1 00:00:09,360 --> 00:00:11,560 Speaker 1: Ye, sure, it's nice. 2 00:00:12,280 --> 00:00:17,080 Speaker 2: It's time hell Love Love, Hello, Welcome to the Naughty 3 00:00:17,120 --> 00:00:19,800 Speaker 2: but Nishow. I'm your host, Rob Shooter, and it's Thosday, 4 00:00:20,280 --> 00:00:23,200 Speaker 2: which means our dear friend Mark Looper joins us. Hey, 5 00:00:23,320 --> 00:00:28,480 Speaker 2: lupy Lou, are you there? Brown? You make me giggle? 6 00:00:28,600 --> 00:00:30,760 Speaker 2: You make me giggle. I missed the weeks that were 7 00:00:30,800 --> 00:00:33,720 Speaker 2: not together. Yesterday we were talking because of the Oscars, 8 00:00:33,720 --> 00:00:36,280 Speaker 2: and because all the co hosts work in the entertainment 9 00:00:36,520 --> 00:00:39,839 Speaker 2: business at really the top end, a lot of people 10 00:00:40,040 --> 00:00:42,120 Speaker 2: could not be on the show. So Monday and Tuesday 11 00:00:42,159 --> 00:00:44,360 Speaker 2: I did solo shows. I used to be really nervous 12 00:00:44,640 --> 00:00:46,879 Speaker 2: about doing a solo show. Now please, I can talk 13 00:00:46,880 --> 00:00:50,720 Speaker 2: for twenty minutes with that breathing. However, I do enjoy 14 00:00:50,760 --> 00:00:53,239 Speaker 2: it when you're all back. So I'm so happy you're 15 00:00:53,280 --> 00:00:55,720 Speaker 2: here at Mark, we missed you. Let's jump in to 16 00:00:55,880 --> 00:00:58,560 Speaker 2: our show. What time is it, my friends? It is 17 00:00:59,120 --> 00:01:01,440 Speaker 2: tea time, so big story at the top of the show. 18 00:01:01,640 --> 00:01:04,039 Speaker 2: We touched on this yesterday, but we've got to go deeper. 19 00:01:04,080 --> 00:01:07,119 Speaker 2: It's such a great story. So Variety has an amazing 20 00:01:07,240 --> 00:01:11,440 Speaker 2: expose about Meghan Makele and Netflix. They are the Bible. 21 00:01:11,640 --> 00:01:16,600 Speaker 2: Variety the Hollywood Reporter. They when you want inside Hollywood, 22 00:01:16,920 --> 00:01:19,360 Speaker 2: they don't mess about. I know the editor in chief 23 00:01:19,400 --> 00:01:21,520 Speaker 2: of both of them, and they're really brilliant people. So 24 00:01:21,640 --> 00:01:25,959 Speaker 2: this story, my ahs, like I've read every word. The 25 00:01:26,040 --> 00:01:30,000 Speaker 2: takeaway though, is that the Netflix boss, his name's Ted 26 00:01:30,440 --> 00:01:33,160 Speaker 2: so Randos. That's his name, Ted sarrandas you might recognize him. 27 00:01:33,160 --> 00:01:35,080 Speaker 2: He's been on TV a little bit. He sat front 28 00:01:35,160 --> 00:01:36,880 Speaker 2: row at the Oscars. They made fun of him a 29 00:01:36,880 --> 00:01:39,520 Speaker 2: little bit at the Oscars too, but he's very, very powerful. 30 00:01:39,640 --> 00:01:44,000 Speaker 2: Netflix is the company, and so he apparently would not 31 00:01:44,000 --> 00:01:47,400 Speaker 2: get on a telephone with Megan Markele unless there was 32 00:01:47,440 --> 00:01:51,040 Speaker 2: a Netflix lawyer present. That's a not a good sign. 33 00:01:51,240 --> 00:01:54,040 Speaker 2: Now they are pushing back. Team Sussex is saying no, 34 00:01:54,160 --> 00:01:56,000 Speaker 2: that's not true. She would text him and they would 35 00:01:56,080 --> 00:01:58,880 Speaker 2: chat regularly, and they even socialized. She went to his house, 36 00:01:59,160 --> 00:02:01,760 Speaker 2: and his team are put back to But Variety is 37 00:02:01,800 --> 00:02:04,200 Speaker 2: not making this stuff up. So they said it got 38 00:02:04,240 --> 00:02:07,559 Speaker 2: really really awkward with Meghan, and now I can report 39 00:02:07,640 --> 00:02:10,440 Speaker 2: exclusively I have a story today on my sub stack 40 00:02:10,880 --> 00:02:18,320 Speaker 2: that Harry and Meghan are considering legal options, legal resenses 41 00:02:18,639 --> 00:02:22,480 Speaker 2: to Netflix. Now, remember he did sue the British newspapers 42 00:02:22,480 --> 00:02:24,840 Speaker 2: like Harry's been in court. It feels like every week 43 00:02:25,080 --> 00:02:27,760 Speaker 2: for the past four years over the Daily Mail and 44 00:02:27,840 --> 00:02:30,880 Speaker 2: the British papers, they do like a lawsuit of what 45 00:02:31,040 --> 00:02:34,120 Speaker 2: I hear going on here is that Harry and Meghan 46 00:02:34,200 --> 00:02:37,720 Speaker 2: think the team of Netflix have been leaking stories about them. 47 00:02:37,720 --> 00:02:41,920 Speaker 2: If you remember, they threw this same accusation at Victoria 48 00:02:42,000 --> 00:02:44,799 Speaker 2: and David Beckham. That's why they fell out with the Beckhams. 49 00:02:44,800 --> 00:02:48,399 Speaker 2: They thought the Beckhams were leaking stories on the Sisinxes. 