speaker 1: y'all bounced around and yeah, you know y'all curved us.

590
00:30:04,440 --> 00:30:06,160
Speaker 1: But oh, y'all doing the album of the project. What

591
00:30:06,280 --> 00:30:09,560
Speaker 1: are they talking about? Yeo, man, it's it's I'm saying

592
00:30:09,600 --> 00:30:13,240
Speaker 1: like this man, it's twenty twenty. Yeah, we've been quarantining

593
00:30:13,320 --> 00:30:16,760
Speaker 1: for a long time, most of the time me but um,

594
00:30:17,480 --> 00:30:19,200
Speaker 1: I felt I fell out my quarantine for a while.

595
00:30:19,240 --> 00:30:22,040
Speaker 1: But I'm back on it now and it's got a

596
00:30:22,080 --> 00:30:23,880
Speaker 1: lot of time, man, a lot of time. So we've

597
00:30:23,920 --> 00:30:27,520
Speaker 1: just been doing stuff. Man, we would get out and about.

598
00:30:28,160 --> 00:30:30,200
Speaker 1: He said, when I when I fell off my quarantine,

599
00:30:30,240 --> 00:30:32,040
Speaker 1: I got it in man, like late summer, I was,

600
00:30:32,240 --> 00:30:36,920
Speaker 1: I was, I fell off. But I've been quarantine through

601
00:30:36,960 --> 00:30:40,640
Speaker 1: the whole time. I'm I've been. I got everything I

602
00:30:40,800 --> 00:30:43,240
Speaker 1: need though, you feel me. You know I got I

603
00:30:43,360 --> 00:30:45,880
Speaker 1: got positive income coming in here. You feel me, different

604
00:30:45,920 --> 00:30:48,840
Speaker 1: revenue streams, you know what I'm saying. And um, you

605
00:30:48,920 --> 00:30:50,800
Speaker 1: know I got this this nudio been, I got two

606
00:30:51,080 --> 00:30:53,720
Speaker 1: snudios up in this time, you feel me. So music

607
00:30:53,880 --> 00:30:55,520
Speaker 1: is my life, you know what I'm saying. I'm just

608
00:30:55,760 --> 00:30:58,120
Speaker 1: been thinking of you know, passion projects, man, and coming

609
00:30:58,160 --> 00:31:00,960
Speaker 1: up with all kind of you know, things to develop,

610
00:31:01,360 --> 00:31:04,280
Speaker 1: whether it's food, whether it's you know, beverages. You know

611
00:31:04,280 --> 00:31:06,360
Speaker 1: what I'm saying. Doing this tech thing, you feel me,

612
00:31:06,880 --> 00:31:09,760
Speaker 1: start up companies, the whole woolwap. So it's many things.

613
00:31:09,800 --> 00:31:11,959
Speaker 1: And then at the same time, you want to tell

614
00:31:12,000 --> 00:31:13,600
Speaker 1: them how you want to talk, tell them how that

615
00:31:13,840 --> 00:31:17,600
Speaker 1: came about? Long story, short man, long story, short man.

616
00:31:17,680 --> 00:31:20,480
Speaker 1: We gotta, um, we gotta. We made a lot of

617
00:31:20,560 --> 00:31:23,920
Speaker 1: songs and it ain't really like definite what it's gonna be,

618
00:31:24,040 --> 00:31:25,680
Speaker 1: but it's gonna be something. And it's just a lot

619
00:31:25,760 --> 00:31:28,480
Speaker 1: of songs. So who's on these records? Because I'm hearing

620
00:31:28,520 --> 00:31:31,760
Speaker 1: the group is you forty and Snoop and Nice Cube

621
00:31:31,880 --> 00:31:37,600
Speaker 1: don't Okay, okay, it's not official yet. It's not a group.

622
00:31:37,760 --> 00:31:40,840
Speaker 1: There is no name, there's no like, oh yeah, the project.

623
00:31:40,920 --> 00:31:43,440
Speaker 1: It's not even like that. We just we're just some ogs. Man.

624
00:31:43,560 --> 00:31:47,600
Speaker 1: Everybody got studios and facilities and beats and you know

625
00:31:47,640 --> 00:31:49,360
Speaker 1: what I'm saying, We're just doing it. It's something. I

626
00:31:49,440 --> 00:31:51,400
Speaker 1: feel like we're doing this for hip hop. And when

627
00:31:51,440 --> 00:31:53,080
Speaker 1: I say that, because you could be doing it for

628
00:31:53,160 --> 00:31:57,400
Speaker 1: the bag. Nobody don't need the bag. So basically, I

629
00:31:57,520 --> 00:32:00,240
Speaker 1: feel like we got all these uh these rule and

630
00:32:00,320 --> 00:32:04,920
Speaker 1: regulations and age limits and what where's the best time

631
00:32:05,040 --> 00:32:08,040
Speaker 1: zone and what's the best era and who's the best

632
00:32:08,120 --> 00:32:10,800
Speaker 1: age group? But all this stuff that's like it don't

633
00:32:10,840 --> 00:32:13,160
Speaker 1: mean nothing to hip hop because hip hop is is

634
00:32:13,720 --> 00:32:16,280
Speaker 1: very uncontrollable. So when I say we're doing it for

635
00:32:16,400 --> 00:32:19,480
Speaker 1: hip hop, which is my main motivation, is I'm fifty

636
00:32:19,600 --> 00:32:22,200
Speaker 1: four years old. If we do anything, it's gonna come

637
00:32:22,240 --> 00:32:24,960
Speaker 1: out when I'm fifty five years old so and to

638
00:32:25,200 --> 00:32:28,200
Speaker 1: drop something dope and to be a working MC who's

639
00:32:28,200 --> 00:32:30,840
Speaker 1: been working since he was fifteen years old, never had

640
00:32:30,920 --> 00:32:33,760
Speaker 1: another job, like really like eating off hip hop my

641
00:32:33,920 --> 00:32:37,080
Speaker 1: whole entire life. That to me should be motivational to

642
00:32:37,680 --> 00:32:41,080
Speaker 1: an up and coming rapper, inspiring rapper, an established rapper,

643
00:32:41,360 --> 00:32:42,959
Speaker 1: like you sit there and look at you so over

644
00:32:42,960 --> 00:32:44,520
Speaker 1: in the mirror and be like, what are my limitations?

645
00:32:44,600 --> 00:32:46,680
Speaker 1: I gotta stop doing this when I'm thirty five, when

646
00:32:46,680 --> 00:32:49,080
Speaker 1: I'm forty. They kept telling me that I was an

647
00:32:49,120 --> 00:32:51,920
Speaker 1: og rapper when I was thirty twenty four years ago.

648
00:32:52,760 --> 00:32:56,600
Speaker 1: That's right. And the game man, so we just drink

649
00:32:56,880 --> 00:32:58,440
Speaker 1: we blazed and trails. Man, you can't tell me. You

650
00:32:58,480 --> 00:33:00,360
Speaker 1: can't tell me Fat Joe ain't doing it. Ain't tell

651
00:33:00,360 --> 00:33:02,920
Speaker 1: me before they ain't doing it. Snoop dogg ain't doing it. Um,

652
00:33:03,240 --> 00:33:06,440
Speaker 1: you know what I'm saying, busting right that we we

653
00:33:07,560 --> 00:33:10,640
Speaker 1: the bag is consistent, man, Don't don't do this age

654
00:33:10,800 --> 00:33:13,080
Speaker 1: is something in hip hop. Don't be an og and

655
00:33:13,200 --> 00:33:16,120
Speaker 1: tell me that these young rich cats ain't doing it right.

656
00:33:16,520 --> 00:33:19,200
Speaker 1: Don't tell me that, man, because when I look at

657
00:33:19,240 --> 00:33:20,720
Speaker 1: my when I look at my strings and look at

658
00:33:20,760 --> 00:33:23,280
Speaker 1: their streams I'm like, they're doing something right. We're doing

659
00:33:23,360 --> 00:33:25,720
Speaker 1: something right. I don't I don't knock them, man, because

660
00:33:25,720 --> 00:33:28,360
Speaker 1: it's a new it's a whole new generation. They're doing

661
00:33:28,360 --> 00:33:30,640
Speaker 1: it a lot different. But hey, we was once young.

662
00:33:30,800 --> 00:33:32,400
Speaker 1: You know what I'm saying. We carried it a little different.

663
00:33:32,440 --> 00:33:34,520
Speaker 1: But you know, you can't knock these junces, man, if

664
00:33:34,560 --> 00:33:36,959
Speaker 1: anything joined them, you feel me, because ogs need youngces

665
00:33:37,000 --> 00:33:40,120
Speaker 1: and youngces need ogs and don't have don't have the

666
00:33:40,160 --> 00:33:44,160
Speaker 1: opposite um attitude either, Like all you old dudes get

667
00:33:44,160 --> 00:33:45,600
Speaker 1: out the way. That's whack. You know, it ain't like

668
00:33:45,720 --> 00:33:49,200
Speaker 1: that man's there's a hip hop. It's for the world now, man,

669
00:33:49,760 --> 00:33:53,480
Speaker 1: because that's all that shot, all that shot. Oh man,

670
00:33:53,840 --> 00:33:55,680
Speaker 1: I need to wrap it up. It's too old. Would

671
00:33:56,160 --> 00:33:58,000
Speaker 1: I ain't hurt it in hell alone? Anybody say that?

672
00:33:58,080 --> 00:34:02,560
Speaker 1: Just aheaded with a mother voters regularly. That's right. The

673
00:34:02,680 --> 00:34:05,120
Speaker 1: young artist should be looking at y'all and saying, man,

674
00:34:05,200 --> 00:34:07,280
Speaker 1: I want that kind of longevity. I want that kind

675
00:34:07,320 --> 00:34:09,279
Speaker 1: of catalog. Because one thing about you and short and

676
00:34:09,360 --> 00:34:11,759
Speaker 1: all the ogs, y'all not getting paid for what y'all do.

677
00:34:11,880 --> 00:34:14,440
Speaker 1: Y'all still get y'all get payper what y'all done. Here

678
00:34:14,480 --> 00:34:16,439
Speaker 1: you go, all right, we got more with too Short

679
00:34:16,480 --> 00:34:18,480
Speaker 1: and EAT forty when we come back, dope move. It's

680
00:34:18,520 --> 00:34:22,160
Speaker 1: the Breakfast Club. Good morning, good morning. Everybody is DJ Envy,

681
00:34:22,360 --> 00:34:25,319
Speaker 1: Angela Yee, Charlomagne, the guy we are the Breakfast Club

682
00:34:25,400 --> 00:34:27,880
Speaker 1: was still kicking it with E forty and too Short?

683
00:34:28,120 --> 00:34:30,440
Speaker 1: But this verses, are we gonna get an album or

684
00:34:30,560 --> 00:34:32,320
Speaker 1: single the day after the verses or the day to

685
00:34:32,360 --> 00:34:35,799
Speaker 1: the verses? I mean, it's only right millions of people. Yeah,

686
00:34:36,120 --> 00:34:38,239
Speaker 1: you know, like I said, man, twenty twenty was that

687
00:34:38,360 --> 00:34:40,759
Speaker 1: kind of year. I make a lot of music just

688
00:34:41,040 --> 00:34:42,800
Speaker 1: you know, just because that's what I do. But in

689
00:34:42,880 --> 00:34:46,000
Speaker 1: twenty twenty, it's like I got this whole new inspiration

690
00:34:46,080 --> 00:34:48,120
Speaker 1: of you're gonna lock me up in the house with

691
00:34:48,280 --> 00:34:52,279
Speaker 1: a studio. I'm just gonna start making songs. So uh yeah,

692
00:34:52,360 --> 00:34:54,400
Speaker 1: you know, I gotta I got some stuff I'm gonna drop. Man,

693
00:34:54,400 --> 00:34:56,480
Speaker 1: I'm I'm dropping a project called Ain't Gonna Do It

694
00:34:56,880 --> 00:35:00,359
Speaker 1: and it's um it's the beginning of this motivational I'm

695
00:35:00,400 --> 00:35:03,359
Speaker 1: trying to like balance out. We got the pimps over

696
00:35:03,480 --> 00:35:06,400
Speaker 1: here and the tricks over there, and everybody's out of control.

697
00:35:06,760 --> 00:35:08,439
Speaker 1: So I'm trying to find a balance, like you gotta

698
00:35:08,480 --> 00:35:10,640
Speaker 1: know your lane, you know, kind of kind of toned

699
00:35:10,680 --> 00:35:14,200
Speaker 1: down the tricking a little bit hard on the pimp silence.

700
00:35:14,280 --> 00:35:16,200
Speaker 1: You know. It's try you know, trying to like, you know,

701
00:35:16,280 --> 00:35:18,120
Speaker 1: be age appropriate. But at the same time, I'm not

702
00:35:18,520 --> 00:35:20,120
Speaker 1: I'm not gonna be one of them ogs that go

703
00:35:20,280 --> 00:35:22,600
Speaker 1: way to the other side, like girl, how much you

704
00:35:22,640 --> 00:35:26,719
Speaker 1: want me to wire you and doing that? You still

705
00:35:26,760 --> 00:35:28,840
Speaker 1: ain't doing no tricking. Short after all these years they

706
00:35:28,880 --> 00:35:31,239
Speaker 1: say they ain't tricking as you were fit now, man,

707
00:35:31,400 --> 00:35:37,480
Speaker 1: come on, man, it's not that's not true. Not trying

708
00:35:37,520 --> 00:35:41,879
Speaker 1: to be a rescue. Ronnie and the cash Aft changed

709
00:35:41,880 --> 00:35:49,000
Speaker 1: the game. Man. Well, I'm also got a project drop dropping.

