1 00:00:01,440 --> 00:00:05,200 Speaker 1: It's the Best Bits of the Week with Morgan Number two. 2 00:00:06,519 --> 00:00:10,560 Speaker 1: What's up, y'all, Welcome to the Best Bits podcast. I'm Morgan. 3 00:00:11,039 --> 00:00:13,440 Speaker 1: In case you haven't heard this podcast before, this is 4 00:00:13,440 --> 00:00:16,680 Speaker 1: your first time tuning in. This is the Best Bits, 5 00:00:16,720 --> 00:00:19,360 Speaker 1: just the Bits. This is part two. Part one is 6 00:00:19,360 --> 00:00:21,720 Speaker 1: always when I go and talk with another show remember 7 00:00:21,760 --> 00:00:23,640 Speaker 1: and we share some stuff on our lives, talk about 8 00:00:23,720 --> 00:00:26,440 Speaker 1: random things and give you guys some behind the scenes 9 00:00:26,480 --> 00:00:28,800 Speaker 1: on the show. This weekend, I had Mike d on 10 00:00:28,960 --> 00:00:31,200 Speaker 1: and we talked about movies. I love geeking out with 11 00:00:31,280 --> 00:00:34,440 Speaker 1: movies over him and we always have some opposing opinions. 12 00:00:34,440 --> 00:00:36,000 Speaker 1: So it's a good time to make sure to go 13 00:00:36,040 --> 00:00:39,040 Speaker 1: listen to part one with Mike. But we're just gonna 14 00:00:39,040 --> 00:00:41,400 Speaker 1: get right into these bits right here for you guys 15 00:00:41,479 --> 00:00:43,680 Speaker 1: who are trying to catch up on the show or 16 00:00:43,880 --> 00:00:47,200 Speaker 1: see anything you missed from this week. So number seven, 17 00:00:47,280 --> 00:00:49,519 Speaker 1: we've got Chris Janson who stopped by the show. He 18 00:00:49,640 --> 00:00:53,440 Speaker 1: performed four different songs, two of his massive hits, two 19 00:00:53,479 --> 00:00:55,400 Speaker 1: of his new songs off his new album All In, 20 00:00:55,560 --> 00:00:59,200 Speaker 1: and of course the beef with him and Lunchbox. It's 21 00:00:59,240 --> 00:01:04,360 Speaker 1: officially squash, but you don't want to hear how when why? Everything? 22 00:01:04,360 --> 00:01:08,839 Speaker 1: Of how that actually happened? Number seven on The Bobby 23 00:01:08,880 --> 00:01:12,920 Speaker 1: Bones Show. Now, Chris Jampson, what's up, buddy? How are 24 00:01:12,920 --> 00:01:14,960 Speaker 1: you hey? Brother? I'm doing great. Thank you for having 25 00:01:14,959 --> 00:01:16,840 Speaker 1: a song. We appreciate it. It is good to see you. 26 00:01:17,400 --> 00:01:20,080 Speaker 1: I mean I watch some of your clips. I mean, 27 00:01:20,240 --> 00:01:21,840 Speaker 1: I'll follow you on Instagram. So when you do these 28 00:01:21,840 --> 00:01:23,480 Speaker 1: live shows and you're doing a live show and like 29 00:01:23,480 --> 00:01:25,959 Speaker 1: a leather jacket and you're bouncing around, I'm like that 30 00:01:26,000 --> 00:01:28,080 Speaker 1: jackets about to come off because this is guy's sweats. 31 00:01:28,120 --> 00:01:30,040 Speaker 1: He's got a lot of energy. But you do, you 32 00:01:30,080 --> 00:01:33,000 Speaker 1: will go up and you will pound for pound, do 33 00:01:33,120 --> 00:01:37,440 Speaker 1: more exercise, do more running around than anybody I've ever 34 00:01:37,480 --> 00:01:39,360 Speaker 1: seen in country music. It is wild to watch you 35 00:01:39,360 --> 00:01:40,720 Speaker 1: do a live show, and it's fun to watch all 36 00:01:40,720 --> 00:01:42,880 Speaker 1: the comments from people who see you for the first time. 37 00:01:43,040 --> 00:01:44,560 Speaker 1: Thank you and they're like, wow, I got so good. 38 00:01:44,680 --> 00:01:46,679 Speaker 1: So before you're going out, like, is there like a stretch? 39 00:01:46,720 --> 00:01:49,520 Speaker 1: There's something like stretching routine you do. It's so physical, 40 00:01:49,760 --> 00:01:54,000 Speaker 1: there's not typically historically, However, it's funny you should ask 41 00:01:54,040 --> 00:01:57,440 Speaker 1: because the other night we were on tour and we 42 00:01:57,440 --> 00:01:59,520 Speaker 1: were in Missouri, right about the Arkansas line as a 43 00:01:59,520 --> 00:02:02,760 Speaker 1: matter of fact. And I got on stage and I 44 00:02:02,800 --> 00:02:04,680 Speaker 1: was I did this high kick out of out of 45 00:02:04,680 --> 00:02:06,800 Speaker 1: the middle of nowhere, and I really it was about 46 00:02:06,840 --> 00:02:08,360 Speaker 1: third song in, and I'd be honest with you, I 47 00:02:08,400 --> 00:02:11,120 Speaker 1: really had wish I had stretched. Um, well, you're getting 48 00:02:11,120 --> 00:02:13,119 Speaker 1: older too, you know, correct, We're I'll get a little 49 00:02:13,120 --> 00:02:15,079 Speaker 1: bit older, right. You forget, you know, you forget these 50 00:02:15,080 --> 00:02:17,080 Speaker 1: things with like as the road takes it's toll on you. 51 00:02:17,120 --> 00:02:18,760 Speaker 1: And then you you get up there and your high kick. 52 00:02:18,800 --> 00:02:20,560 Speaker 1: I'm like, oh my god, here's the good news. I 53 00:02:20,960 --> 00:02:22,640 Speaker 1: sort of did pull a muscle in my leg, but 54 00:02:22,800 --> 00:02:25,520 Speaker 1: more than that, I ripped the whole bottom of my 55 00:02:25,600 --> 00:02:28,720 Speaker 1: pants out and so I was literally just I was 56 00:02:28,919 --> 00:02:33,120 Speaker 1: up there doing my deal and I went, oh, crap, crap, 57 00:02:33,600 --> 00:02:36,120 Speaker 1: And I wasn't wearing underwear, and I had to get 58 00:02:36,120 --> 00:02:40,720 Speaker 1: some I know, you were wearing jeans with no underwear. Yeah, well, 59 00:02:40,600 --> 00:02:42,680 Speaker 1: Kelly makes me wear on stage. Well they're tight, yes, 60 00:02:42,760 --> 00:02:45,080 Speaker 1: but I would think that would not be a good rub, 61 00:02:45,080 --> 00:02:49,320 Speaker 1: you know as well. It just was that way that night. So, um, 62 00:02:49,360 --> 00:02:52,320 Speaker 1: I had to get some gaff tape from from my 63 00:02:52,480 --> 00:02:54,600 Speaker 1: guy over on side of the stage. Jason, and then 64 00:02:54,919 --> 00:02:56,440 Speaker 1: I was He was like, here, I'll get it, and 65 00:02:56,440 --> 00:02:58,880 Speaker 1: I was like, no, you definitely won't get it. So 66 00:02:58,919 --> 00:03:01,440 Speaker 1: I had to. I had to tape myself up, but 67 00:03:01,520 --> 00:03:03,519 Speaker 1: it worked okay, So I just played the rest of the 68 00:03:03,480 --> 00:03:05,600 Speaker 1: the night looking like I had. Um, I just had 69 00:03:05,600 --> 00:03:08,200 Speaker 1: a big loop of tape on my leg. It's funny 70 00:03:08,280 --> 00:03:11,239 Speaker 1: that you tore your pants. You weren't wearing underwear and 71 00:03:11,320 --> 00:03:14,040 Speaker 1: you didn't have a change of pants, Like, don't couldn't 72 00:03:14,040 --> 00:03:15,959 Speaker 1: someone run to your bus and grab some shorts or 73 00:03:16,000 --> 00:03:18,560 Speaker 1: pants or something. Well, it's there. It was the cruise 74 00:03:18,600 --> 00:03:20,120 Speaker 1: bus and I didn't have any of my clothes on it, 75 00:03:20,120 --> 00:03:22,320 Speaker 1: and so no, I didn't. I had a pair, but 76 00:03:22,440 --> 00:03:24,600 Speaker 1: they of course weren't at the venue. It's like when 77 00:03:24,600 --> 00:03:27,000 Speaker 1: you when you need a pair, they're not there. Um, 78 00:03:27,160 --> 00:03:28,760 Speaker 1: couldn't your drummer give you his pants? He's behind a 79 00:03:28,800 --> 00:03:33,200 Speaker 1: drum kit technically he yeah, listen. I mean I would 80 00:03:33,200 --> 00:03:35,120 Speaker 1: have pulled the blink Win eighty two. But you know, 81 00:03:35,160 --> 00:03:37,640 Speaker 1: it's like in country music, you just you know, it 82 00:03:37,720 --> 00:03:39,640 Speaker 1: just didn't. I don't think many people would have related 83 00:03:39,680 --> 00:03:41,600 Speaker 1: with that one. Well, you guys need to see Chris live. 84 00:03:41,640 --> 00:03:44,680 Speaker 1: It's such a great live show and we have a full, 85 00:03:45,000 --> 00:03:47,000 Speaker 1: full deal here. The stage is covered with instruments, and 86 00:03:47,000 --> 00:03:48,600 Speaker 1: I appreciate you guys. Bring in the whole crew here. 87 00:03:48,960 --> 00:03:51,920 Speaker 1: So Steve right, that's your name, So Steve as somebody 88 00:03:51,920 --> 00:03:53,760 Speaker 1: plays a fiddle or violin, depending who you talk to, 89 00:03:53,800 --> 00:03:56,120 Speaker 1: in the style you play. I feel like and do 90 00:03:56,160 --> 00:03:58,760 Speaker 1: you feel like? Everybody has to know the first part? 91 00:03:58,800 --> 00:04:10,080 Speaker 1: And if so of I went down to Georgia, come 92 00:04:10,120 --> 00:04:16,440 Speaker 1: on and your basis your name is Josh, now, Josh, 93 00:04:16,200 --> 00:04:18,240 Speaker 1: I do you know? I'm all the famous parts of 94 00:04:18,279 --> 00:04:20,080 Speaker 1: all the internets. I don't worry. Chris has got a 95 00:04:20,080 --> 00:04:21,960 Speaker 1: good band. I'm ready. I'm gonna do some fun stuff. 96 00:04:22,560 --> 00:04:25,760 Speaker 1: And Chris, if you don't mind, would you mind taking 97 00:04:25,800 --> 00:04:35,360 Speaker 1: us away with a wolf song? Lying rich? But I 98 00:04:35,520 --> 00:04:42,159 Speaker 1: damn you wanna be? You're working like a dog out day. 99 00:04:42,320 --> 00:04:47,000 Speaker 1: Ain't a working for me? Will? I wish I had 100 00:04:47,040 --> 00:04:49,880 Speaker 1: a rich chunckle that with kids, a bucking I was 101 00:04:49,960 --> 00:04:54,440 Speaker 1: sitting on a pile like Warren Buffer. I know everybody 102 00:04:54,520 --> 00:05:00,760 Speaker 1: says money can't buy having food. You can buy me 103 00:05:00,880 --> 00:05:06,719 Speaker 1: a boat, he can buy me a truck. You can 104 00:05:06,720 --> 00:05:11,640 Speaker 1: buy me And yet he wanted eyes down with silver bullets. 105 00:05:12,720 --> 00:05:19,920 Speaker 1: When what they say, money can't buy everything, maybe so, 106 00:05:22,040 --> 00:06:04,880 Speaker 1: but you can buy me a boat. Let's go, let's go. 107 00:06:07,520 --> 00:06:11,880 Speaker 1: Come on, Okay, now we're loose, everybody loose, loose, Amy 108 00:06:11,960 --> 00:06:15,719 Speaker 1: feeling good? All right, now, let's go to present day. 109 00:06:15,720 --> 00:06:18,520 Speaker 1: You just put out this album all in Yes, people 110 00:06:18,520 --> 00:06:20,760 Speaker 1: can get it stream it right now. You know some 111 00:06:20,800 --> 00:06:23,320 Speaker 1: of the things that stood out to me on this album. One, 112 00:06:23,680 --> 00:06:25,560 Speaker 1: you gave your people a lot of music. And you 113 00:06:25,600 --> 00:06:27,400 Speaker 1: know where I learned that when you have a little 114 00:06:27,400 --> 00:06:31,440 Speaker 1: image and all the songs kept going these it never stopped. 115 00:06:31,640 --> 00:06:33,400 Speaker 1: And it's great because you gave them like sixteen in 116 00:06:33,480 --> 00:06:35,799 Speaker 1: the sixteen songs. Sixteen songs, that's a lot of music. 117 00:06:35,800 --> 00:06:37,880 Speaker 1: And I imagine you cut that down from even more 118 00:06:37,920 --> 00:06:40,440 Speaker 1: than that about thirty five. Yes, what do you do 119 00:06:40,440 --> 00:06:43,280 Speaker 1: with the other songs? Get pitched them to other people, 120 00:06:43,320 --> 00:06:46,839 Speaker 1: hope other artists will cut them. Um, and some of 121 00:06:46,839 --> 00:06:48,560 Speaker 1: them just go away and they don't ever really get 122 00:06:48,640 --> 00:06:50,800 Speaker 1: hurt again. They just get shoved away. Anything's like a 123 00:06:50,839 --> 00:06:52,720 Speaker 1: wayte to me, Eddie and I'll cut them right. We'll 124 00:06:52,760 --> 00:06:54,960 Speaker 1: do it right. Yeah, we'll record them. That would be 125 00:06:54,960 --> 00:06:58,640 Speaker 1: greatly honored. Honestly, we're kidding, You're too serious. Serious. Chris 126 00:06:58,720 --> 00:07:00,800 Speaker 1: Jansen is here, has got the record all In. I 127 00:07:00,839 --> 00:07:02,280 Speaker 1: did see there was a song on it two that 128 00:07:02,320 --> 00:07:04,520 Speaker 1: you in Church wrote together unared Church. Yeah, how did 129 00:07:04,520 --> 00:07:08,640 Speaker 1: that write come together? I was so. I was in 130 00:07:08,640 --> 00:07:12,920 Speaker 1: the Elk Hunting Woods with my youngest son, Jesse, and 131 00:07:12,920 --> 00:07:15,160 Speaker 1: we were listening to the Elk Bugle. About five forty 132 00:07:15,160 --> 00:07:17,160 Speaker 1: five in the morning. I got a random text message 133 00:07:17,240 --> 00:07:19,840 Speaker 1: and I would have never checked my phone other than 134 00:07:19,880 --> 00:07:22,400 Speaker 1: thinking it was Kelly or are the other kids? And 135 00:07:22,720 --> 00:07:24,360 Speaker 1: I picked it up. It was Church and he had 136 00:07:24,400 --> 00:07:26,760 Speaker 1: a little voice memo and a little bit of a 137 00:07:26,800 --> 00:07:28,320 Speaker 1: snippet of a of a song. He said, what do 138 00:07:28,320 --> 00:07:30,280 Speaker 1: you think about this? And it was just a half 139 00:07:30,320 --> 00:07:33,920 Speaker 1: done thing and I loved it. I said, I loved this. Um, 140 00:07:34,080 --> 00:07:35,640 Speaker 1: so I just threw it out there. We'd never written 141 00:07:35,640 --> 00:07:37,200 Speaker 1: together for I said, why don't we just? Would you 142 00:07:37,280 --> 00:07:39,200 Speaker 1: let me co write it with you and I'll finish it. 143 00:07:39,560 --> 00:07:42,680 Speaker 1: He said absolutely, I'm in So I think as a 144 00:07:42,720 --> 00:07:44,160 Speaker 1: matter of fact, I think he said all In no 145 00:07:44,240 --> 00:07:46,240 Speaker 1: pun intended, But um, that was before you even picked 146 00:07:46,280 --> 00:07:47,720 Speaker 1: the album title. But that that was kind of a 147 00:07:47,760 --> 00:07:50,120 Speaker 1: cadence along with this album and people kept saying, and 148 00:07:50,160 --> 00:07:52,360 Speaker 1: so I said, okay, great, So I finished it and 149 00:07:52,400 --> 00:07:54,400 Speaker 1: then um, we had our first co write together. It 150 00:07:54,440 --> 00:07:56,680 Speaker 1: was pretty amazing. And where do you go? Do you 151 00:07:56,720 --> 00:07:58,000 Speaker 1: go to like his house that is a full and 152 00:07:58,080 --> 00:08:04,440 Speaker 1: night sunglasses and well no, no, I guess he got 153 00:08:04,480 --> 00:08:06,280 Speaker 1: a whole ray band store. You walked through it said 154 00:08:07,320 --> 00:08:08,880 Speaker 1: we'd like to you just top of the gift shot first. 