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Speaker 1: Look Mayer, Oh, I see you my own look over

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Speaker 1: there is that culture. Yes, goodness, lost culture ding dong,

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Speaker 1: lost culturistas.

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Speaker 2: Calling lost culturistas in back pain. Well, this one is.

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Speaker 1: I feel so sad for my sister. You guys, he is.

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Speaker 2: And I don't mean to, you know, curry pity.

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Speaker 1: Is that curry pity? I don't mean to curry pity?

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Speaker 1: It does? It does sound like too much, yes, curry pity.

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Speaker 1: I'm just gonna.

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Speaker 2: Go ahead and identify as being in my forties. Not

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Speaker 2: that people in their forties all have back pain, but

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Speaker 2: I think I'm in an accelerated track of just of

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Speaker 2: needing light a cane and so you gotta light right now,

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Speaker 2: I gotta patch on.

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Speaker 1: Now, what can I tell the girls?

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Speaker 2: I did what's called a dumb bell good morning and

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Speaker 2: and good night and good night to all that good.

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Speaker 1: So what is it done? Good morning? Is it one

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Speaker 1: of those things where it's like this because this is

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Speaker 1: my favorite thing my trainer does, and this is my

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Speaker 1: favorite thing anyone ever does in the gym, and you're

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Speaker 1: just supposed to do this ready. Podcasts are a visual medium.

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Speaker 1: Check us out on YouTube to say what the hell

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Speaker 1: I'm about to do this.

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Speaker 2: So when there's like the right here, yeah you hoist, Yeah,

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Speaker 2: you love that.

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Speaker 1: I mean I love it in theory, but like it

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Speaker 1: is like when your trainer just like whips out, Like

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Speaker 1: what did you call that? It's like a like a

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Speaker 1: like a squad squat to squat depress, squat depress. It's

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Speaker 1: the craziest ship you've ever seen.

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Speaker 2: Well, they're just showing off.

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Speaker 1: I love it. A street trainer, straight mail trainer. No,

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Speaker 1: I got to get yourself one of those gay male

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Speaker 1: gig oh Ian. I know we love Ian. Yes, check

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Speaker 1: out his SoundCloud. Hey, check out Bowen's gay trainer SoundCloud.

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Speaker 1: And remember your back probably isn't flat enough when you're

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Speaker 1: doing that back extra.

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Speaker 2: I'm saying this is was not under his guidance. I

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Speaker 2: did not get this. Oh this is important to say.

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Speaker 2: Disclaimer disclaimer he was Bowen was completely unattended doing in

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Speaker 2: almost every week. And that's also something that I should

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Speaker 2: be honest about.

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Speaker 1: You are the accountability zone today. Absolutely, he's in his

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Speaker 1: mid forties, he's got back pain. But you know what

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Speaker 1: I've been doing a while whilst in bed with the

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Speaker 1: useless heating pad and these useless lyda king patches.

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Speaker 2: That might be me. I don't think so, honey, later patches, patches.

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Speaker 2: I've been reading a lot. What am I reading? Various books?

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Speaker 2: Ursula kayle Gwin.

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Speaker 1: Do you read her? Yes?

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Speaker 3: Okay, hold on, my favorite thing is mess I.

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Speaker 1: Well of course, well, of course you would actually gag

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Speaker 1: over Lewis, you would love gag Over.

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Speaker 3: Yes, she's the differend friend. You know she's.

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Speaker 1: There's some overlap there. She's great. You'll love our guests today,

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Speaker 1: you will love her. He loves books as well. She

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Speaker 1: has a whole book club. In fact, I go into

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Speaker 1: the Barnes and Noble picture of me there adrift, a drift.

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Speaker 1: I'm walking through not only one, not only two, not

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Speaker 1: only seventeen eighteen nineteen books with the Read with Jenna

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Speaker 1: a remark on it.

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Speaker 2: It might as well be called Barnes and Read with Jenna.

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Speaker 2: No bigger name in books than and get this now

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Speaker 2: crossed over into movie stardom. She's here to promote the Devil.

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Speaker 1: She is the star writer director of Devilwar's product. She

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Speaker 1: did it all. No really, She's got a cameo in

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Speaker 1: the movie and it made me smile. I love the

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Speaker 1: movie so much.

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Speaker 2: I'm so happy for all involved.

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Speaker 1: Yeah, and to top it all off, she's also one

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Speaker 1: of America's most beloved talk show hosts and television personality.

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Speaker 2: Someone who makes it effortlessly look effortlessly competent. She is competent,

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Speaker 2: makes it look effortless.

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Speaker 1: Yeah. She's one of two people in the world in

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Speaker 1: human history who have had their grandparent and their father

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Speaker 1: the president of the United States. The other person is

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Speaker 1: her twin.

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Speaker 4: Get that, by the way, that's good, good history. I

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Speaker 4: was like, who's the person before?

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Speaker 1: Who's the other person?

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Speaker 3: What I was wondering, have you know what.

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Speaker 1: You both?

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Speaker 3: That's what I was wondering.

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Speaker 1: I'm JQ.

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Speaker 3: Might have had children.

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Speaker 2: It's actually better that we know less about the president's

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Speaker 2: I think you know what I mean, you have some

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Speaker 2: secrets to keep in the secrets.

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Speaker 1: Well that was jaq A, but this is jb H.

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Speaker 2: I am so excited, so dearly everyone, please welcome our friend.

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Speaker 3: My guys. I'm so happy to see y'all.

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Speaker 1: So happy now you're a guest on our show.

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Speaker 4: I know, I'm I love when Matt comes to my

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Speaker 4: host Joe, when he.

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Speaker 3: Is part of our show. I feel like everybody smiles a.

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Speaker 1: Little course he's my favorite things to go do.

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Speaker 3: He's the best. We all are both the best.

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Speaker 1: You guessed it as well. You don't have to do well.

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Speaker 2: Thank you, by the way, I will never stop thinking

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Speaker 2: you for helping bring Adrian, my my high school teacher,

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Speaker 2: yes to the studio.

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Speaker 3: Do you remember that?

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Speaker 1: Of course I'll never forget it.

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Speaker 3: And we brought Matt's mom.

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Speaker 1: My mom came on for her television debut. She was

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Speaker 1: pretty good.

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Speaker 3: She was really excellent, She really was.

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Speaker 1: She was how do you hit her beats?

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Speaker 2: She hit her bets because I have seen it up

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Speaker 2: close in my time, in my little moments there where

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Speaker 2: it's like, oh, people are just like nervous to be

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Speaker 2: on television live, like it is a really nerve wracking thing.

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Speaker 2: What are what are your little tricks to like bring

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Speaker 2: these people to like a grounded place.

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Speaker 3: I mean, I think just talking with them, you know.

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Speaker 4: It's also how you interact when you're live, which is

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Speaker 4: like you're just yourself, you know, and if you can

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Speaker 4: just be sitting in conversation with somebody and kind of

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Speaker 4: like letting them know it's all going to be okay,

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Speaker 4: usually they're like, wow, oh that wasn't so bad. You

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Speaker 4: know because they're like, you just were the exact same

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Speaker 4: when the camera was off as you were when it

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Speaker 4: was on.

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Speaker 1: And I was gonna say that that I remember one

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Speaker 1: of our one of my favorite TV appearances Bowen and

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Speaker 1: I have ever done was the when we were it

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Speaker 1: was you and I we went to go promote Fire

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Speaker 1: Island on Hoda and Jenna. Yes, and we went and

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Speaker 1: it was it was really one of the first like

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Speaker 1: big TV things like we did together. Yes, but you guys,

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Speaker 1: I'll never forget. What made it so fun and easy

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Speaker 1: was hearing you and Hoda come around the corner in

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Speaker 1: mid conversation, like not stopping talking, etc. And you sat

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Speaker 1: in the chair and you were like, hey, guys, what's up?

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Speaker 1: And then the conversation just kept going from there and

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Speaker 1: I was like, Wow, they really just walked in, sat

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Speaker 1: in the chairs and were the exact same And that

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Speaker 1: made us feel like we could be ourselves and it

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Speaker 1: really was a model of great hosting.

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Speaker 3: What about when you sang Rockefeller Senna, You'll both were

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Speaker 3: You'll both did we did?

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Speaker 2: I didn't say you had a rap a rapper. People

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Speaker 2: know me as a rapper, I know you as a

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Speaker 2: movie star.

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Speaker 3: Well, you guys, I was prepared to be cut. Let's

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Speaker 3: be on.

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Speaker 1: I would imagine like that's one of those nerve wracking

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Speaker 1: things where it's like you do something that you know

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Speaker 1: is cobble, but then to still make it in.

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Speaker 3: I couldn't believe it.

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Speaker 1: And they kept it so that your whole name was

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Speaker 1: in it. Miranda Priestley basically, no, well it's been out

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Speaker 1: for a few weeks now, so come out Friday. No.

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Speaker 1: I know, but this is coming out.

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Speaker 2: In a few weeks.

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Speaker 3: Oh oh, you have.

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Speaker 1: To understand that. So basically, like Miranda has people over

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Speaker 1: to Hampton Tom all fancy people and John Battis and

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Speaker 1: she goes Jenna Bush and Reality.

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Speaker 4: I got there late because I was doing the show,

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Speaker 4: you know, and so I got there as soon as

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Speaker 4: I could, and they were like, okay.

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Speaker 3: We need Jenna Merrill and Anne.

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Speaker 4: And I I was like wait me Jenna, like ah,

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Speaker 4: And there was no script this part was unscripted. Yeah,

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Speaker 4: so they were like, okay, this is like here's the

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Speaker 4: director was like, here's the thing she's got in this interview.

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Speaker 4: She's going to introduce you because she's trying to like

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Speaker 4: bring her in the fold of like the media back

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Speaker 4: into the media, so you're just supposed to, like say, great.

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Speaker 3: Interviewer, good interview.

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Speaker 4: Yeah, And I was like versus Meryl Streets, you know, like,

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Speaker 4: can you imagine.

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Speaker 1: By the way giving like the like of course she

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Speaker 1: gave the most incredible performance, but you just buy every

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Speaker 1: second of how that character has changed, not changed. You

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Speaker 1: see so many different shades of Miranda Priestley.

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Speaker 2: It's just, you know, what blows my mind. And I

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Speaker 2: was reminded on this press run was that she was

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Speaker 2: supposed to retire around the time of the first movie.

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Speaker 4: Do you know that, she said? I interviewed them and

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Speaker 4: she said, for the first time, she turned down the

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Speaker 4: first movie. Yeah, and then and I couldn't believe it,

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Speaker 4: but she turned it down because she was like, they're

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Speaker 4: gonna need me for this, and they're not paying me enough.

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Speaker 4: So she asked for double what they offered her and

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Speaker 4: they and she said, yeah, they said, yes, we need you.

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Speaker 1: You do figure though, like what makes that movie. It's

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Speaker 1: there's so many things about it that make it iconic,

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Speaker 1: but she is the center of why. I mean, she

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Speaker 1: comes on screen and you're like, that's one of film's

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Speaker 1: great characters, at least in modern history. And probably forever.

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Speaker 3: She's so good.

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Speaker 4: And she also said in the first one she method

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Speaker 4: acted because like the first she got there and she

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Speaker 4: was like playing around and Stanley's her friend and they

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Speaker 4: were having fun, and then she would have to be

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Speaker 4: cold and rude or whatever, and she just couldn't do it.

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Speaker 4: So she realized, like day two, She's like, I'm not

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Speaker 4: going to be able to hang out with them. And

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Speaker 4: then this time she was like, you know what, because.

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Speaker 2: I remember the bucket, because I remember when the first

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Speaker 2: movie came out. I was just on like Wikipedia and IMDb,

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Speaker 2: and like, I don't know, I think they like kind

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Speaker 2: of glossed over this fact because it is like it

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Speaker 2: is like whatever people think about method in a certain

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Speaker 2: way now. But apparently the press in the first one

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Speaker 2: was that, like you're describing, Meryl was having a little

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Speaker 2: too much fun. And then she goes She turns to

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Speaker 2: Anne Hathaway one day, like day two of shooting, and

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Speaker 2: she was like, this is the last compliment I will

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Speaker 2: give you for the rest of the shoe. You're an

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Speaker 2: amazing actor. I'm so excited to do this with you,

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Speaker 2: but that's it. This is the only nice thing I'm

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Speaker 2: going to say to you for the rest of the shoot.

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Speaker 1: Isn't that amazing?

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Speaker 4: She would hear them like it kind of like was

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Speaker 4: a sad sort of like you know Great Gatsby, you know,

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Speaker 4: where they see the green light. That she would hear

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Speaker 4: them all like having fun together, and she'd be in

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Speaker 4: her dressing room like kind of mad because she wanted

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Speaker 4: to make sure there was like this distance between them,

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Speaker 4: which was so evident in the film. And then by

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Speaker 4: this time she's like she's kind of lost her footing

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Speaker 4: in the second one.

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Speaker 3: Yeah, and so and she's a little bit more grounded

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Speaker 3: as you all know. And whoever seen it.

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Speaker 1: I've seen it. Yeah, I don't think he's had the chances.

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Speaker 4: I have a physical therapist for you because I have bad,

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Speaker 4: bad back issues.

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Speaker 1: What's do you know what it is?

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Speaker 3: I'm afraid and this is personal, please, but for me

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Speaker 3: at least, was it your lower right like in here

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Speaker 3: or less?

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Speaker 1: Yes?

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Speaker 3: So sometimes it's that your ass muscle is not strong enough.

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Speaker 1: You got you got to do those things I was

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Speaker 1: doing earlier.

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Speaker 3: What were you doing it earlier?

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Speaker 1: Yeah? The squats? No, no, no.

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Speaker 3: No, it's this, it's here. So you have to do

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Speaker 3: what hiple know. You have to do like the clamshells,

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Speaker 3: the clam.

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Speaker 1: Shells, the hiplexer.

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Speaker 3: No, I I like that where this is like, yes, right,

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Speaker 3: and that's.

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Speaker 4: True issues she's saying, so so I'll send you there's.

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Speaker 3: But also it could be that you over use your quads.

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Speaker 1: You have you ever seen his legs?

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Speaker 3: They're excellent.

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Speaker 1: Oh my god.

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Speaker 2: Even John johnsona looks like a little bit compared to bone.

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Speaker 2: That's what they all said, to overuse you. But I

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Speaker 2: don't even think it's that. I think I just I

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Speaker 2: just pulled something we did.

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Speaker 3: I know, but this will help so that you don't

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Speaker 3: pull something out.

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Speaker 2: I need a pet so bad looks.

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Speaker 1: It sounds like. And by the way, I always take

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Speaker 1: your recommendations because you know who I met through the show,

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Speaker 1: Doctor Dandy. Oh yeah, what's who's doctor doctor Dandee Engleman?

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Speaker 1: Hun about everyone at home about doctor Dandy.

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Speaker 4: Doctor Dindy's on our show. She's a dermatologist. I've seen

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Speaker 4: doctor Dandy Engelman remember what why?

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Speaker 1: But I don't. It was the first week I was hosting,

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Speaker 1: which was ended up being a really fortuitous week because

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Speaker 1: is that the right word?

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Speaker 3: Yeah? Sure?

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Speaker 1: Thanks?

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Speaker 3: Guys.

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Speaker 1: You know you read do you read. No. The answer

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Speaker 1: is no, a book you do? Can I say something

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Speaker 1: this narrative that I don't read mustand you push it.

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Speaker 1: I don't push it, just push it. No.

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Speaker 3: Book like wandering because.

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Speaker 1: I usually to a local bookshop that's right, or a library.

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Speaker 1: You can find me there most days of the week,

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Speaker 1: Monday through Thursday. I'm probably at my local independent books.

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Speaker 3: We bring up Doctor Dindie, what was it? Because I

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Speaker 3: was saying that you what was fortuitous?

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Speaker 1: What was fortuitous? Was? That ended up being an amazing

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Speaker 1: week because I think that's also the week I met

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Speaker 1: the dog Matt.

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Speaker 3: Roger, who got adopted right after.

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Speaker 1: I can still see Matt Rogers the dog because the

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Speaker 1: people that that adopted him follow me and I follow

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Speaker 1: them back of it. They post all the time. I'm

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Speaker 1: essentially on the dog's godfather.

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Speaker 3: You follow Matt Rogers on Insta.

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Speaker 1: They kept the name too, you DM Matt. No, I

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Speaker 1: don't well the parents, yes, because they'll be posting with him.

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Speaker 1: It's it's it's a relationship. But anyway, back to doctor Dendy. Yes,

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Speaker 1: so that was the week that I first guest hosted,

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Speaker 1: and I remember you. She came in to talk about

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Speaker 1: skincare solutions and secrets, whatever it was. She was so

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Speaker 1: nice and you guys were so warm together and that

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Speaker 1: you were like, you have to go to doctor. Gendy

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Speaker 1: went to her. Got my this done? What's this called?

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Speaker 1: Got my elevens a little botox?

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Speaker 3: Right?

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Speaker 1: Little?

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Speaker 3: If I wasn't gonna, I wasn't gonna do you know

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Speaker 3: your dirty secret? It's not dirty. We all need it.

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Speaker 1: I'm upfront about the work.

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Speaker 3: I've had good, which has been very little.

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Speaker 1: The nose, and I got a little in my elevens.

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Speaker 3: That's it, you look, handsOn.

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Speaker 1: Thank you so much.

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Speaker 2: Now that the thing is minimalism, the dorms are gonna

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Speaker 2: are like, well, I'm a man, I'm a botox minimalist,

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Speaker 2: I know. And I'm like, that's so funny that you

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Speaker 2: can identify.

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Speaker 3: I'm always like I could use a little more, But

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Speaker 3: then I think everybody's so scared because we're on TV

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Speaker 3: that all of a sudden I couldn't move my face.

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Speaker 3: And my daughter the other day was like.

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Speaker 4: Mom, you know you could probably use a little botox,

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Speaker 4: And I'm like, I get both. Yeah, I know, man,

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Speaker 4: she really does. If you feel like you're like too

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Speaker 4: big for your breitches get a thirteen year old to

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Speaker 4: hang out with you for She's like in your hair highlights,

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Speaker 4: like I can see your.

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Speaker 3: Grace and I and by the way, really I do.

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Speaker 4: By the way, I do like change accordingly, Like I

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Speaker 4: made an appointment and I just interviewed you, Rueen, and

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Speaker 4: I did her introduction and I read her the introduction

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Speaker 4: and she goes too much about you, mom, And then

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Speaker 4: I was like, come on, Mila woke up at four

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Speaker 4: in the morning and I was.

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Speaker 1: Like, it's too much.

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Speaker 3: She's right, She's I'm going to insore. I'm going she's right.

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Speaker 4: It's four in the morning. I'm like, I'm going to

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Speaker 4: go rewrite this introduction at four am.

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Speaker 1: You think she actually was right or do you think

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Speaker 1: she just right? No?

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Speaker 3: I think she was right.

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Speaker 1: Wow.

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Speaker 4: And I also think that thought of, you know, being

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Speaker 4: humble and not making everything about ourselves, like coming from

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Speaker 4: a thirteen year old. I was like, you know what,

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Speaker 4: if she says that at all, then I'm going to

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Speaker 4: go in there and.

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Speaker 2: Fix it totally. Are you as critical with her writing?

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Speaker 1: No?

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Speaker 2: See, this is I wish you could just skip the

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Speaker 2: teen years. The reason I'm not a parent is because

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Speaker 2: I got to sit through that.

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Speaker 1: I know, well, there's the horrible part in the beginning

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Speaker 1: to where they're where they're just little, you know, dreaming,

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Speaker 1: the horrible part where I guess their babies, Oh horrible,

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Speaker 1: just screaming. You never know what it is. You know,

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Speaker 1: our friend just had a baby, Sudi.

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Speaker 3: Don't you like like who? For some reason I thought

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Speaker 3: it was Dave, But Dave just got engaged.

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Speaker 1: Just go and you don't call him Dave, you call

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Speaker 1: him what.

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Speaker 2: The tomato guy, the tomato guy. He loves he would

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Speaker 2: love that.

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Speaker 1: Yeah, he loves it. Dave.

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Speaker 3: I call him Dave Coma, the tomato guy.

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Speaker 1: Come of the tomato guys. We had to do this one.

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Speaker 4: And in fact, I saw y'all's mutual friend and I'm like,

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Speaker 4: Dave got engaged.

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Speaker 3: You know Eddie's Grocery, Eddie's I'm like, can.

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Speaker 4: You believe Dave got engaged? This is what Matt is

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Speaker 4: done to our show. He's just infused his every little

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Speaker 4: part of it.

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Speaker 1: I bring the l c U too, Yes, sitting with

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Speaker 1: that's right. Could you ever believe? Could you ever believe?

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Speaker 2: Did you ever believe that you would have this impact

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Speaker 2: on today, his his his family big time?

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Speaker 3: I know, it is so fun.

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Speaker 4: I mean, and it's still gonna happen. That's like I

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Speaker 4: just went at time like is mad available? You could

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Speaker 4: sit next to a tree and have chemistry.

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Speaker 2: Literally, he already does.

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Speaker 1: I'm stumping right now because of your back.

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Speaker 2: I'm stiff like a tree.

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Speaker 1: She stumped.

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Speaker 2: She stomped.

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Speaker 1: Wait what were we just hanging though before we got

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Speaker 1: onto that doctor? Oh well yeah, you just you you're

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Speaker 1: a great connector of people.

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Speaker 3: Oh thank you?

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00:17:38,400 --> 00:17:41,280
Speaker 1: How is what was what was interviewing king? Or was

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Speaker 1: it just the queen?

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Speaker 3: Yes?

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Speaker 2: What the hell was that?

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Speaker 4: Like?

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Speaker 3: I was nervous.

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Speaker 1: Yeah, and we're calling her a queen?

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Speaker 3: She is.

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Speaker 1: As hell? I thought she was the Queen Consort. I

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Speaker 1: don't know what the more of what the word concert?

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Speaker 2: Was it all?

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Speaker 3: Yeah, I'm not sure either, but it is. But now

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Speaker 3: she's the queen. She loves books.

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Speaker 4: So we were at the New York Public Library, but

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Speaker 4: and a wind tour was there, Sarah Jessica Parker. It

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Speaker 4: was all these sort of people that loved to read,

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Speaker 4: and then these authors whom I admire. So I was nervous,

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Speaker 4: you know, and I'm not really used to being nervous,

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00:18:17,560 --> 00:18:19,479
Speaker 4: but I kind of like it, Like I kind of

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Speaker 4: like to continue to push myself to feel that because otherwise,

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Speaker 4: I mean, I've been at NBC for sixteen years, right,

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Speaker 4: so sometimes you can get complacent and be like, what

408
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Speaker 4: is what feels fresh, what feels new?

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Speaker 3: And so that's sort of like how it felt.

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Speaker 2: Can I say I went back into the building for

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Speaker 2: the first time last week?

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Speaker 1: Yes?

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Speaker 2: How was it fine? And also a little weird. And

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Speaker 2: what you're saying is something that I I guess I'm

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Speaker 2: gonna say I took for granted, like you would just

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Speaker 2: run into different kinds of people all the time, not

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Speaker 2: even like yeah, not even not even like high profile

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Speaker 2: quot unquote people who woul come in. I'm just saying,

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Speaker 2: like everyone, like just the cruise and everything. Yeah, all

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Speaker 2: the staffs and the like. I love that it's an

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Speaker 2: office building, I know. I love the SNL offices were

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Speaker 2: like or the studio was next to the Seth Meyers office.