710
00:35:49,000 --> 00:35:50,759
Speaker 1: You dropping dropping on the eighteen You got one on

711
00:35:50,800 --> 00:35:52,960
Speaker 1: the eighteenth part, Yeah, I heard that you're dropping on

712
00:35:53,040 --> 00:35:55,440
Speaker 1: the same day night before. Yeah, the same thing. My

713
00:35:55,840 --> 00:35:58,600
Speaker 1: own project will considers probably about ten to twelve song

714
00:35:58,719 --> 00:36:02,120
Speaker 1: somewhere around there. It's called terms and conditions. It's just

715
00:36:02,239 --> 00:36:04,320
Speaker 1: really just gaming, you know, gaming folks up. You know,

716
00:36:04,400 --> 00:36:06,920
Speaker 1: that's my specialty. Just gaming them up, stilling, you know,

717
00:36:07,000 --> 00:36:09,400
Speaker 1: giving them some party two, give them to you know,

718
00:36:09,600 --> 00:36:12,319
Speaker 1: ride to mob out and the old schools or whatever,

719
00:36:12,719 --> 00:36:14,960
Speaker 1: you know, the new schools whatever. So you know, it's

720
00:36:15,000 --> 00:36:17,239
Speaker 1: just it's just gas like always. You know, I might

721
00:36:17,280 --> 00:36:23,960
Speaker 1: need some terms. Oakland and Vale Hooks have been getting down.

722
00:36:24,280 --> 00:36:26,480
Speaker 1: Back at our day, they was really like tight. Like

723
00:36:26,600 --> 00:36:29,320
Speaker 1: we used to actually click up and go to different

724
00:36:29,360 --> 00:36:31,279
Speaker 1: little areas as a you know, like we got our

725
00:36:31,320 --> 00:36:33,560
Speaker 1: Oakland mob, they got their Valayoup mob. We click up

726
00:36:33,600 --> 00:36:35,680
Speaker 1: and go out as a supermob and just pop up

727
00:36:35,719 --> 00:36:38,080
Speaker 1: somewhere else. We did a lot of that, but it

728
00:36:38,239 --> 00:36:41,560
Speaker 1: was all based on crack cocaine drug sales. Like a

729
00:36:41,640 --> 00:36:44,440
Speaker 1: lot of dudes in valayout sold and partnered up with

730
00:36:44,520 --> 00:36:47,040
Speaker 1: a lot of dudes in Oakland and what's like little teams,

731
00:36:47,080 --> 00:36:50,200
Speaker 1: you know what I mean, and forties people and my

732
00:36:50,360 --> 00:36:53,239
Speaker 1: people was on the same team. So we would go

733
00:36:53,320 --> 00:36:55,360
Speaker 1: to like like you said, damn FOLDI parking Vallejo. We

734
00:36:55,480 --> 00:36:58,120
Speaker 1: pull up and be like you know, valaouts hosting that day.

735
00:36:58,320 --> 00:37:00,640
Speaker 1: Oh y'all just come down and show you some love.

736
00:37:00,640 --> 00:37:02,600
Speaker 1: We're gonna hang around, moved around the city. That's how

737
00:37:02,640 --> 00:37:04,840
Speaker 1: it was. And then you know, they pile up in

738
00:37:04,880 --> 00:37:07,680
Speaker 1: their cars, pull up the open designated area, hangout and

739
00:37:08,680 --> 00:37:12,680
Speaker 1: it was cool. So we come from a click, specifically

740
00:37:13,080 --> 00:37:18,960
Speaker 1: Forty and his brother getting down in the game with

741
00:37:19,520 --> 00:37:21,279
Speaker 1: somebody who's been with me my whole life, one of

742
00:37:21,360 --> 00:37:23,400
Speaker 1: my best best friends. So it was it was always

743
00:37:23,440 --> 00:37:26,120
Speaker 1: real tight. But we wouldn't. It wouldn't. I would never

744
00:37:26,200 --> 00:37:28,680
Speaker 1: see Forty and be like, hey man, you're rapper is tight,

745
00:37:28,800 --> 00:37:31,040
Speaker 1: or hey man, when you're dropping something new, or hey man,

746
00:37:31,120 --> 00:37:33,160
Speaker 1: let's do a song together. It wasn't that kind of friendship.

747
00:37:33,200 --> 00:37:37,040
Speaker 1: But driven we didn't make records. So ninety five, yeah,

748
00:37:37,080 --> 00:37:38,960
Speaker 1: many years after we met and we was on the

749
00:37:39,040 --> 00:37:43,080
Speaker 1: same record label. I came in the ninety three on

750
00:37:43,760 --> 00:37:46,200
Speaker 1: Jove Records signed. I signed the March of ninety four,

751
00:37:49,480 --> 00:37:55,359
Speaker 1: already took my first record out of nineteen eighty five.

752
00:37:55,800 --> 00:37:58,279
Speaker 1: I Ain't never stopped. My first record was called Don't

753
00:37:58,400 --> 00:38:01,840
Speaker 1: Stop Rapping. I Ain't never stopped rapper. When I just

754
00:38:01,960 --> 00:38:04,920
Speaker 1: slapped the out of that ship and my mother cougar.

755
00:38:04,960 --> 00:38:07,239
Speaker 1: I had a cougar with the gold luggage rack with

756
00:38:07,480 --> 00:38:12,120
Speaker 1: gold tips, gold grill, gold deal against lights, the Gold League, burden,

757
00:38:12,800 --> 00:38:17,080
Speaker 1: leanders and balls, cutting up every maine. Uh. And so

758
00:38:17,320 --> 00:38:19,319
Speaker 1: that he taught me how to put just from his music,

759
00:38:19,360 --> 00:38:21,399
Speaker 1: taught me how to put a whole bunch of game

760
00:38:21,480 --> 00:38:23,680
Speaker 1: involved in my ship nine, so it's got everything. I

761
00:38:23,719 --> 00:38:27,279
Speaker 1: gotta be game orientated. Were you rapping in forty like?

762
00:38:27,320 --> 00:38:30,960
Speaker 1: Around ever? I heard sugar Hill Gang in nineteen seventy nine,

763
00:38:31,080 --> 00:38:32,880
Speaker 1: when I heard when I heard Robbers Delight, I was

764
00:38:32,920 --> 00:38:35,240
Speaker 1: a rapper from then on. I just didn't have the access.

765
00:38:35,320 --> 00:38:37,080
Speaker 1: I was in the marching band. I played the band

766
00:38:37,120 --> 00:38:39,239
Speaker 1: from fourth grade all the way to twelfth grade, which

767
00:38:39,400 --> 00:38:40,960
Speaker 1: some people might not have thought that was Cooper. I

768
00:38:41,000 --> 00:38:42,840
Speaker 1: didn't lose no cool points Maine. I was still that.

769
00:38:43,239 --> 00:38:45,319
Speaker 1: I was still a fixture. There was the only form

770
00:38:45,400 --> 00:38:48,399
Speaker 1: of music we didn't have access to, a whole bunch

771
00:38:48,400 --> 00:38:50,600
Speaker 1: of We didn't have pro tools, we didn't have logic.

772
00:38:50,960 --> 00:38:53,840
Speaker 1: You know Short, People don't know Short is a producer.

773
00:38:54,000 --> 00:38:56,319
Speaker 1: I am too like my first one was mister flint Point.

774
00:38:56,560 --> 00:38:59,160
Speaker 1: I'm one of those producers who never given myself a

775
00:38:59,280 --> 00:39:01,960
Speaker 1: credit on a song. I just don't if it's me

776
00:39:02,120 --> 00:39:03,960
Speaker 1: on my song, I just I don't put produced by

777
00:39:04,000 --> 00:39:06,320
Speaker 1: too Short. But I made a lot, But why not

778
00:39:07,120 --> 00:39:09,520
Speaker 1: because he gonna make the song sound better. Plus I

779
00:39:09,680 --> 00:39:12,319
Speaker 1: never make beats for anybody else. I don't want kind

780
00:39:12,360 --> 00:39:13,920
Speaker 1: of want to this call of me saying, but sure,

781
00:39:14,000 --> 00:39:17,040
Speaker 1: let me get a beat. But it's like what I

782
00:39:17,160 --> 00:39:19,600
Speaker 1: do now is I kind of like work with producers

783
00:39:19,760 --> 00:39:23,040
Speaker 1: and I enhanced to shut you know, refine it and

784
00:39:23,120 --> 00:39:26,160
Speaker 1: do to it, you know, doctor Dre style. But if

785
00:39:26,239 --> 00:39:29,240
Speaker 1: I was a producer and I knew how to engineer,

786
00:39:29,760 --> 00:39:33,000
Speaker 1: I would be king like Kanye West or something, and

787
00:39:33,040 --> 00:39:34,920
Speaker 1: I would never come out the lab. I would I

788
00:39:34,960 --> 00:39:38,120
Speaker 1: would be a Timberland mad scientist. But I really don't

789
00:39:38,120 --> 00:39:41,520
Speaker 1: want to be that guy. I really, I really don't

790
00:39:41,560 --> 00:39:43,480
Speaker 1: want them skills, because I really would never come out

791
00:39:43,480 --> 00:39:46,080
Speaker 1: to the studio, So I shied away from that. I met.

792
00:39:46,200 --> 00:39:49,320
Speaker 1: I met a dude named at Banks. He makes beats

793
00:39:49,360 --> 00:39:51,600
Speaker 1: like me, except better than me. I was like making

794
00:39:51,640 --> 00:39:55,200
Speaker 1: beats with Banks. That was that. So that y'all got.

795
00:39:55,320 --> 00:39:59,200
Speaker 1: Y'all got people like Banks, doctor Dre dass, y'all got

796
00:39:59,280 --> 00:40:01,880
Speaker 1: on new project. Everybody your name is definitely gonna be

797
00:40:01,960 --> 00:40:04,880
Speaker 1: on there. We tapped into the natural resources that we

798
00:40:05,000 --> 00:40:08,359
Speaker 1: have access to battle Cat. I mean, really, I'm telling you, man,

799
00:40:08,400 --> 00:40:11,960
Speaker 1: it's not like he learned. I did not say. We

800
00:40:12,040 --> 00:40:13,880
Speaker 1: didn't say that. We're just some homies that if you

801
00:40:13,920 --> 00:40:16,359
Speaker 1: want to call it something. Just call it snoop que

802
00:40:16,400 --> 00:40:19,000
Speaker 1: forty and short. We really just like we right right now,

803
00:40:19,280 --> 00:40:21,759
Speaker 1: we're jumping on these calls. Some about I gotta beat,

804
00:40:21,800 --> 00:40:23,440
Speaker 1: wrap on this beat, send me a beat. It was

805
00:40:23,680 --> 00:40:25,759
Speaker 1: around to sending beach to each other and it ended

806
00:40:25,840 --> 00:40:28,560
Speaker 1: up being twenty five song we'd like sound good, so

807
00:40:28,640 --> 00:40:31,719
Speaker 1: we kept doing it and it's something. It's a lot

808
00:40:31,760 --> 00:40:34,960
Speaker 1: of value to it. You're talking about for entrepreneurs. Were

809
00:40:34,960 --> 00:40:37,560
Speaker 1: about to milk that. We're about to make it a

810
00:40:38,480 --> 00:40:41,600
Speaker 1: bigger than music ll season. Do you understand me? Like

811
00:40:41,800 --> 00:40:44,920
Speaker 1: other bro, But we're not a supergroup. We're LLC. That's

812
00:40:44,960 --> 00:40:47,279
Speaker 1: what it is. Allee good, Buddy's exactly what it is.

813
00:40:48,320 --> 00:40:50,759
Speaker 1: Everything we do is gonna be a business deal, a

814
00:40:50,880 --> 00:40:53,600
Speaker 1: business transaction. It's gonna be it's gonna be the LLC.

815
00:40:53,760 --> 00:40:56,880
Speaker 1: It's not a group and about a song. Watch what

816
00:40:57,040 --> 00:40:59,879
Speaker 1: I tell you what comes out of the partnership. It's

817
00:41:00,000 --> 00:41:02,600
Speaker 1: something that I feel like, I feel like hip hop

818
00:41:02,760 --> 00:41:05,359
Speaker 1: needs to like check this motto out. When you when

819
00:41:05,400 --> 00:41:07,040
Speaker 1: you see it go down, you can you can smell

820
00:41:07,080 --> 00:41:09,120
Speaker 1: it right now when you see it go down. Check

821
00:41:09,239 --> 00:41:11,759
Speaker 1: the formula and let's interject this in the hip hop

822
00:41:11,800 --> 00:41:14,359
Speaker 1: to where you know I'm gonna speak on something, man,

823
00:41:14,440 --> 00:41:17,360
Speaker 1: I'm gonna speak on E forty and too short and

824
00:41:17,440 --> 00:41:19,839
Speaker 1: then geez and Gucci. There was a point in time

825
00:41:19,880 --> 00:41:21,920
Speaker 1: and E forty and too short. Well, we could have

826
00:41:22,400 --> 00:41:27,000
Speaker 1: turned our friendship to a Gucci Jeez dynamic. And we

827
00:41:27,120 --> 00:41:29,360
Speaker 1: jumped on a phone call. They was trying to pretend

828
00:41:29,400 --> 00:41:31,879
Speaker 1: that I was I was doing something against Forty. It's

829
00:41:31,920 --> 00:41:36,880
Speaker 1: like nineteen ninety five and Forty called me on the phone.

830
00:41:36,920 --> 00:41:39,719
Speaker 1: He said, Hey, did you say such a sense? I

831
00:41:39,800 --> 00:41:42,040
Speaker 1: said nah. He said you sure you weren't on the

832
00:41:42,120 --> 00:41:45,080
Speaker 1: radio this morning and said such a session. I said nah,

833
00:41:45,239 --> 00:41:47,239
Speaker 1: And we got off the phone. Somebody had been on

834
00:41:47,280 --> 00:41:50,000
Speaker 1: the radio pretending to be me talking hell is about forty.

835
00:41:51,719 --> 00:41:54,040
Speaker 1: It was hot and he didn't. Instead of getting hot

836
00:41:54,239 --> 00:41:57,160
Speaker 1: and reacting, he hit me up and said, what's up?

837
00:41:57,440 --> 00:42:00,520
Speaker 1: You know what I'm saying? He was still matter the scenes.