155 00:08:09,200 --> 00:08:12,320 Speaker 1: Um no, it's honestly, it was so Eric's so chill 156 00:08:12,360 --> 00:08:14,800 Speaker 1: and so easy going, and we have we have very 157 00:08:14,880 --> 00:08:16,680 Speaker 1: much alike, I think is why we get along so good. 158 00:08:16,680 --> 00:08:20,200 Speaker 1: We have a lot in common. And he just texted 159 00:08:20,200 --> 00:08:22,040 Speaker 1: me that and I said, could you send me a lyric? 160 00:08:22,080 --> 00:08:24,040 Speaker 1: He immediately, I mean this is early in the morning, 161 00:08:24,080 --> 00:08:25,920 Speaker 1: which was kind of crazy. He was traveling on the road. 162 00:08:26,360 --> 00:08:29,280 Speaker 1: So I get it, and he sent me up what 163 00:08:29,400 --> 00:08:31,960 Speaker 1: lyric he had and then we just literally I just 164 00:08:32,000 --> 00:08:34,720 Speaker 1: started typing back and forth, which is you know, during 165 00:08:34,760 --> 00:08:36,280 Speaker 1: the pandemic. It's how I wrote a lot of the 166 00:08:36,280 --> 00:08:38,880 Speaker 1: songs on this album him over FaceTime. I wrote him resume. 167 00:08:39,120 --> 00:08:41,520 Speaker 1: I wrote him over or email or the phone. Frankly, 168 00:08:41,559 --> 00:08:43,280 Speaker 1: because if you weren't with somebody, you had to get 169 00:08:43,280 --> 00:08:45,160 Speaker 1: it done somehow. So that's how we got it done. 170 00:08:45,440 --> 00:08:47,240 Speaker 1: This song is called Flag on the Wall on a 171 00:08:47,280 --> 00:08:49,440 Speaker 1: play a little clip of that here. This is from 172 00:08:49,520 --> 00:08:52,160 Speaker 1: Chris Janson's new album All In and Again. Here is 173 00:08:52,160 --> 00:08:55,840 Speaker 1: Flag on the Wall. All right, Chris Jansen is here. 174 00:08:56,080 --> 00:08:58,160 Speaker 1: He's got the full band. I would like to hear 175 00:08:58,240 --> 00:08:59,679 Speaker 1: something new. I don't know if you have any of 176 00:08:59,679 --> 00:09:02,480 Speaker 1: the news I prepared for us. Great, do you do? Absolutely? Okay, 177 00:09:02,520 --> 00:09:03,800 Speaker 1: Well let's hear something from the new record. What do 178 00:09:03,840 --> 00:09:06,280 Speaker 1: you have for thanks? I'll do I'll do the real 179 00:09:06,320 --> 00:09:10,320 Speaker 1: bass pro spelled r E E L bass pro. And 180 00:09:11,800 --> 00:09:15,160 Speaker 1: I just loved this song, and I said this morning, 181 00:09:15,200 --> 00:09:17,200 Speaker 1: my youngest son, Jesse's not here to sing it with me. 182 00:09:17,240 --> 00:09:18,640 Speaker 1: He's been getting up and singing it with me because 183 00:09:18,679 --> 00:09:20,559 Speaker 1: he thinks this is his theme song, which it kind 184 00:09:20,559 --> 00:09:22,959 Speaker 1: of is. So here we go. This would be the 185 00:09:23,000 --> 00:09:25,080 Speaker 1: first time I've ever played a lot live on the air. 186 00:09:38,400 --> 00:09:42,160 Speaker 1: The smell of an old two stroke on a twelve footboat, 187 00:09:42,240 --> 00:09:47,199 Speaker 1: early morning on the river, calm on a fresh cut feeling, 188 00:09:47,320 --> 00:09:52,600 Speaker 1: a whitetail running in mid November, a blaze on can't 189 00:09:52,640 --> 00:09:55,800 Speaker 1: playing up on the dash low, riding down an old 190 00:09:55,880 --> 00:09:59,839 Speaker 1: far room. Yeah, that's the real truck dub bucking b 191 00:10:00,040 --> 00:10:04,920 Speaker 1: ask broom, because there's a little slice of heaven where 192 00:10:04,920 --> 00:10:08,559 Speaker 1: I shot that eleven plowing buck with a double drop time, 193 00:10:09,440 --> 00:10:12,120 Speaker 1: and you ought to see you whipper plopper around the time. 194 00:10:12,240 --> 00:10:18,440 Speaker 1: Water comes Saturday sunrise. Everybody who knows me, dang sure 195 00:10:18,679 --> 00:10:22,080 Speaker 1: knows I'll be twenty foot high in a tall wide oak. 196 00:10:22,480 --> 00:10:32,240 Speaker 1: That's the real truck, doug bucking bassball, Dan, come on 197 00:10:33,360 --> 00:10:36,000 Speaker 1: Christ Chance and here live. And I think we need 198 00:10:36,040 --> 00:10:38,000 Speaker 1: to make a distinction here for our audience, who if 199 00:10:38,040 --> 00:10:39,960 Speaker 1: they turned on right in the middle, Um, will you 200 00:10:39,960 --> 00:10:42,839 Speaker 1: say that chorus to speak speak, to speak the words 201 00:10:42,840 --> 00:10:46,040 Speaker 1: please sure be glad too. There's a little slice of 202 00:10:46,080 --> 00:10:48,480 Speaker 1: heaven where I shot that eleven point buck with a 203 00:10:48,520 --> 00:10:51,000 Speaker 1: double drop time, and you ought to see a whopper 204 00:10:51,080 --> 00:10:55,119 Speaker 1: plopper on the top. Water comes Saturday as sunrise. Everybody 205 00:10:55,160 --> 00:10:58,000 Speaker 1: who knows me, dang sure knows I'll be twenty foot 206 00:10:58,080 --> 00:11:01,200 Speaker 1: high in a tall white oak. That's the real truck 207 00:11:01,480 --> 00:11:05,760 Speaker 1: duck buck and bass pro here. So my question is, 208 00:11:05,760 --> 00:11:08,400 Speaker 1: as he's jamming it, it might not sound like that 209 00:11:08,440 --> 00:11:13,120 Speaker 1: if you're just passively listening. All right, Chris Jansen is here, 210 00:11:13,120 --> 00:11:15,120 Speaker 1: We're gonna come back in one second. We're gonna do 211 00:11:15,160 --> 00:11:17,160 Speaker 1: a couple more songs. We're gonna do another hit, and 212 00:11:17,200 --> 00:11:19,480 Speaker 1: then you gotta get me something else new from the album. Okay, deal, 213 00:11:20,240 --> 00:11:23,800 Speaker 1: Chris Jansen's here and that's the real truck and no, no, no, 214 00:11:23,840 --> 00:11:26,120 Speaker 1: don't try it. Okay, all right, all right, back in 215 00:11:26,160 --> 00:11:28,480 Speaker 1: a second with Chris Jansen. Okay, Well, let's get to 216 00:11:29,400 --> 00:11:31,520 Speaker 1: what we knew we had to talk about. Is where 217 00:11:31,520 --> 00:11:33,360 Speaker 1: a lunchbox started a beef with you on the air 218 00:11:33,400 --> 00:11:36,600 Speaker 1: for the dumbest reason. We did not agree with him. 219 00:11:36,720 --> 00:11:39,520 Speaker 1: We felt he was being ridiculous. So just know that, Chris, 220 00:11:39,600 --> 00:11:41,560 Speaker 1: thank you. We thought he was out of his mind. 221 00:11:41,880 --> 00:11:45,000 Speaker 1: But he tried to RSPP for five people, including his 222 00:11:45,120 --> 00:11:48,720 Speaker 1: three young kids, to an industry event where there aren't 223 00:11:48,720 --> 00:11:51,520 Speaker 1: a lot of young kids running around. Zero right, zero good, 224 00:11:51,559 --> 00:11:54,160 Speaker 1: good answer, lunch What would you like to say about this? No? 225 00:11:54,200 --> 00:11:56,200 Speaker 1: It said all in, like it said that the name 226 00:11:56,200 --> 00:11:58,320 Speaker 1: of his album, right, but it said come be all 227 00:11:58,400 --> 00:12:02,000 Speaker 1: in with Chris Jansen, so that means everybody come all in. 228 00:12:02,080 --> 00:12:03,840 Speaker 1: So I said all right. It said it's gonna have 229 00:12:03,880 --> 00:12:07,839 Speaker 1: eats and small bites in drinks, and I was like, great, 230 00:12:07,920 --> 00:12:10,000 Speaker 1: take the family, listen to some music. It's right at 231 00:12:10,000 --> 00:12:12,800 Speaker 1: dinner time, five thirty pm to eight, And I was like, 232 00:12:12,840 --> 00:12:15,160 Speaker 1: that sounds good, But it's a work event and all 233 00:12:15,240 --> 00:12:17,200 Speaker 1: ends the name of the album. Not every Why Night 234 00:12:17,240 --> 00:12:19,520 Speaker 1: has opened the doors for anybody in town. Well, because 235 00:12:19,520 --> 00:12:23,040 Speaker 1: it's an exclusive thing for industry people in their families. Obviously, 236 00:12:23,040 --> 00:12:25,600 Speaker 1: when it says all in, not everybody got to invite. 237 00:12:25,600 --> 00:12:27,280 Speaker 1: It's sort of like a birthday party. You get invited. 238 00:12:27,320 --> 00:12:29,800 Speaker 1: You don't just let everybody in. Only the secret that 239 00:12:29,840 --> 00:12:32,440 Speaker 1: are invited. And I feel like Chris Jansen is a 240 00:12:32,480 --> 00:12:35,640 Speaker 1: family man. Yeah, and so hey, Chris. Has anyone ever 241 00:12:35,679 --> 00:12:37,880 Speaker 1: did plus four on any of the stuff, not just 242 00:12:37,920 --> 00:12:39,880 Speaker 1: the kids, but has anyone ever said I'd like to 243 00:12:39,880 --> 00:12:43,240 Speaker 1: come plus four? Well, I'm must say, first of all, 244 00:12:44,160 --> 00:12:48,000 Speaker 1: I had no idea that anything was going on until 245 00:12:48,200 --> 00:12:51,880 Speaker 1: I saw the potential beef and Kelly showed it to 246 00:12:51,960 --> 00:12:54,440 Speaker 1: me on Twitter. I don't look at rsv P list. 247 00:12:54,480 --> 00:12:56,400 Speaker 1: I've never done. I don't even know what that is, frankly, 248 00:12:56,440 --> 00:12:59,960 Speaker 1: and I've never reserved to one myself. I would assume 249 00:13:00,040 --> 00:13:02,720 Speaker 1: him not um that there were that There's probably never 250 00:13:02,800 --> 00:13:05,040 Speaker 1: been a thing like that, but I don't know he 251 00:13:05,160 --> 00:13:07,440 Speaker 1: is correct on many points. I am a family man. 252 00:13:08,160 --> 00:13:11,680 Speaker 1: I do have a loving heart. I will say this too. 253 00:13:11,720 --> 00:13:14,600 Speaker 1: Many people forget that he did me a great deal 254 00:13:14,640 --> 00:13:17,600 Speaker 1: of service back in twenty thirteen, when not a whole 255 00:13:17,640 --> 00:13:20,560 Speaker 1: lot of people cared. He made it a point to 256 00:13:20,640 --> 00:13:22,360 Speaker 1: come and be in a music video with me for 257 00:13:22,400 --> 00:13:24,480 Speaker 1: a single call better. I don't do you think though, 258 00:13:24,480 --> 00:13:26,040 Speaker 1: he did that for his own good, Chris. Let's be 259 00:13:26,040 --> 00:13:27,760 Speaker 1: honest though for a second. Do you think he did 260 00:13:27,800 --> 00:13:30,679 Speaker 1: it for you or for him both? Okay? But here's 261 00:13:30,720 --> 00:13:33,320 Speaker 1: the thing. That's okay because I can appreciate that. Here's 262 00:13:33,320 --> 00:13:36,200 Speaker 1: the thing. But wa, my question is gay. So, so 263 00:13:36,280 --> 00:13:39,080 Speaker 1: did your kids go to this thing? I only had 264 00:13:39,160 --> 00:13:42,440 Speaker 1: one child with Wait wait, wait, let him talk, hang on, 265 00:13:42,559 --> 00:13:45,000 Speaker 1: hang on, hang on, let me say my piece. Okay, 266 00:13:46,200 --> 00:13:51,120 Speaker 1: not the Johnny Depp trial. Okay, Um, so that's a 267 00:13:51,120 --> 00:13:56,079 Speaker 1: good one. So I'm um. Jesse was backstage, but he 268 00:13:56,160 --> 00:14:00,000 Speaker 1: was backstage, and um, I just want to say publicly 269 00:14:00,120 --> 00:14:02,320 Speaker 1: in front of the whole Bobby Bones Listening audience, the 270 00:14:02,320 --> 00:14:06,000 Speaker 1: Bibybones Show listening audience, that you know me in any time, 271 00:14:06,480 --> 00:14:09,079 Speaker 1: anytime you ever need anything, you know you can personally 272 00:14:09,120 --> 00:14:10,560 Speaker 1: reach out to me because I'm that kind of person. 273 00:14:10,600 --> 00:14:12,679 Speaker 1: He doesn't need anything. Chris, I know you right, we 274 00:14:12,760 --> 00:14:13,959 Speaker 1: know we can reach out to you, but he doesn't 275 00:14:13,960 --> 00:14:16,240 Speaker 1: need He started to take advantage of Well, does it 276 00:14:16,320 --> 00:14:19,320 Speaker 1: take advantage or take my family to something that's awesome 277 00:14:19,320 --> 00:14:23,160 Speaker 1: to preview new music album? Yeah, because you're one year 278 00:14:23,200 --> 00:14:28,440 Speaker 1: old wants to hear new Jansen. Um, here's what I 279 00:14:28,480 --> 00:14:31,400 Speaker 1: want to say. Here's what I want to say. Um. 280 00:14:31,720 --> 00:14:33,480 Speaker 1: First of all, when I heard about it, I laughed. 281 00:14:33,480 --> 00:14:36,920 Speaker 1: I thought it was funny. Second of all, I did 282 00:14:36,920 --> 00:14:39,360 Speaker 1: that because I know you. And thirdly, I did bring 283 00:14:39,400 --> 00:14:41,360 Speaker 1: you this. I'm just gonna go ahead and open it 284 00:14:41,400 --> 00:14:43,920 Speaker 1: so one can see that's something that is a gift card. 285 00:14:46,600 --> 00:14:48,720 Speaker 1: But I want to say, but I want to say 286 00:14:48,760 --> 00:14:51,840 Speaker 1: something they got there. I want to say one thing. 287 00:14:51,960 --> 00:14:54,840 Speaker 1: They've got small eats, big eats and everything and drinks 288 00:14:54,960 --> 00:14:56,920 Speaker 1: and I'm gonna ask him to play all in thank 289 00:14:56,920 --> 00:14:59,000 Speaker 1: you very much. They're gonna they're probably gonna do it. 290 00:14:59,040 --> 00:15:00,560 Speaker 1: And here's the here's the last thing I want to 291 00:15:00,600 --> 00:15:02,400 Speaker 1: leave you with. I want to say for the listeners 292 00:15:02,440 --> 00:15:04,840 Speaker 1: out there, because some are gonna go, well, honestly, I 293 00:15:04,880 --> 00:15:07,120 Speaker 1: can't believe you did that. Here's the thing. If you 294 00:15:07,160 --> 00:15:10,440 Speaker 1: treat people with kindness and humility always, it always comes 295 00:15:10,480 --> 00:15:12,520 Speaker 1: back to tenfold. If there's one thing I learned about 296 00:15:12,520 --> 00:15:16,120 Speaker 1: people studio as that you do learn this, I am 297 00:15:16,200 --> 00:15:17,920 Speaker 1: I am correct on that you do learn this. But 298 00:15:18,080 --> 00:15:20,120 Speaker 1: I also want to say, in the same regard, I'm 299 00:15:20,120 --> 00:15:23,680 Speaker 1: not rewarding bad behavior. I'm taking it. I'm taking this 300 00:15:23,720 --> 00:15:28,160 Speaker 1: as a as a old friend messing with an old friend. 