WEBVTT - SYSK Selects: Juggling: What the Heck

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<v Speaker 1>Hello friends, Chuck here on a Saturday, bringing your my

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<v Speaker 1>select pick for the week from January two thousand fifteen.

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<v Speaker 1>Jan is uh. It is one of our famous Colon episodes,

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<v Speaker 1>Juggling Colon, What the heck learn all about juggling right now?

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<v Speaker 1>Welcome to Stuff You Should Know, a production of I

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<v Speaker 1>Heart Radios How Stuff Works. Hey, and welcome to the podcast.

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<v Speaker 1>I'm Josh Clark. There's Charles w Chuck Bryant, there's Jerry

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<v Speaker 1>just doing a little tandem juggling with my bra. That's

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<v Speaker 1>what we're doing right now. Yeah, yeah, I wish you

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<v Speaker 1>guys could see this because we've got pretty good cascade

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<v Speaker 1>right now. Look at this half shower, half shower, halfhower. Man,

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<v Speaker 1>that was a good one. Broe balls at once. Yeah, Jerry,

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<v Speaker 1>come light these torches on fire. Wow man, half shower

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<v Speaker 1>of rain and fire. This is really dangerous. Can you juggle? No?

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<v Speaker 1>But I want to after this. My brother learned, of course,

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<v Speaker 1>of course, I'm sure he's born knowing how to juggle,

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<v Speaker 1>came out of the womb. Juggling. Now he learned back

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<v Speaker 1>when it like in high school and mastered it pretty quickly.

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<v Speaker 1>And now an he can still juggle some I think

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<v Speaker 1>it's one of those things. Well, once you learn sort

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<v Speaker 1>of the basics, you can always do it, because apparently

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<v Speaker 1>a lot of it comes down to muscle memory, which

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<v Speaker 1>is to say motor memory. Yeah, and in true Chuck fashion,

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<v Speaker 1>I tried to learn to juggle for about an hour

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<v Speaker 1>and never finished. Did you like see any progress over

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<v Speaker 1>that hour? Yeah? I could. I could do the little

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<v Speaker 1>one hand juggling two balls with one hand thing, okay,

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<v Speaker 1>But I did a lot of chasing the ball. That's

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<v Speaker 1>a problem, which apparently, if you're beginning juggler, you're gonna

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<v Speaker 1>be throwing the ball further and further away from you,

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<v Speaker 1>just naturally chasing the ball, and they call it chasing it.

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<v Speaker 1>So what do they suggest? They suggest that you learn

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<v Speaker 1>to juggle close to and facing a wall. Yeah, because

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<v Speaker 1>that way you can't move forward or you'll just keep

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<v Speaker 1>hitting your head and you'll scratch your face up on

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<v Speaker 1>the brick and quit juggling. This is a Jonathan Strickland

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<v Speaker 1>joint of tech stuff. It's reeks of Strickland. It does

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<v Speaker 1>like even if the byeline hadn't been on there, I

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<v Speaker 1>would have been like, this is Strickland. But I remember

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<v Speaker 1>when this one was made. It was like right when

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<v Speaker 1>I got here, and like he there's a video embedded

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<v Speaker 1>of Strickland teaching you how to juggle. It smells, it

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<v Speaker 1>reeks of bald head cream and bowling shirts. Yeah, and

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<v Speaker 1>it also has an illustration by Marcus who clearly always

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<v Speaker 1>wanted to be a comic book illustrator, because the guy

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<v Speaker 1>who's in the graph on how to juggle is just

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<v Speaker 1>totally ripped like a comic book. Here. I remember, Marcus,

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<v Speaker 1>it seems like a million years ago. It was so

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<v Speaker 1>juggling history. How long people been juggling? Uh, chuck. People

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<v Speaker 1>have been juggling since at least tomb exactly. They found

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<v Speaker 1>uh in Egyptian tombs um hieroglyphics showing women toss juggling.

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<v Speaker 1>And there are many kinds of juggling, by the way,

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<v Speaker 1>and we're mainly going to talk about toss juggling, which

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<v Speaker 1>is throwing something up in the air, throwing more things

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<v Speaker 1>up in the air than you have hands. Yes, that's

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<v Speaker 1>toss juggling. And there are, like you said, a bunch

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<v Speaker 1>of other kinds, but if you're a toss juggler, you

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<v Speaker 1>probably don't consider the other kinds real juggling. You're like,

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<v Speaker 1>those are cool and everything, but that's not real juggling. Yeah.

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<v Speaker 1>I asked my friend, our friend Brandon Ross from the

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<v Speaker 1>Stuff you Should Know Art Department, clearly a juggler, very

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<v Speaker 1>good juggler, and uh I sent a message to him

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<v Speaker 1>and did not hear back in time. I was like,

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<v Speaker 1>it doesn't here that modern jugglers poopoo things like taking

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<v Speaker 1>a bite out of the apple and like some of

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<v Speaker 1>those old school tricks. Is that true or not? And

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<v Speaker 1>I didn't hear back from him, So maybe crickets, I'll

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<v Speaker 1>fall Well, you know, was on Facebook, Okay, so he'll

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<v Speaker 1>get to it when he gets to it. So anyway,

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<v Speaker 1>we're in ancient Egypt to be exact. That's right. There

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<v Speaker 1>were jugglers in Greece and Rome and India and Thebes

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<v Speaker 1>and Thebes in Europe, and I think four BC was

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<v Speaker 1>when it was actually written down that people were juggling. Yeah,

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<v Speaker 1>supposedly in the Talmud a rabbi named Shimon ben Gummlil. Yeah,

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<v Speaker 1>I think I probably nailed that. Probably he could juggle

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<v Speaker 1>eight torches at once. That's hard to believe because world

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<v Speaker 1>records today are like seven I think for clubs, is

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<v Speaker 1>it seven I think so. Yeah, But I mean, if

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<v Speaker 1>if this rabbi was juggling eight torches, that sounds like

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<v Speaker 1>it maybe pumped up a little bit throughout the years,

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<v Speaker 1>you know, like it was two and then it was like,

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<v Speaker 1>oh it was eight. Although this was the time of miracles,

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<v Speaker 1>you know, like enough oil to keep it going for

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<v Speaker 1>eight days assuring a siege. Why not a rabbi who

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<v Speaker 1>could juggle eight torches. It seems kind of paltry by comparison.

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<v Speaker 1>Good point um. Through the Roman era, apparently that jugglers

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<v Speaker 1>were actually held in high esteem, but then they kind

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<v Speaker 1>of went down into pooper a little bit hilarious because

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<v Speaker 1>people associated with them like like magicians, as con artists.

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<v Speaker 1>So I don't know if it was like, hey, look

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<v Speaker 1>at what this guy's doing while someone else is picking

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<v Speaker 1>their pocket, but that's kind of what it seems like

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<v Speaker 1>it might have been going on. Yeah, apparently you were

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<v Speaker 1>a con artist, Like you said, sure, everybody knows that

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<v Speaker 1>you can't trust a juggler a juggalo, well at the

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<v Speaker 1>right at the at the at the time, that's how

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<v Speaker 1>people thought of jugglers. This seems to be during like

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<v Speaker 1>the Holy Roman Empire in the West, right then the

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<v Speaker 1>medieval era hits, and suddenly jugglers start to become a

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<v Speaker 1>little a little less threatening and actually a little more

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<v Speaker 1>clown like. Yeah. Like, Initially they seemed to have been

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<v Speaker 1>not revered necessarily, but I thought of in fairly high esteem.

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<v Speaker 1>Then they went the opposite direction, and then they came

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<v Speaker 1>back as clowns. I wonder how many like um behind

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<v Speaker 1>closed doors, how many like emperors and kings tried it

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<v Speaker 1>out after seeing it in the door, or just like

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<v Speaker 1>morons with it, yeah, and then had someone's head chopped

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<v Speaker 1>off frustration. They took the chuck route. Although I didn't

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<v Speaker 1>behead anybody, but during the medieval era you could. If

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<v Speaker 1>you found a juggler, you probably also found something of

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<v Speaker 1>a minstrel or performer and all around entertainer who probably

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<v Speaker 1>traveled from town to town, maybe asking people to bring

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<v Speaker 1>out there dead for some side work perhaps, and then

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<v Speaker 1>juggling corpses, that's right, which must have been a sight

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<v Speaker 1>to see. And then in the seventeen hundreds they became

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<v Speaker 1>more of a circus act, and in the late eighteen

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<v Speaker 1>hundreds and nineteen hundreds vaudeville came along, and of course

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<v Speaker 1>any sort of skill like that was big in vaudeville,

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<v Speaker 1>and I'd did not know this, but W. C. Fields

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<v Speaker 1>was a juggler in the vaudevillian days. I didn't know

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<v Speaker 1>that either, before he became just a drunk actor. And

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<v Speaker 1>he's not the one who raped anybody, right, Who was it?

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<v Speaker 1>I think that was Fatty R Fatty R Buckled, That's

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<v Speaker 1>who it was. Yeah, same Aarras, same guys. I looked

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<v Speaker 1>it up and I ran across um the Hollywood hell Club.

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<v Speaker 1>So apparently before the brat pack, before the rat pack,

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<v Speaker 1>there was a group of like early early Hollywood guys,

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<v Speaker 1>Errol Flynn who was a rapist, w C. Fields, John

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<v Speaker 1>Barrymore that just raised hell in um Hollywood in like

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<v Speaker 1>the twenties. Errol Flynn was a rapist, really accused rapist.

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<v Speaker 1>I didn't know that. So then vaudeville declines, uh, circuses

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<v Speaker 1>sort of decline a little bit for a while, and

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<v Speaker 1>then jugglers started hitting the streets, or as Jonathan Strickland said,

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<v Speaker 1>or become mathematicians. Yep, we'll get to the math connection,

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<v Speaker 1>which is yet, but I don't know that. Like they

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<v Speaker 1>formed their own stage shows, performed on street corners, or

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<v Speaker 1>became mathematicians. Those were the three options if you were

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<v Speaker 1>a juggler. Uh. And then of course, Um, in the

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<v Speaker 1>nineteen forties, I say, of course, because it's common knowledge

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<v Speaker 1>that these are when the juggling groups and conventions were

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<v Speaker 1>formed and held. The International Brotherhood of Magicians UH decided,

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<v Speaker 1>you know, at a meeting, Hey, guys like the jugglers

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<v Speaker 1>got together and had a few drinks and said, I

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<v Speaker 1>don't like being known as a magician. Yeah, you know,

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<v Speaker 1>that's how the jugglers tell it. The magicians were like,

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<v Speaker 1>get the jugglers. Yeah, and then they went threw down

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<v Speaker 1>their smoke bomb when they were gone. So they formed

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<v Speaker 1>and splintered off and formed the International Juggling Association. Uh.

