WEBVTT - J.J. Martin

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<v Speaker 1>J. J.

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<v Speaker 2>Martin and I, though years apart, have had parallel lives

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<v Speaker 2>where women New Yorkers who left there to live abroad

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<v Speaker 2>for a short time for love and stayed forever for love.

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<v Speaker 2>Mine was for Richard Rogers. Hers was for Andrea Chicoli

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<v Speaker 2>and the magic of everything Italian. A friend once told

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<v Speaker 2>me that living in a foreign city makes you creative,

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<v Speaker 2>even if you do nothing all day. But creativity defines J. J. Martin,

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<v Speaker 2>and she definitely does not do nothing all day, though

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<v Speaker 2>she claims since moving to Milan, she is surrendered into

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<v Speaker 2>the beautiful chaos that is Italy and through a rigor

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<v Speaker 2>and discipline, created a brilliant business La Double Jay, the

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<v Speaker 2>fashion design and lifestyle brand. We have much in common,

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<v Speaker 2>strong values in our workspace, respect for the people we

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<v Speaker 2>deal with every day, and a passion for color. A

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<v Speaker 2>passion for beauty. May be a few different things too.

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<v Speaker 2>JJ is a maximalist, while I'm probably more of a mineralist.

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<v Speaker 2>She loves vintage clothing. I've never worn anything anyone else

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<v Speaker 2>is worn. But today we'll share our parallel lives, our

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<v Speaker 2>love for Italy, our love for food, our love for fashion, beauty.

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<v Speaker 2>And I am confident that by the end of our

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<v Speaker 2>time together, we will add our love for a new

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<v Speaker 2>friendship and a love for each other.

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<v Speaker 3>How beautiful. I love that introduction. I'm honored.

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<v Speaker 2>It's so nice because we both know of each other

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<v Speaker 2>through friends, which is always the great connection. I always

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<v Speaker 2>think life is about connections. Maybe we could start by

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<v Speaker 2>your reading a recipe that you chose and it comes

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<v Speaker 2>from I think our River Cafe easy book. But it

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<v Speaker 2>is a really great that you chose this recipe now

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<v Speaker 2>because it is very seasonal with a ridicio. It's creamy

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<v Speaker 2>and warm and what we kind of need right now.

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<v Speaker 2>So would you like to read the rest of love?

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<v Speaker 3>To read? Proshutto and ridicio taliate l three hundred and

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<v Speaker 3>fifty grams of taliatel, six slices of perscutto one head

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<v Speaker 3>of ridicio, one garlic clove, peeled and finally chopped, two

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<v Speaker 3>tea zions of rosemary leaves finely chopped, fifty grams of

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<v Speaker 3>parmesan rigiano grated, one hundred and ten grams of unsalted butter.

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<v Speaker 3>So what you do is you cut the perscutto and

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<v Speaker 3>ridicio into ribbons that are the same with as the telatele.

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<v Speaker 3>You melt half the butter in a thick bottomed pan.

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<v Speaker 3>You add the garlic and rosemary and you cook for

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<v Speaker 3>a minute. Then add half the chopped redicio and proscutto

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<v Speaker 3>and you cook it just to wilt. Then you cook

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<v Speaker 3>the taliately and boiled salted water until al dente. Drain

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<v Speaker 3>and add the rest of the butter and half the parmesan.

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<v Speaker 3>Combine with the cooked ridicio, then stir in the remaining

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<v Speaker 3>ridicuo and procutto, toss thoroughly and serve with parmigiano.

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<v Speaker 2>Hmm, thank you. So you've said that cooking in Italy

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<v Speaker 2>is an art, not a science, and you can pat

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<v Speaker 2>to get laughed out of town? Will to use a cookbook?

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<v Speaker 2>Can you talk to me about that?

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<v Speaker 3>So I moved to Italy in two thousand and one.

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<v Speaker 3>I had no friends, no family, no job, no smartphone,

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<v Speaker 3>no wireless. I was lost and I had no cooking skills.

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<v Speaker 3>And back at that time, there was really no takeout

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<v Speaker 3>food whatsoever. If you wanted to get anything taken out,

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<v Speaker 3>you would get a pizza. Otherwise everyone was either in

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<v Speaker 3>a restaurant or at their home cooking. And I went

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<v Speaker 3>into a panic. I went into my overachieving American mode

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<v Speaker 3>of needing to like conquer this like I did everything

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<v Speaker 3>else in my life. So I ordered the Dean and

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<v Speaker 3>DeLuca Cookbook online, which was sort of my only reference

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<v Speaker 3>point of like, how you know how to make some

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<v Speaker 3>Italian food? And I was reading this cookbook like a

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<v Speaker 3>novel every night. I was taking notes, and I was

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<v Speaker 3>practicing recipes from this book, not knowing that it was

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<v Speaker 3>the least Italian kind of book I could have ever

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<v Speaker 3>been working from, because each recipe had forty five ingredients

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<v Speaker 3>and would take two and a half hours, and I

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<v Speaker 3>didn't It wasn't until I really started watching the Italians

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<v Speaker 3>and being part of their environment that I realized that,

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<v Speaker 3>first of all, no one cooks from a recipe. Everyone

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<v Speaker 3>has learned from their mother or grandmother, and even if

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<v Speaker 3>they do kind of have like a you know, a

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<v Speaker 3>basis of a recipe, the whole idea is to really

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<v Speaker 3>let your intuition take over and let the magic and

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<v Speaker 3>real creativity come over. And it was so funny because

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<v Speaker 3>you know, in these ear it took a long time

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<v Speaker 3>for me to learn this. I've been in Italy twenty

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<v Speaker 3>two years now, but I would say like my first

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<v Speaker 3>ten years I was still in this place of like

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<v Speaker 3>really trying to understand food. I did take one cooking

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<v Speaker 3>class at a Tellian restaurant down on then a video

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<v Speaker 3>called Tano pasa milolo, and I was at this you know,

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<v Speaker 3>table with like fourteen housewives, not understanding that this was

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<v Speaker 3>not a beginner's cooking thing, like the these women knew

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<v Speaker 3>how to cook and and and so he would always

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<v Speaker 3>say the beginning of the recipe was like found a krema,

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<v Speaker 3>find a crema, And I was like, what's a crema?

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<v Speaker 3>How do you fire it on akrema?

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<v Speaker 2>Like I didn't want to do anything.

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<v Speaker 3>And he would give us these sheets where the recipe

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<v Speaker 3>the ingredients were written down and there was no quantity,

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<v Speaker 3>no method, method, No, there was no well maybe a

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<v Speaker 3>little bit of method, but very approximate and literally no quantities.

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<v Speaker 3>So the funny thing about this recipe of reading this

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<v Speaker 3>pursuit from Ridikio, it is a very Italian recipe except

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<v Speaker 3>for the fact that you've included quantities.

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<v Speaker 2>Yeah yeah, but you know, I think that it's really

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<v Speaker 2>endearing that you got Dinan DeLuca cookbook because I think

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<v Speaker 2>that if you don't know how to cook and really

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<v Speaker 2>want to follow a recipe. Then it gives you the

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<v Speaker 2>confidence too to go away. It's like fashion, it's like drawing,

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<v Speaker 2>it's like poetry. You can't write free poetry unless you

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<v Speaker 2>know the rigor of a Shakespeare's sauna. Then you can depart.

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<v Speaker 2>So maybe, unless you have a mother or father maybe

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<v Speaker 2>who taught you to cook every day in your house,

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<v Speaker 2>as you say you're Italian friends, following a recipe and

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<v Speaker 2>then leaving it maybe is okay.

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<v Speaker 3>Yeah, I think it gives you the muscles and the

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<v Speaker 3>training wheels, and just the comfort around being in a kitchen,

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<v Speaker 3>around preparing ingredients, around seeing how you know, oil at

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<v Speaker 3>different temperatures changes, you know, even cooking vegetables. I mean,

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<v Speaker 3>it's the other thing I find really interesting. I was

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<v Speaker 3>reminded as I was reading your recipe here. Italian recipes

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<v Speaker 3>are known for their simplicity, but at the same time,

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<v Speaker 3>there's two things that I've learned that are essential. Number

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<v Speaker 3>one is the quality of the ingredients. Because there's so few,

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<v Speaker 3>you can't masquerade anything. So if you don't have incredible quality,

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<v Speaker 3>ridicu And by the way, I highly recommend Treviso. It's

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<v Speaker 3>the best less bitter, but you know, you need to

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<v Speaker 3>have the best better, the best parmigano, the best rosemary.

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<v Speaker 3>Otherwise nothing's happening. And the other thing is technique. So

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<v Speaker 3>the fact that you are, you know, adding half, you're

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<v Speaker 3>adding the vegetables at different times, you're cooking them a

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<v Speaker 3>different it's not as sort of there's a there's an

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<v Speaker 3>art really to the way they prepare it that is

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<v Speaker 3>really important.

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<v Speaker 2>I totally agree with you about Italian food that I

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<v Speaker 2>lived in Paris for five years, six years when my

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<v Speaker 2>husband is doing a project there and then, and I

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<v Speaker 2>love French food. I love a sauce. I love finding that,

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<v Speaker 2>you know, a piece of turbot under a bar of black.

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<v Speaker 2>But then you go to Italy and the first meal

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<v Speaker 2>I had was a piece of toast bisquetta with a

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<v Speaker 2>little bit of garlic and then the olive oil. And

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<v Speaker 2>that was three ingredients. But had any one of them

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<v Speaker 2>been any less interesting or of the quality, it wouldn't

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<v Speaker 2>have worked totally.

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<v Speaker 3>And it's so funny you bring up France because one

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<v Speaker 3>thing that I was so surprised about when I moved

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<v Speaker 3>to Italy was how proud Italians are of their cuisine.

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<v Speaker 3>And they're quite close minded to other cuisines, so you

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<v Speaker 3>never want to travel with an Italian outside of the

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<v Speaker 3>Italian borders because they're complaining about the food the entire time.

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<v Speaker 3>And the other thing, which I find so funny is

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<v Speaker 3>no matter how good it is, French food sucks. They

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<v Speaker 3>hate French food and they are and they and one

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<v Speaker 3>of the reasons why they tell me, because I really

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<v Speaker 3>got curious about this. They don't like a sauce unless

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<v Speaker 3>it's on a pasta, and then it can't be too sauce.

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<v Speaker 3>It has to be the right amount of sauce. Like

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<v Speaker 3>so most Americans tend to oversauce and overcook their pasta,

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<v Speaker 3>you know. So these are just all these like small subtleties.

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<v Speaker 3>But like for example, an Italian would never put a

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<v Speaker 3>sauce on a meat. That's a big no no. So

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<v Speaker 3>it's just funny. Or even a fish. They don't use

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<v Speaker 3>sauces generally.

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<v Speaker 2>When you have misto, you have the sauce of Verde.

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<v Speaker 2>But they're very they're very specific yea in general. But

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<v Speaker 2>if you have a great piece of fish, they have

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<v Speaker 2>SESSI here it is one of the chefs in the

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<v Speaker 2>River Cafe, and you know, if it's as you said,

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<v Speaker 2>it's a great piece of grilled sea beast. Why would

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<v Speaker 2>you do anything more?

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<v Speaker 3>Yeah, And that's the I mean, this is what's so

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<v Speaker 3>amazing about Italy is they distill everything down to raw

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<v Speaker 3>its purest state, So you know, you just want the

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<v Speaker 3>crispness of the lemon and the juicy fragrance of the

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<v Speaker 3>olive oil. I mean, the other thing that I got

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<v Speaker 3>there was an education in olive oil. Who knew, you know,

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<v Speaker 3>the guy who I was referring to before about where

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<v Speaker 3>I was taking the cooking classes. His restaurant was called

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<v Speaker 3>Tano Paseloyo and you walked in and he had probably

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<v Speaker 3>four hundred olive oils lining every wall of the restaurant

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<v Speaker 3>and he was an expert at pairing. People would go

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<v Speaker 3>to his restaurant because there would be a different olive

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<v Speaker 3>oil paired with every plate daily and it was this

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<v Speaker 3>wonderful symphony that is such a subtletya that you develop.