301 00:15:28,440 --> 00:15:30,840 Speaker 1: And I really do think it's important that you should 302 00:15:30,840 --> 00:15:32,760 Speaker 1: try one of these great buttery steaks. And I'm not 303 00:15:32,800 --> 00:15:34,760 Speaker 1: even selling this to you. I'm giving this to you. 304 00:15:35,080 --> 00:15:37,800 Speaker 1: So I hope you enjoyed dinner on me, But most importantly, 305 00:15:38,000 --> 00:15:42,160 Speaker 1: I hope your kids. I hope it's not that he's 306 00:15:42,200 --> 00:15:43,880 Speaker 1: gonna go with his wife and like two buddies. No, 307 00:15:43,960 --> 00:15:45,760 Speaker 1: he's gonna take it. I'm gonna make sure he takes 308 00:15:45,800 --> 00:15:47,880 Speaker 1: his kids because I got people at Ruth Chris that 309 00:15:47,960 --> 00:15:50,480 Speaker 1: I know who are gonna let me know, oh my kids, 310 00:15:51,000 --> 00:15:52,760 Speaker 1: Chris gonna. I hope this is and look and ask 311 00:15:52,800 --> 00:15:54,680 Speaker 1: you to too much information. How much is that gift card? 312 00:15:55,200 --> 00:15:58,400 Speaker 1: I'm not even gonna tell you it's it's a two 313 00:15:58,480 --> 00:16:01,400 Speaker 1: hundred dollars gift card out of here, from from from 314 00:16:01,440 --> 00:16:06,240 Speaker 1: one good friend to another. Dumb and guys like what 315 00:16:06,360 --> 00:16:08,440 Speaker 1: Chris did here because we have a beef. He got 316 00:16:08,440 --> 00:16:10,440 Speaker 1: me somewhere where I can go get beef? Is that 317 00:16:11,040 --> 00:16:12,320 Speaker 1: what he did? But you have to come up here 318 00:16:12,320 --> 00:16:16,440 Speaker 1: and get it. You have to come receive it from 319 00:16:16,440 --> 00:16:21,800 Speaker 1: your friend. He has no shame. Hey buried the hatchet. 320 00:16:22,760 --> 00:16:26,760 Speaker 1: There was no hatchet. He created this. You created the 321 00:16:26,800 --> 00:16:31,440 Speaker 1: whole feud and then you got paid for it. Has 322 00:16:31,480 --> 00:16:34,800 Speaker 1: been sizzled. That's not a saying the beef has been 323 00:16:34,840 --> 00:16:36,680 Speaker 1: sizzled as not a thing. Okay, what do you want 324 00:16:36,680 --> 00:16:38,720 Speaker 1: me to say? The beef has been leaned? Has the 325 00:16:38,720 --> 00:16:41,560 Speaker 1: goodness is if if radio doesn't which it's working out. 326 00:16:41,600 --> 00:16:42,880 Speaker 1: But if it didn't work out, you just run for 327 00:16:42,880 --> 00:16:45,680 Speaker 1: politics because you're again you're doing things and you're getting 328 00:16:45,720 --> 00:16:48,880 Speaker 1: rewarded for it because you're too good of a guy. Now, Hey, 329 00:16:48,960 --> 00:16:51,160 Speaker 1: you know what. Thank you. But I love you lunch 330 00:16:51,240 --> 00:16:53,120 Speaker 1: and I love this whole guy. I love this whole crew. 331 00:16:54,080 --> 00:16:58,200 Speaker 1: I'm mad at you and I need a Lamborghini. This 332 00:16:58,240 --> 00:17:01,000 Speaker 1: is probably the only artist that would this. Lunchbox does 333 00:17:01,040 --> 00:17:03,720 Speaker 1: not need to continue. Try this with every artist. It's 334 00:17:03,760 --> 00:17:05,960 Speaker 1: what's the bet for the weekend? Yeah, I didn't all right, 335 00:17:06,040 --> 00:17:09,359 Speaker 1: I didn't try this. We're gonna happen. We're gonna move on. Chris, 336 00:17:09,359 --> 00:17:11,560 Speaker 1: would you please play us a song we loved? All right, 337 00:17:11,600 --> 00:17:13,400 Speaker 1: here's Chris Jansen. He's got a new album out called 338 00:17:13,440 --> 00:17:16,040 Speaker 1: all In. We'll get to something new in just a second, 339 00:17:16,119 --> 00:17:17,680 Speaker 1: but first, what are you gonna play for us? Chris? 340 00:17:17,760 --> 00:17:20,919 Speaker 1: I'm gonna play fix a Drink because it's coming up 341 00:17:20,960 --> 00:17:24,560 Speaker 1: on summertime and this feels like a summary type song 342 00:17:24,600 --> 00:17:26,720 Speaker 1: and it was a big number one, so we'll we're 343 00:17:26,760 --> 00:17:42,120 Speaker 1: thankful for that. Here we go, fix a drink? Will 344 00:17:42,240 --> 00:17:45,320 Speaker 1: it's hotter than he'll out sade right now? It's a 345 00:17:45,440 --> 00:17:49,080 Speaker 1: hunter in the shade when the sun beat standing full cast, 346 00:17:49,160 --> 00:17:51,720 Speaker 1: kyles pull some more of the sun. Well, I can't 347 00:17:51,800 --> 00:18:00,240 Speaker 1: big stay, but I can fix a drink. Yeah, pick 348 00:18:00,280 --> 00:18:30,760 Speaker 1: a train, let's go reggae. Man. Well, I can mix 349 00:18:30,800 --> 00:18:33,800 Speaker 1: a train, pour it on ice and mix it on 350 00:18:34,000 --> 00:18:36,840 Speaker 1: a man. Get you feeling right, I can get you, 351 00:18:36,960 --> 00:18:39,760 Speaker 1: but I can get your stand in. I can make 352 00:18:39,800 --> 00:18:43,840 Speaker 1: it feeling. I can shit, I can make it, I 353 00:18:43,840 --> 00:18:46,879 Speaker 1: can make strong. How you gotta do this? Tell me 354 00:18:47,040 --> 00:18:51,280 Speaker 1: what you want but this take a little sit. Tell 355 00:18:51,320 --> 00:18:55,160 Speaker 1: me what you think. Yeah, I can fix a train. 356 00:18:55,400 --> 00:19:17,760 Speaker 1: Oh yeah yeah, full band killing it today. New records 357 00:19:17,760 --> 00:19:20,119 Speaker 1: out called all In. So he did a song with 358 00:19:20,119 --> 00:19:22,680 Speaker 1: Travis Trip. Yeah pretty cool. Well you asked him done 359 00:19:22,720 --> 00:19:26,080 Speaker 1: block me on Twitter? Are you serious? He's blow me 360 00:19:26,080 --> 00:19:27,200 Speaker 1: a couple of times. I don't know why, all of 361 00:19:27,240 --> 00:19:29,320 Speaker 1: a sudden, look over and he's like, so just put 362 00:19:29,320 --> 00:19:32,199 Speaker 1: the word in, be like, hey, what's up? Done? Thank you, 363 00:19:32,480 --> 00:19:33,959 Speaker 1: lunch fun gets the roots, Chris card I get I'm 364 00:19:33,960 --> 00:19:36,600 Speaker 1: blocked by Travis Trip. We're both the wine. I can okay, done, 365 00:19:36,720 --> 00:19:38,840 Speaker 1: that's all I'll say. Done. Hey got that song too? 366 00:19:39,680 --> 00:19:41,600 Speaker 1: So how'd you and Travis Trick get together for a song? 367 00:19:41,800 --> 00:19:43,840 Speaker 1: I'm sorry, how'd you guys get together for a song? Uh? 368 00:19:44,400 --> 00:19:47,119 Speaker 1: You know we're both operating members. Of course, I and 369 00:19:47,200 --> 00:19:51,520 Speaker 1: so many people love Travis's music man David Lee Murphy 370 00:19:51,560 --> 00:19:54,200 Speaker 1: and I and a couple of other buddies got into 371 00:19:54,920 --> 00:19:58,160 Speaker 1: um an actual face to face go right um. Over 372 00:19:58,200 --> 00:20:00,480 Speaker 1: the last year, Well wrote a song I'm called Things 373 00:20:00,480 --> 00:20:02,680 Speaker 1: you Can't Live Without. We were writing it. I was 374 00:20:02,760 --> 00:20:04,640 Speaker 1: kind of messing around with David Lee. Of course, David 375 00:20:04,680 --> 00:20:06,679 Speaker 1: Lee Murphy, Dust on the bottle David Lee Murphy and 376 00:20:06,880 --> 00:20:08,840 Speaker 1: I said, hey, man, I'm gonna get Travis to sing 377 00:20:08,840 --> 00:20:10,320 Speaker 1: this to me. I hope, I'm gonna ask, and you 378 00:20:10,359 --> 00:20:12,440 Speaker 1: know it's a long shot, but whatever. And we did 379 00:20:12,440 --> 00:20:15,160 Speaker 1: that little thing with Cadillac three so a while back, 380 00:20:15,200 --> 00:20:17,080 Speaker 1: so there was already a little kinship there and me 381 00:20:17,160 --> 00:20:19,720 Speaker 1: and Travis had a mutual respect. Anyway, long story short, 382 00:20:19,760 --> 00:20:21,360 Speaker 1: I just text him and I said, would you consider 383 00:20:21,359 --> 00:20:23,840 Speaker 1: doing a duet on my new album? He said, well, 384 00:20:23,880 --> 00:20:25,400 Speaker 1: send me the song? So I sent it. He sent 385 00:20:25,440 --> 00:20:28,720 Speaker 1: it back and he said he said, oh yeah, haws, 386 00:20:28,760 --> 00:20:30,760 Speaker 1: I'm in. So we did it, and man, he just 387 00:20:30,880 --> 00:20:33,400 Speaker 1: he absolutely crushed it. Here's a clipuff things you can't 388 00:20:33,440 --> 00:20:42,960 Speaker 1: live without. It's Chris featuring Travis Trent. Let's come the 389 00:20:43,000 --> 00:20:45,160 Speaker 1: new record all in? How about you give us something 390 00:20:45,200 --> 00:20:47,359 Speaker 1: new though? To end this, we've been playing music. We've 391 00:20:47,400 --> 00:20:48,600 Speaker 1: been blowing it out here. What do you have for 392 00:20:48,720 --> 00:20:51,360 Speaker 1: thank you? Yeah? This has been fun. Man, gosh, thanks 393 00:20:51,359 --> 00:20:57,080 Speaker 1: for letting my band come to band. Awesome job. I'm 394 00:20:57,119 --> 00:21:00,160 Speaker 1: gonna play one called we did it anyway, this song 395 00:21:00,200 --> 00:21:02,720 Speaker 1: we we just shot a video for this. We've been 396 00:21:02,760 --> 00:21:04,240 Speaker 1: shooting videos for a lot of the songs we've been 397 00:21:04,320 --> 00:21:07,480 Speaker 1: dropping up until the album release actually, and which I've 398 00:21:07,520 --> 00:21:09,720 Speaker 1: been really proud of. But we did it anyways, just 399 00:21:09,760 --> 00:21:11,560 Speaker 1: a it's a simple ode to the way that I 400 00:21:11,600 --> 00:21:16,160 Speaker 1: grew up playing field parties in the Midwest and living 401 00:21:16,200 --> 00:21:18,159 Speaker 1: that lifestyle. So this one goes out to all my 402 00:21:18,480 --> 00:21:22,120 Speaker 1: rural community country friends back home in southern Missouri and 403 00:21:22,280 --> 00:21:24,399 Speaker 1: uh and right here in Tennessee too, and all around 404 00:21:24,400 --> 00:21:36,639 Speaker 1: the great United States of America. Here we go. We 405 00:21:36,840 --> 00:21:39,200 Speaker 1: we could put our boots on and it straight to 406 00:21:39,359 --> 00:21:43,399 Speaker 1: that hay field all my note cab tractors sweating. Every summer, 407 00:21:44,840 --> 00:21:47,520 Speaker 1: we list up our fleet and put out here. It's 408 00:21:47,600 --> 00:21:50,800 Speaker 1: on twice a day. Even though that Farmers Bank signed 409 00:21:50,840 --> 00:21:55,800 Speaker 1: said a hundred Yeah, we were out in the dirt. 410 00:21:56,800 --> 00:22:00,480 Speaker 1: It didn't matter how much Swift was on our shirt. No, 411 00:22:00,960 --> 00:22:05,000 Speaker 1: we did it anyway. He was on the way we knew. 412 00:22:05,119 --> 00:22:08,479 Speaker 1: We did it all way, just life. They told us 413 00:22:08,600 --> 00:22:11,080 Speaker 1: not to do. We drank a beer. We had at you. 414 00:22:11,680 --> 00:22:14,520 Speaker 1: We gotta wind out at the moon. We went to 415 00:22:14,760 --> 00:22:20,760 Speaker 1: young to care. Yeah, we wouldn't have it any way. 416 00:22:21,880 --> 00:22:26,600 Speaker 1: We did it anyway. We did it anyway. We did 417 00:22:26,640 --> 00:22:35,960 Speaker 1: it anyway. Here he is come on Chris Jensen got 418 00:22:35,960 --> 00:22:39,920 Speaker 1: a new record, All In. It's sixteen tracks. It is 419 00:22:40,000 --> 00:22:42,800 Speaker 1: high energy. It's also very emotional and run y'all through 420 00:22:42,840 --> 00:22:45,639 Speaker 1: the roller coaster, just like a live show. Just like 421 00:22:45,680 --> 00:22:47,680 Speaker 1: the person that gave Lunchbox a two hundred dollar gift 422 00:22:47,680 --> 00:22:50,520 Speaker 1: card to Roots Chris for no reason at all. Man, 423 00:22:50,560 --> 00:22:52,800 Speaker 1: I gotta say, gotta go stream that album everybody. I mean, 424 00:22:52,880 --> 00:22:54,840 Speaker 1: this guy is one of a kid. It makes a 425 00:22:54,920 --> 00:22:57,280 Speaker 1: mistake and he stuffs up and you know he figures 426 00:22:57,320 --> 00:22:59,040 Speaker 1: it out. That may have an invest investment You ever 427 00:22:59,040 --> 00:23:00,520 Speaker 1: did was give him two hundred because you know the 428 00:23:00,560 --> 00:23:01,959 Speaker 1: rest of the weeks they'd be like, don't forget Chris 429 00:23:02,080 --> 00:23:05,600 Speaker 1: Janson's new album All In available now wherever you're stream Chris. 430 00:23:05,600 --> 00:23:08,719 Speaker 1: Great job man. You always come in and give us 431 00:23:08,720 --> 00:23:11,000 Speaker 1: everything you have and we leave going holy crap. So 432 00:23:11,280 --> 00:23:13,400 Speaker 1: great job as always. And to you guys the whole 433 00:23:13,400 --> 00:23:15,000 Speaker 1: band who came in and woke up early this morning. 434 00:23:15,119 --> 00:23:17,080 Speaker 1: I know this will earlier than normal and so we 435 00:23:17,119 --> 00:23:20,960 Speaker 1: appreciate that. Thank you guys. And again Lunchbox, what people do, Oh, 436 00:23:21,000 --> 00:23:23,280 Speaker 1: you gotta go stream all In Chris Janson wherever you 437 00:23:23,280 --> 00:23:26,600 Speaker 1: stream music, I mean downloaded by go buy concert tickets 438 00:23:26,600 --> 00:23:30,080 Speaker 1: by merch. Dude's amazing. He's holding up his gift card 439 00:23:30,119 --> 00:23:35,520 Speaker 1: as he's saying this. That's the gifts called the beef 440 00:23:35,560 --> 00:23:40,000 Speaker 1: being sizzled. Okay, okay, okay, there, now I get it. 441 00:23:40,160 --> 00:23:42,080 Speaker 1: Great investment. You're gonna get way more than one hundred 442 00:23:42,119 --> 00:23:44,359 Speaker 1: bucks out of that. Okay, that's it. Chris Jansen, you 443 00:23:44,359 --> 00:23:46,520 Speaker 1: guys follow on Instagram, go see him in a show 444 00:23:46,560 --> 00:23:49,640 Speaker 1: and stream all in. Great job, guys, Chris, will see 445 00:23:49,640 --> 00:23:52,040 Speaker 1: you next time, buddy. Thank you very much, you guys. 446 00:23:52,320 --> 00:23:56,080 Speaker 1: It's the best bits of the week with Morgan. Number two. 447 00:23:57,400 --> 00:24:01,000 Speaker 1: Ain't at number six, y'all. I watch Shot Shank Redemption, 448 00:24:01,080 --> 00:24:03,119 Speaker 1: which was such a big deal for so many people 449 00:24:03,160 --> 00:24:07,359 Speaker 1: because apparently it is basically the world's favorite movie. And 450 00:24:07,480 --> 00:24:09,919 Speaker 1: I watched it for the first time ever and gave 451 00:24:10,160 --> 00:24:15,200 Speaker 1: my review spoiler alert. I really enjoyed it, but I also, 452 00:24:15,640 --> 00:24:18,520 Speaker 1: you know, had some negative thoughts to share. So check 453 00:24:18,560 --> 00:24:22,120 Speaker 1: this out. Number six. Morgan was born in nineteen nineteen three, 454 00:24:22,240 --> 00:24:26,160 Speaker 1: so sometimes we make references that she doesn't get we 455 00:24:26,160 --> 00:24:28,600 Speaker 1: were born in the eighties. Yeah, and so we started 456 00:24:28,640 --> 00:24:32,160 Speaker 1: this bit where we make her watch either TV shows 457 00:24:32,200 --> 00:24:35,560 Speaker 1: or movies that we used to love and so. She 458 00:24:35,640 --> 00:24:37,919 Speaker 1: reviewed Seinfeld and gave it two point five out of 459 00:24:37,920 --> 00:24:41,640 Speaker 1: five jackets, not a very good rating. She reviewed Back 460 00:24:41,680 --> 00:24:43,879 Speaker 1: to the Future gave it four out of five Deloreans 461 00:24:44,160 --> 00:24:47,240 Speaker 1: we agree, The Karate Kid four point five out of five, 462 00:24:47,320 --> 00:24:51,080 Speaker 1: Cobra kais wow, and Austin Powers one out of five. 463 00:24:51,520 --> 00:24:56,520 Speaker 1: Groovy Babies, So here we are. We gave her Shawshank redemption. Morgan, 464 00:24:56,840 --> 00:25:00,720 Speaker 1: come on, did you watch it in one setting? I couldn't. 465 00:25:01,160 --> 00:25:03,080 Speaker 1: I could not watch it once. It is very long. 466 00:25:03,680 --> 00:25:06,800 Speaker 1: It's very long. It's also very emotional. I'm very mad 467 00:25:06,840 --> 00:25:09,159 Speaker 1: that you guys give me this movie assignment. It is 468 00:25:09,520 --> 00:25:12,000 Speaker 1: how people say this is their favorite movie. It is 469 00:25:12,080 --> 00:25:15,600 Speaker 1: so sad. I cried. I was angry. I do not 470 00:25:15,680 --> 00:25:18,800 Speaker 1: understand how this is people's favorite movie. Oh you weren't 471 00:25:18,800 --> 00:25:20,960 Speaker 1: so touched by it that it just became your favorite. 