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<v Speaker 1>And in nineteen sixty nine they started holding championships and

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<v Speaker 1>competitions Summer of Juggling. And in two thousand Jason Garfield,

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<v Speaker 1>a very famous juggler, formed the World Juggling Federation and

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<v Speaker 1>said ESPN and you need to put this stuff on TV.

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<v Speaker 1>So once a year they put it on TV progress

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<v Speaker 1>along with the spelling b and the dart competition. What

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<v Speaker 1>else which I watched the other day? Um, log rolling, yeah,

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<v Speaker 1>lumberjacking sure, uh law and darting no, that's illegal. No

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<v Speaker 1>more it's like cock fighting. Um, so all right, let's

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<v Speaker 1>get into it then, So we're actually gonna teach everybody

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<v Speaker 1>how to juggle, like no kidding, Yeah, and if you're

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<v Speaker 1>really into this, like we're gonna describe a lot of

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<v Speaker 1>things visually, which is always a train wreck for us.

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<v Speaker 1>Um So I would recommend you do like I did

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<v Speaker 1>and just get on the old YouTube and look up

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<v Speaker 1>what cascade juggling looks like. And they're four or five

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<v Speaker 1>guys who have tons and tons of videos. There's there's

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<v Speaker 1>a few. There's one guy that I believe is kind

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<v Speaker 1>of the gold standard for YouTube instructional juggling videos. His

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<v Speaker 1>name is Adam Shamsky h O M s k y.

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<v Speaker 1>And like, I'm sure I watched him. That guy pops

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<v Speaker 1>it into slow motion for you. There's like, um like graphics.

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<v Speaker 1>When like he throws something straight up, you might not

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<v Speaker 1>have caught it. So it says throwing straight up, he's good, okay,

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<v Speaker 1>and he's just doing it for the love of juggling.

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<v Speaker 1>You can tell. I think they all do, I would hope. So.

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<v Speaker 1>I don't know if you make a ton of money

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<v Speaker 1>as a juggler these days, although there is I should

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<v Speaker 1>recommend it's gonna wait till the end. There's a great

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<v Speaker 1>article on grant land dot com called Dropped by Jason

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<v Speaker 1>uh Fagon, and he details a big, long story on

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<v Speaker 1>Anthony Gatto, who may be the best juggler on the planet.

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<v Speaker 1>He juggled for Circus a Oh, he had a bunch

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<v Speaker 1>of the records until recently. Yeah, twelve world records and

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<v Speaker 1>he's amazing dude. Um, but he quit last year to

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<v Speaker 1>run a concrete resurfacing business after becoming disenchanted with the

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<v Speaker 1>juggling scene. They basically calling out all these kids you

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<v Speaker 1>stay saying like you filmed something a hundred times and

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<v Speaker 1>only nail at once and then you upload it to YouTube.

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<v Speaker 1>That's not the same. He basically his quote is if

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<v Speaker 1>you can't do a trick and three tries, you can't

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<v Speaker 1>do it. He said, you may have done it, but

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<v Speaker 1>it doesn't mean you can do it. It's essentially what

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<v Speaker 1>you're talking about. This guy's story is the premise for

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<v Speaker 1>Office Space. Yeah, basically, but he's amazing. If you watch

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<v Speaker 1>Anthony Gotto juggling, like he will break the record for like, uh,

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<v Speaker 1>let's say a number of balls in a rain shower

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<v Speaker 1>and um, for the amount of time though he won't

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<v Speaker 1>like do it for ten seconds, he'll do it for

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<v Speaker 1>like ten minutes. And other jugglers are like, this dude

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<v Speaker 1>is insane how long he can keep all these clubs

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<v Speaker 1>and balls and torches or whatever in the air. That's

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<v Speaker 1>really funny that you mentioned him and what happened to him,

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<v Speaker 1>because I noticed his records were like all mid two thousand's,

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<v Speaker 1>the most recent ones were, and I wondered what happened

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<v Speaker 1>to Anthony Gotto? Now I know it's the Finger. It's

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<v Speaker 1>a really good article. Actually it's Nate dropped on grant

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<v Speaker 1>land dot com. Alright, so how do you juggle? So Chuck,

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<v Speaker 1>here's how you juggle. Basically, you want to start with

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<v Speaker 1>three balls, and if you have even half of a

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<v Speaker 1>brain half, you will make sure that those balls are

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<v Speaker 1>beam bags, because bean bags are dead drops or they

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<v Speaker 1>drop dead, You're not gonna chase them all over the room. No,

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<v Speaker 1>when they fall, they just stay put. Yeah. Hacky sacks

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<v Speaker 1>are good too, or you can buy like my brother did,

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<v Speaker 1>the Little um which are basically hacky sacks, a little

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<v Speaker 1>juggling kit. Yeah, the complete Klutz's Guide to juggling, isn't

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<v Speaker 1>that many. I think it was before the Complete Idiots Guides,

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<v Speaker 1>there was something called like something for klutz Is and

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<v Speaker 1>it would teach you like things how to how to

0:12:45.240 --> 0:12:49.400
<v Speaker 1>juggle dexterity. Yeah, interesing. Um So, anyway, you start with

0:12:49.480 --> 0:12:52.800
<v Speaker 1>three bean bags, which in the juggling world what these are.

0:12:53.040 --> 0:12:57.360
<v Speaker 1>Anything you juggled are called props, and specifically bean bag

0:12:57.440 --> 0:13:00.959
<v Speaker 1>falls under the category of balls. Even though they're not

0:13:01.000 --> 0:13:04.360
<v Speaker 1>necessarily balls, they're still under the prop category balls because

0:13:04.360 --> 0:13:07.160
<v Speaker 1>it's not a chainsaw or a torch exactly club, which

0:13:07.160 --> 0:13:10.960
<v Speaker 1>would fall under the category of clubs. Um So for

0:13:11.040 --> 0:13:12.800
<v Speaker 1>most of the time we're gonna say balls. But just

0:13:12.960 --> 0:13:16.319
<v Speaker 1>imagine as you're starting out, we're talking about being bags. Okay, okay,

0:13:16.400 --> 0:13:19.120
<v Speaker 1>So you get three of them, chuck, Yes, you take

0:13:19.160 --> 0:13:22.800
<v Speaker 1>two and you put them in a drawer to start.

0:13:23.200 --> 0:13:26.200
<v Speaker 1>That's the first step to learning juggling. Take two of

0:13:26.240 --> 0:13:30.560
<v Speaker 1>your three balls and put them away. Yeah, and strickling

0:13:30.679 --> 0:13:34.440
<v Speaker 1>and experts say you should literally start with tossing one

0:13:34.559 --> 0:13:37.719
<v Speaker 1>back and forth to get your arc down because the

0:13:37.800 --> 0:13:40.160
<v Speaker 1>key is consistency. You don't want to and you know

0:13:40.200 --> 0:13:41.920
<v Speaker 1>once you get good you can do all sorts of things.

0:13:41.960 --> 0:13:45.920
<v Speaker 1>But you don't want to toss one being bag up

0:13:46.000 --> 0:13:49.040
<v Speaker 1>four ft and one three ft when you're first starting out.

0:13:49.040 --> 0:13:51.280
<v Speaker 1>You want to kind of toss them all about the same. Yeah,

0:13:51.280 --> 0:13:53.320
<v Speaker 1>and you need to learn your hand movements, which are

0:13:53.440 --> 0:13:56.240
<v Speaker 1>very important. Once you get hand movements down, you can

0:13:56.480 --> 0:13:59.880
<v Speaker 1>do variations on the hand movements, but ultimately there's a

0:14:00.040 --> 0:14:04.040
<v Speaker 1>basic hand movement that's a scooping motion. And um, the

0:14:04.080 --> 0:14:06.720
<v Speaker 1>easiest one to start with to start practicing is the

0:14:06.760 --> 0:14:10.040
<v Speaker 1>cascade pattern. Yeah, there's two main patterns, the shower and

0:14:10.080 --> 0:14:13.560
<v Speaker 1>the cascade, which we've joked about so far about ten times.

0:14:14.160 --> 0:14:16.319
<v Speaker 1>The shower is the one that you see on cartoons

0:14:16.720 --> 0:14:18.880
<v Speaker 1>when someone's basically just throwing balls in a big circle

0:14:18.920 --> 0:14:22.080
<v Speaker 1>and a big loop. Beautiful, beautiful, very cool looking. The

0:14:22.120 --> 0:14:24.920
<v Speaker 1>cascade looks kind of like fireworks if you like, squint

0:14:24.960 --> 0:14:29.040
<v Speaker 1>your eyes, use your imagination. I never thought about that. Yeah,

0:14:29.080 --> 0:14:31.400
<v Speaker 1>Like as the balls go up and they are out

0:14:31.640 --> 0:14:36.080
<v Speaker 1>there basically arcing outward across your body. Yes, um, and

0:14:36.200 --> 0:14:38.280
<v Speaker 1>it looks just kind of like you know, one of

0:14:38.320 --> 0:14:41.040
<v Speaker 1>those big fireworks where like blows up and then like

0:14:41.120 --> 0:14:44.680
<v Speaker 1>this kind of trails downwards slowly. Yeah, that's ultimately what

0:14:44.800 --> 0:14:47.240
<v Speaker 1>it looks like. To me, Yeah, I get that. Yeah,

0:14:47.360 --> 0:14:49.520
<v Speaker 1>So the cascade, you move your hands in a figure

0:14:49.600 --> 0:14:53.160
<v Speaker 1>eight and um. For the regular cascade, your right hand

0:14:53.160 --> 0:14:57.960
<v Speaker 1>goes clockwise, your left hand is counter clockwise alternating these tosses.

0:14:58.680 --> 0:15:02.000
<v Speaker 1>If you reverse that, it's called a reverse cascade. So

0:15:02.080 --> 0:15:04.800
<v Speaker 1>the key here just remember you're using one ball still,

0:15:05.360 --> 0:15:09.840
<v Speaker 1>but you're making a scooping motion in towards your torso

0:15:10.520 --> 0:15:13.240
<v Speaker 1>like in towards yourself, not away from your body, but

0:15:13.360 --> 0:15:16.080
<v Speaker 1>in towards your body, right in front of your chest.

