1 00:00:00,480 --> 00:00:04,080 Speaker 1: Hey rain Drops. Yes, so I finally got merch. 2 00:00:04,440 --> 00:00:08,760 Speaker 2: That's right. You can buy your Allegedly and my Boys. 3 00:00:08,960 --> 00:00:14,480 Speaker 1: Mugs, T shirts, rain Drops, hoodies and T shirts all 4 00:00:14,600 --> 00:00:17,360 Speaker 1: on Carlos Kingshop dot com. 5 00:00:17,680 --> 00:00:18,279 Speaker 2: That's right. 6 00:00:18,600 --> 00:00:22,480 Speaker 1: Get your hoodies, your T shirts, and your mugs all 7 00:00:22,640 --> 00:00:26,040 Speaker 1: on Carlos Kingshop dot com. 8 00:00:27,560 --> 00:00:29,360 Speaker 2: Welcome to Reality with the King. 9 00:00:29,680 --> 00:00:33,400 Speaker 1: It's me Carlos King, the King of Reality TV and 10 00:00:33,479 --> 00:00:37,240 Speaker 1: one of the most sought after executive producers in reality 11 00:00:37,320 --> 00:00:41,559 Speaker 1: television with over ten years of production experience. Once a 12 00:00:41,600 --> 00:00:44,320 Speaker 1: week on Reality with the King, we'll sit down with 13 00:00:44,360 --> 00:00:49,279 Speaker 1: my friends across the entertainment industry, recap our favorite reality shows, 14 00:00:49,320 --> 00:00:53,239 Speaker 1: and revisit unforgettable moments that we are still talking and 15 00:00:53,320 --> 00:00:55,680 Speaker 1: tweeting about. 16 00:00:57,240 --> 00:00:58,280 Speaker 2: Hey, rain Drives. 17 00:00:58,320 --> 00:01:02,480 Speaker 1: On today's episode of Reality with the King, I'm here 18 00:01:02,920 --> 00:01:07,320 Speaker 1: with New York Times best selling author Michael Arsenal as 19 00:01:07,360 --> 00:01:11,320 Speaker 1: he and I talk about the Real Housewives of Atlanta 20 00:01:12,200 --> 00:01:17,720 Speaker 1: and this demand for reboot or not so. Michael also 21 00:01:18,680 --> 00:01:23,320 Speaker 1: wrote an article for The Huntington Post where the title 22 00:01:23,720 --> 00:01:29,600 Speaker 1: is our HOA is so underwhelming it needs to be revamped. 23 00:01:29,959 --> 00:01:32,000 Speaker 3: Our range Drops, I am a rain Drops, so happy 24 00:01:32,000 --> 00:01:35,240 Speaker 3: to be here. You know I listen to the part. 25 00:01:36,360 --> 00:01:42,040 Speaker 1: So again, the title is our HOA is so underwhelming 26 00:01:42,120 --> 00:01:46,520 Speaker 1: it needs to be revamped, invented, beat is not that entertaining, 27 00:01:47,000 --> 00:01:52,960 Speaker 1: and Bravo has two options to fix this show. So Michael, 28 00:01:53,440 --> 00:01:55,800 Speaker 1: I'm assuming you're not into the current season. 29 00:01:56,640 --> 00:01:59,360 Speaker 3: No, no, no, And I know some of the girls 30 00:01:59,400 --> 00:02:01,240 Speaker 3: are really trying, but can I actually just start? 31 00:02:01,320 --> 00:02:03,000 Speaker 4: I mean, Drew is a lovely person. 32 00:02:03,520 --> 00:02:05,920 Speaker 3: I wish anybody that was married to that man will 33 00:02:06,400 --> 00:02:09,359 Speaker 3: But like, I don't believe anything she ever says. It's 34 00:02:09,400 --> 00:02:12,560 Speaker 3: like watching a too Be or Tyler Perry parody of 35 00:02:13,240 --> 00:02:15,880 Speaker 3: Real Housewives of Atlanta, Like I don't know what to believe. 36 00:02:16,280 --> 00:02:18,520 Speaker 3: Like I understand she's dealing with stuff, but like their dad, 37 00:02:19,320 --> 00:02:22,840 Speaker 3: like Marlowe, I'm happy she finally got a peach. I 38 00:02:22,840 --> 00:02:26,680 Speaker 3: actually long rooted for that, but honestly, and it's gonna 39 00:02:26,680 --> 00:02:28,720 Speaker 3: sound worse than the shit, but she would have been 40 00:02:28,760 --> 00:02:31,639 Speaker 3: a better main character five or ten years ago when 41 00:02:31,639 --> 00:02:33,600 Speaker 3: she had a deeper relationship with. 42 00:02:33,520 --> 00:02:34,560 Speaker 4: Women on the cast. 43 00:02:35,520 --> 00:02:38,280 Speaker 3: I really enjoy actually watching her with her nephews. But 44 00:02:39,120 --> 00:02:43,000 Speaker 3: I don't understand, like the thing with Candymn, like, girl, 45 00:02:43,040 --> 00:02:45,640 Speaker 3: you're not mad the chef. I don't know if I 46 00:02:45,680 --> 00:02:49,959 Speaker 3: believe that, but okay, and Kenya was not lying about 47 00:02:50,760 --> 00:02:52,560 Speaker 3: it's not a scooter, but the thing that gets you up. 48 00:02:52,520 --> 00:02:55,000 Speaker 4: The lad a partner plas, Yeah, the chairlift. 49 00:02:55,080 --> 00:02:58,880 Speaker 3: Yes, And I was like, oh, she does have one, Okay, Yeah, 50 00:02:58,880 --> 00:03:01,440 Speaker 3: I just think the show and I don't necessarily really, 51 00:03:01,639 --> 00:03:03,320 Speaker 3: I mean, I do think Drew has kind of brought 52 00:03:03,360 --> 00:03:04,320 Speaker 3: down the value of the show. 53 00:03:04,440 --> 00:03:09,959 Speaker 1: Respectfully, you're saying that Drew Sidora brought down the value 54 00:03:10,040 --> 00:03:10,560 Speaker 1: of the show. 55 00:03:11,000 --> 00:03:13,680 Speaker 3: Yeah, Like, in some ways it's a good look for her, 56 00:03:13,760 --> 00:03:16,240 Speaker 3: and I don't deny that she hasn't provided drama to 57 00:03:16,280 --> 00:03:18,600 Speaker 3: the show. Again, like, it's really hard to believe her 58 00:03:18,639 --> 00:03:22,520 Speaker 3: because she lies, she'd be lying, like it's not I 59 00:03:22,520 --> 00:03:24,080 Speaker 3: don't know what to believe. I truly don't know what 60 00:03:24,120 --> 00:03:26,360 Speaker 3: to believe. And I actually still really don't like this 61 00:03:26,400 --> 00:03:28,080 Speaker 3: whole idea we're caught up in, like whether or not 62 00:03:28,120 --> 00:03:29,080 Speaker 3: she kissed a woman. 63 00:03:29,120 --> 00:03:31,320 Speaker 4: And I can understand maybe, I mean, I wrote a book. 64 00:03:31,480 --> 00:03:33,880 Speaker 3: I can I get the religious conflict with some of 65 00:03:33,880 --> 00:03:37,320 Speaker 3: that stuff, if that's all true. But it's like we're 66 00:03:37,520 --> 00:03:39,840 Speaker 3: looking she lies, like Donald Trump. It's like we're looking 67 00:03:39,880 --> 00:03:42,400 Speaker 3: at something with our playing eyes. And she will tell 68 00:03:42,440 --> 00:03:44,960 Speaker 3: you that it did not happen. I think she's a 69 00:03:45,000 --> 00:03:47,480 Speaker 3: good actress, but I think she should be acting, Like 70 00:03:47,560 --> 00:03:50,000 Speaker 3: I think Drew should being more scripted stuff. I should 71 00:03:50,600 --> 00:03:53,000 Speaker 3: Drew should be in more plays, dush be on TV. 72 00:03:53,200 --> 00:03:56,440 Speaker 3: Like she has a nice voice. I remember she was 73 00:03:56,440 --> 00:04:00,400 Speaker 3: pushing the originally back in the arts, but like it's 74 00:04:00,440 --> 00:04:02,080 Speaker 3: not really good on the show. I don't know what 75 00:04:02,160 --> 00:04:04,839 Speaker 3: to believe. But like, literally she lies like Trump, it's 76 00:04:04,880 --> 00:04:05,680 Speaker 3: the same thing. 77 00:04:05,960 --> 00:04:06,320 Speaker 4: I don't. 78 00:04:06,880 --> 00:04:09,040 Speaker 3: It's like I would, I genuinely wish her will, but 79 00:04:09,120 --> 00:04:12,240 Speaker 3: I just don't know what I'm watching. And like even 80 00:04:12,680 --> 00:04:15,440 Speaker 3: on the finale, I'm feeling bad, but I'm like, is 81 00:04:15,480 --> 00:04:16,200 Speaker 3: this even real? 82 00:04:16,360 --> 00:04:18,440 Speaker 4: I'm like candy and scene. 83 00:04:19,320 --> 00:04:22,719 Speaker 1: First of all, I'm still stuck on you calling Drew 84 00:04:23,160 --> 00:04:26,520 Speaker 1: Drew Ivanka Trump. So Drew, your new name right now 85 00:04:26,640 --> 00:04:30,440 Speaker 1: is Drew Banka Trump. Michael is alleging that all you 86 00:04:30,480 --> 00:04:34,279 Speaker 1: do is lie, lie, lie, all the time, and you 87 00:04:34,360 --> 00:04:37,000 Speaker 1: are a beautiful girl with a great voice, and you 88 00:04:37,040 --> 00:04:39,560 Speaker 1: should be acting. First of all, congrats on the past. 89 00:04:39,960 --> 00:04:42,520 Speaker 1: People are saying it was a great movie and that 90 00:04:42,680 --> 00:04:45,359 Speaker 1: Drew did well, so you may be onto something In 91 00:04:45,440 --> 00:04:47,560 Speaker 1: terms of should Drew stick to acting. 92 00:04:47,640 --> 00:04:49,159 Speaker 2: So let me unpack this a bit. 93 00:04:49,520 --> 00:04:51,920 Speaker 1: One thing I want the world to know is you 94 00:04:52,279 --> 00:04:56,039 Speaker 1: are a die hard fan of the Real Housewives of Atlanta. 