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Speaker 1: Wake that ass up in the morning. The Breakfast Club

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Speaker 1: ej Envy.

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Speaker 2: Just hilarious, Charlamage, the God we are to Breakfast Club.

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Speaker 2: We got a special We had a special guest.

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Speaker 1: In the building.

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Speaker 2: Just one is just running a little late. The first

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Speaker 2: special guest we have is Anthony Anderson.

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Speaker 1: What's going on, baby? How you feel?

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Speaker 2: I'm good?

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Speaker 1: I'm good, All right.

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Speaker 3: Marseille Martin was supposed to be here. Butuld you say

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Speaker 3: you blame yourself for her?

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Speaker 4: You know, it's my fault that she has become the

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Speaker 4: star that she is. And I don't blame her, but

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Speaker 4: she she Hollywood today. You know, we had to start

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Speaker 4: this at nine fifteen and it is now what time

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Speaker 4: is it? Nine thirty one?

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Speaker 1: She's sixteen minutes late.

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Speaker 3: When y'all are filming together, because y'all end the new

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Speaker 3: movie together G twenty twenty. When y'all filming together, how

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Speaker 3: do you get out of the rhythm in mind state

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Speaker 3: of Black Kids? Because y'all did that for so long? Yeah,

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Speaker 3: you know what, that was something that we never really.

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Speaker 1: Discussed while we were on set.

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Speaker 4: You know, Viola, you know, requested me to be her husband,

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Speaker 4: and then they were looking for someone to play our

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Speaker 4: child or children, and I told them to hire Marseille,

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Speaker 4: and never once did Marseille and I discuss the rhythm

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Speaker 4: that we have had because we have a great shorthand

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Speaker 4: with one another for eight years and one hundred and

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Speaker 4: seventy five episodes of Blackish.

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Speaker 1: But you know, I made it.

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Speaker 4: I wanted to make sure that no one confused that

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Speaker 4: or saw us falling to that pattern just as actors

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Speaker 4: and knowing someone the way that we do. And I

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Speaker 4: hope we didn't, did you guys? You guys see the

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Speaker 4: movie yet I see something? Okay, I don't think. I

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Speaker 4: don't think we did, you know, And that's something that

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Speaker 4: we never discussed with one another. But it's something that

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Speaker 4: we talked about, you know, since we've been out doing

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Speaker 4: press and people ask us that question.

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Speaker 3: Let me ask a questions an actor, Right, do you

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Speaker 3: like when interviewers watched the movie beforehand? Because I feel

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Speaker 3: like sometimes I try to watch bits and pieces, but

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Speaker 3: I don't try to watch the whole things.

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Speaker 1: I feel like I get a whole movie.

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Speaker 5: With you before it comes out.

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Speaker 4: Because you're ruining. You probably couldn't keep them a fucking secret.

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Speaker 4: You've been a nigga that stitching on everybody in the neighborhood.

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Speaker 4: I know that THATGA watched the movie first.

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Speaker 1: Because you want to talk to the person about what

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Speaker 1: you saw. Yeah. Yeah, no, Actually, that way you have

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Speaker 1: context and you know, we can talk about this.

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Speaker 4: It's like, yo, and when it's so yeah, I like

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Speaker 4: it when when when they do that way we can

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Speaker 4: have an informed conversation about the work that we did

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Speaker 4: and all that, and then you can talk about it's like, Yo,

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Speaker 4: you was whacking this and you know, I was like, okay, cool, No,

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Speaker 4: you don't want to be honest? Why I used to

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Speaker 4: I used to do that. Yeah, that's the Charlamagne to

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Speaker 4: God that I know.

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Speaker 3: But I don't like doing that because I know I

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Speaker 3: don't want to mess up with nobody money, because I

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Speaker 3: know how hard it is to get these movies made right,

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Speaker 3: and so at least I like the movie to live

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Speaker 3: a few weeks.

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Speaker 4: Yefore, I didn't say shipped on the movie. I just said,

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Speaker 4: you know, maybe sen or two before I just just

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Speaker 4: say ship on the movie.

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Speaker 1: Shot Man.

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Speaker 4: When you did this, man, I didn't believe that. That

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Speaker 4: wouldn't believe it. But when you got, when you got

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Speaker 4: your ass kicked, got you got you.

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Speaker 2: I'm sorry. I was gonna say I wanted to go

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Speaker 2: back to Blackish, right, I know, we talked about it

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Speaker 2: a bunch of times. But why don't you think they

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Speaker 2: make more? I would guess sitcom was like that, Like,

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Speaker 2: you know, growing up, I had, you know, Different World

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Speaker 2: Cosby Show, but my kids had Blackish. Yeah, why don't

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Speaker 2: you think they make more sitcoms like that? Because they

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Speaker 2: do well, they do.

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Speaker 1: I don't know, man.

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Speaker 4: You know, when Kenya and I looked at the landscape

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Speaker 4: of television, you know, at the time before we created Blackish,

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Speaker 4: we looked at what was missing from television for us,

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Speaker 4: and we miss shows like The Cosby Show. We missed

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Speaker 4: a different world. We miss shows just even going further back,

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Speaker 4: you know, good times the Jefferson's all in the family

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Speaker 4: that have points of view and characters that were irreverent,

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Speaker 4: uh uh, and and that you know, you knew where

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Speaker 4: you stood with them in honesty and authenticity. You just

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Speaker 4: can't make that up, you know what I'm saying. What

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Speaker 4: we did with Blackish was our life. It was me

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Speaker 4: and Kenya, we sat down and she's here, ladies and gentlemen.

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Speaker 1: Morning. Oh my god. It was worth the way good morning.

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Speaker 1: It was worth her way, be honest with you.

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Speaker 4: He was just talking about He definitely was, you know,

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Speaker 4: you know, and I told him I created this monster.

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Speaker 1: I'm gonna tell you what happened before you walked in back.

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Speaker 4: In for a seconds back and four seconds back and

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Speaker 4: four seconds I was here talking and just realized and

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Speaker 4: just like she ain't here.

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Speaker 1: She just threw your hold on.

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Speaker 4: Wait when when we sure you can use that excuse? Yes,

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Speaker 4: when you watched it, you're gonna see her just slam

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Speaker 4: your mic down. As I was saying that you're not here,

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Speaker 4: she smelled that ship down.

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Speaker 1: Baby, don't believe.

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Speaker 6: Not gonna put it back? Hold on, hold on, Yeah,

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Speaker 6: that's good.

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Speaker 1: You good, Okay, you want him to the right. Anthony

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Speaker 1: was answering the question. He didn't want to answer anyway.

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Speaker 4: He came.

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Speaker 1: Down. Okay, where you are the black daddy? Not that

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Speaker 1: just landscape of television. You know those things you.

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Speaker 4: Know just can't be created out of thin air. And

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Speaker 4: it's just about us telling our authentic stories and and

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Speaker 4: and that's what it was.

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Speaker 1: That that's how it was born. We would all love

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Speaker 1: to see shows in that vein.

