WEBVTT - PATRICIA HEATON: Unexpected

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<v Speaker 1>The daffodils, the tulip seben fading away, the cherry blossoms

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<v Speaker 1>falling in a profusion of soft, rosy petals that remind

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<v Speaker 1>me of fluffy, pink snow drifts in my yard. April

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<v Speaker 1>has nearly worn itself out, But before we bid it goodbye,

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<v Speaker 1>let's take a moment to appreciate all that it delivered

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<v Speaker 1>after winter had its way with us. I also want

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<v Speaker 1>to recognize it for another good reason. April is National

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<v Speaker 1>Infertility Awareness Month. It is a month filled with signs

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<v Speaker 1>of rebirth and renewal. Perhaps that is why it was

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<v Speaker 1>chosen to raise awareness and spread knowledge and hope for

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<v Speaker 1>those experiencing the painful reality of infertility. Because infertility is

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<v Speaker 1>a problem and it's getting more common all the time.

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<v Speaker 1>About twelve percent of couples experience it. But the unique

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<v Speaker 1>circumstances of couples and individuals can make infertility sufferers feel very,

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<v Speaker 1>very alone. They're not there is A beautiful film called Unexpected.

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<v Speaker 1>Unexpected was originally released back in twenty twenty three, but

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<v Speaker 1>it's now streaming on Prime Video. It's about a couple

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<v Speaker 1>struggling with infertility and how they navigate life's unexpected twists

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<v Speaker 1>that lead them on a heartfelt, humorous journey towards a

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<v Speaker 1>family they never saw coming. Here's a synopsis of the movie.

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<v Speaker 1>Music critic Bob is facing a career setback, increasing anxiety

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<v Speaker 1>and the daily chaos created by the animals his wife

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<v Speaker 1>Amy has brought into their home. Amy Key bringing animals

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<v Speaker 1>home common theme in my life. While grappling with the

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<v Speaker 1>weight of infertility, the couple faces acrossroads. Will adopting a

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<v Speaker 1>baby be the answer to their search for meaning fulfillment

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<v Speaker 1>and family. It is produced by Today's podcast guest I'm

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<v Speaker 1>going to be talking with the extremely funny and talented

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<v Speaker 1>Patricia Heaton. She worked on this movie with her production partner,

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<v Speaker 1>her husband, David Hunt. Patricia best known for her role

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<v Speaker 1>on the beloved and critically acclaimed series Everybody Loves Raymond.

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<v Speaker 1>For her nine season portrayal of Raymond's wife, Deborah, she

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<v Speaker 1>received seven consecutive Primetime Emmy nominations, winning for Best Actress

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<v Speaker 1>in a Comedy twice. She then followed that up with

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<v Speaker 1>another nine season starring run on the ABC comedy The Middle.

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<v Speaker 1>Patricia is with us today. I adore her work, I

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<v Speaker 1>adore what I know of her life. Her faith, her family.

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<v Speaker 1>I can't wait to share some time with her ride

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<v Speaker 1>after I share some love with one of my podcast sponsors.

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<v Speaker 1>Hazel Cream and Love twenty four. Hi, Patricia, thank you

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<v Speaker 1>for joining us today. Yeah, hello, welcome to Love Someone

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<v Speaker 1>with Delilah.

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<v Speaker 2>Thanks for having me.

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<v Speaker 1>I am so glad we're doing this on zoom. Although

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<v Speaker 1>our listeners can't see it, I get to see you

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<v Speaker 1>in fangirl for a minute. I don't fangirl very often

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<v Speaker 1>because I've worked nights for forty five years. Fifty years

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<v Speaker 1>I've done the night shift. So I am probably the

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<v Speaker 1>only person in America that, like, never watched a single

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<v Speaker 1>episode of Dallas, you know, back in the day, or

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<v Speaker 1>I've never seen I've never seen any of the talent

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<v Speaker 1>shows you know, America's got talent or whatever, unless I

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<v Speaker 1>see them, you know, on my computer and the little

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<v Speaker 1>clips they send out.

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<v Speaker 3>Right.

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<v Speaker 1>But back when, back in the day, I would record you.

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<v Speaker 2>Oh that's lovely.

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<v Speaker 1>And that's how I figured out how to use the

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<v Speaker 1>recording device so I could record you, because.

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<v Speaker 2>Yeah, fantastic.

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<v Speaker 1>You make me laugh and you're just so I'm fangirling

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<v Speaker 1>for a moment.

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<v Speaker 2>Okay, I'll take it.

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<v Speaker 1>You are, and you're even more beautiful, like you're so beautiful.

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<v Speaker 1>My podcast producer runs things by me and she's like, well,

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<v Speaker 1>how would you like to talk to this person? How

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<v Speaker 1>would you like to talk to that person? And she

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<v Speaker 1>reached out to me and she said, I already know

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<v Speaker 1>the answer, but I still have to get the official

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<v Speaker 1>So how would you like to talk to Patercia Heaton?

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<v Speaker 1>And you you're one of those people that we all

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<v Speaker 1>I think everybody feels like you're our friend. We've seen you,

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<v Speaker 1>You've been a part of our lives for so many decades.

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<v Speaker 1>Like when you popped up on my screen, I'm like, oh, yeah,

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<v Speaker 1>there she is. I've never met you before. But do

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<v Speaker 1>you get that a lot? Like people feel like you're

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<v Speaker 1>their best friend?

