1 00:00:00,160 --> 00:00:02,880 Speaker 1: One eight hundred d UI Away now offering free remote 2 00:00:02,880 --> 00:00:06,280 Speaker 1: consultations by phone or video conference for any criminal offense. 3 00:00:06,360 --> 00:00:08,960 Speaker 1: Trust Brooke, Jeffrey and Jose's friends with a free remote 4 00:00:09,000 --> 00:00:12,159 Speaker 1: consultation from Bradley Johnson Lawyers. Visit one eight hundred d 5 00:00:12,200 --> 00:00:16,479 Speaker 1: Uyowa dot com or call eight hundred away. How do 6 00:00:16,560 --> 00:00:19,479 Speaker 1: you prank? Call a stage mom who thinks her daughter 7 00:00:19,520 --> 00:00:21,680 Speaker 1: is going to be the next big thing on Broadway. 8 00:00:22,280 --> 00:00:24,440 Speaker 1: I don't know what I like it. I'll tell you how. 9 00:00:24,720 --> 00:00:27,520 Speaker 1: You have a guy who was also raised by a 10 00:00:27,560 --> 00:00:33,519 Speaker 1: stage mom? Yeah, then, of course confuse her daughter with 11 00:00:33,560 --> 00:00:38,400 Speaker 1: another promising young lady in the play. Oh, just make 12 00:00:38,479 --> 00:00:41,559 Speaker 1: it super awkward. So that's what I do. But it 13 00:00:41,560 --> 00:00:43,800 Speaker 1: doesn't mean I don't have big plans for her daughter. 14 00:00:44,120 --> 00:00:46,800 Speaker 1: You're gonna hear what they are in your phone tap 15 00:00:46,920 --> 00:00:54,520 Speaker 1: right now. It's on the twenties. Hello, Hi, this is 16 00:00:54,560 --> 00:01:00,600 Speaker 1: mister Green from Children's Theater. Is this Ashley's mom? Yeah? Hi? 17 00:01:00,840 --> 00:01:04,040 Speaker 1: How are you? I'm a loss for words right now. 18 00:01:04,520 --> 00:01:08,280 Speaker 1: It's an honor to meet you. Wow. Oh thank you? No, 19 00:01:08,720 --> 00:01:12,880 Speaker 1: thank you? Can I just say you are a great parent? Oh? 20 00:01:12,880 --> 00:01:16,760 Speaker 1: Thank you too much? So you know it's it's always 21 00:01:16,920 --> 00:01:18,920 Speaker 1: nice if you hear you know, when someone says you're 22 00:01:18,959 --> 00:01:20,920 Speaker 1: doing a good job, you know, I really appreciate it. 23 00:01:20,959 --> 00:01:23,520 Speaker 1: Thank you. I don't have enough good things to say 24 00:01:23,560 --> 00:01:26,400 Speaker 1: about you and your daughter because I don't know. Were 25 00:01:26,480 --> 00:01:29,039 Speaker 1: you an actress or something. Is this something that runs 26 00:01:29,040 --> 00:01:32,160 Speaker 1: in the family. You know, I did a little bit 27 00:01:32,200 --> 00:01:35,480 Speaker 1: of theater growing up. I dance a lot to that 28 00:01:35,560 --> 00:01:37,880 Speaker 1: really makes sense. I'm because the way that Ashley just 29 00:01:37,920 --> 00:01:42,160 Speaker 1: takes direction, her ability to recite lines, and her confidence, 30 00:01:42,240 --> 00:01:46,720 Speaker 1: she's got it all. Wow, thank you, thank you so much. 31 00:01:46,840 --> 00:01:50,480 Speaker 1: I would like to offer you and Ashley a free 32 00:01:50,520 --> 00:01:53,240 Speaker 1: trip to New York City so that she could meet 33 00:01:53,240 --> 00:01:55,920 Speaker 1: a few colleagues that I have in Broadway. Is that 34 00:01:56,040 --> 00:01:59,640 Speaker 1: something that would be of interest to you and to Ashley? Maybe? Yeah. 35 00:01:59,680 --> 00:02:01,560 Speaker 1: I think she would love that. I mean I would 36 00:02:01,640 --> 00:02:04,360 Speaker 1: I mean I would love that too. Wonderful. Um. So, 37 00:02:04,480 --> 00:02:07,240 Speaker 1: I've actually already contacted them, and I just wanted to 38 00:02:07,240 --> 00:02:09,320 Speaker 1: make sure I got the correct spelling of your last name. 39 00:02:09,800 --> 00:02:13,799 Speaker 1: It's uh z e n f e l d e 40 00:02:14,080 --> 00:02:20,280 Speaker 1: r no Zenfelder, right, my last name is my daughter 41 00:02:20,400 --> 00:02:30,040 Speaker 1: is Ashley. Oh oh no, uh you're Ashley mom. Okay, 42 00:02:30,160 --> 00:02:34,320 Speaker 1: you're not you're not Zenfelder. No, no, not that I 43 00:02:34,360 --> 00:02:41,160 Speaker 1: know us. Right, there's two Ashley's. Yeah. I uh, I 44 00:02:41,200 --> 00:02:45,840 Speaker 1: was gonna call about about your your child too? Is 45 00:02:45,880 --> 00:02:50,800 Speaker 1: there sorry, there's something in my throat? Uh? Yeah, so 46 00:02:50,919 --> 00:02:55,280 Speaker 1: Ashley Ashley Williams. Yeah, I don't. I don't know if 47 00:02:55,280 --> 00:02:58,520 Speaker 1: she told you We're gonna be doing Scrooge for the 48 00:02:58,560 --> 00:03:03,079 Speaker 1: holidays this year and she is going to play a mailbox. 49 00:03:04,720 --> 00:03:08,520 Speaker 1: How does the tile play a mailbox? Well, she's a 50 00:03:08,560 --> 00:03:12,840 Speaker 1: great mailbox. The concentration that she has to stay still 51 00:03:12,840 --> 00:03:16,440 Speaker 1: for that long, the focus. I almost thought she was 52 00:03:16,639 --> 00:03:19,440 Speaker 1: a real mailbox was popped an envelope right in her mouth. 53 00:03:19,919 --> 00:03:22,960 Speaker 1: First you're telling me how great of an accress ash is. 54 00:03:23,160 --> 00:03:25,480 Speaker 1: But now you switch steers. Now you hear that it's 55 00:03:25,520 --> 00:03:28,600 Speaker 1: like my Ashley, and you're telling me that my Ashley 56 00:03:28,960 --> 00:03:32,440 Speaker 1: is a great mailbox. May I mean in the fifteen years, 57 00:03:32,480 --> 00:03:37,240 Speaker 1: definitely top five mailboxes I've ever seen in the fifteen years. 58 00:03:37,280 --> 00:03:41,520 Speaker 1: Have you ever screwed up calling the wrong parents? You know, honestly, 59 00:03:41,880 --> 00:03:44,760 Speaker 1: not like this. This is a first. Do you think 60 00:03:44,800 --> 00:03:47,040 Speaker 1: it's a professional way of going about things? I don't 61 00:03:47,080 --> 00:03:50,160 Speaker 1: think you understand that the mail slot is very wide, 62 00:03:50,200 --> 00:03:52,000 Speaker 1: and there's not a lot of children that would be 63 00:03:52,040 --> 00:03:53,920 Speaker 1: able to know. What are you saying? Now, my daughter 64 00:03:53,960 --> 00:03:56,160 Speaker 1: has a wide now to the big mouth. You know 65 00:03:56,160 --> 00:03:59,240 Speaker 1: what I'm gonna do. I'm gonna give her one line 66 00:03:59,600 --> 00:04:01,800 Speaker 1: in the way, so she had no line, and now 67 00:04:01,840 --> 00:04:04,480 Speaker 1: you're gonna graciously give her a line. This is, well, 68 00:04:04,600 --> 00:04:07,320 Speaker 1: not so much a line. She's gonna spit something out 69 00:04:07,360 --> 00:04:10,800 Speaker 1: of the mail hole