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Speaker 1: Did you like scary movies growing up?

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Speaker 2: Love them?

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Speaker 1: Really? Love that? Should I start that over and say,

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Speaker 1: what's your favorite scary movie? Did I do that? Is

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Speaker 1: that better?

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Speaker 3: That one was a good one. I did love that

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Speaker 3: one a lot, a lot.

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Speaker 1: Do you remember the first really scary movie? I mean,

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Speaker 1: did you jump right into horror movies? And did you

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Speaker 1: do like kid horror movies? First?

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Speaker 2: I think I just jumped right into that.

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Speaker 3: I think I honestly feel like Scream was probably my first.

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Speaker 1: I auditioned for Scream for which part Skeet Ulrich's part?

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Speaker 2: Oh, I did even wonderful?

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Speaker 1: They told me I was too young at the time.

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Speaker 1: I was too young, but I actually auditioned first Scream.

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Speaker 2: How old is that? Were you?

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Speaker 4: Like?

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Speaker 1: I don't know. I was nine. It was what like

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Speaker 1: nineteen ninety They.

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Speaker 2: Were high schoolers, they were, but I was. I was,

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Speaker 2: but they were all not high school.

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Speaker 1: I might have been a high school in real life,

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Speaker 1: but I was in Hollywood high school, right. No, I

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Speaker 1: was probably only twenty, So that was in high school.

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Speaker 2: Because that was a good franchise to be a part of.

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Speaker 1: Yah. I didn't I should I should tell you what

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Speaker 1: I actually meant. I auditioned to play Skeet Ulrich playing

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Speaker 1: his part in Screen? Is that confusing?

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Speaker 2: Yes? Yes?

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Speaker 1: What kidding?

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Speaker 3: Oh my gosh, No, but nothing beats Nothing beats Saw Nothing.

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Speaker 1: Oh my god. Those movies, those.

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Speaker 2: Oh movies so good, they're so creepy.

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Speaker 1: Have you heard the theory that Macaulay Culkin's character from

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Speaker 1: Home Alone grew up to be the main guy from

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Speaker 1: Saw because he does all the things, like, he does

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Speaker 1: all the things when they're breaking into the house, like

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Speaker 1: he plants all the stuff. So that started his psychosis

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Speaker 1: and his character actually turns it into the guy, the

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Speaker 1: main guy from Saw.

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Speaker 2: The one that's laying down.

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Speaker 1: Yeah, it's a big it's a big Hollywood guy, the

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Speaker 1: big guy with the I don't know the mask whatever

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Speaker 1: his name of the main guys in Saw. That's Macaulay

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Speaker 1: Culkin from Still.

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Speaker 3: Can't see anything like horse Head and not have a

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Speaker 3: nightmare that night?

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Speaker 1: Really okay? So no Godfather for you?

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Speaker 3: No, No, I can't do any of that stuff. That's crazy. No,

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Speaker 3: all right, I love them.

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Speaker 1: Well that's going to lead us into this week. But

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Speaker 1: first of all, welcome back to Magical Rewind, the show

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Speaker 1: that makes you want to grab your friends your pjs

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Speaker 1: and your popcorn and go back to a time when

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Speaker 1: all the houses were smart, the waves, Tsunamis and the

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Speaker 1: high School's musical. I'm Wilfridell and I'm Sabrina Brian And

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Speaker 1: you know what, this week, we're not going solo. We're

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Speaker 1: going to bring in a third partner in crime.

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Speaker 2: Here professional If you will.

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Speaker 1: I will. I've never met this man, I hear he

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Speaker 1: knows a lot about films. I want to make sure

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Speaker 1: I'm getting this pronunciation right. He's from something called Boys

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Speaker 1: Meet World something like that. He also has a podcast

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Speaker 1: called POD's Meat This World I think it's pronounced. And

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Speaker 1: his name, and this has got to be a stage name,

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Speaker 1: is Rider Strong. Yes, so please help us welcome my

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Speaker 1: old friend Rider Strong to the podcast.

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Speaker 5: Hid Hi, guys, Now there's a very specific reason you're here, Rider,

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Speaker 5: and that's because when I told you about the new

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Speaker 5: podcast that I was doing, you and Danielle at the

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Speaker 5: same time tried to call the same movie the movie

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Speaker 5: we're doing today.

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Speaker 1: Can you intro the movie that we're doing today? Rider?

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Speaker 1: What did we watch?

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Speaker 6: We watched the movie Zombies, Yes, and yeah, I think

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Speaker 6: Danielle and I both had the exact same experience, which

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Speaker 6: is that this movie did so well with our kids,

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Speaker 6: Like there were about three months of my life that

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Speaker 6: were just all zombies all the time. Yes, I could

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Speaker 6: not get in the car without having to put on

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Speaker 6: the zombie songs.

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Speaker 1: Indy would be singing them constantly.

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Speaker 6: And then there are three zombies movies, so I've seen

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Speaker 6: them all.

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Speaker 1: This is easily the best one. Okay, okay, but it's really.

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Speaker 6: Funny to go back and watch again for this because

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Speaker 6: I hadn't seen it since I guess the pandemic, like

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Speaker 6: it had been a while. So yeah, I mean I

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Speaker 6: think he watched the first one right about when it

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Speaker 6: first came out, which would have made him only.

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Speaker 1: Five years of twenty eighteen.

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Speaker 6: Yeah, so yeah, I think we probably watched it in

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Speaker 6: like twenty nineteen and then like early twenty twenty, and

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Speaker 6: that's yeah.

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Speaker 1: He was just just loved it. And so I told

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Speaker 1: him that.

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Speaker 6: We were doing this, and he and I sat down

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Speaker 6: and watched it again and I saw it with new eyes.

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Speaker 3: Oh did he watch it with you? That's so fun awesome, Monroe.

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Speaker 3: My daughter watched this one, and I will say this

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Speaker 3: is probably one of the first ones she's actually sat

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Speaker 3: through the whole thing and.

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Speaker 1: Now how old wait refreshed me. How old is Monroe? Again?

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Speaker 2: Monroe's going to be four here two weeks?

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Speaker 1: So wow.

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Speaker 3: She actually normally she sits for a minute and then yeah,

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Speaker 3: like me, she's over it, like I do the same thing.

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Speaker 3: There was a moment where I thought I lost her,

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Speaker 3: we'll get there, but she came back and she finished

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Speaker 3: it out. So this was the first one. Okay, I'll

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Speaker 3: you know, really pay attention to that.

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Speaker 1: Well, Danielle and Ryder called it at the same time

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Speaker 1: rider run by a fraction of the second, So Danielle

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Speaker 1: Fisher will be joining us for Zombies two Perfect Times, which,

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Speaker 1: by the way, is what we call every single sequel Riders.

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Speaker 1: This time it's personal. So I have a well documented

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Speaker 1: phobia that everybody knows about. Frankly only one. Yes, I

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Speaker 1: don't we the phobia, Yes you do. My musical phobia.

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Speaker 1: Oh where I do?

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Speaker 3: Not?

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Speaker 1: I always sit there and go what did they all

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Speaker 1: just get together and decide on the lyrics to the song,

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Speaker 1: Like we're in the middle of a scene and they

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Speaker 1: all break in the song. What. Yes, I'm starting to

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Speaker 1: get better because we've seen now a ton really liked

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Speaker 1: the first high school musical. I was the last person

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Speaker 1: in the world who never seen it. I still have

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Speaker 1: never seen that. Okay, so there's one left. But let's

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Speaker 1: fire it up now, because this is our year, our episode.

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Speaker 1: This is gonna be see. There you go give a

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Speaker 1: first installment in another modern day dcom franchise hit, following

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Speaker 1: the now unstoppable formula of good looking young actors singing

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Speaker 1: catchy pop hits. Zombies was first teased during the premiere

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Speaker 1: of Descendants two on the Disney Channel, which is the

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Speaker 1: type of setup you pray you get for your film.

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Speaker 1: And also, we can say this now, A lot of

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Speaker 1: negative reviews of this movie involve the idea that it's

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Speaker 1: just a Descendants for zombies. Do either of you first

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Speaker 1: of all? Writer, I know Sabrina has because we covered it,

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Speaker 1: But have you seen Descendants? Yeah?

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Speaker 6: You know the Descendants also tore through my house us time.

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Speaker 1: They just released a new one and so Indy watched.

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Speaker 1: I think it's the fourth Descendants.

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Speaker 6: Yeah, and I cannot get behind Descendants well to the

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Speaker 6: same degree that I can get behind Zombies.

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Speaker 1: Okay, yeah, I don't know.

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Speaker 6: Descendants just always felt like it should have been a

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Speaker 6: feature that was like with a lot more money. I

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Speaker 6: don't know, like it always felt like constrained by the

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Speaker 6: Disney Channel of it like a.

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Speaker 1: Big Cinderella movie star.

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Speaker 6: Yeah, it was just too but also just like you

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Speaker 6: wanted bigger effects. I wanted the characters to be a

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Speaker 6: little more.

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Speaker 2: Remember it's the Disney Channel. These are not big cinema.

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Speaker 6: That's what I'm saying is that I think Zombi was

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Speaker 6: a better use of you know, limiting at the high

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Speaker 6: school for you know, with the Descendants, I wanted to

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Speaker 6: be like in the world more. It was a bigger world.

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Speaker 6: It was like all this like, you know, you had

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Speaker 6: to build so much mythology with the Descendants about like

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Speaker 6: how they lived on a separate island, you know, whereas

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Speaker 6: this it's like you get that animated opening and I'm like,

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Speaker 6: I'm in, we don't have to leave the high school.

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Speaker 1: I mean, that's what people are saying. That's why they're

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Speaker 1: saying this is a ripoff, because Descendants and Zombies start

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Speaker 1: the same way. Essentially, the zombies live on an island

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Speaker 1: in Zombie Landing. They're pretty much saying it's the formula

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Speaker 1: and they ran with it. But that's what we'll get

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Speaker 1: into all that now. It wasn't always prime to be

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Speaker 1: a success. Zombies in what we can only call the

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Speaker 1: fuzzbucket method. Now, writer will elect you in on fuzz Bucket.

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Speaker 1: You remember Fuzzbucket, Well, I remembered it, and then you

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Speaker 1: started telling me about it. I was like, oh, I

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Speaker 1: had no actual recollection of it. Just like that sounds bonkers,

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Speaker 1: buzzu It was was we we learned. It appeared to

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Speaker 1: be made as a pilot, gotcha. And then what happened

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Speaker 1: was these pilots that weren't successful on the channel or

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Speaker 1: didn't they didn't know what they were going to do

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Speaker 1: with they turned them into movies that weren't long enough.

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Speaker 1: So Michael Eisner would come in himself and record an

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Speaker 1: opening introing the movie, and he would like to an

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Speaker 1: extra fifteen minutes. It took him, apparently not exaggerating the

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Speaker 1: thing we learned, it took him something like fifty takes

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Speaker 1: to do the old opening the fuzz Bucket, which was

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Speaker 1: the first one that he had ever get.

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Speaker 2: It's a pretty long monologue, so.

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Speaker 1: It's just insane him just trying to pump up fuzz Bucket.

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Speaker 1: But this apparently this was coming. This was what we

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Speaker 1: call the fuzz bucket method because Zombies was originally shot

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Speaker 1: as a pilot for Disney. The original TV show was

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Speaker 1: shot but never aired, and at the time was called

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Speaker 1: Zombies and Cheerleaders. And I have to ask, is that

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Speaker 1: a better title than just zombies Zombies and Cheerleaders.

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Speaker 3: No, well, I mean it makes more sense because the

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Speaker 3: cheerleaders are just so much in this movie.

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Speaker 1: Says our resident cheerleader.

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Speaker 2: It's just so goad.

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Speaker 6: I feel like there's a better title that does include

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Speaker 6: the fact that they're because like, zombies sounds like a

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Speaker 6: horror film, right or right? It's like, yeah, so it

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Speaker 6: could have been like zombie cheer or zombie Spirit.

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Speaker 3: Yeah, give me a zombie something, yeah, zombie spectacular something.

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Speaker 6: Toy that it's not a monster movie, that it's actually

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Speaker 6: a high school movie, right, like zombie High Okay, zombie hands,

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Speaker 6: ze Town and the cheer leaders, I don't know something.

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Speaker 1: So that's exactly what they tried with the pilot. So

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Speaker 1: the pilot itself starred Luke Benward from the dcom Minutemen Sabrina,

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Speaker 1: which we of course know well and Girl meets World

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Speaker 1: Wrider as z and another familiar name to us. Maya

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Speaker 1: Mitchell from Teen Beach Movie played Addison, and these are

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Speaker 1: two actors nowhere to be seen in the eventual film

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Speaker 1: versions that took off. Oh, so they actually shot it.

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Speaker 1: They shot it. Something else worth noting. This is the

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Speaker 1: first Disney Channel original movie musical to become a franchise

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Speaker 1: where none of the main cast members have played a

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Speaker 1: main character in a Disney Channel series or a Disney

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Speaker 1: Channel animated series prior to the first movie being released.

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Speaker 1: So everybody in this movie was a newbie to the channel.

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Speaker 1: They I mean, they might have done something small here,

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Speaker 1: but they'd never They didn't use any of their stars,

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Speaker 1: didn't use the synergy, which is kind of strange.

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Speaker 3: Very strange for the channel. Yes, almost makes it feel

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Speaker 3: like it was produced outside of the channel.

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Speaker 1: We've seen which, right, we've seen that before. We know

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Speaker 1: it wasn't, but it doesn't has that feel of this

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Speaker 1: isn't going to be one of our bigger ones. It

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Speaker 1: didn't work as a pilot. Let's try to get it

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Speaker 1: out there and see what happens. Yeah, writer, you always

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Speaker 1: talked about and we've talked about this back in the

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Speaker 1: day newsies. You know, these kind of old school movies.

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Speaker 1: If you were back in the you know, it's nineteen

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Speaker 1: ninety two, you're thirteen, fourteen, fifteen years old, and Disney

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Speaker 1: Channel comes to you with the musical big dancing number.

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Speaker 1: Would you have done it?

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Speaker 6: Well, okay, there's a very very good answer to this.

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Speaker 6: I screen tested for Newsies and do you know who

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Speaker 6: it was I was up against?

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Speaker 1: Were you up against Christian Bale?

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Speaker 6: No? I was to play the younger brother. Okay, so

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Speaker 6: I got to audition. I actually don't think I auditioned

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Speaker 6: with Christian Bale. There were another set of There were

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Speaker 6: three older brothers and there were three younger brothers, and

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Speaker 6: they kept mixing and matching us and the other two

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Speaker 6: younger brothers.

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Speaker 1: That I was up against.

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Speaker 6: The other one was Luke Edwards who got the part

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Speaker 6: and went on to do it. The other one was

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Speaker 6: mister Ben Savage.

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Speaker 1: No. It was the first time I met Ben Savage.

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Speaker 6: Was at Disney lot where they brought us onto the

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Speaker 6: lot and we did a full filming to screen test

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Speaker 6: for News's. They had a full crew. They shot it

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Speaker 6: on thirty five millimeters. It was as if we were

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Speaker 6: making the movie for a day, and we took turns

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Speaker 6: doing it. And we had to do a wardrobe and costume,

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Speaker 6: and we had days of singing songs and learning dances

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Speaker 6: in order to prep for this filming day.

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Speaker 1: Then that filming day while.

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Speaker 6: We started, was the day of beginning of the Gulf War,

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Speaker 6: of the American involvement in the Golf War. I have

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Speaker 6: memories of us sitting around looking. They pulled the TV

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Speaker 6: onto the on the Disney lot, and do you remember

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Speaker 6: at Disney they used to have the New York Street,

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Speaker 6: the old Yeah, that was built and there, and we

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Speaker 6: then shot scenes on the Disney lot and I went.

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Speaker 1: Into the studio. They had a studio teacher.

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Speaker 6: And they had a classroom, and I went in and

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Speaker 6: met Luke Edwards and then met Ben Savage, and Ben

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Speaker 6: was the.

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Speaker 1: I never talked about that when you were doing Boy, like,

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Speaker 1: oh my god. We met on news.

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Speaker 6: We must have, yeah, because we both remembered having been

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Speaker 6: up for it, you know, but neither of us got it,

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Speaker 6: so it didn't happen.

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Speaker 1: I So anyway, that's one answer. But the real answer.

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Speaker 6: Is I was always a horrible dancer and a very

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Speaker 6: very average.

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Speaker 1: To poor singer.

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Speaker 6: But I was coming off of having done Lames Rob Yeah,

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Speaker 6: and played Gavroge.

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Speaker 2: So I was sort of known you were, okay.

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Speaker 1: I mean, well, you know, Gavroche just kind of raps.

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Speaker 1: He doesn't really sing, he's.

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Speaker 6: Just so, you know, okay, he's ahead of his t's

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Speaker 6: my version. And I was definitely cast for my acting.

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Speaker 6: You know, I wasn't like I was known in the

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Speaker 6: the lay miss circles for being a very good gav

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Speaker 6: Roge as far as my attitude. But I was never

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Speaker 6: a real singer. And but then because I had done

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Speaker 6: La Miz, Yeah, I would always go up for these

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Speaker 6: musicals or you know, yeah musicals and this they brought

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Speaker 6: me in and I got really close on News's didn't

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Speaker 6: get it and then yeah, and then I sort of

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Speaker 6: fell into more traditional sitcom acting, which also kind of

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Speaker 6: was an offshoot of theater if you think about it,

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Speaker 6: you know, live audience and being bigger.

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Speaker 1: Sure, and that's how I found myself on boy Me's

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Speaker 1: World eventually, yeh, to be serious.

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Speaker 6: But yeah, so and then I never once my my

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Speaker 6: voice changed and I put that in quotes because I

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Speaker 6: still sound like a fourteen year old boy.

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Speaker 1: Yeah, he sound exactly like you do.

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Speaker 7: What I mean the.

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Speaker 6: Difference between eleven and thirteen was great enough that by

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Speaker 6: the time we started, boy, I definitely wasn't singing anymore

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Speaker 6: at all. I never learned how to dance, so yeah,

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Speaker 6: I would never have been asked.

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Speaker 2: You didn't give him any lessons will me on how

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Speaker 2: to dance?

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Speaker 1: Of all my dance history and background.

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Speaker 2: Preats of dancing, you didn't give him one lesson. God,

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Speaker 2: I know this guy for years.

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Speaker 1: I did I give him one lesson? It was don't

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Speaker 1: listen to me when it comes to anything with dancing.

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Speaker 1: On Zombies. The production began in May twenty seventeen. By

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Speaker 1: the way, Zombies, which is spelled called z dash oh

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Speaker 1: dash M dash B dash I dash oh. So it's

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Speaker 1: like the letters. It's like cos yes, but it doesn't

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Speaker 1: appear to be an acronym for anything. And yet so

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Speaker 1: we don't know why. It's like a cheerleader is cheering it.

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Speaker 1: That's what I'm guessing. Give me an oh, maybe that's what.

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Speaker 3: Okay, here you go, that's how they incorporated their cheer moment.

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Speaker 1: Hey, there you go, we just figured it out. The

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Speaker 1: coin flip landed on tails this time, so it was

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Speaker 1: shot in Toronto instead of Utah. Over ten weeks four

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Speaker 1: weeks to rehearse and six weeks to shoot. It aired

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Speaker 1: on February sixteenth, twenty eighteen, to just over two point

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Speaker 1: five million viewers, which I know that fans of the

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Speaker 1: pod here know that that sounds like a really, really

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Speaker 1: low number compared to a lot of the other decoms

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Speaker 1: we've talked about. But you know, teen beach movies, some

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Speaker 1: of these ones from early two thousands will have ten, twelve,

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Speaker 1: fifteen million viewers, which just at this point in the

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Speaker 1: modern era of twenty seventeen twenty eighteen just didn't happen anymore,

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Speaker 1: is not there. There's too much information from too many

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Speaker 1: different places in the days of kids sitting down in

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Speaker 1: millions of them watching one night were just kind of

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Speaker 1: over So two point five million doesn't sound big, but

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Speaker 1: it was considered a very big success for the channel,

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Speaker 1: especially since what they started to do, which was really interesting,

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Speaker 1: was the entire premiere weekend. It's estimated that nearly thirteen

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Speaker 1: million people ended up watching it because they aired it

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Speaker 1: ten times over the original premiere weekend. Wheez, Yeah, quite

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Speaker 1: a way to bump themselves up. In the Raiders now

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Speaker 1: we are covering the original offering, but the zombies franchise

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Speaker 1: has three movies out already, with a forthcoming in twenty

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Speaker 1: twenty five. There's a new cartoon on Disney, plus a

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Speaker 1: tour alongside actors from The Descendants, which was just announced

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Speaker 1: at D twenty three Toys Party Supplies Halloween Costumes. The

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Speaker 1: list never ends, so to call the series of phenomenon

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Speaker 1: would be an absolute understatement, and all from a failed pilot.

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Speaker 1: Also a bit of a spoiler alert. Zombies three had

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Speaker 1: a budget of wait for it, kids forty million dollars

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Speaker 1: switch is aw d coom record here forty million bucks

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Speaker 1: for Zombies three, so the studio was all in. Zombies

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Speaker 1: one had how much do you know?

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Speaker 2: Not that much?

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Speaker 1: Not that much? I don't does not look like we don't.

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Speaker 1: I don't think we have exactly what it was. But

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Speaker 1: my guess is if we're right around where they were

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Speaker 1: in d coms, it would probably be somewhere around four.

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Speaker 6: Yeah, that's that looks It looks definitely under tan forest

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Speaker 6: tight geez.

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Speaker 1: For how many numbers there are? Guess, but I'm guessing

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Speaker 1: that's that's because when we saw a high school musical

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Speaker 1: there were as many numbers, and wasn't that around It

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Speaker 1: was about a four million dollar budget.

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Speaker 2: Yes, yeah, the first one, but all.

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Speaker 1: Started bumping kids in a in a high school. This

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Speaker 1: was not the makeup and everything, so it could have

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Speaker 1: been higher, but it certainly wasn't forty, which is just crazy,

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Speaker 1: as you could probably guess. As one of the most

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Speaker 1: popular decoms ever. It's currently viewable on Disney Plus. So

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Speaker 1: jump over there now and come back to the podcast,

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00:17:55,280 --> 00:17:57,800
Speaker 1: or just listen to us cold and go kick some rocks.

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Speaker 1: Those are your three options. So what did you know

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Speaker 1: about We always do this little segment here rider, So

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Speaker 1: before today, Sabrina, what did you know about zombies? If

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Speaker 1: you'd even heard of it?

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Speaker 2: I had heard of it.

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Speaker 3: The director that did our Cheetah Girls three is Paul Hoan,

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Speaker 3: who has done the entire series of Zombies, so I

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Speaker 3: definitely knew about it. I knew there was cheering involved

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Speaker 3: because him and I chatted and he's like, Oh, you

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Speaker 3: should come and do some kind of cheercoach thing or

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Speaker 3: something or whatever, and I was like, totally, I've never

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Speaker 3: seen the movie, but you know, I'm in ycause he's amazing.