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<v Speaker 3>Yes, And they relate to my characters that I've played,

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<v Speaker 3>and both Everybody Loves Raymond and The Middle are on

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<v Speaker 3>all the time, and people often tell me they go

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<v Speaker 3>to bed with one show or the other. A lot

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<v Speaker 3>of people go to sleep to Raymond and watch The

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<v Speaker 3>Middle with their whole family and binge it and rewatch

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<v Speaker 3>it and picked up, you know, sayings from the show.

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<v Speaker 1>It kind of becomes a part of your vernacular.

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<v Speaker 3>Yeah, and it sort of becomes a tapestry, part of

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<v Speaker 3>the tapestry of the like the background of your life

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<v Speaker 3>or the environment. Just the way when you're a teenager

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<v Speaker 3>and you hear certain songs from the past, it evokes

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<v Speaker 3>that period of your life. And I think that comedies

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<v Speaker 3>can do that too. And the thing about Raymond in particular,

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<v Speaker 3>but The Middle has quite a wide international reach. Also,

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<v Speaker 3>they both have universal themes about family that anybody in

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<v Speaker 3>any country can relate to. In the Raymond it was

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<v Speaker 3>really about marriage and in laws, and then The Middle

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<v Speaker 3>is about raising kids from grade school to teens high school.

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<v Speaker 3>So and everybody in the world can relate to those things.

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<v Speaker 3>So and they're timeless also Raymond in particular, but also

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<v Speaker 3>pretty much with The Middle. They never did topical episodes,

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<v Speaker 3>you know, so that the show's never dated because they're

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<v Speaker 3>not talking about whatever the administration was current at that time,

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<v Speaker 3>and there's no political things it's really about these.

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<v Speaker 2>Broad universal.

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<v Speaker 3>Values and situations that anyone who's married with kids has

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<v Speaker 3>dealt with.

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<v Speaker 1>And now we're going to talk about a movie that

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<v Speaker 1>kind of wraps all those themes up together with Unexpected,

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<v Speaker 1>which came out two years ago, but now it's available

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<v Speaker 1>on Prime, so right, for those folks who never leave

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<v Speaker 1>the house anymore. Until it's available on Prime, it's not

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<v Speaker 1>really out there.

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<v Speaker 2>That's right. And one of the reasons we've decided to.

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<v Speaker 3>Promote it again now is that it's National Infertility Awareness months.

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<v Speaker 3>And though Unexpected, with Anna Camp and Joe Mazzello as

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<v Speaker 3>our stars, is a quirky comedy about a marriage, but

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<v Speaker 3>it's dealing with the idea of struggling with infertility, struggling

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<v Speaker 3>with the question of whether to adopt or not. And

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<v Speaker 3>our couple, Bob and Amy, are on different pages about

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<v Speaker 3>adoption and infertility and struggle to get on the same

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<v Speaker 3>page at the same time. And we all have seen

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<v Speaker 3>articles about IVF and surrogacy, and there's all these, you know,

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<v Speaker 3>many articles mostly focused on women naturally, about what you

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<v Speaker 3>go through to try to get pregnant if you're struggling.

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<v Speaker 3>And one of the crew members, a guy said to

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<v Speaker 3>us while we were filming Unexpected. He said, you know,

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<v Speaker 3>you never hear really the male perspective and how a

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<v Speaker 3>man is also being emotionally impacted by this situation. And

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<v Speaker 3>it's really nice to see the man also given space

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<v Speaker 3>in this movie to go through his struggle and we

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<v Speaker 3>see that point of view also.

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<v Speaker 2>So I was very impressed.

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<v Speaker 3>Because this is just a crew guy that I don't

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<v Speaker 3>even know that he's even married, but he, you know,

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<v Speaker 3>was suggesting that we don't get the male perspective and

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<v Speaker 3>the male struggle on this topic.

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<v Speaker 2>So that was.

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<v Speaker 3>An eye opener for me to hear that from a

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<v Speaker 3>male crew member. But it's and of course I love

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<v Speaker 3>comedy and I think comedy is a great way into

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<v Speaker 3>a difficult topic, and so it's it's very quirky. Our

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<v Speaker 3>actors are fantas plastick at a camp and Joe Mazzello,

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<v Speaker 3>and you know, with comedy of you you can kind

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<v Speaker 3>of grab people's hearts through laughter. They kind of open

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<v Speaker 3>up and relax even physically. If you're laughing, your body's

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<v Speaker 3>getting extra oxygen and your serotonin levels are going up.

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<v Speaker 3>And so that when things happen in the movie and

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<v Speaker 3>it takes a slightly more dramatic turn. You're kind of

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<v Speaker 3>open to it, and I think that's what makes this

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<v Speaker 3>movie so powerful.

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<v Speaker 1>Comedy does that with everything, whether it's you know, difficult

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<v Speaker 1>subjects like infertility. What a tough topic to talk about,

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<v Speaker 1>to be open about, to deal with. I'm trying to

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<v Speaker 1>think of any other movie or book that I've read

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<v Speaker 1>outside of you know, technical stuff or firsthand experience that

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<v Speaker 1>deals with the topic like it's a part of life.

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<v Speaker 1>It's what so many couples are facing today.

