1 00:00:01,760 --> 00:00:04,359 Speaker 1: And that's what you really missed with Jenna. 2 00:00:04,480 --> 00:00:07,160 Speaker 2: And Kevin An iHeartRadio podcast. 3 00:00:09,320 --> 00:00:16,200 Speaker 1: Welcome to and that's what you really missed podcast. Today 4 00:00:16,400 --> 00:00:21,280 Speaker 1: is a movie day. It's girls and boys on film. 5 00:00:22,360 --> 00:00:24,040 Speaker 2: It's a day, but it's a music day. 6 00:00:25,000 --> 00:00:28,000 Speaker 1: It's a music day. There's a lot of music, a 7 00:00:28,040 --> 00:00:32,440 Speaker 1: lot of music, so much music, Like did anything else happen? No? 8 00:00:33,880 --> 00:00:35,199 Speaker 1: I was. It was fun though, because I have some 9 00:00:35,280 --> 00:00:42,240 Speaker 1: memories from this, particularly like foot Loose. Oh yeah, and uh, 10 00:00:42,320 --> 00:00:44,080 Speaker 1: what is the other one that I owned? Diamonds of 11 00:00:44,120 --> 00:00:47,400 Speaker 1: course and you guys doing danger Zone so cute, let's 12 00:00:47,440 --> 00:00:51,519 Speaker 1: get into it. So this aired March seventh, twenty thirteen. 13 00:00:53,640 --> 00:00:55,680 Speaker 1: And what is this song? 14 00:00:56,200 --> 00:01:00,200 Speaker 2: Kevin Harlem shake yeahe song in the country? 15 00:01:01,200 --> 00:01:04,479 Speaker 1: Yeah, like you I would know what if I heard it? 16 00:01:05,200 --> 00:01:07,080 Speaker 2: Yeah, And it became like a really big viral thing. 17 00:01:07,160 --> 00:01:08,080 Speaker 2: There is like a day oh. 18 00:01:08,080 --> 00:01:12,360 Speaker 1: Wait and then our crew did it? Yes, okay, yes, 19 00:01:12,560 --> 00:01:13,920 Speaker 1: I remember. I remember. 20 00:01:14,120 --> 00:01:18,759 Speaker 2: The number one movie this week was Jack the Giant Slayer. 21 00:01:18,920 --> 00:01:21,600 Speaker 1: As in like Jack and the beanstalg like reimagined. 22 00:01:22,440 --> 00:01:25,400 Speaker 2: I don't know, Nicholas Holt, Stanley Tucci, you McGregor, Bill Night, 23 00:01:25,680 --> 00:01:26,479 Speaker 2: like what what. 24 00:01:26,520 --> 00:01:27,679 Speaker 1: A cast never seen it. 25 00:01:27,880 --> 00:01:31,360 Speaker 2: Yeah and Glee News On March sixth, the day before 26 00:01:31,360 --> 00:01:33,920 Speaker 2: this episode aired, it previously unreleased a version of the 27 00:01:33,920 --> 00:01:36,039 Speaker 2: song Dancing on My Own, which you talked about last week, 28 00:01:36,480 --> 00:01:39,400 Speaker 2: was posted on Glee's official SoundCloud. There was an official 29 00:01:39,400 --> 00:01:43,720 Speaker 2: Glee SoundCloud as your fans tweeted the hashtag Glee fifty 30 00:01:43,840 --> 00:01:45,000 Speaker 2: thousand times. 31 00:01:45,520 --> 00:01:46,360 Speaker 1: No Wow. 32 00:01:46,480 --> 00:01:49,400 Speaker 2: The song was cut from the episode Diva and was 33 00:01:49,640 --> 00:01:52,240 Speaker 2: sung by Heather and we will never get over it 34 00:01:52,360 --> 00:01:53,760 Speaker 2: that it was not actually filmed. 35 00:01:53,920 --> 00:01:56,800 Speaker 1: What a Dream Yeah. On March tenth, I Heart Glee, 36 00:01:56,880 --> 00:02:02,520 Speaker 1: a documentary hosted by Emma Bunton Baby Spice aka aired 37 00:02:02,560 --> 00:02:07,240 Speaker 1: on Sky One and I am on Wow. 38 00:02:08,080 --> 00:02:13,240 Speaker 2: That day was historic crazy. I could not believe there 39 00:02:13,280 --> 00:02:16,200 Speaker 2: was a Spice girl there. We and Telly tells a 40 00:02:16,200 --> 00:02:18,200 Speaker 2: story all the time where I like made him come 41 00:02:18,240 --> 00:02:20,840 Speaker 2: with me and introduced them because it's like, when are 42 00:02:20,840 --> 00:02:23,000 Speaker 2: we ever gonna get me a spie girl? So nice, 43 00:02:23,440 --> 00:02:25,640 Speaker 2: so nice? Could not believe she was like there to 44 00:02:25,720 --> 00:02:30,440 Speaker 2: do this interview with us, Like what she's royalty. 45 00:02:31,080 --> 00:02:34,280 Speaker 1: Truly and it won't be long do we do spine squirrels? 46 00:02:34,400 --> 00:02:34,799 Speaker 2: Mm hmm. 47 00:02:35,919 --> 00:02:40,880 Speaker 1: Glease five hundredth performance. Shout was featured in this episode. 48 00:02:41,880 --> 00:02:47,760 Speaker 1: Also remember that one and there are some really fun 49 00:02:47,840 --> 00:02:51,920 Speaker 1: bucks about this episode. So this is the only episode 50 00:02:51,960 --> 00:02:58,000 Speaker 1: to ever feature brackets in the title and boys, sorry boys. 51 00:02:59,320 --> 00:03:01,560 Speaker 2: As we know. That was the five hundred musical number, 52 00:03:01,560 --> 00:03:04,880 Speaker 2: and the proceeds from this number were donated to give 53 00:03:04,880 --> 00:03:07,840 Speaker 2: a Note Foundation, a charity dedicated to expanding music education 54 00:03:07,880 --> 00:03:08,919 Speaker 2: opportunities for children. 55 00:03:09,440 --> 00:03:13,000 Speaker 1: Lovely giving Back. Brittany, Kitty Marley, and Tina were supposed 56 00:03:13,000 --> 00:03:16,120 Speaker 1: to sing Maniac from Flashdance, but it got cut. I 57 00:03:16,120 --> 00:03:17,760 Speaker 1: don't think I knew that, so you. 58 00:03:17,720 --> 00:03:22,799 Speaker 2: Never recorded it. Then that would have been fun. I 59 00:03:22,800 --> 00:03:25,239 Speaker 2: would have like to see you guys do that. 60 00:03:25,240 --> 00:03:27,040 Speaker 1: That would have been really fun. I would have loved that. 61 00:03:27,520 --> 00:03:29,880 Speaker 2: Brody was supposed to have us for solo in this episode. 62 00:03:29,960 --> 00:03:32,800 Speaker 2: It was supposed to be El Tango dei Roxane, but 63 00:03:32,880 --> 00:03:34,920 Speaker 2: it was later replaced by how to be a Heartbreaker 64 00:03:34,960 --> 00:03:41,000 Speaker 2: as to do it with Rachel in feud Ooh. 65 00:03:40,120 --> 00:03:41,680 Speaker 1: He would have that would have been great. I do 66 00:03:41,800 --> 00:03:45,360 Speaker 1: remember that though. I feel like that was written in 67 00:03:45,360 --> 00:03:48,200 Speaker 1: the script and then it changed. But I love that song. 68 00:03:48,760 --> 00:03:51,560 Speaker 1: This episode features multiple songs that appear in Mulan Rouge. 69 00:03:52,160 --> 00:03:54,320 Speaker 1: In the stage production of Mulan rouge. Christian has a 70 00:03:54,320 --> 00:03:57,960 Speaker 1: line where he tells the teen he's from Lima, Ohio. Wait, 71 00:03:58,000 --> 00:03:59,880 Speaker 1: what do they steal that from us? 72 00:04:00,920 --> 00:04:04,560 Speaker 2: I'm so confused. This is the first time a mashup 73 00:04:04,560 --> 00:04:07,400 Speaker 2: competition has not taken place during the sixth episode of 74 00:04:07,440 --> 00:04:07,880 Speaker 2: the season. 75 00:04:08,200 --> 00:04:10,480 Speaker 1: Well there mashups though. 76 00:04:10,360 --> 00:04:12,320 Speaker 2: Yes there are mash ups. They talked about it. 77 00:04:14,160 --> 00:04:15,760 Speaker 1: And Will has this blue car that he drove to 78 00:04:15,760 --> 00:04:18,479 Speaker 1: the school in the pilot. It's still here. 79 00:04:18,920 --> 00:04:25,640 Speaker 2: Pay teachers more. This is the last time Emma sings 80 00:04:25,680 --> 00:04:26,440 Speaker 2: in season four. 81 00:04:26,720 --> 00:04:30,039 Speaker 1: Oh and this is the last time that all members 82 00:04:30,080 --> 00:04:34,480 Speaker 1: of New Directions are present until All or Nothing seven 83 00:04:34,560 --> 00:04:35,480 Speaker 1: episodes later. 84 00:04:36,040 --> 00:04:39,040 Speaker 2: Ian Brandon, who directed this episode, said they couldn't settle 85 00:04:39,040 --> 00:04:41,000 Speaker 2: on a title for this episode. They wanted to call 86 00:04:41,040 --> 00:04:49,440 Speaker 2: it whatever Happened to Emma Pillsbury or Cinema Perregliso. However, 87 00:04:49,480 --> 00:04:52,120 Speaker 2: they decided on Girls and Boys on Film. 88 00:04:52,400 --> 00:04:55,640 Speaker 1: It's just not very Glee like the title, but that's funny. 89 00:04:55,680 --> 00:04:58,200 Speaker 1: I like that. The title of the episode is reference 90 00:04:58,279 --> 00:05:01,120 Speaker 1: to Girls on Film by Duran Duran later sung by 91 00:05:01,279 --> 00:05:03,920 Speaker 1: Sam in the untitled Rachel Berry Project. 92 00:05:04,520 --> 00:05:06,599 Speaker 2: So we've gone a little bout of order here, But 93 00:05:06,680 --> 00:05:09,200 Speaker 2: there's a lot of this episode directed by Ian On. 94 00:05:09,680 --> 00:05:13,320 Speaker 2: It was written That's fine, I skipped switched up a 95 00:05:13,320 --> 00:05:17,880 Speaker 2: bit on paper written by Michael Hitchcock. But there's a 96 00:05:17,920 --> 00:05:20,440 Speaker 2: lot of music, So we have You're All the World 97 00:05:20,440 --> 00:05:21,480 Speaker 2: to Me by Fred. 98 00:05:21,240 --> 00:05:24,080 Speaker 1: Astaire, Shout by the Isley Brothers. 