0:15:16.800 --> 0:15:20.160
<v Speaker 1>Your your feet are shoulder with apart, because they always

0:15:20.160 --> 0:15:23.080
<v Speaker 1>should be when you do anything, and you're tossing the

0:15:23.120 --> 0:15:27.920
<v Speaker 1>thing up into an arc in about just above eye level,

0:15:28.480 --> 0:15:30.680
<v Speaker 1>that's your that's the one that you start with. And

0:15:30.720 --> 0:15:33.760
<v Speaker 1>you usually start with your dominant hand, yeah, because that

0:15:33.800 --> 0:15:36.040
<v Speaker 1>will just probably be easier because you're more used to

0:15:36.040 --> 0:15:38.760
<v Speaker 1>throwing things with that hand. Right. And I didn't see

0:15:38.760 --> 0:15:40.720
<v Speaker 1>it anywhere, but I put two and two together in

0:15:40.760 --> 0:15:43.760
<v Speaker 1>this article, and it looks like, oh, it looks like

0:15:43.840 --> 0:15:46.440
<v Speaker 1>so I could be wrong everybody, but it looks like

0:15:47.160 --> 0:15:50.240
<v Speaker 1>if you are doing a cascade of any kind, reverse cascade,

0:15:50.240 --> 0:15:53.600
<v Speaker 1>any anything like that, whatever hand is going clockwise is

0:15:53.640 --> 0:15:56.920
<v Speaker 1>the hand that you throw in the highest arc above

0:15:56.960 --> 0:16:00.520
<v Speaker 1>your eye level. Okay, so you've got your one bag

0:16:00.840 --> 0:16:03.560
<v Speaker 1>and you you make a scooping motion with your right

0:16:03.600 --> 0:16:07.200
<v Speaker 1>hand in a counter in a clockwise motion, and you

0:16:07.280 --> 0:16:09.520
<v Speaker 1>toss the ball or yeah, you toss the ball in

0:16:09.560 --> 0:16:12.480
<v Speaker 1>an arc just above eye level, and then it drops

0:16:12.560 --> 0:16:15.240
<v Speaker 1>and you catch it in your left hand, and then

0:16:15.280 --> 0:16:18.800
<v Speaker 1>now in your left hand you toss it again. But

0:16:18.960 --> 0:16:22.120
<v Speaker 1>this one should be slightly under the arc of the

0:16:22.120 --> 0:16:25.840
<v Speaker 1>first one. It's moving in a counter clockwise motion, so

0:16:25.840 --> 0:16:27.960
<v Speaker 1>that eventually, when you add more balls and you have

0:16:28.000 --> 0:16:30.120
<v Speaker 1>them all in the air, they're not just bumping into

0:16:30.120 --> 0:16:33.080
<v Speaker 1>each other at the same place. The one from your

0:16:33.320 --> 0:16:36.960
<v Speaker 1>clockwise motion hand is going higher and the one from

0:16:36.960 --> 0:16:41.240
<v Speaker 1>your counter clockwise motion hand is following just beneath the

0:16:41.400 --> 0:16:45.080
<v Speaker 1>arc of the first ball. That's right, it's inside that

0:16:45.160 --> 0:16:49.000
<v Speaker 1>ball's path. Yes, uh, And you're gonna at first be

0:16:49.160 --> 0:16:51.840
<v Speaker 1>very frustrated because you're gonna want to throw both of

0:16:51.920 --> 0:16:54.680
<v Speaker 1>the balls at the same time when you're just starting

0:16:54.680 --> 0:16:56.520
<v Speaker 1>out with the two, just to get used to the motion,

0:16:57.160 --> 0:17:00.200
<v Speaker 1>because it's just that sort of like if you've ever

0:17:00.200 --> 0:17:03.800
<v Speaker 1>played drums, it's hard to make your right arm your

0:17:03.840 --> 0:17:07.080
<v Speaker 1>left arm your right foot your left foot do different things. Yeah,

0:17:07.080 --> 0:17:09.000
<v Speaker 1>it's a bit of a brain trick. I think some

0:17:09.040 --> 0:17:13.639
<v Speaker 1>people catch on quicker than others, obviously, But um, you

0:17:13.680 --> 0:17:16.720
<v Speaker 1>want the two tosses to be distinct and separate. And

0:17:16.800 --> 0:17:19.359
<v Speaker 1>one way to do this, Strickland says, is to count

0:17:19.720 --> 0:17:24.440
<v Speaker 1>your toss like, toss one, toss two. Ye, toss one,

0:17:24.720 --> 0:17:26.640
<v Speaker 1>toss two, And then your little brother is gonna say

0:17:26.680 --> 0:17:30.960
<v Speaker 1>what are you doing in there? Shut up nothing, toss

0:17:31.000 --> 0:17:35.720
<v Speaker 1>one right. Um, so we might as well add the

0:17:35.760 --> 0:17:38.400
<v Speaker 1>second ball. Now, are you ready that we've just been

0:17:38.440 --> 0:17:41.920
<v Speaker 1>with one ball? Yeah, because that one toss one is

0:17:41.960 --> 0:17:45.280
<v Speaker 1>with your your clockwise hand. Yeah, toss two is with

0:17:45.320 --> 0:17:48.560
<v Speaker 1>your counterclockwise hand. You catch the second one, your toss

0:17:48.600 --> 0:17:52.240
<v Speaker 1>two with your clockwise hand. Toss one, toss two. You're

0:17:52.280 --> 0:17:55.240
<v Speaker 1>still just with one ball here. Now we're gonna add two. Okay,

0:17:55.520 --> 0:17:58.920
<v Speaker 1>So you have one in your left hand, you have one.

0:17:59.000 --> 0:18:01.920
<v Speaker 1>You're right or doing a cascade, so with your right

0:18:01.960 --> 0:18:12.359
<v Speaker 1>hand you're making a clockwise scooping motion. Yes, right, huh, yeah,

0:18:12.560 --> 0:18:15.600
<v Speaker 1>I got it right. I wish people could see this one.

0:18:15.880 --> 0:18:19.439
<v Speaker 1>So this is delightful. So, um, we're gonna throw the

0:18:19.480 --> 0:18:22.320
<v Speaker 1>first ball and as it reaches its zenith just above

0:18:22.400 --> 0:18:25.800
<v Speaker 1>our eyes. We're gonna throw the second one just underneath

0:18:25.800 --> 0:18:28.520
<v Speaker 1>the arc of the first one. Yeah, you know it's funny,

0:18:28.600 --> 0:18:31.040
<v Speaker 1>is it? People that were walking by my desk all

0:18:31.080 --> 0:18:33.480
<v Speaker 1>day saw me doing the same thing, because you kind

0:18:33.480 --> 0:18:35.159
<v Speaker 1>of do it to yourself to be like, okay, I

0:18:35.200 --> 0:18:38.040
<v Speaker 1>get I get the motion. Yeah, like why is struggling

0:18:38.160 --> 0:18:40.920
<v Speaker 1>saying here? And we were using no bean bags, no,

0:18:41.080 --> 0:18:43.720
<v Speaker 1>just imaginary ones. Exactly. I didn't drop a single one.

0:18:43.760 --> 0:18:47.880
<v Speaker 1>I'm a great imaginary juggler. So chuck um with with

0:18:47.960 --> 0:18:51.080
<v Speaker 1>this toss one toss to Ultimately, what you're doing is,

0:18:51.320 --> 0:18:55.600
<v Speaker 1>let's say it takes a second for you to throw

0:18:55.960 --> 0:19:00.800
<v Speaker 1>one ball to your other hand. You threw the second

0:19:00.800 --> 0:19:04.080
<v Speaker 1>ball about the halfway mark of that first throw. So

0:19:04.160 --> 0:19:08.640
<v Speaker 1>every half second you're throwing a ball, is that the deal?

0:19:09.000 --> 0:19:11.480
<v Speaker 1>If you're fast, you are Ultimately you're doing that. But

0:19:12.520 --> 0:19:14.480
<v Speaker 1>it doesn't even necessarily have to be a second. Let's

0:19:14.480 --> 0:19:17.960
<v Speaker 1>say it takes us two seconds for it to go

0:19:18.200 --> 0:19:21.240
<v Speaker 1>up and then down. So every second you're throwing, every

0:19:21.320 --> 0:19:25.320
<v Speaker 1>half of whatever beat it takes for the ball to

0:19:25.440 --> 0:19:28.359
<v Speaker 1>be tossed and then come down, you're throwing a ball,

0:19:28.720 --> 0:19:32.360
<v Speaker 1>right okay, okay, which means that when you finally had

0:19:32.400 --> 0:19:36.040
<v Speaker 1>the third ball in there, whoa, you can which, let's

0:19:36.080 --> 0:19:37.840
<v Speaker 1>go ahead and do that now. Yeah, you want to

0:19:37.880 --> 0:19:41.480
<v Speaker 1>hold two balls in one hand obviously, and uh they

0:19:41.520 --> 0:19:44.840
<v Speaker 1>suggest to hold the two and the dominant hand, although

0:19:45.000 --> 0:19:49.440
<v Speaker 1>if you're having a problem um making that third toss,

0:19:49.480 --> 0:19:51.240
<v Speaker 1>they say, sometimes switch it up and it may help

0:19:51.880 --> 0:19:54.479
<v Speaker 1>to hold the two in the non domination because some

0:19:54.560 --> 0:19:56.639
<v Speaker 1>people just want to hold one and you're really just

0:19:56.680 --> 0:19:59.920
<v Speaker 1>throwing two with another one in your hand, or else

0:20:00.040 --> 0:20:03.399
<v Speaker 1>you're throwing one and then two at once, which you

0:20:03.400 --> 0:20:05.800
<v Speaker 1>don't want to do either. Yeah, you're gonna be frustrated.

0:20:05.840 --> 0:20:08.400
<v Speaker 1>It takes a lot of time in practice. Like, don't

0:20:08.440 --> 0:20:10.199
<v Speaker 1>give up like I did when you didn't master it

0:20:10.240 --> 0:20:13.160
<v Speaker 1>in one hour. Right, if you think that you're supposed

0:20:13.160 --> 0:20:17.560
<v Speaker 1>to be mastering this as we're speaking, we just covered

0:20:17.600 --> 0:20:21.000
<v Speaker 1>like six months of work. What you can master in

0:20:21.040 --> 0:20:24.000
<v Speaker 1>a minute, though, is just clicking on YouTube and watching

0:20:24.080 --> 0:20:28.120
<v Speaker 1>videos of jugglers. Again, I'm almost done, okay, So with

0:20:28.160 --> 0:20:30.800
<v Speaker 1>this cascade, you've got the third ball, and just remember

0:20:31.000 --> 0:20:34.760
<v Speaker 1>that every half of a beat that it takes, you're

0:20:34.800 --> 0:20:37.840
<v Speaker 1>throwing a ball. You're constantly throwing a ball. The cool

0:20:37.880 --> 0:20:40.520
<v Speaker 1>thing about the third one is is when you start

0:20:40.520 --> 0:20:43.359
<v Speaker 1>with two balls in one hand, you obviously start with

0:20:43.400 --> 0:20:46.000
<v Speaker 1>that hand for tossing. You toss it up in the air.

0:20:46.280 --> 0:20:48.560
<v Speaker 1>As that one arcs you toss your left one. Is

0:20:48.600 --> 0:20:50.960
<v Speaker 1>that one actually tossed your third one, And about the

0:20:51.000 --> 0:20:54.560
<v Speaker 1>time you're tossing your third one, your first one's landing.