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Speaker 4: We would all love to see shows like Blackish, and

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Speaker 4: and and my wife and kids, and Bernie Mac and

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Speaker 4: all those shows that I talked about. But you know,

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Speaker 4: they they come once in a lifetime. I shouldn't say

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Speaker 4: once in a lifetime, you know, once in the in

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Speaker 4: the generation or whatnot when it's something as great as that.

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Speaker 4: Because when we our show was like a breakthrough, and

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Speaker 4: it allowed other shows to happen, you know, you know,

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Speaker 4: fresh off the boat, you.

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Speaker 1: Know, uh yeah, yeah, right, you know you know, uh

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Speaker 1: Carmichael Show.

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Speaker 4: You know what I'm saying, not not not that it

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Speaker 4: was us that created that, but it was us that

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Speaker 4: created that avenue for other networks. It was like, oh,

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Speaker 4: this is working over there for them. We need our

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Speaker 4: own version of that. Uh and and that and and

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Speaker 4: and that's how that's how it happens.

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Speaker 1: Man.

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Speaker 4: But you have to have authentic stories and you know

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Speaker 4: with people that uh people want to watch and see

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Speaker 4: on television.

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Speaker 3: Both of you and by all to play ex military

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Speaker 3: in this film. When she called you, you say, Okay,

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Speaker 3: I gotta get in some type of shape because I

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Speaker 3: know Viola gonna be in shap.

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Speaker 1: He wasn't in shape. Figure all you read the script.

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Speaker 1: I got my ass kicked that but no, no, you know,

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Speaker 1: I thought I was.

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Speaker 4: I thought I was in decent shape to to portray

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Speaker 4: whatever it is that they needed me to do in

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Speaker 4: in this film.

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Speaker 5: And it was.

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Speaker 1: It was cool, It was great.

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Speaker 4: But yeah, when you get a call from not just Viola, Davis,

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Speaker 4: Viola is an egot, man. I mean, you know when

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Speaker 4: when somebody likes that, like that requests you, you know,

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Speaker 4: you have to show up and show out.

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Speaker 1: And I believe that's what we all did.

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Speaker 5: Marseille included, Yeah, how was it shooting in South Africa

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Speaker 5: because y'all were in Cape Town?

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Speaker 1: How was it?

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Speaker 6: You know, it was beautiful. I loved it. Was my

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Speaker 6: first time in Africa as.

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Speaker 1: A whole, so you're welcome.

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Speaker 6: Yeah, it was all right, it was it was new.

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Speaker 7: It was very new to me, and I enjoyed every

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Speaker 7: every minute of it. And we got to experience it

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Speaker 7: from any different points of view. Literally, h We got

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Speaker 7: in and it was winter there in summer.

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Speaker 1: Here right yeah, yeah, the other side of the hemisphere.

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Speaker 6: Yeah, yeah, so that was a lot.

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Speaker 7: We got to experience, like the South African wind storms

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Speaker 7: that they haven't which I had no idea was a thing.

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Speaker 6: And then we went on strike. Then we came back

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Speaker 6: and it was summer there in winter here.

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Speaker 5: So now did that affect the continuity of what y'all

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Speaker 5: were doing the film?

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Speaker 6: I don't think it was that bad. You didn't even notice.

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Speaker 1: It wasn't It lasted a few months, but it wasn't bad.

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Speaker 1: It wasn't bad. Yeah, we didn't have to reshoot anything.

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Speaker 4: You know, we were able to stop that at a

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Speaker 4: great place in the film and come back and pick

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Speaker 4: up what we left off. And it was up to us,

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Speaker 4: you know, as actors and what not to be professional.

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Speaker 4: Was like, all right, well, I can't go back to

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Speaker 4: eating the doughnuts, you know. I gotta I gotta be straight.

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Speaker 4: I gotta keep this right.

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Speaker 2: I'm gonna say, how is it dealing with Anthony? Because

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Speaker 2: he's been in your life for so long? Right, and

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Speaker 2: this is when you're a lot younger, you're twenty years old, now,

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Speaker 2: how is it dealing with.

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Speaker 6: I've been through this before before.

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Speaker 3: I was from the heart.

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Speaker 6: It's always, will forever be like my bonus dad. I

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Speaker 6: love him so much. He's he's seen me from ever

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Speaker 6: since basically I came out the.

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Speaker 1: Wound to now, not that far back. I mean, your

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Speaker 1: real daddy has something to do with that.

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Speaker 6: Yeah, well I was eight.

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Speaker 7: Okay, yeah, true, it's been a minute, and I mean

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Speaker 7: it was it was so much fun and honestly it

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Speaker 7: was filming once again.

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Speaker 6: It just was like picking up where we left off.

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Speaker 4: But I want to say this about Marseille. Marseille came

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Speaker 4: in an auditioned for Blackish at eight years old. Yeah,

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Speaker 4: I witnessed her greatness. Everything that the world is seen

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Speaker 4: right now, I witnessed this at eight. And I pulled

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Speaker 4: her aside and I told her this and this is

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Speaker 4: where she is. And I also told her that one

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Speaker 4: day I'm going to be coming to her and begging

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Speaker 4: for a job. So I just need you to remember

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Speaker 4: this moment right here. So when I come to you,

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Speaker 4: you got my back. And she was like, I got you.

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Speaker 1: You had a childhood, Marseille.

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Speaker 7: Yes, oh for sure. I mean it looks different from

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Speaker 7: many people. I mean, I feel like everyone has a childhood.

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Speaker 7: It just looks it just looks different.

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Speaker 1: For me.

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Speaker 7: It was just I've always even before the show, I

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Speaker 7: grew up around so many adults in my life.

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Speaker 6: I grew up with my grandma, my great grandma, and

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Speaker 6: like everybody.

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Speaker 7: House so and I was an only child for most

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Speaker 7: of my life, so jumping into a show that was

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Speaker 7: basically the same thing.

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Speaker 6: I mean it was. It was nothing new.

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Speaker 4: She had an old soul. My nickname, my nickname for

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Speaker 4: Marseille is a little Coretta. I gave years old little. Yeah,

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Speaker 4: she embodies all of that. Yeah, that's a little coredda

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Speaker 4: right there.

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Speaker 2: Sure you promised a call when she turned sixteen?

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Speaker 1: Was that true? I mean, everybody want to talk about that.

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Speaker 1: I did you followed through? I did you followed through?

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Speaker 1: I didn't follow No, I promised you.

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Speaker 6: I wondered for you.

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Speaker 1: But first off, she ain't got the driver's license.

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Speaker 6: Okay, I was.

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Speaker 1: I'm a responsible parent, responsible parents.

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Speaker 6: He didn't know that for a minute though, he just didn't.

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Speaker 1: You don't think. I keep in contact with your mama

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Speaker 1: and your daddy talked to him.

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Speaker 6: But still they like, oh, Marll, you got a license, But.

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Speaker 1: Do you have a license?

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Speaker 6: I don't.

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Speaker 1: She didn't just have a car. She has a vehicle.

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Speaker 6: I have a car, but I haven't got to stop.

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Speaker 4: Them.

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Speaker 1: What you got?

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Speaker 4: I have something the world don't need. She has a

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Speaker 4: luxury vehicle, but no, not even a license. She didn't

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Speaker 4: even got a drivers permit.