99 00:05:24,920 --> 00:05:27,880 Speaker 2: Come What May by the cast of Molin Rouge. I 100 00:05:27,920 --> 00:05:29,200 Speaker 2: thought that song so much. 101 00:05:29,080 --> 00:05:32,240 Speaker 1: All the time, rock and Roll mashed up with danger 102 00:05:32,360 --> 00:05:34,640 Speaker 1: Zone by Bob Seeker and Kenny Loggins. 103 00:05:35,640 --> 00:05:39,000 Speaker 2: Diamonds Are a Girl's Best Friend mashed up with Material 104 00:05:39,080 --> 00:05:40,720 Speaker 2: Girl by marily Monroe and. 105 00:05:40,640 --> 00:05:44,279 Speaker 1: Madonna, and In Your Eyes Peter Gabriel. 106 00:05:45,160 --> 00:05:50,600 Speaker 2: Unchained Melody by Todd Gunkan but the Righteous Brothers version. 107 00:05:51,000 --> 00:05:52,680 Speaker 1: And Footloos by Kenny Loggins. 108 00:05:53,000 --> 00:05:58,360 Speaker 2: So the official episode summary is, as everyone recovers from 109 00:05:58,360 --> 00:06:00,720 Speaker 2: Will and Emma's wedding, the Glee club member are tasked 110 00:06:00,720 --> 00:06:05,160 Speaker 2: with performing their favorite movie songs. Look basically this two 111 00:06:05,200 --> 00:06:09,240 Speaker 2: things happened in this episode. Yeah, everybody's performing, and then 112 00:06:09,240 --> 00:06:10,920 Speaker 2: there's some confessions and. 113 00:06:10,839 --> 00:06:14,440 Speaker 1: That's sort of pretty much yeah. 114 00:06:14,120 --> 00:06:20,359 Speaker 2: Or giving spectacle and budget, and there's the Rachel stuff, 115 00:06:21,320 --> 00:06:24,159 Speaker 2: and then there's New York, which is like those things. 116 00:06:24,160 --> 00:06:25,760 Speaker 2: There's actually things happening in New York. 117 00:06:26,279 --> 00:06:30,320 Speaker 1: Yeah, okay, well let's let's talk about Let's talk about 118 00:06:30,360 --> 00:06:38,960 Speaker 1: Linema first, because there's a lot of movie magic happening here. Yes, okay. 119 00:06:39,080 --> 00:06:40,680 Speaker 1: We open with her All the World to Me by 120 00:06:40,680 --> 00:06:45,159 Speaker 1: Fred Astaire, which is Will's in Will's Dream. It's in 121 00:06:45,200 --> 00:06:50,680 Speaker 1: black and white, and they're doing this number and wow, wow, wow, 122 00:06:50,760 --> 00:06:51,880 Speaker 1: wow wow. What a number. 123 00:06:52,560 --> 00:06:55,200 Speaker 2: One of the best numbers the show has ever done. 124 00:06:55,440 --> 00:06:58,120 Speaker 1: And I mean just like the production value of like 125 00:06:58,200 --> 00:07:00,840 Speaker 1: what went into this number, from the core biography to 126 00:07:01,920 --> 00:07:06,520 Speaker 1: the construction and the architecture of this box that had 127 00:07:06,560 --> 00:07:09,840 Speaker 1: to be built. So there's a really great behind the 128 00:07:09,880 --> 00:07:15,800 Speaker 1: scenes that you should google YouTube because you get to 129 00:07:15,920 --> 00:07:19,240 Speaker 1: see how it was really shot, which is actually like 130 00:07:19,320 --> 00:07:22,760 Speaker 1: I still can't quite wrap my head around it. 131 00:07:23,320 --> 00:07:26,239 Speaker 2: No, like we watched it in person and then watching 132 00:07:26,280 --> 00:07:28,160 Speaker 2: it now in the episode, I'm still. 133 00:07:28,000 --> 00:07:30,560 Speaker 1: Like, how do they how do they cut that? Like 134 00:07:30,680 --> 00:07:34,440 Speaker 1: is that the editor that's cutting? Then? From anyway, go 135 00:07:34,600 --> 00:07:37,560 Speaker 1: check it out. But the box basically rotates. The camera 136 00:07:37,640 --> 00:07:40,120 Speaker 1: stays in one position, but the box rotates and then 137 00:07:40,120 --> 00:07:44,680 Speaker 1: the dancers have to then move with the rotating box. 138 00:07:44,720 --> 00:07:47,840 Speaker 1: And it's a very large box. I mean, this is massive, 139 00:07:47,880 --> 00:07:53,000 Speaker 1: massive box it's pretty impressive and it's definitely one of 140 00:07:53,120 --> 00:07:55,920 Speaker 1: my favorite numbers of this Sorry cool, Yeah. 141 00:07:55,720 --> 00:07:57,920 Speaker 2: It was just it was just one of the most 142 00:07:58,000 --> 00:08:02,480 Speaker 2: incredible things to watch and be made. Zach and Brooke 143 00:08:03,120 --> 00:08:08,080 Speaker 2: really did it, like getting in that box, jump falling, jumping. 144 00:08:07,760 --> 00:08:09,560 Speaker 1: Around, bruises everywhere. 145 00:08:10,360 --> 00:08:14,440 Speaker 2: Jaima and Matt just killed it. They were so good. 146 00:08:15,040 --> 00:08:18,720 Speaker 1: They make it look so flawless and so easy. And 147 00:08:18,720 --> 00:08:20,600 Speaker 1: and then you just sing while doing that. Can you 148 00:08:20,640 --> 00:08:22,000 Speaker 1: imagine athletic? 149 00:08:22,200 --> 00:08:24,640 Speaker 2: That's what you have? Like that is an athletic number? 150 00:08:25,360 --> 00:08:31,400 Speaker 1: Really really cool. We we do shout. 151 00:08:32,559 --> 00:08:37,440 Speaker 2: Yes, well the premises will's inspired and we're gonna like 152 00:08:37,600 --> 00:08:41,960 Speaker 2: do some movie songs as our next assignment. And whoever 153 00:08:42,000 --> 00:08:45,680 Speaker 2: wins gets to be an artie's micro budget film, which 154 00:08:45,720 --> 00:08:52,000 Speaker 2: is yeah. And so then everybody goes about goes around 155 00:08:52,040 --> 00:08:55,800 Speaker 2: and they have to be mashups. But that doesn't really happen, right. 156 00:08:55,920 --> 00:08:59,160 Speaker 2: It's sort of like a freeform rockout which brings us 157 00:08:59,200 --> 00:09:00,880 Speaker 2: too out. 158 00:09:01,440 --> 00:09:07,079 Speaker 1: Oh my god, what a number. I remember this number 159 00:09:10,360 --> 00:09:15,040 Speaker 1: being like the bane of my existence. There were so 160 00:09:15,240 --> 00:09:18,880 Speaker 1: many parts and so many locations. 161 00:09:18,440 --> 00:09:21,120 Speaker 2: Over so many days, yes. 162 00:09:21,679 --> 00:09:26,880 Speaker 1: Having to pick up people along the way. I just 163 00:09:27,040 --> 00:09:30,040 Speaker 1: and this song is not like, oh so easy on 164 00:09:30,080 --> 00:09:32,360 Speaker 1: my ears. I'm like, oh my god, I love this song, 165 00:09:32,559 --> 00:09:35,560 Speaker 1: you know, yeah, And I remember doing it and being 166 00:09:35,600 --> 00:09:36,720 Speaker 1: like this again. 167 00:09:38,320 --> 00:09:40,240 Speaker 2: It felt like it lasted a month forever. 168 00:09:40,960 --> 00:09:43,480 Speaker 1: It's like ingrained in my brain because. 169 00:09:43,240 --> 00:09:45,640 Speaker 2: It didn't normally happen. Normally, we shoot a song for 170 00:09:45,760 --> 00:09:49,200 Speaker 2: half a day and that's it. This was If the 171 00:09:49,240 --> 00:09:51,520 Speaker 2: episode took ten days to shoot, they probably filmed this 172 00:09:52,160 --> 00:09:53,040 Speaker 2: over five days. 173 00:09:53,200 --> 00:09:54,200 Speaker 1: Why was that? 174 00:09:55,080 --> 00:09:56,480 Speaker 2: Because I think we had to go to so many 175 00:09:56,480 --> 00:09:57,319 Speaker 2: different locations. 176 00:09:57,480 --> 00:10:01,000 Speaker 1: Oh god, I don't know. It's fine. My memory of 177 00:10:01,040 --> 00:10:03,679 Speaker 1: it is just not so great. But it actually it 178 00:10:03,720 --> 00:10:04,400 Speaker 1: looks great. 179 00:10:04,679 --> 00:10:06,800 Speaker 2: It looks incredible. I have to say, like a lot 180 00:10:06,840 --> 00:10:09,360 Speaker 2: of the choreography was really great, and when everybody gets 181 00:10:09,360 --> 00:10:12,959 Speaker 2: in the cafeteria, it looks really good. Heather and Darren 182 00:10:13,000 --> 00:10:15,440 Speaker 2: performing together were so good. 183 00:10:15,760 --> 00:10:18,160 Speaker 1: Really great. It reminds me of the number we do 184 00:10:18,280 --> 00:10:23,480 Speaker 1: later take on me Yes, where we're traveling through in 185 00:10:23,520 --> 00:10:27,480 Speaker 1: the cartoon, right, yeah, yeah, yeah, yeah, totally, that's exactly right. 186 00:10:27,760 --> 00:10:31,640 Speaker 2: I remember. I remember because I obviously joined this number 187 00:10:31,840 --> 00:10:35,960 Speaker 2: later than you shout yeah yeah, and by the time 188 00:10:37,080 --> 00:10:39,439 Speaker 2: because you guys had to crawl and do all these 189 00:10:39,440 --> 00:10:41,520 Speaker 2: like really physical things, and I was sort of like 190 00:10:41,559 --> 00:10:43,240 Speaker 2: shoved off to the side and a lot of this. 191 00:10:43,640 --> 00:10:44,839 Speaker 1: Yeah, I did notice that. 192 00:10:45,360 --> 00:10:48,640 Speaker 2: And and poor people were pushing me because we had 193 00:10:48,679 --> 00:10:51,480 Speaker 2: to move really quickly, and so I didn't really have 194 00:10:51,520 --> 00:10:54,240 Speaker 2: to do a bunch. And I remember how miserable you were. 195 00:10:54,960 --> 00:10:58,160 Speaker 1: It was just one of those members You're like, do 196 00:10:58,240 --> 00:10:59,440 Speaker 1: we really have to do this number? 