WEBVTT - RHOA: Reboot or Retool

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<v Speaker 1>Hey rain Drops. Yes, so I finally got merch.

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<v Speaker 1>Get your hoodies, your T shirts, and your mugs all

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<v Speaker 1>on Carlos Kingshop dot com.

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<v Speaker 2>Welcome to Reality with the King.

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<v Speaker 1>It's me Carlos King, the King of Reality TV and

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<v Speaker 1>one of the most sought after executive producers in reality

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<v Speaker 1>television with over ten years of production experience. Once a

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<v Speaker 1>week on Reality with the King, we'll sit down with

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<v Speaker 1>my friends across the entertainment industry, recap our favorite reality shows,

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<v Speaker 1>and revisit unforgettable moments that we are still talking and

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<v Speaker 1>tweeting about.

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<v Speaker 2>Hey, rain Drives.

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<v Speaker 1>On today's episode of Reality with the King, I'm here

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<v Speaker 1>with New York Times best selling author Michael Arsenal as

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<v Speaker 1>he and I talk about the Real Housewives of Atlanta

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<v Speaker 1>and this demand for reboot or not so. Michael also

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<v Speaker 1>wrote an article for The Huntington Post where the title

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<v Speaker 1>is our HOA is so underwhelming it needs to be revamped.

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<v Speaker 3>Our range Drops, I am a rain Drops, so happy

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<v Speaker 3>to be here. You know I listen to the part.

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<v Speaker 1>So again, the title is our HOA is so underwhelming

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<v Speaker 1>it needs to be revamped, invented, beat is not that entertaining,

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<v Speaker 1>and Bravo has two options to fix this show. So Michael,

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<v Speaker 1>I'm assuming you're not into the current season.

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<v Speaker 3>No, no, no, And I know some of the girls

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<v Speaker 3>are really trying, but can I actually just start?

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<v Speaker 4>I mean, Drew is a lovely person.

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<v Speaker 3>I wish anybody that was married to that man will

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<v Speaker 3>But like, I don't believe anything she ever says. It's

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<v Speaker 3>like watching a too Be or Tyler Perry parody of

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<v Speaker 3>Real Housewives of Atlanta, Like I don't know what to believe.

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<v Speaker 3>Like I understand she's dealing with stuff, but like their dad,

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<v Speaker 3>like Marlowe, I'm happy she finally got a peach. I

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<v Speaker 3>actually long rooted for that, but honestly, and it's gonna

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<v Speaker 3>sound worse than the shit, but she would have been

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<v Speaker 3>a better main character five or ten years ago when

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<v Speaker 3>she had a deeper relationship with.

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<v Speaker 4>Women on the cast.

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<v Speaker 3>I really enjoy actually watching her with her nephews. But

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<v Speaker 3>I don't understand, like the thing with Candymn, like, girl,

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<v Speaker 3>you're not mad the chef. I don't know if I

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<v Speaker 3>believe that, but okay, and Kenya was not lying about

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<v Speaker 3>it's not a scooter, but the thing that gets you up.

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<v Speaker 4>The lad a partner plas, Yeah, the chairlift.

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<v Speaker 3>Yes, And I was like, oh, she does have one, Okay, Yeah,

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<v Speaker 3>I just think the show and I don't necessarily really,

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<v Speaker 3>I mean, I do think Drew has kind of brought

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<v Speaker 3>down the value of the show.

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<v Speaker 1>Respectfully, you're saying that Drew Sidora brought down the value

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<v Speaker 1>of the show.

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<v Speaker 3>Yeah, Like, in some ways it's a good look for her,

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<v Speaker 3>and I don't deny that she hasn't provided drama to

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<v Speaker 3>the show. Again, like, it's really hard to believe her

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<v Speaker 3>because she lies, she'd be lying, like it's not I

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<v Speaker 3>don't know what to believe. I truly don't know what

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<v Speaker 3>to believe. And I actually still really don't like this

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<v Speaker 3>whole idea we're caught up in, like whether or not

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<v Speaker 3>she kissed a woman.

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<v Speaker 4>And I can understand maybe, I mean, I wrote a book.

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<v Speaker 3>I can I get the religious conflict with some of

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<v Speaker 3>that stuff, if that's all true. But it's like we're

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<v Speaker 3>looking she lies, like Donald Trump. It's like we're looking

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<v Speaker 3>at something with our playing eyes. And she will tell

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<v Speaker 3>you that it did not happen. I think she's a

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<v Speaker 3>good actress, but I think she should be acting, Like

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<v Speaker 3>I think Drew should being more scripted stuff. I should

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<v Speaker 3>Drew should be in more plays, dush be on TV.

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<v Speaker 3>Like she has a nice voice. I remember she was

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<v Speaker 3>pushing the originally back in the arts, but like it's

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<v Speaker 3>not really good on the show. I don't know what

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<v Speaker 3>to believe. But like, literally she lies like Trump, it's

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<v Speaker 3>the same thing.

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<v Speaker 4>I don't.

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<v Speaker 3>It's like I would, I genuinely wish her will, but

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<v Speaker 3>I just don't know what I'm watching. And like even

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<v Speaker 3>on the finale, I'm feeling bad, but I'm like, is

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<v Speaker 3>this even real?

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<v Speaker 4>I'm like candy and scene.

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<v Speaker 1>First of all, I'm still stuck on you calling Drew

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<v Speaker 1>Drew Ivanka Trump. So Drew, your new name right now

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<v Speaker 1>is Drew Banka Trump. Michael is alleging that all you

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<v Speaker 1>do is lie, lie, lie, all the time, and you

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<v Speaker 1>are a beautiful girl with a great voice, and you

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<v Speaker 1>should be acting. First of all, congrats on the past.

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<v Speaker 1>People are saying it was a great movie and that

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<v Speaker 1>Drew did well, so you may be onto something In

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<v Speaker 1>terms of should Drew stick to acting.

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<v Speaker 2>So let me unpack this a bit.

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<v Speaker 1>One thing I want the world to know is you

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<v Speaker 1>are a die hard fan of the Real Housewives of Atlanta.

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<v Speaker 1>The reason why you and I know each other is

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<v Speaker 1>because we have a mutual named Tiffany, and Tiffany would

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<v Speaker 1>say to me like, you got to meet my friend Michael.

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<v Speaker 1>He's amazing. He is obsessed with the Real house Parts

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<v Speaker 1>of Atlanta. This is back when I was short running

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<v Speaker 1>the show. So you're not somebody who just started watching it.

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<v Speaker 1>You haven'ten watching it since season one. So when you

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<v Speaker 1>say you think Drew brought down the value of the show,

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<v Speaker 1>and you're giving your examples, what was it about the

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<v Speaker 1>earlier days of The Real Housewives of Atlanta that made

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<v Speaker 1>your die hard fan to now to where you're not

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<v Speaker 1>seeing it anymore.

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<v Speaker 3>I mean when initially started, it was I mean, there's

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<v Speaker 3>nothing like you see on TV. People like Nani like

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<v Speaker 3>you can't find that anywhere, and I understand, like shows transition,

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<v Speaker 3>I looked at like now essentially because.

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<v Speaker 4>I know the ratings are still solid.

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<v Speaker 3>I'm sure they really do well on Peacock, but ultimately,

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<v Speaker 3>like the soap opera and sometimes soap operas, kind of like,

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<v Speaker 3>lose this thing a little bit and you need a

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<v Speaker 3>bit of a shape. I just think with Drew, and

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<v Speaker 3>it's kind of like, I know that sounds harsh, like

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<v Speaker 3>bringing down the value, butultimately the show was about friends

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<v Speaker 3>or people who were close enough to be friends for

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<v Speaker 3>casting agents, and they have this relationship and they share

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<v Speaker 3>actual parts of the lives, and like the conflict and

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<v Speaker 3>the drama, it all feels more natural. Drew came in

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<v Speaker 3>really hot the first season, and I mean most audiences

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<v Speaker 3>didn't know what to do with her or route. I

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<v Speaker 3>think Seconcies were a little bit better but for her.

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<v Speaker 3>But now I'm just kind of remembering them. I don't

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<v Speaker 3>know what to believe with you, and so there's her.