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Speaker 3: It was next to the gym, which I work out

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Speaker 3: in every morning.

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Speaker 2: I never did it once and every.

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Speaker 4: Monday that there's a live show, I'm like, it's kind

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Speaker 4: of gross. But there's like I'm like, they've used this bathroom.

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Speaker 4: I'm not sure for what, but like, yeah, I take

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Speaker 4: a shower, and like things are you know, all over

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Speaker 4: the place.

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Speaker 3: I'm like, who's been in here?

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Speaker 1: Who's described I don't know the shower area.

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Speaker 4: Shower area has been used, wawls are all gone, you know,

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Speaker 4: and it's like, did they not use the showers?

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Speaker 2: I don't think it's not the SNL folks don't really

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Speaker 2: use it. I think it's mostly people from downstairs who

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Speaker 2: come up.

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Speaker 1: Okay, wait, have you eaten at the Luke's Lobster?

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00:19:43,440 --> 00:19:43,680
Speaker 3: Yes?

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Speaker 1: I didn't know they I said they let everything down here?

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Speaker 4: I know.

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00:19:48,680 --> 00:19:51,320
Speaker 1: Do they have everything in the concourse, especially real culture

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Speaker 1: number eight? I have everything in the cor.

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Speaker 4: The role of culture number fourteen. You don't want lobster

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Speaker 4: on a Monday though. You know you're not going to

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00:19:58,960 --> 00:20:02,040
Speaker 4: get a lobster roll because you've had a long weekend.

447
00:20:02,200 --> 00:20:04,840
Speaker 4: You want a lobster roll to start a week start.

448
00:20:05,080 --> 00:20:10,560
Speaker 4: You can't start with Saturday. You know, like where you

449
00:20:10,560 --> 00:20:11,160
Speaker 4: feel free?

450
00:20:11,640 --> 00:20:14,280
Speaker 1: Yeah? Yeah, well you feel free? Wait?

451
00:20:14,359 --> 00:20:17,240
Speaker 2: Wait you know what I you know what the concourse

452
00:20:17,359 --> 00:20:19,159
Speaker 2: doesn't have. And I don't know how you feel about this,

453
00:20:19,280 --> 00:20:22,760
Speaker 2: but every day I've been begging for the hale and

454
00:20:22,840 --> 00:20:24,359
Speaker 2: Hardy soup to come back?

455
00:20:24,440 --> 00:20:24,800
Speaker 1: Get it?

456
00:20:24,960 --> 00:20:27,840
Speaker 3: What happened to that Hale and Hardy? It just disappeared

457
00:20:27,840 --> 00:20:28,399
Speaker 3: out of nowhere.

458
00:20:28,560 --> 00:20:29,760
Speaker 1: Ridiculous.

459
00:20:29,280 --> 00:20:33,560
Speaker 2: There's there's like one on like thirty fourth and lexing, Like,

460
00:20:33,600 --> 00:20:34,159
Speaker 2: who's going on?

461
00:20:34,200 --> 00:20:40,920
Speaker 1: Yeah, the sheer amount of options for soup they would give.

462
00:20:41,359 --> 00:20:44,040
Speaker 1: I've never seen anything like it. No, And you have

463
00:20:44,080 --> 00:20:46,160
Speaker 1: to understand I'm a huge soup me too.

464
00:20:46,160 --> 00:20:47,560
Speaker 3: I love soup so much.

465
00:20:47,920 --> 00:20:50,080
Speaker 4: I actually used to have the soup from Juice Press,

466
00:20:50,080 --> 00:20:52,879
Speaker 4: which is strange, and it's it's out of season.

467
00:20:53,840 --> 00:20:55,840
Speaker 3: They stop it in the summer months.

468
00:20:56,000 --> 00:20:57,920
Speaker 1: That's not because of great ingredients.

469
00:20:58,080 --> 00:21:00,200
Speaker 4: Well, I think because it's you know, people don't want

470
00:21:00,200 --> 00:21:01,480
Speaker 4: something hot when it's warm out.

471
00:21:01,720 --> 00:21:05,480
Speaker 1: I disagree entirely and anyone that's out there like it's

472
00:21:05,480 --> 00:21:08,840
Speaker 1: too hot for soup. No, you just haven't thought of

473
00:21:08,880 --> 00:21:12,720
Speaker 1: what soup to get exactly. You don't have like beef barley.

474
00:21:12,920 --> 00:21:15,560
Speaker 4: A little mint, a little minty kind of pea soup

475
00:21:15,680 --> 00:21:16,399
Speaker 4: sounds good to me.

476
00:21:16,560 --> 00:21:18,480
Speaker 1: Now you're talking too crazy for me? Are you a

477
00:21:18,640 --> 00:21:19,400
Speaker 1: spot show queen?

478
00:21:19,600 --> 00:21:22,560
Speaker 2: I like, I'll have it once a summer and I'm like,

479
00:21:23,280 --> 00:21:25,840
Speaker 2: because it's too it's too.

480
00:21:27,480 --> 00:21:29,879
Speaker 1: I know you made soup.

481
00:21:30,280 --> 00:21:33,399
Speaker 4: It's see, my mom never cooked. I don't know about

482
00:21:33,520 --> 00:21:35,400
Speaker 4: your your parents, but my mother did not.

483
00:21:35,359 --> 00:21:36,600
Speaker 3: Cook, so we would she would get that.

484
00:21:36,640 --> 00:21:40,679
Speaker 4: Bean with bacon was like Cambell's, which was like basically

485
00:21:41,000 --> 00:21:44,600
Speaker 4: your sodium intake for the year and open it up.

486
00:21:44,600 --> 00:21:47,119
Speaker 4: But like that with like those saltine crackers with the

487
00:21:47,160 --> 00:21:49,480
Speaker 4: covered in a little cheese melted in the toaster oven.

488
00:21:50,480 --> 00:21:51,119
Speaker 3: Oh I loved it.

489
00:21:51,560 --> 00:21:53,560
Speaker 4: I mean that was it good for me? And and

490
00:21:54,600 --> 00:21:59,000
Speaker 4: probably not be with bacon? Probably not, but was it delicious?

491
00:21:59,040 --> 00:22:01,600
Speaker 1: Sure? Would you feed the kids now being with bacon?

492
00:22:01,600 --> 00:22:03,399
Speaker 4: I'm not sure that they still make bean with bacon.

493
00:22:03,440 --> 00:22:05,879
Speaker 4: But beans are one of my favorite food groups.

494
00:22:05,880 --> 00:22:06,280
Speaker 1: Beans.

495
00:22:06,440 --> 00:22:10,040
Speaker 2: I grew up in Texas, Texas. Beans are beans are texting,

496
00:22:10,040 --> 00:22:10,760
Speaker 2: and they're good.

497
00:22:10,800 --> 00:22:12,760
Speaker 3: They're protein, Yeah, veggie protein.

498
00:22:13,000 --> 00:22:14,679
Speaker 1: You know what always chased me away from beans?

499
00:22:16,040 --> 00:22:16,600
Speaker 3: Poem?

500
00:22:16,840 --> 00:22:17,560
Speaker 1: Yeah? The poem?

501
00:22:18,119 --> 00:22:18,280
Speaker 3: Was it?

502
00:22:18,320 --> 00:22:20,399
Speaker 1: The poem beans means they're good for your heart. The

503
00:22:20,400 --> 00:22:22,680
Speaker 1: more you eat, the more you fart. I just don't

504
00:22:22,760 --> 00:22:25,560
Speaker 1: like it. It's not it's uncouth. It's untoward.

505
00:22:26,760 --> 00:22:27,320
Speaker 2: This poem.

506
00:22:27,400 --> 00:22:28,760
Speaker 1: Oh God, I didn't know you guys.

507
00:22:28,760 --> 00:22:32,159
Speaker 4: Beans magical fruits. The more you eat, the more you toot,

508
00:22:32,640 --> 00:22:35,520
Speaker 4: the more you find the more you toot, the better

509
00:22:35,560 --> 00:22:38,320
Speaker 4: you feel to eat those beans at every meat Oh

510
00:22:38,400 --> 00:22:38,920
Speaker 4: my god?

511
00:22:39,080 --> 00:22:41,080
Speaker 2: Where is is this from the bean council?

512
00:22:41,240 --> 00:22:41,760
Speaker 1: Who made that?

513
00:22:41,960 --> 00:22:44,520
Speaker 3: We don't know, but we learned it in like third grade.

514
00:22:44,720 --> 00:22:48,080
Speaker 1: Same. Oh, I love so frequent tooting. I don't feel good,

515
00:22:48,280 --> 00:22:50,119
Speaker 1: like the more you toot, the better you feel. I

516
00:22:50,160 --> 00:22:54,280
Speaker 1: don't think that's about Look and smell, like, why it's happening?

517
00:22:54,400 --> 00:22:58,480
Speaker 1: Will it stops all these beans?

518
00:22:58,840 --> 00:23:01,160
Speaker 3: I mean, how did I get y'all here? I'm not sure?

519
00:23:01,160 --> 00:23:04,600
Speaker 2: But oh oh just come along, yeah, just sit down here.

520
00:23:06,160 --> 00:23:09,399
Speaker 2: We've invoked the name of Texas, yes, the name. We

521
00:23:09,440 --> 00:23:10,320
Speaker 2: have our guests.

522
00:23:10,080 --> 00:23:12,560
Speaker 1: Here, and it's a thrill to be able to ask

523
00:23:12,600 --> 00:23:15,960
Speaker 1: you the central question of our podcast. Baby ah, yes, Jenna,

524
00:23:16,040 --> 00:23:17,800
Speaker 1: what was the culture that made you say culture was

525
00:23:17,800 --> 00:23:18,520
Speaker 1: for you? Okay?

526
00:23:18,520 --> 00:23:19,119
Speaker 3: Are you ready?

527
00:23:19,359 --> 00:23:19,879
Speaker 1: Yeah?

528
00:23:19,960 --> 00:23:22,720
Speaker 3: It was nineteen eighty eight. It was the combination of

529
00:23:22,800 --> 00:23:27,359
Speaker 3: two things. It was Anne m. Martin's The Babysitters Club.

530
00:23:27,520 --> 00:23:31,640
Speaker 4: Oh wow, reading that logan versus Marianne, which was kind

531
00:23:31,680 --> 00:23:34,040
Speaker 4: of like as romantic as you could get, you know,

532
00:23:34,119 --> 00:23:37,000
Speaker 4: back in the eighties, and they were like, I was like, oh,

533
00:23:37,040 --> 00:23:39,879
Speaker 4: maybe I'm not just like a chubby little kid from Texas.

534
00:23:39,960 --> 00:23:43,919
Speaker 4: Maybe there is romance and entrepreneurship and a girl gang

535
00:23:44,000 --> 00:23:47,800
Speaker 4: waiting for me. Entrepreneurship waiting for me, like in my

536
00:23:48,320 --> 00:23:52,200
Speaker 4: you know, friend's backyard. And we actually made a babysitters.

537
00:23:51,560 --> 00:23:54,200
Speaker 1: Club, did you How did it go? Well?

538
00:23:54,280 --> 00:23:57,399
Speaker 4: Not great because we didn't have access to a phone.

539
00:23:58,480 --> 00:23:59,320
Speaker 1: That's a huge part.

540
00:23:59,480 --> 00:24:00,560
Speaker 3: And we were all so babies.

541
00:24:00,880 --> 00:24:05,560
Speaker 4: Yeah, baby's babysitting, Baby, I did, I babysat, but like

542
00:24:05,600 --> 00:24:08,320
Speaker 4: the whole club didn't really get in, you know, totally,

543
00:24:08,640 --> 00:24:09,600
Speaker 4: And why did we need a.

544
00:24:09,600 --> 00:24:12,800
Speaker 3: Treasure you know? Like what was a treasurer for? I

545
00:24:12,840 --> 00:24:14,760
Speaker 3: mean I loved Claudia, don't get me wrong.

546
00:24:15,520 --> 00:24:19,399
Speaker 4: But then it's that coupled with the same year, Paula

547
00:24:19,440 --> 00:24:25,760
Speaker 4: Abdul's album Straight Up, but particularly the video for opposite

548
00:24:25,800 --> 00:24:31,320
Speaker 4: of track with Scat the Cat DJ Scat, the Cat

549
00:24:31,640 --> 00:24:34,800
Speaker 4: Damn scene with Praya, It's Scot Cat.

550
00:24:35,000 --> 00:24:37,040
Speaker 3: It's definitely Scott Cat. I loved cats.

551
00:24:37,119 --> 00:24:42,040
Speaker 4: I had a Cat's And also that what's the one

552
00:24:42,040 --> 00:24:44,560
Speaker 4: that's like, oh, straight up?

553
00:24:44,600 --> 00:24:51,040
Speaker 3: Now tell me you just having fun?

554
00:24:52,280 --> 00:24:53,840
Speaker 1: I don't know that album.

555
00:24:53,720 --> 00:24:58,480
Speaker 4: Which was a tape for me cassette tape, coupled with

556
00:24:59,160 --> 00:25:00,840
Speaker 4: reading the be Sitters.

557
00:25:00,560 --> 00:25:02,840
Speaker 1: Club said it's time to empower.

558
00:25:03,040 --> 00:25:06,000
Speaker 3: I was like, you know what, let's go, Yeah.

559
00:25:06,880 --> 00:25:09,199
Speaker 1: Grow up, Yeah, let's go.

560
00:25:10,000 --> 00:25:13,280
Speaker 2: You had a pop star, a cartoon cat, and these

561
00:25:13,280 --> 00:25:16,080
Speaker 2: little girls running a business, right, and that's that's.

562
00:25:15,960 --> 00:25:16,520
Speaker 1: Who you are.

563
00:25:16,680 --> 00:25:18,520
Speaker 4: I was like, I am going, I'm going to take

564
00:25:18,560 --> 00:25:20,800
Speaker 4: my cats with me wherever I go, and I have.

565
00:25:21,040 --> 00:25:22,320
Speaker 1: You are ready to enterprise?

566
00:25:22,600 --> 00:25:24,360
Speaker 3: Mango and Mazie shout out.

567
00:25:24,200 --> 00:25:26,960
Speaker 1: Two cats, two cats? Are you worried that they one

568
00:25:27,000 --> 00:25:29,119
Speaker 1: time are going to do what a lot of the

569
00:25:29,160 --> 00:25:32,000
Speaker 1: cats are doing on reels? Suddenly I've been.

570
00:25:31,920 --> 00:25:35,360
Speaker 4: No, No, those cats are a I are you worried

571
00:25:35,600 --> 00:25:36,719
Speaker 4: what the cats are going to do?

572
00:25:38,080 --> 00:25:42,800
Speaker 1: It's like this. It's this footage from like night vision

573
00:25:42,840 --> 00:25:45,919
Speaker 1: cameras where someone is sleeping and they have two cats

574
00:25:45,960 --> 00:25:47,720
Speaker 1: and the two cats start to like get into it,

575
00:25:48,000 --> 00:25:50,320
Speaker 1: and next thing you know, they're flying all around the room.

576
00:25:51,320 --> 00:25:53,840
Speaker 4: See I see AI cats and my my I have

577
00:25:53,880 --> 00:25:56,040
Speaker 4: a different AI cats.

578
00:25:56,080 --> 00:25:57,959
Speaker 3: The ones that are like do like the dives off

579
00:25:57,960 --> 00:26:01,879
Speaker 3: the diving board. We know we're that's no, I'm not

580
00:26:01,920 --> 00:26:03,800
Speaker 3: worried that they're going to do that. I'm not worried

581
00:26:03,800 --> 00:26:04,159
Speaker 3: about that.

582
00:26:04,720 --> 00:26:08,080
Speaker 1: Here's my AI is now all Donald Trump doing a

583
00:26:08,119 --> 00:26:12,000
Speaker 1: stank walk down during Bard up to the song One

584
00:26:12,040 --> 00:26:14,359
Speaker 1: Step at a Time by Jordan Sparks. I don't know

585
00:26:14,400 --> 00:26:15,080
Speaker 1: how it happens.

586
00:26:15,119 --> 00:26:17,520
Speaker 3: Well, that's a very specific algorithm.

587
00:26:17,000 --> 00:26:20,320
Speaker 1: Literally just him walking in. It's Ai Trump walking in

588
00:26:20,400 --> 00:26:22,280
Speaker 1: heels in hot pink shorts.

589
00:26:22,880 --> 00:26:28,600
Speaker 3: To you.

590
00:26:30,080 --> 00:26:34,840
Speaker 2: Because she's polluting her algorithm, because it's so oblique, because

591
00:26:35,280 --> 00:26:37,840
Speaker 2: now it's polluting all of ours, because our phones are listening,

592
00:26:37,920 --> 00:26:41,560
Speaker 2: and she's she's with him constantly, of course, and I also,

593
00:26:41,640 --> 00:26:42,960
Speaker 2: and whenever I get it, I send it.

594
00:26:43,119 --> 00:26:44,359
Speaker 1: I send it to people.

595
00:26:45,400 --> 00:26:46,320
Speaker 2: It's so funny.

596
00:26:46,960 --> 00:26:48,960
Speaker 1: I become that person that sends real.

597
00:26:48,920 --> 00:26:52,959
Speaker 4: Memes, sending memes to people.

598
00:26:53,600 --> 00:26:55,040
Speaker 1: Are you getting the kids memes? No?

599
00:26:55,119 --> 00:26:57,199
Speaker 2: Well they're not on their phones. No, they don't have

600
00:26:57,480 --> 00:26:58,280
Speaker 2: Thank God for you.

601
00:26:58,520 --> 00:27:02,399
Speaker 4: I'm holding out, but don't you feel me close? I

602
00:27:02,440 --> 00:27:05,240
Speaker 4: signed way till late. So Mela's close. She's thirteen, she's

603
00:27:05,240 --> 00:27:09,040
Speaker 4: the last one. Poppies, No, Poppies's the oldest.

604
00:27:09,680 --> 00:27:13,520
Speaker 1: Okay, So do you are you when you're referencing the

605
00:27:13,560 --> 00:27:15,840
Speaker 1: time of when you found Paula Abdul?

606
00:27:16,080 --> 00:27:16,280
Speaker 3: Yes?

607
00:27:16,600 --> 00:27:18,120
Speaker 1: Is that around where Mela is now?

608
00:27:18,240 --> 00:27:19,359
Speaker 3: No? I think I was.

609
00:27:20,040 --> 00:27:22,760
Speaker 4: No, I was younger. I was like seven or eight, ten,

610
00:27:22,840 --> 00:27:26,840
Speaker 4: nine ten, that type of who's her Paula. Mila's Paula

611
00:27:27,040 --> 00:27:32,480
Speaker 4: is Olivia Rodrigo. She loves Olivia Rodrigo. It's her number one.

612
00:27:32,520 --> 00:27:34,919
Speaker 4: I mean, she loves Sabrina. We went to the eras

613
00:27:34,920 --> 00:27:35,159
Speaker 4: to her.

614
00:27:35,240 --> 00:27:38,919
Speaker 3: She loves loves Taylor, she loves Gracie Abrams. We went

615
00:27:38,960 --> 00:27:42,080
Speaker 3: to that. You know, she loves her. But for whatever reason,

616
00:27:42,240 --> 00:27:45,440
Speaker 3: Olivia Rodrigo is her gold love it standard.

617
00:27:45,520 --> 00:27:49,720
Speaker 1: I think it's because she very much is the one.

618
00:27:49,840 --> 00:27:52,199
Speaker 1: I think Olivia is the one rising.

619
00:27:52,359 --> 00:27:56,399
Speaker 2: She stands out, she's doing something, She's in her own lane.

620
00:27:56,440 --> 00:27:59,200
Speaker 4: She has some music that's like a little bit ragier,

621
00:27:59,320 --> 00:28:02,439
Speaker 4: which I think teens want, yeah, because they feel that

622
00:28:02,520 --> 00:28:04,639
Speaker 4: sort of angst and they want to you know. We like,

623
00:28:04,720 --> 00:28:07,280
Speaker 4: I was like Nirvana, you know, which is not a

624
00:28:07,560 --> 00:28:10,520
Speaker 4: I'm like we were kind of like. I went to

625
00:28:11,400 --> 00:28:14,159
Speaker 4: Countered Pearl jam and I looked up in my tiny

626
00:28:14,200 --> 00:28:18,560
Speaker 4: little sister, who's still really little, was like crowdsurfing and

627
00:28:18,640 --> 00:28:20,840
Speaker 4: I was like, oh no, and she has back problems.

628
00:28:20,880 --> 00:28:22,359
Speaker 3: I'm like, you know what, you have back problems? They

629
00:28:22,440 --> 00:28:25,040
Speaker 3: dropped you in that crowd surfing. But I think teens

630
00:28:25,119 --> 00:28:27,800
Speaker 3: want like an outlet for some of that ship.

631
00:28:28,160 --> 00:28:31,439
Speaker 1: Yeah. Yeah, and she provides that I do think that

632
00:28:31,480 --> 00:28:35,080
Speaker 1: what Billie Eilish does a little bit more esoteric. Yes,

633
00:28:35,080 --> 00:28:37,760
Speaker 1: it's a little bit more like emotional and like a

634
00:28:37,880 --> 00:28:42,080
Speaker 1: in a way that she's cerebral, whereas Olivia is speaking

635
00:28:42,240 --> 00:28:47,040
Speaker 1: directly to these emotions in the same way that Taylor did. Yes,

636
00:28:47,160 --> 00:28:50,680
Speaker 1: and I think it's it is a generational thing to me.

637
00:28:50,760 --> 00:28:54,840
Speaker 2: It's about like the the the depth in terms of

638
00:28:54,840 --> 00:28:58,360
Speaker 2: like Billy doing something like subconscious. It's tapping into something

639
00:28:58,440 --> 00:29:00,400
Speaker 2: like like I love that she's still us with like

640
00:29:00,480 --> 00:29:02,960
Speaker 2: sleep and like all this stuff. Yes, with Oliviate's like

641
00:29:03,040 --> 00:29:06,719
Speaker 2: this is right on, like right on, like my sleeve.

642
00:29:07,200 --> 00:29:09,800
Speaker 2: It's it's you. You get it you. I feel like

643
00:29:09,840 --> 00:29:14,320
Speaker 2: it's very legible to someone like thirteen years old. Yes,

644
00:29:14,360 --> 00:29:16,080
Speaker 2: well wait, wait, wait, hold on, Paula. Was that the

645
00:29:16,080 --> 00:29:18,280
Speaker 2: same album as Cold Hearted Snake or no?

646
00:29:18,760 --> 00:29:32,280
Speaker 3: Yes, yes, it's Cold Snake. No Oh he's plays Oh.

647
00:29:32,400 --> 00:29:34,400
Speaker 3: I mean, by the way, how do we know every

648
00:29:34,480 --> 00:29:36,120
Speaker 3: word to that song that we haven't heard him?