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<v Speaker 3>But once you get rid of I mean, I think

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<v Speaker 3>it's a really good metaphor for life, Like once you

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<v Speaker 3>get rid of all the noise, then suddenly your senses

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<v Speaker 3>are so much more tuned, and then you're really seeing

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<v Speaker 3>the beauty of something so simple as an oil.

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<v Speaker 2>Just to go back from your incredible palette and your

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<v Speaker 2>interest in food and Italy and ingredients and the way

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<v Speaker 2>to cook. Growing up. We grew up in Los Angeles, Yes,

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<v Speaker 2>I grew up in Tell me about early life and

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<v Speaker 2>the Martin household.

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<v Speaker 3>Okay, well I do remember the spaghetti sauce my mom

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<v Speaker 3>put ketchup in.

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<v Speaker 2>Yeah, okay. We had a.

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<v Speaker 3>Very food centric household because we were all athletes and

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<v Speaker 3>there was copious amounts of food being made and consumed.

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<v Speaker 3>So my mom actually did make a lot of stuff.

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<v Speaker 3>My dad was a hunter and a fisherman, so our

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<v Speaker 3>freezers were stocked with dove, quail, dove, dear, yeah, bore.

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<v Speaker 3>I mean. The thing is he would go out hunting

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<v Speaker 3>and bring it all back and we would eat this

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<v Speaker 3>stuff for a long time. It was never really my fake.

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<v Speaker 2>Did you ever go hunting with him?

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<v Speaker 3>I did? I did, and then I just didn't want

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<v Speaker 3>to kill animals. Just wasn't my thing, so I would

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<v Speaker 3>hang out. I have two older brothers. They were really

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<v Speaker 3>into this. So I went on a lot of camping, fishing,

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<v Speaker 3>hunting trips as a as a young girl and wasn't

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<v Speaker 3>into it.

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<v Speaker 2>Yeah, and being athletes, do they want protein or carbs

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<v Speaker 2>or this was.

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<v Speaker 3>This was before knowing that like they needed to have

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<v Speaker 3>the right balance between protein and carbs. They were just starving.

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<v Speaker 3>I remember so well that, you know, we would all

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<v Speaker 3>come back from whatever I was in gymnastics, they were

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<v Speaker 3>in volleyball. We would all come back at like ten pm,

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<v Speaker 3>and we've already had like four meals by that point.

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<v Speaker 3>Because my mom used to pack our dinners. We would

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<v Speaker 3>have Stouffers frozen food that would be put in a

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<v Speaker 3>thermos and that we would eat before practice and you know,

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<v Speaker 3>like at four o'clock or five o'clock, and then we'd

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<v Speaker 3>have another meal when we came home. We were eating

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<v Speaker 3>like four times a day.

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<v Speaker 2>As a gymnast as well as a.

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<v Speaker 3>Gymnast, I was eating just fun of food.

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<v Speaker 2>Did you have to keep you away at a certain

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<v Speaker 2>level or that.

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<v Speaker 3>Well, the thing was I was twice as large as

0:12:14.000 --> 0:12:16.160
<v Speaker 3>every other gymnast because I was so tall, and I

0:12:16.160 --> 0:12:19.600
<v Speaker 3>mean I was literally eight inches taller than most people,

0:12:19.800 --> 0:12:21.960
<v Speaker 3>and you know, you're working. I was working out three

0:12:22.000 --> 0:12:26.000
<v Speaker 3>hours every day, six days a week, and that that's

0:12:26.160 --> 0:12:28.960
<v Speaker 3>wasn't seasonal, it was all year round. So I did

0:12:28.960 --> 0:12:31.160
<v Speaker 3>that for about nine years. So it's just an incredible

0:12:31.200 --> 0:12:32.680
<v Speaker 3>amount of calories that you're burning.

0:12:33.000 --> 0:12:34.240
<v Speaker 2>How old were you when you started?

0:12:34.360 --> 0:12:38.120
<v Speaker 3>I started the like the hardcore club gymnastics at nine

0:12:38.200 --> 0:12:42.080
<v Speaker 3>years old, and then I finished when I was eighteen. Yeah,

0:12:42.120 --> 0:12:45.000
<v Speaker 3>so it was really intense. And I and I, you know,

0:12:45.080 --> 0:12:49.120
<v Speaker 3>I went to an all girls' high school, also very regress,

0:12:49.200 --> 0:12:54.360
<v Speaker 3>so I had this upbringing that was very tight. And

0:12:54.400 --> 0:12:56.920
<v Speaker 3>that's also has been such a wonderful thing that I

0:12:57.040 --> 0:12:59.040
<v Speaker 3>that I explore in this in this book. The mom

0:12:59.080 --> 0:13:04.360
<v Speaker 3>I mean Lano about out the loosening, the softening, the relaxing,

0:13:04.720 --> 0:13:06.960
<v Speaker 3>because I really didn't learn that from a from an

0:13:07.000 --> 0:13:09.880
<v Speaker 3>early age. And you know, taking back to food, it

0:13:09.960 --> 0:13:12.560
<v Speaker 3>was not relaxing while we ate because everyone was scared

0:13:12.600 --> 0:13:14.200
<v Speaker 3>that it was all going to be gone, so we

0:13:14.200 --> 0:13:16.720
<v Speaker 3>were all like fighting and grabbing for the food. So

0:13:16.760 --> 0:13:20.800
<v Speaker 3>it wasn't this like long, luxurious, you know, relaxing moment.

0:13:20.840 --> 0:13:23.400
<v Speaker 3>It was like, yeah, you was scarfing it down.

0:13:24.760 --> 0:13:25.680
<v Speaker 2>Did your father cook?

0:13:26.559 --> 0:13:28.400
<v Speaker 3>Was there an My dad barbecued?

0:13:28.600 --> 0:13:32.360
<v Speaker 2>Yeah, that's the thing. Men barbecue, and yeah that's how

0:13:32.360 --> 0:13:33.040
<v Speaker 2>I often.

0:13:33.040 --> 0:13:37.280
<v Speaker 3>And my mom would make really nice stuffings for the meats.

0:13:37.280 --> 0:13:39.000
<v Speaker 3>Like I didn't eat the meat so much I'm not

0:13:39.080 --> 0:13:41.720
<v Speaker 3>into game, and actually, now it's so funny. I know

0:13:41.800 --> 0:13:44.520
<v Speaker 3>I chose this don ride kio tellie I've I've since

0:13:44.559 --> 0:13:48.640
<v Speaker 3>become a vegetarian, so I really don't eat meat or fish.

0:13:49.080 --> 0:13:55.479
<v Speaker 3>But this recipe was my first and favorite from your cookbook,

0:13:56.120 --> 0:13:58.400
<v Speaker 3>and it was one that I did so many times

0:13:58.440 --> 0:14:00.360
<v Speaker 3>and it was so easy, and I was like, this

0:14:00.440 --> 0:14:02.240
<v Speaker 3>is Italian cooking. That's I wanted to share it.

0:14:02.320 --> 0:14:05.040
<v Speaker 2>You can actually have it without the pashuoter. You can

0:14:05.080 --> 0:14:07.600
<v Speaker 2>make it now. We do it a lot the ridicio,

0:14:08.320 --> 0:14:11.480
<v Speaker 2>but sometimes we do a sefrito with the ridico, so

0:14:11.520 --> 0:14:13.960
<v Speaker 2>we put a bit of you know, I can really

0:14:13.960 --> 0:14:16.040
<v Speaker 2>cook it down and then and then.

0:14:15.920 --> 0:14:17.640
<v Speaker 3>You know what I would add maybe if I was

0:14:17.679 --> 0:14:21.520
<v Speaker 3>doing vegetarian, I would add some toasted pine nuts and

0:14:21.640 --> 0:14:24.680
<v Speaker 3>maybe just a tiny bit of for modrole, like even

0:14:24.920 --> 0:14:28.080
<v Speaker 3>another for modrole, just to like it. I mean depends,

0:14:28.120 --> 0:14:29.360
<v Speaker 3>but I think it's a great rest.

0:14:29.440 --> 0:14:31.280
<v Speaker 2>Do you want to say something about do you never

0:14:31.360 --> 0:14:32.920
<v Speaker 2>made this recipe in the river carefoe?

0:14:33.000 --> 0:14:33.360
<v Speaker 1>I have?

0:14:34.280 --> 0:14:34.720
<v Speaker 2>I love.

0:14:37.760 --> 0:14:41.800
<v Speaker 1>Sounding very English. What I love is that the ridicule

0:14:42.040 --> 0:14:44.720
<v Speaker 1>is the same shape as the pasta. Yeah, and so

0:14:44.840 --> 0:14:47.760
<v Speaker 1>you have like this mouthful and you can't quite differentiate

0:14:47.840 --> 0:14:49.840
<v Speaker 1>which part is which, but it all sort of is

0:14:49.840 --> 0:14:52.280
<v Speaker 1>the same shape and it's so delicious when it all

0:14:52.280 --> 0:14:52.880
<v Speaker 1>comes together.

0:14:53.320 --> 0:14:55.560
<v Speaker 3>And that is exactly one of the things that I

0:14:55.600 --> 0:14:57.600
<v Speaker 3>was saying. It's like, you can have all the same ingredients,

0:14:57.640 --> 0:14:59.800
<v Speaker 3>but it's about how you prep it. It's how you

0:15:00.680 --> 0:15:03.760
<v Speaker 3>exactly these very simple subtleties that make all the difference.

0:15:03.880 --> 0:15:06.160
<v Speaker 1>Yeah, and as long as the ingredients are the freshest

0:15:06.200 --> 0:15:08.680
<v Speaker 1>and the most beautiful, which we have hit the River Cafe,

0:15:09.120 --> 0:15:12.720
<v Speaker 1>it just transforms the dish completely, makes it something really special.

0:15:13.120 --> 0:15:15.920
<v Speaker 3>Is that the ment. I still can't believe Sassy is

0:15:15.920 --> 0:15:16.680
<v Speaker 3>a telling me because our.

0:15:16.600 --> 0:15:20.600
<v Speaker 2>English is so It was amazing when you left this

0:15:20.720 --> 0:15:23.640
<v Speaker 2>home of family meals and your mother cooking and your

0:15:23.720 --> 0:15:27.280
<v Speaker 2>dad barbecuing and hunting and fishing and you know, shooting,

0:15:27.400 --> 0:15:33.840
<v Speaker 2>not fashion nothing. But then you went to university.

0:15:33.960 --> 0:15:34.720
<v Speaker 3>I went to Berkeley.

0:15:34.760 --> 0:15:38.560
<v Speaker 2>You went to Berkeley, and that was a big change

0:15:38.560 --> 0:15:40.480
<v Speaker 2>in terms of food for you did it well.

0:15:40.520 --> 0:15:43.640
<v Speaker 3>Unfortunately, I didn't know who Alice Waters was at that time,

0:15:43.680 --> 0:15:46.600
<v Speaker 3>and I didn't you know, I wasn't you know, probably

0:15:46.600 --> 0:15:50.040
<v Speaker 3>in the position to go eat there. But the food

0:15:50.240 --> 0:15:54.520
<v Speaker 3>was quite sophisticated, even just around Berkeley. I remember, you know,

0:15:54.560 --> 0:15:56.400
<v Speaker 3>I lived in a sorority house, so we actually had

0:15:56.440 --> 0:15:59.400
<v Speaker 3>these buffets of wonderful food and there was an incredible

0:15:59.400 --> 0:16:02.960
<v Speaker 3>cook there. I've always been a baker, like that was

0:16:03.000 --> 0:16:05.560
<v Speaker 3>something that I knew from a young age. My mom

0:16:05.640 --> 0:16:07.480
<v Speaker 3>was baking a lot. She made a lot of really

0:16:07.480 --> 0:16:11.440
<v Speaker 3>great desserts. So the cook at our slaty house would

0:16:11.440 --> 0:16:16.000
<v Speaker 3>always be making these wonderful homemade American cookies that I

0:16:16.080 --> 0:16:18.880
<v Speaker 3>now cannot find in Italy if my life depended on.

