WEBVTT - Icons #4: Arnold Schwarzenegger w/ Jon Gabrus

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<v Speaker 1>Hello the Internet, and welcome to this iconograph episode of

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<v Speaker 1>Alley Zeitgeist. Oh yeah, he's horny. Also the noise you

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<v Speaker 1>make when you're horning. Instead of instead of looking at

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<v Speaker 1>the Zeike guys through current events once a week, we're

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<v Speaker 1>looking at the Zeikes through the lens of the powerful

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<v Speaker 1>pow cultural horcruxes that are our icons Einstein, Erkle, Miss Piggy.

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<v Speaker 1>So far, we use these characters and celebrities to create meaning,

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<v Speaker 1>to build identity, to create the greatest soundboard in the

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<v Speaker 1>history of mankind. Oh stop whining, I'm a comfy idiot.

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<v Speaker 1>To learn for my face because the ram in the stomach, uh,

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<v Speaker 1>to learn what a normal male human body is supposed

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<v Speaker 1>to look like with an early lesson I took from

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<v Speaker 1>our subject today. But most importantly, we learned that sometimes

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<v Speaker 1>a Polish American small town sheriff named Mark Kaminski has

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<v Speaker 1>a thick Austrian accent, and you don't need to worry

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<v Speaker 1>about why. It's just how it over it. That's right.

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<v Speaker 1>Episode four, we're talking Arnold Schwarzenegger, the Austrian oak, a

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<v Speaker 1>man who took over the film industry and pop culture

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<v Speaker 1>for two decades, became the governor of the largest state

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<v Speaker 1>in the United States, and in the process snapped Barbara

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<v Speaker 1>Bush's leg like a twig. Something I've learned during the

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<v Speaker 1>course of researching this episode. Shout out to Jay McNab

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<v Speaker 1>who provided the research dossier on this one. Speaking of

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<v Speaker 1>the research dossier, stick around for the end of the

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<v Speaker 1>episode from my note book dump, where I give you

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<v Speaker 1>my final thoughts and little information nuggets I didn't get

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<v Speaker 1>to in this conversation. I'm thrilled to be joined as

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<v Speaker 1>always by my co host, mister Miles gram Man. It's

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<v Speaker 1>just me, man, This just me, nothing else, nothing is me,

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<v Speaker 1>nothing to see here in our third seat. One of

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<v Speaker 1>the greatest comedians, improvisers, and podcasters in the business. Yeah,

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<v Speaker 1>he co hosts one of my favorite podcast, Action Boys,

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<v Speaker 1>on Page Treon, which makes him one of our foremost

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<v Speaker 1>Schwarzenegger scholars. It's John Gabra.

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<v Speaker 2>When I am on the Daily Zeitgeist is like I

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<v Speaker 2>am calming all night and when you are saying my name,

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<v Speaker 2>I am coming.

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<v Speaker 3>When I am doing my plugs, I am calming.

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<v Speaker 1>You believes how much I'm in Heaven? Did you hear

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<v Speaker 1>I'm on Daily zeit Guys? You I'm coming.

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<v Speaker 4>I went to high school a Luffergnell junior WHOA And

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<v Speaker 4>we would always say that to him.

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<v Speaker 1>Yeah, was it when when you were with him, were

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<v Speaker 1>you sometimes? You know, I'd imagine it wasn't too hard

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<v Speaker 1>for you to give him the wrong advices. Yeah, that's

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<v Speaker 1>one of my favorite under underrated quotes. Shout out to

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<v Speaker 1>my friend Sean, who always talked about the part where

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<v Speaker 1>he's like, uh, yeah, sometimes on workout there, I give

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<v Speaker 1>him advice and it's not too wrong to give him

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<v Speaker 1>the wrong right, And he says it's so like he's

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<v Speaker 1>so fucking clever. What he's saying advice is I do

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<v Speaker 1>just want to acknowledge up up top because with all

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<v Speaker 1>these icons that are like such a part of our brains,

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<v Speaker 1>they're burned in there. We kind of just take it

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<v Speaker 1>for granted that they've always been there. But just with Arnold,

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<v Speaker 1>I want to acknowl it. Like he entered a late

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<v Speaker 1>seventies movie landscape that was coming off of like the

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<v Speaker 1>auteur movement and was ruled by actors like Robert De Niro,

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<v Speaker 1>Al Pacino, Dustin Hoffman who are like these normal sized,

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<v Speaker 1>two tiny men who were method actors and like disappear

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<v Speaker 1>into their roles, and he came along and just like

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<v Speaker 1>does the complete opposite his roles disappear into him. He's

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<v Speaker 1>the only actor I can remember who used the same

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<v Speaker 1>catchphrase in multiple movies. That's actually something Gabrius I wanted

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<v Speaker 1>to ask, like, is was did any of the other

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<v Speaker 1>action heroes like keep bringing back like he said, I'll

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<v Speaker 1>be back in so many.

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<v Speaker 2>And then they against to a point. Arnold understands where

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<v Speaker 2>his bread is buttered. Like he'll just go on late

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<v Speaker 2>night talk shows and say like I'll be back, and

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<v Speaker 2>like you're terminated. He'll say, like what he knows what

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<v Speaker 2>to do. He's not precious about what he says. And

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<v Speaker 2>you got to imagine if you're like the writer or

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<v Speaker 2>director of these other movies and he's like taking your

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<v Speaker 2>iconic line, You're like, I guess it belongs to Arnold now,

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<v Speaker 2>and he can cite him whatever.

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<v Speaker 3>The fuck he wants.

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<v Speaker 1>Yeah, the brand was strong with him. I also think

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<v Speaker 1>it has to do with who Like obviously it's who

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<v Speaker 1>he was. He's like this outsized, charismatic cartoon of masculinity,

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<v Speaker 1>but also like where America was at the time. One

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<v Speaker 1>of my favorite details of his movies that you guys

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<v Speaker 1>underline a lot of action boys. Is that he always

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<v Speaker 1>made the most sense in the mall, which was like

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<v Speaker 1>the most American location of the era. But like he

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<v Speaker 1>fights in malls in like raw Deal Commando. A terminator

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<v Speaker 1>to jing Wald Way is like NonStop. That Kindergarten cop

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<v Speaker 1>opens in them all, True Eyes has a horse chase

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<v Speaker 1>through them all.

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<v Speaker 3>It's just like a Venture hotel.

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<v Speaker 1>Yes, you know, he is such a weird, unique figure.

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<v Speaker 1>But also like as I was researching this, I kept

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<v Speaker 1>being reminded of the Vi Lebowski quote like sometimes there's

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<v Speaker 1>a man, you know who's just the man for his time,

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<v Speaker 1>And like he really was.

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<v Speaker 2>He was so foreign and then became like landed in America.

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<v Speaker 2>He was so fargn in the way he looked and

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<v Speaker 2>the way he sounded, and even like his hobbies and perspective,

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<v Speaker 2>and then he fucking got America on board with him.

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<v Speaker 1>Yeah, you know, like he.

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<v Speaker 3>There's no fucking.

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<v Speaker 2>Way you would still have an accent in year fifty

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<v Speaker 2>in America, And you're like, if you actually tried, you

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<v Speaker 2>wouldn't need it, but no, he kept it. We adapted

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<v Speaker 2>for Arnold. We changed movies so that Arnold had a

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<v Speaker 2>place in them. We were like, yeah, Arnold can't play

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<v Speaker 2>so but Coo, but he could fucking play Conan, you

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<v Speaker 2>know what I mean, Like he he changed culture to

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<v Speaker 2>make like to set it up, or we changed culture

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<v Speaker 2>because we were like we love this, fucking save us

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<v Speaker 2>Ross Ubermensch.

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<v Speaker 1>You know, yeah, I do. So there are definitely some

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<v Speaker 1>like fascist vibes that people people have pointed out throughout

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<v Speaker 1>his career, and it's coming along at a time in

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<v Speaker 1>America where like Jimmy Carter had made the like American

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<v Speaker 1>Malaise speech and everyone's like, fuck that that's boring, and

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<v Speaker 1>then Ronald Reagan was the answer to that. So his

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<v Speaker 1>career like kind of starts to make sense in that context.

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<v Speaker 1>But just on the subject of fascism, something I hadn't

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<v Speaker 1>realized is that his dad was Off was a Nazi

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<v Speaker 1>soldier during World War Two, was like part of the

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<v Speaker 1>invasion of Leningrad, which he made it out. Yeah, And

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<v Speaker 1>for for Miles' first time playing the role of Arnold,

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<v Speaker 1>I just I put a quote in the Wow in

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<v Speaker 1>the chat that I just want to have you read.

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<v Speaker 1>This is Arnold describing his father's status as a Nazis soldier.

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<v Speaker 4>When my father arrived in Leningrad, he was all pumped

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<v Speaker 4>up on the lives of his government.

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<v Speaker 2>He was being a Nazis being pumped up. He still

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<v Speaker 2>get he still gets to jam his brand in there.

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<v Speaker 2>He's talking about the dark history in which I come from. Well,

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<v Speaker 2>I will say, like, you know me, I'm gonna always

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<v Speaker 2>apologize for Nazis.

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<v Speaker 1>Yeah, that's the other reason we wanted to have you

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<v Speaker 1>on here.

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<v Speaker 2>Other perspectives, But I really like Arnold talks about it.

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<v Speaker 2>He says like and he was he was wrong, and

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<v Speaker 2>it was awful and like all the ship and like

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<v Speaker 2>it is that crazy thing where you're like, what can

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<v Speaker 2>we hold the sins of the father to the child?

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<v Speaker 2>Like and it's like he got the fuck out of there,

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<v Speaker 2>and he you know, and he talks about it. He

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<v Speaker 2>brings it up, and he talks about in his book

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<v Speaker 2>and in like recent posts during as the As the

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<v Speaker 2>World is Falling apart, he's talked about like what the

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<v Speaker 2>people were like before and after joining up with the movement,

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<v Speaker 2>and they're like people are fucked up from having been

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<v Speaker 2>part of it, you know what I mean. It's right,

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<v Speaker 2>He's like, guys, everyone out here who's like, yes, let's

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<v Speaker 2>fucking you know, kick Somalians out of Minnesota. It's gonna

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<v Speaker 2>be bad for you eventually. Like this is like this

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<v Speaker 2>doesn't bode well for anybody.