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<v Speaker 3>So many couples, and for so many reasons. I think environmentally,

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<v Speaker 3>you know, I think we're really now paying very close

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<v Speaker 3>attention to what's in our food, what kind of drugs

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<v Speaker 3>we're taking, what we're giving our kids, what's in the

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<v Speaker 3>atmosphere plastic particular particulate matter and everything, you know, those things.

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<v Speaker 1>I saw a study the other day about polyester pants

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<v Speaker 1>and how that affects.

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<v Speaker 3>Oh no, because well, it didn't affect me, because that's

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<v Speaker 3>all I wore in the seventies. I remember a particular

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<v Speaker 3>pair of peach colored, high waisted, thirty inch bell polyester

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<v Speaker 3>pants I got for my sixteenth birthday, which were fabulous,

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<v Speaker 3>But I was able to still have pop out for kids,

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<v Speaker 3>kind of late in life.

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<v Speaker 2>So I'm going to vouch for polyester.

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<v Speaker 1>Yes, I made my mother taught me how to sew

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<v Speaker 1>and what you basically means. She would come and say

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<v Speaker 1>rip it out, rip it out, rip it out, and

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<v Speaker 1>then she would end up finishing the project because but

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<v Speaker 1>she made me the thirty inch bell you know, high

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<v Speaker 1>waist polyester.

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<v Speaker 2>Fantastic.

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<v Speaker 1>You know that was really I had them in white,

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<v Speaker 1>and I had him in pink.

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<v Speaker 3>Okay, And let me say, the seventies are interesting because

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<v Speaker 3>the men looked terrible, horrid, but the women have never

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<v Speaker 3>looked better. You look at farafaucet, this gorgeous hair, right

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<v Speaker 3>these really these clothes like a high waisted polyester, thirty

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<v Speaker 3>inch bell bottom pant is fabulous. Look it makes everybody

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<v Speaker 3>look fantastic. Like the women looked wonderful and the men

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<v Speaker 3>looked terrible.

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<v Speaker 1>Look dorky as I'll get out. Yes, yeah, I saw

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<v Speaker 1>social media posts the other day that what could have

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<v Speaker 1>been me and my best friends hanging out, lazing around

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<v Speaker 1>and leaning against a camaro, you know, and it said

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<v Speaker 1>it said something like, you think you're cool, you will

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<v Speaker 1>never be as badass as your grandma.

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<v Speaker 3>And.

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<v Speaker 1>It's true.

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<v Speaker 2>It's true.

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<v Speaker 1>It's and the guys with their dorky plaid polyester leisure suits,

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<v Speaker 1>what was that about.

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<v Speaker 2>Yeah, and bad haircuts and.

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<v Speaker 1>Yeah, yeah, we still thought they were hot back then.

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<v Speaker 3>So yeah, we didn't have a choice else were we

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<v Speaker 3>going to go. But but just to say that, you know,

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<v Speaker 3>so the environment is a factor, I think in the struggle.

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<v Speaker 2>And then women delaying their.

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<v Speaker 3>Child bearing years until into their thirties, which is what

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<v Speaker 3>happened with me. Didn't have my first son until I

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<v Speaker 3>was thirty five, so and I had, you know, four

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<v Speaker 3>very quick succession. They were born in ninety three, ninety five,

0:15:11.880 --> 0:15:16.560
<v Speaker 3>ninety seven, and ninety nine. So so but and I

0:15:16.640 --> 0:15:18.760
<v Speaker 3>was just very fortunate, you know. I just come from

0:15:19.360 --> 0:15:23.600
<v Speaker 3>a very you know, large sort of Irish Catholic tribe.

0:15:24.120 --> 0:15:27.920
<v Speaker 3>And my mother was one of fifteen kids, and you know,

0:15:28.040 --> 0:15:30.840
<v Speaker 3>all of those fifteen kids had between five and ten

0:15:30.960 --> 0:15:32.200
<v Speaker 3>kids themselves.

0:15:33.280 --> 0:15:36.320
<v Speaker 1>So how many first cousins, like around.

0:15:36.080 --> 0:15:37.359
<v Speaker 2>One hundred first cousins.

0:15:38.400 --> 0:15:43.400
<v Speaker 3>Yeah, And my husband jokes that he's British, and he

0:15:43.520 --> 0:15:45.720
<v Speaker 3>jokes that I had to marry someone out of the

0:15:45.720 --> 0:15:48.120
<v Speaker 3>country just to make sure I wasn't marrying a relative.

0:16:03.280 --> 0:16:06.680
<v Speaker 1>So infertility is certainly not anything you or your family.

0:16:07.280 --> 0:16:13.040
<v Speaker 3>I've not struggled with it, Praise God, but I think

0:16:13.120 --> 0:16:17.240
<v Speaker 3>those are some of the factors. And I think, you know,

0:16:17.280 --> 0:16:21.640
<v Speaker 3>as far as delaying your child bearing until later, I

0:16:21.720 --> 0:16:27.120
<v Speaker 3>kind of understand women doing it twenty years ago, fifteen

0:16:27.160 --> 0:16:33.240
<v Speaker 3>years ago, when we didn't have companies willing to let

0:16:33.280 --> 0:16:34.640
<v Speaker 3>women work remotely.

0:16:35.360 --> 0:16:37.320
<v Speaker 2>I used to work with a group.