0:16:18.840 --> 0:16:19.920
<v Speaker 2>It, Like what which one?

0:16:20.080 --> 0:16:26.400
<v Speaker 3>Just like just any chocolate, chewy, yes, ginger, molasses, oatmeal, raisin,

0:16:26.640 --> 0:16:29.640
<v Speaker 3>all of those like that, the chewiness and the sort

0:16:29.680 --> 0:16:34.000
<v Speaker 3>of softness brown sugar is an ingredient that just doesn't

0:16:34.000 --> 0:16:36.240
<v Speaker 3>seem to exist in Italy the way we use it

0:16:36.280 --> 0:16:39.120
<v Speaker 3>in American in the UK, and they don't use as

0:16:39.200 --> 0:16:42.440
<v Speaker 3>much butter. I noticed Italians in general, so I would

0:16:42.480 --> 0:16:45.320
<v Speaker 3>say the only kind of food group that's missing for

0:16:45.440 --> 0:16:46.920
<v Speaker 3>me in Italy are the desserts.

0:16:46.960 --> 0:16:49.520
<v Speaker 2>Really Yeah, well, Italians I always you know, we always

0:16:49.560 --> 0:16:52.800
<v Speaker 2>say Italians have their cakes for breakfast in there, ice

0:16:52.880 --> 0:16:55.520
<v Speaker 2>cream on the streets and then an espress for a dessert.

0:16:55.800 --> 0:16:59.360
<v Speaker 2>You know, you're so right. And I've been in homes

0:16:59.480 --> 0:17:02.440
<v Speaker 2>where the food is so good and then they'll bring

0:17:02.480 --> 0:17:05.920
<v Speaker 2>out one of those kind of custardy pies with the

0:17:05.920 --> 0:17:08.280
<v Speaker 2>custard and then the food on the top, and you think,

0:17:08.320 --> 0:17:11.240
<v Speaker 2>what relationship does this have to do with the most

0:17:11.280 --> 0:17:13.919
<v Speaker 2>amazing pasta sauce. We just they don't. They do not.

0:17:14.720 --> 0:17:18.800
<v Speaker 3>Actually, there's there's I have two small complaints with Italian cuisine.

0:17:19.000 --> 0:17:20.800
<v Speaker 3>Is one is the desserts and one is the bread.

0:17:21.240 --> 0:17:24.480
<v Speaker 2>Oh yeah, well you're not even in Tuscany. Wait, you

0:17:24.520 --> 0:17:27.800
<v Speaker 2>get to Tuscany and there's no.

0:17:27.680 --> 0:17:30.160
<v Speaker 3>I mean, it's like a cardboard. It's a piece of cardboard.

0:17:30.280 --> 0:17:30.879
<v Speaker 3>It's susy.

0:17:30.960 --> 0:17:32.720
<v Speaker 2>Jump in tell us.

0:17:32.760 --> 0:17:35.040
<v Speaker 1>What's nice though, is it's kind of like a vessel,

0:17:35.480 --> 0:17:37.639
<v Speaker 1>so it can carry whatever you put on it. So

0:17:37.680 --> 0:17:41.000
<v Speaker 1>if it has no taste, So when you taste the

0:17:41.040 --> 0:17:46.720
<v Speaker 1>new oils, yeah put them on that bridge. It's catches,

0:17:46.760 --> 0:17:49.480
<v Speaker 1>the sort of more salty or colta.

0:17:49.200 --> 0:17:52.080
<v Speaker 3>Is wonderful, but it's not bread. There's sometimes when I

0:17:52.160 --> 0:17:53.879
<v Speaker 3>just miss bread and butter.

0:17:54.160 --> 0:17:54.680
<v Speaker 2>Yeah butter.

0:17:54.840 --> 0:17:57.440
<v Speaker 3>I love butter. And it's not a cult. We don't have.

0:17:57.640 --> 0:17:59.560
<v Speaker 3>There's not a culture for that. And there are certain

0:17:59.600 --> 0:18:03.560
<v Speaker 3>things that I learned. You know, one of the messages

0:18:03.600 --> 0:18:06.359
<v Speaker 3>of this book that I wrote was surrendering to what

0:18:06.560 --> 0:18:09.080
<v Speaker 3>is in Italy instead of always looking at what was

0:18:09.119 --> 0:18:10.760
<v Speaker 3>not there. And at the beginning, I was like, where

0:18:10.800 --> 0:18:14.080
<v Speaker 3>are the avocados, where's the cilantro, where's my non fat milk?

0:18:15.119 --> 0:18:16.960
<v Speaker 2>Yeah, you know, it's trying to find all these things.

0:18:16.960 --> 0:18:18.399
<v Speaker 2>Where's my butter, where's my good bread?

0:18:18.960 --> 0:18:21.800
<v Speaker 3>And what I realized, so much of the exercise of

0:18:22.000 --> 0:18:27.959
<v Speaker 3>living and embracing Italy is just allowing yourself to melt

0:18:28.240 --> 0:18:30.720
<v Speaker 3>into the wonder and the magic and the beauty that

0:18:30.920 --> 0:18:34.159
<v Speaker 3>is there, because once you do that, you will be

0:18:34.320 --> 0:18:37.040
<v Speaker 3>rocket shipped off the planet into ecstasy. It's amazing.

0:18:37.200 --> 0:18:39.919
<v Speaker 2>I should probably say that with most travel you know

0:18:40.040 --> 0:18:43.640
<v Speaker 2>that living in another country that you do is Mexico,

0:18:43.800 --> 0:18:48.040
<v Speaker 2>or if you were in China or Japan that you

0:18:48.040 --> 0:18:50.200
<v Speaker 2>you know, as you say surrender. I think it's really

0:18:50.200 --> 0:18:52.639
<v Speaker 2>interesting the way I use the word surrender so often,

0:18:52.760 --> 0:18:55.359
<v Speaker 2>and I really had to learn it, and it's and

0:18:55.400 --> 0:18:58.160
<v Speaker 2>you use it in a very energetic and positive way

0:18:58.280 --> 0:19:01.160
<v Speaker 2>rather than giving up. You know, it's not you know,

0:19:01.440 --> 0:19:05.280
<v Speaker 2>in military terms, you're surrendered by it. You giving them

0:19:05.320 --> 0:19:09.520
<v Speaker 2>your flag and we've surrendered. Whereas you're using surrender as embracing,

0:19:09.560 --> 0:19:12.200
<v Speaker 2>I would say, much more embracing the culture that you're

0:19:12.240 --> 0:19:14.800
<v Speaker 2>living in. Talk to me more about the book and

0:19:14.840 --> 0:19:16.600
<v Speaker 2>talk to me what you would try. Because it's so

0:19:16.600 --> 0:19:17.480
<v Speaker 2>it's so funny, you know.

0:19:17.520 --> 0:19:20.560
<v Speaker 3>I when I first started my company, lit Double Ja

0:19:20.600 --> 0:19:23.560
<v Speaker 3>in twenty fifteen, I was selling my collection of vintage clothing,

0:19:23.600 --> 0:19:25.560
<v Speaker 3>and I was showing it on all of the creative

0:19:25.560 --> 0:19:28.239
<v Speaker 3>women in Milan, the women that I you know, as

0:19:28.280 --> 0:19:30.600
<v Speaker 3>a journalist for fifteen years. They didn't want me writing

0:19:30.640 --> 0:19:32.879
<v Speaker 3>about those women. They wanted me interviewing George Romani and

0:19:32.960 --> 0:19:35.879
<v Speaker 3>dul Jingobana and the advertisers. But I had found that

0:19:35.920 --> 0:19:42.000
<v Speaker 3>there was this like incredible cluster of the most creative, cool,

0:19:43.400 --> 0:19:49.240
<v Speaker 3>shockingly adept housemakers in Milan. Like I couldn't believe that

0:19:49.240 --> 0:19:52.040
<v Speaker 3>they were these women that had these incredible creative careers

0:19:52.080 --> 0:19:56.119
<v Speaker 3>and that could still turn out dinner beautifully or entertaining flawlessly.

0:19:56.440 --> 0:19:59.960
<v Speaker 3>Their homes were decorated incredibly, everything, even their pantry clas

0:20:00.080 --> 0:20:01.840
<v Speaker 3>it's were amazing, and there was so much to learn

0:20:01.880 --> 0:20:04.240
<v Speaker 3>from them. And I launched the website. I had this

0:20:04.280 --> 0:20:06.439
<v Speaker 3>whole section on you know how to live like an

0:20:06.480 --> 0:20:08.960
<v Speaker 3>Italian and the school of shura. A shura is an

0:20:08.960 --> 0:20:12.720
<v Speaker 3>Italian or a Milanaise housewife, which these women were not housewives,

0:20:12.720 --> 0:20:15.000
<v Speaker 3>but they had all the like the tools, and they

0:20:15.000 --> 0:20:19.120
<v Speaker 3>had all the techniques. And at the time, well, they're

0:20:19.119 --> 0:20:19.880
<v Speaker 3>well staffed.

0:20:20.160 --> 0:20:22.280
<v Speaker 2>That's I was going to wait for that. They're well

0:20:22.320 --> 0:20:25.440
<v Speaker 2>staffed laws because I think to do that, to work

0:20:25.480 --> 0:20:28.640
<v Speaker 2>all day and then do all that they know how to.

0:20:28.680 --> 0:20:29.720
<v Speaker 2>It's a division of power.

0:20:29.760 --> 0:20:32.040
<v Speaker 3>But like you know what I've also learned as having

0:20:32.080 --> 0:20:34.600
<v Speaker 3>a company, so much of that is understanding, like what

0:20:34.640 --> 0:20:37.000
<v Speaker 3>you can farm out to others, like what should be

0:20:37.160 --> 0:20:40.879
<v Speaker 3>your own purview and what you can share with others.

0:20:40.960 --> 0:20:44.240
<v Speaker 3>And the thing is they don't just farm it all out,

0:20:44.840 --> 0:20:47.560
<v Speaker 3>you know, they know what can be done, and then

0:20:47.600 --> 0:20:49.879
<v Speaker 3>they they know that they should be tasting the sauce

0:20:49.880 --> 0:20:53.280
<v Speaker 3>here and making you know, they really know their own

0:20:53.920 --> 0:20:56.800
<v Speaker 3>They have the mastery of each of these skills. Anyway,

0:20:57.040 --> 0:20:59.920
<v Speaker 3>during COVID, a book agent came to me and said, JJ,

0:21:00.280 --> 0:21:03.480
<v Speaker 3>you know everyone is miserable. They've been inside their homes.

0:21:03.480 --> 0:21:05.280
<v Speaker 3>I think we need a book on all of this

0:21:05.560 --> 0:21:09.880
<v Speaker 3>brilliance and exuberance that is Italy and all those images

0:21:09.880 --> 0:21:12.960
<v Speaker 3>that you've produced over the years. I've done so many

0:21:13.320 --> 0:21:17.000
<v Speaker 3>photos of tabletops and our homeware and food and the fashion,

0:21:17.359 --> 0:21:19.560
<v Speaker 3>and I said, you know, it feels like kind of

0:21:19.560 --> 0:21:22.399
<v Speaker 3>a cliche. I feel like, you know, we've seen a

0:21:22.440 --> 0:21:24.199
<v Speaker 3>lot of books like this. I'm happy to give it

0:21:24.240 --> 0:21:26.520
<v Speaker 3>to you, but if I do that, I also want

0:21:26.560 --> 0:21:30.760
<v Speaker 3>to tell the real story, which was I was miserable

0:21:31.160 --> 0:21:33.479
<v Speaker 3>in Italy for my first five years there, and I

0:21:33.600 --> 0:21:38.080
<v Speaker 3>was fighting against the system. I was irritated at every turn.

