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Speaker 1: I got you. How are you gonna look at it?

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Speaker 1: If you're looking over here? Three to one go? What

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Speaker 1: would you talk about on your on your podcast? Firm

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Speaker 1: Elvis Presents fifteen minute morning show Down down, all right, guys,

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Speaker 1: so while you know where you going? Hello, what are

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Speaker 1: you doing? That's pretty messed up? Guys up, that's messed up?

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Speaker 1: All right? That's fine ladies and gentlemen, boys, girls, children

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Speaker 1: of all the age. Just how worried today? Uh? When

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Speaker 1: you if you hear my voice, then you know only

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Speaker 1: one thing? That means that the whole entire show has

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Speaker 1: left me? And uh you got me? Greg Tea here

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Speaker 1: in the building. Oh now you want to come back?

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Speaker 1: Oh there you dog? Garret's back and there's Brody. Have

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Speaker 1: a question. What's up? You have a question? You know?

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Speaker 1: The question is what would you do with your podcast?

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Speaker 1: If you had one? I would turn down the volume

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Speaker 1: I on that one. I want to know why you

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Speaker 1: say whole entire? They mean the same thing, whole entire? Yeah,

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Speaker 1: what are you talking? When do I say that all

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Speaker 1: the time? You say whole entire? You everything about mixing this?

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Speaker 1: Watch ready? Like if you you say I hate the

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Speaker 1: whole entire pizza. But if you ate the whole pizza, well,

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Speaker 1: the entire pizza, but you don't need both, right, I'm

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Speaker 1: just wondering why you always do that. I don't know.

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Speaker 1: It's a crutch. I guess it's just always the way

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Speaker 1: I talk radio professional. Also speaking of crutches, people don't

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Speaker 1: know this, but every time you're about to record, you

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Speaker 1: always go three. It's time. But you did that before

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Speaker 1: this podcast. What is it timing for? You know what

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Speaker 1: that's from? Right? What is it fronts from? Like old

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Speaker 1: time radio where people how to start to tape, like

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Speaker 1: you give them a heads up where you're gonna start. Okay,

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Speaker 1: but let me just tell you something about old time radio. Okay,

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Speaker 1: but you you would never put all time radio? Of course,

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Speaker 1: what are you talking about? Yeah, but even when you

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Speaker 1: get into radio is all digital? What That's not true

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Speaker 1: at all? You're according to pro tools. I was here

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Speaker 1: in the days of when you had the real two

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Speaker 1: reel machines. You gotta be kidding me. I was taught

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Speaker 1: how to edit on real to real machine. You know,

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Speaker 1: I always here what's splicing? And obviously it's all analog.

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Speaker 1: I've been listen. The bottom line is this You took

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Speaker 1: radio in school though, right for like a semester? Did

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Speaker 1: they teach you three to one? Now, so where'd you

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Speaker 1: get that from? Why are you interviewing me like this?

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Speaker 1: We're doing the podcast. Here's the thing, if you're gonna

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Speaker 1: do something old school, that's not something to shy away from.

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Speaker 1: If you think about it, if you think about the

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Speaker 1: old school ways of doing things, there is a a

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Speaker 1: more real feel, a the right way to do things.

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Speaker 1: It's it's now that we've decided to change things. And

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Speaker 1: sometimes change and morphying into the future is not the

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Speaker 1: best thing. Sometimes doing it the way they used to

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Speaker 1: do it, you know, back in the day is the

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Speaker 1: best thing. So to be embarrassed about being old school, right, No,

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Speaker 1: I think you shouldn't be. I'm saying old school. No. No,

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Speaker 1: it's like radio like it isn't It's like, oh, the

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Speaker 1: handed Burke just exploded three to all just a poll listen,

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Speaker 1: you know, speaking of those old school sound. Speaking of that, though,

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Speaker 1: do you ever go back in time like on iTunes

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Speaker 1: or something that you and you a Japanese cannot speak.

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Speaker 1: I find sound from from history so intriguing, Like I

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Speaker 1: love that old school sound of the audio. The way,

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Speaker 1: it's sound like crack old and suffer humanity. I have

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Speaker 1: no control, just like ask not what your country you

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Speaker 1: can do a country. I think that's very cool. I

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Speaker 1: like that sound. I like that audio, you know, I

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Speaker 1: really it spooks me out to the point that I

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Speaker 1: think it's really neat to hear old school audio of

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Speaker 1: things that happened in history, like those moments that are captured,

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Speaker 1: you know, on tape, you know, because we don't have

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Speaker 1: tape anymore, are so historic and so cool. Anywin, you know,

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Speaker 1: I'll be real puzzles the listen. Let me let me

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Speaker 1: say Something's something Elvis always says to us. You stop

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Speaker 1: it out of the studio price playing traffic. Guys, listen,

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Speaker 1: I'm telling you to kick yourself out. There was something

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Speaker 1: that Elvis says on a daily basis. You have given

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Speaker 1: You've got you have been given the power to use

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Speaker 1: these microphones and to sit here and to say something

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Speaker 1: and to talk about something. So what will you create?