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<v Speaker 4>It's not like it's not like saying I used to

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<v Speaker 4>be the construction worker in the village.

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<v Speaker 1>People.

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<v Speaker 4>Sure thanks to stick around psychologically a little bit more so.

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<v Speaker 1>What one thing, like, yes, he has spoken on that

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<v Speaker 1>there were a lot of allegations of Nazism throughout his career.

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<v Speaker 1>Uh Dino di Laurentis didn't want to hire him for Conan,

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<v Speaker 1>telling director John Millius, I don't like Schwartzenegger. He's a Nazi.

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<v Speaker 1>And then US News of the World tabloid once claimed

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<v Speaker 1>he was secretly pro Nazi. The writer of that article

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<v Speaker 1>then admitted the source was Sylvester Stallone, which we're going

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<v Speaker 1>to get into how heated and like childish that rivalry

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<v Speaker 1>was the one. The one thing is that he did

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<v Speaker 1>say in an old interview that he admired Hitler, but

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<v Speaker 1>then he did the thing that all people who say

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<v Speaker 1>that did. He said, I didn't admire him for what

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<v Speaker 1>he did with it. I admired his public speaking, which

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<v Speaker 1>these Republican guys like can't help. But in my like,

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<v Speaker 1>I look back and I see raging like ten or

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<v Speaker 1>twelve good public speakers. But it before I have to

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<v Speaker 1>get to, like, exactly the architect of the Holocaust.

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<v Speaker 2>I could probably find a couple of people before that

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<v Speaker 2>before I.

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<v Speaker 1>See a raving lunatic and they're always like, I mean,

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<v Speaker 1>you can't deny the guy's got fucking star, don't I

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<v Speaker 1>don't think so.

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<v Speaker 2>Yact to the fucking gills with the absolute worst POV

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<v Speaker 2>and people are like, you know, he's like, but you know,

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<v Speaker 2>but you gotta.

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<v Speaker 1>Admit he was good.

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<v Speaker 4>I'm like, I think I would name miss teen, South

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<v Speaker 4>Carolina from two thousand and seven as a better public

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<v Speaker 4>speaker before I said Hitler.

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<v Speaker 3>Fucking Johnny Carson.

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<v Speaker 2>It's gotta be a less harmful guy to look to

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<v Speaker 2>for public speaking.

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<v Speaker 1>Although there is like these really crazy behind the scene

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<v Speaker 1>photos of Hitler, like hitting his poses, hitting his angles,

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<v Speaker 1>and like he was a studied like poser essentially like

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<v Speaker 1>and so maybe that's that's what Arnold saw in him

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<v Speaker 1>at that early age. I will just say.

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<v Speaker 2>Arnold also an elite level poser, like he literally made

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<v Speaker 2>his he was a champion poser.

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<v Speaker 1>Yeah, like it we're about to get into that, but

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<v Speaker 1>I will just say in terms of like the fascist iconography,

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<v Speaker 1>like he is like a marble statue come to life,

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<v Speaker 1>and like he like we've talked before about how like

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<v Speaker 1>one of the esthetic like details of fascism is like

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<v Speaker 1>admiring the human form with like the sex removed, like

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<v Speaker 1>in Starship Troopers, and like, I do feel like that's

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<v Speaker 1>kind of like they had to edit out like sex

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<v Speaker 1>scenes and stuff like that from a lot of his

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<v Speaker 1>movies because like he just doesn't that's not what people

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<v Speaker 1>were there for.

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<v Speaker 2>I guess, Yeah, well it is that weird like bodybuilder

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<v Speaker 2>thing where it's like it's it's four guys in a way,

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<v Speaker 2>you know what I mean, more than it is. But

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<v Speaker 2>I always found it really funny in all his movies

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<v Speaker 2>when women are like, oh my god, and he's so sexy,

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<v Speaker 2>but he looks like an insane freak, like he's got

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<v Speaker 2>an insane body and if that's the thing you like,

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<v Speaker 2>But when women are like, oh dear god, it's like,

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<v Speaker 2>yeah he has d cups a rock.

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<v Speaker 1>Heart, how you're into that his cycle?

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<v Speaker 2>But it is weird because yeah, there is like that

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<v Speaker 2>second in like that fascist like it's like he's powerful,

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<v Speaker 2>his output is tremendous and no no connotations of sex.

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<v Speaker 3>But Arnold himself legendary, horny freak.

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<v Speaker 1>Yeah yeah, exactly, yes, yes, very probably. Video is the

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<v Speaker 1>most any human has ever inhabited the role of Lenny

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<v Speaker 1>from of mice and men, Like it's just like, Jesus,

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<v Speaker 1>get that guy, get all of those people out of there.

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<v Speaker 1>But in terms of like the fascist element of his

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<v Speaker 1>iconography and like how he appeared two people at the time,

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<v Speaker 1>the other main source besides Action Boys that dug into

0:12:48.320 --> 0:12:51.840
<v Speaker 1>for this was the book The Last Action Heroes.

0:12:52.480 --> 0:12:53.360
<v Speaker 3>They pointed out that.

0:12:53.360 --> 0:12:56.360
<v Speaker 1>The opening to Commando with him like chopping down trees

0:12:56.440 --> 0:12:59.240
<v Speaker 1>and carrying an entire tree trunk on his shoulders, like

0:12:59.280 --> 0:13:04.760
<v Speaker 1>that whole sequel once was consciously pulling images from Lenny

0:13:04.800 --> 0:13:09.000
<v Speaker 1>Reefenstahl's like Nazi propaganda films. Jesus. They were just like,

0:13:09.040 --> 0:13:11.120
<v Speaker 1>you know, what would work really well with this guy?

0:13:11.760 --> 0:13:15.560
<v Speaker 1>I mean yeah, yeah, yeah, And I don't think that

0:13:15.720 --> 0:13:18.880
<v Speaker 1>was his idea. They were just like, that makes sense

0:13:19.160 --> 0:13:24.000
<v Speaker 1>that that's and that is what America, like America has

0:13:24.040 --> 0:13:27.880
<v Speaker 1>inside America, it's much less appreciated, Like how much right

0:13:27.920 --> 0:13:32.560
<v Speaker 1>wing American culture has in common with a lot of like,

0:13:32.840 --> 0:13:35.360
<v Speaker 1>you know, fascist imagery and ideology.

0:13:35.760 --> 0:13:40.160
<v Speaker 2>Yeah, some that's I know where I'll tell you one

0:13:40.160 --> 0:13:42.920
<v Speaker 2>of my theories is somehow we talked about this lot

0:13:42.960 --> 0:13:46.280
<v Speaker 2>on Action Boys. I was raised pretty much exclusively on

0:13:46.360 --> 0:13:50.520
<v Speaker 2>movies that are spout like extra judicial killings, the government.

0:13:50.920 --> 0:13:51.240
<v Speaker 3>I got.

0:13:51.600 --> 0:13:56.360
<v Speaker 2>Powerful people are the answer to everything. Send you, yeah,

0:13:57.240 --> 0:13:59.400
<v Speaker 2>cop is the best job you do. Internal affairs or

0:13:59.440 --> 0:14:02.040
<v Speaker 2>pieces of sh Send one guy with a gun into

0:14:02.040 --> 0:14:05.240
<v Speaker 2>a country full of minorities, fix it, you know, Like, Yeah,

0:14:05.400 --> 0:14:07.280
<v Speaker 2>to be a fifteen year old kid with an opinion

0:14:07.280 --> 0:14:09.920
<v Speaker 2>on internal affairs just means like I'm watching the wrong

0:14:10.040 --> 0:14:14.400
<v Speaker 2>fucking movies. Yeahs to escape with a perspective that you know,

0:14:14.480 --> 0:14:17.319
<v Speaker 2>cares about my fellow man. But I'm assuming all these

0:14:17.360 --> 0:14:19.960
<v Speaker 2>people in power all grew up on the same bullshit

0:14:20.000 --> 0:14:22.680
<v Speaker 2>as me, but didn't find it as entertainment and found

0:14:22.680 --> 0:14:26.000
<v Speaker 2>it as like inspo and where like, actually, we do

0:14:26.120 --> 0:14:29.960
<v Speaker 2>need a John Matrix to go to Valverde and clean

0:14:30.000 --> 0:14:33.360
<v Speaker 2>it up with a fucking Bazuoka with a quad Bozuka.

0:14:34.160 --> 0:14:37.480
<v Speaker 1>So the way he initially appeared on the world stage

0:14:38.120 --> 0:14:41.720
<v Speaker 1>was by winning nineteen bodybuilding competitions, including Mister Europe Mister

0:14:41.840 --> 0:14:45.520
<v Speaker 1>Universe and then Mister Olympia, Mister Olympia being essentially the

0:14:45.640 --> 0:14:49.040
<v Speaker 1>Jeopardy Tournament of Champions for Mister Universe winners. But he

0:14:49.160 --> 0:14:51.360
<v Speaker 1>did and like openly admits that he built his body

0:14:51.360 --> 0:14:53.360
<v Speaker 1>with the aid of steroids. He says, I have no

0:14:53.480 --> 0:14:55.800
<v Speaker 1>regrets about it because at the time it was something

0:14:56.080 --> 0:14:57.440
<v Speaker 1>new that came on the market.

0:14:57.640 --> 0:15:00.000
<v Speaker 3>He wasn't the only guy at these bodybuilding shows.

0:15:00.880 --> 0:15:03.880
<v Speaker 1>Yeah, exactly, it was legal, Like everybody was doing it openly.

0:15:04.280 --> 0:15:06.840
<v Speaker 1>It was like cocaine, you know, in the seventies. Everyone

0:15:06.880 --> 0:15:08.880
<v Speaker 1>was like, this is kind of like coffee. This is

0:15:08.920 --> 0:15:11.080
<v Speaker 1>like our new coffee.

0:15:12.360 --> 0:15:14.560
<v Speaker 3>We should bring this onto more movie sets.

