1 00:00:12,560 --> 00:00:17,119 Speaker 1: Shout out to Four Charles Prime, besides REO's original location, 2 00:00:17,239 --> 00:00:21,120 Speaker 1: which is in Harlem, which is the most impossible reservation. Frankly, 3 00:00:21,160 --> 00:00:24,000 Speaker 1: you can't count that because it is not a reservation. 4 00:00:24,040 --> 00:00:26,479 Speaker 1: Someone has to own a table, so it doesn't count. 5 00:00:26,800 --> 00:00:30,360 Speaker 1: It's the hardest seat at a restaurant. The hardest public 6 00:00:32,000 --> 00:00:35,840 Speaker 1: dining establishment to dine at in the country is REOs, 7 00:00:35,840 --> 00:00:37,600 Speaker 1: because you can't dine at unless you own a table. 8 00:00:37,640 --> 00:00:40,240 Speaker 1: So let's put that to the side. Second, I would 9 00:00:40,240 --> 00:00:44,440 Speaker 1: say probably in the world used to be French laundry. 10 00:00:45,360 --> 00:00:47,720 Speaker 1: I would say in the world maybe, but certainly in 11 00:00:47,720 --> 00:00:50,479 Speaker 1: New York, Four Charles Prime is the hardest seat to get. 12 00:00:50,520 --> 00:00:53,840 Speaker 1: It is nine tables. Last night we sat at the 13 00:00:53,960 --> 00:00:56,360 Speaker 1: largest nicest table because all the tables seem to be 14 00:00:56,360 --> 00:00:57,560 Speaker 1: two tops or four tops. 15 00:00:57,920 --> 00:00:58,920 Speaker 2: If you've ever seen or. 16 00:00:58,920 --> 00:01:01,480 Speaker 1: Heard of the waiverly In in New York was like 17 00:01:01,480 --> 00:01:04,440 Speaker 1: a famous iconic place where there's Minetta Tavern. There are 18 00:01:04,440 --> 00:01:08,479 Speaker 1: these clublike leather booth cozy, dark, moody places in New York, 19 00:01:08,480 --> 00:01:11,520 Speaker 1: a little speakeasy ish, a little gangs of New york Ish, 20 00:01:11,560 --> 00:01:15,840 Speaker 1: and the po at the Palm D'antana's in La used 21 00:01:15,840 --> 00:01:18,000 Speaker 1: to be like a bigger, more commercial version of that, 22 00:01:18,160 --> 00:01:21,120 Speaker 1: like but these are like these cozy little places like 23 00:01:21,200 --> 00:01:22,240 Speaker 1: the Cozy Cauldron. 24 00:01:22,319 --> 00:01:23,160 Speaker 2: Let's call it okay. 25 00:01:23,640 --> 00:01:25,920 Speaker 1: And so for Charles Prime, I've been wanting to go 26 00:01:25,959 --> 00:01:28,640 Speaker 1: to because it's a thing you've seen on social media. 27 00:01:28,760 --> 00:01:30,880 Speaker 1: They poke the egg and the egg goes on the burger, 28 00:01:30,959 --> 00:01:33,039 Speaker 1: and it seems like there's pomp and circumstance and it's 29 00:01:33,040 --> 00:01:34,960 Speaker 1: a whole thing. And so in my mind, I'm thinking 30 00:01:34,959 --> 00:01:37,440 Speaker 1: there has to be a level of pretension. Like when 31 00:01:37,480 --> 00:01:40,680 Speaker 1: you go to Polo Club, which is the second hardest reservation. 32 00:01:41,840 --> 00:01:44,240 Speaker 1: It's as hard, but there are more seats, so by 33 00:01:44,280 --> 00:01:47,640 Speaker 1: definition of it's an easier resovution because there's more there's 34 00:01:47,680 --> 00:01:54,000 Speaker 1: more real estate, so Polo is more like it's slightly fancy. 35 00:01:54,280 --> 00:01:56,800 Speaker 1: They have a burger and they have a rubin, but 36 00:01:56,840 --> 00:02:00,559 Speaker 1: it's slightly fancy and it's got a level of Upper 37 00:02:00,560 --> 00:02:03,960 Speaker 1: East Side even though it's midtown like pretension. 