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Speaker 1: But right now we're just creating, you know, making fun

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Speaker 1: of me. That's not all right. So here's the You

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Speaker 1: have the power right now for the next let's say third,

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Speaker 1: let's say for the next twelve minutes. You have something

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Speaker 1: here that you can create and molding to something that

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Speaker 1: can make a point. So starting after this will be pointing.

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Speaker 1: Earlier in the show, Elvis made it clear to you

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Speaker 1: that you are not to read his entire book, and

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Speaker 1: you have the book right now. You. I caught you

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Speaker 1: looking through the book as you wear his glasses that

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Speaker 1: are fitted for his head and not your round head. Alright, alright,

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Speaker 1: he stretched them out. I did not stretch. Yes, I

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Speaker 1: have the book in my hand, but I gave Elvis

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Speaker 1: my word that I would not read his book. Did not.

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Speaker 1: I did flip through it because I'm looking for my name. Okay,

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Speaker 1: what chapter there's gonna be a chapter like named after you? Right? Guys,

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Speaker 1: have you ever been in a book before? Not just Elvis's,

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Speaker 1: but have you ever been mentioned in a book? But

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Speaker 1: you have? You? Really? Do you know which book it

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Speaker 1: has been? Charlemagne the Gods? You were mentioned book? Really?

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Speaker 1: Were you? Wow? Alright? In what context about a Kanye

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Speaker 1: interview that I did right after him? Brody, you've been

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Speaker 1: mentioned in a book. I'm writing a book, so, um,

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Speaker 1: I know you're writing a book, but I mean, have

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Speaker 1: you been mentioned in the book? No? But a morning

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Speaker 1: show I worked on was mentioned in a book. Okay,

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Speaker 1: but so when I was on Elliott in the Morning. No,

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Speaker 1: but it didn't, but didn't mentioned Dave Brody. No, but

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Speaker 1: I was proud of that show. Okay, fine, But what

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Speaker 1: I'm saying is is James Pattison novel and in the

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Speaker 1: audio book he says the radio was tuned to Elliott

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Speaker 1: the Morning, and I was part of that show. Okay,

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Speaker 1: fair enough, I'll give you. I'll give your name is

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Speaker 1: somewhere in Elvis's book right now. Listen. I know that

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Speaker 1: we're in radio and and some would say, oh, you

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Speaker 1: guys are famous or whatever. We're not. But but so

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Speaker 1: what I'm saying to that point is that we also

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Speaker 1: have our own weird Yeah, we have our own bucket list.

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Speaker 1: And at a bucket list, it would be cool to

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Speaker 1: to a put out your own book or baby mentioned

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Speaker 1: in the book. It's weird to me. Even though it's

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Speaker 1: like we're in our boss's book, we're still in a

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Speaker 1: book that will be in bookstores. That's what I'm If

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Speaker 1: somebody flipped through it, they might see my name. That's

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Speaker 1: what I had this conversation with my wife. That's what

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Speaker 1: I'm saying it's weird to me. Hold on, Elvis's assistant

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Speaker 1: Andrew just walked in. Andrew just so you know, wait,

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Speaker 1: come on, okay, no, no, no no, even know. I need

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Speaker 1: to know you understand it's as it is exactly. I

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Speaker 1: need the book. And was in charge of the book.

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Speaker 1: He just talked the book. I'm not gonna I'm not

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Speaker 1: going to read the book. I'm gonna at it. I

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Speaker 1: need it for the podcast that we'll continue. I know

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Speaker 1: that Elvis told your book it's a podcast, teach. Pretend

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Speaker 1: he still has the book. I need the book. What

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Speaker 1: do you need the book for it? Because if I

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Speaker 1: want to go to the book, I want to play

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Speaker 1: around with it. You never know what could come out.

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Speaker 1: And you give him a different book so you can

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Speaker 1: make the paper sound when just get him a book.

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Speaker 1: I know it's like the same. If you have that creative,

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Speaker 1: you'd fake the book. I need the book like I

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Speaker 1: need it. You gotta have it, so you holding the

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Speaker 1: book has nothing to listen. Every radio professional knows Elvis

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Speaker 1: will the first to tell you if you're going to

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Speaker 1: talk about something, you need to have it in studio.