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Speaker 6: Okay, let's have a drive.

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Speaker 1: You know we call that, we call that niggash. Have you.

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Speaker 6: You need me, Carolyn Johnson, listen, it's there.

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Speaker 7: Whenever, whenever I decided to take that, I definitely said

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Speaker 7: I wanted to get it before I turned twenty one.

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Speaker 6: I can't be I can't be legal in these spaces.

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Speaker 1: And you've been in these streets. And and she no

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Speaker 1: longer wants the car that she asked me for, so

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Speaker 1: I'm good. I'm off the hook. She she wanted a

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Speaker 1: purple electric car. I'm not going to mention the name,

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Speaker 1: but you wanted a purple electric car, purple, and I

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Speaker 1: was going to get it for shopping.

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Speaker 3: I know.

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Speaker 4: I literally I went to the I went to the

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Speaker 4: electric car place and and and built it for her

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Speaker 4: and all that.

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Speaker 1: Yeah, I did. What do you have now? I have ury,

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Speaker 1: fossil fuel, love it to get from point appointment. Many

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Speaker 1: like sports stop stop stop. I know it's but they

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Speaker 1: don't need sports luxury. He really isn't dead.

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Speaker 4: Okay, go tell us about twenty Tell me about that

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Speaker 4: g wagon you got since we talked about.

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Speaker 1: Because I got give me that's.

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Speaker 4: That's right.

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Speaker 1: I love Mary.

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Speaker 4: Tell him it's bulletproof, like like the president's beasts, like

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Speaker 4: your mama's can tell him's bullet.

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Speaker 1: Tires.

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Speaker 6: Let's promote, Let's promote.

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Speaker 4: Okay, I thought from promoting your your g wagon. No,

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Speaker 4: let's talk about this movie G twenty that starts stream.

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Speaker 4: I mean globally, yeah tomorrow, yeah, yeah, yeah yeah, globally.

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Speaker 4: We just don't make regional movies. We make global movies.

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Speaker 3: Going to ask you about that, Anthony, because I feel

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Speaker 3: like your international presidence has grown tremendously.

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Speaker 1: Have you been intentional about that?

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Speaker 4: Always been intentional about that, man, And you know what

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Speaker 4: it started when I started making movies with Jet Lee

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Speaker 4: twenty some years ago. You know, first one was Romeo

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Speaker 4: Must Die, and that really was just on a global scale.

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Speaker 4: And then to be able to work with some of

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Speaker 4: the people that I've worked with in almost thirty years, man,

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Speaker 4: you know, with Eddie Murphy, Martin Lawrence, Jim Carrey, the

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Speaker 4: Fairly Brothers, Martin Scorsese, you know, just people like that.

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Speaker 4: It just continues to grow and get bigger. Yeah, so

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Speaker 4: it really been intentional. It was also intentional to move

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Speaker 4: away from the comedy at one point to do more

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Speaker 4: dramatic roles.

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Speaker 1: So I wouldn't just be type cast. It's just a fat,

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Speaker 1: funny dude. It was like, no, this is what I do.

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Speaker 4: I've been training at this since I was nine years old.

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Speaker 4: So let me really show you my range and what

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Speaker 4: I can do. And so I was able to do

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Speaker 4: that by doing shows like Law and Order and The

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Speaker 4: Shield and movies like Hustle and Flow and The Departed.

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Speaker 1: And things like that. All of those were strategic moves.

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Speaker 5: Yeah, and speaking of range, how was it seeing Viola

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Speaker 5: Davis in her action hack?

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Speaker 1: It's not real.

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Speaker 6: It's definitely not an act.

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Speaker 1: Let me know, I said she's a hack. No, I

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Speaker 1: didn't say it. They were like, she's an act.

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Speaker 6: I didn't know what you said.

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Speaker 5: It was.

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Speaker 1: It was.

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Speaker 6: It was amazing.

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Speaker 1: You've seen Viola cry on screen and all that. We

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Speaker 1: didn't even made a joke about her and her snop

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Speaker 1: bubbles and tears on Blackish. It was it was great.

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Speaker 3: You know, you don't talk about the old snop bubble enough.

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Speaker 3: That was like Denzel's glory too.

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Speaker 7: Yeah.

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Speaker 4: Yeah, yeah, but working with Viola was a dream come true.

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Speaker 4: And uh, I mean, look, she's an e good Yeah. Yeah,

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Speaker 4: it's they're only about eighteen e gods in the world,

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Speaker 4: and you know we got to work with one, uh

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Speaker 4: in a very special way.

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Speaker 1: How did they make you step you acting game up? Marcia?

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Speaker 7: I mean, I mean obviously, when you you jump into

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Speaker 7: something unprepared, you just you just kind of want to Honestly,

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Speaker 7: in that said, it was the most comfortable set to

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Speaker 7: be in, especially with something that was so challenging and

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Speaker 7: so different. But what I loved about Viola is she

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Speaker 7: is she She feels like a family member already.

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Speaker 1: Tell the world how you made Viola work in the

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Speaker 1: scenes that you was in with her, You tell them

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Speaker 1: how you made her work? Tell her, Tell them how

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Speaker 1: you made Violin David step her game up. I was late.

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Speaker 1: This is why my late Marseillan, you would be sitting

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Speaker 1: here if you didn't, because he got work and anyways

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Speaker 1: seen the movie yet little corredit and was right. Get

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Speaker 1: made Viola working and seeing.

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Speaker 7: When you see when you see the film and you

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Speaker 7: see the character arc that my character goes through within

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Speaker 7: her relationship with her mother, it's it's a story that

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Speaker 7: I wanted to tell for a very long time.

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Speaker 6: And to be able to.

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Speaker 1: Have that nail color again. This is the fourth nail color.

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Speaker 1: I'm sorry, go and finish your story. Go on. I

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Speaker 1: just I love them. Y.

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Speaker 7: Yeah, So it was it was very special to be

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Speaker 7: able to tell that story with Miss Viola.

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Speaker 6: I mean it was, it was really special.

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Speaker 1: Respect.

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Speaker 4: Yeah, Okay, I'm saying that Miss Viola was here doing

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Speaker 4: this interview, you wouldn't showed up seventeen minutes late.

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Speaker 1: That's what I'm saying. In New York, what I mean,

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Speaker 1: I didn't go to see you last night.

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Speaker 5: A lot of traffic going.

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Speaker 1: On because I was outside outside. I was outside you outside,

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Speaker 1: I'm outside.

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Speaker 6: My opinion this morning was sixty.

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Speaker 4: Five, Good morning America. My driver pulled up. I was

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Speaker 4: walking into the hotel.

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Speaker 6: You're also a man who just puts an outfit on.

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Speaker 6: I got I gotta like make you know what it is.

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Speaker 2: Yeah, this is the last movie.

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Speaker 1: That you right now.

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Speaker 7: But no, I mean, honestly, we know what the mother

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Speaker 7: and daughter dynamic looks like for many many people.

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Speaker 6: I mean, I go through with my mom. My mom

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Speaker 6: went through with her mom.