0:21:38.720 --> 0:21:40.960
<v Speaker 3>I was getting pissed off. I was fighting with people

0:21:41.000 --> 0:21:43.639
<v Speaker 3>at cocktail parties because their movies were dubbed, and I

0:21:43.720 --> 0:21:46.600
<v Speaker 3>was like against dubbing, I mean the most like absurd,

0:21:46.760 --> 0:21:50.880
<v Speaker 3>superficial things. I found myself in bank lines for two

0:21:50.920 --> 0:21:53.280
<v Speaker 3>hours for no reason, just to like depositive check, I mean,

0:21:53.359 --> 0:21:57.159
<v Speaker 3>just you know, the inefficiency, et cetera. And it really

0:21:57.200 --> 0:22:00.359
<v Speaker 3>took me. So, I mean, I could feel my whole

0:22:00.960 --> 0:22:06.159
<v Speaker 3>body system in resistance and rejection of everything that was

0:22:06.200 --> 0:22:08.399
<v Speaker 3>around me. And I was rejecting the food. I was

0:22:08.440 --> 0:22:13.640
<v Speaker 3>rejecting the customs, the traditions, the timetables, the rhythms. Everything

0:22:13.760 --> 0:22:18.560
<v Speaker 3>was wrong in my mind. And this was just my huberus.

0:22:18.600 --> 0:22:22.600
<v Speaker 3>This was my American privilege, coming over and thinking that like,

0:22:23.280 --> 0:22:28.240
<v Speaker 3>my way was better than like five thousand years of expertise.

0:22:28.680 --> 0:22:33.320
<v Speaker 3>And so the book is a it's journey of surrender

0:22:33.800 --> 0:22:38.479
<v Speaker 3>and of letting go of that judgment, that criticism, needing

0:22:38.520 --> 0:22:42.320
<v Speaker 3>to have things my way, and slipping into what is

0:22:42.440 --> 0:22:48.040
<v Speaker 3>actually a very feminine energetic of Italy. So that's why

0:22:48.080 --> 0:22:51.480
<v Speaker 3>it's called Mama Milano because I after later in my life,

0:22:51.480 --> 0:22:54.199
<v Speaker 3>I developed a spiritual practice. I started learning, you know,

0:22:54.240 --> 0:22:56.760
<v Speaker 3>the difference between masculine and feminine energy, the yin and

0:22:56.760 --> 0:22:59.600
<v Speaker 3>the yang, the divine mother. And I'm like, this is

0:22:59.680 --> 0:23:04.120
<v Speaker 3>Italy and like America was so quite you know, patriarchal

0:23:04.200 --> 0:23:06.960
<v Speaker 3>and go and move and and you know, it's it's

0:23:07.000 --> 0:23:10.359
<v Speaker 3>all about checking off things and and it's very transactional.

0:23:10.720 --> 0:23:15.000
<v Speaker 3>And I realized Italy is a feeling based culture. It's

0:23:15.000 --> 0:23:18.480
<v Speaker 3>a relationship based culture. And I had a lot to learn.

0:23:18.600 --> 0:23:23.000
<v Speaker 3>So the book is filled with all the lessons that

0:23:23.160 --> 0:23:25.320
<v Speaker 3>I learned. That of course were how to you know,

0:23:25.400 --> 0:23:28.760
<v Speaker 3>decorate my table and decorate the house, get myself dressed,

0:23:28.760 --> 0:23:30.760
<v Speaker 3>but really how to become a better person.

0:23:30.840 --> 0:23:34.200
<v Speaker 2>Did you ever think of leaving? Oh yeah, yeah, but you.

0:23:34.200 --> 0:23:37.800
<v Speaker 3>Stayed as critical as I am, I'm also as stubborn.

0:23:38.480 --> 0:23:40.840
<v Speaker 3>So I was like, you know, I had made this

0:23:40.920 --> 0:23:45.080
<v Speaker 3>decision to move to Italy followed a guy, and I

0:23:45.160 --> 0:23:46.640
<v Speaker 3>was like, I wasn't going to give up.

0:23:47.520 --> 0:23:49.600
<v Speaker 2>You know. The thing but Italy is that with all

0:23:49.720 --> 0:23:52.639
<v Speaker 2>the we look at Italy and there's a you know,

0:23:52.720 --> 0:23:55.600
<v Speaker 2>one political party, then there's another, then there's another, then

0:23:55.600 --> 0:23:58.520
<v Speaker 2>there's a Minister of Finance and then there's another, and

0:23:58.560 --> 0:24:02.199
<v Speaker 2>then the way they on the transportation in Florence is

0:24:02.200 --> 0:24:07.399
<v Speaker 2>different from Patava, and it just seems to be that chaotic.

0:24:08.160 --> 0:24:11.360
<v Speaker 2>But no, but you know what they do it so well.

0:24:11.560 --> 0:24:14.679
<v Speaker 2>You know, they look at Italy, you know, they produce

0:24:14.840 --> 0:24:18.439
<v Speaker 2>beautiful clothes, the beautiful cars. I remember sitting in the

0:24:18.480 --> 0:24:21.560
<v Speaker 2>cafe in Florence and every young woman would come and

0:24:21.880 --> 0:24:24.280
<v Speaker 2>dress so beautifully, you know, and I think, how do

0:24:24.359 --> 0:24:27.480
<v Speaker 2>they are they all kind of making a huge amount

0:24:27.520 --> 0:24:29.679
<v Speaker 2>of money and are they how do they spend that

0:24:29.760 --> 0:24:32.320
<v Speaker 2>much money on a dress by Prada or a pair

0:24:32.359 --> 0:24:34.720
<v Speaker 2>of trousers by a doul Chicabata. And somebody pointed out

0:24:34.720 --> 0:24:37.040
<v Speaker 2>that they're probably all living at home. Oh and they're

0:24:37.080 --> 0:24:40.800
<v Speaker 2>not paying rent. They're so clever you know, we're all

0:24:40.880 --> 0:24:44.520
<v Speaker 2>knocking ourselves to my kids to pay, you know, to

0:24:44.560 --> 0:24:46.760
<v Speaker 2>live in a flat with sixteen other people do that,

0:24:46.880 --> 0:24:49.040
<v Speaker 2>and you know, they can't go to the movies, or

0:24:49.119 --> 0:24:51.400
<v Speaker 2>you can't go to the fit, or you can't buy

0:24:51.480 --> 0:24:54.159
<v Speaker 2>whatever you want to buy. And then Italy kind of

0:24:54.320 --> 0:24:56.439
<v Speaker 2>works in this way and.

0:24:57.840 --> 0:25:02.480
<v Speaker 3>That reinforces this very important focus on and importance of

0:25:02.520 --> 0:25:05.520
<v Speaker 3>the family. And I talk about the mother of the

0:25:05.920 --> 0:25:07.879
<v Speaker 3>you know, because that's the center of the family, and

0:25:07.920 --> 0:25:10.879
<v Speaker 3>the table is the center of the family. And I

0:25:10.920 --> 0:25:14.360
<v Speaker 3>don't have the numbers. This is just is not a scientific.

0:25:13.920 --> 0:25:14.959
<v Speaker 2>Steam and no data.

0:25:15.119 --> 0:25:17.520
<v Speaker 3>There's no data to support this book. I will just say,

0:25:17.840 --> 0:25:20.560
<v Speaker 3>of all the Italians I've met versus all of the Americans,

0:25:20.840 --> 0:25:25.040
<v Speaker 3>the Italians are some of the most well adjusted, easygoing, happy,

0:25:25.680 --> 0:25:29.919
<v Speaker 3>personally satisfied human beings, Whereas a lot of Americans that

0:25:30.000 --> 0:25:32.800
<v Speaker 3>I know are really struggling. And I think a lot

0:25:32.840 --> 0:25:35.720
<v Speaker 3>of it has It's not necessarily about food, but so

0:25:35.840 --> 0:25:38.760
<v Speaker 3>much of it is like this sense of tolerance that

0:25:38.800 --> 0:25:42.920
<v Speaker 3>the Italians have. And they are at a slower pace

0:25:43.040 --> 0:25:45.160
<v Speaker 3>and that's okay, and.

0:25:45.119 --> 0:25:47.320
<v Speaker 2>They get it done, and they get it done. I agree.

0:25:47.320 --> 0:25:49.720
<v Speaker 2>What do you think about because you lived in.

0:25:49.960 --> 0:25:51.560
<v Speaker 1>I lived in Florence when I was a baby, and

0:25:51.560 --> 0:25:54.000
<v Speaker 1>then I also lived in Paris with it. I've spent

0:25:54.080 --> 0:25:56.119
<v Speaker 1>most of my lifetime living in England. That's why I

0:25:56.160 --> 0:25:58.000
<v Speaker 1>sound very English. I know what you mean. But the

0:25:58.560 --> 0:26:02.080
<v Speaker 1>pace is much slower, but everything still gets done and

0:26:02.160 --> 0:26:03.200
<v Speaker 1>to the highest standard.

0:26:03.280 --> 0:26:04.399
<v Speaker 2>Yeah.

0:26:03.840 --> 0:26:06.800
<v Speaker 1>And it's funny because that family central unit. I know

0:26:06.880 --> 0:26:09.240
<v Speaker 1>my father when he was growing up in Rome, when

0:26:09.280 --> 0:26:12.160
<v Speaker 1>you go to university. If you go to university, you

0:26:12.200 --> 0:26:14.320
<v Speaker 1>live at home with your family, which is such a

0:26:14.400 --> 0:26:16.240
<v Speaker 1>foreign concept here in England.

0:26:16.280 --> 0:26:20.480
<v Speaker 3>And it's not something uncool, No, it's completely normal. Yeah,

0:26:20.520 --> 0:26:23.479
<v Speaker 3>it's actually quite strange. If you don't under is going

0:26:23.480 --> 0:26:24.600
<v Speaker 3>to get ironed by your mom.

0:26:24.720 --> 0:26:27.960
<v Speaker 2>I mean, it's like amazing. It's interesting about that again,

0:26:28.040 --> 0:26:30.040
<v Speaker 2>about women. I always say, if you go to when

0:26:30.080 --> 0:26:31.639
<v Speaker 2>we go on the wine trips, you know, we can

0:26:31.680 --> 0:26:33.639
<v Speaker 2>all go to Italy to taste the new oil and

0:26:33.680 --> 0:26:35.480
<v Speaker 2>the wine, and you go, we go there and we

0:26:35.560 --> 0:26:38.159
<v Speaker 2>look fine. But then you go into some little cafe

0:26:38.320 --> 0:26:42.560
<v Speaker 2>or bar at a hilltown in Kianti and all the

0:26:42.600 --> 0:26:46.320
<v Speaker 2>guys are wearing iron shirts and they're all looking so smart,

0:26:46.440 --> 0:26:49.800
<v Speaker 2>and you do wonder about the mothers at home who

0:26:49.800 --> 0:26:52.440
<v Speaker 2>are doing that and the women and I'm sure there's

0:26:52.480 --> 0:26:54.200
<v Speaker 2>going to tell me. People are going to say, I'm

0:26:54.200 --> 0:26:56.800
<v Speaker 2>not iron you sure, I'm just not doing it. You know,

0:26:56.960 --> 0:26:58.960
<v Speaker 2>I have a book to read or a book to write,

0:26:59.200 --> 0:27:01.639
<v Speaker 2>or some thing I'm going to travel. And it's you know,

0:27:01.680 --> 0:27:04.320
<v Speaker 2>it's one of the concerns about as as simple as

0:27:04.440 --> 0:27:09.720
<v Speaker 2>jarring tomatoes. You know, who's gonna do that? Yeah, maybe

0:27:09.720 --> 0:27:12.280
<v Speaker 2>nobody should do it, maybe robots couldn't do it. Instead

0:27:12.280 --> 0:27:15.320
<v Speaker 2>of this romantization of We're all going to stay home

0:27:15.359 --> 0:27:18.679
<v Speaker 2>and put jar tomatoes and jars or maybe you know,

0:27:18.760 --> 0:27:20.840
<v Speaker 2>because everybody else is going to be doing every other thing,

0:27:20.880 --> 0:27:22.600
<v Speaker 2>that would be something that we want to do, you know,

0:27:22.640 --> 0:27:24.320
<v Speaker 2>that will be In fact, I was just going to say,

0:27:24.320 --> 0:27:25.240
<v Speaker 2>I'm actually.