95 00:04:56,480 --> 00:04:58,800 Speaker 1: The reason why you and I know each other is 96 00:04:58,800 --> 00:05:03,760 Speaker 1: because we have a mutual named Tiffany, and Tiffany would 97 00:05:03,760 --> 00:05:05,719 Speaker 1: say to me like, you got to meet my friend Michael. 98 00:05:05,839 --> 00:05:08,240 Speaker 1: He's amazing. He is obsessed with the Real house Parts 99 00:05:08,240 --> 00:05:10,680 Speaker 1: of Atlanta. This is back when I was short running 100 00:05:10,680 --> 00:05:13,880 Speaker 1: the show. So you're not somebody who just started watching it. 101 00:05:14,000 --> 00:05:17,080 Speaker 1: You haven'ten watching it since season one. So when you 102 00:05:17,120 --> 00:05:19,960 Speaker 1: say you think Drew brought down the value of the show, 103 00:05:20,040 --> 00:05:24,480 Speaker 1: and you're giving your examples, what was it about the 104 00:05:24,560 --> 00:05:28,479 Speaker 1: earlier days of The Real Housewives of Atlanta that made 105 00:05:28,480 --> 00:05:32,200 Speaker 1: your die hard fan to now to where you're not 106 00:05:32,279 --> 00:05:33,240 Speaker 1: seeing it anymore. 107 00:05:33,320 --> 00:05:35,240 Speaker 3: I mean when initially started, it was I mean, there's 108 00:05:35,279 --> 00:05:37,359 Speaker 3: nothing like you see on TV. People like Nani like 109 00:05:37,400 --> 00:05:40,200 Speaker 3: you can't find that anywhere, and I understand, like shows transition, 110 00:05:40,320 --> 00:05:42,600 Speaker 3: I looked at like now essentially because. 111 00:05:42,360 --> 00:05:44,200 Speaker 4: I know the ratings are still solid. 112 00:05:44,240 --> 00:05:48,120 Speaker 3: I'm sure they really do well on Peacock, but ultimately, 113 00:05:48,480 --> 00:05:52,800 Speaker 3: like the soap opera and sometimes soap operas, kind of like, 114 00:05:52,960 --> 00:05:54,520 Speaker 3: lose this thing a little bit and you need a 115 00:05:54,520 --> 00:05:57,040 Speaker 3: bit of a shape. I just think with Drew, and 116 00:05:57,360 --> 00:05:58,760 Speaker 3: it's kind of like, I know that sounds harsh, like 117 00:05:58,800 --> 00:06:02,680 Speaker 3: bringing down the value, butultimately the show was about friends 118 00:06:02,800 --> 00:06:04,880 Speaker 3: or people who were close enough to be friends for 119 00:06:05,000 --> 00:06:08,080 Speaker 3: casting agents, and they have this relationship and they share 120 00:06:08,120 --> 00:06:10,159 Speaker 3: actual parts of the lives, and like the conflict and 121 00:06:10,200 --> 00:06:13,160 Speaker 3: the drama, it all feels more natural. Drew came in 122 00:06:13,279 --> 00:06:15,920 Speaker 3: really hot the first season, and I mean most audiences 123 00:06:15,920 --> 00:06:18,200 Speaker 3: didn't know what to do with her or route. I 124 00:06:18,200 --> 00:06:20,760 Speaker 3: think Seconcies were a little bit better but for her. 125 00:06:21,160 --> 00:06:23,360 Speaker 3: But now I'm just kind of remembering them. I don't 126 00:06:23,360 --> 00:06:26,520 Speaker 3: know what to believe with you, and so there's her. 127 00:06:26,640 --> 00:06:28,600 Speaker 3: But then ultimately with the show, I just think they're 128 00:06:28,600 --> 00:06:32,520 Speaker 3: not friends. They're not friends. They don't really have any 129 00:06:32,680 --> 00:06:35,960 Speaker 3: real connection with each other. And I think just kind 130 00:06:35,960 --> 00:06:38,440 Speaker 3: of pulling digging in the crate, so to speak, and 131 00:06:38,480 --> 00:06:41,720 Speaker 3: pulling in old cast members doesn't necessarily work if you're 132 00:06:41,800 --> 00:06:44,120 Speaker 3: only if you I mean like if Nani's not coming back, 133 00:06:44,240 --> 00:06:47,279 Speaker 3: there's only so many people you can pull through poorsh 134 00:06:47,279 --> 00:06:50,320 Speaker 3: you would essentially work, I will say in Hans when 135 00:06:50,320 --> 00:06:52,920 Speaker 3: I heard Candy and Ken they on your show say 136 00:06:53,000 --> 00:06:55,000 Speaker 3: that she doesn't think they both said they don't think 137 00:06:55,040 --> 00:06:58,120 Speaker 3: of full rebolt could work. As soon as I heard 138 00:06:58,120 --> 00:07:00,360 Speaker 3: them say it, I kind of thought, maybe that's true, 139 00:07:00,400 --> 00:07:05,120 Speaker 3: if only unlike New York and like a black social 140 00:07:05,200 --> 00:07:09,640 Speaker 3: circle like that, no matter the age, someone probably already 141 00:07:09,720 --> 00:07:14,320 Speaker 3: knows someone else. Okay, well, maybe do Miami or OC 142 00:07:15,000 --> 00:07:18,040 Speaker 3: or like season five reboot of New York because it's 143 00:07:18,120 --> 00:07:20,680 Speaker 3: just I think a lot of people watch it because 144 00:07:20,680 --> 00:07:22,960 Speaker 3: we've been watching it for years and now again like 145 00:07:23,000 --> 00:07:25,440 Speaker 3: a soap opera, but it's still and actually I don't 146 00:07:25,520 --> 00:07:28,240 Speaker 3: rush to watch it now. It's just y'all don't like 147 00:07:28,280 --> 00:07:29,880 Speaker 3: each other, y'all fighting over nothing. 148 00:07:30,600 --> 00:07:31,760 Speaker 4: No one's sharing the. 149 00:07:31,880 --> 00:07:34,400 Speaker 3: Most aren't sharing the actual details of what's going on 150 00:07:34,440 --> 00:07:38,120 Speaker 3: in their lives. And then we watched people argue about 151 00:07:38,280 --> 00:07:41,200 Speaker 3: stuff from three years ago that wasn't an issue then. 152 00:07:41,120 --> 00:07:42,840 Speaker 4: But we thought it was set up. But it's just 153 00:07:42,880 --> 00:07:44,680 Speaker 4: like what am I watching? Y' don't like each other, 154 00:07:44,800 --> 00:07:45,240 Speaker 4: y'all lying. 155 00:07:45,640 --> 00:07:48,400 Speaker 1: I agree with you this since listen, I've been a 156 00:07:48,400 --> 00:07:50,600 Speaker 1: part of that show since season one and I left 157 00:07:50,640 --> 00:07:53,239 Speaker 1: season nine, and what I can't say to you Michael 158 00:07:53,400 --> 00:07:56,560 Speaker 1: is what made the show so successful out the gate 159 00:07:57,560 --> 00:08:03,920 Speaker 1: was these big personalities, but bigger storylines, bigger storylines. You 160 00:08:03,960 --> 00:08:07,840 Speaker 1: had Charade dealing with the crux of a divorce, like 161 00:08:08,000 --> 00:08:12,600 Speaker 1: going through a divorce, possibly losing her home because in 162 00:08:12,720 --> 00:08:16,440 Speaker 1: the in the divorce proceedings, Bob Wills at the time 163 00:08:17,400 --> 00:08:20,800 Speaker 1: was battling child support and alimony and all these things. 164 00:08:21,040 --> 00:08:26,200 Speaker 1: You had Nimi deal with oneting to search for her father. 165 00:08:26,360 --> 00:08:28,160 Speaker 2: Is this my real father? Is it not? 166 00:08:28,800 --> 00:08:32,120 Speaker 1: You had Kim Zosiak dating a man who was still married, 167 00:08:33,080 --> 00:08:37,720 Speaker 1: this serious guy who's buying her escalade, who's buying her. 168 00:08:37,640 --> 00:08:39,199 Speaker 2: Rolexis thank you Papa? 169 00:08:39,960 --> 00:08:44,359 Speaker 1: You know Deshaun Snow who was married to a basketball 170 00:08:44,400 --> 00:08:49,240 Speaker 1: star in this big, gigantic house. She had maids, servants, 171 00:08:50,280 --> 00:08:53,720 Speaker 1: nanny chefs, and you were like, what is what about 172 00:08:53,840 --> 00:08:59,200 Speaker 1: watching here? Then it kept being the stakes kept being 173 00:08:59,320 --> 00:09:03,880 Speaker 1: increased with with the dishes of Candy and Cynthia and Phedra. 174 00:09:03,960 --> 00:09:08,920 Speaker 1: I think Kenya Moore came in important. It elevated throughout 175 00:09:09,000 --> 00:09:13,240 Speaker 1: the course of the season. Yeah, And what I'm hearing 176 00:09:13,240 --> 00:09:18,720 Speaker 1: from you that I am agreen with is every season 177 00:09:18,960 --> 00:09:21,839 Speaker 1: of that show since season one, the stakes were raised 178 00:09:21,920 --> 00:09:26,360 Speaker 1: higher to the point where when certain people were let go, 179 00:09:26,800 --> 00:09:30,080 Speaker 1: you didn't miss them because you elevated the show with 180 00:09:30,160 --> 00:09:34,720 Speaker 1: the additional cast members. And we were on this ride, 181 00:09:35,040 --> 00:09:38,120 Speaker 1: and we're on this journey, and I think, and I'm 182 00:09:38,120 --> 00:09:40,720 Speaker 1: going to say this, I never said this publicly. I 183 00:09:40,800 --> 00:09:47,280 Speaker 1: think the moment that Kim Fields was cast, yeah, oh man, 184 00:09:47,440 --> 00:09:51,440 Speaker 1: I think we all said, where is this show going now? 185 00:09:52,200 --> 00:09:57,000 Speaker 1: Because are we casting I call it stunt casting? Are 186 00:09:57,040 --> 00:10:00,800 Speaker 1: we casting somebody because they happened to have a name, 187 00:10:01,160 --> 00:10:06,480 Speaker 1: being a household name like a Kim Fields, where anybody 188 00:10:06,920 --> 00:10:11,040 Speaker 1: within two seconds of seeing Kim Fields around that cast 189 00:10:11,120 --> 00:10:13,560 Speaker 1: would have said, this is a bad idea. 190 00:10:14,160 --> 00:10:16,839 Speaker 4: Now the work like we love her, leave her long, 191 00:10:16,880 --> 00:10:18,040 Speaker 4: go to work him, don't do this. 192 00:10:19,800 --> 00:10:24,040 Speaker 1: Kim's directing Movies actually has a hits Netflix called The Upshaws, 193 00:10:24,360 --> 00:10:26,319 Speaker 1: And this is something I said to Kim Fields director. 