opening. Oh my god, absolutely nuts. 70 00:04:10,880 --> 00:04:13,640 Speaker 1: It's a big role. Oh oh, her big moments, Her 71 00:04:13,720 --> 00:04:15,560 Speaker 1: big moment you guys don't want to miss is when 72 00:04:15,600 --> 00:04:18,920 Speaker 1: she's spit out a letter in Act two. Well, you 73 00:04:19,000 --> 00:04:21,359 Speaker 1: think my family wants to come see that, Well, maybe 74 00:04:21,360 --> 00:04:23,880 Speaker 1: don't tell your family about this one. You know, you're 75 00:04:23,920 --> 00:04:26,080 Speaker 1: just saying she's like destined for Broadway. You want to 76 00:04:26,080 --> 00:04:28,039 Speaker 1: bring her to New York. And now you're saying, oh, 77 00:04:28,080 --> 00:04:31,080 Speaker 1: she's a great to the wide mouth. Okay, ma'am, I 78 00:04:31,360 --> 00:04:34,440 Speaker 1: do feel bad about that now, obviously that that was 79 00:04:34,480 --> 00:04:37,520 Speaker 1: not a good look. But um, and I can't take 80 00:04:37,600 --> 00:04:40,679 Speaker 1: your child to New York. But we can show little 81 00:04:40,720 --> 00:04:44,919 Speaker 1: Ashley pictures of New York and maybe a postcard. We 82 00:04:44,960 --> 00:04:47,240 Speaker 1: could put it into the mail slot. You don't think 83 00:04:47,279 --> 00:04:49,200 Speaker 1: I want you putting a picture of New York in 84 00:04:49,320 --> 00:04:52,919 Speaker 1: my daughter's mouth. I mean, frankly, if I'm being completely honest, 85 00:04:52,960 --> 00:04:55,320 Speaker 1: that's probably the closest your Ashley is going to get 86 00:04:55,320 --> 00:04:59,240 Speaker 1: to Broadway. We did not just say that. In my defense, 87 00:04:59,279 --> 00:05:01,640 Speaker 1: I'm not the only person who thinks that your best 88 00:05:01,680 --> 00:05:05,960 Speaker 1: friend Lisa also agrees with me. Your daughter best mailbox 89 00:05:06,040 --> 00:05:09,599 Speaker 1: mouth in the biz. Why would my friend Lisa tell 90 00:05:09,680 --> 00:05:12,160 Speaker 1: you that she thinks my daughter? Is she part of 91 00:05:12,279 --> 00:05:15,279 Speaker 1: whatever the directors are? No, she's not part of that. 92 00:05:15,400 --> 00:05:17,960 Speaker 1: But she did have a hand in setting you up 93 00:05:18,000 --> 00:05:25,080 Speaker 1: for this prank phone call? What because I don't actually 94 00:05:25,120 --> 00:05:27,479 Speaker 1: work at the children's theater. I work on a radio 95 00:05:27,480 --> 00:05:30,799 Speaker 1: show called Brook and Jeffrey in the morning. I'm jeff 96 00:05:31,160 --> 00:05:34,960 Speaker 1: and this is a phone's app you, Gossie. I was 97 00:05:35,000 --> 00:05:38,040 Speaker 1: so I was ready to like by you call your boss? 98 00:05:39,600 --> 00:05:41,280 Speaker 1: Why are you coming after me? Your daughter is the 99 00:05:41,320 --> 00:05:46,840 Speaker 1: one who was cast as a mailbox? That part was truthful, right? No, No, she's' 100 00:05:48,440 --> 00:05:50,719 Speaker 1: I see. She wasn't talented enough. She's doing the street 101 00:05:50,760 --> 00:05:56,400 Speaker 1: lamp instead. Nov Well, don Ashley, he's a good actor. 102 00:05:57,480 --> 00:06:02,800 Speaker 1: I wake up every morning with food taps weekday mornings 103 00:06:02,800 --> 00:06:06,680 Speaker 1: on the twenties, Brooke and Jeffrey in the morning,