0:27:25.000 --> 0:27:30.159
<v Speaker 3>Seeing men get way more involved in things that I like,

0:27:30.280 --> 0:27:33.119
<v Speaker 3>you know, jarring things. You know, there's and there's a

0:27:33.320 --> 0:27:35.680
<v Speaker 3>there's a real return also I've seen in the last

0:27:35.680 --> 0:27:39.760
<v Speaker 3>twenty years. I used to be a journalist covering fashion

0:27:39.800 --> 0:27:43.639
<v Speaker 3>and design for many publications, and one publication, Wallpaper, was

0:27:43.640 --> 0:27:46.399
<v Speaker 3>always really interested in like all the artisans. So I

0:27:46.440 --> 0:27:49.720
<v Speaker 3>was always interviewing Italian artisans. And what was so cool

0:27:49.840 --> 0:27:53.040
<v Speaker 3>was that you had these artisans that were like seventy plus,

0:27:53.119 --> 0:27:55.600
<v Speaker 3>and then there was this whole new generation of like

0:27:55.800 --> 0:27:59.320
<v Speaker 3>twenty five year olds that realized how cool it was

0:27:59.840 --> 0:28:02.720
<v Speaker 3>to be a carpenter or to make something, to make

0:28:02.760 --> 0:28:05.119
<v Speaker 3>something with the hands. But there was kind of like

0:28:05.119 --> 0:28:09.120
<v Speaker 3>that fifty year gap. So I do think that there's

0:28:10.720 --> 0:28:16.879
<v Speaker 3>I just Italy has wonderful values, and it takes longer

0:28:17.040 --> 0:28:20.880
<v Speaker 3>to figure it out. It's more chaotic, it's less organized,

0:28:20.920 --> 0:28:24.360
<v Speaker 3>it's less dependable. But once you understand the rhythms, once

0:28:24.400 --> 0:28:26.959
<v Speaker 3>you start realizing that actually all you need is to

0:28:27.000 --> 0:28:31.359
<v Speaker 3>make friends, you know, your life just, you know, it

0:28:31.520 --> 0:28:34.040
<v Speaker 3>just unravels. It was such a gift to me.

0:28:51.360 --> 0:28:53.480
<v Speaker 2>We just had JJ Martin here and I'm here with

0:28:53.560 --> 0:28:57.240
<v Speaker 2>Sean now and I'm talking about shops because you know,

0:28:57.440 --> 0:29:01.960
<v Speaker 2>she is in retail, she's in design, and she's into spirituality,

0:29:02.040 --> 0:29:05.800
<v Speaker 2>and so there is a kind of parallel life although

0:29:05.840 --> 0:29:09.720
<v Speaker 2>she's in Milan and we're in London. Of loving beautiful things,

0:29:09.920 --> 0:29:12.560
<v Speaker 2>and she's going to open a store in New York

0:29:13.320 --> 0:29:16.800
<v Speaker 2>that has a room downstairs where you can meditate, where

0:29:16.840 --> 0:29:20.400
<v Speaker 2>you have a kind of spiritual experience as well as

0:29:20.400 --> 0:29:23.600
<v Speaker 2>shopping upstairs. I don't know what our spiritual experience would be.

0:29:23.640 --> 0:29:24.479
<v Speaker 2>In the River Cafe.

0:29:24.720 --> 0:29:25.440
<v Speaker 4>We've got piano.

0:29:25.560 --> 0:29:31.360
<v Speaker 2>We have a piano that's spiritual and so especially right

0:29:31.400 --> 0:29:34.600
<v Speaker 2>now with Christmas, you know, it's so I think if

0:29:34.720 --> 0:29:37.800
<v Speaker 2>joyousness is spiritual, which it is, I think there's such

0:29:37.800 --> 0:29:40.280
<v Speaker 2>a joy in our shop. Of the colors, you know,

0:29:40.480 --> 0:29:43.880
<v Speaker 2>especially the matches and the books and the bags that

0:29:43.920 --> 0:29:48.760
<v Speaker 2>we've branded ourselves, that we've put our signature on. We

0:29:48.800 --> 0:29:50.200
<v Speaker 2>thought we'd show you around.

0:29:50.480 --> 0:29:53.040
<v Speaker 1>And we've got lots of things going on at the moment,

0:29:53.120 --> 0:29:55.480
<v Speaker 1>so we've had lots of fun little things.

0:29:55.560 --> 0:29:57.520
<v Speaker 2>I know, these Italian.

0:29:58.760 --> 0:30:00.520
<v Speaker 3>Right of anxiety piry.

0:30:00.280 --> 0:30:00.960
<v Speaker 5>Familiar with them.

0:30:01.240 --> 0:30:03.440
<v Speaker 3>This is like legit Italian.

0:30:04.320 --> 0:30:06.520
<v Speaker 2>This is this is totally legit Italian.

0:30:06.520 --> 0:30:09.200
<v Speaker 3>This is not like so many times my friends bring

0:30:09.200 --> 0:30:11.800
<v Speaker 3>me to Italian restaurants. They're never legitimate, you know, they

0:30:11.800 --> 0:30:13.920
<v Speaker 3>don't really do it in the Italian way. But this

0:30:14.000 --> 0:30:14.920
<v Speaker 3>is this is legit.

0:30:15.000 --> 0:30:15.680
<v Speaker 1>You won't find.

0:30:18.800 --> 0:30:20.920
<v Speaker 2>Hi. You know.

0:30:20.960 --> 0:30:22.640
<v Speaker 3>What I love about your shop is that you have

0:30:23.120 --> 0:30:25.920
<v Speaker 3>very authentic Italian things, but in the packaging that is

0:30:25.960 --> 0:30:26.800
<v Speaker 3>like totally not.

0:30:29.280 --> 0:30:32.000
<v Speaker 4>One is fine because did she see the hampers?

0:30:32.080 --> 0:30:34.840
<v Speaker 2>Did Yeah? She loved them? Yeah? And how many years

0:30:34.880 --> 0:30:38.840
<v Speaker 2>have you been doing this hampers six maybe six? I

0:30:38.880 --> 0:30:40.920
<v Speaker 2>remember when you were Satistan and said, why don't we

0:30:40.960 --> 0:30:44.120
<v Speaker 2>do the alternative to the kind of Fortnam and Mason

0:30:44.160 --> 0:30:46.800
<v Speaker 2>hamper instead of putting little jars of things that you

0:30:46.880 --> 0:30:50.080
<v Speaker 2>just kind of give away to make a River Cafe hamper.

0:30:50.560 --> 0:30:52.880
<v Speaker 4>That's been a big learning curve for us, isn't it,

0:30:52.880 --> 0:30:56.800
<v Speaker 4>Because when the brief is that nothing in the hamper

0:30:56.840 --> 0:30:59.600
<v Speaker 4>gets put in the back of a cupboard. That was

0:30:59.600 --> 0:31:02.360
<v Speaker 4>at one of our defining things that we had given

0:31:02.400 --> 0:31:05.239
<v Speaker 4>away to somebody who came to know everything in it

0:31:05.280 --> 0:31:08.680
<v Speaker 4>has to be You couldn't go round any shop in

0:31:08.960 --> 0:31:11.320
<v Speaker 4>Britain and put all those things in a box and

0:31:11.360 --> 0:31:13.760
<v Speaker 4>get that for the you know, the price, which so

0:31:13.800 --> 0:31:16.680
<v Speaker 4>it felt like an honest product. But also if I

0:31:16.760 --> 0:31:19.240
<v Speaker 4>had to feel like something that we would all like

0:31:19.280 --> 0:31:22.800
<v Speaker 4>to receive and Ruthie would like to receive, so that.

0:31:22.520 --> 0:31:25.200
<v Speaker 2>That was our We put books and it was so

0:31:25.280 --> 0:31:26.880
<v Speaker 2>nice when we can put one of our books in

0:31:26.880 --> 0:31:29.760
<v Speaker 2>one year we put a book of Richardson. We wanted

0:31:29.760 --> 0:31:32.960
<v Speaker 2>always to put music in but we've never achieved that playlist,

0:31:33.120 --> 0:31:37.680
<v Speaker 2>a playlist and the glasses, as you said, and I

0:31:37.720 --> 0:31:40.360
<v Speaker 2>think the joy of the box itself. People really love

0:31:40.400 --> 0:31:43.240
<v Speaker 2>the box, so they talk about opening up a brown

0:31:43.840 --> 0:31:47.480
<v Speaker 2>package and seeing this pink and yellow box and opening

0:31:47.520 --> 0:31:50.680
<v Speaker 2>that up and finding a beautifully packed Yeah.

0:31:50.720 --> 0:31:52.840
<v Speaker 4>And this year we were in Venice and we found

0:31:52.840 --> 0:31:57.040
<v Speaker 4>this really great linen shop and they've done these snapkins

0:31:57.040 --> 0:32:00.560
<v Speaker 4>for us this year, which a really nice cocktail naps.

0:32:00.720 --> 0:32:03.280
<v Speaker 4>And we often go round to shop ourselves and covert

0:32:03.400 --> 0:32:06.520
<v Speaker 4>things that we want to buy because it's just so

0:32:07.040 --> 0:32:10.720
<v Speaker 4>would buy. I love the fruit jellies. I think they

0:32:10.720 --> 0:32:13.960
<v Speaker 4>are bring back a fruit jelly. I say that's quite

0:32:14.000 --> 0:32:18.520
<v Speaker 4>an old fashioned thing. They're really beautiful. I love the

0:32:18.560 --> 0:32:24.120
<v Speaker 4>cocktail stirs sensing a trend by anything shout out.

0:32:25.920 --> 0:32:30.080
<v Speaker 2>Else? Is that the kids coloring really cool? I like

0:32:30.120 --> 0:32:35.200
<v Speaker 2>the playing cards. Yeah, and also hello the crackers. Yeah,

0:32:35.200 --> 0:32:36.520
<v Speaker 2>we have great crackers.

0:32:36.840 --> 0:32:38.760
<v Speaker 4>Well that's a bit of fun. Trying to design a

0:32:38.800 --> 0:32:40.840
<v Speaker 4>cracker where you've got something in it that doesn't get

0:32:40.920 --> 0:32:44.200
<v Speaker 4>just thrown away. We felt that was the hardest challenge.

0:32:44.200 --> 0:32:46.240
<v Speaker 4>But this year we've done these really cute badges. They're

0:32:46.280 --> 0:32:48.360
<v Speaker 4>like a kind of enamel pin. My favorite is a

0:32:48.400 --> 0:32:49.800
<v Speaker 4>spaghetti bonglai badge.