194 00:10:26,320 --> 00:10:28,160 Speaker 2: But I'm like, you don't belong on this show. 195 00:10:28,240 --> 00:10:30,720 Speaker 1: And it's no shade to Kim Fields. Kim Fields not 196 00:10:30,840 --> 00:10:34,840 Speaker 1: everybody's meant to be a reality star. So I feel 197 00:10:34,840 --> 00:10:37,240 Speaker 1: like that was the moment and I was a part 198 00:10:37,240 --> 00:10:39,360 Speaker 1: of it then, right, But I was like, where are 199 00:10:39,400 --> 00:10:43,040 Speaker 1: we going with? Like I don't know about this, and 200 00:10:44,160 --> 00:10:46,320 Speaker 1: now I think we're filling the same thing with the 201 00:10:46,360 --> 00:10:47,400 Speaker 1: new additions. 202 00:10:47,960 --> 00:10:52,280 Speaker 3: Yeah, because I just well, I know how people Clunini 203 00:10:52,360 --> 00:10:54,760 Speaker 3: have thoughts about Candy, but I'll say I can tell 204 00:10:54,840 --> 00:10:57,640 Speaker 3: from being in a girl groups on assuming she knows 205 00:10:57,640 --> 00:11:00,960 Speaker 3: how to be an ensemble. Ultimately, she knows the role 206 00:11:01,000 --> 00:11:04,800 Speaker 3: that she's playing. Kenya knows the role that she's playing. 207 00:11:05,000 --> 00:11:08,080 Speaker 3: She's clearly bored and they're not using the footage she provided, 208 00:11:08,240 --> 00:11:10,040 Speaker 3: which I do think people want to see. 209 00:11:10,520 --> 00:11:15,360 Speaker 4: I want to see it. The new Sla. 210 00:11:15,480 --> 00:11:20,520 Speaker 3: Richard's ross is lovely, her husband is amazing to look at. 211 00:11:20,760 --> 00:11:24,320 Speaker 3: She reminds me of Deshaun Snowing that you're very nice 212 00:11:24,679 --> 00:11:27,880 Speaker 3: what you're doing here. I know because of a friend, 213 00:11:28,000 --> 00:11:30,160 Speaker 3: like how important she is in track. I'm like, you're 214 00:11:30,200 --> 00:11:35,000 Speaker 3: an Olympian, you are like on NBC Sports. I think 215 00:11:35,120 --> 00:11:37,840 Speaker 3: the last episode in the finale was probably her best 216 00:11:37,880 --> 00:11:41,320 Speaker 3: episode that I've seen. But I just I don't know 217 00:11:41,360 --> 00:11:45,360 Speaker 3: how she mixed in the group. Also do even Charae. 218 00:11:45,440 --> 00:11:48,679 Speaker 3: I noticed this season she was being more black and anchor, 219 00:11:48,800 --> 00:11:50,960 Speaker 3: but like I mentioned the article, that's not really her 220 00:11:51,040 --> 00:11:56,520 Speaker 3: natural position. She's more of like poster or bone collector something, 221 00:11:56,600 --> 00:11:58,400 Speaker 3: you know, Shade, It's not that. 222 00:12:00,520 --> 00:12:03,680 Speaker 4: Courtney, I don't think that. 223 00:12:03,760 --> 00:12:06,800 Speaker 3: I mean, she that stuff about Drew was nasty, but 224 00:12:08,040 --> 00:12:11,040 Speaker 3: generally she seems like a nice man that shouldn't be there, 225 00:12:11,280 --> 00:12:13,560 Speaker 3: like a fan of the show who wanted to jump 226 00:12:13,600 --> 00:12:16,640 Speaker 3: in and like almost like og on basketball. 227 00:12:16,760 --> 00:12:18,760 Speaker 4: I can already hit a sweep the messages to that. 228 00:12:18,840 --> 00:12:19,640 Speaker 4: But you know. 229 00:12:20,480 --> 00:12:22,760 Speaker 3: Someone that knows how already they feel about the show, 230 00:12:22,840 --> 00:12:25,319 Speaker 3: and you can tell as I mean, I get it. 231 00:12:25,320 --> 00:12:27,200 Speaker 3: It becomes more formalic in that a lot of people 232 00:12:27,200 --> 00:12:29,120 Speaker 3: are trying to self produce. I just think most of 233 00:12:29,120 --> 00:12:31,120 Speaker 3: the people self producing aren't good at that, And she's 234 00:12:31,200 --> 00:12:34,240 Speaker 3: just for all the manufactured drama and like all that stuff. 235 00:12:34,280 --> 00:12:36,720 Speaker 3: I really truly think the most interesting things about the 236 00:12:36,720 --> 00:12:40,040 Speaker 3: show are when the people on the show are have 237 00:12:40,160 --> 00:12:41,839 Speaker 3: relationships with each other and they're just telling us what's 238 00:12:41,880 --> 00:12:44,160 Speaker 3: going on and didn't even go back to your question. 239 00:12:44,240 --> 00:12:45,360 Speaker 4: That really is just the difference. 240 00:12:45,440 --> 00:12:47,959 Speaker 3: Like this whole season has gone by, I don't really 241 00:12:48,080 --> 00:12:53,760 Speaker 3: really know what's going on with Candy. I know, and 242 00:12:53,800 --> 00:12:55,600 Speaker 3: I wouldn't know what's going on with Keny from the show, 243 00:12:55,640 --> 00:12:58,680 Speaker 3: but I know from you, and to be blunt speak 244 00:12:58,760 --> 00:13:02,800 Speaker 3: of that, and your have been like more entertaining than 245 00:13:02,840 --> 00:13:05,880 Speaker 3: the episodes and the chatter around the show this season 246 00:13:05,880 --> 00:13:09,080 Speaker 3: because everyone's like, what is this? I just think every 247 00:13:09,200 --> 00:13:11,120 Speaker 3: people are there ready to work, but this is just 248 00:13:11,160 --> 00:13:12,440 Speaker 3: not the right mix of people. 249 00:13:12,880 --> 00:13:16,520 Speaker 1: I had to stop watching because for two reasons. One, 250 00:13:16,559 --> 00:13:19,440 Speaker 1: you're absolutely right when the show has been on for 251 00:13:19,520 --> 00:13:23,600 Speaker 1: more than a decade. At that point, it's a habit 252 00:13:24,320 --> 00:13:29,240 Speaker 1: for anybody all over the world to know that at 253 00:13:29,240 --> 00:13:33,840 Speaker 1: eight o'clock PM on a Sunday, you're watching Bravo. 254 00:13:34,080 --> 00:13:35,080 Speaker 2: I think we all know that. 255 00:13:35,120 --> 00:13:38,240 Speaker 1: I think every network knows that any show we create, 256 00:13:38,720 --> 00:13:43,000 Speaker 1: we run the risk of it competing against people's patterns 257 00:13:43,559 --> 00:13:47,599 Speaker 1: of behavior of watching the Atlanta Housewives eight o'clock on 258 00:13:47,640 --> 00:13:50,640 Speaker 1: a Sunday. So let's not put a brand new show 259 00:13:51,240 --> 00:13:54,400 Speaker 1: to compete against that time slot because we want people 260 00:13:54,400 --> 00:13:56,679 Speaker 1: to watch. So we all know that, and I think 261 00:13:56,720 --> 00:14:00,800 Speaker 1: all of us are watching it out of habit, which 262 00:14:00,840 --> 00:14:07,040 Speaker 1: is why the ratings are stabilized. I'll say this, it 263 00:14:07,120 --> 00:14:10,560 Speaker 1: is similar to a soap opera. You know, Honey, at 264 00:14:10,559 --> 00:14:12,880 Speaker 1: twelve thirty, the Young and the rest is coming on, 265 00:14:13,160 --> 00:14:14,959 Speaker 1: and at one thirty you get the both and the 266 00:14:14,960 --> 00:14:18,560 Speaker 1: beautiful like you just know that, you know that back 267 00:14:18,559 --> 00:14:23,800 Speaker 1: in the day, four PM was Oprah. That it was, 268 00:14:23,840 --> 00:14:26,760 Speaker 1: It was, it was, It was a habit. I stopped 269 00:14:26,840 --> 00:14:35,000 Speaker 1: watching because I felt myself being disappointed week after week 270 00:14:35,680 --> 00:14:41,240 Speaker 1: because I come from producing this show and I know 271 00:14:41,920 --> 00:14:46,240 Speaker 1: what it takes for that show to be great, and 272 00:14:46,360 --> 00:14:51,000 Speaker 1: I'm watching a show I was once associated with where listen, 273 00:14:51,040 --> 00:14:54,280 Speaker 1: there's been seasons where it wasn't the greatest, but it 274 00:14:54,360 --> 00:14:56,880 Speaker 1: was sustainable to watch, like, Okay. 275 00:14:56,680 --> 00:14:59,800 Speaker 2: I can watch this. I would do that. 276 00:15:00,520 --> 00:15:02,720 Speaker 1: It was something about this season that I was like, 277 00:15:03,920 --> 00:15:06,720 Speaker 1: I can watch this, And is what you said, Michael. 