38 00:02:04,040 --> 00:02:04,720 Speaker 2: But I like it. 39 00:02:04,920 --> 00:02:07,840 Speaker 1: I like it meaning it's like it's special and everyone's nice, 40 00:02:07,880 --> 00:02:10,480 Speaker 1: but like you feel like you've arrived at something that 41 00:02:10,560 --> 00:02:15,280 Speaker 1: is sort of elite, not snobby, not snobby, but it's 42 00:02:15,360 --> 00:02:19,600 Speaker 1: not it's it's what's the word aspirational. It's not really 43 00:02:19,600 --> 00:02:22,040 Speaker 1: that accessible attainable once you sit down, it is, but 44 00:02:22,080 --> 00:02:25,520 Speaker 1: it's aspirational, but like you sit down and you're like, wow, 45 00:02:25,680 --> 00:02:29,120 Speaker 1: this is something we're at something, Okay. So that's what 46 00:02:29,520 --> 00:02:31,720 Speaker 1: Polo is, which I love and I love the girls 47 00:02:31,720 --> 00:02:33,160 Speaker 1: there and the people there and it's amazing. 48 00:02:33,200 --> 00:02:33,440 Speaker 2: Okay. 49 00:02:33,480 --> 00:02:35,800 Speaker 1: So that's Polo and the and it's a different similar 50 00:02:35,840 --> 00:02:39,000 Speaker 1: types of like published type of food for Charles. Prime 51 00:02:39,120 --> 00:02:42,040 Speaker 1: is an interesting thing because it's the most coveted reservation 52 00:02:42,160 --> 00:02:44,920 Speaker 1: to show up and outside there's like a stoop and 53 00:02:44,919 --> 00:02:46,520 Speaker 1: people are actually sitting on it because it was a 54 00:02:46,560 --> 00:02:49,400 Speaker 1: spring day. But there's something very New York about it, 55 00:02:49,520 --> 00:02:51,120 Speaker 1: very gangs of New York, very the New York that 56 00:02:51,160 --> 00:02:51,760 Speaker 1: I grew up in. 57 00:02:51,800 --> 00:02:53,480 Speaker 2: Like a stoop is iconic. 58 00:02:53,600 --> 00:02:55,840 Speaker 1: Okay, So people are sitting on a stoop and there 59 00:02:55,880 --> 00:03:00,840 Speaker 1: was like these wrought iron windows and like charming townhouses 60 00:03:00,840 --> 00:03:05,080 Speaker 1: you could be in like London, like Nodding Hill or something. Okay, 61 00:03:05,160 --> 00:03:08,320 Speaker 1: you could be in London. And then there's and there's 62 00:03:08,360 --> 00:03:09,959 Speaker 1: a little table right outside. I don't know if you 63 00:03:10,000 --> 00:03:12,120 Speaker 1: can eat at it, but that's so cute right outside, 64 00:03:12,160 --> 00:03:14,000 Speaker 1: like it looks almost like it's like a set, just 65 00:03:14,040 --> 00:03:16,640 Speaker 1: a table, a two top, right outside the window of 66 00:03:16,680 --> 00:03:21,320 Speaker 1: this little, dark, cozy, cavernous townhouse. And like people were 67 00:03:21,360 --> 00:03:23,920 Speaker 1: there each time that I when I walked in and 68 00:03:23,960 --> 00:03:25,440 Speaker 1: walked out, just two people sitting there. I don't know 69 00:03:25,440 --> 00:03:27,160 Speaker 1: if they were having drinks. That's part of the bar. 70 00:03:27,240 --> 00:03:28,920 Speaker 1: You can't really eat on the street, I don't know. 71 00:03:29,600 --> 00:03:31,840 Speaker 1: Then you see this guy and I hear his accent. 72 00:03:31,880 --> 00:03:33,680 Speaker 1: I hear his British accent. I don't know if it 73 00:03:33,720 --> 00:03:35,400 Speaker 1: was Cockney or if it was just straight up British 74 00:03:35,440 --> 00:03:38,440 Speaker 1: because I didn't speak enough, but you hear this British accent. 