50 00:02:48,840 --> 00:02:51,239 Speaker 2: Now they think Netflix is doing it. I think they're 51 00:02:51,280 --> 00:02:54,040 Speaker 2: just angry here. They're angry it didn't work out. They're 52 00:02:54,080 --> 00:02:57,440 Speaker 2: angry that this expos is really detailed. They might have 53 00:02:57,560 --> 00:03:00,920 Speaker 2: a point about leaking stories because somebody's still get the rioting, 54 00:03:01,320 --> 00:03:03,799 Speaker 2: and it's somebody within the house, Like these stories are 55 00:03:03,960 --> 00:03:07,520 Speaker 2: so specific. Somebody's gott a bit of back then. But 56 00:03:07,760 --> 00:03:10,239 Speaker 2: I'm not sure that it's a lawsuit. I think Harry 57 00:03:10,240 --> 00:03:12,519 Speaker 2: and meg and are gonna say it's a breach of contract. 58 00:03:12,960 --> 00:03:16,320 Speaker 2: But if I was Netflix, I would be really happy 59 00:03:16,360 --> 00:03:18,840 Speaker 2: that every time the boss Ted gone on the phone 60 00:03:18,880 --> 00:03:21,960 Speaker 2: with the Sussex's there was a lawyer present. Because this 61 00:03:22,120 --> 00:03:24,919 Speaker 2: is about to get really ugly. What do you think 62 00:03:25,320 --> 00:03:25,799 Speaker 2: so ugly? 63 00:03:26,160 --> 00:03:28,760 Speaker 1: The story was incredible. I was reading it last night 64 00:03:29,240 --> 00:03:31,400 Speaker 1: and I think this is the end. And truly, if 65 00:03:31,440 --> 00:03:34,120 Speaker 1: you're going to assume Netflix and you're in involved tempserrendous 66 00:03:34,240 --> 00:03:37,800 Speaker 1: in this drama, no one else is going to hire you. 67 00:03:37,840 --> 00:03:40,640 Speaker 1: No other studio, no other streaming service wants to deal 68 00:03:40,680 --> 00:03:43,720 Speaker 1: with kind of mess. Multiple measure outlets have called them 69 00:03:43,760 --> 00:03:46,920 Speaker 1: grifters at this point. It's just it feels over their 70 00:03:46,960 --> 00:03:48,400 Speaker 1: Hollywood studies. 71 00:03:48,520 --> 00:03:51,680 Speaker 2: Market's over, like all the people you're could have picked 72 00:03:51,680 --> 00:03:56,480 Speaker 2: the biggest, most powerful company in the entertainment business. Arguably, 73 00:03:56,560 --> 00:03:59,880 Speaker 2: YouTube and Netflix are bigger n than studios. There big 74 00:04:00,480 --> 00:04:03,720 Speaker 2: their networks, and so you got to deal with them. 75 00:04:03,840 --> 00:04:06,400 Speaker 2: Potentially one hundred million dollars that was never confirmed. I'm 76 00:04:06,400 --> 00:04:08,120 Speaker 2: told it was not quite that much. In fact, not 77 00:04:08,240 --> 00:04:11,040 Speaker 2: anywhere near that much, because the money was only if 78 00:04:11,080 --> 00:04:13,160 Speaker 2: they got results, and they didn't get any results, so 79 00:04:13,200 --> 00:04:15,280 Speaker 2: they got paid very little upfront and then they didn't 80 00:04:15,320 --> 00:04:17,920 Speaker 2: make anything on the back end. They still have a 81 00:04:17,960 --> 00:04:21,120 Speaker 2: project with Netflix too. They optioned this book that they're 82 00:04:21,160 --> 00:04:23,640 Speaker 2: trying to turn into to a movie, but that has 83 00:04:23,720 --> 00:04:25,840 Speaker 2: been sort of put on the back burner. They haven't 84 00:04:25,839 --> 00:04:27,960 Speaker 2: been able to hire a director or a cast, or 85 00:04:28,000 --> 00:04:30,680 Speaker 2: writers or anybody, and so they do have a project 86 00:04:30,720 --> 00:04:33,120 Speaker 2: in the works, and that might not be the moment 87 00:04:33,240 --> 00:04:36,240 Speaker 2: to sue the people you're trying to work with. But 88 00:04:36,480 --> 00:04:41,280 Speaker 2: this is behavior I've entitled people who don't get their 89 00:04:41,320 --> 00:04:44,240 Speaker 2: own way. When I was working with celebrities, the ones 90 00:04:44,279 --> 00:04:48,360 Speaker 2: that always screamed lawsuit were the ones that just didn't 91 00:04:48,360 --> 00:04:50,760 Speaker 2: get the answer they wanted. There was you can see anybody. 92 00:04:50,839 --> 00:04:54,200 Speaker 2: It's America. You can sue whoever you like. It's very expensive, 93 00:04:54,480 --> 00:04:57,000 Speaker 2: but you can't win unless you have facts and you 94 00:04:57,080 --> 00:04:59,520 Speaker 2: have evidence and you can prove your point. What are 95 00:04:59,560 --> 00:05:02,279 Speaker 2: they going to prove here that our shows didn't do 96 00:05:02,520 --> 00:05:04,840 Speaker 2: very well? Yeah they did it, but you can't see 97 00:05:04,880 --> 00:05:09,520 Speaker 2: over that. They're gonna claim that there wasn't enough promotion 98 00:05:10,160 --> 00:05:12,960 Speaker 2: put into these shows. Now, what Netflix will claim is 99 00:05:13,120 --> 00:05:14,640 Speaker 2: we did not know you were writing that book, and 100 00:05:14,680 --> 00:05:16,640 Speaker 2: we did not know you were sitting down with Oprah. 