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Speaker 3: So I knew it would be great. But that is it,

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Speaker 3: And I did know who the main character was. I

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Speaker 3: knew that he was from the movie that we've already done.

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Speaker 1: We both liked prom Packs so much and we both

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Speaker 1: called this guy out for how good he was, Yes.

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Speaker 3: And I knew he was a part of it, did

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Speaker 3: not know how talented he was when it comes to

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Speaker 3: singing and dancing.

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Speaker 2: Damn my god.

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Speaker 1: Yeah, wow.

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Speaker 3: I think he is definitely the best lead dancer and

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Speaker 3: singer that we well, maybe not singer, but because there's

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Speaker 3: been a lot of good, great singers.

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Speaker 2: But he gives Corbyn Blue a run for.

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Speaker 1: His money, and that's saying something.

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Speaker 3: And I think Corbyn Blue is a gem. Yeah, so wow,

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Speaker 3: that's all I knew though.

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Speaker 6: I think he is so good and he is for me,

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Speaker 6: just why this movie works. His performance is unbelievable.

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Speaker 2: Yes, absolutely so.

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Speaker 1: I don't know if you've seen Prompact, which which took

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Speaker 1: it was an even newer d comm than this and

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Speaker 1: took DM to whole different level where it was no

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Speaker 1: longer a Disney Channel original movie. It was they were drinking,

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Speaker 1: they're talking about sex, yet very very new modern version.

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Speaker 1: And he was so good. And I saw that movie

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Speaker 1: rider right after you started to call out people where

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Speaker 1: you were like this person's going to be a big star.

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Speaker 1: I'm calling this person now. And I remember on the

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Speaker 1: podcast saying writer did this. I'm calling Milo mannheim right

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Speaker 1: now because he's so good.

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Speaker 6: He is a tour de force. Oh, he's so effortless.

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Speaker 6: Like it is just he just oozes charisma. Yes, he

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Speaker 6: manages to be a leading man who doesn't feel like

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Speaker 6: a leading man.

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Speaker 1: Does that make sense?

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Speaker 3: Like he doesn't steal it, He's not like it's like

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Speaker 3: he's like unselfish.

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Speaker 1: Yeah, and he doesn't, he just doesn't.

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Speaker 6: He just you just love him. Your heart like goes

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Speaker 6: right out to him. He's so charismatic without being showy

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Speaker 6: about it, and like he can kind of be like

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Speaker 6: a lovable loser even though.

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Speaker 1: He's you know, beautiful and yeah, all the talent. So

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Speaker 1: do you know who he is? Do you know who? Yeah,

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Speaker 1: he's Cameron manheim Son. Yeah I know. And when I

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Speaker 1: found that out, I was like, yes, this makes total

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Speaker 1: sense because she is so talented.

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Speaker 6: And also I got to work with her on two

439
00:20:42,720 --> 00:20:45,679
Speaker 6: episodes of the Practice and I was with her the

440
00:20:45,840 --> 00:20:50,600
Speaker 6: entire time. Could not have been a cooler, nicer, more

441
00:20:50,720 --> 00:20:54,280
Speaker 6: grounded and just like just into the industry for the

442
00:20:54,359 --> 00:20:57,080
Speaker 6: right reasons, you know, like always just loved acting and

443
00:20:57,160 --> 00:20:59,520
Speaker 6: loved and she would sit with me in the practice

444
00:20:59,520 --> 00:21:00,720
Speaker 6: and just out and taught.

445
00:21:00,760 --> 00:21:00,919
Speaker 1: You know.

446
00:21:00,960 --> 00:21:02,840
Speaker 6: She was a regular on the show where she was

447
00:21:02,960 --> 00:21:06,159
Speaker 6: winning Emmys, and she was so funny and so kind.

448
00:21:06,640 --> 00:21:08,800
Speaker 6: I'm like not and I worked with her in ninety

449
00:21:08,920 --> 00:21:11,480
Speaker 6: six or whatever, so before she was a mom, But

450
00:21:11,560 --> 00:21:14,240
Speaker 6: I'm not surprised to find out that she's probably the

451
00:21:14,359 --> 00:21:18,640
Speaker 6: greatest mom ever. And she raised this like incredibly talented

452
00:21:18,680 --> 00:21:21,080
Speaker 6: triple threat who's probably a very nice guy.

453
00:21:21,119 --> 00:21:23,600
Speaker 1: Like I'm just I'm such a fan. Well, he That's

454
00:21:23,640 --> 00:21:26,359
Speaker 1: one of the things We interviewed Cornelia Frame, who was

455
00:21:26,880 --> 00:21:30,399
Speaker 1: the vice president of casting for Disney Channel for doing

456
00:21:30,480 --> 00:21:32,760
Speaker 1: a lot of these movies, and we asked the question

457
00:21:32,800 --> 00:21:34,760
Speaker 1: that you hear all the time is when somebody walks

458
00:21:34,760 --> 00:21:37,080
Speaker 1: in the room, how do you know? And what is it?

459
00:21:37,680 --> 00:21:37,960
Speaker 6: Right?

460
00:21:38,080 --> 00:21:41,000
Speaker 1: And when you're watching this guy, you just go that

461
00:21:41,000 --> 00:21:43,680
Speaker 1: that's it. That's the it that people are looking for

462
00:21:44,000 --> 00:21:47,560
Speaker 1: every time he's on screen. He's funny, he's engaging, he's endearing.

463
00:21:48,160 --> 00:21:50,679
Speaker 1: That's what we're talking about. So anybody who's wondering what

464
00:21:50,720 --> 00:21:53,520
Speaker 1: it is, that's what it is. Hit factor in factor

465
00:21:53,560 --> 00:21:55,679
Speaker 1: we know Ryder had heard of this movie, and I

466
00:21:55,880 --> 00:21:59,000
Speaker 1: had heard of this movie because Ryder told me about it,

467
00:21:59,080 --> 00:22:02,320
Speaker 1: So there go, i'd actually heard of one.

468
00:22:02,960 --> 00:22:07,040
Speaker 2: That one check he has never seen or heard any.

469
00:22:06,880 --> 00:22:11,800
Speaker 3: Of the movie, weirdly, because this entire show was his idea.

470
00:22:12,000 --> 00:22:13,960
Speaker 1: I knew this one.

471
00:22:14,000 --> 00:22:16,040
Speaker 6: Well, you probably know all the eighties ones, right, like

472
00:22:16,119 --> 00:22:17,800
Speaker 6: eighties and maybe up to the middle.

473
00:22:18,440 --> 00:22:21,359
Speaker 1: Not really, no, not really. There's a lot we're finding

474
00:22:21,359 --> 00:22:24,200
Speaker 1: where we're going. There's times where we just don't. Somebody

475
00:22:24,280 --> 00:22:25,919
Speaker 1: be like, you're doing the Thirteenth Year and we're like,

476
00:22:26,040 --> 00:22:28,320
Speaker 1: is it about bar mitzvahs? And it's about a mermaid

477
00:22:28,400 --> 00:22:32,600
Speaker 1: and you're like you're, okay, there you go. Sometimes we

478
00:22:32,640 --> 00:22:35,439
Speaker 1: get it. Sometimes you don't. Very quick answer both of you.

479
00:22:35,560 --> 00:22:39,280
Speaker 1: Favorite song in the movie.

480
00:22:39,840 --> 00:22:43,880
Speaker 3: That was one of my things. I will say the

481
00:22:44,160 --> 00:22:45,560
Speaker 3: music wasn't it for me?

482
00:22:47,720 --> 00:22:50,679
Speaker 1: Big disagree or disagree.

483
00:22:50,280 --> 00:22:52,880
Speaker 2: I remember any of those songs.

484
00:22:53,080 --> 00:22:55,480
Speaker 6: No, this is what makes this movie stand out for me.

485
00:22:56,280 --> 00:22:59,760
Speaker 6: Watching it again was like, oh, I actually really really

486
00:23:00,160 --> 00:23:04,439
Speaker 6: mostly like the songs, and I think I think Someday

487
00:23:05,000 --> 00:23:08,359
Speaker 6: is just a beautiful song, and especially the repriese.

488
00:23:08,920 --> 00:23:13,160
Speaker 1: So the second time they sing someday, it's oh, my god,

489
00:23:13,240 --> 00:23:14,480
Speaker 1: it's just I it like.

490
00:23:14,560 --> 00:23:16,439
Speaker 6: And what I realized is that because I was like

491
00:23:16,560 --> 00:23:18,760
Speaker 6: when we were watching that this time, when they started

492
00:23:18,760 --> 00:23:21,640
Speaker 6: doing Someday for the first time, I was like, wait, wait,

493
00:23:21,760 --> 00:23:24,439
Speaker 6: this isn't the version I listened to. And I realized

494
00:23:24,480 --> 00:23:26,760
Speaker 6: that I always listen to the reprise because it's more

495
00:23:26,960 --> 00:23:29,840
Speaker 6: just it's slower. They were really just singing to each other.

496
00:23:29,920 --> 00:23:33,000
Speaker 6: Their voices are beautiful, the melody is amazing, the lyrics

497
00:23:33,000 --> 00:23:33,679
Speaker 6: are great.

498
00:23:34,359 --> 00:23:35,840
Speaker 1: I think Someday.

499
00:23:35,640 --> 00:23:38,720
Speaker 6: Is like one of my favorite musical songs ever, but

500
00:23:38,880 --> 00:23:41,080
Speaker 6: just the reprise the actual original song was like.

501
00:23:41,000 --> 00:23:42,760
Speaker 1: Oh, this is more of a dance number.

502
00:23:43,040 --> 00:23:44,960
Speaker 6: It's still a good song, but man, when they bring

503
00:23:45,000 --> 00:23:48,880
Speaker 6: it back, I because I like the emotional musicals.

504
00:23:48,880 --> 00:23:50,560
Speaker 1: My favorite musicals are the lay.

505
00:23:50,400 --> 00:23:54,000
Speaker 6: Misses, the like you know, the like buldeol songs like Yeah,

506
00:23:54,040 --> 00:23:58,080
Speaker 6: I like it where it's like expressive ballads and stuff

507
00:23:58,119 --> 00:23:58,440
Speaker 6: like that.

508
00:23:58,680 --> 00:24:00,240
Speaker 1: So when they do like the pop.

509
00:24:00,119 --> 00:24:03,240
Speaker 6: Songs as musicals, I kind of check out. But this

510
00:24:03,280 --> 00:24:05,920
Speaker 6: one for me, I like pretty much all the songs,

511
00:24:07,000 --> 00:24:10,000
Speaker 6: the what's the one where they go into zombie town

512
00:24:10,040 --> 00:24:12,920
Speaker 6: and they're damn like bam okay, that one. I don't

513
00:24:12,960 --> 00:24:16,080
Speaker 6: love the song, but the number is is.

514
00:24:16,280 --> 00:24:18,520
Speaker 2: Here's my thing with these performances.

515
00:24:18,920 --> 00:24:22,119
Speaker 3: I'm gonna say it now, this is probably my favorite

516
00:24:22,200 --> 00:24:24,280
Speaker 3: choreography I've seen from any of them.

517
00:24:24,320 --> 00:24:26,800
Speaker 2: That's including my own freaking.

518
00:24:26,640 --> 00:24:34,200
Speaker 8: Movie already watched. This choreography is so good. And the

519
00:24:34,359 --> 00:24:37,040
Speaker 8: first not the reprise, but the first one. I got

520
00:24:37,080 --> 00:24:39,000
Speaker 8: lost in how great the choreography was.

521
00:24:39,080 --> 00:24:42,760
Speaker 3: The staging, the certain things Paul really knows how to.

522
00:24:42,800 --> 00:24:45,159
Speaker 6: Do, different stage telling that they're able to do with

523
00:24:45,240 --> 00:24:47,400
Speaker 6: their like all the lights and like when they make

524
00:24:47,440 --> 00:24:49,119
Speaker 6: the disco ball out of the little.

525
00:24:51,240 --> 00:24:51,680
Speaker 2: Totally.

526
00:24:51,720 --> 00:24:54,639
Speaker 3: So I thought so much of that was so great.

527
00:24:54,800 --> 00:24:57,480
Speaker 3: I didn't catch on to the music. The music and

528
00:24:57,520 --> 00:25:00,439
Speaker 3: Descendants because of course, obviously you're going to watch this,

529
00:25:00,480 --> 00:25:03,400
Speaker 3: and if you've seen one or the other, when you're

530
00:25:03,400 --> 00:25:05,840
Speaker 3: watching the other one for the first time, you are

531
00:25:05,960 --> 00:25:08,119
Speaker 3: instantly kind of comparing and contrasting.

532
00:25:08,240 --> 00:25:08,760
Speaker 1: Sure's great.

533
00:25:08,960 --> 00:25:13,119
Speaker 3: Sure, And I will say the Descendants songs were very catchy.

534
00:25:13,160 --> 00:25:15,320
Speaker 2: I think they were more repetitive or there was.

535
00:25:15,280 --> 00:25:19,280
Speaker 3: Something about it that those songs played in my head

536
00:25:19,400 --> 00:25:23,359
Speaker 3: and got stuck. This music didn't as much. But the dancing,

537
00:25:24,560 --> 00:25:27,520
Speaker 3: besides the cheer stuff, right.

538
00:25:27,960 --> 00:25:29,439
Speaker 1: We'll get well, we'll get to what you think of

539
00:25:29,480 --> 00:25:30,119
Speaker 1: the cheer stuff.

540
00:25:30,359 --> 00:25:33,600
Speaker 2: But the dancne it just it took me away. I

541
00:25:33,840 --> 00:25:35,040
Speaker 2: was intrigued.

542
00:25:35,400 --> 00:25:37,240
Speaker 1: The music in this movie gave me some of the

543
00:25:37,240 --> 00:25:40,880
Speaker 1: songs especially gave me real Hamilton vibes, which I dug

544
00:25:41,000 --> 00:25:43,680
Speaker 1: quite a bit. That makes the big fan of combining

545
00:25:43,680 --> 00:25:45,959
Speaker 1: the two. So anyway, all right, well we're gonna get

546
00:25:45,960 --> 00:25:47,960
Speaker 1: into our synopsis, which I think everybody knows by now.

547
00:25:48,000 --> 00:25:50,679
Speaker 1: Students from the correctly named zombie town are transferred to

548
00:25:50,800 --> 00:25:54,359
Speaker 1: a normy or Sabrina what are they called in Harry

549
00:25:54,400 --> 00:25:56,520
Speaker 1: Potter again when you don't have come on.

550
00:25:56,480 --> 00:26:00,240
Speaker 2: Oh my gosh, we've done this twice now. Oh it's

551
00:26:00,280 --> 00:26:01,000
Speaker 2: never going to stick.

552
00:26:01,200 --> 00:26:04,119
Speaker 1: The Muggle high school, the normy or Muggle high school

553
00:26:04,160 --> 00:26:08,120
Speaker 1: in a suburban town preoccupied with uniformity, traditions and pep rallies.

554
00:26:08,359 --> 00:26:12,040
Speaker 1: We've heard some early thoughts right now, So you loved it, writer.

555
00:26:12,359 --> 00:26:15,040
Speaker 6: Yeah, I mean, you know, watching it back the second time,

556
00:26:15,119 --> 00:26:17,920
Speaker 6: like I said, I have, I have criticisms and thoughts,

557
00:26:18,040 --> 00:26:20,560
Speaker 6: but in general I am just so impressed.

558
00:26:20,640 --> 00:26:22,920
Speaker 1: Like in general I think.

559
00:26:22,760 --> 00:26:27,800
Speaker 6: That they thread of very this is a very tricky pitch,

560
00:26:28,359 --> 00:26:31,639
Speaker 6: Like how do you I mean, you have characters that

561
00:26:31,720 --> 00:26:35,119
Speaker 6: literally want to eat other characters and they're supposed to

562
00:26:35,160 --> 00:26:38,760
Speaker 6: be the heroes. That's like, that's a crazy and a

563
00:26:38,840 --> 00:26:42,280
Speaker 6: horror thematic to bring to a children's story against.

564
00:26:42,320 --> 00:26:44,960
Speaker 1: And I think that they pull it off because the

565
00:26:45,000 --> 00:26:48,359
Speaker 1: whole thing is also about racism, right, So it's like

566
00:26:48,400 --> 00:26:52,680
Speaker 1: there's that underlormity. There's a lot conformity class, it's all there.

567
00:26:52,720 --> 00:26:55,200
Speaker 1: There's a lot working and there's so much going on.

568
00:26:55,480 --> 00:26:58,120
Speaker 2: They also have bringing in the cheerleaders.

569
00:26:58,119 --> 00:27:01,000
Speaker 3: They also have for the first time that I see

570
00:27:01,000 --> 00:27:03,760
Speaker 3: that not first time, but there's a few characters that

571
00:27:03,960 --> 00:27:06,280
Speaker 3: you know, are a little bit more boundary breaking.

572
00:27:05,960 --> 00:27:08,600
Speaker 2: Type character, which I think is great.

573
00:27:08,680 --> 00:27:10,880
Speaker 3: And I think the Channel just does a great way

574
00:27:10,920 --> 00:27:15,080
Speaker 3: of it being so normal and so it's wonderful.

575
00:27:15,280 --> 00:27:17,560
Speaker 1: It's which is great where they just kind of throw

576
00:27:17,600 --> 00:27:19,639
Speaker 1: it out there and it's just it's what it is.

577
00:27:20,119 --> 00:27:20,639
Speaker 2: Yeah.

578
00:27:20,760 --> 00:27:23,960
Speaker 1: My hot take on this is it is by far

579
00:27:24,600 --> 00:27:28,359
Speaker 1: my favorite musical. We see Wow. It's not my favorite dcom.

580
00:27:28,560 --> 00:27:31,760
Speaker 1: I think Color of Friendship, Color even Going to the

581
00:27:31,800 --> 00:27:34,200
Speaker 1: mat with Going to the Movie with Andy Lawrence, those

582
00:27:34,200 --> 00:27:39,000
Speaker 1: two as movies I liked better. As a musical. This

583
00:27:39,280 --> 00:27:41,720
Speaker 1: to me blew every other one we've seen Out of

584
00:27:41,720 --> 00:27:43,120
Speaker 1: the Water. Out of the Water.

585
00:27:43,520 --> 00:27:45,840
Speaker 2: You got to watch those because you'd probably really like this. Yeah,

586
00:27:45,880 --> 00:27:46,880
Speaker 2: they're great messages.

587
00:27:46,960 --> 00:27:49,639
Speaker 6: Color of Friendship was you told me about after you

588
00:27:49,680 --> 00:27:51,720
Speaker 6: watched it, you were like, No, this was a really good.

589
00:27:51,560 --> 00:27:53,159
Speaker 2: Movie, a really good movie.

590
00:27:53,320 --> 00:27:55,960
Speaker 1: I was texting Sue during this, going like, this is

591
00:27:55,960 --> 00:27:58,480
Speaker 1: a musical and I'm loving it. I love everything about it.

592
00:27:58,480 --> 00:28:01,560
Speaker 1: It's so fun, it's so well done. I'm so happy.

593
00:28:02,000 --> 00:28:02,960
Speaker 1: Great I am, I am.

594
00:28:03,400 --> 00:28:05,600
Speaker 2: It just makes me so happy.

595
00:28:12,000 --> 00:28:14,600
Speaker 1: We'll get into everybody. The movie stars Milo Manheim, who

596
00:28:14,640 --> 00:28:16,879
Speaker 1: has just talked about as zed. This was only his

597
00:28:17,119 --> 00:28:21,000
Speaker 1: second gig ever and he only briefly appeared in an

598
00:28:21,000 --> 00:28:24,480
Speaker 1: episode of The Ghost Whisperer nine years before Zombis. The

599
00:28:24,520 --> 00:28:26,280
Speaker 1: reason he was in The Ghost Whisper as a little

600
00:28:26,320 --> 00:28:28,280
Speaker 1: kid is because his mother, who he just talked about,

601
00:28:28,440 --> 00:28:30,919
Speaker 1: actress Cameron Mannheim, who is one of the stars of

602
00:28:30,920 --> 00:28:33,639
Speaker 1: Ghost Whisperer and is best known as Eleanor on The

603
00:28:33,680 --> 00:28:37,040
Speaker 1: Practice and Lieutenant Kate Dixon on Law and Order. Milo

604
00:28:37,119 --> 00:28:39,800
Speaker 1: has since been in all of the Zombie sequels as

605
00:28:39,800 --> 00:28:44,240
Speaker 1: well as The Connors Are reviewed dcom prom Pact, which

606
00:28:44,280 --> 00:28:47,440
Speaker 1: we really liked and the recent Eli Roth movie Thanksgiving.

607
00:28:48,040 --> 00:28:51,240
Speaker 1: Meg Donnelly is Addison, a double threat pop star actress who,

608
00:28:51,240 --> 00:28:53,600
Speaker 1: beyond being in all the Zombies movies, has released a

609
00:28:53,640 --> 00:28:55,840
Speaker 1: ton of music and also starred on TV on The

610
00:28:55,920 --> 00:28:59,959
Speaker 1: American Housewife and voices Supergirl in the Justice League cartoon.

611
00:29:00,120 --> 00:29:01,920
Speaker 1: So there's a good chance I've worked with her and

612
00:29:02,040 --> 00:29:05,320
Speaker 1: never met her. Much like most voiceover actors do, Donnelly

613
00:29:05,480 --> 00:29:08,920
Speaker 1: and Mannheim have actually become producers on Zombies three and four,

614
00:29:09,040 --> 00:29:11,480
Speaker 1: which is great. Again, like Prompact, they're starting to bring

615
00:29:11,520 --> 00:29:13,200
Speaker 1: their younger talent to the other side of the camera,

616
00:29:13,200 --> 00:29:17,920
Speaker 1: which I think is phenomenal. Trevor Torjman is Bucky h Bucky,

617
00:29:18,360 --> 00:29:21,720
Speaker 1: the over zealous cheerleading captain. The esteem Dancer also plays

618
00:29:21,760 --> 00:29:26,200
Speaker 1: Parker Preston on the TV show Bunked. Kylie Russell plays Eliza.