75 00:03:38,880 --> 00:03:42,160 Speaker 1: And he's wearing a tweed cap, which is again very 76 00:03:42,360 --> 00:03:46,240 Speaker 1: like Peaky Blinders, Peaky Blinders, Gangs of New York, very 77 00:03:46,280 --> 00:03:49,880 Speaker 1: like Irish. And so he's outside and he's like cast. 78 00:03:50,280 --> 00:03:51,800 Speaker 1: I don't know if he wears that hat every day, 79 00:03:51,800 --> 00:03:54,320 Speaker 1: but like he's been cast for this role, you know. 80 00:03:54,400 --> 00:03:57,160 Speaker 1: So he's like this handsome man outside, very charming, engaging, 81 00:03:57,200 --> 00:03:59,480 Speaker 1: and again there's a little bit of like you on 82 00:03:59,520 --> 00:03:59,920 Speaker 1: the list. 83 00:03:59,760 --> 00:04:00,200 Speaker 2: Do you not? 84 00:04:00,240 --> 00:04:02,600 Speaker 1: Because by definition, there's a nine table place that's the 85 00:04:02,600 --> 00:04:04,760 Speaker 1: hottest place in the United States of America. If not 86 00:04:04,840 --> 00:04:08,640 Speaker 1: the globe to get a reservation barring like some micheling 87 00:04:08,800 --> 00:04:12,840 Speaker 1: crazy like wild thing Elbouli in Spain, which is like 88 00:04:12,880 --> 00:04:15,000 Speaker 1: a hard reservation, but I actually think this is probably 89 00:04:15,040 --> 00:04:18,440 Speaker 1: harder or as hard. So now you pass this guy 90 00:04:19,320 --> 00:04:22,800 Speaker 1: and you walk in and there are these handsome bartenders 91 00:04:22,839 --> 00:04:27,040 Speaker 1: around this like craft cocktail looking bar to the left. 92 00:04:27,400 --> 00:04:29,400 Speaker 2: So Horause used to have like a little bar cart that. 93 00:04:29,360 --> 00:04:32,920 Speaker 1: Came to your room, and it just it feels like moody, sultry, 94 00:04:32,960 --> 00:04:34,840 Speaker 1: and like you just picture that they're gonna have like 95 00:04:35,440 --> 00:04:38,480 Speaker 1: you know, burnt rosemary that they're rimming a glass with 96 00:04:38,520 --> 00:04:41,560 Speaker 1: and like bitters and like you know, like just candied 97 00:04:41,560 --> 00:04:44,040 Speaker 1: oranges and ginger. It just looks like that. Okay, So 98 00:04:44,080 --> 00:04:46,200 Speaker 1: you have these handsome guys to the bar and they're 99 00:04:46,240 --> 00:04:49,599 Speaker 1: like the bar boys, but they're men. And then you 100 00:04:49,640 --> 00:04:52,279 Speaker 1: sit down in this cozy booth with of course the 101 00:04:52,400 --> 00:04:55,000 Speaker 1: like big menu that's like got the script and it's 102 00:04:55,040 --> 00:04:57,400 Speaker 1: the base script and like you know, you're picturing you're there. 103 00:04:57,440 --> 00:05:00,760 Speaker 1: You're moody, right, and these little little like four top 104 00:05:00,800 --> 00:05:02,920 Speaker 1: booze and two tops and it's a small place. You're 105 00:05:02,920 --> 00:05:05,760 Speaker 1: in a living room, but you're private somehow you're in 106 00:05:05,800 --> 00:05:07,600 Speaker 1: a living room that's small. I mean, I don't think 107 00:05:07,600 --> 00:05:11,719 Speaker 1: it's a thousand feet, No, that a thirteen hundred feet 108 00:05:11,480 --> 00:05:13,200 Speaker 1: I no, I think it might be eight hundred feet 109 00:05:13,279 --> 00:05:17,279 Speaker 1: right the dining room maybe maybe six fifty eight hundred. 110 00:05:17,320 --> 00:05:22,159 Speaker 1: It's small and Edwin the server comes over. He's dressed 111 00:05:22,240 --> 00:05:24,680 Speaker 1: impeccably in like the vest and the shirt coming out. 112 00:05:24,760 --> 00:05:28,040 Speaker 1: He's dressed immaculately, and you soon realize it's not a uniform, 113 00:05:28,080 --> 00:05:29,680 Speaker 1: like they're all just sort of dressed, but there's like 114 00:05:29,720 --> 00:05:31,400 Speaker 1: a code like I guess you have to wear like 115 00:05:31,440 --> 00:05:34,159 Speaker 1: a black sort of vest suit or something. 116 00:05:34,240 --> 00:05:37,720 Speaker 2: I don't know. But he's got like a gorgeous yellow pocket. 117 00:05:37,400 --> 00:05:39,839 Speaker 1: Square and tie and like he's he's just but he's 118 00:05:39,920 --> 00:05:42,640 Speaker 1: friendly and approachable. And this is where it gets interesting. 