101 00:05:16,720 --> 00:05:19,239 Speaker 2: All the stuff that was really juicy they gave away 102 00:05:19,279 --> 00:05:21,920 Speaker 2: for free. So by the time the Netflix deal came out, 103 00:05:22,240 --> 00:05:25,880 Speaker 2: all the juicy stuff Mark we had got without paying 104 00:05:25,920 --> 00:05:28,320 Speaker 2: a dollar for. And so I think this will be 105 00:05:28,400 --> 00:05:31,200 Speaker 2: a major lawsuit. Netflix went back down. They're not gonna 106 00:05:31,200 --> 00:05:35,200 Speaker 2: pay them off. Here. I hear within Netflix they really 107 00:05:35,480 --> 00:05:38,560 Speaker 2: dislike these two, not just marginally. We've all had people 108 00:05:38,680 --> 00:05:40,920 Speaker 2: leave companies and you're like, ah, they were a pain 109 00:05:41,000 --> 00:05:43,440 Speaker 2: in the bottom, or oh, that one's so annoying. I've 110 00:05:43,440 --> 00:05:45,360 Speaker 2: got tons of people that I've worked with that really 111 00:05:45,400 --> 00:05:49,480 Speaker 2: bugged me. But I don't really hate anybody. I don't. 112 00:05:49,560 --> 00:05:52,440 Speaker 2: I don't like people annoy me. They do. They get 113 00:05:52,480 --> 00:05:54,880 Speaker 2: on my nerves, but I'm not I'm trying to wrack 114 00:05:55,000 --> 00:05:58,120 Speaker 2: my mind. Mark. Is there somebody that I really wish 115 00:05:58,279 --> 00:06:01,160 Speaker 2: ill on? No, I don't think there is. Well, Netflix 116 00:06:01,240 --> 00:06:04,200 Speaker 2: wishes ill on Harry and Meccan. They don't like them 117 00:06:04,440 --> 00:06:04,839 Speaker 2: at all. 118 00:06:05,000 --> 00:06:09,080 Speaker 1: And you could tell the sources in this article clearly 119 00:06:09,360 --> 00:06:11,520 Speaker 1: are coming from Netflix. It's like, without a doubt, they're 120 00:06:11,560 --> 00:06:15,279 Speaker 1: giving very specific details about like the behavior of Megan 121 00:06:15,320 --> 00:06:18,480 Speaker 1: when she gets irritated she disappears from meetings, or how 122 00:06:18,480 --> 00:06:21,560 Speaker 1: she cuts Harry off and reframes what he's saying, which 123 00:06:21,600 --> 00:06:24,880 Speaker 1: is so embarrassing. So I think that anything, they should 124 00:06:24,920 --> 00:06:27,839 Speaker 1: stop this because they're going to just continue to damage 125 00:06:27,880 --> 00:06:31,599 Speaker 1: their brand. If anything, her her Megan's Harry's a Megan 126 00:06:31,680 --> 00:06:35,920 Speaker 1: Harry's line of you know, breads and jams and Jamsilis 127 00:06:35,960 --> 00:06:38,599 Speaker 1: has a surplus of all this crap and they're just 128 00:06:38,720 --> 00:06:40,599 Speaker 1: leading out in the office for people to take home. 129 00:06:40,680 --> 00:06:45,960 Speaker 2: It's it's just a disaster, no pun sticky disaster. It 130 00:06:46,000 --> 00:06:47,919 Speaker 2: is a disaster, which brings us to my pole question 131 00:06:48,120 --> 00:06:52,200 Speaker 2: of the day. Netflix lawyers were on speed dial whatever 132 00:06:52,320 --> 00:06:54,719 Speaker 2: Megan called them. They wouldn't get on a phone call 133 00:06:54,760 --> 00:06:57,799 Speaker 2: with Megan mockled. Now, my reporting is that the sisseics 134 00:06:57,880 --> 00:07:01,839 Speaker 2: is a thinking are considering taking legal action against Netflix? 135 00:07:02,279 --> 00:07:05,000 Speaker 2: Is this going to get ugly? It sort of answers itself, 136 00:07:05,000 --> 00:07:07,240 Speaker 2: but it's sort of a pole question that I want 137 00:07:07,279 --> 00:07:09,240 Speaker 2: to see. Let's see if we can get one hundred percent. 138 00:07:09,240 --> 00:07:10,840 Speaker 2: I'm not gonna tell you which way, but I think 139 00:07:10,840 --> 00:07:13,760 Speaker 2: you might be the highest noted that had. Is it 140 00:07:13,800 --> 00:07:16,280 Speaker 2: going to get ugly? I think it already has. Okay, 141 00:07:16,360 --> 00:07:19,000 Speaker 2: don't forget to vote on today's poll. Go to our 142 00:07:19,000 --> 00:07:21,560 Speaker 2: Twitter page at Naughty Nice rob Our facebook page is 143 00:07:21,600 --> 00:07:24,520 Speaker 2: Naughty Gossip and be sure to check back to Matt 144 00:07:24,600 --> 00:07:27,040 Speaker 2: Raoul to hear your results. Hey Loopy Lou, what are 145 00:07:27,040 --> 00:07:27,680 Speaker 2: you working on that. 146 00:07:28,080 --> 00:07:31,400 Speaker 1: Speaking of disastrous rob Our Spice scrap reunion dream is 147 00:07:31,440 --> 00:07:32,679 Speaker 1: officially over. 148 00:07:33,680 --> 00:07:34,360 Speaker 2: Let me explain it. 149 00:07:34,880 --> 00:07:38,480 Speaker 1: So, the Spice Girls have scrapped their thirtieth anniversary comeback 150 00:07:38,560 --> 00:07:41,680 Speaker 1: after failing to get everyone on the same page on 151 00:07:41,760 --> 00:07:45,640 Speaker 1: the same stage. Melcy confirmed the bad news, shutting down 152 00:07:45,720 --> 00:07:48,960 Speaker 1: hopes of the want to be Readingion