0:16:37.080 --> 0:16:41.960
<v Speaker 3>Called Feminists for Life, and they for years, years, way

0:16:41.960 --> 0:16:45.160
<v Speaker 3>before it was cool, way before it was normal, they

0:16:45.200 --> 0:16:49.640
<v Speaker 3>were always pushing and trying to get companies to allow

0:16:50.320 --> 0:16:53.720
<v Speaker 3>what they call telework that time, but we're talking about

0:16:53.720 --> 0:16:57.800
<v Speaker 3>remote work, and nobody was up for it, and then

0:16:57.800 --> 0:17:01.560
<v Speaker 3>the pandemic happened and it was forced upon everyone and

0:17:02.160 --> 0:17:07.720
<v Speaker 3>has become, you know, an option often now, although a

0:17:07.800 --> 0:17:10.040
<v Speaker 3>lot of people are being forced to go back into

0:17:10.080 --> 0:17:12.199
<v Speaker 3>the offices, and there's a case to be made for

0:17:12.240 --> 0:17:17.040
<v Speaker 3>that too, but now there are more, I think options

0:17:17.080 --> 0:17:24.919
<v Speaker 3>for parents in the workplace. So I feel that, you know,

0:17:24.960 --> 0:17:31.360
<v Speaker 3>if you've met your life partner, you know, investigate what

0:17:31.400 --> 0:17:34.760
<v Speaker 3>it would be like to if your company offers any

0:17:34.920 --> 0:17:40.800
<v Speaker 3>kind of that program to work remotely when you're having

0:17:40.840 --> 0:17:46.160
<v Speaker 3>your kids, you should go ahead and do that, because

0:17:46.720 --> 0:17:49.440
<v Speaker 3>it's really tough if you wait and wait and wait,

0:17:49.480 --> 0:17:51.240
<v Speaker 3>and then you get to be in your thirties, your

0:17:51.240 --> 0:17:53.840
<v Speaker 3>mid thirties, and then you find out you're now you're

0:17:53.920 --> 0:18:00.480
<v Speaker 3>struggling to get to conceive. You know, you've you the

0:18:00.560 --> 0:18:01.920
<v Speaker 3>clock is really ticking.

0:18:02.280 --> 0:18:03.359
<v Speaker 2>It's just a reality.

0:18:03.440 --> 0:18:06.000
<v Speaker 3>And it's not a judgment of anybody who waits or whatever.

0:18:06.040 --> 0:18:07.720
<v Speaker 3>I look, I didn't, as I said, I didn't have

0:18:07.760 --> 0:18:10.080
<v Speaker 3>my kids till I was in my thirties. But I

0:18:10.119 --> 0:18:13.040
<v Speaker 3>think trying to take advantage of the way the world

0:18:13.119 --> 0:18:16.639
<v Speaker 3>is now where you have more opportunities to work from home,

0:18:17.800 --> 0:18:20.320
<v Speaker 3>if you can do that and you want to have kids,

0:18:20.400 --> 0:18:22.000
<v Speaker 3>and I would say investigate that.

0:18:22.760 --> 0:18:26.480
<v Speaker 1>Before you hear TikTok TikTok, TikTok TikTok, because then.

0:18:26.320 --> 0:18:29.880
<v Speaker 3>You get stressed, and the stress and the pressure can

0:18:30.040 --> 0:18:33.320
<v Speaker 3>make your body, you know, make it harder for your

0:18:33.320 --> 0:18:35.720
<v Speaker 3>body to conceive when you have that on top of it.

0:18:36.640 --> 0:18:41.480
<v Speaker 1>So your hobby, he's your producing partner, right you guys.

0:18:41.400 --> 0:18:45.320
<v Speaker 2>Were you directed this movie and we both produced it? Unexpected?

0:18:46.280 --> 0:18:49.199
<v Speaker 1>How fun is that like to get to work with

0:18:49.280 --> 0:18:51.280
<v Speaker 1>the person you love the best?

0:18:52.080 --> 0:18:56.320
<v Speaker 2>Oh? Are you married? I am you've clearly never worked

0:18:56.320 --> 0:18:56.919
<v Speaker 2>with your husband.

0:18:57.000 --> 0:19:02.440
<v Speaker 1>Hell no, yeah, well we're working with a Dave.

0:19:02.560 --> 0:19:04.080
<v Speaker 2>We just we have to.

0:19:04.760 --> 0:19:08.240
<v Speaker 3>It's great and we're almost always on the same page,

0:19:08.680 --> 0:19:11.280
<v Speaker 3>but with different styles of working.

0:19:11.359 --> 0:19:13.480
<v Speaker 2>So what we have to do is kind of set

0:19:13.520 --> 0:19:14.080
<v Speaker 2>the rules.

0:19:14.119 --> 0:19:16.879
<v Speaker 3>As long as you have rules and you know where

0:19:16.920 --> 0:19:18.959
<v Speaker 3>the boundaries are when you're working together.

0:19:21.359 --> 0:19:22.359
<v Speaker 1>So what's your work is that?

0:19:22.520 --> 0:19:22.920
<v Speaker 2>It's fine?

0:19:23.680 --> 0:19:26.080
<v Speaker 1>Are you do you? Are you mythoonical? Do you have

0:19:26.119 --> 0:19:26.760
<v Speaker 1>a schedule?

0:19:27.000 --> 0:19:27.160
<v Speaker 2>There?

