WEBVTT - Burned from the Mind’s Eye, Part 2

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<v Speaker 1>My Welcome to Stuff to Blow Your Mind, a production

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<v Speaker 1>of I Heart Radios How Stuff Works. Hey, welcome to

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<v Speaker 1>Stuff to Blow Your Mind. My name is Robert Lamb

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<v Speaker 1>and I'm Joe McCormick, and we are back with part

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<v Speaker 1>two of our discussion of psychic photography, the press of

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<v Speaker 1>the Mind's Eye. That's right. We kicked off last episode

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<v Speaker 1>talking about the ring in which a psychically gifted, disturbed

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<v Speaker 1>little girl is able to use her the power of

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<v Speaker 1>her mind to burn images into things, including into the

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<v Speaker 1>the film of a VHS tape, sure, but also into

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<v Speaker 1>all kinds of surfaces. Right. Yeah, But but she's most

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<v Speaker 1>famous for her her video work is the video artist. Yeah,

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<v Speaker 1>she's a video artist, true artist and true artistrington. Yeah,

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<v Speaker 1>so that's where we started off. But we used then

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<v Speaker 1>to get into this idea of photography of uh, this

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<v Speaker 1>this alleged psychic power by which certain individuals were able

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<v Speaker 1>to use the powers of their mind, uh to either

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<v Speaker 1>you know, focused mental images into say, undeveloped camera film,

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<v Speaker 1>or make it so they could like point a camera

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<v Speaker 1>at their own forehead and take a picture of the

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<v Speaker 1>interior imaging of their mind. Things of that nature. Yeah,

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<v Speaker 1>The idea was that somehow mental imagery, you know, things

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<v Speaker 1>that you are picturing in your brain could be projected

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<v Speaker 1>out onto the world without being translated through you know,

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<v Speaker 1>you putting them into language or you sketching with a hand. Um.

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<v Speaker 1>And so I was wondering if you try to take

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<v Speaker 1>this idea seriously and say, okay, if this really did work,

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<v Speaker 1>how would it work. I was having trouble coming across

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<v Speaker 1>anything that seemed all that plausible to me. Uh, you know,

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<v Speaker 1>I found one article with somebody's talking about how, well,

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<v Speaker 1>maybe consciousness is like an electromagnetic field. I'm not sure

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<v Speaker 1>if I buy that. But even if you did buy

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<v Speaker 1>the consciousness as an electromagnetic field, how exactly would that

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<v Speaker 1>translate into you thinking about an image physically pressing the

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<v Speaker 1>image onto a thing outside your brain, Because there's no

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<v Speaker 1>reason to think that the electromagnetic field would be like

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<v Speaker 1>a two dimensional image that's the same as the thing

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<v Speaker 1>you're picturing. Yeah, and then, I mean there's so many

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<v Speaker 1>problems with it's almost difficult to roll out individual problems,

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<v Speaker 1>like what would be the evolved necessity of doing that?

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<v Speaker 1>You know why, it would have to just be like

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<v Speaker 1>an accidental byproduct or something, you know, random mutation. Uh,

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<v Speaker 1>and then would there be a survival advantage to having

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<v Speaker 1>that mutation? And it gets it gets really sticky, really fast. Yeah,

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<v Speaker 1>And I think it highlights a kind of like shallow

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<v Speaker 1>understanding of what mental image re is. So yeah, and

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<v Speaker 1>then specifically what photography is concerning those examples of the

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<v Speaker 1>thoughtography that we discussed in the last episode. Yes, exactly.

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<v Speaker 1>So I thought maybe we should start today by thinking

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<v Speaker 1>about what is the physical reality of an image in

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<v Speaker 1>the mind's eye when you okay, so stopping, you picture something,

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<v Speaker 1>you picture Garfield Garfield in mind? What is happening in

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<v Speaker 1>your brain when you picture Garfield? Like, is there some

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<v Speaker 1>two dimensional grid of brain cells that's like a screen

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<v Speaker 1>where colors fill in like pixels on a computer screen

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<v Speaker 1>and they form Garfield. It seems kind of implausible, but

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<v Speaker 1>you know, entertained that for a second, if there were

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<v Speaker 1>a way for a mental image to be projected into

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<v Speaker 1>a physical space, what would be the physical nature of

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<v Speaker 1>the original signal in the brain, and how would it

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<v Speaker 1>be transferred to the physical form without being interpreted through

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<v Speaker 1>the body. So I was looking at a couple of

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<v Speaker 1>papers on the subject of like research and thought about

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<v Speaker 1>mental imagery, and one one of the ones I was

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<v Speaker 1>looking at was called Unpicturing a Candle The Prehistory of

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<v Speaker 1>Imagery Science, and this was published in Frontiers and Psychology

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<v Speaker 1>by Matthew mckissics, Susan Aldworth, Fiona McPherson, John Onion's, Crawford Winlove,

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<v Speaker 1>and Adam Zema, and this a lot of names. Uh

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<v Speaker 1>In and the authors here focus on the history of

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<v Speaker 1>scholarship and philosophy concerning visual imagination before modern neuroscience, but

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<v Speaker 1>they also cover some modern neuroscience with a specific focus

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<v Speaker 1>on the idea of imagining a concrete object, for example,

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<v Speaker 1>picturing a candle. And so the authors explored the history

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<v Speaker 1>and so for example, they start by looking at like

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<v Speaker 1>Plato and Aristotle, and they point out that Plato actually

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<v Speaker 1>did not hold a very high regard for the importance

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<v Speaker 1>of mental imagination. Uh Like for Plato, mental imagery is

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<v Speaker 1>a copy of a copy. It is a sort of

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<v Speaker 1>imperfect fac simile of an object in the world, which

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<v Speaker 1>is already merely an imperfect copy of a perfect divine form.

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<v Speaker 1>That we're getting into the idea of the realm of forms.

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<v Speaker 1>Uh the idea that a chair, that there's a perfect

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<v Speaker 1>version of a chair that exists in the realm of forms.

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<v Speaker 1>The chair we can build is an imperfect interpretation of that.

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<v Speaker 1>But then the but then his view is because I'm

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<v Speaker 1>more likely to think of it the other way, like

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<v Speaker 1>I'm thinking, then, oh, well, the version of the chair

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<v Speaker 1>in our mind, that's the realm of forms. But he's saying, no,

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<v Speaker 1>that's that's even another level removed from the realm of forms.

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<v Speaker 1>It's an imperfect version of the imperfect chair that is

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<v Speaker 1>in itself an imperfect version of the ideal chair. Absolutely,

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<v Speaker 1>your mental image of a pineapple is a flawed copy

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<v Speaker 1>of some actual pineapple, which is an imperfect realization of

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<v Speaker 1>eternal pineapple nous. Yeah, and I and I think I

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<v Speaker 1>think he is correct here, because, as we stayed in

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<v Speaker 1>the last episode, we often we often a tribute a

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<v Speaker 1>lot of detail and accuracy to our total images when

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<v Speaker 1>they're when it's really not there. It's it's often a

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<v Speaker 1>lot more obscure and unfinished than we give it credit. Yeah,

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<v Speaker 1>I mean, I almost wouldn't think about it in terms

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<v Speaker 1>of accuracy, but in terms and maybe this is more

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<v Speaker 1>specific to the way my brain works, but I think

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<v Speaker 1>about it even in terms of completeness, like that, when

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<v Speaker 1>I have a mental image of something, it's not the

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<v Speaker 1>same as looking at the thing, because I'm not I'm

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<v Speaker 1>only vaguely grasping the totality of the image. When I'm

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<v Speaker 1>mentally picture something, it's not like it's just not like

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<v Speaker 1>looking at a fixed version of the image. It's kind

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<v Speaker 1>of like a hazy scanning of different little elements of

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<v Speaker 1>the image that I can picture in a moment against

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<v Speaker 1>a field of a general impression of the larger image.

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<v Speaker 1>Does that make sense? Yeah? Yeah, I believe. An example

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<v Speaker 1>that's often used here is that of a bicycle. If

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<v Speaker 1>I say, hey, imagine a bicycle. Easy done. I'm imagining

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<v Speaker 1>a bicycle right now. But if we go to the

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<v Speaker 1>next step and say that bicycle you're imagining, describe for

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<v Speaker 1>me the functionality of its, of the of the wheels

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<v Speaker 1>and the gears and the pedals and everything explained to

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<v Speaker 1>me how that works? Oh yeah. This goes back to

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<v Speaker 1>our illusion of explanatory depth episodes where everybody can picture

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<v Speaker 1>a bicycle, but can you draw a bicycle? And it

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<v Speaker 1>turns out it's just try it. You might end up

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<v Speaker 1>laughing really hard at yourself because you think you can

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<v Speaker 1>draw a bicycle, but there's a decent chance you can't.

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<v Speaker 1>You don't know where the bars go, which wheel connects

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<v Speaker 1>to what? You just don't know, even though you think

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<v Speaker 1>you can picture it right now. So again, Plato, I

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<v Speaker 1>think was definitely onto something here. I think Plato hit

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<v Speaker 1>this one out of the park. Yeah. But Aristotle, to

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<v Speaker 1>the contrary, he thought that not only was mental image

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<v Speaker 1>rey important, he thought that you literally could not think

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<v Speaker 1>without it. They quote him saying, the soul never thinks

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<v Speaker 1>without a phantasma, and the phantasma is like some kind

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<v Speaker 1>of mental image, which I'm sure this would come as

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<v Speaker 1>news to our many listeners who tell us about their

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<v Speaker 1>experiences with a fantasia, meaning that they say they don't

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<v Speaker 1>have the ability to form mental images, they can't picture

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<v Speaker 1>something in their heads. And yet you know, we've got

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<v Speaker 1>no reason to disbelieve them on that. And at the

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<v Speaker 1>same time, they seem perfectly capable of thinking. So it

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<v Speaker 1>seems perfectly clear to me that mental imagery is not

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<v Speaker 1>necessary for thought, right, it is necessary for choosing the

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<v Speaker 1>form of the destroyer should gozer Uh, the traveler appear

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<v Speaker 1>to you. I have been think back at that scene

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<v Speaker 1>and Ghostbusters. Uh, that's how they choose the stay puff

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<v Speaker 1>marshmallow man form. But you have all of the Ghostbusters

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<v Speaker 1>had had a fantasia, then the the Destroyer would not

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<v Speaker 1>have been able to manifest. I think you said that

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<v Speaker 1>in the original episode. Probably did. I haven't thought about

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<v Speaker 1>it since then. But that's great unless goes Are the

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<v Speaker 1>Destroyer is even more nefarious than we imagine, and he

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<v Speaker 1>can also manifest in the shape of something that you

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<v Speaker 1>put together through say words or whatever. Maybe, but I

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<v Speaker 1>kind of like the idea that it's being an interdimensional entity.

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<v Speaker 1>It's it's limited, and it really like it. It cannot

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<v Speaker 1>venture into this form unless there is a clear visual

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<v Speaker 1>image that it can draw from. Like that has to

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<v Speaker 1>be the uh, the the foothold for it to climb

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<v Speaker 1>back in and begin destroying. Well, to tie it back

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<v Speaker 1>to psychic photography, actually this is what the case of

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<v Speaker 1>goes Are taking the form you imagine would be exactly

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<v Speaker 1>like thoughtography. It would be the case of mental imagery

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<v Speaker 1>being manifested as a physical object in the world. Yeah,

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<v Speaker 1>but but it would also it would make more sense

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<v Speaker 1>that a god can read your mind, then your mind

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<v Speaker 1>can blast a photo, blast an image onto some undeveloped film,

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<v Speaker 1>I agree. Uh. So picking up again with the history

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<v Speaker 1>of mental imagery, Uh, Descartes had thoughts about visual imagination,

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<v Speaker 1>apparently placed it on par with the senses as manifestations

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<v Speaker 1>of the body would. Of course, in descartess view, that

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<v Speaker 1>makes them fallible, because of course they can always be mistaken,

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<v Speaker 1>unlike in his view pure logical deduction. If you were

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<v Speaker 1>call like the fight between Descartes and the the empiricists.

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<v Speaker 1>You know, the empiricists thought that the senses should be primary,

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<v Speaker 1>but deckart thought, no, you can't ever fully trust the senses.

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<v Speaker 1>You've got to go on just like pure logical proofs.

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<v Speaker 1>I'm not quite sure why, for some reason that that

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<v Speaker 1>seems like a funny belief looking back on it now.

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<v Speaker 1>Of course, later mental imagery became the domain of psychology. Uh.

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<v Speaker 1>And of course you know that that would be treated

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<v Speaker 1>in different ways depending on the different schools of psychology.

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<v Speaker 1>One thing that I think is interesting in the history

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<v Speaker 1>of psychology is the behaviorist school, of course, not being

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<v Speaker 1>interested in mental imagery because it's not an outwardly measurable behavior.