0:15:15.640 --> 0:15:17.400
<v Speaker 1>But this one also makes me go to the bathroom

0:15:17.440 --> 0:15:22.120
<v Speaker 1>a lot too. Same deal. Yeah, he did veto. Like

0:15:22.120 --> 0:15:24.680
<v Speaker 1>when he was governor there there were people who were

0:15:25.320 --> 0:15:28.600
<v Speaker 1>not thrilled that he was pretty lax on the performance

0:15:28.720 --> 0:15:34.680
<v Speaker 1>enhancing stuff and called the supplements safe. And I have

0:15:34.720 --> 0:15:37.800
<v Speaker 1>to like, I don't know, so I once heard from

0:15:38.000 --> 0:15:40.640
<v Speaker 1>someone that like they worked with him in the nineties

0:15:40.680 --> 0:15:43.160
<v Speaker 1>and swore like at the time he was like bright

0:15:43.280 --> 0:15:47.080
<v Speaker 1>yellow and on dialysis like when he was with them,

0:15:47.120 --> 0:15:49.120
<v Speaker 1>and like that they were just like yeah, that's how

0:15:49.160 --> 0:15:53.400
<v Speaker 1>you got through the like intense steroid cycles. There's no

0:15:53.800 --> 0:15:57.080
<v Speaker 1>known reporting on that. And the guy also later told

0:15:57.120 --> 0:15:58.880
<v Speaker 1>me that he thought his girlfriend at the time may

0:15:58.920 --> 0:16:02.280
<v Speaker 1>have slept with Arnold behind his back, so.

0:16:02.400 --> 0:16:03.800
<v Speaker 3>He might be motivated to shit.

0:16:04.600 --> 0:16:07.680
<v Speaker 1>Yeah, but he has had like multiple open heart surgeries,

0:16:07.960 --> 0:16:10.400
<v Speaker 1>which he always goes out of his way to be

0:16:10.480 --> 0:16:13.280
<v Speaker 1>like it's a congenital condition. But I don't know that.

0:16:14.440 --> 0:16:17.200
<v Speaker 2>Steroids are not. And yes he has done them. But

0:16:17.520 --> 0:16:20.920
<v Speaker 2>if you remove steroids from it, carrying around that much

0:16:21.040 --> 0:16:25.240
<v Speaker 2>extra mass, even if it is pure muscle, is difficult

0:16:25.320 --> 0:16:29.320
<v Speaker 2>on the human body, like maintaining that caloric input that

0:16:29.680 --> 0:16:32.240
<v Speaker 2>he's putting a lot of miles on his body.

0:16:32.320 --> 0:16:35.920
<v Speaker 4>I mean, I knew, like big guys don't live that long,

0:16:36.000 --> 0:16:38.280
<v Speaker 4>but when I saw Dave Baptista be like, dude, I

0:16:38.440 --> 0:16:41.480
<v Speaker 4>have to stop and like really be like I'm done,

0:16:41.560 --> 0:16:44.240
<v Speaker 4>and like watching him shrink and being like no, it's

0:16:44.240 --> 0:16:48.040
<v Speaker 4>so I can live, like being fucking jacked is it's

0:16:48.320 --> 0:16:51.480
<v Speaker 4>a fucking very very short timeline.

0:16:51.080 --> 0:16:52.320
<v Speaker 1>You have living like that forever.

0:16:52.440 --> 0:16:52.960
<v Speaker 3>I mean, it is.

0:16:52.920 --> 0:16:55.680
<v Speaker 1>Interesting, just like talking about the thing that like earlier

0:16:55.920 --> 0:16:59.680
<v Speaker 1>saying that like he comes along with this ubermens physicality

0:17:00.040 --> 0:17:02.960
<v Speaker 1>at a time that America is like maybe fascism is

0:17:03.040 --> 0:17:05.320
<v Speaker 1>kind of what we do in the eighties, and then

0:17:05.400 --> 0:17:08.280
<v Speaker 1>like what once we got back to that point, like

0:17:08.480 --> 0:17:11.439
<v Speaker 1>in the past eight to ten years, all of a sudden,

0:17:11.480 --> 0:17:14.320
<v Speaker 1>the actors started looking like John Cena and The Rock

0:17:14.400 --> 0:17:17.359
<v Speaker 1>and Dave Bautista again, so everyone starry.

0:17:17.520 --> 0:17:19.960
<v Speaker 2>Oh yeah, I could go off for hours about this,

0:17:20.080 --> 0:17:24.040
<v Speaker 2>but like why why why does fucking Superman even have

0:17:24.119 --> 0:17:27.159
<v Speaker 2>to be jacked? He's an alien like like there's like

0:17:27.880 --> 0:17:30.320
<v Speaker 2>Hulk has super strength, he could have a belly, like

0:17:30.359 --> 0:17:33.959
<v Speaker 2>there's like thor some of the people, like their superpowers

0:17:33.960 --> 0:17:37.680
<v Speaker 2>aren't even involved like with physicality, and they're still shredded.

0:17:37.720 --> 0:17:39.960
<v Speaker 1>It's like, maybe what doesn't need to be diced?

0:17:40.160 --> 0:17:40.360
<v Speaker 2>Yeah?

0:17:40.480 --> 0:17:44.040
<v Speaker 1>Right. Maybe the best example of that, which we'll get

0:17:44.040 --> 0:17:47.639
<v Speaker 1>to in a moment, is the Terminator who went in

0:17:47.720 --> 0:17:51.600
<v Speaker 1>the script was supposed to be a normal sized, normal

0:17:51.640 --> 0:17:57.040
<v Speaker 1>shaped person into Yeah, it's like, yeah, to your point,

0:17:57.160 --> 0:17:59.480
<v Speaker 1>Like the modern equivalent is that movie The Gray Man

0:17:59.680 --> 0:18:01.639
<v Speaker 1>that nobody saw, but it costs like two hundred and

0:18:01.640 --> 0:18:04.000
<v Speaker 1>fifty million dollars, so they had to pretend like everyone

0:18:04.040 --> 0:18:06.600
<v Speaker 1>saw it. But it's like, these are guys who just

0:18:06.960 --> 0:18:10.680
<v Speaker 1>the literal title is you have these spies who are

0:18:10.840 --> 0:18:13.959
<v Speaker 1>gray men who the whole point is like they blend

0:18:14.000 --> 0:18:17.679
<v Speaker 1>in wherever they go, and it's played by like Chris

0:18:17.680 --> 0:18:22.360
<v Speaker 1>Evans and Ryan Gosling and their beauty like shredded, shredded

0:18:22.400 --> 0:18:25.240
<v Speaker 1>beautiful people who like would stop traffic.

0:18:25.320 --> 0:18:28.480
<v Speaker 2>And when you see pictures of real fucking the crazy

0:18:28.520 --> 0:18:31.600
<v Speaker 2>spies and assassins like that are Cia and Jaysock, like

0:18:31.600 --> 0:18:32.560
<v Speaker 2>elite level guys.

0:18:32.800 --> 0:18:34.320
<v Speaker 1>They all look like chemists.

0:18:34.760 --> 0:18:38.560
<v Speaker 2>They're all like five eight one sixty five with like

0:18:38.680 --> 0:18:41.439
<v Speaker 2>glasses and like weird teeth, and you're like, what the

0:18:41.440 --> 0:18:44.520
<v Speaker 2>fuck is this guy's like six hundred and fifty confirmed kills.

0:18:44.600 --> 0:18:51.439
<v Speaker 1>Yeah, I'm a delta operator like an airline. No one

0:18:51.480 --> 0:18:55.400
<v Speaker 1>other quick Arnold anecdote and if you guys have any

0:18:55.520 --> 0:18:59.680
<v Speaker 1>but somebody I know was golfing with him a couple

0:18:59.680 --> 0:19:02.439
<v Speaker 1>of years ago, and as they were teeing off, he

0:19:02.520 --> 0:19:05.119
<v Speaker 1>kept telling the guy he looked like too tense and

0:19:05.200 --> 0:19:09.240
<v Speaker 1>too uptight, And then after the guy hit the shot,

0:19:09.400 --> 0:19:11.159
<v Speaker 1>he Arnold got up to the tea and was like,

0:19:11.200 --> 0:19:13.400
<v Speaker 1>when was the last time you had a blowjob? And

0:19:13.560 --> 0:19:16.200
<v Speaker 1>the guy was like, I don't know, like answered and

0:19:17.119 --> 0:19:21.000
<v Speaker 1>Arnold teed off and said that's fantastic. And then as

0:19:21.040 --> 0:19:23.359
<v Speaker 1>he like crushed his drive with a big stogey in

0:19:23.359 --> 0:19:25.480
<v Speaker 1>his mouth and like watched the ball, he said, how

0:19:25.480 --> 0:19:27.400
<v Speaker 1>did it taste?

0:19:28.640 --> 0:19:29.080
<v Speaker 3>Awesome?

0:19:29.359 --> 0:19:35.359
<v Speaker 1>Got his ass. I do think the posing, like you

0:19:35.400 --> 0:19:38.119
<v Speaker 1>were saying, the hitting the angles like that is something

0:19:38.160 --> 0:19:40.920
<v Speaker 1>that he studied all along, and I think that definitely

0:19:40.960 --> 0:19:46.239
<v Speaker 1>like played into his being a movie Yeah. Yeah, like

0:19:46.800 --> 0:19:50.320
<v Speaker 1>knowing how to appear on film with something that like

0:19:50.400 --> 0:19:51.800
<v Speaker 1>he was always good at.