619
00:29:26,560 --> 00:29:29,280
Speaker 1: She was great. She's already appeared in another dcom jump

620
00:29:29,320 --> 00:29:32,520
Speaker 1: in which we're going to get to, and also on

621
00:29:32,720 --> 00:29:36,320
Speaker 1: Girl Meets World and Modern Family. So Eliza was also

622
00:29:36,400 --> 00:29:38,800
Speaker 1: on Girl Meets World spoiler alert, we're talking to her

623
00:29:38,800 --> 00:29:40,280
Speaker 1: next and we're going to ask her exactly who she

624
00:29:40,360 --> 00:29:44,240
Speaker 1: was on Gromets World and Kingston Foster plays Zoe Kingston

625
00:29:44,240 --> 00:29:46,560
Speaker 1: has appeared on Good Girls, Just Roll with It, and

626
00:29:46,720 --> 00:29:50,480
Speaker 1: was recently seen as Eda in Zack Snyder's polarizing Rebel Moon,

627
00:29:50,960 --> 00:29:54,320
Speaker 1: and was also in prompat The movie is ninety four minutes,

628
00:29:54,320 --> 00:29:56,720
Speaker 1: officially moving us away from our target number and taking

629
00:29:56,760 --> 00:29:59,720
Speaker 1: us back into what could they have cut territory to

630
00:29:59,760 --> 00:30:03,120
Speaker 1: get to the ninety minute bullseye perfection. It was directed,

631
00:30:03,240 --> 00:30:06,320
Speaker 1: as Sabrina Said by Paul Hoan, who's behind the camera

632
00:30:06,360 --> 00:30:08,600
Speaker 1: for all of the Zombies movies and has been a

633
00:30:08,640 --> 00:30:11,720
Speaker 1: mainstay on kids TV for decades, from TV shows like

634
00:30:11,720 --> 00:30:14,480
Speaker 1: Sabrina the Teenage Witch to Even Stevens to Live In

635
00:30:14,560 --> 00:30:17,560
Speaker 1: Maddie and movies like Cloud Nine Just for Kicks and

636
00:30:18,360 --> 00:30:21,120
Speaker 1: Cheetah Girls One World, which we haven't seen yet but

637
00:30:21,160 --> 00:30:23,440
Speaker 1: I hear it's cheetah tastic. Don't even get me into

638
00:30:23,480 --> 00:30:27,080
Speaker 1: the cheetah chatter. And Zombies was written by David Light

639
00:30:27,160 --> 00:30:29,479
Speaker 1: who wrote the TV pilot but had only written on

640
00:30:29,800 --> 00:30:34,120
Speaker 1: You Gi Oh the cartoon before that, and Joseph Rasso,

641
00:30:34,240 --> 00:30:35,880
Speaker 1: also from the pilot, who had only written on the

642
00:30:35,880 --> 00:30:40,320
Speaker 1: show called Seed on City TV, whatever that is. I

643
00:30:40,400 --> 00:30:43,000
Speaker 1: give them a lot of credit for this, the right.

644
00:30:42,960 --> 00:30:44,960
Speaker 6: I mean to be able, like I said, to pull

645
00:30:45,040 --> 00:30:47,200
Speaker 6: this off and to like how you know, coming up

646
00:30:47,240 --> 00:30:50,120
Speaker 6: with like the Z band, you know, like that's such

647
00:30:50,120 --> 00:30:52,920
Speaker 6: a perfect dynamic. Yeah, figuring out how to pay it

648
00:30:52,960 --> 00:30:55,520
Speaker 6: off by having a malfunction being able to make him

649
00:30:55,520 --> 00:30:57,920
Speaker 6: a normal person to go And I was like, this

650
00:30:58,000 --> 00:31:02,480
Speaker 6: is really complicated, it's really tough storytelling.

651
00:31:02,040 --> 00:31:03,960
Speaker 1: And they pull it off. I was like, yeah, I'm

652
00:31:03,960 --> 00:31:06,080
Speaker 1: in I'll buy it. I'm totally fine.

653
00:31:06,200 --> 00:31:09,640
Speaker 6: And the conformity thing, like having her the really genius

654
00:31:09,640 --> 00:31:13,640
Speaker 6: stroke of having her have that hair hair issue which

655
00:31:14,480 --> 00:31:16,920
Speaker 6: I don't want to spoil, but does come back in

656
00:31:17,120 --> 00:31:21,000
Speaker 6: all these three No, I can imagine, but I don't

657
00:31:21,000 --> 00:31:22,960
Speaker 6: think they had the plan. They weren't seeing ahead, so

658
00:31:22,960 --> 00:31:24,880
Speaker 6: they actually just inserted it here, as you know. But

659
00:31:24,960 --> 00:31:30,200
Speaker 6: it's so smart to have her have this you know, deformity,

660
00:31:30,360 --> 00:31:33,160
Speaker 6: abnormality or whatever that she then has to sort of.

661
00:31:33,560 --> 00:31:36,160
Speaker 6: It's so it's such a stroke of brilliance in screenwriting,

662
00:31:36,160 --> 00:31:37,400
Speaker 6: and it's really really smart.

663
00:31:37,680 --> 00:31:40,600
Speaker 1: I agree. The writing was phenomenal. The show itself was

664
00:31:40,640 --> 00:31:42,240
Speaker 1: full of green new actors and a lot of crew

665
00:31:42,240 --> 00:31:44,680
Speaker 1: that were just cutting their teeth, and they did really

666
00:31:44,720 --> 00:31:47,959
Speaker 1: make audience magic for Disney now. The soundtrack was produced

667
00:31:47,960 --> 00:31:51,160
Speaker 1: by George S. Clinton, not that George Clinton, but George S. Clinton,

668
00:31:51,360 --> 00:31:53,800
Speaker 1: who is a crown jewel of Disney Channel Synergy, and

669
00:31:53,840 --> 00:31:55,880
Speaker 1: made it to number fifty five on the US Billboard

670
00:31:55,880 --> 00:31:58,960
Speaker 1: two hundreds and number one on the Billboard US Kids

671
00:31:59,000 --> 00:32:02,280
Speaker 1: Albums Charts. George S. Clinton also did another little film

672
00:32:02,280 --> 00:32:07,000
Speaker 1: called Trojan War, starring a young idealistic WILFERDLL. Wow. And

673
00:32:07,040 --> 00:32:09,360
Speaker 1: before we get into this movie, let's do a role call.

674
00:32:09,840 --> 00:32:13,080
Speaker 1: Who likes zombie movies in general because they are their

675
00:32:13,120 --> 00:32:17,080
Speaker 1: whole sub section. What are your favorite zombie movies? And

676
00:32:17,160 --> 00:32:19,640
Speaker 1: would this movie technically be scary for kids? And I

677
00:32:19,640 --> 00:32:23,360
Speaker 1: think we've kind of established not really. No.

678
00:32:23,880 --> 00:32:26,120
Speaker 6: Well, interestingly, when we sat down to watch it, Indy

679
00:32:26,240 --> 00:32:28,920
Speaker 6: was like, shouldn't this be PG, shouldn't this be PG thirteen?

680
00:32:29,640 --> 00:32:32,800
Speaker 3: We're watching zombie's mom Yeah, Like yeah, baby, but it's

681
00:32:32,800 --> 00:32:33,360
Speaker 3: gonna be fine.

682
00:32:33,520 --> 00:32:33,720
Speaker 1: Yeah.

683
00:32:34,320 --> 00:32:36,440
Speaker 6: But then Indy was like, you know, don't get scary

684
00:32:36,480 --> 00:32:38,680
Speaker 6: at one point, and which I guess. And then when

685
00:32:38,960 --> 00:32:44,440
Speaker 6: when Zed turns and like there's like this people screaming running,

686
00:32:44,480 --> 00:32:47,880
Speaker 6: there is a zombie moment, like a genuine football game

687
00:32:47,960 --> 00:32:49,640
Speaker 6: being taken over by zombie moment.

688
00:32:50,000 --> 00:32:52,240
Speaker 2: The actors did so well with it.

689
00:32:52,720 --> 00:32:54,800
Speaker 6: They did, so I don't think it's scary at all.

690
00:32:54,840 --> 00:32:56,760
Speaker 6: I don't think it's too scary for kids at all.

691
00:32:57,280 --> 00:32:59,400
Speaker 6: But I'm kind of extreme in that, like I think

692
00:32:59,760 --> 00:33:03,480
Speaker 6: we shouldn't like separate kids, and I think scary is

693
00:33:03,520 --> 00:33:06,120
Speaker 6: good for kids as a general rule. I think being

694
00:33:06,160 --> 00:33:09,080
Speaker 6: scared in movies is actually great. So I'm glad that

695
00:33:09,120 --> 00:33:12,479
Speaker 6: they leaned into the monstrosity for at least a scene

696
00:33:12,560 --> 00:33:13,560
Speaker 6: or two, and they did.

697
00:33:14,040 --> 00:33:16,600
Speaker 1: Yeah. Well, I remember kids kids movies that were about

698
00:33:16,600 --> 00:33:18,400
Speaker 1: I mean, Monster Squad growing up. For me, it was

699
00:33:18,440 --> 00:33:22,400
Speaker 1: like one of the coolest movies ever. Yeah, so yeah, yeah,

700
00:33:22,640 --> 00:33:24,320
Speaker 1: hold no really, I haven't seen it out.

701
00:33:24,320 --> 00:33:26,520
Speaker 6: I just remember such a great idea and I loved

702
00:33:26,520 --> 00:33:27,800
Speaker 6: it when I was a kid too. But you watch

703
00:33:27,840 --> 00:33:30,960
Speaker 6: it again, you're, like Shane Black wrote it, it's pretty Uh,

704
00:33:31,160 --> 00:33:34,520
Speaker 6: it's pretty edgy in like the worst eighties ways. But

705
00:33:34,520 --> 00:33:38,280
Speaker 6: but but the idea of like monsters being fun and adventurous.

706
00:33:38,400 --> 00:33:41,760
Speaker 1: Yes, yes, No, Zombie Land great movies. I even like

707
00:33:41,800 --> 00:33:46,600
Speaker 1: World war Zo. Yeah, I guess so for me, I do.

708
00:33:47,040 --> 00:33:51,600
Speaker 6: I do like zombies. Zombie movies. I am so sick

709
00:33:51,640 --> 00:33:54,600
Speaker 6: of them. I'm so sick of zombie's stuff, and like

710
00:33:55,000 --> 00:33:59,200
Speaker 6: this movie came out, but it's walking dead.

711
00:33:59,520 --> 00:34:00,080
Speaker 1: Yeah, I mean.

712
00:34:00,120 --> 00:34:02,800
Speaker 2: Wacky dead stuff. I tried and I was like, no,

713
00:34:03,400 --> 00:34:03,760
Speaker 2: I can't.

714
00:34:03,800 --> 00:34:08,239
Speaker 1: Yeah, I find it hard to do with it. It's

715
00:34:08,280 --> 00:34:09,759
Speaker 1: just it's just like, how many times can we go

716
00:34:09,840 --> 00:34:11,160
Speaker 1: back over the zombie thing.

717
00:34:11,239 --> 00:34:14,040
Speaker 3: Right, It's like when Buffy the Vampire Slayer was big

718
00:34:14,040 --> 00:34:17,560
Speaker 3: and there was vampires everywhere for the longest time, and

719
00:34:17,600 --> 00:34:21,920
Speaker 3: then it simmered, and then Twilight came out and then

720
00:34:21,960 --> 00:34:24,560
Speaker 3: we're here on It's like, sometimes it's just.

721
00:34:24,520 --> 00:34:25,400
Speaker 2: Too much, you know.

722
00:34:25,960 --> 00:34:28,560
Speaker 1: I agree. There was team Jacob and Team Edward. I

723
00:34:28,680 --> 00:34:32,040
Speaker 1: was team please don't do any more Twilight movies, which

724
00:34:32,080 --> 00:34:33,680
Speaker 1: is which didn't make for as good a poster.

725
00:34:33,880 --> 00:34:36,920
Speaker 6: Zombie as a monster keeps coming back, sure, much like

726
00:34:37,280 --> 00:34:38,920
Speaker 6: the undead creature itself.

727
00:34:39,160 --> 00:34:39,960
Speaker 1: And I think.

728
00:34:39,760 --> 00:34:43,520
Speaker 6: That that's partly because it speaks to it speaks to

729
00:34:43,560 --> 00:34:46,120
Speaker 6: something that keeps coming into our culture. Like you know,

730
00:34:46,360 --> 00:34:48,560
Speaker 6: when you think about like the Return of the Living

731
00:34:48,600 --> 00:34:50,399
Speaker 6: Dead or The Night of the Living Dead that came

732
00:34:50,440 --> 00:34:54,240
Speaker 6: out like in an era of television and mass media

733
00:34:54,280 --> 00:34:56,120
Speaker 6: being a new thing, and then you had like Dawn

734
00:34:56,200 --> 00:34:58,000
Speaker 6: of the Dead in the eighties, which was all about

735
00:34:58,160 --> 00:35:01,080
Speaker 6: mall culture and shopping consumer and how it's turning this

736
00:35:01,160 --> 00:35:03,799
Speaker 6: into zombies. And then I think, you know, nowadays you

737
00:35:03,920 --> 00:35:07,880
Speaker 6: have the Internet, you have like you know, the ways

738
00:35:07,920 --> 00:35:11,840
Speaker 6: that people are sort of like becoming zombie like you know,

739
00:35:11,840 --> 00:35:14,399
Speaker 6: and so it's a metaphor that just keeps coming back

740
00:35:14,520 --> 00:35:16,480
Speaker 6: and we always find new ways to you know, and

741
00:35:16,520 --> 00:35:19,840
Speaker 6: of course with the pandemic, zombies again feel like a

742
00:35:19,840 --> 00:35:21,200
Speaker 6: good metaphor for like, oh.

743
00:35:21,200 --> 00:35:22,799
Speaker 1: Have you caught it? Are you turning? Do you have?

744
00:35:22,960 --> 00:35:23,120
Speaker 1: You know?

745
00:35:23,160 --> 00:35:26,400
Speaker 6: And it's like, so it's a it's a very in

746
00:35:26,440 --> 00:35:30,239
Speaker 6: some ways simplistic metaphor, but it has so many permutations

747
00:35:30,239 --> 00:35:32,320
Speaker 6: and it can be so that it's the gift that

748
00:35:32,400 --> 00:35:34,360
Speaker 6: keeps giving does But I want to go back to

749
00:35:34,520 --> 00:35:35,640
Speaker 6: your your original question.

750
00:35:35,920 --> 00:35:37,000
Speaker 1: Favorite zombie movies.

751
00:35:37,200 --> 00:35:40,000
Speaker 6: Nothing beats Sean of the Day of the Dead, and

752
00:35:40,040 --> 00:35:43,760
Speaker 6: it's a comedy zombie movie. I agresso am a huge

753
00:35:43,800 --> 00:35:47,080
Speaker 6: fan of twenty eight Days Later. Okay, there's some debate

754
00:35:47,200 --> 00:35:50,359
Speaker 6: because they are fast zombies and that some people do

755
00:35:50,400 --> 00:35:52,880
Speaker 6: not count as zombies that you know, these technical definition

756
00:35:52,920 --> 00:35:54,440
Speaker 6: of zombies have to be slow.

757
00:35:54,440 --> 00:35:56,840
Speaker 1: And Santrala needed to get sober and that's why she

758
00:35:56,960 --> 00:35:59,520
Speaker 1: was there twenty eight days later. No, no, that's twenty

759
00:35:59,560 --> 00:36:03,640
Speaker 1: eight days. That's just twenty eight days. Oh different, yeah right, ooh,

760
00:36:03,640 --> 00:36:05,360
Speaker 1: different movie, different movie entirely.

761
00:36:05,640 --> 00:36:07,480
Speaker 2: Oh well, almost made that mistake.

762
00:36:08,840 --> 00:36:10,880
Speaker 1: Let's go through the film here. The movie opens with

763
00:36:11,000 --> 00:36:13,680
Speaker 1: the opening credits overview. We learn all about the cookie

764
00:36:13,719 --> 00:36:17,080
Speaker 1: cutter suburbs of Seabrook through animation and graphics. They all

765
00:36:17,080 --> 00:36:19,759
Speaker 1: have perfect homes for to a family, and everything was

766
00:36:19,840 --> 00:36:23,680
Speaker 1: marvelous until an accident involving the local lime soda factory

767
00:36:23,719 --> 00:36:27,880
Speaker 1: that turned residents into brain eating zombies. Perfect. I just made.

768
00:36:27,680 --> 00:36:30,360
Speaker 6: This is this is the best way to make zombies.

769
00:36:30,400 --> 00:36:31,080
Speaker 1: Okay for kids.

770
00:36:31,239 --> 00:36:34,360
Speaker 6: Ye, they're all zombies because of lime soda. It's green,

771
00:36:34,520 --> 00:36:37,759
Speaker 6: it makes sense. It's ridiculous, and I'm like, great, I'm

772
00:36:37,800 --> 00:36:40,480
Speaker 6: on board. Now it's cute. Now it's fun. I'm totally

773
00:36:40,520 --> 00:36:42,799
Speaker 6: fine with them. One of the eat because they have

774
00:36:42,920 --> 00:36:46,200
Speaker 6: lime soda poison here. Yes, yes, perfect, and it's related

775
00:36:46,239 --> 00:36:48,960
Speaker 6: to the local industry. It's like their own fault. It's

776
00:36:49,000 --> 00:36:51,480
Speaker 6: like the original sin was there. Wow, dare they make

777
00:36:51,520 --> 00:36:53,080
Speaker 6: lime soda with bad chemicals?

778
00:36:53,200 --> 00:36:53,640
Speaker 1: Perfect?

779
00:36:53,719 --> 00:36:56,680
Speaker 3: Perfect for moms out there trying to get their kids

780
00:36:56,680 --> 00:36:59,440
Speaker 3: off the Soda Kicks, Stay.

781
00:36:59,239 --> 00:37:02,919
Speaker 1: Away from Lime. Oh, I love it. It was dark

782
00:37:03,000 --> 00:37:05,800
Speaker 1: times in Seabrook, but eventually the residents built a huge

783
00:37:05,840 --> 00:37:09,000
Speaker 1: barrier to protect themselves from attacks, which helped their society

784
00:37:09,040 --> 00:37:11,719
Speaker 1: grow into what it is today. Fifty years later, they

785
00:37:11,719 --> 00:37:14,560
Speaker 1: found a much better way to deal with zombies, and

786
00:37:14,760 --> 00:37:17,399
Speaker 1: of course that is the Z band. We all love

787
00:37:17,560 --> 00:37:19,680
Speaker 1: how instantly they get you into the story. You're caught

788
00:37:19,719 --> 00:37:21,600
Speaker 1: up right away, let's go, we know what's going on.

789
00:37:21,640 --> 00:37:24,359
Speaker 1: It till thirty seconds we're in. So now we meet

790
00:37:24,480 --> 00:37:27,480
Speaker 1: Z our main character. He's a pale, green haired zombie

791
00:37:27,520 --> 00:37:30,759
Speaker 1: but also kind of a hoty a Zodie can we

792
00:37:30,800 --> 00:37:31,239
Speaker 1: call it.

793
00:37:31,920 --> 00:37:35,080
Speaker 2: He explains that all ZAIDI I like it, he's a Zobie.

794
00:37:35,600 --> 00:37:37,600
Speaker 1: He explains that all zombies are now forced to wear

795
00:37:37,640 --> 00:37:40,839
Speaker 1: government issue overalls follow a curfew and wear that Z band.

796
00:37:40,840 --> 00:37:45,080
Speaker 6: And he's talking to camera yes, which I had breaking yeah,

797
00:37:45,120 --> 00:37:47,560
Speaker 6: And when he started doing I was like, so, I

798
00:37:47,640 --> 00:37:50,080
Speaker 6: just always have like a talking to camera phobia like

799
00:37:50,440 --> 00:37:53,319
Speaker 6: you do. But I have to say it helps with

800
00:37:53,360 --> 00:37:56,680
Speaker 6: the music musical factor, because it's like you're already breaking

801
00:37:56,680 --> 00:37:58,640
Speaker 6: the fourth wall when everybody like you say, well.

802
00:37:58,560 --> 00:38:01,440
Speaker 1: Just suddenly noses so it me in.

803
00:38:01,520 --> 00:38:04,000
Speaker 6: I was like, oh no, this totally worked because then

804
00:38:04,000 --> 00:38:06,759
Speaker 6: she also talks to cameras like yeah, right, let's just it.

805
00:38:07,200 --> 00:38:10,200
Speaker 3: The weird part is though it happens in the beginning,

806
00:38:10,520 --> 00:38:13,000
Speaker 3: and then you go for a very long time before

807
00:38:13,040 --> 00:38:16,239
Speaker 3: it happens again, and then it starts happening frequently, and

808
00:38:16,280 --> 00:38:19,759
Speaker 3: you're I started, no, please stop stop talking to me.

809
00:38:19,920 --> 00:38:21,640
Speaker 2: I just have a friend to talk to. I can

810
00:38:21,719 --> 00:38:24,040
Speaker 2: I can catch up, have a.

811
00:38:24,040 --> 00:38:24,880
Speaker 1: Character, a feeling.

812
00:38:24,960 --> 00:38:27,120
Speaker 6: It was a rewrite, and they were like, we can't

813
00:38:27,160 --> 00:38:28,920
Speaker 6: just have them like leaving there. We have to like

814
00:38:29,040 --> 00:38:30,799
Speaker 6: just explain it to the kids, just to make them

815
00:38:30,800 --> 00:38:32,880
Speaker 6: comfortable with the zombie thing. And so they were like, okay,

816
00:38:32,960 --> 00:38:34,480
Speaker 6: let's rewrite the scriptures haven't talked of the.

817
00:38:34,600 --> 00:38:37,040
Speaker 1: It's also we found it as we're as we're jumping

818
00:38:37,160 --> 00:38:39,160
Speaker 1: up in time through the Disney Channel, we're finding it

819
00:38:39,200 --> 00:38:41,520
Speaker 1: more and more. They're breaking the fourth breaking the fourth

820
00:38:41,560 --> 00:38:43,680
Speaker 1: wall mom Kimberly Brown's movie, all those of the words

821
00:38:43,719 --> 00:38:45,400
Speaker 1: she had the forty two Kids or whatever it was.

822
00:38:45,719 --> 00:38:49,759
Speaker 6: I also think that for the for the generation that

823
00:38:49,840 --> 00:38:52,879
Speaker 6: this is targeted at, you know, my son's generation, they

824
00:38:53,320 --> 00:38:56,479
Speaker 6: influencers are everything people talking to them like, my son,

825
00:38:56,880 --> 00:38:58,879
Speaker 6: I never allowed YouTube in our house.

826
00:38:59,120 --> 00:39:03,040
Speaker 1: We still don't. But he, by the age of five.

827
00:39:02,800 --> 00:39:04,600
Speaker 6: Would be like if I was filming him and you

828
00:39:04,640 --> 00:39:06,360
Speaker 6: started realizing that I would be filming him, you know,

829
00:39:06,480 --> 00:39:07,360
Speaker 6: just doing normal.

830
00:39:07,080 --> 00:39:08,879
Speaker 1: Stuff, he'd be like, wait, wait, dad, you're filming. I'd

831
00:39:08,920 --> 00:39:09,200
Speaker 1: be like yeah.

832
00:39:09,200 --> 00:39:12,000
Speaker 6: I'd be like, hey, guys, it's Indy. I'm like, how

833
00:39:12,040 --> 00:39:15,800
Speaker 6: did you get influencer voice? How did you learn this? Like, hey, guys,

834
00:39:16,400 --> 00:39:17,359
Speaker 6: But he does it, and they.

835
00:39:17,280 --> 00:39:19,719
Speaker 3: All go, so today we're gonna make We're gonna do

836
00:39:19,800 --> 00:39:20,600
Speaker 3: this today.

837
00:39:20,840 --> 00:39:21,919
Speaker 2: I'm gonna brush my hair.