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<v Speaker 1>So J. B. Watson apparently referred to mental imagery as

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<v Speaker 1>quote motor habits in the larynx, which I think is

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<v Speaker 1>a behaviorist way of saying something you only know about

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<v Speaker 1>because people talk about it. I am continually fascinated by

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<v Speaker 1>thinking about behaviorism because we occasionally hear from people. Uh,

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<v Speaker 1>We've gotten a couple of listener emails over the years,

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<v Speaker 1>people responding to topics from a behaviorist point of view,

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<v Speaker 1>essentially not crediting anything that's about the inner experiences or

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<v Speaker 1>consciousness of people. It's only you know, the psychology can

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<v Speaker 1>only be about outwardly measured behaviors. Yeah, it's a statement

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<v Speaker 1>like that. Then it makes me wonder if J. V.

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<v Speaker 1>Watson was perhaps perhaps had a fantasia. You know, I

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<v Speaker 1>mean this idea because we this lines up with what

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<v Speaker 1>we've heard from a lot of people who's claimed to

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<v Speaker 1>have a fantasia. And they'll say, oh, yeah, I heard

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<v Speaker 1>people talking about picturing something in their mind when they

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<v Speaker 1>read a book, and I thought they were just being

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<v Speaker 1>you know, it was just figurative, you know, they weren't

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<v Speaker 1>saying that they actually saw something in their head. Like

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<v Speaker 1>it's it seems like it is difficult to imagine the

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<v Speaker 1>mental image if you have no frame of reference for it,

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<v Speaker 1>you know, uh, yeah, except I would say that for Watson,

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<v Speaker 1>it's not just mental imagery. It's all internal mental phenomena.

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<v Speaker 1>I mean, it's everything that's not outward behavior. So it

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<v Speaker 1>wouldn't be just I think he would probably think that

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<v Speaker 1>mental imagery is not the only thing. That's just a

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<v Speaker 1>motor habit in the larynx. That uh that I don't know, imagination, that,

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<v Speaker 1>like anything inside your head, is a motor habit in

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<v Speaker 1>the larynx. Do you think Ether would have changed his

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<v Speaker 1>mind at all? I don't know. Then again, maybe I'm

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<v Speaker 1>not being fair. I don't want to put words in

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<v Speaker 1>Watson's mouth, but uh, yeah, So I think we don't

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<v Speaker 1>need to feel bound by the behaviorist view of this thing,

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<v Speaker 1>and we can entertain the idea of mental imagery. You

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<v Speaker 1>experience it, other people say they experience it. You've got

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<v Speaker 1>no reason to disbelieve them. So I think humans probably

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<v Speaker 1>have mental imagery. But but long in history, it has

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<v Speaker 1>clearly been assumed that there is some kind of physical representation,

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<v Speaker 1>space and perceiver within the brain for mental imagery. Uh.

0:12:55.480 --> 0:12:57.640
<v Speaker 1>And one thing I'm thinking about that I came across

0:12:57.679 --> 0:13:00.360
<v Speaker 1>while preparing for this episode is an illustration by the

0:13:00.400 --> 0:13:05.840
<v Speaker 1>sixteenth seventeenth century English physician and occultist Robert Flood spelled

0:13:05.960 --> 0:13:09.200
<v Speaker 1>f l U d D kind of like Elmer Flood

0:13:09.320 --> 0:13:14.480
<v Speaker 1>Flood with an L flood, also like Randall Flag. Oh yeah,

0:13:14.480 --> 0:13:16.720
<v Speaker 1>that's true. Maybe this is one of the incarnations of

0:13:16.760 --> 0:13:20.040
<v Speaker 1>the Man from the Desert. But anyway, and one of

0:13:20.120 --> 0:13:25.120
<v Speaker 1>Robert Flood's tracks he illustrated the eye of imagination or

0:13:25.160 --> 0:13:30.360
<v Speaker 1>the oculus imagination onus, which was this third eye inside

0:13:30.440 --> 0:13:33.559
<v Speaker 1>the brain which getting it wrong and backwards in multiple ways,

0:13:33.960 --> 0:13:38.679
<v Speaker 1>projected mental images onto some kind of screen or representation

0:13:38.760 --> 0:13:41.080
<v Speaker 1>space in the back or like in the back of

0:13:41.120 --> 0:13:44.319
<v Speaker 1>the head or behind the head, where mental images would

0:13:44.320 --> 0:13:48.000
<v Speaker 1>take form after being projected by this third eye. And now,

0:13:48.040 --> 0:13:50.480
<v Speaker 1>of course we know that the eye does not project

0:13:50.520 --> 0:13:55.559
<v Speaker 1>a beam of seeing, but receives incoming light. So even yeah,

0:13:55.720 --> 0:13:58.560
<v Speaker 1>I think we're we're confused in more ways than one here. Yeah, Like,

0:13:58.640 --> 0:14:01.920
<v Speaker 1>if there really were a tiny viewing screen inside the

0:14:01.960 --> 0:14:03.800
<v Speaker 1>brain and an eye to see it, it would be

0:14:03.880 --> 0:14:06.679
<v Speaker 1>too dark to watch the movie, right right, So that

0:14:06.720 --> 0:14:08.960
<v Speaker 1>would be a problem. But but yeah, I mean, like,

0:14:09.080 --> 0:14:13.280
<v Speaker 1>I think third eye views are are popular throughout history.

0:14:13.320 --> 0:14:16.559
<v Speaker 1>People kind of think there's an observer in the observer right,

0:14:16.640 --> 0:14:19.880
<v Speaker 1>and and granted, we do have a pennial gland, which

0:14:19.960 --> 0:14:24.160
<v Speaker 1>is essentially an atrophied photo receptor with some connections to

0:14:24.360 --> 0:14:29.280
<v Speaker 1>the parietal eye of reptiles. But but it produces uh, melotonin,

0:14:29.480 --> 0:14:32.600
<v Speaker 1>a serotonin derived hormone, and is not involved in the

0:14:32.640 --> 0:14:35.400
<v Speaker 1>generation of mental images, or at least I don't think

0:14:35.400 --> 0:14:38.440
<v Speaker 1>there's any evidence, and not that I've ever seen. Uh.

0:14:39.000 --> 0:14:41.000
<v Speaker 1>This is funny because I was reading that deck Hart

0:14:41.080 --> 0:14:44.120
<v Speaker 1>believed that the penneal gland was the point of interaction

0:14:44.240 --> 0:14:48.680
<v Speaker 1>between the body and the immaterial soul. Did you know this, um?

0:14:49.000 --> 0:14:51.640
<v Speaker 1>May We did. We did episode on the pineal gland

0:14:51.680 --> 0:14:54.600
<v Speaker 1>way back in the day, so it's possible I came

0:14:54.640 --> 0:14:57.360
<v Speaker 1>across this. Yeah, But I'm thinking back to this idea

0:14:57.400 --> 0:14:59.680
<v Speaker 1>of having, yeah, a viewer inside the viewer like an

0:14:59.800 --> 0:15:04.160
<v Speaker 1>in internal I inside the brain for mental imagery. And

0:15:04.920 --> 0:15:07.640
<v Speaker 1>there are reasons I think that there are problems with

0:15:07.680 --> 0:15:11.320
<v Speaker 1>this because if in order to see mental images we

0:15:11.440 --> 0:15:16.160
<v Speaker 1>have to project them physically somewhere inside the brain, what

0:15:16.400 --> 0:15:18.560
<v Speaker 1>is the part of the brain that is looking at

0:15:18.600 --> 0:15:24.000
<v Speaker 1>the image? Is it another brain with eyes inside the brain? Uh?

0:15:24.120 --> 0:15:28.040
<v Speaker 1>Incognitive philosophy, this is sometimes called the homunculous theory. That's

0:15:28.120 --> 0:15:30.640
<v Speaker 1>a you know, a name of ridicule for it, like

0:15:30.960 --> 0:15:32.880
<v Speaker 1>the idea that there has to be somebody inside your

0:15:32.880 --> 0:15:35.800
<v Speaker 1>brain to see what your brain is seeing or thinking. Right,

0:15:35.840 --> 0:15:39.040
<v Speaker 1>as with like the homunculous ideas and human reproduction where

0:15:39.080 --> 0:15:42.200
<v Speaker 1>there's a tiny little version of you inside of a

0:15:42.280 --> 0:15:46.320
<v Speaker 1>sperm cell. Yes, and like the homunculous idea of of reproduction,

0:15:46.440 --> 0:15:49.360
<v Speaker 1>it's an infinite regress, right, because if there's a little

0:15:49.360 --> 0:15:51.720
<v Speaker 1>eyes and a brain inside your head in order to

0:15:51.760 --> 0:15:54.480
<v Speaker 1>see what you're thinking, then that brain must have little

0:15:54.480 --> 0:15:56.680
<v Speaker 1>eyes and a brain inside that brain to see what

0:15:56.760 --> 0:15:59.440
<v Speaker 1>that brain is thinking about. And it goes on forever.

0:16:00.040 --> 0:16:03.200
<v Speaker 1>And another version of this extended to total brain function

0:16:03.720 --> 0:16:07.440
<v Speaker 1>is what Daniel Dennett calls the Cartesian theater. Again, this

0:16:07.520 --> 0:16:12.320
<v Speaker 1>is something he's he's ridiculing. Basically, it's uh imagining or

0:16:12.560 --> 0:16:15.320
<v Speaker 1>implicitly assuming that the brain has some sort of little

0:16:15.440 --> 0:16:18.640
<v Speaker 1>pilot inside who witnesses all of our sense data and

0:16:18.680 --> 0:16:22.960
<v Speaker 1>controls our reactions um. And again it's basically a reductive

0:16:23.040 --> 0:16:25.920
<v Speaker 1>ad absurdam because it leads to this infinite regress. Who's

0:16:25.960 --> 0:16:29.000
<v Speaker 1>seeing the images inside the brain and the homunculus or

0:16:29.040 --> 0:16:32.440
<v Speaker 1>the pilot or the Cartesian theater must be another smaller one.

0:16:32.840 --> 0:16:35.040
<v Speaker 1>So I don't think it can be that inside the brain,

0:16:35.200 --> 0:16:38.680
<v Speaker 1>mental images are seen the same way our eyes see

0:16:38.760 --> 0:16:42.440
<v Speaker 1>things in the world. So what actually is happening in

0:16:42.440 --> 0:16:45.000
<v Speaker 1>the brain when you're asked to imagine a concrete image.

0:16:45.000 --> 0:16:46.800
<v Speaker 1>Maybe we should take a break and then explore that

0:16:46.840 --> 0:16:49.720
<v Speaker 1>when we come back. Yes, everyone think of a bicycle

0:16:50.520 --> 0:16:55.960
<v Speaker 1>during this commercial break. Than alright, we're back, and hopefully

0:16:55.960 --> 0:16:59.320
<v Speaker 1>you stall that bicycle floating around inside your mind. We

0:16:59.320 --> 0:17:03.840
<v Speaker 1>should give them something more interesting to picture concretely, something

0:17:03.840 --> 0:17:07.640
<v Speaker 1>with details. Picture a demogorgan. The demogorgan is good. Yeah,

0:17:08.320 --> 0:17:13.880
<v Speaker 1>it's just interesting how many like fabled unreal entities are

0:17:14.040 --> 0:17:17.600
<v Speaker 1>good things to focus your mind on. And I think

0:17:17.600 --> 0:17:20.920
<v Speaker 1>it perhaps it's because there are there are combinations, they're

0:17:21.400 --> 0:17:25.280
<v Speaker 1>they're hybrids with different elements. So you you're you're, you

0:17:25.320 --> 0:17:27.600
<v Speaker 1>know what, You're kind of thinking of a list and

0:17:27.680 --> 0:17:33.000
<v Speaker 1>compiling that list into this single mental image and ultimately

0:17:33.000 --> 0:17:35.720
<v Speaker 1>gives you something to focus on, right, But the details

0:17:35.720 --> 0:17:39.320
<v Speaker 1>are provided to you. Whereas the bicycle, you're just saying bicycle,

0:17:39.520 --> 0:17:43.560
<v Speaker 1>we're not saying, imagine a contraption with two wheels, and

0:17:43.640 --> 0:17:49.960
<v Speaker 1>there's etcetera. Two wheels and nine tentacles and three baboon heads. Yes, yes,

0:17:50.000 --> 0:17:51.640
<v Speaker 1>and in one hand the sun and in the other

0:17:51.680 --> 0:17:55.000
<v Speaker 1>hand the moon. Okay, Now, when you do picture the demogorgan,

0:17:55.280 --> 0:17:58.840
<v Speaker 1>what is actually happening in your brain? Has modern neuroscience

0:17:58.880 --> 0:18:03.560
<v Speaker 1>discovered any answers to this question? Actually the answer is yes,

0:18:03.600 --> 0:18:05.679
<v Speaker 1>we do know a decent amount. We don't know everything.

0:18:05.800 --> 0:18:08.000
<v Speaker 1>We know a decent amount about what happens in the brain.