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Speaker 7: So to be able to tell that grounded story within

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Speaker 7: this action packed world, and I mean the super high

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Speaker 7: stakes with your mother being the president, I mean it's

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Speaker 7: it's it's very it's a very special thing.

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Speaker 1: Have a question for you. I'm sorry. How old is

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Speaker 1: your oldest child?

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Speaker 5: Twelve?

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Speaker 1: Twelve? Yes, your son? Right, yep?

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Speaker 4: How is that dynamic with you? You know Marsell is

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Speaker 4: talking about the dynamic between you know, daughter and mother. Yeah,

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Speaker 4: you know you you had a dynamic with your mom

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Speaker 4: and whatnot. How was that dynamic for you as a

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Speaker 4: mother with your with your son?

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Speaker 5: We are very close, were close. He is nothing that

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Speaker 5: he won't tell me now. At first, it was a

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Speaker 5: phase that he went through where he was very close,

390
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Speaker 5: very guarded, you know, and it took a while, it

391
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Speaker 5: took the pandemic for him to open up, like you know,

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Speaker 5: that's when I actually said and got to really know

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Speaker 5: who he was and who he was growing int.

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Speaker 1: Be you know what I mean.

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Speaker 5: So yeah, we were closed, were okay close?

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Speaker 1: Yeah?

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Speaker 6: Very sweet?

398
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Speaker 7: Thank you.

399
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Speaker 6: Yeah.

400
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Speaker 7: I definitely learned within this time of like be jumping

401
00:18:53,760 --> 00:18:57,240
Speaker 7: into my twenties and being able to understand my parents

402
00:18:57,320 --> 00:18:59,920
Speaker 7: more and having more of those like deeper intellectual comes

403
00:19:00,200 --> 00:19:03,159
Speaker 7: is about just life as a whole, friendship, relationships and

404
00:19:03,200 --> 00:19:06,639
Speaker 7: all that. It's like you learned that your parents are

405
00:19:07,359 --> 00:19:10,840
Speaker 7: it's their first time living too. Yeah, Yeah, they're just

406
00:19:10,960 --> 00:19:13,480
Speaker 7: people and they are that's the first time of them

407
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Speaker 7: having a twenty year old daughter and going through these things,

408
00:19:16,520 --> 00:19:19,400
Speaker 7: and and they had a life before you got here

409
00:19:19,440 --> 00:19:22,439
Speaker 7: and somebody before they were your parents, and they had

410
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Speaker 7: a revelation.

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Speaker 1: Like that in the movie. So the kind of when

412
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Speaker 1: you realize that it was like a real how would

413
00:19:27,400 --> 00:19:33,800
Speaker 1: you know? You didn't see the movie watch I feel

414
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Speaker 1: like I spoil it, so it's.

415
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Speaker 2: For you mentally, Like you don't want to like have

416
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Speaker 2: the ask somebody questions if you've seen it, because you

417
00:19:41,320 --> 00:19:42,200
Speaker 2: give it away for everybody.

418
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Speaker 6: I always wanted to get.

419
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Speaker 1: Away.

420
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Speaker 5: Yeah, yeah, but you did have that revelation in the film, yes.

421
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Speaker 7: Exactly, which is why I was more excited to tell

422
00:19:54,640 --> 00:19:56,480
Speaker 7: the story because I was It felt like I was

423
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Speaker 7: going through that in real time.

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Speaker 2: So yeah, I wouldn't know as a.

425
00:20:00,080 --> 00:20:02,080
Speaker 1: Just a regular person, how do you deal.

426
00:20:02,000 --> 00:20:04,920
Speaker 2: With just life with even with dating, because it's almost

427
00:20:04,960 --> 00:20:06,879
Speaker 2: like you have two parents, Like does he have to

428
00:20:06,920 --> 00:20:08,840
Speaker 2: meet the guys to or it's.

429
00:20:08,680 --> 00:20:12,280
Speaker 5: Almost like you got too dads. I met him, Yeah, yeah,

430
00:20:14,640 --> 00:20:15,560
Speaker 5: someone he.

431
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Speaker 1: Drives one of them cars right there, though I didn't

432
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Speaker 1: say who he was.

433
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Speaker 6: Okay, why you give a clue.

434
00:20:28,200 --> 00:20:29,240
Speaker 1: Do you have a god dad?

435
00:20:30,320 --> 00:20:33,520
Speaker 7: I do, and he's and he's a firefighter like he's

436
00:20:33,560 --> 00:20:41,840
Speaker 7: also I'm not multiple, listen, I grew up with like

437
00:20:42,400 --> 00:20:44,800
Speaker 7: multiple figures in my life.

438
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Speaker 1: To stop, just stop.

439
00:20:47,920 --> 00:20:49,960
Speaker 2: You ever have to know, it's just just just you

440
00:20:50,119 --> 00:20:50,480
Speaker 2: just take it.

441
00:20:50,560 --> 00:20:50,920
Speaker 1: You got it.

442
00:20:51,520 --> 00:20:53,320
Speaker 6: I'm like, you can't, you can't stop. We can't stop

443
00:20:53,359 --> 00:20:53,840
Speaker 6: the madness.

444
00:20:54,359 --> 00:20:56,040
Speaker 1: I just turn it on when we're together doing stuff

445
00:20:56,080 --> 00:21:00,720
Speaker 1: like this. We have a great relationships of your careers?

446
00:21:00,960 --> 00:21:04,080
Speaker 1: Can you Anthony me? Wow? I should tell you?

447
00:21:04,200 --> 00:21:04,560
Speaker 2: There you go?

448
00:21:05,119 --> 00:21:06,280
Speaker 1: I said, who hates more credit?

449
00:21:06,400 --> 00:21:09,199
Speaker 6: Who you give credit? I was more credit for my career.

450
00:21:09,560 --> 00:21:10,880
Speaker 6: I mean myself.

451
00:21:13,520 --> 00:21:15,680
Speaker 1: I got what he was saying. Yes, Yes, I get

452
00:21:15,720 --> 00:21:16,320
Speaker 1: what he was saying.

453
00:21:18,200 --> 00:21:21,120
Speaker 6: Myself. He's he's he saw it from a very early

454
00:21:21,200 --> 00:21:23,360
Speaker 6: age and saw the impact.

455
00:21:23,480 --> 00:21:25,119
Speaker 1: Yeah, you would have heard that had you got your

456
00:21:25,160 --> 00:21:29,359
Speaker 1: on time. That was at the beginning.

457
00:21:29,440 --> 00:21:30,040
Speaker 3: I was, I was.

458
00:21:30,480 --> 00:21:34,040
Speaker 4: I can't just waxing poetically about talking about how I

459
00:21:34,119 --> 00:21:36,080
Speaker 4: saw your greatness, said eight. When you walked in there

460
00:21:36,200 --> 00:21:37,399
Speaker 4: was just a light around you.

461
00:21:37,680 --> 00:21:37,880
Speaker 6: Yeah.

462
00:21:38,160 --> 00:21:41,359
Speaker 5: Yeah, what does the Blackish reunion look like?