838
00:39:23,400 --> 00:39:24,960
Speaker 1: No, you're right. I mean that makes a whole lot

839
00:39:25,000 --> 00:39:28,839
Speaker 1: of sense. He's a zombie influencer. He's his influencer. He's

840
00:39:28,920 --> 00:39:30,680
Speaker 1: going to keep I'm gonna keep making out. I'm just

841
00:39:30,680 --> 00:39:33,160
Speaker 1: gonna add z O to everything. And that's what we're

842
00:39:33,200 --> 00:39:35,200
Speaker 1: going for right now. So the Z band that they

843
00:39:35,239 --> 00:39:38,160
Speaker 1: have to wear, it's a bracelet that stops all impulses

844
00:39:38,200 --> 00:39:40,680
Speaker 1: to eat people's brains. Kind of important if you're gonna

845
00:39:40,680 --> 00:39:43,239
Speaker 1: be around people. Things have evolved now and zed and

846
00:39:43,280 --> 00:39:46,640
Speaker 1: all the zombie pals or zal's I'll stop are attending

847
00:39:46,640 --> 00:39:48,759
Speaker 1: a regular high school for the very first time ever,

848
00:39:48,840 --> 00:39:51,600
Speaker 1: and Zed really wants to try out for the football team.

849
00:39:52,239 --> 00:39:55,480
Speaker 1: Now we meet Addison. She is a cheerleading standout who's

850
00:39:55,480 --> 00:39:58,200
Speaker 1: about to try out for the illustrious Seabrook cheerleading squad.

851
00:39:58,600 --> 00:40:00,440
Speaker 1: She really wants to make the team because she is

852
00:40:00,480 --> 00:40:03,080
Speaker 1: a perfectly normal team, which she wants to let you know,

853
00:40:03,440 --> 00:40:06,520
Speaker 1: which is a big deal at Seabrook. But we actually

854
00:40:06,560 --> 00:40:08,959
Speaker 1: know that she's different because she has bright white hair

855
00:40:09,040 --> 00:40:12,399
Speaker 1: she can't fix no matter what she tries. I'm glad

856
00:40:12,440 --> 00:40:14,080
Speaker 1: to hear it comes back because I would have gone

857
00:40:14,120 --> 00:40:16,760
Speaker 1: with something bigger. She had gills, she had something hidden

858
00:40:16,840 --> 00:40:19,719
Speaker 1: that because it seemed like your hair is a different color,

859
00:40:19,840 --> 00:40:21,680
Speaker 1: wasn't that big a deal. But I get what they

860
00:40:21,680 --> 00:40:23,480
Speaker 1: were going for, and I liked what they were going.

861
00:40:23,280 --> 00:40:27,400
Speaker 3: For, and it wasn't purple, it was white. Yeah, I

862
00:40:27,520 --> 00:40:28,040
Speaker 3: feel like it.

863
00:40:28,120 --> 00:40:31,480
Speaker 1: Yeah, they could have pushed it a little farther, give her,

864
00:40:31,520 --> 00:40:34,359
Speaker 1: you know, a second arm or something like that, well,

865
00:40:34,480 --> 00:40:36,960
Speaker 1: or a third arm off in Zombies three. Okay, good,

866
00:40:37,000 --> 00:40:37,359
Speaker 1: But then.

867
00:40:37,280 --> 00:40:40,839
Speaker 3: We're going towards again. Then we're leaning towards the descendants

868
00:40:41,160 --> 00:40:41,719
Speaker 3: a little bit.

869
00:40:41,840 --> 00:40:44,839
Speaker 1: Yeah, right, that's exactly okay, but that we're good. She's

870
00:40:44,880 --> 00:40:47,840
Speaker 1: wearing the wig because anything in Seabrook that makes you

871
00:40:47,880 --> 00:40:50,359
Speaker 1: different is bad and she wouldn't be able to cheer.

872
00:40:51,000 --> 00:40:53,440
Speaker 1: Zed's family is worried about him trying out for human

873
00:40:53,440 --> 00:40:55,680
Speaker 1: football and the fact that humans don't like zombies, and

874
00:40:55,719 --> 00:40:57,960
Speaker 1: this is when it becomes a little obvious that this

875
00:40:58,040 --> 00:41:04,680
Speaker 1: movie is about race relations and or class and or conformity.

876
00:41:04,719 --> 00:41:07,879
Speaker 6: Or immigration, like you know, there's also because I love

877
00:41:08,040 --> 00:41:10,200
Speaker 6: that the zombies have their own language, which kind of

878
00:41:10,239 --> 00:41:13,120
Speaker 6: sounds polish a gumes like it was like, you know, yes,

879
00:41:13,320 --> 00:41:16,120
Speaker 6: And I thought that was so clever because it expands

880
00:41:16,120 --> 00:41:18,040
Speaker 6: the metaphor, right, because if it was just race, if

881
00:41:18,040 --> 00:41:19,839
Speaker 6: it was, it would be but it can be all

882
00:41:19,880 --> 00:41:20,439
Speaker 6: of these things.

883
00:41:20,480 --> 00:41:24,200
Speaker 1: It's just about being separated and different. Yeah, and how

884
00:41:24,280 --> 00:41:27,600
Speaker 1: there's more that connects us then separates us. And when

885
00:41:27,600 --> 00:41:31,400
Speaker 1: you break down the barriers, the literal wall around Seabrook,

886
00:41:31,920 --> 00:41:33,640
Speaker 1: then you realize that you have a lot more in

887
00:41:33,680 --> 00:41:34,439
Speaker 1: common than you thought.

888
00:41:34,719 --> 00:41:38,000
Speaker 6: And this is I mean again, like it's Romeo and Juliet,

889
00:41:38,400 --> 00:41:41,000
Speaker 6: It's West Side Story. This is the tale as old

890
00:41:41,040 --> 00:41:43,640
Speaker 6: as time, and the fact that they were able to

891
00:41:44,480 --> 00:41:46,880
Speaker 6: because that's the pitch, right, let's do Romeo and Juliet

892
00:41:46,920 --> 00:41:48,920
Speaker 6: with zombies and cheerleaders, like, and.

893
00:41:49,160 --> 00:41:52,160
Speaker 1: That's awesome pitch. How do you pull that off? And

894
00:41:52,200 --> 00:41:52,960
Speaker 1: I think they did.

895
00:41:53,200 --> 00:41:55,520
Speaker 6: This is how they pulled it off with this structure.

896
00:41:55,680 --> 00:42:01,200
Speaker 6: It's really great.

897
00:42:04,920 --> 00:42:06,719
Speaker 1: This is where we learn that Adison's bomb is the

898
00:42:06,760 --> 00:42:08,959
Speaker 1: mayor and she really wants her daughter to make cheer,

899
00:42:09,120 --> 00:42:11,760
Speaker 1: especially since it will stop the zombies from making the team.

900
00:42:11,840 --> 00:42:14,479
Speaker 1: But she tries to warn her make sure your wig

901
00:42:14,520 --> 00:42:17,479
Speaker 1: stays on. Her dad is very tough on zombies because

902
00:42:17,480 --> 00:42:20,600
Speaker 1: he is the zombie chief of police. So we know

903
00:42:21,280 --> 00:42:23,680
Speaker 1: obviously how this household swings when it comes to their

904
00:42:23,719 --> 00:42:27,720
Speaker 1: political feelings about zombies. Everyone is now off to school,

905
00:42:27,760 --> 00:42:30,480
Speaker 1: the high class humans and the lower class zombies. And

906
00:42:30,520 --> 00:42:33,000
Speaker 1: that's when we get our first musical number. It's all

907
00:42:33,040 --> 00:42:36,080
Speaker 1: about optimism as Addison sings about her cheer tryouts and

908
00:42:36,200 --> 00:42:38,960
Speaker 1: zed raps about his first day at school and football

909
00:42:39,000 --> 00:42:43,240
Speaker 1: for a track called Our Year. I love the first number.

910
00:42:43,320 --> 00:42:46,440
Speaker 1: I was in this point. This was very Hamilton to me.

911
00:42:46,520 --> 00:42:49,200
Speaker 1: I just thought kind of the vibe of it. We

912
00:42:49,239 --> 00:42:52,239
Speaker 1: also show the differences between Seabrook and zombie Town, which

913
00:42:52,280 --> 00:42:55,279
Speaker 1: we also see is right next to the charred and

914
00:42:55,480 --> 00:42:58,839
Speaker 1: burnt out lime soda factor. This is where we now

915
00:42:58,880 --> 00:43:02,120
Speaker 1: meet Eliza's Zed's best friend, who is not sold on

916
00:43:02,160 --> 00:43:04,440
Speaker 1: the new relationship between humans and zombies. She's a bit

917
00:43:04,480 --> 00:43:06,920
Speaker 1: of a pessimist about the whole thing. She thinks zombies

918
00:43:06,960 --> 00:43:09,200
Speaker 1: need to rise up and stand up for what is right.

919
00:43:09,480 --> 00:43:12,879
Speaker 1: They shouldn't have uniforms or curfews or special rules. We

920
00:43:12,920 --> 00:43:16,120
Speaker 1: also meet third friend, Bonzo, who's a total bonehead zombie.

921
00:43:16,200 --> 00:43:19,080
Speaker 1: He only speaks in grunts, and there is also he

922
00:43:19,120 --> 00:43:23,080
Speaker 1: speaks zombie. He speaks zombies, but he's also sometimes just goes, eh,

923
00:43:23,960 --> 00:43:26,279
Speaker 1: what's it. There's like one throwaway line where we have

924
00:43:26,320 --> 00:43:30,160
Speaker 1: fifteen words for it was fifteen words for for brains, brains,

925
00:43:31,719 --> 00:43:33,440
Speaker 1: we have twenty eight words for brains.

926
00:43:33,239 --> 00:43:36,120
Speaker 6: Right, how many Inuit words are there for snow exactly?

927
00:43:36,200 --> 00:43:38,520
Speaker 1: Yeah, I love it. I was like, that's so clever.

928
00:43:38,600 --> 00:43:41,160
Speaker 1: Native American words for cod We're totally just thrown away.

929
00:43:41,160 --> 00:43:43,320
Speaker 1: But I was like, that's a good joke. That's somebody

930
00:43:43,560 --> 00:43:46,839
Speaker 1: we have twenty eight words for brains. Yes, And then

931
00:43:46,920 --> 00:43:51,520
Speaker 1: we also meet Bucky the School Bucky the schools agatistical

932
00:43:51,600 --> 00:43:54,560
Speaker 1: cheerstar and captain. I am now turning this over to

933
00:43:54,600 --> 00:43:57,480
Speaker 1: our dance expert. You've told me already, but the dancing

934
00:43:57,480 --> 00:43:59,399
Speaker 1: in this movie is phenomenal, correct.

935
00:43:59,480 --> 00:44:01,200
Speaker 2: Yes, phenomenal.

936
00:44:01,360 --> 00:44:05,000
Speaker 3: I loved it the first I wasn't ready for it, honestly,

937
00:44:05,080 --> 00:44:08,080
Speaker 3: I really you know, it's not that the other movies

938
00:44:08,280 --> 00:44:11,400
Speaker 3: have bad koreokoy, but it's just when you think musical,

939
00:44:11,440 --> 00:44:14,879
Speaker 3: there's a kind of a style of musical choreography. This

940
00:44:15,120 --> 00:44:18,919
Speaker 3: was a lot more hip hop influence, break dancing influence.

941
00:44:19,239 --> 00:44:20,800
Speaker 2: There was a lot more of that kind of stuff,

942
00:44:20,800 --> 00:44:21,040
Speaker 2: and it.

943
00:44:21,040 --> 00:44:24,919
Speaker 1: Was Australian breakdance influence, and some of them very Australia. Yeah.

944
00:44:24,960 --> 00:44:26,640
Speaker 2: Yeah, I saw her in there a couple of times.

945
00:44:26,680 --> 00:44:29,719
Speaker 6: I thought there's a lot of acrobatics too. Yes, an

946
00:44:29,760 --> 00:44:33,200
Speaker 6: Area Sky could do them. You could see that he

947
00:44:33,239 --> 00:44:35,120
Speaker 6: did not have a stunt double. He does his own

948
00:44:35,200 --> 00:44:35,760
Speaker 6: back flips.

949
00:44:35,800 --> 00:44:38,160
Speaker 1: The guy who played Bucky, Yes, yes, yes, yeah, he's incredible.

950
00:44:38,200 --> 00:44:40,239
Speaker 6: I was like, oh, that's actually him. Whenever it got

951
00:44:40,280 --> 00:44:41,680
Speaker 6: to Addison, who was like they were hiding her.

952
00:44:41,600 --> 00:44:43,000
Speaker 2: Face, was like, yeah, you could tell that.

953
00:44:43,280 --> 00:44:47,000
Speaker 1: I was like, kindy, that's actually the guy. I'm like, real,

954
00:44:47,000 --> 00:44:50,360
Speaker 1: they all actually sing, do we think they think they are.

955
00:44:50,480 --> 00:44:50,839
Speaker 6: I think.

956
00:44:52,440 --> 00:44:54,960
Speaker 3: I think at this point with the Disney Channel, they

957
00:44:54,960 --> 00:44:57,239
Speaker 3: don't have to bother with somebody who doesn't sing.

958
00:44:57,400 --> 00:45:00,000
Speaker 1: Right. Wow, they've gotten over that Zach Effron the last time.

959
00:45:00,200 --> 00:45:02,400
Speaker 1: They're like no, and they let him get the second one.

960
00:45:03,000 --> 00:45:06,080
Speaker 3: Absolutely, But I will say when we get to the

961
00:45:06,120 --> 00:45:12,120
Speaker 3: pep Rowley, the cheer choreography was not great, okay not great,

962
00:45:12,200 --> 00:45:14,560
Speaker 3: and it was like, ah, man, they could have just

963
00:45:14,640 --> 00:45:18,319
Speaker 3: brought somebody in who does that right, Like like you.

964
00:45:18,760 --> 00:45:21,800
Speaker 1: I should have brought you. They should have brought you.

965
00:45:21,840 --> 00:45:23,759
Speaker 2: They should have I could have thrown in a couple

966
00:45:23,840 --> 00:45:26,400
Speaker 2: better arm motions. I would think, you know.

967
00:45:27,040 --> 00:45:29,560
Speaker 1: Anyway, the school bell rings, but the humans and zombies

968
00:45:29,560 --> 00:45:32,680
Speaker 1: are still segregated, even at the same school. Chain link

969
00:45:32,719 --> 00:45:35,200
Speaker 1: fences appear to keep them apart, and zombies can't even

970
00:45:35,360 --> 00:45:39,600
Speaker 1: enter without a police escort. Bucky Fuck hates zombies, but

971
00:45:39,719 --> 00:45:43,240
Speaker 1: Addison thinks they deserve a chance, and Seabrook's snotty principle

972
00:45:43,440 --> 00:45:46,360
Speaker 1: confines them to a basement classroom with a janitor turned

973
00:45:46,360 --> 00:45:49,200
Speaker 1: teacher and their band from trying out from any clubs

974
00:45:49,320 --> 00:45:52,120
Speaker 1: or teams so at the first chance he gets, which

975
00:45:52,360 --> 00:45:54,840
Speaker 1: I absolutely love. The scene It was brilliant that sneaks

976
00:45:54,840 --> 00:45:57,680
Speaker 1: out for football triumphs, but instead he slams his foot

977
00:45:57,719 --> 00:46:00,960
Speaker 1: up against something, so he's like, oh, walking down the hallway,

978
00:46:00,960 --> 00:46:03,400
Speaker 1: which makes him look like a zombie, and so a

979
00:46:03,520 --> 00:46:06,400
Speaker 1: human pulls the school zombie alarm. Everyone starts freaking out,

980
00:46:06,440 --> 00:46:09,440
Speaker 1: running in every direction, and then Addison and z end

981
00:46:09,520 --> 00:46:12,120
Speaker 1: up bumping into each other while hiding in an empty

982
00:46:12,320 --> 00:46:15,439
Speaker 1: zombie free room. Brilliant idea too. They have zombie safe

983
00:46:15,480 --> 00:46:19,160
Speaker 1: rooms throughout the school. Meet cute, Meet cute zombie. It's

984
00:46:19,360 --> 00:46:21,799
Speaker 1: it's a tough meat cute because they start conversing but

985
00:46:21,840 --> 00:46:23,840
Speaker 1: Addison can't see that she's talking to a zombie. We

986
00:46:23,880 --> 00:46:26,480
Speaker 1: get some immediate flirting, but the minute she sees he's

987
00:46:26,520 --> 00:46:30,000
Speaker 1: a zombie, she punches him in the face. It is

988
00:46:30,320 --> 00:46:34,600
Speaker 1: a domestic violence meet cute. It's awesome, great.

989
00:46:34,719 --> 00:46:38,600
Speaker 3: It was such a good punch and it was so funny.

990
00:46:39,080 --> 00:46:41,880
Speaker 3: I just I had to rewind it and watch it again.

991
00:46:42,000 --> 00:46:45,680
Speaker 3: I love that kind of like comedy. Physical comedy is

992
00:46:45,760 --> 00:46:46,239
Speaker 3: my fave.

993
00:46:46,520 --> 00:46:49,720
Speaker 2: And she nailed both of us.

994
00:46:49,280 --> 00:46:53,520
Speaker 1: And immediately she's like and like, I just think it's

995
00:46:53,600 --> 00:46:58,799
Speaker 1: so good. You're likely right away because between these two

996
00:46:58,920 --> 00:47:02,720
Speaker 1: actors just leaps off the screen. They are great together.

997
00:47:02,800 --> 00:47:06,200
Speaker 1: You're right, your root for them so much. So, yes,

998
00:47:06,280 --> 00:47:09,000
Speaker 1: quite a meet Coot. But then Bucky interrupts and he

999
00:47:09,040 --> 00:47:11,840
Speaker 1: turns out that he's Addison's cousin and if a zombie

1000
00:47:11,880 --> 00:47:14,440
Speaker 1: ends up touching her, it won't be pretty. Bucky is

1001
00:47:14,480 --> 00:47:18,200
Speaker 1: also an unsung hero actor in this movie.

1002
00:47:18,280 --> 00:47:20,640
Speaker 2: You Can't Great Villain danned him.

1003
00:47:20,719 --> 00:47:24,680
Speaker 1: He is so good as the dancer, as the singer,

1004
00:47:24,719 --> 00:47:26,400
Speaker 1: but as the act when.

1005
00:47:26,239 --> 00:47:28,719
Speaker 3: He comes on and does his jazz hands, like, it's

1006
00:47:28,800 --> 00:47:31,880
Speaker 3: just like he jumps through the poster and they slow

1007
00:47:31,920 --> 00:47:34,480
Speaker 3: it down so he's exactly the same face as the poster.

1008
00:47:34,600 --> 00:47:37,080
Speaker 1: He just jumped through, and then there's another one behind him.

1009
00:47:37,920 --> 00:47:40,440
Speaker 6: It's like he comes through and then it reveals more

1010
00:47:40,480 --> 00:47:41,319
Speaker 6: Bucky behind him.

1011
00:47:41,360 --> 00:47:44,320
Speaker 1: I thought that was brilliant. I'm like, yes, dude, genius.

1012
00:47:45,200 --> 00:47:46,680
Speaker 1: You can tell he's having fun too.

1013
00:47:47,000 --> 00:47:48,279
Speaker 2: Oh yeah, he loves this.

1014
00:47:48,680 --> 00:47:49,720
Speaker 1: What a great role.

1015
00:47:50,040 --> 00:47:53,799
Speaker 6: You know, like to play him not as like what

1016
00:47:53,920 --> 00:47:55,759
Speaker 6: is it's really just his ego, you know.

1017
00:47:55,840 --> 00:47:58,480
Speaker 1: I just love that it's all about Bucky. Yeah, he's

1018
00:47:58,520 --> 00:48:03,640
Speaker 1: not evil, He's he's on the cars, he's on the posters. Oh,

1019
00:48:03,680 --> 00:48:04,680
Speaker 1: it is so.

1020
00:48:04,440 --> 00:48:06,120
Speaker 2: Funny, so good.

1021
00:48:06,800 --> 00:48:11,040
Speaker 1: At the football tryouts the seaside and yes, no joke, folks,

1022
00:48:11,160 --> 00:48:16,080
Speaker 1: the seaside Mighty Shrimps. Why because it's awesome. I kind

1023
00:48:16,080 --> 00:48:18,560
Speaker 1: of love it. I love it. I love the colors,

1024
00:48:18,600 --> 00:48:20,080
Speaker 1: I love all the pastel.

1025
00:48:19,680 --> 00:48:23,319
Speaker 3: Colors, logo of the shrimp, and the cafeteria would make

1026
00:48:23,400 --> 00:48:24,440
Speaker 3: me not want to eat.

1027
00:48:24,320 --> 00:48:26,920
Speaker 2: Ever so bad.

1028
00:48:27,239 --> 00:48:29,799
Speaker 1: It was great, though. The football squad is not going

1029
00:48:29,840 --> 00:48:31,959
Speaker 1: to be good this year, so everyone makes the team

1030
00:48:32,040 --> 00:48:35,040
Speaker 1: except Zed, I thought again. One of the funniest people

1031
00:48:35,080 --> 00:48:36,440
Speaker 1: in this entire movie was coach.

1032
00:48:36,560 --> 00:48:38,359
Speaker 2: The coach is still good.

1033
00:48:39,360 --> 00:48:44,080
Speaker 1: I want to just watch him. Oh my god. Everybody

1034
00:48:44,080 --> 00:48:47,080
Speaker 1: makes a team except you. Not the zombies, Oh my god.

1035
00:48:47,280 --> 00:48:49,040
Speaker 6: And what does he make the asides about his wife

1036
00:48:49,120 --> 00:48:53,319
Speaker 6: like he's just because then maybe my wife's gonna come back.

1037
00:48:54,880 --> 00:48:59,359
Speaker 1: So, oh my god, he's so funny, so good.

1038
00:48:59,440 --> 00:49:01,560
Speaker 2: Okay, you can give this. Do we see him again?

1039
00:49:02,000 --> 00:49:04,919
Speaker 1: I honestly don't remember. Okay, I hope so, because man,

1040
00:49:05,000 --> 00:49:07,040
Speaker 1: he was good. I love he admits he is not

1041
00:49:07,080 --> 00:49:09,520
Speaker 1: a trailblazer, the coach. He is a follower soever the

1042
00:49:09,520 --> 00:49:10,640
Speaker 1: principal says goes.

1043
00:49:10,920 --> 00:49:12,200
Speaker 2: He says, they don't even do that.

1044
00:49:12,600 --> 00:49:14,919
Speaker 1: I don't even do that very well. Oh it's so good.

1045
00:49:15,080 --> 00:49:18,759
Speaker 1: So later on, Z tells Eliza and Bonzo he thinks

1046
00:49:18,760 --> 00:49:22,759
Speaker 1: a cheerleader Addison might actually like him, but Eliza is disgusted.