0:18:08.040 --> 0:18:12.280
<v Speaker 1>When you picture mental imagery. Um, So, brain cells in

0:18:12.320 --> 0:18:15.439
<v Speaker 1>the temporal lobe, and this is the temporal lobes are

0:18:15.480 --> 0:18:17.760
<v Speaker 1>at the bottom and sides of the brain, sort of

0:18:17.800 --> 0:18:22.560
<v Speaker 1>around the ears. They become activated. And previous research has

0:18:22.600 --> 0:18:26.800
<v Speaker 1>shown that the temporal lobes are involved in attributing and

0:18:26.880 --> 0:18:32.200
<v Speaker 1>storing information about the visual characteristics of objects. So normally,

0:18:32.240 --> 0:18:36.040
<v Speaker 1>like when you see something, uh, information might there might

0:18:36.040 --> 0:18:38.399
<v Speaker 1>be activity in the temporal lobes that seems to be

0:18:38.800 --> 0:18:42.960
<v Speaker 1>creating associations with the thing you're looking at. Right, like

0:18:43.760 --> 0:18:47.520
<v Speaker 1>the foam on the walls in our studio. They look

0:18:47.560 --> 0:18:50.200
<v Speaker 1>like tiny pyramids. So I can look at one of those,

0:18:50.240 --> 0:18:52.960
<v Speaker 1>and then I can I can't help but imagine a

0:18:53.040 --> 0:18:56.160
<v Speaker 1>great pyramid. Yes, and So what's happening there when you're

0:18:56.200 --> 0:18:58.879
<v Speaker 1>using your eyes is probably that lights coming through the eyes,

0:18:59.320 --> 0:19:03.360
<v Speaker 1>signals are asking from your optic nerve, from your retina's

0:19:03.359 --> 0:19:06.040
<v Speaker 1>tear optic nerve, and uh, they're ending up in the

0:19:06.119 --> 0:19:08.840
<v Speaker 1>visual processing areas in the back of your head, and

0:19:08.960 --> 0:19:11.880
<v Speaker 1>that's known as the occipital cortex, the back of the head,

0:19:12.320 --> 0:19:15.960
<v Speaker 1>and then that start signals that cascade out to other

0:19:16.040 --> 0:19:19.320
<v Speaker 1>brain regions. Where you form those associations probably has a

0:19:19.359 --> 0:19:22.360
<v Speaker 1>lot to do with your temporal lobes. But when you're

0:19:22.359 --> 0:19:25.320
<v Speaker 1>asked to picture something concrete, like I say, picture the

0:19:25.400 --> 0:19:28.439
<v Speaker 1>Great Pyramids of Giza, uh, we seem to be starting

0:19:28.480 --> 0:19:32.160
<v Speaker 1>with activity that involves visual memory. So there's stuff going

0:19:32.200 --> 0:19:35.560
<v Speaker 1>on in the temporal lobes, and the excitation of these

0:19:35.560 --> 0:19:38.600
<v Speaker 1>cells then triggers activity in the visual cortices of the

0:19:38.640 --> 0:19:41.120
<v Speaker 1>occipital lobe. Again that's the very back of the head.

0:19:41.760 --> 0:19:43.639
<v Speaker 1>And of course this is the same part of the

0:19:43.680 --> 0:19:47.080
<v Speaker 1>brain that receives and begins to process visual information received

0:19:47.080 --> 0:19:49.560
<v Speaker 1>by the retina transmitted by the optic nerve when you

0:19:49.760 --> 0:19:52.639
<v Speaker 1>normally see something. And the authors of this paper I

0:19:52.680 --> 0:19:55.720
<v Speaker 1>mentioned earlier, they they point out that when you conjure

0:19:55.760 --> 0:19:59.000
<v Speaker 1>mental imagery. It's not exactly, but it's sort of roughly

0:19:59.119 --> 0:20:03.119
<v Speaker 1>an invert of the process of seeing with the eyes. Basically,

0:20:03.119 --> 0:20:07.800
<v Speaker 1>it's similar cascades going in opposite directions. And it also,

0:20:07.880 --> 0:20:09.880
<v Speaker 1>i would say, seems to suggest that if it were

0:20:09.960 --> 0:20:14.360
<v Speaker 1>possible to project an image from ted serious head onto film,

0:20:14.400 --> 0:20:17.280
<v Speaker 1>if anything, he should have been holding the gizmo and

0:20:17.320 --> 0:20:19.640
<v Speaker 1>the camera on the back of his head rather than

0:20:19.680 --> 0:20:22.240
<v Speaker 1>the forehead. Because it seems like the activity is going

0:20:22.640 --> 0:20:26.000
<v Speaker 1>from a sort of beginning with uh, with executive function.

0:20:26.119 --> 0:20:29.720
<v Speaker 1>Of course, that's uh, you know, intentionally causing the memories.

0:20:29.720 --> 0:20:33.240
<v Speaker 1>Then there's memory stuff in the temporal lobes, and then

0:20:33.240 --> 0:20:35.399
<v Speaker 1>it's going to the occipital lobe in the back of

0:20:35.440 --> 0:20:37.240
<v Speaker 1>the head. I'll see, if you'd only known that, it

0:20:37.280 --> 0:20:40.880
<v Speaker 1>would have worked every time. Now, why do you need

0:20:41.320 --> 0:20:44.320
<v Speaker 1>executive function in the front of the brain as well? Well?

0:20:44.359 --> 0:20:47.840
<v Speaker 1>Apparently that's involved in intentionally trying to call up and

0:20:47.920 --> 0:20:52.479
<v Speaker 1>hold mental images. So like conscious management of what's happening

0:20:52.520 --> 0:20:55.879
<v Speaker 1>in the brain tends to be thought that that's executive function.

0:20:55.960 --> 0:21:00.520
<v Speaker 1>It's deliberate thinking and maintenance of attention, and that entails

0:21:00.560 --> 0:21:03.400
<v Speaker 1>activity in the frontal and parietal regions of the brain,

0:21:03.480 --> 0:21:06.520
<v Speaker 1>so stuff up front and to the front and sides. UH.

0:21:06.520 --> 0:21:10.280
<v Speaker 1>And mental imagery may also involve executive function because it

0:21:10.400 --> 0:21:16.359
<v Speaker 1>requires the suppression of incoming imagery from the eyes or

0:21:16.359 --> 0:21:21.560
<v Speaker 1>at least the diversion of visual processing resources from quote

0:21:21.600 --> 0:21:25.120
<v Speaker 1>signals based on light entering the eyes right now too,

0:21:25.600 --> 0:21:29.680
<v Speaker 1>images generated from memory. It's crazy to think about the

0:21:29.800 --> 0:21:31.640
<v Speaker 1>and I'm thinking about it in this terms because we're

0:21:31.640 --> 0:21:33.960
<v Speaker 1>also researching an episode that has to do with driving

0:21:34.480 --> 0:21:36.560
<v Speaker 1>and the what's going on in your mind when you

0:21:36.640 --> 0:21:40.600
<v Speaker 1>drive an automobile? And isn't it crazy that we can

0:21:40.640 --> 0:21:46.760
<v Speaker 1>engage in the cognitively demanding job of say, driving a

0:21:46.840 --> 0:21:51.080
<v Speaker 1>speeding automobile down an interstate, watching what all the cars

0:21:51.080 --> 0:21:54.320
<v Speaker 1>are doing, and you know, reading an occasional sign, looking

0:21:54.320 --> 0:21:56.880
<v Speaker 1>out for speed traps, all of these things that we're doing,

0:21:57.000 --> 0:22:00.280
<v Speaker 1>and at the same time, we might have an audio

0:22:00.320 --> 0:22:03.879
<v Speaker 1>book playing that is filling our head with like with

0:22:04.000 --> 0:22:07.600
<v Speaker 1>a you know, a rich visual world, and we're entertaining

0:22:07.600 --> 0:22:09.840
<v Speaker 1>both of these at the same time. I would say

0:22:09.880 --> 0:22:13.479
<v Speaker 1>that that is while I accept that we can handle

0:22:13.520 --> 0:22:15.320
<v Speaker 1>those things both, at the same time, I would say

0:22:15.320 --> 0:22:18.920
<v Speaker 1>it is not without costs to UH. To either one,

0:22:19.160 --> 0:22:21.440
<v Speaker 1>Like I would say that you probably have a more

0:22:21.760 --> 0:22:25.919
<v Speaker 1>rich experience of the book and mental image reassociated with

0:22:25.920 --> 0:22:28.399
<v Speaker 1>the book if you were not driving, and you'd probably

0:22:28.440 --> 0:22:30.639
<v Speaker 1>be better at driving if you were not listening to

0:22:30.680 --> 0:22:34.520
<v Speaker 1>the book, because there is actually a competition for resources

0:22:34.520 --> 0:22:38.240
<v Speaker 1>going on. Yeah, yeah, no doubt. I mean, of course

0:22:38.359 --> 0:22:40.439
<v Speaker 1>that I think a lot of us tend to to

0:22:40.880 --> 0:22:44.159
<v Speaker 1>read in environments where there are other distractions. Maybe not

0:22:44.240 --> 0:22:48.720
<v Speaker 1>as cognitively demanding as piloting an automobile, but but still,

0:22:48.760 --> 0:22:50.400
<v Speaker 1>this would be an interesting one to get some feedback

0:22:50.400 --> 0:22:52.120
<v Speaker 1>from listeners, because I know that we have a number

0:22:52.119 --> 0:22:54.480
<v Speaker 1>of listeners who who are on the road a lot

0:22:54.560 --> 0:22:56.359
<v Speaker 1>and listen listen to us on the road and listen

0:22:56.359 --> 0:22:59.960
<v Speaker 1>to to other bits of audio as well. Yeah, that's

0:23:00.000 --> 0:23:02.520
<v Speaker 1>a good point. Please only listen to our podcast if

0:23:02.680 --> 0:23:07.320
<v Speaker 1>if it is safe to do so. It's don't devote

0:23:07.320 --> 0:23:10.520
<v Speaker 1>too much mental resources to us if if you're piloting

0:23:10.520 --> 0:23:12.719
<v Speaker 1>a dangerous vehicle. But then again, even if you're not

0:23:12.800 --> 0:23:15.640
<v Speaker 1>listening to a podcast or an audio book, oh yeah,

0:23:15.720 --> 0:23:18.119
<v Speaker 1>your mind's want, your mind's gonna wander, And then I

0:23:18.119 --> 0:23:20.720
<v Speaker 1>mean it's not even going to necessarily be a situation

0:23:20.760 --> 0:23:23.440
<v Speaker 1>where you're consciously choosing things to imagine. You know, you're

0:23:23.440 --> 0:23:27.639
<v Speaker 1>gonna you're gonna be subject to the visual summonings of

0:23:27.720 --> 0:23:31.040
<v Speaker 1>the default mode network, where uh, you know, mental images

0:23:31.119 --> 0:23:33.679
<v Speaker 1>from the past or the physy future are going to

0:23:33.960 --> 0:23:37.560
<v Speaker 1>you know, venture into your mind like Victorian ghosts. But

0:23:37.640 --> 0:23:39.679
<v Speaker 1>speaking of ghosts, I mean, I do think it's a

0:23:39.680 --> 0:23:42.760
<v Speaker 1>little bit spooky that once I read this, this does

0:23:42.800 --> 0:23:44.760
<v Speaker 1>in fact seem true to me. I just had never

0:23:44.800 --> 0:23:47.680
<v Speaker 1>really thought of it this way, that when you mentally

0:23:47.840 --> 0:23:52.120
<v Speaker 1>picture something, you're you are intentionally using your brain. You're

0:23:52.119 --> 0:23:55.719
<v Speaker 1>performing some kind of internal brain resources management with the

0:23:55.760 --> 0:23:59.240
<v Speaker 1>executive function mostly in your frontal lobe. I think to say,

0:23:59.560 --> 0:24:04.720
<v Speaker 1>turn down resolution on incoming mental visual imagery and devote

0:24:04.760 --> 0:24:08.240
<v Speaker 1>some of those resources to mental imagery. And if you

0:24:08.320 --> 0:24:10.680
<v Speaker 1>if you practice it right now, I think you'll probably

0:24:10.720 --> 0:24:13.520
<v Speaker 1>notice the same thing. Just like, look at something and

0:24:13.560 --> 0:24:17.080
<v Speaker 1>then try to picture something mentally, and you'll notice that

0:24:17.119 --> 0:24:21.560
<v Speaker 1>you're looking kind of gets downgraded in like quality and

0:24:21.560 --> 0:24:24.680
<v Speaker 1>and arrested. Are Are you feeling this? Yeah? I mean,

0:24:24.680 --> 0:24:27.760
<v Speaker 1>but this is also kind of the uh it kind

0:24:27.760 --> 0:24:31.520
<v Speaker 1>of goes both ways, right, Like both cannot have have

0:24:31.640 --> 0:24:35.600
<v Speaker 1>complete dominance at the same time, so you might be