649
00:29:36,200 --> 00:29:39,680
Speaker 2: It's in here because you know why. The cassette is

650
00:29:39,720 --> 00:29:42,320
Speaker 2: like giving you a sense of place and time. Yes,

651
00:29:42,400 --> 00:29:45,200
Speaker 2: and you're reading Babysitters Club in your room. I'm sure

652
00:29:45,240 --> 00:29:47,600
Speaker 2: so vivid. Yes, Like now like everything's served up to

653
00:29:47,680 --> 00:29:49,120
Speaker 2: me in a way, and I'm sure it's a function

654
00:29:49,160 --> 00:29:52,280
Speaker 2: of age, like you know, neuroplasticity, imprinting. But I'm like, oh,

655
00:29:52,280 --> 00:29:55,680
Speaker 2: I don't, this doesn't I'm not going to remember like

656
00:29:56,080 --> 00:29:57,920
Speaker 2: the discovery of this new artist in the same way

657
00:29:57,920 --> 00:29:59,720
Speaker 2: I discover I remember where I was when I discovered

658
00:29:59,800 --> 00:30:01,000
Speaker 2: drive license. Yeah.

659
00:30:01,040 --> 00:30:02,960
Speaker 1: I told him Mom, I was like, have you heard

660
00:30:02,960 --> 00:30:06,320
Speaker 1: of Olivia Rodrigo. He's like no. I was like, well

661
00:30:06,600 --> 00:30:11,120
Speaker 1: you might be hearing about it, hey, But on point

662
00:30:11,120 --> 00:30:13,160
Speaker 1: of order, it feels like nothing is what it says

663
00:30:13,160 --> 00:30:13,880
Speaker 1: it is anymore.

664
00:30:14,240 --> 00:30:16,520
Speaker 2: Point of answer, it's because everything has a.

665
00:30:16,480 --> 00:30:19,400
Speaker 1: Catch, hey, or it turns out to be something else entirely.

666
00:30:19,160 --> 00:30:23,400
Speaker 2: Like a total catfish situation exactly except for hotels dot com. Yeah,

667
00:30:23,400 --> 00:30:26,000
Speaker 2: that one's pretty literal because it's hotels dot com. It's

668
00:30:26,040 --> 00:30:29,640
Speaker 2: in the domain. You go there, you book hotels, hundreds

669
00:30:29,640 --> 00:30:31,160
Speaker 2: of thousands of them, and hold up.

670
00:30:31,320 --> 00:30:32,960
Speaker 1: That's it. That's it.

671
00:30:33,120 --> 00:30:35,280
Speaker 2: And when stays are booked as a member, rewards are

672
00:30:35,320 --> 00:30:39,400
Speaker 2: earned every time, every stay, every stay, no tracking or managing,

673
00:30:39,560 --> 00:30:42,440
Speaker 2: just rewards that can be used like cash on future booking.

674
00:30:42,120 --> 00:30:45,040
Speaker 1: Which, by the way, already feels nicer than most rewards programs.

675
00:30:45,040 --> 00:30:47,360
Speaker 2: Okay, yeah, members can also get up to twenty percent

676
00:30:47,400 --> 00:30:49,440
Speaker 2: off booking, so savings start right away.

677
00:30:49,520 --> 00:30:52,120
Speaker 1: Does that mean no weird restrictions.

678
00:30:51,440 --> 00:30:54,160
Speaker 2: And no blackout dates? Book what works? When it works,

679
00:30:54,280 --> 00:30:57,440
Speaker 2: it's actually really fitting of real travel.

680
00:30:57,560 --> 00:31:00,880
Speaker 1: So the name is honest you're saying, and the awards are.

681
00:31:00,760 --> 00:31:04,240
Speaker 2: Too exactly hotels dot com. It's all in the name.

682
00:31:04,480 --> 00:31:06,880
Speaker 1: You know what my favorite Paul ab song is is

683
00:31:06,880 --> 00:31:10,320
Speaker 1: only a little ironic. Her ballad Rush Rush, Oh yeah,

684
00:31:10,560 --> 00:31:12,640
Speaker 1: that's never forget the bridge when she belt it for

685
00:31:12,680 --> 00:31:16,560
Speaker 1: the first and only time, So deep, so deep.

686
00:31:19,280 --> 00:31:20,960
Speaker 4: But that's not I don't think that's I think that's

687
00:31:20,960 --> 00:31:23,800
Speaker 4: her first one, right, that's not the same album.

688
00:31:23,920 --> 00:31:26,560
Speaker 1: Okay, See this is where she was then trying to

689
00:31:26,560 --> 00:31:28,840
Speaker 1: prove she could sing right right right, because she did

690
00:31:29,280 --> 00:31:36,840
Speaker 1: she did. Yeah yeah, yeah. Did you hear them? You

691
00:31:36,920 --> 00:31:38,560
Speaker 1: hear the mic? Go far away? Yes?

692
00:31:38,680 --> 00:31:39,120
Speaker 3: Exactly.

693
00:31:39,360 --> 00:31:42,640
Speaker 2: How many cabinet positions were there in your babysitters Club?

694
00:31:42,800 --> 00:31:44,560
Speaker 2: Were you treasure was that what you were saying?

695
00:31:44,680 --> 00:31:46,880
Speaker 3: I think I was. I can't remember if I was

696
00:31:47,000 --> 00:31:49,440
Speaker 3: treasurer or vice president, which is also a job.

697
00:31:51,200 --> 00:31:55,640
Speaker 1: You would trust me, thankless job.

698
00:31:56,080 --> 00:31:58,960
Speaker 4: I was like, guys, should we try to go around

699
00:31:59,080 --> 00:31:59,960
Speaker 4: door to door?

700
00:32:00,040 --> 00:32:01,480
Speaker 3: What should we do here?

701
00:32:01,480 --> 00:32:02,280
Speaker 1: Were there four of you?

702
00:32:02,400 --> 00:32:05,680
Speaker 3: It was my sister, our next door neighbor, Robin Oxford.

703
00:32:05,840 --> 00:32:08,560
Speaker 3: Robin my mom didn't allow. She allowed being with Bacon,

704
00:32:08,600 --> 00:32:10,320
Speaker 3: but she didn't have sweets in the house. So we

705
00:32:10,360 --> 00:32:13,160
Speaker 3: would climb through Robin Oxford's window and steal her.

706
00:32:13,040 --> 00:32:18,520
Speaker 4: Twinkies and such. Yeah, it was and then it was

707
00:32:18,960 --> 00:32:23,440
Speaker 4: a boy and yeah, two boys, brothers, and we actually

708
00:32:23,480 --> 00:32:27,960
Speaker 4: painted their little back house. We sponge painted it. How

709
00:32:28,000 --> 00:32:28,719
Speaker 4: eighties was that?

710
00:32:28,760 --> 00:32:29,240
Speaker 3: Do you remember?

711
00:32:29,360 --> 00:32:32,000
Speaker 1: Sponge Paty? Sorry, they were babysitters in the club.

712
00:32:32,040 --> 00:32:33,480
Speaker 3: They were part of our club. I don't know that

713
00:32:33,480 --> 00:32:34,760
Speaker 3: they actually boys.

714
00:32:34,480 --> 00:32:38,800
Speaker 1: Babysat young gay boys in the neighbor. You don't know

715
00:32:38,840 --> 00:32:39,840
Speaker 1: that they babysat.

716
00:32:40,080 --> 00:32:43,440
Speaker 4: Well, it was a club. I'm not sure they actually babysat.

717
00:32:43,520 --> 00:32:44,360
Speaker 1: I did you did?

718
00:32:45,120 --> 00:32:46,720
Speaker 2: But were there four positions?

719
00:32:46,840 --> 00:32:47,240
Speaker 1: President?

720
00:32:47,560 --> 00:32:50,640
Speaker 3: Robin, my sister Barbara. Did I mention her? I hope so?

721
00:32:51,160 --> 00:32:53,360
Speaker 3: Me and then Sissy Sissy?

722
00:32:53,520 --> 00:32:58,520
Speaker 4: There were five of us secretary treasurer, vice president, president, and.

723
00:32:58,440 --> 00:33:01,760
Speaker 3: Probably surgeon her Arms pere j r surgeon in arms.

724
00:33:01,960 --> 00:33:02,960
Speaker 1: Well, I was gonna say.

725
00:33:03,560 --> 00:33:06,160
Speaker 3: Surgeon in arms does neither something.

726
00:33:06,000 --> 00:33:08,360
Speaker 2: Because in the Babysitters Club there were four of them, right, yes,

727
00:33:08,440 --> 00:33:09,520
Speaker 2: And I was gonna say.

728
00:33:09,400 --> 00:33:15,080
Speaker 3: Like this right Stacy, Claudia, Christy, Mary Anne.

729
00:33:15,240 --> 00:33:16,920
Speaker 2: I know there were more than four, wasn't there?

730
00:33:16,960 --> 00:33:17,880
Speaker 1: And Don and Don?

731
00:33:18,240 --> 00:33:22,160
Speaker 3: Because Don moved from California? Did you ever read a couple?

732
00:33:22,200 --> 00:33:25,120
Speaker 2: Because so my contramand growing up as a little closet

733
00:33:25,120 --> 00:33:28,080
Speaker 2: and boy was just sneaking into my sister's room and

734
00:33:28,080 --> 00:33:28,800
Speaker 2: stealing her books.

735
00:33:29,520 --> 00:33:31,200
Speaker 3: And did you read Judy Bloom?

736
00:33:31,320 --> 00:33:32,640
Speaker 2: I didn't read Judy Bloom, but you know, you know

737
00:33:32,680 --> 00:33:34,920
Speaker 2: what the big standout like thing that I had under

738
00:33:34,960 --> 00:33:37,000
Speaker 2: my bed was was Sister of the Traveling Pants.

739
00:33:37,120 --> 00:33:37,320
Speaker 4: Yeah.

740
00:33:37,560 --> 00:33:39,360
Speaker 2: I was like, I can't have anyone find. I can't

741
00:33:39,400 --> 00:33:41,320
Speaker 2: have her find. My parents would see him be like

742
00:33:41,360 --> 00:33:45,320
Speaker 2: that's weird, but she would immediately like, you're gay. You're

743
00:33:45,360 --> 00:33:46,240
Speaker 2: reading a girl's book.

744
00:33:46,320 --> 00:33:47,160
Speaker 1: Yeah, but I.

745
00:33:47,560 --> 00:33:50,840
Speaker 2: God, like, isn't that I love? Like a book that

746
00:33:50,880 --> 00:33:53,160
Speaker 2: you're not supposed to read? You know?

747
00:33:53,560 --> 00:33:53,840
Speaker 1: Yes?

748
00:33:53,920 --> 00:33:58,720
Speaker 4: And honestly, even when when Judy Bloom gave me are

749
00:33:58,720 --> 00:34:01,200
Speaker 4: you there? God, it's me Mark, which is Mela's real name.

750
00:34:01,200 --> 00:34:02,560
Speaker 4: I'm like, oh my god, I'm going to give that

751
00:34:03,040 --> 00:34:05,120
Speaker 4: to Mila. And she said, you can't give that to Mila.

752
00:34:05,760 --> 00:34:07,800
Speaker 4: You can't give it to Mila. She doesn't want a

753
00:34:07,840 --> 00:34:11,319
Speaker 4: recommendation from her mother. Kind it somewhere and let her

754
00:34:11,400 --> 00:34:14,360
Speaker 4: find it. And I think it's so right, Like kids

755
00:34:14,400 --> 00:34:16,880
Speaker 4: need to be empowered to find their own sort of way.

756
00:34:16,920 --> 00:34:19,040
Speaker 3: Like nobody gave you that book.

757
00:34:19,600 --> 00:34:22,759
Speaker 4: You discovered it, and there's something really empowering about that.

758
00:34:23,040 --> 00:34:24,800
Speaker 2: Well, then you are in you are in the business

759
00:34:24,840 --> 00:34:28,360
Speaker 2: of telling people what to read. Johnah Bushager, what's that about?

760
00:34:28,600 --> 00:34:29,520
Speaker 3: That's heaven?

761
00:34:30,160 --> 00:34:34,200
Speaker 4: Yes, yes, it really is, and I love it so much.

762
00:34:34,239 --> 00:34:36,839
Speaker 4: And our mission is really to highlight newer voices. It's

763
00:34:36,880 --> 00:34:39,200
Speaker 4: really hard. I mean, y'all are writing a book. It's

764
00:34:39,239 --> 00:34:42,200
Speaker 4: really hard to be published. It's really hard to be seen.

765
00:34:43,080 --> 00:34:46,960
Speaker 4: Not all authors historically have been published, you know, And

766
00:34:47,040 --> 00:34:51,359
Speaker 4: so I think representation really matters and finding authors who

767
00:34:51,360 --> 00:34:54,279
Speaker 4: are just starting their way. Yeah, but it's such I

768
00:34:54,280 --> 00:34:56,600
Speaker 4: think it's such a lesson and like, if you love

769
00:34:56,680 --> 00:34:59,440
Speaker 4: something organically, you can kind of make it.

770
00:34:59,400 --> 00:35:01,400
Speaker 3: Part of your work. Like y'all are doing this.

771
00:35:01,480 --> 00:35:05,640
Speaker 4: You're sitting around with your best friends having conversations like

772
00:35:05,680 --> 00:35:07,440
Speaker 4: done that feel like heaven.

773
00:35:07,280 --> 00:35:08,000
Speaker 2: Feels so nice.

774
00:35:08,120 --> 00:35:10,680
Speaker 1: Yeah, it really is. It's like I think we take

775
00:35:10,719 --> 00:35:13,520
Speaker 1: it for granted too, as like a thing that's given

776
00:35:13,600 --> 00:35:15,080
Speaker 1: us so much and we able to do. I do

777
00:35:15,160 --> 00:35:19,399
Speaker 1: think though, that what is what you're able to tell

778
00:35:19,440 --> 00:35:21,359
Speaker 1: from Read with Jenna and maybe people can tell from this,

779
00:35:21,400 --> 00:35:23,959
Speaker 1: is that we genuinely enjoy doing it. I always feel

780
00:35:23,960 --> 00:35:26,680
Speaker 1: like I think Amy Poehler said like if you're having fun, yeah,

781
00:35:26,680 --> 00:35:30,400
Speaker 1: they'll have fun. Yeah, something so like key to remember.

782
00:35:30,800 --> 00:35:32,839
Speaker 1: And I really what I love about Read with Jenna.

783
00:35:32,880 --> 00:35:34,680
Speaker 1: And I asked you this when I was co hosting

784
00:35:34,680 --> 00:35:36,759
Speaker 1: with you, because I've been there a few times when

785
00:35:36,760 --> 00:35:41,040
Speaker 1: you've debuted your pick and just how strenuously and how

786
00:35:41,120 --> 00:35:44,600
Speaker 1: much you really do care to make that selection. You

787
00:35:44,680 --> 00:35:46,680
Speaker 1: don't just read one and think oh this will do.

788
00:35:46,880 --> 00:35:49,160
Speaker 1: Like you read a lot and then I mean.

789
00:35:49,080 --> 00:35:50,960
Speaker 4: I'm reading all the time. But that also is such

790
00:35:51,000 --> 00:35:53,440
Speaker 4: a gift, you know, to get to do.

791
00:35:53,320 --> 00:35:56,200
Speaker 1: That, but it's very time consumed. It is like you're

792
00:35:56,239 --> 00:35:57,440
Speaker 1: already a really busy person.

793
00:35:57,480 --> 00:35:59,320
Speaker 3: I mean I read all the time, but like, also

794
00:35:59,360 --> 00:36:00,640
Speaker 3: how fun is that? You know?

795
00:36:01,280 --> 00:36:03,640
Speaker 4: And there's I mean I can listen to books and

796
00:36:03,880 --> 00:36:08,280
Speaker 4: speechifies this app that I'm obsessed with. It's really helpful,

797
00:36:08,600 --> 00:36:11,120
Speaker 4: Like if you have to read something quickly, you can

798
00:36:11,160 --> 00:36:12,799
Speaker 4: speechify that, do you.

799
00:36:13,200 --> 00:36:17,000
Speaker 2: I For some reason, I'm so I'm so weirdly picked

800
00:36:17,000 --> 00:36:19,600
Speaker 2: with what makes it to the audio book stage because

801
00:36:19,600 --> 00:36:23,440
Speaker 2: it feels like something that's like easily absorbed, like dense

802
00:36:23,560 --> 00:36:27,040
Speaker 2: fiction can beat it For me, I don't know, Well.

803
00:36:27,360 --> 00:36:29,720
Speaker 4: I have to be able to see it and listen

804
00:36:29,760 --> 00:36:32,560
Speaker 4: at the same time. But like, yeah, I rarely just

805
00:36:32,680 --> 00:36:36,360
Speaker 4: listen to audiobook because it's I mean, this is also

806
00:36:36,480 --> 00:36:38,520
Speaker 4: like such a lucky thing. But I start to get

807
00:36:38,640 --> 00:36:41,359
Speaker 4: sleepy because my parents read to me before bed when

808
00:36:41,360 --> 00:36:44,080
Speaker 4: I was little, So even like if I'm driving or

809
00:36:44,120 --> 00:36:46,759
Speaker 4: something like hell no, because I kind of want to

810
00:36:46,800 --> 00:36:48,719
Speaker 4: just like that's it totally, so I have to be

811
00:36:48,800 --> 00:36:49,920
Speaker 4: able to read it at the same time.

812
00:36:49,920 --> 00:36:53,440
Speaker 1: Of course, I find that the way audiobooks are performed

813
00:36:54,000 --> 00:36:55,160
Speaker 1: really matters.

814
00:36:55,239 --> 00:36:55,399
Speaker 3: Well.

815
00:36:55,440 --> 00:36:57,720
Speaker 4: I mean when we think about like Tom Lake, which

816
00:36:57,960 --> 00:37:00,960
Speaker 4: our queen and Patchet wrote, but Meryl Street read it

817
00:37:01,040 --> 00:37:03,560
Speaker 4: exactly that. To me, it's like, if you can have

818
00:37:03,719 --> 00:37:06,760
Speaker 4: those moments or you Lena Dunnan was on the show.

819
00:37:07,200 --> 00:37:09,160
Speaker 4: I'd love to listen to her read her own shit.

820
00:37:09,560 --> 00:37:11,960
Speaker 1: We do it in the car Melissa and I, and

821
00:37:12,000 --> 00:37:15,319
Speaker 1: it's so it's her. She's just a funny person telling

822
00:37:15,360 --> 00:37:18,319
Speaker 1: her own story. Like Mariah Carey. We always say we

823
00:37:18,360 --> 00:37:22,120
Speaker 1: did a One of the only book clubs we ever

824
00:37:22,160 --> 00:37:26,319
Speaker 1: did on this was we we did Mariah. For the

825
00:37:26,360 --> 00:37:29,360
Speaker 1: meaning of Mariah Carey and just the way that she

826
00:37:29,640 --> 00:37:33,560
Speaker 1: informs the stories with her voice. It made me feel

827
00:37:33,560 --> 00:37:36,000
Speaker 1: like this is a whole other dimension. And I said

828
00:37:36,000 --> 00:37:37,520
Speaker 1: to them on the other day, like for our book,

829
00:37:37,560 --> 00:37:41,480
Speaker 1: I'm so excited to read it. Give it that dimension

830
00:37:41,480 --> 00:37:44,120
Speaker 1: because in a way, it's a whole other project.

831
00:37:44,480 --> 00:37:45,000
Speaker 3: Yes it is.

832
00:37:45,080 --> 00:37:47,440
Speaker 4: It's like the performing of it and the storytelling of it,

833
00:37:47,480 --> 00:37:50,880
Speaker 4: which is gone, you know, like that's the original art form.

834
00:37:51,320 --> 00:37:51,920
Speaker 1: Yeah.

835
00:37:51,960 --> 00:37:55,760
Speaker 2: Wait, this new one I want to read Caller Unknown.

836
00:37:55,960 --> 00:37:56,920
Speaker 3: Yeah, Color Unknown?

837
00:37:57,120 --> 00:37:58,560
Speaker 2: Is this the first thriller in a watch.

838
00:37:58,840 --> 00:38:02,440
Speaker 4: It's the first thriller I've I've only chosen two thrillers before.

839
00:38:03,040 --> 00:38:04,919
Speaker 4: One is called All the Colors of the Dark, which

840
00:38:05,000 --> 00:38:06,920
Speaker 4: is so good and I wish I'd brought you books.

841
00:38:07,560 --> 00:38:08,359
Speaker 3: It's so good.

842
00:38:08,440 --> 00:38:12,640
Speaker 4: It's like if it's like if Room, which maybe you've read,

843
00:38:12,960 --> 00:38:17,120
Speaker 4: and to Kill a mocking Bird because it's about like

844
00:38:17,560 --> 00:38:20,960
Speaker 4: this friendship and a small town, but it's also this

845
00:38:21,040 --> 00:38:21,840
Speaker 4: kind of thriller.

846
00:38:22,000 --> 00:38:23,160
Speaker 3: It's so so good.

847
00:38:23,239 --> 00:38:26,960
Speaker 4: I rarely choose thrillers or mysteries come but I don't know.

848
00:38:27,040 --> 00:38:30,160
Speaker 4: I love them, but I do feel they become slightly formalaic.

849
00:38:30,239 --> 00:38:32,880
Speaker 4: I like I can kind of be a detective and

850
00:38:32,880 --> 00:38:34,640
Speaker 4: I'm like, wait, this is I you know, I know

851
00:38:34,800 --> 00:38:37,520
Speaker 4: where this is headed. So I think things that feel.

852
00:38:37,280 --> 00:38:41,040
Speaker 3: Fresh and interesting or have another dimension to it, I'm into.

853
00:38:41,239 --> 00:38:42,920
Speaker 1: Yeah, are you like that with everything?

854
00:38:43,520 --> 00:38:45,879
Speaker 2: Kind of yeah, the stuff that you can get ahead

855
00:38:45,880 --> 00:38:46,279
Speaker 2: of your like.

856
00:38:46,840 --> 00:38:49,560
Speaker 4: It's sort of and I kind of I'm like I

857
00:38:49,680 --> 00:38:51,680
Speaker 4: paid too much attention to you know, like they're like

858
00:38:52,120 --> 00:38:54,040
Speaker 4: Chanelle will be like, how did you know that they

859
00:38:54,040 --> 00:38:54,359
Speaker 4: were going.

860
00:38:54,360 --> 00:38:56,440
Speaker 3: To surprise us with that person? And once you know,

861
00:38:56,520 --> 00:38:58,840
Speaker 3: you know, my ears were open. It's kind of like

862
00:38:59,120 --> 00:38:59,640
Speaker 3: when you're.