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<v Speaker 3>But then ultimately with the show, I just think they're

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<v Speaker 3>not friends. They're not friends. They don't really have any

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<v Speaker 3>real connection with each other. And I think just kind

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<v Speaker 3>of pulling digging in the crate, so to speak, and

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<v Speaker 3>pulling in old cast members doesn't necessarily work if you're

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<v Speaker 3>only if you I mean like if Nani's not coming back,

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<v Speaker 3>there's only so many people you can pull through poorsh

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<v Speaker 3>you would essentially work, I will say in Hans when

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<v Speaker 3>I heard Candy and Ken they on your show say

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<v Speaker 3>that she doesn't think they both said they don't think

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<v Speaker 3>of full rebolt could work. As soon as I heard

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<v Speaker 3>them say it, I kind of thought, maybe that's true,

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<v Speaker 3>if only unlike New York and like a black social

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<v Speaker 3>circle like that, no matter the age, someone probably already

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<v Speaker 3>knows someone else. Okay, well, maybe do Miami or OC

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<v Speaker 3>or like season five reboot of New York because it's

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<v Speaker 3>just I think a lot of people watch it because

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<v Speaker 3>we've been watching it for years and now again like

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<v Speaker 3>a soap opera, but it's still and actually I don't

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<v Speaker 3>rush to watch it now. It's just y'all don't like

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<v Speaker 3>each other, y'all fighting over nothing.

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<v Speaker 4>No one's sharing the.

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<v Speaker 3>Most aren't sharing the actual details of what's going on

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<v Speaker 3>in their lives. And then we watched people argue about

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<v Speaker 3>stuff from three years ago that wasn't an issue then.

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<v Speaker 4>But we thought it was set up. But it's just

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<v Speaker 4>like what am I watching? Y' don't like each other,

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<v Speaker 4>y'all lying.

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<v Speaker 1>I agree with you this since listen, I've been a

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<v Speaker 1>part of that show since season one and I left

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<v Speaker 1>season nine, and what I can't say to you Michael

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<v Speaker 1>is what made the show so successful out the gate

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<v Speaker 1>was these big personalities, but bigger storylines, bigger storylines. You

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<v Speaker 1>had Charade dealing with the crux of a divorce, like

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<v Speaker 1>going through a divorce, possibly losing her home because in

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<v Speaker 1>the in the divorce proceedings, Bob Wills at the time

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<v Speaker 1>was battling child support and alimony and all these things.

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<v Speaker 1>You had Nimi deal with oneting to search for her father.

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<v Speaker 2>Is this my real father? Is it not?

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<v Speaker 1>You had Kim Zosiak dating a man who was still married,

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<v Speaker 1>this serious guy who's buying her escalade, who's buying her.

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<v Speaker 2>Rolexis thank you Papa?

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<v Speaker 1>You know Deshaun Snow who was married to a basketball

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<v Speaker 1>star in this big, gigantic house. She had maids, servants,

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<v Speaker 1>nanny chefs, and you were like, what is what about

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<v Speaker 1>watching here? Then it kept being the stakes kept being

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<v Speaker 1>increased with with the dishes of Candy and Cynthia and Phedra.

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<v Speaker 1>I think Kenya Moore came in important. It elevated throughout

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<v Speaker 1>the course of the season. Yeah, And what I'm hearing

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<v Speaker 1>from you that I am agreen with is every season

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<v Speaker 1>of that show since season one, the stakes were raised

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<v Speaker 1>higher to the point where when certain people were let go,

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<v Speaker 1>you didn't miss them because you elevated the show with

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<v Speaker 1>the additional cast members. And we were on this ride,

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<v Speaker 1>and we're on this journey, and I think, and I'm

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<v Speaker 1>going to say this, I never said this publicly. I

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<v Speaker 1>think the moment that Kim Fields was cast, yeah, oh man,

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<v Speaker 1>I think we all said, where is this show going now?

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<v Speaker 1>Because are we casting I call it stunt casting? Are

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<v Speaker 1>we casting somebody because they happened to have a name,

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<v Speaker 1>being a household name like a Kim Fields, where anybody

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<v Speaker 1>within two seconds of seeing Kim Fields around that cast

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<v Speaker 1>would have said, this is a bad idea.

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<v Speaker 4>Now the work like we love her, leave her long,

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<v Speaker 4>go to work him, don't do this.

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<v Speaker 1>Kim's directing Movies actually has a hits Netflix called The Upshaws,

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<v Speaker 1>And this is something I said to Kim Fields director.

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<v Speaker 2>But I'm like, you don't belong on this show.

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<v Speaker 1>And it's no shade to Kim Fields. Kim Fields not

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<v Speaker 1>everybody's meant to be a reality star. So I feel

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<v Speaker 1>like that was the moment and I was a part

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<v Speaker 1>of it then, right, But I was like, where are

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<v Speaker 1>we going with? Like I don't know about this, and

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<v Speaker 1>now I think we're filling the same thing with the

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<v Speaker 1>new additions.

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<v Speaker 3>Yeah, because I just well, I know how people Clunini

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<v Speaker 3>have thoughts about Candy, but I'll say I can tell

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<v Speaker 3>from being in a girl groups on assuming she knows

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<v Speaker 3>how to be an ensemble. Ultimately, she knows the role

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<v Speaker 3>that she's playing. Kenya knows the role that she's playing.

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<v Speaker 3>She's clearly bored and they're not using the footage she provided,

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<v Speaker 3>which I do think people want to see.

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<v Speaker 4>I want to see it. The new Sla.

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<v Speaker 3>Richard's ross is lovely, her husband is amazing to look at.

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<v Speaker 3>She reminds me of Deshaun Snowing that you're very nice

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<v Speaker 3>what you're doing here. I know because of a friend,

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<v Speaker 3>like how important she is in track. I'm like, you're

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<v Speaker 3>an Olympian, you are like on NBC Sports. I think

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<v Speaker 3>the last episode in the finale was probably her best

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<v Speaker 3>episode that I've seen. But I just I don't know

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<v Speaker 3>how she mixed in the group. Also do even Charae.

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<v Speaker 3>I noticed this season she was being more black and anchor,

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<v Speaker 3>but like I mentioned the article, that's not really her

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<v Speaker 3>natural position. She's more of like poster or bone collector something,

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<v Speaker 3>you know, Shade, It's not that.

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<v Speaker 4>Courtney, I don't think that.

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<v Speaker 3>I mean, she that stuff about Drew was nasty, but

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<v Speaker 3>generally she seems like a nice man that shouldn't be there,

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<v Speaker 3>like a fan of the show who wanted to jump

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<v Speaker 3>in and like almost like og on basketball.

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<v Speaker 4>I can already hit a sweep the messages to that.

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<v Speaker 4>But you know.

0:12:20.480 --> 0:12:22.760
<v Speaker 3>Someone that knows how already they feel about the show,

0:12:22.840 --> 0:12:25.319
<v Speaker 3>and you can tell as I mean, I get it.

0:12:25.320 --> 0:12:27.200
<v Speaker 3>It becomes more formalic in that a lot of people

0:12:27.200 --> 0:12:29.120
<v Speaker 3>are trying to self produce. I just think most of

0:12:29.120 --> 0:12:31.120
<v Speaker 3>the people self producing aren't good at that, And she's

0:12:31.200 --> 0:12:34.240
<v Speaker 3>just for all the manufactured drama and like all that stuff.

0:12:34.280 --> 0:12:36.720
<v Speaker 3>I really truly think the most interesting things about the

0:12:36.720 --> 0:12:40.040
<v Speaker 3>show are when the people on the show are have

0:12:40.160 --> 0:12:41.839
<v Speaker 3>relationships with each other and they're just telling us what's

0:12:41.880 --> 0:12:44.160
<v Speaker 3>going on and didn't even go back to your question.

0:12:44.240 --> 0:12:45.360
<v Speaker 4>That really is just the difference.

0:12:45.440 --> 0:12:47.959
<v Speaker 3>Like this whole season has gone by, I don't really

0:12:48.080 --> 0:12:53.760
<v Speaker 3>really know what's going on with Candy. I know, and

0:12:53.800 --> 0:12:55.600
<v Speaker 3>I wouldn't know what's going on with Keny from the show,

0:12:55.640 --> 0:12:58.680
<v Speaker 3>but I know from you, and to be blunt speak

0:12:58.760 --> 0:13:02.800
<v Speaker 3>of that, and your have been like more entertaining than

0:13:02.840 --> 0:13:05.880
<v Speaker 3>the episodes and the chatter around the show this season

0:13:05.880 --> 0:13:09.080
<v Speaker 3>because everyone's like, what is this? I just think every

0:13:09.200 --> 0:13:11.120
<v Speaker 3>people are there ready to work, but this is just

0:13:11.160 --> 0:13:12.440
<v Speaker 3>not the right mix of people.