0:24:35.640 --> 0:24:38.400
<v Speaker 1>able to to dim the thermis that you're staring at

0:24:38.480 --> 0:24:41.679
<v Speaker 1>by allowing mental images to you know, to to to

0:24:41.720 --> 0:24:43.720
<v Speaker 1>be summoned into your mind. But on the same level,

0:24:44.000 --> 0:24:49.600
<v Speaker 1>if you feel um haunted by various visual imagery ghosts,

0:24:49.800 --> 0:24:53.120
<v Speaker 1>you know, the visualizations that are in some way troubling

0:24:53.200 --> 0:24:55.760
<v Speaker 1>or traumatic, uh, you know, one of the exercises is

0:24:55.800 --> 0:24:59.040
<v Speaker 1>to focus your awareness on something, uh that that is

0:24:59.160 --> 0:25:02.439
<v Speaker 1>a physically doesn't be at the ambient environment or a

0:25:02.480 --> 0:25:06.200
<v Speaker 1>specific object. I think that that would probably absolutely work,

0:25:06.240 --> 0:25:08.280
<v Speaker 1>at least based on what I've read, that you can

0:25:08.320 --> 0:25:11.680
<v Speaker 1>that you can greatly lessen the power of mental imagery

0:25:11.800 --> 0:25:15.520
<v Speaker 1>just by using your senses. Yeah, Like it reminds me

0:25:15.560 --> 0:25:18.960
<v Speaker 1>of meditation practices. Like, certainly they are closed eye meditation practices,

0:25:19.359 --> 0:25:21.879
<v Speaker 1>which in that environment, you're really opening it up to

0:25:21.920 --> 0:25:25.280
<v Speaker 1>the visual way of seeing, you know, uh, to the

0:25:25.280 --> 0:25:28.400
<v Speaker 1>mental image alone. But there are plenty of open eye

0:25:28.400 --> 0:25:31.080
<v Speaker 1>practices where you know, the instructor will say, you know,

0:25:31.160 --> 0:25:33.159
<v Speaker 1>pick something in the room, doesn't matter what it is.

0:25:33.240 --> 0:25:35.679
<v Speaker 1>It can be an electrical socket, but stare at that

0:25:35.720 --> 0:25:39.600
<v Speaker 1>electrical socket. Stare long and hard at that electrical socket,

0:25:39.640 --> 0:25:42.400
<v Speaker 1>and that becomes kind of the you know, the visual

0:25:42.520 --> 0:25:46.640
<v Speaker 1>mantra that will force out the other the other ghosts. Yeah.

0:25:46.920 --> 0:25:49.440
<v Speaker 1>I like this metaphor for thinking about it, that there's

0:25:49.520 --> 0:25:52.439
<v Speaker 1>this war in your brain, this war for control of

0:25:52.480 --> 0:25:55.280
<v Speaker 1>the resources in your brain, and one of them is

0:25:56.000 --> 0:25:59.560
<v Speaker 1>things in your immediate surroundings, your sense, perceptions, and the

0:25:59.600 --> 0:26:02.640
<v Speaker 1>other things conjured by the void, which could be good,

0:26:02.680 --> 0:26:05.120
<v Speaker 1>things could be bad, things could be useful, things could

0:26:05.119 --> 0:26:08.239
<v Speaker 1>be debilitating things. I mean, it's just what comes up

0:26:08.320 --> 0:26:11.439
<v Speaker 1>out out of you know, either the intentional use of

0:26:11.480 --> 0:26:14.399
<v Speaker 1>mental imagery by the executive part of your brain or

0:26:14.640 --> 0:26:19.240
<v Speaker 1>just you know, things that are subconsciously arising from the depths.

0:26:19.320 --> 0:26:21.800
<v Speaker 1>And your brain has to have some kind of partitioning

0:26:21.840 --> 0:26:25.520
<v Speaker 1>system for this, this sort of visual processing, right. Uh.

0:26:25.880 --> 0:26:29.040
<v Speaker 1>It uses regions in the occipital lobe to process image

0:26:29.119 --> 0:26:31.680
<v Speaker 1>data coming from your eyes, But you also use some

0:26:31.760 --> 0:26:35.960
<v Speaker 1>of the same regions to process images generated based on

0:26:36.000 --> 0:26:38.520
<v Speaker 1>your memories or based on your imagination, which I think

0:26:38.560 --> 0:26:42.080
<v Speaker 1>involves the memories. And these two processes are just constantly

0:26:42.080 --> 0:26:46.280
<v Speaker 1>going on simultaneously and competing for the same neural resources.

0:26:46.600 --> 0:26:50.399
<v Speaker 1>Yet most of the time most people, uh, this is

0:26:50.440 --> 0:26:52.960
<v Speaker 1>an interesting thing. Most of the time, most people manage

0:26:53.000 --> 0:26:56.639
<v Speaker 1>not to get confused. Isn't that interesting too, Like what

0:26:56.800 --> 0:26:59.119
<v Speaker 1>kind of partitioning must be going on in the brain,

0:26:59.160 --> 0:27:02.879
<v Speaker 1>because you can picture a pineapple on the desk in

0:27:02.920 --> 0:27:05.520
<v Speaker 1>front of you right now, and you can picture that,

0:27:05.960 --> 0:27:08.960
<v Speaker 1>but most of the time you don't become confused and

0:27:09.000 --> 0:27:12.520
<v Speaker 1>think you're actually seeing a pineapple there. Yeah, not even

0:27:12.520 --> 0:27:15.399
<v Speaker 1>awareness is focused, you know, certainly, certainly we all have

0:27:15.440 --> 0:27:17.879
<v Speaker 1>those those situations where you walk into a room and

0:27:17.920 --> 0:27:19.680
<v Speaker 1>out of the corner of your eye you think, for

0:27:19.720 --> 0:27:22.240
<v Speaker 1>a second, there's a there's a goblin standing in the corner,

0:27:22.320 --> 0:27:24.800
<v Speaker 1>or there's a cat, or or something's out of place,

0:27:25.240 --> 0:27:27.280
<v Speaker 1>and then you know a second glance, you realize, oh,

0:27:27.320 --> 0:27:30.639
<v Speaker 1>it's just the way that the shadow is falling, or

0:27:30.640 --> 0:27:33.520
<v Speaker 1>it's the way that the drape is positioned, etcetera. Like

0:27:33.560 --> 0:27:36.879
<v Speaker 1>we come back to it again, Like our awareness doesn't

0:27:36.920 --> 0:27:39.240
<v Speaker 1>just do a single take. It as a double take,

0:27:39.520 --> 0:27:42.880
<v Speaker 1>and it, you know, you confirms or denies the presence

0:27:42.880 --> 0:27:44.679
<v Speaker 1>of the thing you thought was there initially, right. I

0:27:44.720 --> 0:27:48.560
<v Speaker 1>think the persistence of the stimulus is one key there

0:27:48.640 --> 0:27:51.360
<v Speaker 1>that like you can keep looking at something and you're

0:27:51.480 --> 0:27:54.600
<v Speaker 1>you know, your imagination will fluctuate, but the light coming

0:27:54.600 --> 0:27:57.400
<v Speaker 1>into your eyes is going to stay about the same. Yeah, um,

0:27:57.800 --> 0:27:59.840
<v Speaker 1>and some beautiful derics there that could be an eagles.

0:28:04.119 --> 0:28:05.960
<v Speaker 1>I just tried to sing some eagles, but we don't

0:28:05.960 --> 0:28:08.120
<v Speaker 1>want to get night cheese, so we're not gonna leave

0:28:08.119 --> 0:28:10.639
<v Speaker 1>it in. Uh Now, Now, it does appear that there's

0:28:10.840 --> 0:28:15.040
<v Speaker 1>a possibility for some bleed over in the visual processing

0:28:15.119 --> 0:28:19.720
<v Speaker 1>between mental imagery and actual uh uh seeing with the eyes.

0:28:20.119 --> 0:28:23.760
<v Speaker 1>For example, this thing called the Perky effect. This is

0:28:23.840 --> 0:28:27.400
<v Speaker 1>named after the American psychologist C. W. Perky. So how

0:28:27.400 --> 0:28:30.199
<v Speaker 1>does this work? Well, uh, Perky She she would have

0:28:30.359 --> 0:28:34.479
<v Speaker 1>somebody try to visualize something like a leaf or a

0:28:34.520 --> 0:28:38.520
<v Speaker 1>banana while looking at a blank screen, and then meanwhile

0:28:38.720 --> 0:28:43.480
<v Speaker 1>she would project a very faint, soft focus image of

0:28:43.560 --> 0:28:46.880
<v Speaker 1>something like a leaf or a banana onto the screen

0:28:47.680 --> 0:28:52.560
<v Speaker 1>just about the threshold brightness of visual perception. And in

0:28:52.600 --> 0:28:57.920
<v Speaker 1>these experiments, Perky found that subjects would incorporate visual features

0:28:57.960 --> 0:29:02.080
<v Speaker 1>of the actual image that was faint projected, thinking that

0:29:02.120 --> 0:29:05.920
<v Speaker 1>these were features of their imagined image, for example, the

0:29:05.960 --> 0:29:09.920
<v Speaker 1>type of leaf or the orientation of the banana. And

0:29:09.960 --> 0:29:12.560
<v Speaker 1>there have been various attempts to replicate this finding, some

0:29:12.720 --> 0:29:16.360
<v Speaker 1>successful and some unsuccessful. So I think we're not totally

0:29:16.400 --> 0:29:19.920
<v Speaker 1>sure how robust this effect is, but I think now

0:29:19.960 --> 0:29:23.360
<v Speaker 1>a common assessment of what of this effect is that

0:29:23.400 --> 0:29:26.280
<v Speaker 1>what's really being detected here is the fact that using

0:29:26.400 --> 0:29:32.640
<v Speaker 1>visual imagination steals processing resources from normal visual perception, like

0:29:32.680 --> 0:29:34.720
<v Speaker 1>we were talking about earlier, So if you're trying to

0:29:34.760 --> 0:29:38.720
<v Speaker 1>imagine something, you're less likely to notice consciously that an

0:29:38.720 --> 0:29:41.560
<v Speaker 1>image is being faintly projected in front of you, even

0:29:41.600 --> 0:29:44.680
<v Speaker 1>though you might pick up some visual cues such as

0:29:44.720 --> 0:29:48.200
<v Speaker 1>color or shape from that image and just hold them

0:29:48.200 --> 0:29:51.040
<v Speaker 1>in mind to think they're part of your imagination, which

0:29:51.040 --> 0:29:53.360
<v Speaker 1>again is creepy. I mean, this isn't the only finding

0:29:53.400 --> 0:29:56.600
<v Speaker 1>like this that that you can like give people cues

0:29:56.720 --> 0:29:59.200
<v Speaker 1>from the outside that people come to believe or just

0:29:59.320 --> 0:30:02.440
<v Speaker 1>part of their own imagination. But I guess maybe it's

0:30:02.480 --> 0:30:05.160
<v Speaker 1>needless to say that after looking through all this, I

0:30:05.200 --> 0:30:09.000
<v Speaker 1>don't think there's any evidence at all that representation of

0:30:09.040 --> 0:30:12.800
<v Speaker 1>an image in the mind involves the brain building a

0:30:12.840 --> 0:30:16.800
<v Speaker 1>physical two dimensional picture of the image which could be

0:30:17.440 --> 0:30:21.000
<v Speaker 1>projected onto an external substrate like film. It's kind of

0:30:21.000 --> 0:30:24.640
<v Speaker 1>like imagining that you could save a jpeg of Garfield,

0:30:24.720 --> 0:30:27.440
<v Speaker 1>Say got Garfield and a jpeg and that's on an

0:30:27.480 --> 0:30:31.760
<v Speaker 1>old computer floppy disk, and then you could somehow you're

0:30:31.760 --> 0:30:35.440
<v Speaker 1>trying to project the image of Garfield physically from the

0:30:35.480 --> 0:30:39.280
<v Speaker 1>floppy disk onto a photograph or a piece of paper.

0:30:39.840 --> 0:30:43.480
<v Speaker 1>The two D pixel layout of Garfield is not found

0:30:43.600 --> 0:30:46.400
<v Speaker 1>anywhere on the disc. You know, it's broken down and

0:30:46.520 --> 0:30:49.720
<v Speaker 1>encoded as information which can later be read by a

0:30:49.760 --> 0:30:52.480
<v Speaker 1>program to create a copy of the same original image

0:30:52.480 --> 0:30:55.360
<v Speaker 1>on a computer screen. But the image of Garfield can't

0:30:55.360 --> 0:30:57.600
<v Speaker 1>be seen anywhere on the disc. You can't pull it

0:30:57.640 --> 0:31:01.360
<v Speaker 1>out by projecting something through it, even with the strongest microscope.