0:19:51.960 --> 0:19:54.240
<v Speaker 2>Like in Conan, you see it a lot because it's

0:19:54.240 --> 0:19:57.320
<v Speaker 2>like it's like it's like pre verbal for him, and

0:19:57.720 --> 0:20:00.320
<v Speaker 2>the movie is like written to that strength. But then

0:20:00.320 --> 0:20:04.160
<v Speaker 2>he also trained with a sword master for that movie too,

0:20:04.520 --> 0:20:06.840
<v Speaker 2>And because he's an athlete and like a guy who's

0:20:06.920 --> 0:20:08.840
<v Speaker 2>got like that that kind of folk, that kind of

0:20:08.840 --> 0:20:12.359
<v Speaker 2>focus that requires eating white rice, chicken and broccoli and

0:20:12.400 --> 0:20:16.719
<v Speaker 2>steroids exclusively, he he fucking looks awesome when he's swinging

0:20:16.720 --> 0:20:19.080
<v Speaker 2>the sword, when he's carrying the wheel of pan, he

0:20:19.240 --> 0:20:22.439
<v Speaker 2>fucking and it's like he knows. I refer to this

0:20:22.480 --> 0:20:25.200
<v Speaker 2>once on the blank Check podcast. But my pet theory

0:20:25.320 --> 0:20:27.280
<v Speaker 2>is we've heard of the male gaze, and you know,

0:20:27.280 --> 0:20:29.919
<v Speaker 2>people talk about the female gaze. There's something about Arnold

0:20:29.960 --> 0:20:32.920
<v Speaker 2>that is the child gaze. Like you look at him

0:20:32.920 --> 0:20:35.040
<v Speaker 2>and you're like in awe, and you're like a little kid,

0:20:35.040 --> 0:20:37.399
<v Speaker 2>and you're like, that's what grown ups are, you know,

0:20:37.840 --> 0:20:40.480
<v Speaker 2>And then all these action movies will copy it. They'll

0:20:40.480 --> 0:20:42.600
<v Speaker 2>all be these poses where you're looking up at these

0:20:42.640 --> 0:20:45.360
<v Speaker 2>imposing figures and yeah.

0:20:45.600 --> 0:20:48.120
<v Speaker 1>Yeah, I think that's exactly right. Like I have, yeah,

0:20:48.320 --> 0:20:51.000
<v Speaker 1>I have written in here somewhere that he looks like

0:20:51.040 --> 0:20:53.359
<v Speaker 1>he was designed by a seven year old to be like,

0:20:53.480 --> 0:20:56.520
<v Speaker 1>this is what action hero should look like.

0:20:56.720 --> 0:20:58.280
<v Speaker 2>You know, this is what I want to look like

0:20:58.320 --> 0:21:00.280
<v Speaker 2>when I grow up, Like when you used to Like

0:21:00.520 --> 0:21:02.840
<v Speaker 2>I would remember being a kid drawing myself as like

0:21:02.840 --> 0:21:04.280
<v Speaker 2>a grown up and like I would always have like

0:21:04.320 --> 0:21:05.080
<v Speaker 2>a headband and.

0:21:05.040 --> 0:21:07.720
<v Speaker 3>A machine guns. I was like, you.

0:21:09.320 --> 0:21:12.760
<v Speaker 1>Grow up, definitely grow up and be a Special Forces Probably. Yeah,

0:21:12.840 --> 0:21:16.680
<v Speaker 1>I'm gonna drive a bulletproof Chevy Suburban. So he broke

0:21:16.800 --> 0:21:19.600
<v Speaker 1>into the world a film with Hercules and New York,

0:21:20.320 --> 0:21:22.800
<v Speaker 1>where he had to be totally dubbed by another actor

0:21:23.000 --> 0:21:26.280
<v Speaker 1>for obvious reasons. Uh, they changed his name to Arnold Strong,

0:21:26.760 --> 0:21:28.639
<v Speaker 1>but the only reason he got that role in the

0:21:28.640 --> 0:21:32.720
<v Speaker 1>first place was Joe Weeder, the co founder of the

0:21:32.760 --> 0:21:36.560
<v Speaker 1>International Federation of Bodybuilders, told the producers that Schwartzenegger had

0:21:36.560 --> 0:21:42.000
<v Speaker 1>been a Shakespearean actor in Vienna, and they're like, all right,

0:21:42.560 --> 0:21:45.080
<v Speaker 1>like sure, and then he showed up and again it's

0:21:45.119 --> 0:21:47.680
<v Speaker 1>like that, you know, you need to tell that lie

0:21:48.000 --> 0:21:49.560
<v Speaker 1>to get him in the door. But then he shows

0:21:49.600 --> 0:21:51.720
<v Speaker 1>up and everyone's like, this guy actually like really fucking

0:21:51.800 --> 0:21:54.200
<v Speaker 1>works on film. I don't know what it is.

0:21:54.200 --> 0:21:57.240
<v Speaker 2>Is not great, his dub is weird, but you're watching

0:21:57.320 --> 0:22:00.200
<v Speaker 2>him and you're like, this dude's a fucking star. Time

0:22:00.200 --> 0:22:02.080
<v Speaker 2>when you don't say that early on in his career,

0:22:02.119 --> 0:22:05.320
<v Speaker 2>it's like it's like undeniable. His like you can't take

0:22:05.320 --> 0:22:08.720
<v Speaker 2>your eyes off him. And he is really charismatic in

0:22:08.840 --> 0:22:12.120
<v Speaker 2>sort of like the annoying jockway, but like he's got

0:22:12.119 --> 0:22:17.040
<v Speaker 2>it like face, all taste, well you know, figured out.

0:22:17.119 --> 0:22:17.439
<v Speaker 3>Yeah.

0:22:17.520 --> 0:22:20.280
<v Speaker 1>He also appears in like I didn't realize that I

0:22:20.320 --> 0:22:23.520
<v Speaker 1>was watching The longa Robert Altmans The Long Goodbye. He

0:22:23.560 --> 0:22:26.320
<v Speaker 1>shows how he's like a Jack Henchman and that he's

0:22:26.359 --> 0:22:28.480
<v Speaker 1>in a movie called Stay Hungry that was like an

0:22:28.520 --> 0:22:33.280
<v Speaker 1>Oscar buzzy movie that earned him a Golden Globe for

0:22:33.359 --> 0:22:36.159
<v Speaker 1>Best Acting Debut, even though it wasn't really his debut,

0:22:36.200 --> 0:22:38.440
<v Speaker 1>but it was like the first time that awards people

0:22:38.440 --> 0:22:39.240
<v Speaker 1>had noticed it.

0:22:39.280 --> 0:22:41.560
<v Speaker 2>Or he spoke maybe yeah, that was the first time

0:22:41.560 --> 0:22:43.600
<v Speaker 2>he had actually spoken on film.

0:22:43.800 --> 0:22:46.160
<v Speaker 1>He also at this time worked with a very serious

0:22:46.240 --> 0:22:49.439
<v Speaker 1>acting coach who in the book The Last Action Heroes

0:22:49.680 --> 0:22:53.080
<v Speaker 1>talked about how he was like eventually very impressed with

0:22:53.160 --> 0:22:57.639
<v Speaker 1>his work. He did like all the Stanislavskian shit, like

0:22:57.840 --> 0:23:00.680
<v Speaker 1>this is the second invocation of the stuf was Lawsky

0:23:00.720 --> 0:23:03.879
<v Speaker 1>method with Arkle? Yeah? No, with Miss Piggy actually be

0:23:04.359 --> 0:23:08.119
<v Speaker 1>like how frank Oz came up with her backstory was

0:23:08.160 --> 0:23:13.000
<v Speaker 1>like just writing freehand art backstory dark yea super dark

0:23:13.040 --> 0:23:14.200
<v Speaker 1>backstory for Miss Piggy.

0:23:15.680 --> 0:23:16.560
<v Speaker 3>I believe it.

0:23:16.600 --> 0:23:19.520
<v Speaker 2>I got to imagine based on how how powerful she's become.

0:23:19.960 --> 0:23:22.000
<v Speaker 2>She came from a lot, she came from a heart.

0:23:22.080 --> 0:23:24.399
<v Speaker 1>Her mom had so many pigs. What was it like

0:23:24.440 --> 0:23:27.600
<v Speaker 1>her mom like her mother too many pigs that she

0:23:27.720 --> 0:23:31.040
<v Speaker 1>never developed her mind was one of the things. And

0:23:31.080 --> 0:23:33.280
<v Speaker 1>then she had so many pigs, she'd never developed her mind,

0:23:33.280 --> 0:23:35.600
<v Speaker 1>and her dad was like fucking around and then like

0:23:35.640 --> 0:23:37.639
<v Speaker 1>the only way for her to like survive was like

0:23:37.720 --> 0:23:41.200
<v Speaker 1>winning beauty contests, and she was like, I'll never go

0:23:41.280 --> 0:23:44.520
<v Speaker 1>back there. I think there was like a mass killing

0:23:44.560 --> 0:23:48.240
<v Speaker 1>two in there, but I don't remember. But uh, he

0:23:48.320 --> 0:23:50.919
<v Speaker 1>said the guy the acting coach specifically, I called out

0:23:50.960 --> 0:23:53.639
<v Speaker 1>two impressive moments in the workshop that I thought were funny.

0:23:53.880 --> 0:23:56.719
<v Speaker 1>One is where he inhabits the body of a child

0:23:56.920 --> 0:24:00.720
<v Speaker 1>opening a present on Christmas morning, and he said he

0:24:00.800 --> 0:24:04.520
<v Speaker 1>made the other people in the acting class cry, which

0:24:04.920 --> 0:24:07.640
<v Speaker 1>just trying to picture Arnold like doing that.

0:24:07.920 --> 0:24:11.480
<v Speaker 2>This is one percent alive, but it's fucking that's ot.

0:24:11.720 --> 0:24:14.040
<v Speaker 2>I'm picturing it now and trying so I'm like tear

0:24:14.119 --> 0:24:14.720
<v Speaker 2>up laughing.

0:24:15.160 --> 0:24:18.760
<v Speaker 4>I know, I'm even trying to imagine what would that

0:24:18.800 --> 0:24:22.119
<v Speaker 4>performance look like where I'm so touched, like even without

0:24:22.160 --> 0:24:24.600
<v Speaker 4>even it being Arnold with an adult doing this.

0:24:24.680 --> 0:24:27.920
<v Speaker 1>Yeah, like one guy who's just been like presumably like

0:24:28.280 --> 0:24:30.359
<v Speaker 1>hitting on every woman stop and.

0:24:30.359 --> 0:24:33.760
<v Speaker 2>This guy suddenly get spaghetti string racer back tank top

0:24:33.800 --> 0:24:36.000
<v Speaker 2>on with like his nipples and traps showing, and he's

0:24:36.000 --> 0:24:39.719
<v Speaker 2>got like cut off golds, gym super shorts on, barefoot,

0:24:40.119 --> 0:24:42.560
<v Speaker 2>just going like I don't want the.

0:24:45.440 --> 0:24:46.400
<v Speaker 3>Terrible man.