0:20:54.840 --> 0:20:58.199
<v Speaker 1>That's right, And you've just done what's called a flash

0:20:58.200 --> 0:21:01.440
<v Speaker 1>of juggling. That's right. And if you have trouble catching

0:21:02.040 --> 0:21:05.440
<v Speaker 1>at first, uh, don't worry about it. They recommend just

0:21:05.600 --> 0:21:08.520
<v Speaker 1>work on the tossing. And if you drop the ball,

0:21:08.680 --> 0:21:11.159
<v Speaker 1>and it's not a big deal at first. You just

0:21:11.200 --> 0:21:14.720
<v Speaker 1>want to get that hand motion down and uh learn

0:21:15.359 --> 0:21:18.560
<v Speaker 1>basically the motion of the cascade. Uh. And again stand

0:21:18.600 --> 0:21:20.320
<v Speaker 1>in front of a wall, because you're gonna find yourself

0:21:20.359 --> 0:21:24.240
<v Speaker 1>chasing the bean bag forward because you're tossing it further

0:21:24.280 --> 0:21:29.080
<v Speaker 1>away from you. But be careful. Yeah, don't start with chainsaws.

0:21:29.119 --> 0:21:31.880
<v Speaker 1>Don't start with chainsaws, which by the way, are modified

0:21:32.400 --> 0:21:36.840
<v Speaker 1>their props. They're not using real chainsaws unless you're crazy. Well,

0:21:36.880 --> 0:21:39.879
<v Speaker 1>they probably don't have the thing there like the Haunted

0:21:39.920 --> 0:21:43.320
<v Speaker 1>House chainsaws. All right, Well, after this break we are

0:21:43.359 --> 0:22:06.280
<v Speaker 1>going to get into variations on the casscade. All right, Josh,

0:22:06.960 --> 0:22:12.040
<v Speaker 1>you've got the cascade down, try the reverse cascade, which is,

0:22:12.119 --> 0:22:15.280
<v Speaker 1>like I said, just the opposite direction clock I'm sorry,

0:22:15.280 --> 0:22:18.480
<v Speaker 1>counterclockwise for your right hand, clockwise for your left. You're

0:22:18.520 --> 0:22:22.439
<v Speaker 1>scooping your hands inward instead of outward. Right. Oh, I'm

0:22:22.480 --> 0:22:25.920
<v Speaker 1>sorry you're scooping outward instead of inward right, which sounds weird.

0:22:25.960 --> 0:22:27.919
<v Speaker 1>But if you just do without balls, if you just

0:22:27.960 --> 0:22:30.800
<v Speaker 1>do your hands like that, it makes sense. Yeah. You

0:22:30.840 --> 0:22:33.159
<v Speaker 1>can just kind of do it in your imagination and

0:22:33.240 --> 0:22:35.920
<v Speaker 1>then just change directions. Yeah, and you wait a minute.

0:22:35.960 --> 0:22:39.359
<v Speaker 1>I've seen guys do that, right. It will feel like natural. Yeah.

0:22:39.400 --> 0:22:43.160
<v Speaker 1>The only the only big differences here is with your

0:22:44.200 --> 0:22:48.200
<v Speaker 1>the hand that you throw in a higher arc has changed.

0:22:48.560 --> 0:22:50.399
<v Speaker 1>So your first throw is going to be at a

0:22:50.440 --> 0:22:53.840
<v Speaker 1>lower arc than the second throw, that's all. And your

0:22:53.840 --> 0:22:56.720
<v Speaker 1>hands are moving in different directions. So remember the hand

0:22:56.760 --> 0:23:01.240
<v Speaker 1>that's going in counter clockwise motion through in the higher arc.

0:23:01.640 --> 0:23:06.600
<v Speaker 1>And that's that's called Josh's law. Okay. Um, So while

0:23:06.640 --> 0:23:09.200
<v Speaker 1>you're after you have mastered this, which will take a while.

0:23:09.280 --> 0:23:11.879
<v Speaker 1>As we've said a hundred fifty times, Um, you can

0:23:11.880 --> 0:23:15.399
<v Speaker 1>start doing little tricks uh thrown in there because just

0:23:15.440 --> 0:23:17.879
<v Speaker 1>a regular juggler isn't going to get very far in life.

0:23:18.200 --> 0:23:21.200
<v Speaker 1>Where you really make your dough is when you start

0:23:21.240 --> 0:23:24.680
<v Speaker 1>throwing in things like the half shower or the tennis move,

0:23:25.320 --> 0:23:27.719
<v Speaker 1>which is uh. And you know, if you look all

0:23:27.760 --> 0:23:31.119
<v Speaker 1>these up, it basically when you see jugglers just juggling

0:23:31.160 --> 0:23:34.040
<v Speaker 1>regular and then there aren't does something crazy looking. That's

0:23:34.040 --> 0:23:36.879
<v Speaker 1>what these moves are. Like. We could describe them in detail,

0:23:36.920 --> 0:23:39.120
<v Speaker 1>but it's really a lot cooler if you just go look.

0:23:39.440 --> 0:23:41.520
<v Speaker 1>But when you're watching juggling, you go, oh man, what

0:23:41.600 --> 0:23:43.760
<v Speaker 1>was that? Look what that girl just did with her arm?

0:23:44.240 --> 0:23:47.720
<v Speaker 1>That was maybe a tennis move or or Mills mess

0:23:48.040 --> 0:23:52.320
<v Speaker 1>invented by juggler Steve Mills, not my uncle Steve Mills.

0:23:53.160 --> 0:23:55.840
<v Speaker 1>I don't think you can juggle or Burke's barrage or

0:23:55.960 --> 0:23:59.520
<v Speaker 1>ruben Stein's revenge. Pretty cool stuff. Yeah, these are all

0:23:59.560 --> 0:24:05.119
<v Speaker 1>just complex arm crossing patterns as you're juggling. Different variations

0:24:05.160 --> 0:24:08.359
<v Speaker 1>on that um another variation that I like, have you

0:24:08.400 --> 0:24:11.440
<v Speaker 1>seen this before? Bounce juggling. It's my favorite thing rather

0:24:11.480 --> 0:24:15.320
<v Speaker 1>than throwing my favorite juggling okay god yea, Rather than

0:24:15.359 --> 0:24:17.399
<v Speaker 1>throwing the balls up in the air to toss juggle

0:24:17.840 --> 0:24:20.040
<v Speaker 1>the you throw the balls down on the ground and

0:24:20.080 --> 0:24:23.360
<v Speaker 1>bounce something. There's this kid I saw on YouTube if

0:24:23.359 --> 0:24:28.120
<v Speaker 1>you just search bounce juggling, it's the first video. It's

0:24:28.200 --> 0:24:30.680
<v Speaker 1>the thing, the first thing that comes up on YouTube

0:24:30.680 --> 0:24:32.840
<v Speaker 1>that guys could. He starts out in profile, Yeah, and

0:24:32.880 --> 0:24:35.359
<v Speaker 1>you're like, what's like his basement or whatever. Yeah, but

0:24:35.400 --> 0:24:37.199
<v Speaker 1>then once he I don't know how many balls he

0:24:37.240 --> 0:24:39.680
<v Speaker 1>had going he had quite a few. Yeah, And there's

0:24:39.680 --> 0:24:41.440
<v Speaker 1>different ways to do in this. You can either lift

0:24:41.440 --> 0:24:42.960
<v Speaker 1>bounce it by just sort of tossing it in the

0:24:42.960 --> 0:24:45.160
<v Speaker 1>air and letting it bounce, or you can actually throw

0:24:45.200 --> 0:24:47.199
<v Speaker 1>it at the ground, which is called a force bounce.

0:24:47.880 --> 0:24:53.040
<v Speaker 1>And I even wrote the coolest two of them. Bounce

0:24:53.119 --> 0:24:56.679
<v Speaker 1>juggling is really cool looking. Um. There's clawing, which is

0:24:57.240 --> 0:25:02.200
<v Speaker 1>basically palms down juggling. Um, so it's just the regular cascade,

0:25:02.240 --> 0:25:04.920
<v Speaker 1>but yeah, you're like snatching them out of the air. Yeah,

0:25:04.920 --> 0:25:06.479
<v Speaker 1>and it's like that's cool. Look, and you can do

0:25:06.520 --> 0:25:08.680
<v Speaker 1>that solely, or you can just throw in a claw

0:25:08.720 --> 0:25:12.240
<v Speaker 1>every now and then just delight your nieces and nephews

0:25:12.240 --> 0:25:16.480
<v Speaker 1>at Christmas. There is the chop yeah, which I think

0:25:16.480 --> 0:25:18.120
<v Speaker 1>this one is where you grab a ball and then

0:25:18.160 --> 0:25:23.600
<v Speaker 1>throw it underneath your other arm. You throw it upward

0:25:23.680 --> 0:25:26.359
<v Speaker 1>underneath your other arm. Yeah, it's like a diagonal, quick

0:25:26.400 --> 0:25:29.879
<v Speaker 1>diagonal move. And like I said it all you'll just

0:25:30.000 --> 0:25:32.240
<v Speaker 1>notice if you're not a real juggler, if you're just

0:25:32.280 --> 0:25:35.040
<v Speaker 1>watching in the park one day, they'll do some crazy

0:25:35.119 --> 0:25:38.880
<v Speaker 1>arm thing. It's just I call it flair. Well, there

0:25:38.960 --> 0:25:41.920
<v Speaker 1>is actually something called flair that's a type of juggling,

0:25:42.560 --> 0:25:47.520
<v Speaker 1>bartenders flare. Oh you know the movie Cocktail Bartenders flair

0:25:47.800 --> 0:25:51.880
<v Speaker 1>that was a type of juggling supposedly. I'm not a fan. Oh,

0:25:51.920 --> 0:25:54.160
<v Speaker 1>I thought it was great. I haven't seen the movie,

0:25:54.200 --> 0:25:55.520
<v Speaker 1>And yeah, I haven't seen it. And are you a

0:25:55.520 --> 0:25:59.000
<v Speaker 1>fan of bartending flair? Though, Hey, I'm a Jerry Thomas fan.

0:26:00.320 --> 0:26:04.160
<v Speaker 1>So yes, the answer is yes, all right, I like uh,

0:26:04.200 --> 0:26:06.239
<v Speaker 1>I like a bartender to like grump at me and

0:26:06.280 --> 0:26:08.960
<v Speaker 1>slide my whiskey down the bar. That's the best of trick.

0:26:09.000 --> 0:26:12.240
<v Speaker 1>I want to say. It's fine pretty much like all bartenders. Yeah,

0:26:12.240 --> 0:26:14.920
<v Speaker 1>that's true. Yeah, they do it. They're doing God's work.