838
00:42:00,760 --> 00:42:02,400
Speaker 1: I don't. I don't have to. Everything got to be

839
00:42:02,480 --> 00:42:06,120
Speaker 1: publicized on the NetTel like that. Like I called personally

840
00:42:06,200 --> 00:42:08,120
Speaker 1: and like, hey, we'll handled with this. You know what

841
00:42:08,120 --> 00:42:09,800
Speaker 1: I'm saying. I just want to make sure. I just

842
00:42:09,880 --> 00:42:11,560
Speaker 1: want to make sure I'm thinking crazy on that, and

843
00:42:11,600 --> 00:42:14,680
Speaker 1: you feel me that's just you resolved that. We resolved

844
00:42:14,680 --> 00:42:16,959
Speaker 1: the whole issue by going in the studio and making

845
00:42:17,000 --> 00:42:20,000
Speaker 1: a song called rappers Ball, and he's the first time

846
00:42:20,200 --> 00:42:22,520
Speaker 1: what they do was that's the first time the word

847
00:42:22,600 --> 00:42:26,960
Speaker 1: for cheesy was ever mentioned to history. So what I

848
00:42:27,040 --> 00:42:29,600
Speaker 1: was gonna say was, if E forty and two Short

849
00:42:30,000 --> 00:42:32,319
Speaker 1: would have turned on each other, it was a whole

850
00:42:32,400 --> 00:42:34,800
Speaker 1: lot of what came with that ship. It would have

851
00:42:34,800 --> 00:42:37,080
Speaker 1: been ugly. We would have fed up the story of

852
00:42:37,160 --> 00:42:40,160
Speaker 1: the Bay. And I think that, you know, Jez and

853
00:42:40,200 --> 00:42:43,400
Speaker 1: Gucci didn't up Atlanta nothing, But I think that on

854
00:42:43,520 --> 00:42:46,160
Speaker 1: the opposite side of like what we saw in versus

855
00:42:46,200 --> 00:42:49,000
Speaker 1: with them, if Jez and Gucci would have been fifteen

856
00:42:49,120 --> 00:42:53,359
Speaker 1: years twenty years of camaraderie, they would be E forty

857
00:42:53,400 --> 00:42:54,680
Speaker 1: and two show. And I'm just saying it go it

858
00:42:54,800 --> 00:42:57,360
Speaker 1: goes so far out of line. Man Earl might have

859
00:42:57,440 --> 00:42:59,600
Speaker 1: a play on some money and he like, man, I'm

860
00:42:59,640 --> 00:43:01,719
Speaker 1: moving this way that week, but I got a money

861
00:43:01,760 --> 00:43:03,520
Speaker 1: play off. You want to get it? And here tell

862
00:43:03,600 --> 00:43:05,680
Speaker 1: the folks, man, I can't do it. Holed Is Short

863
00:43:06,320 --> 00:43:09,000
Speaker 1: just shot me twenty five rats just on a text

864
00:43:09,080 --> 00:43:10,680
Speaker 1: message like bad. You know what I'm saying, and what

865
00:43:10,800 --> 00:43:12,839
Speaker 1: are the debate if forty crew in my crew turn

866
00:43:12,880 --> 00:43:14,799
Speaker 1: the enemy and one of us got killed, what are

867
00:43:14,840 --> 00:43:18,919
Speaker 1: we happened in nineteen ninety six? Yeah yeah, yeah, yeah,

868
00:43:19,160 --> 00:43:20,759
Speaker 1: all right, keep a lock. Let's get into an E

869
00:43:20,960 --> 00:43:23,520
Speaker 1: forty two short mini mixes to Breakfast Club, Good Morning.

870
00:43:23,520 --> 00:43:26,120
Speaker 1: I'm still kicking it with E forty and two short Charming.

871
00:43:26,320 --> 00:43:29,000
Speaker 1: You know the story that that short told, you know,

872
00:43:29,120 --> 00:43:32,200
Speaker 1: just about communication, man, communication, It's so important. It made

873
00:43:32,200 --> 00:43:35,320
Speaker 1: me think about Beggin and Pop because they were friends

874
00:43:35,640 --> 00:43:37,600
Speaker 1: and in the movie and I y'all lived it. I

875
00:43:37,640 --> 00:43:39,799
Speaker 1: didn't live it. In the movie Biggie wanted to call

876
00:43:39,880 --> 00:43:42,279
Speaker 1: poking puffs like nine nine nine nine, Let it be,

877
00:43:42,520 --> 00:43:44,560
Speaker 1: Let it be. So it just shows how far things

878
00:43:44,640 --> 00:43:46,320
Speaker 1: can go when two brothers just don't get to the

879
00:43:46,400 --> 00:43:49,399
Speaker 1: root of the problem. Man, communication, let me tell you something,

880
00:43:49,440 --> 00:43:51,960
Speaker 1: and also putting your pride to the side can save

881
00:43:52,080 --> 00:43:55,680
Speaker 1: lives a lot of things. But misunderstanders and miscommunication even

882
00:43:55,760 --> 00:43:57,400
Speaker 1: in the soils and the trenches in the you know

883
00:43:57,400 --> 00:43:59,640
Speaker 1: what I'm saying, in the octagon, it's like that's how

884
00:43:59,680 --> 00:44:01,560
Speaker 1: it be. It's like a lot of casts can really,

885
00:44:01,920 --> 00:44:04,680
Speaker 1: you know, fix their problems just on communicating because it'd

886
00:44:04,719 --> 00:44:07,640
Speaker 1: be a lot of sideline up. Hellam messy in the background,

887
00:44:07,680 --> 00:44:10,279
Speaker 1: and like bitches can be messy, a lot of folks

888
00:44:10,320 --> 00:44:12,320
Speaker 1: start over bitches because you got to prove something to

889
00:44:12,400 --> 00:44:14,360
Speaker 1: them instead of putting their podcast aside and say, you

890
00:44:14,440 --> 00:44:16,480
Speaker 1: know what, man, I don't want nobody innocent in my

891
00:44:16,560 --> 00:44:18,800
Speaker 1: family to get knocked down. So we're gonna try to

892
00:44:18,840 --> 00:44:21,200
Speaker 1: diffuse just the best of my abilities. You know what

893
00:44:21,280 --> 00:44:24,040
Speaker 1: I'm saying. Who want to always watch their back all

894
00:44:24,080 --> 00:44:27,799
Speaker 1: their life? Man? You know what I'm saying. Uh, it's

895
00:44:27,840 --> 00:44:29,680
Speaker 1: a great world out there, bro lovely. You know what

896
00:44:29,680 --> 00:44:31,680
Speaker 1: I would trying to tell these Johnson Man, It's bigger

897
00:44:31,680 --> 00:44:34,759
Speaker 1: than Fox blocks, man, you know what I mean? You

898
00:44:34,880 --> 00:44:37,839
Speaker 1: really do want to enjoy life? Man, That's that's that's

899
00:44:37,920 --> 00:44:40,920
Speaker 1: the part that I always stressed that, you know. Short

900
00:44:41,000 --> 00:44:44,360
Speaker 1: The first time we ever had Sendati Kamala Harris on

901
00:44:44,480 --> 00:44:47,680
Speaker 1: Breakfast Club was two thousand and eighteen, right, and this

902
00:44:47,840 --> 00:44:51,080
Speaker 1: before she was running for president and anything. And one

903
00:44:51,120 --> 00:44:52,960
Speaker 1: of us after who her favorite rapper, was that she

904
00:44:53,080 --> 00:44:57,799
Speaker 1: was out from Oakland short off time and I don't

905
00:44:57,840 --> 00:44:59,480
Speaker 1: and that and for whatever I mean, I guess you know,

906
00:44:59,560 --> 00:45:02,319
Speaker 1: back then she wasn't on the national scene in that way,

907
00:45:02,400 --> 00:45:05,400
Speaker 1: not culturally, just politically, so I guess people didn't really

908
00:45:05,440 --> 00:45:07,680
Speaker 1: pick up on it. But she said too Short was

909
00:45:07,719 --> 00:45:11,120
Speaker 1: her favorite rope. Let me say that too short the mayor,

910
00:45:12,000 --> 00:45:15,080
Speaker 1: the mayor Oakland. Well, you know, it's really like some

911
00:45:15,360 --> 00:45:18,480
Speaker 1: DNA thing when it comes to the Bay, Like, okay,

912
00:45:19,400 --> 00:45:21,520
Speaker 1: I like, I say, I'm I'm fifty four and I've

913
00:45:21,560 --> 00:45:24,080
Speaker 1: been making music that I put out in the streets

914
00:45:24,120 --> 00:45:28,160
Speaker 1: of the Bay since I was fourteen fifteen. So it's

915
00:45:28,239 --> 00:45:31,560
Speaker 1: people like you could be in your forties right now

916
00:45:31,680 --> 00:45:33,560
Speaker 1: and you was literally like a little kid who grew

917
00:45:33,640 --> 00:45:36,360
Speaker 1: up on too Short. Like it's that much of a

918
00:45:36,520 --> 00:45:39,880
Speaker 1: dynamic in the Bay where I'm on I'm on third,

919
00:45:40,360 --> 00:45:44,120
Speaker 1: you know, grandparents and grandkids loving the same too Short

920
00:45:44,160 --> 00:45:47,680
Speaker 1: song right now? Yeah, I asked, I asked, Kamalo. You know,

921
00:45:47,719 --> 00:45:49,040
Speaker 1: I said, if you, I said, if you're rock with

922
00:45:49,080 --> 00:45:51,640
Speaker 1: too short? And what's my what's my favorite word? I

923
00:45:51,719 --> 00:45:53,319
Speaker 1: can't say? She like, I can't say that, I can't

924
00:45:53,360 --> 00:45:56,279
Speaker 1: say it, she said, she did. She said she I

925
00:45:56,320 --> 00:45:58,840
Speaker 1: can't say it. I can't say that. I can't fit you.

926
00:45:59,160 --> 00:46:01,759
Speaker 1: Have you ever had any reactions with her and Oakland. Sure,

927
00:46:02,520 --> 00:46:04,800
Speaker 1: by the look of how how she is, I probably

928
00:46:04,840 --> 00:46:11,080
Speaker 1: did pop out. All it's a small I'm said smoke broccoli.

929
00:46:12,400 --> 00:46:16,160
Speaker 1: She said she did in college. Hey, she could scream

930
00:46:16,239 --> 00:46:19,440
Speaker 1: that she made it right now that's legalized. May you

931
00:46:19,560 --> 00:46:22,799
Speaker 1: feel me? I can? You know in my young days, man,

932
00:46:22,920 --> 00:46:26,360
Speaker 1: I only really dated super like nerdy high ships. I

933
00:46:26,480 --> 00:46:28,880
Speaker 1: never really went for it, like the chick who's got

934
00:46:28,920 --> 00:46:31,399
Speaker 1: like brothers like E forty like you know what I'm saying,

935
00:46:35,520 --> 00:46:38,640
Speaker 1: when the opposite man, he's he's great, I'm really did

936
00:46:39,080 --> 00:46:41,120
Speaker 1: I'm you know what I'm saying. I'm a real husband.

937
00:46:41,400 --> 00:46:43,319
Speaker 1: You know what I'm saying. I got a wife. She's

938
00:46:43,360 --> 00:46:45,600
Speaker 1: been with me since high school. You feel me? Sure

939
00:46:45,719 --> 00:46:48,399
Speaker 1: he married his high school sweetheart. I'm married my high

940
00:46:48,400 --> 00:46:51,480
Speaker 1: school sweetheart. Sure, sure he'd be moving around. Man. You know,

941
00:46:51,760 --> 00:46:53,719
Speaker 1: but that's my part of that. We we got two

942
00:46:53,800 --> 00:46:56,960
Speaker 1: different things, but we we know we coasted in the

943
00:46:56,960 --> 00:46:59,759
Speaker 1: book or to a nose that's not it's short. The

944
00:46:59,800 --> 00:47:01,840
Speaker 1: part that the wife don't want you around like I

945
00:47:01,960 --> 00:47:04,560
Speaker 1: know you're around. No, because he knows where they know

946
00:47:04,680 --> 00:47:08,640
Speaker 1: each other, because they was short, respect her and vice verse.

947
00:47:09,000 --> 00:47:11,520
Speaker 1: He know what, you know the limits that don't go,

948
00:47:11,680 --> 00:47:14,279
Speaker 1: he know, not to play. They put the bitch filter

949
00:47:14,400 --> 00:47:18,280
Speaker 1: on me. Man. You know the bitch filter is they said,

950
00:47:19,120 --> 00:47:23,120
Speaker 1: don't bring any girls around that you don't that you

951
00:47:23,200 --> 00:47:25,440
Speaker 1: don't share your coffee table with, Like if you if

952
00:47:25,480 --> 00:47:30,160
Speaker 1: she don't live in my house, I'm gonna tell you her.

953
00:47:30,600 --> 00:47:33,759
Speaker 1: I'm unfolded. Let me tell how it happened. Okay, Short,

954
00:47:33,840 --> 00:47:36,080
Speaker 1: when he comes to me, come work, work in the studio.

955
00:47:36,440 --> 00:47:39,200
Speaker 1: You know what I'm saying. Every day, my youngest son,

956
00:47:39,840 --> 00:47:41,719
Speaker 1: every time he over here, my youngest son to be

957
00:47:41,800 --> 00:47:43,640
Speaker 1: playing video games. She had a little video game in

958
00:47:43,719 --> 00:47:47,040
Speaker 1: the back, video games and one or two shorts brawls, right,

959
00:47:47,400 --> 00:47:49,000
Speaker 1: and he was a little he was a little like five.