0:31:01.680 --> 0:31:04.720
<v Speaker 1>It's encoded as information that only yields the image when

0:31:04.800 --> 0:31:10.040
<v Speaker 1>decoded correctly, and as best I can tell, Imagery's works

0:31:10.040 --> 0:31:13.240
<v Speaker 1>a similar way. In the brain. It's somehow coded through

0:31:13.280 --> 0:31:16.360
<v Speaker 1>neuronal activity. It's it's not an image that you could

0:31:16.400 --> 0:31:20.840
<v Speaker 1>find anywhere in the brain. You've touched on one of

0:31:20.840 --> 0:31:25.120
<v Speaker 1>my big problems with David Cronenberg Scanners, which is a

0:31:25.160 --> 0:31:28.360
<v Speaker 1>movie I love. Otherwise, Uh, there's a lot to love

0:31:28.400 --> 0:31:31.400
<v Speaker 1>about crona about about scanners and not just you know,

0:31:31.400 --> 0:31:35.600
<v Speaker 1>people's heads exploding and Michael ironsides of you know, fabulous,

0:31:35.960 --> 0:31:39.920
<v Speaker 1>you know, psychic facial strains. But but there is this

0:31:40.120 --> 0:31:43.120
<v Speaker 1>this one section of the film where the character Cameron

0:31:43.240 --> 0:31:47.680
<v Speaker 1>Veil can cyber pathetically scan a computer hide hard drive

0:31:48.160 --> 0:31:51.640
<v Speaker 1>with his brain. Uh. And that always bugged me because

0:31:51.640 --> 0:31:54.800
<v Speaker 1>I'm like, Okay, it's one thing to imagine one brain

0:31:54.920 --> 0:31:58.840
<v Speaker 1>speaking to another brain, you know, even though there's you know,

0:31:59.160 --> 0:32:03.680
<v Speaker 1>there's no defined way that that would actually occur. Uh,

0:32:03.720 --> 0:32:05.920
<v Speaker 1>you know, at least in terms of like the human

0:32:05.960 --> 0:32:08.920
<v Speaker 1>mind talking to another human mind. But but it's even

0:32:08.920 --> 0:32:11.880
<v Speaker 1>a greater stretch than to imagine that he is scanning

0:32:11.920 --> 0:32:15.200
<v Speaker 1>a computer hard drive. Yeah, because his brain does not

0:32:15.360 --> 0:32:19.560
<v Speaker 1>it can't execute the code right. Like, in order for

0:32:19.640 --> 0:32:22.320
<v Speaker 1>the data on the hard drive to be read correctly

0:32:22.400 --> 0:32:25.719
<v Speaker 1>has to be executed somehow. There's like a decoding procedure

0:32:26.160 --> 0:32:29.160
<v Speaker 1>that yields the text or the sound files or whatever

0:32:29.200 --> 0:32:32.560
<v Speaker 1>it is he's trying to discover, and presumably his brain

0:32:32.680 --> 0:32:36.560
<v Speaker 1>doesn't have that decoding function within it. Yeah. Yeah, So,

0:32:36.840 --> 0:32:39.920
<v Speaker 1>and it's the same problem with this idea of photography,

0:32:40.080 --> 0:32:42.440
<v Speaker 1>that that somehow you could you could put the mental

0:32:42.440 --> 0:32:45.080
<v Speaker 1>image in your mind onto the film. That's why I

0:32:45.120 --> 0:32:49.120
<v Speaker 1>fire prefer one a great example of a far more

0:32:49.160 --> 0:32:54.160
<v Speaker 1>believable system of telepathic communication would be that used by

0:32:54.160 --> 0:32:57.160
<v Speaker 1>the Gelflings in the Dark Crystal and also in the

0:32:57.320 --> 0:33:03.680
<v Speaker 1>the new so far really fabulous uh Netflix of prequel series.

0:33:03.760 --> 0:33:07.200
<v Speaker 1>Oh I also started to haven't finished loving it so far.

0:33:07.640 --> 0:33:10.560
<v Speaker 1>But the the Gelflings are able to to dream fast

0:33:11.120 --> 0:33:14.720
<v Speaker 1>where they're able to uh to to like touch grasp hands,

0:33:15.120 --> 0:33:19.000
<v Speaker 1>and in doing so, they share their mental images mental

0:33:19.000 --> 0:33:22.120
<v Speaker 1>images of you know, their memories with each other so

0:33:22.160 --> 0:33:25.320
<v Speaker 1>that they can share an inexperience and uh, you know,

0:33:25.440 --> 0:33:28.120
<v Speaker 1>that's a version of mental image sharing that you know.

0:33:28.160 --> 0:33:31.120
<v Speaker 1>I'm not sure exactly what the you know, the biological

0:33:31.200 --> 0:33:35.520
<v Speaker 1>explanation would be for it, but it's conceivable. It's conceivable

0:33:35.560 --> 0:33:39.000
<v Speaker 1>that these two um you know, you know, neural systems

0:33:39.120 --> 0:33:44.040
<v Speaker 1>in the same species could link up to share information

0:33:44.360 --> 0:33:45.960
<v Speaker 1>and that would also have a that would have a

0:33:45.960 --> 0:33:49.040
<v Speaker 1>survival that would be a survival adaptation as well. Like

0:33:49.080 --> 0:33:51.440
<v Speaker 1>that's something that would be uh, you know, supported through

0:33:51.520 --> 0:33:53.560
<v Speaker 1>natural selection. Well, you can think about it as another

0:33:53.600 --> 0:33:56.920
<v Speaker 1>form of language, and we've got language to code experiences

0:33:56.960 --> 0:33:59.760
<v Speaker 1>and share them between each other. So you could imagine

0:34:00.000 --> 0:34:04.560
<v Speaker 1>teachers could I don't know, project electromagnetic symbols or something

0:34:04.560 --> 0:34:06.880
<v Speaker 1>to each other. You know, pulses of stuff that would

0:34:06.920 --> 0:34:10.400
<v Speaker 1>incode and decode information across brains the same way. I

0:34:10.600 --> 0:34:13.399
<v Speaker 1>don't think there's any good evidence that humans can do that,

0:34:13.600 --> 0:34:16.160
<v Speaker 1>but you could imagine a species that did do that.

0:34:16.480 --> 0:34:20.000
<v Speaker 1>Right likewise, it's and perhaps there's a science fiction surely

0:34:20.080 --> 0:34:22.040
<v Speaker 1>there's a science fiction or fantasy treatment of this out

0:34:22.080 --> 0:34:26.960
<v Speaker 1>there somewhere. You can imagine something with the chromatophores along

0:34:27.000 --> 0:34:30.520
<v Speaker 1>the lines of cuttlefish, or you know, an octopus being

0:34:30.600 --> 0:34:34.080
<v Speaker 1>able to take a mental image in its head and

0:34:34.200 --> 0:34:37.640
<v Speaker 1>recreated on its body. Oh, I love that that. Somebody

0:34:37.680 --> 0:34:39.520
<v Speaker 1>has surely done that before, and that would be that

0:34:39.560 --> 0:34:41.279
<v Speaker 1>would be an interesting way to do it. And of

0:34:41.320 --> 0:34:46.000
<v Speaker 1>course humans have a similar ability through language and uh

0:34:46.080 --> 0:34:49.520
<v Speaker 1>and and an artistic skill. We can take a mental

0:34:49.560 --> 0:34:54.279
<v Speaker 1>image and we can recreate some version of it outside

0:34:54.280 --> 0:34:57.680
<v Speaker 1>of our body in a way that that stays stationary.

0:34:57.800 --> 0:35:00.920
<v Speaker 1>But it is not uh, it is not the you know,

0:35:00.960 --> 0:35:05.600
<v Speaker 1>the art of of of telepathy or or or the

0:35:05.640 --> 0:35:08.799
<v Speaker 1>thoughtography or whatever. It is. It is the the the

0:35:08.960 --> 0:35:10.840
<v Speaker 1>it is the arts themselves. It is that it is

0:35:10.840 --> 0:35:13.440
<v Speaker 1>the use of language. I think that's dead on. I mean,

0:35:13.920 --> 0:35:16.640
<v Speaker 1>we're used to it, so it seems less astounding to us.

0:35:16.680 --> 0:35:19.160
<v Speaker 1>But I try to make people remember all the time

0:35:19.160 --> 0:35:21.600
<v Speaker 1>that language is like magic. I mean, the language is

0:35:21.640 --> 0:35:26.399
<v Speaker 1>the most is the most astounding, strangest thing you can.

0:35:26.520 --> 0:35:29.280
<v Speaker 1>You can use words, you make sounds with your mouth

0:35:29.400 --> 0:35:33.120
<v Speaker 1>to change what's in somebody else's brain. And it works.

0:35:33.200 --> 0:35:36.160
<v Speaker 1>It works almost all the time. Now, quickly, before we

0:35:36.200 --> 0:35:38.080
<v Speaker 1>go to another break, I just wanted to mention I

0:35:38.120 --> 0:35:42.960
<v Speaker 1>was looking at another paper about recent research in mental imagery,

0:35:42.960 --> 0:35:46.760
<v Speaker 1>and this is called Mental Imagery, Functional Mechanisms and Clinical Applications.

0:35:46.880 --> 0:35:51.200
<v Speaker 1>This is in Trends and Cognitive Sciences from Joel Pearson,

0:35:51.360 --> 0:35:56.960
<v Speaker 1>Thomas Nasloris, Emily Holmes, and Stephen Kostlin Um. And one

0:35:56.960 --> 0:35:58.840
<v Speaker 1>of the things that they said in the paper it

0:35:59.040 --> 0:36:01.360
<v Speaker 1>echoes a lot of the off we were talking about already.

0:36:01.400 --> 0:36:05.640
<v Speaker 1>But um. One thing they say that stuck with me

0:36:05.719 --> 0:36:09.279
<v Speaker 1>is that the authors conclude that the existing research suggests

0:36:09.680 --> 0:36:14.680
<v Speaker 1>mental imagery should be considered quote, a weak form of perception.

0:36:15.760 --> 0:36:18.600
<v Speaker 1>And that's interesting because you don't normally think about mental

0:36:18.640 --> 0:36:22.000
<v Speaker 1>imagery as perception. Normally, perception is what you know your

0:36:22.000 --> 0:36:24.080
<v Speaker 1>five senses or maybe the other senses, if you know

0:36:24.120 --> 0:36:27.640
<v Speaker 1>about the weirder ones. Um. But here they're saying, no,

0:36:27.760 --> 0:36:30.560
<v Speaker 1>it is like a form of perception. It's almost like

0:36:30.760 --> 0:36:34.920
<v Speaker 1>a lower resolution form of seeing. Now, why is it

0:36:35.000 --> 0:36:37.920
<v Speaker 1>a weak form of perception? Well, visual regions in the

0:36:37.960 --> 0:36:42.400
<v Speaker 1>brain show less blood flow and less excitation of neurons

0:36:42.480 --> 0:36:45.320
<v Speaker 1>during the generation of mental imagery than they do in

0:36:45.360 --> 0:36:48.520
<v Speaker 1>the actual viewing of images with the eyes, even though

0:36:48.719 --> 0:36:51.279
<v Speaker 1>you use some of the same regions for both. And

0:36:51.280 --> 0:36:53.920
<v Speaker 1>I also just wanted to mention some interesting questions that

0:36:54.000 --> 0:36:57.919
<v Speaker 1>the authors bring up as sort of unresolved in this review. Again,

0:36:57.960 --> 0:37:02.000
<v Speaker 1>this was from so there maybe development since then, but um,

0:37:02.560 --> 0:37:04.040
<v Speaker 1>one of the things they ask is, we know that

0:37:04.080 --> 0:37:07.880
<v Speaker 1>there are strong similarities between normal visual perception seeing with

0:37:07.920 --> 0:37:11.920
<v Speaker 1>the eyes and mental imagery. What are the major differences?

0:37:12.640 --> 0:37:15.200
<v Speaker 1>Another thing that I was really interested in is they

0:37:15.200 --> 0:37:21.280
<v Speaker 1>asked the question of can mental imagery be unconscious? And

0:37:21.760 --> 0:37:23.719
<v Speaker 1>if you try to understand that for a second, is

0:37:23.760 --> 0:37:28.680
<v Speaker 1>it possible to picture something without being aware that you're

0:37:28.760 --> 0:37:33.799
<v Speaker 1>picturing it? Or is mental imagery something that only occurs consciously?

0:37:33.880 --> 0:37:36.799
<v Speaker 1>Can you only picture something if you're aware that you're

0:37:36.800 --> 0:37:39.680
<v Speaker 1>picturing it? So? Well, what would be what would be

0:37:39.719 --> 0:37:43.600
<v Speaker 1>an example then, based on that logic of someone picturing

0:37:43.680 --> 0:37:46.400
<v Speaker 1>something without realizing they're picturing something. Well, I don't know.

0:37:46.440 --> 0:37:48.400
<v Speaker 1>I mean that that's sort of the tough question, like

0:37:48.719 --> 0:37:51.719
<v Speaker 1>is because it would be difficult to measure that. I

0:37:51.800 --> 0:37:54.480
<v Speaker 1>think it would it be like an hallucination. Well, no,

0:37:54.640 --> 0:37:58.200
<v Speaker 1>because you'd be presumably you'd be conscious of an hallucination.