463
00:21:41,840 --> 00:21:44,960
Speaker 4: I don't think it's ever going to happen, Say, don't

464
00:21:44,960 --> 00:22:01,760
Speaker 4: show up the things. We would love to have it,

465
00:22:01,840 --> 00:22:04,720
Speaker 4: we would love and I hope we have a Blackish

466
00:22:04,760 --> 00:22:05,400
Speaker 4: reunion soon.

467
00:22:06,119 --> 00:22:09,159
Speaker 3: Been since the show DW three years ago, going on

468
00:22:09,240 --> 00:22:09,640
Speaker 3: three years.

469
00:22:09,720 --> 00:22:12,080
Speaker 6: Yeah, I was seventeen going on eighteen.

470
00:22:13,000 --> 00:22:16,400
Speaker 5: Yeah, yeah, close as everybody the cast got. Everybody still

471
00:22:16,480 --> 00:22:16,960
Speaker 5: keep in touch.

472
00:22:17,600 --> 00:22:21,160
Speaker 7: Yes, my my twin Miles. He's truly my best friend.

473
00:22:21,680 --> 00:22:25,199
Speaker 1: Playboy CARDI now, yes, yes, he's in.

474
00:22:25,240 --> 00:22:28,040
Speaker 6: His Playboy CARDI era love him.

475
00:22:30,000 --> 00:22:34,560
Speaker 1: No, no, no, outside white.

476
00:22:36,080 --> 00:22:43,840
Speaker 4: Play okay when I'm calling my man playboy, yeah, yeah,

477
00:22:44,440 --> 00:22:47,760
Speaker 4: but no, I don't want to put that on him.

478
00:22:48,720 --> 00:22:51,080
Speaker 7: We have a friend group, like all together, and we're

479
00:22:51,119 --> 00:22:52,840
Speaker 7: working on some things as a whole.

480
00:22:52,960 --> 00:22:54,800
Speaker 1: And did you call him back last night? Did your

481
00:22:54,800 --> 00:22:56,119
Speaker 1: face time after we were I.

482
00:22:56,160 --> 00:23:02,680
Speaker 6: Went to sleep, you know, so I'll be on my phone,

483
00:23:02,720 --> 00:23:03,800
Speaker 6: but we talk all the time.

484
00:23:03,960 --> 00:23:04,880
Speaker 1: How much it dis role.

485
00:23:04,800 --> 00:23:07,000
Speaker 3: Scratch you, Anthony, because you know, you said it's a drama,

486
00:23:07,119 --> 00:23:08,840
Speaker 3: and like you are known for the comedy, and you're

487
00:23:08,880 --> 00:23:09,920
Speaker 3: also playing.

488
00:23:09,720 --> 00:23:13,240
Speaker 1: Like the the natural role. Yeah, like man is not

489
00:23:13,280 --> 00:23:13,680
Speaker 1: an actor.

490
00:23:13,800 --> 00:23:16,040
Speaker 4: The woman is like the head of the household in

491
00:23:16,119 --> 00:23:20,080
Speaker 4: this one, and I'm not He's asking questions.

492
00:23:20,240 --> 00:23:22,160
Speaker 1: I get it. He didn't he didn't see nothing.

493
00:23:24,320 --> 00:23:28,040
Speaker 4: So you know, again it goes back to, you know,

494
00:23:28,160 --> 00:23:31,679
Speaker 4: the dynamic between Marseille and I, you know, not falling

495
00:23:31,720 --> 00:23:34,400
Speaker 4: into that shorthand that we have. And you know, I've

496
00:23:34,440 --> 00:23:37,120
Speaker 4: been a part of some great films with action in them.

497
00:23:37,240 --> 00:23:40,119
Speaker 4: I've never been a part of an action film and

498
00:23:40,440 --> 00:23:42,720
Speaker 4: so I just had to be prepared for that to

499
00:23:42,840 --> 00:23:44,800
Speaker 4: make sure that it was believable. And it's not all

500
00:23:44,880 --> 00:23:46,920
Speaker 4: that's just and up there going through the motions and

501
00:23:47,000 --> 00:23:50,080
Speaker 4: doing that. So you know, I showed up, you know,

502
00:23:50,760 --> 00:23:53,680
Speaker 4: as I could. And to answer your question about you know,

503
00:23:53,840 --> 00:23:55,480
Speaker 4: it's it's role reversal.

504
00:23:55,600 --> 00:23:55,800
Speaker 1: You know.

505
00:23:55,960 --> 00:24:00,119
Speaker 4: Normally, you know, the man is the president of the

506
00:24:00,240 --> 00:24:03,359
Speaker 4: United States, you know, and and and and and the

507
00:24:03,440 --> 00:24:04,879
Speaker 4: first lady is being the nurture.

508
00:24:05,119 --> 00:24:08,520
Speaker 1: So these roles were reversed, you know, and you rarely

509
00:24:08,560 --> 00:24:09,760
Speaker 1: get to see that, you know.

510
00:24:10,040 --> 00:24:13,159
Speaker 4: And and I was playing the nurturing role in this

511
00:24:13,400 --> 00:24:16,400
Speaker 4: character or with this character from my children and allowing

512
00:24:16,800 --> 00:24:19,960
Speaker 4: the power, not that women don't have power, use that

513
00:24:20,000 --> 00:24:24,120
Speaker 4: power and have that power in films, but allowing Viola's

514
00:24:24,240 --> 00:24:27,920
Speaker 4: character to have that power and wield it and not

515
00:24:28,160 --> 00:24:31,639
Speaker 4: be emasculated by it. And just understand that I'm standing

516
00:24:31,680 --> 00:24:33,480
Speaker 4: next to this right here. We are in this together.

517
00:24:33,800 --> 00:24:36,200
Speaker 4: But she has her role and I have mine. So

518
00:24:36,600 --> 00:24:38,159
Speaker 4: I just wanted to make sure I showed up for

519
00:24:38,200 --> 00:24:41,240
Speaker 4: that and and not fall flat. And so people's like, Okay,

520
00:24:41,280 --> 00:24:42,560
Speaker 4: that was believable.

521
00:24:42,080 --> 00:24:43,840
Speaker 1: That that was real. Could you be in a relationship

522
00:24:43,920 --> 00:24:45,080
Speaker 1: like that in real life? I could.

523
00:24:45,560 --> 00:24:48,800
Speaker 4: I'm secure in my masculinity, in my manhood and who

524
00:24:48,920 --> 00:24:51,360
Speaker 4: I am and what I bring to the table. So yeah,

525
00:24:51,400 --> 00:24:53,639
Speaker 4: I could definitely be secure in a relationship.

526
00:24:53,640 --> 00:24:54,560
Speaker 1: You have to have the money and.

527
00:24:54,560 --> 00:24:57,920
Speaker 4: Power, it doesn't matter. Wait, we're a team, you know,

528
00:24:58,000 --> 00:24:59,960
Speaker 4: we're a unit. Were working on this together.

529
00:25:00,160 --> 00:25:01,119
Speaker 1: It's not you do no.