0:32:54.920 --> 0:32:57.960
<v Speaker 2>The River Cafe is excited to announce the return of

0:32:57.960 --> 0:33:02.080
<v Speaker 2>our Italian Christmas gift box is our alternative to the

0:33:02.160 --> 0:33:05.680
<v Speaker 2>traditional hamper. They bring you all of our favorites from

0:33:05.680 --> 0:33:09.640
<v Speaker 2>the River Cafe, kitchen, the vineyards and the designers from

0:33:09.680 --> 0:33:12.960
<v Speaker 2>all over Italy. They're available to pre order now on

0:33:13.160 --> 0:33:25.280
<v Speaker 2>shop at the River Cafe dot co dot UK. You

0:33:25.440 --> 0:33:27.760
<v Speaker 2>worked for Calvin Klein before you went to Italy, and

0:33:27.840 --> 0:33:30.880
<v Speaker 2>I remember a very good friend of mine worked with

0:33:31.200 --> 0:33:33.720
<v Speaker 2>Calvin Klein and she was in quite a senior position.

0:33:33.760 --> 0:33:37.000
<v Speaker 2>But they had a rule that if anybody sent you flowers,

0:33:37.440 --> 0:33:40.920
<v Speaker 2>they had to be white. So I mean, talk about control.

0:33:41.520 --> 0:33:43.760
<v Speaker 2>I mean I kind of respect it because sometimes you

0:33:43.800 --> 0:33:47.240
<v Speaker 2>go into this array of kind of flowers in every

0:33:47.320 --> 0:33:50.760
<v Speaker 2>single color. But it's interesting that you went from a

0:33:50.840 --> 0:33:55.719
<v Speaker 2>company like that that was so controlled to what you

0:33:55.760 --> 0:33:59.160
<v Speaker 2>know and then your joy of what you've done and

0:33:59.400 --> 0:34:01.280
<v Speaker 2>you know, and I want to talk more about your life.

0:34:01.440 --> 0:34:04.800
<v Speaker 3>I felt so stifled at Calvin Kline. I have to

0:34:04.840 --> 0:34:07.160
<v Speaker 3>say it was. It was kind of a scary place

0:34:07.200 --> 0:34:09.560
<v Speaker 3>to be. Even the yellow sticky pads were white, so

0:34:09.719 --> 0:34:12.760
<v Speaker 3>the I mean, everything was sterilized. That was the moment

0:34:12.800 --> 0:34:15.560
<v Speaker 3>in my life that I discovered vintage because I didn't

0:34:15.560 --> 0:34:18.840
<v Speaker 3>have a lot of money, and the Chelsea Flea Market

0:34:19.120 --> 0:34:24.040
<v Speaker 3>in Manhattan every weekend had this incredible vintage fair. And

0:34:24.360 --> 0:34:27.239
<v Speaker 3>that was back in you know, nineteen ninety nine, when

0:34:27.400 --> 0:34:30.760
<v Speaker 3>prices were still incredible, and so you could just get

0:34:31.120 --> 0:34:35.600
<v Speaker 3>these incredible you know, coats and gowns and and and

0:34:35.640 --> 0:34:41.440
<v Speaker 3>so I was really developing that like eccentric, colorful pattern

0:34:41.560 --> 0:34:43.719
<v Speaker 3>loving thing that was always in me. You know, the

0:34:43.760 --> 0:34:45.680
<v Speaker 3>Calvin aesthetic was never really my thing.

0:34:46.440 --> 0:34:48.840
<v Speaker 2>But they did do beautiful clothes as well, amazing quote

0:34:48.920 --> 0:34:52.200
<v Speaker 2>yeah in Italy, and underwear and it made in Italy. Yeah.

0:34:52.480 --> 0:34:55.200
<v Speaker 2>That's the other thing about Italy, the respect I have

0:34:55.320 --> 0:34:59.239
<v Speaker 2>for the Italian, as you say, either craftsmanship or workmanship.

0:34:59.280 --> 0:35:01.200
<v Speaker 2>I remember the first time Rose and I went to

0:35:01.600 --> 0:35:04.040
<v Speaker 2>look at where they made parmesan. We went down this

0:35:04.320 --> 0:35:08.840
<v Speaker 2>really dirty, dusty road and it was kind of you

0:35:08.880 --> 0:35:11.799
<v Speaker 2>know everything. You saw these barns in the background. We thought,

0:35:11.800 --> 0:35:13.319
<v Speaker 2>where are we going? What are we doing? And then

0:35:13.400 --> 0:35:15.799
<v Speaker 2>you walked into this kitchen where they were making the

0:35:15.800 --> 0:35:19.160
<v Speaker 2>parmesan cheese. And they could have been making rockets to

0:35:19.200 --> 0:35:21.080
<v Speaker 2>go into outer space, or they could have been doing

0:35:21.200 --> 0:35:24.600
<v Speaker 2>a kind of vaccine to cure a disease. They all

0:35:24.719 --> 0:35:28.480
<v Speaker 2>had masks, they had white coats, they had their hair

0:35:28.640 --> 0:35:30.840
<v Speaker 2>tied up, you know, And it's a kind of in

0:35:31.000 --> 0:35:34.560
<v Speaker 2>built pride which I sew sewing respect. You know.

0:35:34.800 --> 0:35:38.720
<v Speaker 3>Did you ever go see any of the reculta being made?

0:35:38.760 --> 0:35:42.920
<v Speaker 3>And yes, I did, Yes, warm for breakfast.

0:35:42.960 --> 0:35:45.360
<v Speaker 2>I know that's another parallel that maybe we don't have

0:35:45.400 --> 0:35:50.000
<v Speaker 2>because I remember taking that ricotta out of the thing

0:35:50.080 --> 0:35:51.640
<v Speaker 2>and it was warm, and it was hot, and I

0:35:51.680 --> 0:35:54.520
<v Speaker 2>thought I might be sick. But let's talk about your eating.

0:35:54.680 --> 0:35:57.600
<v Speaker 2>So we eat more ricotta for breakfast.

0:35:57.800 --> 0:35:59.080
<v Speaker 3>Yeah, when I can.

0:35:59.280 --> 0:36:01.239
<v Speaker 2>Okay, So how do you how do you do that?

0:36:01.360 --> 0:36:01.560
<v Speaker 4>What?

0:36:01.680 --> 0:36:03.600
<v Speaker 2>And what way do you have it? On a bad

0:36:03.640 --> 0:36:07.359
<v Speaker 2>piece of bread? You take a piece of piece of bread?

0:36:07.360 --> 0:36:09.919
<v Speaker 2>But okay, so you take a piece of that. We

0:36:10.080 --> 0:36:11.839
<v Speaker 2>do in the River Cafe, and we love that baked,

0:36:11.880 --> 0:36:13.720
<v Speaker 2>don't we say? Say what do we do with ricotta?

0:36:14.040 --> 0:36:17.080
<v Speaker 1>Absolutely? We also bake it in our wood oven with

0:36:17.200 --> 0:36:19.520
<v Speaker 1>a little bit of oregono, and so it's all slightly

0:36:19.560 --> 0:36:21.439
<v Speaker 1>crispy at the edges and then really soft and warm

0:36:21.480 --> 0:36:22.440
<v Speaker 1>in the middle of frost.

0:36:22.760 --> 0:36:27.120
<v Speaker 3>That's another thing. Oregonal for me was a game. There

0:36:27.120 --> 0:36:29.880
<v Speaker 3>were certain ingredients. Once you come to Italy like olive

0:36:29.920 --> 0:36:33.080
<v Speaker 3>oil that I was like, whoa, what is that like?

0:36:33.160 --> 0:36:36.160
<v Speaker 3>It's like a whole new thing. Same with oregano from

0:36:36.320 --> 0:36:40.719
<v Speaker 3>Sicily or from the south of Italy wherever, especially Pendeluri.

0:36:40.760 --> 0:36:42.080
<v Speaker 3>I don't know if you've ever met to the island

0:36:42.120 --> 0:36:44.919
<v Speaker 3>of Pendealeria, but the capers and the oregano from that

0:36:45.040 --> 0:36:49.719
<v Speaker 3>part of Italy. I like to buy food when I'm

0:36:49.760 --> 0:36:53.439
<v Speaker 3>traveling to get the local you know, the frieze from

0:36:53.440 --> 0:36:57.080
<v Speaker 3>Pulia or the especially the the capers and the oregano,

0:36:57.239 --> 0:37:00.400
<v Speaker 3>or just sensationally, I buy a lot of it and

0:37:00.560 --> 0:37:02.760
<v Speaker 3>is dried and then I just fill up my jars.

0:37:03.560 --> 0:37:05.440
<v Speaker 3>You know, you're not whatever. I'm not going to get

0:37:05.480 --> 0:37:07.080
<v Speaker 3>cilantro in Italy.

0:37:07.360 --> 0:37:11.040
<v Speaker 2>I have not surrendered taking go back to California, but

0:37:11.080 --> 0:37:13.480
<v Speaker 2>I'm not getting cilantro. Do you feel do you feel

0:37:14.320 --> 0:37:17.880
<v Speaker 2>as you speak Italian beautifully and you've lived there and

0:37:17.920 --> 0:37:20.920
<v Speaker 2>you have a company, do you feel linked to the

0:37:20.920 --> 0:37:23.440
<v Speaker 2>country of your birth in political or social?

0:37:23.560 --> 0:37:26.240
<v Speaker 3>Absolutely? I mean I do. I both of my parents

0:37:26.239 --> 0:37:29.799
<v Speaker 3>are deceased. I have two brothers that live around Los Angeles.

0:37:30.280 --> 0:37:34.320
<v Speaker 3>But there's something really powerful, you know. My mom's family

0:37:34.360 --> 0:37:38.680
<v Speaker 3>was from Los Angeles. So her grandfather moved there in

0:37:38.719 --> 0:37:42.120
<v Speaker 3>the early nineteen hundreds, and so there is this kind

0:37:42.120 --> 0:37:45.000
<v Speaker 3>of like ancestral thing whenever I go back, and I

0:37:45.080 --> 0:37:48.200
<v Speaker 3>feel it energetically too. I do, and I think the

0:37:48.280 --> 0:37:51.680
<v Speaker 3>earth of our birth is so powerful and you've got it,

0:37:52.239 --> 0:37:54.120
<v Speaker 3>you know. I had to do a lot of clearing there.

0:37:54.200 --> 0:37:55.560
<v Speaker 3>I had to do a lot of letting go, a

0:37:55.560 --> 0:37:57.759
<v Speaker 3>lot of forgiveness. And now I go back to Los

0:37:57.760 --> 0:37:59.560
<v Speaker 3>Angeles and I just I'm like, there's a reason it's

0:37:59.560 --> 0:38:03.040
<v Speaker 3>called the City of Angels. I feel it. It's so potent.

0:38:03.360 --> 0:38:06.120
<v Speaker 3>That being said, I don't really want to live there

0:38:06.960 --> 0:38:09.960
<v Speaker 3>all the time. I love having the kind of best

0:38:10.080 --> 0:38:14.080
<v Speaker 3>best of both worlds, and I don't really feel like, I,

0:38:14.160 --> 0:38:16.839
<v Speaker 3>you know, like either one is really my home. I don't.

0:38:16.960 --> 0:38:20.040
<v Speaker 2>I feel like I'm just a home on planet Earth. Yeah.

0:38:20.360 --> 0:38:23.640
<v Speaker 2>Do you find being a woman in Italy we talk

0:38:23.680 --> 0:38:26.839
<v Speaker 2>about the role of the woman as a mother, as

0:38:27.000 --> 0:38:30.600
<v Speaker 2>a connector, as the person who creates the people who

0:38:30.640 --> 0:38:33.640
<v Speaker 2>can then create. But do you feel as a woman

0:38:34.000 --> 0:38:37.319
<v Speaker 2>that you're treated differently in business as you might be

0:38:37.360 --> 0:38:40.200
<v Speaker 2>in the United States. Do you have the respect for

0:38:41.200 --> 0:38:42.279
<v Speaker 2>your work that you would have.