0:26:15.760 --> 0:26:19.560
<v Speaker 1>So Jonathan Strickland says, generally speaking, if you have an

0:26:19.600 --> 0:26:23.040
<v Speaker 1>odd number of props, you're gonna require a criss cross pattern.

0:26:23.200 --> 0:26:25.520
<v Speaker 1>If you have an even number of props, it's going

0:26:25.560 --> 0:26:29.040
<v Speaker 1>to be two separate groups juggled in each hand. Yeah,

0:26:29.040 --> 0:26:31.120
<v Speaker 1>I remember you said you could juggle with one hand

0:26:31.200 --> 0:26:34.840
<v Speaker 1>kind of yeah, So remember, toss juggling is any kind

0:26:34.840 --> 0:26:38.359
<v Speaker 1>of juggling where the more the objects, the number of

0:26:38.359 --> 0:26:41.280
<v Speaker 1>objects you're juggling, exceeds the number of hands are using.

0:26:41.840 --> 0:26:45.280
<v Speaker 1>So if you use two balls in one hand, that's

0:26:45.359 --> 0:26:48.480
<v Speaker 1>toss juggling. It still counts. So if you're if you're

0:26:48.560 --> 0:26:53.560
<v Speaker 1>juggling four things, you're basically toss juggling separately with two

0:26:53.560 --> 0:26:57.520
<v Speaker 1>hands to two different things. So two bowling pins in

0:26:57.640 --> 0:27:01.560
<v Speaker 1>each hand is toss juggle. I don't know if you

0:27:01.600 --> 0:27:05.080
<v Speaker 1>could do clubs with one hand, can't you? Yeah? Maybe? Yeah,

0:27:05.119 --> 0:27:09.280
<v Speaker 1>you do it in columns and yeah. Yeah, that's that's

0:27:09.320 --> 0:27:11.679
<v Speaker 1>some talent right there. That's how That's how most people

0:27:11.720 --> 0:27:15.560
<v Speaker 1>do clubs is like one hand. I really I've just

0:27:15.600 --> 0:27:20.640
<v Speaker 1>seen like the Cascade mainly. Mhm no, no, evernytime I've

0:27:20.680 --> 0:27:25.880
<v Speaker 1>ever seen clubs. It's like one handed to one handed juggling.

0:27:26.400 --> 0:27:28.880
<v Speaker 1>You need to get out more. I guess I need

0:27:28.880 --> 0:27:31.720
<v Speaker 1>to go to the park. Yeah, that they hang out

0:27:31.760 --> 0:27:36.720
<v Speaker 1>there along with the Hackey sackers. Um. Yeah, well, like

0:27:36.760 --> 0:27:38.119
<v Speaker 1>you mentioned then, I guess if you're going to be

0:27:38.160 --> 0:27:41.359
<v Speaker 1>juggling with one hand, you've got the fountain, which is

0:27:41.680 --> 0:27:43.720
<v Speaker 1>the circular pattern, like if I had two balls and

0:27:43.760 --> 0:27:46.280
<v Speaker 1>I was just throwing them in a circle, or the

0:27:46.359 --> 0:27:49.520
<v Speaker 1>straight up and down which is the column right, and

0:27:49.600 --> 0:27:52.360
<v Speaker 1>that can be either synchronous or asynchronous. If you look

0:27:52.440 --> 0:27:55.600
<v Speaker 1>up synchronous column juggler on YouTube, they're gonna be doing

0:27:55.600 --> 0:27:58.000
<v Speaker 1>the exact same thing at the same time with both hands,

0:27:58.800 --> 0:28:01.440
<v Speaker 1>which is pretty neat. I think asynchronis may be a

0:28:01.440 --> 0:28:03.760
<v Speaker 1>little tougher though, just judging by the looks of it. Well,

0:28:03.840 --> 0:28:07.159
<v Speaker 1>Strickling makes the point that since you most people start

0:28:07.160 --> 0:28:11.119
<v Speaker 1>out learning to juggle asynchronous lee, which is like that

0:28:11.240 --> 0:28:14.199
<v Speaker 1>cascade is asynchronous. The hands aren't moving at the same time,

0:28:14.240 --> 0:28:18.240
<v Speaker 1>they're moving at opposite beats. Um that it's it's actually

0:28:18.280 --> 0:28:22.400
<v Speaker 1>easier for people to do that to do asynchronis makes sense.

0:28:22.440 --> 0:28:27.800
<v Speaker 1>I guess. Yeah. Even handed juggling, what is that called.

0:28:27.840 --> 0:28:31.200
<v Speaker 1>That's the one thing in juggling that doesn't have a name,

0:28:32.600 --> 0:28:35.919
<v Speaker 1>where you're just juggling four things at once or like

0:28:35.960 --> 0:28:38.560
<v Speaker 1>an even number of things, and you're using both your hands,

0:28:38.560 --> 0:28:42.160
<v Speaker 1>but you're juggling two clubs. There's no name for it.

0:28:42.160 --> 0:28:45.600
<v Speaker 1>It's driving me crazy. I'm sure there's a name for it. Well,

0:28:45.640 --> 0:28:48.120
<v Speaker 1>I don't know what it is. You should name it

0:28:48.160 --> 0:28:51.440
<v Speaker 1>after you at any at any term. Oh no, here

0:28:51.440 --> 0:28:56.080
<v Speaker 1>it is numbers juggling. Okay, okay. So when you're doing

0:28:56.200 --> 0:29:00.520
<v Speaker 1>numbers juggling, you uh, an even number of numbers juggling.

0:29:01.240 --> 0:29:05.800
<v Speaker 1>You're just doing it asynchronously, probably to start. Okay, that

0:29:05.960 --> 0:29:08.320
<v Speaker 1>was my point of my little tirade. I wonder how

0:29:08.360 --> 0:29:13.920
<v Speaker 1>many angry jugglers we have right now. Oh, probably a lot. Uh.

0:29:14.000 --> 0:29:16.240
<v Speaker 1>There's a couple of other kinds of juggling that are

0:29:16.280 --> 0:29:19.720
<v Speaker 1>fun to watch. Cigar box juggling and shaker cup. Um.

0:29:19.800 --> 0:29:22.479
<v Speaker 1>You've probably tried the cigar box thing with two boxes

0:29:22.560 --> 0:29:25.520
<v Speaker 1>or whatever. And that's when you have any number of boxes.

0:29:25.720 --> 0:29:28.719
<v Speaker 1>You're holding one in each hand, but then you have

0:29:29.040 --> 0:29:31.360
<v Speaker 1>quite a few in the middle and you'll toss them

0:29:31.400 --> 0:29:33.320
<v Speaker 1>up and flip them and then catch them between the

0:29:33.320 --> 0:29:36.720
<v Speaker 1>other two boxes. Yeah, it's pretty neat. And the same

0:29:36.760 --> 0:29:40.320
<v Speaker 1>sort of thing goes with the shaker cup. Um. Your

0:29:40.360 --> 0:29:43.400
<v Speaker 1>cups are nesting inside one another though, like cocktail cups

0:29:44.000 --> 0:29:47.240
<v Speaker 1>and you're you know, tossing those up and catching them.

0:29:47.320 --> 0:29:50.640
<v Speaker 1>And they probably was born out of bar tender flare. Yeah,

0:29:50.680 --> 0:29:56.600
<v Speaker 1>probably so all right, we mentioned clubs um as an alternative.

0:29:56.720 --> 0:29:58.960
<v Speaker 1>They look like the standard club looks sort of like

0:29:59.000 --> 0:30:03.480
<v Speaker 1>a modified bowling pin. Yeah, like a slim svelt bowling pin. Yeah,

0:30:03.520 --> 0:30:07.080
<v Speaker 1>a sexy bowling pin. Uh. There are European and American versions,

0:30:07.120 --> 0:30:10.400
<v Speaker 1>and I think the European version is slimmer and sexier

0:30:10.720 --> 0:30:14.640
<v Speaker 1>than the American go figure and um, I think they're

0:30:14.640 --> 0:30:18.520
<v Speaker 1>a little more popular as well, right, and the larger

0:30:18.600 --> 0:30:22.880
<v Speaker 1>and is meant to fit into a Champagne coop, the

0:30:22.960 --> 0:30:26.480
<v Speaker 1>European one, that's pretty neat. Uh. And I think you

0:30:26.520 --> 0:30:29.360
<v Speaker 1>said that clubs also if you want to do like

0:30:29.480 --> 0:30:32.360
<v Speaker 1>knives and torches, they call that a club as well. Yeah.

0:30:32.440 --> 0:30:35.280
<v Speaker 1>I think there's like a so a few broad categories

0:30:35.480 --> 0:30:38.360
<v Speaker 1>of props and then clubs that kind of thing, and

0:30:38.360 --> 0:30:41.880
<v Speaker 1>then they fall under those subcategories like axes and torches

0:30:41.880 --> 0:30:45.760
<v Speaker 1>andories out the na uh, and then there's ring juggling.

0:30:45.800 --> 0:30:50.600
<v Speaker 1>Of course, they're very stable, um, because of their gyroscopic

0:30:50.760 --> 0:30:56.480
<v Speaker 1>properties and so don't even mention. Well, the point is

0:30:56.480 --> 0:30:58.960
<v Speaker 1>that you can juggle a lot more rings at once,

0:30:59.200 --> 0:31:02.440
<v Speaker 1>maybe than you might be able to juggle a ball. Yeah,

0:31:02.640 --> 0:31:05.680
<v Speaker 1>and that's pretty impressive to see as well. Yeah, and

0:31:05.720 --> 0:31:08.480
<v Speaker 1>then there's this thing I found today called contact ring juggling.

0:31:09.000 --> 0:31:12.680
<v Speaker 1>Is when you're not throwing rings, ah you really just

0:31:12.880 --> 0:31:16.640
<v Speaker 1>you're rolling them along. Well, now that's contact juggling with

0:31:16.680 --> 0:31:19.280
<v Speaker 1>like a ball is when you're like doing the Harlem

0:31:19.320 --> 0:31:21.240
<v Speaker 1>globe trotter thing and rolling it down your arm and

0:31:21.320 --> 0:31:23.320
<v Speaker 1>over your body and stuff. It's pretty cool. But the

0:31:23.320 --> 0:31:25.600
<v Speaker 1>contact ring juggling is just just look it up. It's

0:31:25.640 --> 0:31:28.560
<v Speaker 1>really cool. It's like, I mean, there's all different shapes,

0:31:28.600 --> 0:31:32.320
<v Speaker 1>but the ones I've seen are mainly a figure eight um,

0:31:32.360 --> 0:31:36.000
<v Speaker 1>and you're just manipulating them such that they look like

0:31:36.680 --> 0:31:39.560
<v Speaker 1>it looks like an illusion, almost like one will be

0:31:39.600 --> 0:31:42.440
<v Speaker 1>stationary and it looks like the other ring is circling

0:31:42.440 --> 0:31:46.480
<v Speaker 1>around it. Well it is, but uh, just take my

0:31:46.520 --> 0:31:49.240
<v Speaker 1>word for contact ring juggling. Everyone go check it out.