472 00:25:21,080 --> 00:25:25,080 Speaker 1: Now listen, I really loved the movie. I really enjoyed it. 473 00:25:25,119 --> 00:25:26,960 Speaker 1: But how you guys say it's your favorite movie. I 474 00:25:27,000 --> 00:25:29,159 Speaker 1: don't understand, because when you watch the whole movie, you're like, 475 00:25:29,160 --> 00:25:31,160 Speaker 1: this is the greatest movie ever. Well, I don't say 476 00:25:31,160 --> 00:25:33,400 Speaker 1: it's my favorite. I say it's one of the greatest. 477 00:25:33,480 --> 00:25:36,920 Speaker 1: I think there's a difference because you watch Shawshank Redemption 478 00:25:37,160 --> 00:25:39,760 Speaker 1: and you experience all of the emotions, like if you're 479 00:25:39,840 --> 00:25:42,560 Speaker 1: taking in some some piece of content. This is a 480 00:25:42,600 --> 00:25:45,320 Speaker 1: two hour and twenty two minute piece of content that 481 00:25:45,400 --> 00:25:48,720 Speaker 1: makes you happy, sad, angry, all that. Because of that, 482 00:25:48,800 --> 00:25:50,480 Speaker 1: I go, that's one of the greatest movies of all time. 483 00:25:50,640 --> 00:25:53,280 Speaker 1: Not my favorite, but still one of the greatest. Do 484 00:25:53,320 --> 00:25:54,800 Speaker 1: you think it's one of the best movies of the 485 00:25:54,800 --> 00:26:00,320 Speaker 1: past fifty years? Yeah? I do. Okay, So that's about 486 00:26:00,320 --> 00:26:02,720 Speaker 1: your experience with the movie. Well, I got super emotional. 487 00:26:02,760 --> 00:26:05,400 Speaker 1: Like you said, it made me angry, it made me sad. 488 00:26:05,480 --> 00:26:08,479 Speaker 1: I cried. I had to stop watching because it was 489 00:26:08,640 --> 00:26:11,239 Speaker 1: pretty traumatizing when you see what's happening and you just 490 00:26:11,720 --> 00:26:14,159 Speaker 1: you think about that, I think that's possibly what's happening 491 00:26:14,200 --> 00:26:16,919 Speaker 1: in prisons, and it's it's very emotional. And then the 492 00:26:16,960 --> 00:26:19,840 Speaker 1: friendship between Andy and Red is so cool and just 493 00:26:19,960 --> 00:26:23,040 Speaker 1: over time and how they you know, come together, and 494 00:26:23,080 --> 00:26:26,080 Speaker 1: how that happens at the end is it made me 495 00:26:26,119 --> 00:26:27,800 Speaker 1: then like a plot I applauded at the end of 496 00:26:27,800 --> 00:26:31,360 Speaker 1: the movie, sitting by myself and then on the beach 497 00:26:31,359 --> 00:26:34,040 Speaker 1: at the end, Yes, And they like reunited, and it 498 00:26:34,119 --> 00:26:36,080 Speaker 1: was like it was like a love story, but it wasn't. 499 00:26:36,160 --> 00:26:37,920 Speaker 1: And that's what was so cool about it. It was 500 00:26:37,920 --> 00:26:40,480 Speaker 1: a bromance. It was the first ever like bromance. So 501 00:26:40,520 --> 00:26:43,680 Speaker 1: what do you give Shawshank redemption? I give it five 502 00:26:43,680 --> 00:26:48,879 Speaker 1: out of five rocks. That's great and I can agree 503 00:26:48,920 --> 00:26:51,719 Speaker 1: with that because which, by the way, that movie seemed 504 00:26:51,800 --> 00:26:54,280 Speaker 1: so long, didn't it like it was so good? But 505 00:26:54,320 --> 00:26:56,200 Speaker 1: it is so it was only two hours and twenty 506 00:26:56,240 --> 00:26:58,920 Speaker 1: two minutes. It's not really Marvel movie. Oh yeah. Like 507 00:26:58,920 --> 00:27:01,080 Speaker 1: looking back, I was like, just to it's awesome, but 508 00:27:01,119 --> 00:27:03,159 Speaker 1: I need to watch this in three settings. It's funny though, 509 00:27:03,200 --> 00:27:05,680 Speaker 1: that she had to pause because she was getting emotional, 510 00:27:05,760 --> 00:27:07,639 Speaker 1: which is a different reason that most people say, like 511 00:27:07,640 --> 00:27:10,200 Speaker 1: oh I got busier or whatever. She got two emotionals 512 00:27:10,160 --> 00:27:12,639 Speaker 1: and she hadn't taken break. Shawshan came out twenty eight 513 00:27:12,680 --> 00:27:15,159 Speaker 1: years ago in nineteen ninety four. It was nominated for 514 00:27:15,240 --> 00:27:19,960 Speaker 1: Best Picture, but it lost to Forrest Gump. Wow quite 515 00:27:20,000 --> 00:27:23,440 Speaker 1: a year. Lion King Pulp Fiction, and Ace Fincher, A 516 00:27:23,520 --> 00:27:26,200 Speaker 1: Pet Detective also came out that year. Wow, so big 517 00:27:26,440 --> 00:27:29,080 Speaker 1: big year for movies. Our first five or five. I 518 00:27:29,119 --> 00:27:31,240 Speaker 1: love it and now more again, we have to give 519 00:27:31,240 --> 00:27:33,280 Speaker 1: you something else to watch. Can we do something on 520 00:27:33,440 --> 00:27:35,560 Speaker 1: like a happier note? Because that was pretty intense, great 521 00:27:35,600 --> 00:27:36,919 Speaker 1: because I have a lot of things here that I 522 00:27:36,960 --> 00:27:39,040 Speaker 1: was thinking about. So did you ever watch the TV 523 00:27:39,080 --> 00:27:42,080 Speaker 1: show Home Improvement? Yes? I did. My dad had that 524 00:27:42,160 --> 00:27:46,600 Speaker 1: on repeat. And I'm assuming you've seen Save by the Bell. 525 00:27:46,840 --> 00:27:49,400 Speaker 1: I haven't. Oh you've never watched Save by the Bell. 526 00:27:49,480 --> 00:27:52,159 Speaker 1: I didn't. It just wasn't a show that I watched. 527 00:27:52,240 --> 00:27:54,480 Speaker 1: I don't know why. I think this is suicide that 528 00:27:54,600 --> 00:27:57,000 Speaker 1: I don't shocked by that. I don't think she'd like it. 529 00:27:57,040 --> 00:27:59,119 Speaker 1: I don't either, but who knows, And I'm okay with 530 00:27:59,119 --> 00:28:01,439 Speaker 1: her not. I don't think she to like everything. I 531 00:28:01,520 --> 00:28:03,480 Speaker 1: just wanted her to see it through her own eye. 532 00:28:03,600 --> 00:28:05,480 Speaker 1: I just feel like we loved it because we watched 533 00:28:05,480 --> 00:28:07,960 Speaker 1: when we were teenagers, were like young. Yeah that's true, 534 00:28:08,160 --> 00:28:10,840 Speaker 1: but I still want her to watch the older adults. 535 00:28:10,920 --> 00:28:14,040 Speaker 1: He's gonna hate it. So you're gonna watch not the 536 00:28:14,119 --> 00:28:19,399 Speaker 1: junior high years at JFK, Mike, So after Miss Bliss 537 00:28:19,400 --> 00:28:21,720 Speaker 1: has got to be gone. Miss Bliss, Yeah, she's gone, 538 00:28:22,400 --> 00:28:26,760 Speaker 1: but you're gonna watch season one from nineteen eighty nine. 539 00:28:26,960 --> 00:28:29,080 Speaker 1: It's crazy that was four years before she was born. Wow, 540 00:28:29,960 --> 00:28:33,359 Speaker 1: and there are it looks like ten episodes. They're twenty 541 00:28:33,359 --> 00:28:36,880 Speaker 1: two minutes. You got We'll give you a couple of weeks. 542 00:28:37,480 --> 00:28:40,600 Speaker 1: They're they're what they're seniors at this point. No, no, no, no, no, no, 543 00:28:40,600 --> 00:28:44,200 Speaker 1: this is they're like ninth graders. Hey, Mike, what service 544 00:28:44,360 --> 00:28:47,160 Speaker 1: is save? What is it? Peacock? So you can watch 545 00:28:47,200 --> 00:28:51,200 Speaker 1: it peacock? I do have Peacock. Okay, well just watch 546 00:28:51,280 --> 00:28:54,720 Speaker 1: the first eight first there sixteen. You watch the first eight, 547 00:28:55,040 --> 00:28:57,760 Speaker 1: we'll check back in. Okay, so season one up, Save 548 00:28:57,840 --> 00:28:59,880 Speaker 1: by the bill, that'll be your next Okay, and then 549 00:29:00,080 --> 00:29:05,840 Speaker 1: she gets Shawshank. Five out of five. It's the best 550 00:29:05,960 --> 00:29:13,040 Speaker 1: bits of the week with Morgan. Number two. Lunchbox got 551 00:29:13,080 --> 00:29:15,520 Speaker 1: a movie role from a listener, but he wasn't sure 552 00:29:15,520 --> 00:29:17,520 Speaker 1: if he was going to accept it, so he came 553 00:29:17,560 --> 00:29:19,640 Speaker 1: on the show and shared the phone call he had 554 00:29:19,680 --> 00:29:23,480 Speaker 1: with is in quotation marks agent, and this is what 555 00:29:23,680 --> 00:29:26,080 Speaker 1: his agent and Lunchbox had to say about the movie role. 556 00:29:26,160 --> 00:29:28,200 Speaker 1: And then he tells us if he's actually gonna take 557 00:29:28,240 --> 00:29:31,280 Speaker 1: it and head down to Ohio to act in the movie, 558 00:29:31,760 --> 00:29:34,560 Speaker 1: or if he's just gonna pass on it number five. 559 00:29:34,720 --> 00:29:37,480 Speaker 1: Amy's not here today, she's off shooting that movie. She's 560 00:29:37,480 --> 00:29:39,840 Speaker 1: not an actress. But they said, hey, would you let 561 00:29:39,880 --> 00:29:41,760 Speaker 1: Amy come and play a part in this movie? It's 562 00:29:41,800 --> 00:29:44,560 Speaker 1: gonna be on a major streaming platform. And I was like, wow, 563 00:29:45,080 --> 00:29:48,000 Speaker 1: So I don't know how she's doing. But then Lunchbox 564 00:29:48,040 --> 00:29:51,000 Speaker 1: got very upset, well so upset that a listener called 565 00:29:51,000 --> 00:29:54,760 Speaker 1: and said, Hey, we're shooting an independent movie in chillicatte Ohio. Yes, 566 00:29:54,920 --> 00:29:56,760 Speaker 1: and we'd like for you to come play a villain 567 00:29:56,800 --> 00:29:59,280 Speaker 1: in a spaghetti western. Yeah. I would be roughing someone 568 00:29:59,360 --> 00:30:01,680 Speaker 1: up in a bar. And how much money they offer you? 569 00:30:01,760 --> 00:30:03,960 Speaker 1: One hundred and fifty dollars a day? What it was 570 00:30:04,000 --> 00:30:07,080 Speaker 1: a rental car? Right? Yeah? I had to drive from 571 00:30:07,120 --> 00:30:09,760 Speaker 1: some city to Chili Coathy, and I think I'd had 572 00:30:09,760 --> 00:30:12,400 Speaker 1: to pay for my own hotel. Really, I think that 573 00:30:12,440 --> 00:30:14,000 Speaker 1: was right, or maybe they would pay for my hotel, 574 00:30:14,080 --> 00:30:17,240 Speaker 1: but I don't know. So Lunchbox apparently has an agent, 575 00:30:17,640 --> 00:30:20,080 Speaker 1: which we didn't know anything about. So who is this agent? 576 00:30:20,440 --> 00:30:25,920 Speaker 1: My agent is Jackson Hughes, and so I Jackson Hughes. Okay, 577 00:30:26,040 --> 00:30:30,640 Speaker 1: is that a problem like firm? No? No, what are 578 00:30:30,640 --> 00:30:33,040 Speaker 1: you talking about? Firm. He's not a lawyer, think he said, 579 00:30:34,160 --> 00:30:36,200 Speaker 1: but an agency? What agent has he worked for? No? No No, 580 00:30:36,440 --> 00:30:38,960 Speaker 1: he has his own he's his own guy. Okay, Like 581 00:30:38,960 --> 00:30:41,520 Speaker 1: he's an independent agent. Like he gets you on the 582 00:30:41,600 --> 00:30:44,240 Speaker 1: up and up, and when you're an up and comer, 583 00:30:44,280 --> 00:30:46,200 Speaker 1: he finds you and makes you a star. And so 584 00:30:46,360 --> 00:30:49,080 Speaker 1: I got in contact with this person, signed with him, 585 00:30:49,240 --> 00:30:53,280 Speaker 1: and so I signed with somebody named Jackson Hughes. Doesn't 586 00:30:53,320 --> 00:30:56,000 Speaker 1: work for an agency, right, he doesn't work for a 587 00:30:56,000 --> 00:30:58,920 Speaker 1: big agency. Okay. Um, And so we have a call 588 00:30:58,960 --> 00:31:00,880 Speaker 1: of you talking to you. This is me, And yes, 589 00:31:01,000 --> 00:31:04,160 Speaker 1: I was worried, Frank, is this a joke? I mean, 590 00:31:04,200 --> 00:31:07,680 Speaker 1: so far as he Jackson Hughes. Hughes is a hockey player. 591 00:31:08,760 --> 00:31:11,160 Speaker 1: I didn't see an agent on He's on the op 592 00:31:11,160 --> 00:31:13,120 Speaker 1: and up. People on the op and up. Okay, here's 593 00:31:13,120 --> 00:31:15,800 Speaker 1: a cliff of lunchbox talking to his agent, Jackson Hughes. 594 00:31:15,920 --> 00:31:18,960 Speaker 1: It sounds like a law firm or something. Okay, go ahead, 595 00:31:19,480 --> 00:31:23,440 Speaker 1: mister Hughes. It's lunchbox, lunching, lunche my boy, how you 596 00:31:23,520 --> 00:31:27,120 Speaker 1: do him? Man? Okay, it's lunchbox recording his own voice. 597 00:31:27,160 --> 00:31:30,720 Speaker 1: Anybody's not me, That is not me. That is my agent. 598 00:31:30,760 --> 00:31:32,600 Speaker 1: Although I admire the fact that he did two voices. 