0:19:27.240 --> 0:19:30.360
<v Speaker 3>Are you hierarchy? Well, so on a set, the director

0:19:30.480 --> 0:19:34.480
<v Speaker 3>is the last word. So he was directing. I was

0:19:34.520 --> 0:19:37.639
<v Speaker 3>sitting next to him at the monitor, but I, you know,

0:19:37.680 --> 0:19:40.159
<v Speaker 3>we're both actors and we love working with actors, and

0:19:40.200 --> 0:19:42.800
<v Speaker 3>I would have my own notes when we would watch,

0:19:42.920 --> 0:19:47.080
<v Speaker 3>like with Unexpected, when we would watch a scene, and

0:19:47.119 --> 0:19:50.399
<v Speaker 3>so we had to just and only the director should

0:19:50.440 --> 0:19:53.280
<v Speaker 3>be going on set to give actors notes after a take,

0:19:54.240 --> 0:19:57.720
<v Speaker 3>and so I have to make sure he didn't leap

0:19:57.760 --> 0:20:00.840
<v Speaker 3>out of his director's chair before I say, what do

0:20:00.880 --> 0:20:02.919
<v Speaker 3>you think about here's my notes? What do you think

0:20:02.920 --> 0:20:05.479
<v Speaker 3>about that? Because I didn't want to be running up

0:20:05.480 --> 0:20:07.959
<v Speaker 3>onto set with him, because they need to only be

0:20:08.000 --> 0:20:10.840
<v Speaker 3>listening to one person or else it gets confusing. So

0:20:10.880 --> 0:20:15.479
<v Speaker 3>there are things like that that we just had to

0:20:15.520 --> 0:20:21.480
<v Speaker 3>make sure we were we were in sync about all

0:20:21.520 --> 0:20:24.600
<v Speaker 3>of that, and you know, we're very opinion it where

0:20:24.640 --> 0:20:28.520
<v Speaker 3>both actors were super opinionated, but for the most part

0:20:28.520 --> 0:20:30.240
<v Speaker 3>we're we're on the same page.

0:20:30.280 --> 0:20:31.760
<v Speaker 1>So and it's fun.

0:20:31.880 --> 0:20:35.960
<v Speaker 3>Yeah, oh my gosh. Making a movie is probably one

0:20:36.000 --> 0:20:38.000
<v Speaker 3>of the hardest things you could do, but it is

0:20:38.200 --> 0:20:40.199
<v Speaker 3>so wonderful when you're in the midst of it, and

0:20:40.200 --> 0:20:43.359
<v Speaker 3>when you're in charge. It's a lot of responsibility, but

0:20:43.920 --> 0:20:47.040
<v Speaker 3>if you have a good crew supporting you, it can.

0:20:46.920 --> 0:20:47.919
<v Speaker 2>Be so much fun.

0:20:48.800 --> 0:20:53.720
<v Speaker 3>And to have that creative control and to see things

0:20:53.720 --> 0:20:56.399
<v Speaker 3>come to life and then to see magic happen that

0:20:56.440 --> 0:20:58.639
<v Speaker 3>you didn't plan. You know, you try to plan, especially

0:20:58.680 --> 0:21:00.680
<v Speaker 3>when you're doing a low budget, you try to plan

0:21:00.960 --> 0:21:04.840
<v Speaker 3>within an inch of your life, uh, so that you

0:21:05.480 --> 0:21:07.720
<v Speaker 3>finish on time every day, you don't run over because

0:21:07.720 --> 0:21:08.480
<v Speaker 3>it's costly.

0:21:10.440 --> 0:21:13.600
<v Speaker 2>And then when you've got that rolling like a machine.

0:21:13.760 --> 0:21:17.399
<v Speaker 3>Sometimes things just happened between the actors or there was

0:21:17.400 --> 0:21:20.000
<v Speaker 3>one there's one scene in the movie where it's sort

0:21:20.040 --> 0:21:23.760
<v Speaker 3>of a more serious moment and one of the one

0:21:23.760 --> 0:21:27.520
<v Speaker 3>of the characters walks out the door and as the

0:21:27.560 --> 0:21:30.680
<v Speaker 3>door shut, it created a little wind in the room

0:21:30.680 --> 0:21:34.920
<v Speaker 3>where this curtain just softly moved after he shut the door,

0:21:34.920 --> 0:21:37.960
<v Speaker 3>which you can't you can't plan, and it just was

0:21:38.040 --> 0:21:40.600
<v Speaker 3>like this beautiful thing where we're all of us have

0:21:40.640 --> 0:21:42.919
<v Speaker 3>the monitor, were like, oh, the curtain.

0:21:43.640 --> 0:21:43.960
<v Speaker 2>You know.

0:21:44.680 --> 0:21:47.880
<v Speaker 3>It's like geeking out now about little things on set

0:21:47.960 --> 0:21:52.600
<v Speaker 3>that make you happy. But it's that kind of magic

0:21:52.640 --> 0:21:56.199
<v Speaker 3>and magic that happens between the actors. And there's a

0:21:56.280 --> 0:22:02.240
<v Speaker 3>there's a scene in the movie. There's a rabbit kind

0:22:02.240 --> 0:22:07.680
<v Speaker 3>of figures prominently in the movie, a live rabbit named Binkie,

0:22:07.720 --> 0:22:11.879
<v Speaker 3>but also a little origami rabbit that is in a

0:22:11.920 --> 0:22:16.479
<v Speaker 3>tiny little boat that sails down this little creek. And

0:22:16.560 --> 0:22:20.760
<v Speaker 3>to watch fifty people standing at this edge of this

0:22:20.800 --> 0:22:25.040
<v Speaker 3>creek just with their fingers crossed, hoping that that little

0:22:25.040 --> 0:22:28.240
<v Speaker 3>origami bunny makes it down this certain way and over

0:22:28.280 --> 0:22:31.000
<v Speaker 3>the waterfall of this creek, you know, and we're like, oh,

0:22:31.160 --> 0:22:31.560
<v Speaker 3>is it going?