0:24:47.920 --> 0:24:50.000
<v Speaker 1>The bottle of wine he gets it. Something he would

0:24:50.040 --> 0:24:51.880
<v Speaker 1>do in like Twins and like some of those movies

0:24:51.920 --> 0:24:54.840
<v Speaker 1>where he like plays an innocent you know, just kind

0:24:54.880 --> 0:24:58.119
<v Speaker 1>of like uh yeah, I don't know, like new to

0:24:58.200 --> 0:25:00.679
<v Speaker 1>the world. And then the other that he said was

0:25:00.720 --> 0:25:04.240
<v Speaker 1>like really impressive was where he like did this non

0:25:04.320 --> 0:25:08.760
<v Speaker 1>linguistic growl and utterance, like you invoke an animalistic, non

0:25:08.840 --> 0:25:14.040
<v Speaker 1>linguistic growl and utterance and screams, which sounds like it's

0:25:14.119 --> 0:25:16.720
<v Speaker 1>like the when I think of Arnold, I just think

0:25:16.760 --> 0:25:25.280
<v Speaker 1>of you know, like all those like noises that.

0:25:23.920 --> 0:25:26.560
<v Speaker 2>Yeah, and that's so funny that he crushed that part

0:25:26.600 --> 0:25:27.160
<v Speaker 2>of the acting.

0:25:28.160 --> 0:25:29.200
<v Speaker 1>Damn, this guy can.

0:25:29.640 --> 0:25:31.880
<v Speaker 2>And he's also really the best of them in the

0:25:31.920 --> 0:25:33.840
<v Speaker 2>Max bench Press portion of.

0:25:39.440 --> 0:25:42.960
<v Speaker 1>But he does also like kind of become a Christmas icon.

0:25:43.680 --> 0:25:45.720
<v Speaker 1>And it's interesting to note that like the only movie

0:25:45.880 --> 0:25:48.639
<v Speaker 1>he ever directed, he directed an episode of The Tales

0:25:48.640 --> 0:25:53.040
<v Speaker 1>from the Crypt and then also a made for TV

0:25:53.480 --> 0:25:57.520
<v Speaker 1>like Hallmark Christmas remake of Christmas in Connecticut, So he's

0:25:57.920 --> 0:26:00.960
<v Speaker 1>there's something with Christmas there that we'll probably never get

0:26:01.000 --> 0:26:01.600
<v Speaker 1>to explore.

0:26:01.840 --> 0:26:06.960
<v Speaker 2>But I feel like Germany, Europe, Poland Eastern Europe, Vienna,

0:26:07.160 --> 0:26:11.600
<v Speaker 2>like that's Austria. It's very like Chris Christmas. Yeah, it's

0:26:11.640 --> 0:26:11.880
<v Speaker 2>like that.

0:26:11.880 --> 0:26:15.520
<v Speaker 4>Everyone says, like the Christmas markets in Austria specifically are

0:26:15.600 --> 0:26:18.919
<v Speaker 4>like everyone models, Like whenever you see like a Christmas market,

0:26:18.960 --> 0:26:22.480
<v Speaker 4>they're all referencing like Austrian German Christmas markets.

0:26:22.520 --> 0:26:25.880
<v Speaker 2>And some of your most precious white female friends will

0:26:25.880 --> 0:26:27.879
<v Speaker 2>tell you that I just want to go to Vienna

0:26:27.960 --> 0:26:28.639
<v Speaker 2>for Christmas.

0:26:28.760 --> 0:26:31.000
<v Speaker 3>I'm like really, like, I don't know anything about it.

0:26:31.040 --> 0:26:32.159
<v Speaker 3>I want to go to Mexico.

0:26:32.160 --> 0:26:35.480
<v Speaker 4>It's it's well because my cousin just married someone who's

0:26:35.480 --> 0:26:37.120
<v Speaker 4>from Austria and he'd been.

0:26:37.160 --> 0:26:39.760
<v Speaker 1>He's like, dude, Austria's fucking sick, and everyone I know

0:26:39.800 --> 0:26:42.000
<v Speaker 1>who's been there's like, do Vienna's sick?

0:26:42.200 --> 0:26:42.400
<v Speaker 3>Yeah?

0:26:42.720 --> 0:26:43.160
<v Speaker 1>Gotomy?

0:26:44.000 --> 0:26:49.439
<v Speaker 2>Well yeah, I think it's because and how bad shout

0:26:49.440 --> 0:26:52.520
<v Speaker 2>out twins real quick. That was the I heard in

0:26:52.560 --> 0:26:55.320
<v Speaker 2>an interview on Nerdict where he was back in the day.

0:26:55.600 --> 0:26:57.320
<v Speaker 2>That's the most amount of money he's ever made on

0:26:57.359 --> 0:26:57.800
<v Speaker 2>a movie.

0:26:57.880 --> 0:27:02.120
<v Speaker 1>Yeah, that like set him up financially. The syndication decides no.

0:27:02.240 --> 0:27:05.040
<v Speaker 2>Because ye, they didn't want to make it because like

0:27:05.200 --> 0:27:08.960
<v Speaker 2>Arnold can't carry a comedy. So Arnold, Danny DeVito and

0:27:09.000 --> 0:27:12.639
<v Speaker 2>I think it's rightman. They all say they all worked

0:27:12.640 --> 0:27:15.679
<v Speaker 2>for scale. If with huge amount of points and then

0:27:15.720 --> 0:27:20.440
<v Speaker 2>the movie was an absolute unknown, massive hit and they

0:27:20.480 --> 0:27:23.199
<v Speaker 2>all made insane money on it, which is.

0:27:23.320 --> 0:27:24.000
<v Speaker 3>Makes me so happy.

0:27:24.119 --> 0:27:27.840
<v Speaker 2>Also, Arnold was already doing very well for himself because

0:27:27.880 --> 0:27:31.720
<v Speaker 2>when he arrived in America, him and Franco Colombo, another bodybuilder,

0:27:31.760 --> 0:27:35.479
<v Speaker 2>they were doing masonry work and doing all this like labor.

0:27:35.600 --> 0:27:40.480
<v Speaker 2>But he invested his bodybuilding winnings in like an apartment

0:27:40.520 --> 0:27:44.639
<v Speaker 2>complex first, like somewhere on the West side of La American.

0:27:44.800 --> 0:27:48.520
<v Speaker 2>He was a American, someone told, like an American businessman,

0:27:48.600 --> 0:27:50.720
<v Speaker 2>maybe someone in his team or something like that, said

0:27:50.880 --> 0:27:52.800
<v Speaker 2>this is what you gotta do. And then he like

0:27:53.280 --> 0:27:55.600
<v Speaker 2>owned a bunch of properties for a while, like buying

0:27:55.640 --> 0:27:58.320
<v Speaker 2>that nineteen seventies La You know, if you held onto

0:27:58.359 --> 0:28:01.000
<v Speaker 2>it till now, you're fucking like Robber Baron.

0:28:01.359 --> 0:28:03.199
<v Speaker 1>That's so that makes sense, you know that.

0:28:03.320 --> 0:28:05.640
<v Speaker 4>Like there's a clip from a couple of years ago

0:28:05.760 --> 0:28:07.800
<v Speaker 4>where he tried to make a joke about making a

0:28:07.800 --> 0:28:09.040
<v Speaker 4>million dollars.

0:28:08.600 --> 0:28:11.240
<v Speaker 1>That fell so flat, like on a radio show.

0:28:11.720 --> 0:28:13.600
<v Speaker 4>And now it makes sense to me because he was

0:28:13.800 --> 0:28:17.040
<v Speaker 4>he was making some landlord ass money like to start up.

0:28:17.040 --> 0:28:18.880
<v Speaker 1>I don't know if you've seen this clip, but he's

0:28:18.920 --> 0:28:23.199
<v Speaker 1>like the easiest why to make money. The first and

0:28:23.359 --> 0:28:25.479
<v Speaker 1>most important thing is, you know, everyone tells you that

0:28:26.240 --> 0:28:29.240
<v Speaker 1>the first million is the hardest to make, so started

0:28:29.240 --> 0:28:30.560
<v Speaker 1>with the second million.

0:28:30.560 --> 0:28:39.640
<v Speaker 3>Right, uh huh? Wow? Hello, oh my god, wake up,

0:28:40.080 --> 0:28:40.680
<v Speaker 3>wake up.

0:28:41.320 --> 0:28:44.080
<v Speaker 1>They have a breakfast show. You need to get pumped up.

0:28:44.400 --> 0:28:46.800
<v Speaker 1>Anytime the joke falls flapped up off the lines of

0:28:46.840 --> 0:28:47.440
<v Speaker 1>your government.

0:28:48.800 --> 0:28:52.040
<v Speaker 4>Wow, okay, anyway that makes that's because that's such rich

0:28:52.080 --> 0:28:53.000
<v Speaker 4>guy humor too.

0:28:53.120 --> 0:28:55.720
<v Speaker 3>When you're like, yes, always like a million an awful joke.

0:28:55.880 --> 0:28:58.480
<v Speaker 2>I would say, if you're hosting Arnold on your show,

0:28:58.560 --> 0:28:59.880
<v Speaker 2>you gotta laugh at his jokes.

0:29:00.960 --> 0:29:03.440
<v Speaker 3>I think, job, I bet you Arnold never does that

0:29:03.480 --> 0:29:04.040
<v Speaker 3>show again.

0:29:05.240 --> 0:29:05.760
<v Speaker 1>I think they.

0:29:05.680 --> 0:29:10.880
<v Speaker 4>Probably just couldn't connect. Like his delivery, They're like, oh, joke, yes,

0:29:10.960 --> 0:29:11.480
<v Speaker 4>thank you.

0:29:11.760 --> 0:29:14.280
<v Speaker 1>Miles didn't pause that in the middle. That that silence

0:29:14.360 --> 0:29:16.520
<v Speaker 1>was him just looking at waiting for them.

0:29:18.960 --> 0:29:20.600
<v Speaker 3>You're like, oh, it must the video must be over.