119 00:05:42,960 --> 00:05:47,640 Speaker 1: There's nothing stuffy about this coveted reservation. It's like a chill, 120 00:05:48,160 --> 00:05:53,840 Speaker 1: relaxed vibe. It's giving this version the New York like 121 00:05:54,000 --> 00:05:58,360 Speaker 1: pub fair, Italian meat steakhouse like REOs, because you get 122 00:05:58,360 --> 00:06:01,360 Speaker 1: to Raos and it's super chill, you know, like it's 123 00:06:01,360 --> 00:06:03,040 Speaker 1: hard to get there, but you get there, you sit down, 124 00:06:03,080 --> 00:06:05,960 Speaker 1: it's super chill. This is slightly more formula because there 125 00:06:06,040 --> 00:06:08,880 Speaker 1: is like there is a process to it all, which 126 00:06:08,920 --> 00:06:09,480 Speaker 1: I'll get into. 127 00:06:09,920 --> 00:06:13,080 Speaker 2: But it's chill and it's warm, and it's engaging. 128 00:06:13,120 --> 00:06:15,440 Speaker 1: It's approachable and like once you're sitting down, you're like, oh, yeah, 129 00:06:15,440 --> 00:06:17,200 Speaker 1: I belong here. I'm good, I feel comfortable. I don't 130 00:06:17,200 --> 00:06:19,680 Speaker 1: feel like, ooh, you're here now you need to feel 131 00:06:19,720 --> 00:06:20,320 Speaker 1: a certain way. 132 00:06:20,320 --> 00:06:21,240 Speaker 2: And it's pretentious. 133 00:06:21,279 --> 00:06:33,840 Speaker 1: So the service is immaculate, Okay, the people are nice. 134 00:06:36,400 --> 00:06:38,760 Speaker 1: So now you get to the food and there's this 135 00:06:38,920 --> 00:06:41,560 Speaker 1: salad that's baby Romain and it's just people talk about 136 00:06:41,560 --> 00:06:44,400 Speaker 1: it on social media and it's avocado and it's a 137 00:06:44,440 --> 00:06:47,920 Speaker 1: basic salad. It's basically like just a basic, nice, fresh, 138 00:06:48,000 --> 00:06:50,800 Speaker 1: crispy lemone with a mustard dressing on the side if 139 00:06:50,839 --> 00:06:53,360 Speaker 1: you want it. Salad like just very fresh and straightforward. 140 00:06:53,760 --> 00:06:55,520 Speaker 1: And a lot of these places that have these coveted 141 00:06:55,600 --> 00:06:58,279 Speaker 1: reservations are fresh and straightforward. It's not like you know, 142 00:06:58,560 --> 00:07:02,279 Speaker 1: foam beat moose Like, it's not like pretentious where they're 143 00:07:02,320 --> 00:07:05,760 Speaker 1: over ambitious. It's just a good, straightforward. Then we get 144 00:07:05,800 --> 00:07:10,120 Speaker 1: into the shrimp scampy, which is sizzling, think like escargo sizzling, 145 00:07:10,200 --> 00:07:12,840 Speaker 1: but like shrimp, you know, with a big, chunky, crispy 146 00:07:12,840 --> 00:07:15,040 Speaker 1: pieces of bread, and that too is very good, but 147 00:07:15,160 --> 00:07:18,440 Speaker 1: very straightforward, but like delicious and buttery and amazing. The 148 00:07:18,480 --> 00:07:21,880 Speaker 1: star of the universe is the carbonara because not unlike 149 00:07:21,920 --> 00:07:26,720 Speaker 1: the Palm chain, which is known as a steakhouse, the 150 00:07:26,760 --> 00:07:29,240 Speaker 1: Palm is an Italian restaurant. They have steak with chicken, 151 00:07:29,280 --> 00:07:31,760 Speaker 1: parmesan and a lot of Italian dishes. This is a 152 00:07:31,800 --> 00:07:34,840 Speaker 1: steakhouse with a heavy Italian influence, so there's carbonara on 153 00:07:34,880 --> 00:07:38,480 Speaker 1: the menu, but it is better than any carbonara in Italy, 154 00:07:38,600 --> 00:07:41,400 Speaker 1: in any place in Italy that I've ever been, it's 155 00:07:41,440 --> 00:07:43,960 Speaker 1: this like I think it's buccatini. It's at the thick 156 00:07:44,080 --> 00:07:49,760 Speaker 1: round pasta that is chewy al dente squares of bacon. 