197 00:11:01,160 --> 00:11:03,120 Speaker 2: It looked really good though, it did look it? 198 00:11:03,200 --> 00:11:05,880 Speaker 1: Did it? Did I get it? 199 00:11:05,920 --> 00:11:06,840 Speaker 2: I was really surprised. 200 00:11:06,880 --> 00:11:07,440 Speaker 1: I was shocked. 201 00:11:07,440 --> 00:11:08,920 Speaker 2: I was like, this is really fun. 202 00:11:09,800 --> 00:11:11,880 Speaker 1: I know, it just gives me the ick a little bit, 203 00:11:14,360 --> 00:11:16,800 Speaker 1: the shooting at it, But yeah, it looks great. 204 00:11:16,960 --> 00:11:18,719 Speaker 2: I get it, Like great, I get it. 205 00:11:20,240 --> 00:11:28,400 Speaker 1: But it's very exciting that we're doing these mashups you guys. 206 00:11:29,679 --> 00:11:35,040 Speaker 1: So the guys end up doing uh old time rock 207 00:11:35,080 --> 00:11:39,840 Speaker 1: and roll in Danger Zone. Strangely, these songs go very 208 00:11:39,840 --> 00:11:40,880 Speaker 1: well together. 209 00:11:40,840 --> 00:11:41,480 Speaker 2: Do you think so? 210 00:11:42,679 --> 00:11:43,199 Speaker 1: I did. 211 00:11:44,160 --> 00:11:46,760 Speaker 2: I thought this was one of those mashups that was 212 00:11:46,800 --> 00:11:50,440 Speaker 2: like mash up. They're not really mashed like. It felt 213 00:11:50,520 --> 00:11:52,080 Speaker 2: like they were so separate. 214 00:11:52,600 --> 00:11:57,440 Speaker 1: It's like a medley. Yeah, I And maybe that's why 215 00:11:58,280 --> 00:12:00,640 Speaker 1: I enjoyed it. Though I think I I enjoyed it. 216 00:12:00,720 --> 00:12:02,880 Speaker 1: I love the danger Zone. I love that song. I 217 00:12:02,880 --> 00:12:04,840 Speaker 1: love top Gun, I like the new one. I'm a 218 00:12:04,840 --> 00:12:08,080 Speaker 1: big fan. And I thought you guys were really funny, 219 00:12:08,120 --> 00:12:10,000 Speaker 1: also very weird to see you without your glasses. 220 00:12:10,920 --> 00:12:13,640 Speaker 2: They couldn't have they couldn't have beat my face a 221 00:12:13,679 --> 00:12:18,319 Speaker 2: little more. Those bags under my eyes looked crazy. 222 00:12:18,600 --> 00:12:19,959 Speaker 1: I was like, Kevin looks different. 223 00:12:20,559 --> 00:12:23,800 Speaker 2: And I was like, you could finally see how tired 224 00:12:23,840 --> 00:12:29,000 Speaker 2: I actually was. I was shocked. I was like, ooh, ruh. 225 00:12:29,160 --> 00:12:30,839 Speaker 2: Nobody wanted to help me out a little bit. 226 00:12:31,080 --> 00:12:33,240 Speaker 1: It was really fun though. I like the number. I 227 00:12:33,360 --> 00:12:36,160 Speaker 1: liked the whole like all the copstumeed. You guys did great. 228 00:12:36,679 --> 00:12:40,360 Speaker 1: And then also Risky Business was really cute. Jacob doing 229 00:12:40,640 --> 00:12:43,600 Speaker 1: risky Business is like adorable. They were. 230 00:12:44,360 --> 00:12:47,120 Speaker 2: I thought that was so good. I really liked their 231 00:12:47,559 --> 00:12:53,920 Speaker 2: portion of it. Yes, Darren was also singing every song 232 00:12:54,000 --> 00:12:59,080 Speaker 2: this episode. Literally, I was like, literally three songs in 233 00:12:59,120 --> 00:12:59,480 Speaker 2: a row. 234 00:13:00,160 --> 00:13:04,800 Speaker 1: No, they're like, whoops, you know, the writers are like 235 00:13:05,040 --> 00:13:20,160 Speaker 1: did we do that? And then the girls do Diamonds 236 00:13:20,679 --> 00:13:21,800 Speaker 1: and material Girl. 237 00:13:22,200 --> 00:13:27,719 Speaker 2: Which per usual, the girls just like eats all the 238 00:13:27,760 --> 00:13:32,360 Speaker 2: way up. You guys like completely smashed us. 239 00:13:32,640 --> 00:13:36,880 Speaker 1: For some reason, I remember this with a different director 240 00:13:37,960 --> 00:13:43,280 Speaker 1: For some reason I I I associate this number with 241 00:13:43,400 --> 00:13:45,880 Speaker 1: Wendy Stanzler, who's coming up in our directing. 242 00:13:46,200 --> 00:13:46,680 Speaker 2: Interesting. 243 00:13:47,120 --> 00:13:49,679 Speaker 1: I don't know why. Maybe we were doubling up at 244 00:13:49,679 --> 00:13:53,400 Speaker 1: this point, or she was coming in to like to 245 00:13:53,520 --> 00:13:57,000 Speaker 1: do stuff to get to prap, But I don't know 246 00:13:57,040 --> 00:13:58,800 Speaker 1: why I do not associate this. 247 00:13:58,800 --> 00:14:01,920 Speaker 2: When new directors were coming in, they would have them 248 00:14:01,920 --> 00:14:03,360 Speaker 2: come a couple weeks before. 249 00:14:03,240 --> 00:14:05,800 Speaker 1: Especially they did new ones right, yes. 250 00:14:05,840 --> 00:14:08,080 Speaker 2: Done like a musical number, and they would watch how 251 00:14:08,080 --> 00:14:10,640 Speaker 2: the musical numbers were shot. So maybe she was there 252 00:14:10,960 --> 00:14:13,480 Speaker 2: prepping that day, maybe shadowing in. 253 00:14:14,120 --> 00:14:17,360 Speaker 1: Well, this was a really fun number to do. I 254 00:14:17,400 --> 00:14:23,720 Speaker 1: had a blast doing it, Unlike shout, I remember performing 255 00:14:23,760 --> 00:14:26,160 Speaker 1: only for you. You were really enjoying this number. 256 00:14:26,400 --> 00:14:28,040 Speaker 2: I really was. Once again, I was like that my 257 00:14:28,160 --> 00:14:29,240 Speaker 2: reaction was very real. 258 00:14:29,680 --> 00:14:33,680 Speaker 1: Yes it was. And Melissa's everything is going so well 259 00:14:33,840 --> 00:14:37,440 Speaker 1: is forever also embedded in my mind. That is more 260 00:14:37,440 --> 00:14:41,120 Speaker 1: of my favorite. We were like giving it in this number. 261 00:14:41,960 --> 00:14:45,920 Speaker 2: Yeah, full gown fans like everything. 262 00:14:46,480 --> 00:14:50,840 Speaker 1: Yes, And I remember having a really fun time in 263 00:14:50,920 --> 00:14:55,960 Speaker 1: rehearsal for this as well. This is like the time 264 00:14:56,680 --> 00:15:00,200 Speaker 1: when the new crew we were all like bonded at 265 00:15:00,200 --> 00:15:04,040 Speaker 1: this point and when it was the girls, like everybody 266 00:15:04,040 --> 00:15:09,120 Speaker 1: could dance. Everybody was just like there to have fun. Yeah, 267 00:15:09,160 --> 00:15:11,880 Speaker 1: and like this number looked like that to me. I 268 00:15:11,920 --> 00:15:13,200 Speaker 1: don't know if it's just because it was in my 269 00:15:13,360 --> 00:15:19,000 Speaker 1: memory of like being so much fun. Yeah, to rehearse 270 00:15:19,080 --> 00:15:23,680 Speaker 1: and perform. But normally in things like that with numbers 271 00:15:23,760 --> 00:15:29,160 Speaker 1: like that, in particular the big dress costumes, the crazy hair, 272 00:15:30,040 --> 00:15:36,840 Speaker 1: all the hoopla and fufarah if you will, I'm usually 273 00:15:36,840 --> 00:15:41,800 Speaker 1: annoyed by it. Yeah, it's not my thing. I don't 274 00:15:41,840 --> 00:15:45,120 Speaker 1: love it. I like to be comfortable, and this one 275 00:15:45,160 --> 00:15:47,480 Speaker 1: I remember having so much fun with. 276 00:15:48,000 --> 00:15:50,560 Speaker 2: I think it was also you can feel that when 277 00:15:50,600 --> 00:15:53,440 Speaker 2: you know it's a good number as well. Yeah, where 278 00:15:54,080 --> 00:15:57,840 Speaker 2: this mashup was really great. The choreography was great, the 279 00:15:57,880 --> 00:16:00,120 Speaker 2: staging of it was great, the costumes are like all 280 00:16:00,160 --> 00:16:03,560 Speaker 2: of it was just working right, And so maybe that 281 00:16:03,640 --> 00:16:04,200 Speaker 2: was part of it. 282 00:16:04,480 --> 00:16:07,960 Speaker 1: We also knew that this mashup worked. Yeah, this wasn't 283 00:16:07,960 --> 00:16:09,280 Speaker 1: our matchup, you know. 284 00:16:09,760 --> 00:16:13,520 Speaker 2: Yeah, I'll like the boys rehearsal was very different. It's 285 00:16:13,600 --> 00:16:17,680 Speaker 2: sort of just like, oh you sweet, simple boys, We're 286 00:16:17,760 --> 00:16:21,240 Speaker 2: just gonna have you like bounce around, split you up 287 00:16:21,280 --> 00:16:25,000 Speaker 2: in threes and said we're not gonna make it too complicated, 288 00:16:25,680 --> 00:16:28,320 Speaker 2: and it was very quick and easy and just. 289 00:16:29,160 --> 00:16:29,960 Speaker 1: Oh my gosh. 290 00:16:30,080 --> 00:16:32,080 Speaker 2: I think I was a little checked out in this number. 291 00:16:31,800 --> 00:16:35,280 Speaker 1: To be honest, I could tell, I mean not to tell, 292 00:16:35,360 --> 00:16:37,560 Speaker 1: like it didn't look like that, but I could see why. 293 00:16:37,680 --> 00:16:40,120 Speaker 1: I could I get that. Yeah, I was like, I 294 00:16:40,160 --> 00:16:43,440 Speaker 1: felt like, well, this episode is a little disjointed as well, Like, yes, 295 00:16:43,480 --> 00:16:46,600 Speaker 1: we have the movie storyline, but like, there's not a 296 00:16:46,680 --> 00:16:48,360 Speaker 1: lot happening. 