960
00:47:49,040 --> 00:47:51,000
Speaker 1: How he five years old at the time to like

961
00:47:51,200 --> 00:47:53,759
Speaker 1: that for you and hanging out with the girls, and

962
00:47:53,840 --> 00:47:55,080
Speaker 1: he like they you try to take my short, but

963
00:47:55,120 --> 00:47:57,520
Speaker 1: you try to take my girlfriend, right. So, but they

964
00:47:57,520 --> 00:47:59,440
Speaker 1: ain't doing That's the funny part. But the thing is

965
00:47:59,520 --> 00:48:01,640
Speaker 1: one day one of the broths like, yeah, I be

966
00:48:01,680 --> 00:48:03,440
Speaker 1: over forty house all the time. They got back to

967
00:48:03,600 --> 00:48:05,880
Speaker 1: us one of the right, and so wife was like,

968
00:48:06,120 --> 00:48:09,719
Speaker 1: you know what till Short, if he can total more

969
00:48:09,760 --> 00:48:15,360
Speaker 1: girls over here, boy always need a picture that you

970
00:48:15,480 --> 00:48:18,000
Speaker 1: post with Pop Man with y'all drinking a forty and

971
00:48:18,040 --> 00:48:20,240
Speaker 1: I always wonder what was the story behind that picture?

972
00:48:21,480 --> 00:48:24,640
Speaker 1: Was we drinking? Was it a forty y'all drinking something?

973
00:48:24,640 --> 00:48:25,920
Speaker 1: I don't know what it was that was that was

974
00:48:26,080 --> 00:48:30,560
Speaker 1: he had Alexa and his Alixa aloxada him. I had Alxa,

975
00:48:30,840 --> 00:48:32,759
Speaker 1: I had alexam my head. That's that was a drink

976
00:48:32,800 --> 00:48:35,520
Speaker 1: back there, Alexa. Um. What was the story that was

977
00:48:35,560 --> 00:48:39,279
Speaker 1: at Rapper's Ball VI's video when we took the video

978
00:48:39,520 --> 00:48:41,960
Speaker 1: a party? Man? Huh? The video was a party went

979
00:48:42,160 --> 00:48:43,680
Speaker 1: in a video just still a party and it was

980
00:48:44,480 --> 00:48:47,600
Speaker 1: at the same time, wow, you know. But Rapper's Ball

981
00:48:47,800 --> 00:48:50,560
Speaker 1: was that we did then in Calibassa's right, And so

982
00:48:50,960 --> 00:48:53,480
Speaker 1: pop I told Popa, who was gonna be it in La?

983
00:48:54,000 --> 00:48:56,000
Speaker 1: He said, I'm gonna come through. I said, He said,

984
00:48:56,000 --> 00:48:58,400
Speaker 1: what a thing at? I say, it's in Calabassa's right.

985
00:48:58,920 --> 00:49:01,800
Speaker 1: He said, stay right around the corner. I got just

986
00:49:01,840 --> 00:49:04,399
Speaker 1: got a house right around the corner. Julie came, kick

987
00:49:04,600 --> 00:49:08,200
Speaker 1: Hella all day with us, got toasted, play music the

988
00:49:08,239 --> 00:49:10,279
Speaker 1: whole woo wap. You know what I'm saying. So in

989
00:49:10,400 --> 00:49:13,120
Speaker 1: the video you all through the visit video rap think

990
00:49:13,239 --> 00:49:16,280
Speaker 1: that day. That day he played us the whole macavelioum

991
00:49:16,360 --> 00:49:20,200
Speaker 1: before it came out, Wow yea and Moore and some

992
00:49:20,320 --> 00:49:22,520
Speaker 1: other ones, and he wanted to do a group. I

993
00:49:22,600 --> 00:49:24,279
Speaker 1: forgot what he was calling to, but he wanted me

994
00:49:24,600 --> 00:49:27,440
Speaker 1: Dyson smooth, hella just hella, hella ogs. You know what

995
00:49:27,440 --> 00:49:29,719
Speaker 1: I'm saying. Verses, then this verse is gonna be so

996
00:49:29,800 --> 00:49:32,880
Speaker 1: classic man this Saturday. Make sure y'all tune in. Man.

997
00:49:33,280 --> 00:49:35,200
Speaker 1: I'm excited for this fore. I mean, yeah, the main

998
00:49:35,280 --> 00:49:37,560
Speaker 1: reason I'm excited because I always feel like the Bay

999
00:49:37,600 --> 00:49:40,279
Speaker 1: Area doesn't get the proper respect it deserves and hip hop,

1000
00:49:40,360 --> 00:49:43,160
Speaker 1: even though y'all influenced so much. So one thing I

1001
00:49:43,239 --> 00:49:45,400
Speaker 1: see the verses to do is it reminds people and

1002
00:49:45,680 --> 00:49:47,680
Speaker 1: and and not only remind people, wakes people up, like

1003
00:49:47,719 --> 00:49:50,920
Speaker 1: oh that came from that, that was them, Like, well,

1004
00:49:50,920 --> 00:49:53,120
Speaker 1: we're gonna tell some stories, man, I'm gonna bring y'all

1005
00:49:53,160 --> 00:49:55,120
Speaker 1: back to my Atlantic years too. I ain't. I ain't

1006
00:49:55,200 --> 00:49:57,080
Speaker 1: just a bay I put I put fifteen years in

1007
00:49:57,120 --> 00:49:59,759
Speaker 1: the Atlanta to a lot of a lot of influence. Yeah,

1008
00:50:00,000 --> 00:50:01,279
Speaker 1: a lot of little I see a lot of little

1009
00:50:01,360 --> 00:50:04,880
Speaker 1: kids in the lane to look like you where I

1010
00:50:05,040 --> 00:50:07,600
Speaker 1: might if I had any kids that I didn't know about. That.

1011
00:50:07,719 --> 00:50:10,520
Speaker 1: With that, I met Little John Because of this guy

1012
00:50:10,640 --> 00:50:14,000
Speaker 1: right here. Man, he embraced Little John and me being

1013
00:50:14,280 --> 00:50:17,040
Speaker 1: on showls with them and running into Little John. We

1014
00:50:17,239 --> 00:50:19,440
Speaker 1: ended up working. Imagine question for you, do you do

1015
00:50:19,560 --> 00:50:22,960
Speaker 1: personal catering? Because gooon with the spoon do personal okatering.

1016
00:50:23,360 --> 00:50:25,600
Speaker 1: I'm so glad that you brought that up. So the

1017
00:50:25,680 --> 00:50:28,000
Speaker 1: gun with the spoon, let me tell y'all, So the

1018
00:50:28,080 --> 00:50:31,160
Speaker 1: gooon with the spoon, it's really some street ship. You

1019
00:50:31,239 --> 00:50:33,200
Speaker 1: know what I'm saying. There's really some streets that I

1020
00:50:33,280 --> 00:50:35,719
Speaker 1: converted into you know what I'm saying. That all add

1021
00:50:35,800 --> 00:50:38,040
Speaker 1: up to the same thing. It's cooking. We could cook, yeah,

1022
00:50:38,480 --> 00:50:40,759
Speaker 1: build me um. So the goodle with the spoon just

1023
00:50:40,920 --> 00:50:42,719
Speaker 1: naturally half of it. It was natural, like an app

1024
00:50:42,760 --> 00:50:44,759
Speaker 1: for bro, you know, just being the oldest of four,

1025
00:50:45,120 --> 00:50:47,560
Speaker 1: you know, knowing how to cook and working at the restaurants.

1026
00:50:47,840 --> 00:50:50,440
Speaker 1: You know what I'm saying. Who working at the restaurant? Uh?

1027
00:50:50,840 --> 00:50:54,080
Speaker 1: I call it um um, I call it a Michelin

1028
00:50:54,160 --> 00:50:57,440
Speaker 1: star restaurant, But it really wasn't. It was a Pernicia California.

1029
00:50:57,440 --> 00:50:59,799
Speaker 1: It was called the Commandos Restaurant and hell of rich people.

1030
00:51:00,120 --> 00:51:02,759
Speaker 1: I'm cooking London Broy, I'm cooking chicken cord on blue.

1031
00:51:02,800 --> 00:51:06,560
Speaker 1: I'm cooking I never heard this. I'm making making an

1032
00:51:06,600 --> 00:51:08,840
Speaker 1: orange roughie. You know what I'm saying, paying fried you

1033
00:51:08,920 --> 00:51:12,319
Speaker 1: understanding with uh with with with drawn, but with brown

1034
00:51:12,440 --> 00:51:14,319
Speaker 1: butter and all minds. You feel what I'm saying. I'm

1035
00:51:14,360 --> 00:51:17,160
Speaker 1: doing that kind of mate, you know what I'm talking about. Yeah,

1036
00:51:17,239 --> 00:51:20,160
Speaker 1: so you know I didn't mixed up with my magazine

1037
00:51:20,239 --> 00:51:23,839
Speaker 1: street specialty meals that I understand me that I made.

1038
00:51:23,920 --> 00:51:25,160
Speaker 1: You know what I'm saying back in the days and

1039
00:51:25,200 --> 00:51:27,719
Speaker 1: the glory days. You feel me? So I just quit

1040
00:51:27,800 --> 00:51:29,879
Speaker 1: it heavy the goon with But I do I'm gonna

1041
00:51:29,880 --> 00:51:32,600
Speaker 1: ask you a question. I haven't did kidding yet. You know,

1042
00:51:32,680 --> 00:51:34,279
Speaker 1: I'm just I just tore around with this. But I

1043
00:51:34,400 --> 00:51:36,839
Speaker 1: know what I'm doing because it's it'sn't laid up into

1044
00:51:36,920 --> 00:51:38,840
Speaker 1: ko packing. So a lot of people don't know that

1045
00:51:38,920 --> 00:51:41,200
Speaker 1: logo when you see good with the spoon. I got

1046
00:51:41,239 --> 00:51:43,319
Speaker 1: a lot of coming, bro you know what I'm saying.

1047
00:51:43,320 --> 00:51:46,800
Speaker 1: I got a lot of meat products coming with that

1048
00:51:46,960 --> 00:51:49,600
Speaker 1: logo on that goon with the spoon and I'll reveal

1049
00:51:49,680 --> 00:51:52,400
Speaker 1: that in the next interview. Hell up, but this Saturday,

1050
00:51:52,480 --> 00:51:55,360
Speaker 1: make sure you tune into the verses too short e

1051
00:51:55,600 --> 00:51:58,200
Speaker 1: forty Man, we appreciate you guys for checking in so much. Man,

1052
00:51:58,640 --> 00:52:01,240
Speaker 1: we appreciate y'all. Thank y'all. We're having us on this platform.

1053
00:52:01,280 --> 00:52:05,080
Speaker 1: And good brothers changed. Change that supergroup to a super LLC.

1054
00:52:07,960 --> 00:52:10,239
Speaker 1: All right, it's the breakfast Club. Good order it don't

1055
00:52:10,280 --> 00:52:11,920
Speaker 1: be a dusky because right now you are some real

1056
00:52:14,400 --> 00:52:17,600
Speaker 1: It's time for Donkey Day. I need to be a

1057
00:52:17,680 --> 00:52:24,520
Speaker 1: dark man. Did she get I had become Donkey of

1058
00:52:24,640 --> 00:52:29,359
Speaker 1: the Day? Breakfast Club bitches. Dunkey of to day goes

1059
00:52:29,440 --> 00:52:34,080
Speaker 1: to see PAC chairman and Trump advisor Matt Slap. Now,

1060
00:52:34,200 --> 00:52:36,560
Speaker 1: I want to take this time this morning to discuss

1061
00:52:36,640 --> 00:52:40,480
Speaker 1: with you cultural blind spot. We all have them most

1062
00:52:40,520 --> 00:52:42,359
Speaker 1: of the time. We have them because what we think

1063
00:52:42,440 --> 00:52:45,319
Speaker 1: we know about other people is something we haven't experienced.

1064
00:52:45,680 --> 00:52:49,200
Speaker 1: It may be from something uh we read, something we

1065
00:52:49,360 --> 00:52:53,040
Speaker 1: saw in media on TV or film, heard on the radio,

1066
00:52:53,600 --> 00:52:57,800
Speaker 1: just observed in passing. We all make these assumptions about people.

1067
00:52:57,880 --> 00:53:00,560
Speaker 1: And what's dangerous about assumptions or somes is when a

1068
00:53:00,640 --> 00:53:04,400
Speaker 1: set of assumptions about something becomes common knowledge. It forms

1069
00:53:04,400 --> 00:53:09,120
Speaker 1: a stereotype. In some stereotypes a positive sum or negative.

1070
00:53:09,160 --> 00:53:13,320
Speaker 1: Some are just dangerous. Some are straight up bigoted and prejudiced.

1071
00:53:13,560 --> 00:53:17,920
Speaker 1: For example, you know black men have bigger penises. That's

1072
00:53:17,960 --> 00:53:22,480
Speaker 1: a positive stereotype. Positive stereotype for black men. Negative stereotype

1073
00:53:22,520 --> 00:53:25,359
Speaker 1: for the women that believe that but then find out

1074
00:53:25,480 --> 00:53:28,880
Speaker 1: that's not true. Okay, the dumb blonde, you know, the

1075
00:53:28,960 --> 00:53:33,160
Speaker 1: attractive blonde woman. That's stupid as hell. I don't know

1076
00:53:33,280 --> 00:53:37,000
Speaker 1: who reinforced that on TV in your generation, but Kelly

1077
00:53:37,040 --> 00:53:39,560
Speaker 1: Bundy reinforced it in mind. Okay, the dumb blonde, that

1078
00:53:39,640 --> 00:53:41,839
Speaker 1: was just stupid. All right. White men not being able

1079
00:53:41,880 --> 00:53:44,360
Speaker 1: to jump, they did a whole movie about it. Okay,

1080
00:53:44,520 --> 00:53:48,000
Speaker 1: how about white people not being able to dance, lacking rhythm? Okay,

1081
00:53:48,120 --> 00:53:50,080
Speaker 1: may not be as stereotype if it's true, but it's

1082
00:53:50,120 --> 00:53:52,440
Speaker 1: definitely some Caucasians out there who can dance word to

1083
00:53:52,520 --> 00:53:56,400
Speaker 1: justin Timberlake. All I'm simply saying is stereotypical tropes are

1084
00:53:56,440 --> 00:53:59,879
Speaker 1: a thing. Well, yesterday on Fox News, on the show

1085
00:54:00,080 --> 00:54:04,120
Speaker 1: Harris Faulkner was hosting, Matt Slapp was debating with a Queen.