530
00:25:02,280 --> 00:25:04,960
Speaker 4: Just like in any marriage, in any relationship that we

531
00:25:05,080 --> 00:25:07,040
Speaker 4: have that it's a give and take. It's an ebb

532
00:25:07,080 --> 00:25:09,040
Speaker 4: and flow. It's like, Okay, I'm here doing this, you're

533
00:25:09,080 --> 00:25:10,119
Speaker 4: doing this, you know.

534
00:25:10,320 --> 00:25:11,879
Speaker 1: So yeah, how did that work for you?

535
00:25:11,920 --> 00:25:13,760
Speaker 3: Month say, because you're the boss, Yeah, you've got your

536
00:25:13,760 --> 00:25:15,800
Speaker 3: own production company, you are bosing whatever.

537
00:25:16,359 --> 00:25:18,800
Speaker 1: Yes, you know, how would you want the man to

538
00:25:18,880 --> 00:25:19,280
Speaker 1: show up?

539
00:25:19,960 --> 00:25:20,120
Speaker 6: Oh?

540
00:25:21,480 --> 00:25:21,680
Speaker 1: Yeah?

541
00:25:22,680 --> 00:25:23,240
Speaker 6: I think.

542
00:25:24,920 --> 00:25:31,160
Speaker 7: Honestly, I think it's uh communication and listening and understanding

543
00:25:31,359 --> 00:25:35,320
Speaker 7: and a willing to understand. I feel like at times

544
00:25:35,560 --> 00:25:39,000
Speaker 7: I've had a multiple conversations with a bunch of different people,

545
00:25:39,040 --> 00:25:41,840
Speaker 7: and I think the main thing is them ready to

546
00:25:41,960 --> 00:25:45,640
Speaker 7: respond without actually listening and understanding what the whole situation.

547
00:25:45,800 --> 00:25:47,119
Speaker 1: You hear a race car driver guy, and.

548
00:25:48,960 --> 00:25:53,680
Speaker 6: He's really he's really great at that, honestly, like great.

549
00:25:53,520 --> 00:25:57,840
Speaker 1: Being racecar driver, great at being what you need, vulnerable understanding. No,

550
00:25:57,960 --> 00:26:00,920
Speaker 1: he is, you know, I get that from from the

551
00:26:01,200 --> 00:26:03,280
Speaker 1: two or three conversations that I have with it.

552
00:26:03,480 --> 00:26:06,600
Speaker 7: Yeah, he's great, And I mean I think what's what's

553
00:26:06,720 --> 00:26:09,679
Speaker 7: important is is that because if he was not, I.

554
00:26:09,720 --> 00:26:16,479
Speaker 1: Was gonna run him off embarrassing, just being real, Hey man,

555
00:26:16,520 --> 00:26:17,920
Speaker 1: you're not good enough. But he is.

556
00:26:18,800 --> 00:26:19,400
Speaker 6: He's the best.

557
00:26:20,720 --> 00:26:23,320
Speaker 1: And look at she smiles and like what she talks about.

558
00:26:24,680 --> 00:26:26,440
Speaker 4: He was face turning him in the car yesterday and

559
00:26:26,840 --> 00:26:28,639
Speaker 4: I was, oh my god. I had to snatch the

560
00:26:28,680 --> 00:26:30,080
Speaker 4: phone and talked to him. I was like, what's up,

561
00:26:30,119 --> 00:26:30,480
Speaker 4: play boy?

562
00:26:30,560 --> 00:26:31,040
Speaker 1: How you doing?

563
00:26:31,160 --> 00:26:31,320
Speaker 6: Man?

564
00:26:31,560 --> 00:26:33,879
Speaker 5: So he is your your your calm, like you know,

565
00:26:33,960 --> 00:26:35,200
Speaker 5: it's a lot of hype.

566
00:26:36,000 --> 00:26:36,960
Speaker 6: He's my patience.

567
00:26:37,119 --> 00:26:37,280
Speaker 1: Yes.

568
00:26:37,400 --> 00:26:41,600
Speaker 5: I was gonna say star, yes, yes, ability and patient.

569
00:26:42,040 --> 00:26:43,320
Speaker 1: It was a great thing to say about me.

570
00:26:43,480 --> 00:26:48,960
Speaker 6: Thank you, sure, patience, instability.

571
00:26:49,160 --> 00:26:49,600
Speaker 1: I love you.

572
00:26:50,680 --> 00:26:51,040
Speaker 6: I love you.

573
00:26:51,160 --> 00:26:54,560
Speaker 1: Too, and that's dope, that's my girl right there.

574
00:26:54,680 --> 00:26:54,880
Speaker 6: Yeah.

575
00:26:54,920 --> 00:26:57,320
Speaker 7: I mean, I think that's the most important thing that

576
00:26:57,440 --> 00:27:00,920
Speaker 7: a lot of men kind of lack, is vulnerability, being

577
00:27:01,000 --> 00:27:04,560
Speaker 7: able to have that emotion too and have this kind

578
00:27:04,640 --> 00:27:08,200
Speaker 7: of like stance as what a man should look like.

579
00:27:08,960 --> 00:27:11,639
Speaker 6: So my therapy is important, Like I got home is

580
00:27:11,680 --> 00:27:12,159
Speaker 6: so important.

581
00:27:12,200 --> 00:27:14,200
Speaker 3: I got homegrowns to say they refuse the data. Guy

582
00:27:14,280 --> 00:27:15,960
Speaker 3: who's not in therapy, I hasn't gone.

583
00:27:15,800 --> 00:27:18,720
Speaker 7: To some type of okay, yeah, or even having the communication,

584
00:27:18,800 --> 00:27:22,680
Speaker 7: but honestly too, I don't know. I've also seen guys

585
00:27:22,760 --> 00:27:24,840
Speaker 7: that have therapy that take it the wrong way and

586
00:27:24,920 --> 00:27:27,080
Speaker 7: it's like she told me to do this and I'm

587
00:27:27,119 --> 00:27:29,480
Speaker 7: doing it like it's it's It can look like so

588
00:27:29,560 --> 00:27:31,840
Speaker 7: many different things, but I think just being as open

589
00:27:32,760 --> 00:27:36,280
Speaker 7: as possible to have that communication is like the top

590
00:27:36,560 --> 00:27:39,359
Speaker 7: priority for me. So as long as you're listening and

591
00:27:39,480 --> 00:27:41,640
Speaker 7: hearing me and know what's going on in my life

592
00:27:42,320 --> 00:27:44,360
Speaker 7: and reassurance is everything.

593
00:27:44,920 --> 00:27:46,920
Speaker 6: So that is important.

594
00:27:47,040 --> 00:27:49,760
Speaker 5: I know you got your production company and everything you've

595
00:27:49,840 --> 00:27:58,840
Speaker 5: done a lot, that's not my question. It sounds like

596
00:27:59,280 --> 00:28:01,879
Speaker 5: when you first told me that you had a production company,

597
00:28:01,920 --> 00:28:02,960
Speaker 5: I was like, you know what, I'm going to be

598
00:28:02,960 --> 00:28:05,439
Speaker 5: auditioning for you. It was like, I'll see you there, and.

599
00:28:08,600 --> 00:28:10,400
Speaker 6: I mean, shoot the thing that they.