297 00:16:48,760 --> 00:16:50,760 Speaker 2: No, there's not a lot of story happening. 298 00:16:51,280 --> 00:16:52,960 Speaker 1: You know, aside from the Emma and Well of it 299 00:16:53,080 --> 00:16:55,520 Speaker 1: on our end, and maybe Jake and Marley of it. 300 00:16:55,680 --> 00:16:57,720 Speaker 2: But I mean there's a lot happening in New York. 301 00:16:58,200 --> 00:16:59,840 Speaker 1: We'll get there, We'll get there. 302 00:17:00,200 --> 00:17:03,200 Speaker 2: What is happening if we're talking about a little bit 303 00:17:03,200 --> 00:17:07,360 Speaker 2: of New York? Is this really other beautiful number? Come 304 00:17:07,400 --> 00:17:13,480 Speaker 2: what May? Kurt starts crying watching Mulan Rouge in New York? 305 00:17:14,000 --> 00:17:20,120 Speaker 2: And then there's this whole dream sequence, another dream sequence 306 00:17:21,359 --> 00:17:25,440 Speaker 2: of Darren and Chris on this like magical rooftop. I'll 307 00:17:25,720 --> 00:17:28,240 Speaker 2: Mulin Rouge singing Come what May? 308 00:17:29,520 --> 00:17:31,760 Speaker 1: Like a recreation, Are you kidding? Yeah? 309 00:17:32,960 --> 00:17:36,520 Speaker 2: I was definitely jealous of that one. 310 00:17:36,560 --> 00:17:42,760 Speaker 1: Jealous. Yeah, I remember when they shot that, like yes, yes, people. 311 00:17:42,520 --> 00:17:44,840 Speaker 2: Took pictures and were showing us like it was so beautiful, 312 00:17:45,200 --> 00:17:47,800 Speaker 2: you're gonna love it, And it was. It was really beautiful. 313 00:17:48,280 --> 00:17:54,480 Speaker 1: It was And that song is slaps still, so yeah, 314 00:17:54,480 --> 00:17:58,560 Speaker 1: so that's a dream sequence. But then Santana calling it 315 00:17:58,600 --> 00:18:03,040 Speaker 1: out with Kurt's new with him in this like snowstorm 316 00:18:03,520 --> 00:18:05,600 Speaker 1: and being like, isn't that the song that you guys 317 00:18:05,720 --> 00:18:08,720 Speaker 1: agree that you would sing together. It's like, Santana, just 318 00:18:08,920 --> 00:18:09,959 Speaker 1: leave it to Santana. 319 00:18:10,960 --> 00:18:15,600 Speaker 2: Naya was on one this episode. Santana was on one 320 00:18:15,680 --> 00:18:20,199 Speaker 2: this episode and was so funny. I know, like there 321 00:18:20,359 --> 00:18:23,400 Speaker 2: some of my favorite like comedic moments of hers ever 322 00:18:23,520 --> 00:18:26,240 Speaker 2: on the show or in this episode. Yes, because she's 323 00:18:26,280 --> 00:18:29,719 Speaker 2: like a human wrecking ball coming in there, either pissing 324 00:18:29,720 --> 00:18:31,960 Speaker 2: them off or getting them on her side very quickly. 325 00:18:32,040 --> 00:18:33,680 Speaker 2: Kurt is like ping ponging back. 326 00:18:33,520 --> 00:18:36,960 Speaker 1: And forth and not a care in the world. 327 00:18:37,600 --> 00:18:41,520 Speaker 2: No, And it's like the whole like. 328 00:18:41,960 --> 00:18:45,520 Speaker 1: The Brodie of it. I can't so this whole. 329 00:18:45,280 --> 00:18:48,920 Speaker 2: Setup of them being snowed in New York. Love love 330 00:18:48,960 --> 00:18:52,040 Speaker 2: a snowd in moment. Yeah, I love that in a 331 00:18:52,080 --> 00:18:55,120 Speaker 2: show or movie. Really, Yeah, I don't know why. I'm 332 00:18:55,119 --> 00:18:57,480 Speaker 2: such a sucker for it, okay, which is like when 333 00:18:57,480 --> 00:18:58,960 Speaker 2: we got snowed in at Becca's wedding. 334 00:18:59,520 --> 00:19:00,600 Speaker 1: Oh, that was so much fun. 335 00:19:00,640 --> 00:19:02,800 Speaker 2: I was so excited because it's like I think it's 336 00:19:02,840 --> 00:19:05,639 Speaker 2: a fantasy of mine. I see it coming true. 337 00:19:06,040 --> 00:19:06,840 Speaker 1: We could really see it. 338 00:19:07,320 --> 00:19:09,720 Speaker 2: Yeah, we were, and it was so much fun. You 339 00:19:09,720 --> 00:19:11,760 Speaker 2: get to play games and so like in this show, 340 00:19:11,800 --> 00:19:17,560 Speaker 2: they're watching movies and Santana all these lines about her 341 00:19:17,720 --> 00:19:22,000 Speaker 2: like rooting around in everybody's drawers, paying for things. I 342 00:19:23,000 --> 00:19:24,920 Speaker 2: twelve hundred dollars because also was very. 343 00:19:24,880 --> 00:19:29,479 Speaker 1: Nya, very I was gonna say that she can sniff 344 00:19:29,560 --> 00:19:31,679 Speaker 1: out a secret from a mile away. 345 00:19:31,960 --> 00:19:34,560 Speaker 2: I felt like I was watching actual like Nya. With 346 00:19:34,600 --> 00:19:39,440 Speaker 2: the whole between her suspicion of Brody and her suspicion 347 00:19:39,720 --> 00:19:42,520 Speaker 2: of what's going on with Rachel was like, this is Naya. 348 00:19:42,720 --> 00:19:44,960 Speaker 2: This was Snicks. It's like Snakes is on the loose 349 00:19:46,040 --> 00:19:51,560 Speaker 2: because she was a witch. The montage of her. 350 00:19:52,880 --> 00:19:57,439 Speaker 1: Rummaging through their apartment with her like on the floor, 351 00:19:57,440 --> 00:20:01,760 Speaker 1: on her stomach, like under the bed, it's so funny. 352 00:20:02,400 --> 00:20:05,000 Speaker 1: And then when she talks about Brodie and she calls 353 00:20:05,040 --> 00:20:08,359 Speaker 1: she says he smelled Talcemy in like a cabbage patch 354 00:20:08,440 --> 00:20:14,359 Speaker 1: kid and then accuses him of being a drug dealer 355 00:20:14,520 --> 00:20:21,359 Speaker 1: is actually the most It's it's like unhinged. Obviously we 356 00:20:21,440 --> 00:20:25,560 Speaker 1: come to learn it's actually not that unhinged, but it works. 357 00:20:25,680 --> 00:20:28,760 Speaker 1: It's so funny. It's so so funny. She's just got 358 00:20:28,800 --> 00:20:32,520 Speaker 1: so many lines like so what if he so what 359 00:20:32,560 --> 00:20:34,840 Speaker 1: if he's completely hairless and made up plast? 360 00:20:36,920 --> 00:20:38,840 Speaker 2: The whole thing of him being out of plastic running 361 00:20:38,840 --> 00:20:40,919 Speaker 2: through the entirety of the episode is one of my 362 00:20:41,000 --> 00:20:44,600 Speaker 2: favorite things. And then being all offended that they she 363 00:20:44,680 --> 00:20:46,920 Speaker 2: went through their stuff. She's like, oh, okay, can you 364 00:20:46,960 --> 00:20:49,000 Speaker 2: guys pretend to be all accepting about everything, but when 365 00:20:49,000 --> 00:20:51,000 Speaker 2: your friend suddenly shows up in your own moves in 366 00:20:51,040 --> 00:20:54,440 Speaker 2: and goes through all your stuff, you're offended. Oh god, 367 00:20:55,160 --> 00:20:56,080 Speaker 2: it's so good. 368 00:20:56,600 --> 00:20:59,400 Speaker 1: Oh she really like a plus plus to her. 369 00:21:00,560 --> 00:21:03,560 Speaker 2: Like really came in there and just shook it up right. 370 00:21:04,040 --> 00:21:10,480 Speaker 2: So Kurt and Adam have like this, like are they 371 00:21:10,600 --> 00:21:13,280 Speaker 2: or aren't they? But Santana's like, oh, you're crying because 372 00:21:13,840 --> 00:21:16,280 Speaker 2: a Blaine and Adam's like, I don't want to be 373 00:21:16,320 --> 00:21:18,680 Speaker 2: a rebound? Am I a rebound? Do you like me? 374 00:21:19,680 --> 00:21:22,400 Speaker 2: And Kurt's like, yeah, it's fun, but it doesn't seem 375 00:21:22,480 --> 00:21:28,160 Speaker 2: necessarily like he's completely into it. He's like, yeah, he's 376 00:21:28,800 --> 00:21:30,159 Speaker 2: They mean they just looked up in the back of 377 00:21:30,160 --> 00:21:32,960 Speaker 2: a car like a couple of days prior, so like, 378 00:21:34,000 --> 00:21:34,320 Speaker 2: you know. 379 00:21:34,440 --> 00:21:36,879 Speaker 1: He's still there's stuff happening there. 380 00:21:37,280 --> 00:21:40,920 Speaker 2: Yeah, And I think Adam just wants to know where 381 00:21:40,920 --> 00:21:44,560 Speaker 2: he stands within that relationship understandably fair enough. And they're 382 00:21:44,600 --> 00:21:47,200 Speaker 2: cute together. I like their dynamic a lot. 383 00:21:47,560 --> 00:21:49,760 Speaker 1: They are cute. If Blaine wasn't in the picture, I'd 384 00:21:49,800 --> 00:21:50,919 Speaker 1: be like, go for a Kurt. 385 00:21:51,040 --> 00:21:59,880 Speaker 2: Yeah, totally. And this whole thing about Rachel and Sint 386 00:22:00,280 --> 00:22:09,280 Speaker 2: finding the pregnancy test, which like the going through everybody's drawers, 387 00:22:09,480 --> 00:22:13,800 Speaker 2: I feel like is one thing. Going through something that's 388 00:22:13,840 --> 00:22:16,480 Speaker 2: wrapped in toilet paper and a trash can in a 389 00:22:16,560 --> 00:22:19,000 Speaker 2: bathroom is diabolical. 390 00:22:19,320 --> 00:22:21,199 Speaker 1: It's not the first time on a TV show that 391 00:22:21,200 --> 00:22:22,320 Speaker 1: that happens. 