0:22:31.680 --> 0:22:33.680
<v Speaker 2>Is it? Oh? I have to do it again because

0:22:33.680 --> 0:22:35.960
<v Speaker 2>he went the wrong way or the bunny tipped over.

0:22:38.320 --> 0:22:43.080
<v Speaker 3>It's some of a ridiculous way of living, but it's

0:22:43.119 --> 0:22:47.320
<v Speaker 3>one of my favorite scenes in the movie because it's

0:22:47.400 --> 0:22:54.280
<v Speaker 3>just so it's shot beautifully by our wonderful DP Alison Andersson,

0:22:55.240 --> 0:23:00.560
<v Speaker 3>and it's just a very moving moment and it's visually

0:23:00.600 --> 0:23:04.280
<v Speaker 3>beautiful and touching with this beautiful music underneath it. So

0:23:04.920 --> 0:23:07.840
<v Speaker 3>those are the kind of things that keep crazies like

0:23:07.960 --> 0:23:10.600
<v Speaker 3>us going because it's an insane business and nobody in

0:23:10.600 --> 0:23:12.119
<v Speaker 3>the right mind would ever pursue it.

0:23:12.280 --> 0:23:12.879
<v Speaker 2>It would have to.

0:23:12.960 --> 0:23:15.879
<v Speaker 3>It just has to be something that's in you that

0:23:15.960 --> 0:23:19.960
<v Speaker 3>you just feel you have stories to tell and they

0:23:20.040 --> 0:23:21.240
<v Speaker 3>must come out.

0:23:21.720 --> 0:23:26.600
<v Speaker 1>So in addition to telling those stories in your acting

0:23:26.720 --> 0:23:30.320
<v Speaker 1>career when you were on camera and in your producing career,

0:23:30.720 --> 0:23:33.960
<v Speaker 1>you've written a book for moms, you've written a book

0:23:34.000 --> 0:23:34.600
<v Speaker 1>for us.

0:23:36.560 --> 0:23:37.160
<v Speaker 2>That can act.

0:23:37.840 --> 0:23:39.840
<v Speaker 1>How to get a job like mine.

0:23:39.880 --> 0:23:43.440
<v Speaker 2>Oh, motherhood in Hollywood? How to get a job like mine?

0:23:43.680 --> 0:23:45.680
<v Speaker 3>I wrote that many many years ago when I was

0:23:45.720 --> 0:23:50.360
<v Speaker 3>on Everybody Loves Raymond. And it's sort of an odd

0:23:50.480 --> 0:23:56.000
<v Speaker 3>autobiography and that it's it's divided into three sections, growing

0:23:56.080 --> 0:23:59.399
<v Speaker 3>up in Cleveland, struggling in New York, and making it

0:23:59.440 --> 0:24:04.000
<v Speaker 3>in Hollywood. So the chapters are not necessarily on a

0:24:04.880 --> 0:24:08.800
<v Speaker 3>start to finish timeline. It's sort of a little bit

0:24:08.840 --> 0:24:16.399
<v Speaker 3>stream of consciousness essays on certain events that happened in

0:24:16.520 --> 0:24:21.919
<v Speaker 3>those three different periods of my life, about things I

0:24:22.000 --> 0:24:25.879
<v Speaker 3>experienced and what I learned. And it is a really

0:24:27.480 --> 0:24:28.400
<v Speaker 3>fun book to write.

0:24:30.119 --> 0:24:34.400
<v Speaker 1>And now you've got four boys, and have they all launched?

0:24:34.520 --> 0:24:37.840
<v Speaker 1>Are they still in the nest on the edge of

0:24:37.880 --> 0:24:40.080
<v Speaker 1>the nesta? Have they flown the nest?

0:24:41.000 --> 0:24:47.639
<v Speaker 3>They've all flown the nest in a sense. And there's

0:24:47.800 --> 0:24:53.080
<v Speaker 3>ages twenty six to thirty one, and they all have jobs,

0:24:55.040 --> 0:24:57.199
<v Speaker 3>but they're still, you know, finding their way. Three of

0:24:57.200 --> 0:25:00.640
<v Speaker 3>them have what I consider serious girlfriend. I think that

0:25:00.680 --> 0:25:03.320
<v Speaker 3>those are going to be their life partners. So we're

0:25:03.359 --> 0:25:05.960
<v Speaker 3>excited about that. And we're just trying to stay alive

0:25:06.040 --> 0:25:08.640
<v Speaker 3>long enough to see grandchildren because that could be a minute.

0:25:09.119 --> 0:25:14.720
<v Speaker 1>So I'll lend you a few, oh, so that we can.

0:25:14.640 --> 0:25:16.960
<v Speaker 2>Give them back after a few hours. Yeah, it'd be great.