moment this summer. Still, 153 00:07:49,000 --> 00:07:52,600 Speaker 1: she teased, the door isn't fully closed. What this really means, 154 00:07:52,640 --> 00:07:55,400 Speaker 1: I think Rob is that their friendships are going to endure, 155 00:07:55,560 --> 00:07:59,160 Speaker 1: but the business is tricky, and without Victoria committing, there's 156 00:07:59,240 --> 00:07:59,960 Speaker 1: just no show. 157 00:08:00,560 --> 00:08:02,480 Speaker 2: There's no show. It's the Victoria show. At this point, 158 00:08:02,480 --> 00:08:04,760 Speaker 2: they've done the reunion without Victoria and it was very, 159 00:08:04,880 --> 00:08:07,960 Speaker 2: very successful. They could potentially do a thirtieth anniversary again 160 00:08:07,960 --> 00:08:11,040 Speaker 2: without Victoria. But but to make this really special, to make 161 00:08:11,080 --> 00:08:15,200 Speaker 2: them really rich, to sell tickets at Taylor Swift type level, maybe, 162 00:08:15,240 --> 00:08:18,360 Speaker 2: I think so, maybe they could. They need Victoria now. 163 00:08:18,480 --> 00:08:21,920 Speaker 2: I was told because of all the drama with her son, 164 00:08:22,360 --> 00:08:25,160 Speaker 2: Victoria might want to change the agenda and nothing would 165 00:08:25,240 --> 00:08:27,200 Speaker 2: change that subject like going on the road with the 166 00:08:27,200 --> 00:08:29,440 Speaker 2: Spice Girls. I don't think Victoria is going to do 167 00:08:29,480 --> 00:08:31,680 Speaker 2: a ten city tour but she could do two shows. 168 00:08:31,800 --> 00:08:35,160 Speaker 2: They could do one massive show at Wembley Arena, and 169 00:08:35,200 --> 00:08:37,679 Speaker 2: they could do one massive show maybe in a stadium 170 00:08:37,720 --> 00:08:39,400 Speaker 2: here in New York. I think Taylor Swift did the 171 00:08:39,400 --> 00:08:42,120 Speaker 2: met Life Stadium. It's like eighty that they could do 172 00:08:42,320 --> 00:08:45,480 Speaker 2: one enormous show and make a ton of money. Everybody 173 00:08:45,480 --> 00:08:49,400 Speaker 2: would be talking about them. Victoria doesn't want to do it, 174 00:08:49,440 --> 00:08:53,040 Speaker 2: and it must be so frustrating for the other ladies 175 00:08:53,040 --> 00:08:55,360 Speaker 2: because they do want to do it, but it's not 176 00:08:55,600 --> 00:08:58,760 Speaker 2: the same. Oh, it would drive me mad in thirty 177 00:08:58,840 --> 00:09:02,040 Speaker 2: years when we have a nice podcast reunion and we're 178 00:09:02,040 --> 00:09:04,000 Speaker 2: going to do it at the met lights of stadium. 179 00:09:04,040 --> 00:09:07,520 Speaker 2: Buyer ticket. Now, if I decide not to do it, 180 00:09:07,720 --> 00:09:11,679 Speaker 2: you five would be so angree. I just I totally 181 00:09:11,720 --> 00:09:12,120 Speaker 2: get it. 182 00:09:12,240 --> 00:09:14,160 Speaker 1: I do too, And I think, you know, they're in 183 00:09:14,200 --> 00:09:19,160 Speaker 1: different situations than than Victoria is, because Victoria is rich 184 00:09:19,240 --> 00:09:24,320 Speaker 1: beyond comprehension. These ladies are still working ladies, respectfully, and 185 00:09:24,760 --> 00:09:27,320 Speaker 1: it's a bomber I think, if anything, But the reality 186 00:09:27,440 --> 00:09:30,439 Speaker 1: is we do need them all together. And I love 187 00:09:30,480 --> 00:09:33,319 Speaker 1: your idea. I think having one or two shows, one 188 00:09:33,800 --> 00:09:37,599 Speaker 1: big press around it, massive moment, and then make it, 189 00:09:37,800 --> 00:09:38,760 Speaker 1: you know, Oh. 190 00:09:38,600 --> 00:09:40,839 Speaker 2: Yes, I'll be fighting to get tickets. You and me 191 00:09:40,960 --> 00:09:43,120 Speaker 2: will be fighting to get it. I would just do 192 00:09:43,160 --> 00:09:45,160 Speaker 2: one Victoria if you're listening and I'm told she might 193 00:09:45,200 --> 00:09:47,360 Speaker 2: be a lower lower love. We have a huge audience 194 00:09:47,360 --> 00:09:49,040 Speaker 2: in Britain. I don't know quite what happen. Well, it's 195 00:09:49,040 --> 00:09:52,120 Speaker 2: on British, I guess. But yeah, I was shocked. I 196 00:09:52,120 --> 00:09:54,000 Speaker 2: don't look at our numbers that often because I'd become 197 00:09:54,000 --> 00:09:56,319 Speaker 2: obsessed with it. But on the numbers on podcasts you 198 00:09:56,360 --> 00:09:59,240 Speaker 2: can see where people are listening. America is by far 199 00:09:59,280 --> 00:10:02,320 Speaker 2: our large as but the UK we are building a 200 00:10:02,400 --> 00:10:07,800 Speaker 2: little naughty but nice following over there. Okay, moving along. 