863
00:38:59,520 --> 00:39:03,719
Speaker 1: A huge out of reality TV. Yeah, like you realize that, like,

864
00:39:03,880 --> 00:39:08,560
Speaker 1: for example, Survivor, Yes, this season is Survivor fifty and

865
00:39:08,640 --> 00:39:10,759
Speaker 1: so it's like a huge season that a lot of

866
00:39:10,800 --> 00:39:13,520
Speaker 1: people are watching and a lot of like if you're

867
00:39:13,560 --> 00:39:15,640
Speaker 1: a fan of the show, you'll probably go on your

868
00:39:15,680 --> 00:39:17,600
Speaker 1: YouTube landing page and then there's like a whole bunch

869
00:39:17,680 --> 00:39:19,759
Speaker 1: of people that talk about it and they're like, Oh,

870
00:39:19,800 --> 00:39:21,719
Speaker 1: this person's gonna win. They're getting the winners at it,

871
00:39:21,840 --> 00:39:24,560
Speaker 1: and you're like, oh god, the winners edit. Once you

872
00:39:24,600 --> 00:39:26,520
Speaker 1: see it, you can't see it, and it's like in

873
00:39:26,560 --> 00:39:29,440
Speaker 1: a movie. Now, it's like once you see something mentioned,

874
00:39:29,560 --> 00:39:32,400
Speaker 1: you know it's gonna Those are just the rules. So

875
00:39:32,520 --> 00:39:34,919
Speaker 1: it's like the other side of being a huge fan

876
00:39:34,960 --> 00:39:38,080
Speaker 1: of something is that you then become someone who's ahead

877
00:39:38,120 --> 00:39:40,440
Speaker 1: of it without wanting to be. I love it so

878
00:39:40,520 --> 00:39:43,120
Speaker 1: much that you know the formula. So sometimes you have

879
00:39:43,160 --> 00:39:46,120
Speaker 1: to ask yourself, am I just someone who's very learned

880
00:39:46,200 --> 00:39:47,719
Speaker 1: about this thing? Or is this not so?

881
00:39:48,040 --> 00:39:48,160
Speaker 4: Like?

882
00:39:48,160 --> 00:39:50,239
Speaker 3: Am I the problem exactly?

883
00:39:50,320 --> 00:39:54,320
Speaker 2: But the way he does I love it, I don't.

884
00:39:54,440 --> 00:39:57,279
Speaker 2: I'm not as I'm not as expansive in the way

885
00:39:57,400 --> 00:39:59,040
Speaker 2: that Matt is. I feel mad.

886
00:39:59,200 --> 00:40:02,359
Speaker 3: Do you have those third show I love I.

887
00:40:02,320 --> 00:40:05,799
Speaker 2: Love My Survivor, I Love My Love Howives.

888
00:40:05,960 --> 00:40:09,879
Speaker 4: Yes, that's basically the Housewives across the board pretty much.

889
00:40:10,000 --> 00:40:11,520
Speaker 1: We love Traders, we love Traders.

890
00:40:11,600 --> 00:40:15,200
Speaker 2: Yeah, and uh, that's basically it.

891
00:40:16,400 --> 00:40:18,640
Speaker 1: I'm kind of like, I'll watch I'll try and you

892
00:40:18,640 --> 00:40:22,480
Speaker 1: know what, I watched the Age of Attraction on Netflix.

893
00:40:22,840 --> 00:40:25,719
Speaker 1: What's that no one knew how old anyone was and

894
00:40:25,760 --> 00:40:27,759
Speaker 1: then they they all met up and that they did

895
00:40:27,800 --> 00:40:28,200
Speaker 1: a reveal.

896
00:40:28,360 --> 00:40:28,919
Speaker 3: Did that work?

897
00:40:30,080 --> 00:40:32,960
Speaker 1: No, it's a little upset. It's a little upset.

898
00:40:33,440 --> 00:40:35,600
Speaker 3: So it is. And who really gives a ship?

899
00:40:35,960 --> 00:40:39,080
Speaker 1: Do you know what I mean? You think? Because I

900
00:40:39,120 --> 00:40:42,439
Speaker 1: was like, I don't care, Like yeah, yeah, but here's

901
00:40:42,440 --> 00:40:44,799
Speaker 1: the thing like that. That's I think the point is

902
00:40:44,800 --> 00:40:46,640
Speaker 1: it's like you're like, oh, yeah, who cares? And then

903
00:40:46,880 --> 00:40:50,399
Speaker 1: the family comes in and this is revealed and that's

904
00:40:50,440 --> 00:40:53,279
Speaker 1: and then this thing about because it's it is an

905
00:40:53,280 --> 00:40:56,080
Speaker 1: interesting depiction of the way you perform on a date

906
00:40:56,440 --> 00:41:00,560
Speaker 1: about like because I don't know how y'all felt or

907
00:41:00,600 --> 00:41:02,719
Speaker 1: you felt when you were dating, or like how you

908
00:41:02,760 --> 00:41:04,640
Speaker 1: how like we feel now, But it's kind of like,

909
00:41:05,960 --> 00:41:09,200
Speaker 1: in the initial stages of dating, you definitely are, whether

910
00:41:09,239 --> 00:41:13,280
Speaker 1: you want to or not, you are performing. You're saying

911
00:41:13,480 --> 00:41:17,520
Speaker 1: things are permissible that actually they're not. And it's just

912
00:41:17,600 --> 00:41:22,440
Speaker 1: funny to watch in a truncated, you know, reality television program,

913
00:41:22,960 --> 00:41:25,480
Speaker 1: just how quickly, oh that thing you said wasn't a

914
00:41:25,480 --> 00:41:27,680
Speaker 1: big deal ended up being a big deal. That thing

915
00:41:27,719 --> 00:41:30,279
Speaker 1: you said about yourself ended up not being true. And

916
00:41:30,360 --> 00:41:33,880
Speaker 1: I appreciated this big thing of age being like, of

917
00:41:33,920 --> 00:41:36,560
Speaker 1: course it's just a number. Yeah, and then seeing people's

918
00:41:36,600 --> 00:41:41,080
Speaker 1: like real thoughts, insecurities, insights about that actually ended up

919
00:41:41,120 --> 00:41:43,040
Speaker 1: being kind of interesting as a social experience.

920
00:41:43,120 --> 00:41:46,160
Speaker 3: Yes, I mean it's true. The beginning is so performative.

921
00:41:46,280 --> 00:41:46,640
Speaker 1: You're like.

922
00:41:48,120 --> 00:41:50,960
Speaker 4: Nine, what you order, Like, think about what you order

923
00:41:51,000 --> 00:41:53,040
Speaker 4: a dinner. It's so different than what you would order

924
00:41:53,120 --> 00:41:55,560
Speaker 4: twenty years in. You're like, I'm not going to eat

925
00:41:55,600 --> 00:41:56,200
Speaker 4: the spaghetti.

926
00:41:56,280 --> 00:41:56,879
Speaker 3: You know what I'm saying.

927
00:41:56,920 --> 00:41:59,759
Speaker 4: Now you're like, pass me the spaghetti. You know, it's

928
00:41:59,800 --> 00:42:00,520
Speaker 4: like crazy.

929
00:42:00,520 --> 00:42:02,600
Speaker 1: I think it's a baller move when someone on a

930
00:42:02,680 --> 00:42:05,839
Speaker 1: date is like I'm gonna have pork chop soup. I'm

931
00:42:05,840 --> 00:42:09,920
Speaker 1: getting soup. Yeah, I'm gonna side.

932
00:42:08,760 --> 00:42:10,359
Speaker 3: Because I didn't want to get the lettuce in my.

933
00:42:12,000 --> 00:42:12,239
Speaker 2: Bad.

934
00:42:12,360 --> 00:42:15,960
Speaker 1: If you can't sit there and watch me slurp, we

935
00:42:16,040 --> 00:42:20,680
Speaker 1: have no business continuing. Do you remember what you how about?

936
00:42:20,719 --> 00:42:22,600
Speaker 3: Matt can find his camera anywhere.

937
00:42:23,040 --> 00:42:26,040
Speaker 4: Matt could be like perfect Mac could be like in

938
00:42:26,400 --> 00:42:28,880
Speaker 4: like four rooms away and he'd find that.

939
00:42:29,800 --> 00:42:32,239
Speaker 1: Do you see me? Do you catch me finding the camera? Well?

940
00:42:32,360 --> 00:42:41,000
Speaker 4: Hell yeah? And sometimes you say where's my camera? Were

941
00:42:41,000 --> 00:42:42,719
Speaker 4: you the type of little kid that when you would

942
00:42:42,719 --> 00:42:44,560
Speaker 4: go out to dinner or be in an elevator, you'd

943
00:42:44,560 --> 00:42:45,320
Speaker 4: look in the mirror.

944
00:42:45,719 --> 00:42:48,560
Speaker 3: Me too, can't you see baby?

945
00:42:49,239 --> 00:42:51,880
Speaker 1: My mom says that. So when she when I was little,

946
00:42:51,920 --> 00:42:54,720
Speaker 1: she would cut hair in the house, and of course

947
00:42:54,800 --> 00:42:57,520
Speaker 1: like she had like a little little room for salon,

948
00:42:57,960 --> 00:43:00,200
Speaker 1: and so I'd go in the room and talk to

949
00:43:00,239 --> 00:43:01,640
Speaker 1: her clients that were in the chair.

950
00:43:01,880 --> 00:43:05,040
Speaker 3: But just you can't you see it?

951
00:43:05,680 --> 00:43:08,560
Speaker 2: Can I say something? Yes, we're on zoom a lot recently.

952
00:43:08,680 --> 00:43:10,280
Speaker 1: Stop it. This is so mean.

953
00:43:11,640 --> 00:43:14,080
Speaker 2: And he's just well just just just just when he

954
00:43:14,200 --> 00:43:15,600
Speaker 2: just the first log on, he doesn't do it the

955
00:43:15,640 --> 00:43:16,320
Speaker 2: whole time.

956
00:43:16,280 --> 00:43:17,080
Speaker 3: Which the first one is.

957
00:43:17,120 --> 00:43:18,600
Speaker 1: He was like, Hi, Hi, Hi everybody.

958
00:43:19,200 --> 00:43:24,520
Speaker 2: Hey guys, like kind of primping, primping on zoom, you

959
00:43:24,520 --> 00:43:25,640
Speaker 2: know that old check.

960
00:43:25,800 --> 00:43:33,800
Speaker 1: Everyone does everything, everybody. She's a little adjustment. This is

961
00:43:33,800 --> 00:43:35,600
Speaker 1: a little maybe I need to smile a little bit more.

962
00:43:36,200 --> 00:43:37,959
Speaker 1: We all do it here.

963
00:43:37,760 --> 00:43:40,640
Speaker 3: We all do it, but some of us like it

964
00:43:40,680 --> 00:43:41,440
Speaker 3: more than others.

965
00:43:42,920 --> 00:43:48,360
Speaker 1: Red Red with Jenna.

966
00:43:47,440 --> 00:43:57,279
Speaker 4: Jenna love that about you. You remind me of like

967
00:43:57,320 --> 00:44:03,160
Speaker 4: a little Disney print. He does. I was like, I

968
00:44:03,200 --> 00:44:04,800
Speaker 4: was like, I feel like I've told him that before.

969
00:44:05,200 --> 00:44:08,200
Speaker 4: Which is weird, but.

970
00:44:07,239 --> 00:44:09,480
Speaker 1: You do say it maybe twice a month. That's so

971
00:44:10,480 --> 00:44:11,000
Speaker 1: I love it.

972
00:44:11,000 --> 00:44:14,120
Speaker 3: It's true you're handsome, but and you're like.

973
00:44:14,280 --> 00:44:18,279
Speaker 2: Oh my god, goofy, goofy, foofy the hell out.

974
00:44:18,640 --> 00:44:20,160
Speaker 3: No, I don't want to leave. No.

975
00:44:20,320 --> 00:44:22,200
Speaker 1: First of all, that was not where I was going.

976
00:44:23,000 --> 00:44:26,520
Speaker 1: I just mean like, no, stop, stop, we love you,

977
00:44:27,320 --> 00:44:31,400
Speaker 1: thank you guys. Well, so listen, I do have a

978
00:44:31,480 --> 00:44:34,439
Speaker 1: question for you, which is like, sometimes I'm there and

979
00:44:34,680 --> 00:44:37,120
Speaker 1: like it's such a natural thing at the show to

980
00:44:37,160 --> 00:44:39,600
Speaker 1: be like, oh okay and coming up next to this person,

981
00:44:40,080 --> 00:44:42,600
Speaker 1: how often are you gagged? How often are you like

982
00:44:42,880 --> 00:44:45,200
Speaker 1: oh oh no? And then are you really grateful to

983
00:44:45,239 --> 00:44:46,600
Speaker 1: have someone to do next to you?

984
00:44:46,680 --> 00:44:49,759
Speaker 4: Like freaking out because the person is there? Yeah, I

985
00:44:49,760 --> 00:44:53,840
Speaker 4: mean we had Goldie Han today. Wow, that's amazing, and

986
00:44:53,880 --> 00:44:56,240
Speaker 4: it's amazing. But I will say most of the time,

987
00:44:57,440 --> 00:45:00,120
Speaker 4: everybody is super kind, do you know, And so it

988
00:45:00,160 --> 00:45:03,160
Speaker 4: sort of lives up to your But I'm definitely a

989
00:45:03,239 --> 00:45:05,800
Speaker 4: team like I want a teammate, you know, I would

990
00:45:05,800 --> 00:45:08,680
Speaker 4: not want a solo show because I like to be

991
00:45:08,800 --> 00:45:11,440
Speaker 4: part of I like to play off somebody, I like

992
00:45:11,520 --> 00:45:14,080
Speaker 4: to laugh with somebody before the show, even starts. I

993
00:45:14,200 --> 00:45:16,920
Speaker 4: like having somebody to like. I mean, you know, Hoda.

994
00:45:17,040 --> 00:45:19,279
Speaker 4: I loved Hodas so much. I still love Hoda. I

995
00:45:19,280 --> 00:45:21,600
Speaker 4: see her all the time. I took to her all

996
00:45:21,640 --> 00:45:26,480
Speaker 4: the time. It feels really good to be in community,

997
00:45:26,680 --> 00:45:28,799
Speaker 4: you know, Like, I don't want to be solo by

998
00:45:28,800 --> 00:45:32,880
Speaker 4: myself because then I really would there be pressure there, because.

999
00:45:32,800 --> 00:45:35,359
Speaker 2: That feels like a date where you're a first date

1000
00:45:35,360 --> 00:45:37,960
Speaker 2: where you're performing yeah, something about yourself where you're like,

1001
00:45:37,960 --> 00:45:39,239
Speaker 2: I would I want the spaghetti.

1002
00:45:39,360 --> 00:45:40,440
Speaker 1: Yes, you're getting.

1003
00:45:40,200 --> 00:45:43,880
Speaker 4: Greaghetti, spaghetti, and you can eat spaghetti when somebody like

1004
00:45:43,920 --> 00:45:48,080
Speaker 4: Hoda is next to you, right, yeah, And if you're

1005
00:45:48,280 --> 00:45:50,040
Speaker 4: solow it would feel it.

1006
00:45:50,040 --> 00:45:51,799
Speaker 1: Does feel a little bit harder to eat spaghetti when

1007
00:45:51,800 --> 00:45:54,600
Speaker 1: you're solo, because then you're like, oh, god, like, but.

1008
00:45:56,440 --> 00:45:58,840
Speaker 3: Who was the week where you like we had Kelly? Wait? No,

1009
00:45:59,000 --> 00:45:59,480
Speaker 3: was it?

1010
00:45:59,680 --> 00:46:03,000
Speaker 1: Well, I've been lucking out a lot. I had Kelly Clarkson.

1011
00:46:02,600 --> 00:46:05,560
Speaker 4: Yeah, Clarkson, and there was somebody else that we were

1012
00:46:05,640 --> 00:46:06,400
Speaker 4: we were like bagged.

1013
00:46:06,680 --> 00:46:10,960
Speaker 1: Yeah, was it Reese? Yeahese on the show and then

1014
00:46:11,000 --> 00:46:12,359
Speaker 1: Reese came in and I was like, oh my god,

1015
00:46:12,400 --> 00:46:13,920
Speaker 1: I get to hang out least twice.

1016
00:46:13,960 --> 00:46:16,360
Speaker 2: Yes, And the real house was of Rhode Island gage.

1017
00:46:16,400 --> 00:46:17,440
Speaker 1: Oh yeah, that was fun.

1018
00:46:17,840 --> 00:46:21,160
Speaker 3: We actually changed the date of that so that Matt

1019
00:46:21,160 --> 00:46:25,600
Speaker 3: could be there. Oh my god, y'all love him, we do.

1020
00:46:25,920 --> 00:46:26,600
Speaker 1: That's amazing.

1021
00:46:26,719 --> 00:46:28,000
Speaker 3: I needed his expertise.

1022
00:46:28,120 --> 00:46:28,479
Speaker 2: Of course.

1023
00:46:28,480 --> 00:46:30,520
Speaker 4: Did you end up going to Coachella with that woman?

1024
00:46:30,719 --> 00:46:32,120
Speaker 4: I didn't see her in any of your.

1025
00:46:32,000 --> 00:46:35,680
Speaker 1: Picture Chelsea Swanson. We went to no, no, no, no, no.

1026
00:46:35,960 --> 00:46:38,560
Speaker 2: I just there's something about the way you phrase things

1027
00:46:38,600 --> 00:46:40,120
Speaker 2: that is, so did.

1028
00:46:39,920 --> 00:46:42,759
Speaker 1: You go I end up going to Coachella with that woman? No,

1029
00:46:43,000 --> 00:46:44,400
Speaker 1: it's you order spaghetti.

1030
00:46:45,400 --> 00:46:47,320
Speaker 3: I didn't see her in your photos.

1031
00:46:47,480 --> 00:46:50,600
Speaker 1: We were in photos with her photos. Okay, it's fine,

1032
00:46:50,680 --> 00:46:52,879
Speaker 1: we posted a couple, but like, the thing was, like,

1033
00:46:53,280 --> 00:46:55,480
Speaker 1: you know, I also didn't want to. Like, here's the thing.

1034
00:46:55,480 --> 00:46:55,680
Speaker 3: I know.

1035
00:46:55,840 --> 00:46:57,680
Speaker 1: I was sensitive to them, and I was actually telling

1036
00:46:57,719 --> 00:47:00,200
Speaker 1: them this because they came in the Rhode Island and

1037
00:47:00,200 --> 00:47:00,880
Speaker 1: then they said.

1038
00:47:00,680 --> 00:47:03,440
Speaker 3: There was more than just there was more than her.

1039
00:47:03,640 --> 00:47:05,920
Speaker 1: No, I'm talking about in the moment of interviewing them

1040
00:47:05,920 --> 00:47:08,719
Speaker 1: on the show, we walked over and literally I think

1041
00:47:08,719 --> 00:47:11,800
Speaker 1: it was Alicia was just like, I mean, this is crazy,

1042
00:47:11,840 --> 00:47:14,959
Speaker 1: this is said guy, any bigger than this, this is wild.

1043
00:47:15,000 --> 00:47:16,520
Speaker 1: I can't believe you guys do this all day, but

1044
00:47:17,120 --> 00:47:19,560
Speaker 1: this is crazy. This is absolutely insane. I can't believe.

1045
00:47:19,600 --> 00:47:22,400
Speaker 1: We were like, we're nervous. What cameras do? Where do we?

1046
00:47:22,600 --> 00:47:32,200
Speaker 4: Matt's like, that's your camera right there, and I know

1047
00:47:32,239 --> 00:47:34,439
Speaker 4: that one's fine, don't take that one.

1048
00:47:34,640 --> 00:47:39,080
Speaker 1: That's but anyway, Like I was just like kind of

1049
00:47:39,239 --> 00:47:42,000
Speaker 1: telling them in so many words, I was nervous for

1050
00:47:42,080 --> 00:47:44,640
Speaker 1: them because I was like, I know how intense it's

1051
00:47:44,680 --> 00:47:45,760
Speaker 1: gonna get.

1052
00:47:46,480 --> 00:47:47,680
Speaker 3: And they were nervous too.

1053
00:47:48,200 --> 00:47:50,680
Speaker 1: They were there's some sort of divide, and so that's

1054
00:47:50,680 --> 00:47:52,440
Speaker 1: why I wasn't like she she was. I knew she

1055
00:47:52,480 --> 00:47:55,080
Speaker 1: was coming to Coachella, but I didn't know how she'd

1056
00:47:56,520 --> 00:47:58,520
Speaker 1: react to because I don't think you know how you're.

1057
00:47:58,440 --> 00:48:01,319
Speaker 3: Going to react and people know who she was not there.

1058
00:48:01,400 --> 00:48:02,920
Speaker 1: I think a couple of people came up and were like,

1059
00:48:02,960 --> 00:48:04,240
Speaker 1: are you Kelsey from Rurala.

1060
00:48:04,640 --> 00:48:07,400
Speaker 2: But it was like the first weekend, it wasn't. It

1061
00:48:07,440 --> 00:48:09,959
Speaker 2: didn't really like stick at that point. Now, I feel

1062
00:48:09,960 --> 00:48:12,040
Speaker 2: like she's very much a protagonist of the show.

1063
00:48:12,080 --> 00:48:14,399
Speaker 1: When you're walking around with Bow and Yang, they tend

1064
00:48:14,520 --> 00:48:15,600
Speaker 1: to catch him first.

1065
00:48:16,880 --> 00:48:20,600
Speaker 2: I felt like I was pretty incognito.

1066
00:48:21,480 --> 00:48:21,879
Speaker 3: That's good.

1067
00:48:21,880 --> 00:48:23,719
Speaker 4: Because it's not the fun to be like well, and

1068
00:48:23,800 --> 00:48:29,120
Speaker 4: also those music fests, like you're right, people are looking yeah, yeah,

1069
00:48:29,400 --> 00:48:31,000
Speaker 4: did y'all have fun so much?

1070
00:48:31,160 --> 00:48:33,480
Speaker 1: We always have fun. I will say this, we were

1071
00:48:33,480 --> 00:48:36,880
Speaker 1: a little salty because we went the first weekend and

1072
00:48:36,960 --> 00:48:39,680
Speaker 1: then the second weekend it was like Madonna came out,

1073
00:48:39,880 --> 00:48:44,000
Speaker 1: I know, Olivia, Billie Eilish was there.

1074
00:48:44,400 --> 00:48:45,680
Speaker 3: You had oh oh yeah.

1075
00:48:45,680 --> 00:48:48,239
Speaker 4: Billie Eilish came out with Beabes the second weekend too.

1076
00:48:48,719 --> 00:48:51,080
Speaker 4: I thought, why was that all the great stuff in

1077
00:48:51,120 --> 00:48:53,040
Speaker 4: the second weekend. I thought the first weekend was supposed

1078
00:48:53,080 --> 00:48:53,680
Speaker 4: to be the big one.

1079
00:48:53,880 --> 00:48:55,600
Speaker 2: I think they're flipping it this year. I think the

1080
00:48:55,640 --> 00:49:01,000
Speaker 2: first weekend is now more the creator's influencer the time,

1081
00:49:01,080 --> 00:49:03,719
Speaker 2: and maybe people I want to avoid that. I don't know.

1082
00:49:03,760 --> 00:49:04,799
Speaker 2: There's a whole bunch of reads.

1083
00:49:04,840 --> 00:49:08,800
Speaker 1: It seems like the artists are not shy about saying

1084
00:49:09,280 --> 00:49:12,680
Speaker 1: Weekend one has a reputation for being not good because

1085
00:49:12,719 --> 00:49:16,239
Speaker 1: it is a lot of Like what I was clocking

1086
00:49:17,040 --> 00:49:21,359
Speaker 1: was that they they were feeling like the audience wasn't

1087
00:49:21,440 --> 00:49:23,439
Speaker 1: into it. Yeah, And I think it's because the first

1088
00:49:23,440 --> 00:49:26,680
Speaker 1: weekend is a lot of influencers, like the filming, the buzz.