0:31:50.160 --> 0:31:54.240
<v Speaker 1>Very popular in Asia. It looks like they've mastered it. Okay,

0:31:55.480 --> 0:31:58.040
<v Speaker 1>very cool. So let's say you got a buddy and

0:31:58.080 --> 0:31:59.719
<v Speaker 1>you both like to go to the park. Well, this

0:31:59.800 --> 0:32:02.240
<v Speaker 1>is a big one and pretty cool. It's a thing.

0:32:02.440 --> 0:32:05.360
<v Speaker 1>You've seen it. Yeah. Stuggling makes the point that juggling

0:32:05.440 --> 0:32:09.840
<v Speaker 1>is kind of a social thing populated by social creatures,

0:32:09.880 --> 0:32:12.120
<v Speaker 1>Like there's lots of juggling clubs and that kind of

0:32:12.120 --> 0:32:15.960
<v Speaker 1>stuff and that um where you know, you and I

0:32:16.000 --> 0:32:19.000
<v Speaker 1>think of juggling. It is like a solitary activity, no way, man.

0:32:19.200 --> 0:32:22.120
<v Speaker 1>If you get two good jugglers together, it becomes a

0:32:22.160 --> 0:32:24.640
<v Speaker 1>feast for the mind and the eyes. We could add

0:32:24.640 --> 0:32:28.000
<v Speaker 1>this to our live show, Juggling Us Juggling, Yeah, all right,

0:32:28.040 --> 0:32:30.080
<v Speaker 1>in tandem. We have a lot of practice to do

0:32:31.440 --> 0:32:34.200
<v Speaker 1>because what we could do Josh on stage, if we

0:32:34.760 --> 0:32:37.400
<v Speaker 1>put a lot of work into it, is something called

0:32:37.440 --> 0:32:42.960
<v Speaker 1>stealing and replacing. And that is when you basically will

0:32:43.040 --> 0:32:46.880
<v Speaker 1>go up. If you're juggling four clubs, I'll go and

0:32:47.360 --> 0:32:50.520
<v Speaker 1>steal one, or maybe steal two, and then three and

0:32:50.520 --> 0:32:53.200
<v Speaker 1>then four, and then I'm the one juggling. But the

0:32:53.280 --> 0:32:57.280
<v Speaker 1>juggling never stops. Right. It looks as as a seamless

0:32:57.960 --> 0:33:02.360
<v Speaker 1>synchronous pattern on an erupted If you just like stop

0:33:02.440 --> 0:33:05.520
<v Speaker 1>another person from juggling, it's just being a jerk. The

0:33:05.600 --> 0:33:08.120
<v Speaker 1>point of it is that I'm that juggling. Yeah, I

0:33:08.120 --> 0:33:10.240
<v Speaker 1>guess so, but you're still juggling the whole time you're

0:33:10.280 --> 0:33:12.800
<v Speaker 1>doing that. That's right. The whole point of of juggling

0:33:13.040 --> 0:33:15.920
<v Speaker 1>with two people and like stealing and replacing is that

0:33:16.160 --> 0:33:20.200
<v Speaker 1>the balls. If you were able to ask these juggled

0:33:20.280 --> 0:33:24.600
<v Speaker 1>balls what they think is going on, they would say nothing,

0:33:24.680 --> 0:33:27.200
<v Speaker 1>it's the same thing. We're doing the same pattern. Say

0:33:27.280 --> 0:33:31.600
<v Speaker 1>Chuck's hands were a little sweatier, right, but what really

0:33:31.640 --> 0:33:36.400
<v Speaker 1>happened was I replaced you. Yeah, that's one way to

0:33:36.440 --> 0:33:38.280
<v Speaker 1>do it. Or we could stand in front of each

0:33:38.320 --> 0:33:42.240
<v Speaker 1>other like four ft apart and uh you know, we're

0:33:42.320 --> 0:33:45.080
<v Speaker 1>juggling the clubs and then tossing each other the clubs

0:33:45.560 --> 0:33:48.120
<v Speaker 1>and we've got our little uh post stuff. You should

0:33:48.120 --> 0:33:50.040
<v Speaker 1>know act all worked out. Yeah, what's cool? So with

0:33:50.160 --> 0:33:53.280
<v Speaker 1>stealing replacing with with juggling balls, like I would stand

0:33:53.280 --> 0:33:56.200
<v Speaker 1>facing opposite you and just kind of grab yours like

0:33:56.240 --> 0:33:59.080
<v Speaker 1>you said, and just ultimately like take over your catches,

0:33:59.120 --> 0:34:00.960
<v Speaker 1>and then I would be juggling and then you can

0:34:01.080 --> 0:34:03.360
<v Speaker 1>steal it back and we could go back and forth.

0:34:03.400 --> 0:34:06.080
<v Speaker 1>And definitely with clubs, I would be standing next to

0:34:06.120 --> 0:34:08.400
<v Speaker 1>you and just basically kind of push you out of

0:34:08.400 --> 0:34:10.960
<v Speaker 1>the way. Well, that's if you're stealing and replacing. If

0:34:11.000 --> 0:34:13.160
<v Speaker 1>we're passing, then we're standing in front of each other

0:34:13.200 --> 0:34:15.359
<v Speaker 1>and just throwing them back and forth to each other.

0:34:15.440 --> 0:34:18.600
<v Speaker 1>And there's actually a pretty established way of um passing

0:34:18.640 --> 0:34:21.239
<v Speaker 1>where it's called the three three ten where we do

0:34:21.880 --> 0:34:26.759
<v Speaker 1>three passes where every third toss I passed to you

0:34:26.640 --> 0:34:29.240
<v Speaker 1>and you catch it, so you know we're in tandem

0:34:29.239 --> 0:34:32.520
<v Speaker 1>and everything's going right. And then after three of those,

0:34:32.520 --> 0:34:34.839
<v Speaker 1>you do every second toss. Then after three of those

0:34:34.880 --> 0:34:37.560
<v Speaker 1>you do every toss, you toss another one, and then

0:34:37.600 --> 0:34:41.560
<v Speaker 1>by that last one, we're just like on fire, just

0:34:41.680 --> 0:34:46.120
<v Speaker 1>throwing throwing ones back and forth between ourselves. Yeah, and

0:34:46.120 --> 0:34:48.560
<v Speaker 1>we did mention combat juggling. That was not a joke.

0:34:49.000 --> 0:34:51.040
<v Speaker 1>It is a thing, and I've seen I looked up

0:34:51.120 --> 0:34:54.440
<v Speaker 1>these little competitions. It's when it's sort of like dodgeball.

0:34:54.520 --> 0:34:57.840
<v Speaker 1>You get, you know, ten jugglers on a stage and

0:34:57.920 --> 0:35:00.000
<v Speaker 1>they all start juggling, and they all start to try

0:35:00.000 --> 0:35:06.560
<v Speaker 1>iron thwart the other jugglers juggle while maintaining theirs. So

0:35:06.800 --> 0:35:09.080
<v Speaker 1>I would go up and throw mine in the air

0:35:09.120 --> 0:35:10.879
<v Speaker 1>and try and knock yours out of your hand, but

0:35:11.560 --> 0:35:13.600
<v Speaker 1>you can't, you know, get too crazy because you've gotta

0:35:13.640 --> 0:35:16.799
<v Speaker 1>still juggle or else you're out. The way we've been

0:35:16.840 --> 0:35:20.359
<v Speaker 1>describing this one, it feels like we've been replaced by

0:35:20.440 --> 0:35:24.200
<v Speaker 1>impostors who listened to the show a lot and didn't

0:35:24.200 --> 0:35:27.680
<v Speaker 1>know what topic to pick. Isn't that weird? It is weird?

0:35:28.080 --> 0:35:33.680
<v Speaker 1>I'm myself? Are you yourself? No? I'm you? Oh god, weird. Well,

0:35:33.719 --> 0:35:35.680
<v Speaker 1>we'll get to the bottom of this right after these

0:35:35.680 --> 0:35:53.400
<v Speaker 1>messages and that chuck comes the darkest time? Is this

0:35:53.520 --> 0:36:01.080
<v Speaker 1>Josh actual? Yeah? Okay, yeah, I'm replaced. I replaced the replacement. Okay, um, nope,

0:36:01.120 --> 0:36:04.560
<v Speaker 1>still here saying bizarre stuff like I replaced the replacement.

0:36:04.680 --> 0:36:07.400
<v Speaker 1>All right, And we're talking about the physics of juggling

0:36:08.120 --> 0:36:11.480
<v Speaker 1>fun fun, which is it's actually kind of straightforward. It's

0:36:11.480 --> 0:36:14.600
<v Speaker 1>stuff you would think of, but it's nice to put

0:36:14.640 --> 0:36:17.000
<v Speaker 1>it into terms where we can say that we covered

0:36:17.040 --> 0:36:20.239
<v Speaker 1>the physics of juggling. That's right. Like, so, the main

0:36:20.520 --> 0:36:25.279
<v Speaker 1>factor acting on juggling, probably the most important part in

0:36:25.320 --> 0:36:29.840
<v Speaker 1>the whole thing, is our good friend gravity, that's right. Uh.