1086
00:54:04,920 --> 00:54:08,359
Speaker 1: John Hopkins University Professor Wendy Osefo dropped on a clues

1087
00:54:08,400 --> 00:54:11,399
Speaker 1: bomb for Windy Ocefo. Wendy and I have done mental

1088
00:54:11,440 --> 00:54:16,160
Speaker 1: health discussions before at John Hopkins University in Baltimore, great discussions.

1089
00:54:16,400 --> 00:54:19,160
Speaker 1: I enjoyed building with her, and I'm glad she existed

1090
00:54:19,200 --> 00:54:22,680
Speaker 1: on this panel yesterday because there is a stereotypical trope

1091
00:54:22,760 --> 00:54:26,799
Speaker 1: that black men get labeled often that she corrected. Now,

1092
00:54:26,920 --> 00:54:29,640
Speaker 1: Matt and Wendy were discussing Donald Trump in his interview

1093
00:54:29,680 --> 00:54:33,320
Speaker 1: with Chris Wallace. The discussion turned to Joe Biden and

1094
00:54:33,520 --> 00:54:37,480
Speaker 1: his cognitive skills are lack thereof. And this is when

1095
00:54:37,600 --> 00:54:41,080
Speaker 1: Matt let his stereotypical trope about a black man fly.

1096
00:54:41,320 --> 00:54:43,279
Speaker 1: Let's hear it and pay attention after you hear it

1097
00:54:43,480 --> 00:54:46,400
Speaker 1: to hear what happened and how Wendy responded. Joe Biden

1098
00:54:46,680 --> 00:54:50,239
Speaker 1: is essentially trying to duck and cover, not have a

1099
00:54:50,360 --> 00:54:53,920
Speaker 1: full campaign hang out in his house, and none of

1100
00:54:54,000 --> 00:54:56,400
Speaker 1: us are able to really see what he's got. He

1101
00:54:56,480 --> 00:54:58,680
Speaker 1: ought to take an hour and answer all the tough questions,

1102
00:54:58,719 --> 00:55:00,800
Speaker 1: and he ought to release his schedule every day that

1103
00:55:00,920 --> 00:55:04,240
Speaker 1: shows that he's full all day long with events Instead

1104
00:55:04,360 --> 00:55:07,880
Speaker 1: we see a speech here or there. He does interviews.

1105
00:55:07,960 --> 00:55:10,040
Speaker 1: He did an interview with a rap star and he

1106
00:55:10,080 --> 00:55:12,200
Speaker 1: couldn't even get through that without a big foible on

1107
00:55:12,239 --> 00:55:15,080
Speaker 1: the U ain't black. So I think the problem is

1108
00:55:15,239 --> 00:55:20,160
Speaker 1: is Joe Biden is not running a fully energetic, real campaign.

1109
00:55:20,640 --> 00:55:23,080
Speaker 1: Wendy Opo. I want to get show response to this.

1110
00:55:23,520 --> 00:55:25,600
Speaker 1: What we want to hear is facts. What are you

1111
00:55:25,719 --> 00:55:28,560
Speaker 1: going to do for those individuals who have lost family

1112
00:55:28,640 --> 00:55:30,920
Speaker 1: members due to the pandemic. What are you going to

1113
00:55:31,040 --> 00:55:33,680
Speaker 1: do to ensure that we do not have another issue

1114
00:55:33,960 --> 00:55:37,520
Speaker 1: like George Floyd within our police department. That's what we

1115
00:55:37,600 --> 00:55:40,200
Speaker 1: want to hear. And when you know Biden made the

1116
00:55:40,280 --> 00:55:42,839
Speaker 1: comment about African Americans, that was not a rap star.

1117
00:55:43,160 --> 00:55:45,600
Speaker 1: That was Charlemagne the God, who is a nationally syndicated

1118
00:55:45,760 --> 00:55:47,759
Speaker 1: radio host. You know, I know he's a black man.

1119
00:55:47,840 --> 00:55:49,600
Speaker 1: So he may think he's a rapper, but he's not

1120
00:55:49,960 --> 00:55:53,680
Speaker 1: dropping a clue box. Wendy Opo. Again, thank God for

1121
00:55:53,760 --> 00:55:56,080
Speaker 1: black women. What would black panther be without the door

1122
00:55:56,120 --> 00:55:59,479
Speaker 1: in malaj My god, there is something about a black

1123
00:55:59,520 --> 00:56:04,280
Speaker 1: woman getting somebody together on behalf of black people. Because

1124
00:56:04,320 --> 00:56:07,759
Speaker 1: what Windy did, what Wendy did, wasn't for me, that

1125
00:56:07,960 --> 00:56:12,200
Speaker 1: was for us. Okay, Educating Matt Slap in that moment

1126
00:56:12,360 --> 00:56:16,520
Speaker 1: in real time is exactly what needs to happen. Remember

1127
00:56:16,600 --> 00:56:18,200
Speaker 1: last week when I said, if Nick Cannon was going

1128
00:56:18,239 --> 00:56:20,960
Speaker 1: to attempt to have a conversation about his assumptions of

1129
00:56:21,000 --> 00:56:22,920
Speaker 1: the Jewish community, he should have it with a Jewish

1130
00:56:22,920 --> 00:56:26,320
Speaker 1: scholar or rabbi, someone from that community who can correct

1131
00:56:26,360 --> 00:56:29,040
Speaker 1: his mistakes when he says something wrong, who can correct

1132
00:56:29,120 --> 00:56:32,319
Speaker 1: him if he says something they deem anti Semitic. That's

1133
00:56:32,400 --> 00:56:36,360
Speaker 1: what Windy Osephal was from Matt Slap in that moment.

1134
00:56:36,480 --> 00:56:40,080
Speaker 1: See rapper is a stereotypical trope that successful black men

1135
00:56:40,160 --> 00:56:43,200
Speaker 1: get labeled all the time because, for whatever reason, when

1136
00:56:43,280 --> 00:56:46,600
Speaker 1: some white people do see us, if they see us

1137
00:56:46,640 --> 00:56:49,600
Speaker 1: at all, they can't see us as anything else. I mean,

1138
00:56:49,719 --> 00:56:53,080
Speaker 1: I'm clearly too short to be labeled a basketball player.

1139
00:56:53,520 --> 00:56:55,359
Speaker 1: So the only way I could be in first class

1140
00:56:55,560 --> 00:56:57,840
Speaker 1: on a flight or on your TV talking to a

1141
00:56:57,920 --> 00:57:01,759
Speaker 1: presidential candidate is because I rap. This happens to me

1142
00:57:02,040 --> 00:57:05,520
Speaker 1: all the time. I've seen so many of the mainscream.

1143
00:57:06,920 --> 00:57:08,520
Speaker 1: I know what happens to you, and you got confused

1144
00:57:08,560 --> 00:57:12,600
Speaker 1: with Drake. I've seen so many of these mainscream white

1145
00:57:12,680 --> 00:57:16,919
Speaker 1: publications label me a rapper. I've been on a flight.

1146
00:57:17,040 --> 00:57:20,840
Speaker 1: He've had white people ask me, you know, do I rap?

1147
00:57:20,960 --> 00:57:24,880
Speaker 1: Do I do music? I always reply I'm a proctologist,

1148
00:57:25,360 --> 00:57:27,760
Speaker 1: and did I make a fart sound? I'm serious, But

1149
00:57:27,880 --> 00:57:31,000
Speaker 1: I'm not gonna call match slapper racist for what. I'm

1150
00:57:31,040 --> 00:57:34,040
Speaker 1: gonna just say he has a cultural blind spot. Okay,

1151
00:57:34,120 --> 00:57:37,320
Speaker 1: I can't fault him for what he doesn't know. Plus,

1152
00:57:37,600 --> 00:57:40,440
Speaker 1: I used to really rap back in the day. Nothing serious,

1153
00:57:40,520 --> 00:57:42,400
Speaker 1: but I had a bar or two. And if all

1154
00:57:42,480 --> 00:57:45,640
Speaker 1: black people look alike to him, then hell, maybe we

1155
00:57:45,760 --> 00:57:50,240
Speaker 1: all look like rappers to him. Plus, tell him your

1156
00:57:50,320 --> 00:57:53,080
Speaker 1: rap name, son, I don't have a rap name. Maybe

1157
00:57:53,120 --> 00:57:55,160
Speaker 1: he's just familiar with the song black Men Don't Cheat,

1158
00:57:55,160 --> 00:57:57,800
Speaker 1: and that's where he knew you're from. No, that's not true.

1159
00:57:57,960 --> 00:58:01,920
Speaker 1: My rap name used to be Dizzy Van Winkle and

1160
00:58:02,280 --> 00:58:04,360
Speaker 1: but listen, I love rap. You know. Rap music has

1161
00:58:04,400 --> 00:58:06,200
Speaker 1: saved a lot of lives, took a lot of brothers

1162
00:58:06,240 --> 00:58:07,920
Speaker 1: and sisters out of the ghetto, made a lot of

1163
00:58:08,000 --> 00:58:10,800
Speaker 1: brothers and entrepreneurs, and has provided a lot of jobs

1164
00:58:10,840 --> 00:58:12,760
Speaker 1: for a lot of black and brown people. So being

1165
00:58:12,920 --> 00:58:16,200
Speaker 1: referred to as a rap star. I would call that

1166
00:58:16,280 --> 00:58:21,240
Speaker 1: a positive stereotype, but a stereotype nonetheless. And the moral

1167
00:58:21,280 --> 00:58:25,600
Speaker 1: of the story is contrary to this caucasian's culturally clueless belief.

1168
00:58:26,000 --> 00:58:29,640
Speaker 1: All black men you see on TV are not rappers

1169
00:58:30,160 --> 00:58:34,200
Speaker 1: and athletes. And you should never assume that, because Matt,

1170
00:58:34,280 --> 00:58:37,400
Speaker 1: when you assume, you make an ass out of you

1171
00:58:37,520 --> 00:58:40,960
Speaker 1: and me, because that's how it's spelled. Please let Chelsea

1172
00:58:41,040 --> 00:58:43,960
Speaker 1: Handler give Matt slap the biggest he haw he haw

1173
00:58:44,320 --> 00:58:46,960
Speaker 1: he haw. That is way too much. Dan Mann is

1174
00:58:47,440 --> 00:58:50,280
Speaker 1: now anybody I've seen this happen to you in real time, yes,

1175
00:58:50,600 --> 00:58:52,920
Speaker 1: or not in real time on video? Somebody who stook

1176
00:58:52,920 --> 00:58:56,120
Speaker 1: you for Drake yep. I get the same questions all

1177
00:58:56,160 --> 00:58:59,040
Speaker 1: the time. What team do you play for? You never

1178
00:58:59,120 --> 00:59:04,800
Speaker 1: did that stop all the time. Yes, I do. Maybe

1179
00:59:04,880 --> 00:59:08,480
Speaker 1: baseball because you're Dominican. Maybe that's six I'm six foot.

1180
00:59:08,880 --> 00:59:11,080
Speaker 1: I'm six foot, So I get h with what team

1181
00:59:11,160 --> 00:59:14,200
Speaker 1: do you play for? Up? Yesterday? I got am I

1182
00:59:14,360 --> 00:59:17,040
Speaker 1: a singer? I got that yesterday, So I get it all.

1183
00:59:17,200 --> 00:59:20,680
Speaker 1: Definitely singer, definitely, R and B vibes definitely, Neil Soul,

1184
00:59:22,040 --> 00:59:24,480
Speaker 1: R and B vibes definitely. All right, we got more

1185
00:59:24,600 --> 00:59:27,880
Speaker 1: coming up next with a breakfast Club. The Breakfast Club.

1186
00:59:31,840 --> 00:59:34,920
Speaker 1: You're checking out the world's most dangerous morning show. Morning

1187
00:59:34,960 --> 00:59:38,760
Speaker 1: Everybody is DJ Envy Angela Yee, Charlomagne the guy. We

1188
00:59:38,840 --> 00:59:40,800
Speaker 1: are the Breakfast Club. You got a special guest on

1189
00:59:40,840 --> 00:59:44,120
Speaker 1: the line, The Brothers back right, Eric Dyson, Welcome back, brother,

1190
00:59:44,600 --> 00:59:46,760
Speaker 1: Hey man, it's great to be here. I'm thinking of

1191
00:59:46,840 --> 00:59:49,200
Speaker 1: the greatest hits. I want to start off like, put

1192
00:59:49,280 --> 00:59:51,440
Speaker 1: some respect on my name? All three, y'all put some

1193
00:59:51,600 --> 00:59:59,160
Speaker 1: respect on my day? Or here's the number, Gray Gray, Michael,

1194
00:59:59,280 --> 01:00:01,560
Speaker 1: Eric Dyson. The warning only is head. He's put out

1195
01:00:01,640 --> 01:00:06,880
Speaker 1: his seventeenth million book, A Long Time Coming In or

1196
01:00:06,960 --> 01:00:10,520
Speaker 1: Reckoning with Race in America. It's a great read. It's

1197
01:00:10,600 --> 01:00:13,600
Speaker 1: tough read, very tough reads. It a tough read. It's

1198
01:00:13,640 --> 01:00:15,840
Speaker 1: a tough read because, like the first chapter is black

1199
01:00:15,920 --> 01:00:18,520
Speaker 1: deaf and that's that's very hard to get through. But literally,

1200
01:00:18,800 --> 01:00:22,240
Speaker 1: the whole book's theme is essentially about black deafen and

1201
01:00:22,320 --> 01:00:24,680
Speaker 1: like one of my first questions was it as difficult

1202
01:00:24,720 --> 01:00:27,000
Speaker 1: to write as it was for me to read? Yes,

1203
01:00:27,720 --> 01:00:30,240
Speaker 1: but not as difficult as the people who died That's right.

1204
01:00:30,520 --> 01:00:32,680
Speaker 1: You know, I'm from an older generation. I know people

1205
01:00:32,720 --> 01:00:36,439
Speaker 1: can't tell, but I'm older. I'm sixty two years old.