1089
00:49:26,719 --> 00:49:28,759
Speaker 1: I've heard amongst like what the artists say is that

1090
00:49:28,800 --> 00:49:32,279
Speaker 1: weekend one doesn't feel as good this weekend two.

1091
00:49:32,360 --> 00:49:34,520
Speaker 3: Okay, Well next year, y'all better books weekend.

1092
00:49:34,560 --> 00:49:36,080
Speaker 1: That's what we're going to try. But also it's like

1093
00:49:36,280 --> 00:49:36,839
Speaker 1: with us, I.

1094
00:49:36,760 --> 00:49:37,600
Speaker 3: Would come with y'all.

1095
00:49:37,680 --> 00:49:39,560
Speaker 4: Really, I mean I'm a little scared of like where

1096
00:49:39,600 --> 00:49:42,759
Speaker 4: you use the bag, Like I just like, lie, did

1097
00:49:42,760 --> 00:49:44,359
Speaker 4: you get home super super late?

1098
00:49:44,640 --> 00:49:44,960
Speaker 1: Yeah?

1099
00:49:45,400 --> 00:49:47,719
Speaker 2: I would say, like like a sensible twelve thirty.

1100
00:49:47,800 --> 00:49:49,279
Speaker 1: Oh, that's not bad, it's not bad.

1101
00:49:50,440 --> 00:49:53,120
Speaker 4: Adam Scott was on our show, you know, Severance, and

1102
00:49:53,160 --> 00:49:55,200
Speaker 4: he was saying that he couldn't get home till like

1103
00:49:55,239 --> 00:49:55,920
Speaker 4: five in the morning.

1104
00:49:56,040 --> 00:49:58,640
Speaker 3: Is he there? He went with his daughter. He said

1105
00:49:58,640 --> 00:49:59,800
Speaker 3: it was coohela.

1106
00:50:01,920 --> 00:50:05,279
Speaker 2: You know, it's just it's it's very it's very sort

1107
00:50:05,280 --> 00:50:09,120
Speaker 2: of arcane, esoteric the first time you figure out how

1108
00:50:09,160 --> 00:50:11,360
Speaker 2: to leave and then once you know, so I need to.

1109
00:50:11,360 --> 00:50:13,560
Speaker 3: Go with y'all because y'all have your roots down.

1110
00:50:13,760 --> 00:50:18,880
Speaker 2: Yeah exactly what. But Jenna, you know you're a tease.

1111
00:50:19,200 --> 00:50:21,000
Speaker 2: Your tea's because you say you want to come to

1112
00:50:21,040 --> 00:50:22,080
Speaker 2: the Culture Awards.

1113
00:50:22,440 --> 00:50:24,160
Speaker 3: Well, I don't think I'm nominated this year.

1114
00:50:24,880 --> 00:50:27,560
Speaker 1: Well, I don't know after three years of promising attendance.

1115
00:50:27,640 --> 00:50:28,400
Speaker 3: I don't think I'm not.

1116
00:50:28,520 --> 00:50:31,800
Speaker 4: I watched all the awards this weekend, and I'm pretty

1117
00:50:31,800 --> 00:50:32,760
Speaker 4: sure I'm not nominating.

1118
00:50:32,760 --> 00:50:35,080
Speaker 1: Okay, so first of all, there's another half of the

1119
00:50:35,120 --> 00:50:39,040
Speaker 1: nomination recording missive to come out, so I don't know.

1120
00:50:39,560 --> 00:50:41,160
Speaker 2: I don't know if it's the kind of thing where

1121
00:50:41,160 --> 00:50:44,360
Speaker 2: if you show up, you might go home with something's

1122
00:50:44,400 --> 00:50:44,839
Speaker 2: not your year.

1123
00:50:45,440 --> 00:50:47,839
Speaker 3: He just told me it's not my ears.

1124
00:50:50,000 --> 00:50:50,600
Speaker 1: See, this is the.

1125
00:50:52,440 --> 00:51:01,480
Speaker 4: Lucci but also she was nominated. I wanted to team tries. Sorry,

1126
00:51:01,520 --> 00:51:03,920
Speaker 4: who's getting the Today's Show Award for Excellence?

1127
00:51:05,320 --> 00:51:06,960
Speaker 1: It's a category you told me that.

1128
00:51:06,960 --> 00:51:10,200
Speaker 4: Was an iconic one, like the Alison Williams Cool Girld Award.

1129
00:51:12,560 --> 00:51:15,440
Speaker 4: But the Today Show Morning Excellence isn't there.

1130
00:51:15,520 --> 00:51:18,240
Speaker 1: I guess it's been won by the Best Look.

1131
00:51:18,080 --> 00:51:20,279
Speaker 3: We're well, I guess I can't make it.

1132
00:51:23,840 --> 00:51:26,000
Speaker 1: I did love that about Devil Worst Product too, though,

1133
00:51:26,040 --> 00:51:28,799
Speaker 1: I was, you know, oh, I know, I was. It

1134
00:51:28,840 --> 00:51:33,320
Speaker 1: was a very realistic portrayal. I felt of what would

1135
00:51:33,719 --> 00:51:36,200
Speaker 1: happen to those characters, where they would be not then

1136
00:51:36,200 --> 00:51:39,239
Speaker 1: this is beyond just Miranda, but also the industry and

1137
00:51:39,320 --> 00:51:42,200
Speaker 1: the vibe, even the end the way it ends is

1138
00:51:42,600 --> 00:51:45,560
Speaker 1: sort of a happy ending for them, but it's it's

1139
00:51:45,640 --> 00:51:48,760
Speaker 1: kind of bleak in the way that if you really

1140
00:51:48,760 --> 00:51:49,560
Speaker 1: think about.

1141
00:51:49,320 --> 00:51:53,160
Speaker 2: It, I know, you know, yeah, I mean there's it

1142
00:51:53,200 --> 00:51:56,360
Speaker 2: would feel so dishonest if it was still the glitzy

1143
00:51:56,640 --> 00:51:57,640
Speaker 2: sort of like I know.

1144
00:51:58,320 --> 00:52:01,200
Speaker 4: Well, and that's she said this, and it's so true.

1145
00:52:01,200 --> 00:52:03,239
Speaker 4: She said that they wanted to do a sequel like

1146
00:52:03,360 --> 00:52:05,600
Speaker 4: nine years or like it was like three years and

1147
00:52:05,640 --> 00:52:08,920
Speaker 4: then nine years, and it never felt like the right timing,

1148
00:52:09,360 --> 00:52:12,400
Speaker 4: and that this part of it that obviously, you know,

1149
00:52:12,480 --> 00:52:15,520
Speaker 4: magazines and publishing are having a really hard time, but

1150
00:52:15,560 --> 00:52:18,000
Speaker 4: also journalists are needed more than ever to hold the

1151
00:52:18,239 --> 00:52:22,880
Speaker 4: powerful accountable. So all of that made it really interesting

1152
00:52:22,920 --> 00:52:25,600
Speaker 4: to dig into it, not just like oh, here's another sequel.

1153
00:52:25,719 --> 00:52:29,000
Speaker 4: And I actually think that's what really worked about the film.

1154
00:52:29,160 --> 00:52:32,120
Speaker 1: It felt very motivated. It didn't feel like, oh, we're

1155
00:52:32,120 --> 00:52:34,560
Speaker 1: making this sequel just to have a devil worst product too,

1156
00:52:34,600 --> 00:52:36,920
Speaker 1: even if that was the initial idea. Yeah, because I'm

1157
00:52:36,960 --> 00:52:40,799
Speaker 1: sure I'm certain that they were just like, oh, dollar science, like,

1158
00:52:40,920 --> 00:52:41,520
Speaker 1: let's do it.

1159
00:52:41,560 --> 00:52:44,560
Speaker 4: But they also said that they, like the actors, wanted

1160
00:52:44,600 --> 00:52:46,759
Speaker 4: to see the script to make sure that there was Yeah,

1161
00:52:46,840 --> 00:52:49,080
Speaker 4: because you don't like, you know, what is worse than

1162
00:52:49,120 --> 00:52:52,799
Speaker 4: doing a movie that, like, you know, everybody's been anticipating

1163
00:52:52,880 --> 00:52:55,440
Speaker 4: just for the money, is like everybody hates.

1164
00:52:55,239 --> 00:52:55,799
Speaker 1: It, I know.

1165
00:52:55,880 --> 00:52:58,799
Speaker 2: And that's more often than not. Yeah, which, thank god

1166
00:52:58,840 --> 00:52:59,840
Speaker 2: it's not one of those cases.

1167
00:53:00,080 --> 00:53:03,040
Speaker 1: Lean Brush McKenna is one of the great screenwriters.

1168
00:53:05,320 --> 00:53:09,680
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1169
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1184
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00:54:03,920 --> 00:54:06,680
Speaker 2: crazy how something so effective is so easy.

1186
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1190
00:54:17,960 --> 00:54:22,640
Speaker 2: Huge thanks again to our sponsor, Vital Proteins.

1191
00:54:22,680 --> 00:54:24,880
Speaker 1: These statements have not been evaluated by the Food and

1192
00:54:24,960 --> 00:54:29,040
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1193
00:54:29,200 --> 00:54:30,640
Speaker 1: or prevent any disease.

1194
00:54:31,000 --> 00:54:32,960
Speaker 2: I thought you said it was proven by science.

1195
00:54:32,960 --> 00:54:35,320
Speaker 1: I never said that. I just said it was good.

1196
00:54:35,800 --> 00:54:38,239
Speaker 4: I'm not an actor to be like I mean, I've

1197
00:54:38,280 --> 00:54:41,640
Speaker 4: done I'm only ever played myself. But sometimes when there.

1198
00:54:41,480 --> 00:54:43,120
Speaker 3: Are the lines, it's worse.

1199
00:54:43,280 --> 00:54:45,719
Speaker 4: We're like to We're not actors. I'm too worried about

1200
00:54:45,719 --> 00:54:47,319
Speaker 4: getting the line right.

1201
00:54:47,360 --> 00:54:49,560
Speaker 1: It's easier for you moments on camera.

1202
00:54:49,760 --> 00:54:51,680
Speaker 4: Also, probably they didn't want to give us lines and

1203
00:54:51,719 --> 00:54:53,160
Speaker 4: know it was all going to be cut, you know,

1204
00:54:53,480 --> 00:54:54,400
Speaker 4: right right.

1205
00:54:54,800 --> 00:54:57,800
Speaker 1: I will say my favorite look in the entire movie

1206
00:54:58,680 --> 00:55:00,839
Speaker 1: was what Anne War of the Hampton.

1207
00:55:00,640 --> 00:55:03,759
Speaker 4: Oh that I loved that that kind of patch work.

1208
00:55:03,800 --> 00:55:07,000
Speaker 4: That is very and you know what, it was kind

1209
00:55:07,000 --> 00:55:11,439
Speaker 4: of a quilt. Melissa my styl is always putting quilt. Yeah,

1210
00:55:11,480 --> 00:55:14,600
Speaker 4: you love a quilted a shocket. You love a shocket.

1211
00:55:15,040 --> 00:55:16,040
Speaker 2: What's the shirt.

1212
00:55:16,560 --> 00:55:20,200
Speaker 3: Shirt, shirt shirt, a shirt in a acket or a

1213
00:55:20,280 --> 00:55:22,160
Speaker 3: shirt jacket.

1214
00:55:22,719 --> 00:55:25,920
Speaker 1: Yeah. She was wearing like a like a like hatch

1215
00:55:25,960 --> 00:55:29,120
Speaker 1: work patchwork quilt dress. And what I was a little

1216
00:55:29,120 --> 00:55:31,480
Speaker 1: bit I don't think so, honey for me was in

1217
00:55:31,520 --> 00:55:34,399
Speaker 1: the movie She's like looking at things to wear and

1218
00:55:34,440 --> 00:55:36,160
Speaker 1: she sees this dress and we don't see it as

1219
00:55:36,160 --> 00:55:38,960
Speaker 1: the audience yet, but Stanley Tucci is like, no, that's

1220
00:55:39,040 --> 00:55:41,440
Speaker 1: inappropriate for this event. You're not wearing that. No, and

1221
00:55:41,440 --> 00:55:43,480
Speaker 1: if it gets to stand on it now and then

1222
00:55:43,480 --> 00:55:45,960
Speaker 1: she's like, I want it, and he's like, it's not

1223
00:55:46,160 --> 00:55:48,880
Speaker 1: appropriate for this event. And then she puts it on

1224
00:55:49,000 --> 00:55:51,560
Speaker 1: and gets on the bus and goes out to and

1225
00:55:51,640 --> 00:55:53,319
Speaker 1: I'm like, she looks the sheikhets there.

1226
00:55:53,440 --> 00:55:56,920
Speaker 4: I know, well it wasn't right for I did say, like,

1227
00:55:57,000 --> 00:55:59,719
Speaker 4: because I was like, what about styling. You know, it's

1228
00:55:59,760 --> 00:56:03,680
Speaker 4: like the the costume is probably more important than anything.

1229
00:56:03,760 --> 00:56:05,280
Speaker 1: Hampton's easy casual shit.

1230
00:56:05,080 --> 00:56:07,560
Speaker 4: That's what they said, do not dress up like And

1231
00:56:07,640 --> 00:56:10,400
Speaker 4: if you notice, even Meryl was wearing like a button

1232
00:56:10,440 --> 00:56:11,080
Speaker 4: down shirt, and.

1233
00:56:11,280 --> 00:56:14,360
Speaker 1: I loved everything about her aesthetic. And one of my

1234
00:56:14,440 --> 00:56:17,360
Speaker 1: favorite scenes in the whole movie was her a little

1235
00:56:17,360 --> 00:56:19,840
Speaker 1: bit wine drunk in the kitchen. Yes, she gets like

1236
00:56:19,880 --> 00:56:23,560
Speaker 1: a little wind and she's just the way that Meryl

1237
00:56:23,840 --> 00:56:27,600
Speaker 1: was playing Miranda Priestley's joy. I know, I was like,

1238
00:56:27,680 --> 00:56:29,840
Speaker 1: that's such an interesting because you see.

1239
00:56:29,640 --> 00:56:31,839
Speaker 3: It, because you don't see it very much.

1240
00:56:31,800 --> 00:56:35,160
Speaker 1: But it did get me thinking about, like, yeah, that

1241
00:56:35,320 --> 00:56:37,560
Speaker 1: is the way that that woman would feel joy, the

1242
00:56:37,600 --> 00:56:39,680
Speaker 1: way she like she sort of says something to Anna,

1243
00:56:41,640 --> 00:56:46,000
Speaker 1: pours herself a big and like floats out of her

1244
00:56:46,080 --> 00:56:49,680
Speaker 1: kitchen and her like mantello shirt and I'm like, damn,

1245
00:56:49,760 --> 00:56:50,520
Speaker 1: she was just.

1246
00:56:50,560 --> 00:56:53,640
Speaker 4: In like a button down and like they said, to

1247
00:56:53,719 --> 00:56:56,960
Speaker 4: keep it. You know, did you notice how many ties

1248
00:56:57,000 --> 00:56:57,880
Speaker 4: there were in the film?

1249
00:56:57,960 --> 00:56:59,080
Speaker 1: Ties are back, are back.

1250
00:57:00,280 --> 00:57:02,359
Speaker 4: You look very handsome, thank you. I wore a tie

1251
00:57:02,360 --> 00:57:04,400
Speaker 4: in the third grade, and I made my cat a

1252
00:57:04,480 --> 00:57:08,840
Speaker 4: matching tie. I don't say I'm not talented.

1253
00:57:08,800 --> 00:57:13,200
Speaker 1: Your own little staff cat, my little.

1254
00:57:14,880 --> 00:57:16,440
Speaker 4: And he wore a little tight and I had the

1255
00:57:16,480 --> 00:57:19,640
Speaker 4: matching tie. And I even and I will try to.

1256
00:57:19,680 --> 00:57:21,880
Speaker 4: I will show you this photo when we're done. Hat

1257
00:57:22,000 --> 00:57:26,520
Speaker 4: went to the White House in a mustard yellow shirt

1258
00:57:26,760 --> 00:57:31,960
Speaker 4: and the limited to a tie and a squirt a

1259
00:57:32,040 --> 00:57:35,600
Speaker 4: matching squirt to the tie, which was just really a

1260
00:57:35,640 --> 00:57:42,120
Speaker 4: look with mustard. John Quincy Adams were.

1261
00:57:43,400 --> 00:57:45,120
Speaker 1: Which presidents were gay?

1262
00:57:45,240 --> 00:57:45,560
Speaker 4: And what?

1263
00:57:45,760 --> 00:57:48,760
Speaker 1: What? What do? What do people that are in the know,

1264
00:57:49,120 --> 00:57:52,520
Speaker 1: I don't know. Do you know?

1265
00:57:52,720 --> 00:57:58,479
Speaker 3: Well, because of oh Mary Mary in the Abraham book

1266
00:57:58,760 --> 00:57:59,760
Speaker 3: in the in.

1267
00:57:59,560 --> 00:58:03,720
Speaker 2: The his roommate, you know, in Illinois or some stuffy Yeah,

1268
00:58:03,880 --> 00:58:10,160
Speaker 2: but a probably all bottom. Yeah, well Marphin's Martin syndrome.

1269
00:58:10,320 --> 00:58:12,040
Speaker 1: No, that would be well, that would be the opposite.

1270
00:58:12,160 --> 00:58:13,200
Speaker 1: Marphins makes you small.

1271
00:58:13,400 --> 00:58:16,480
Speaker 2: No, Marpins makes you long. Really yeah, Abe had it

1272
00:58:17,120 --> 00:58:17,800
Speaker 2: for sure.

1273
00:58:17,760 --> 00:58:21,360
Speaker 1: You know, Abe had Marphins made him so long?

1274
00:58:22,280 --> 00:58:25,440
Speaker 3: How tall do you think a boy six eight? Anybody google?

1275
00:58:25,600 --> 00:58:27,840
Speaker 1: Wait? Didn't we see? We went to the Brooks brothers

1276
00:58:27,880 --> 00:58:31,760
Speaker 1: and they had all they created a blinking how tall

1277
00:58:31,920 --> 00:58:32,800
Speaker 1: was he tall?

1278
00:58:32,800 --> 00:58:34,040
Speaker 3: The Brooks brothers.

1279
00:58:35,000 --> 00:58:37,080
Speaker 1: Had been like six two, which at the time was

1280
00:58:37,120 --> 00:58:43,080
Speaker 1: like that tall guy time husband a six four, So

1281
00:58:43,360 --> 00:58:45,360
Speaker 1: at the time that was like seven feet tall.

1282
00:58:45,400 --> 00:58:50,000
Speaker 4: Okay the average Yeah, six was the average Okay.

1283
00:58:49,760 --> 00:58:51,520
Speaker 1: So you're talking about the President of the United States

1284
00:58:51,560 --> 00:58:53,720
Speaker 1: being almost a foot taller than everyone else.

1285
00:58:53,760 --> 00:58:53,960
Speaker 3: Yeah.

1286
00:58:54,000 --> 00:58:58,880
Speaker 2: Interesting, and the gay guy, I know, I don't I

1287
00:58:58,960 --> 00:59:01,200
Speaker 2: remember Henry being that he's tall.

1288
00:59:02,560 --> 00:59:03,760
Speaker 1: Was that the first thing you noticed?

1289
00:59:03,880 --> 00:59:04,240
Speaker 3: I like it?

1290
00:59:04,400 --> 00:59:07,960
Speaker 1: Yeah, you like a tree. You had to climb a tree.

1291
00:59:08,480 --> 00:59:09,640
Speaker 1: I know, you Ti.

1292
00:59:09,640 --> 00:59:15,400
Speaker 2: Chris, change your hours so you can swing a little, you.

1293
00:59:15,360 --> 00:59:17,800
Speaker 4: Guys, even if I changed my hours, I'm too tired

1294
00:59:17,840 --> 00:59:18,200
Speaker 4: to swing.

1295
00:59:19,520 --> 00:59:23,440
Speaker 3: I mean, honestly, I have reading to do. And also

1296
00:59:23,720 --> 00:59:24,200
Speaker 3: I like.

1297
00:59:24,920 --> 00:59:25,280
Speaker 1: I don't.

1298
00:59:25,800 --> 00:59:27,880
Speaker 4: I mean, I'm not going to go there. But then

1299
00:59:28,040 --> 00:59:30,320
Speaker 4: the people that I would have to choose to swing.

1300
00:59:30,120 --> 00:59:33,439
Speaker 3: With, do you know what I mean?

1301
00:59:34,120 --> 00:59:37,360
Speaker 1: Was like your neighbors in Connecticut. No, thank you, No,

1302
00:59:37,640 --> 00:59:45,240
Speaker 1: thank you? Come on, you're so fun about No. Like, honestly,

1303
00:59:45,360 --> 00:59:48,360
Speaker 1: I'll never forget the day we first met you.

1304
00:59:48,360 --> 00:59:51,840
Speaker 2: You hadn't met them before my no, no, because it

1305
00:59:51,880 --> 00:59:54,280
Speaker 2: was Hodah and Maria Shriver. We hadn't met Jenna.

1306
00:59:54,360 --> 00:59:56,000
Speaker 1: Oh my god. Yes, the first time we were on

1307
00:59:56,120 --> 00:59:56,920
Speaker 1: Maria was in.

1308
00:59:56,880 --> 01:00:00,280
Speaker 3: Your Queen too. I love Maria Shriver so much.

1309
01:00:00,480 --> 01:00:02,800
Speaker 2: Yes, what what what a legend?

1310
01:00:02,880 --> 01:00:03,520
Speaker 3: She's so wise.

1311
01:00:03,760 --> 01:00:05,240
Speaker 2: But but the first time we met Jenna was the

1312
01:00:05,240 --> 01:00:07,360
Speaker 2: same time. Was when is what you're describing?

1313
01:00:08,160 --> 01:00:10,120
Speaker 1: And I remember this is when you had your length.

1314
01:00:10,800 --> 01:00:12,800
Speaker 1: You've kept the bib bob since.

1315
01:00:12,640 --> 01:00:14,960
Speaker 3: You need to cut it again though, so you're.

1316
01:00:14,840 --> 01:00:16,640
Speaker 1: You're loving it. I love it.

1317
01:00:16,640 --> 01:00:18,160
Speaker 3: It's easier to keep it short.

1318
01:00:18,360 --> 01:00:19,520
Speaker 1: Yeah, I think this is your look.

1319
01:00:19,640 --> 01:00:22,000
Speaker 2: We had an original draft of this bob sketch on SNL.

1320
01:00:22,040 --> 01:00:24,360
Speaker 2: We had your name in it, Leslie Bibbs and and

1321
01:00:24,480 --> 01:00:25,640
Speaker 2: Jennifer Shagger in it too.

1322
01:00:25,880 --> 01:00:28,479
Speaker 3: You cut me. I'm out of the bob skin.

1323
01:00:28,640 --> 01:00:32,200
Speaker 1: No, it was you made it into proud to want.

1324
01:00:33,800 --> 01:00:35,000
Speaker 3: Why did you?