0:25:19.680 --> 0:25:22.640
<v Speaker 1>Between my husband and I, we have twenty twenty three

0:25:22.920 --> 0:25:24.639
<v Speaker 1>and one great grand So.

0:25:24.920 --> 0:25:29.320
<v Speaker 3>Oh my goodness. You sound like yeah my mom's family

0:25:29.480 --> 0:25:29.959
<v Speaker 3>growing up.

0:25:30.320 --> 0:25:32.160
<v Speaker 1>Yeah, but I didn't do it the old fashioned way

0:25:32.200 --> 0:25:35.359
<v Speaker 1>like your mom, right right right. I let other women,

0:25:35.560 --> 0:25:40.600
<v Speaker 1>God bless them, all the birth moms to the heavy lifting. Yeah,

0:25:41.040 --> 0:25:43.720
<v Speaker 1>and all but two I got after they were you

0:25:43.760 --> 0:25:46.160
<v Speaker 1>know out of diapers, right.

0:25:48.359 --> 0:25:50.480
<v Speaker 2>Yeah, so that's helpful. Yeah, they were.

0:25:50.400 --> 0:25:53.280
<v Speaker 1>Sleep through the night mostly mostly mostly.

0:25:53.480 --> 0:25:54.360
<v Speaker 2>Yeah.

0:25:54.400 --> 0:25:57.680
<v Speaker 1>It's been so lovely catching up with Patricia Heaton today

0:25:57.960 --> 0:26:02.560
<v Speaker 1>and learning about the film and everything else. I want

0:26:02.560 --> 0:26:05.359
<v Speaker 1>to stop for a moment and thank my podcast sponsor

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0:27:09.080 --> 0:27:13.240
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0:27:17.080 --> 0:27:20.720
<v Speaker 1>little something while you're there. So what's an nex? What

0:27:20.720 --> 0:27:21.919
<v Speaker 1>are you hoping to do next?

0:27:22.920 --> 0:27:25.240
<v Speaker 3>We have a couple projects that we're going to be

0:27:25.240 --> 0:27:28.320
<v Speaker 3>taking out and pitching. I'd like to do another comedy,

0:27:28.800 --> 0:27:34.119
<v Speaker 3>possibly multi camera, with an audience, because it's such an

0:27:34.160 --> 0:27:40.200
<v Speaker 3>immediate gratification and I love being with comedy people. It's

0:27:40.280 --> 0:27:44.880
<v Speaker 3>really fun. And I think when you spend your life

0:27:44.920 --> 0:27:47.639
<v Speaker 3>trying to make people laugh, it gives you kind of

0:27:47.640 --> 0:27:48.320
<v Speaker 3>a lightness.

0:27:48.480 --> 0:27:52.720
<v Speaker 2>Now, of course there's a gat up comedians. We're a

0:27:52.760 --> 0:27:53.479
<v Speaker 2>little bit different.

0:27:54.280 --> 0:27:58.720
<v Speaker 3>They're slightly darker, but for the most part comedic actors,

0:27:59.000 --> 0:28:04.879
<v Speaker 3>and sometimes they're both like Ray Ramano. It's just fun.

0:28:04.960 --> 0:28:09.520
<v Speaker 3>It's just fun to make people laugh. It's fun to

0:28:09.600 --> 0:28:13.240
<v Speaker 3>be around people who make you laugh. And I think

0:28:13.480 --> 0:28:17.880
<v Speaker 3>if everybody could go to work and your whole focus

0:28:17.920 --> 0:28:21.919
<v Speaker 3>of the day was trying to be funny and perfecting

0:28:21.960 --> 0:28:25.359
<v Speaker 3>it and honing it, and then at the end of

0:28:25.359 --> 0:28:27.840
<v Speaker 3>the week an audience came in and applauded your efforts

0:28:28.560 --> 0:28:32.320
<v Speaker 3>at your job, the world would be a much.

0:28:32.320 --> 0:28:35.160
<v Speaker 1>Much better place place.

0:28:36.440 --> 0:28:39.680
<v Speaker 3>It's a blessing, a blessing. A blessing to be able

0:28:39.760 --> 0:28:42.960
<v Speaker 3>to make my living doing comedy. It's such a blessing.

0:28:43.720 --> 0:28:48.160
<v Speaker 1>I don't enjoy being around people who aren't funny, like

0:28:48.200 --> 0:28:52.400
<v Speaker 1>if you can't laugh, especially at tragic situations or.

0:28:52.920 --> 0:28:55.200
<v Speaker 2>Difficult Comedy is based on pain.

0:28:55.600 --> 0:28:59.560
<v Speaker 3>Really, when you analyze it, it's about pain and pain

0:28:59.600 --> 0:29:01.960
<v Speaker 3>as can be hilarious and it's the best. A great

0:29:01.960 --> 0:29:04.480
<v Speaker 3>way to deal with pain is to try to find

0:29:04.520 --> 0:29:06.720
<v Speaker 3>the humor in it, which kind of lends you a

0:29:06.760 --> 0:29:09.720
<v Speaker 3>sense of hope and that this, you know, whatever you're

0:29:09.760 --> 0:29:11.880
<v Speaker 3>going through, is not going to last forever. And that

0:29:12.440 --> 0:29:15.280
<v Speaker 3>the other message would be there's a lot of people

0:29:15.280 --> 0:29:17.360
<v Speaker 3>in the world who are going through what you're going through,

0:29:17.360 --> 0:29:19.240
<v Speaker 3>and we all get it and we share it.