0:29:20.640 --> 0:29:23.600
<v Speaker 1>Then he goes, hello, oh my god, this is a

0:29:23.640 --> 0:29:40.800
<v Speaker 1>breakfast show. You got's wake up. But just overall, like

0:29:40.840 --> 0:29:44.160
<v Speaker 1>the thing about him investing the money smartly, like according

0:29:44.160 --> 0:29:48.000
<v Speaker 1>to everyone, he is a sponge who's like constantly focused

0:29:48.000 --> 0:29:52.200
<v Speaker 1>on learning, like McTiernan in Predator, like cast Carl Weathers

0:29:52.520 --> 0:29:55.640
<v Speaker 1>because he's like, that's the best action movie actor that

0:29:55.720 --> 0:29:58.360
<v Speaker 1>I've seen. And he's like, I'm going to put him

0:29:58.360 --> 0:30:01.560
<v Speaker 1>in Arnold's way, and Arnold will just like drink up

0:30:01.560 --> 0:30:05.840
<v Speaker 1>and learn from him. And so he is essential like

0:30:05.880 --> 0:30:09.360
<v Speaker 1>the he is a terminator, he's just just like super processing.

0:30:10.560 --> 0:30:14.840
<v Speaker 3>Yeah, asshole, Dylan, you son of a bitch. What do

0:30:14.840 --> 0:30:17.720
<v Speaker 3>you put your pencils down there in the CIA? And

0:30:17.760 --> 0:30:19.240
<v Speaker 3>thank you for teaching me how to act?

0:30:20.280 --> 0:30:23.520
<v Speaker 1>All of that, all all his early work though from

0:30:23.760 --> 0:30:27.560
<v Speaker 1>Hercules in New York, and his background work was overshadowed

0:30:27.600 --> 0:30:31.640
<v Speaker 1>by the massive success of a weightlifting documentary called Pumping

0:30:31.680 --> 0:30:36.000
<v Speaker 1>Iron Goddamn, which is it's easy to see why those

0:30:36.320 --> 0:30:40.600
<v Speaker 1>movies weren't quite as successful, because at no point in

0:30:40.640 --> 0:30:43.719
<v Speaker 1>those movies does he get to say that weightlifting is

0:30:43.800 --> 0:30:47.600
<v Speaker 1>like coming and then Myles would like to read.

0:30:49.080 --> 0:30:52.200
<v Speaker 4>Oh wow, it's as satisfying to me as coming is,

0:30:52.400 --> 0:30:54.320
<v Speaker 4>you know, as having sex.

0:30:54.120 --> 0:30:56.720
<v Speaker 1>With a woman. Then coming, I love it. So all

0:30:56.880 --> 0:31:00.320
<v Speaker 1>is up the first sentence by clarifying what it's not

0:31:00.400 --> 0:31:00.920
<v Speaker 1>even I.

0:31:00.960 --> 0:31:03.880
<v Speaker 2>Refuse to say it's jerking off. Yeah I don't. It's

0:31:03.920 --> 0:31:04.800
<v Speaker 2>gay to jerk.

0:31:04.680 --> 0:31:07.959
<v Speaker 4>Off, he was a human woman, and you coming, and

0:31:08.040 --> 0:31:10.880
<v Speaker 4>so can you believe how much I'm in heaven. I

0:31:10.920 --> 0:31:13.440
<v Speaker 4>am like getting the feeling of coming in the gym,

0:31:13.800 --> 0:31:15.640
<v Speaker 4>I'm getting the feeling of coming at home.

0:31:15.640 --> 0:31:18.400
<v Speaker 1>I'm getting the feeling of coming backstage.

0:31:17.800 --> 0:31:20.000
<v Speaker 4>When I pump up, when I pose it from the

0:31:20.000 --> 0:31:22.360
<v Speaker 4>five thousand people, I get the same feeling.

0:31:22.720 --> 0:31:26.640
<v Speaker 1>So I'm coming day and night. I mean, it's it's terrific, right,

0:31:27.080 --> 0:31:30.840
<v Speaker 1>So you know, I'm in heaven so awesome.

0:31:31.400 --> 0:31:34.080
<v Speaker 2>And he will later retract that and say, like I

0:31:34.120 --> 0:31:37.720
<v Speaker 2>was joking, I knew I and I will. I think

0:31:37.760 --> 0:31:40.760
<v Speaker 2>he maybe actually believes this, or believed it at the time,

0:31:41.160 --> 0:31:44.720
<v Speaker 2>But he also does know how to get sound bites

0:31:44.720 --> 0:31:47.520
<v Speaker 2>and how to fucking yeah. When you watch Pumping Iron,

0:31:47.560 --> 0:31:51.040
<v Speaker 2>it's a Rosetta stone to like why anyone like why

0:31:51.080 --> 0:31:54.640
<v Speaker 2>he's you just see he's so and he didn't play

0:31:54.640 --> 0:31:58.400
<v Speaker 2>a villain a lot in his career, but he is

0:31:58.760 --> 0:32:03.160
<v Speaker 2>fucking near evil in Pumping Iron. Like he's like mustache

0:32:03.240 --> 0:32:05.120
<v Speaker 2>swirling bad guy in a way.

0:32:05.040 --> 0:32:07.480
<v Speaker 1>Like manipulating the people around him who are like his

0:32:07.600 --> 0:32:10.520
<v Speaker 1>best friend, like lifelong best friends who are gonna continue

0:32:10.520 --> 0:32:12.560
<v Speaker 1>working and like being his friend for the rest of

0:32:12.600 --> 0:32:14.960
<v Speaker 1>his career, and he's like, yeah, it kind of fucked

0:32:14.960 --> 0:32:18.760
<v Speaker 1>with his head, Yeah, right into being worse than me.

0:32:19.200 --> 0:32:19.400
<v Speaker 3>Right.

0:32:19.640 --> 0:32:22.560
<v Speaker 2>There's the famous if It Bleeds they're making up Predator.

0:32:22.600 --> 0:32:24.360
<v Speaker 2>It's like an hour long featurette. You can find it

0:32:24.400 --> 0:32:29.120
<v Speaker 2>on YouTube. He had some crazy ongoing prank or competition

0:32:29.160 --> 0:32:32.080
<v Speaker 2>with Jesse the body Ventora, who could have bigger biceps,

0:32:32.400 --> 0:32:35.760
<v Speaker 2>and he had the wardrobe department keep taking in the

0:32:35.800 --> 0:32:39.520
<v Speaker 2>biceps on the sleeves on Ventory's shirt, so he thought

0:32:39.520 --> 0:32:41.720
<v Speaker 2>he was getting pumped up, but he wasn't.

0:32:41.920 --> 0:32:44.840
<v Speaker 5>Oh to make him complacent, basically, yes, And then they

0:32:44.840 --> 0:32:46.640
<v Speaker 5>were doing they were doing a thing where they were

0:32:46.680 --> 0:32:49.200
<v Speaker 5>competing so much who could work out more and earlier

0:32:49.600 --> 0:32:53.720
<v Speaker 5>that eventually like they were like secretly opening the gym

0:32:53.800 --> 0:32:56.320
<v Speaker 5>that they had shipped to South America to film, like

0:32:56.520 --> 0:32:57.520
<v Speaker 5>or in Mexico wherever.

0:32:57.320 --> 0:32:59.560
<v Speaker 2>They I forget where they film, and they're like fucking

0:32:59.640 --> 0:33:01.960
<v Speaker 2>like going in at three thirty in the morning, three

0:33:02.040 --> 0:33:04.360
<v Speaker 2>in the morning, two thirty, like racing to see who

0:33:04.400 --> 0:33:07.000
<v Speaker 2>when you go to the gym, who's already there working out.

0:33:07.080 --> 0:33:09.600
<v Speaker 1>It's like that's that's so fucking funny.

0:33:09.640 --> 0:33:12.320
<v Speaker 2>That's like childish behavior over like and these are all

0:33:12.360 --> 0:33:13.920
<v Speaker 2>people who are like making millions.

0:33:13.960 --> 0:33:18.360
<v Speaker 1>It's so awesome, right, that's so funny. Yeah, that set

0:33:18.720 --> 0:33:21.040
<v Speaker 1>and I mean that movie is both like when I

0:33:21.080 --> 0:33:23.360
<v Speaker 1>first saw it, this did not hit me, but it

0:33:23.480 --> 0:33:27.080
<v Speaker 1>is like a satire of masculinity and like they're you know,

0:33:27.560 --> 0:33:31.040
<v Speaker 1>shooting at this alien and like completely you know, unloading

0:33:31.120 --> 0:33:34.880
<v Speaker 1>clips into the jungle and like just impotently you know.

0:33:35.120 --> 0:33:38.160
<v Speaker 2>Yeah, and they're all like they're all like dry shaving

0:33:38.200 --> 0:33:44.760
<v Speaker 2>their face, taking their shirts off, knives, they're limped dickt

0:33:45.040 --> 0:33:47.960
<v Speaker 2>f slurs before and then like you know, like everything

0:33:48.080 --> 0:33:51.680
<v Speaker 2>everything about that movie and also arguably like sort of

0:33:51.880 --> 0:33:55.040
<v Speaker 2>anti American interventionism too.

0:33:55.200 --> 0:33:56.280
<v Speaker 3>Right, It's like when we.

0:33:56.360 --> 0:33:59.120
<v Speaker 2>Arrived there, they end up like they're like hunting with

0:33:59.400 --> 0:34:01.920
<v Speaker 2>an alien, but they the CIA does get them to

0:34:02.000 --> 0:34:05.320
<v Speaker 2>like blow up a fucking full base full of locals.

0:34:05.360 --> 0:34:07.920
<v Speaker 2>Like there's no explanation as to like what the local

0:34:08.000 --> 0:34:11.120
<v Speaker 2>dynamics are or whatever, and it's like it's such a

0:34:11.200 --> 0:34:12.800
<v Speaker 2>it's more, there's so much more.

0:34:12.640 --> 0:34:14.160
<v Speaker 3>Going on in that movie than you think.

0:34:14.400 --> 0:34:16.600
<v Speaker 2>And then the idea that like this is the second

0:34:16.600 --> 0:34:18.440
<v Speaker 2>team that they send in and the first team just

0:34:18.440 --> 0:34:21.239
<v Speaker 2>got fucking murked and none of them know about that.

0:34:21.320 --> 0:34:24.479
<v Speaker 2>It's like the most fucking disposable American soldier shit ever.