392 00:22:22,240 --> 00:22:29,119 Speaker 2: And it's also funny, but it's crazy. But like to 393 00:22:29,240 --> 00:22:35,240 Speaker 2: explain Naya as a friend, like how this is sort 394 00:22:35,280 --> 00:22:39,520 Speaker 2: of like a really good comical way to do it, 395 00:22:40,000 --> 00:22:43,720 Speaker 2: where it's like she may say the or she will 396 00:22:43,720 --> 00:22:48,639 Speaker 2: say the uncomfortable thing, yes, but because she cares, and 397 00:22:48,720 --> 00:22:52,359 Speaker 2: so like she'll break the ice, and Santana will break 398 00:22:52,359 --> 00:22:54,880 Speaker 2: the ice to bring up this thing that you don't 399 00:22:54,920 --> 00:22:57,520 Speaker 2: want to and she's not maybe doing it the correct way. 400 00:22:58,200 --> 00:23:00,439 Speaker 2: She's not like spoon feeding you and holding and let 401 00:23:00,480 --> 00:23:02,880 Speaker 2: you tell her. But it's all because it's coming from 402 00:23:02,880 --> 00:23:06,840 Speaker 2: like a really good place, right And I was like, 403 00:23:06,880 --> 00:23:10,399 Speaker 2: that is the epitome of like having me in friends 404 00:23:10,400 --> 00:23:13,000 Speaker 2: with Nya, of just like, no, I care about you. 405 00:23:13,000 --> 00:23:14,520 Speaker 2: We're going to figure this out because I don't want 406 00:23:14,520 --> 00:23:16,320 Speaker 2: anything bad to happen to you and I don't want 407 00:23:16,320 --> 00:23:17,280 Speaker 2: this to blow up in your face. 408 00:23:17,720 --> 00:23:19,680 Speaker 1: But you'll always be scared that she's gonna find out, 409 00:23:19,720 --> 00:23:23,480 Speaker 1: because she always finds out before this happens, you know 410 00:23:23,480 --> 00:23:28,080 Speaker 1: what I mean, She always finds out. It is very 411 00:23:28,080 --> 00:23:30,320 Speaker 1: sweet though, because she does find the pregnancy sash. She 412 00:23:30,400 --> 00:23:32,920 Speaker 1: is the one who brings it to Rachel. Rachel obviously 413 00:23:32,920 --> 00:23:34,240 Speaker 1: wasn't going to bring it up. She's like, I don't 414 00:23:34,280 --> 00:23:37,600 Speaker 1: know what you're talking about, and then she bursts into tears, 415 00:23:37,640 --> 00:23:39,800 Speaker 1: and then you see the truth in Santana and she's like, 416 00:23:39,840 --> 00:23:42,119 Speaker 1: oh shit, this is like actually serious and there's a 417 00:23:42,119 --> 00:23:45,600 Speaker 1: problem here and we need to fix it. So we 418 00:23:45,680 --> 00:23:48,080 Speaker 1: do see the humanity in Santa, which we have to, 419 00:23:48,480 --> 00:23:50,480 Speaker 1: you know what I mean, although I don't know that 420 00:23:50,600 --> 00:23:52,399 Speaker 1: I have to, But that's just because we know Naya 421 00:23:52,480 --> 00:23:53,760 Speaker 1: so well and like you. 422 00:23:53,720 --> 00:23:56,239 Speaker 2: Know, yeah, but yeah, I saw it, like you can 423 00:23:56,280 --> 00:23:58,199 Speaker 2: see that switch and she's on the couch talking to 424 00:23:58,240 --> 00:24:01,080 Speaker 2: her and it's like it's like, oh shit, this is serious. 425 00:24:01,160 --> 00:24:03,359 Speaker 2: You don't need to be doing this alone because. 426 00:24:03,119 --> 00:24:06,000 Speaker 1: Like what I we really gonna have another baby and 427 00:24:06,080 --> 00:24:09,639 Speaker 1: like a pregnancy again, like is this really necessary? 428 00:24:11,119 --> 00:24:12,520 Speaker 2: I don't remember the storyline. 429 00:24:13,280 --> 00:24:15,680 Speaker 1: I don't mean neither me neither, and. 430 00:24:16,320 --> 00:24:21,199 Speaker 2: I vaguely have an inkling of what this what's happening 431 00:24:21,240 --> 00:24:24,320 Speaker 2: with Brodie, I don't really remember. Don't tell me. Oh, 432 00:24:24,400 --> 00:24:27,000 Speaker 2: I want to be surprised. Okay, I think I know 433 00:24:27,080 --> 00:24:30,439 Speaker 2: what's happening. I don't think he's a drug dealer, okay. 434 00:24:31,960 --> 00:24:36,199 Speaker 2: My prediction is that he's some form of sex worker, okay, 435 00:24:36,600 --> 00:24:41,119 Speaker 2: which would make sense the open relationship m and he 436 00:24:41,200 --> 00:24:45,840 Speaker 2: feels like he's not doing anything untoward. I don't remember, though, 437 00:24:47,160 --> 00:24:51,119 Speaker 2: but my god, I just can't. I wish I could, 438 00:24:51,560 --> 00:24:55,200 Speaker 2: like Naya been like I found this in your home. 439 00:24:57,359 --> 00:25:01,119 Speaker 2: It's the funniest shit because not even as Santana, but 440 00:25:01,160 --> 00:25:03,840 Speaker 2: as Naya doing that and being like, I don't trust 441 00:25:03,880 --> 00:25:05,359 Speaker 2: this guy and he looks plastic. 442 00:25:06,359 --> 00:25:09,800 Speaker 1: Well, let me tell you. She's a person. She can 443 00:25:09,840 --> 00:25:15,120 Speaker 1: read a person out the gate, and she's rarely ever. 444 00:25:15,040 --> 00:25:17,480 Speaker 2: Wrong, rarely. How many times did you do that to 445 00:25:17,560 --> 00:25:20,119 Speaker 2: us in real life? I mean with people. 446 00:25:20,440 --> 00:25:23,120 Speaker 1: There was one that was like, still don't trust him, 447 00:25:23,560 --> 00:25:26,119 Speaker 1: never trusted him, won't ever trust him. 448 00:25:26,600 --> 00:25:27,720 Speaker 2: Uh huh. 449 00:25:27,800 --> 00:25:31,159 Speaker 1: She was right. 450 00:25:30,560 --> 00:25:33,439 Speaker 2: She'd be like, oh, I like him. 451 00:25:33,320 --> 00:25:42,800 Speaker 1: But she's so right, always so right, and. 452 00:25:42,720 --> 00:25:45,200 Speaker 2: She could take it because I think Santana could take 453 00:25:45,240 --> 00:25:49,720 Speaker 2: it where the writers like knowing Naya, there was no 454 00:25:49,760 --> 00:25:52,000 Speaker 2: way because she has so many, like of these incredible 455 00:25:52,680 --> 00:25:56,880 Speaker 2: personality traits that you want to see and like put 456 00:25:56,920 --> 00:25:59,840 Speaker 2: on the show with all these other characters. Make Santana 457 00:25:59,840 --> 00:26:03,199 Speaker 2: the like really fun character because that's how Nia was. 458 00:26:03,640 --> 00:26:06,119 Speaker 1: No I know, it's so true. 459 00:26:07,000 --> 00:26:11,000 Speaker 2: Oh my gosh, I am loving Santana New York though. 460 00:26:11,200 --> 00:26:13,280 Speaker 1: I am too. It's like a whole new side of 461 00:26:13,320 --> 00:26:17,080 Speaker 1: her that we didn't even know existed could exist. 462 00:26:17,119 --> 00:26:20,879 Speaker 2: And it feels like Rachel needs her because it feels 463 00:26:20,920 --> 00:26:23,600 Speaker 2: like Rachel has gotten herself into a bit of a pickle. 464 00:26:23,760 --> 00:26:27,000 Speaker 2: Or like Spiral caught up in like the big city 465 00:26:27,040 --> 00:26:29,160 Speaker 2: of it all and doesn't know how to handle it. 466 00:26:29,880 --> 00:26:33,880 Speaker 2: And it like seeing the power shift in this episode 467 00:26:33,920 --> 00:26:37,240 Speaker 2: between Santana and Rachel for how Leah and I are 468 00:26:37,280 --> 00:26:38,960 Speaker 2: acting is very satisfying. 469 00:26:39,200 --> 00:26:42,159 Speaker 1: Yes, agreed, But I just I just I feel like 470 00:26:42,200 --> 00:26:42,960 Speaker 1: that's what's happening. 471 00:26:43,040 --> 00:26:48,600 Speaker 2: I feel like Brody because I remember Rachel and Brody 472 00:26:48,600 --> 00:26:51,400 Speaker 2: have this like big number in some hotel or something 473 00:26:51,480 --> 00:26:55,000 Speaker 2: in New York that's coming up. I think, Okay, am 474 00:26:55,000 --> 00:26:56,000 Speaker 2: I right, I don't know. 475 00:26:56,080 --> 00:26:58,920 Speaker 1: Okay, anyway, I'm not telling you because you said don't 476 00:26:58,920 --> 00:27:00,679 Speaker 1: tell me, So you anything. 477 00:27:01,080 --> 00:27:03,560 Speaker 2: Back at McKinley, by the way, the boys are fully 478 00:27:03,600 --> 00:27:07,640 Speaker 2: in like whitey tidies in school that couldn't have been allowed. 479 00:27:09,440 --> 00:27:10,040 Speaker 1: Have been allowed. 480 00:27:10,160 --> 00:27:12,880 Speaker 2: Yeah, yeah, and I appreciate it, and like, oh you put 481 00:27:12,920 --> 00:27:14,159 Speaker 2: the three Muscly boys. 482 00:27:14,400 --> 00:27:16,240 Speaker 1: I mean it would Cord have been allowed in a 483 00:27:16,359 --> 00:27:23,680 Speaker 1: gold song for Rocky Heart, No, No, but they let it. 484 00:27:23,920 --> 00:27:28,840 Speaker 1: So here we are You're right, So we're we're onto 485 00:27:29,760 --> 00:27:38,720 Speaker 1: unchained melody, which is uh. Jake and Marley initially, and 486 00:27:38,840 --> 00:27:42,840 Speaker 1: Jake invites Marley to this class the classroom with the 487 00:27:42,880 --> 00:27:45,239 Speaker 1: clay or the pottery making or whatever you call it. 488 00:27:45,600 --> 00:27:48,480 Speaker 1: And he's like, I know that obviously, you know that 489 00:27:48,600 --> 00:27:51,479 Speaker 1: Ryder made, you know, did all of those wonderful things. 