599 00:31:33,200 --> 00:31:36,040 Speaker 1: It's like I'm friends with Phoebe's playing to sister and herself. Yeah, 600 00:31:36,080 --> 00:31:38,040 Speaker 1: but he didn't even try to change his voice. It's 601 00:31:38,080 --> 00:31:39,960 Speaker 1: the same voice. Okay, let's just listen to it and 602 00:31:40,000 --> 00:31:42,680 Speaker 1: not interrupt. Here's Lunchbox talking to Jackson Hughes, his agent, 603 00:31:42,680 --> 00:31:45,600 Speaker 1: which is actually him. Go ahead, mister Hughes. It's Lunchbox 604 00:31:45,920 --> 00:31:50,640 Speaker 1: lunching lunche my boy. How you do him? Many long time? 605 00:31:50,680 --> 00:31:54,240 Speaker 1: No talk? Sorry being on vacation. Man. Yeah, I read 606 00:31:54,320 --> 00:31:57,479 Speaker 1: your text about the the independent film, something about you 607 00:31:57,480 --> 00:32:00,080 Speaker 1: need to go to high exactly. You think it's a 608 00:32:00,080 --> 00:32:02,680 Speaker 1: great idea. It's a great idea. I'm in a movie. 609 00:32:02,920 --> 00:32:06,280 Speaker 1: I'm in a movie. Well, I mean, I gotta tell you, 610 00:32:06,400 --> 00:32:08,800 Speaker 1: lunch I just I think you're better than that. I 611 00:32:08,880 --> 00:32:11,120 Speaker 1: think you know, with what I'm working with. You know 612 00:32:11,200 --> 00:32:14,200 Speaker 1: you got a good age, Jackson Hughes, And uh, I 613 00:32:14,240 --> 00:32:16,160 Speaker 1: mean you know we got big things popping and we 614 00:32:16,520 --> 00:32:18,200 Speaker 1: don't need to settle for that. That seems a lot 615 00:32:18,280 --> 00:32:21,280 Speaker 1: for my client. I don't want you fly in Ohio 616 00:32:21,480 --> 00:32:24,080 Speaker 1: driving a rental car. I mean, you're better than that. 617 00:32:24,240 --> 00:32:25,880 Speaker 1: I think so I think I'm better than that, Like 618 00:32:25,920 --> 00:32:28,080 Speaker 1: I'm a big deal and I'm gonna make you. Leo, 619 00:32:28,360 --> 00:32:30,360 Speaker 1: just wait one miss to be wrong. Be right over there. 620 00:32:30,600 --> 00:32:32,720 Speaker 1: I'm talking to Lunch. I'm kind of talk to him. 621 00:32:33,240 --> 00:32:35,520 Speaker 1: He's a little down right now. Yeah. Yeah, he's loud 622 00:32:35,560 --> 00:32:38,800 Speaker 1: because he didn't get something. Thinking about doing independent What 623 00:32:38,840 --> 00:32:41,640 Speaker 1: would you like, Leo? Leo says, don't do it either, 624 00:32:41,760 --> 00:32:44,560 Speaker 1: like Leo to carry that craft. Leo says, you're big time? 625 00:32:44,800 --> 00:32:48,640 Speaker 1: Can le Lunch? Can you hear me? Yeah? Can you? Sorry, 626 00:32:48,640 --> 00:32:50,320 Speaker 1: it's kind of loud. You let me talk to Leo. 627 00:32:50,640 --> 00:32:53,520 Speaker 1: Let me talk to Leo. I just think I think 628 00:32:53,520 --> 00:32:56,240 Speaker 1: you're selling yourself short. If you're Hunter's bad, I can take. 629 00:32:56,800 --> 00:32:59,120 Speaker 1: Oh that's kind of hard when you're talking to recording 630 00:32:59,240 --> 00:33:02,800 Speaker 1: well and he impression leaves and comes back, and then 631 00:33:02,800 --> 00:33:04,320 Speaker 1: all of a sudden he starts talking like somebody from 632 00:33:04,320 --> 00:33:06,760 Speaker 1: the Islands. Jackson Hugh sented Jamaican their first And also 633 00:33:06,760 --> 00:33:09,240 Speaker 1: why does every fake character Lunchbox has have the named 634 00:33:09,320 --> 00:33:12,600 Speaker 1: Jackson in it? Nico Jackson? And why's he going? Mom? 635 00:33:14,120 --> 00:33:18,360 Speaker 1: They're on the island island month. Okay, so what did 636 00:33:18,400 --> 00:33:20,160 Speaker 1: your agent tell you? My agent told me, I can't 637 00:33:20,200 --> 00:33:23,160 Speaker 1: take the role because it's not big enough, doesn't pay enough, 638 00:33:23,200 --> 00:33:26,240 Speaker 1: it's not enough exposure. It's just it's too much for 639 00:33:26,280 --> 00:33:29,080 Speaker 1: too little. Agent said, we got bigger things coming. So 640 00:33:29,160 --> 00:33:33,000 Speaker 1: you went through all that recording, doing all that to 641 00:33:33,280 --> 00:33:34,800 Speaker 1: just get on the air and say you don't want 642 00:33:34,840 --> 00:33:35,920 Speaker 1: to do it, so it didn't look like you were 643 00:33:35,920 --> 00:33:39,120 Speaker 1: the bad guy. Guys, I have to listen to my agent. 644 00:33:39,200 --> 00:33:42,000 Speaker 1: My agent has my best interest in mind, like that's 645 00:33:42,040 --> 00:33:44,320 Speaker 1: what an agent is for. And so you have to 646 00:33:44,600 --> 00:33:46,840 Speaker 1: run things off your agent because an agent knows the 647 00:33:46,880 --> 00:33:49,840 Speaker 1: business better than you do. And my agent says that's 648 00:33:49,840 --> 00:33:51,960 Speaker 1: not good enough, and there's other things we should look at. 649 00:33:52,080 --> 00:33:54,440 Speaker 1: I'm not doing the movie because again, why it's not 650 00:33:54,560 --> 00:33:56,840 Speaker 1: big enough, it's not enough exposure, it's not enough pay 651 00:33:56,920 --> 00:33:59,320 Speaker 1: it's just a big hassle for such a little thing. 652 00:34:00,040 --> 00:34:01,720 Speaker 1: And it's not you saying this, it's your agent. It's 653 00:34:01,760 --> 00:34:04,960 Speaker 1: my agent. Okay, all right, any questions, I mean, did 654 00:34:05,000 --> 00:34:07,520 Speaker 1: you did you really think we were gonna fall for that? 655 00:34:07,520 --> 00:34:09,239 Speaker 1: That's a good question. I think we were gonna believe 656 00:34:09,280 --> 00:34:11,480 Speaker 1: that was a real person. Seriously, did you listen back 657 00:34:11,480 --> 00:34:13,560 Speaker 1: and go I'm gonna fool them? With this impression. There's 658 00:34:13,600 --> 00:34:15,600 Speaker 1: nothing to fool you about. That was the conversation I 659 00:34:15,680 --> 00:34:17,480 Speaker 1: had with my agent. Right, play the first part of 660 00:34:17,520 --> 00:34:22,160 Speaker 1: it again, mister Hughes. It's lunch box lunching, lunge, my boy. 661 00:34:22,200 --> 00:34:26,080 Speaker 1: How you doing? It's the same person lunching, my boy? 662 00:34:26,160 --> 00:34:29,400 Speaker 1: Can you do a Jackson Hughes impression? I don't. That's good. 663 00:34:29,600 --> 00:34:32,359 Speaker 1: That's a good way. Now, good job, dude. No, okay, 664 00:34:32,360 --> 00:34:34,320 Speaker 1: we're done with this. But you're not gonna go to Chilikathe. 665 00:34:34,320 --> 00:34:36,680 Speaker 1: Did you tell her? No? I figured my agent will 666 00:34:36,680 --> 00:34:38,200 Speaker 1: get in touch with her. He will. I'm sure you'll 667 00:34:38,200 --> 00:34:40,960 Speaker 1: call her up to the show. No, I am not. Okay. 668 00:34:42,360 --> 00:34:46,120 Speaker 1: It's the best bits of the week with Morgan. Number two. 669 00:34:47,400 --> 00:34:50,719 Speaker 1: Everybody loves a good rejected segment. We had a whole 670 00:34:50,760 --> 00:34:53,440 Speaker 1: bunch of them this week on the show, a lot 671 00:34:53,480 --> 00:34:55,239 Speaker 1: of ones that you will want to hear. It's just 672 00:34:55,280 --> 00:34:57,880 Speaker 1: fun to hear. What doesn't actually make the show, but 673 00:34:57,920 --> 00:35:01,160 Speaker 1: they do make the rejected segment, which is adds a 674 00:35:01,160 --> 00:35:05,480 Speaker 1: little negative spice to things. So here you go. Number four, 675 00:35:05,760 --> 00:35:11,279 Speaker 1: it's now time four rejected segments. Rejected segment. All these 676 00:35:11,280 --> 00:35:13,560 Speaker 1: segments were pitched to me. One way or the other, 677 00:35:13,840 --> 00:35:16,279 Speaker 1: through email, through text, through Hey, why don't we do this? 678 00:35:16,960 --> 00:35:19,439 Speaker 1: So over the past forty five days, I've kept a list, 679 00:35:20,600 --> 00:35:26,319 Speaker 1: let's go with number five. Number five. Now, individually I 680 00:35:26,360 --> 00:35:28,600 Speaker 1: said no to this, but actually altogether it was pretty good. 681 00:35:28,840 --> 00:35:33,359 Speaker 1: So I rejected Ray, Morgan and Eddie saying they saw 682 00:35:33,480 --> 00:35:35,640 Speaker 1: random celebrity walking down the street. Oh was it the 683 00:35:35,680 --> 00:35:38,239 Speaker 1: same one? No? But by itself it wasn't worth a 684 00:35:38,280 --> 00:35:39,800 Speaker 1: whole segment. But I do think it's one of the 685 00:35:39,880 --> 00:35:41,799 Speaker 1: rare ones where I'm like, together, it actually works as 686 00:35:41,800 --> 00:35:44,840 Speaker 1: a pretty good segment. So I rejected them individually. However, 687 00:35:45,840 --> 00:35:47,440 Speaker 1: we're gonna do them as a group. Eddie, who did 688 00:35:47,520 --> 00:35:50,239 Speaker 1: you see walking on a sidewalk by work? I saw 689 00:35:50,320 --> 00:35:52,840 Speaker 1: John Party. I mean he was just walking down the 690 00:35:52,920 --> 00:35:55,480 Speaker 1: road with three other people, and then I honked at him. 691 00:35:55,480 --> 00:35:56,880 Speaker 1: I was like, how don he may not recognize me? 692 00:35:56,920 --> 00:35:59,480 Speaker 1: I was in my car, and then he goes, hey, 693 00:35:59,719 --> 00:36:02,839 Speaker 1: just out I was a fan. I guess that's it. 694 00:36:03,080 --> 00:36:06,480 Speaker 1: Morgan was working out, and you saw somebody with a trainer? 695 00:36:06,680 --> 00:36:08,960 Speaker 1: I did. I saw Frankie Ballard just hanging out for 696 00:36:09,120 --> 00:36:11,719 Speaker 1: ten bucks at Planet Fitness, working out with his trainer. Wow, 697 00:36:12,520 --> 00:36:15,440 Speaker 1: And then Ray so a country artist eating fast food 698 00:36:15,440 --> 00:36:17,759 Speaker 1: for lunch. Stars are just like us, He says, Oh, 699 00:36:17,800 --> 00:36:19,600 Speaker 1: I was thinking this was the one I saw music roll. 700 00:36:19,640 --> 00:36:22,239 Speaker 1: I saw brothers Osborne carrying guitars and straight up just 701 00:36:22,520 --> 00:36:24,279 Speaker 1: I mean, anybody could have known it was them, seeing 702 00:36:24,360 --> 00:36:27,200 Speaker 1: them walk right by the fast food eater. Who the 703 00:36:27,239 --> 00:36:29,320 Speaker 1: heck was that was it? He doesn't remember. This is 704 00:36:29,400 --> 00:36:32,240 Speaker 1: Ray just filling for content? No, no no, it was yeah. Yeah. 705 00:36:32,280 --> 00:36:33,600 Speaker 1: He was in the drive through a Chick fil A 706 00:36:33,680 --> 00:36:35,279 Speaker 1: and he actually walked up to it. It It was one 707 00:36:35,280 --> 00:36:36,680 Speaker 1: of those we didn't even have to have a vehicle, 708 00:36:36,719 --> 00:36:38,600 Speaker 1: and he was just chilling waiting for the food. The 709 00:36:38,719 --> 00:36:41,359 Speaker 1: situation that Chick fil is interesting because there's not a menu. 710 00:36:41,400 --> 00:36:43,200 Speaker 1: They just come up to you. I need a menu. 711 00:36:43,680 --> 00:36:45,480 Speaker 1: They have one on them if you need it, like 712 00:36:46,239 --> 00:36:48,359 Speaker 1: one for Sonic. I go, there's a menu in front 713 00:36:48,360 --> 00:36:51,040 Speaker 1: of me. I can see what I want. I'm always 714 00:36:51,040 --> 00:36:53,040 Speaker 1: like I don't know, and then I just leave. So 715 00:36:53,040 --> 00:36:58,480 Speaker 1: that's number five all together, mildly interesting. Number four putting 716 00:36:58,520 --> 00:37:02,520 Speaker 1: trolls on blast. This was suggested we find people who 717 00:37:02,560 --> 00:37:05,280 Speaker 1: have left mean or hurtful comments on Facebook, do research 718 00:37:05,320 --> 00:37:07,000 Speaker 1: on them. We read their names on the air and 719 00:37:07,000 --> 00:37:13,680 Speaker 1: reveal their personal information pretty good. Who was that? Yeah, 720 00:37:13,800 --> 00:37:16,120 Speaker 1: like he really wanted to invest time. I don't want 721 00:37:16,120 --> 00:37:18,680 Speaker 1: to give the trolls that kind of attention. Well, I 722 00:37:18,719 --> 00:37:20,719 Speaker 1: don't want to reading much personal information about people in 723 00:37:20,760 --> 00:37:23,520 Speaker 1: the air, that part too, Yeah, So we rejected that 724 00:37:23,680 --> 00:37:26,880 Speaker 1: mostly for legal reasons. Well mainly if it's public, like 725 00:37:26,960 --> 00:37:30,320 Speaker 1: you could just read their their profile bio because oftentimes 726 00:37:30,320 --> 00:37:36,440 Speaker 1: it's like love Jesus, family man Theesians two nine exactly 727 00:37:37,880 --> 00:37:40,920 Speaker 1: number three. Ray Mundo sent this in. He said, Hey, 728 00:37:40,960 --> 00:37:43,839 Speaker 1: I saw lady fallover wilchair feet from me. What did 729 00:37:43,840 --> 00:37:46,560 Speaker 1: I do next? And then he listed four things. I 730 00:37:46,760 --> 00:37:48,320 Speaker 1: hope he helped her. Do you want to hear the 731 00:37:48,360 --> 00:37:54,400 Speaker 1: four day? Yeah, so the segment Ray sent our audio 732 00:37:54,520 --> 00:37:57,600 Speaker 1: gay He said, I saw an old lady fallover wilchair 733 00:37:57,680 --> 00:37:59,320 Speaker 1: ten feet from me. What did I do next? He 734 00:38:00,840 --> 00:38:03,319 Speaker 1: I was walking by and immediately ran over and helped 735 00:38:03,360 --> 00:38:07,000 Speaker 1: her up. B walking by and immediately ran over, tried 736 00:38:07,000 --> 00:38:08,360 Speaker 1: to help her, but couldn't left her up because of 737 00:38:08,360 --> 00:38:10,799 Speaker 1: the way of the wheelchair, so I signaled for a 738 00:38:10,800 --> 00:38:15,200 Speaker 1: car to help. See I was driving, so I just 739 00:38:15,280 --> 00:38:20,359 Speaker 1: kept driving or d I was driving, stopped my car 740 00:38:20,360 --> 00:38:22,359 Speaker 1: in the middle of the intersection, ran over and helped her. 741 00:38:23,719 --> 00:38:26,440 Speaker 1: Oh it's easy, go ahead, let's see he's driving, and 742 00:38:26,520 --> 00:38:29,759 Speaker 1: kept driving right. Explain what you saw. Yeah, so it's 743 00:38:29,800 --> 00:38:31,680 Speaker 1: one of those streets where you're making a left hand turn. 744 00:38:31,760 --> 00:38:33,759 Speaker 1: So I was going about two miles an hour, and 745 00:38:33,920 --> 00:38:35,759 Speaker 1: it was a lady in a wheelchair and she was 746 00:38:35,800 --> 00:38:38,200 Speaker 1: on the sidewalk and it just veered off a little 747 00:38:38,239 --> 00:38:40,480 Speaker 1: bit and her wheelchair caught the bad side of the 748 00:38:40,520 --> 00:38:42,799 Speaker 1: sidewalk and she went down, and I was as I 749 00:38:42,840 --> 00:38:45,400 Speaker 1: was turning, I literally saw her face as she was falling. 