0:37:58.760 --> 0:38:00.799
<v Speaker 1>So the idea would have to be that, you know,

0:38:01.120 --> 0:38:04.720
<v Speaker 1>you can show unconscious things going on in the brain

0:38:04.880 --> 0:38:07.520
<v Speaker 1>just by like asking people if they're aware of things,

0:38:07.520 --> 0:38:10.359
<v Speaker 1>but tracking their behaviors that realize, you know, the show

0:38:10.400 --> 0:38:12.879
<v Speaker 1>they are aware of this thing or that thing. But

0:38:13.400 --> 0:38:16.520
<v Speaker 1>it's difficult to say, can people imagine a picture of

0:38:16.600 --> 0:38:21.160
<v Speaker 1>something without knowing that they're picturing it? I would think,

0:38:21.280 --> 0:38:23.560
<v Speaker 1>you know, I would say the default answer would probably

0:38:23.600 --> 0:38:26.040
<v Speaker 1>be no, because it's hard to imagine what that would be.

0:38:26.080 --> 0:38:28.080
<v Speaker 1>Like you tend to think, Okay, the only times I

0:38:28.120 --> 0:38:31.520
<v Speaker 1>know that I'm picturing something or when I'm conscious of it. Well,

0:38:31.560 --> 0:38:34.600
<v Speaker 1>for that matter, is it possible to unconsciously look at

0:38:34.640 --> 0:38:37.719
<v Speaker 1>something with your visual perception? Like? I think maybe that

0:38:37.840 --> 0:38:41.160
<v Speaker 1>is possible, Like because if I'm but I'm looking at something,

0:38:41.200 --> 0:38:44.160
<v Speaker 1>I am looking at something, right, I mean, it seems

0:38:44.160 --> 0:38:47.160
<v Speaker 1>like it follows the same process. Well, I don't know

0:38:47.200 --> 0:38:50.040
<v Speaker 1>what about, Like, there could be some stuff along the

0:38:50.040 --> 0:38:53.799
<v Speaker 1>lines of like the Invisible Guerillas experiment that indicate that

0:38:53.920 --> 0:38:56.600
<v Speaker 1>sometimes you can see things without being aware that you're

0:38:56.600 --> 0:38:59.080
<v Speaker 1>seeing them, right or certainly we've already touched on what

0:38:59.120 --> 0:39:01.680
<v Speaker 1>happens if you are looking at something in the physical

0:39:01.719 --> 0:39:04.719
<v Speaker 1>world but focus focusing far more intently on something that

0:39:04.880 --> 0:39:09.320
<v Speaker 1>is just a mental image. But yeah, I mean, I

0:39:09.360 --> 0:39:11.360
<v Speaker 1>can see why it's an unanswered question, but it is

0:39:11.400 --> 0:39:14.040
<v Speaker 1>kind of it's a tricky question too. Yeah. Now, I

0:39:14.080 --> 0:39:16.719
<v Speaker 1>think what does seem pretty clear is that there can

0:39:16.760 --> 0:39:20.120
<v Speaker 1>be unconscious reasons for the generation of mental imagery. I

0:39:20.200 --> 0:39:23.160
<v Speaker 1>mean that this is a huge thing in mental imagery research,

0:39:23.239 --> 0:39:26.759
<v Speaker 1>is like the origins of mental imagery, for example, intrusive,

0:39:26.840 --> 0:39:29.920
<v Speaker 1>unwanted mental images. Yeah, I think that's that's that's an

0:39:29.920 --> 0:39:32.839
<v Speaker 1>example that I imagine a lot of us can relate to.

0:39:33.560 --> 0:39:37.360
<v Speaker 1>But also in terms of say meditative states, you know,

0:39:37.440 --> 0:39:41.320
<v Speaker 1>the idea of encountering an image that isn't at least

0:39:41.360 --> 0:39:43.839
<v Speaker 1>consciously summoned, you know, not to say that it comes

0:39:43.880 --> 0:39:47.200
<v Speaker 1>from the outside. It's still coming from sort of the

0:39:47.200 --> 0:39:51.879
<v Speaker 1>the internal contents of your your psychic library, but but

0:39:52.080 --> 0:39:56.280
<v Speaker 1>not in a way that feels um that you assembled

0:39:56.320 --> 0:39:59.279
<v Speaker 1>it hands on. And then likewise there's a domain of

0:39:59.320 --> 0:40:02.520
<v Speaker 1>hallucination and a dream. Yeah, I've got another maybe weird

0:40:02.600 --> 0:40:05.840
<v Speaker 1>question about mental imagery. See if this makes any sense.

0:40:06.360 --> 0:40:09.160
<v Speaker 1>Um So, the authors in these studies find strong links

0:40:09.200 --> 0:40:12.920
<v Speaker 1>between visual imagery and things like working memory. But I

0:40:12.960 --> 0:40:18.080
<v Speaker 1>wonder does the ability to recall visually recognized features of

0:40:18.120 --> 0:40:23.359
<v Speaker 1>a thing always or even usually rely on mental imagery?

0:40:23.600 --> 0:40:26.360
<v Speaker 1>And uh so? For example, if I ask you to

0:40:26.680 --> 0:40:29.800
<v Speaker 1>picture a character from a movie, you've seen a picture

0:40:30.239 --> 0:40:34.800
<v Speaker 1>the Chamberlain from the Dark Crystal. Uh or let's see actually,

0:40:35.000 --> 0:40:38.160
<v Speaker 1>uh I think I screwed that up. Okay, No, actually, don't,

0:40:38.160 --> 0:40:40.360
<v Speaker 1>don't picture him yet. It's too late. I've done it

0:40:40.440 --> 0:40:43.240
<v Speaker 1>like twice. Okay, Well, I just want you to list

0:40:43.360 --> 0:40:49.680
<v Speaker 1>physical characteristics of the Chamberlain from the Dark Crystal. Okay, Um,

0:40:49.880 --> 0:41:01.600
<v Speaker 1>bird like, um, sneaky, serpentine, um, splendid, decayed. I guess

0:41:01.640 --> 0:41:04.759
<v Speaker 1>I bring this up because my question is, when you

0:41:04.800 --> 0:41:08.839
<v Speaker 1>recall visual characteristics of a thing you've seen, do you

0:41:08.880 --> 0:41:12.759
<v Speaker 1>recall them exclusively by calling up a mental image of

0:41:12.800 --> 0:41:16.000
<v Speaker 1>the thing and examining it like you would a thing

0:41:16.040 --> 0:41:19.120
<v Speaker 1>you're looking at currently or do you have other ways

0:41:19.160 --> 0:41:23.040
<v Speaker 1>of remembering the visual characteristics of something other than by

0:41:23.080 --> 0:41:25.960
<v Speaker 1>picturing it and then examining what you're looking at in

0:41:26.000 --> 0:41:28.759
<v Speaker 1>your mind's eye. Well, with the Chamberlain, I think I

0:41:29.320 --> 0:41:33.280
<v Speaker 1>draw specifically on just visuals. Now, it would be different

0:41:33.280 --> 0:41:35.520
<v Speaker 1>if I was described, if it was asked to describe

0:41:35.520 --> 0:41:39.480
<v Speaker 1>a literary character in which the character is is like

0:41:39.520 --> 0:41:43.319
<v Speaker 1>initially build out of language, but that the Chamberlain is

0:41:43.360 --> 0:41:47.400
<v Speaker 1>all is all visual and does not, at least in

0:41:47.400 --> 0:41:52.640
<v Speaker 1>anything I remember, describe itself. So you know, because there

0:41:52.640 --> 0:41:56.240
<v Speaker 1>are characters that one encounters visually where that the character

0:41:56.480 --> 0:41:58.400
<v Speaker 1>is going to describe itself or there's gonna be some

0:41:58.480 --> 0:42:01.080
<v Speaker 1>voice to describe it, but no language attached to it.

0:42:01.160 --> 0:42:04.000
<v Speaker 1>So yeah, I would say almost purely visual. Yeah, I

0:42:04.080 --> 0:42:06.560
<v Speaker 1>noticed most of the time when I'm trying to recall

0:42:06.719 --> 0:42:10.600
<v Speaker 1>visual characteristics of something, I picture it first. But yeah,

0:42:10.760 --> 0:42:15.120
<v Speaker 1>it gets especially complicated when you're thinking about characteristics of

0:42:15.160 --> 0:42:19.879
<v Speaker 1>something that you've imagined from writing but not from seeing. Yeah,

0:42:20.000 --> 0:42:21.920
<v Speaker 1>Like when you asked me to think of the Chamberlain, too,

0:42:21.920 --> 0:42:24.960
<v Speaker 1>I found myself doing it in two ways, Like basically

0:42:24.960 --> 0:42:29.040
<v Speaker 1>a mental image of a scene from the film, like

0:42:29.120 --> 0:42:32.080
<v Speaker 1>where I'm seeing in my mind not only the character,

0:42:32.160 --> 0:42:35.799
<v Speaker 1>but the backdrop, the lighting, everything, and then there's kind

0:42:35.800 --> 0:42:39.160
<v Speaker 1>of a mental image of, say, the head of the creature,

0:42:39.400 --> 0:42:41.600
<v Speaker 1>as if it were in the room with me, you know.

0:42:42.360 --> 0:42:45.360
<v Speaker 1>So that makes me wonder too, Yeah, do we have

0:42:45.440 --> 0:42:49.000
<v Speaker 1>different different sorts of mental imagery? Mental imagery that's more

0:42:49.760 --> 0:42:52.600
<v Speaker 1>based on thinking. Maybe in a way, it's kind of

0:42:52.600 --> 0:42:55.040
<v Speaker 1>like thinking about the way we uh we think about

0:42:55.040 --> 0:42:57.200
<v Speaker 1>the past and the future, a way of thinking about

0:42:57.200 --> 0:43:00.280
<v Speaker 1>the way something was and then imagining the way something

0:43:00.360 --> 0:43:02.080
<v Speaker 1>would be, what it would be like if it were

0:43:02.200 --> 0:43:05.040
<v Speaker 1>here or if I were encountering it in the near future.

0:43:05.640 --> 0:43:07.880
<v Speaker 1>I wonder if that plays into it at all. All Right,

0:43:07.920 --> 0:43:09.440
<v Speaker 1>on that note, we're gonna take a quick break, but

0:43:09.480 --> 0:43:14.480
<v Speaker 1>we'll be right back. Than alright, we're back. Okay. So

0:43:14.520 --> 0:43:19.600
<v Speaker 1>we've been talking about psychic photography or thoughtography, this alleged

0:43:19.840 --> 0:43:23.200
<v Speaker 1>ability that some people have to project the contents of

0:43:23.239 --> 0:43:27.080
<v Speaker 1>their mental imagery onto film or onto objects in the

0:43:27.120 --> 0:43:30.200
<v Speaker 1>external world. And I think we're probably in agreement that

0:43:30.400 --> 0:43:33.000
<v Speaker 1>even though a lot of people have claimed to have

0:43:33.120 --> 0:43:36.080
<v Speaker 1>this power or claim to have demonstrated this power, this

0:43:36.239 --> 0:43:39.360
<v Speaker 1>probably is not really going on in in some ways,

0:43:39.480 --> 0:43:42.640
<v Speaker 1>the mechanism of it seems incoherent, right, and that's what

0:43:42.800 --> 0:43:46.400
<v Speaker 1>it basically, the mechanism is incoherent. So it's again like

0:43:46.440 --> 0:43:51.000
<v Speaker 1>imagining the psychics and scanners being able to read hard drives,

0:43:51.120 --> 0:43:54.920
<v Speaker 1>like like, this just doesn't make sense. But there are

0:43:54.920 --> 0:43:58.840
<v Speaker 1>a number of experiments that sort of would find a

0:43:58.880 --> 0:44:03.720
<v Speaker 1>way around the sincoherence we're talking about through another layer

0:44:03.760 --> 0:44:08.040
<v Speaker 1>of encoding and decoding of brain activity that that could

0:44:08.040 --> 0:44:12.480
<v Speaker 1>be learned through brain computer interfaces and machine learning. And

0:44:12.640 --> 0:44:16.480
<v Speaker 1>this we're getting into into the creation of a of

0:44:16.520 --> 0:44:20.279
<v Speaker 1>a technological translator. Yes exactly. It kind of the same

0:44:20.280 --> 0:44:23.760
<v Speaker 1>way that you would use language to translate the contents

0:44:23.760 --> 0:44:26.720
<v Speaker 1>of your mind's eye into something in the outside world.