490 00:27:52,560 --> 00:27:56,000 Speaker 1: And it wasn't my idea, but here's the best I 491 00:27:56,040 --> 00:28:01,080 Speaker 1: could do in my favorite movie. Good choice, Jake, great 492 00:28:01,119 --> 00:28:02,480 Speaker 1: scene to recreate. 493 00:28:03,080 --> 00:28:04,879 Speaker 2: I also love that she was in on it. She's like, 494 00:28:04,960 --> 00:28:06,000 Speaker 2: are we really doing this? 495 00:28:06,600 --> 00:28:10,520 Speaker 1: Yeah? Yeah, very self warre episode. By the way, all 496 00:28:10,560 --> 00:28:16,000 Speaker 1: across the board, I will say, though, I appre you 497 00:28:16,080 --> 00:28:20,080 Speaker 1: know again, anything Jacob Artist sings with Melissa, I'm on board. 498 00:28:20,160 --> 00:28:21,960 Speaker 1: I'm here for it. I thought it was very sexy. 499 00:28:22,480 --> 00:28:26,399 Speaker 1: But then when it cut and Rider shows up and 500 00:28:26,440 --> 00:28:29,479 Speaker 1: she's watching herself, and I'm like, who is that person 501 00:28:29,560 --> 00:28:32,040 Speaker 1: in the foreground of the camera, And I was like, 502 00:28:32,240 --> 00:28:35,120 Speaker 1: what is that? It's Melissa, it's Marley. 503 00:28:35,400 --> 00:28:38,320 Speaker 2: I had the exact same thought as I round and. 504 00:28:38,240 --> 00:28:40,600 Speaker 1: I was like, was that a mistake? Like what's happening here? 505 00:28:41,240 --> 00:28:43,440 Speaker 1: And then I was like, oh, right, she's watching herself. 506 00:28:45,280 --> 00:28:46,280 Speaker 1: Loved this number. 507 00:28:46,960 --> 00:28:47,960 Speaker 2: This was very good. 508 00:28:48,360 --> 00:28:53,320 Speaker 1: I love the way it was shot. A plus, they 509 00:28:53,440 --> 00:28:58,200 Speaker 1: sound great, very sexy, totally made it work without having 510 00:28:58,240 --> 00:29:04,720 Speaker 1: to recreate the very sexiness of the original, and boy, 511 00:29:04,760 --> 00:29:07,320 Speaker 1: Oh boy, was that good. I just was so effective. 512 00:29:08,520 --> 00:29:10,800 Speaker 2: It was really effective. I was like, this is it 513 00:29:10,920 --> 00:29:16,400 Speaker 2: feels like very cinematic in a Yes, yeah, I was 514 00:29:16,400 --> 00:29:20,880 Speaker 2: shocked so good. And I mean another banger from Jacob, Like, 515 00:29:20,960 --> 00:29:21,680 Speaker 2: are you kidding me? 516 00:29:22,840 --> 00:29:26,520 Speaker 1: I know, I know, honestly, just keep them coming. I'm happy. 517 00:29:26,720 --> 00:29:29,160 Speaker 2: And the boys are sitting across from her, and then 518 00:29:29,200 --> 00:29:31,960 Speaker 2: they're singing in harmony and it feels like, oh, doubly 519 00:29:32,280 --> 00:29:36,600 Speaker 2: bad of like what's going on? Like this feels naughty? 520 00:29:36,680 --> 00:29:39,200 Speaker 1: Yes, I loved it, I really did. I loved it. 521 00:29:39,560 --> 00:29:42,360 Speaker 1: And then she admits though that Ryder kissed. 522 00:29:42,120 --> 00:29:44,080 Speaker 2: Her Confession number one. 523 00:29:44,320 --> 00:29:48,560 Speaker 1: After all that kind of you know, sexiness happens. 524 00:29:48,800 --> 00:29:52,200 Speaker 2: There were three confessions in this episode. One of them 525 00:29:52,280 --> 00:29:56,800 Speaker 2: was forced. The Rachel one was forced. This is the other. 526 00:29:57,200 --> 00:30:00,800 Speaker 2: This is the first unforced one. And and then we 527 00:30:00,920 --> 00:30:06,800 Speaker 2: have the Emma, Will and Finn storyline. Emma is m 528 00:30:06,880 --> 00:30:12,640 Speaker 2: i A and Finn is still hopped up from last 529 00:30:12,720 --> 00:30:18,840 Speaker 2: week when he's sort of panicking because he wants them 530 00:30:18,840 --> 00:30:20,160 Speaker 2: to get back together because he doesn't want to be 531 00:30:20,200 --> 00:30:23,400 Speaker 2: blamed for the reason why they've broken up. He thinks 532 00:30:23,400 --> 00:30:28,000 Speaker 2: he's the reason, and Will's like just chill, it's gonna 533 00:30:28,000 --> 00:30:32,960 Speaker 2: be fine, but he less already to help him, which 534 00:30:33,000 --> 00:30:36,520 Speaker 2: was a very fun like sort of side quest. 535 00:30:36,800 --> 00:30:39,400 Speaker 1: I always love when you guys are back together liking 536 00:30:39,480 --> 00:30:40,040 Speaker 1: good hoots. 537 00:30:40,120 --> 00:30:43,800 Speaker 2: It was very fun. There were silly, silly scenes. The 538 00:30:43,840 --> 00:30:49,200 Speaker 2: scene of me when he's talking about his ideas or 539 00:30:49,240 --> 00:30:51,560 Speaker 2: a lack thereof, and I crossed my legs with something 540 00:30:51,600 --> 00:30:54,080 Speaker 2: I've been trying to get in the show for so long, 541 00:30:54,360 --> 00:30:58,680 Speaker 2: yes is, and I knew. I was like, if somebody 542 00:30:58,720 --> 00:31:00,000 Speaker 2: would allow me to do it, it's going to be 543 00:31:00,040 --> 00:31:06,160 Speaker 2: Ian was like, absolutely, let's try it. Ah, And so 544 00:31:06,240 --> 00:31:06,760 Speaker 2: I got. 545 00:31:06,560 --> 00:31:09,560 Speaker 1: To do that really good and really good. 546 00:31:09,400 --> 00:31:13,680 Speaker 2: To put on our Ginger wigs because we talked to 547 00:31:13,680 --> 00:31:16,600 Speaker 2: Emma's parents and we trick them into telling us where 548 00:31:16,640 --> 00:31:19,680 Speaker 2: she is because we need an address. 549 00:31:20,120 --> 00:31:26,000 Speaker 1: The wigs are so funny. The scene is funny. The 550 00:31:26,080 --> 00:31:28,880 Speaker 1: Gingers are funny to begin with. The parents are crazy, 551 00:31:28,960 --> 00:31:31,640 Speaker 1: but you know, we love it, and then you guys 552 00:31:31,760 --> 00:31:36,400 Speaker 1: pretending to be Gingers, and the whole like smelled like 553 00:31:36,840 --> 00:31:41,800 Speaker 1: loose change. It's just an excellent scene, really Glee at 554 00:31:41,800 --> 00:31:42,480 Speaker 1: its finest. 555 00:31:43,360 --> 00:31:46,520 Speaker 2: I like Sinn already know how to put on a wig. 556 00:31:46,600 --> 00:31:49,520 Speaker 1: A little bit sort of are funny. You look weird. 557 00:31:50,080 --> 00:31:53,680 Speaker 2: It's very weird. It's not a good look on either 558 00:31:53,720 --> 00:31:54,040 Speaker 2: of us. 559 00:31:54,280 --> 00:31:57,880 Speaker 1: No, it's not natural. It's definitely not natural. 560 00:31:58,360 --> 00:32:03,120 Speaker 2: But it works. We course them into giving us the 561 00:32:03,200 --> 00:32:08,040 Speaker 2: address address and so then this like yeah, this really 562 00:32:09,040 --> 00:32:13,960 Speaker 2: cute say anything moment happens where Will brings his closest friends, 563 00:32:14,600 --> 00:32:15,120 Speaker 2: his students. 564 00:32:15,360 --> 00:32:18,760 Speaker 1: Stop again, we are there, by the way. We don't 565 00:32:18,760 --> 00:32:23,680 Speaker 1: see us, but we're there. I remember this day shooting 566 00:32:23,680 --> 00:32:25,719 Speaker 1: in this house. I was working on my book at 567 00:32:25,720 --> 00:32:29,040 Speaker 1: the time, and I was like in a deep book 568 00:32:29,760 --> 00:32:32,600 Speaker 1: atit in like the corner of this house, and I 569 00:32:32,640 --> 00:32:34,440 Speaker 1: remember having to like take calls outside of the house 570 00:32:34,440 --> 00:32:36,640 Speaker 1: because there's no service. But we spent like a long 571 00:32:36,720 --> 00:32:39,200 Speaker 1: day in that house. For the amount of time we 572 00:32:39,200 --> 00:32:40,240 Speaker 1: were in that number we. 573 00:32:40,200 --> 00:32:42,520 Speaker 2: Did what we were there like half a day because. 574 00:32:42,320 --> 00:32:44,440 Speaker 1: I think they were shooting the Will and Emma stuff 575 00:32:44,480 --> 00:32:47,239 Speaker 1: outside and so we were inside and I think they 576 00:32:47,280 --> 00:32:51,120 Speaker 1: did that first, and then we're like, why are we here? 577 00:32:51,520 --> 00:32:53,680 Speaker 1: But it was in like Larchmont, right, it was pretty 578 00:32:53,680 --> 00:32:58,200 Speaker 1: close to Paramount, very close. Yeah that's fake snow also, yeah, 579 00:32:58,240 --> 00:33:03,040 Speaker 1: which was hilarious, and you were sliding on it. The 580 00:33:03,040 --> 00:33:04,280 Speaker 1: wheels were sliding on it. 581 00:33:04,640 --> 00:33:06,960 Speaker 2: Yeah, somebody had to push me. 582 00:33:07,120 --> 00:33:09,520 Speaker 1: A bit of a nightmare I did. It was me, 583 00:33:13,600 --> 00:33:16,960 Speaker 1: just you know, stuck with me. It was me. We 584 00:33:16,960 --> 00:33:21,120 Speaker 1: were just in the back, yes, Tinan already were there. Anyway. 