157 00:07:49,880 --> 00:07:52,160 Speaker 1: I like it more like a sort of like thin 158 00:07:52,240 --> 00:07:54,760 Speaker 1: where it melts in, almost panchatta. But people love the 159 00:07:54,760 --> 00:07:57,240 Speaker 1: cube bacon and it's the sickest dish ever. I would, 160 00:07:57,240 --> 00:07:59,440 Speaker 1: just for my personal taste, give it a quarter of 161 00:07:59,480 --> 00:08:01,320 Speaker 1: a point half a point off, because I like a 162 00:08:02,040 --> 00:08:04,280 Speaker 1: bacon that like melts in almost the way it does 163 00:08:04,280 --> 00:08:06,040 Speaker 1: in like a vodka with onions, you know how it's 164 00:08:06,040 --> 00:08:07,680 Speaker 1: like there, but you wouldn't know it's there, but you 165 00:08:07,720 --> 00:08:12,520 Speaker 1: taste it, the carbonara is sickening like this carbonara is 166 00:08:12,560 --> 00:08:16,480 Speaker 1: as good as carbones, spicy RIGATONI pasta like that. That's 167 00:08:16,480 --> 00:08:20,160 Speaker 1: what you need to understand. It's insane. Then we get 168 00:08:20,160 --> 00:08:21,960 Speaker 1: and I'm gonna give the shrimp like a good solid 169 00:08:22,000 --> 00:08:23,520 Speaker 1: eight and a half, and I'm gonna give this this 170 00:08:23,600 --> 00:08:24,920 Speaker 1: carbonar like a nine and a half. 171 00:08:24,920 --> 00:08:25,920 Speaker 2: And then we get to. 172 00:08:27,640 --> 00:08:29,880 Speaker 1: The burger, which is pomp and circumstance and a process 173 00:08:29,920 --> 00:08:31,360 Speaker 1: and the oozing of the egg and the whatever. 174 00:08:31,720 --> 00:08:32,240 Speaker 2: It melts. 175 00:08:32,280 --> 00:08:34,800 Speaker 1: It's a double smash burger, but it melts like a 176 00:08:34,880 --> 00:08:35,559 Speaker 1: regular burger. 177 00:08:35,600 --> 00:08:37,480 Speaker 2: It just melts. Now, I love it. 178 00:08:38,080 --> 00:08:40,680 Speaker 1: I will not give it the raining title that red 179 00:08:40,679 --> 00:08:43,040 Speaker 1: hook has, and I cannot explain why. 180 00:08:42,880 --> 00:08:43,520 Speaker 2: It is Davoon. 181 00:08:43,679 --> 00:08:45,840 Speaker 1: It's just a little more melty where the red hook 182 00:08:45,880 --> 00:08:49,280 Speaker 1: is like an actual like some version of a traditional 183 00:08:49,280 --> 00:08:52,080 Speaker 1: classic burger. The sag Harbor Tavern burger is the same 184 00:08:52,080 --> 00:08:55,000 Speaker 1: as the red hook the Billy makes. But this melts. 185 00:08:55,080 --> 00:08:57,600 Speaker 1: This is extraordinary. I mean that's we were splitting hairs. 186 00:08:57,640 --> 00:08:59,320 Speaker 1: We're talking nine versus a nine and a half. I mean, 187 00:08:59,400 --> 00:09:02,960 Speaker 1: it is a melting, gorgeous, stunning specimen of a burger. 188 00:09:03,600 --> 00:09:07,600 Speaker 1: The star is the French dip. It's the kushed of 189 00:09:07,640 --> 00:09:10,760 Speaker 1: the French bread. The inside is like melting and chewy 190 00:09:10,840 --> 00:09:13,560 Speaker 1: like of the bread and then the meat melts. But 191 00:09:13,600 --> 00:09:16,360 Speaker 1: it's that jew that Sausu're dipping it in that has 192 00:09:16,400 --> 00:09:19,240 Speaker 1: like a depth of flavor, like it's like got a 193 00:09:19,320 --> 00:09:22,720 Speaker 1: depth of like some version of a wine reduction, like 194 00:09:22,840 --> 00:09:24,800 Speaker 1: some spice. I don't know what's in there, but it's 195 00:09:24,800 --> 00:09:27,960 Speaker 1: like deep. It goes deep. It's got layers like that 196 00:09:28,160 --> 00:09:31,720 Speaker 1: is a very serious sauce. It's dipped in, Okay, very 197 00:09:31,760 --> 00:09:34,880 