0:13:12.880 --> 0:13:16.520
<v Speaker 1>I had to stop watching because for two reasons. One,

0:13:16.559 --> 0:13:19.440
<v Speaker 1>you're absolutely right when the show has been on for

0:13:19.520 --> 0:13:23.600
<v Speaker 1>more than a decade. At that point, it's a habit

0:13:24.320 --> 0:13:29.240
<v Speaker 1>for anybody all over the world to know that at

0:13:29.240 --> 0:13:33.840
<v Speaker 1>eight o'clock PM on a Sunday, you're watching Bravo.

0:13:34.080 --> 0:13:35.080
<v Speaker 2>I think we all know that.

0:13:35.120 --> 0:13:38.240
<v Speaker 1>I think every network knows that any show we create,

0:13:38.720 --> 0:13:43.000
<v Speaker 1>we run the risk of it competing against people's patterns

0:13:43.559 --> 0:13:47.599
<v Speaker 1>of behavior of watching the Atlanta Housewives eight o'clock on

0:13:47.640 --> 0:13:50.640
<v Speaker 1>a Sunday. So let's not put a brand new show

0:13:51.240 --> 0:13:54.400
<v Speaker 1>to compete against that time slot because we want people

0:13:54.400 --> 0:13:56.679
<v Speaker 1>to watch. So we all know that, and I think

0:13:56.720 --> 0:14:00.800
<v Speaker 1>all of us are watching it out of habit, which

0:14:00.840 --> 0:14:07.040
<v Speaker 1>is why the ratings are stabilized. I'll say this, it

0:14:07.120 --> 0:14:10.560
<v Speaker 1>is similar to a soap opera. You know, Honey, at

0:14:10.559 --> 0:14:12.880
<v Speaker 1>twelve thirty, the Young and the rest is coming on,

0:14:13.160 --> 0:14:14.959
<v Speaker 1>and at one thirty you get the both and the

0:14:14.960 --> 0:14:18.560
<v Speaker 1>beautiful like you just know that, you know that back

0:14:18.559 --> 0:14:23.800
<v Speaker 1>in the day, four PM was Oprah. That it was,

0:14:23.840 --> 0:14:26.760
<v Speaker 1>It was, it was, It was a habit. I stopped

0:14:26.840 --> 0:14:35.000
<v Speaker 1>watching because I felt myself being disappointed week after week

0:14:35.680 --> 0:14:41.240
<v Speaker 1>because I come from producing this show and I know

0:14:41.920 --> 0:14:46.240
<v Speaker 1>what it takes for that show to be great, and

0:14:46.360 --> 0:14:51.000
<v Speaker 1>I'm watching a show I was once associated with where listen,

0:14:51.040 --> 0:14:54.280
<v Speaker 1>there's been seasons where it wasn't the greatest, but it

0:14:54.360 --> 0:14:56.880
<v Speaker 1>was sustainable to watch, like, Okay.

0:14:56.680 --> 0:14:59.800
<v Speaker 2>I can watch this. I would do that.

0:15:00.520 --> 0:15:02.720
<v Speaker 1>It was something about this season that I was like,

0:15:03.920 --> 0:15:06.720
<v Speaker 1>I can watch this, And is what you said, Michael.

0:15:07.520 --> 0:15:09.120
<v Speaker 2>You guys aren't friends.

0:15:10.320 --> 0:15:14.040
<v Speaker 1>You guys aren't friends, and you're forced to be around

0:15:14.080 --> 0:15:20.480
<v Speaker 1>each other. You just don't want to be around each other.

0:15:21.080 --> 0:15:24.760
<v Speaker 1>And no one's giving great personal story. And I feel

0:15:24.760 --> 0:15:27.400
<v Speaker 1>like a lot of people are catering to their fan

0:15:27.480 --> 0:15:31.880
<v Speaker 1>base and a lot of people are trying to hide

0:15:31.960 --> 0:15:36.480
<v Speaker 1>something because their intention of going on the show is

0:15:36.480 --> 0:15:39.040
<v Speaker 1>to Bethany Frankle their way out of it.

0:15:41.480 --> 0:15:42.160
<v Speaker 2>Stay tuned.

0:15:42.520 --> 0:15:49.240
<v Speaker 1>We'll get into this conversation right after these quick ads.

0:15:49.960 --> 0:15:53.480
<v Speaker 1>If you're anything like me, you're always busy, You're always

0:15:53.480 --> 0:15:57.200
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0:17:06.840 --> 0:17:11.439
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0:17:16.680 --> 0:17:19.280
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0:17:49.040 --> 0:17:51.840
<v Speaker 2>This is Reality with the King, and I'm Carlos King.

0:17:52.320 --> 0:17:54.959
<v Speaker 1>Let's get back into the show.

0:17:56.000 --> 0:17:58.199
<v Speaker 2>Why are you blocked by King? Ya the icono?

0:17:58.600 --> 0:18:01.320
<v Speaker 3>I don't know, because I don't usually at the celebrity.

0:18:01.359 --> 0:18:04.000
<v Speaker 3>I don't like they don't need to see my disapproval

0:18:04.040 --> 0:18:06.160
<v Speaker 3>or whatever. I'm just tweeting whatever I think. Maybe when

0:18:06.160 --> 0:18:08.720
<v Speaker 3>I used to use the hashtag when Twitter was really going,

0:18:08.800 --> 0:18:13.000
<v Speaker 3>maybe she said something like em but that said last

0:18:13.040 --> 0:18:15.280
<v Speaker 3>season was not great. She was the best part of

0:18:15.280 --> 0:18:20.159
<v Speaker 3>a not great season. And this season I really have

0:18:20.280 --> 0:18:23.480
<v Speaker 3>so much empathy for her because she should be given

0:18:23.600 --> 0:18:26.760
<v Speaker 3>better material to work with. And I really like what

0:18:26.800 --> 0:18:28.639
<v Speaker 3>you pulled out of her in her interview, or just

0:18:28.640 --> 0:18:31.200
<v Speaker 3>maybe she felt more comfortable opening up in that way.

0:18:31.840 --> 0:18:33.440
<v Speaker 4>I actually really enjoy KNY.

0:18:33.440 --> 0:18:37.480
<v Speaker 3>I'm very happy about her hair Caroline and like expanding

0:18:37.680 --> 0:18:41.199
<v Speaker 3>all the stores. I love watching her with her daughter.

0:18:42.600 --> 0:18:46.200
<v Speaker 3>It's really really sweet and I have a better appreciation

0:18:46.280 --> 0:18:46.520
<v Speaker 3>for her.

0:18:46.560 --> 0:18:47.040
<v Speaker 4>She was she.

0:18:47.359 --> 0:18:49.760
<v Speaker 3>Played the role of villain, so I responded, how you

0:18:49.800 --> 0:18:52.080
<v Speaker 3>respond to a villain? I guess when you're watching if

0:18:52.080 --> 0:18:54.520
<v Speaker 3>that's not your favorite. But I have a better appreciation

0:18:54.560 --> 0:18:56.840
<v Speaker 3>for her on the show, and I can tell why

0:18:56.880 --> 0:18:59.239
<v Speaker 3>she's so bored. It was very interesting to watch how

0:18:59.320 --> 0:19:01.960
<v Speaker 3>vocal she was about what she had to deal with.

0:19:02.000 --> 0:19:05.280
<v Speaker 3>I was very surprised, but it's right to bring out

0:19:05.280 --> 0:19:08.040
<v Speaker 3>that energy in a better way with a revamped season

0:19:08.600 --> 0:19:09.000
<v Speaker 3>for show.

0:19:09.119 --> 0:19:11.520
<v Speaker 2>Sorry, no listen, I agree.

0:19:11.760 --> 0:19:13.760
<v Speaker 1>A lot of people have said that my interview with

0:19:13.840 --> 0:19:17.480
<v Speaker 1>Kenya made them see her in a different light, and

0:19:17.520 --> 0:19:20.919
<v Speaker 1>I was happy to hear that because Kenya is someone

0:19:20.960 --> 0:19:23.520
<v Speaker 1>who I love and a door on a personal level,

0:19:24.000 --> 0:19:27.359
<v Speaker 1>like personally, that's the Kingya that I see every day.