1047
00:49:22,840 --> 00:49:25,880
Speaker 1: Humans suck, but things need to change around here, and

1048
00:49:25,920 --> 00:49:28,239
Speaker 1: being all love w with one of the humans isn't

1049
00:49:28,239 --> 00:49:31,640
Speaker 1: going to change anything now. At cheerleading tryouts, which we've

1050
00:49:31,640 --> 00:49:34,800
Speaker 1: already heard from Sabrina is the best cheerleading ever, Bucky

1051
00:49:34,960 --> 00:49:37,840
Speaker 1: is running a tight ship, very difficult to get on

1052
00:49:37,840 --> 00:49:40,719
Speaker 1: the team, which leads up to our second song, Fired Up,

1053
00:49:41,040 --> 00:49:44,160
Speaker 1: which is Bucky's manifesto about his cheer squad and Addison's

1054
00:49:44,160 --> 00:49:46,880
Speaker 1: determination to make it alongside with her new friend Brie.

1055
00:49:46,920 --> 00:49:49,440
Speaker 1: It's got lyrics like we were made for this, didn't

1056
00:49:49,480 --> 00:49:51,520
Speaker 1: come here to lose. Nothing's going to get in our way,

1057
00:49:51,600 --> 00:49:54,399
Speaker 1: so get up and out of our way. And this

1058
00:49:54,480 --> 00:49:55,880
Speaker 1: is the song I would have pulled.

1059
00:49:56,960 --> 00:49:58,440
Speaker 2: This is your four minutes.

1060
00:49:59,880 --> 00:50:01,279
Speaker 1: To I knew we.

1061
00:50:01,239 --> 00:50:05,240
Speaker 6: Needed Obviously we need a number cheer tryouts make sense.

1062
00:50:05,360 --> 00:50:07,839
Speaker 6: I would rather the football triouts got a song and

1063
00:50:07,880 --> 00:50:10,000
Speaker 6: like we did that instead, and it was funny.

1064
00:50:09,800 --> 00:50:12,960
Speaker 2: But they do that in don't they have that? Indscendants?

1065
00:50:13,840 --> 00:50:17,760
Speaker 6: This just felt this just felt like a descendant song ripped,

1066
00:50:17,840 --> 00:50:20,680
Speaker 6: you know, and as opposed to the other ones, this

1067
00:50:20,760 --> 00:50:23,960
Speaker 6: is one of those like auto tuning sounding pop songs

1068
00:50:23,960 --> 00:50:26,239
Speaker 6: where I was like, this doesn't this just is not.

1069
00:50:27,040 --> 00:50:30,360
Speaker 1: This doesn't feel zombies to me. It just felt like inserted.

1070
00:50:30,520 --> 00:50:30,959
Speaker 7: I wasn't.

1071
00:50:31,160 --> 00:50:32,080
Speaker 1: So this is the one song.

1072
00:50:32,160 --> 00:50:34,279
Speaker 6: Yeah, I'd pull this four minutes. I know, we need

1073
00:50:34,280 --> 00:50:36,080
Speaker 6: the energy to keep it. There you go, there's their

1074
00:50:36,120 --> 00:50:38,959
Speaker 6: four minutes. We just made it back. But the choreography

1075
00:50:39,160 --> 00:50:42,000
Speaker 6: is just incredible. I imagine that you and your team,

1076
00:50:42,040 --> 00:50:44,960
Speaker 6: Sabrina do large choreography with songs that you all know

1077
00:50:45,080 --> 00:50:46,719
Speaker 6: right off the bat am I right with the team?

1078
00:50:46,920 --> 00:50:49,799
Speaker 1: Yes, that's what I figured. Yes, are they are your

1079
00:50:49,840 --> 00:50:52,160
Speaker 1: team ninth ninth grade through twelfth grade?

1080
00:50:52,480 --> 00:50:56,280
Speaker 3: Yeah, but michaels that I specifically work with our dancers,

1081
00:50:56,600 --> 00:50:59,560
Speaker 3: and we work alongside of the cheerleaders. So my girls

1082
00:50:59,560 --> 00:51:02,320
Speaker 3: are like stunting, they're dancing and dancing.

1083
00:51:02,640 --> 00:51:03,239
Speaker 1: Gotcha?

1084
00:51:03,320 --> 00:51:03,880
Speaker 2: Fair enough.

1085
00:51:05,320 --> 00:51:08,280
Speaker 1: Addison does end up making the team, but Bree barely

1086
00:51:08,360 --> 00:51:10,880
Speaker 1: becomes a stand in. The team is set, but Bucky

1087
00:51:10,920 --> 00:51:12,919
Speaker 1: needs them all to protect the cheer squad from these

1088
00:51:13,000 --> 00:51:16,960
Speaker 1: new zombies. Lines are being drawn more and more that night,

1089
00:51:17,000 --> 00:51:21,600
Speaker 1: Addison brief partake in cheer initiation Oh no, they're driven,

1090
00:51:21,680 --> 00:51:23,600
Speaker 1: and then dropped off in zombie Town and told her

1091
00:51:23,640 --> 00:51:25,719
Speaker 1: remind the freaks they don't belong in Seabrook. And in

1092
00:51:25,760 --> 00:51:29,120
Speaker 1: the scene directly out of Camp Buy Me Love, they

1093
00:51:29,120 --> 00:51:32,359
Speaker 1: have to egg the house of the zombies. They're left

1094
00:51:32,360 --> 00:51:35,000
Speaker 1: to fend for themselves. They quickly realize how bad the

1095
00:51:35,040 --> 00:51:37,680
Speaker 1: life of a zombie is. Also, Zad sees them and

1096
00:51:37,719 --> 00:51:40,120
Speaker 1: realizes their bad intentions, and now he kind of hates

1097
00:51:40,160 --> 00:51:43,000
Speaker 1: the girl he thought was so cute. The next day

1098
00:51:43,040 --> 00:51:44,640
Speaker 1: is the first PEP rally, which sure feels like a

1099
00:51:44,640 --> 00:51:46,799
Speaker 1: fast turnaround for these brand new cheerleaders. They didn't get

1100
00:51:46,800 --> 00:51:49,520
Speaker 1: a whole lot of time to train, but anyway, Addison

1101
00:51:49,560 --> 00:51:51,560
Speaker 1: wants to stand up for the zombies, but she also

1102
00:51:51,640 --> 00:51:53,600
Speaker 1: has to watch out for herself and of course her

1103
00:51:53,640 --> 00:51:55,640
Speaker 1: real hair, which she has to keep hidden. But she

1104
00:51:55,760 --> 00:51:59,560
Speaker 1: still visits the basement schoolroom even though humans are forbidden

1105
00:51:59,560 --> 00:52:02,279
Speaker 1: from mixing with zombies. She wants to apologize to z

1106
00:52:02,440 --> 00:52:05,000
Speaker 1: which is kind of nice. She is coming into his

1107
00:52:05,040 --> 00:52:08,400
Speaker 1: world twice now, apologize for going into zombie town with

1108
00:52:08,440 --> 00:52:11,400
Speaker 1: that stupid initiation. She invites the zombies to the PEP rally,

1109
00:52:11,600 --> 00:52:15,080
Speaker 1: and even though Z and Eliza still have differing thoughts

1110
00:52:15,080 --> 00:52:18,320
Speaker 1: on humans, they all decide to go. The PEP rally

1111
00:52:18,360 --> 00:52:20,960
Speaker 1: is a celebration of Bucky, which again includes him jumping

1112
00:52:20,960 --> 00:52:24,120
Speaker 1: through the gigantic poster of his face, only to reveal

1113
00:52:24,120 --> 00:52:27,880
Speaker 1: that another untouched one right behind it. Absolutely brilliant directing,

1114
00:52:28,040 --> 00:52:31,400
Speaker 1: It was so funny. The rally turns into another cheer number,

1115
00:52:31,440 --> 00:52:35,800
Speaker 1: but Bucky has involved firestick props that will one hundred

1116
00:52:35,800 --> 00:52:38,799
Speaker 1: percent freak out Bonzo, a zombie with a very low IQ.

1117
00:52:39,000 --> 00:52:40,480
Speaker 1: It seems like this is.

1118
00:52:40,440 --> 00:52:43,400
Speaker 6: Where I was like, oh the CGI fireworks where you

1119
00:52:43,440 --> 00:52:46,480
Speaker 6: can tell that they're not it doesn't And you know

1120
00:52:46,520 --> 00:52:49,400
Speaker 6: why they couldn't do it is because fire martial laws,

1121
00:52:49,440 --> 00:52:51,120
Speaker 6: like you cannot, I mean, you can't have.

1122
00:52:51,080 --> 00:52:54,360
Speaker 1: Actors running around with real fireworks with giant fire. But

1123
00:52:54,440 --> 00:52:57,239
Speaker 1: it just just looks so fake. I know, I know,

1124
00:52:57,760 --> 00:53:00,759
Speaker 1: it freaks him out like Frankenstein back in the day,

1125
00:53:01,080 --> 00:53:04,719
Speaker 1: and he runs out of the stands and knocks over

1126
00:53:04,920 --> 00:53:08,320
Speaker 1: the football team and the cheerleaders, but Z the football

1127
00:53:08,320 --> 00:53:10,760
Speaker 1: team stands back up. He saves the day. He slams

1128
00:53:10,800 --> 00:53:13,800
Speaker 1: in first. Well, okay, it's it's interesting the way that

1129
00:53:13,840 --> 00:53:16,160
Speaker 1: they have to do this his brain. He slams down

1130
00:53:16,160 --> 00:53:18,359
Speaker 1: on the ground, which hits his his bracelet, which gives

1131
00:53:18,400 --> 00:53:21,240
Speaker 1: him just a little bit more zombie. He then turns around,

1132
00:53:21,360 --> 00:53:24,000
Speaker 1: slams through the entire offensive line of the Mighty Shrimps

1133
00:53:24,000 --> 00:53:27,440
Speaker 1: football team, and manages to catch Addison from falling from

1134
00:53:27,440 --> 00:53:30,640
Speaker 1: a stunt. His bracelet really seems like it's fragile. It

1135
00:53:30,680 --> 00:53:32,320
Speaker 1: goes right back to where its supposed to be. Afterwards,

1136
00:53:32,400 --> 00:53:34,760
Speaker 1: he's now kind of like the hero of the school

1137
00:53:35,239 --> 00:53:39,120
Speaker 1: elegant elegant scene. There's so much going on.

1138
00:53:39,520 --> 00:53:40,760
Speaker 2: Yes, a lot happens.

1139
00:53:40,840 --> 00:53:43,520
Speaker 1: He makes it onto the football team, saves the girl,

1140
00:53:44,040 --> 00:53:46,520
Speaker 1: proves that zombies are still scary to other people.

1141
00:53:46,600 --> 00:53:49,040
Speaker 2: We now know that these are glitchible.

1142
00:53:49,160 --> 00:53:50,719
Speaker 1: Yeah, also talk about the z band.

1143
00:53:50,760 --> 00:53:52,919
Speaker 6: Yeah, all the aspects of the story are set in place,

1144
00:53:52,960 --> 00:53:56,399
Speaker 6: and it's like, boom, a great let's go where Oh

1145
00:53:56,440 --> 00:54:01,040
Speaker 6: my god.

1146
00:54:04,800 --> 00:54:06,719
Speaker 1: The football coach, of course sees this and wants Zed

1147
00:54:06,719 --> 00:54:08,520
Speaker 1: for the team because of what he saw at the rally.

1148
00:54:08,560 --> 00:54:11,440
Speaker 1: So Zed says he'll join if they let zombies fully

1149
00:54:11,480 --> 00:54:14,120
Speaker 1: integrate into the school. To make a deal, the principle

1150
00:54:14,160 --> 00:54:16,839
Speaker 1: allows zombies into the regular cafeteria to start, and the

1151
00:54:16,840 --> 00:54:19,960
Speaker 1: more football games he wins, the more zombies can integrate

1152
00:54:19,960 --> 00:54:22,440
Speaker 1: with humans. It's a big deal at the school, even

1153
00:54:22,480 --> 00:54:24,640
Speaker 1: though the zombies still have to sit alone at lunch,

1154
00:54:24,840 --> 00:54:29,160
Speaker 1: but the interspecies flirting between Addison and z continues, and

1155
00:54:29,200 --> 00:54:32,400
Speaker 1: Addison admits she likes the zombie, which I thought was

1156
00:54:32,440 --> 00:54:34,200
Speaker 1: the sweetest scene where she looks over and says, my

1157
00:54:34,280 --> 00:54:37,160
Speaker 1: hands are sweaty that I can feel it in my stomach. Wow,

1158
00:54:37,160 --> 00:54:39,880
Speaker 1: she's got a crush on a zombie. The school, especially

1159
00:54:39,880 --> 00:54:43,120
Speaker 1: Bucky and Eliza, are furious. These groups are not supposed

1160
00:54:43,120 --> 00:54:46,480
Speaker 1: to intermingle, and people start thinking Addison is different and

1161
00:54:46,520 --> 00:54:48,960
Speaker 1: they don't even know about her hair yet. Addison and

1162
00:54:49,040 --> 00:54:51,080
Speaker 1: Zed pout about their societal beliefs in the hall, and

1163
00:54:51,120 --> 00:54:54,560
Speaker 1: Addison confides in him about her real freakish hair. She

1164
00:54:54,680 --> 00:54:57,480
Speaker 1: knows what it's like to be different. He's been in

1165
00:54:57,640 --> 00:55:00,000
Speaker 1: abject poverty and thrown into the bad side of town.

1166
00:55:00,239 --> 00:55:02,640
Speaker 1: Her hair is slightly different, maybe not on the same level,

1167
00:55:02,680 --> 00:55:05,640
Speaker 1: but that's okay. She's had to wear a wig to

1168
00:55:05,640 --> 00:55:07,680
Speaker 1: fit into be a cheerleader. Might not be the same,

1169
00:55:07,719 --> 00:55:10,880
Speaker 1: but anyway. Uh. And they have to hide from schoolmates

1170
00:55:10,880 --> 00:55:12,960
Speaker 1: to conceal their interest in each other. We get a

1171
00:55:13,000 --> 00:55:16,719
Speaker 1: new song which everybody loves someday, a song about how

1172
00:55:16,760 --> 00:55:19,640
Speaker 1: one day a girl and a zombie could actually be together.

1173
00:55:19,680 --> 00:55:22,640
Speaker 1: And now I think this song was written even before

1174
00:55:22,680 --> 00:55:24,600
Speaker 1: the script. It might have been.

1175
00:55:24,840 --> 00:55:27,040
Speaker 6: I think it's like this was like the proof of contact.

1176
00:55:27,120 --> 00:55:29,560
Speaker 6: Let it go with Frozen, Yes, where you you have

1177
00:55:29,760 --> 00:55:31,880
Speaker 6: a song this good and you build a you know,

1178
00:55:32,120 --> 00:55:33,680
Speaker 6: because the lyrics.

1179
00:55:33,320 --> 00:55:34,680
Speaker 1: Like the fact that he's able to.

1180
00:55:34,640 --> 00:55:38,640
Speaker 6: Say, girl, you look delicious, I mean gorgeous, It's like,

1181
00:55:38,960 --> 00:55:39,960
Speaker 6: what that's so?

1182
00:55:40,120 --> 00:55:44,280
Speaker 1: I mean, it's just like it's a great, great song.

1183
00:55:44,440 --> 00:55:46,960
Speaker 6: And I feel like they built the movie around this

1184
00:55:47,120 --> 00:55:50,520
Speaker 6: number because the choreography, everything tells the whole story.

1185
00:55:50,640 --> 00:55:53,040
Speaker 1: It's it's it's perfect, it's great, and they're falling in

1186
00:55:53,080 --> 00:55:55,200
Speaker 1: love and we're watching it and we're now all of

1187
00:55:55,239 --> 00:55:56,840
Speaker 1: a sudden, we're at the first football game and Ze

1188
00:55:57,040 --> 00:55:59,520
Speaker 1: is officially on the team, but as teammates at this

1189
00:55:59,560 --> 00:56:01,759
Speaker 1: point aren't not happy about it. They're even helping the

1190
00:56:01,760 --> 00:56:05,760
Speaker 1: opponents by letting z get smackle tackled over and over again.

1191
00:56:06,360 --> 00:56:09,040
Speaker 1: Bucky in the cheer squad best cheerleading I've ever seen

1192
00:56:09,560 --> 00:56:12,800
Speaker 1: watch on am I wrong, Sabrina as Seabrook gets creamed,

1193
00:56:13,120 --> 00:56:15,440
Speaker 1: with only Addison caring about what happens with his new

1194
00:56:15,480 --> 00:56:18,319
Speaker 1: zombie athlete. The coach and the principal are super mad

1195
00:56:18,440 --> 00:56:20,800
Speaker 1: Zed isn't living up to his promise, and at halftime,

1196
00:56:20,880 --> 00:56:23,719
Speaker 1: the evil principle says if the team loses, it is

1197
00:56:23,880 --> 00:56:26,600
Speaker 1: back to the basement for the zombies. There are real

1198
00:56:26,640 --> 00:56:29,640
Speaker 1: stakes for all of his friends and everybody in this game.

1199
00:56:29,719 --> 00:56:31,920
Speaker 1: So to save the day, Z goes to his computer

1200
00:56:31,920 --> 00:56:35,279
Speaker 1: whiz friend Eliza to jail break his z band let

1201
00:56:35,360 --> 00:56:37,360
Speaker 1: him tap into a little zombie energy for the second

1202
00:56:37,360 --> 00:56:41,400
Speaker 1: half to win. It's dangerous decision, but desperate times. And

1203
00:56:41,480 --> 00:56:45,440
Speaker 1: it's like also a steroid metaphor, Yeah, and what do

1204
00:56:45,520 --> 00:56:47,120
Speaker 1: you have to do to help people?

1205
00:56:47,239 --> 00:56:50,040
Speaker 6: And uh huh but like okay, Also she does this

1206
00:56:50,080 --> 00:56:51,719
Speaker 6: whole like swipe left not right?

1207
00:56:52,000 --> 00:56:54,400
Speaker 1: Isn't that like a dating app? Ing?

1208
00:56:54,520 --> 00:56:54,680
Speaker 3: Is he?

1209
00:56:54,800 --> 00:56:57,920
Speaker 2: Yes? I don't know which one, but yes, I was like,

1210
00:56:58,080 --> 00:56:58,759
Speaker 2: is that are we?

1211
00:56:58,960 --> 00:57:03,760
Speaker 1: I don't know, especially in twenty eighteen. Yeah, you must

1212
00:57:03,960 --> 00:57:07,000
Speaker 1: swipe yees. Swiping right is good. You want to be

1213
00:57:07,040 --> 00:57:08,520
Speaker 1: swiped right or you want to I've never been on

1214
00:57:08,520 --> 00:57:09,480
Speaker 1: a dating app in my life.

1215
00:57:09,520 --> 00:57:11,960
Speaker 2: I don't know. I have no idea it's one or

1216
00:57:12,000 --> 00:57:13,439
Speaker 2: the other though, But then.

1217
00:57:13,400 --> 00:57:15,719
Speaker 6: The irony is he has to swipe that whatever he

1218
00:57:15,800 --> 00:57:18,160
Speaker 6: swipes one direction to go on a date with her.

1219
00:57:18,480 --> 00:57:20,760
Speaker 1: So I was like, oh, this is really clever. It's

1220
00:57:20,760 --> 00:57:22,440
Speaker 1: like a very joke that none of the kids are

1221
00:57:22,440 --> 00:57:22,880
Speaker 1: gonna get.

1222
00:57:22,960 --> 00:57:27,240
Speaker 6: Yeps watching might be like, oh yeah, it was great, brilliant,

1223
00:57:27,400 --> 00:57:28,040
Speaker 6: really clever.

1224
00:57:28,240 --> 00:57:30,840
Speaker 1: So they jail break it. It's dangerous. Next play, he

1225
00:57:30,880 --> 00:57:33,680
Speaker 1: becomes a little bit zombie unstable, just a little bit,

1226
00:57:33,720 --> 00:57:35,960
Speaker 1: and we see some of his true zombie cell for

1227
00:57:35,960 --> 00:57:38,800
Speaker 1: the first time. Crazy veins at all, but he becomes

1228
00:57:38,840 --> 00:57:42,560
Speaker 1: a pig skin beast, touchdowns, field goals and above all else.

1229
00:57:43,400 --> 00:57:45,840
Speaker 1: Every time I say it, I cringe little. The Mighty

1230
00:57:45,880 --> 00:57:48,960
Speaker 1: Shrimp win and Zed was able to finally turn off

1231
00:57:48,960 --> 00:57:50,840
Speaker 1: his Z band and go back to normal, no harm,

1232
00:57:50,920 --> 00:57:53,640
Speaker 1: no foul. We get our first addison in Zed hug

1233
00:57:54,000 --> 00:57:56,640
Speaker 1: and Bucky does not look happy. But then again, other

1234
00:57:56,680 --> 00:57:58,560
Speaker 1: than when he's jumping through posters of his own face,

1235
00:57:58,680 --> 00:58:02,439
Speaker 1: when does he ever look at Ze keeps winning football games,

1236
00:58:02,440 --> 00:58:04,240
Speaker 1: still cheating with a Z band, so the school and

1237
00:58:04,280 --> 00:58:07,400
Speaker 1: community are really coming around on zombie love. Eliza was

1238
00:58:07,440 --> 00:58:09,600
Speaker 1: even able to join the computer club. All the Seabrooks

1239
00:58:09,640 --> 00:58:12,680
Speaker 1: zombies are actually becoming popular. They're now mobbed at lunch,

1240
00:58:13,120 --> 00:58:16,120
Speaker 1: forcing students to be either pro zombie or pro cheerleader,

1241
00:58:16,360 --> 00:58:19,720
Speaker 1: and most are now into the zombies. But sadly, Addison,

1242
00:58:19,840 --> 00:58:22,440
Speaker 1: who's only wanted to be a cheerleader her entire life,

1243
00:58:22,640 --> 00:58:26,520
Speaker 1: picks the cheerleader side. Now she painfully has to publicly

1244
00:58:26,520 --> 00:58:30,360
Speaker 1: ignore z and communicate only through written notes. They do

1245
00:58:30,440 --> 00:58:32,520
Speaker 1: decide to meet privately in zombie Town for a date, though,

1246
00:58:32,560 --> 00:58:34,920
Speaker 1: so they won't get caught. We also get an incredible

1247
00:58:34,960 --> 00:58:37,520
Speaker 1: shot of zombie Town here, and it might be the

1248
00:58:37,520 --> 00:58:40,000
Speaker 1: best looking atmosphere in any dcom we've scene so far,

1249
00:58:40,160 --> 00:58:44,200
Speaker 1: and I'm including the opening scene of Descendants where they're

1250
00:58:44,240 --> 00:58:47,440
Speaker 1: running through the market. Yeah, on their own island. I

1251
00:58:47,440 --> 00:58:49,880
Speaker 1: think this looked cooler and better.

1252
00:58:50,040 --> 00:58:51,280
Speaker 2: Yeah, I liked it a lot.