201 00:10:08,280 --> 00:10:10,559 Speaker 2: Nigel Barker. I used to have a crush on him. 202 00:10:10,559 --> 00:10:13,720 Speaker 2: He was on America's Next Top Model. The photographer shaved Head. 203 00:10:13,720 --> 00:10:16,440 Speaker 2: I think he's British too, kind of sarcastic. He reminds 204 00:10:16,480 --> 00:10:19,920 Speaker 2: me of Scar from the Lion King, like that British Scar, 205 00:10:20,559 --> 00:10:23,360 Speaker 2: sort of mean of it. Camping well. He has said 206 00:10:23,360 --> 00:10:27,840 Speaker 2: that he has not spoken to Tyra since that shocking documentary. 207 00:10:28,080 --> 00:10:30,720 Speaker 2: He's doing interviews, He's back in the spotlight. Good for you, Nigel. 208 00:10:31,000 --> 00:10:33,920 Speaker 2: I think he is promoting something. Who knows, But he 209 00:10:33,960 --> 00:10:35,719 Speaker 2: was out in a band and he was asked, have 210 00:10:35,760 --> 00:10:37,720 Speaker 2: you spoke to Tyra? And he said no, we've had 211 00:10:37,800 --> 00:10:41,000 Speaker 2: absolutely no contact. I hit the FIRS. I spoke to 212 00:10:41,040 --> 00:10:43,319 Speaker 2: my Tyra sources, who were excellent. I used to work 213 00:10:43,360 --> 00:10:45,600 Speaker 2: for Tyra Banks. Tyra Banks as my first big star. 214 00:10:45,920 --> 00:10:48,080 Speaker 2: So when I was a young publicist, like twenty four, 215 00:10:48,520 --> 00:10:50,880 Speaker 2: I had people like in Beauty and the Beast on Broadway, 216 00:10:50,960 --> 00:10:53,880 Speaker 2: no disrespect. I had people you'd never heard of, and 217 00:10:53,920 --> 00:10:57,240 Speaker 2: then I got one model who became a star. It 218 00:10:57,320 --> 00:10:59,920 Speaker 2: was Tyra Banks. So Tyra was my first sort of taste, 219 00:11:00,440 --> 00:11:02,960 Speaker 2: a real celebrity of People Magazine, of the of the 220 00:11:02,960 --> 00:11:06,200 Speaker 2: big TV shows calling and so I have such a 221 00:11:06,240 --> 00:11:08,960 Speaker 2: respect for Tyrone, even though I think she's told deaf 222 00:11:09,000 --> 00:11:12,520 Speaker 2: in many many ways. Tyra don't want to talk to you, Nigel. 223 00:11:12,679 --> 00:11:15,440 Speaker 2: She don't want to like you. You might think you 224 00:11:15,480 --> 00:11:17,880 Speaker 2: haven't spoken to her, but I would not call her 225 00:11:17,960 --> 00:11:20,079 Speaker 2: if I was you, because I don't think she wants 226 00:11:20,120 --> 00:11:23,000 Speaker 2: any part of this. She moves on. She has this. 227 00:11:23,080 --> 00:11:25,000 Speaker 2: I'm not sure if it's a good or bad quality. 228 00:11:25,040 --> 00:11:27,600 Speaker 2: I think it's bad where she can just put the 229 00:11:27,640 --> 00:11:30,160 Speaker 2: pass behind her, a barrel ahead. Have you got friends 230 00:11:30,200 --> 00:11:34,360 Speaker 2: like that who just like there is absolute debree all 231 00:11:34,400 --> 00:11:37,360 Speaker 2: around them, there is carcass, it's all around them, and 232 00:11:37,400 --> 00:11:38,840 Speaker 2: they just march forward. 233 00:11:39,360 --> 00:11:41,720 Speaker 1: If it's funny, Rob I work retired to was the 234 00:11:41,760 --> 00:11:45,440 Speaker 1: first talk show, right, and you know, I had a 235 00:11:45,440 --> 00:11:47,960 Speaker 1: really good time. I admire attire a lot of times. 236 00:11:47,960 --> 00:11:50,440 Speaker 1: I do what was funny? I saw her years later 237 00:11:50,440 --> 00:11:52,360 Speaker 1: after the show had ended, and I'm like, do you 238 00:11:52,440 --> 00:11:54,360 Speaker 1: miss the show that you missed this building? And she 239 00:11:54,440 --> 00:11:56,120 Speaker 1: goes not at all. 240 00:11:58,679 --> 00:12:02,400 Speaker 2: She doesn't look. I'm surprised. She's like watch it like 241 00:12:02,480 --> 00:12:06,680 Speaker 2: she just moves out to Nigel. Good look with that. Okay, 242 00:12:06,720 --> 00:12:09,840 Speaker 2: this is I think an odd story. Val Kilmer is 243 00:12:09,920 --> 00:12:13,520 Speaker 2: returning from the dead. What is going on? What it is? 244 00:12:14,080 --> 00:12:15,960 Speaker 1: Yeah, this is kind of weird. So Val Kimer is 245 00:12:16,000 --> 00:12:18,680 Speaker 1: being brought back from the big screen using or brought 246 00:12:18,720 --> 00:12:21,240 Speaker 1: back to the big screen using a and you know, 247 00:12:21,480 --> 00:12:24,400 Speaker 1: a year after his death for an indie film called 248 00:12:24,480 --> 00:12:28,559 Speaker 1: As Deep as the Grieves. Okay, so the director insists 249 00:12:28,640 --> 00:12:32,560 Speaker 1: this is an exploitation, it's a fulfillment and with Kilmer's 250 00:12:32,600 --> 00:12:35,960 Speaker 1: family on board and has past the enthusiasm for tech 251 00:12:36,000 --> 00:12:40,679 Speaker 1: and well documented interest, the team says this is exactly 252 00:12:40,679 --> 00:12:41,800 Speaker 1: what he would have wanted. 