0:38:42.480 --> 0:38:47.080
<v Speaker 3>I think they're surprised every time I show up and

0:38:47.200 --> 0:38:50.160
<v Speaker 3>like I'm the boss, and I think they're like, you know,

0:38:50.200 --> 0:38:53.160
<v Speaker 3>they're sort of like, oh wow. But this is the

0:38:53.200 --> 0:38:56.359
<v Speaker 3>thing about it time. They're very open minded. Yeah, so

0:38:56.440 --> 0:38:59.000
<v Speaker 3>I think that it's like it doesn't occur to them,

0:38:59.360 --> 0:39:02.200
<v Speaker 3>it would happen, but when it happens, they're very open.

0:39:02.239 --> 0:39:04.759
<v Speaker 3>And the thing about an Italian if you can just

0:39:04.840 --> 0:39:07.759
<v Speaker 3>connect to their heart and get them excited and motivated

0:39:07.760 --> 0:39:10.719
<v Speaker 3>about something, they will do anything for you. You know,

0:39:10.719 --> 0:39:13.319
<v Speaker 3>when I started the website, all those women they were

0:39:13.400 --> 0:39:18.080
<v Speaker 3>gallery owners, they were furniture designers, architects. You know, they

0:39:18.080 --> 0:39:22.040
<v Speaker 3>weren't bankers. They were all creative people. There aren't quite

0:39:22.080 --> 0:39:25.520
<v Speaker 3>a few powerful women.

0:39:25.320 --> 0:39:26.240
<v Speaker 2>Are your prime Minister?

0:39:27.160 --> 0:39:28.919
<v Speaker 3>Is that the I mean even you know, you see

0:39:28.920 --> 0:39:33.040
<v Speaker 3>that like the Massoni family with Angela and Resita. There's

0:39:33.080 --> 0:39:37.040
<v Speaker 3>a lot of female like the Wanda Ferragamo taking over

0:39:37.120 --> 0:39:40.440
<v Speaker 3>ver Salvatore. You know, Max Maara is led creatively by

0:39:40.560 --> 0:39:42.919
<v Speaker 3>a woman who's been there for like fifty years. There's

0:39:42.920 --> 0:39:45.960
<v Speaker 3>a lot of like Donna Tulliversace. There's a lot of

0:39:46.360 --> 0:39:47.000
<v Speaker 3>Musica Prada.

0:39:47.840 --> 0:39:53.600
<v Speaker 2>Yeah they're bossy, yeah, oh wait, they're they're strong articly.

0:39:56.400 --> 0:39:56.520
<v Speaker 4>Right.

0:39:56.560 --> 0:40:00.080
<v Speaker 2>You know, I'm actually better ambitious and then women a

0:40:00.160 --> 0:40:02.839
<v Speaker 2>bossy But that's all right. I think we can be there,

0:40:02.920 --> 0:40:04.880
<v Speaker 2>but we can be bossy too. BOSSI is okay. How

0:40:04.880 --> 0:40:08.120
<v Speaker 2>many people work for you? Seventy seventy, one of whom

0:40:08.160 --> 0:40:26.799
<v Speaker 2>is sorry, it was better about this, says, So you

0:40:26.840 --> 0:40:28.839
<v Speaker 2>told me the story about the kitchen I did.

0:40:29.080 --> 0:40:31.560
<v Speaker 1>I did read somewhere that when you were searching for

0:40:31.600 --> 0:40:34.799
<v Speaker 1>a new kitchen for your house in Milan, you had

0:40:34.840 --> 0:40:38.279
<v Speaker 1>a friend of yours who suggested that that was a

0:40:38.680 --> 0:40:41.799
<v Speaker 1>sort of nineties poloform kitchen. Would you mind telling us

0:40:41.800 --> 0:40:42.240
<v Speaker 1>the story?

0:40:42.320 --> 0:40:46.400
<v Speaker 3>There was so I was newly divorced. I had to

0:40:46.440 --> 0:40:50.399
<v Speaker 3>start home from scratch. And you know, when you move

0:40:50.440 --> 0:40:55.640
<v Speaker 3>into apartments in Italy, there's generally no lights, no kitchens,

0:40:55.640 --> 0:40:57.800
<v Speaker 3>no closets. It doesn't matter if you're buying or renting

0:40:57.920 --> 0:41:00.560
<v Speaker 3>like that, it's just their empty boxes. So you basically

0:41:00.560 --> 0:41:03.840
<v Speaker 3>have to start from scratch, so it's quite like an expense.

0:41:03.880 --> 0:41:06.040
<v Speaker 3>I was like, I guess I'm getting any kea kitchen, Like,

0:41:06.160 --> 0:41:08.920
<v Speaker 3>I guess That's what I'm doing. And I had a

0:41:08.960 --> 0:41:13.200
<v Speaker 3>friend who he's a wonderful antique dealer, Rymondo Garral Look

0:41:13.280 --> 0:41:15.239
<v Speaker 3>him up when you're in Milan. He has just the

0:41:15.280 --> 0:41:21.880
<v Speaker 3>most fabulous eye. Finds pieces so special and I always

0:41:22.000 --> 0:41:24.719
<v Speaker 3>kind of refer to him anytime that I'm doing something new,

0:41:24.760 --> 0:41:26.960
<v Speaker 3>and I just we this is so Italian. Come over,

0:41:27.040 --> 0:41:28.520
<v Speaker 3>let's have a cup of coffee and talk about my

0:41:28.520 --> 0:41:31.560
<v Speaker 3>new creative project. This happens all the time. So he

0:41:31.600 --> 0:41:34.120
<v Speaker 3>came over and he was like, you know what, I

0:41:34.200 --> 0:41:37.600
<v Speaker 3>think there's a Signora. I'm buying some other stuff from her.

0:41:37.800 --> 0:41:40.719
<v Speaker 3>She might have a kitchen. Let me just see. He

0:41:40.760 --> 0:41:43.880
<v Speaker 3>calls me up and a few days later he's like, yeah,

0:41:44.120 --> 0:41:47.080
<v Speaker 3>you know, she's got this nineties polyform kitchen. It's Bordeaux red,

0:41:47.680 --> 0:41:51.000
<v Speaker 3>and but you know it's about what did he say,

0:41:51.040 --> 0:41:53.960
<v Speaker 3>what's this like twenty centimeter or something like He's like

0:41:54.239 --> 0:41:58.360
<v Speaker 3>his twenty centimeters too short for your wall. I was like, Raymondo,

0:41:58.840 --> 0:42:02.160
<v Speaker 3>I can handle like an twenty centimeter hole. I mean,

0:42:02.160 --> 0:42:04.080
<v Speaker 3>that was so Italian that he had, like it had

0:42:04.080 --> 0:42:05.640
<v Speaker 3>to go all the way to that. I'm I'll use

0:42:05.640 --> 0:42:07.840
<v Speaker 3>it as a broom closet. So the next thing I know,

0:42:08.320 --> 0:42:13.719
<v Speaker 3>this marble topped polyform kitchen that cost me in order

0:42:13.760 --> 0:42:16.480
<v Speaker 3>to buy it, ship it and install it. Ship it.

0:42:16.480 --> 0:42:19.759
<v Speaker 3>It was in Milan, but bring it over cost me

0:42:20.080 --> 0:42:25.440
<v Speaker 3>less than going to get a new, tricked out Eka kitchen.

0:42:25.480 --> 0:42:28.239
<v Speaker 3>And it brings me so much satisfaction. This kitchen is

0:42:28.320 --> 0:42:31.120
<v Speaker 3>so gorgeous and I'd love cooking on it. I mean

0:42:31.160 --> 0:42:33.520
<v Speaker 3>the only problem is that they don't have gas. It's

0:42:34.520 --> 0:42:35.080
<v Speaker 3>it's annoying.

0:42:35.160 --> 0:42:38.800
<v Speaker 2>Yeah. I have a kitchen story, which is that my husband,

0:42:38.920 --> 0:42:41.799
<v Speaker 2>Richard Rogers built, was building the Lloyd's building. I've all

0:42:41.800 --> 0:42:43.799
<v Speaker 2>we moved into our house. We need to have an

0:42:43.840 --> 0:42:45.759
<v Speaker 2>island unit. You'll have to come and seated and stay

0:42:45.760 --> 0:42:49.480
<v Speaker 2>inless deal. And it has five five burners, so it's

0:42:49.520 --> 0:42:53.480
<v Speaker 2>in the living space. It's very very minimalist. And this

0:42:53.560 --> 0:42:56.959
<v Speaker 2>is before I was cooking in a restaurant. And we've

0:42:56.960 --> 0:42:59.319
<v Speaker 2>had it for forty years and for the last I'd

0:42:59.320 --> 0:43:02.759
<v Speaker 2>say twenty years. You can't light all five burners at

0:43:02.760 --> 0:43:04.960
<v Speaker 2>the same time, no, so you can light one and

0:43:05.000 --> 0:43:07.200
<v Speaker 2>then maybe you can light the other. And so every

0:43:07.320 --> 0:43:09.640
<v Speaker 2>engineer in London would come over and try and fix

0:43:09.640 --> 0:43:11.319
<v Speaker 2>the gas, and try and do this, and try and

0:43:11.320 --> 0:43:13.720
<v Speaker 2>do that. And I went into Boffy. You know, Buffy

0:43:13.880 --> 0:43:17.000
<v Speaker 2>was just really fancy Italian fancy. I went over there

0:43:17.040 --> 0:43:18.640
<v Speaker 2>and I was joined to the guy and I said,

0:43:18.680 --> 0:43:20.919
<v Speaker 2>you know, I told I told him. He said, Richard

0:43:21.000 --> 0:43:24.000
<v Speaker 2>Rogers house, amazing. I'd love to I'll solve this problem

0:43:24.040 --> 0:43:26.640
<v Speaker 2>for you. And I would come in and he'd be

0:43:26.719 --> 0:43:29.600
<v Speaker 2>lying on the floor underneath the island unit, drawing, you know,

0:43:29.719 --> 0:43:32.680
<v Speaker 2>all the gas and the places and where the where

0:43:32.719 --> 0:43:35.800
<v Speaker 2>the gas flowed, and how's it going? Is going fine?

0:43:36.080 --> 0:43:38.640
<v Speaker 2>You know, I'm really doing well. He left, and then

0:43:38.680 --> 0:43:40.600
<v Speaker 2>three days later we got a letter from him. He said,

0:43:40.640 --> 0:43:44.080
<v Speaker 2>dear Ruth Rogers and Richard Rogers, I have spent five

0:43:44.160 --> 0:43:47.719
<v Speaker 2>days in your kitchen, and what I really think is

0:43:47.760 --> 0:43:50.799
<v Speaker 2>that it's the most beautiful kitchen I've ever seen, and

0:43:50.840 --> 0:43:54.280
<v Speaker 2>that you should donate it to the Museum of Modern

0:43:54.400 --> 0:43:59.080
<v Speaker 2>Art in New York and buy a baffy kitchen, which

0:43:59.160 --> 0:44:01.680
<v Speaker 2>we didn't do. I still have. You know, thirty years

0:44:01.760 --> 0:44:04.440
<v Speaker 2>later you have to light it ten times. But to

0:44:04.640 --> 0:44:09.720
<v Speaker 2>know a kitchen is important. It's important how you work

0:44:09.719 --> 0:44:11.600
<v Speaker 2>in it, how you live in it, how you and

0:44:11.680 --> 0:44:12.399
<v Speaker 2>you don't make it work.