278 00:15:07,520 --> 00:15:09,120 Speaker 2: You guys aren't friends. 279 00:15:10,320 --> 00:15:14,040 Speaker 1: You guys aren't friends, and you're forced to be around 280 00:15:14,080 --> 00:15:20,480 Speaker 1: each other. You just don't want to be around each other. 281 00:15:21,080 --> 00:15:24,760 Speaker 1: And no one's giving great personal story. And I feel 282 00:15:24,760 --> 00:15:27,400 Speaker 1: like a lot of people are catering to their fan 283 00:15:27,480 --> 00:15:31,880 Speaker 1: base and a lot of people are trying to hide 284 00:15:31,960 --> 00:15:36,480 Speaker 1: something because their intention of going on the show is 285 00:15:36,480 --> 00:15:39,040 Speaker 1: to Bethany Frankle their way out of it. 286 00:15:41,480 --> 00:15:42,160 Speaker 2: Stay tuned. 287 00:15:42,520 --> 00:15:49,240 Speaker 1: We'll get into this conversation right after these quick ads. 288 00:15:49,960 --> 00:15:53,480 Speaker 1: If you're anything like me, you're always busy, You're always 289 00:15:53,480 --> 00:15:57,200 Speaker 1: on the go, and sometimes you don't have enough time 290 00:15:57,240 --> 00:16:02,640 Speaker 1: in the day to prepare your own mail will Baby Welcome. 291 00:16:02,280 --> 00:16:03,520 Speaker 2: To a Hello Fresh. 292 00:16:04,280 --> 00:16:08,320 Speaker 1: They have a very quick and easy recipe and fifteen 293 00:16:08,400 --> 00:16:11,920 Speaker 1: minute meals that you can get a very tasty dinner 294 00:16:11,960 --> 00:16:15,760 Speaker 1: honey on the table in less time than it takes 295 00:16:15,880 --> 00:16:20,160 Speaker 1: to get takeout or delivery. 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I know what you're thinking, Well, Carlos, 302 00:16:43,400 --> 00:16:45,840 Speaker 1: isn't going to remain fresh like my produce? 303 00:16:46,280 --> 00:16:47,800 Speaker 2: The answer is yes. 304 00:16:48,280 --> 00:16:51,800 Speaker 1: When you get HelloFresh, you know you're getting top notched 305 00:16:51,800 --> 00:16:55,640 Speaker 1: produce since it travels from the farm to your door 306 00:16:56,200 --> 00:17:00,320 Speaker 1: in less than seven days. If you follow me on 307 00:17:00,360 --> 00:17:03,400 Speaker 1: social media, you know I'm always preparing my own meals. 308 00:17:03,800 --> 00:17:06,720 Speaker 1: Thanks to HelloFresh, I'm able to do it at a 309 00:17:06,840 --> 00:17:11,439 Speaker 1: very very concise time with my very busy schedule. It 310 00:17:11,720 --> 00:17:16,120 Speaker 1: also takes really good The recipes are easy to follow, 311 00:17:16,680 --> 00:17:19,280 Speaker 1: and because I like plant based food. 312 00:17:19,800 --> 00:17:23,880 Speaker 2: They also have options for people like me. It's really 313 00:17:24,280 --> 00:17:24,959 Speaker 2: really good. 314 00:17:25,600 --> 00:17:31,560 Speaker 1: Go to HelloFresh dot com, slash fifty r WTK and 315 00:17:31,760 --> 00:17:38,320 Speaker 1: use code fifty r WTK for fifty percent off plus 316 00:17:38,880 --> 00:17:45,639 Speaker 1: fifteen percent off the next two months. HelloFresh America's number 317 00:17:45,680 --> 00:17:46,720 Speaker 1: one meal kit. 318 00:17:49,040 --> 00:17:51,840 Speaker 2: This is Reality with the King, and I'm Carlos King. 319 00:17:52,320 --> 00:17:54,959 Speaker 1: Let's get back into the show. 320 00:17:56,000 --> 00:17:58,199 Speaker 2: Why are you blocked by King? Ya the icono? 321 00:17:58,600 --> 00:18:01,320 Speaker 3: I don't know, because I don't usually at the celebrity. 322 00:18:01,359 --> 00:18:04,000 Speaker 3: I don't like they don't need to see my disapproval 323 00:18:04,040 --> 00:18:06,160 Speaker 3: or whatever. I'm just tweeting whatever I think. Maybe when 324 00:18:06,160 --> 00:18:08,720 Speaker 3: I used to use the hashtag when Twitter was really going, 325 00:18:08,800 --> 00:18:13,000 Speaker 3: maybe she said something like em but that said last 326 00:18:13,040 --> 00:18:15,280 Speaker 3: season was not great. She was the best part of 327 00:18:15,280 --> 00:18:20,159 Speaker 3: a not great season. And this season I really have 328 00:18:20,280 --> 00:18:23,480 Speaker 3: so much empathy for her because she should be given 329 00:18:23,600 --> 00:18:26,760 Speaker 3: better material to work with. And I really like what 330 00:18:26,800 --> 00:18:28,639 Speaker 3: you pulled out of her in her interview, or just 331 00:18:28,640 --> 00:18:31,200 Speaker 3: maybe she felt more comfortable opening up in that way. 332 00:18:31,840 --> 00:18:33,440 Speaker 4: I actually really enjoy KNY. 333 00:18:33,440 --> 00:18:37,480 Speaker 3: I'm very happy about her hair Caroline and like expanding 334 00:18:37,680 --> 00:18:41,199 Speaker 3: all the stores. I love watching her with her daughter. 335 00:18:42,600 --> 00:18:46,200 Speaker 3: It's really really sweet and I have a better appreciation 336 00:18:46,280 --> 00:18:46,520 Speaker 3: for her. 337 00:18:46,560 --> 00:18:47,040 Speaker 4: She was she. 338 00:18:47,359 --> 00:18:49,760 Speaker 3: Played the role of villain, so I responded, how you 339 00:18:49,800 --> 00:18:52,080 Speaker 3: respond to a villain? I guess when you're watching if 340 00:18:52,080 --> 00:18:54,520 Speaker 3: that's not your favorite. But I have a better appreciation 341 00:18:54,560 --> 00:18:56,840 Speaker 3: for her on the show, and I can tell why 342 00:18:56,880 --> 00:18:59,239 Speaker 3: she's so bored. It was very interesting to watch how 343 00:18:59,320 --> 00:19:01,960 Speaker 3: vocal she was about what she had to deal with. 344 00:19:02,000 --> 00:19:05,280 Speaker 3: I was very surprised, but it's right to bring out 345 00:19:05,280 --> 00:19:08,040 Speaker 3: that energy in a better way with a revamped season 346 00:19:08,600 --> 00:19:09,000 Speaker 3: for show. 347 00:19:09,119 --> 00:19:11,520 Speaker 2: Sorry, no listen, I agree. 348 00:19:11,760 --> 00:19:13,760 Speaker 1: A lot of people have said that my interview with 349 00:19:13,840 --> 00:19:17,480 Speaker 1: Kenya made them see her in a different light, and 350 00:19:17,520 --> 00:19:20,919 Speaker 1: I was happy to hear that because Kenya is someone 351 00:19:20,960 --> 00:19:23,520 Speaker 1: who I love and a door on a personal level, 352 00:19:24,000 --> 00:19:27,359 Speaker 1: like personally, that's the Kingya that I see every day. 353 00:19:27,720 --> 00:19:32,600 Speaker 1: And when I was working with her, she never once 354 00:19:32,680 --> 00:19:35,160 Speaker 1: gave me any talk back. 355 00:19:35,600 --> 00:19:38,520 Speaker 2: She never yelled at me, she never argued with me. 356 00:19:39,320 --> 00:19:41,760 Speaker 1: Even when she disagreed with me, she would do in 357 00:19:41,800 --> 00:19:46,960 Speaker 1: a very respectful way. I knew when she was disappointed 358 00:19:47,560 --> 00:19:54,359 Speaker 1: in me giving my feedback, and she would say, okay, boss, okay, 359 00:19:54,720 --> 00:19:57,200 Speaker 1: and you know it's it's it's like a parent and 360 00:19:57,280 --> 00:20:00,560 Speaker 1: a child and I felt so bad, like, oh God, 361 00:20:00,840 --> 00:20:04,480 Speaker 1: did I break her heart? Because she's such a perfectionist 362 00:20:04,600 --> 00:20:06,720 Speaker 1: and she wants to always do a good job. And 363 00:20:07,840 --> 00:20:12,160 Speaker 1: it bothers me that people think she's this evil person 364 00:20:12,240 --> 00:20:15,760 Speaker 1: and I'm like, Honey, there's other evil people that's been 365 00:20:15,800 --> 00:20:19,520 Speaker 1: on that show that deserves that title. Kenya Moore's not 366 00:20:19,600 --> 00:20:23,280 Speaker 1: one of them at all. She's a sweetheart. And I 367 00:20:23,320 --> 00:20:26,880 Speaker 1: do mean it when I say a show without Kenya Moore, 368 00:20:27,800 --> 00:20:30,879 Speaker 1: what the fuck am I watching? Do you agree with that? 369 00:20:31,000 --> 00:20:35,680 Speaker 3: Michael, Yes, honestly, if they don't, I don't. Actually, again, 370 00:20:35,720 --> 00:20:37,960 Speaker 3: I don't know if the full reboot could actually they 371 00:20:37,960 --> 00:20:40,720 Speaker 3: could pull that off, but I would at least keep 372 00:20:40,800 --> 00:20:47,399 Speaker 3: Kenya and Candy, maybe like a Cynthia and Chary and 373 00:20:47,520 --> 00:20:50,200 