750 00:38:45,600 --> 00:38:47,640 Speaker 1: This is affected me for about a month, and I 751 00:38:47,680 --> 00:38:49,920 Speaker 1: just didn't know what to do. I couldn't stop my 752 00:38:49,920 --> 00:38:51,440 Speaker 1: car in the middle of the intersection. I thought I'd 753 00:38:51,480 --> 00:38:53,520 Speaker 1: get hit, so I just kept driving. I was like, 754 00:38:53,520 --> 00:38:55,399 Speaker 1: oh my gosh, Oh my gosh, what did I just see? 755 00:38:55,400 --> 00:38:57,680 Speaker 1: Oh my gosh. And I was just like praying somebody 756 00:38:57,719 --> 00:39:00,160 Speaker 1: behind me would stop, and three other cars stopped out 757 00:39:00,320 --> 00:39:01,480 Speaker 1: and got her. So well, but what did you do? 758 00:39:01,520 --> 00:39:04,840 Speaker 1: From the list I was see, I just kept driving, obviously, 759 00:39:06,320 --> 00:39:10,360 Speaker 1: but he prayed because he said the wheelchair was too heavy. 760 00:39:10,360 --> 00:39:12,520 Speaker 1: I'm like, why, how could the wheelchair be too heavy 761 00:39:12,520 --> 00:39:15,160 Speaker 1: for a Ray to pick off. I can't believe, why 762 00:39:15,160 --> 00:39:17,319 Speaker 1: would you? But this is Ray sending this in. Oh 763 00:39:17,360 --> 00:39:19,880 Speaker 1: my god, he was driving a cup on driving. Thankfully 764 00:39:19,960 --> 00:39:22,759 Speaker 1: somebody helped her. Number two and I don't even care 765 00:39:22,760 --> 00:39:25,360 Speaker 1: to do the bit, but I read it was like, 766 00:39:25,400 --> 00:39:26,960 Speaker 1: this would be the most boring bit we've ever done 767 00:39:27,000 --> 00:39:29,360 Speaker 1: in a history of our show. But Eddie sent in, 768 00:39:29,400 --> 00:39:31,200 Speaker 1: I'm changing my pizza order for the first time in 769 00:39:31,200 --> 00:39:32,680 Speaker 1: my life, and I'd like talk about it. This is 770 00:39:32,719 --> 00:39:34,919 Speaker 1: a big deal, guys. Oh my god, that's so dumb 771 00:39:35,120 --> 00:39:37,360 Speaker 1: my entire I mean, I've ordered the same kind of 772 00:39:37,400 --> 00:39:42,120 Speaker 1: pizza my entire life. What pizza a Pepperonian mushroom pan 773 00:39:42,320 --> 00:39:45,040 Speaker 1: deep dish pizza. And so now you're changing it too, 774 00:39:45,239 --> 00:39:47,400 Speaker 1: thin crust. I'm gonna have to just buckle down and 775 00:39:47,400 --> 00:39:49,160 Speaker 1: get thin crust because I feel rady. He's just getting 776 00:39:49,160 --> 00:39:50,839 Speaker 1: so good right now. Listen, I can feel it. People 777 00:39:50,880 --> 00:39:52,400 Speaker 1: are telling friend, you got tuned in right now. He's 778 00:39:52,400 --> 00:39:54,240 Speaker 1: talking about the pizza. That is the kind of stuff 779 00:39:54,239 --> 00:39:56,560 Speaker 1: you send in every forty fifty year olds like, hey, 780 00:39:56,560 --> 00:39:58,759 Speaker 1: I feel you, man. I had to go think Crust two. Well, 781 00:39:58,840 --> 00:40:01,439 Speaker 1: this is all rejected agents. There's a reason these didn't 782 00:40:01,440 --> 00:40:04,920 Speaker 1: make the air. Wow, oh gosh. And then the number 783 00:40:04,960 --> 00:40:09,719 Speaker 1: one rejected segment. Number one, the Minnesota Timberwolves basketball team 784 00:40:09,760 --> 00:40:12,840 Speaker 1: had people jumping out on the court protesting random times, 785 00:40:13,160 --> 00:40:16,120 Speaker 1: trying to glue themselves to the floor or chain themselves 786 00:40:16,160 --> 00:40:18,759 Speaker 1: to the to the goal. So it was written the 787 00:40:18,760 --> 00:40:21,440 Speaker 1: Timberwolves protests of making the news. What if we have 788 00:40:21,560 --> 00:40:25,200 Speaker 1: lunchbox protest an NHL game here in town, dressed them 789 00:40:25,280 --> 00:40:26,920 Speaker 1: up like a beer vendor and try to get him 790 00:40:26,960 --> 00:40:32,560 Speaker 1: on the ice to handcuff themselves to the goal, getting 791 00:40:32,640 --> 00:40:37,279 Speaker 1: killed someday. But I thought it was funny but had 792 00:40:37,320 --> 00:40:39,319 Speaker 1: to reject it. Would you have done that bit? No? 793 00:40:39,560 --> 00:40:41,480 Speaker 1: I don't think so. I don't think I could have 794 00:40:41,520 --> 00:40:43,960 Speaker 1: got over the glass, Like that's really hard to get over, 795 00:40:45,360 --> 00:40:47,799 Speaker 1: and all the beer vendors get on the ice have access. Yeah, 796 00:40:48,280 --> 00:40:50,919 Speaker 1: I mean all accept past. He's already gone to jail. 797 00:40:50,920 --> 00:40:54,600 Speaker 1: One that was rejected segments. So if you think the 798 00:40:54,640 --> 00:40:56,440 Speaker 1: segments we're doing a crappy when you hear us to 799 00:40:56,440 --> 00:40:58,120 Speaker 1: do them for real, imagine the ones I've turned down. 800 00:40:58,719 --> 00:41:03,279 Speaker 1: It's like Eddie talking about his anent pizza man breaking news. 801 00:41:03,280 --> 00:41:07,040 Speaker 1: It's the best bits of the week with Morgan number two. 802 00:41:08,560 --> 00:41:11,080 Speaker 1: This was a big deal. Amy shared some more details 803 00:41:11,120 --> 00:41:13,520 Speaker 1: on her movie role. After we found out she was 804 00:41:13,600 --> 00:41:16,600 Speaker 1: going to Hollywood to do a part on a movie. 805 00:41:16,600 --> 00:41:18,719 Speaker 1: We found out what streaming service it's going on. We 806 00:41:18,719 --> 00:41:21,279 Speaker 1: also found out the theme of the movie when we 807 00:41:21,280 --> 00:41:24,000 Speaker 1: can Expect It. She shared some other things that happened 808 00:41:24,080 --> 00:41:26,880 Speaker 1: on set, not all the details, but just enough to 809 00:41:26,920 --> 00:41:29,839 Speaker 1: give you a little bit more insight. So here it 810 00:41:29,920 --> 00:41:33,600 Speaker 1: is number three. Amy's back on with us. She's in 811 00:41:33,680 --> 00:41:35,600 Speaker 1: Los Angeles this morning. I have a couple of things 812 00:41:35,640 --> 00:41:37,480 Speaker 1: that I want to tell you about. But again, when 813 00:41:37,480 --> 00:41:39,279 Speaker 1: it comes to what you've been doing, Amy, did you 814 00:41:39,320 --> 00:41:41,359 Speaker 1: have a big, fancy wardrobe out on that movie set. 815 00:41:42,160 --> 00:41:46,120 Speaker 1: I had wardrobe pull some dresses for me, but I 816 00:41:46,200 --> 00:41:48,840 Speaker 1: ended up bringing one from home, So I ended up 817 00:41:48,840 --> 00:41:51,960 Speaker 1: wearing that. You wore your own clothes, I did. They 818 00:41:52,000 --> 00:41:54,479 Speaker 1: had options for me, but they said if I felt 819 00:41:54,480 --> 00:41:57,520 Speaker 1: more comfortable than my own things, that was totally fine. 820 00:41:57,680 --> 00:42:01,360 Speaker 1: So I brought my own stuff. And you're playing yourself 821 00:42:01,440 --> 00:42:04,799 Speaker 1: in this movie on HBO Max. Did they keep all 822 00:42:04,840 --> 00:42:08,799 Speaker 1: your lines? They cut any? They add any? Well, some 823 00:42:08,920 --> 00:42:13,560 Speaker 1: got moved around and switched. Oh that didn't sound good. 824 00:42:14,640 --> 00:42:18,480 Speaker 1: So some got pulled, but then others got added, so 825 00:42:18,560 --> 00:42:21,080 Speaker 1: I don't really know how it ended up balancing out. 826 00:42:21,120 --> 00:42:22,840 Speaker 1: I guess we'll find out. And then also, you know 827 00:42:22,880 --> 00:42:27,200 Speaker 1: the cutting room floor. Yeah, I've been there, but I 828 00:42:27,200 --> 00:42:31,680 Speaker 1: thought you said your role was pivotal. It is it is? 829 00:42:31,680 --> 00:42:36,919 Speaker 1: Is it still get murdered? No? But okay, so it's 830 00:42:36,960 --> 00:42:39,120 Speaker 1: towards the end and it's with the main character, and 831 00:42:39,239 --> 00:42:45,040 Speaker 1: I my pivotal scene takes place in the bathroom. Then 832 00:42:45,080 --> 00:42:52,880 Speaker 1: my mind's going crazy right now, that's gross. So yeah, 833 00:42:52,040 --> 00:42:56,839 Speaker 1: it helps with the main characters. Oh, what should I say? 834 00:42:57,280 --> 00:43:01,000 Speaker 1: A big decision they need to make. So okay, do 835 00:43:01,040 --> 00:43:02,360 Speaker 1: you want to act more? I guess it'd be the 836 00:43:02,400 --> 00:43:06,759 Speaker 1: last question as you're out in Hollywood right now. Yes. Yes, 837 00:43:07,080 --> 00:43:10,160 Speaker 1: And the one of the writers on this movie had 838 00:43:10,200 --> 00:43:12,640 Speaker 1: one of the biggest Netflix movies, well two of them. 839 00:43:12,680 --> 00:43:15,720 Speaker 1: They ended up getting a sequel, like in twenty twenty 840 00:43:15,840 --> 00:43:18,960 Speaker 1: California Christmas. Like, it's like it was one of my favorites. 841 00:43:19,000 --> 00:43:21,880 Speaker 1: I watched it. Yeah, I'm sure it's of course, because 842 00:43:21,880 --> 00:43:24,560 Speaker 1: you're not into Christmas movies. But it got a sequel, 843 00:43:24,840 --> 00:43:27,840 Speaker 1: so there was already buzz that like they're aiming for 844 00:43:27,920 --> 00:43:30,040 Speaker 1: a sequel with this one, and they said, if they 845 00:43:30,280 --> 00:43:35,560 Speaker 1: do a sequel, then obviously we'll be back. Obviously. I 846 00:43:35,560 --> 00:43:40,319 Speaker 1: think everybody's trying to be an actor on this show. Yeah, 847 00:43:40,360 --> 00:43:44,000 Speaker 1: well it's awesome, dude. No sequel and she's automatically guaranteed 848 00:43:44,000 --> 00:43:46,279 Speaker 1: a role. Come on now, hey, Amy, No, Lunchbox turned 849 00:43:46,320 --> 00:43:51,000 Speaker 1: down his acting job yesterday. What the one in Chili 850 00:43:51,080 --> 00:43:56,200 Speaker 1: cothe Ohio, the small role in the independent movie. Yeah, 851 00:43:56,360 --> 00:43:57,880 Speaker 1: well he got his agent on the phone. Yeah, we 852 00:43:57,920 --> 00:43:59,680 Speaker 1: have my agent on the phone, and my agent didn't 853 00:43:59,680 --> 00:44:01,279 Speaker 1: they go is a big enough role for me, so 854 00:44:01,360 --> 00:44:06,000 Speaker 1: we had to decline, who's your agent? It was him, Amy. 855 00:44:06,080 --> 00:44:08,200 Speaker 1: He had recorded a thing of him talking to himself 856 00:44:08,239 --> 00:44:09,399 Speaker 1: and he was doing it trying to do a fake 857 00:44:09,400 --> 00:44:12,080 Speaker 1: impression of an agent. Now what was his name, Jackson Hughes. 858 00:44:12,160 --> 00:44:14,840 Speaker 1: That's his name. Anyway, Lunchboxes out of the game. Amy's 859 00:44:14,880 --> 00:44:18,440 Speaker 1: in the game. Now she's our resident act She's not. Okay, Well, 860 00:44:18,520 --> 00:44:21,759 Speaker 1: lunch Books, I have a thought, since you play an 861 00:44:21,760 --> 00:44:27,160 Speaker 1: agent yourself, you have an agent in this movie. I 862 00:44:27,200 --> 00:44:30,120 Speaker 1: have an agent, and maybe for the sequel, you could 863 00:44:30,160 --> 00:44:33,560 Speaker 1: be my agent. Well, how come I one an original agent? 864 00:44:33,760 --> 00:44:35,440 Speaker 1: Why don't know? I didn't need one in the actual 865 00:44:35,560 --> 00:44:37,279 Speaker 1: it's just like part of my script. You could write 866 00:44:37,320 --> 00:44:39,600 Speaker 1: your own role, buddy, Like it's like Matt Damon, they 867 00:44:39,600 --> 00:44:41,080 Speaker 1: wrote good Will Hunting. That's what you need to do. 868 00:44:41,120 --> 00:44:43,160 Speaker 1: Go write your own movie. Write you in a movie 869 00:44:43,200 --> 00:44:45,239 Speaker 1: that's so good they gotta make the movie with you 870 00:44:45,280 --> 00:44:49,000 Speaker 1: in it. It's so much work. He wouldn't do it, Eddie. 871 00:44:49,040 --> 00:44:53,480 Speaker 1: You know how right? A short film? Five minute short film? Okay, 872 00:44:53,600 --> 00:44:55,480 Speaker 1: I'll tell you why. Okay. If you do a five 873 00:44:55,520 --> 00:44:59,160 Speaker 1: minute short film and it's good, I will make sure 874 00:44:59,200 --> 00:45:03,279 Speaker 1: that people on high play to see it. Wow. All right, okay, deal, 875 00:45:03,400 --> 00:45:05,160 Speaker 1: let me talk to my acting classy. Everybody wants to 876 00:45:05,160 --> 00:45:07,759 Speaker 1: get on the writing board with me, right and right? 877 00:45:07,760 --> 00:45:11,520 Speaker 1: Are you right? Right? Solo? Yeah? You got it? All right? Anyway, Amy, 878 00:45:11,520 --> 00:45:14,680 Speaker 1: I'll be back tomorrow in studio. She is Ben California 879 00:45:14,800 --> 00:45:16,640 Speaker 1: acting a little movie. It's gonna be pretty cool. All 880 00:45:16,680 --> 00:45:18,760 Speaker 1: we know about it. It's Christmas and HBO. So anything 881 00:45:18,760 --> 00:45:20,879 Speaker 1: else you want to add, Amy before we go. I'm 882 00:45:20,920 --> 00:45:24,760 Speaker 1: just I'm smiling ear to ear still and I'm excited 883 00:45:24,800 --> 00:45:27,040 Speaker 1: to see y'all tomorrow in person. Well, I got a question, 884 00:45:27,040 --> 00:45:30,000 Speaker 1: did you steal anything from the set to like commemorate 885 00:45:30,040 --> 00:45:33,840 Speaker 1: your experience. My little script thingy. They print your script 886 00:45:33,880 --> 00:45:36,319 Speaker 1: out on this little teeny tiny thing so that way 887 00:45:36,320 --> 00:45:41,680 Speaker 1: it's easy to carry around. And I'm keeping that for memorabilia. 888 00:45:41,760 --> 00:45:43,640 Speaker 1: But that's all I took. Lunch box of signing when 889 00:45:43,640 --> 00:45:48,359 Speaker 1: you come back. It's the best bits of the week 890 00:45:49,120 --> 00:45:54,879 Speaker 1: with Morgan. Number two. April was over this week, which 891 00:45:54,920 --> 00:45:57,479 Speaker 1: means that we got to do Employee of the Month 892 00:45:57,560 --> 00:46:00,760 Speaker 1: for April. And boy was this a big deal because 893 00:46:00,800 --> 00:46:04,600 Speaker 1: somebody won and wow, you would never see it coming. 