Speaker 1: serious prime. We did get the end cut, but you 198 00:09:34,960 --> 00:09:38,000 Speaker 1: can see what the normal part of the prime rib 199 00:09:38,040 --> 00:09:40,280 Speaker 1: is because there's a pink part. That's not the end cut. 200 00:09:40,360 --> 00:09:42,959 Speaker 1: The end cut is like the briskety, chewy like flavory, salty, 201 00:09:43,080 --> 00:09:46,040 Speaker 1: pistrami ish corn beefish like briskety end. 202 00:09:46,720 --> 00:09:49,520 Speaker 2: But so that was good. Ironically, it's for Charles. Prime 203 00:09:49,600 --> 00:09:49,920 Speaker 2: was good. 204 00:09:50,160 --> 00:09:52,200 Speaker 1: We're gonna call that like an eight, but not like 205 00:09:52,240 --> 00:09:55,640 Speaker 1: a ten. And the filet good. These are the things 206 00:09:55,640 --> 00:09:58,160 Speaker 1: it's known for. But like, it's good. It's solid, but 207 00:09:58,400 --> 00:10:01,360 Speaker 1: I would not say that that's their star. The broccoli, 208 00:10:01,400 --> 00:10:03,520 Speaker 1: the charred broccoli. It's like who cares. It's gonna be broccoli, 209 00:10:03,559 --> 00:10:05,760 Speaker 1: but it like melted and was lemon and lemony, and 210 00:10:05,800 --> 00:10:07,080 Speaker 1: it like look like it was gonna be like just 211 00:10:07,080 --> 00:10:10,160 Speaker 1: hard and for the flavorless it like hits. 212 00:10:10,240 --> 00:10:13,080 Speaker 2: It's like tender and devoon. Green beans are We're. 213 00:10:12,960 --> 00:10:16,319 Speaker 1: Actually a fail like I want and I would like 214 00:10:16,360 --> 00:10:18,880 Speaker 1: to be honest, so I can't just praise green beans 215 00:10:18,920 --> 00:10:19,400 Speaker 1: wear a fail. 216 00:10:20,400 --> 00:10:21,640 Speaker 2: I feel like we have more things. 217 00:10:22,240 --> 00:10:24,360 Speaker 1: Oh, chicken under the brick. I'm gonna give it a 218 00:10:24,360 --> 00:10:26,360 Speaker 1: solid eight. I need to tell them this and this 219 00:10:26,400 --> 00:10:28,040 Speaker 1: I'm saying emphatically. This is not an opinion. 220 00:10:28,080 --> 00:10:28,640 Speaker 2: This is a fact. 221 00:10:29,160 --> 00:10:31,840 Speaker 1: It comes covered in a sauce that has gorgeous like garlic, 222 00:10:31,840 --> 00:10:34,400 Speaker 1: and the sauce is delicious. I was literally mushing my 223 00:10:34,440 --> 00:10:36,880 Speaker 1: baked potato. And the sauce sauce needs to be served 224 00:10:36,880 --> 00:10:39,560 Speaker 1: on the side because Poyo al matone, which is under 225 00:10:39,559 --> 00:10:42,680 Speaker 1: a brick, by definition, it's flat and crispy. That's the 226 00:10:42,679 --> 00:10:45,320 Speaker 1: attraction to it. You're like taking an entire chicken and 227 00:10:45,400 --> 00:10:47,960 Speaker 1: making it so it's all crisp. So to have the 228 00:10:48,080 --> 00:10:51,080 Speaker 1: sauce on top doesn't make any sense because it's like 229 00:10:51,480 --> 00:10:55,080 Speaker 1: sad crisp. We need crisp, crisp, and maybe a drizzle 230 00:10:55,120 --> 00:10:57,520 Speaker 1: of the sauce or the sauce is like underneath, and 231 00:10:57,559 --> 00:11:00,360 Speaker 1: then this is placed on top, but we cannot the 232 00:11:00,400 --> 00:11:02,960 Speaker 1: top us to be crispyer and that I'm gonna give 233 00:11:03,080 --> 00:11:06,160 Speaker 1: a good like eight because the flavor is there. But here, 234 00:11:06,240 --> 00:11:10,920 Speaker 1: oh God, dear God, the dessert, there's nothing to say 235 00:11:10,920 --> 00:11:13,480 Speaker 1: to describe. They admit that the coconut cake is from Veniros, 236 00:11:13,480 --> 00:11:16,079 Speaker 1: which means that I now have done a review of Veniros, 237 00:11:16,120 --> 00:11:20,040 Speaker 1: which is unbelievable, because the coconut cake is extraordinary. It's 238 00:11:20,040 --> 00:11:21,960 Speaker 1: a cream cheese frosting. I can tell. It's not one 239 00:11:21,960 --> 00:11:24,160 Speaker 1: of those with like the burnt coconut toasted coconut, which 240 00:11:24,160 --> 00:11:27,920 Speaker 1: I don't like the toasted. It's like a melty, gorgeous, 241 00:11:28,320 --> 00:11:32,319 Speaker 1: gorgeous coconut cake. I have to compare it to Savannahs 242 00:11:32,600 --> 00:11:37,040 Speaker 1: and Edgar's and Ina Gardens and the one at Christmas 243 00:11:36,800 --> 00:11:38,920 Speaker 1: that Tom Cruise gives out. 244 00:11:39,240 --> 00:11:42,280 Speaker 2: But it's it's it was excellent. 245 00:11:42,640 --> 00:11:46,120 Speaker 1: They have a lemon merangue pie that is like mile high, 246 00:11:46,200 --> 00:11:49,040 Speaker 1: like the merangue is like four miles four miles high. 247 00:11:49,840 --> 00:11:52,440 Speaker 1: It is such a good cake. I mean such a 248 00:11:52,440 --> 00:11:56,240 Speaker 1: good pie. It's out of control. The chocolate cream pie, 249 00:11:57,480 --> 00:12:01,240 Speaker 1: the chili cream pie is like a dense, chocolate rich 250 00:12:01,360 --> 00:12:06,320 Speaker 1: moose in an Oreo cookie crust. They do crust swell 251 00:12:06,320 --> 00:12:10,800 Speaker 1: whoever the crust supervisors. I'd like the cs to get raised. 252 00:12:10,880 --> 00:12:17,120 Speaker 1: The crust supervisor at four Charles deserves a fucking a 253 00:12:17,200 --> 00:12:20,400 Speaker 1: wax figure made of them. And Madame Tussau is okay 254 00:12:20,600 --> 00:12:23,800 Speaker 1: because the lemon meringue pie has a crust as a 255 00:12:23,880 --> 00:12:26,839 Speaker 1: kushture of the gram Cracker. There's nothing that's sobbed out 256 00:12:26,840 --> 00:12:30,160 Speaker 1: about it. And the chocolate cream pie is Oreo and 257 00:12:30,240 --> 00:12:33,719 Speaker 1: the crust is like a wall of crispness. Okay if 258 00:12:33,720 --> 00:12:38,480 Speaker 1: you don't it's and it's a rich, chocolate rich sickest 259 00:12:38,640 --> 00:12:41,360 Speaker 1: like that was a start half. I mean the Sunday 260 00:12:41,440 --> 00:12:42,920 Speaker 1: half Uch Sanday hack and you go wrong. I don't 261 00:12:42,920 --> 00:12:45,280 Speaker 1: know about the ice cream that was. There was something else. 262 00:12:45,280 --> 00:12:46,920 Speaker 1: There was one more thing that we got that was insane. 263 00:12:47,240 --> 00:12:50,680 Speaker 2: The lemon. I feel like I'm missing some. The dessert 264 00:12:50,720 --> 00:12:53,760 Speaker 2: is davuon d'voon. 265 00:12:55,080 --> 00:12:57,320 Speaker 1: I could almost give like tens on the dessert, like 266 00:12:57,480 --> 00:13:00,600 Speaker 1: I'm gonna get the desserts. There's a ten for the chocolate. 267 00:13:00,679 --> 00:13:02,280 Speaker 1: The rest is like nine and a half. Like it 268 00:13:02,320 --> 00:13:06,400 Speaker 1: was like sickening, Like the dessert is disgusting, Like I can't. 269 00:13:06,520 --> 00:13:08,560 Speaker 2: I was like, this is a discuss. I can't. I want, 270 00:13:08,920 --> 00:13:09,880 Speaker 2: like I don't have it now. 271 00:13:09,920 --> 00:13:11,680 Speaker 1: I'm gona taste everything, eat nothing I get in, I 272 00:13:11,679 --> 00:13:14,520 Speaker 1: get out where I'm like fixated and I'm trying to 273 00:13:14,559 --> 00:13:16,280 Speaker 1: be a supermodel. I have something coming up in a 274 00:13:16,320 --> 00:13:18,160 Speaker 1: couple of weeks. I'm like sitting at the table, like 275 00:13:18,840 --> 00:13:20,960 Speaker 1: I know you're talking to me five other humans at 276 00:13:20,960 --> 00:13:23,319 Speaker 1: this Mother's Day dinner, but I really don't give a 277 00:13:23,360 --> 00:13:25,319 Speaker 1: shit because I just wan. I'm thinking about my relationship 278 00:13:25,320 --> 00:13:26,880 Speaker 1: with that cake over there and is there still more? 279 00:13:26,920 --> 00:13:28,240 Speaker 1: And is there not? And can I take it home? 280 00:13:28,240 --> 00:13:29,559 Speaker 1: And am I gonna have it tomorrow? Can I sell 281 00:13:29,600 --> 00:13:31,800 Speaker 1: myself it's a muffin? And can I say it's for breakfast? 