0:34:24.719 --> 0:34:27.759
<v Speaker 1>Yeah. Yeah, it was almost like they're they're making a

0:34:27.760 --> 0:34:30.759
<v Speaker 1>commentary that going in and intervening in a jungle could

0:34:30.800 --> 0:34:31.960
<v Speaker 1>go badly for America.

0:34:32.160 --> 0:34:32.359
<v Speaker 3>Yeah.

0:34:32.360 --> 0:34:33.040
<v Speaker 1>I don't know where they are.

0:34:33.040 --> 0:34:34.719
<v Speaker 3>I don't know where they were pulling that from. Ye.

0:34:35.560 --> 0:34:39.080
<v Speaker 1>So his first truly iconic role is Conan, Like he's

0:34:39.120 --> 0:34:44.799
<v Speaker 1>the titular role in Conan fucking movies and much it

0:34:44.800 --> 0:34:49.640
<v Speaker 1>came about thanks to Pumping Iron. The director John Millius

0:34:49.800 --> 0:34:53.000
<v Speaker 1>says that Arnold said, treat me like a trained dog, which,

0:34:53.000 --> 0:34:54.759
<v Speaker 1>again going back to it, He's just like, I don't

0:34:54.800 --> 0:34:57.680
<v Speaker 1>give a pot, Just tell me anything and I'll do it.

0:34:58.360 --> 0:35:01.000
<v Speaker 1>He would like get cut and like there would be

0:35:01.040 --> 0:35:03.279
<v Speaker 1>like he'd be bleeding, and he'd be like does it

0:35:03.320 --> 0:35:06.279
<v Speaker 1>look good? How am I posing? And then they would

0:35:06.280 --> 0:35:09.200
<v Speaker 1>just like keep rolling with it, moving along with the

0:35:09.400 --> 0:35:14.960
<v Speaker 1>like fascist stuff. It's about an alpha male who battles hippies. Essentially,

0:35:15.640 --> 0:35:18.080
<v Speaker 1>the script was by Oliver Stone, but then it was

0:35:18.120 --> 0:35:23.120
<v Speaker 1>like whittled way down and directed by Millius.

0:35:22.640 --> 0:35:28.200
<v Speaker 2>Who calls himself a zen fascist zen fascist, and Arnold

0:35:28.239 --> 0:35:30.040
<v Speaker 2>said he's so far to the right that he wasn't

0:35:30.080 --> 0:35:34.080
<v Speaker 2>even a Republican AKA ahead of his time, I guess.

0:35:35.280 --> 0:35:38.320
<v Speaker 1>So this becomes like one of his first roles that's

0:35:38.360 --> 0:35:41.440
<v Speaker 1>so iconic that people just start calling him that. Like

0:35:41.480 --> 0:35:44.080
<v Speaker 1>when you read about when Cameron's trying to cast him

0:35:44.200 --> 0:35:48.880
<v Speaker 1>in Terminator, people are like, you're gonna cast Conan in Terminator,

0:35:48.920 --> 0:35:51.160
<v Speaker 1>and then like after Terminator people are like, you can't

0:35:51.160 --> 0:35:55.479
<v Speaker 1>put Terminator in the you know, But like he's he's

0:35:55.760 --> 0:35:58.560
<v Speaker 1>choosing his roles pretty wisely.

0:35:58.840 --> 0:36:00.840
<v Speaker 2>If you zoom out, Yeah, if you zoom out and

0:36:00.880 --> 0:36:04.000
<v Speaker 2>see that this guy who is this physical specimen but

0:36:04.239 --> 0:36:08.560
<v Speaker 2>is not quite there english wise or acting wise, you

0:36:08.600 --> 0:36:12.600
<v Speaker 2>cast him as a nearly silent tribal warrior who fucking

0:36:12.680 --> 0:36:15.399
<v Speaker 2>kills a bunch of people with swords, and then you're like, okay,

0:36:15.440 --> 0:36:16.120
<v Speaker 2>what else can he do?

0:36:16.200 --> 0:36:18.800
<v Speaker 3>He's like, how about a robo robot?

0:36:20.840 --> 0:36:21.040
<v Speaker 1>Yeah?

0:36:21.160 --> 0:36:24.359
<v Speaker 2>Fuck, it's great, Like just the idea of like like

0:36:24.800 --> 0:36:26.960
<v Speaker 2>what what a way to like fucking make your way

0:36:27.000 --> 0:36:30.520
<v Speaker 2>into the huge movies that were huge because of him too,

0:36:30.960 --> 0:36:33.160
<v Speaker 2>and but he gets to just they're like okay, and

0:36:33.200 --> 0:36:34.759
<v Speaker 2>this like that'd be like all right in this you're

0:36:34.760 --> 0:36:37.520
<v Speaker 2>playing a fat new York podcaster gabers, this is your

0:36:37.520 --> 0:36:39.799
<v Speaker 2>first job, Like, I hope you can pull it off.

0:36:39.880 --> 0:36:46.000
<v Speaker 4>You're like, fuck, yeah, you're from Long Island, which exit

0:36:46.080 --> 0:36:46.600
<v Speaker 4>off the l.

0:36:46.600 --> 0:36:48.040
<v Speaker 3>I E twenty five South.

0:36:48.200 --> 0:36:51.160
<v Speaker 1>Perfect, right. I love that. It's actually two away for mine,

0:36:51.200 --> 0:36:56.120
<v Speaker 1>so we're gonna need to rewrite. But so Cameron didn't

0:36:56.160 --> 0:36:58.520
<v Speaker 1>originally have Arnold in mine for the Terminator, as we

0:36:58.560 --> 0:37:01.200
<v Speaker 1>were saying, he wanted Lance Henry and for the role

0:37:01.840 --> 0:37:05.879
<v Speaker 1>who played Bishop, which is like, it's such a profoundly

0:37:05.920 --> 0:37:08.880
<v Speaker 1>different movie, but like it makes more sense on paper,

0:37:08.920 --> 0:37:11.600
<v Speaker 1>because yeah, why would the robot need to be shredded

0:37:11.800 --> 0:37:13.479
<v Speaker 1>and have an Austrian accent if.

0:37:13.400 --> 0:37:16.200
<v Speaker 2>It be enormous and like yeah, he would not blend

0:37:16.239 --> 0:37:18.560
<v Speaker 2>at all he can, and like it makes no sense.

0:37:18.640 --> 0:37:23.440
<v Speaker 1>Yeah, but it fucking hurts. I know, Like that version

0:37:23.440 --> 0:37:26.120
<v Speaker 1>probably works because James Cameron like knows what he's doing,

0:37:26.400 --> 0:37:28.520
<v Speaker 1>but there's no arguing that it would have worked as

0:37:28.560 --> 0:37:30.160
<v Speaker 1>well as it does with Arnold.

0:37:30.400 --> 0:37:32.480
<v Speaker 2>No, and he got his Lance Hendrickson type with the

0:37:32.520 --> 0:37:36.720
<v Speaker 2>T one thousand. Uh that guy Robert Patrick. Robert Patrick

0:37:36.800 --> 0:37:39.359
<v Speaker 2>and Lance Herison are constantly being confused in my head.

0:37:39.440 --> 0:37:41.600
<v Speaker 3>So it's like it's good casting.

0:37:41.600 --> 0:37:43.680
<v Speaker 1>Right, like think but also just like going back to

0:37:43.680 --> 0:37:46.960
<v Speaker 1>the initial point, like think about a brand that it is, Like,

0:37:46.960 --> 0:37:50.840
<v Speaker 1>think about if the T one thousand was yoked again.

0:37:51.719 --> 0:37:54.080
<v Speaker 3>Yea, now they're like body build.

0:37:54.600 --> 0:37:58.759
<v Speaker 4>Rip because that juxtaposition made the T one thousand more terrifying.

0:37:59.000 --> 0:37:59.799
<v Speaker 1>Yeah, you know what I mean.

0:37:59.880 --> 0:38:03.720
<v Speaker 2>I love in interviews it's going around again when Cameron

0:38:03.760 --> 0:38:05.600
<v Speaker 2>said the reason he made a T one thousand a

0:38:05.640 --> 0:38:09.040
<v Speaker 2>cop was because they kill indiscriminately, don't give a fuck

0:38:09.080 --> 0:38:11.520
<v Speaker 2>about humans, and like all this stuff, and he's like,

0:38:11.840 --> 0:38:14.000
<v Speaker 2>what better disguise for a person to be able to

0:38:14.080 --> 0:38:16.400
<v Speaker 2>do whatever they want to whoever they want and be

0:38:16.560 --> 0:38:18.400
<v Speaker 2>awful you know, like hell yeah.

0:38:18.719 --> 0:38:22.919
<v Speaker 1>Yeah, yeah, so that's what Like he in Terminator Won,

0:38:23.160 --> 0:38:25.120
<v Speaker 1>he was like, he it's kind of good that he's

0:38:25.520 --> 0:38:29.279
<v Speaker 1>foreign seeming because everybody's afraid of Russia, and Russia is

0:38:29.360 --> 0:38:31.719
<v Speaker 1>like always the one that starts the nuclear war in

0:38:31.760 --> 0:38:36.400
<v Speaker 1>both movies, they're just like fucking Russia. But he didn't

0:38:36.400 --> 0:38:39.319
<v Speaker 1>want to even meet with Schwarzenegger. They made him. He

0:38:39.400 --> 0:38:41.160
<v Speaker 1>was like, I'm gonna like pick a fight with him,

0:38:41.200 --> 0:38:44.359
<v Speaker 1>I guess. During lunch and before he left, he told

0:38:44.360 --> 0:38:46.120
<v Speaker 1>his friend, if it doesn't go well you can have

0:38:46.200 --> 0:38:49.080
<v Speaker 1>the chair and the stereo, which I think is just

0:38:49.080 --> 0:38:51.839
<v Speaker 1>a funny window into how big a deal stereos were

0:38:51.960 --> 0:38:53.560
<v Speaker 1>for that decoration. Of course.

0:38:54.040 --> 0:38:56.360
<v Speaker 2>Yeah, it's like the highest, the most expensive thing in

0:38:56.360 --> 0:38:57.120
<v Speaker 2>anyone's house.