1253
00:58:51,520 --> 00:58:55,520
Speaker 1: The set decoration on this movie was next level from again.

1254
00:58:55,560 --> 00:58:59,280
Speaker 1: I even thought the high school pastel colors and the

1255
00:58:59,360 --> 00:59:05,280
Speaker 1: kind of redekeylessness all just worked. It really did. Now, Okay, writer,

1256
00:59:05,440 --> 00:59:08,480
Speaker 1: you're a director in your mind while you're watching this.

1257
00:59:08,560 --> 00:59:10,720
Speaker 1: Could you direct a musical? You obviously could, But would

1258
00:59:10,720 --> 00:59:12,920
Speaker 1: you have done it the same way? Yeah? I was

1259
00:59:12,920 --> 00:59:14,000
Speaker 1: so impressed with this music.

1260
00:59:14,040 --> 00:59:16,320
Speaker 6: I mean I think that especially this segment when they

1261
00:59:16,360 --> 00:59:19,000
Speaker 6: go into zombie Town and like you're saying, the production design,

1262
00:59:19,120 --> 00:59:23,200
Speaker 6: like the way the atmosphere and you know, budgets are

1263
00:59:23,200 --> 00:59:25,880
Speaker 6: limited when they have to like have high walls for

1264
00:59:25,960 --> 00:59:28,680
Speaker 6: every like the zombie town, like you never see out

1265
00:59:28,680 --> 00:59:30,440
Speaker 6: of it except for like when they do some computer

1266
00:59:30,520 --> 00:59:31,640
Speaker 6: generated skylines.

1267
00:59:32,200 --> 00:59:34,040
Speaker 1: It's very limited locations.

1268
00:59:34,280 --> 00:59:36,240
Speaker 6: They do not have the kind of money that like

1269
00:59:36,280 --> 00:59:38,880
Speaker 6: a major feature film musical would have, so you have

1270
00:59:38,920 --> 00:59:41,200
Speaker 6: to make it somewhat theatrical, and you have to use

1271
00:59:41,360 --> 00:59:44,280
Speaker 6: what you do have. And man, I think this director

1272
00:59:44,400 --> 00:59:47,720
Speaker 6: nailed it. And I think like kids don't notice, you know,

1273
00:59:47,800 --> 00:59:50,200
Speaker 6: like they don't they're in it. They just see And

1274
00:59:50,280 --> 00:59:54,840
Speaker 6: this sequence in the zombie Town party, this number, the

1275
00:59:55,480 --> 01:00:00,440
Speaker 6: choreography shines the fact that they're able to incorporate zombie

1276
01:00:00,520 --> 01:00:04,160
Speaker 6: references and zombie noss into the dancing, into the storyteller

1277
01:00:04,200 --> 01:00:07,080
Speaker 6: and like the spring floor like that that thing.

1278
01:00:07,680 --> 01:00:08,840
Speaker 1: It's so genius.

1279
01:00:09,120 --> 01:00:12,160
Speaker 3: First I was like, wait, did they all have knee

1280
01:00:12,160 --> 01:00:12,720
Speaker 3: pads on?

1281
01:00:12,840 --> 01:00:14,160
Speaker 2: But like that hurts.

1282
01:00:14,200 --> 01:00:16,280
Speaker 1: That's the thing. It's not supposed to be a spring

1283
01:00:16,320 --> 01:00:17,960
Speaker 1: floor though I think it's supposed to be a regular floor,

1284
01:00:18,040 --> 01:00:20,360
Speaker 1: which the show as a zombie. Yes, you have you

1285
01:00:20,440 --> 01:00:23,000
Speaker 1: can do that some powers in which I thought was great.

1286
01:00:23,200 --> 01:00:25,520
Speaker 3: Yes, and because it does not look like it's an

1287
01:00:25,560 --> 01:00:27,080
Speaker 3: actual spring floor at all.

1288
01:00:27,160 --> 01:00:28,200
Speaker 2: Now it looks normal.

1289
01:00:28,200 --> 01:00:30,040
Speaker 3: They're just bouncing off of it and you're just going,

1290
01:00:30,200 --> 01:00:33,280
Speaker 3: I mean, I was like, what this was?

1291
01:00:33,640 --> 01:00:35,560
Speaker 2: It was such an incredible number.

1292
01:00:35,680 --> 01:00:38,000
Speaker 1: I mean, this must have been like a whole week

1293
01:00:38,040 --> 01:00:39,360
Speaker 1: of shooting. Oh for sure.

1294
01:00:39,480 --> 01:00:41,880
Speaker 6: I was like, they spent so much time in there.

1295
01:00:42,080 --> 01:00:44,480
Speaker 6: There's really like three separate numbers.

1296
01:00:44,120 --> 01:00:47,360
Speaker 1: Within the one sequence. Yeah, and I thought it was perfect.

1297
01:00:47,400 --> 01:00:49,439
Speaker 1: Here's the thing, though, we're learning more and more about

1298
01:00:49,480 --> 01:00:51,960
Speaker 1: d cooms is you think that you have they have

1299
01:00:52,040 --> 01:00:53,440
Speaker 1: a lot of time, and they don't, and then you

1300
01:00:53,480 --> 01:00:54,920
Speaker 1: find out about it that Like, you know, we were

1301
01:00:54,920 --> 01:00:57,520
Speaker 1: talking to Bart Johnson where who was in high school

1302
01:00:57,560 --> 01:00:59,680
Speaker 1: musical and they do this huge number in the cafeteria

1303
01:00:59,680 --> 01:01:01,120
Speaker 1: and he was like, oh, they had like two days

1304
01:01:01,120 --> 01:01:01,560
Speaker 1: to shoot it.

1305
01:01:01,720 --> 01:01:04,320
Speaker 6: Yeah, so they well but they had four weeks of rehearsal,

1306
01:01:04,320 --> 01:01:06,000
Speaker 6: you said at the beginning, Yeah, yeah, so they got

1307
01:01:06,000 --> 01:01:06,480
Speaker 6: the dance.

1308
01:01:06,600 --> 01:01:07,160
Speaker 1: Is the difference?

1309
01:01:07,240 --> 01:01:09,560
Speaker 6: Yes, So they're able and if in a good director

1310
01:01:09,640 --> 01:01:11,760
Speaker 6: can figure out, Okay, on the day, I'm going to

1311
01:01:11,800 --> 01:01:13,040
Speaker 6: be able to shoot it from here and here and

1312
01:01:13,360 --> 01:01:15,000
Speaker 6: and save money and time so.

1313
01:01:14,920 --> 01:01:17,560
Speaker 1: That by the time you get there, it's just doing it. Yeah,

1314
01:01:17,600 --> 01:01:19,800
Speaker 1: but that's still I mean, that's such a huge number.

1315
01:01:20,040 --> 01:01:21,640
Speaker 1: Oh it is. And the actors that we've talked to

1316
01:01:21,720 --> 01:01:23,480
Speaker 1: that have been in these musicals that come in and

1317
01:01:23,520 --> 01:01:26,280
Speaker 1: we interview all the same thing is you just shoot

1318
01:01:26,320 --> 01:01:28,280
Speaker 1: it all day, all day long. You're shooting the same

1319
01:01:28,280 --> 01:01:30,080
Speaker 1: thing over and Oh, you just want to be the

1320
01:01:30,120 --> 01:01:31,800
Speaker 1: number to do the number. The number. You do not

1321
01:01:31,880 --> 01:01:34,040
Speaker 1: have kids, Yeah, no, real high schoolers.

1322
01:01:34,120 --> 01:01:36,600
Speaker 6: You go crazy and you're shoot in Canada, so you

1323
01:01:36,640 --> 01:01:40,240
Speaker 6: don't have union laws. Well only half either Canada or Utah.

1324
01:01:40,320 --> 01:01:42,520
Speaker 6: They flip a coin, were either in Utah or we're

1325
01:01:42,520 --> 01:01:43,320
Speaker 6: in Canada.

1326
01:01:43,520 --> 01:01:45,840
Speaker 1: Z does confide in Addison though, that he has been

1327
01:01:45,880 --> 01:01:47,760
Speaker 1: messing with the Z band to win games, and also

1328
01:01:47,800 --> 01:01:50,160
Speaker 1: takes her to an underground zombie dance party, which we

1329
01:01:50,160 --> 01:01:52,320
Speaker 1: were just talking about, a town celebration for all the

1330
01:01:52,360 --> 01:01:55,080
Speaker 1: strides that zombies have taken lately. It had real blade

1331
01:01:55,160 --> 01:01:57,760
Speaker 1: two vibes where you've got to actually see the vampire

1332
01:01:57,880 --> 01:02:00,080
Speaker 1: rave which is kind of cool. Then they get the

1333
01:02:00,120 --> 01:02:03,600
Speaker 1: performance mid party from DJ Bonzo Z and Eliza rapping

1334
01:02:03,680 --> 01:02:06,080
Speaker 1: all about how it's finally time for zombies to shine.

1335
01:02:06,160 --> 01:02:09,400
Speaker 1: The song is called Bayem with two MS, and it's

1336
01:02:09,440 --> 01:02:12,360
Speaker 1: pretty intense, rave like set with a cool flashlight setup

1337
01:02:12,400 --> 01:02:16,440
Speaker 1: and these light up brain balls. It was phenomenal. But

1338
01:02:16,560 --> 01:02:18,600
Speaker 1: no matter how cool the party is, Zed is starting

1339
01:02:18,600 --> 01:02:20,960
Speaker 1: to have major issues with his Z band. He might

1340
01:02:21,000 --> 01:02:22,840
Speaker 1: have taken this a little bit too far, and while

1341
01:02:22,840 --> 01:02:27,440
Speaker 1: walking around the party, Addison runs then into Zed's kid's sister, Zoe,

1342
01:02:27,800 --> 01:02:31,120
Speaker 1: who's like eight and at a ring. It seems a

1343
01:02:31,120 --> 01:02:34,800
Speaker 1: bit problematic, but it is. Addison tries to become friends

1344
01:02:34,800 --> 01:02:37,320
Speaker 1: with her, but is confronted by Eliza. She isn't having

1345
01:02:37,320 --> 01:02:40,360
Speaker 1: this co mingling, but she quickly softens up and now

1346
01:02:40,440 --> 01:02:42,840
Speaker 1: realizes they're actually have a lot in common and they're

1347
01:02:42,880 --> 01:02:47,120
Speaker 1: slowly becoming friends. Everything is coming up zombie z and

1348
01:02:47,160 --> 01:02:51,560
Speaker 1: then we get a slower reprise Rider's favorite version of Someday,

1349
01:02:51,720 --> 01:02:55,240
Speaker 1: the song that once only hoped a human zombie relationship

1350
01:02:55,280 --> 01:02:58,520
Speaker 1: could work, and now it actually is working, which is

1351
01:02:58,560 --> 01:03:01,720
Speaker 1: why this song coming back works so well. That is

1352
01:03:01,760 --> 01:03:05,600
Speaker 1: the right or strong reprieve kiss me. They're right about

1353
01:03:05,600 --> 01:03:08,440
Speaker 1: to kiss, and then all of a sudden, a zombie

1354
01:03:08,440 --> 01:03:11,760
Speaker 1: patrolman ruins everything. He's looking to break up the zombie

1355
01:03:11,760 --> 01:03:14,479
Speaker 1: party for curfew. Zed runs off and the cop takes

1356
01:03:14,520 --> 01:03:18,240
Speaker 1: Addison home to a very angry evil mom, who's the

1357
01:03:18,240 --> 01:03:21,640
Speaker 1: mayor and police chief Dad. She admits that she was

1358
01:03:21,640 --> 01:03:23,440
Speaker 1: seeing a boy and her parents demand to meet him

1359
01:03:23,520 --> 01:03:27,600
Speaker 1: or she is no longer allowed to cheer. Strange kind

1360
01:03:27,640 --> 01:03:28,040
Speaker 1: of thing.

1361
01:03:28,720 --> 01:03:31,160
Speaker 2: Such a weird it's such a.

1362
01:03:31,040 --> 01:03:33,160
Speaker 1: Weird ghuy to meet the boy, or you can no

1363
01:03:33,240 --> 01:03:36,480
Speaker 1: longer do the thing we really wanted you to do it.

1364
01:03:37,040 --> 01:03:40,720
Speaker 3: Okay, yeah, right. Also, you have a team. I feel

1365
01:03:40,760 --> 01:03:47,120
Speaker 3: like that's letting down. You can't from team activities as.

1366
01:03:46,280 --> 01:03:48,520
Speaker 1: You're messing with the team. And everyone knows how good

1367
01:03:48,560 --> 01:03:52,920
Speaker 1: she is Wig and all. So the problem is she

1368
01:03:52,920 --> 01:03:55,520
Speaker 1: obviously doesn't want to introduce them to Zed because they

1369
01:03:55,560 --> 01:03:58,440
Speaker 1: know that they're big zombie racists. But back at school,

1370
01:03:58,440 --> 01:04:01,160
Speaker 1: it's time for the big homecoming football game. Eliza Warnzed

1371
01:04:01,200 --> 01:04:03,320
Speaker 1: to stop manipulating his z band. It is not a

1372
01:04:03,360 --> 01:04:06,080
Speaker 1: smart thing to do. He promises, just one more game

1373
01:04:06,600 --> 01:04:10,560
Speaker 1: and he'll stop, but unfortunately, some snooty cheerleaders overhear this,

1374
01:04:10,720 --> 01:04:12,720
Speaker 1: and now they know he's been cheating, and they run

1375
01:04:12,720 --> 01:04:16,040
Speaker 1: off to tell Bucky, who's praying to the cheerleading gods

1376
01:04:16,560 --> 01:04:20,720
Speaker 1: glory to all that is firecracker, firecracker sis boombah for

1377
01:04:20,760 --> 01:04:23,600
Speaker 1: a sign to stop Zed, and now he has it.

1378
01:04:24,240 --> 01:04:26,720
Speaker 1: So as a plan, the snoody cheerleaders invitalize it to

1379
01:04:26,760 --> 01:04:28,520
Speaker 1: the new VR room, and since she's a nerg she

1380
01:04:28,560 --> 01:04:30,960
Speaker 1: doesn't even notice another cheerleader sneaking up behind her to

1381
01:04:31,040 --> 01:04:33,920
Speaker 1: steal her computer. And I also love how they gave

1382
01:04:33,960 --> 01:04:36,360
Speaker 1: her like an old computer that looks like she had

1383
01:04:36,400 --> 01:04:40,160
Speaker 1: to cobble together herself. Britt and even worse, the entire

1384
01:04:40,280 --> 01:04:44,360
Speaker 1: VR invite was fake. Meanwhile, Zed uses his Z band

1385
01:04:44,400 --> 01:04:47,280
Speaker 1: in a brand new and so clever way to completely

1386
01:04:47,360 --> 01:04:49,920
Speaker 1: turn human to meet Addison's parents before they date. By

1387
01:04:49,920 --> 01:04:54,200
Speaker 1: the way, we got confirmation swiping right is good. Swiping

1388
01:04:54,280 --> 01:04:58,600
Speaker 1: left and you pass, so swiping right was human and

1389
01:04:58,640 --> 01:05:01,640
Speaker 1: that's why she said don't ever swipe right. But even

1390
01:05:01,680 --> 01:05:03,800
Speaker 1: though that's the good one, she said, don't ever do that,

1391
01:05:03,840 --> 01:05:07,520
Speaker 1: which is very it works, which we're all kind of

1392
01:05:07,520 --> 01:05:10,320
Speaker 1: confused about. But anyway, the mayor of the school nobody

1393
01:05:10,320 --> 01:05:13,600
Speaker 1: recognizes him as the zombie that's also the now new

1394
01:05:13,640 --> 01:05:15,960
Speaker 1: star of the town and the football team. He's just

1395
01:05:16,040 --> 01:05:18,480
Speaker 1: the new kid. Where did you meet him? Great? But

1396
01:05:18,760 --> 01:05:21,760
Speaker 1: also this has officially pushed his c band too far.

1397
01:05:21,960 --> 01:05:24,840
Speaker 1: It is now unstable and it is actually hurting him.

1398
01:05:24,880 --> 01:05:26,840
Speaker 1: We get shots of his wrist where you can see

1399
01:05:26,960 --> 01:05:29,959
Speaker 1: a kind of poison leaking into his body. It's very

1400
01:05:30,080 --> 01:05:33,040
Speaker 1: Tony Stark with the palladium in his chest.

1401
01:05:32,960 --> 01:05:35,520
Speaker 6: And also very hulk like. Yes, but he's gonnaulk out

1402
01:05:35,520 --> 01:05:36,360
Speaker 6: it any minute.

1403
01:05:36,560 --> 01:05:39,080
Speaker 3: I don't know a lot about those things, right, but

1404
01:05:39,160 --> 01:05:40,400
Speaker 3: I did get hulk feeling.

1405
01:05:41,360 --> 01:05:45,200
Speaker 1: You would not like to see me when I'm a zombie,

1406
01:05:45,640 --> 01:05:48,120
Speaker 1: absolutely right. We skip forward in time now it is

1407
01:05:48,160 --> 01:05:50,320
Speaker 1: now the final seconds of the homecoming game, and it

1408
01:05:50,360 --> 01:05:52,400
Speaker 1: all comes down to the last play the Mighty Shrimper

1409
01:05:52,440 --> 01:05:55,600
Speaker 1: down by five, which never happens in a football game.

1410
01:05:55,640 --> 01:05:57,760
Speaker 1: There's no such thing essentially as being down by five.

1411
01:05:57,960 --> 01:05:59,720
Speaker 1: You can there's people out there that are like, if

1412
01:05:59,720 --> 01:06:01,160
Speaker 1: you get a safety in a field goal, yeah, I

1413
01:06:01,200 --> 01:06:03,360
Speaker 1: get it. You're very rarely down by five.

1414
01:06:03,560 --> 01:06:03,880
Speaker 2: Weird.

1415
01:06:04,200 --> 01:06:06,920
Speaker 1: It's weird. Addison decides to cheer for the zombies to

1416
01:06:06,960 --> 01:06:09,120
Speaker 1: hype up the crowd, but that is the last straw

1417
01:06:09,200 --> 01:06:13,280
Speaker 1: for her cousin Tucky. Okay boop kicks her off the team,

1418
01:06:13,760 --> 01:06:16,760
Speaker 1: and at the same time, Bucky's crony cheerleaders hack into

1419
01:06:16,760 --> 01:06:20,080
Speaker 1: Eliza's computer with three seconds left, stopping z z band

1420
01:06:20,120 --> 01:06:22,200
Speaker 1: from working. So he'll need to score just as his

1421
01:06:22,280 --> 01:06:24,800
Speaker 1: regular self. But with this in mind, they passed the

1422
01:06:24,800 --> 01:06:28,120
Speaker 1: ball to Zed, who magically does score on his own

1423
01:06:28,520 --> 01:06:31,520
Speaker 1: shrimps win Well. I started to get teen Wolf vibes

1424
01:06:31,640 --> 01:06:32,040
Speaker 1: right around.

1425
01:06:32,720 --> 01:06:37,560
Speaker 6: Oh my gosh, this is totally wolf playing the sport

1426
01:06:37,840 --> 01:06:40,440
Speaker 6: as a monster. Should I use my monster ability?

1427
01:06:40,480 --> 01:06:42,480
Speaker 1: Should I not? I was like, Wow, there's a lot

1428
01:06:42,480 --> 01:06:44,920
Speaker 1: of team Wolve him here, even the same literally the

1429
01:06:44,960 --> 01:06:47,320
Speaker 1: same scene where everybody jumps on top of him and

1430
01:06:47,360 --> 01:06:49,560
Speaker 1: he throws them off and comes up the wolf. They

1431
01:06:49,720 --> 01:06:51,240
Speaker 1: come on top of him, he throws them off and

1432
01:06:51,280 --> 01:06:53,200
Speaker 1: comes up the zombie. I didn't notice that, but you're

1433
01:06:53,200 --> 01:06:55,840
Speaker 1: one hundred percent right. It is absolutely teen Wolf. So

1434
01:06:56,000 --> 01:06:59,440
Speaker 1: the cheerleaders take the whole thing one step further and

1435
01:06:59,480 --> 01:07:03,120
Speaker 1: they just say his z band entirely, and then he

1436
01:07:03,160 --> 01:07:06,680
Speaker 1: goes full zombie and he is hungry for human or

1437
01:07:06,720 --> 01:07:09,360
Speaker 1: one of the twenty eight ways they say brain. Then

1438
01:07:09,400 --> 01:07:10,800
Speaker 1: they do to make it even worse, they do the

1439
01:07:10,840 --> 01:07:13,640
Speaker 1: same thing to Eliza and Bonzo's bands. The crowd is terrified.

1440
01:07:13,680 --> 01:07:16,520
Speaker 1: They're running for their lives, which we get that whole fine.

1441
01:07:16,880 --> 01:07:20,080
Speaker 1: Zombie vibe Z tracks down Bucky, but right before he's

1442
01:07:20,120 --> 01:07:24,800
Speaker 1: gonna eat the idiot, he stops himself without the aid

1443
01:07:24,920 --> 01:07:26,840
Speaker 1: of the band, which gives you hope that maybe you

1444
01:07:26,920 --> 01:07:30,800
Speaker 1: can change who you are. But if a zombie patrolman

1445
01:07:31,280 --> 01:07:33,960
Speaker 1: stuns him and takes him off in cuffs, Eliza and

1446
01:07:33,960 --> 01:07:35,360
Speaker 1: Bonzo also get caught.

1447
01:07:35,760 --> 01:07:38,040
Speaker 2: What do you what, it's stunned gun.

1448
01:07:38,760 --> 01:07:39,280
Speaker 1: It's like.

1449
01:07:40,920 --> 01:07:46,320
Speaker 2: It's like a it's like a huge you iron clothes.

1450
01:07:46,320 --> 01:07:48,600
Speaker 3: It looks like a big iron like you like like

1451
01:07:48,680 --> 01:07:51,000
Speaker 3: it was so big, like you.

1452
01:07:50,880 --> 01:07:52,560
Speaker 2: Couldn't have just like a taser.

1453
01:07:52,920 --> 01:07:54,920
Speaker 1: I don't know. Just they have cattle prods that are

1454
01:07:54,920 --> 01:07:58,080
Speaker 1: like this big. Now, what are you doing? That's very true,

1455
01:07:58,320 --> 01:08:02,000
Speaker 1: oh man, So everybody's running around. He stops himself, though,

1456
01:08:02,080 --> 01:08:05,000
Speaker 1: so you never know what can happen. But Addison, who's

1457
01:08:05,000 --> 01:08:07,360
Speaker 1: been screaming and crying watching the scene unfold, tells her

1458
01:08:07,360 --> 01:08:10,400
Speaker 1: school to be civilized and not fight zombies just because

1459
01:08:10,400 --> 01:08:13,720
Speaker 1: they're different. She's so mad that she breaks into a song.

1460
01:08:14,200 --> 01:08:16,120
Speaker 1: This is the song I would have cut.

1461
01:08:16,400 --> 01:08:18,400
Speaker 2: I this is the song I would have cut.