Speaker 3: certain roles depending on how that goes. But I would 374 00:20:50,320 --> 00:20:53,120 Speaker 3: if they build around like a Miami style or even 375 00:20:53,320 --> 00:20:56,040 Speaker 3: whatever you show you want to point to. I think 376 00:20:56,160 --> 00:20:59,159 Speaker 3: Kenya and Kandy are pretty vital. I think Candy is 377 00:20:59,200 --> 00:21:03,080 Speaker 3: just en listening to you, and so is Keny is 378 00:21:03,080 --> 00:21:05,920 Speaker 3: also be a really good performer. And I also think 379 00:21:06,200 --> 00:21:08,440 Speaker 3: if she wanted to show more of that side that 380 00:21:08,520 --> 00:21:10,760 Speaker 3: we saw in your interview, like that's just and in 381 00:21:10,800 --> 00:21:13,119 Speaker 3: her business. I think other think there's a lot that 382 00:21:13,160 --> 00:21:16,639 Speaker 3: you can do with Kenya on the show. She is like, 383 00:21:17,240 --> 00:21:20,760 Speaker 3: they're the de facto stars carrying the franchise. However, people 384 00:21:20,760 --> 00:21:22,360 Speaker 3: who should still be there or not. I think those 385 00:21:22,400 --> 00:21:25,600 Speaker 3: two are kind of hard to replace, especially which I 386 00:21:25,600 --> 00:21:27,880 Speaker 3: can imagine if you like, I can't imagine. It's hard 387 00:21:27,880 --> 00:21:31,640 Speaker 3: to cast that show in Atlanta, Oh breaking news nine 388 00:21:31,640 --> 00:21:32,879 Speaker 3: way so hard to cast. 389 00:21:34,040 --> 00:21:38,359 Speaker 1: And Michael, to you and to my audience, as somebody 390 00:21:38,359 --> 00:21:42,200 Speaker 1: who was there a part of casting, The Real Housewives 391 00:21:42,440 --> 00:21:47,160 Speaker 1: of Atlanta is the number one show of all shows 392 00:21:47,200 --> 00:21:51,040 Speaker 1: across the realities. I guys, the Real Housewives of Atlanta 393 00:21:51,680 --> 00:21:55,040 Speaker 1: is the hardest show to cast. 394 00:21:55,560 --> 00:21:56,200 Speaker 2: It's hard. 395 00:21:56,640 --> 00:22:00,880 Speaker 1: There's people there who I would love to do the show. 396 00:22:01,200 --> 00:22:03,000 Speaker 1: When I was a part of the show, I would 397 00:22:03,040 --> 00:22:05,600 Speaker 1: call like my celebrity friends like, look, bitch, you want 398 00:22:05,600 --> 00:22:07,600 Speaker 1: to do the show? And they would say to me, 399 00:22:08,080 --> 00:22:10,680 Speaker 1: and I'm just telling you the truth. I'm not doing 400 00:22:10,680 --> 00:22:11,720 Speaker 1: that ratchet ass show. 401 00:22:12,560 --> 00:22:14,600 Speaker 4: Yeah, that's what I imagine with the money like that 402 00:22:14,640 --> 00:22:15,640 Speaker 4: in Atlanta. Yeah. 403 00:22:15,880 --> 00:22:20,360 Speaker 1: Well, the women who are either married to a very 404 00:22:20,520 --> 00:22:25,280 Speaker 1: rich man or the women who are celebrities themselves, a 405 00:22:25,320 --> 00:22:28,520 Speaker 1: lot of them feel like the brand of the show 406 00:22:28,600 --> 00:22:32,399 Speaker 1: doesn't fit them. So when the conversation started to center 407 00:22:32,520 --> 00:22:37,240 Speaker 1: around a full reboot outline New York City Housewives, right, 408 00:22:37,840 --> 00:22:42,120 Speaker 1: New York City Housewives completely started from scratch and they 409 00:22:42,200 --> 00:22:45,920 Speaker 1: now have I believe it's five or six New Housewives. 410 00:22:46,640 --> 00:22:52,040 Speaker 1: A lot of people feel like, does Atlanta deserve that treatment? 411 00:22:52,320 --> 00:22:56,679 Speaker 1: Because if you start clean, then maybe you're able to 412 00:22:56,720 --> 00:23:01,200 Speaker 1: get those women. Who knows, but at this point, those 413 00:23:01,240 --> 00:23:03,000 Speaker 1: women do not want to join the show. 414 00:23:03,440 --> 00:23:06,320 Speaker 2: So who do you who? 415 00:23:06,400 --> 00:23:09,160 Speaker 1: Ideally, Michael, do you want to see on the show? 416 00:23:09,480 --> 00:23:11,800 Speaker 1: Is there a celebrity you think would be good or 417 00:23:11,840 --> 00:23:15,920 Speaker 1: what type of black woman or white woman in Atlanta 418 00:23:16,040 --> 00:23:18,560 Speaker 1: would you like to see a part of the cast. 419 00:23:18,840 --> 00:23:22,760 Speaker 4: Hell, we don't need any white people. I mean maybe. 420 00:23:22,600 --> 00:23:24,400 Speaker 3: Unless they really fits. Like I will say, I don't 421 00:23:24,400 --> 00:23:28,600 Speaker 3: need Kim Zosiak. I don't need her back that did 422 00:23:28,640 --> 00:23:32,280 Speaker 3: not end will that twenty sixteen reunion and how she 423 00:23:32,320 --> 00:23:34,199 Speaker 3: cried and acted like she was a victim. 424 00:23:34,320 --> 00:23:35,359 Speaker 4: We don't need that energy. 425 00:23:36,200 --> 00:23:40,960 Speaker 3: If they could find a white woman that doesn't give that, maybe, 426 00:23:41,000 --> 00:23:43,360 Speaker 3: but no, I don't. 427 00:23:43,480 --> 00:23:44,600 Speaker 4: I used to like have an. 428 00:23:44,480 --> 00:23:47,080 Speaker 3: Idea, like what kind of celebrities, but like honestly, I 429 00:23:47,200 --> 00:23:52,280 Speaker 3: just want an actual group of people who seeming who 430 00:23:52,320 --> 00:23:57,040 Speaker 3: really actually like each other. I think Keny and Keny 431 00:23:57,080 --> 00:23:59,840 Speaker 3: are still really nice verse between. They can anger this 432 00:23:59,880 --> 00:24:01,960 Speaker 3: sh show. They have a certain level of celebrity and 433 00:24:02,000 --> 00:24:04,480 Speaker 3: success that can still go a lot of ways. But 434 00:24:04,520 --> 00:24:08,200 Speaker 3: I would like to see maybe, I guess forty thirty 435 00:24:08,280 --> 00:24:12,280 Speaker 3: somethings that kind of fit that actually. I mean, I 436 00:24:12,320 --> 00:24:14,359 Speaker 3: don't know if I'll go back there, but like not Shamari, 437 00:24:15,119 --> 00:24:17,280 Speaker 3: I actually think that was a missed opportunity with her 438 00:24:17,480 --> 00:24:20,119 Speaker 3: because you had someone who was a celebrity of a 439 00:24:20,160 --> 00:24:23,000 Speaker 3: certain era that grew up with the audience that we knew. 440 00:24:24,560 --> 00:24:26,440 Speaker 3: She was easy to pull from a lot of people 441 00:24:26,440 --> 00:24:27,680 Speaker 3: to or I think it would be easy. I'm just 442 00:24:27,720 --> 00:24:29,760 Speaker 3: trying to Beguret who could actually pull in people that 443 00:24:29,800 --> 00:24:30,520 Speaker 3: we want to see. 444 00:24:30,560 --> 00:24:32,160 Speaker 4: But I just don't. 445 00:24:32,480 --> 00:24:35,640 Speaker 3: I don't know anymore because I think when they travel 446 00:24:35,720 --> 00:24:38,840 Speaker 3: celebrities in Atlanta particularly, that just doesn't tend to go 447 00:24:38,920 --> 00:24:39,680 Speaker 3: well anymore. 448 00:24:39,720 --> 00:24:41,080 Speaker 4: And I think that's kind of like a lot of. 449 00:24:41,440 --> 00:24:44,439 Speaker 3: Any real Atlanta based franchise, it kind of not doesn't 450 00:24:44,480 --> 00:24:48,239 Speaker 3: go well. No, a lot of the world on how 451 00:24:48,280 --> 00:24:50,600 Speaker 3: to go God bless them which ones. 452 00:24:52,200 --> 00:24:55,480 Speaker 4: Honestly, they can they I don't. 453 00:24:55,160 --> 00:24:59,320 Speaker 1: Look at job Michael, who would you like to see 454 00:24:59,520 --> 00:25:01,680 Speaker 1: removed food from the shop. 455 00:25:04,800 --> 00:25:09,440 Speaker 4: I don't need Drew. I don't really need you either. 456 00:25:09,760 --> 00:25:13,640 Speaker 4: She's a legend, but I don't. I don't need it. Sonya, 457 00:25:13,720 --> 00:25:18,080 Speaker 4: God blessed, bless She's a nice lady. 458 00:25:19,320 --> 00:25:19,840 Speaker 2: I like her. 459 00:25:20,640 --> 00:25:21,440 Speaker 4: Yeah, she's nice. 460 00:25:22,280 --> 00:25:28,080 Speaker 1: She's talking about business business Courtney. 