0:36:29.920 --> 0:36:34.080
<v Speaker 1>An acceleration due to gravity specifically is nine point eight

0:36:34.680 --> 0:36:37.799
<v Speaker 1>m slash s to the second power, meaning nine point

0:36:37.840 --> 0:36:41.560
<v Speaker 1>eight meters per second every second, So when you drop something,

0:36:42.440 --> 0:36:45.160
<v Speaker 1>speed is going to increase by nine point eight meters

0:36:45.200 --> 0:36:48.520
<v Speaker 1>per second. And don't bother us, we're not including any

0:36:48.600 --> 0:36:51.600
<v Speaker 1>kind of error resistance. We're in a vacuum. To demonstrate

0:36:51.600 --> 0:36:53.759
<v Speaker 1>all of our physics were always in a vacuum, right,

0:36:54.560 --> 0:36:56.680
<v Speaker 1>our little stuff you should know vacuum part next to

0:36:56.880 --> 0:37:02.879
<v Speaker 1>the way back machine. Um. So, it's a constant acceleration

0:37:02.960 --> 0:37:05.000
<v Speaker 1>and because of that, the only way to slow down

0:37:05.000 --> 0:37:08.239
<v Speaker 1>your pattern is by throwing something higher. Yeah, and so

0:37:08.320 --> 0:37:11.400
<v Speaker 1>the more things that you add into your pattern, the

0:37:11.480 --> 0:37:14.359
<v Speaker 1>higher you're going to have to throw, because you have

0:37:14.600 --> 0:37:20.799
<v Speaker 1>a constant acceleration downward acceleration after your toss. Um. So

0:37:20.920 --> 0:37:22.880
<v Speaker 1>that means you have to open up your pattern by

0:37:22.880 --> 0:37:25.000
<v Speaker 1>throwing it higher up the more stuff you have, because

0:37:25.000 --> 0:37:27.520
<v Speaker 1>you simply would not have enough time to throw x

0:37:27.560 --> 0:37:29.239
<v Speaker 1>amount of balls in the air. I mean, you can

0:37:29.280 --> 0:37:32.600
<v Speaker 1>increase your hand speed somewhat, but at a certain point

0:37:32.600 --> 0:37:34.879
<v Speaker 1>you just can't do it exactly. They're gonna be bean

0:37:34.920 --> 0:37:39.239
<v Speaker 1>bags everywhere. Another um factor is that it's not really

0:37:39.239 --> 0:37:41.880
<v Speaker 1>a factor. It's more of a fact. When you're throwing

0:37:41.920 --> 0:37:45.719
<v Speaker 1>your balls, you're throwing them in a parabola, which means

0:37:45.760 --> 0:37:49.120
<v Speaker 1>that the only, uh, the only velocity that counts is

0:37:49.160 --> 0:37:54.880
<v Speaker 1>the is the vertical velocity, the vertical acceleration. When you

0:37:54.920 --> 0:38:00.040
<v Speaker 1>throw something up, you're exerting your own force upward and

0:38:00.040 --> 0:38:04.960
<v Speaker 1>and what's it peaks ex gravity is pushing it back downward.

0:38:05.239 --> 0:38:07.799
<v Speaker 1>That's right, it's gonna have a horror zonal velocity, but

0:38:07.840 --> 0:38:10.600
<v Speaker 1>that's going to be constant, so there's no force acting

0:38:10.600 --> 0:38:13.160
<v Speaker 1>on it. There's no change in velocity. I guess with

0:38:13.200 --> 0:38:15.279
<v Speaker 1>the column it's pretty much straight up and down. But

0:38:15.360 --> 0:38:19.520
<v Speaker 1>generally speaking, uh, you're gonna be have both, right. Yeah,

0:38:19.680 --> 0:38:23.200
<v Speaker 1>it's moving horizontally, but there's no force pushing it. There's

0:38:23.200 --> 0:38:26.279
<v Speaker 1>no change in I'm sorry, there's no change in acceleration.

0:38:26.320 --> 0:38:30.080
<v Speaker 1>It's constant exactly, Okay. And then of course the mass

0:38:30.120 --> 0:38:33.279
<v Speaker 1>of your props also count, yeah, which is why if

0:38:33.320 --> 0:38:35.400
<v Speaker 1>you've ever seen the old trick where someone's doing a

0:38:35.440 --> 0:38:39.680
<v Speaker 1>bowling ball with a tennis ball with a club, it's

0:38:39.719 --> 0:38:43.879
<v Speaker 1>super impressive because it's much much easier to juggle things

0:38:43.920 --> 0:38:47.160
<v Speaker 1>with the same mass. Yeah, because you're just making the

0:38:47.200 --> 0:38:50.719
<v Speaker 1>same motion over and over again. When you are juggling

0:38:50.800 --> 0:38:53.600
<v Speaker 1>things with three different maths, meaning they have three different

0:38:53.920 --> 0:38:59.040
<v Speaker 1>um three different amounts of inertia or they require more

0:38:59.200 --> 0:39:04.160
<v Speaker 1>different amounts of force to overcome inertia. Um. Then yes,

0:39:04.200 --> 0:39:07.240
<v Speaker 1>like you said, that's kind of impressive. It just requires

0:39:07.239 --> 0:39:11.120
<v Speaker 1>that much more mental acuity. That's right. Is that all

0:39:11.120 --> 0:39:14.359
<v Speaker 1>the physics. Now we get into the math. I know

0:39:14.640 --> 0:39:17.200
<v Speaker 1>this actually kind of interested me a little bit, despite

0:39:17.239 --> 0:39:19.279
<v Speaker 1>the fact that it is math and I'm well known

0:39:19.320 --> 0:39:23.759
<v Speaker 1>to not love it. But um. There was a mathematician

0:39:24.000 --> 0:39:30.280
<v Speaker 1>who named Claude Shannon who proposed a juggling theorem um

0:39:30.400 --> 0:39:34.759
<v Speaker 1>that basically describes the relationship of of a cask or

0:39:34.880 --> 0:39:38.319
<v Speaker 1>well just of a juggle. Right, keep saying juggle? Is

0:39:38.320 --> 0:39:40.279
<v Speaker 1>that a thing? Yeah? Did I make it up? No?

0:39:40.360 --> 0:39:42.359
<v Speaker 1>I think it's a thing. I think it's called something

0:39:42.440 --> 0:39:46.760
<v Speaker 1>else though, a juggle. Yeah, oh a flash, a flash,

0:39:46.800 --> 0:39:49.600
<v Speaker 1>there you go. That's a round of juggling, one single

0:39:49.680 --> 0:39:52.800
<v Speaker 1>round where all three, year, all five, or all seven

0:39:52.840 --> 0:39:55.000
<v Speaker 1>of your balls have been tossed once at least. But

0:39:55.080 --> 0:39:57.880
<v Speaker 1>to the layman it's called a juggle. Right, so everyone

0:39:57.920 --> 0:40:00.839
<v Speaker 1>knows what I mean. Uh, And this is uh in

0:40:00.920 --> 0:40:04.880
<v Speaker 1>parentheses F plus d um, and then that would be

0:40:04.920 --> 0:40:08.640
<v Speaker 1>times eight right outside the parentheses equals v plus d

0:40:08.800 --> 0:40:12.120
<v Speaker 1>in printheses times in when F is the time the

0:40:12.160 --> 0:40:13.560
<v Speaker 1>ball is in the air, D as the time as

0:40:13.560 --> 0:40:16.080
<v Speaker 1>a ball in the hand, h is a number of hands,

0:40:16.160 --> 0:40:18.800
<v Speaker 1>v is time that the hand is empty, and in

0:40:18.880 --> 0:40:22.000
<v Speaker 1>as the number of balls being juggled. So basically, what

0:40:22.040 --> 0:40:24.319
<v Speaker 1>he's saying is, if you add together the amount of

0:40:24.320 --> 0:40:26.960
<v Speaker 1>time the ball spends in the air plus the amount

0:40:27.000 --> 0:40:30.080
<v Speaker 1>of time it spends in the hand, right, which is

0:40:30.280 --> 0:40:33.560
<v Speaker 1>the full amount of time that that ball exists during

0:40:33.560 --> 0:40:36.279
<v Speaker 1>a flash, multiply that times your hands to the number

0:40:36.320 --> 0:40:39.480
<v Speaker 1>of hands. That's going to equal the time your hand

0:40:39.560 --> 0:40:43.480
<v Speaker 1>is empty. Uh, plus the time the ball spends in

0:40:43.480 --> 0:40:46.120
<v Speaker 1>the hand times the number of balls being juggled. I

0:40:46.160 --> 0:40:52.239
<v Speaker 1>saw no reason for this equation whatsoever. Like at first,

0:40:52.320 --> 0:40:53.920
<v Speaker 1>I was like, oh, that's that's pretty cool, And then

0:40:53.960 --> 0:40:57.080
<v Speaker 1>I spelled it out to myself in a It's like, yeah,

0:40:57.400 --> 0:40:59.080
<v Speaker 1>the amount of time the balls out of the hand

0:40:59.120 --> 0:41:00.799
<v Speaker 1>plus the amount of time the balls in the hand

0:41:02.200 --> 0:41:06.680
<v Speaker 1>times the number of balls that what. Yeah. I didn't

0:41:06.760 --> 0:41:09.840
<v Speaker 1>understand what the point of it was. So Claude Shannon,

0:41:10.200 --> 0:41:13.680
<v Speaker 1>please get in touch with us. Well, that's why he

0:41:13.719 --> 0:41:16.719
<v Speaker 1>did it so people would write stuff about it, you know. Well,

0:41:16.800 --> 0:41:18.960
<v Speaker 1>the thing is I guess the problem is that it

0:41:19.000 --> 0:41:21.560
<v Speaker 1>says Shannon build the juggling robots. So I guess this

0:41:21.680 --> 0:41:25.440
<v Speaker 1>formula allows robotics to happen. Yeah, and I saw the

0:41:25.520 --> 0:41:30.080
<v Speaker 1>juggling robots, different robots that toss things and catch things, right,

0:41:30.160 --> 0:41:32.439
<v Speaker 1>It's kind of cool. Okay. Yeah, So if if that's

0:41:32.520 --> 0:41:36.200
<v Speaker 1>the point of the Shannon theorem, is that what that's called,

0:41:36.680 --> 0:41:43.000
<v Speaker 1>sure the Claude's Claude's law, then then I understand it.

0:41:43.000 --> 0:41:47.240
<v Speaker 1>And I take it back. What if there's some Claude's

0:41:47.280 --> 0:41:52.160
<v Speaker 1>law that's something awful that we don't know about. That's

0:41:52.200 --> 0:41:57.000
<v Speaker 1>the case. And then there is site swapping um, which

0:41:57.080 --> 0:42:01.040
<v Speaker 1>is another math application. It's sort of like musical akin

0:42:01.080 --> 0:42:04.759
<v Speaker 1>to a musical score to a musician, as a form

0:42:04.800 --> 0:42:08.840
<v Speaker 1>of notation describing the juggling pattern, and is what jugglers

0:42:08.960 --> 0:42:13.040
<v Speaker 1>use two um. Basically, if you were going to write

0:42:13.040 --> 0:42:15.160
<v Speaker 1>out your juggling pattern and send it to your buddy,

0:42:15.520 --> 0:42:17.840
<v Speaker 1>you wouldn't say, take your right hand and blah blah blah.