1206
01:00:37,040 --> 01:00:39,240
Speaker 1: We didn't have safe spaces, we didn't have self care

1207
01:00:39,400 --> 01:00:42,480
Speaker 1: things that are necessary and critical and vital. But I

1208
01:00:42,640 --> 01:00:45,040
Speaker 1: know people say, give a trigger warnings. I'm in class

1209
01:00:45,120 --> 01:00:47,280
Speaker 1: my younger students when I'm about to watch the Kendrick

1210
01:00:47,360 --> 01:00:51,080
Speaker 1: Lamar video about you know we're gonna be all right?

1211
01:00:51,400 --> 01:00:53,880
Speaker 1: Should you give a warning? I'm not even used to that.

1212
01:00:53,960 --> 01:00:56,960
Speaker 1: I don't even think that way. I know I am

1213
01:00:57,120 --> 01:01:01,720
Speaker 1: sensitive to and empathetic with those who do. But I

1214
01:01:01,960 --> 01:01:06,040
Speaker 1: figured the people who died had no choice. Im Matil

1215
01:01:06,160 --> 01:01:09,680
Speaker 1: had no choice, George Floyd had no choice, Brianna Taylor

1216
01:01:09,760 --> 01:01:13,080
Speaker 1: had no choice. The least we could do is to

1217
01:01:13,240 --> 01:01:17,480
Speaker 1: wrestle with and grapple with, in an existential, personal, political,

1218
01:01:17,560 --> 01:01:21,320
Speaker 1: philosophical sense, the death that they endured. And yes, is

1219
01:01:21,360 --> 01:01:24,480
Speaker 1: it tough. Absolutely? Am I trying to retraumatize black people. No,

1220
01:01:25,000 --> 01:01:27,280
Speaker 1: But I'm saying at the same time, if they could

1221
01:01:27,320 --> 01:01:33,080
Speaker 1: sacrifice limb, corpuscle blood, then we embody. Then we can

1222
01:01:33,160 --> 01:01:37,479
Speaker 1: at least attempt to get inside their skin for a moment,

1223
01:01:37,560 --> 01:01:40,200
Speaker 1: to see what they felt, to know what the consequence

1224
01:01:40,240 --> 01:01:42,400
Speaker 1: of their death is and for us to grapple with

1225
01:01:42,520 --> 01:01:45,840
Speaker 1: that as the basis for trying to talk about racial

1226
01:01:45,920 --> 01:01:48,640
Speaker 1: reckoning in America. So yeah, it was tough, starting in

1227
01:01:48,720 --> 01:01:52,240
Speaker 1: the prelude with Elijah McClain, a twenty three year old

1228
01:01:52,360 --> 01:01:55,880
Speaker 1: young black man who some arguedents on the spectrum a

1229
01:01:56,000 --> 01:01:59,000
Speaker 1: sweet soul, as sweet as one could ever imagine. And

1230
01:01:59,160 --> 01:02:02,440
Speaker 1: here he is because wearing a ski mask before COVID

1231
01:02:02,520 --> 01:02:06,640
Speaker 1: because he had, you know, he was anemic and as

1232
01:02:06,680 --> 01:02:08,400
Speaker 1: a result of that, he wanted to stay warm, and

1233
01:02:08,520 --> 01:02:11,720
Speaker 1: the police roll upon him. He says, please respect the boundaries.

1234
01:02:11,880 --> 01:02:15,440
Speaker 1: I am articulately, I am speaking. And not only do

1235
01:02:15,600 --> 01:02:19,720
Speaker 1: they ignore him, they besiege him. They take hold of him,

1236
01:02:20,160 --> 01:02:23,080
Speaker 1: they put him in a chokehold, render him unconscious twice.

1237
01:02:23,600 --> 01:02:26,040
Speaker 1: The EFT arrives, they put tedement in him, and then

1238
01:02:26,080 --> 01:02:28,280
Speaker 1: a week later he's dead. I mean, this is the

1239
01:02:28,960 --> 01:02:32,480
Speaker 1: massive disregard for black life. This is the vicious, callous

1240
01:02:33,480 --> 01:02:36,520
Speaker 1: indifference to who we are. So I think the least

1241
01:02:36,560 --> 01:02:40,040
Speaker 1: we can do, yes, take a note, Yes, have a

1242
01:02:40,120 --> 01:02:42,920
Speaker 1: trigger warning. Yes we have to deal with this, but

1243
01:02:43,080 --> 01:02:45,800
Speaker 1: I think we've got to honor their deaths in many ways,

1244
01:02:46,200 --> 01:02:49,080
Speaker 1: and one of them it is at least understanding the

1245
01:02:49,240 --> 01:02:51,680
Speaker 1: horror and tragedy of what they confront it. I wanted

1246
01:02:51,760 --> 01:02:56,800
Speaker 1: to put that on paper as poignantly, as vividly, and

1247
01:02:56,960 --> 01:03:00,960
Speaker 1: in some instances as graphically as I so that we

1248
01:03:01,040 --> 01:03:04,600
Speaker 1: can get inside of the trauma that black people confront

1249
01:03:04,640 --> 01:03:07,280
Speaker 1: and those outside of it so they can understand what

1250
01:03:07,400 --> 01:03:09,000
Speaker 1: we're up again, so we get to a point now

1251
01:03:09,000 --> 01:03:11,840
Speaker 1: where it's like that is it doesn't stop. The young

1252
01:03:11,920 --> 01:03:14,480
Speaker 1: man Casey Goodson died. We just had his mom on air,

1253
01:03:14,880 --> 01:03:17,000
Speaker 1: and it's like, when does it stop? They keep doing

1254
01:03:17,040 --> 01:03:19,960
Speaker 1: the same thing over and over and over and over

1255
01:03:20,160 --> 01:03:22,840
Speaker 1: and over again. It's a great point. And when you're

1256
01:03:22,920 --> 01:03:26,200
Speaker 1: parallel what you just said with the video that came

1257
01:03:26,240 --> 01:03:28,520
Speaker 1: out at the same time of the white guy getting

1258
01:03:28,640 --> 01:03:32,920
Speaker 1: stopped by the police. He has a gun in the

1259
01:03:33,080 --> 01:03:38,520
Speaker 1: seat next to him. The police withdraw their revolvers and

1260
01:03:38,680 --> 01:03:43,080
Speaker 1: pistols from their hosters and point at the young man.

1261
01:03:43,680 --> 01:03:46,640
Speaker 1: He's arguing with them, I have a Second Amendment right,

1262
01:03:47,040 --> 01:03:48,560
Speaker 1: I have a right there a gun. What you're doing

1263
01:03:48,720 --> 01:03:50,560
Speaker 1: is wrong. You can't have me step out of the car.

1264
01:03:50,880 --> 01:03:55,840
Speaker 1: He's arguing, vigorously, aggressively back and forth with them. They

1265
01:03:55,960 --> 01:03:58,000
Speaker 1: tell him to get out. Several times he refuses to

1266
01:03:58,120 --> 01:04:00,520
Speaker 1: do so, he says he will not, and as a

1267
01:04:00,640 --> 01:04:03,040
Speaker 1: result of that, they go back and for three minutes,

1268
01:04:03,760 --> 01:04:06,920
Speaker 1: and at the end of it he says, I'm driving

1269
01:04:06,960 --> 01:04:11,840
Speaker 1: off right now and pulls off. This is the astonishing

1270
01:04:12,360 --> 01:04:16,640
Speaker 1: parallel to black people like Jacob Blake walking around your

1271
01:04:16,720 --> 01:04:20,240
Speaker 1: car and when you open the door and they see

1272
01:04:20,400 --> 01:04:25,600
Speaker 1: a knife, they commenced to shooting. Not because you've withdrawn

1273
01:04:25,640 --> 01:04:28,720
Speaker 1: that knife from your car and tried to hurt them,

1274
01:04:28,960 --> 01:04:31,360
Speaker 1: not because you've threatened them. And by the way, the

1275
01:04:31,520 --> 01:04:36,280
Speaker 1: white guy threatened them twice to shoot them. He threatened

1276
01:04:36,360 --> 01:04:40,520
Speaker 1: them to their face. So that parallel is assignishing. No,

1277
01:04:40,640 --> 01:04:43,560
Speaker 1: it will never stop unless we do something about it.

1278
01:04:43,760 --> 01:04:47,360
Speaker 1: Maybe we could defund the police, my lord, Maybe we

1279
01:04:47,440 --> 01:04:50,120
Speaker 1: could have a radical reimagining of the police. Now, look,

1280
01:04:50,360 --> 01:04:52,120
Speaker 1: I know we're going to get into the Obama quote.

1281
01:04:52,200 --> 01:04:54,840
Speaker 1: Let me introduce it myself. I'm hosting myself today. Might

1282
01:04:54,880 --> 01:04:58,400
Speaker 1: as well do it right, Yeah, I'm Charlemagne. The lights

1283
01:04:58,440 --> 01:05:02,840
Speaker 1: can The thing is for those who have been hurt

1284
01:05:02,960 --> 01:05:05,200
Speaker 1: and in pain, and for the question you asked me

1285
01:05:05,280 --> 01:05:09,040
Speaker 1: when it's going to stop. Imagine that behind the attempt

1286
01:05:09,120 --> 01:05:13,520
Speaker 1: to reimagine policing. All right, So reimagining policing means the

1287
01:05:13,640 --> 01:05:17,480
Speaker 1: police don't have a run or a copyright on public safety.

1288
01:05:17,800 --> 01:05:21,600
Speaker 1: Public safety is an obligation. Policing is one department that

1289
01:05:21,720 --> 01:05:25,240
Speaker 1: does it. We can remove that department or decenter it

1290
01:05:25,520 --> 01:05:29,000
Speaker 1: if we deserve decenter policing. That means other departments take

1291
01:05:29,040 --> 01:05:31,959
Speaker 1: care of responsibilities for public safety. Do you know ninety

1292
01:05:32,000 --> 01:05:34,760
Speaker 1: percent of what police do ain't about stopping people and

1293
01:05:34,840 --> 01:05:37,400
Speaker 1: shooting people and doing that kind of stuff, or engaged

1294
01:05:37,560 --> 01:05:41,640
Speaker 1: in warfare with human beings who are citizens on the streets.

1295
01:05:41,800 --> 01:05:45,800
Speaker 1: They're getting cats from trees and doing innocua stuff. The

1296
01:05:46,000 --> 01:05:48,360
Speaker 1: problem is even when they do it innocua stuff with

1297
01:05:48,440 --> 01:05:51,200
Speaker 1: black folk. Oh, Walter Scott, let me stop you in

1298
01:05:51,280 --> 01:05:55,000
Speaker 1: South Carolina because your left turn signal doesn't work. And

1299
01:05:55,120 --> 01:05:58,640
Speaker 1: then a little while later he's being shot seven times

1300
01:05:58,680 --> 01:06:02,480
Speaker 1: in the back by policemen right the officers later. I think.

1301
01:06:02,800 --> 01:06:06,920
Speaker 1: So even the innocuous, the every day, the non offensive

1302
01:06:06,960 --> 01:06:09,480
Speaker 1: stuff that other people can take forgot, Oh thanks officer,

1303
01:06:09,560 --> 01:06:11,760
Speaker 1: thanks for stopping me and thanks for giving me a warning,

1304
01:06:12,160 --> 01:06:14,640
Speaker 1: ends up with death with black people. So this is

1305
01:06:14,720 --> 01:06:21,120
Speaker 1: the desperation behind reimagining policing, reimagining what police people can do.

1306
01:06:21,440 --> 01:06:24,280
Speaker 1: So if we decenter them, and because you know, these

1307
01:06:24,360 --> 01:06:28,000
Speaker 1: police unions are powerful out of all proportion to their

1308
01:06:28,080 --> 01:06:30,840
Speaker 1: numbers in the population right there in New York City.

1309
01:06:31,520 --> 01:06:34,560
Speaker 1: They are racially charged, they are racially insensitive. They don't

1310
01:06:34,600 --> 01:06:38,000
Speaker 1: want anybody reforming them. We have tried reform for how

1311
01:06:38,120 --> 01:06:41,000
Speaker 1: many years? How many decades have we tried to reform

1312
01:06:41,080 --> 01:06:44,800
Speaker 1: the police. Let's make sure that community policing works. Let's

1313
01:06:44,840 --> 01:06:48,040
Speaker 1: put community Let's put police people in the community that

1314
01:06:48,080 --> 01:06:51,000
Speaker 1: they're policing. So if you're coming in from Delaware and

1315
01:06:51,120 --> 01:06:53,320
Speaker 1: you go into Baltimore and you deal with a guy

1316
01:06:53,440 --> 01:06:55,320
Speaker 1: named Freddy Gray, you don't think of him. Hey, that's

1317
01:06:55,360 --> 01:06:59,360
Speaker 1: my uncle, that's my cousin, that's my brother, that's my father.

1318
01:07:00,000 --> 01:07:02,600
Speaker 1: It's a kin folk. And therefore, when he gets louder,

1319
01:07:02,680 --> 01:07:04,840
Speaker 1: he gets the tuper dooper, he gets offensive, or he

1320
01:07:04,880 --> 01:07:07,680
Speaker 1: gets pugnacious. I can deal with it because that's the

1321
01:07:07,800 --> 01:07:09,400
Speaker 1: kind of cat I already know. I know how to

1322
01:07:09,480 --> 01:07:13,080
Speaker 1: deal with him. That's my home people. So we tried that.

1323
01:07:13,440 --> 01:07:15,600
Speaker 1: That didn't work. We still get killed, we still get shot,

1324
01:07:15,640 --> 01:07:17,920
Speaker 1: hands up, we get shot, hands down, we get shot yes, sir,

1325
01:07:18,040 --> 01:07:20,280
Speaker 1: we get shot. No, sir, we get shot. George Floyd

1326
01:07:20,400 --> 01:07:24,360
Speaker 1: lying on the ground with ultimate respect, officer, Please officer.