1325
01:00:35,040 --> 01:00:37,800
Speaker 2: We showed that I know you did, and I wanted

1326
01:00:37,800 --> 01:00:39,680
Speaker 2: to text you and be like your name was? It

1327
01:00:39,720 --> 01:00:41,840
Speaker 2: was like we answered a Leslie bib and Jennibah Shager

1328
01:00:42,320 --> 01:00:43,000
Speaker 2: because you've.

1329
01:00:42,960 --> 01:00:44,480
Speaker 3: Just gotten it cut me?

1330
01:00:45,120 --> 01:00:47,520
Speaker 1: No, one, It wasn't. It was not a cut.

1331
01:00:47,560 --> 01:00:49,480
Speaker 2: It was like it was between dress and arras, like okay,

1332
01:00:49,480 --> 01:00:51,480
Speaker 2: we gotta lose like a minute from this or whatever.

1333
01:00:51,760 --> 01:00:53,880
Speaker 3: I made it to the dress rehearsals.

1334
01:00:55,120 --> 01:00:56,520
Speaker 1: That's usually when Laurence steps in.

1335
01:00:56,600 --> 01:00:59,520
Speaker 2: That's when Lauren steps And.

1336
01:00:58,800 --> 01:01:05,600
Speaker 4: Who is I don't think many people know who Jenna

1337
01:01:05,640 --> 01:01:06,120
Speaker 4: bush Hager?

1338
01:01:06,280 --> 01:01:08,880
Speaker 1: Is you kidding me? He knew about you back in

1339
01:01:08,920 --> 01:01:10,880
Speaker 1: the day when he used to make fun of your ass.

1340
01:01:10,960 --> 01:01:13,520
Speaker 3: I know, would you know that Amy Poehler played me?

1341
01:01:14,240 --> 01:01:16,640
Speaker 1: Yes, do you believe? But think.

1342
01:01:18,080 --> 01:01:19,640
Speaker 2: You think it's taken a long time to shake off

1343
01:01:19,640 --> 01:01:21,720
Speaker 2: the Captain Morgan in tequila thing, because that's not fair.

1344
01:01:22,000 --> 01:01:23,520
Speaker 2: You never drink it that way.

1345
01:01:24,000 --> 01:01:26,240
Speaker 3: No, I didn't drink Captain Morgan and tequila together.

1346
01:01:26,640 --> 01:01:30,760
Speaker 4: No. I mean, do you know that there was a

1347
01:01:31,120 --> 01:01:34,200
Speaker 4: I was There was some cover of a magazine that

1348
01:01:34,240 --> 01:01:36,360
Speaker 4: called me gin and Tonic.

1349
01:01:37,280 --> 01:01:37,919
Speaker 1: Did you like that?

1350
01:01:38,320 --> 01:01:40,960
Speaker 4: I didn't really know me personal when I was nineteen

1351
01:01:41,120 --> 01:01:43,720
Speaker 4: and twenty years old, I did not like it.

1352
01:01:43,880 --> 01:01:44,960
Speaker 3: But I will say.

1353
01:01:44,800 --> 01:01:47,440
Speaker 4: As a forty four year old, thank god I had

1354
01:01:47,480 --> 01:01:49,040
Speaker 4: parents that let me make mistakes.

1355
01:01:49,080 --> 01:01:51,160
Speaker 1: Man. And I was actually thinking about that the other

1356
01:01:51,240 --> 01:01:53,120
Speaker 1: day when I was thinking about like you were coming

1357
01:01:53,160 --> 01:01:54,680
Speaker 1: on the show, and I was like, this is someone

1358
01:01:54,760 --> 01:01:58,560
Speaker 1: who even I as like a you know, a ten

1359
01:01:58,640 --> 01:02:01,960
Speaker 1: year old man, I knew who you were, and this

1360
01:02:02,040 --> 01:02:05,200
Speaker 1: is pre social media, but like you, thank god? Yeah,

1361
01:02:05,280 --> 01:02:06,960
Speaker 1: well I was thinking about you with that too. I

1362
01:02:07,000 --> 01:02:10,880
Speaker 1: was like, can you imagine if you were eighteen, nineteen,

1363
01:02:10,920 --> 01:02:14,880
Speaker 1: twenty twenty one years old when your father is the

1364
01:02:14,920 --> 01:02:19,040
Speaker 1: president and also like is a polarizing figure, Yeah, and

1365
01:02:19,080 --> 01:02:23,120
Speaker 1: that gets transmuted to you and all the media is

1366
01:02:23,160 --> 01:02:26,080
Speaker 1: harping on, is you know wild child partying? Yeah, that

1367
01:02:26,160 --> 01:02:28,560
Speaker 1: had to be Were you shielded from that or how

1368
01:02:28,640 --> 01:02:29,720
Speaker 1: was it possible to know?

1369
01:02:29,840 --> 01:02:32,080
Speaker 4: I was not shielded from it at all because I

1370
01:02:32,160 --> 01:02:34,400
Speaker 4: was in college, Like there was nobody to shield me,

1371
01:02:34,680 --> 01:02:38,480
Speaker 4: even know what I mean. But I think no, I mean,

1372
01:02:38,520 --> 01:02:42,480
Speaker 4: it was definitely hard. I also think, oh, well, like

1373
01:02:42,520 --> 01:02:46,360
Speaker 4: people like if that's my you know, resilience that I

1374
01:02:46,360 --> 01:02:49,280
Speaker 4: had to fight through, like people have a lot worse,

1375
01:02:49,280 --> 01:02:51,920
Speaker 4: and I mean that. But also it's like, you know,

1376
01:02:51,960 --> 01:02:55,040
Speaker 4: I think the media sort of held like they kind

1377
01:02:55,080 --> 01:02:56,000
Speaker 4: of understood.

1378
01:02:56,000 --> 01:02:58,160
Speaker 3: I mean, Chelsea had it bad too, Dea.

1379
01:02:58,520 --> 01:03:02,000
Speaker 4: And then by the time and I'm glad we Malia

1380
01:03:02,080 --> 01:03:04,480
Speaker 4: and Sasha were there, there was this sort of like

1381
01:03:04,880 --> 01:03:07,120
Speaker 4: rallying cri. I mean, Barbara and I wrote an open

1382
01:03:07,200 --> 01:03:09,480
Speaker 4: letter in the West Street Journal which basically was like

1383
01:03:09,680 --> 01:03:12,800
Speaker 4: leave them alone, lets to be kids. But they were

1384
01:03:12,920 --> 01:03:16,240
Speaker 4: they were kids kids. And then by the time the second,

1385
01:03:16,640 --> 01:03:19,680
Speaker 4: you know, then they were like in college like we were,

1386
01:03:19,840 --> 01:03:22,080
Speaker 4: and I think, you know, I just think there has

1387
01:03:22,160 --> 01:03:27,320
Speaker 4: to be some sort of we didn't choose it, you know.

1388
01:03:27,360 --> 01:03:29,000
Speaker 4: And in fact, when our dad told us he was

1389
01:03:29,040 --> 01:03:31,280
Speaker 4: going to run for president, we broke into tears.

1390
01:03:31,480 --> 01:03:32,880
Speaker 1: Did you like say, please don't.

1391
01:03:32,960 --> 01:03:35,400
Speaker 3: We said you're going to ruin our lives, which we've apologized.

1392
01:03:36,480 --> 01:03:37,200
Speaker 1: Yeah, but you know what.

1393
01:03:38,920 --> 01:03:40,360
Speaker 3: He told him, he was going to lose.

1394
01:03:41,560 --> 01:03:43,760
Speaker 1: You you're going to lose.

1395
01:03:45,680 --> 01:03:47,480
Speaker 3: You can run, but you're going to lose.

1396
01:03:49,160 --> 01:03:52,800
Speaker 4: But I mean that we I think what it goes

1397
01:03:52,880 --> 01:03:55,160
Speaker 4: to say is like we had parents that wanted us

1398
01:03:55,200 --> 01:03:58,080
Speaker 4: to have normal, a normal life. Yeah, and people when

1399
01:03:58,160 --> 01:03:59,760
Speaker 4: Barbara and I like walked down the street in New York,

1400
01:03:59,760 --> 01:04:01,960
Speaker 4: people are like, we love y'all. Y'all are so normal,

1401
01:04:02,640 --> 01:04:04,680
Speaker 4: and that I think is a compliment. You know, we'd

1402
01:04:04,760 --> 01:04:07,480
Speaker 4: rather hear like y'all graid or whatever.

1403
01:04:07,080 --> 01:04:07,240
Speaker 1: You know.

1404
01:04:10,600 --> 01:04:13,280
Speaker 2: Doesn't this give you like such great perspective with with

1405
01:04:13,400 --> 01:04:15,320
Speaker 2: Meal and Poppy and now it's like, well.

1406
01:04:15,160 --> 01:04:17,280
Speaker 4: I also just think all kids, like you, look at

1407
01:04:17,320 --> 01:04:20,080
Speaker 4: the pressure that's on teenagers now to go to the

1408
01:04:20,120 --> 01:04:23,480
Speaker 4: school or to like you know, do the thing, or

1409
01:04:23,520 --> 01:04:26,680
Speaker 4: to make it in some way and and like get

1410
01:04:26,680 --> 01:04:29,960
Speaker 4: the great grades. It's like none of that really, at

1411
01:04:30,040 --> 01:04:33,760
Speaker 4: least in our house. I'm like, I want happy kids. Yeah,

1412
01:04:33,920 --> 01:04:37,440
Speaker 4: who are kind like that's all you know, and I

1413
01:04:37,480 --> 01:04:41,320
Speaker 4: think my parents did not. There was no rule book

1414
01:04:41,480 --> 01:04:44,600
Speaker 4: like we when I went to like court when I

1415
01:04:44,600 --> 01:04:47,160
Speaker 4: got that minor and possession of alcohol, I wore like

1416
01:04:47,240 --> 01:04:49,880
Speaker 4: pants like this I didn't know and at my toe

1417
01:04:49,960 --> 01:04:53,160
Speaker 4: ring and like nobody was like you need to get

1418
01:04:53,200 --> 01:04:55,640
Speaker 4: dressed up because you're expected to be this person. It

1419
01:04:55,720 --> 01:04:58,680
Speaker 4: was like, no, you're yourself, and that include to make

1420
01:05:00,880 --> 01:05:03,800
Speaker 4: all I mean make mistakes then I don't know. I mean,

1421
01:05:03,920 --> 01:05:07,560
Speaker 4: it's not like things could have been way worse. It's like, yeah,

1422
01:05:09,400 --> 01:05:11,840
Speaker 4: at the time, it was not easy. But also like

1423
01:05:12,480 --> 01:05:15,040
Speaker 4: that I have the thickest skin ever now and I

1424
01:05:15,080 --> 01:05:17,280
Speaker 4: look back at that Amy polar Tina face kid and

1425
01:05:17,320 --> 01:05:18,240
Speaker 4: it's hilarious.

1426
01:05:18,280 --> 01:05:21,040
Speaker 1: It is funny, especially when you realized it had nothing

1427
01:05:21,080 --> 01:05:22,120
Speaker 1: to do with now. Well.

1428
01:05:22,160 --> 01:05:25,760
Speaker 4: Also, they're speaking in like a twin drunk language, which

1429
01:05:25,840 --> 01:05:29,560
Speaker 4: like Barbara and I only wish we could do, do.

1430
01:05:29,520 --> 01:05:30,200
Speaker 3: You know what I mean?

1431
01:05:31,040 --> 01:05:34,640
Speaker 4: And how different my life really is than how it

1432
01:05:34,680 --> 01:05:38,440
Speaker 4: was portrayed is also hilarious. There was one time in

1433
01:05:38,480 --> 01:05:43,760
Speaker 4: college where we were watching Dawson's Creek and I get

1434
01:05:43,800 --> 01:05:48,280
Speaker 4: a call from Katie Holmes to come. She wanted to

1435
01:05:48,280 --> 01:05:53,240
Speaker 4: come and like shadow me and Texas first daughter, and

1436
01:05:53,280 --> 01:05:57,520
Speaker 4: I was like, you guys, she would be like, wow,

1437
01:05:57,680 --> 01:06:04,120
Speaker 4: your life is lame. You're going to the library to

1438
01:06:04,280 --> 01:06:06,840
Speaker 4: like stay up all night and write your English paper.

1439
01:06:07,040 --> 01:06:09,240
Speaker 3: You know. Like I just was like, you don't want

1440
01:06:09,240 --> 01:06:14,160
Speaker 3: to come shadow me? So no I didn't.

1441
01:06:14,320 --> 01:06:16,960
Speaker 2: So while you're watching Dawson's Creed, it was weird.

1442
01:06:17,080 --> 01:06:17,760
Speaker 1: That's crazy.

1443
01:06:17,920 --> 01:06:21,120
Speaker 3: It was weird, what's happening here?

1444
01:06:23,400 --> 01:06:26,440
Speaker 1: Do you think that there was anything about because obviously

1445
01:06:26,840 --> 01:06:29,080
Speaker 1: when you're you know, you're in the public eye in

1446
01:06:29,080 --> 01:06:31,960
Speaker 1: that way you did not choose, and then several years later,

1447
01:06:32,000 --> 01:06:35,640
Speaker 1: obviously you choose to go on this path of being

1448
01:06:35,640 --> 01:06:37,440
Speaker 1: in the public eye. Do you think that that was

1449
01:06:37,480 --> 01:06:42,200
Speaker 1: a genuine interest and attraction to wanting to be on

1450
01:06:42,280 --> 01:06:45,760
Speaker 1: air and having that having that influence and impact or

1451
01:06:45,800 --> 01:06:47,440
Speaker 1: do you think a little bit of it was like

1452
01:06:47,640 --> 01:06:49,920
Speaker 1: I actually want to correct a perspective. Ye.

1453
01:06:51,080 --> 01:06:53,720
Speaker 4: No, I mean I don't think like I don't who

1454
01:06:53,840 --> 01:06:56,400
Speaker 4: knows subconsciously, like I would have to like really sit

1455
01:06:56,480 --> 01:06:58,200
Speaker 4: with like my shaman and go deep there.

1456
01:06:59,040 --> 01:06:59,240
Speaker 3: No.

1457
01:06:59,480 --> 01:07:01,640
Speaker 4: I think I was on the show for a book

1458
01:07:01,680 --> 01:07:04,360
Speaker 4: that I wrote, and then I wrote a book about

1459
01:07:04,360 --> 01:07:06,480
Speaker 4: the National Parks with my mom and I was on again,

1460
01:07:06,880 --> 01:07:09,400
Speaker 4: and it was the executive producer kept coming to me

1461
01:07:09,680 --> 01:07:11,560
Speaker 4: like I was like, no, I was a teacher.

1462
01:07:11,640 --> 01:07:13,040
Speaker 3: I was like, I love my job.

1463
01:07:13,520 --> 01:07:15,880
Speaker 4: And I taught in inner city Baltimore, and it was

1464
01:07:15,960 --> 01:07:20,040
Speaker 4: honestly so hard that I was like maybe I should

1465
01:07:20,040 --> 01:07:22,360
Speaker 4: go take this job interview, you know, like what And

1466
01:07:22,480 --> 01:07:24,760
Speaker 4: I was a little performer, like I wanted to be

1467
01:07:24,880 --> 01:07:27,560
Speaker 4: Baby Kazade and le Miz, but I like couldn't sing,

1468
01:07:27,720 --> 01:07:30,200
Speaker 4: you know, I wanted to be I wanted to be

1469
01:07:30,280 --> 01:07:34,000
Speaker 4: her performer. So I think like my sisters, like it

1470
01:07:34,040 --> 01:07:36,720
Speaker 4: makes sense you like to make people laugh. But I

1471
01:07:36,720 --> 01:07:39,120
Speaker 4: wouldn't like have pursued the job myself.

1472
01:07:39,680 --> 01:07:42,480
Speaker 2: But in a way, like you already knew that you

1473
01:07:42,520 --> 01:07:44,560
Speaker 2: could be in the public eye, and this is a

1474
01:07:44,720 --> 01:07:47,640
Speaker 2: this is like a modular thing where now it's on

1475
01:07:47,680 --> 01:07:49,400
Speaker 2: your urnms, you know, Like.

1476
01:07:49,440 --> 01:07:52,400
Speaker 4: I mean, I think it has was helpful that all

1477
01:07:52,440 --> 01:07:55,200
Speaker 4: of this happened when I was so young, because there

1478
01:07:55,240 --> 01:07:58,040
Speaker 4: I do other people are like I read the comments,

1479
01:07:58,240 --> 01:08:01,320
Speaker 4: like I would never read the comments. There's I have

1480
01:08:01,400 --> 01:08:06,040
Speaker 4: a really good way of like compartmentalizing my work and

1481
01:08:06,160 --> 01:08:08,240
Speaker 4: sort of the stuff that comes with it, and like

1482
01:08:08,280 --> 01:08:11,120
Speaker 4: my actual life and the people that I love and

1483
01:08:11,720 --> 01:08:13,880
Speaker 4: you know, and so there's I don't I don't get

1484
01:08:13,920 --> 01:08:16,720
Speaker 4: caught up in like the that part of it, do

1485
01:08:16,760 --> 01:08:17,320
Speaker 4: you know what I mean?

1486
01:08:18,080 --> 01:08:21,120
Speaker 2: I think this is the thing that like Miila and

1487
01:08:21,439 --> 01:08:24,600
Speaker 2: the kids like should really go forward with it. Not

1488
01:08:24,640 --> 01:08:26,080
Speaker 2: that you're not already doing this, but I'm like, you

1489
01:08:26,080 --> 01:08:28,640
Speaker 2: know what, you know, what like weirdly gets me is

1490
01:08:28,680 --> 01:08:30,960
Speaker 2: like the it's the performance now of like opening up

1491
01:08:31,000 --> 01:08:34,559
Speaker 2: your college acceptances. I know, everything has to be like

1492
01:08:34,760 --> 01:08:38,599
Speaker 2: for the camera one else and everyone else like they like.

1493
01:08:38,560 --> 01:08:41,400
Speaker 4: And then and it makes all these other people feel

1494
01:08:42,000 --> 01:08:45,200
Speaker 4: like terrible, you know. And it's so interesting because when

1495
01:08:45,800 --> 01:08:47,960
Speaker 4: we were in high school, my sister won like the

1496
01:08:47,960 --> 01:08:52,880
Speaker 4: math competition in Dallas. She was she is exceptionally smart,

1497
01:08:52,880 --> 01:08:55,000
Speaker 4: but she also like she missed one math problem on

1498
01:08:55,040 --> 01:09:00,680
Speaker 4: our SAT. She was this incredible student and I I

1499
01:09:00,760 --> 01:09:04,360
Speaker 4: love to read. I had a different side of the

1500
01:09:04,360 --> 01:09:06,800
Speaker 4: brain and it was funny and it was fine. And

1501
01:09:06,840 --> 01:09:09,640
Speaker 4: my parents did not compare us, like they weren't like, well,

1502
01:09:09,800 --> 01:09:11,720
Speaker 4: you know, if she did this. So Barbara gets this

1503
01:09:11,800 --> 01:09:14,640
Speaker 4: perfect score on the SAT. And I read somewhere that

1504
01:09:14,680 --> 01:09:18,320
Speaker 4: Stanford has like a twin policy that if one twin

1505
01:09:18,400 --> 01:09:21,360
Speaker 4: gets in, the other one gets in, or they both

1506
01:09:21,760 --> 01:09:24,439
Speaker 4: that thing. Yeah, and they may still have it, but

1507
01:09:24,520 --> 01:09:27,240
Speaker 4: this was like you know, in two thousand or one

1508
01:09:27,280 --> 01:09:30,040
Speaker 4: gets you know, doesn't get in, the other one won't

1509
01:09:30,040 --> 01:09:33,040
Speaker 4: get in. So I read this and I'm like, great news, Like, family,

1510
01:09:34,040 --> 01:09:37,519
Speaker 4: look what I read. I can ride Barbara's coattails all

1511
01:09:37,560 --> 01:09:41,720
Speaker 4: the way and soapy myself. And it was like the

1512
01:09:41,800 --> 01:09:44,439
Speaker 4: opposite of the college admission scandal. My dad was like,

1513
01:09:44,760 --> 01:09:47,480
Speaker 4: hell no, don't ruin Barber's chances.

1514
01:09:48,439 --> 01:09:49,679
Speaker 1: I was like, oh no.

1515
01:09:50,120 --> 01:09:53,160
Speaker 4: Like but I think I was like, you're right, You're right,

1516
01:09:53,240 --> 01:09:55,479
Speaker 4: you know, And there was like in the early odds,

1517
01:09:55,640 --> 01:09:58,479
Speaker 4: nobody I didn't care, Like she went to Yale and

1518
01:09:58,520 --> 01:10:00,960
Speaker 4: I went to the University of Texas and it did

1519
01:10:01,000 --> 01:10:01,920
Speaker 4: not matter, you know.

1520
01:10:02,000 --> 01:10:04,599
Speaker 1: Like that's good though, because honestly that was that was

1521
01:10:04,800 --> 01:10:09,599
Speaker 1: not our experience. For myself. I would say that when

1522
01:10:09,600 --> 01:10:13,360
Speaker 1: we were in high school, the peak millennial thing of

1523
01:10:13,360 --> 01:10:15,800
Speaker 1: like who's going to get into the best school? Like

1524
01:10:15,920 --> 01:10:19,439
Speaker 1: I remember, not one person in my entire high school

1525
01:10:19,479 --> 01:10:24,760
Speaker 1: got into an Ivy League school, and we all felt like, well,

1526
01:10:24,800 --> 01:10:27,840
Speaker 1: it's like equal parts, like we're all dud so that sucks.

1527
01:10:27,920 --> 01:10:30,840
Speaker 1: But also, thank god not one of us is going

1528
01:10:30,840 --> 01:10:34,800
Speaker 1: to get in so that we all feel like idiots comparatively.

1529
01:10:34,840 --> 01:10:36,439
Speaker 4: Ya you know what, I know, we didn't have like

1530
01:10:36,520 --> 01:10:38,640
Speaker 4: the social media to make it a thing. There was

1531
01:10:38,680 --> 01:10:40,800
Speaker 4: no I also went to a big public high school

1532
01:10:40,840 --> 01:10:43,600
Speaker 4: in Austin, you know, like, and it might have just

1533
01:10:43,640 --> 01:10:47,200
Speaker 4: been like there most people stayed local, like there wasn't.

1534
01:10:47,720 --> 01:10:49,240
Speaker 3: Barbara was sort of the outlier.

1535
01:10:49,439 --> 01:10:52,120
Speaker 1: You know. Well a few years after we would go

1536
01:10:52,120 --> 01:10:55,639
Speaker 1: to school would become the prevailing narrative that you don't

1537
01:10:55,720 --> 01:10:59,160
Speaker 1: have to go to the school just because it's reputable

1538
01:10:59,200 --> 01:10:59,799
Speaker 1: and expensive.

1539
01:11:00,040 --> 01:11:02,519
Speaker 4: Well, but I feel like there is such pressure on

1540
01:11:02,600 --> 01:11:06,600
Speaker 4: children and on teens to like for what, you know,

1541
01:11:06,840 --> 01:11:09,760
Speaker 4: like what it's like, you guys found your best friends,

1542
01:11:09,960 --> 01:11:12,360
Speaker 4: like many of whom I know because of Matt has

1543
01:11:12,400 --> 01:11:15,080
Speaker 4: brought them, and like you found your family, you found

1544
01:11:15,120 --> 01:11:18,920
Speaker 4: yourselves Like that matters, So your school choice mattered.