0:44:27.239 --> 0:44:31.440
<v Speaker 1>A computer could potentially translate the brain activity that it

0:44:31.520 --> 0:44:34.000
<v Speaker 1>reads off of your scalp or in blood flow in

0:44:34.040 --> 0:44:37.319
<v Speaker 1>your brain through fm R I into something in the

0:44:37.400 --> 0:44:41.000
<v Speaker 1>outside world that could be trained to correlate with your

0:44:41.040 --> 0:44:44.920
<v Speaker 1>mental imagery. Now, I think I've got lots of questions

0:44:44.920 --> 0:44:48.200
<v Speaker 1>about how accurate and how realistic this project actually is,

0:44:48.600 --> 0:44:50.960
<v Speaker 1>but there are at least these experiments that that have

0:44:51.080 --> 0:44:53.640
<v Speaker 1>purported to get part of the way there, and they're

0:44:53.680 --> 0:44:56.000
<v Speaker 1>they're kind of freaky. I I won't lie. I want

0:44:56.000 --> 0:44:58.080
<v Speaker 1>to say this starts to get me a little bit worried.

0:44:58.120 --> 0:45:02.040
<v Speaker 1>I want to start with a newspiece in Science from January.

0:45:02.719 --> 0:45:05.960
<v Speaker 1>The newspiece was by Matthew Hudson and it covers the

0:45:05.960 --> 0:45:09.440
<v Speaker 1>brain computer interface work of a group of researchers including

0:45:09.640 --> 0:45:14.400
<v Speaker 1>uh Yukiyasu Kamitani, a neuroscientist at Kyoto University in Japan,

0:45:14.920 --> 0:45:18.880
<v Speaker 1>and a computer scientist named Zone ming Lieu at Purdue

0:45:18.960 --> 0:45:22.160
<v Speaker 1>University in the United States. And this work is focused

0:45:22.160 --> 0:45:26.160
<v Speaker 1>on it's using brain computer interfaces to directly read and

0:45:26.239 --> 0:45:29.480
<v Speaker 1>record mental imagery, which is the imagining of a picture.

0:45:30.160 --> 0:45:33.120
<v Speaker 1>So you try to imagine, like, why would anybody be

0:45:33.200 --> 0:45:35.799
<v Speaker 1>doing this? You know, what would be the supposed benefits

0:45:35.800 --> 0:45:39.399
<v Speaker 1>of a technology to read people's mental imagery. Well, we're

0:45:39.400 --> 0:45:42.040
<v Speaker 1>asked to imagine in this article, maybe being able to

0:45:42.080 --> 0:45:45.960
<v Speaker 1>search through a collection of digital images simply by mentally

0:45:46.040 --> 0:45:48.799
<v Speaker 1>picturing the image we want. Okay, that might be a

0:45:48.800 --> 0:45:51.799
<v Speaker 1>thing like I bet you've tried before to Google an

0:45:51.840 --> 0:45:54.319
<v Speaker 1>image that you've seen before, but you didn't know what

0:45:54.440 --> 0:45:58.000
<v Speaker 1>search terms to use and couldn't find it. Yeah, yeah,

0:45:58.040 --> 0:46:01.719
<v Speaker 1>there's I could see where that could have an application. Well,

0:46:01.760 --> 0:46:04.760
<v Speaker 1>granted it's not something that is really life or death.

0:46:05.480 --> 0:46:07.880
<v Speaker 1>It would be more like, Oh, I vaguely remember a

0:46:08.000 --> 0:46:13.640
<v Speaker 1>really cool advertisement for a community college on television in

0:46:13.680 --> 0:46:16.760
<v Speaker 1>the summer in my childhood, and they played a song

0:46:16.800 --> 0:46:18.680
<v Speaker 1>on it that kind of sounded like Boards of Canada.

0:46:18.680 --> 0:46:21.080
<v Speaker 1>I wonder if it was actually Boards of Canada. Like

0:46:21.160 --> 0:46:23.319
<v Speaker 1>that is a legit thing that I think about from

0:46:23.360 --> 0:46:25.160
<v Speaker 1>time to time, and there's no way for me to

0:46:25.160 --> 0:46:29.200
<v Speaker 1>look it up. But true enough, if a machine could

0:46:29.239 --> 0:46:33.240
<v Speaker 1>look at my mental imagery of that memory of watching

0:46:33.280 --> 0:46:36.839
<v Speaker 1>that TV spot, then it's conceivable that it could then

0:46:36.960 --> 0:46:41.280
<v Speaker 1>look into some vast database and find that footage for me. Yeah,

0:46:41.320 --> 0:46:44.000
<v Speaker 1>I'm not saying that will necessarily ever get there, but

0:46:44.120 --> 0:46:46.359
<v Speaker 1>that that is the kind of thing they're asking you

0:46:46.400 --> 0:46:50.360
<v Speaker 1>to imagine. Another one, this is probably more straightforward drawing

0:46:50.400 --> 0:46:53.920
<v Speaker 1>without the hands, straight from imagination too, recorded two D

0:46:54.080 --> 0:46:56.520
<v Speaker 1>media that might be interesting. I mean, I wonder if

0:46:56.520 --> 0:46:59.719
<v Speaker 1>I could open up whole other realms of visual art

0:47:00.360 --> 0:47:03.200
<v Speaker 1>for people who are not good at drawing with their hands, right,

0:47:03.280 --> 0:47:06.600
<v Speaker 1>or or for people who are disabled to some degree, right, Like,

0:47:06.640 --> 0:47:09.040
<v Speaker 1>I coun see that being advantageous as well, and it

0:47:09.080 --> 0:47:11.120
<v Speaker 1>can go further than that. I mean, technically you could

0:47:11.160 --> 0:47:14.080
<v Speaker 1>imagine something like this allowing people without the power of

0:47:14.120 --> 0:47:17.319
<v Speaker 1>speech you're writing to share their thoughts. Uh, you know

0:47:17.400 --> 0:47:19.680
<v Speaker 1>you can't. Maybe if you can't speak, you can't describe

0:47:19.719 --> 0:47:22.160
<v Speaker 1>your visual imagery, maybe you could share it with something

0:47:22.760 --> 0:47:25.319
<v Speaker 1>like this. But I want to say, Okay, those are

0:47:25.320 --> 0:47:28.360
<v Speaker 1>the positive versions of what we're imagining. We could explore

0:47:28.400 --> 0:47:31.520
<v Speaker 1>negative versions later on. And so the researchers here have

0:47:31.560 --> 0:47:35.360
<v Speaker 1>been working on computer algorithms that are trained through machine

0:47:35.440 --> 0:47:39.520
<v Speaker 1>learning to match patterns of brain activity recorded through things

0:47:39.560 --> 0:47:43.439
<v Speaker 1>like fMRI I with imagery that a subject is looking at,

0:47:44.280 --> 0:47:47.040
<v Speaker 1>and because actually looking at an image and then mentally

0:47:47.080 --> 0:47:50.120
<v Speaker 1>imagining the same image are sort of similar in the brain,

0:47:50.120 --> 0:47:52.520
<v Speaker 1>They're not exactly the same, but there's some similar stuff

0:47:52.560 --> 0:47:56.279
<v Speaker 1>going on. Researchers have experimented with measuring activity in the

0:47:56.400 --> 0:47:58.840
<v Speaker 1>visual processing areas of the brain with f m r

0:47:58.920 --> 0:48:01.960
<v Speaker 1>I while person looking at different images, and then using

0:48:02.120 --> 0:48:05.520
<v Speaker 1>that data about blood flow in the brain to later

0:48:05.800 --> 0:48:09.160
<v Speaker 1>guess what a person is looking at without knowing now

0:48:09.200 --> 0:48:11.200
<v Speaker 1>ideally what you would have at the end of this

0:48:11.280 --> 0:48:14.960
<v Speaker 1>kind of research. Multi stage process is an algorithm that

0:48:15.040 --> 0:48:18.400
<v Speaker 1>could read the activity of a person's visual processing center

0:48:18.760 --> 0:48:23.160
<v Speaker 1>and materialize an image directly on the screen that corresponds

0:48:23.200 --> 0:48:27.040
<v Speaker 1>to what the person is either looking at or imagining. UH.

0:48:27.040 --> 0:48:30.440
<v Speaker 1>And again, to whatever extent the technology will ever fully

0:48:30.440 --> 0:48:33.720
<v Speaker 1>be realized, it's still in the very early stages. Um.

0:48:33.719 --> 0:48:36.000
<v Speaker 1>But in the example sided in this article, I should

0:48:36.040 --> 0:48:39.000
<v Speaker 1>say that the image generation portion was not carried out

0:48:39.040 --> 0:48:42.840
<v Speaker 1>on real brains. The data acquired from human subjects was

0:48:42.920 --> 0:48:46.560
<v Speaker 1>instead used to train a deep neural network that stood

0:48:46.600 --> 0:48:49.600
<v Speaker 1>in for an actual brain while they tested their image

0:48:49.640 --> 0:48:53.720
<v Speaker 1>generating program. And to quote from Hudson's article here quote

0:48:53.920 --> 0:48:57.280
<v Speaker 1>the system starts with something random similar to TV static,

0:48:57.680 --> 0:49:00.359
<v Speaker 1>and slowly refines its painting over the core of two

0:49:00.440 --> 0:49:03.400
<v Speaker 1>hundred rounds. To get closer to the ideal image. The

0:49:03.440 --> 0:49:07.200
<v Speaker 1>system calculates the difference between the deep neural network activity

0:49:07.560 --> 0:49:11.640
<v Speaker 1>and the templated deep neural network activity. Those calculations cause

0:49:11.680 --> 0:49:14.680
<v Speaker 1>it to nudge one pixel this way and another pixel

0:49:14.800 --> 0:49:18.319
<v Speaker 1>that way until it gets closer to the ideal image. Now,

0:49:18.320 --> 0:49:20.960
<v Speaker 1>Apparently at the stage, the algorithms are not very good

0:49:21.000 --> 0:49:23.800
<v Speaker 1>at all at guessing what imagery people have in mind

0:49:23.800 --> 0:49:27.399
<v Speaker 1>when they're imagining realistic photos, but they are pretty good

0:49:27.440 --> 0:49:30.719
<v Speaker 1>at picking out when people imagine abstract shapes. And that

0:49:30.760 --> 0:49:33.239
<v Speaker 1>makes sense because I think those would be like clearer

0:49:33.719 --> 0:49:37.600
<v Speaker 1>signals in the brain probably. But yeah, there's some images

0:49:37.920 --> 0:49:41.520
<v Speaker 1>along with this article that are the paintings generated by

0:49:41.680 --> 0:49:45.120
<v Speaker 1>this algorithm. Uh, and then they're they're compared with the

0:49:45.120 --> 0:49:49.120
<v Speaker 1>images that originally gave rise to them, and the comparisons

0:49:49.120 --> 0:49:53.960
<v Speaker 1>are wonderfully creepy. Yeah. They look like like psychedelic entities

0:49:54.040 --> 0:49:58.320
<v Speaker 1>that have come to convey some sort of occult knowledge

0:49:58.640 --> 0:50:01.920
<v Speaker 1>under the listener. Like there's a there's one that's originally

0:50:01.960 --> 0:50:04.839
<v Speaker 1>a picture of an owl, and then the approximation of

0:50:04.880 --> 0:50:09.520
<v Speaker 1>it is some kind of like like primordial worm walrus

0:50:09.680 --> 0:50:13.319
<v Speaker 1>from the center of the earth. Yeah. Yeah, a red

0:50:13.440 --> 0:50:18.239
<v Speaker 1>mailbox becomes this kind of alien burning crimson pillar. So

0:50:18.320 --> 0:50:21.040
<v Speaker 1>there are some patterns it seems like they're picking up

0:50:21.080 --> 0:50:25.000
<v Speaker 1>in in this version, where like some basic shapes emerge,

0:50:25.120 --> 0:50:29.320
<v Speaker 1>some color patterns seem like detectable. It seems like you

0:50:29.360 --> 0:50:32.840
<v Speaker 1>can detect when something is basically a face. But I

0:50:32.880 --> 0:50:35.960
<v Speaker 1>have questions about the ultimate potential of this technology, Like

0:50:36.000 --> 0:50:39.000
<v Speaker 1>the versions that exist today have limitations such as relying

0:50:39.000 --> 0:50:41.840
<v Speaker 1>on training and feedback, and also I wonder about the

0:50:41.960 --> 0:50:45.879
<v Speaker 1>rules for reading mental imagery, like how transferable are they

0:50:45.960 --> 0:50:50.160
<v Speaker 1>from one person to another? How idiosyncratic is your brain

0:50:50.400 --> 0:50:53.319
<v Speaker 1>looking at an image versus somebody else's brain looking at

0:50:53.320 --> 0:50:56.600
<v Speaker 1>the same image. It makes me think of the holophoner

0:50:56.760 --> 0:50:59.759
<v Speaker 1>from Futurama. Do you remember this sent in? It's a

0:50:59.840 --> 0:51:02.920
<v Speaker 1>mu zsical instrument that Fry attempts to learn at one point,

0:51:03.160 --> 0:51:07.239
<v Speaker 1>and at one point masters thanks to the the parasitic

0:51:07.239 --> 0:51:10.359
<v Speaker 1>worms living inside his gut that have made him super intelligent. Uh,

0:51:10.560 --> 0:51:13.040
<v Speaker 1>but then he pleases that ability. But anyway, it's it's this.