461 00:25:27,880 --> 00:25:34,119 Speaker 3: No man yet a nice woman. No, I just I 462 00:25:34,440 --> 00:25:36,920 Speaker 3: don't know. It doesn't work for me anyway. I don't 463 00:25:36,920 --> 00:25:39,359 Speaker 3: think it's working, but I like her happy. I've watched 464 00:25:39,359 --> 00:25:43,879 Speaker 3: Hollywood debs, but no, they all can go, honestly, Besides 465 00:25:43,920 --> 00:25:47,399 Speaker 3: Candy and Kenya, maybe it should right, even if they 466 00:25:47,400 --> 00:25:49,400 Speaker 3: could get Porsche back or something. But I don't really 467 00:25:49,400 --> 00:25:51,520 Speaker 3: need the rest of them. I just I don't know. 468 00:25:51,600 --> 00:25:55,080 Speaker 3: I think Marlowe. Now, I don't want to let Marlowe 469 00:25:55,080 --> 00:25:57,199 Speaker 3: go because she she deleats try. But the way she 470 00:25:57,280 --> 00:25:58,840 Speaker 3: tried is exactly why I don't want to watch the 471 00:25:58,880 --> 00:26:03,080 Speaker 3: show unless she can really open up more about certain 472 00:26:03,119 --> 00:26:05,439 Speaker 3: parts of her life that would make her appear fuller 473 00:26:05,480 --> 00:26:08,800 Speaker 3: on the show. If that makes sense, Like it doesn't work, 474 00:26:08,840 --> 00:26:12,639 Speaker 3: it's just beef that you are pulling out a wherever 475 00:26:12,880 --> 00:26:14,800 Speaker 3: just to kind of get on screen time, which is 476 00:26:15,640 --> 00:26:18,080 Speaker 3: look late at this point. Yeah, I don't really need 477 00:26:18,119 --> 00:26:20,800 Speaker 3: Candy and Kenya. We need to start around, get Porstcha. 478 00:26:20,920 --> 00:26:22,359 Speaker 3: I mean, I read the rumors. 479 00:26:23,440 --> 00:26:24,119 Speaker 4: I don't know about how. 480 00:26:24,320 --> 00:26:26,480 Speaker 3: I don't know if that's true, but throw whatever you 481 00:26:26,600 --> 00:26:29,200 Speaker 3: need to bring her back, actually let her bring Shamia, 482 00:26:30,600 --> 00:26:33,800 Speaker 3: bring some like women of her age in that circle. 483 00:26:34,040 --> 00:26:36,919 Speaker 3: I feel like that's a nicer mix, and then some 484 00:26:37,359 --> 00:26:39,800 Speaker 3: still younger. I don't know, I just whatever is it. 485 00:26:40,200 --> 00:26:42,359 Speaker 3: I don't know if they can't go full Housewives of 486 00:26:42,440 --> 00:26:46,080 Speaker 3: New York reboot, but that is really well done casting. 487 00:26:46,119 --> 00:26:48,800 Speaker 3: To me, that is a really well done show now, 488 00:26:50,880 --> 00:26:53,560 Speaker 3: and it was just enough that it was a nice mix. 489 00:26:54,880 --> 00:26:56,800 Speaker 3: But yeah, I don't need anybody really on the current 490 00:26:56,840 --> 00:26:59,320 Speaker 3: cast besides Candy and Kenya. And I do agree that 491 00:26:59,359 --> 00:27:02,879 Speaker 3: you need can on the show. I actually think if 492 00:27:02,960 --> 00:27:06,560 Speaker 3: Candy decided to leave, you still really need Kenya. 493 00:27:07,320 --> 00:27:10,160 Speaker 1: Yeah, no, I think it's a staple for sure. Let's 494 00:27:10,160 --> 00:27:15,480 Speaker 1: talk about Chara. CHARAE is an og. Charay is at 495 00:27:15,480 --> 00:27:21,359 Speaker 1: this point the longest running and standing og on the show. 496 00:27:22,000 --> 00:27:24,679 Speaker 1: I love Shara. Charay's a personal friend of mine who 497 00:27:24,720 --> 00:27:27,760 Speaker 1: I love in Adoor. I personally think Charay's good for 498 00:27:27,840 --> 00:27:32,480 Speaker 1: the show. A lot of people agree with me. A 499 00:27:32,520 --> 00:27:34,840 Speaker 1: lot don't agree with me. I want to hear from 500 00:27:34,880 --> 00:27:38,840 Speaker 1: you because when people do talk about who should stay 501 00:27:39,480 --> 00:27:42,280 Speaker 1: when it comes to Charae, some people are fifty to fifty. 502 00:27:42,400 --> 00:27:44,880 Speaker 1: I'm on the side of Scharay staying, but a lot 503 00:27:44,880 --> 00:27:46,840 Speaker 1: of people are And I'll give you my list later 504 00:27:46,920 --> 00:27:50,000 Speaker 1: in the episode of who I think should stay. But 505 00:27:51,040 --> 00:27:58,280 Speaker 1: why is it that Charay isn't somebody that's automatic, Yes, 506 00:27:58,640 --> 00:28:08,600 Speaker 1: considering she is an og, I. 507 00:28:08,520 --> 00:28:11,520 Speaker 3: Think it's not. She really can't still give good TV. 508 00:28:11,720 --> 00:28:14,359 Speaker 3: She's really fun in the confessional. She's beautiful, Like I 509 00:28:15,400 --> 00:28:19,399 Speaker 3: really rude for Churead. But I also think in terms 510 00:28:19,400 --> 00:28:24,959 Speaker 3: of story. Okay, let's just Martell, Okay, I get it. 511 00:28:25,000 --> 00:28:28,480 Speaker 3: I watched Huntsville. You know how I feel about Melody 512 00:28:28,560 --> 00:28:31,040 Speaker 3: that is would have done and played aka she is. 513 00:28:31,960 --> 00:28:35,399 Speaker 3: I like Melody a lot gone if you watch him 514 00:28:35,440 --> 00:28:37,160 Speaker 3: day her. Okay, what are you doing? I just don't 515 00:28:37,200 --> 00:28:39,400 Speaker 3: believe that they're in Like I'm sure they have fun 516 00:28:40,000 --> 00:28:43,120 Speaker 3: and they are good company and they like I get it, 517 00:28:43,200 --> 00:28:47,040 Speaker 3: But there's a level that she adds to it that 518 00:28:47,160 --> 00:28:50,040 Speaker 3: you can directly see opposes it when when you watch 519 00:28:50,120 --> 00:28:52,680 Speaker 3: your show, when you watch Love and Marriage Huntsville, I'm like, 520 00:28:52,800 --> 00:28:56,160 Speaker 3: these do not align. So when I'm watching this, it's like, 521 00:28:56,440 --> 00:29:00,479 Speaker 3: what is real? Like why are you adding whether it is? 522 00:29:00,520 --> 00:29:05,560 Speaker 3: Then you need to the Bob thing That reveal was peculiar, 523 00:29:05,920 --> 00:29:09,720 Speaker 3: but it was also like, I don't know, like I 524 00:29:09,760 --> 00:29:12,000 Speaker 3: think this season, she again she was trying to play 525 00:29:12,040 --> 00:29:15,680 Speaker 3: the role of like the nucleas brings everybody together. I 526 00:29:15,720 --> 00:29:17,960 Speaker 3: don't think that's a natural fit for her, which is 527 00:29:17,960 --> 00:29:20,160 Speaker 3: how kind of while that scene wherever they were they 528 00:29:20,160 --> 00:29:24,719 Speaker 3: started arguing, I was like, Okay, I'm tired of watching 529 00:29:24,800 --> 00:29:28,840 Speaker 3: terriblemen who are not going to do her right, Like 530 00:29:28,040 --> 00:29:30,320 Speaker 3: and that's like, if you kept her who was the 531 00:29:30,320 --> 00:29:34,960 Speaker 3: equipped Atlanta equivalent of millionaire matchmaker, get them on the 532 00:29:34,960 --> 00:29:37,200 Speaker 3: show and help Charay find somebody and we can watch 533 00:29:37,200 --> 00:29:41,480 Speaker 3: her date. And I want to know if Sharay was 534 00:29:41,880 --> 00:29:43,600 Speaker 3: I don't feel like she's good on the show, but 535 00:29:43,680 --> 00:29:46,240 Speaker 3: I actually don't know if I'm getting more about like 536 00:29:46,320 --> 00:29:49,120 Speaker 3: her actual story in the way that ultimately I think 537 00:29:49,840 --> 00:29:52,600 Speaker 3: Candy and ken Yell have been We've been on a 538 00:29:52,720 --> 00:29:56,640 Speaker 3: journey with them and how change and evolved. 539 00:29:56,800 --> 00:30:01,960 Speaker 4: I think Charay is cool, but it's small. I don't know. 540 00:30:02,160 --> 00:30:02,720 Speaker 4: I feel bad. 541 00:30:02,800 --> 00:30:04,960 Speaker 3: I like it's kind of like how she thought like 542 00:30:05,000 --> 00:30:06,520 Speaker 3: her website crashing was a good thing. 543 00:30:06,880 --> 00:30:07,920 Speaker 4: I think that's where I'm at. 544 00:30:08,160 --> 00:30:11,360 Speaker 3: I'm like, you're good at this, and it's all there, 545 00:30:11,960 --> 00:30:13,720 Speaker 3: but this is not the way it she would be 546 00:30:13,800 --> 00:30:15,920 Speaker 3: like maybe if we got a different producer, if you 547 00:30:16,040 --> 00:30:17,240 Speaker 3: open up a little bit more. 548 00:30:17,360 --> 00:30:19,280 Speaker 4: But I just know, I feel like I've run my 549 00:30:19,360 --> 00:30:19,960 Speaker 4: course with Shrep. 550 00:30:19,960 --> 00:30:21,520 Speaker 3: But I do think with the right mix the mind 551 00:30:21,560 --> 00:30:23,880 Speaker 3: on the cash, she still works because she's, you know, 552 00:30:23,920 --> 00:30:25,600 Speaker 3: how to make good TV. I just feel like with 553 00:30:25,680 --> 00:30:29,440 Speaker 3: the story, it's not really evolving. So I just want 554 00:30:29,440 --> 00:30:33,480 Speaker 3: her to sell them joggers. The price point is how though, 555 00:30:33,520 --> 00:30:34,840 Speaker 3: but get the money. 556 00:30:35,720 --> 00:30:37,800 Speaker 2: Bring me some jogger shop that that reminds. 557 00:30:37,480 --> 00:30:41,840 Speaker 4: Me now I'm just not gonna get it. 558 00:30:42,840 --> 00:30:46,960 Speaker 1: I'm coming over and I want some joggers, and I 559 00:30:47,000 --> 00:30:50,240 Speaker 1: will add it to Carlos kingshop dot com, where you 560 00:30:50,240 --> 00:30:52,880 Speaker 1: can get all of your rain dropping allegedly apparel, honey, 561 00:30:52,960 --> 00:30:55,000 Speaker 1: because I want some joggers. 