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Speaker 1: He would never do a topic or a quote unquote

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Speaker 1: a bit without that minute. Twenty years ago we made

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Speaker 1: a career. We did a bit about the Stanley Cup

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Speaker 1: and we wasn't even here. That's different. That was a

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Speaker 1: quick little hit. You can imagine that one cup was

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Speaker 1: like on your head because I need the book just

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Speaker 1: for all intensive purpose? Sam, But what words did you

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Speaker 1: just string together? All intensive purpose? You just combined that

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Speaker 1: made one word? I did not. I said clearly all

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Speaker 1: intensive purpose. Okay, for the people to say at all

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Speaker 1: he's trying to see, trying to say, for all intents

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Speaker 1: and purposes, all intensive purpose and intensive, all intensive purpose, intense,

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Speaker 1: all intensive purpose, inten, that's not what I'm after. Yes, Andrew,

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Speaker 1: read the Come on, Andrew, read the part of the

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Speaker 1: book that you're about to read. As Sean Mendes, let

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Speaker 1: me let us go back again. Let us go back

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Speaker 1: together to one. Oh Charles gets crossing the Delaware right here. Look, okay,

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Speaker 1: let us go back again. Twistlack how I started in

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Speaker 1: this podcast by saying, he said three to one, you

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Speaker 1: guys don't realize the god given You know, god given

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Speaker 1: God didn't put us in a radio station. You've been

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Speaker 1: given an opportunity to use these microphones and instead you've

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Speaker 1: decided to just fart all over it. You you should

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Speaker 1: just I mean, there is there is beauty to expressing

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Speaker 1: yourself and creating what I would associate as its called art.

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Speaker 1: I've heard you show in New York. Yes, you have

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Speaker 1: the mic and you speak. It's entertaining. But I like it.

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Speaker 1: But do you consider that art? Well? Is that the

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Speaker 1: best use of the radio for the airwaves? Garret? There

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Speaker 1: are days that we come out of there we go.

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Speaker 1: That was a good show, right, I think that was art? Yeah? Art,

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Speaker 1: there is? You have to like radio Hall of Fame

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Speaker 1: kind of. I need the book for real? But what

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Speaker 1: are you talking about his book having having the conversation

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Speaker 1: can go. But you holding a book and not looking

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Speaker 1: in for the context? Did you want to read like

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Speaker 1: the chapter names? I'm asking. What I'm saying is you

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Speaker 1: don't know where this conversation can go. What if I

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Speaker 1: had the book in front of me and then I

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Speaker 1: decided to hold you never do this? I have the book, now,

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Speaker 1: go ahead. I decided to like go into a topic

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Speaker 1: with you guys, like, hey, what if I read the

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Speaker 1: last page? Do you think Elvis would be upset? Like?

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Speaker 1: What if you know we could like play that and

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Speaker 1: like all of a sudden, I have the book and

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Speaker 1: I go and I go, okay, but and then it's

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Speaker 1: it's the podcast starting the end, and I go and

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Speaker 1: that was my life. And I'm you know, I'm saying, like,

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Speaker 1: you don't know what I can get out of that book.

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Speaker 1: That's what I'm saying. That's the reason why the horse.

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Speaker 1: But that's the bit, guys, that's what I'm trying to take.

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Speaker 1: But this isn't television. You could pretend to have the book,

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Speaker 1: but don't understand it's part of what we do. It's

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Speaker 1: really amazing that I am a very good jackass on

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Speaker 1: the show. But yeah, I am really and truly blessed

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Speaker 1: with a talent to be a very good disc jockey

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Speaker 1: and and a and a morning show host. And then

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Speaker 1: I that I have this ability. I'm actually a very

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Speaker 1: good talent at creating content. But you guys aren't seeing that.

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Speaker 1: And all you're seeing is you don't need the book.

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Speaker 1: You don't need the book that anybody could do. You

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Speaker 1: don't need the book. But when you have the book,

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Speaker 1: there's there's almost a whole chapter about you. Listen, Elvis

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Speaker 1: and I have had history. He talks about you hoping

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Speaker 1: in the studio. It's right, I would expect to be

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Speaker 1: a little bit more worthy of of a better sentence. Guys.

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Speaker 1: I'm just saying, you, guys, have we still have a

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Speaker 1: little bit more time left here? I mean, and by

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Speaker 1: you holding the book and acting like you're going to

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Speaker 1: read is supposed to carry this I'm holding it. Tell

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Speaker 1: me what I should do because I have the book

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Speaker 1: now I'm saying, and I don't know what you're supposed

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Speaker 1: to do, But what you could have done is you

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Speaker 1: could have made this time on the podcast more worthy

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Speaker 1: of our listeners paying attention to it. But right now

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Speaker 1: they're just sitting there going is there any point to

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Speaker 1: this today? That's what's happening. The audience is saying, is

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Speaker 1: there any point? And there could have been a point.