0:51:13.520 --> 0:51:17.880
<v Speaker 1>It's basically like a small musical instrument, like a woodwind instrument,

0:51:18.320 --> 0:51:22.000
<v Speaker 1>but it has the technologically capability to take a mental

0:51:22.040 --> 0:51:24.160
<v Speaker 1>image in your mind and project it into the air

0:51:24.200 --> 0:51:26.959
<v Speaker 1>for others to see. But it takes It's like, it's

0:51:27.200 --> 0:51:30.480
<v Speaker 1>notably difficult to learn and takes a lot of intense

0:51:30.520 --> 0:51:34.800
<v Speaker 1>training and concentration to even form a very vague image

0:51:34.800 --> 0:51:36.640
<v Speaker 1>in the air. And so some of the like the

0:51:36.680 --> 0:51:40.000
<v Speaker 1>initial images that Fry is able to summon using the

0:51:40.000 --> 0:51:44.320
<v Speaker 1>holophone are basically as abstract as these examples we've discussed

0:51:44.320 --> 0:51:48.319
<v Speaker 1>in this study. But I mean, so on one hand,

0:51:48.320 --> 0:51:50.080
<v Speaker 1>you could say, well, maybe this kind of thing will

0:51:50.160 --> 0:51:53.080
<v Speaker 1>just never get very accurate in any way that's applicable.

0:51:53.120 --> 0:51:56.759
<v Speaker 1>That's possible. But also if this technology ever does get

0:51:56.760 --> 0:52:00.239
<v Speaker 1>more accurate, can you imagine this would I mean, I'm

0:52:00.280 --> 0:52:03.560
<v Speaker 1>thinking about the way it would be incorporated into machine

0:52:03.640 --> 0:52:10.200
<v Speaker 1>learning user feedback mechanisms that serve us content on social media. Um,

0:52:10.440 --> 0:52:13.319
<v Speaker 1>you know, imagine a Facebook news feed that could not

0:52:13.400 --> 0:52:15.560
<v Speaker 1>only fine tune itself based on what you do with

0:52:15.600 --> 0:52:18.080
<v Speaker 1>your mouse cursor and how you scroll and what you

0:52:18.120 --> 0:52:20.600
<v Speaker 1>click on and how long you look at things, but

0:52:20.719 --> 0:52:24.200
<v Speaker 1>based on neurofeedback that allows it to detect how you're

0:52:24.320 --> 0:52:28.160
<v Speaker 1>using your visual imagination, you know, so they sell you

0:52:28.200 --> 0:52:30.239
<v Speaker 1>on the good stuff, right, draw without your hands, and

0:52:30.600 --> 0:52:32.960
<v Speaker 1>you get this kind of interface that that hooks up

0:52:32.960 --> 0:52:35.759
<v Speaker 1>to your brain and then it can sense patterns and

0:52:35.840 --> 0:52:39.240
<v Speaker 1>what users are picturing in their mind's eye and reaction

0:52:39.320 --> 0:52:42.520
<v Speaker 1>to media stimuli at a massive scale. Even if this

0:52:42.600 --> 0:52:46.640
<v Speaker 1>can't be used to pull images accurately directly from your brain,

0:52:47.320 --> 0:52:49.560
<v Speaker 1>just imagine what it could do based on the brain

0:52:49.600 --> 0:52:54.360
<v Speaker 1>activity correlations across populations alone. Uh. And also I'm imagining

0:52:54.400 --> 0:52:57.120
<v Speaker 1>if it ever did get good enough at reading brain activity,

0:52:57.880 --> 0:53:01.520
<v Speaker 1>the brain activity underlying mental imagery and turning that directly

0:53:01.560 --> 0:53:05.120
<v Speaker 1>into physical images outside the brain. What kind of crazy

0:53:05.200 --> 0:53:08.879
<v Speaker 1>cyber feedback processes could that lead to? Yeah, I mean,

0:53:08.920 --> 0:53:15.600
<v Speaker 1>anyway you shake it, it's a it's a nightmare. Yeah, yeah.

0:53:15.640 --> 0:53:18.840
<v Speaker 1>I really don't like the idea of machines being able

0:53:18.880 --> 0:53:21.920
<v Speaker 1>to look inside our head and do anything with our

0:53:21.960 --> 0:53:24.359
<v Speaker 1>our mental images and draw them out. I mean, that's

0:53:24.960 --> 0:53:29.560
<v Speaker 1>that's just pure dystopia juice right there. Anyway, anyway you

0:53:29.600 --> 0:53:31.640
<v Speaker 1>shake it, I mean it seems like even the positives

0:53:31.680 --> 0:53:35.319
<v Speaker 1>I have to like really construct an artificial scenario where

0:53:35.320 --> 0:53:37.680
<v Speaker 1>it's like, okay, there's been a kidnapping and we have

0:53:37.760 --> 0:53:40.000
<v Speaker 1>to draw the mental images out of the the only

0:53:40.000 --> 0:53:43.400
<v Speaker 1>so you know, you get into ridiculous scenarios like that, which, okay, yes,

0:53:43.520 --> 0:53:46.800
<v Speaker 1>given that very particular scenario, perhaps it would make sense.

0:53:47.080 --> 0:53:50.799
<v Speaker 1>But then you get into just basic considerations of of

0:53:50.840 --> 0:53:53.880
<v Speaker 1>privacy to like, would you ever have the right to

0:53:54.200 --> 0:53:58.040
<v Speaker 1>look inside someone's head and draw out their mental images?

0:53:58.200 --> 0:54:00.239
<v Speaker 1>It depends on who writes the laws, and I would

0:54:00.239 --> 0:54:02.560
<v Speaker 1>think it is the big corporation with all the lawyers

0:54:02.560 --> 0:54:05.040
<v Speaker 1>that will write the laws. And I guess looking at

0:54:05.080 --> 0:54:08.160
<v Speaker 1>the like this sort of certainly the social media examples too.

0:54:08.200 --> 0:54:10.959
<v Speaker 1>It's like, are you It depends too, are you born

0:54:11.040 --> 0:54:15.440
<v Speaker 1>into a world in which it's normal for your machines

0:54:15.520 --> 0:54:18.320
<v Speaker 1>to look inside your brain and draw from your mental images,

0:54:18.520 --> 0:54:21.400
<v Speaker 1>probably with some sort of an agreement. Uh, In the

0:54:21.440 --> 0:54:24.600
<v Speaker 1>same way that you know, our emails are read by machines,

0:54:24.640 --> 0:54:27.360
<v Speaker 1>but they're not actually read by people. There would be

0:54:27.360 --> 0:54:30.720
<v Speaker 1>this idea like, oh, yeah, nobody's actually watching your mental images.

0:54:30.719 --> 0:54:33.080
<v Speaker 1>It's just our algorithms are keeping track on them so

0:54:33.120 --> 0:54:36.520
<v Speaker 1>we can better serve you content. I mean, I think

0:54:36.360 --> 0:54:40.719
<v Speaker 1>that a lot of times we have overestimated our people's

0:54:40.840 --> 0:54:46.240
<v Speaker 1>desire for privacy and uh, Like, I just think about

0:54:46.239 --> 0:54:50.080
<v Speaker 1>how years ago if you had told people here's all

0:54:50.120 --> 0:54:52.600
<v Speaker 1>the things people will be sharing on social media and

0:54:52.640 --> 0:54:55.880
<v Speaker 1>all the kinds of uh privileges they will be allowing

0:54:55.920 --> 0:54:58.680
<v Speaker 1>these companies to have and learning about their lives and

0:54:58.760 --> 0:55:01.320
<v Speaker 1>learning about their data, people would be like, no way,

0:55:01.480 --> 0:55:04.640
<v Speaker 1>nobody will ever surrender that amount of you know, privacy

0:55:04.680 --> 0:55:07.640
<v Speaker 1>and autonomy about their lives and their data. But people

0:55:07.680 --> 0:55:11.160
<v Speaker 1>just gave it up so willingly. Yeah, and so many

0:55:11.239 --> 0:55:15.000
<v Speaker 1>are still seemingly fine with it. Yeah. So I wonder

0:55:15.040 --> 0:55:16.920
<v Speaker 1>if I don't know. Maybe it has to do with

0:55:17.000 --> 0:55:20.160
<v Speaker 1>something about the advertising, the marketing, how these things are

0:55:20.280 --> 0:55:23.640
<v Speaker 1>are rolled out to the public that that breaks down

0:55:23.719 --> 0:55:27.279
<v Speaker 1>our defenses and and has us ending up being like, ah, yeah,

0:55:27.320 --> 0:55:29.239
<v Speaker 1>you know whatever, I'll get the brain device. You know,

0:55:30.239 --> 0:55:33.600
<v Speaker 1>Jeffrey's got one. He likes it, you know. Yeah. Yeah, Well,

0:55:33.600 --> 0:55:35.600
<v Speaker 1>I I hold out hope that it would be a

0:55:35.840 --> 0:55:38.040
<v Speaker 1>you know, the bridge too far, and that that humans

0:55:38.040 --> 0:55:41.319
<v Speaker 1>would would rise up and reject it. I hope so

0:55:41.400 --> 0:55:44.120
<v Speaker 1>as well. But but I also feel like we're already

0:55:44.120 --> 0:55:46.760
<v Speaker 1>at that point where humans should rise up and reject

0:55:47.480 --> 0:55:50.120
<v Speaker 1>what is being presented to them, you know, certainly by

0:55:50.120 --> 0:55:53.560
<v Speaker 1>the large social media companies and um and uh. I

0:55:53.560 --> 0:55:56.000
<v Speaker 1>don't know. Some people are rising up, but we're not

0:55:56.080 --> 0:55:59.240
<v Speaker 1>quite rising up in the numbers so far. To limit

0:55:59.280 --> 0:56:03.320
<v Speaker 1>their power, protect your mental imagery instead, if you want

0:56:03.360 --> 0:56:06.359
<v Speaker 1>to have more power in sharing your mental imagery in

0:56:06.440 --> 0:56:08.560
<v Speaker 1>the cases where you actually do want to share it,

0:56:08.840 --> 0:56:12.479
<v Speaker 1>hone your powers of translation. That means practice becoming better

0:56:12.560 --> 0:56:16.720
<v Speaker 1>at language, better at drawing, better at art of whatever kind. Yeah,

0:56:16.880 --> 0:56:18.400
<v Speaker 1>and indeed, I don't want to end this on a

0:56:18.480 --> 0:56:22.960
<v Speaker 1>you know too you know, pessimistic note, dystopian and note is, etcetera.

0:56:22.960 --> 0:56:25.400
<v Speaker 1>Because ultimately, like what all this reveals, it's just like

0:56:25.800 --> 0:56:30.560
<v Speaker 1>just how incredible our brain's capacity for mental imagery really is.

0:56:31.280 --> 0:56:34.640
<v Speaker 1>Because you know, certainly these technologies that attempt to understand

0:56:34.640 --> 0:56:39.640
<v Speaker 1>and or even replicated these uh pseudoscientific or outright superstitious

0:56:39.680 --> 0:56:42.120
<v Speaker 1>ideas about what a mental image is and how it

0:56:42.200 --> 0:56:44.839
<v Speaker 1>might be you know, inflicted on the world. They all

0:56:44.920 --> 0:56:47.840
<v Speaker 1>get that, they're all circle circling the mystery and the

0:56:48.160 --> 0:56:51.719
<v Speaker 1>wonder uh that we all experience every day. It's yet

0:56:51.719 --> 0:56:55.800
<v Speaker 1>another case where there's a purported magical ability that is

0:56:55.840 --> 0:57:00.560
<v Speaker 1>actually maybe less fascinating than the reality that we're just

0:57:00.600 --> 0:57:02.720
<v Speaker 1>so used to of the fact that we have something

0:57:02.760 --> 0:57:07.160
<v Speaker 1>like language absolutely all right, Well, there you have it

0:57:07.560 --> 0:57:11.360
<v Speaker 1>are two part look at the mental image and various

0:57:11.400 --> 0:57:13.880
<v Speaker 1>ideas surrounding it. And I think we we crammed a

0:57:13.880 --> 0:57:19.160
<v Speaker 1>fair number of of horror film and other uh you know,

0:57:19.360 --> 0:57:21.720
<v Speaker 1>horror related ideas in there. So I think it's it's

0:57:21.800 --> 0:57:26.920
<v Speaker 1>firmly implanted in our October offerings. But if you're new

0:57:26.920 --> 0:57:29.520
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0:57:29.600 --> 0:57:33.320
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0:57:33.360 --> 0:57:34.960
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0:57:36.880 --> 0:57:40.280
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0:57:49.000 --> 0:57:53.160
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0:57:59.640 --> 0:58:01.960
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0:58:04.160 --> 0:58:07.000
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