1545
01:11:19,400 --> 01:11:21,000
Speaker 3: But I feel like.

1546
01:11:20,920 --> 01:11:26,000
Speaker 4: The sort of rat race to excellence because it's all

1547
01:11:26,040 --> 01:11:28,640
Speaker 4: so public, is like, what what is that for? Is

1548
01:11:28,680 --> 01:11:31,200
Speaker 4: it for finding your purpose? For finding your joy? Then

1549
01:11:31,240 --> 01:11:33,800
Speaker 4: like sure, but if it's for like showing off that

1550
01:11:33,840 --> 01:11:37,599
Speaker 4: you got into this great school, it bums me out it's.

1551
01:11:37,439 --> 01:11:42,439
Speaker 2: A bummer for me because it's like Asian immigrant parent

1552
01:11:42,680 --> 01:11:46,040
Speaker 2: or just those communities throughout the country like at that

1553
01:11:46,240 --> 01:11:50,160
Speaker 2: time were purely about the achievement and the elders of

1554
01:11:50,400 --> 01:11:52,120
Speaker 2: these things, and like now it just seems like it's

1555
01:11:52,240 --> 01:11:54,520
Speaker 2: writ large and it's just sort of blown out for everybody.

1556
01:11:54,640 --> 01:11:57,759
Speaker 3: Yes, you know, was that did that feel hard?

1557
01:11:58,479 --> 01:12:02,479
Speaker 2: Yeah? Yeah, definitely, Like oh my god. I remember getting

1558
01:12:02,520 --> 01:12:05,559
Speaker 2: into n Yu and then going back going to China

1559
01:12:05,680 --> 01:12:07,280
Speaker 2: to see a family and like I was in the

1560
01:12:07,320 --> 01:12:10,160
Speaker 2: other room sleeping, and then like in the next room

1561
01:12:10,200 --> 01:12:13,519
Speaker 2: they were like my my dad's side of the family.

1562
01:12:13,560 --> 01:12:16,440
Speaker 2: They all group farmers. They like most of them were uneducated.

1563
01:12:16,520 --> 01:12:18,719
Speaker 2: And even they I over hear I ever heard them saying,

1564
01:12:19,160 --> 01:12:21,160
Speaker 2: well that one just gone to school called n Y

1565
01:12:21,479 --> 01:12:25,000
Speaker 2: like Nyu and it's it's not even that good and

1566
01:12:25,200 --> 01:12:27,439
Speaker 2: it's not even like the top ten schools or whatever.

1567
01:12:27,520 --> 01:12:29,720
Speaker 2: And my heart think, I'm like, oh, it doesn't even

1568
01:12:29,760 --> 01:12:32,080
Speaker 2: measure up to these people who like yeah, didn't even

1569
01:12:32,120 --> 01:12:33,760
Speaker 2: get to go to college, and like they must feel

1570
01:12:33,760 --> 01:12:35,599
Speaker 2: a certain way about it, and I'm like, oh, right,

1571
01:12:35,720 --> 01:12:39,760
Speaker 2: Like this is global, it's a global thing where you

1572
01:12:40,080 --> 01:12:42,960
Speaker 2: end up going to college within like this specific arrangement,

1573
01:12:42,960 --> 01:12:45,200
Speaker 2: and it's also all branding. Yeah you know what I like.

1574
01:12:45,280 --> 01:12:47,120
Speaker 4: Also, thank god you went where you went and you

1575
01:12:47,200 --> 01:12:48,360
Speaker 4: found your people and your.

1576
01:12:49,840 --> 01:12:52,479
Speaker 1: Which is the way they were branding. Stop at School

1577
01:12:52,520 --> 01:12:55,840
Speaker 1: is like ours so that we could feel attractive to

1578
01:12:55,880 --> 01:12:58,519
Speaker 1: people who Yeah, you know it's so ridiculous. It was,

1579
01:12:58,560 --> 01:13:02,479
Speaker 1: it was ridiculous. But speaking of ridiculous, we're all about

1580
01:13:02,520 --> 01:13:07,080
Speaker 1: to go crazy. I don't know what it's this voice.

1581
01:13:06,800 --> 01:13:08,800
Speaker 3: But uh, like, who are you?

1582
01:13:10,680 --> 01:13:13,280
Speaker 1: Next time I guest host, I'm just gonna start talking

1583
01:13:13,360 --> 01:13:15,720
Speaker 1: like this is a dumb show, just kidding about.

1584
01:13:15,600 --> 01:13:16,800
Speaker 3: What are you? Who are you?

1585
01:13:16,960 --> 01:13:22,800
Speaker 4: Are you stoned and like chemist chemistry stoned mt.

1586
01:13:24,800 --> 01:13:31,439
Speaker 1: I think that Colvilla and Bonds are pretty sick. Who

1587
01:13:31,560 --> 01:13:37,120
Speaker 1: are you? I'm around my friends and I'm loose. All right,

1588
01:13:37,240 --> 01:13:38,960
Speaker 1: this is I don't think so honey, this is our.

1589
01:13:39,080 --> 01:13:40,240
Speaker 3: Wait are y'all timing me?

1590
01:13:40,520 --> 01:13:42,840
Speaker 1: Yeahs oh good good?

1591
01:13:43,439 --> 01:13:47,120
Speaker 3: And you like I'm like, I'm like a star student.

1592
01:13:47,439 --> 01:13:50,519
Speaker 1: You are, so for all you star students at home,

1593
01:13:50,560 --> 01:13:53,720
Speaker 1: this is our segment. We take one minute to just

1594
01:13:53,800 --> 01:13:56,639
Speaker 1: tare something apart in culture that we don't agree with,

1595
01:13:56,680 --> 01:13:59,519
Speaker 1: and that's putting it mildly. I'm going to do something

1596
01:13:59,520 --> 01:14:03,920
Speaker 1: about Worst Prota two. It's my one problem with the movie,

1597
01:14:04,000 --> 01:14:06,360
Speaker 1: and I do want this question answered. Okay, it's a

1598
01:14:06,400 --> 01:14:08,960
Speaker 1: little bit of a spoiler, so if you haven't seen

1599
01:14:09,000 --> 01:14:11,160
Speaker 1: Devil Worst Prota two yet, you can skip my I

1600
01:14:11,160 --> 01:14:14,160
Speaker 1: don't think so, honey, And probably the minute or so after.

1601
01:14:13,960 --> 01:14:15,680
Speaker 2: It, Okay, great, this is Matt Rodgers. I don't think

1602
01:14:15,680 --> 01:14:16,720
Speaker 2: so many time starts now, I.

1603
01:14:16,720 --> 01:14:18,720
Speaker 1: Don't think, so, honey. The end of the movie The

1604
01:14:18,800 --> 01:14:22,400
Speaker 1: Devil Worst Prota two, it's a scene with Anne Hathaway

1605
01:14:22,640 --> 01:14:25,920
Speaker 1: and Metal Streep and Anne Hathaway now works for Runway

1606
01:14:25,960 --> 01:14:29,200
Speaker 1: and she puts something on the desk and Merrill says,

1607
01:14:29,720 --> 01:14:33,960
Speaker 1: is there anything else? And then Anne Hathaway says nope.

1608
01:14:34,680 --> 01:14:36,800
Speaker 1: And I just think, I don't think so honey, that

1609
01:14:36,880 --> 01:14:42,400
Speaker 1: she didn't say that's all. That's all. Why wouldn't you

1610
01:14:42,479 --> 01:14:45,800
Speaker 1: in the movie with that's all? And then I think

1611
01:14:46,520 --> 01:14:48,600
Speaker 1: and I don't think, so honey. If this happened, it

1612
01:14:48,680 --> 01:14:53,519
Speaker 1: must have been in the script and either Anne was like, no,

1613
01:14:54,479 --> 01:14:57,479
Speaker 1: I think that's Merrile's line and didn't say it. I

1614
01:14:57,479 --> 01:14:59,960
Speaker 1: can see Anne Hathaway being like that, or maybe Merrill

1615
01:15:00,200 --> 01:15:03,080
Speaker 1: was like giving someone else my line and character. I

1616
01:15:03,120 --> 01:15:05,719
Speaker 1: don't know, but it didn't happen. There was not enough.

1617
01:15:05,920 --> 01:15:08,920
Speaker 1: That's all in the movie otherwise a perfect movie. I

1618
01:15:08,960 --> 01:15:10,720
Speaker 1: was just like, it was right there. We could have

1619
01:15:10,880 --> 01:15:13,160
Speaker 1: ended the movie with the iconic line I don't think

1620
01:15:13,200 --> 01:15:15,880
Speaker 1: so honey that we didn't, not that I don't think

1621
01:15:15,880 --> 01:15:17,559
Speaker 1: so honey in the movie, because I do think so honey,

1622
01:15:17,720 --> 01:15:18,240
Speaker 1: just that part.

1623
01:15:18,280 --> 01:15:19,799
Speaker 2: I don't think so And that's one minute.

1624
01:15:19,800 --> 01:15:21,960
Speaker 1: Don't you think to do it?

1625
01:15:22,000 --> 01:15:24,160
Speaker 4: I agree with you, although I bet Merril saw it

1626
01:15:24,160 --> 01:15:28,040
Speaker 4: and was like, too cliche, No, it's so funny because

1627
01:15:28,080 --> 01:15:29,599
Speaker 4: I thought it was gonna end that way too.

1628
01:15:29,680 --> 01:15:32,559
Speaker 2: I'm like, well, of course, so then maybe this is

1629
01:15:32,560 --> 01:15:34,800
Speaker 2: the thing where they expect the audience to get ahead

1630
01:15:34,800 --> 01:15:37,639
Speaker 2: of it exactly, and they are subverting the expectations exactly,

1631
01:15:37,680 --> 01:15:39,800
Speaker 2: and it breaks the cycle of you you think now

1632
01:15:39,840 --> 01:15:43,639
Speaker 2: that Andy is that runway, she would inherit this thing,

1633
01:15:43,800 --> 01:15:45,320
Speaker 2: and yet she's choosing to break this.

1634
01:15:45,439 --> 01:15:46,000
Speaker 3: I agree.

1635
01:15:46,040 --> 01:15:48,040
Speaker 1: I just feel like had she said that's all turned

1636
01:15:48,040 --> 01:15:49,600
Speaker 1: out and went away and you could have left, you

1637
01:15:49,600 --> 01:15:52,120
Speaker 1: could have ended it on Meryl with that half smile

1638
01:15:52,160 --> 01:15:54,799
Speaker 1: that she did in the first movie. And I loved

1639
01:15:55,080 --> 01:15:59,920
Speaker 1: the last scene, the the tracking away of Beautiful was

1640
01:16:00,080 --> 01:16:02,120
Speaker 1: that the movie was fantastic, but that.

1641
01:16:02,040 --> 01:16:04,400
Speaker 4: Last scene was so we were We said that I

1642
01:16:04,439 --> 01:16:07,040
Speaker 4: watched it with Van and Hoddan. We said, where you

1643
01:16:07,080 --> 01:16:09,080
Speaker 4: could see all of the people in the new it

1644
01:16:09,080 --> 01:16:12,120
Speaker 4: makes you fall in love with why we lived, you know.

1645
01:16:12,160 --> 01:16:15,400
Speaker 1: And actually I love a shot like that, just just

1646
01:16:15,400 --> 01:16:18,160
Speaker 1: like leaving the characters that we love in process because

1647
01:16:18,200 --> 01:16:20,120
Speaker 1: you know, there's still That was one of my favorite

1648
01:16:20,160 --> 01:16:24,040
Speaker 1: things about the way the movie fired too, leaves us

1649
01:16:24,080 --> 01:16:26,320
Speaker 1: on the dock like that. I was like, oh, there's

1650
01:16:26,360 --> 01:16:30,360
Speaker 1: still there, and I just loved that. And another thing

1651
01:16:30,400 --> 01:16:32,960
Speaker 1: I love from the movie was Emily bluntcoes, have you

1652
01:16:33,000 --> 01:16:39,040
Speaker 1: heard of Christmas? I was like, that's my line, have

1653
01:16:39,080 --> 01:16:41,679
Speaker 1: you heard of Christmas? No, I don't think she actually heard.

1654
01:16:42,080 --> 01:16:43,599
Speaker 3: Do you think she heard the album?

1655
01:16:44,120 --> 01:16:48,760
Speaker 2: And then she I bet she she sent it to

1656
01:16:50,000 --> 01:16:53,439
Speaker 2: alien Brush McKenna. You heard Jenna Chaka walk out the building? Yes,

1657
01:16:53,560 --> 01:16:54,800
Speaker 2: she went, let's get Jenna.

1658
01:16:55,320 --> 01:16:58,559
Speaker 3: You're the reason I am in the devil anyway.

1659
01:16:59,000 --> 01:17:02,000
Speaker 1: Okay, this is Bowen Yang's. Where's my phone here?

1660
01:17:02,000 --> 01:17:02,519
Speaker 2: You want mine?

1661
01:17:02,600 --> 01:17:04,679
Speaker 1: Yeah? This is bowen Yang's. I don't think so, honey,

1662
01:17:04,720 --> 01:17:05,880
Speaker 1: is he ready with one?

1663
01:17:06,439 --> 01:17:06,719
Speaker 3: Yeah?

1664
01:17:06,920 --> 01:17:08,920
Speaker 2: It's gonna be a bummer. It's gonna be a bummer,

1665
01:17:08,920 --> 01:17:10,640
Speaker 2: But it's ours.

1666
01:17:10,680 --> 01:17:11,639
Speaker 1: Even as he's getting.

1667
01:17:11,439 --> 01:17:13,599
Speaker 3: Ready to know, I'm afraid it's about his back.

1668
01:17:13,880 --> 01:17:16,040
Speaker 1: This is afraid. I don't think it's honey.

1669
01:17:17,040 --> 01:17:19,599
Speaker 2: I don't think so, honey. What are the patches supposed

1670
01:17:19,640 --> 01:17:22,000
Speaker 2: to be doing. I don't believe that the skin is

1671
01:17:22,080 --> 01:17:25,479
Speaker 2: absorbing whatever the medicine is. I think you gotta take

1672
01:17:25,520 --> 01:17:27,880
Speaker 2: it by mouth. I think all medicine should be taken

1673
01:17:27,920 --> 01:17:31,200
Speaker 2: by mouth or ivy. I think on the kind of

1674
01:17:31,200 --> 01:17:33,879
Speaker 2: a sham, sure, whatever, as long as there's an opening,

1675
01:17:34,360 --> 01:17:37,759
Speaker 2: as long as you're breaking through, you're puncturing hole.

1676
01:17:38,720 --> 01:17:40,040
Speaker 1: I don't think so, honey.

1677
01:17:40,840 --> 01:17:45,640
Speaker 2: Topical, topical, anything, analgesic, whatever, I think it has to

1678
01:17:45,680 --> 01:17:48,519
Speaker 2: I have to ingest it in. It literally has to

1679
01:17:48,560 --> 01:17:50,880
Speaker 2: go into my veins. I've got too much dermis.

1680
01:17:51,160 --> 01:17:52,920
Speaker 1: The three of us have too much dermis.

1681
01:17:52,920 --> 01:17:54,960
Speaker 2: The three of us have thick skins because of the

1682
01:17:54,960 --> 01:17:57,760
Speaker 2: hardships of life. And so my skin ain't taking it,

1683
01:17:57,800 --> 01:18:00,160
Speaker 2: you know what I'm saying. And so I also going

1684
01:18:00,160 --> 01:18:04,360
Speaker 2: to spend the next fifteen second fifteen seconds saying, wow,

1685
01:18:07,680 --> 01:18:10,120
Speaker 2: please give me the light of cane over the counter,

1686
01:18:10,880 --> 01:18:15,160
Speaker 2: orally please, I'll take the sessions oral oral, oral, ou

1687
01:18:15,439 --> 01:18:16,080
Speaker 2: out out.

1688
01:18:16,120 --> 01:18:20,360
Speaker 1: And that's really good job. I do think though, you

1689
01:18:20,479 --> 01:18:24,759
Speaker 1: might just need a good shot shot in the back.

1690
01:18:25,320 --> 01:18:29,880
Speaker 1: What's what, Cornizon, what you're saying? I said? I said,

1691
01:18:29,920 --> 01:18:31,479
Speaker 1: you tell Bowen he needs a backshot.

1692
01:18:31,840 --> 01:18:33,120
Speaker 3: You mean, but here's the thing.

1693
01:18:33,240 --> 01:18:35,760
Speaker 4: If you get a backshot, yes, you're going to know

1694
01:18:36,080 --> 01:18:36,840
Speaker 4: why it is.

1695
01:18:37,080 --> 01:18:37,479
Speaker 1: What do you mean?

1696
01:18:37,520 --> 01:18:40,559
Speaker 4: Because if it's a muscle imbalance, the back shot won't help.

1697
01:18:41,600 --> 01:18:43,040
Speaker 3: Can you see my man, Jason?

1698
01:18:43,240 --> 01:18:44,160
Speaker 2: I would love to see your man.

1699
01:18:44,280 --> 01:18:46,479
Speaker 4: You've got to see my man, Jason. It may take

1700
01:18:46,600 --> 01:18:48,840
Speaker 4: four hours, but you will be fixed two days later.

1701
01:18:49,000 --> 01:18:51,080
Speaker 2: I have something on the books for next week. But

1702
01:18:51,200 --> 01:18:52,679
Speaker 2: this is this woman. She's in demand.

1703
01:18:53,200 --> 01:18:55,560
Speaker 3: No, you need to get next week. You're going to

1704
01:18:55,640 --> 01:18:55,960
Speaker 3: be better.

1705
01:18:56,080 --> 01:18:56,720
Speaker 1: Exactly.

1706
01:18:57,080 --> 01:18:59,280
Speaker 3: You need Jason tomorrow tomorrow.

1707
01:18:59,320 --> 01:19:00,759
Speaker 1: I booked her this evening.

1708
01:19:00,880 --> 01:19:01,920
Speaker 3: Can you do it this evening.

1709
01:19:03,280 --> 01:19:05,880
Speaker 2: We're figuring it out. They don't come at night to

1710
01:19:05,920 --> 01:19:06,800
Speaker 2: these people.

1711
01:19:06,600 --> 01:19:07,160
Speaker 3: Jason Will.

1712
01:19:08,880 --> 01:19:11,519
Speaker 1: Oh my god, it feels like we're going to get

1713
01:19:11,560 --> 01:19:12,320
Speaker 1: Jason's information.

1714
01:19:12,360 --> 01:19:14,840
Speaker 3: I'm going to pass Jason P. And then you got

1715
01:19:14,840 --> 01:19:17,080
Speaker 3: to see then you got to see doctor Jason p.

1716
01:19:17,240 --> 01:19:20,400
Speaker 2: T Jason, Jason PT.

1717
01:19:20,439 --> 01:19:21,200
Speaker 3: You save people.

1718
01:19:21,720 --> 01:19:25,080
Speaker 4: Yeah, he's very handsome, but he's wonderful. More than that,

1719
01:19:25,120 --> 01:19:26,920
Speaker 4: I mean, he's married, but more than that, he's going

1720
01:19:26,960 --> 01:19:27,559
Speaker 4: to fix you.

1721
01:19:27,479 --> 01:19:31,160
Speaker 1: To a guy or girl to a woman because he

1722
01:19:31,200 --> 01:19:33,160
Speaker 1: was married to a guy. It's kind of like whatever

1723
01:19:33,320 --> 01:19:36,000
Speaker 1: six of one, six of one and a half a

1724
01:19:36,040 --> 01:19:44,759
Speaker 1: dozen of what I know which cliche and six even happened?

1725
01:19:44,760 --> 01:19:46,200
Speaker 1: Is when I was at Today Show, we were all

1726
01:19:46,240 --> 01:19:47,000
Speaker 1: trying to figure out what.

1727
01:19:47,240 --> 01:19:48,800
Speaker 3: Know, and then we just kept saying it so we

1728
01:19:48,840 --> 01:19:49,479
Speaker 3: could kill it.

1729
01:19:49,720 --> 01:19:51,960
Speaker 4: You know, It's like when adult start saying it, then

1730
01:19:52,000 --> 01:19:56,240
Speaker 4: the ten year olds are like, my mom is saying instead.

1731
01:19:56,040 --> 01:19:57,800
Speaker 3: Yeah, I think we killed it successfully.

1732
01:19:57,920 --> 01:19:58,679
Speaker 2: Thank you so much.

1733
01:19:58,720 --> 01:19:59,840
Speaker 1: You're welcome for your service.

1734
01:20:00,080 --> 01:20:02,160
Speaker 3: Are welcome. If there's anything else I can do for you,

1735
01:20:02,280 --> 01:20:02,680
Speaker 3: let me know.

1736
01:20:02,960 --> 01:20:04,960
Speaker 1: Well, we have an idea, how about And I don't think.

1737
01:20:04,840 --> 01:20:08,560
Speaker 4: So okay, no, listen, I feel like I'm just the prefaces.

1738
01:20:08,840 --> 01:20:10,599
Speaker 3: I didn't know we were going to talk so much books,

1739
01:20:10,600 --> 01:20:11,679
Speaker 3: but it's in the book Vein.

1740
01:20:11,600 --> 01:20:12,479
Speaker 1: So let's go out.

1741
01:20:14,680 --> 01:20:15,599
Speaker 3: Okay, let's go.

1742
01:20:15,760 --> 01:20:17,600
Speaker 2: This is Jenna Bushager's I don't think so, honey, and

1743
01:20:17,640 --> 01:20:18,520
Speaker 2: her time starts.

1744
01:20:18,280 --> 01:20:20,960
Speaker 3: Okay, I don't think so, honey. Why are we banning

1745
01:20:21,000 --> 01:20:21,599
Speaker 3: all these.

1746
01:20:21,439 --> 01:20:25,599
Speaker 4: Books, y'all included book. Why are we banning the Wicked Book?

1747
01:20:25,640 --> 01:20:29,519
Speaker 4: Why are we banning to kill a Mockingbird? I posted

1748
01:20:29,520 --> 01:20:32,000
Speaker 4: a picture I don't think, so, honey, of my daughter

1749
01:20:32,080 --> 01:20:34,720
Speaker 4: reading the summer I turned pretty, and you know what

1750
01:20:34,760 --> 01:20:39,920
Speaker 4: people said to me. They shamed me. I don't think so, honey.

1751
01:20:40,080 --> 01:20:44,759
Speaker 4: Don't we know that kids can find all everything on

1752
01:20:45,160 --> 01:20:49,120
Speaker 4: YouTube dot com. We can give our kids iPads, we

1753
01:20:49,160 --> 01:20:53,320
Speaker 4: can give our kids phones. But you're taking Beloved by

1754
01:20:53,360 --> 01:20:56,720
Speaker 4: Tony Morrison out of our libraries. Guess whose job it

1755
01:20:56,800 --> 01:21:01,080
Speaker 4: is to make sure it's appropriate for your children? Librarians?