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Speaker 1: I'm serious. Think about that. Think about the opportunity that

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Speaker 1: the three of us have or still had, or had

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Speaker 1: or still have to make something happen in this podcast.

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Speaker 1: And all we've done is decided to just fart in

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Speaker 1: the room. Okay, I'm looking at a page. It's in

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Speaker 1: the one nineties. He's talking about a celebrity encounter. Well,

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Speaker 1: this is a good book. You're right to having the

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Speaker 1: book in front of you. Very helpful. It is helpful,

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Speaker 1: I said, I just looked, he's got a celebrity story.

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Speaker 1: My god, I didn't realize he did that. One day,

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Speaker 1: One day, ladies and gentlemen, one day I will have

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Speaker 1: this opportunity to give you a good show, to make

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Speaker 1: radio history day. I know, I know in my heart,

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Speaker 1: I know September one. But what it's worth, I totally

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Speaker 1: believe one day you will wut on a great radio show.

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Speaker 1: On the second day, I'm not so sure about. Here

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Speaker 1: comes Gandhi. Maybe Gandhi can help us out. Absolutely. Gandhi's

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Speaker 1: talking to one of the interns outside right now. We

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Speaker 1: can see here we have Florid ceiling windows here, just

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Speaker 1: so you know, and painting the picture that window. That's

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Speaker 1: not a Florida ceiling window. It's not Gandhi. Would you

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Speaker 1: call out window floated ceiling window? Okay? That one really

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Speaker 1: a Gandhi? How you doing, Gandi? What microphone have you

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Speaker 1: on right here? Uh? Got you? We're making we're making

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Speaker 1: radio history. That's kind of neat that you have your

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Speaker 1: own microphone with your name on. I know, I was

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Speaker 1: so excited when I got here. Did you take a

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Speaker 1: picture of that. That's pretty cool, right, it does not?

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Speaker 1: It says Elvis, Gandhi Danielle. Then there's one for Froggy,

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Speaker 1: and then it says guest. Guest, Oh yeah, it does

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Speaker 1: a great Take look at that and take the picture

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Speaker 1: of it. You never saw that. I never knew that,

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Speaker 1: my hold on to how cool? That's pretty funny, I swear.

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Speaker 1: How cool is that I have my own It took

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Speaker 1: me all those years. Have a microphone, you had your name,

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Speaker 1: You've had your name on a button since eight I

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Speaker 1: didn't know that. I really didn't know that. How cool

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Speaker 1: is that? I came in here my name. I was

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Speaker 1: trying to actually make something happen, but these two jokesters,

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Speaker 1: all they want to do was rip on and make

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Speaker 1: fun of me the whole entire time. So we've had

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Speaker 1: the whole entire hold stop playing the victim. Elvis said

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Speaker 1: on air, you're not allowed to look at the book,

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Speaker 1: and you're not allowed to open the book, and took

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Speaker 1: the book away from him. All I said, and I

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Speaker 1: wasn't going to read the book at all, but I

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Speaker 1: needed the book just in case I wanted. Something came

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Speaker 1: into my mind was like, oh, play a funny joke

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Speaker 1: and read like a sentence. You know what I'm saying.

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Speaker 1: But now I can't even do that. He's not allowed

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Speaker 1: to read anything of the book. But radio tjs need product.

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Speaker 1: Do you need things in front of scary here's the

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Speaker 1: radio profession. Mary's back, Sam's back. Finally, yeah, back, coming back.

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Speaker 1: If you wanted to talk about Elvis's book, Is it

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Speaker 1: possible to do a podcast and talk about Elvis's book

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Speaker 1: without physically holding it your hand? Of course it is.

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Speaker 1: But right, he's a method actor knows me. He's just

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Speaker 1: walked experience. Wants to talk about Elvis's book. He needs

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Speaker 1: real life experiences. He can't fake or be imaginary or

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Speaker 1: pull things out of thin air. He doesn't have an

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Speaker 1: imagine when he went down, Elvis, So when he went

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Speaker 1: down that when he went down, Elvis's kimn. That's not it.

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Speaker 1: That's not it. That's not it. I hear the sound

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Speaker 1: comeback on this podcast. That's right. I mean again, you guys,

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Speaker 1: let me tell you, do not be pround of yourself.

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Speaker 1: You were given the opportunity to do something, do something, microphone,

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Speaker 1: you do nothing to hey tweets, let us do the

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Speaker 1: fifteen minute morning show,