1462
01:08:18,439 --> 01:08:22,479
Speaker 3: I was not understanding why people were like walking around her,

1463
01:08:22,680 --> 01:08:25,400
Speaker 3: and yeah, when she comes out of it, it's a

1464
01:08:25,479 --> 01:08:26,760
Speaker 3: dream sequence type thing.

1465
01:08:26,800 --> 01:08:28,599
Speaker 2: Right, when she comes out of it, it makes real sense.

1466
01:08:28,640 --> 01:08:31,080
Speaker 6: And to a full music video, it's like what is

1467
01:08:31,120 --> 01:08:33,439
Speaker 6: going on in her head? Yeah, and going into it,

1468
01:08:33,439 --> 01:08:34,400
Speaker 6: it wasn't quite clear.

1469
01:08:34,800 --> 01:08:37,920
Speaker 3: Now I got the same thing as as Baby Be

1470
01:08:38,240 --> 01:08:40,200
Speaker 3: singing in Baby Yes.

1471
01:08:40,120 --> 01:08:43,080
Speaker 2: In high School musical where she's by herself.

1472
01:08:42,680 --> 01:08:45,879
Speaker 3: And it's you know, it's this drama aspect.

1473
01:08:45,920 --> 01:08:47,599
Speaker 2: I totally get it. You know, I'm in for that.

1474
01:08:47,680 --> 01:08:50,559
Speaker 3: But it just was a little too long and just

1475
01:08:50,680 --> 01:08:53,200
Speaker 3: a little too not so.

1476
01:08:53,320 --> 01:08:55,719
Speaker 6: Necessary what I would have done if I was directing

1477
01:08:55,760 --> 01:08:59,880
Speaker 6: this all right now, budget and being you know, probably limited,

1478
01:09:00,000 --> 01:09:01,800
Speaker 6: wouldn't have been able to do this. But if she

1479
01:09:01,920 --> 01:09:05,120
Speaker 6: had somehow like stayed in normal motion and everybody else

1480
01:09:05,160 --> 01:09:09,160
Speaker 6: around her went into slow motion, so like indicate like.

1481
01:09:09,200 --> 01:09:11,479
Speaker 2: I feel like that we're now, and then we do

1482
01:09:11,520 --> 01:09:12,200
Speaker 2: that a little.

1483
01:09:12,400 --> 01:09:14,639
Speaker 6: Well, they do the like close ups and it's all

1484
01:09:14,680 --> 01:09:17,640
Speaker 6: like kind of fuzzy around her or like a focus. No,

1485
01:09:17,960 --> 01:09:20,040
Speaker 6: just not enough because I was like, is she singing this?

1486
01:09:20,160 --> 01:09:21,439
Speaker 6: Are they seeing her sing this?

1487
01:09:21,920 --> 01:09:23,760
Speaker 1: And then is she talking to them?

1488
01:09:23,800 --> 01:09:26,599
Speaker 2: Because it seems like she is, but no one's hearing her.

1489
01:09:26,720 --> 01:09:28,519
Speaker 6: And then I was also like, she's saying like, you know,

1490
01:09:28,560 --> 01:09:30,519
Speaker 6: the song is like I'm gonna take a stand. It's

1491
01:09:30,560 --> 01:09:33,320
Speaker 6: stand up, stand up. And I was like, well, you

1492
01:09:33,320 --> 01:09:35,840
Speaker 6: you are like you right now you're singing like isn't

1493
01:09:35,880 --> 01:09:37,840
Speaker 6: this you taking a stand? And hasn't she already kind

1494
01:09:37,880 --> 01:09:39,800
Speaker 6: of taken the same time She's done this, I know,

1495
01:09:40,520 --> 01:09:41,920
Speaker 6: but the bottom But.

1496
01:09:42,160 --> 01:09:44,600
Speaker 1: At the end, when she rips off her wig.

1497
01:09:44,479 --> 01:09:47,720
Speaker 6: I realized what the song was and I was like,

1498
01:09:48,000 --> 01:09:51,559
Speaker 6: that's cool. Like it's no longer about telling everybody to

1499
01:09:51,640 --> 01:09:54,080
Speaker 6: welcome the zombies. It's about admitting who you are and

1500
01:09:54,160 --> 01:09:55,440
Speaker 6: standing up for yourself.

1501
01:09:55,720 --> 01:09:58,240
Speaker 1: And I thought that made the whole number make sense.

1502
01:09:58,439 --> 01:09:59,280
Speaker 1: I was like, I was on.

1503
01:09:59,240 --> 01:10:02,280
Speaker 2: Board with that A million years to get there. That

1504
01:10:02,479 --> 01:10:03,200
Speaker 2: was my issue.

1505
01:10:03,200 --> 01:10:04,880
Speaker 1: It was it would have been my four minutes.

1506
01:10:05,080 --> 01:10:07,680
Speaker 2: Yeah, it was the four minutes that was taken up.

1507
01:10:07,760 --> 01:10:09,680
Speaker 2: It took us so long. But then you're right. As

1508
01:10:09,680 --> 01:10:11,400
Speaker 2: soon as she pops that wig off, I was like, oh,

1509
01:10:11,400 --> 01:10:13,680
Speaker 2: it's cool, Bam, I'm back into it.

1510
01:10:13,760 --> 01:10:16,680
Speaker 1: Bam, she looks great with the white hair.

1511
01:10:20,000 --> 01:10:21,240
Speaker 2: Yeah, I wish she could.

1512
01:10:21,439 --> 01:10:23,920
Speaker 3: I don't understand why the wig had to be so ugly.

1513
01:10:23,960 --> 01:10:24,840
Speaker 3: Why couldn't it have.

1514
01:10:24,840 --> 01:10:29,160
Speaker 2: Been like a cute, you know style, because she looked

1515
01:10:29,240 --> 01:10:29,840
Speaker 2: really good.

1516
01:10:30,000 --> 01:10:32,040
Speaker 1: I agree. And then we get something here that we've

1517
01:10:32,080 --> 01:10:34,160
Speaker 1: now seen in a number of dcoms, where for some

1518
01:10:34,240 --> 01:10:37,240
Speaker 1: reason we get a montage basically seeing the entire movie. Again,

1519
01:10:37,920 --> 01:10:41,160
Speaker 1: that's happening a lot. And then weirdly, Bucky joins in

1520
01:10:41,200 --> 01:10:44,000
Speaker 1: her singing about sadness, but he appears to be developing

1521
01:10:44,000 --> 01:10:47,400
Speaker 1: a heart. Maybe he's seeing another side because the guy

1522
01:10:47,439 --> 01:10:51,280
Speaker 1: didn't eat his face. And as she's hitting the highest note,

1523
01:10:51,320 --> 01:10:54,559
Speaker 1: she rips off her wig. Everyone sees her weird white hair,

1524
01:10:55,080 --> 01:10:57,840
Speaker 1: and there's that moment and then they just start booing her,

1525
01:10:57,880 --> 01:11:00,320
Speaker 1: which is really funny.

1526
01:11:00,800 --> 01:11:02,880
Speaker 3: Big moment they're like, I guess that's why it had

1527
01:11:02,920 --> 01:11:05,240
Speaker 3: to be not like a good looking wig. I guess

1528
01:11:05,400 --> 01:11:07,880
Speaker 3: is why, because they were going to dismiss her on that.

1529
01:11:08,479 --> 01:11:09,840
Speaker 2: No, no, we don't like it.

1530
01:11:10,720 --> 01:11:13,599
Speaker 1: Eventually, Zed, Eliza and Bongo are released and get dropped

1531
01:11:13,600 --> 01:11:15,599
Speaker 1: off back in zombie Land, and thanks to Zed now

1532
01:11:15,640 --> 01:11:18,000
Speaker 1: everyone's z band will be updated, so they can't be

1533
01:11:18,080 --> 01:11:20,879
Speaker 1: messed with, and all the kids are forced into zombie

1534
01:11:20,920 --> 01:11:23,760
Speaker 1: only schools. There are serious repercussions to this, but the

1535
01:11:23,760 --> 01:11:27,280
Speaker 1: bands do now have Wi Fi. Eliza wants an uprising.

1536
01:11:27,479 --> 01:11:29,760
Speaker 1: Either they become equal or she tears it all down.

1537
01:11:29,800 --> 01:11:32,599
Speaker 1: She's sick of waiting. Bucky. He's building a civil war

1538
01:11:32,640 --> 01:11:34,439
Speaker 1: of sorts with his cheer team, all in the prep

1539
01:11:34,479 --> 01:11:37,880
Speaker 1: for the big championship day. Unbeknownst to him, Eliza is

1540
01:11:37,920 --> 01:11:41,479
Speaker 1: setting up the sabotage of the event, which feels like

1541
01:11:41,640 --> 01:11:44,120
Speaker 1: terrorism is a dark place to take a decop, but

1542
01:11:44,360 --> 01:11:45,840
Speaker 1: that's where they went. It is now the day of

1543
01:11:45,840 --> 01:11:48,479
Speaker 1: the Championship competition, and Addison is in the audience, now

1544
01:11:48,520 --> 01:11:51,439
Speaker 1: without her wig. Now this is this is intense.

1545
01:11:51,479 --> 01:11:54,679
Speaker 6: You have the big game, which usually is the third

1546
01:11:54,680 --> 01:11:56,040
Speaker 6: act in the big climacting moment.

1547
01:11:56,520 --> 01:11:58,040
Speaker 1: Now we have a whole nother event.

1548
01:11:58,120 --> 01:11:58,479
Speaker 7: Yeah.

1549
01:11:58,520 --> 01:11:59,920
Speaker 1: I'm like, wow, this movie's back.

1550
01:12:00,160 --> 01:12:00,400
Speaker 6: It is.

1551
01:12:00,479 --> 01:12:02,680
Speaker 1: It just keeps going. I was like, all right, and

1552
01:12:02,720 --> 01:12:04,559
Speaker 1: it gets bad. I mean her parents are like not

1553
01:12:04,640 --> 01:12:07,240
Speaker 1: even sitting with her. You know, there's been serious of

1554
01:12:07,479 --> 01:12:09,559
Speaker 1: serious repercussions to all this stuff going on.

1555
01:12:09,800 --> 01:12:13,720
Speaker 2: Here we are again in a DCM with bad parenting oh.

1556
01:12:13,360 --> 01:12:15,559
Speaker 1: Some of the worst parents ever seem to have Disney

1557
01:12:15,600 --> 01:12:20,160
Speaker 1: Channel kids that can sing. Zed finds Eliza under the

1558
01:12:20,200 --> 01:12:22,519
Speaker 1: bleachers scheming and tries to convince her to stop this

1559
01:12:22,600 --> 01:12:24,720
Speaker 1: type of behavior. That's when Addison joins them, and you

1560
01:12:24,760 --> 01:12:27,479
Speaker 1: think she might be against the fid attack, but she's like, no,

1561
01:12:27,520 --> 01:12:30,880
Speaker 1: I'm down for it. Go kill all my blow it up.

1562
01:12:31,439 --> 01:12:33,960
Speaker 1: But in the end Zed convinces them it's not the

1563
01:12:34,000 --> 01:12:37,680
Speaker 1: way seabrock Cheer takes the stage and honestly, this is

1564
01:12:37,720 --> 01:12:40,000
Speaker 1: another time we see what Rider and you were talking

1565
01:12:40,000 --> 01:12:43,519
Speaker 1: about before, where the actor who plays Bucky is a

1566
01:12:43,600 --> 01:12:47,240
Speaker 1: phenomenal dancer. Yeah, he's and when I notice how good

1567
01:12:47,240 --> 01:12:49,800
Speaker 1: the dancing is, you know how good the person is,

1568
01:12:49,840 --> 01:12:54,280
Speaker 1: because man, this guy can date incredible. But because of

1569
01:12:54,320 --> 01:12:56,960
Speaker 1: the heavy hand and all the recent changes, his team

1570
01:12:57,320 --> 01:12:59,519
Speaker 1: falls apart. The six people that are still on his

1571
01:12:59,560 --> 01:13:02,559
Speaker 1: team fall apart. Everyone turns on him during the performance,

1572
01:13:02,640 --> 01:13:06,080
Speaker 1: until Zed's sister Zoe jumps up to help. It was

1573
01:13:06,240 --> 01:13:08,960
Speaker 1: very camp rock, which we just saw, but very cute.

1574
01:13:09,400 --> 01:13:11,920
Speaker 1: The booze continue, but Addison realizes it'll take more than

1575
01:13:11,960 --> 01:13:14,400
Speaker 1: one person to change things. Addison and the Zombies take

1576
01:13:14,439 --> 01:13:17,400
Speaker 1: the stage to celebrate their differences and perform a routine

1577
01:13:17,439 --> 01:13:20,400
Speaker 1: they magically just know without any practice, very decom and

1578
01:13:20,479 --> 01:13:24,519
Speaker 1: instead of joining the revolution, Bucky quits the team. But

1579
01:13:24,840 --> 01:13:27,360
Speaker 1: we watch history unfold as humans and zombies team up

1580
01:13:27,360 --> 01:13:29,960
Speaker 1: to perform a rendition of Fired Up, and the judges

1581
01:13:30,000 --> 01:13:33,720
Speaker 1: love it. Nothing combats prejudiced like good cheerleader and guess

1582
01:13:33,760 --> 01:13:37,759
Speaker 1: who even ends up jumping in Bucky. That's right, Zoe

1583
01:13:37,760 --> 01:13:40,880
Speaker 1: hands him his captain's whistle back changes his mind and now,

1584
01:13:41,040 --> 01:13:42,960
Speaker 1: just like that, Bucky is my favorite character of the

1585
01:13:43,120 --> 01:13:46,200
Speaker 1: entire movie. He gets an ensemble final performance because the

1586
01:13:46,280 --> 01:13:48,439
Speaker 1: zombie and cheerleader have changed the world with their love.

1587
01:13:48,680 --> 01:13:50,880
Speaker 1: They say they love each other in zombie language, but

1588
01:13:51,560 --> 01:13:54,800
Speaker 1: we don't get a kiss. They didn't end up winning

1589
01:13:54,840 --> 01:13:58,080
Speaker 1: the championship somehow, but they did bring everyone together, and

1590
01:13:58,120 --> 01:14:00,960
Speaker 1: now they've thrown a great zombie and human blank. The

1591
01:14:01,000 --> 01:14:04,240
Speaker 1: party quickly turns into another performance, with everyone from the

1592
01:14:04,280 --> 01:14:07,719
Speaker 1: movie now performing a reprieve of Bayem as the credits

1593
01:14:07,760 --> 01:14:13,160
Speaker 1: roll and Zed and Addison wave goodbye. Zombie and human

1594
01:14:13,360 --> 01:14:16,960
Speaker 1: together in love, and that's Zombies Won No teas a sequel.

1595
01:14:17,280 --> 01:14:19,200
Speaker 1: So that's a little surprising. We've had that in the past.

1596
01:14:19,240 --> 01:14:21,320
Speaker 1: We had that with Teen Beach Movie and some other ones,

1597
01:14:21,360 --> 01:14:23,960
Speaker 1: kind of an ac credits scene. I mean they didn't

1598
01:14:24,000 --> 01:14:25,920
Speaker 1: know again, they were turning off a pilot.

1599
01:14:26,320 --> 01:14:29,680
Speaker 6: Yeah, but then you guys would getting ready for Werewolves.

1600
01:14:30,080 --> 01:14:33,000
Speaker 1: Oh geez, oh geez. And I think that. I think

1601
01:14:33,040 --> 01:14:35,360
Speaker 1: the fourth one is called The Dawn of the Vampire,

1602
01:14:35,400 --> 01:14:37,000
Speaker 1: the one that's coming out in twenty twenty five.

1603
01:14:37,040 --> 01:14:41,320
Speaker 6: Were Wolves, then Aliens and yeah, but I will say

1604
01:14:41,439 --> 01:14:42,880
Speaker 6: the second one is actually pretty good.

1605
01:14:43,040 --> 01:14:45,280
Speaker 1: But the songs just don't cut, don't die. I don't

1606
01:14:45,280 --> 01:14:46,680
Speaker 1: want to know, I don't want to open. All right,

1607
01:14:46,880 --> 01:14:56,599
Speaker 1: you guys are doing it all right? All right, now, writer,

1608
01:14:56,760 --> 01:14:58,639
Speaker 1: there comes a time where Subrina and I do something

1609
01:14:58,640 --> 01:15:01,320
Speaker 1: fun called real reviews. We are going to read a

1610
01:15:01,360 --> 01:15:04,120
Speaker 1: five star review and then a one star review of

1611
01:15:04,160 --> 01:15:06,439
Speaker 1: the movie. These are all real Sabrina. I think you

1612
01:15:06,520 --> 01:15:08,120
Speaker 1: have the five star this week. Could you read it?

1613
01:15:08,240 --> 01:15:10,640
Speaker 3: I do, and I love it because it is so

1614
01:15:11,840 --> 01:15:16,080
Speaker 3: it's such a team writing it that I feel real

1615
01:15:16,160 --> 01:15:19,160
Speaker 3: cool doing this. But I'm totally gonna be super goob

1616
01:15:19,240 --> 01:15:21,720
Speaker 3: and mess it up. I'm sure this five stars from

1617
01:15:21,840 --> 01:15:26,880
Speaker 3: Peter c. This movie absolutely smashed. I watched it with

1618
01:15:26,920 --> 01:15:29,479
Speaker 3: my friend at three AM, and we couldn't stop laughing

1619
01:15:29,520 --> 01:15:32,519
Speaker 3: at the incredible acting and performances. So many of the

1620
01:15:32,600 --> 01:15:37,320
Speaker 3: characters were absolute savages and took every opportunity to roast

1621
01:15:37,360 --> 01:15:41,400
Speaker 3: either themselves or the main characters. A one million out

1622
01:15:41,439 --> 01:15:45,720
Speaker 3: of ten for me, and the songs slapped boom.

1623
01:15:45,880 --> 01:15:49,320
Speaker 1: There is your five star review that says it Mike Zombie,

1624
01:15:49,320 --> 01:15:52,599
Speaker 1: Mike drop. I have the one star this week from

1625
01:15:52,640 --> 01:15:57,160
Speaker 1: Logan f I. I'm gonna read it exactly as written, Okay,

1626
01:15:57,200 --> 01:16:00,000
Speaker 1: as I always do. I thought this movie wasn't very

1627
01:16:00,120 --> 01:16:04,080
Speaker 1: accurate to zombie culture. Zombies are dead people brought back

1628
01:16:04,120 --> 01:16:06,360
Speaker 1: to life, and this movie does not embrace that. And

1629
01:16:06,400 --> 01:16:09,439
Speaker 1: there were many mistakes in this movie. For example, Addison

1630
01:16:09,479 --> 01:16:11,240
Speaker 1: wears a wig to cover up her white hair, but

1631
01:16:11,280 --> 01:16:13,320
Speaker 1: there is no way her wig wouldn't fall off while

1632
01:16:13,320 --> 01:16:16,040
Speaker 1: doing flips. And that's not the only mistake. There are

1633
01:16:16,080 --> 01:16:22,880
Speaker 1: way better and more creative movies. One star, very damn.

1634
01:16:23,360 --> 01:16:25,719
Speaker 1: We also like to play It's This is Sabrina's favorite

1635
01:16:25,720 --> 01:16:29,000
Speaker 1: part of the program right now. Producer Jensen likes to

1636
01:16:29,000 --> 01:16:31,960
Speaker 1: give us a game every week where it's some sort

1637
01:16:31,960 --> 01:16:35,800
Speaker 1: of trivia something along those lines. Sabrina is not the

1638
01:16:35,800 --> 01:16:38,320
Speaker 1: best at it all the time, let's just say, and

1639
01:16:38,360 --> 01:16:41,400
Speaker 1: she's starting to be convinced that it is because Jensen

1640
01:16:41,560 --> 01:16:45,200
Speaker 1: hates her. I disagree the feature. This week, we are

1641
01:16:45,200 --> 01:16:48,280
Speaker 1: playing a game called Can You Survive a Zombie Apocalypse?

1642
01:16:48,560 --> 01:16:50,800
Speaker 1: This movie has us thinking about what exactly we do

1643
01:16:50,880 --> 01:16:53,080
Speaker 1: if our friends turned into zombies thanks to an issue

1644
01:16:53,120 --> 01:16:56,160
Speaker 1: at the local Lime soda factory. So, according to the

1645
01:16:56,160 --> 01:17:00,479
Speaker 1: website nerd Fitness, there are easy steps on how to

1646
01:17:00,520 --> 01:17:04,439
Speaker 1: survive a zombie apocalypse if one actually happens. So we

1647
01:17:04,439 --> 01:17:06,160
Speaker 1: will get a piece of advice and we have to

1648
01:17:06,200 --> 01:17:09,280
Speaker 1: guess if it's actually on their website or if it's

1649
01:17:09,560 --> 01:17:11,240
Speaker 1: just made up. And if we do it, we'll end

1650
01:17:11,320 --> 01:17:13,360
Speaker 1: up dying faster than everyone else. If we get three

1651
01:17:13,360 --> 01:17:16,160
Speaker 1: of them right, we win. Neither Sabrina and I know

1652
01:17:16,240 --> 01:17:18,439
Speaker 1: any of the answers, So here we go. Number one,

1653
01:17:19,120 --> 01:17:20,960
Speaker 1: is this from the website telling you to really do this?

1654
01:17:21,080 --> 01:17:24,400
Speaker 1: Or was this made up? Focus on sprints when running

1655
01:17:24,479 --> 01:17:25,320
Speaker 1: as exercise.

1656
01:17:26,880 --> 01:17:29,040
Speaker 2: I would think that that would be a really good

1657
01:17:29,200 --> 01:17:30,160
Speaker 2: option to do.

1658
01:17:31,160 --> 01:17:33,559
Speaker 1: Okay, Writer Sabrina thinks it's real, So I would vote

1659
01:17:33,560 --> 01:17:34,080
Speaker 1: against her.

1660
01:17:34,680 --> 01:17:36,880
Speaker 6: No, I would say no, no, you gotta, you gotta,

1661
01:17:37,000 --> 01:17:38,639
Speaker 6: You've gotta be marathon.

1662
01:17:38,640 --> 01:17:40,800
Speaker 1: You gotta outrun the zombies. You have to.

1663
01:17:40,880 --> 01:17:44,120
Speaker 6: Yeah, you can maybe move fast, but then what then

1664
01:17:44,160 --> 01:17:45,960
Speaker 6: you're in a barn and you gotta bar the door.

1665
01:17:46,040 --> 01:17:49,280
Speaker 1: They still break in. You gotta outrun and out last.

1666
01:17:49,680 --> 01:17:52,280
Speaker 7: Listen, guys, even a clock is right twice a day.

1667
01:17:52,640 --> 01:17:57,360
Speaker 7: She got it right. No need to be a marathon

1668
01:17:57,439 --> 01:17:59,040
Speaker 7: or use the treadmill to learn how to run in

1669
01:17:59,080 --> 01:18:00,000
Speaker 7: spurts to get away from You.

1670
01:18:00,160 --> 01:18:03,599
Speaker 2: Gotta give fast. You gotta be fast, all right.