894 00:46:04,920 --> 00:46:07,319 Speaker 1: Maybe if you paid attention to the show enough you 895 00:46:07,320 --> 00:46:10,560 Speaker 1: would see it coming. So, without further ado, here is 896 00:46:10,640 --> 00:46:14,640 Speaker 1: April Employee of the Month number two. It's time for 897 00:46:14,719 --> 00:46:19,120 Speaker 1: the employee of the month. What of you will be 898 00:46:19,239 --> 00:46:23,080 Speaker 1: named the April Employee of the month. You each have 899 00:46:23,160 --> 00:46:26,680 Speaker 1: a speech fifteen seconds long that you will read once 900 00:46:26,719 --> 00:46:29,800 Speaker 1: you get eliminated. Sorry about that, it's almost awkward. A 901 00:46:29,800 --> 00:46:31,440 Speaker 1: way we can do it, yes, So if you win 902 00:46:31,440 --> 00:46:36,160 Speaker 1: Employee the Month, you will spend the wheel of cash us. 903 00:46:37,239 --> 00:46:39,719 Speaker 1: It's a lot of one's up there though. You get 904 00:46:39,719 --> 00:46:42,200 Speaker 1: self promotion if anything you want. That's good fifteen seconds 905 00:46:42,239 --> 00:46:44,920 Speaker 1: to promote whatever you can even sell it. If you 906 00:46:45,160 --> 00:46:47,359 Speaker 1: were smart enough before this bit, you could have sold 907 00:46:47,360 --> 00:46:49,799 Speaker 1: it somebody and say, if I win, you know it's 908 00:46:49,800 --> 00:46:54,560 Speaker 1: a good idea. Or you get my parking spot asterick 909 00:46:54,640 --> 00:46:57,319 Speaker 1: when I'm not in it. All right, So that's what 910 00:46:57,360 --> 00:47:01,799 Speaker 1: the winner gets. The employee of the month goes too well, 911 00:47:01,840 --> 00:47:03,520 Speaker 1: I'm not gonna say, yeah, but it's not Mike Scooba 912 00:47:03,560 --> 00:47:06,720 Speaker 1: Steve myself. Okay, okay, let's play. The first person eliminated 913 00:47:06,719 --> 00:47:11,640 Speaker 1: from Employee of the Month is Eddie. H wow, yeah, no, 914 00:47:11,719 --> 00:47:14,799 Speaker 1: I figured. Here's my speech. Thank you, thank you so much. 915 00:47:14,840 --> 00:47:16,880 Speaker 1: I honestly didn't think it was possible to win this 916 00:47:16,960 --> 00:47:19,879 Speaker 1: prestigious award two times in a row, but I did. 917 00:47:20,160 --> 00:47:23,399 Speaker 1: As Bobby says, fight, grind, repeat, that's what I did. 918 00:47:23,440 --> 00:47:25,879 Speaker 1: And it's proof that you two listening at home right now, 919 00:47:25,920 --> 00:47:28,240 Speaker 1: could be the employee of the month at your work. 920 00:47:28,480 --> 00:47:30,640 Speaker 1: So thank you so much. I will take this award 921 00:47:30,800 --> 00:47:33,080 Speaker 1: and I'm proud of it, and let's keep on working hard. 922 00:47:33,160 --> 00:47:35,439 Speaker 1: Thank you. There is Eddie did not that speech would 923 00:47:35,440 --> 00:47:39,200 Speaker 1: be one one, did you? Or it's right here? Okay, beautiful, hey, 924 00:47:39,239 --> 00:47:41,560 Speaker 1: Ray if they go over time, shut them Mike off. Yeah, 925 00:47:41,600 --> 00:47:45,040 Speaker 1: he was making fun of me earlier because I timed mine. Oh, 926 00:47:45,080 --> 00:47:47,360 Speaker 1: because you said fifteen seconds or less, so I timed 927 00:47:47,360 --> 00:47:50,560 Speaker 1: it and he was like fifteen seconds. The next person 928 00:47:51,400 --> 00:47:58,400 Speaker 1: eliminated is Lunchbox. How do you feel about this? I 929 00:47:58,480 --> 00:48:01,160 Speaker 1: wanted that didn't scare me because I know I won. 930 00:48:01,239 --> 00:48:02,800 Speaker 1: I already know I won, so don't worry about it, 931 00:48:02,840 --> 00:48:05,319 Speaker 1: all right. I didn't give me getting me nervous. The 932 00:48:05,400 --> 00:48:09,160 Speaker 1: next person eliminated is Raymundo. Ray, I'm sorry you did 933 00:48:09,160 --> 00:48:10,759 Speaker 1: good this month, but you're not Employee of the Month. 934 00:48:10,880 --> 00:48:13,200 Speaker 1: What would you like to say if you would have won? Well, 935 00:48:13,239 --> 00:48:15,520 Speaker 1: I haven't felt the rush of winning since I gave 936 00:48:15,640 --> 00:48:18,480 Speaker 1: up gambling. This is awesome. It feels so good. I 937 00:48:18,560 --> 00:48:21,160 Speaker 1: kind of want to gamble again. Now, to all the 938 00:48:21,239 --> 00:48:24,360 Speaker 1: kids out there, bet on yourself, not on the Titans 939 00:48:24,400 --> 00:48:32,640 Speaker 1: money line. Okay there, all right, okay, okay. Interesting. Three 940 00:48:32,680 --> 00:48:37,040 Speaker 1: people remained for Employee of the Month, Morgan, Lunchbox, and Amy. 941 00:48:37,120 --> 00:48:39,239 Speaker 1: Who's the favorite? Eddie're out of running? Who's gonna win? Oh? 942 00:48:39,280 --> 00:48:41,320 Speaker 1: It's Amy for sure, because you don't know, holl he 943 00:48:41,440 --> 00:48:45,319 Speaker 1: would that was a great bit. Yeah, come on, good 944 00:48:47,120 --> 00:48:50,920 Speaker 1: I did. The next person eliminated is Morgan. I'm sorry, Morgan, 945 00:48:51,000 --> 00:48:55,399 Speaker 1: you did not worry man, great gosh, go ahead, man. 946 00:48:55,440 --> 00:48:58,080 Speaker 1: I'm just so happy I finally won. It feels really 947 00:48:58,120 --> 00:49:00,560 Speaker 1: good to be recognized for all the long hours I 948 00:49:00,600 --> 00:49:02,880 Speaker 1: put in every day, and as Eddie gave me a 949 00:49:02,880 --> 00:49:06,440 Speaker 1: hard time for my late nights and weekends I spend working. 950 00:49:06,800 --> 00:49:09,080 Speaker 1: I appreciate the recognition and I'm happy to say that 951 00:49:09,120 --> 00:49:14,000 Speaker 1: I beat Lunchbox, who over time over time, there are 952 00:49:14,040 --> 00:49:16,560 Speaker 1: two people left in the running. Would you like to 953 00:49:16,600 --> 00:49:18,759 Speaker 1: hear why both of you were considered both of you? 954 00:49:19,600 --> 00:49:22,200 Speaker 1: I had that in my speech everything I do. Can't 955 00:49:22,200 --> 00:49:25,600 Speaker 1: do that seconds now. No foremants with Ryan Hurd was 956 00:49:25,640 --> 00:49:30,799 Speaker 1: in last month. That's right. Another reason such build up 957 00:49:31,440 --> 00:49:34,719 Speaker 1: such fun. It was good Amy the Hollywood to Hollywood, 958 00:49:35,480 --> 00:49:38,040 Speaker 1: the movie roles provided so much content. Also, our friend's 959 00:49:38,040 --> 00:49:39,919 Speaker 1: car got stolen, which is a multi day bit where 960 00:49:39,920 --> 00:49:44,200 Speaker 1: we've talked about new because of her all of our scams. 961 00:49:44,200 --> 00:49:47,160 Speaker 1: You got scammed again, that's right. I still locked out 962 00:49:47,160 --> 00:49:49,560 Speaker 1: of my Amazon account. So it was just a lot 963 00:49:49,600 --> 00:49:56,440 Speaker 1: of content. If you're asking about Amy or Lunchbox, have 964 00:49:56,520 --> 00:49:59,160 Speaker 1: you ever want to ploy them on thing? Haven't? You haven't? 965 00:49:59,480 --> 00:50:01,719 Speaker 1: She hasn't. You're a heavy favorite coming in. I think, 966 00:50:01,800 --> 00:50:04,800 Speaker 1: like in you know, two thousand and ten or something 967 00:50:04,920 --> 00:50:06,600 Speaker 1: a long time ago, we'vebably done this bit for like 968 00:50:06,640 --> 00:50:08,719 Speaker 1: six months. Well there was something we did back in 969 00:50:08,719 --> 00:50:10,600 Speaker 1: the day where you've tracked us for a whole year. 970 00:50:10,640 --> 00:50:14,480 Speaker 1: In the winner got a thousand dollars and I got it. Yeah, 971 00:50:14,600 --> 00:50:17,640 Speaker 1: let's just mad about it. Has lunch Box every won. Oh, 972 00:50:17,800 --> 00:50:21,759 Speaker 1: this is amazing the winner of employee of the month. 973 00:50:22,160 --> 00:50:25,239 Speaker 1: Come on, Amy, I think Eddie right, who's gonna win? 974 00:50:25,360 --> 00:50:30,120 Speaker 1: I just definitely Amy very deserving over Lunchbox. Morgan's gonna win. 975 00:50:30,320 --> 00:50:32,320 Speaker 1: I feel like lunch Box. He's had a pretty solid 976 00:50:32,360 --> 00:50:37,799 Speaker 1: month for content. Solid you mean extraordinary winter. They froze 977 00:50:37,840 --> 00:50:50,439 Speaker 1: employee of the month days yelled at what I tell you? 978 00:50:50,560 --> 00:50:53,239 Speaker 1: What I tell you? What did I say? There was 979 00:50:53,320 --> 00:50:56,600 Speaker 1: no nerves. We knew all day. We knew it was me. 980 00:50:57,120 --> 00:51:00,879 Speaker 1: You were dreaming. Let's go. You would tell you all 981 00:51:00,960 --> 00:51:03,160 Speaker 1: my speech. Now we're after Amy, you can give yours. 982 00:51:03,640 --> 00:51:06,920 Speaker 1: Nobody in this room is shocked. Nobody listening across America 983 00:51:07,000 --> 00:51:09,360 Speaker 1: is shocked. I am personally shocked. Anyone else in this 984 00:51:09,440 --> 00:51:12,120 Speaker 1: room showed up today, Oh because they had no shot. 985 00:51:12,400 --> 00:51:15,600 Speaker 1: It's been me all day every day, from the haunted 986 00:51:15,640 --> 00:51:18,640 Speaker 1: doll to the celebrity walking down the street, to spilling 987 00:51:18,719 --> 00:51:21,839 Speaker 1: the tea all over Eddie and Scuba, Steve Lunchbox, going 988 00:51:21,880 --> 00:51:25,400 Speaker 1: to Hollywood, the Beef with Jansen, the New Business with Bones, 989 00:51:25,680 --> 00:51:32,200 Speaker 1: the list speech, No, no, you don't turn me off 990 00:51:32,239 --> 00:51:34,600 Speaker 1: when you win. The list goes on. But we'd be 991 00:51:34,680 --> 00:51:36,960 Speaker 1: here all day to all these goals you are dreaming. 992 00:51:36,960 --> 00:51:39,279 Speaker 1: If you thought you were beating the king, started from 993 00:51:39,280 --> 00:51:42,320 Speaker 1: the bottom. Now we're here. Hater's gonna hate, but I'm great. 994 00:51:42,560 --> 00:51:46,040 Speaker 1: Eat it all you losers, yea, all these people that 995 00:51:46,160 --> 00:51:48,759 Speaker 1: say they want me fired. You know, you listeners, you 996 00:51:48,800 --> 00:51:54,000 Speaker 1: obviously don't have the desire because I win. So technically, 997 00:51:54,040 --> 00:51:56,920 Speaker 1: did I hand him the doll in a silver platter? Yeah, 998 00:51:56,960 --> 00:51:59,279 Speaker 1: you get I earned it. Give him money in the doll? Yeah, okay, 999 00:51:59,360 --> 00:52:02,760 Speaker 1: it employed the month. That is it? It is fucking okay. 1000 00:52:02,840 --> 00:52:05,920 Speaker 1: Now looks barks. You can have? Oh I can't, Oh 1001 00:52:06,120 --> 00:52:08,800 Speaker 1: don't do? I get my bit of the week, the 1002 00:52:08,840 --> 00:52:10,680 Speaker 1: bit of the month that we usually maybe the three 1003 00:52:10,719 --> 00:52:14,840 Speaker 1: options you get out because I had my bid already selected. 1004 00:52:15,440 --> 00:52:17,200 Speaker 1: What would the bid have been? There was gonna be 1005 00:52:17,280 --> 00:52:20,560 Speaker 1: seven C seven thirty am and people are just gonna 1006 00:52:20,560 --> 00:52:22,200 Speaker 1: call and tell me how great I was. Yeah, that 1007 00:52:22,320 --> 00:52:24,240 Speaker 1: was gonna be the segment. That's not an option though anymore. 1008 00:52:24,239 --> 00:52:25,640 Speaker 1: I'll give you the money. I don't care about a 1009 00:52:25,680 --> 00:52:28,160 Speaker 1: stupid parking spot or the self promotion. I don't care 1010 00:52:28,200 --> 00:52:32,960 Speaker 1: about that either. Okay, wow, okay, I'll take this self promotion. 1011 00:52:33,680 --> 00:52:36,360 Speaker 1: He didn't win them. I know you turn my No, 1012 00:52:36,440 --> 00:52:38,680 Speaker 1: we don't want to hear it from losers. He didn't 1013 00:52:38,680 --> 00:52:42,640 Speaker 1: do her speech, loser speech. I didn't do it. I pare, 1014 00:52:42,800 --> 00:52:44,880 Speaker 1: we'll do it. It's very ends. Let him have his 1015 00:52:44,960 --> 00:52:48,359 Speaker 1: being ready for the money on this week. There's one 1016 00:52:48,400 --> 00:52:52,320 Speaker 1: hundred dollars. There's fifty dollars, there's twenty dollars, there's five dollars, 1017 00:52:52,320 --> 00:52:54,239 Speaker 1: and there are lots of one dollars. Yeah. I don't 1018 00:52:54,280 --> 00:52:56,680 Speaker 1: understand why there's only one one hundred dollars, but that's 1019 00:52:56,680 --> 00:52:58,319 Speaker 1: the biggest one. Yeah. I know you should put two, 1020 00:52:58,360 --> 00:53:00,799 Speaker 1: all right, or they at least put fifties. I mean, 1021 00:53:00,800 --> 00:53:02,520 Speaker 1: come on, like one on each side. Yeah, you didn't 1022 00:53:02,520 --> 00:53:04,239 Speaker 1: do this one Eddie was spinning. You didn't ask. I 1023 00:53:04,280 --> 00:53:10,040 Speaker 1: don't care. You were here. We go, let's spin one dollar. 1024 00:53:11,680 --> 00:53:18,160 Speaker 1: Let's go by here. We go one dollar once. Yes, 1025 00:53:18,360 --> 00:53:20,520 Speaker 1: you've done that self for motion, all right, there is 1026 00:53:20,680 --> 00:53:27,040 Speaker 1: that dollar for lunch box. But I did hit that song. 1027 00:53:33,760 --> 00:53:40,640 Speaker 1: Every everybody has nice stay there and nice Nay, there 1028 00:53:43,120 --> 00:53:48,759 Speaker 1: is nice shop all right. It's the best bits of 1029 00:53:48,800 --> 00:53:54,040 Speaker 1: the week with Morgan number two and at the number 1030 00:53:54,239 --> 00:53:56,760 Speaker 1: one spot. This was such a cool moment on the show. 1031 00:53:56,800 --> 00:54:01,200 Speaker 1: This week, Bobby and Jason al Dean helped surprise sixth 1032 00:54:01,239 --> 00:54:04,759 Speaker 1: grader Reese with something really cool. Listen. Sixth grader Reese 1033 00:54:04,760 --> 00:54:07,439 Speaker 1: called into the show. She shared that she wanted Jason 1034 00:54:07,520 --> 00:54:09,880 Speaker 1: Aldeen to come to her talent show do a duet 1035 00:54:09,920 --> 00:54:12,759 Speaker 1: with her on his song nineteen ninety four, but he 1036 00:54:12,840 --> 00:54:15,080 Speaker 1: couldn't do that. You know, he's got a busy life. 1037 00:54:15,120 --> 00:54:18,239 Speaker 1: He's not only a country music artist, he's got some 1038 00:54:18,360 --> 00:54:20,600 Speaker 1: kids to take care of. He is a dad. But 1039 00:54:20,960 --> 00:54:23,560 Speaker 1: Bobby wanted to still help sixth grader Reese and Jason 1040 00:54:23,600 --> 00:54:26,479 Speaker 1: Aldeen just happened to be driving one of his kids 1041 00:54:26,520 --> 00:54:28,880 Speaker 1: to school and heard the segment and hops on the 1042 00:54:28,920 --> 00:54:31,919 Speaker 1: phone made some things happen, So you'll want to hear 1043 00:54:31,920 --> 00:54:34,680 Speaker 1: this if you missed it. Number one, Let's go over 1044 00:54:34,680 --> 00:54:38,200 Speaker 1: to Reese, who lives in Missouri. We're having a phone issue, 1045 00:54:38,200 --> 00:54:40,120 Speaker 1: so let's see if we can get her on. Hey, Reese, 1046 00:54:40,200 --> 00:54:44,680 Speaker 1: are you there? This is Bobby Bones. Yes, I'm Peter Awesome. 