0:19:27.720 --> 0:19:32.600
<v Speaker 1>And when I was working with her, she never once

0:19:32.680 --> 0:19:35.160
<v Speaker 1>gave me any talk back.

0:19:35.600 --> 0:19:38.520
<v Speaker 2>She never yelled at me, she never argued with me.

0:19:39.320 --> 0:19:41.760
<v Speaker 1>Even when she disagreed with me, she would do in

0:19:41.800 --> 0:19:46.960
<v Speaker 1>a very respectful way. I knew when she was disappointed

0:19:47.560 --> 0:19:54.359
<v Speaker 1>in me giving my feedback, and she would say, okay, boss, okay,

0:19:54.720 --> 0:19:57.200
<v Speaker 1>and you know it's it's it's like a parent and

0:19:57.280 --> 0:20:00.560
<v Speaker 1>a child and I felt so bad, like, oh God,

0:20:00.840 --> 0:20:04.480
<v Speaker 1>did I break her heart? Because she's such a perfectionist

0:20:04.600 --> 0:20:06.720
<v Speaker 1>and she wants to always do a good job. And

0:20:07.840 --> 0:20:12.160
<v Speaker 1>it bothers me that people think she's this evil person

0:20:12.240 --> 0:20:15.760
<v Speaker 1>and I'm like, Honey, there's other evil people that's been

0:20:15.800 --> 0:20:19.520
<v Speaker 1>on that show that deserves that title. Kenya Moore's not

0:20:19.600 --> 0:20:23.280
<v Speaker 1>one of them at all. She's a sweetheart. And I

0:20:23.320 --> 0:20:26.880
<v Speaker 1>do mean it when I say a show without Kenya Moore,

0:20:27.800 --> 0:20:30.879
<v Speaker 1>what the fuck am I watching? Do you agree with that?

0:20:31.000 --> 0:20:35.680
<v Speaker 3>Michael, Yes, honestly, if they don't, I don't. Actually, again,

0:20:35.720 --> 0:20:37.960
<v Speaker 3>I don't know if the full reboot could actually they

0:20:37.960 --> 0:20:40.720
<v Speaker 3>could pull that off, but I would at least keep

0:20:40.800 --> 0:20:47.399
<v Speaker 3>Kenya and Candy, maybe like a Cynthia and Chary and

0:20:47.520 --> 0:20:50.200
<v Speaker 3>certain roles depending on how that goes. But I would

0:20:50.320 --> 0:20:53.120
<v Speaker 3>if they build around like a Miami style or even

0:20:53.320 --> 0:20:56.040
<v Speaker 3>whatever you show you want to point to. I think

0:20:56.160 --> 0:20:59.159
<v Speaker 3>Kenya and Kandy are pretty vital. I think Candy is

0:20:59.200 --> 0:21:03.080
<v Speaker 3>just en listening to you, and so is Keny is

0:21:03.080 --> 0:21:05.920
<v Speaker 3>also be a really good performer. And I also think

0:21:06.200 --> 0:21:08.440
<v Speaker 3>if she wanted to show more of that side that

0:21:08.520 --> 0:21:10.760
<v Speaker 3>we saw in your interview, like that's just and in

0:21:10.800 --> 0:21:13.119
<v Speaker 3>her business. I think other think there's a lot that

0:21:13.160 --> 0:21:16.639
<v Speaker 3>you can do with Kenya on the show. She is like,

0:21:17.240 --> 0:21:20.760
<v Speaker 3>they're the de facto stars carrying the franchise. However, people

0:21:20.760 --> 0:21:22.360
<v Speaker 3>who should still be there or not. I think those

0:21:22.400 --> 0:21:25.600
<v Speaker 3>two are kind of hard to replace, especially which I

0:21:25.600 --> 0:21:27.880
<v Speaker 3>can imagine if you like, I can't imagine. It's hard

0:21:27.880 --> 0:21:31.640
<v Speaker 3>to cast that show in Atlanta, Oh breaking news nine

0:21:31.640 --> 0:21:32.879
<v Speaker 3>way so hard to cast.

0:21:34.040 --> 0:21:38.359
<v Speaker 1>And Michael, to you and to my audience, as somebody

0:21:38.359 --> 0:21:42.200
<v Speaker 1>who was there a part of casting, The Real Housewives

0:21:42.440 --> 0:21:47.160
<v Speaker 1>of Atlanta is the number one show of all shows

0:21:47.200 --> 0:21:51.040
<v Speaker 1>across the realities. I guys, the Real Housewives of Atlanta

0:21:51.680 --> 0:21:55.040
<v Speaker 1>is the hardest show to cast.

0:21:55.560 --> 0:21:56.200
<v Speaker 2>It's hard.

0:21:56.640 --> 0:22:00.880
<v Speaker 1>There's people there who I would love to do the show.

0:22:01.200 --> 0:22:03.000
<v Speaker 1>When I was a part of the show, I would

0:22:03.040 --> 0:22:05.600
<v Speaker 1>call like my celebrity friends like, look, bitch, you want

0:22:05.600 --> 0:22:07.600
<v Speaker 1>to do the show? And they would say to me,

0:22:08.080 --> 0:22:10.680
<v Speaker 1>and I'm just telling you the truth. I'm not doing

0:22:10.680 --> 0:22:11.720
<v Speaker 1>that ratchet ass show.

0:22:12.560 --> 0:22:14.600
<v Speaker 4>Yeah, that's what I imagine with the money like that

0:22:14.640 --> 0:22:15.640
<v Speaker 4>in Atlanta. Yeah.

0:22:15.880 --> 0:22:20.360
<v Speaker 1>Well, the women who are either married to a very

0:22:20.520 --> 0:22:25.280
<v Speaker 1>rich man or the women who are celebrities themselves, a

0:22:25.320 --> 0:22:28.520
<v Speaker 1>lot of them feel like the brand of the show

0:22:28.600 --> 0:22:32.399
<v Speaker 1>doesn't fit them. So when the conversation started to center

0:22:32.520 --> 0:22:37.240
<v Speaker 1>around a full reboot outline New York City Housewives, right,

0:22:37.840 --> 0:22:42.120
<v Speaker 1>New York City Housewives completely started from scratch and they

0:22:42.200 --> 0:22:45.920
<v Speaker 1>now have I believe it's five or six New Housewives.

0:22:46.640 --> 0:22:52.040
<v Speaker 1>A lot of people feel like, does Atlanta deserve that treatment?

0:22:52.320 --> 0:22:56.679
<v Speaker 1>Because if you start clean, then maybe you're able to

0:22:56.720 --> 0:23:01.200
<v Speaker 1>get those women. Who knows, but at this point, those

0:23:01.240 --> 0:23:03.000
<v Speaker 1>women do not want to join the show.

0:23:03.440 --> 0:23:06.320
<v Speaker 2>So who do you who?

0:23:06.400 --> 0:23:09.160
<v Speaker 1>Ideally, Michael, do you want to see on the show?

0:23:09.480 --> 0:23:11.800
<v Speaker 1>Is there a celebrity you think would be good or

0:23:11.840 --> 0:23:15.920
<v Speaker 1>what type of black woman or white woman in Atlanta

0:23:16.040 --> 0:23:18.560
<v Speaker 1>would you like to see a part of the cast.

0:23:18.840 --> 0:23:22.760
<v Speaker 4>Hell, we don't need any white people. I mean maybe.

0:23:22.600 --> 0:23:24.400
<v Speaker 3>Unless they really fits. Like I will say, I don't

0:23:24.400 --> 0:23:28.600
<v Speaker 3>need Kim Zosiak. I don't need her back that did

0:23:28.640 --> 0:23:32.280
<v Speaker 3>not end will that twenty sixteen reunion and how she

0:23:32.320 --> 0:23:34.199
<v Speaker 3>cried and acted like she was a victim.

0:23:34.320 --> 0:23:35.359
<v Speaker 4>We don't need that energy.

0:23:36.200 --> 0:23:40.960
<v Speaker 3>If they could find a white woman that doesn't give that, maybe,

0:23:41.000 --> 0:23:43.360
<v Speaker 3>but no, I don't.

0:23:43.480 --> 0:23:44.600
<v Speaker 4>I used to like have an.