562 00:30:55,000 --> 00:30:57,719 Speaker 2: So what's happening right now? 563 00:30:58,040 --> 00:31:03,000 Speaker 1: When it comes to the real housepots Atlanta b Scott 564 00:31:04,040 --> 00:31:08,800 Speaker 1: his website loved Be Scott, Hi Be Scott. He did 565 00:31:08,800 --> 00:31:14,680 Speaker 1: an article recently that said sources claim the network is 566 00:31:14,720 --> 00:31:19,040 Speaker 1: looking for a complete reboot, and that calls a firestorm 567 00:31:19,280 --> 00:31:24,719 Speaker 1: on Twitter. So much so Sonia Riches Ross made a 568 00:31:24,760 --> 00:31:28,800 Speaker 1: tweet or a post about pretty much just saying don't 569 00:31:28,840 --> 00:31:29,800 Speaker 1: believe everything you read. 570 00:31:29,880 --> 00:31:31,360 Speaker 2: People don't have all the facts. 571 00:31:33,200 --> 00:31:37,960 Speaker 1: The fans went crazy, wondering what does this mean. 572 00:31:37,840 --> 00:31:39,200 Speaker 2: For their favorite franchise. 573 00:31:39,760 --> 00:31:44,080 Speaker 1: B Scott also did another post after the tsunami of 574 00:31:44,120 --> 00:31:48,000 Speaker 1: tweet saying some of the girls, meaning the housewives, some 575 00:31:48,080 --> 00:31:50,280 Speaker 1: of the girls are trying to discredit me. 576 00:31:51,320 --> 00:31:52,800 Speaker 2: Who do you think? Who do you think? 577 00:31:52,840 --> 00:31:55,880 Speaker 1: I get my sources from Love Muffins again, paraphrasing what 578 00:31:55,960 --> 00:32:02,400 Speaker 1: he said. If the network is interested in a full 579 00:32:02,440 --> 00:32:06,720 Speaker 1: of reboot, do you think there would be a backlash 580 00:32:07,080 --> 00:32:09,720 Speaker 1: from social media or even. 581 00:32:09,560 --> 00:32:13,360 Speaker 3: You shout out to be Scott. I don't play with them. 582 00:32:13,440 --> 00:32:19,640 Speaker 3: Their sources usually stay on it, so I do think 583 00:32:19,640 --> 00:32:22,280 Speaker 3: they'll be a big fan backlash. You kind of already 584 00:32:22,360 --> 00:32:24,960 Speaker 3: seen it online. Some of my friends that watch the show, 585 00:32:25,080 --> 00:32:27,080 Speaker 3: like they talk about the show with me have already 586 00:32:27,080 --> 00:32:32,120 Speaker 3: complained I think it would be like that. It might 587 00:32:32,160 --> 00:32:34,680 Speaker 3: have actually been on the same or if not slightly 588 00:32:34,760 --> 00:32:37,920 Speaker 3: worse scale than New York, because I do think particularly 589 00:32:37,920 --> 00:32:40,680 Speaker 3: Black audiences, we are comfortable and familiar with the folks 590 00:32:40,680 --> 00:32:44,160 Speaker 3: that we know, and housewise in Land is very particular show, 591 00:32:44,240 --> 00:32:46,320 Speaker 3: especially if you kind of essentially grew up with it. 592 00:32:48,120 --> 00:32:51,600 Speaker 3: I don't think it would work unless which is actually 593 00:32:51,600 --> 00:32:55,600 Speaker 3: why I get Kenyan Candy's standpoint. But I don't think 594 00:32:55,640 --> 00:32:57,120 Speaker 3: it would work unless they were able to pull a 595 00:32:57,160 --> 00:33:02,040 Speaker 3: really big celebrity for celebrities, which I don't know if 596 00:33:02,040 --> 00:33:05,400 Speaker 3: they can pull off, so it wouldn't work the same way. 597 00:33:05,480 --> 00:33:06,960 Speaker 4: But if it were just the. 598 00:33:07,040 --> 00:33:11,240 Speaker 3: Kind of a new group of women, I personally would 599 00:33:11,280 --> 00:33:13,640 Speaker 3: give it a chance because I've seen because I was 600 00:33:13,640 --> 00:33:15,960 Speaker 3: mad about New York but also thought that was fine 601 00:33:15,960 --> 00:33:18,920 Speaker 3: because it got sad, and that's the think about Atlanta. 602 00:33:18,960 --> 00:33:21,320 Speaker 3: It's not sad, it's just kind of like the right 603 00:33:21,400 --> 00:33:23,360 Speaker 3: parts are not working and it needs to be some 604 00:33:23,400 --> 00:33:25,520 Speaker 3: ship and not just the cast, probably production, because I 605 00:33:25,520 --> 00:33:28,080 Speaker 3: think maybe production is doing a lot of the women. 606 00:33:27,880 --> 00:33:29,920 Speaker 4: A deservice to be fair and have the way it's 607 00:33:29,920 --> 00:33:30,360 Speaker 4: set up. 608 00:33:31,320 --> 00:33:34,440 Speaker 3: I do think the fan backlafts would be pretty big, 609 00:33:34,760 --> 00:33:36,480 Speaker 3: but it would take some if they got the right 610 00:33:36,560 --> 00:33:38,000 Speaker 3: cast like some big names. 611 00:33:38,600 --> 00:33:40,240 Speaker 4: It could worry, but I don't think they can. So 612 00:33:40,760 --> 00:33:41,800 Speaker 4: just fix what we have. 613 00:33:43,600 --> 00:33:46,360 Speaker 3: And kind of slowgan rebuilt, and personally, I feel like 614 00:33:46,520 --> 00:33:48,120 Speaker 3: they let it get to this point. They should have 615 00:33:48,200 --> 00:33:50,400 Speaker 3: did a big reshuffle like five years ago. 616 00:33:51,000 --> 00:33:54,600 Speaker 1: What's crazy is I think they were trying to do that, 617 00:33:55,320 --> 00:33:59,840 Speaker 1: but unfortunately, in my opinion, some bad decisions were made. 618 00:34:00,360 --> 00:34:01,800 Speaker 2: I was told that. 619 00:34:03,120 --> 00:34:06,760 Speaker 1: Drew was bought on because of Eva Marcel, because they're 620 00:34:06,760 --> 00:34:11,160 Speaker 1: friends in real life, and that there were conversations possibly 621 00:34:13,400 --> 00:34:16,719 Speaker 1: surrounding Eva amongst this younger group, which is by that 622 00:34:16,880 --> 00:34:22,000 Speaker 1: season you had Drew, Sodora and LaToya Ali. LaToya was 623 00:34:22,080 --> 00:34:25,040 Speaker 1: considered to be a housewife, not a friend of, and 624 00:34:25,120 --> 00:34:29,080 Speaker 1: that Eva Eva was going to bring in this usher 625 00:34:29,160 --> 00:34:34,600 Speaker 1: in this new world of Atlanta, to do what you're 626 00:34:34,640 --> 00:34:39,960 Speaker 1: what you're saying, which is let's slowly build into this. 627 00:34:40,400 --> 00:34:43,840 Speaker 1: The problem is, listen, I thought Eva was good for 628 00:34:43,920 --> 00:34:47,239 Speaker 1: the show. I spoke to Eva and I said, this, 629 00:34:47,400 --> 00:34:50,319 Speaker 1: all right, I'll say it again. I ran into her 630 00:34:50,400 --> 00:34:52,640 Speaker 1: in New York City a couple of years ago. I 631 00:34:52,680 --> 00:34:56,319 Speaker 1: think this was her first season as a housewife, not 632 00:34:56,320 --> 00:34:57,879 Speaker 1: a friend of, and I. 633 00:34:57,840 --> 00:35:02,439 Speaker 2: Said, look, bitch. Where is WB upon Eva? Because what you've. 634 00:35:02,360 --> 00:35:05,360 Speaker 1: Given now, Honey, I'm not into I need top Model Eva. 635 00:35:05,640 --> 00:35:08,239 Speaker 2: I need Eva because off the girls smoking a cigarette. 636 00:35:08,680 --> 00:35:10,760 Speaker 4: I say, that's my thing with Eva. 637 00:35:11,120 --> 00:35:13,480 Speaker 3: I feel like we didn't really get who Eva is 638 00:35:13,560 --> 00:35:15,040 Speaker 3: until she let Marlowe. 639 00:35:14,680 --> 00:35:15,560 Speaker 4: Have it on the bus. 640 00:35:18,040 --> 00:35:19,879 Speaker 2: She was good in the Virtual re Union, the Little 641 00:35:19,960 --> 00:35:20,680 Speaker 2: Zoom Reunion. 642 00:35:21,239 --> 00:35:23,359 Speaker 4: Oh yeah, but all I remember is Porsche chopping her. 643 00:35:23,400 --> 00:35:24,160 Speaker 4: But yeah, she did. 644 00:35:24,040 --> 00:35:32,520 Speaker 1: Show doctor Breast being social distance child. Yes, I did 645 00:35:32,640 --> 00:35:36,400 Speaker 1: go ahead, I rebuilt around. 646 00:35:36,600 --> 00:35:38,279 Speaker 4: I'm kind of glad that didn't happen, but I would 647 00:35:38,320 --> 00:35:39,560 Speaker 4: have did that I did with Porsche. 648 00:35:40,360 --> 00:35:41,560 Speaker 2: So let's get into that. 649 00:35:42,040 --> 00:35:48,200 Speaker 1: It has been reported that Bravo is in negotiations with 650 00:35:48,400 --> 00:35:52,960 Speaker 1: Porsche and that allegedly Porsche is demanding a lot of 651 00:35:53,080 --> 00:35:57,719 Speaker 1: money to come back to the show. How do you 652 00:35:57,800 --> 00:36:00,160 Speaker 1: feel about Portchra coming back? Is that a step up 653 00:36:00,160 --> 00:36:03,080 Speaker 1: in the right direction? And Sha, Bravo backed up the 654 00:36:03,160 --> 00:36:09,120 Speaker 1: brinks Trump open that bitch up. Let all the Benjamin 655 00:36:09,200 --> 00:36:11,080 Speaker 1: Franklins and the George Washington. 