600
00:28:17,800 --> 00:28:18,360
Speaker 4: No, it wasn't.

601
00:28:18,440 --> 00:28:20,760
Speaker 5: I didn't even ask nothing yet, Damn. I wanted to know,

602
00:28:21,000 --> 00:28:23,000
Speaker 5: what else did you want to do? You know, you

603
00:28:23,200 --> 00:28:25,360
Speaker 5: at a very young age, you've done so much. Yeah,

604
00:28:25,400 --> 00:28:26,800
Speaker 5: you've still got a lot more life to live and

605
00:28:26,840 --> 00:28:28,960
Speaker 5: a lot more career to go. What else do you

606
00:28:29,080 --> 00:28:29,399
Speaker 5: want to do?

607
00:28:29,720 --> 00:28:34,040
Speaker 7: I think seeing how far my creativity can get and

608
00:28:34,160 --> 00:28:36,520
Speaker 7: how broad it can be. I feel like what I

609
00:28:36,600 --> 00:28:39,600
Speaker 7: love about creating TV and film is like you're basically

610
00:28:39,680 --> 00:28:43,640
Speaker 7: building these new worlds to where it can be in

611
00:28:43,760 --> 00:28:46,080
Speaker 7: touch to reality as much as possible or not. And

612
00:28:46,160 --> 00:28:48,560
Speaker 7: I think what that's what I love about just what

613
00:28:48,720 --> 00:28:52,480
Speaker 7: we do is it feels so real, but it can

614
00:28:52,800 --> 00:28:55,920
Speaker 7: truly be whatever you want, whatever comes to mind. So

615
00:28:56,560 --> 00:28:58,880
Speaker 7: I would love to kind of just continue to build

616
00:28:58,960 --> 00:29:02,760
Speaker 7: worlds that people can live in, understand and it be

617
00:29:03,600 --> 00:29:05,760
Speaker 7: timeless and can last forever.

618
00:29:06,600 --> 00:29:07,520
Speaker 6: As president.

619
00:29:09,400 --> 00:29:10,240
Speaker 1: Create this world.

620
00:29:12,280 --> 00:29:15,000
Speaker 7: But yeah, I mean I'm working on my festival right now,

621
00:29:15,200 --> 00:29:18,240
Speaker 7: which is very world building for me, which is very exciting.

622
00:29:18,280 --> 00:29:22,000
Speaker 7: It'll be it's called say Summer Cookout, and it's a

623
00:29:22,360 --> 00:29:25,400
Speaker 7: it's a destination type of festival. So the first year

624
00:29:25,480 --> 00:29:28,160
Speaker 7: was in Atlanta, second years it was in DC. This

625
00:29:28,320 --> 00:29:31,520
Speaker 7: year it'll be in Houston in August thirty first.

626
00:29:31,800 --> 00:29:35,000
Speaker 1: So what do we do.

627
00:29:35,160 --> 00:29:39,400
Speaker 7: It's a black owned businesses vendors from it's like Texas

628
00:29:39,440 --> 00:29:42,120
Speaker 7: based vendors. This year we have performers of course that

629
00:29:42,280 --> 00:29:46,160
Speaker 7: is from and catered to that community. And it's HBCU centered.

630
00:29:46,720 --> 00:29:49,680
Speaker 7: So I think that is something that I've always wanted

631
00:29:49,720 --> 00:29:51,560
Speaker 7: to do. It's a it's an avenue that I feel

632
00:29:51,600 --> 00:29:59,280
Speaker 7: like is so untouched and mostly overlooked, and I'm very

633
00:29:59,360 --> 00:30:03,160
Speaker 7: excited to and also be in touch with with, I

634
00:30:03,240 --> 00:30:06,920
Speaker 7: mean adults, new adults my age, you know, going through

635
00:30:06,960 --> 00:30:08,800
Speaker 7: the same things. I mean, even though I'm doing this

636
00:30:08,920 --> 00:30:11,120
Speaker 7: and you see a camera on my face, there is

637
00:30:11,320 --> 00:30:16,040
Speaker 7: no difference between that person. So and it's no phones.

638
00:30:16,200 --> 00:30:19,160
Speaker 7: It's no phones. The first year we did no plus ones.

639
00:30:19,560 --> 00:30:22,280
Speaker 7: It was literally come as you are and to be

640
00:30:22,400 --> 00:30:27,200
Speaker 7: able to have these celebrities and these these students want

641
00:30:27,240 --> 00:30:29,400
Speaker 7: to become them one day or do something in that

642
00:30:29,520 --> 00:30:32,320
Speaker 7: light and they have real conversations at the cookout.

643
00:30:32,920 --> 00:30:35,760
Speaker 6: I mean, it's it's something that I've truly wanted to do.

644
00:30:35,840 --> 00:30:38,240
Speaker 7: And then I'm on top of that. We have podcasts

645
00:30:38,280 --> 00:30:40,760
Speaker 7: of course, still movies coming up. I have a movie

646
00:30:40,800 --> 00:30:43,680
Speaker 7: coming out with Corney b Vance soon, which is very exciting.

647
00:30:44,000 --> 00:30:45,719
Speaker 1: Okay, we're not We're not. We're not. We're not here

648
00:30:45,760 --> 00:30:53,320
Speaker 1: to talk about she said, right.

649
00:30:55,040 --> 00:30:58,760
Speaker 6: Any which is amazing. And that's the next day coming out.

650
00:30:59,480 --> 00:31:01,880
Speaker 6: Just more world, old building things, things that challenge me.

651
00:31:02,120 --> 00:31:07,280
Speaker 1: And I'm going to challenge you from Okay, okay, it's.

652
00:31:07,200 --> 00:31:09,920
Speaker 6: Almost actually tell me what do you want to do

653
00:31:10,280 --> 00:31:11,920
Speaker 6: in the industry?

654
00:31:12,120 --> 00:31:13,240
Speaker 5: Horror movies and comedy?

655
00:31:13,360 --> 00:31:14,320
Speaker 6: Horror movies, comedy.

656
00:31:14,640 --> 00:31:16,080
Speaker 5: I got a little drama to me too, you know,

657
00:31:16,120 --> 00:31:18,760
Speaker 5: I just cry on cue all that. Just get a

658
00:31:18,760 --> 00:31:25,680
Speaker 5: live a couple of weeks ago. So yeah, thats acting.

659
00:31:27,400 --> 00:31:27,640
Speaker 7: Nothing.

660
00:31:27,720 --> 00:31:29,840
Speaker 1: What is that I'm listening to you?

661
00:31:29,960 --> 00:31:30,760
Speaker 6: Are you talking to me?

662
00:31:31,640 --> 00:31:35,200
Speaker 5: Okay, yadya?

663
00:31:35,520 --> 00:31:36,560
Speaker 6: I got you now that I know.

664
00:31:37,720 --> 00:31:40,080
Speaker 4: Sit here is the reason that I haven't been invited

665
00:31:40,120 --> 00:31:42,240
Speaker 4: to your little festival for the less of your little festival.

666
00:31:42,440 --> 00:31:46,320
Speaker 6: I love that festival definitely. It's exciting because we.