0:29:19.760 --> 0:29:21.120
<v Speaker 1>Amen. Amen.

0:29:22.160 --> 0:29:25.560
<v Speaker 3>When my when my father was passing away, all of

0:29:25.640 --> 0:29:29.200
<v Speaker 3>us five kids had the blessing of being with him

0:29:29.280 --> 0:29:31.360
<v Speaker 3>for the last three days of his life in the

0:29:31.960 --> 0:29:36.720
<v Speaker 3>in the hospice care and you know, every day, at

0:29:36.720 --> 0:29:38.440
<v Speaker 3>some point in the day, the nurses would come in

0:29:38.440 --> 0:29:40.560
<v Speaker 3>and say, I think this is time, it's time. Now

0:29:40.680 --> 0:29:46.200
<v Speaker 3>he's going, he's going, and we'd all gather around him

0:29:46.200 --> 0:29:49.000
<v Speaker 3>and put our hands on him and thank him and

0:29:49.200 --> 0:29:51.800
<v Speaker 3>talk to him, and then he'd hang in there, and

0:29:51.800 --> 0:29:54.720
<v Speaker 3>he'd hang in there, and then another day and another day.

0:29:55.360 --> 0:29:58.520
<v Speaker 3>By the third day, my brother said, this is the

0:29:58.560 --> 0:29:59.880
<v Speaker 3>worst slumber party.

0:29:59.640 --> 0:29:59.880
<v Speaker 2>I have.

0:30:03.080 --> 0:30:04.280
<v Speaker 1>Come on Dad.

0:30:06.000 --> 0:30:07.440
<v Speaker 2>And head.

0:30:07.760 --> 0:30:11.880
<v Speaker 1>He was probably cracking himself up, like gotcha again, right,

0:30:13.120 --> 0:30:17.200
<v Speaker 1>So yeah, you know humor, humor, well, you humor us,

0:30:17.320 --> 0:30:21.959
<v Speaker 1>you make us laugh. Ah. Patricia, thank you, thank you

0:30:22.000 --> 0:30:23.600
<v Speaker 1>so much, Thank you, honey.

0:30:23.320 --> 0:30:24.040
<v Speaker 2>Appreciate you.

0:30:24.200 --> 0:30:29.760
<v Speaker 1>Yeah, God bless. Patricia recently finished filming a supporting role

0:30:30.360 --> 0:30:34.800
<v Speaker 1>alongside Zoey das Chanel and Charlie Cox on the Amazon

0:30:35.000 --> 0:30:39.160
<v Speaker 1>MGM studio's upcoming film MERV, and also start alongside Brian

0:30:39.200 --> 0:30:42.360
<v Speaker 1>Cox in the indie feature Mending the Line and in

0:30:42.440 --> 0:30:45.960
<v Speaker 1>Sony's faith based comedy Mom's Night Out. She can currently

0:30:46.000 --> 0:30:49.880
<v Speaker 1>be seen in the feature film Unbreakable Boy, Oh my gosh,

0:30:50.120 --> 0:30:54.200
<v Speaker 1>that movie made me cry so hard with Zachary Levi,

0:30:54.800 --> 0:30:58.800
<v Speaker 1>and next in the ritual with al Pacino, Oh my gosh,

0:30:58.840 --> 0:31:03.600
<v Speaker 1>this woman. She does not slow down. Make a note

0:31:03.720 --> 0:31:06.840
<v Speaker 1>of all those already released and still to come, but

0:31:06.960 --> 0:31:12.720
<v Speaker 1>right now. Watch Unexpected on Prime Video, a heartfelt dramedy

0:31:12.760 --> 0:31:16.640
<v Speaker 1>that brings humor and honesty to the emotional complexities of

0:31:16.680 --> 0:31:22.000
<v Speaker 1>infertility and adoption, showing us one couple wrestling with disappointment

0:31:22.320 --> 0:31:25.440
<v Speaker 1>who discover that family has not always formed how we

0:31:25.560 --> 0:31:29.800
<v Speaker 1>plan it, but often it is exactly what we need.

0:31:30.360 --> 0:31:35.320
<v Speaker 1>It's a film about embracing the unpredictable beauty of life.

0:31:35.760 --> 0:31:37.960
<v Speaker 1>Keep your eyes out and your ears open for new

0:31:38.000 --> 0:31:42.080
<v Speaker 1>projects coming from Four Boys Entertainment. That is the name

0:31:42.240 --> 0:31:45.120
<v Speaker 1>of Patricia's production company that she and her husband have

0:31:45.800 --> 0:31:50.000
<v Speaker 1>and keep up with Patricia on Facebook and Instagram. Embrace

0:31:50.640 --> 0:31:53.160
<v Speaker 1>what little is left of April and welcome May with

0:31:53.280 --> 0:31:56.120
<v Speaker 1>open arms and open hearts. And if you need a

0:31:56.120 --> 0:31:59.040
<v Speaker 1>little company in the evening, you know where to find me.

0:32:00.000 --> 0:32:03.320
<v Speaker 1>You are listening to the Lila

0:32:05.720 --> 0:32:06.120
<v Speaker 3>Mhmm.