656 00:36:12,120 --> 00:36:16,440 Speaker 2: I think George Washington Carver, honey, and allow this money 657 00:36:17,160 --> 00:36:21,520 Speaker 2: to be sent to Porsche to get her to return. 658 00:36:22,080 --> 00:36:25,040 Speaker 3: I don't know if that highest paid housewife period thing 659 00:36:25,520 --> 00:36:27,040 Speaker 3: is the move but give. 660 00:36:28,440 --> 00:36:30,680 Speaker 4: Okay, So I think Porscha is a lot like Needi 661 00:36:30,760 --> 00:36:33,399 Speaker 4: in that she could She's the only other person. 662 00:36:33,440 --> 00:36:35,200 Speaker 3: I think if she joined got back on the show, 663 00:36:35,239 --> 00:36:37,040 Speaker 3: it would really shake it up and people would like 664 00:36:37,200 --> 00:36:39,680 Speaker 3: rush back to see But it's I hope it's the 665 00:36:39,760 --> 00:36:41,560 Speaker 3: Porscha that actually wants to be there. 666 00:36:42,000 --> 00:36:43,600 Speaker 4: I think that makes a big difference. 667 00:36:43,760 --> 00:36:45,879 Speaker 3: Like if you're only there for the check, you don't 668 00:36:45,920 --> 00:36:49,120 Speaker 3: necessarily like the people, and you it kind of shows 669 00:36:49,880 --> 00:36:51,840 Speaker 3: then I don't know if that makes always for the best. 670 00:36:52,040 --> 00:36:53,480 Speaker 3: And I want to say this because I'm being only 671 00:36:53,560 --> 00:36:55,640 Speaker 3: be generous to Neini because she has dealt with so 672 00:36:55,840 --> 00:36:58,480 Speaker 3: much over the years. But you could tell, maybe not 673 00:36:58,560 --> 00:37:01,320 Speaker 3: you could tell, but after made more sense there was 674 00:37:01,880 --> 00:37:04,880 Speaker 3: some personal and professional things going on between her and 675 00:37:04,960 --> 00:37:06,640 Speaker 3: the show and what was going on her life, and 676 00:37:06,880 --> 00:37:09,120 Speaker 3: she was going through a really hard state. And actually, 677 00:37:09,200 --> 00:37:10,759 Speaker 3: just as a fan, you don't really want to see that. 678 00:37:11,239 --> 00:37:14,680 Speaker 3: It doesn't necessarily like carry the best energy for the show. 679 00:37:16,080 --> 00:37:17,560 Speaker 3: That might have just been like a year off because 680 00:37:17,600 --> 00:37:19,600 Speaker 3: if like Nini came back right now, if they worked 681 00:37:19,600 --> 00:37:22,239 Speaker 3: out a miracle, if she wants to be there. It'd 682 00:37:22,280 --> 00:37:25,320 Speaker 3: be great. If she doesn't want to be there, I 683 00:37:25,400 --> 00:37:27,600 Speaker 3: don't know how it'd work. I feel that same way 684 00:37:27,680 --> 00:37:29,879 Speaker 3: with Porsche. If like Porsche wants to be there, talk 685 00:37:29,920 --> 00:37:32,480 Speaker 3: about what's going on in her life, bring back media, 686 00:37:32,560 --> 00:37:35,319 Speaker 3: pull in more home where was like, actually, yeah, bring 687 00:37:35,400 --> 00:37:37,520 Speaker 3: out the Brinks truck and let her and let's see 688 00:37:37,520 --> 00:37:39,640 Speaker 3: how her can you get it along she gets along 689 00:37:39,719 --> 00:37:45,360 Speaker 3: with Candy, Maybe Drew can stay and see how that 690 00:37:45,960 --> 00:37:48,120 Speaker 3: theatric goes. They can have a to be off and acting. 691 00:37:49,960 --> 00:37:57,719 Speaker 3: You said, yes, I'm just teasing, you know, Drew, I 692 00:37:57,760 --> 00:37:58,839 Speaker 3: don't think Marlowe will work. 693 00:38:00,040 --> 00:38:03,040 Speaker 2: Let's go ahead, Michael, I don't. 694 00:38:02,840 --> 00:38:04,520 Speaker 3: Think it would work, like if you come back. I 695 00:38:04,520 --> 00:38:06,520 Speaker 3: can't see her wanting to work with Marlogo because it 696 00:38:06,640 --> 00:38:08,719 Speaker 3: might go nasty. And I actually don't want to see 697 00:38:08,719 --> 00:38:12,279 Speaker 3: that either. I do think it, Yeah, I give portion money. 698 00:38:13,040 --> 00:38:14,839 Speaker 3: I could also see the network maing like we tied 699 00:38:14,880 --> 00:38:17,960 Speaker 3: of pan all yo. But I think with Atlanta it's 700 00:38:18,040 --> 00:38:20,759 Speaker 3: kind of worth it, because again, I just don't see 701 00:38:20,760 --> 00:38:23,759 Speaker 3: how they would refresh that cast, like maybe some of 702 00:38:23,920 --> 00:38:25,520 Speaker 3: us was going. I don't know if that's really possible. 703 00:38:25,560 --> 00:38:26,359 Speaker 3: Get Portion money. 704 00:38:26,480 --> 00:38:29,399 Speaker 1: One thing about the real Housewise Atlanta, they at least 705 00:38:29,520 --> 00:38:33,000 Speaker 1: have between six and seven housewives full time of Housewives 706 00:38:33,640 --> 00:38:38,200 Speaker 1: Lady has been only six, So let's add one more 707 00:38:38,280 --> 00:38:42,239 Speaker 1: to make it seven, because I think for the sixteenth 708 00:38:42,480 --> 00:38:46,560 Speaker 1: season you're gonna need seven in order to really arc 709 00:38:47,160 --> 00:38:54,200 Speaker 1: So name me your dream season sixteenth cast that you 710 00:38:54,520 --> 00:38:58,600 Speaker 1: think putting on your hat as a die hard fan, 711 00:38:59,120 --> 00:39:05,399 Speaker 1: what seven Housewise do you think would make the show great? 712 00:39:05,480 --> 00:39:06,000 Speaker 2: And listen. 713 00:39:06,520 --> 00:39:09,719 Speaker 1: If you want to save two for new girls, tell 714 00:39:09,760 --> 00:39:12,640 Speaker 1: me that is it seven familiar faces? 715 00:39:13,160 --> 00:39:15,520 Speaker 2: Is it three familiar for new girls? 716 00:39:16,120 --> 00:39:17,640 Speaker 3: And I don't want to be realistic because I wanted 717 00:39:17,719 --> 00:39:24,120 Speaker 3: I hope this has Portia, Kenya, Candy, maybe Charree and. 718 00:39:24,160 --> 00:39:27,319 Speaker 4: Actually surprised me with new people. So three new girls? Yeah, 719 00:39:27,320 --> 00:39:29,440 Speaker 4: I want new people. I want like the people I 720 00:39:29,640 --> 00:39:30,680 Speaker 4: like and new people. 721 00:39:32,160 --> 00:39:36,080 Speaker 3: Friend of maybe like Cynthia, someone else fresh shoe like 722 00:39:36,160 --> 00:39:38,439 Speaker 3: and actually tried them out like they did a couple 723 00:39:38,480 --> 00:39:40,719 Speaker 3: of years ago, and like literally Claudia and Kenya, like, 724 00:39:40,840 --> 00:39:43,799 Speaker 3: let's see the options, Let's see how they mesh, Let's 725 00:39:43,800 --> 00:39:46,600 Speaker 3: see them in solo scenes like Kenya was right, like 726 00:39:46,680 --> 00:39:49,840 Speaker 3: earn it, But I really want the people I know 727 00:39:49,960 --> 00:39:52,759 Speaker 3: that will show up to work and perform in a 728 00:39:52,840 --> 00:39:55,600 Speaker 3: new mix of people. Stop looking for a moment, be 729 00:39:55,680 --> 00:39:58,400 Speaker 3: a person. I really want more reality stars to just 730 00:39:58,560 --> 00:39:59,080 Speaker 3: be a person. 731 00:39:59,239 --> 00:40:01,279 Speaker 4: The moment will come. That's what works with Nini. She 732 00:40:01,400 --> 00:40:02,719 Speaker 4: is the moment. She just opens them up. 733 00:40:05,800 --> 00:40:07,960 Speaker 2: Thank you for listening to Reality with the King. 734 00:40:08,440 --> 00:40:14,960 Speaker 1: New episodes drop every Tuesday, Share, comment, follow, and subscribe 735 00:40:15,400 --> 00:40:18,480 Speaker 1: to Reality with the King. Wherever you get your podcast, 736 00:40:19,120 --> 00:40:22,520 Speaker 1: visit Reality withthe King dot com and be sure to 737 00:40:22,640 --> 00:40:27,240 Speaker 1: follow me at the Carlos King Underscore on Instagram, Twitter, 738 00:40:27,560 --> 00:40:31,120 Speaker 1: TikTok and Yes Baby, my YouTube channel where you can. 739 00:40:31,080 --> 00:40:35,760 Speaker 2: Get all of my visuals, baby, my expressions. Yeah, don't forget. 740 00:40:36,040 --> 00:40:39,440 Speaker 1: Tweet me your thoughts and hot takes about this episode 741 00:40:39,880 --> 00:40:40,279 Speaker 1: using the. 742 00:40:40,360 --> 00:40:43,040 Speaker 2: Hashtag Reality with the King. 743 00:40:43,920 --> 00:40:47,960 Speaker 1: Reality with the King is a production of Kingdom Reign Entertainment. 744 00:40:48,800 --> 00:40:53,120 Speaker 1: It is produced by Sierra Spragley Rix An executive produced 745 00:40:53,280 --> 00:41:11,000 Speaker 1: by Me Carlos King, Kingdomring Entertainment, Baby h