667
00:31:46,360 --> 00:31:50,200
Speaker 7: Are expecting like six to eight thousand, which is exciting

668
00:31:51,320 --> 00:31:52,040
Speaker 7: generation how to.

669
00:31:52,080 --> 00:31:54,680
Speaker 3: Actually have conversation and the network with people and look

670
00:31:54,680 --> 00:31:56,520
Speaker 3: people in the eyes and talk in a real way,

671
00:31:57,040 --> 00:31:59,240
Speaker 3: building a real community, not that digital social media.

672
00:31:59,600 --> 00:32:03,440
Speaker 6: Yeah, but you were invited. You've known since the beginning.

673
00:32:03,440 --> 00:32:07,520
Speaker 4: Okay, said no, knowing since the beginning, and then say, hey,

674
00:32:07,560 --> 00:32:09,360
Speaker 4: I need you to come talk to my peer group

675
00:32:09,640 --> 00:32:12,240
Speaker 4: or two different things. They have stars there and just

676
00:32:12,320 --> 00:32:14,280
Speaker 4: talk to people that want to be like them. One day,

677
00:32:14,440 --> 00:32:16,800
Speaker 4: I mean, what's up, I'll be coming all the thirty first,

678
00:32:16,840 --> 00:32:17,600
Speaker 4: I'll be in Houston.

679
00:32:19,040 --> 00:32:20,320
Speaker 6: That's another promise. Let's see.

680
00:32:21,320 --> 00:32:22,520
Speaker 1: She ain't got nothing else going on.

681
00:32:24,960 --> 00:32:28,360
Speaker 4: She had already shot herd cover shoot yesterday.

682
00:32:28,680 --> 00:32:29,440
Speaker 1: No, got nothing.

683
00:32:30,760 --> 00:32:33,880
Speaker 5: No, I definitely did not know what he's manifested.

684
00:32:34,160 --> 00:32:37,000
Speaker 1: I thought you just had all that under control.

685
00:32:37,200 --> 00:32:39,840
Speaker 6: I mean, sure, let's let's do it one day. I

686
00:32:39,920 --> 00:32:41,080
Speaker 6: did a lot of press yesterday.

687
00:32:42,640 --> 00:32:42,880
Speaker 1: Yeah.

688
00:32:43,680 --> 00:32:46,200
Speaker 3: Yeah, I want to end with this, asked Anthony this

689
00:32:46,320 --> 00:32:48,440
Speaker 3: question earlier. But when you all film together, how do

690
00:32:48,520 --> 00:32:50,840
Speaker 3: you get out of the rhythm of blackish? Because you

691
00:32:50,840 --> 00:32:54,320
Speaker 3: all know each other so well personally and professionally.

692
00:32:53,760 --> 00:32:54,880
Speaker 1: It seems like it never leaves.

693
00:32:55,160 --> 00:32:58,160
Speaker 7: They definitely have to when you, you know, doing something

694
00:32:58,200 --> 00:33:00,280
Speaker 7: like twenty I think I think it touched back what

695
00:33:00,560 --> 00:33:02,840
Speaker 7: I was saying about creating a whole new world. I

696
00:33:02,880 --> 00:33:06,680
Speaker 7: think you're building a character for me. I'm building like, Okay,

697
00:33:06,800 --> 00:33:07,800
Speaker 7: where did she come from?

698
00:33:08,000 --> 00:33:08,360
Speaker 6: What is she?

699
00:33:09,000 --> 00:33:11,560
Speaker 7: What were the experiences that she went through to get

700
00:33:11,640 --> 00:33:13,360
Speaker 7: to this point now where she feels like she needs

701
00:33:13,400 --> 00:33:16,320
Speaker 7: to be rebellious or is this a new thing for her?

702
00:33:16,400 --> 00:33:17,080
Speaker 6: How new is it?

703
00:33:17,200 --> 00:33:19,640
Speaker 7: So I think these are all of these, all these

704
00:33:19,720 --> 00:33:22,040
Speaker 7: questions that I put in my brain before jumping into

705
00:33:22,120 --> 00:33:26,960
Speaker 7: a role, especially someone like Serena who's very multifaceted.

706
00:33:26,200 --> 00:33:29,400
Speaker 1: And kind of just not really they don't know who,

707
00:33:29,560 --> 00:33:36,880
Speaker 1: they don't know who Williams. When I watched it, I saw.

708
00:33:36,800 --> 00:33:51,240
Speaker 7: That I was just wondering for me, It's like, what

709
00:33:51,400 --> 00:33:53,200
Speaker 7: makes her different than any of the other characters that

710
00:33:53,240 --> 00:33:53,640
Speaker 7: I played.

711
00:33:54,120 --> 00:33:56,080
Speaker 6: So that's that's my take on it.

712
00:33:56,160 --> 00:34:00,520
Speaker 1: And she's do she was.

713
00:34:03,040 --> 00:34:11,920
Speaker 2: Said the typical she was, well, G twenty is streaming

714
00:34:12,040 --> 00:34:12,920
Speaker 2: now on Amazon.

715
00:34:13,040 --> 00:34:16,680
Speaker 4: That's just streaming now, streaming globally, telling me globally, we

716
00:34:16,760 --> 00:34:18,080
Speaker 4: don't make regional films.

717
00:34:18,440 --> 00:34:21,360
Speaker 2: Thank you so much, Marseille, Martin and Anthony, and I

718
00:34:21,400 --> 00:34:22,839
Speaker 2: thought you forgot about me. She told me to say

719
00:34:22,880 --> 00:34:24,040
Speaker 2: her name first, No she should.

720
00:34:26,239 --> 00:34:27,880
Speaker 4: You just did text me by showing up the way

721
00:34:27,920 --> 00:34:30,360
Speaker 4: that you did. They know who the real diva is.

722
00:34:31,280 --> 00:34:32,239
Speaker 4: I pie down to you.

723
00:34:33,360 --> 00:34:38,160
Speaker 1: You've earned it, Martilles. You have heard it first on

724
00:34:38,239 --> 00:34:40,560
Speaker 1: the She was the reason. She was the reason we

725
00:34:40,640 --> 00:34:43,040
Speaker 1: got the first three seasons of Black. I'm just gonna

726
00:34:43,040 --> 00:34:43,239
Speaker 1: give it.

727
00:34:44,239 --> 00:34:47,000
Speaker 5: It's going to be some somehow, some way. He play

728
00:34:47,080 --> 00:34:47,640
Speaker 5: your son.

729
00:34:53,600 --> 00:35:02,440
Speaker 1: So she can me science and then you gotta put me.

730
00:35:02,600 --> 00:35:04,320
Speaker 1: Let me make it a horror flea. It has to

731
00:35:04,400 --> 00:35:05,120
Speaker 1: be a horror flake.

732
00:35:09,320 --> 00:35:09,920
Speaker 6: That was all her.

733
00:35:10,160 --> 00:35:12,960
Speaker 2: It's the breakfast Club, good morning wake that ass up

734
00:35:13,080 --> 00:35:14,040
Speaker 2: her in the morning.

735
00:35:14,160 --> 00:35:15,160
Speaker 1: The Breakfast Club