0:23:44.480 --> 0:23:47.080
<v Speaker 3>Idea, like what kind of celebrities, but like honestly, I

0:23:47.200 --> 0:23:52.280
<v Speaker 3>just want an actual group of people who seeming who

0:23:52.320 --> 0:23:57.040
<v Speaker 3>really actually like each other. I think Keny and Keny

0:23:57.080 --> 0:23:59.840
<v Speaker 3>are still really nice verse between. They can anger this

0:23:59.880 --> 0:24:01.960
<v Speaker 3>sh show. They have a certain level of celebrity and

0:24:02.000 --> 0:24:04.480
<v Speaker 3>success that can still go a lot of ways. But

0:24:04.520 --> 0:24:08.200
<v Speaker 3>I would like to see maybe, I guess forty thirty

0:24:08.280 --> 0:24:12.280
<v Speaker 3>somethings that kind of fit that actually. I mean, I

0:24:12.320 --> 0:24:14.359
<v Speaker 3>don't know if I'll go back there, but like not Shamari,

0:24:15.119 --> 0:24:17.280
<v Speaker 3>I actually think that was a missed opportunity with her

0:24:17.480 --> 0:24:20.119
<v Speaker 3>because you had someone who was a celebrity of a

0:24:20.160 --> 0:24:23.000
<v Speaker 3>certain era that grew up with the audience that we knew.

0:24:24.560 --> 0:24:26.440
<v Speaker 3>She was easy to pull from a lot of people

0:24:26.440 --> 0:24:27.680
<v Speaker 3>to or I think it would be easy. I'm just

0:24:27.720 --> 0:24:29.760
<v Speaker 3>trying to Beguret who could actually pull in people that

0:24:29.800 --> 0:24:30.520
<v Speaker 3>we want to see.

0:24:30.560 --> 0:24:32.160
<v Speaker 4>But I just don't.

0:24:32.480 --> 0:24:35.640
<v Speaker 3>I don't know anymore because I think when they travel

0:24:35.720 --> 0:24:38.840
<v Speaker 3>celebrities in Atlanta particularly, that just doesn't tend to go

0:24:38.920 --> 0:24:39.680
<v Speaker 3>well anymore.

0:24:39.720 --> 0:24:41.080
<v Speaker 4>And I think that's kind of like a lot of.

0:24:41.440 --> 0:24:44.439
<v Speaker 3>Any real Atlanta based franchise, it kind of not doesn't

0:24:44.480 --> 0:24:48.239
<v Speaker 3>go well. No, a lot of the world on how

0:24:48.280 --> 0:24:50.600
<v Speaker 3>to go God bless them which ones.

0:24:52.200 --> 0:24:55.480
<v Speaker 4>Honestly, they can they I don't.

0:24:55.160 --> 0:24:59.320
<v Speaker 1>Look at job Michael, who would you like to see

0:24:59.520 --> 0:25:01.680
<v Speaker 1>removed food from the shop.

0:25:04.800 --> 0:25:09.440
<v Speaker 4>I don't need Drew. I don't really need you either.

0:25:09.760 --> 0:25:13.640
<v Speaker 4>She's a legend, but I don't. I don't need it. Sonya,

0:25:13.720 --> 0:25:18.080
<v Speaker 4>God blessed, bless She's a nice lady.

0:25:19.320 --> 0:25:19.840
<v Speaker 2>I like her.

0:25:20.640 --> 0:25:21.440
<v Speaker 4>Yeah, she's nice.

0:25:22.280 --> 0:25:28.080
<v Speaker 1>She's talking about business business Courtney.

0:25:27.880 --> 0:25:34.119
<v Speaker 3>No man yet a nice woman. No, I just I

0:25:34.440 --> 0:25:36.920
<v Speaker 3>don't know. It doesn't work for me anyway. I don't

0:25:36.920 --> 0:25:39.359
<v Speaker 3>think it's working, but I like her happy. I've watched

0:25:39.359 --> 0:25:43.879
<v Speaker 3>Hollywood debs, but no, they all can go, honestly, Besides

0:25:43.920 --> 0:25:47.399
<v Speaker 3>Candy and Kenya, maybe it should right, even if they

0:25:47.400 --> 0:25:49.400
<v Speaker 3>could get Porsche back or something. But I don't really

0:25:49.400 --> 0:25:51.520
<v Speaker 3>need the rest of them. I just I don't know.

0:25:51.600 --> 0:25:55.080
<v Speaker 3>I think Marlowe. Now, I don't want to let Marlowe

0:25:55.080 --> 0:25:57.199
<v Speaker 3>go because she she deleats try. But the way she

0:25:57.280 --> 0:25:58.840
<v Speaker 3>tried is exactly why I don't want to watch the

0:25:58.880 --> 0:26:03.080
<v Speaker 3>show unless she can really open up more about certain

0:26:03.119 --> 0:26:05.439
<v Speaker 3>parts of her life that would make her appear fuller

0:26:05.480 --> 0:26:08.800
<v Speaker 3>on the show. If that makes sense, Like it doesn't work,

0:26:08.840 --> 0:26:12.639
<v Speaker 3>it's just beef that you are pulling out a wherever

0:26:12.880 --> 0:26:14.800
<v Speaker 3>just to kind of get on screen time, which is

0:26:15.640 --> 0:26:18.080
<v Speaker 3>look late at this point. Yeah, I don't really need

0:26:18.119 --> 0:26:20.800
<v Speaker 3>Candy and Kenya. We need to start around, get Porstcha.

0:26:20.920 --> 0:26:22.359
<v Speaker 3>I mean, I read the rumors.

0:26:23.440 --> 0:26:24.119
<v Speaker 4>I don't know about how.

0:26:24.320 --> 0:26:26.480
<v Speaker 3>I don't know if that's true, but throw whatever you

0:26:26.600 --> 0:26:29.200
<v Speaker 3>need to bring her back, actually let her bring Shamia,

0:26:30.600 --> 0:26:33.800
<v Speaker 3>bring some like women of her age in that circle.

0:26:34.040 --> 0:26:36.919
<v Speaker 3>I feel like that's a nicer mix, and then some

0:26:37.359 --> 0:26:39.800
<v Speaker 3>still younger. I don't know, I just whatever is it.

0:26:40.200 --> 0:26:42.359
<v Speaker 3>I don't know if they can't go full Housewives of

0:26:42.440 --> 0:26:46.080
<v Speaker 3>New York reboot, but that is really well done casting.

0:26:46.119 --> 0:26:48.800
<v Speaker 3>To me, that is a really well done show now,

0:26:50.880 --> 0:26:53.560
<v Speaker 3>and it was just enough that it was a nice mix.

0:26:54.880 --> 0:26:56.800
<v Speaker 3>But yeah, I don't need anybody really on the current

0:26:56.840 --> 0:26:59.320
<v Speaker 3>cast besides Candy and Kenya. And I do agree that

0:26:59.359 --> 0:27:02.879
<v Speaker 3>you need can on the show. I actually think if

0:27:02.960 --> 0:27:06.560
<v Speaker 3>Candy decided to leave, you still really need Kenya.

0:27:07.320 --> 0:27:10.160
<v Speaker 1>Yeah, no, I think it's a staple for sure. Let's

0:27:10.160 --> 0:27:15.480
<v Speaker 1>talk about Chara. CHARAE is an og. Charay is at

0:27:15.480 --> 0:27:21.359
<v Speaker 1>this point the longest running and standing og on the show.

0:27:22.000 --> 0:27:24.679
<v Speaker 1>I love Shara. Charay's a personal friend of mine who

0:27:24.720 --> 0:27:27.760
<v Speaker 1>I love in Adoor. I personally think Charay's good for

0:27:27.840 --> 0:27:32.480
<v Speaker 1>the show. A lot of people agree with me. A

0:27:32.520 --> 0:27:34.840
<v Speaker 1>lot don't agree with me. I want to hear from

0:27:34.880 --> 0:27:38.840
<v Speaker 1>you because when people do talk about who should stay

0:27:39.480 --> 0:27:42.280
<v Speaker 1>when it comes to Charae, some people are fifty to fifty.