253 00:12:42,160 --> 00:12:46,320 Speaker 2: What do you think, right, Yeah, it's a tricky one here, 254 00:12:46,400 --> 00:12:48,800 Speaker 2: because if he was going to be put in a iron, 255 00:12:48,840 --> 00:12:51,000 Speaker 2: come back in a major movie and make millions of 256 00:12:51,040 --> 00:12:53,479 Speaker 2: dollars for the family, I get it. He's a business 257 00:12:53,520 --> 00:12:56,600 Speaker 2: like I do, sort of get the family wanting to 258 00:12:56,679 --> 00:12:59,880 Speaker 2: earn money. The people that inherited the estate, they would argue, 259 00:12:59,880 --> 00:13:02,520 Speaker 2: it's not about the money, it's keeping him alive. Don't 260 00:13:02,559 --> 00:13:04,880 Speaker 2: worry about that. He's in top gun. He will always 261 00:13:04,920 --> 00:13:06,840 Speaker 2: live on. Film lives on forever, and they don't need 262 00:13:06,880 --> 00:13:10,520 Speaker 2: to do anymore. I have a mixed feeling about AI. 263 00:13:10,679 --> 00:13:13,000 Speaker 2: I sort of would it be lovely to see some 264 00:13:13,080 --> 00:13:16,160 Speaker 2: of the stars Whitney Houston again as a hologram. It 265 00:13:16,320 --> 00:13:18,760 Speaker 2: sounds nice. But they did it in London. I think 266 00:13:18,760 --> 00:13:22,040 Speaker 2: it was a huge disaster, and so I don't quite 267 00:13:22,360 --> 00:13:25,360 Speaker 2: know about it yet. But if the family says yes, 268 00:13:25,760 --> 00:13:27,440 Speaker 2: who am I to say no? I think the way 269 00:13:27,440 --> 00:13:29,320 Speaker 2: that we say no is we just don't buy a ticket, 270 00:13:29,720 --> 00:13:31,720 Speaker 2: Like I probably wouldn't buy a ticket to this. But 271 00:13:31,760 --> 00:13:35,040 Speaker 2: at the same time, if the family wants to do it, 272 00:13:34,760 --> 00:13:39,200 Speaker 2: it's his family. He left them the decisions, and so 273 00:13:39,240 --> 00:13:41,880 Speaker 2: I think this is important for celebrities. Think are you 274 00:13:41,920 --> 00:13:44,280 Speaker 2: going to leave your estate too? You don't have to 275 00:13:44,320 --> 00:13:46,040 Speaker 2: be a celebrity either. My mum is now in her 276 00:13:46,160 --> 00:13:49,200 Speaker 2: nineties and she was talking about a power of attorney 277 00:13:49,240 --> 00:13:51,320 Speaker 2: who's going to be in charge of her estate? And 278 00:13:51,320 --> 00:13:53,600 Speaker 2: I said, don't give it to me. I'm not reliable. 279 00:13:53,640 --> 00:13:56,360 Speaker 2: That I don't and my sister Christine's really reliable. So 280 00:13:56,480 --> 00:14:00,199 Speaker 2: think about, like, who's going to want to fulfill your wish? 281 00:14:00,400 --> 00:14:03,319 Speaker 2: Maybe he wants this, and I hope he does because 282 00:14:03,520 --> 00:14:05,680 Speaker 2: it's happening. I just wish it was on a more 283 00:14:05,720 --> 00:14:09,080 Speaker 2: major project. I think what upsets me here is not 284 00:14:09,160 --> 00:14:12,560 Speaker 2: the AI, it's the independent film. I thought he would 285 00:14:12,600 --> 00:14:16,160 Speaker 2: be the big old blogbuster and so I don't know, 286 00:14:16,320 --> 00:14:18,240 Speaker 2: but it is up to the family. Be careful who 287 00:14:18,280 --> 00:14:20,560 Speaker 2: you leave your rights to. Okay, quickly before we get 288 00:14:20,600 --> 00:14:23,520 Speaker 2: a break. Taylor Frankie Paul, who I had not heard 289 00:14:23,560 --> 00:14:26,360 Speaker 2: of until twenty four hours ago. She's the new Bachelorette. 290 00:14:26,440 --> 00:14:28,920 Speaker 2: She's on the Mormon Wives and now she is the 291 00:14:29,000 --> 00:14:31,800 Speaker 2: new Kim Kardashian. People are going in nuts about her. 292 00:14:32,200 --> 00:14:36,480 Speaker 2: She's got the Bachelorette, which starts on Sunday. She had 293 00:14:36,520 --> 00:14:39,960 Speaker 2: to do interviews right after some very very awful information 294 00:14:40,040 --> 00:14:44,120 Speaker 2: about domestic violence alleged to domestic violence came out. She 295 00:14:44,200 --> 00:14:46,760 Speaker 2: sat down on GMA and she talked about how heavy 296 00:14:46,840 --> 00:14:50,080 Speaker 2: it was, and she did this interview. I think they're 297 00:14:50,120 --> 00:14:52,160 Speaker 2: moving ahead with it. I know they're moving ahead with it, 298 00:14:52,320 --> 00:14:55,880 Speaker 2: but talk about bad timing. I gotta give a shout 299 00:14:55,920 --> 00:14:58,880 Speaker 2: out to it. Lara Spencer, I used to be Lara's publicist. 300 00:14:59,240 --> 00:15:01,920 Speaker 2: She asked the good question. Because it's all the same company. 301 00:15:02,280 --> 00:15:04,760 Speaker 2: You have to be careful here. But Laura was great. 302 00:15:04,800 --> 00:15:08,760 Speaker 2: ABC was great. I think they handled this just beautifully 303 00:15:08,760 --> 00:15:11,440 Speaker 2: considering how messy the whole thing is. Okay, we're going 304 00:15:11,520 --> 00:15:14,760 Speaker 2: to take a quick break and we will be right back. 305 00:15:15,960 --> 00:15:18,240 Speaker 2: Welcome back to the Naughty but nic shall I'm robs 306 00:15:18,320 --> 00:15:19,960 Speaker 2: you to it. I did from mok Gluepoe, Hey, Lupie, 307 00:15:20,080 --> 00:15:23,320 Speaker 2: let's get to the polls. Last show, we talked about 308 00:15:23,400 --> 00:15:27,840 Speaker 2: Timothy Shallon. I skipped the Dune three launch after the Oscars. 