585 00:33:21,120 --> 00:33:23,960 Speaker 1: It was a very sweet number, obviously, we love the song, 586 00:33:24,520 --> 00:33:29,200 Speaker 1: very say anything number. And then you get Will and 587 00:33:29,200 --> 00:33:33,960 Speaker 1: Emma having this very honest, sweet moment again. Once again, 588 00:33:34,200 --> 00:33:36,920 Speaker 1: Jama's acting at its finest. I'll take it any day. 589 00:33:37,320 --> 00:33:39,320 Speaker 2: I mean, they've really been putting Jam out of work 590 00:33:39,360 --> 00:33:45,640 Speaker 2: and I'm all about it. James doing a lot musical numbers, emotion, hilarity. 591 00:33:45,560 --> 00:33:49,600 Speaker 1: I know, give it to me. And they kind of 592 00:33:49,680 --> 00:33:51,800 Speaker 1: they start back and they have a dinner in a movie. 593 00:33:51,920 --> 00:33:54,680 Speaker 1: They're having a movie night. They're going to watch a movie. 594 00:33:54,880 --> 00:33:59,200 Speaker 1: But essentially Emma felt like Will. She didn't really know 595 00:33:59,320 --> 00:34:03,480 Speaker 1: Will anymore or once he came back from DC. I'm 596 00:34:03,480 --> 00:34:05,960 Speaker 1: not sure why he couldn't really talk to him about it. 597 00:34:06,000 --> 00:34:10,520 Speaker 1: But it's you know, they start kind of from the 598 00:34:10,560 --> 00:34:14,319 Speaker 1: beginning and it's very sweet. So hopefully we'll see Will 599 00:34:14,320 --> 00:34:15,680 Speaker 1: and I might get married at some point. 600 00:34:16,239 --> 00:34:20,840 Speaker 2: Well, Finn finally sees Will and it's like, hey, so 601 00:34:21,040 --> 00:34:25,560 Speaker 2: like what happened? And Will's like, oh, you know, I 602 00:34:25,560 --> 00:34:28,120 Speaker 2: think this is actually really good. We're stronger than ever. 603 00:34:29,040 --> 00:34:32,520 Speaker 2: And then we have confession number three where. 604 00:34:32,640 --> 00:34:34,480 Speaker 1: You know, really should have kept that one to himself. 605 00:34:34,800 --> 00:34:41,520 Speaker 2: Yeah, Finn blurts it out and Will just tears up 606 00:34:41,560 --> 00:34:46,280 Speaker 2: and walks away. Yeah, what's gonna happen? 607 00:34:47,320 --> 00:34:49,720 Speaker 1: I kind of know because I kind of started watching 608 00:34:49,719 --> 00:34:50,440 Speaker 1: the next episode? 609 00:34:50,680 --> 00:34:58,359 Speaker 2: What's the next episode? Feud? Yes, because of them. 610 00:34:56,560 --> 00:35:03,960 Speaker 1: Partially partially, there's a few view it's happening. Oh, and 611 00:35:04,000 --> 00:35:09,719 Speaker 1: then Footloose, everybody comes together, even though Finn and Will 612 00:35:09,760 --> 00:35:13,279 Speaker 1: are kind of on the out and Rachel potentially is 613 00:35:13,360 --> 00:35:17,040 Speaker 1: pregnant and Brodie's potentially a drug dealer. But we do 614 00:35:17,120 --> 00:35:20,840 Speaker 1: Footloose with the really fun converse with the red bottoms. 615 00:35:20,840 --> 00:35:24,320 Speaker 2: After we find out that everybody wins the competition this week. 616 00:35:24,320 --> 00:35:28,879 Speaker 1: Right, which is also like whatever, Yeah, the rest is 617 00:35:29,000 --> 00:35:30,600 Speaker 1: like the rest the point of a competition. 618 00:35:30,640 --> 00:35:34,040 Speaker 2: Then, no, none of it makes really, but it doesn't matter. 619 00:35:34,080 --> 00:35:35,680 Speaker 2: We get a lot of fun numbers out of it. 620 00:35:36,080 --> 00:35:36,799 Speaker 1: And. 621 00:35:38,920 --> 00:35:43,240 Speaker 2: We end up on that stage with the shoes. 622 00:35:43,320 --> 00:35:45,880 Speaker 1: I forgot you did it with your hands, my hands. 623 00:35:46,960 --> 00:35:49,800 Speaker 1: That number was very hard to learn. It took a 624 00:35:49,840 --> 00:35:55,040 Speaker 1: long time, not everybody is very coordinated, so it took 625 00:35:55,080 --> 00:35:55,520 Speaker 1: a while. 626 00:35:56,080 --> 00:35:59,120 Speaker 2: It was rough. That rehearsal was really absolutely I remember that. 627 00:35:59,239 --> 00:36:00,920 Speaker 1: And then the shooting it was also kind of rough, 628 00:36:00,960 --> 00:36:03,120 Speaker 1: even though it was fun. I liked the sneakers and everything, 629 00:36:03,160 --> 00:36:05,080 Speaker 1: and I thought the idea was really great and it 630 00:36:05,120 --> 00:36:07,960 Speaker 1: looked cool. I also refused to go on the rafter 631 00:36:08,040 --> 00:36:11,320 Speaker 1: because I don't like heights, so you'll never see Tina 632 00:36:11,360 --> 00:36:15,040 Speaker 1: dancing up there. Really hated it wouldn't go up. 633 00:36:15,719 --> 00:36:17,840 Speaker 2: I was off im like, put me in any situation, 634 00:36:19,120 --> 00:36:21,359 Speaker 2: bring the chair up. Yeah, I was like, that would 635 00:36:21,360 --> 00:36:21,719 Speaker 2: be fun. 636 00:36:21,920 --> 00:36:24,160 Speaker 1: No, no, it was shrinking. I didn't like it. I 637 00:36:24,200 --> 00:36:26,040 Speaker 1: was like, I'll stay down here, thank you so much. 638 00:36:26,320 --> 00:36:28,279 Speaker 1: But it looked like a great number. It was really fun. 639 00:36:28,360 --> 00:36:29,479 Speaker 1: Everybody looked really cute. 640 00:36:30,680 --> 00:36:33,600 Speaker 2: Again, I'm shoved off to the side. I'm not even 641 00:36:33,640 --> 00:36:37,520 Speaker 2: doing choreo to at the very end of the line. 642 00:36:38,280 --> 00:36:39,480 Speaker 1: With your shoes on your hands or not. 643 00:36:39,880 --> 00:36:42,320 Speaker 2: No, I think I'm singing a bunch, but they didn't. 644 00:36:42,520 --> 00:36:44,600 Speaker 1: You were singing, by the way, let's talk about that 645 00:36:44,640 --> 00:36:47,200 Speaker 1: for a second. You were singing z on the snubbery 646 00:36:47,280 --> 00:36:50,560 Speaker 1: sounded great? Was this hard? Uh? 647 00:36:51,120 --> 00:36:54,600 Speaker 2: Yeah, it was the stupidest demo I've ever received, is 648 00:36:54,640 --> 00:37:01,000 Speaker 2: this Luke? Yeah, I it was. This was the first. 649 00:37:01,480 --> 00:37:02,200 Speaker 1: This was the. 650 00:37:02,080 --> 00:37:08,399 Speaker 2: First song that he really went crazy on and I 651 00:37:08,440 --> 00:37:12,200 Speaker 2: was like, oh, like it almost sounded like it was 652 00:37:12,239 --> 00:37:14,480 Speaker 2: all sped up, like he was doing so many runs 653 00:37:15,320 --> 00:37:16,799 Speaker 2: back to back to back that I felt like it 654 00:37:16,840 --> 00:37:20,760 Speaker 2: was fake. And I was like, I don't, I don't, 655 00:37:21,160 --> 00:37:23,560 Speaker 2: this won't. This is not going to happen, you guys. 656 00:37:24,440 --> 00:37:27,040 Speaker 2: And then it became a really this is this recording 657 00:37:27,080 --> 00:37:31,200 Speaker 2: session is when I started to like really enjoy Luke's 658 00:37:31,200 --> 00:37:34,839 Speaker 2: guide vocals, because then I had to like, okay, if 659 00:37:34,880 --> 00:37:36,960 Speaker 2: he actually did all this, let me see if I 660 00:37:37,000 --> 00:37:39,080 Speaker 2: can do. My goal was to hit you know, like 661 00:37:39,120 --> 00:37:40,319 Speaker 2: seventy five percent of it. 662 00:37:40,800 --> 00:37:41,919 Speaker 1: Yeah, yeah, yeah yeah. 663 00:37:41,920 --> 00:37:43,880 Speaker 2: And then it was just you did great. 664 00:37:44,120 --> 00:37:49,040 Speaker 1: It was really you would. I mean I never would 665 00:37:49,040 --> 00:37:52,960 Speaker 1: have known you didn't do like that. It was that hard. 666 00:37:53,600 --> 00:37:57,040 Speaker 1: Obviously make it sound very easy, but I also see 667 00:37:57,080 --> 00:37:59,040 Speaker 1: like he stepped it up, because like, you stepped it up. 668 00:37:59,080 --> 00:37:59,920 Speaker 1: It was very clear. 669 00:38:00,520 --> 00:38:03,800 Speaker 2: Yeah, it was. It was a very like market difference. 670 00:38:03,880 --> 00:38:06,600 Speaker 2: Like I remember like playing it and I was like, 671 00:38:06,680 --> 00:38:12,000 Speaker 2: there's no way, there's literally we also don't have time 672 00:38:12,040 --> 00:38:15,879 Speaker 2: to like learn these things. So I don't have time 673 00:38:15,920 --> 00:38:17,600 Speaker 2: to warm up. I don't have time to learn this. 674 00:38:17,760 --> 00:38:21,479 Speaker 2: When do you think this is? But Alex, he maybe 675 00:38:22,000 --> 00:38:22,440 Speaker 2: was just. 676 00:38:23,960 --> 00:38:24,120 Speaker 1: Out. 677 00:38:24,440 --> 00:38:28,040 Speaker 2: He's like, you could do it, all right, So I did. 678 00:38:28,719 --> 00:38:30,480 Speaker 1: You did do it, and it's great. It was a 679 00:38:30,480 --> 00:38:32,279 Speaker 1: really good one. It was a really good one. I 680 00:38:32,320 --> 00:38:32,879 Speaker 1: really liked it. 681 00:38:33,040 --> 00:38:34,759 Speaker 2: I do enjoy listening to this one every now and 682 00:38:34,800 --> 00:38:36,560 Speaker 2: then when I have a little self esteem boost, I'm like. 683 00:38:36,840 --> 00:38:38,719 Speaker 1: Yeah, yeah, yeah, I do know. Now I'm going to 684 00:38:38,760 --> 00:38:40,920 Speaker 1: listen to it. There's a few recently that I was 685 00:38:40,960 --> 00:38:42,600 Speaker 1: listening to that I was