1047 00:54:44,760 --> 00:54:48,200 Speaker 1: What great are you in? I'm in sixth grade. Where 1048 00:54:48,200 --> 00:54:53,680 Speaker 1: do you live? I live in Ashgrove? Ash Grove, Missouri? 1049 00:54:53,800 --> 00:54:59,520 Speaker 1: What's that near? Sprinkfield? Love it? Okay? I'm glad you're 1050 00:54:59,520 --> 00:55:01,359 Speaker 1: here on the phone, own, and I want to tell 1051 00:55:01,400 --> 00:55:03,440 Speaker 1: you because I see what you're going to ask. I 1052 00:55:03,560 --> 00:55:07,520 Speaker 1: want to set expectations for this that I would I 1053 00:55:07,560 --> 00:55:09,320 Speaker 1: would love you to ask it and shoot your shot, 1054 00:55:10,000 --> 00:55:14,439 Speaker 1: but it's tough to get any major star to do 1055 00:55:14,520 --> 00:55:19,200 Speaker 1: anything without a lot of money, and you shouldn't pay, 1056 00:55:19,600 --> 00:55:22,360 Speaker 1: but you never know. Okay, So Reese, I want you 1057 00:55:22,400 --> 00:55:23,840 Speaker 1: to say whatever you want to say, but I just 1058 00:55:23,840 --> 00:55:25,440 Speaker 1: want to I don't want to be super disappointed if 1059 00:55:25,440 --> 00:55:29,439 Speaker 1: it doesn't happen. Okay, Okay, Okay, So Reese, what would 1060 00:55:29,440 --> 00:55:34,000 Speaker 1: you like to say on the air? Okay? So, Bobby, 1061 00:55:34,160 --> 00:55:36,520 Speaker 1: I was going to ask you if you have a 1062 00:55:36,520 --> 00:55:40,799 Speaker 1: good way to contact Jason now Dean. I originally was 1063 00:55:40,840 --> 00:55:45,680 Speaker 1: gonna send him a letter, but that backfired and I've 1064 00:55:45,760 --> 00:55:48,400 Speaker 1: kind of run out of option. So I was wondering, 1065 00:55:49,840 --> 00:55:54,080 Speaker 1: So you were kind of my last option. So, uh 1066 00:55:56,040 --> 00:55:59,440 Speaker 1: so I am wanting to contact Jason now Dean because 1067 00:55:59,480 --> 00:56:03,120 Speaker 1: my school, uh it might have a talent show and 1068 00:56:03,200 --> 00:56:06,560 Speaker 1: it's just like our school building. And so I thought 1069 00:56:06,600 --> 00:56:09,239 Speaker 1: of the idea one night that maybe I could get 1070 00:56:09,520 --> 00:56:11,560 Speaker 1: case now being they come to a duet with me 1071 00:56:11,760 --> 00:56:18,279 Speaker 1: to nineteen ninety four. Oh, nineteen ninety four. Okay, oh yeah, 1072 00:56:18,280 --> 00:56:19,680 Speaker 1: go ahead, let's hear it. You give us a little 1073 00:56:19,680 --> 00:56:23,640 Speaker 1: bit of that great Reese. What sing us a little bit? 1074 00:56:23,640 --> 00:56:26,680 Speaker 1: He'll probably want to hear how good you are? Oh? Okay, good? 1075 00:56:27,600 --> 00:56:29,680 Speaker 1: We start from the beginning, or just the main chorus, 1076 00:56:29,840 --> 00:56:35,399 Speaker 1: hit the chorus? Race? All right? Got that nineteen Nat 1077 00:56:35,560 --> 00:56:38,960 Speaker 1: four Joe, what's becoming at my radio? I'm just the 1078 00:56:39,080 --> 00:56:43,000 Speaker 1: comsortable with the so help my girl. I'll be a 1079 00:56:43,080 --> 00:56:45,759 Speaker 1: pick up man about a nap to remember it a 1080 00:56:45,880 --> 00:56:49,279 Speaker 1: bit of goose about to bust out my hockey Tom Gabs, dude, 1081 00:56:50,680 --> 00:56:55,040 Speaker 1: ain't ever felt before talking Nat Pain ninety four. Let's go. 1082 00:56:59,280 --> 00:57:03,440 Speaker 1: That's it. You don't need to do that, partner, Oh 1083 00:57:03,600 --> 00:57:08,520 Speaker 1: still going, still going? Okay, Hey Reese, are you there, buddy? Yeah? 1084 00:57:08,719 --> 00:57:12,040 Speaker 1: Okay Reese. First of all, that's so good. You do 1085 00:57:12,160 --> 00:57:14,000 Speaker 1: not need to do that, partner, I'm telling you right now, 1086 00:57:14,040 --> 00:57:19,560 Speaker 1: it'll take away from it. What do you think about 1087 00:57:19,560 --> 00:57:24,400 Speaker 1: that when I say that, well, I think I'll still 1088 00:57:24,440 --> 00:57:28,080 Speaker 1: try to invite him. That we okay? Well, what if? 1089 00:57:28,560 --> 00:57:32,880 Speaker 1: Because it's great famous people, their schedules are so jam packed. 1090 00:57:33,840 --> 00:57:35,440 Speaker 1: I'll tell you that because I know a couple of them. 1091 00:57:36,360 --> 00:57:37,760 Speaker 1: So it may be tough for him to get there. 1092 00:57:37,800 --> 00:57:40,040 Speaker 1: But if he's listening right now, I'll just have him 1093 00:57:40,080 --> 00:57:42,480 Speaker 1: text me. He probably won't be able to do it, 1094 00:57:42,560 --> 00:57:45,160 Speaker 1: But what if because I could probably text him and 1095 00:57:45,200 --> 00:57:46,840 Speaker 1: be like, hey, will you send my buddy Reese a 1096 00:57:46,960 --> 00:57:53,040 Speaker 1: video introducing you at your performance? That's good? Oh that 1097 00:57:55,320 --> 00:57:57,800 Speaker 1: you be okay? So this is probably what I can 1098 00:57:57,880 --> 00:58:01,480 Speaker 1: do if you'll settle for or he's probably not gonna 1099 00:58:01,520 --> 00:58:05,480 Speaker 1: come because he's busy. What's the date again? It'll be 1100 00:58:05,720 --> 00:58:10,360 Speaker 1: May eighth, that's that's a close two weeks from today. 1101 00:58:10,520 --> 00:58:13,520 Speaker 1: I have audience calendar here now. Oh he's got a 1102 00:58:13,520 --> 00:58:16,240 Speaker 1: hair appointment. Oh no, I don't think that he can 1103 00:58:16,360 --> 00:58:19,720 Speaker 1: get there by the eighteenth. But I can probably just 1104 00:58:19,800 --> 00:58:21,959 Speaker 1: text him a little later today and say, hey, would 1105 00:58:21,960 --> 00:58:24,880 Speaker 1: you mind recording a video for my buddy Reese, who's 1106 00:58:24,880 --> 00:58:27,880 Speaker 1: in sixth grade and he's singing nineteen ninety four to 1107 00:58:27,960 --> 00:58:34,720 Speaker 1: talent show and he can maybe introduce you. Oh you're 1108 00:58:34,840 --> 00:58:36,760 Speaker 1: Oh you're a girl. I can't tell. The sixth grades 1109 00:58:36,840 --> 00:58:38,840 Speaker 1: a whole weird thing for me. I thought it was 1110 00:58:38,880 --> 00:58:40,960 Speaker 1: a girl, then I thought it was a boy. Now 1111 00:58:41,000 --> 00:58:42,720 Speaker 1: I think it's a girl again. We know it's a girl, 1112 00:58:42,760 --> 00:58:45,360 Speaker 1: and I'd like to apologize. Reese is also a name 1113 00:58:45,440 --> 00:58:52,440 Speaker 1: that yes, Okay, it's fine, Okay, Reese. I feel like 1114 00:58:52,480 --> 00:58:56,240 Speaker 1: such an idiot. Now, Reese, it's your friend, Bobby. You're fine, Okay. 1115 00:58:56,240 --> 00:58:58,520 Speaker 1: I'd like to ask. I'd like to beg for forgiveness. 1116 00:58:59,800 --> 00:59:03,760 Speaker 1: You're all right, all right. Here's the deal we're gonna make. 1117 00:59:03,840 --> 00:59:11,960 Speaker 1: If I can get a video from him introducing you 1118 00:59:12,040 --> 00:59:14,680 Speaker 1: at your talent show, will they be able to play 1119 00:59:14,680 --> 00:59:17,880 Speaker 1: it over like a big screen or something. Um, um, 1120 00:59:18,360 --> 00:59:20,920 Speaker 1: we'll figure it out. I think. So they have a 1121 00:59:21,240 --> 00:59:24,960 Speaker 1: projector Jason just texted me Race he did, he did. 1122 00:59:25,040 --> 00:59:27,120 Speaker 1: He just texted me, and he says he's in for 1123 00:59:27,160 --> 00:59:30,120 Speaker 1: the video. He is. He does have a hair appointment, 1124 00:59:31,360 --> 00:59:33,000 Speaker 1: so he's not gonna be able to get there. But 1125 00:59:34,120 --> 00:59:35,720 Speaker 1: if you just tell me what you want him to say. 1126 00:59:36,040 --> 00:59:45,480 Speaker 1: I can tell him right now. He's listening to the show. Okay, Um, now, 1127 00:59:48,200 --> 00:59:53,200 Speaker 1: So I was fondering if maybe you could say, like, 1128 00:59:53,400 --> 00:59:57,160 Speaker 1: introduced yourself, and then if you want to take it 1129 00:59:57,240 --> 01:00:00,720 Speaker 1: from there, just say something like high Boat Arc Elementary. Yeah, 1130 01:00:00,760 --> 01:00:02,360 Speaker 1: and then you can take you from there. What you 1131 01:00:02,440 --> 01:00:06,920 Speaker 1: want to say? I said, Bodar? I said, Bodarc Elementary 1132 01:00:07,080 --> 01:00:09,200 Speaker 1: in Missouri. How you say spelled that bo d A 1133 01:00:09,360 --> 01:00:15,680 Speaker 1: R k uh so so b o I s uh 1134 01:00:15,720 --> 01:00:19,480 Speaker 1: and then a capital b apostrophe a R R C 1135 01:00:20,680 --> 01:00:22,919 Speaker 1: and then elementary. Okay, hold on, let me call Jason 1136 01:00:22,920 --> 01:00:26,400 Speaker 1: on my cell phone. Hold on? Is he driving bones? 1137 01:00:26,400 --> 01:00:32,120 Speaker 1: I asked? If I call him? Hold on there? Hello, 1138 01:00:32,520 --> 01:00:37,280 Speaker 1: Hey Jason, what's up? Hey? So we got Reese. Who's 1139 01:00:37,320 --> 01:00:39,440 Speaker 1: on the phone. I know you're listening to this, but 1140 01:00:39,520 --> 01:00:43,320 Speaker 1: you're down to kind a really cool video for Reese? Right? Yeah? Absolutely? Man. 1141 01:00:43,360 --> 01:00:45,240 Speaker 1: I was I was taking my daughter to school this 1142 01:00:45,360 --> 01:00:47,920 Speaker 1: morning and and UH been hearing you guys talk. So 1143 01:00:48,320 --> 01:00:50,480 Speaker 1: I just thought I texted and say, yeah, I'm definitely 1144 01:00:50,560 --> 01:00:53,920 Speaker 1: in for a video. Hopefully she has better luck than 1145 01:00:53,960 --> 01:00:56,000 Speaker 1: I did in my first talent contest. They wouldn't even 1146 01:00:56,080 --> 01:00:58,680 Speaker 1: let me be in it. So um, I was I 1147 01:00:58,800 --> 01:01:04,280 Speaker 1: was lips thinking to Banjo, let me be part, So yeah, 1148 01:01:04,440 --> 01:01:07,320 Speaker 1: I will. I will definitely send send you a video, Reese. 1149 01:01:07,400 --> 01:01:09,400 Speaker 1: And just to kind of set you up, I love 1150 01:01:09,440 --> 01:01:13,480 Speaker 1: that you love nineteen ninety four song. All right, Jason, 1151 01:01:13,520 --> 01:01:16,920 Speaker 1: appreciate that. Thank you for the call, and uh, Reese 1152 01:01:17,040 --> 01:01:19,840 Speaker 1: is very grateful and we'll talk to you soon. All right. Thanks. 1153 01:01:20,040 --> 01:01:22,160 Speaker 1: All right, See, buddy, it's gonna do Pyro in the video. 1154 01:01:22,560 --> 01:01:24,040 Speaker 1: That would be cool, I mean, because he does have 1155 01:01:24,080 --> 01:01:25,840 Speaker 1: a lot of pyro a little lighter. He goes and 1156 01:01:25,880 --> 01:01:28,480 Speaker 1: sets up his whole stage for the intro. Okay, Reese, 1157 01:01:28,520 --> 01:01:32,800 Speaker 1: here's all we got. He introduces himself and he says, hey, 1158 01:01:32,800 --> 01:01:41,800 Speaker 1: I'm Jason Aldean and hello to Boys Dark Elementary. Okay, yeah, 1159 01:01:41,840 --> 01:01:43,640 Speaker 1: and let's not spell let's just write it because I 1160 01:01:43,680 --> 01:01:46,480 Speaker 1: would go boys Dark. We'll spell up Bow Dark. And 1161 01:01:46,560 --> 01:01:49,280 Speaker 1: then he's gonna say this is my friend Reese, and 1162 01:01:49,480 --> 01:01:55,840 Speaker 1: she's gonna perform nineteen ninety four and anything else. Um, 1163 01:01:55,920 --> 01:01:57,600 Speaker 1: because you can't just say take it from there because 1164 01:01:57,600 --> 01:02:03,000 Speaker 1: you never know what's gonna happen. Well, um, sounds good 1165 01:02:03,040 --> 01:02:06,600 Speaker 1: to me. Okay, we'll make it happen. Race, I'm gonna 1166 01:02:06,600 --> 01:02:10,640 Speaker 1: put I think we don't get well. I did a 1167 01:02:10,760 --> 01:02:14,320 Speaker 1: dance to rear View Town with a friend last year. Okay, 1168 01:02:14,680 --> 01:02:17,840 Speaker 1: I like you. Yeah, maybe he acknowledges that. Not sure, 1169 01:02:18,240 --> 01:02:20,400 Speaker 1: but I'm gonna get it. I'm gonna put you on 1170 01:02:20,520 --> 01:02:22,480 Speaker 1: hold and get your number, and then we're gonna make 1171 01:02:22,520 --> 01:02:25,280 Speaker 1: sure to get this to you. Okay, okay, and say 1172 01:02:25,320 --> 01:02:27,360 Speaker 1: thank you to Jason because he's listening right now because 1173 01:02:27,800 --> 01:02:33,040 Speaker 1: you okay, no, thank you, you got it? Cool? All right, Race, 1174 01:02:33,120 --> 01:02:36,200 Speaker 1: do not hang up. I'm putting you on hold. Okay, 1175 01:02:36,320 --> 01:02:38,640 Speaker 1: I will not hang up. Okay, Ray, if you don't 1176 01:02:38,680 --> 01:02:42,040 Speaker 1: mind putting reconcle. I mean, that's amazing, This is amazing. 1177 01:02:42,320 --> 01:02:44,680 Speaker 1: That was incredible. That's why you shoot your shot. You 1178 01:02:44,720 --> 01:02:48,520 Speaker 1: shoot your shot. I mean, Luckily, he's always cooling down 1179 01:02:48,560 --> 01:02:52,280 Speaker 1: to do wow something for the fans. And then I 1180 01:02:52,360 --> 01:02:54,400 Speaker 1: don't even know what else. Amy's not here, who knows 1181 01:02:54,440 --> 01:02:58,240 Speaker 1: we're talking about luck us. Dude's doing stupid stuff today. 1182 01:03:00,000 --> 01:03:03,640 Speaker 1: It's the best Bits of the week with Morgan number two. 1183 01:03:04,960 --> 01:03:07,760 Speaker 1: Thanks y'all. That's it for the best bits, just the bits. 1184 01:03:07,880 --> 01:03:10,840 Speaker 1: In case you miss it, make sure go listen to 1185 01:03:10,960 --> 01:03:13,800 Speaker 1: part one with Mike D. We talked about I don't 1186 01:03:13,840 --> 01:03:15,560 Speaker 1: really want to have a wedding. I don't know. Maybe 1187 01:03:15,600 --> 01:03:18,120 Speaker 1: who knows what's going to happen, but I just don't know. 1188 01:03:18,240 --> 01:03:20,000 Speaker 1: So we talked about Mike D's wedding. He gave some 1189 01:03:20,120 --> 01:03:22,160 Speaker 1: more insight on what happened on his wedding day, some 1190 01:03:22,680 --> 01:03:25,120 Speaker 1: thoughts that he had leading up to it. We also 1191 01:03:25,160 --> 01:03:27,240 Speaker 1: talked about a TV show that I really love and 1192 01:03:27,320 --> 01:03:29,600 Speaker 1: he doesn't like at all. And then we also shared 1193 01:03:29,640 --> 01:03:32,040 Speaker 1: some cool moments that have happened in our life recently 1194 01:03:32,240 --> 01:03:35,040 Speaker 1: or are about to happen, so definitely check that out. 1195 01:03:35,160 --> 01:03:39,880 Speaker 1: Y'all have a fabulous weekend. I love you, Bobby Bones.