309 00:15:27,880 --> 00:15:31,000 Speaker 2: That question was was Timmy not invited? Was he disinvited? 310 00:15:31,160 --> 00:15:34,520 Speaker 2: Did they not wanted there? I reported, is you know 311 00:15:35,240 --> 00:15:37,120 Speaker 2: everybody else was there? Where were you? Timmy? He was 312 00:15:37,160 --> 00:15:39,520 Speaker 2: in La he wasn't working like he could have turned 313 00:15:39,520 --> 00:15:42,000 Speaker 2: the book this he did. Do you think he was disinvited? 314 00:15:42,280 --> 00:15:45,880 Speaker 2: Eighty percent said yes, I think so too, Robert Patterson did, 315 00:15:46,040 --> 00:15:48,120 Speaker 2: because all we'd be talking about is he losing the Oscar. 316 00:15:48,280 --> 00:15:50,960 Speaker 2: Every single question would not be about the movie. Every 317 00:15:51,040 --> 00:15:53,640 Speaker 2: reported there would want to talk to Timmy about losing 318 00:15:53,720 --> 00:15:56,920 Speaker 2: this Oscar. I think he was disinvited to a don't 319 00:15:56,960 --> 00:15:59,520 Speaker 2: forget to vote on today his poul will go to 320 00:15:59,640 --> 00:16:02,760 Speaker 2: at Twitter page at Naughty Nice Rob Facebook page is 321 00:16:02,800 --> 00:16:05,920 Speaker 2: Naughty Gossip and be sure to check back to morrow 322 00:16:06,360 --> 00:16:10,880 Speaker 2: to hear your results. And now it's time for the 323 00:16:11,560 --> 00:16:13,400 Speaker 2: Nicest of the Day. 324 00:16:15,640 --> 00:16:19,480 Speaker 1: Kim Kardashians are nicest at the day. Love So she 325 00:16:19,600 --> 00:16:23,560 Speaker 1: took a dramatic tumble while strutting in the Vanity Fair 326 00:16:23,600 --> 00:16:27,800 Speaker 1: Oscars party and eight inchills that looked more like a 327 00:16:27,840 --> 00:16:31,680 Speaker 1: stump at a shoe and caught in midst double and midlamb. 328 00:16:31,800 --> 00:16:34,080 Speaker 1: Kim laughed it off as her team swooped in to 329 00:16:34,160 --> 00:16:36,920 Speaker 1: save her in the moment and address and the crisis 330 00:16:37,120 --> 00:16:38,080 Speaker 1: was averted. 331 00:16:38,440 --> 00:16:41,400 Speaker 2: I love it. I love that this happened on camera. Kim, 332 00:16:41,480 --> 00:16:43,240 Speaker 2: did you really true? I mean, this is the shoes 333 00:16:43,320 --> 00:16:46,280 Speaker 2: very ridiculous. But Kim, we've seen you in the heels before. 334 00:16:46,600 --> 00:16:49,640 Speaker 2: Kim Kardashi, you just make me giggle. They have a 335 00:16:49,760 --> 00:16:53,480 Speaker 2: way of turning everything into themselves. And so this was 336 00:16:53,600 --> 00:16:56,360 Speaker 2: the news of the Vanity Fair. Ask your party. She 337 00:16:56,440 --> 00:16:59,800 Speaker 2: looks fabulous and Kim a trip caught on camera. It's 338 00:16:59,840 --> 00:17:01,920 Speaker 2: like if a tree fell in the wood, did it 339 00:17:02,000 --> 00:17:04,800 Speaker 2: really fall if nobody noticed it. If a Kardashian falls 340 00:17:04,840 --> 00:17:07,160 Speaker 2: Mark and there's not a camera on it, did they 341 00:17:07,320 --> 00:17:09,879 Speaker 2: really fall out? And Nic says maybe I naughty is 342 00:17:09,880 --> 00:17:11,119 Speaker 2: two of the day, and now I know he's the 343 00:17:11,760 --> 00:17:16,560 Speaker 2: naughty naughty Cruz Beckham, who is Brooklyn Beckham's brother. It's 344 00:17:16,640 --> 00:17:20,959 Speaker 2: raising eyebrows as the family feud has exploded. So Cruz 345 00:17:21,119 --> 00:17:24,720 Speaker 2: raising eyebrows and volumes with a lyric that he put 346 00:17:24,760 --> 00:17:28,720 Speaker 2: out on his social media. He's singing his crooning lonely 347 00:17:28,840 --> 00:17:32,040 Speaker 2: boy who's breaking mama's heart. So it's a little close 348 00:17:32,080 --> 00:17:34,600 Speaker 2: to home, doesn't it. He knows what he's doing. They're 349 00:17:34,720 --> 00:17:39,360 Speaker 2: all just looking for attention. Meanwhile, I'm told Victoria he's 350 00:17:39,400 --> 00:17:41,880 Speaker 2: devastated about this is her son. It is her son. 351 00:17:42,160 --> 00:17:45,280 Speaker 2: They all like attention. Yes, she looks after the beckham Brand, 352 00:17:45,560 --> 00:17:48,520 Speaker 2: but it is her son too, so naughtyous of the day. 353 00:17:48,560 --> 00:17:50,879 Speaker 2: I think that this family, if they keep taking jobs 354 00:17:50,920 --> 00:17:53,800 Speaker 2: of one another on social media, there's no chance they'll 355 00:17:54,280 --> 00:17:57,360 Speaker 2: they'll lover my friends like I think they've become