1327
01:07:24,720 --> 01:07:27,000
Speaker 1: He doesn't say hey, dude, he doesn't say gift your

1328
01:07:27,200 --> 01:07:30,880
Speaker 1: m F. He doesn't curse. He treats with ultimate respect

1329
01:07:31,000 --> 01:07:34,920
Speaker 1: the person who is immediately responsible for his death. Just

1330
01:07:36,240 --> 01:07:38,920
Speaker 1: same thing. And mine just said, hey, you're good people.

1331
01:07:39,240 --> 01:07:41,440
Speaker 1: You are very good people. I understand why you're doing

1332
01:07:41,520 --> 01:07:43,760
Speaker 1: what you do, but please stop. I wouldn't even hurt

1333
01:07:43,760 --> 01:07:46,040
Speaker 1: a fly. I don't even eat meat. Look at the

1334
01:07:46,120 --> 01:07:49,280
Speaker 1: respectability politics that have to be deployed to try to

1335
01:07:49,360 --> 01:07:52,200
Speaker 1: convince white people that I am a human being worthy

1336
01:07:52,240 --> 01:07:54,880
Speaker 1: of respect. We have tried everything. So what I would

1337
01:07:54,880 --> 01:07:59,600
Speaker 1: say respectfully to our former president lovingly to him, sir,

1338
01:08:00,280 --> 01:08:03,360
Speaker 1: don't be more upset with people who use a term

1339
01:08:03,920 --> 01:08:07,120
Speaker 1: that you think puts them in jeopardy of not getting

1340
01:08:07,240 --> 01:08:10,960
Speaker 1: the goal they seek. Then you are outraged at the

1341
01:08:11,080 --> 01:08:13,600
Speaker 1: hurting pain that caused them to search for a word

1342
01:08:13,680 --> 01:08:15,840
Speaker 1: to begin with. Hi, we got more with Michael Eric

1343
01:08:15,880 --> 01:08:18,280
Speaker 1: Dyson when we come back, don't move. It's to breakfast club.

1344
01:08:18,320 --> 01:08:23,080
Speaker 1: Good morning morning, everybody, to Envy Angela Yee, Charlomagne, the

1345
01:08:23,160 --> 01:08:25,519
Speaker 1: God we are to Breakfast Club. We're still kicking with

1346
01:08:25,600 --> 01:08:28,320
Speaker 1: Michael Eric Dyson. The right before we left, we were

1347
01:08:28,360 --> 01:08:31,280
Speaker 1: getting into Barack Obama saying to fund the police. Now,

1348
01:08:31,360 --> 01:08:34,200
Speaker 1: what are your thoughts now? Obama is looking at it

1349
01:08:34,280 --> 01:08:36,559
Speaker 1: from the perspective of those in power and those who

1350
01:08:36,560 --> 01:08:40,719
Speaker 1: are politicians. Please please understand that Pharaoh has a different

1351
01:08:40,760 --> 01:08:44,280
Speaker 1: agenda than the people of Israel. That's right right now,

1352
01:08:44,479 --> 01:08:47,000
Speaker 1: And I'm not just in Obama. I'm saying pharaoh in

1353
01:08:47,160 --> 01:08:50,280
Speaker 1: terms of a job description. He runs the joint He

1354
01:08:50,520 --> 01:08:53,040
Speaker 1: is the president of the United States of America. He

1355
01:08:53,200 --> 01:08:56,720
Speaker 1: is in political power. He is different than those who

1356
01:08:56,760 --> 01:09:01,200
Speaker 1: are on the ground asking for requiring and demand Pharaoh,

1357
01:09:01,840 --> 01:09:05,080
Speaker 1: let my people go. The problem is for us is

1358
01:09:05,120 --> 01:09:07,960
Speaker 1: that Pharaoh is one of us. That's beautiful. For many

1359
01:09:08,000 --> 01:09:09,680
Speaker 1: of us. We want it Pharaoh to be us. I

1360
01:09:09,880 --> 01:09:13,519
Speaker 1: vote it twice for Obama to quote be Pharaoh. But

1361
01:09:13,680 --> 01:09:16,680
Speaker 1: the problem is when we don't take into account he

1362
01:09:16,840 --> 01:09:19,200
Speaker 1: is seeing it from their perspective. And I don't mind that.

1363
01:09:19,760 --> 01:09:22,160
Speaker 1: His point is, let me give you some advice here.

1364
01:09:22,479 --> 01:09:25,000
Speaker 1: If you're trying to get over this ain't the way

1365
01:09:25,040 --> 01:09:27,720
Speaker 1: to do it for those who are in power. But

1366
01:09:27,880 --> 01:09:29,720
Speaker 1: those are on the street as saying, we've done it

1367
01:09:29,840 --> 01:09:33,599
Speaker 1: your way already. And let's be real. If Colin Kaepernick

1368
01:09:33,640 --> 01:09:36,360
Speaker 1: had not called it a protest but called it a

1369
01:09:37,120 --> 01:09:39,800
Speaker 1: vigorous disagreement with the status quote, would it have made

1370
01:09:39,800 --> 01:09:43,400
Speaker 1: any difference? Is it really what the name is? Is

1371
01:09:43,439 --> 01:09:45,320
Speaker 1: it really the name you use, Is it really the

1372
01:09:45,439 --> 01:09:47,760
Speaker 1: description you give? Or is it the fact that you

1373
01:09:47,840 --> 01:09:51,160
Speaker 1: are black and challenging the status quo? If black people

1374
01:09:51,200 --> 01:09:53,080
Speaker 1: had not called it defunding the police, would it be

1375
01:09:53,160 --> 01:09:57,360
Speaker 1: more acceptable acceptable? Perhaps? Look, I'm a leftist, I'm a progressive.

1376
01:09:57,640 --> 01:10:00,280
Speaker 1: I believe in being introspective and self critical. So I

1377
01:10:00,320 --> 01:10:03,559
Speaker 1: don't want to automatically be mad at Barack Obama for saying,

1378
01:10:03,760 --> 01:10:05,880
Speaker 1: do you want the commercial or do you want the product?

1379
01:10:06,120 --> 01:10:09,240
Speaker 1: The commercial says, Hey, I'm down with it. I'm defunding

1380
01:10:09,280 --> 01:10:12,040
Speaker 1: the police. The product is we actually get to dismantle

1381
01:10:12,360 --> 01:10:16,439
Speaker 1: the harmful structures and the systemic inequities that prevail. I

1382
01:10:16,680 --> 01:10:20,639
Speaker 1: stand in solidarity with those who want to defund the police.

1383
01:10:21,280 --> 01:10:25,880
Speaker 1: If you can charge them for being unfelicitists or infelicitists

1384
01:10:26,000 --> 01:10:29,160
Speaker 1: by using a word that is problematic, their lives are

1385
01:10:29,200 --> 01:10:32,560
Speaker 1: problematic to the dominant sets quote their lives are problematic

1386
01:10:32,640 --> 01:10:35,160
Speaker 1: to anybody in power who sees a threat to the

1387
01:10:35,280 --> 01:10:40,519
Speaker 1: police as dangerous to American society, allow our lives being

1388
01:10:40,680 --> 01:10:43,280
Speaker 1: lost to be just as dangerous. So are you going

1389
01:10:43,320 --> 01:10:46,680
Speaker 1: to be outraged at the horrors that exist? Or are

1390
01:10:46,680 --> 01:10:49,000
Speaker 1: you going to be outraged at the people who are

1391
01:10:49,080 --> 01:10:51,840
Speaker 1: outraged by the horrors that they confront And I think

1392
01:10:51,920 --> 01:10:55,679
Speaker 1: it is progress in America, in Black America, when Barack

1393
01:10:55,760 --> 01:11:01,160
Speaker 1: Obama can be even gently criticized, I agree, right in office,

1394
01:11:01,200 --> 01:11:04,240
Speaker 1: that won't go happen. You hater, If you criticize Obama,

1395
01:11:04,479 --> 01:11:08,160
Speaker 1: you are personna non black, You are a person right.

1396
01:11:10,479 --> 01:11:14,160
Speaker 1: But now a little bit, Charles Blow New York Times,

1397
01:11:14,720 --> 01:11:17,840
Speaker 1: you have a curious post presidency. You are scolding young

1398
01:11:17,920 --> 01:11:20,960
Speaker 1: black people, and so I think it's legitimate and healthy.

1399
01:11:21,040 --> 01:11:24,640
Speaker 1: We can't be met at white people for uncritically celebrating

1400
01:11:25,120 --> 01:11:28,120
Speaker 1: Donald Trump and then say we turn around if we

1401
01:11:28,439 --> 01:11:31,599
Speaker 1: have any criticism at all of Barack Obama, we are

1402
01:11:31,640 --> 01:11:34,320
Speaker 1: somehow read out of the race. Now at the end

1403
01:11:34,360 --> 01:11:37,600
Speaker 1: of the day, can we embrace both perspectives? Can we

1404
01:11:37,720 --> 01:11:39,800
Speaker 1: be progressive and say, look, I don't give a dark

1405
01:11:39,880 --> 01:11:41,960
Speaker 1: what you call it. I want the police to be

1406
01:11:42,120 --> 01:11:46,760
Speaker 1: challenged because they are murdering, killing, harming, hurting, tazing, beatoning,

1407
01:11:47,000 --> 01:11:52,439
Speaker 1: and shooting black people at will. What is wronger using

1408
01:11:52,479 --> 01:11:55,080
Speaker 1: the worst defunding the police, or the police who need

1409
01:11:55,160 --> 01:11:57,400
Speaker 1: to be defunded, or those who need to be redirected.

1410
01:11:57,439 --> 01:11:59,880
Speaker 1: Of course the police are worse. On the other hand,

1411
01:12:00,520 --> 01:12:03,200
Speaker 1: I think that the left has to be open and

1412
01:12:03,439 --> 01:12:06,960
Speaker 1: not thin skin, and we must say, hey, you know what,

1413
01:12:07,240 --> 01:12:09,200
Speaker 1: even if this dude is not on our side, even

1414
01:12:09,240 --> 01:12:13,280
Speaker 1: if we think what he's doing is centrist and deferential

1415
01:12:13,360 --> 01:12:15,240
Speaker 1: to the status quo, and we ain't trying to reform

1416
01:12:15,320 --> 01:12:18,400
Speaker 1: the police. We're trying to deconstruct them and take them

1417
01:12:18,439 --> 01:12:21,599
Speaker 1: apart because they have hurt and harmed us. Even if

1418
01:12:21,640 --> 01:12:23,880
Speaker 1: you want to do that, it's all right. If you

1419
01:12:24,040 --> 01:12:27,200
Speaker 1: choose a different route that might be a bit more savvy,

1420
01:12:27,479 --> 01:12:31,240
Speaker 1: that might appeal to those who you can, if you

1421
01:12:31,320 --> 01:12:34,560
Speaker 1: will recruit on your side to do your bidding with

1422
01:12:34,840 --> 01:12:38,400
Speaker 1: you and alongside you. I've only seen both of them.

1423
01:12:39,240 --> 01:12:43,760
Speaker 1: I've only seen one centrist establishment Democrat mainstream who has

1424
01:12:43,760 --> 01:12:46,320
Speaker 1: send it at Harris soon to be MVP Harris. She's

1425
01:12:46,320 --> 01:12:48,360
Speaker 1: the only president I saw answer to the funded police

1426
01:12:48,439 --> 01:12:51,280
Speaker 1: question correctly. Because She didn't even focus on the statement.

1427
01:12:51,360 --> 01:12:54,719
Speaker 1: She talked about the why. She talked about what needed

1428
01:12:54,800 --> 01:12:57,320
Speaker 1: to why that needed to happen. And then when Megan

1429
01:12:57,400 --> 01:12:59,840
Speaker 1: McCain came back and goes, well, I agree with you,

1430
01:13:00,000 --> 01:13:01,360
Speaker 1: would you believe in the funding the police? And she

1431
01:13:01,400 --> 01:13:03,400
Speaker 1: flipped the back of her and said, defined the funding

1432
01:13:03,439 --> 01:13:06,479
Speaker 1: the police. Right, That's why I wish Baracco would it did, like,

1433
01:13:06,600 --> 01:13:08,960
Speaker 1: just focus on the why. You know what the why is?

1434
01:13:09,080 --> 01:13:11,719
Speaker 1: You know why these kids are screaming that. But see

1435
01:13:11,840 --> 01:13:14,960
Speaker 1: that's the point. You say, he knows why, but he

1436
01:13:15,120 --> 01:13:18,080
Speaker 1: hasn't said so. You you give him the benefit of

1437
01:13:18,200 --> 01:13:26,040
Speaker 1: the cloud, all right, And the thing is he ain't

1438
01:13:26,080 --> 01:13:28,679
Speaker 1: really said so. Now, when you look at his whole interview,

1439
01:13:29,040 --> 01:13:32,960
Speaker 1: he was far more nuanced. I wish he would have said, Look,

1440
01:13:33,720 --> 01:13:35,680
Speaker 1: given the black people are being mowed down, let me

1441
01:13:35,800 --> 01:13:38,200
Speaker 1: let me be Baracco, let me let me channel Barack Obama,

1442
01:13:39,400 --> 01:13:43,120
Speaker 1: not his anger translator, but his nomenclature. Let me let

1443
01:13:43,160 --> 01:13:45,800
Speaker 1: me set you up, President Obama. What do you think

1444
01:13:45,840 --> 01:13:49,920
Speaker 1: of the slogan to fund the police? Well, you know, um, charlotmate,

1445
01:13:51,360 --> 01:13:55,400
Speaker 1: The thing is that we're living in a vicious society

1446
01:13:55,520 --> 01:13:59,479
Speaker 1: where black life is seen as not worth much. When

1447
01:13:59,560 --> 01:14:02,880
Speaker 1: we turn around. Every day we see black people going down,

1448
01:14:03,400 --> 01:14:05,920
Speaker 1: hands up, they get shot, hands down, They get shot

1449
01:14:06,280 --> 01:14:09,120
Speaker 1: no matter what they do. So the question is not

1450
01:14:09,240 --> 01:14:11,719
Speaker 1: where we defund the police. We tend to defund schools.