0:44:12.480 --> 0:44:15.120
<v Speaker 3>It be so funny because I also found that when

0:44:15.160 --> 0:44:18.880
<v Speaker 3>I was a journalist, I found the cook the process

0:44:18.920 --> 0:44:21.960
<v Speaker 3>of cooking so helpful because whenever I had a creative

0:44:22.000 --> 0:44:24.640
<v Speaker 3>block and I couldn't write, I could cook and then

0:44:24.640 --> 0:44:26.640
<v Speaker 3>I would get back into the flow because so much

0:44:26.640 --> 0:44:31.319
<v Speaker 3>of creativity is just allowing yourself to get into that frequency.

0:44:31.360 --> 0:44:35.399
<v Speaker 3>And it was so healthy and satisfying for me. The

0:44:35.440 --> 0:44:37.960
<v Speaker 3>bigger my company gets and the more responsibility to have

0:44:38.000 --> 0:44:40.160
<v Speaker 3>and the more travel I have, I find it very

0:44:40.280 --> 0:44:43.640
<v Speaker 3>challenging to spend as much time cooking. I usually do

0:44:43.680 --> 0:44:46.120
<v Speaker 3>it on the weekends. But it's really nice. I'm in

0:44:46.160 --> 0:44:48.040
<v Speaker 3>a new relationship now and it's so fun to have

0:44:48.040 --> 0:44:50.239
<v Speaker 3>a boyfriend that cooks for me. I'm like, this is

0:44:50.280 --> 0:44:52.440
<v Speaker 3>the sex thing that could ever happen.

0:44:52.560 --> 0:44:54.360
<v Speaker 2>Yeah, we said that to Michael Kay in the first

0:44:54.360 --> 0:44:56.919
<v Speaker 2>interview we did, because there's a scene in this movie,

0:44:56.920 --> 0:45:00.080
<v Speaker 2>The Ipcress File where he seduces a woman by cooking

0:45:00.120 --> 0:45:02.040
<v Speaker 2>for her, and you get it.

0:45:02.480 --> 0:45:05.480
<v Speaker 3>You know it is so because not only is it,

0:45:05.640 --> 0:45:09.640
<v Speaker 3>I mean it's just it's so nurturing and they're like

0:45:09.719 --> 0:45:12.399
<v Speaker 3>so self relying in it. It's such a gift. It's

0:45:12.600 --> 0:45:13.320
<v Speaker 3>really amazing.

0:45:13.600 --> 0:45:16.080
<v Speaker 2>And so what do you what would you like to

0:45:16.080 --> 0:45:18.319
<v Speaker 2>do next? What is your plan? So I have a

0:45:18.480 --> 0:45:20.759
<v Speaker 2>kind of yeah, where you'd like to be in a

0:45:20.880 --> 0:45:23.359
<v Speaker 2>year's time, five years time, next month.

0:45:23.480 --> 0:45:25.520
<v Speaker 3>Okay, so next year, I'd like to have a store

0:45:25.560 --> 0:45:27.600
<v Speaker 3>open in New York, and I'd like it to kind

0:45:27.640 --> 0:45:29.560
<v Speaker 3>of be weird. Like my Ma Lonstra. We have a

0:45:29.600 --> 0:45:32.200
<v Speaker 3>Divine Mother Goddess cave downstairs. You have to come and visit.

0:45:32.400 --> 0:45:32.759
<v Speaker 4>What is it?

0:45:32.800 --> 0:45:35.680
<v Speaker 2>Divine Mother Goddess cave way, I say, I'm coming to visit.

0:45:36.520 --> 0:45:38.919
<v Speaker 2>I'm not committing to anything. I don't know what it.

0:45:38.880 --> 0:45:44.359
<v Speaker 3>Is, so it's it's underground. I commissioned this artist from

0:45:44.440 --> 0:45:50.160
<v Speaker 3>Romania to kind of create this whole descent into the feminine,

0:45:50.400 --> 0:45:54.120
<v Speaker 3>into the darkness, and so she's got all of these symbols,

0:45:54.440 --> 0:45:56.600
<v Speaker 3>mystical symbols that she's painted. And then I asked her

0:45:56.640 --> 0:46:00.920
<v Speaker 3>to paint me five manifestations of the Mother. So you

0:46:00.960 --> 0:46:04.720
<v Speaker 3>have Collie, you have Kwan Yin, you have Mother Mary,

0:46:05.080 --> 0:46:10.919
<v Speaker 3>Isis and Green Tara, and they're all mother frequencies from

0:46:10.960 --> 0:46:14.080
<v Speaker 3>different wisdom traditions, et cetera. But they're all really talking

0:46:14.120 --> 0:46:16.719
<v Speaker 3>about the same thing, which is this feminine energetic I

0:46:16.760 --> 0:46:19.400
<v Speaker 3>really started getting like obsessed with this, you know. It

0:46:19.440 --> 0:46:21.360
<v Speaker 3>was like Italy was teaching me this. I was learning

0:46:21.400 --> 0:46:24.759
<v Speaker 3>about it in my spiritual practice, and we use this

0:46:24.920 --> 0:46:30.680
<v Speaker 3>space downstairs. We hold meditations there, yoga, spiritual channelings, all

0:46:30.719 --> 0:46:33.719
<v Speaker 3>sorts of different things. So you know, this is on

0:46:33.800 --> 0:46:36.759
<v Speaker 3>the most traditional road in Milan. You've got a very

0:46:36.880 --> 0:46:40.440
<v Speaker 3>untraditional thing happening. So when I go to New York,

0:46:40.440 --> 0:46:43.239
<v Speaker 3>I'd like to do another thing as well where we

0:46:43.880 --> 0:46:45.520
<v Speaker 3>Maybe it would be nice also in New York to

0:46:45.560 --> 0:46:49.759
<v Speaker 3>have some of our homewhere that we create alongside the

0:46:49.760 --> 0:46:52.520
<v Speaker 3>fashion has been popping up in little cafes here there,

0:46:52.560 --> 0:46:54.719
<v Speaker 3>and I think like it would be really nice to

0:46:54.800 --> 0:46:57.839
<v Speaker 3>have a showcase for that. So maybe partnering with someone

0:46:57.920 --> 0:47:00.359
<v Speaker 3>in New York that would be a great deal. Real

0:47:00.400 --> 0:47:03.200
<v Speaker 3>goal is ultimately to buy a piece of property in

0:47:03.239 --> 0:47:05.000
<v Speaker 3>Sicily and open up a retreat center.

0:47:05.320 --> 0:47:07.040
<v Speaker 2>Okay, can you do that? Why not?

0:47:07.120 --> 0:47:07.520
<v Speaker 3>I think so?

0:47:07.680 --> 0:47:09.640
<v Speaker 2>I think you can. I think I can do anything.

0:47:09.680 --> 0:47:12.040
<v Speaker 2>I think I can. You know, I think you have.

0:47:12.160 --> 0:47:20.120
<v Speaker 2>Maybe I'd love to see this. Yeah, it sounds to

0:47:20.120 --> 0:47:22.200
<v Speaker 2>be like you can. You have done so much, and

0:47:22.239 --> 0:47:27.279
<v Speaker 2>so I think before we we end this really fabulous conversation,

0:47:27.520 --> 0:47:31.239
<v Speaker 2>I would ask you. We've talked about food as adapting

0:47:31.360 --> 0:47:35.000
<v Speaker 2>of surrendering. We've talked about food is connecting. We've talked

0:47:35.000 --> 0:47:38.319
<v Speaker 2>about food is creating, but it also is comfort. And

0:47:38.360 --> 0:47:42.120
<v Speaker 2>so my last question to you, JJ is to ask

0:47:42.160 --> 0:47:44.359
<v Speaker 2>you if you need comfort, and I hope you don't

0:47:44.520 --> 0:47:47.600
<v Speaker 2>very often, but if you need comfort, and do you

0:47:47.640 --> 0:47:49.600
<v Speaker 2>want to find it in food, what would be the

0:47:49.640 --> 0:47:50.719
<v Speaker 2>food you would reach for?

0:47:51.040 --> 0:47:53.000
<v Speaker 3>Okay, So I'm just going to be really honest and

0:47:53.040 --> 0:47:56.960
<v Speaker 3>tell you, for many years, sugar was my comfort food

0:47:57.080 --> 0:48:00.640
<v Speaker 3>and I was using it and abusing it was such

0:48:00.680 --> 0:48:02.440
<v Speaker 3>a gift, it was such a friend, and then it

0:48:02.480 --> 0:48:06.120
<v Speaker 3>was such an enemy. So for many many years my

0:48:06.200 --> 0:48:11.040
<v Speaker 3>comfort food was those chewy American cookies. So I would

0:48:11.080 --> 0:48:13.560
<v Speaker 3>even like when I first I was really using it

0:48:13.600 --> 0:48:17.840
<v Speaker 3>as like you know, as someone would alcohol or drugs.

0:48:17.880 --> 0:48:22.200
<v Speaker 3>I mean, it was really my drug. And I would

0:48:22.239 --> 0:48:24.440
<v Speaker 3>in Italy because I couldn't find the desserts, I would

0:48:24.520 --> 0:48:28.280
<v Speaker 3>make cookie dough, especially oat milk. How good is oatmeal? Cookie?

0:48:28.320 --> 0:48:28.400
<v Speaker 4>Do?

0:48:28.760 --> 0:48:31.760
<v Speaker 3>It's the best? So you know, it's a really honest question.

0:48:31.880 --> 0:48:35.080
<v Speaker 3>I mean, like people do use many people use food

0:48:35.160 --> 0:48:36.920
<v Speaker 3>as true comfort, and I was using that for a

0:48:36.920 --> 0:48:39.240
<v Speaker 3>long time. I try not to eat as much sugar

0:48:39.280 --> 0:48:41.879
<v Speaker 3>like that because it's it's not good for my system.

0:48:42.320 --> 0:48:49.120
<v Speaker 3>So now just a homemade plate of a spaghetti that

0:48:49.239 --> 0:48:52.400
<v Speaker 3>I learned, a taliate that I learned in Pantalaria that

0:48:52.520 --> 0:48:57.800
<v Speaker 3>has capers, alives, tomatoes, super simple, a pasta dish gives

0:48:57.800 --> 0:48:59.239
<v Speaker 3>me that comfort food.

0:49:00.160 --> 0:49:00.440
<v Speaker 2>That the.

0:49:02.360 --> 0:49:02.719
<v Speaker 4>I use.

0:49:03.760 --> 0:49:04.360
<v Speaker 2>Yeah.

0:49:04.400 --> 0:49:06.319
<v Speaker 3>Well also because most of the time I'm trying to

0:49:06.360 --> 0:49:08.320
<v Speaker 3>go like gluten free, so I'm eating my quenewie and

0:49:08.400 --> 0:49:11.600
<v Speaker 3>I'm my white brown rice and then but if I

0:49:11.680 --> 0:49:13.759
<v Speaker 3>really want to, I might bring it on.

0:49:13.880 --> 0:49:16.000
<v Speaker 2>Okay, well, let's go have some faster. Thank you so

0:49:16.080 --> 0:49:18.640
<v Speaker 2>much for coming today. I'll see you in Milan.

0:49:25.200 --> 0:49:28.560
<v Speaker 5>Ruthie's Table four is produced by Atami Studios for iHeartRadio.

0:49:29.239 --> 0:49:32.480
<v Speaker 5>It is hosted by Ruthie Rodgers. It's produced by William Lensky.

0:49:33.120 --> 0:49:36.480
<v Speaker 5>Our executive producers are Zad Rogers and Fay Stewart. Our

0:49:36.480 --> 0:49:40.920
<v Speaker 5>production manager is Caitlin Paramore. Our production coordinator is Bella Selini.

0:49:41.400 --> 0:49:46.520
<v Speaker 5>This episode had additional contributions by Ceci Jusipetti. Sean special

0:49:46.560 --> 0:50:01.399
<v Speaker 5>thanks to everyone at the River Cafe

0:50:03.360 --> 0:50:03.400
<v Speaker 4>To