0:27:42.400 --> 0:27:44.880
<v Speaker 1>I'm on the side of Scharay staying, but a lot

0:27:44.880 --> 0:27:46.840
<v Speaker 1>of people are And I'll give you my list later

0:27:46.920 --> 0:27:50.000
<v Speaker 1>in the episode of who I think should stay. But

0:27:51.040 --> 0:27:58.280
<v Speaker 1>why is it that Charay isn't somebody that's automatic, Yes,

0:27:58.640 --> 0:28:08.600
<v Speaker 1>considering she is an og, I.

0:28:08.520 --> 0:28:11.520
<v Speaker 3>Think it's not. She really can't still give good TV.

0:28:11.720 --> 0:28:14.359
<v Speaker 3>She's really fun in the confessional. She's beautiful, Like I

0:28:15.400 --> 0:28:19.399
<v Speaker 3>really rude for Churead. But I also think in terms

0:28:19.400 --> 0:28:24.959
<v Speaker 3>of story. Okay, let's just Martell, Okay, I get it.

0:28:25.000 --> 0:28:28.480
<v Speaker 3>I watched Huntsville. You know how I feel about Melody

0:28:28.560 --> 0:28:31.040
<v Speaker 3>that is would have done and played aka she is.

0:28:31.960 --> 0:28:35.399
<v Speaker 3>I like Melody a lot gone if you watch him

0:28:35.440 --> 0:28:37.160
<v Speaker 3>day her. Okay, what are you doing? I just don't

0:28:37.200 --> 0:28:39.400
<v Speaker 3>believe that they're in Like I'm sure they have fun

0:28:40.000 --> 0:28:43.120
<v Speaker 3>and they are good company and they like I get it,

0:28:43.200 --> 0:28:47.040
<v Speaker 3>But there's a level that she adds to it that

0:28:47.160 --> 0:28:50.040
<v Speaker 3>you can directly see opposes it when when you watch

0:28:50.120 --> 0:28:52.680
<v Speaker 3>your show, when you watch Love and Marriage Huntsville, I'm like,

0:28:52.800 --> 0:28:56.160
<v Speaker 3>these do not align. So when I'm watching this, it's like,

0:28:56.440 --> 0:29:00.479
<v Speaker 3>what is real? Like why are you adding whether it is?

0:29:00.520 --> 0:29:05.560
<v Speaker 3>Then you need to the Bob thing That reveal was peculiar,

0:29:05.920 --> 0:29:09.720
<v Speaker 3>but it was also like, I don't know, like I

0:29:09.760 --> 0:29:12.000
<v Speaker 3>think this season, she again she was trying to play

0:29:12.040 --> 0:29:15.680
<v Speaker 3>the role of like the nucleas brings everybody together. I

0:29:15.720 --> 0:29:17.960
<v Speaker 3>don't think that's a natural fit for her, which is

0:29:17.960 --> 0:29:20.160
<v Speaker 3>how kind of while that scene wherever they were they

0:29:20.160 --> 0:29:24.719
<v Speaker 3>started arguing, I was like, Okay, I'm tired of watching

0:29:24.800 --> 0:29:28.840
<v Speaker 3>terriblemen who are not going to do her right, Like

0:29:28.040 --> 0:29:30.320
<v Speaker 3>and that's like, if you kept her who was the

0:29:30.320 --> 0:29:34.960
<v Speaker 3>equipped Atlanta equivalent of millionaire matchmaker, get them on the

0:29:34.960 --> 0:29:37.200
<v Speaker 3>show and help Charay find somebody and we can watch

0:29:37.200 --> 0:29:41.480
<v Speaker 3>her date. And I want to know if Sharay was

0:29:41.880 --> 0:29:43.600
<v Speaker 3>I don't feel like she's good on the show, but

0:29:43.680 --> 0:29:46.240
<v Speaker 3>I actually don't know if I'm getting more about like

0:29:46.320 --> 0:29:49.120
<v Speaker 3>her actual story in the way that ultimately I think

0:29:49.840 --> 0:29:52.600
<v Speaker 3>Candy and ken Yell have been We've been on a

0:29:52.720 --> 0:29:56.640
<v Speaker 3>journey with them and how change and evolved.

0:29:56.800 --> 0:30:01.960
<v Speaker 4>I think Charay is cool, but it's small. I don't know.

0:30:02.160 --> 0:30:02.720
<v Speaker 4>I feel bad.

0:30:02.800 --> 0:30:04.960
<v Speaker 3>I like it's kind of like how she thought like

0:30:05.000 --> 0:30:06.520
<v Speaker 3>her website crashing was a good thing.

0:30:06.880 --> 0:30:07.920
<v Speaker 4>I think that's where I'm at.

0:30:08.160 --> 0:30:11.360
<v Speaker 3>I'm like, you're good at this, and it's all there,

0:30:11.960 --> 0:30:13.720
<v Speaker 3>but this is not the way it she would be

0:30:13.800 --> 0:30:15.920
<v Speaker 3>like maybe if we got a different producer, if you

0:30:16.040 --> 0:30:17.240
<v Speaker 3>open up a little bit more.

0:30:17.360 --> 0:30:19.280
<v Speaker 4>But I just know, I feel like I've run my

0:30:19.360 --> 0:30:19.960
<v Speaker 4>course with Shrep.

0:30:19.960 --> 0:30:21.520
<v Speaker 3>But I do think with the right mix the mind

0:30:21.560 --> 0:30:23.880
<v Speaker 3>on the cash, she still works because she's, you know,

0:30:23.920 --> 0:30:25.600
<v Speaker 3>how to make good TV. I just feel like with

0:30:25.680 --> 0:30:29.440
<v Speaker 3>the story, it's not really evolving. So I just want

0:30:29.440 --> 0:30:33.480
<v Speaker 3>her to sell them joggers. The price point is how though,

0:30:33.520 --> 0:30:34.840
<v Speaker 3>but get the money.

0:30:35.720 --> 0:30:37.800
<v Speaker 2>Bring me some jogger shop that that reminds.

0:30:37.480 --> 0:30:41.840
<v Speaker 4>Me now I'm just not gonna get it.

0:30:42.840 --> 0:30:46.960
<v Speaker 1>I'm coming over and I want some joggers, and I

0:30:47.000 --> 0:30:50.240
<v Speaker 1>will add it to Carlos kingshop dot com, where you

0:30:50.240 --> 0:30:52.880
<v Speaker 1>can get all of your rain dropping allegedly apparel, honey,

0:30:52.960 --> 0:30:55.000
<v Speaker 1>because I want some joggers.

0:30:55.000 --> 0:30:57.719
<v Speaker 2>So what's happening right now?

0:30:58.040 --> 0:31:03.000
<v Speaker 1>When it comes to the real housepots Atlanta b Scott

0:31:04.040 --> 0:31:08.800
<v Speaker 1>his website loved Be Scott, Hi Be Scott. He did

0:31:08.800 --> 0:31:14.680
<v Speaker 1>an article recently that said sources claim the network is

0:31:14.720 --> 0:31:19.040
<v Speaker 1>looking for a complete reboot, and that calls a firestorm

0:31:19.280 --> 0:31:24.719
<v Speaker 1>on Twitter. So much so Sonia Riches Ross made a

0:31:24.760 --> 0:31:28.800
<v Speaker 1>tweet or a post about pretty much just saying don't

0:31:28.840 --> 0:31:29.800
<v Speaker 1>believe everything you read.

0:31:29.880 --> 0:31:31.360
<v Speaker 2>People don't have all the facts.

0:31:33.200 --> 0:31:37.960
<v Speaker 1>The fans went crazy, wondering what does this mean.

0:31:37.840 --> 0:31:39.200
<v Speaker 2>For their favorite franchise.

0:31:39.760 --> 0:31:44.080
<v Speaker 1>B Scott also did another post after the tsunami of

0:31:44.120 --> 0:31:48.000
<v Speaker 1>tweet saying some of the girls, meaning the housewives, some

0:31:48.080 --> 0:31:50.280
<v Speaker 1>of the girls are trying to discredit me.

0:31:51.320 --> 0:31:52.800
<v Speaker 2>Who do you think? Who do you think?

0:31:52.840 --> 0:31:55.880
<v Speaker 1>I get my sources from Love Muffins again, paraphrasing what

0:31:55.960 --> 0:32:02.400
<v Speaker 1>he said. If the network is interested in a full

0:32:02.440 --> 0:32:06.720
<v Speaker 1>of reboot, do you think there would be a backlash

0:32:07.080 --> 0:32:09.720
<v Speaker 1>from social media or even.