1451
01:14:11,760 --> 01:14:16,080
Speaker 1: Nobody has a problem. We defund social services for poor people,

1452
01:14:16,400 --> 01:14:18,840
Speaker 1: nobody has a problem. So why is it, I said

1453
01:14:18,880 --> 01:14:21,880
Speaker 1: to myself, Barack, why is it that they have a

1454
01:14:21,960 --> 01:14:24,360
Speaker 1: problem with defund the police. Because it's getting to the

1455
01:14:24,479 --> 01:14:28,479
Speaker 1: nerve center of American power. And so I would not

1456
01:14:28,800 --> 01:14:32,360
Speaker 1: dare using my bully pulpit and the enormous leverage I had.

1457
01:14:32,720 --> 01:14:35,519
Speaker 1: I sold nine hundred thousand books the first day. Take that,

1458
01:14:35,720 --> 01:14:40,240
Speaker 1: Mike Dyson. Here, I am for the president of the

1459
01:14:40,360 --> 01:14:44,040
Speaker 1: United States of America. I'm not going to use my

1460
01:14:44,439 --> 01:14:48,120
Speaker 1: leverage to hurt the people who even if I disagreed

1461
01:14:48,160 --> 01:14:51,800
Speaker 1: with the term they use, I agreed with the hurt

1462
01:14:51,880 --> 01:14:56,120
Speaker 1: and pain being expressed. So inevitably, if I say something

1463
01:14:56,200 --> 01:14:59,560
Speaker 1: critical about the terms they use, I'm going to be

1464
01:15:00,000 --> 01:15:03,559
Speaker 1: crew did as being in opposition to them. And if

1465
01:15:03,600 --> 01:15:06,200
Speaker 1: you look at all the headlines, that's all they're gonna say.

1466
01:15:07,040 --> 01:15:10,040
Speaker 1: Obama criticizes. So I'm going to be wise and say

1467
01:15:10,120 --> 01:15:13,680
Speaker 1: to you, Charlomagne, the God, DJ Envy and Angela Yee,

1468
01:15:14,320 --> 01:15:17,920
Speaker 1: that I defer that question to a bigger one. What

1469
01:15:18,160 --> 01:15:21,160
Speaker 1: can we do to stop black people from routine? We

1470
01:15:21,320 --> 01:15:25,600
Speaker 1: dye the streets of America. Don't run red with the

1471
01:15:25,680 --> 01:15:27,960
Speaker 1: blood of black people now because the people feel that

1472
01:15:28,000 --> 01:15:30,400
Speaker 1: you don't You didn't do anything for black people while

1473
01:15:30,400 --> 01:15:33,200
Speaker 1: you're in office. What do you say to that. I

1474
01:15:33,320 --> 01:15:38,599
Speaker 1: gotta go now, all right, we got more with Michael

1475
01:15:38,680 --> 01:15:40,640
Speaker 1: Eric Dyson when we come back, don't move. It's the

1476
01:15:40,680 --> 01:15:46,720
Speaker 1: Breakfast Club. Good morning, the Breakfast Club back, It's the

1477
01:15:46,760 --> 01:15:50,200
Speaker 1: Breakfast Club, DJ Envy, Angela Yee, Charlomagne, the guy. We

1478
01:15:50,320 --> 01:15:52,439
Speaker 1: have Michael Eric Dyson in the building. I thought about

1479
01:15:52,520 --> 01:15:55,479
Speaker 1: this the other day. I feel like white politicians are

1480
01:15:55,640 --> 01:15:58,160
Speaker 1: scared of the Fund the police because when they the

1481
01:15:58,360 --> 01:16:02,000
Speaker 1: fund programs, when they are actually doing is abolishing them.

1482
01:16:02,160 --> 01:16:04,240
Speaker 1: So I think when they hear that, when they hear that,

1483
01:16:04,280 --> 01:16:06,080
Speaker 1: they're like, we're not getting rid of police because that's

1484
01:16:06,120 --> 01:16:09,800
Speaker 1: what they do when they the fund. And look, I

1485
01:16:09,920 --> 01:16:11,600
Speaker 1: know the left will get upset, but we got to

1486
01:16:11,640 --> 01:16:14,639
Speaker 1: be self critical. You got to learn how to play

1487
01:16:14,960 --> 01:16:17,400
Speaker 1: the game, because don't act like you ain't in it.

1488
01:16:17,479 --> 01:16:20,000
Speaker 1: Don't act like you're progressive and radical and therefore you

1489
01:16:20,080 --> 01:16:23,000
Speaker 1: outside the parameters of real politics. That you got to

1490
01:16:23,080 --> 01:16:25,559
Speaker 1: get down to the nitty gritty and understand how am

1491
01:16:25,600 --> 01:16:28,000
Speaker 1: I going to be successful in the job I have.

1492
01:16:28,240 --> 01:16:30,599
Speaker 1: Just because you're progressive and you should be, just because

1493
01:16:30,600 --> 01:16:33,080
Speaker 1: your radical and you should be, just because your revolutionary

1494
01:16:33,120 --> 01:16:35,439
Speaker 1: and you should be, doesn't mean you don't have to

1495
01:16:35,560 --> 01:16:40,639
Speaker 1: think about packaging, messaging, how you articulated. And to that degree,

1496
01:16:41,120 --> 01:16:45,680
Speaker 1: I completely understand how we who want to challenge the

1497
01:16:45,800 --> 01:16:48,800
Speaker 1: policing of America must take that into account. And what

1498
01:16:48,880 --> 01:16:51,840
Speaker 1: YouTube just brilliantly laid out right because we know the

1499
01:16:51,920 --> 01:16:54,080
Speaker 1: fear of white people is black people are gonna treat

1500
01:16:54,439 --> 01:16:56,360
Speaker 1: us like we treated them when they get in power.

1501
01:16:56,600 --> 01:16:58,200
Speaker 1: That's why they're trying to keep us out of power,

1502
01:16:58,360 --> 01:17:01,519
Speaker 1: because they figured they'll do to us Jimminy cricket what

1503
01:17:01,680 --> 01:17:04,360
Speaker 1: we did to them, and that's not a good thing.

1504
01:17:04,680 --> 01:17:06,840
Speaker 1: But we ain't like that. Here's the kind of people

1505
01:17:06,920 --> 01:17:11,960
Speaker 1: we are, South Carolina Emmanuel Church. Nine people get murdered

1506
01:17:12,960 --> 01:17:18,280
Speaker 1: before the bodies are cold, we forgive you. That's who

1507
01:17:18,400 --> 01:17:21,360
Speaker 1: we are. So when we say defund the police, we

1508
01:17:21,439 --> 01:17:24,200
Speaker 1: actually mean that. We mean take one hundred and fifty

1509
01:17:24,200 --> 01:17:27,280
Speaker 1: billion dollars like they did in La, move it to

1510
01:17:27,520 --> 01:17:31,479
Speaker 1: another part of the ledger. That's what defunding means. Move

1511
01:17:31,600 --> 01:17:35,320
Speaker 1: money into other arenas where it deserves to be had

1512
01:17:35,840 --> 01:17:40,080
Speaker 1: and directed, so that policing in America, so that public

1513
01:17:40,160 --> 01:17:43,120
Speaker 1: safety in America will be something that is far more

1514
01:17:43,280 --> 01:17:46,800
Speaker 1: virtuous than vicious. And what we want. We want what

1515
01:17:46,920 --> 01:17:50,240
Speaker 1: the police did with that way. Boy, when even when

1516
01:17:50,320 --> 01:17:53,680
Speaker 1: we wrong and got a gun by our side and

1517
01:17:53,880 --> 01:17:58,280
Speaker 1: talking cash money trash to the police or to the

1518
01:17:58,400 --> 01:18:03,920
Speaker 1: public servant of public safety, our lives are protected because

1519
01:18:04,000 --> 01:18:07,519
Speaker 1: we are seeing as human beings. So I'm down with that.

1520
01:18:07,840 --> 01:18:09,479
Speaker 1: I want to ask you a couple more questions before

1521
01:18:09,479 --> 01:18:12,000
Speaker 1: you get out of here about the book, in particular

1522
01:18:12,040 --> 01:18:14,960
Speaker 1: A long time coming reckoning with race in America. I

1523
01:18:15,120 --> 01:18:17,840
Speaker 1: feel like colors was a team a theme throughout this book.

1524
01:18:17,920 --> 01:18:21,679
Speaker 1: Black Deaf, Blue, plague, white theft, Seeing Red, White comfort,

1525
01:18:21,760 --> 01:18:24,800
Speaker 1: evergreen hope. Well, what's the science and the colors? You

1526
01:18:24,880 --> 01:18:29,719
Speaker 1: are literally the first person who was asked me that question,

1527
01:18:30,320 --> 01:18:34,760
Speaker 1: and that was my intent. Frohm to get go. I can't,

1528
01:18:34,840 --> 01:18:36,240
Speaker 1: I can't get you no war. I'm gonna get you

1529
01:18:36,240 --> 01:18:40,920
Speaker 1: an extra book. I'm gonna get extra I'm gonna let

1530
01:18:40,960 --> 01:18:44,080
Speaker 1: you interview me again, just because you saying that. I mean,

1531
01:18:44,520 --> 01:18:46,960
Speaker 1: that's exactly what I was about. I'm about the color

1532
01:18:47,080 --> 01:18:51,800
Speaker 1: coded misery that black people deal. Gold orb is the

1533
01:18:52,000 --> 01:18:57,840
Speaker 1: Elijah McClane chapter, because his co worker said it was

1534
01:18:57,880 --> 01:19:00,280
Speaker 1: like a gold orb around him every time time he

1535
01:19:00,360 --> 01:19:04,320
Speaker 1: came in. Black death, black people dying, right, blue plague,

1536
01:19:05,479 --> 01:19:11,360
Speaker 1: the police of assaulting us. White colonization, that's right, white

1537
01:19:12,000 --> 01:19:18,280
Speaker 1: white colonization, White white comfort, and the colonizing of black imaginations.

1538
01:19:18,280 --> 01:19:21,640
Speaker 1: The appropriation of black futures and black death is the

1539
01:19:21,760 --> 01:19:26,679
Speaker 1: ultimate form of appropriation of black identity, the appropriation literally

1540
01:19:27,040 --> 01:19:32,519
Speaker 1: of the black body, the evergreen hope of Reverend Clemente. Pinkney,

1541
01:19:32,760 --> 01:19:36,280
Speaker 1: of the white comfort that Sandra Bland disturbed. So yes,

1542
01:19:36,560 --> 01:19:40,320
Speaker 1: I wanted to proll the coloring of America, the color

1543
01:19:40,439 --> 01:19:44,000
Speaker 1: coding of America, the obsession with color. The obsession was raised,

1544
01:19:44,080 --> 01:19:46,320
Speaker 1: and I wanted to turn it inside out and talk

1545
01:19:46,360 --> 01:19:51,120
Speaker 1: about how it's redounded negatively and played in such destructive

1546
01:19:51,160 --> 01:19:55,360
Speaker 1: fashion within Black America. And that was quite intentional. Thank

1547
01:19:55,439 --> 01:19:57,559
Speaker 1: you for picking that up, my friend. That's a great

1548
01:19:57,600 --> 01:20:00,120
Speaker 1: note to end on. Then yes, I want everybody to

1549
01:20:00,160 --> 01:20:01,880
Speaker 1: go get a long time coming in or reckoning with

1550
01:20:02,000 --> 01:20:05,000
Speaker 1: racing America. Michael Eric Dyson does not waste words. That's

1551
01:20:05,040 --> 01:20:07,320
Speaker 1: why he don't write blogs. He writes books. There you go.

1552
01:20:08,400 --> 01:20:10,840
Speaker 1: But you know what your brother, I write books like

1553
01:20:11,360 --> 01:20:14,519
Speaker 1: write hooks. That's what I do. That's right, number twenty three.

1554
01:20:14,720 --> 01:20:16,960
Speaker 1: I'm trying to drop him like I'm free. I'm trying

1555
01:20:17,000 --> 01:20:19,599
Speaker 1: to be like dj n V. But really I'm trying

1556
01:20:19,600 --> 01:20:21,439
Speaker 1: to be Charlotte Maidan to God. I got it in

1557
01:20:21,520 --> 01:20:24,800
Speaker 1: the carg of machinery. I do my thing. I see it,

1558
01:20:25,280 --> 01:20:27,479
Speaker 1: I believe it. I want you to conceive it and

1559
01:20:27,600 --> 01:20:30,280
Speaker 1: receive it by that book. Help me out with my kids.

1560
01:20:30,320 --> 01:20:32,920
Speaker 1: I got to put them through college. Okay, they're already out,

1561
01:20:33,000 --> 01:20:39,400
Speaker 1: but I need to do something straight on anywhere, anywhere, anyway. Doctor.

1562
01:20:39,479 --> 01:20:41,880
Speaker 1: Until the next time, my brother, Thank you, Thank y'all.

1563
01:20:41,920 --> 01:20:46,000
Speaker 1: So Barry, Carolyn Peace King morning. Everybody is dj Envy

1564
01:20:46,160 --> 01:20:49,599
Speaker 1: Angela Yee, Charlomae Nica. We are to breakfast club now. Charlomagne,

1565
01:20:49,600 --> 01:20:51,880
Speaker 1: you got a positive note I do, man. I want

1566
01:20:51,920 --> 01:20:54,200
Speaker 1: you to say to yourself today, I am in charge

1567
01:20:54,240 --> 01:20:56,959
Speaker 1: of how I feel, and today I am choosing happiness.

1568
01:20:57,160 --> 01:20:59,320
Speaker 1: And I want everybody this morning to just do a

1569
01:20:59,400 --> 01:21:01,840
Speaker 1: little small all note to self, Okay, a little small

1570
01:21:01,920 --> 01:21:04,639
Speaker 1: note to self, and remember that sometimes all it takes

1571
01:21:04,760 --> 01:21:07,800
Speaker 1: is one small positive thought in the morning to set

1572
01:21:07,880 --> 01:21:12,120
Speaker 1: the tone and improve your whole day. Blessings to you,

1573
01:21:12,360 --> 01:21:15,040
Speaker 1: Breakfast Club. This is You'll finish or y'all dumb.