0:42:17.920 --> 0:42:20.560
<v Speaker 1>You would use numbers to represent it. Which this actually

0:42:20.560 --> 0:42:22.640
<v Speaker 1>does make sense. Yeah, this made a little more sense

0:42:22.680 --> 0:42:25.759
<v Speaker 1>to me for sure. Yeah. And um, so like a

0:42:26.120 --> 0:42:29.440
<v Speaker 1>normal three ball cascade is three, three, three. Each throw

0:42:29.520 --> 0:42:33.080
<v Speaker 1>takes three beats. A zero is a rest on an

0:42:33.120 --> 0:42:36.239
<v Speaker 1>empty hand, and a one is handoff from one to

0:42:36.320 --> 0:42:38.279
<v Speaker 1>the other. And you can actually if you add them

0:42:38.280 --> 0:42:40.480
<v Speaker 1>all together and take the average, you can tell how

0:42:40.480 --> 0:42:43.879
<v Speaker 1>many balls are in that pattern. Right, So in a three, three,

0:42:43.960 --> 0:42:46.399
<v Speaker 1>three you add those together, that's nine divided by three

0:42:46.400 --> 0:42:49.400
<v Speaker 1>because there's three different numerals, and you've got three or

0:42:49.560 --> 0:42:54.319
<v Speaker 1>four five one four one is also three, right, matth

0:42:54.480 --> 0:42:59.280
<v Speaker 1>that sounds pretty difficult. The four one, you know, Yeah,

0:42:59.480 --> 0:43:03.000
<v Speaker 1>the three three makes intuitive sense to me. But that's

0:43:03.200 --> 0:43:08.160
<v Speaker 1>you know, the four one five four five one four one.

0:43:08.280 --> 0:43:12.719
<v Speaker 1>That's tough. Oh man, is anyone still listening though? Can

0:43:12.760 --> 0:43:17.000
<v Speaker 1>you hear the echo? I can. Uh. If you look

0:43:17.040 --> 0:43:19.520
<v Speaker 1>at a juggler, you might notice that they're probably not

0:43:19.640 --> 0:43:22.160
<v Speaker 1>looking at their hands like at the catching. The catching

0:43:22.200 --> 0:43:25.600
<v Speaker 1>is sort of automatic. Uh, they're kind of looking sort

0:43:25.640 --> 0:43:28.359
<v Speaker 1>of up at the arc um. And they have done

0:43:28.440 --> 0:43:33.880
<v Speaker 1>experiments to see where um your eyes go um A A. M.

0:43:33.960 --> 0:43:38.240
<v Speaker 1>Van Santvoord. Peter J. Beck did some experiments that actually

0:43:38.280 --> 0:43:41.600
<v Speaker 1>found that while the peak is important, if you see

0:43:41.600 --> 0:43:44.919
<v Speaker 1>the first one hundred milliseconds of the flight path, then

0:43:44.960 --> 0:43:47.880
<v Speaker 1>you can juggle successfully, yeah, which is pretty impressive. They

0:43:47.880 --> 0:43:51.760
<v Speaker 1>found that jugglers are relying more on feel sure, then

0:43:52.040 --> 0:43:54.279
<v Speaker 1>and then vision. That's why you can juggle blindfolded if

0:43:54.280 --> 0:43:57.120
<v Speaker 1>you're really good. Supposedly some people can. I've seen it.

0:43:57.239 --> 0:44:01.439
<v Speaker 1>Oh yeah, yeah, I bet Brandon Ross can. I could

0:44:01.480 --> 0:44:04.640
<v Speaker 1>see that dude is talented, So Chuck, we could probably

0:44:04.719 --> 0:44:07.240
<v Speaker 1>keep talking about juggling for the next five years because

0:44:07.239 --> 0:44:09.520
<v Speaker 1>there's a lot to it. Yeah, man, this is just

0:44:09.600 --> 0:44:13.120
<v Speaker 1>a primer. Hopefully you guys are inspired, or at least

0:44:13.160 --> 0:44:15.399
<v Speaker 1>were inspired in the first maybe twenty minutes. The good

0:44:15.440 --> 0:44:18.759
<v Speaker 1>part of this episode to go out and um and

0:44:19.080 --> 0:44:21.600
<v Speaker 1>learn to juggle. I know I was. And while we

0:44:21.640 --> 0:44:24.839
<v Speaker 1>hate ourselves, we don't hate ourselves that much. Right, we're

0:44:24.840 --> 0:44:29.319
<v Speaker 1>gonna end this one. Yeah, So, uh, we think that

0:44:29.360 --> 0:44:32.680
<v Speaker 1>you should learn about juggling, and you can start by

0:44:32.840 --> 0:44:34.880
<v Speaker 1>typing that word into the search bar at how stuff

0:44:34.880 --> 0:44:38.359
<v Speaker 1>works dot com. Since I said search bar, it's time

0:44:38.400 --> 0:44:43.760
<v Speaker 1>for listener mail. Uh. This is a really touching story,

0:44:43.960 --> 0:44:47.319
<v Speaker 1>oddly enough, from Jennifer Grace. She's an actor in New

0:44:47.400 --> 0:44:51.319
<v Speaker 1>York City who um played a very long run of

0:44:51.360 --> 0:44:54.000
<v Speaker 1>Our Town on stage and had to go there without

0:44:54.000 --> 0:44:57.360
<v Speaker 1>her husband. At first because they were in Chicago and

0:44:57.400 --> 0:44:58.960
<v Speaker 1>stuff you should know turned out to be the thing

0:44:59.000 --> 0:45:02.640
<v Speaker 1>that linked them together before he finally moved to New

0:45:02.680 --> 0:45:05.360
<v Speaker 1>York to join her. Um. They've been together for thirteen

0:45:05.400 --> 0:45:07.280
<v Speaker 1>years now and they had their son, Emmett last fall,

0:45:07.600 --> 0:45:10.319
<v Speaker 1>and a month before Emmett turned one. Uh Tom, her

0:45:10.400 --> 0:45:12.839
<v Speaker 1>husband was admitted to the hospital and has been there

0:45:12.880 --> 0:45:17.120
<v Speaker 1>ever since. UM. He has a very rare issue with

0:45:17.160 --> 0:45:21.360
<v Speaker 1>his bone marrow that they finally uh diagnosed as a

0:45:21.480 --> 0:45:26.399
<v Speaker 1>plastic anemia. So basically he has no immune system, which

0:45:26.440 --> 0:45:29.120
<v Speaker 1>means he can't risk getting sick, which means her son,

0:45:29.560 --> 0:45:34.399
<v Speaker 1>their son, can't even visit him, which is just unbelievably sad. Um.

0:45:34.440 --> 0:45:37.680
<v Speaker 1>She can visit, bring mask and gloves and gown, but

0:45:37.760 --> 0:45:40.520
<v Speaker 1>they can't even touch each other, the husband and wife.

0:45:40.880 --> 0:45:44.040
<v Speaker 1>And this came on suddenly too, right, Yeah, she said,

0:45:44.040 --> 0:45:45.480
<v Speaker 1>it's pretty much the worst thing ever. I mean, they

0:45:45.560 --> 0:45:48.919
<v Speaker 1>spent a lot of time even diagnosing this thing before

0:45:48.960 --> 0:45:51.080
<v Speaker 1>they came. I know, it's just so terrible and they're

0:45:51.120 --> 0:45:56.000
<v Speaker 1>just really really great people. Um she said, Uh, it

0:45:56.000 --> 0:45:57.840
<v Speaker 1>looks like we will be going forward though with a

0:45:57.880 --> 0:46:00.759
<v Speaker 1>bone marrow transplant because as a brother who was a

0:46:00.800 --> 0:46:02.759
<v Speaker 1>match and he does have a good chance of recovering

0:46:03.920 --> 0:46:06.480
<v Speaker 1>with this bone marrow transplant and a round of chemo

0:46:06.600 --> 0:46:09.919
<v Speaker 1>followed by this transplant in the new year. She says,

0:46:09.960 --> 0:46:11.560
<v Speaker 1>There's not a lot that I can give him by

0:46:11.560 --> 0:46:14.200
<v Speaker 1>way of a Christmas present this year, given the circumstances,

0:46:14.239 --> 0:46:15.719
<v Speaker 1>but I'm hoping that perhaps you would give him a

0:46:15.760 --> 0:46:18.520
<v Speaker 1>shout out on an episode. It's been a very special

0:46:18.520 --> 0:46:23.360
<v Speaker 1>shared experience for us. It really brightened his day. So Tom, dude.

0:46:23.719 --> 0:46:26.239
<v Speaker 1>They also sent me a video of them playing a

0:46:26.280 --> 0:46:31.560
<v Speaker 1>song together in the kitchen doing uh Springsteen song and

0:46:31.560 --> 0:46:33.560
<v Speaker 1>it was just like they're the cutest couple ever and

0:46:33.600 --> 0:46:36.960
<v Speaker 1>they're really great. And UM, I'm gonna plug their go

0:46:37.080 --> 0:46:39.480
<v Speaker 1>fund me site because um, they didn't even ask me to.

0:46:39.560 --> 0:46:42.360
<v Speaker 1>That's why I'm plugging it. Uh. It is go fund

0:46:42.440 --> 0:46:46.960
<v Speaker 1>me dot com slash F seven five nine z G

0:46:47.680 --> 0:46:51.040
<v Speaker 1>and that will help out offset um their hospital builds

0:46:51.040 --> 0:46:54.080
<v Speaker 1>a little bit. And there's really nice folks. Since Tom

0:46:54.440 --> 0:46:57.120
<v Speaker 1>get better soon, man, I hope that operation goes great. Yeah, Tom,

0:46:57.160 --> 0:47:01.319
<v Speaker 1>here's to your buddy, and uh yeah, and keep us

0:47:01.400 --> 0:47:03.800
<v Speaker 1>keep us posted, you guys. Yeah, please do, Jennifer, that

0:47:03.840 --> 0:47:06.319
<v Speaker 1>would be great. Uh, and we should totally post that

0:47:06.400 --> 0:47:09.439
<v Speaker 1>go fund me stuff too on social Yeah, yeah, we'll

0:47:09.440 --> 0:47:11.960
<v Speaker 1>do that. Well. If you have a great story about

0:47:12.000 --> 0:47:15.440
<v Speaker 1>how Chuck and I brought you together with your s O,

0:47:16.080 --> 0:47:19.200
<v Speaker 1>or helped you through a rough time, or did anything good,

0:47:19.280 --> 0:47:21.520
<v Speaker 1>we want to hear about it. You can tweet to

0:47:21.600 --> 0:47:24.200
<v Speaker 1>us at s y s K podcast. You can join

0:47:24.280 --> 0:47:26.600
<v Speaker 1>us on Facebook dot com slash Stuff you Should Know,

0:47:27.160 --> 0:47:30.800
<v Speaker 1>and you can send us an email to stuff Podcast

0:47:30.800 --> 0:47:33.120
<v Speaker 1>at how stuff worst dot com and it's always joined

0:47:33.200 --> 0:47:35.160
<v Speaker 1>us at our home on the web, Stuff you Should

0:47:35.160 --> 0:47:40.120
<v Speaker 1>Know dot com. Stuff you Should Know is a production

0:47:40.120 --> 0:47:42.840
<v Speaker 1>of iHeart Radios. How Stuff Works for more podcasts for

0:47:42.920 --> 0:47:45.719
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0:47:45.760 --> 0:47:47.480
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