0:32:09.560 --> 0:32:13.360
<v Speaker 3>You shout out to be Scott. I don't play with them.

0:32:13.440 --> 0:32:19.640
<v Speaker 3>Their sources usually stay on it, so I do think

0:32:19.640 --> 0:32:22.280
<v Speaker 3>they'll be a big fan backlash. You kind of already

0:32:22.360 --> 0:32:24.960
<v Speaker 3>seen it online. Some of my friends that watch the show,

0:32:25.080 --> 0:32:27.080
<v Speaker 3>like they talk about the show with me have already

0:32:27.080 --> 0:32:32.120
<v Speaker 3>complained I think it would be like that. It might

0:32:32.160 --> 0:32:34.680
<v Speaker 3>have actually been on the same or if not slightly

0:32:34.760 --> 0:32:37.920
<v Speaker 3>worse scale than New York, because I do think particularly

0:32:37.920 --> 0:32:40.680
<v Speaker 3>Black audiences, we are comfortable and familiar with the folks

0:32:40.680 --> 0:32:44.160
<v Speaker 3>that we know, and housewise in Land is very particular show,

0:32:44.240 --> 0:32:46.320
<v Speaker 3>especially if you kind of essentially grew up with it.

0:32:48.120 --> 0:32:51.600
<v Speaker 3>I don't think it would work unless which is actually

0:32:51.600 --> 0:32:55.600
<v Speaker 3>why I get Kenyan Candy's standpoint. But I don't think

0:32:55.640 --> 0:32:57.120
<v Speaker 3>it would work unless they were able to pull a

0:32:57.160 --> 0:33:02.040
<v Speaker 3>really big celebrity for celebrities, which I don't know if

0:33:02.040 --> 0:33:05.400
<v Speaker 3>they can pull off, so it wouldn't work the same way.

0:33:05.480 --> 0:33:06.960
<v Speaker 4>But if it were just the.

0:33:07.040 --> 0:33:11.240
<v Speaker 3>Kind of a new group of women, I personally would

0:33:11.280 --> 0:33:13.640
<v Speaker 3>give it a chance because I've seen because I was

0:33:13.640 --> 0:33:15.960
<v Speaker 3>mad about New York but also thought that was fine

0:33:15.960 --> 0:33:18.920
<v Speaker 3>because it got sad, and that's the think about Atlanta.

0:33:18.960 --> 0:33:21.320
<v Speaker 3>It's not sad, it's just kind of like the right

0:33:21.400 --> 0:33:23.360
<v Speaker 3>parts are not working and it needs to be some

0:33:23.400 --> 0:33:25.520
<v Speaker 3>ship and not just the cast, probably production, because I

0:33:25.520 --> 0:33:28.080
<v Speaker 3>think maybe production is doing a lot of the women.

0:33:27.880 --> 0:33:29.920
<v Speaker 4>A deservice to be fair and have the way it's

0:33:29.920 --> 0:33:30.360
<v Speaker 4>set up.

0:33:31.320 --> 0:33:34.440
<v Speaker 3>I do think the fan backlafts would be pretty big,

0:33:34.760 --> 0:33:36.480
<v Speaker 3>but it would take some if they got the right

0:33:36.560 --> 0:33:38.000
<v Speaker 3>cast like some big names.

0:33:38.600 --> 0:33:40.240
<v Speaker 4>It could worry, but I don't think they can. So

0:33:40.760 --> 0:33:41.800
<v Speaker 4>just fix what we have.

0:33:43.600 --> 0:33:46.360
<v Speaker 3>And kind of slowgan rebuilt, and personally, I feel like

0:33:46.520 --> 0:33:48.120
<v Speaker 3>they let it get to this point. They should have

0:33:48.200 --> 0:33:50.400
<v Speaker 3>did a big reshuffle like five years ago.

0:33:51.000 --> 0:33:54.600
<v Speaker 1>What's crazy is I think they were trying to do that,

0:33:55.320 --> 0:33:59.840
<v Speaker 1>but unfortunately, in my opinion, some bad decisions were made.

0:34:00.360 --> 0:34:01.800
<v Speaker 2>I was told that.

0:34:03.120 --> 0:34:06.760
<v Speaker 1>Drew was bought on because of Eva Marcel, because they're

0:34:06.760 --> 0:34:11.160
<v Speaker 1>friends in real life, and that there were conversations possibly

0:34:13.400 --> 0:34:16.719
<v Speaker 1>surrounding Eva amongst this younger group, which is by that

0:34:16.880 --> 0:34:22.000
<v Speaker 1>season you had Drew, Sodora and LaToya Ali. LaToya was

0:34:22.080 --> 0:34:25.040
<v Speaker 1>considered to be a housewife, not a friend of, and

0:34:25.120 --> 0:34:29.080
<v Speaker 1>that Eva Eva was going to bring in this usher

0:34:29.160 --> 0:34:34.600
<v Speaker 1>in this new world of Atlanta, to do what you're

0:34:34.640 --> 0:34:39.960
<v Speaker 1>what you're saying, which is let's slowly build into this.

0:34:40.400 --> 0:34:43.840
<v Speaker 1>The problem is, listen, I thought Eva was good for

0:34:43.920 --> 0:34:47.239
<v Speaker 1>the show. I spoke to Eva and I said, this,

0:34:47.400 --> 0:34:50.319
<v Speaker 1>all right, I'll say it again. I ran into her

0:34:50.400 --> 0:34:52.640
<v Speaker 1>in New York City a couple of years ago. I

0:34:52.680 --> 0:34:56.319
<v Speaker 1>think this was her first season as a housewife, not

0:34:56.320 --> 0:34:57.879
<v Speaker 1>a friend of, and I.

0:34:57.840 --> 0:35:02.439
<v Speaker 2>Said, look, bitch. Where is WB upon Eva? Because what you've.

0:35:02.360 --> 0:35:05.360
<v Speaker 1>Given now, Honey, I'm not into I need top Model Eva.

0:35:05.640 --> 0:35:08.239
<v Speaker 2>I need Eva because off the girls smoking a cigarette.

0:35:08.680 --> 0:35:10.760
<v Speaker 4>I say, that's my thing with Eva.

0:35:11.120 --> 0:35:13.480
<v Speaker 3>I feel like we didn't really get who Eva is

0:35:13.560 --> 0:35:15.040
<v Speaker 3>until she let Marlowe.

0:35:14.680 --> 0:35:15.560
<v Speaker 4>Have it on the bus.

0:35:18.040 --> 0:35:19.879
<v Speaker 2>She was good in the Virtual re Union, the Little

0:35:19.960 --> 0:35:20.680
<v Speaker 2>Zoom Reunion.

0:35:21.239 --> 0:35:23.359
<v Speaker 4>Oh yeah, but all I remember is Porsche chopping her.

0:35:23.400 --> 0:35:24.160
<v Speaker 4>But yeah, she did.

0:35:24.040 --> 0:35:32.520
<v Speaker 1>Show doctor Breast being social distance child. Yes, I did

0:35:32.640 --> 0:35:36.400
<v Speaker 1>go ahead, I rebuilt around.

0:35:36.600 --> 0:35:38.279
<v Speaker 4>I'm kind of glad that didn't happen, but I would

0:35:38.320 --> 0:35:39.560
<v Speaker 4>have did that I did with Porsche.

0:35:40.360 --> 0:35:41.560
<v Speaker 2>So let's get into that.

0:35:42.040 --> 0:35:48.200
<v Speaker 1>It has been reported that Bravo is in negotiations with

0:35:48.400 --> 0:35:52.960
<v Speaker 1>Porsche and that allegedly Porsche is demanding a lot of

0:35:53.080 --> 0:35:57.719
<v Speaker 1>money to come back to the show. How do you

0:35:57.800 --> 0:36:00.160
<v Speaker 1>feel about Portchra coming back? Is that a step up

0:36:00.160 --> 0:36:03.080
<v Speaker 1>in the right direction? And Sha, Bravo backed up the

0:36:03.160 --> 0:36:09.120
<v Speaker 1>brinks Trump open that bitch up. Let all the Benjamin

0:36:09.200 --> 0:36:11.080
<v Speaker 1>Franklins and the George Washington.

0:36:12.120 --> 0:36:16.440
<v Speaker 2>I think George Washington Carver, honey, and allow this money

0:36:17.160 --> 0:36:21.520
<v Speaker 2>to be sent to Porsche to get her to return.