282 00:13:31,880 --> 00:13:33,040 Speaker 2: And what do I do? And how do I have 283 00:13:33,080 --> 00:13:34,440 Speaker 2: it next year? And like next week? 284 00:13:34,480 --> 00:13:36,800 Speaker 1: And like I have to leave it, And I was 285 00:13:36,800 --> 00:13:39,800 Speaker 1: like thinking about my relationship to this cake, this pie. 286 00:13:39,800 --> 00:13:41,280 Speaker 2: I was like, what am I gonna do? Like I 287 00:13:41,280 --> 00:13:42,720 Speaker 2: don't we have to leave each other. 288 00:13:42,679 --> 00:13:45,599 Speaker 1: Now and it's over soon and I just want to 289 00:13:45,640 --> 00:13:47,199 Speaker 1: go back and say I want to hug one more time, 290 00:13:47,200 --> 00:13:48,520 Speaker 1: but then I'll get upset and I won't be able 291 00:13:48,520 --> 00:13:50,520 Speaker 1: to get out. And it was it was psychotic. The 292 00:13:50,600 --> 00:13:52,600 Speaker 1: chocolate cake and I need to, like I literally said 293 00:13:52,640 --> 00:13:54,640 Speaker 1: at the table, I want to take all you know 294 00:13:54,640 --> 00:13:56,320 Speaker 1: how like they have like a turd duck in or 295 00:13:56,360 --> 00:13:58,360 Speaker 1: like they mix all the shit together and they take 296 00:13:58,400 --> 00:14:01,080 Speaker 1: like a cheesecake and they put like one flavor of 297 00:14:01,080 --> 00:14:03,360 Speaker 1: each cheesecake in one round thing, so it's. 298 00:14:03,160 --> 00:14:04,240 Speaker 2: Like a I just wanted to. 299 00:14:04,280 --> 00:14:05,720 Speaker 1: I was like, how do I get all these desserts 300 00:14:05,760 --> 00:14:09,840 Speaker 1: in like a little tupperware. There's four compartments, big toperware, 301 00:14:09,880 --> 00:14:11,760 Speaker 1: and like put them put each part and like bring 302 00:14:11,800 --> 00:14:14,640 Speaker 1: everybody together and go to a hotel room and touch myself. 303 00:14:14,760 --> 00:14:16,400 Speaker 2: Like how do we make that happen? 304 00:14:16,440 --> 00:14:17,920 Speaker 1: I want to go to a hotel room with all 305 00:14:17,960 --> 00:14:21,560 Speaker 1: the four Charles Prime rib desserts and touch myself. Is 306 00:14:21,560 --> 00:14:23,800 Speaker 1: that weird and awkward and a fetish? I don't know, 307 00:14:24,200 --> 00:14:26,080 Speaker 1: but I will not be putting into my dating profile, 308 00:14:26,160 --> 00:14:30,280 Speaker 1: or maybe I will. Anyway, the meal was it was 309 00:14:30,320 --> 00:14:32,360 Speaker 1: just it was just a lovely experience and the people 310 00:14:32,360 --> 00:14:33,840 Speaker 1: were nice and I loved it, but I'm not like, 311 00:14:33,880 --> 00:14:35,520 Speaker 1: oh my god, I have to wrap a rubber band 312 00:14:35,520 --> 00:14:36,960 Speaker 1: around my arm. I have to be back there tomorrow. 313 00:14:37,040 --> 00:14:38,720 Speaker 1: I did it. It was amazing. I can't wait to 314 00:14:38,720 --> 00:14:41,160 Speaker 1: go back live for it. And Edwin is my friend. 315 00:14:41,440 --> 00:14:42,120 Speaker 1: That's what I got. 316 00:14:42,440 --> 00:14:42,920 Speaker 2: Thank you. 317 00:15:01,080 --> 00:15:03,240 Speaker 1: Tess won to b the back of