1756
01:21:01,400 --> 01:21:03,599
Speaker 4: They are trained. Now listen. I know I'm biased because

1757
01:21:03,600 --> 01:21:07,280
Speaker 4: my mother was a librarian. She had a cat named Dewey,

1758
01:21:07,520 --> 01:21:10,720
Speaker 4: named after the Dewey decimal system. I do think we

1759
01:21:10,760 --> 01:21:13,760
Speaker 4: should name cats after things that belong in the library.

1760
01:21:13,840 --> 01:21:16,559
Speaker 4: But I don't think we should be taking these books out.

1761
01:21:16,960 --> 01:21:20,000
Speaker 4: Leave it up to the librarians. I want my kid

1762
01:21:20,240 --> 01:21:23,280
Speaker 4: to read. Want to know why books start conversations. Know

1763
01:21:23,360 --> 01:21:27,800
Speaker 4: what we're not having enough of in this convert conversations.

1764
01:21:27,880 --> 01:21:32,439
Speaker 4: I don't think so, Honey's.

1765
01:21:34,160 --> 01:21:38,639
Speaker 3: Wow, Wow, we're sitting somewhere really deep.

1766
01:21:39,040 --> 01:21:41,400
Speaker 1: I love to come out. That's why it is a

1767
01:21:41,479 --> 01:21:43,480
Speaker 1: useful tool for American conversation.

1768
01:21:43,680 --> 01:21:46,840
Speaker 4: I bet honestly, I think if I was having a

1769
01:21:46,840 --> 01:21:50,320
Speaker 4: bad back getting those types of things out, you know,

1770
01:21:50,360 --> 01:21:51,040
Speaker 4: the body.

1771
01:21:50,840 --> 01:21:56,040
Speaker 1: Keeping school school, you know, we're actually we're holding all

1772
01:21:56,280 --> 01:21:59,080
Speaker 1: of our I don't think so Honey's in our.

1773
01:21:59,000 --> 01:22:00,920
Speaker 3: Back one hundred percent, and our hips, in.

1774
01:22:00,880 --> 01:22:03,400
Speaker 1: Our in our root chakra, in our root chuck.

1775
01:22:03,880 --> 01:22:05,759
Speaker 3: I mean, I mean that did I felt it comes.

1776
01:22:05,840 --> 01:22:07,599
Speaker 1: To come out my roots. Soon They're going to ban

1777
01:22:07,680 --> 01:22:10,360
Speaker 1: books about the root chakra. Kids aren't even gonna know about.

1778
01:22:10,160 --> 01:22:12,880
Speaker 3: Things like the little engine that could see.

1779
01:22:12,920 --> 01:22:16,599
Speaker 1: Actually, I mean it's it's at that point.

1780
01:22:16,640 --> 01:22:19,360
Speaker 2: I mean, so I'm going to the Brooklyn Public Library

1781
01:22:19,360 --> 01:22:21,640
Speaker 2: GAL on Wednesday and I rid a little speech and

1782
01:22:21,680 --> 01:22:24,160
Speaker 2: I got emotions. I went to the library on Saturday,

1783
01:22:24,360 --> 01:22:24,760
Speaker 2: wrote my.

1784
01:22:24,760 --> 01:22:27,520
Speaker 1: Little speech in the library.

1785
01:22:27,600 --> 01:22:29,080
Speaker 2: Yeah, I had to be on the nose about it,

1786
01:22:29,200 --> 01:22:30,800
Speaker 2: but it was so wonderful. I was like, Oh, look

1787
01:22:30,840 --> 01:22:34,440
Speaker 2: at this. There's like adult Jigsaw hour, there's maternity.

1788
01:22:35,000 --> 01:22:39,880
Speaker 4: Libraries are the cornerstones of our community and when people

1789
01:22:40,600 --> 01:22:44,320
Speaker 4: need a place that is warm to go and have

1790
01:22:44,400 --> 01:22:47,679
Speaker 4: access to books. Also, like, what are we thinking, y'all?

1791
01:22:47,920 --> 01:22:52,000
Speaker 4: We're giving anybody my kid can go to, like you know,

1792
01:22:52,160 --> 01:22:55,479
Speaker 4: I don't know chemistry and get on her little laptop

1793
01:22:55,560 --> 01:22:59,400
Speaker 4: and order ship from Amazon and not pay attention. But

1794
01:22:59,479 --> 01:23:03,200
Speaker 4: we're worried about the books that we house in our libraries,

1795
01:23:03,520 --> 01:23:06,200
Speaker 4: and as we know, representation matters, and a lot of

1796
01:23:06,200 --> 01:23:10,040
Speaker 4: what they're taking out is necessary for people to see

1797
01:23:10,080 --> 01:23:15,200
Speaker 4: themselves one, and librarians are not recommending things that are

1798
01:23:15,200 --> 01:23:18,640
Speaker 4: inappropriate to like seven or eight year old what are

1799
01:23:18,640 --> 01:23:19,000
Speaker 4: we doing?

1800
01:23:19,080 --> 01:23:22,800
Speaker 1: But also what is inappropriate necessarily even mean it's it's

1801
01:23:22,840 --> 01:23:26,280
Speaker 1: a goalpost that tends to move depending on what the

1802
01:23:26,320 --> 01:23:29,040
Speaker 1: people in power need and how they can control people.

1803
01:23:29,320 --> 01:23:34,320
Speaker 1: So what's inappropriate is by the way, debatable from the beginning,

1804
01:23:34,400 --> 01:23:34,680
Speaker 1: from the.

1805
01:23:34,720 --> 01:23:37,320
Speaker 4: Before of the being, except to parents who are not

1806
01:23:37,400 --> 01:23:39,840
Speaker 4: the ones that are actually banning the books. Ninety four

1807
01:23:39,880 --> 01:23:42,240
Speaker 4: thousand books were banned last year in twenty twenty five,

1808
01:23:42,520 --> 01:23:46,559
Speaker 4: ninety two percent of them by institutions, like you know,

1809
01:23:46,640 --> 01:23:50,080
Speaker 4: by by NGOs, by people that are like big movements.

1810
01:23:50,080 --> 01:23:52,920
Speaker 4: It's not a parent that's like, hey, my kid came

1811
01:23:52,920 --> 01:23:56,519
Speaker 4: home with this. Because you're the parent, you can say, hey,

1812
01:23:57,080 --> 01:24:01,320
Speaker 4: how like we should be reading Charlotte's Web instead jobs.

1813
01:24:01,120 --> 01:24:04,639
Speaker 2: Of course, like it assumes that there's like no monitoring

1814
01:24:04,680 --> 01:24:05,960
Speaker 2: at any level for this thing.

1815
01:24:06,120 --> 01:24:10,880
Speaker 4: But like, librarians are amazing too, that's their job. And

1816
01:24:10,920 --> 01:24:14,120
Speaker 4: by saying we take these out, what we're saying is

1817
01:24:14,160 --> 01:24:15,800
Speaker 4: we're not empowering you to do your work.

1818
01:24:16,720 --> 01:24:19,840
Speaker 2: The libraries are so radical, to the point that we've

1819
01:24:19,880 --> 01:24:22,559
Speaker 2: forgotten as a society how radical they are, which is

1820
01:24:22,560 --> 01:24:27,000
Speaker 2: you get free books and movies and resources and job

1821
01:24:27,040 --> 01:24:31,000
Speaker 2: opportunities because of this like free thing that everyone is

1822
01:24:31,120 --> 01:24:33,400
Speaker 2: entitled to. Exactly, it's amazing.

1823
01:24:33,640 --> 01:24:33,840
Speaker 3: You know.

1824
01:24:35,120 --> 01:24:37,800
Speaker 4: I was with men Jen, this author who I love,

1825
01:24:37,800 --> 01:24:40,160
Speaker 4: who wrote Pachinko, and she told me njinly Is. She

1826
01:24:40,240 --> 01:24:44,960
Speaker 4: told me that books actually made her brave, and she said,

1827
01:24:45,000 --> 01:24:47,479
Speaker 4: I'm so worried about kids not having access to books,

1828
01:24:47,479 --> 01:24:50,599
Speaker 4: because where does that bravery going to come from?

1829
01:24:50,680 --> 01:24:54,719
Speaker 1: And also it's not for nothing. But you know these

1830
01:24:54,760 --> 01:24:58,559
Speaker 1: parents that think I want to control everything that my

1831
01:24:58,680 --> 01:25:02,280
Speaker 1: kids are consuming, that's not the point of their life.

1832
01:25:02,479 --> 01:25:05,519
Speaker 1: I know they are supposed to live their life at

1833
01:25:05,520 --> 01:25:08,160
Speaker 1: a certain point of course, Like you don't want your

1834
01:25:08,240 --> 01:25:12,960
Speaker 1: child to exposed to something harmful, but exposed to something

1835
01:25:13,320 --> 01:25:18,480
Speaker 1: different is a good thing. Exposed to something empathy, Yeah,

1836
01:25:18,880 --> 01:25:20,000
Speaker 1: I mean I just I.

1837
01:25:20,240 --> 01:25:22,240
Speaker 4: But also we're living in a time where like five

1838
01:25:22,280 --> 01:25:25,639
Speaker 4: and six year olds are getting on YouTube seen anything anything.

1839
01:25:25,720 --> 01:25:30,760
Speaker 3: Yeah, yeah, we're regulating books.

1840
01:25:30,439 --> 01:25:32,439
Speaker 2: Right yeah, no, but never a tech company.

1841
01:25:33,160 --> 01:25:36,280
Speaker 1: What could be more inappropriate than what the president says

1842
01:25:36,360 --> 01:25:38,560
Speaker 1: on his social media every day?

1843
01:25:38,840 --> 01:25:39,479
Speaker 2: Right? Like?

1844
01:25:39,520 --> 01:25:39,760
Speaker 1: What?

1845
01:25:39,760 --> 01:25:40,080
Speaker 3: What?

1846
01:25:40,080 --> 01:25:41,520
Speaker 1: What could be more inappropriate?

1847
01:25:41,960 --> 01:25:45,120
Speaker 2: Why are we not shielding that from like innocent eyes.

1848
01:25:45,680 --> 01:25:47,880
Speaker 1: In a world where we are doing this like hierarchy

1849
01:25:47,920 --> 01:25:50,160
Speaker 1: of manners right like and morals?

1850
01:25:50,200 --> 01:25:52,240
Speaker 2: But like I but like just I wrote about how

1851
01:25:52,320 --> 01:25:55,880
Speaker 2: like I was wandering the shelves of my library at

1852
01:25:55,920 --> 01:25:58,439
Speaker 2: the age of thirteen, and I stumble across the CD

1853
01:25:58,800 --> 01:26:02,720
Speaker 2: ROM original broad cast recording of Wicked, and I took

1854
01:26:02,720 --> 01:26:05,600
Speaker 2: it home and it changed my brain chemistry, And I'm like,

1855
01:26:06,000 --> 01:26:07,680
Speaker 2: I like, the library is an important part of that

1856
01:26:07,720 --> 01:26:09,880
Speaker 2: story because it gives it gives you a sense of

1857
01:26:09,880 --> 01:26:12,880
Speaker 2: place and time with the discovery of something. Now everything

1858
01:26:12,880 --> 01:26:14,240
Speaker 2: gets served up on our phones, and I'm like, I

1859
01:26:14,280 --> 01:26:15,720
Speaker 2: don't know, I don't remember where I was when I

1860
01:26:15,760 --> 01:26:18,160
Speaker 2: discovered this new singer that I like, which is fine

1861
01:26:18,240 --> 01:26:21,040
Speaker 2: how it is these days, but like, God, it's like

1862
01:26:21,040 --> 01:26:23,160
Speaker 2: the original Third Space blah blah blah. I'm not saying

1863
01:26:23,160 --> 01:26:25,880
Speaker 2: anything new, But it's just I think we think thank

1864
01:26:25,920 --> 01:26:29,040
Speaker 2: you for letting us talk about how I genuinely think

1865
01:26:29,120 --> 01:26:31,960
Speaker 2: libraries are like the most emotional thing for me and

1866
01:26:32,040 --> 01:26:34,240
Speaker 2: my community. I go. It's of my favorite places to

1867
01:26:34,240 --> 01:26:36,960
Speaker 2: go in Brooklyn. It has some of the cleanest bathrooms

1868
01:26:36,960 --> 01:26:39,960
Speaker 2: in the whole city. It's crazy and that's and that's

1869
01:26:40,000 --> 01:26:41,160
Speaker 2: something you can't count out.

1870
01:26:41,400 --> 01:26:48,640
Speaker 1: And there are interesting, interesting guys there who who My

1871
01:26:49,360 --> 01:26:51,360
Speaker 1: favorite bit is to go to the My favorite bit

1872
01:26:51,479 --> 01:26:54,000
Speaker 1: is new bit is to go to the matom and

1873
01:26:54,200 --> 01:26:56,800
Speaker 1: just point at the side and say, oh, that's where

1874
01:26:56,840 --> 01:26:59,519
Speaker 1: they are, and then I and then I wink and

1875
01:26:59,560 --> 01:26:59,920
Speaker 1: I go in.

1876
01:27:00,320 --> 01:27:01,000
Speaker 2: That's where they keep.

1877
01:27:01,200 --> 01:27:03,240
Speaker 3: You say to all your friends like that you're having

1878
01:27:03,240 --> 01:27:04,000
Speaker 3: dinner with That's.

1879
01:27:03,880 --> 01:27:05,880
Speaker 1: My one bit. And then my other bit is whenever

1880
01:27:05,920 --> 01:27:08,720
Speaker 1: you buy anything and they say the price, you just

1881
01:27:08,760 --> 01:27:14,320
Speaker 1: go to the cashier my favorite price. And they laugh

1882
01:27:14,400 --> 01:27:16,880
Speaker 1: every time. Yeah, it works right, every time they laugh

1883
01:27:17,360 --> 01:27:21,600
Speaker 1: they laugh. Well, some people are truly mean people, so

1884
01:27:22,280 --> 01:27:23,080
Speaker 1: they don't laugh.

1885
01:27:23,560 --> 01:27:26,040
Speaker 4: I can't imagine you don't get a laugh, yeah, because

1886
01:27:26,320 --> 01:27:28,160
Speaker 4: then you know they're kind of laughing inside.

1887
01:27:28,200 --> 01:27:32,120
Speaker 1: Well, if they don't laugh, that's when I go and

1888
01:27:32,160 --> 01:27:32,559
Speaker 1: then they go.

1889
01:27:33,920 --> 01:27:36,760
Speaker 4: Wait when y'all met, were you automatically best besties?

1890
01:27:40,200 --> 01:27:41,679
Speaker 1: There was weird. It was weird.

1891
01:27:41,920 --> 01:27:44,040
Speaker 2: It was just like, well, I we knew of you

1892
01:27:44,120 --> 01:27:47,080
Speaker 2: the other person, but we went to the show together.

1893
01:27:47,320 --> 01:27:48,680
Speaker 2: And I think there was like a bit of a

1894
01:27:48,720 --> 01:27:54,080
Speaker 2: status mismatch when Matt felt like I had power over him.

1895
01:27:54,200 --> 01:27:56,560
Speaker 1: He was in the comedy groups already at n y U,

1896
01:27:56,960 --> 01:27:58,760
Speaker 1: and I was he not at the same age, or

1897
01:27:59,160 --> 01:28:02,960
Speaker 1: he's actually younger than me, but he with the same

1898
01:28:03,040 --> 01:28:07,000
Speaker 1: year in college. But he had auditioned for the comedy

1899
01:28:07,000 --> 01:28:09,240
Speaker 1: groups the first year and got on the improv group.

1900
01:28:09,280 --> 01:28:14,479
Speaker 1: And I didn't audition until my well delayed. Yeah, so

1901
01:28:14,560 --> 01:28:17,320
Speaker 1: then by the time I was auditioning, he had already

1902
01:28:17,360 --> 01:28:19,400
Speaker 1: gotten into the group, and we sort of knew each

1903
01:28:19,439 --> 01:28:21,320
Speaker 1: other a little bit. And then they cut me from

1904
01:28:21,360 --> 01:28:23,960
Speaker 1: the improv auditions, and I thought, Bowen maybe put a

1905
01:28:24,000 --> 01:28:26,040
Speaker 1: hand in that, And.

1906
01:28:25,840 --> 01:28:28,160
Speaker 4: Did you have a hand in cutting out Jenna Butchagger

1907
01:28:28,240 --> 01:28:32,680
Speaker 4: and the Bob skit maybe Bowen did cut both of us.

1908
01:28:32,720 --> 01:28:32,960
Speaker 3: Matt.

1909
01:28:33,280 --> 01:28:35,360
Speaker 1: But then the next day, the very next day, I

1910
01:28:35,400 --> 01:28:37,799
Speaker 1: made it onto the sketch group, and then I suddenly

1911
01:28:37,840 --> 01:28:39,680
Speaker 1: I was his equal and he had a deal.

1912
01:28:39,800 --> 01:28:42,280
Speaker 4: It's like I was also cut My whole award was

1913
01:28:42,320 --> 01:28:44,559
Speaker 4: cut out of the last joist US Awards.

1914
01:28:44,840 --> 01:28:47,760
Speaker 1: It's interesting the interesting tactic you're doing, which is you

1915
01:28:47,800 --> 01:28:50,040
Speaker 1: asked us about us and then you kind of keep

1916
01:28:50,080 --> 01:28:51,920
Speaker 1: bringing it back to your award.

1917
01:28:52,240 --> 01:28:57,840
Speaker 4: And it's actually why I'm here today. I'm hoping, like,

1918
01:28:57,920 --> 01:28:59,800
Speaker 4: have you already taped all of those? Those are all

1919
01:29:00,040 --> 01:29:00,720
Speaker 4: taped in the can?

1920
01:29:00,920 --> 01:29:02,640
Speaker 1: Do you want to give an acceptance speech? Right now?

1921
01:29:02,880 --> 01:29:06,000
Speaker 1: There's your camera it is I'd like to think you

1922
01:29:06,080 --> 01:29:10,240
Speaker 1: gotta go. You're saying, okay, so do you want to

1923
01:29:10,280 --> 01:29:11,799
Speaker 1: take us out with your acceptance speech.

1924
01:29:12,160 --> 01:29:15,439
Speaker 4: I'd really like to thank Bowen and Matt for the

1925
01:29:15,479 --> 01:29:17,599
Speaker 4: Today Show Excellence in the Morning Award.

1926
01:29:17,680 --> 01:29:18,320
Speaker 3: Is that the name of it?

1927
01:29:18,439 --> 01:29:22,000
Speaker 1: Yes, you got it. And now we're just gonna say

1928
01:29:22,240 --> 01:29:24,000
Speaker 1: that this was so fun.

1929
01:29:24,400 --> 01:29:27,320
Speaker 4: I love y'all so much. I will come back whenever,

1930
01:29:27,400 --> 01:29:29,360
Speaker 4: and y'all both have to come back to the show.

1931
01:29:29,439 --> 01:29:35,360
Speaker 1: We are coming. Oh yes, June seventeenth. We're going to

1932
01:29:35,400 --> 01:29:39,559
Speaker 1: be there the day it comes out. So we're actually

1933
01:29:39,600 --> 01:29:41,960
Speaker 1: going to get to be on the nine am hour

1934
01:29:42,120 --> 01:29:43,120
Speaker 1: and the ten am hour.

1935
01:29:43,280 --> 01:29:46,439
Speaker 3: Oh that seems like once Matt was on g M

1936
01:29:46,479 --> 01:29:47,880
Speaker 3: A and I got real mad at it.

1937
01:29:47,920 --> 01:29:50,599
Speaker 2: I understand why it doesn't feel right.

1938
01:29:50,920 --> 01:29:54,360
Speaker 1: I went on g m A once and literally she goes,

1939
01:29:54,680 --> 01:30:00,519
Speaker 1: the fuck, I.

1940
01:30:00,439 --> 01:30:03,240
Speaker 3: Did you a host on this show?

1941
01:30:05,479 --> 01:30:08,000
Speaker 1: It was before it was as it was, because you

1942
01:30:08,000 --> 01:30:11,000
Speaker 1: want to know what that was, Nana, it wasn't.

1943
01:30:10,800 --> 01:30:15,400
Speaker 4: It wasn't there. We can look up the art. We've

1944
01:30:15,439 --> 01:30:16,400
Speaker 4: been the host once.

1945
01:30:16,680 --> 01:30:19,000
Speaker 1: Let me tell you something it was. I know what

1946
01:30:19,080 --> 01:30:23,240
Speaker 1: it was because I was filming a piece of content

1947
01:30:23,320 --> 01:30:26,560
Speaker 1: with you for roll Senna, and then I said, and

1948
01:30:26,600 --> 01:30:28,200
Speaker 1: then someone was something and they go, Okay, we just

1949
01:30:28,240 --> 01:30:29,519
Speaker 1: have to go because he has to go to g

1950
01:30:29,720 --> 01:30:29,880
Speaker 1: M A.

1951
01:30:30,479 --> 01:30:32,760
Speaker 3: And then you were like, it wasn't even gm A.

1952
01:30:32,920 --> 01:30:36,360
Speaker 3: It was g M A three, only.

1953
01:30:36,640 --> 01:30:41,040
Speaker 1: Gm A three. G thank you. This has been a joy.

1954
01:30:42,120 --> 01:30:44,240
Speaker 4: I'm obsessed with you and I love you guys so much.

1955
01:30:44,439 --> 01:30:46,360
Speaker 4: I can't wait for Cohella Colla.

1956
01:30:47,960 --> 01:30:52,880
Speaker 1: We end and by the way, watch watch the Morning

1957
01:30:52,920 --> 01:30:56,320
Speaker 1: Program Today with Jenna and Channel and I mean, I

1958
01:30:56,439 --> 01:30:58,519
Speaker 1: love you, love you, And we end every episode with

1959
01:30:58,560 --> 01:31:02,600
Speaker 1: the song what was the theme song when I was

1960
01:31:03,160 --> 01:31:05,240
Speaker 1: guest hosting? Because now it's different, I know I can't

1961
01:31:05,240 --> 01:31:08,200
Speaker 1: remember it was, what's the what's the Today Show?

1962
01:31:08,320 --> 01:31:08,519
Speaker 3: Theme?

1963
01:31:09,800 --> 01:31:10,519
Speaker 1: Do you remember?

1964
01:31:10,640 --> 01:31:12,679
Speaker 3: I mean I listened to it every day.

1965
01:31:14,760 --> 01:31:23,320
Speaker 1: Oh This is Today with Jenna and From.

1966
01:31:22,400 --> 01:31:30,320
Speaker 4: Guest starring Matt Rogers comedian podcast Matt Rogers.

1967
01:31:32,600 --> 01:31:33,280
Speaker 1: Bye Bye.

1968
01:31:36,200 --> 01:31:38,320
Speaker 2: Last Culture Recis is the production by Will Ferrell's Big

1969
01:31:38,320 --> 01:31:39,599
Speaker 2: Money Players in My Heart Radio.

1970
01:31:39,439 --> 01:31:42,800
Speaker 1: Podcasts, Created and hosted by Matt Rogers and Bowen Yang.

1971
01:31:42,960 --> 01:31:46,400
Speaker 1: Executive produced by Anna hasby A and produced by Becka Ramos,

1972
01:31:46,520 --> 01:31:48,880
Speaker 1: Edited and mixed by Duck Babe and our music is

1973
01:31:48,880 --> 01:31:49,879
Speaker 1: by Henry Kamerski