0:36:22.080 --> 0:36:25.040
<v Speaker 3>I don't know if that highest paid housewife period thing

0:36:25.520 --> 0:36:27.040
<v Speaker 3>is the move but give.

0:36:28.440 --> 0:36:30.680
<v Speaker 4>Okay, So I think Porscha is a lot like Needi

0:36:30.760 --> 0:36:33.399
<v Speaker 4>in that she could She's the only other person.

0:36:33.440 --> 0:36:35.200
<v Speaker 3>I think if she joined got back on the show,

0:36:35.239 --> 0:36:37.040
<v Speaker 3>it would really shake it up and people would like

0:36:37.200 --> 0:36:39.680
<v Speaker 3>rush back to see But it's I hope it's the

0:36:39.760 --> 0:36:41.560
<v Speaker 3>Porscha that actually wants to be there.

0:36:42.000 --> 0:36:43.600
<v Speaker 4>I think that makes a big difference.

0:36:43.760 --> 0:36:45.879
<v Speaker 3>Like if you're only there for the check, you don't

0:36:45.920 --> 0:36:49.120
<v Speaker 3>necessarily like the people, and you it kind of shows

0:36:49.880 --> 0:36:51.840
<v Speaker 3>then I don't know if that makes always for the best.

0:36:52.040 --> 0:36:53.480
<v Speaker 3>And I want to say this because I'm being only

0:36:53.560 --> 0:36:55.640
<v Speaker 3>be generous to Neini because she has dealt with so

0:36:55.840 --> 0:36:58.480
<v Speaker 3>much over the years. But you could tell, maybe not

0:36:58.560 --> 0:37:01.320
<v Speaker 3>you could tell, but after made more sense there was

0:37:01.880 --> 0:37:04.880
<v Speaker 3>some personal and professional things going on between her and

0:37:04.960 --> 0:37:06.640
<v Speaker 3>the show and what was going on her life, and

0:37:06.880 --> 0:37:09.120
<v Speaker 3>she was going through a really hard state. And actually,

0:37:09.200 --> 0:37:10.759
<v Speaker 3>just as a fan, you don't really want to see that.

0:37:11.239 --> 0:37:14.680
<v Speaker 3>It doesn't necessarily like carry the best energy for the show.

0:37:16.080 --> 0:37:17.560
<v Speaker 3>That might have just been like a year off because

0:37:17.600 --> 0:37:19.600
<v Speaker 3>if like Nini came back right now, if they worked

0:37:19.600 --> 0:37:22.239
<v Speaker 3>out a miracle, if she wants to be there. It'd

0:37:22.280 --> 0:37:25.320
<v Speaker 3>be great. If she doesn't want to be there, I

0:37:25.400 --> 0:37:27.600
<v Speaker 3>don't know how it'd work. I feel that same way

0:37:27.680 --> 0:37:29.879
<v Speaker 3>with Porsche. If like Porsche wants to be there, talk

0:37:29.920 --> 0:37:32.480
<v Speaker 3>about what's going on in her life, bring back media,

0:37:32.560 --> 0:37:35.319
<v Speaker 3>pull in more home where was like, actually, yeah, bring

0:37:35.400 --> 0:37:37.520
<v Speaker 3>out the Brinks truck and let her and let's see

0:37:37.520 --> 0:37:39.640
<v Speaker 3>how her can you get it along she gets along

0:37:39.719 --> 0:37:45.360
<v Speaker 3>with Candy, Maybe Drew can stay and see how that

0:37:45.960 --> 0:37:48.120
<v Speaker 3>theatric goes. They can have a to be off and acting.

0:37:49.960 --> 0:37:57.719
<v Speaker 3>You said, yes, I'm just teasing, you know, Drew, I

0:37:57.760 --> 0:37:58.839
<v Speaker 3>don't think Marlowe will work.

0:38:00.040 --> 0:38:03.040
<v Speaker 2>Let's go ahead, Michael, I don't.

0:38:02.840 --> 0:38:04.520
<v Speaker 3>Think it would work, like if you come back. I

0:38:04.520 --> 0:38:06.520
<v Speaker 3>can't see her wanting to work with Marlogo because it

0:38:06.640 --> 0:38:08.719
<v Speaker 3>might go nasty. And I actually don't want to see

0:38:08.719 --> 0:38:12.279
<v Speaker 3>that either. I do think it, Yeah, I give portion money.

0:38:13.040 --> 0:38:14.839
<v Speaker 3>I could also see the network maing like we tied

0:38:14.880 --> 0:38:17.960
<v Speaker 3>of pan all yo. But I think with Atlanta it's

0:38:18.040 --> 0:38:20.759
<v Speaker 3>kind of worth it, because again, I just don't see

0:38:20.760 --> 0:38:23.759
<v Speaker 3>how they would refresh that cast, like maybe some of

0:38:23.920 --> 0:38:25.520
<v Speaker 3>us was going. I don't know if that's really possible.

0:38:25.560 --> 0:38:26.359
<v Speaker 3>Get Portion money.

0:38:26.480 --> 0:38:29.399
<v Speaker 1>One thing about the real Housewise Atlanta, they at least

0:38:29.520 --> 0:38:33.000
<v Speaker 1>have between six and seven housewives full time of Housewives

0:38:33.640 --> 0:38:38.200
<v Speaker 1>Lady has been only six, So let's add one more

0:38:38.280 --> 0:38:42.239
<v Speaker 1>to make it seven, because I think for the sixteenth

0:38:42.480 --> 0:38:46.560
<v Speaker 1>season you're gonna need seven in order to really arc

0:38:47.160 --> 0:38:54.200
<v Speaker 1>So name me your dream season sixteenth cast that you

0:38:54.520 --> 0:38:58.600
<v Speaker 1>think putting on your hat as a die hard fan,

0:38:59.120 --> 0:39:05.399
<v Speaker 1>what seven Housewise do you think would make the show great?

0:39:05.480 --> 0:39:06.000
<v Speaker 2>And listen.

0:39:06.520 --> 0:39:09.719
<v Speaker 1>If you want to save two for new girls, tell

0:39:09.760 --> 0:39:12.640
<v Speaker 1>me that is it seven familiar faces?

0:39:13.160 --> 0:39:15.520
<v Speaker 2>Is it three familiar for new girls?

0:39:16.120 --> 0:39:17.640
<v Speaker 3>And I don't want to be realistic because I wanted

0:39:17.719 --> 0:39:24.120
<v Speaker 3>I hope this has Portia, Kenya, Candy, maybe Charree and.

0:39:24.160 --> 0:39:27.319
<v Speaker 4>Actually surprised me with new people. So three new girls? Yeah,

0:39:27.320 --> 0:39:29.440
<v Speaker 4>I want new people. I want like the people I

0:39:29.640 --> 0:39:30.680
<v Speaker 4>like and new people.

0:39:32.160 --> 0:39:36.080
<v Speaker 3>Friend of maybe like Cynthia, someone else fresh shoe like

0:39:36.160 --> 0:39:38.439
<v Speaker 3>and actually tried them out like they did a couple

0:39:38.480 --> 0:39:40.719
<v Speaker 3>of years ago, and like literally Claudia and Kenya, like,

0:39:40.840 --> 0:39:43.799
<v Speaker 3>let's see the options, Let's see how they mesh, Let's

0:39:43.800 --> 0:39:46.600
<v Speaker 3>see them in solo scenes like Kenya was right, like

0:39:46.680 --> 0:39:49.840
<v Speaker 3>earn it, But I really want the people I know

0:39:49.960 --> 0:39:52.759
<v Speaker 3>that will show up to work and perform in a

0:39:52.840 --> 0:39:55.600
<v Speaker 3>new mix of people. Stop looking for a moment, be

0:39:55.680 --> 0:39:58.400
<v Speaker 3>a person. I really want more reality stars to just

0:39:58.560 --> 0:39:59.080
<v Speaker 3>be a person.

0:39:59.239 --> 0:40:01.279
<v Speaker 4>The moment will come. That's what works with Nini. She

0:40:01.400 --> 0:40:02.719
<v Speaker 4>is the moment. She just opens them up.

0:40:05.800 --> 0:40:07.960
<v Speaker 2>Thank you for listening to Reality with the King.

0:40:08.440 --> 0:40:14.960
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