like, there's some runs on 686 00:38:42,640 --> 00:38:47,280 Speaker 1: the end, like from Alex Newle or you or Amber anyone, 687 00:38:47,400 --> 00:38:49,960 Speaker 1: anyone that I'm like, oh, I missed that. I didn't 688 00:38:49,960 --> 00:38:51,440 Speaker 1: listen to the end of the song, right, thanks so 689 00:38:51,560 --> 00:38:51,960 Speaker 1: much for that. 690 00:38:52,160 --> 00:38:54,800 Speaker 2: Yeah, go listen to the full Footloose song. 691 00:38:55,000 --> 00:38:57,240 Speaker 1: Okay, Okay, but I'm. 692 00:38:57,120 --> 00:38:58,960 Speaker 2: Not saying it like, oh I killed it. I think 693 00:38:59,080 --> 00:39:03,319 Speaker 2: Luke is a monster because like, I didn't come up 694 00:39:03,320 --> 00:39:06,080 Speaker 2: with a single ad lib, a single run. None of 695 00:39:06,080 --> 00:39:11,839 Speaker 2: that was me, and it was it's hilarious. You'll just 696 00:39:11,840 --> 00:39:15,800 Speaker 2: be giggling because it's so funny. Okay, Okay, because I 697 00:39:15,800 --> 00:39:17,759 Speaker 2: think on the TV edit, you only get like half 698 00:39:17,800 --> 00:39:18,480 Speaker 2: of them. 699 00:39:18,800 --> 00:39:21,319 Speaker 1: Okay, I'm gonna right episodes. I can't wait. 700 00:39:22,040 --> 00:39:22,520 Speaker 2: I love it. 701 00:39:30,920 --> 00:39:34,759 Speaker 1: Let's read some numbers. Okay, you're all the world to me. 702 00:39:35,760 --> 00:39:38,880 Speaker 1: Now we're reading the song of the performance. Now performance 703 00:39:39,360 --> 00:39:44,200 Speaker 1: performance A plus A plus for sure, shout. 704 00:39:44,760 --> 00:39:48,280 Speaker 2: I'm gonna give me an A B plus. I really 705 00:39:48,360 --> 00:39:48,719 Speaker 2: like it. 706 00:39:49,120 --> 00:39:55,480 Speaker 1: Come with may a A old time racking Milliager Zone 707 00:39:55,760 --> 00:39:58,319 Speaker 1: B plus B plus. M HM, diamonds are A Girl's 708 00:39:58,320 --> 00:40:07,560 Speaker 1: best material Girl A in your Eyes B B B Yeah, 709 00:40:07,800 --> 00:40:16,160 Speaker 1: unten melody A footloose A and A plus for Kevin's runs. 710 00:40:16,320 --> 00:40:17,080 Speaker 2: Thank you very much. 711 00:40:17,200 --> 00:40:20,399 Speaker 1: You're welcome. Let's do some tarty takes. 712 00:40:20,400 --> 00:40:26,920 Speaker 2: Cringe moments. You know, there's still jokes about eating disorders 713 00:40:26,960 --> 00:40:27,759 Speaker 2: that I just. 714 00:40:28,680 --> 00:40:31,360 Speaker 1: I know, you know, let's just let it go. This 715 00:40:31,560 --> 00:40:35,560 Speaker 1: is like let it go. But actually, I will say 716 00:40:35,560 --> 00:40:38,759 Speaker 1: there's not as many eventsive things in this episode as 717 00:40:38,760 --> 00:40:47,360 Speaker 1: there are another. So applaud to Ginger. Yeah, yeah, okay, 718 00:40:47,400 --> 00:40:48,360 Speaker 1: best dance move. 719 00:40:48,960 --> 00:40:54,040 Speaker 2: I mean footlos No, I think the I'm not saying no. 720 00:40:53,960 --> 00:40:57,399 Speaker 1: Sorry, I mean that's the one that came to my mind. 721 00:40:57,480 --> 00:40:59,719 Speaker 2: You know you're wrong, Jenna. I think you're all the 722 00:40:59,760 --> 00:41:01,000 Speaker 2: world to me is. 723 00:41:03,960 --> 00:41:06,279 Speaker 1: Duh. Yeah, yeah, thanks for that. 724 00:41:06,400 --> 00:41:11,120 Speaker 2: Okay, that's honorable mention to my hand foot panting. 725 00:41:11,560 --> 00:41:17,560 Speaker 1: Yes, obviously, best song a man. 726 00:41:17,960 --> 00:41:24,879 Speaker 2: You know what I might pick unchainedalody me too, me too. 727 00:41:25,160 --> 00:41:26,520 Speaker 2: It was really beautiful. 728 00:41:26,880 --> 00:41:30,960 Speaker 1: I really liked it. It's a sleeper okay, great love that. 729 00:41:33,360 --> 00:41:40,880 Speaker 1: Best performance by prop Okay, the wigs. 730 00:41:38,760 --> 00:41:46,760 Speaker 2: That all the stuff that Santana is going through. Yeah yeah, 731 00:41:46,840 --> 00:41:49,800 Speaker 2: the clay and the ghost number right. 732 00:41:49,640 --> 00:41:50,879 Speaker 1: Okay, fair enough? 733 00:41:51,960 --> 00:41:55,879 Speaker 2: Best lines, I mean I think some of those Santana lines, 734 00:41:55,920 --> 00:41:56,480 Speaker 2: to be honest. 735 00:41:56,800 --> 00:42:04,719 Speaker 1: Yeah, I think the Cabbage Patch kid was funny. There's 736 00:42:04,760 --> 00:42:06,920 Speaker 1: also the one that you'd said before about when your 737 00:42:06,920 --> 00:42:08,759 Speaker 1: friend suddenly shows up in her home. 738 00:42:10,239 --> 00:42:11,960 Speaker 2: And I think that's my favorite one. 739 00:42:12,520 --> 00:42:18,439 Speaker 1: Yeah, it's really funny performance MVB. 740 00:42:19,640 --> 00:42:27,640 Speaker 2: Naya Yeah, I think Naya yeah, because that was just 741 00:42:28,680 --> 00:42:34,439 Speaker 2: some like comedy singers, Yeah, excellence, like she was acting down. 742 00:42:35,640 --> 00:42:40,320 Speaker 2: Should we found a TikTok tis the season? More Olympic tiktoks? 743 00:42:40,600 --> 00:42:46,520 Speaker 2: By the way, our girl Anna mar won a bronze 744 00:42:46,560 --> 00:42:54,120 Speaker 2: medal in her Sevestra tracksuit, so I know, huge Olympic medalist. 745 00:42:54,960 --> 00:43:06,399 Speaker 2: So there's another TikTok by Crawford Are now and it's 746 00:43:07,040 --> 00:43:11,080 Speaker 2: saying Ta's Olympic outfits look a little familiar. And it's 747 00:43:11,120 --> 00:43:14,440 Speaker 2: when the opening ceremony, when everybody's on the boat and 748 00:43:14,440 --> 00:43:16,560 Speaker 2: it zooms in and then he's like, wait a second, 749 00:43:16,640 --> 00:43:21,120 Speaker 2: and then shows a clip of a picture of the warblers. 750 00:43:21,480 --> 00:43:23,080 Speaker 2: I got that a lot. I got some tweets about 751 00:43:23,120 --> 00:43:25,240 Speaker 2: that too, people saying it looked familiar. 752 00:43:25,840 --> 00:43:27,239 Speaker 1: Very funny. 753 00:43:28,560 --> 00:43:31,279 Speaker 2: Also, another thing we found on ship we found on 754 00:43:31,320 --> 00:43:35,759 Speaker 2: TikTok Billy Eichner Billy on the street and he goes 755 00:43:35,840 --> 00:43:38,000 Speaker 2: up to someone and says, can anyone please tell me 756 00:43:38,000 --> 00:43:40,600 Speaker 2: where are the gleeks? Like where the gleeks went? And 757 00:43:40,640 --> 00:43:42,920 Speaker 2: this poor girl does not know what a gleek is, 758 00:43:43,080 --> 00:43:47,160 Speaker 2: and he is for almost twenty seconds asking her where 759 00:43:47,200 --> 00:43:51,240 Speaker 2: the gleeks went, Like it's so good. 760 00:43:51,800 --> 00:43:52,719 Speaker 1: Where have all the gleeks go? 761 00:43:52,920 --> 00:43:55,160 Speaker 2: So so good? Everybody in the comments being like, right here, 762 00:43:55,239 --> 00:44:01,480 Speaker 2: We're here they are, that's where they exist. You better, Yeah, Billy, 763 00:44:01,600 --> 00:44:04,120 Speaker 2: always you know, asking what the people want to know 764 00:44:04,160 --> 00:44:08,880 Speaker 2: about it. Truly, Luckily, what a funny episode. This was 765 00:44:09,000 --> 00:44:11,840 Speaker 2: huh billy episode. 766 00:44:12,719 --> 00:44:16,440 Speaker 1: Yeah, we'll just wait, there's a lot next week. 767 00:44:17,480 --> 00:44:20,439 Speaker 2: It felt like a very transitional episode, like we needed 768 00:44:20,480 --> 00:44:25,360 Speaker 2: to just get these confessions out to get the ball rolling. 769 00:44:26,560 --> 00:44:30,000 Speaker 1: Yeah, totally a bit of a filler, but a bit 770 00:44:30,000 --> 00:44:32,080 Speaker 1: of a filler, but it was an enjoyable one. Yeah, 771 00:44:32,160 --> 00:44:32,920 Speaker 1: I'm okay with it. 772 00:44:33,440 --> 00:44:34,279 Speaker 2: Filler's not bad. 773 00:44:35,239 --> 00:44:39,640 Speaker 1: Well, hope you guys enjoyed Girls and Boys on Film. 774 00:44:39,840 --> 00:44:42,399 Speaker 1: Come back next week for a feud. We'll hopefully find 775 00:44:42,400 --> 00:44:49,160 Speaker 1: out more about Brody and Rachel and probably be talking 776 00:44:49,200 --> 00:44:50,440 Speaker 1: about position coming up. 777 00:44:50,800 --> 00:44:53,640 Speaker 2: Oh my god, I just saw the song list for 778 00:44:53,640 --> 00:45:02,279 Speaker 2: a feud. Yeah, oh yeah, oh bitch. Okay us the 779 00:45:02,360 --> 00:45:06,080 Speaker 2: next week it's like, really on, Yeah, it's have many Okay, great, 780 00:45:06,680 --> 00:45:07,360 Speaker 2: I'm excited. 781 00:45:07,719 --> 00:45:09,440 Speaker 1: Come back, sweet and that's. 782 00:45:09,239 --> 00:45:12,640 Speaker 2: What you really missed. Thanks for listening and follow us 783 00:45:12,640 --> 00:45:15,359 Speaker 2: on Instagram at and that's what you really miss pod. 784 00:45:15,640 --> 00:45:17,520 Speaker 2: Make sure to write us a review and leave us 785 00:45:17,520 --> 00:45:19,040 Speaker 2: five stars. See you next time.