1671
01:18:03,640 --> 01:18:05,880
Speaker 6: There are races in this country that you can do

1672
01:18:05,920 --> 01:18:09,120
Speaker 6: where people chase It's like part of the marathon of

1673
01:18:09,160 --> 01:18:11,160
Speaker 6: the race that you are running all night and like

1674
01:18:11,280 --> 01:18:16,000
Speaker 6: actors are chasing after you with zombies and yeah no,

1675
01:18:16,040 --> 01:18:18,439
Speaker 6: it's like some of these extreme, you know, themed races

1676
01:18:18,439 --> 01:18:19,479
Speaker 6: that people do love it.

1677
01:18:20,240 --> 01:18:22,479
Speaker 1: Number two Learn parkour.

1678
01:18:24,240 --> 01:18:30,760
Speaker 7: Yeah what I don't say that in front of writer

1679
01:18:31,720 --> 01:18:32,559
Speaker 7: your dancer.

1680
01:18:34,160 --> 01:18:34,559
Speaker 1: Parkour.

1681
01:18:35,120 --> 01:18:37,840
Speaker 6: Parkour is like extreme walking where you like jump and

1682
01:18:37,880 --> 01:18:42,240
Speaker 6: climb things like in streets like of like yeah, like

1683
01:18:42,280 --> 01:18:44,599
Speaker 6: the athletic ability to like I.

1684
01:18:44,600 --> 01:18:49,639
Speaker 3: Did for the Olympic opening ceremonies. Back guy, Yes, okay, okay,

1685
01:18:49,760 --> 01:18:52,680
Speaker 3: so learn park Yeah, yeah, I mean I think that

1686
01:18:52,720 --> 01:18:55,519
Speaker 3: would be very very beneficial definite skill.

1687
01:18:55,800 --> 01:18:58,599
Speaker 1: You both say yes, I'm gonna say I'm gonna say no.

1688
01:18:58,680 --> 01:19:02,080
Speaker 7: Listen, she's on fire zombies and you probably live in

1689
01:19:02,120 --> 01:19:04,280
Speaker 7: a city or suburb. Obs will need to be avoided

1690
01:19:04,360 --> 01:19:04,920
Speaker 7: to stay safe.

1691
01:19:04,960 --> 01:19:07,519
Speaker 1: Yes, exactly. Wow, she's two for two.

1692
01:19:08,240 --> 01:19:10,400
Speaker 3: That is something that I do in my dreams all

1693
01:19:10,479 --> 01:19:15,240
Speaker 3: the time. By the way, she's a dream part for

1694
01:19:15,400 --> 01:19:18,400
Speaker 3: the mob. And I am really good. I mean I can,

1695
01:19:18,560 --> 01:19:19,599
Speaker 3: I can do all of it.

1696
01:19:19,720 --> 01:19:22,759
Speaker 1: I love it. Number three Avoid being in a large group.

1697
01:19:23,080 --> 01:19:23,719
Speaker 1: Stay nimble.

1698
01:19:25,720 --> 01:19:28,479
Speaker 6: No, no, you want to well, I don't know, I

1699
01:19:28,479 --> 01:19:32,479
Speaker 6: guess maybe No, No nimble good zombie you want to

1700
01:19:32,560 --> 01:19:34,200
Speaker 6: you want to find other humans to be around.

1701
01:19:34,240 --> 01:19:35,439
Speaker 1: That's what I would say. I'd say, you want to

1702
01:19:35,439 --> 01:19:36,600
Speaker 1: be in a big group. If there's a lot of

1703
01:19:36,600 --> 01:19:38,240
Speaker 1: food at the buffet, there's a letter chance they're going

1704
01:19:38,320 --> 01:19:38,680
Speaker 1: to grab you.

1705
01:19:38,760 --> 01:19:39,880
Speaker 2: Power in multiples.

1706
01:19:39,920 --> 01:19:41,880
Speaker 1: Yeah, start pushing the kids into the zombies.

1707
01:19:42,040 --> 01:19:44,200
Speaker 7: That's right, I listen, I mean, I guess she'll she'll

1708
01:19:44,240 --> 01:19:47,240
Speaker 7: survive a zombie apocalypse. Survival is more likely in a team.

1709
01:19:47,320 --> 01:19:49,320
Speaker 7: Everyone has different strengths, and you'll need as much power

1710
01:19:49,360 --> 01:19:49,920
Speaker 7: as possible.

1711
01:19:50,760 --> 01:19:53,680
Speaker 1: Okay, and so you've already won. And number four is

1712
01:19:53,800 --> 01:19:55,840
Speaker 1: only shoot if you know it will kill a zombie.

1713
01:19:55,880 --> 01:19:57,360
Speaker 1: I'd say yes because you want to save the AMMO.

1714
01:19:57,920 --> 01:20:00,600
Speaker 2: Yeah, that's a gap there, you what it is?

1715
01:20:00,960 --> 01:20:02,960
Speaker 6: Yeah, and the zombie thing is is like you got

1716
01:20:02,960 --> 01:20:04,600
Speaker 6: to take out their heads, you know.

1717
01:20:04,800 --> 01:20:05,000
Speaker 3: Yeah.

1718
01:20:05,760 --> 01:20:06,439
Speaker 1: Yeah, it's tough.

1719
01:20:06,800 --> 01:20:08,240
Speaker 7: Keep as many bullets as possible.

1720
01:20:08,400 --> 01:20:14,559
Speaker 1: Agreed? Can we very quickly do? Sabrina sees? What do

1721
01:20:14,560 --> 01:20:15,599
Speaker 1: you got this week? Sabrina?

1722
01:20:15,680 --> 01:20:18,080
Speaker 3: All right, So the first thing is right in the beginning.

1723
01:20:18,160 --> 01:20:20,160
Speaker 3: I know you guys loved the cartoon, but could they

1724
01:20:20,200 --> 01:20:23,160
Speaker 3: have done maybe a little bit more of a complicated barrier.

1725
01:20:23,280 --> 01:20:25,680
Speaker 3: I don't believe that the zombies could have not just

1726
01:20:25,720 --> 01:20:27,960
Speaker 3: hopped right over that. I mean you could have stood

1727
01:20:27,960 --> 01:20:30,040
Speaker 3: on one person's shoulder to get over that. That was

1728
01:20:30,120 --> 01:20:33,639
Speaker 3: a little crazy, Like you said, Rider. There were some

1729
01:20:33,720 --> 01:20:37,680
Speaker 3: really funny lines in this. My favorite of hers of

1730
01:20:37,800 --> 01:20:40,960
Speaker 3: Addison was the only thing deadlier than my high kick

1731
01:20:41,040 --> 01:20:41,800
Speaker 3: is my low kick.

1732
01:20:42,479 --> 01:20:44,920
Speaker 2: It was so good. I was like, damn, that was

1733
01:20:45,040 --> 01:20:49,280
Speaker 2: so good. The police officer Gus that comes after the

1734
01:20:49,360 --> 01:20:52,000
Speaker 2: zombie bash. Yeah, how does she know him?

1735
01:20:52,080 --> 01:20:54,000
Speaker 3: Where did he come from? Why do we know his

1736
01:20:54,080 --> 01:20:56,559
Speaker 3: name is Gus? I get it that he's a police officer.

1737
01:20:56,600 --> 01:20:58,360
Speaker 3: But that just felt really random time.

1738
01:20:58,240 --> 01:20:59,799
Speaker 1: Her dad is the chief of police.

1739
01:21:00,479 --> 01:21:03,480
Speaker 2: Okay, but that does not mean you just know Gus.

1740
01:21:03,960 --> 01:21:06,240
Speaker 3: Gus came out of nowhere and she was like Gus,

1741
01:21:06,520 --> 01:21:07,880
Speaker 3: like Gus had a name.

1742
01:21:08,000 --> 01:21:10,960
Speaker 2: It was weird. I told you guys already about his

1743
01:21:11,040 --> 01:21:14,040
Speaker 2: thing that he gets a giant, giant thing crazy.

1744
01:21:14,840 --> 01:21:17,800
Speaker 3: One thing that I will say is they did save

1745
01:21:18,120 --> 01:21:20,760
Speaker 3: certain things within the budget to make some of this

1746
01:21:20,880 --> 01:21:24,280
Speaker 3: other That first one is the wardrobe. Did you guys

1747
01:21:24,320 --> 01:21:29,120
Speaker 3: notice that everyone has the same outfit on the entire movie?

1748
01:21:29,520 --> 01:21:33,360
Speaker 1: Is because they said the zombie Yeah, the zombies are

1749
01:21:33,400 --> 01:21:36,160
Speaker 1: forced to wear are forced to wear uniforms, but everybody

1750
01:21:36,200 --> 01:21:37,080
Speaker 1: else's too.

1751
01:21:37,320 --> 01:21:39,719
Speaker 2: Yes, the cheerleader's only wear stuff.

1752
01:21:39,960 --> 01:21:41,920
Speaker 1: Yes, yeah, it was so.

1753
01:21:41,960 --> 01:21:42,600
Speaker 2: Weird to me.

1754
01:21:42,760 --> 01:21:45,599
Speaker 3: And like the principal, why does the principal have one

1755
01:21:45,680 --> 01:21:50,800
Speaker 3: pink suit? Why the coach we already know how he

1756
01:21:50,840 --> 01:21:53,080
Speaker 3: feels about his only pair of sweatmans.

1757
01:21:53,560 --> 01:21:57,320
Speaker 6: I totally didn't notice you For me, it like existed

1758
01:21:57,320 --> 01:22:00,240
Speaker 6: in this like comic book kind of world where it's like, no,

1759
01:22:01,200 --> 01:22:03,280
Speaker 6: brown doesn't change your shirt, so it's fine.

1760
01:22:03,360 --> 01:22:03,519
Speaker 1: You know.

1761
01:22:03,800 --> 01:22:06,240
Speaker 3: It just was kind of interesting that they're going along

1762
01:22:06,320 --> 01:22:09,040
Speaker 3: day after day and everyone is wearing and I noticed

1763
01:22:09,040 --> 01:22:11,400
Speaker 3: it with the principle. I'm like, man, this lad a

1764
01:22:11,439 --> 01:22:13,960
Speaker 3: lot of pink ones. Yes, a lot of pink suits.

1765
01:22:13,960 --> 01:22:15,400
Speaker 3: And then I'm like, wait no the coach and then

1766
01:22:15,400 --> 01:22:17,080
Speaker 3: they go wait a minute. I start kind of just

1767
01:22:17,120 --> 01:22:21,000
Speaker 3: scrolling back. I'm like, they never changed my last one?

1768
01:22:21,040 --> 01:22:24,439
Speaker 3: Is I understand that she's wearing a wig. I'm wondering

1769
01:22:24,479 --> 01:22:26,600
Speaker 3: in the second movie, We're gonna have to wait for

1770
01:22:26,680 --> 01:22:30,080
Speaker 3: the sequel, will why does the mom have a wig on?

1771
01:22:30,200 --> 01:22:32,439
Speaker 3: Because that is clearly a blonde wig?

1772
01:22:32,640 --> 01:22:34,760
Speaker 1: That was a wig too.

1773
01:22:37,000 --> 01:22:38,320
Speaker 2: Do we dive in there or.

1774
01:22:38,320 --> 01:22:40,040
Speaker 3: Is it just an actress that has been their hair

1775
01:22:40,040 --> 01:22:42,360
Speaker 3: and they flap a blonde wig.

1776
01:22:42,520 --> 01:22:44,439
Speaker 1: That's my guess, but we'll have to see.

1777
01:22:44,760 --> 01:22:47,000
Speaker 3: But I'm like that would be like, does the mom

1778
01:22:47,120 --> 01:22:49,519
Speaker 3: also have this white hair that she is you know?

1779
01:22:49,640 --> 01:22:52,760
Speaker 3: Or is her hair purple or something that she's because

1780
01:22:52,800 --> 01:22:54,439
Speaker 3: she is absolutely wearing a wit.

1781
01:22:54,640 --> 01:22:57,880
Speaker 1: Okay, third movie reveals I can't wait.

1782
01:22:57,920 --> 01:23:00,519
Speaker 2: I can't wait, So I guess have to put a

1783
01:23:00,600 --> 01:23:01,439
Speaker 2: pin in it for an hour.

1784
01:23:01,520 --> 01:23:04,400
Speaker 1: Mom has been sleeping with zombies for years, but anyway,

1785
01:23:08,439 --> 01:23:11,800
Speaker 1: she has been getting some zombie strange and that's just

1786
01:23:11,880 --> 01:23:14,960
Speaker 1: the way zombie you never go back, never go back

1787
01:23:16,680 --> 01:23:21,200
Speaker 1: once you go zombie you. Now we are at the

1788
01:23:21,240 --> 01:23:23,400
Speaker 1: portion the end of our show here where we like

1789
01:23:23,479 --> 01:23:26,479
Speaker 1: to rate the film. We've done Rider and we always

1790
01:23:26,560 --> 01:23:29,519
Speaker 1: rate one out of ten, but we pick different rating

1791
01:23:29,600 --> 01:23:32,240
Speaker 1: systems every week. So this week, would we like to

1792
01:23:32,240 --> 01:23:36,200
Speaker 1: do one out of ten? Cameron mannheim Sons one out

1793
01:23:36,200 --> 01:23:39,840
Speaker 1: of ten, zombie DJs one out of ten, manipulated z

1794
01:23:40,000 --> 01:23:45,559
Speaker 1: bands one out of ten, Cheer Championship, terrorist attacks one

1795
01:23:45,600 --> 01:23:48,760
Speaker 1: out of ten, not so weird white hair one out

1796
01:23:48,800 --> 01:23:51,640
Speaker 1: of ten, light up brain balls, or one out of

1797
01:23:51,680 --> 01:23:55,240
Speaker 1: ten Bongo Fears of Fire? Can I make a stress please?

1798
01:23:55,360 --> 01:23:55,679
Speaker 2: Yes?

1799
01:23:56,000 --> 01:23:57,400
Speaker 1: One out of ten? Mighty Shrimp?

1800
01:23:57,760 --> 01:23:59,280
Speaker 2: Oh, I love it.

1801
01:23:59,360 --> 01:24:02,120
Speaker 1: That's what we're doing as a best Rider one out

1802
01:24:02,120 --> 01:24:05,000
Speaker 1: of ten mighty shrimp? What do you give? Zombies one?

1803
01:24:05,360 --> 01:24:09,519
Speaker 1: This Zombies one gets a full nine mighty shrimp for me. Wow,

1804
01:24:10,120 --> 01:24:14,040
Speaker 1: solid score of a nine mighty shrimp. Sabrina, what do

1805
01:24:14,040 --> 01:24:14,519
Speaker 1: you got?

1806
01:24:14,880 --> 01:24:15,479
Speaker 2: Oh man?

1807
01:24:16,240 --> 01:24:21,600
Speaker 3: I did really like this movie, the choreography, and it

1808
01:24:21,800 --> 01:24:25,680
Speaker 3: was extraordinary to me. I like I said, this is

1809
01:24:25,720 --> 01:24:29,439
Speaker 3: my favorite choreography we've seen, and that's gonna bump it

1810
01:24:29,560 --> 01:24:32,760
Speaker 3: up to an eight point five for me Okay, my

1811
01:24:32,960 --> 01:24:35,240
Speaker 3: eight point five mighty shrimp.

1812
01:24:35,240 --> 01:24:41,759
Speaker 1: Like half a shrimp, like it's half. It's just like gross.

1813
01:24:40,960 --> 01:24:44,439
Speaker 3: Because I it's hard when we know there's a sequel,

1814
01:24:44,479 --> 01:24:46,960
Speaker 3: because you're going we know the budget's going to be better.

1815
01:24:47,400 --> 01:24:49,760
Speaker 3: I can't jump too high because I feel like it's

1816
01:24:49,800 --> 01:24:52,479
Speaker 3: going to get better. Although I know rider, you did

1817
01:24:52,520 --> 01:24:55,200
Speaker 3: say that this is your favorite for me.

1818
01:24:55,320 --> 01:24:57,040
Speaker 1: Yeah, wow, okay, first one.

1819
01:24:57,000 --> 01:24:59,920
Speaker 2: I'm interested. Now we're going to be I.

1820
01:25:00,000 --> 01:25:02,240
Speaker 1: I agree one hundred percent with our guest this week.

1821
01:25:02,320 --> 01:25:04,760
Speaker 1: This is this is my favorite musical so far. I

1822
01:25:04,840 --> 01:25:07,639
Speaker 1: might even go to a nine point five based solely

1823
01:25:08,560 --> 01:25:14,040
Speaker 1: on a tail on my Milo's performance. You I watching Milo,

1824
01:25:14,640 --> 01:25:17,240
Speaker 1: You're seeing a star. I mean, you're just seeing a star.

1825
01:25:17,800 --> 01:25:21,200
Speaker 6: I I actually think it's I mean, as much as

1826
01:25:21,240 --> 01:25:23,360
Speaker 6: he might be having fun and he's now a producer

1827
01:25:23,400 --> 01:25:25,600
Speaker 6: on the films that's green, like he could be a

1828
01:25:25,600 --> 01:25:27,960
Speaker 6: movie star. Like this might be holding him back, like

1829
01:25:28,000 --> 01:25:30,000
Speaker 6: he will well he should be doing it right now,

1830
01:25:30,120 --> 01:25:32,599
Speaker 6: you know what I'm saying, Like, go watch prompacked.

1831
01:25:32,439 --> 01:25:35,280
Speaker 3: Prong Pack feels much more like a movie on a

1832
01:25:35,320 --> 01:25:38,560
Speaker 3: pacts like feel like a channel.

1833
01:25:38,280 --> 01:25:42,839
Speaker 1: A regular old school romantic comedy, high school teenage romantic comedy.

1834
01:25:43,240 --> 01:25:44,360
Speaker 1: They're phenomenal.

1835
01:25:44,640 --> 01:25:44,920
Speaker 2: Slave.

1836
01:25:45,040 --> 01:25:46,960
Speaker 1: He was great, so good, So I'm gonna give it

1837
01:25:47,000 --> 01:25:49,760
Speaker 1: a nine point five. I really enjoyed this movie. I

1838
01:25:49,840 --> 01:25:52,639
Speaker 1: really liked everything about it. I'm now going to lower

1839
01:25:52,680 --> 01:25:55,040
Speaker 1: my expectations for Zombies two. This time it's personal. In

1840
01:25:55,120 --> 01:25:58,679
Speaker 1: Zombies three, now it's even more personal, so that'll be good.

1841
01:25:58,720 --> 01:26:03,880
Speaker 1: But Ryder Strong, thanks so much for joining us for Zombies. Yeah,

1842
01:26:03,960 --> 01:26:05,559
Speaker 1: thank you, guys, thanks for having me.

1843
01:26:05,600 --> 01:26:07,240
Speaker 2: This was so fun.

1844
01:26:07,520 --> 01:26:10,120
Speaker 1: This was so cool and so fun. And we're so

1845
01:26:10,160 --> 01:26:11,800
Speaker 1: happy that you're here. And we're not gonna let you

1846
01:26:11,800 --> 01:26:13,800
Speaker 1: off the hook yet. We will down the line drag

1847
01:26:13,840 --> 01:26:15,760
Speaker 1: you in for some other films. I'm gonna do some

1848
01:26:15,880 --> 01:26:17,720
Speaker 1: where you've never seen them before. We're gonna I'm gonna

1849
01:26:17,720 --> 01:26:19,760
Speaker 1: pick one and be like, hey, you are coming here

1850
01:26:19,800 --> 01:26:22,680
Speaker 1: to watch whatever next please, And yeah, I want to

1851
01:26:22,720 --> 01:26:27,040
Speaker 1: go weird. I want to go into like the obscure eighties. Seven. Okay, well,

1852
01:26:27,080 --> 01:26:29,439
Speaker 1: here you go for rear. This is the perfect time

1853
01:26:29,479 --> 01:26:31,880
Speaker 1: to wrap it up then, because our next movie out there,

1854
01:26:31,920 --> 01:26:35,400
Speaker 1: Fans is one that I picked and I've never seen it,

1855
01:26:35,439 --> 01:26:38,439
Speaker 1: but I loved the poster and that's all I went by.

1856
01:26:38,840 --> 01:26:42,080
Speaker 1: It is a real throwback nineteen eighties The Ghosts of

1857
01:26:42,320 --> 01:26:46,400
Speaker 1: Busley Hall. It's available on Disney Plus, so jump ahead

1858
01:26:46,400 --> 01:26:49,439
Speaker 1: and get ready for an all new episode. But in

1859
01:26:49,479 --> 01:26:51,599
Speaker 1: the meantime for our park Opper episode over on our

1860
01:26:51,640 --> 01:26:54,680
Speaker 1: own magical rewind feed, we are digging even deeper for

1861
01:26:54,760 --> 01:26:59,200
Speaker 1: zombies with actress Kylie Russell. The computer with zombie Eliza herself.

1862
01:26:59,280 --> 01:27:01,400
Speaker 1: We had a great, great time talking to her all

1863
01:27:01,439 --> 01:27:04,360
Speaker 1: about the routines and her wrapping, and she is going

1864
01:27:04,400 --> 01:27:06,200
Speaker 1: to get in a little bit about what she was

1865
01:27:06,240 --> 01:27:08,360
Speaker 1: thinking about blowing up the school's gym. Let's listen to

1866
01:27:08,400 --> 01:27:12,000
Speaker 1: a little bit of that right now. I don't know

1867
01:27:12,040 --> 01:27:14,000
Speaker 1: what it is like in the rehearsal space.

1868
01:27:14,600 --> 01:27:17,080
Speaker 4: I can follow along and I can kind of keep up,

1869
01:27:17,320 --> 01:27:19,600
Speaker 4: but it wasn't until like I got on camera and

1870
01:27:19,640 --> 01:27:21,519
Speaker 4: they're like action where like something just kind of like

1871
01:27:22,160 --> 01:27:23,840
Speaker 4: clicked and I was like, okay, I.

1872
01:27:23,760 --> 01:27:25,679
Speaker 2: Got this, Like I can do it, Okay, cool, Wow.

1873
01:27:25,880 --> 01:27:28,880
Speaker 4: It stards in the rehearsal space, I feel like rehearsal time,

1874
01:27:28,880 --> 01:27:30,840
Speaker 4: and then on screen it just kind of like how did.

1875
01:27:31,200 --> 01:27:37,280
Speaker 1: Yeah, where did that happen? Thank you everybody so much

1876
01:27:37,280 --> 01:27:39,240
Speaker 1: for joining us, and remember to subscribe to our feed

1877
01:27:39,280 --> 01:27:41,280
Speaker 1: and you can follow us at the Magical rewind Pod

1878
01:27:41,439 --> 01:27:44,240
Speaker 1: on the Instagram Machine. Thank you, Righter Strong, Thanks guys,

1879
01:27:44,360 --> 01:27:47,040
Speaker 1: Thank you again, Sabrina, Thank you guys.

1880
01:28:00,040 --> 01:28:01,160
Speaker 3: Every wh