out 356 00:17:57,400 --> 00:17:59,960 Speaker 2: to a point of no return. Hopefully I'm wrong. Let's 357 00:18:00,000 --> 00:18:01,920 Speaker 2: and with a moment of rob you get a rub, 358 00:18:01,920 --> 00:18:04,119 Speaker 2: you're gon rub, you gotta rub, rub, do the work. 359 00:18:05,000 --> 00:18:07,560 Speaker 2: The gap between where you are and where you want 360 00:18:07,560 --> 00:18:12,080 Speaker 2: to be isn't talent, it's action. Start before you feel ready, 361 00:18:12,520 --> 00:18:15,960 Speaker 2: Start when it's messy, and start when you're tired. Stop 362 00:18:16,040 --> 00:18:20,879 Speaker 2: negotiating with your excuses. They're convincing you not to move forward, 363 00:18:20,960 --> 00:18:24,840 Speaker 2: and that is a mistake. You got to do the work. 364 00:18:25,160 --> 00:18:28,000 Speaker 2: Nobody is coming to push you. That's your job. You've 365 00:18:28,000 --> 00:18:31,000 Speaker 2: got to push yourself and that's where you find confidence. 366 00:18:31,480 --> 00:18:36,520 Speaker 2: You build confidence by keeping the promises you made to yourself. 367 00:18:37,119 --> 00:18:40,040 Speaker 2: Do the work. I had lunch yesterday with a friend 368 00:18:40,040 --> 00:18:43,360 Speaker 2: of mine, a big, big editor of a magazine who 369 00:18:43,359 --> 00:18:47,119 Speaker 2: has left the big corporations and has started a substack, 370 00:18:47,160 --> 00:18:50,760 Speaker 2: has gone solo, has become independent media. He wanted to 371 00:18:50,760 --> 00:18:53,440 Speaker 2: take me for lunch. I paid, but he didn't want 372 00:18:53,400 --> 00:18:56,320 Speaker 2: me to take He wanted to take me for lunch 373 00:18:56,680 --> 00:18:58,560 Speaker 2: to pick my brain, and I'm happy to help it, 374 00:18:58,640 --> 00:19:01,000 Speaker 2: but I quite enjoy helping people pull and I didn't 375 00:19:01,040 --> 00:19:04,359 Speaker 2: really have the answers he was looking for. He wanted 376 00:19:04,400 --> 00:19:06,240 Speaker 2: me to tell him, you do this, this, this, and 377 00:19:06,320 --> 00:19:08,280 Speaker 2: you have all these followers and you make all this money. 378 00:19:08,480 --> 00:19:10,720 Speaker 2: That's not true, I said. The only advice I have 379 00:19:11,280 --> 00:19:14,240 Speaker 2: is do the work. Do the work every single day, 380 00:19:14,640 --> 00:19:16,920 Speaker 2: even when nobody is watching, even when you feel like 381 00:19:16,960 --> 00:19:20,960 Speaker 2: a failure, even when you are tired. Do the work. 382 00:19:21,240 --> 00:19:24,440 Speaker 2: A lot of people gave up on this podcast very quickly, 383 00:19:24,600 --> 00:19:28,200 Speaker 2: and we didn't stop, and we made it into a success. 384 00:19:28,600 --> 00:19:31,439 Speaker 2: And the way we did it was by doing the work. 385 00:19:31,520 --> 00:19:33,960 Speaker 2: I don't have more talent than you. I don't. I 386 00:19:34,040 --> 00:19:36,479 Speaker 2: might work harder than you, but I do not have 387 00:19:36,640 --> 00:19:40,440 Speaker 2: any more talent than anybody else out there. I do 388 00:19:40,680 --> 00:19:43,800 Speaker 2: the work. That is the secret to success. If my 389 00:19:43,920 --> 00:19:47,320 Speaker 2: friend from yesterday is listening, hopefully this advice works for you. 390 00:19:47,400 --> 00:19:49,919 Speaker 2: To Hey, that is it for what today? Thank you 391 00:19:49,960 --> 00:19:51,639 Speaker 2: so much for listening. They're not a bit nice with 392 00:19:51,720 --> 00:19:54,040 Speaker 2: Rob and Mark show. We're a production of Elvis Durand 393 00:19:54,080 --> 00:19:57,639 Speaker 2: and iHeart Radio. Don't forget to follow me on substack, 394 00:19:58,040 --> 00:20:00,960 Speaker 2: rubshooter dot substack dot com. And also to a really 395 00:20:00,960 --> 00:20:04,000 Speaker 2: exciting news, my novel, my debut novel is coming out 396 00:20:04,040 --> 00:20:06,320 Speaker 2: now in weeks, not months market it's just weeks a 397 00:20:06,480 --> 00:20:09,720 Speaker 2: I go weeks weeks weeks away. Please pre order a 398 00:20:09,840 --> 00:20:12,840 Speaker 2: copy today on Amazon. It's started with the whisper. Go 399 00:20:12,960 --> 00:20:15,240 Speaker 2: to Amazon dot com type in rob Shooter or it's 400 00:20:15,280 --> 00:20:17,520 Speaker 2: started with a whisper. It will pop up. You can 401 00:20:17,680 --> 00:20:20,040 Speaker 2: order it. I think it's seventeen eighteen bucks and it 402 00:20:20,080 --> 00:20:23,159 Speaker 2: will arrive on the day it's released, which is at 403 00:20:23,200 --> 00:20:26,000 Speaker 2: the end of April. Hey, let's end with our tagline 404 00:20:26,000 --> 00:20:30,720 Speaker 2: al remember, if you're going to be naughty, you've got 405 00:20:30,800 --> 00:20:35,120 Speaker 2: to z Let me hear you take care of everybody 406 00:20:36,000 --> 00:20:37,200 Speaker 2: nice rh