0:38:57.239 --> 0:39:02.200
<v Speaker 1>Yeah, I think your Macintosh amplifier. Yeah. But Linda Hamilton

0:39:02.360 --> 0:39:06.239
<v Speaker 1>was like, I'm a trained Juilliard actor and this guy

0:39:06.360 --> 0:39:09.560
<v Speaker 1>is Conan was like this, this is a bad idea,

0:39:09.840 --> 0:39:12.000
<v Speaker 1>Like this will just be a blip on my career.

0:39:12.400 --> 0:39:15.279
<v Speaker 1>And then she went and they weren't on camera a

0:39:15.320 --> 0:39:18.359
<v Speaker 1>lot together, and so she went and like watched one

0:39:18.360 --> 0:39:21.799
<v Speaker 1>of the scenes where Arnold was like doing his thing

0:39:21.920 --> 0:39:24.680
<v Speaker 1>in a parking garage, and she was just like, oh shit,

0:39:24.920 --> 0:39:27.520
<v Speaker 1>Like he just like he knows how to like his

0:39:27.600 --> 0:39:31.200
<v Speaker 1>physicality and like how he moves in that movie. She

0:39:31.360 --> 0:39:33.720
<v Speaker 1>was like, this is actually gonna work really well.

0:39:33.960 --> 0:39:37.960
<v Speaker 2>Yeah, and like his like lack of mobility, he moves

0:39:38.120 --> 0:39:41.000
<v Speaker 2>very well in Conan, like he's he's you know, he's

0:39:41.200 --> 0:39:43.440
<v Speaker 2>leaping around wheel and stuff, but he's a little stiff

0:39:43.480 --> 0:39:45.920
<v Speaker 2>because he's a giant. He's the Austrian oak oak chest

0:39:46.040 --> 0:39:49.480
<v Speaker 2>and and the terminator. It totally benefits him.

0:39:49.880 --> 0:39:50.120
<v Speaker 3>Quick.

0:39:50.160 --> 0:39:53.359
<v Speaker 2>Aside about terminator, something we learned figured out on Action

0:39:53.400 --> 0:39:56.840
<v Speaker 2>Boys or noticed on Action Boys, is that the entire

0:39:56.960 --> 0:40:00.360
<v Speaker 2>premise of the Terminator movies require Linda ha mold In

0:40:00.480 --> 0:40:05.560
<v Speaker 2>to let a time traveling dirt bag raw dogger, Like

0:40:05.800 --> 0:40:09.040
<v Speaker 2>she has to let Michael Bean fuck her wrong, like

0:40:09.120 --> 0:40:11.640
<v Speaker 2>Kyle Reason has to finish in her in order for

0:40:11.680 --> 0:40:13.160
<v Speaker 2>the Terminator movies to happen.

0:40:13.480 --> 0:40:14.640
<v Speaker 3>And that's such crazy.

0:40:14.800 --> 0:40:17.400
<v Speaker 2>Thank God, this guy, who I think is a homeless lunatic,

0:40:18.120 --> 0:40:20.160
<v Speaker 2>I'm gonna let him fucking finish.

0:40:19.800 --> 0:40:21.640
<v Speaker 1>It for the world ends.

0:40:21.920 --> 0:40:25.640
<v Speaker 3>Yeah, a cream pie saves the world, Sarah.

0:40:25.280 --> 0:40:27.840
<v Speaker 1>This guy Kyle kind of stinks. No, he's from the

0:40:27.960 --> 0:40:30.400
<v Speaker 1>future and I got to bang him to save the world.

0:40:30.440 --> 0:40:32.640
<v Speaker 1>He said, Does she know that? But the part where

0:40:32.640 --> 0:40:35.840
<v Speaker 1>they have like is she on board at that point?

0:40:36.080 --> 0:40:36.640
<v Speaker 3>No, I don't.

0:40:36.760 --> 0:40:39.680
<v Speaker 2>She's on board with like maybe the reality of it,

0:40:40.080 --> 0:40:43.480
<v Speaker 2>but she doesn't know. Like it's like they're about to

0:40:43.560 --> 0:40:46.200
<v Speaker 2>make John Connor, which is such a funny specific because

0:40:46.239 --> 0:40:49.439
<v Speaker 2>John Connor sent him back. Did John Connor say, like, Hey,

0:40:49.440 --> 0:40:51.759
<v Speaker 2>this is my mom. You have to be my dad

0:40:51.880 --> 0:40:54.080
<v Speaker 2>like the time my mom y.

0:40:54.320 --> 0:40:57.799
<v Speaker 1>Yeah. Right, it's the opposite of back to the future, right,

0:40:58.520 --> 0:41:00.439
<v Speaker 1>you have to go back and fuck my mom.

0:41:00.480 --> 0:41:04.000
<v Speaker 4>I mean it's it's a romantic scene. They're making pipe bombs.

0:41:05.040 --> 0:41:07.239
<v Speaker 4>I fell in love with the second I saw that

0:41:07.440 --> 0:41:10.520
<v Speaker 4>shitty photo of you from our Son from the Future,

0:41:11.360 --> 0:41:12.800
<v Speaker 4>and then they have sex.

0:41:15.040 --> 0:41:19.400
<v Speaker 1>But yeah, Cameron has said that for Terminator to you know, obviously,

0:41:19.480 --> 0:41:22.640
<v Speaker 1>Arnold's character suddenly becomes the hero, but he was initially

0:41:22.640 --> 0:41:25.560
<v Speaker 1>meeting with Cameron to play the Michael Bean role, which

0:41:25.760 --> 0:41:28.840
<v Speaker 1>does make more sense because like, if it's a human,

0:41:28.920 --> 0:41:33.400
<v Speaker 1>they have to be strong to set back. Yeah, you

0:41:33.520 --> 0:41:35.640
<v Speaker 1>sent back a human that looks like Arnold to fight

0:41:35.800 --> 0:41:38.920
<v Speaker 1>a Terminator that looks like Michael Bean. But I think

0:41:39.080 --> 0:41:43.080
<v Speaker 1>Arnold just inherently understood, like this is what I would

0:41:43.120 --> 0:41:46.000
<v Speaker 1>be good at. And then at a deep animalistic level,

0:41:46.320 --> 0:41:50.640
<v Speaker 1>my name will be the name of the movie character

0:41:50.920 --> 0:41:52.600
<v Speaker 1>and I'll get to kill a lot of people, which

0:41:52.600 --> 0:41:55.759
<v Speaker 1>we're about to get into was was important to him.

0:41:55.960 --> 0:41:59.080
<v Speaker 1>I feel like there's like some part of his brain

0:41:59.200 --> 0:42:02.080
<v Speaker 1>that is like the same part of the like people's

0:42:02.120 --> 0:42:04.000
<v Speaker 1>brains that were like when you take a picture of someone,

0:42:04.040 --> 0:42:07.560
<v Speaker 1>you capture their soul, like ling photo photography. Like he

0:42:07.640 --> 0:42:09.839
<v Speaker 1>really like placed a lot of weight on like how

0:42:09.880 --> 0:42:13.239
<v Speaker 1>many people he got to kill in movies, and you know,

0:42:13.480 --> 0:42:16.279
<v Speaker 1>can't beat that with regards to the Terminator. But yeah,

0:42:16.320 --> 0:42:18.719
<v Speaker 1>Cameron has come out and said, like the reason a

0:42:18.840 --> 0:42:21.440
<v Speaker 1>cop is a bad guy in T two is cops

0:42:21.440 --> 0:42:23.960
<v Speaker 1>think all non cops are less than They are stupid,

0:42:23.960 --> 0:42:26.560
<v Speaker 1>weak and evil. They dehumanize the people they are sworn

0:42:26.640 --> 0:42:29.600
<v Speaker 1>to protect and desensitize themselves in order to do that job,

0:42:30.000 --> 0:42:34.560
<v Speaker 1>which fucking rules. Okay, So Schwarzenegger came away from reading

0:42:34.600 --> 0:42:37.680
<v Speaker 1>the script for Terminator Too with like a worried look

0:42:37.719 --> 0:42:40.920
<v Speaker 1>on his face, and Cameron's like, whoa what this is?

0:42:41.080 --> 0:42:43.719
<v Speaker 1>This is fucking perfect, And he was like, I just

0:42:43.760 --> 0:42:47.360
<v Speaker 1>like don't get to kill anyone in the script that

0:42:47.480 --> 0:42:49.600
<v Speaker 1>was he was like bummed that he didn't get to

0:42:49.680 --> 0:42:53.319
<v Speaker 1>kill anyone. Man Like this is this was a big

0:42:53.360 --> 0:42:57.040
<v Speaker 1>deal to him because I like it was one of

0:42:57.080 --> 0:42:59.600
<v Speaker 1>the pieces, like one of the pieces of data that

0:42:59.760 --> 0:43:02.920
<v Speaker 1>was like kept track of in his rivalry with Stallone

0:43:03.040 --> 0:43:05.120
<v Speaker 1>back at Cracks. We like once made a video counting

0:43:05.120 --> 0:43:08.400
<v Speaker 1>all the kills in Commando and that was by design.

0:43:08.480 --> 0:43:10.320
<v Speaker 1>You know the scene where he's just like going into

0:43:10.360 --> 0:43:16.200
<v Speaker 1>the uh yeah Balverde yeah, and just like yeah yeah.

0:43:16.239 --> 0:43:18.200
<v Speaker 1>But then like there were there are parts where it's

0:43:18.239 --> 0:43:20.239
<v Speaker 1>just like five seconds of just like him shooting like

0:43:20.360 --> 0:43:23.640
<v Speaker 1>waves and waves of like indiscriminate bad guys. They do.

0:43:23.840 --> 0:43:26.120
<v Speaker 2>They do the ultimate cut, the ultimate like eighties action

0:43:26.200 --> 0:43:28.720
<v Speaker 2>movie cut where you see Arnold spray in m sixty

0:43:28.800 --> 0:43:31.600
<v Speaker 2>like fifty times. Then it cuts to fifty guys just

0:43:31.719 --> 0:43:34.399
<v Speaker 2>leaping out of different cover like, oh, we all got

0:43:34.480 --> 0:43:35.160
<v Speaker 2>hit in that one.

0:43:35.200 --> 0:43:38.680
<v Speaker 1>It's awesome. They added that scene because I think it's

0:43:38.719 --> 0:43:41.000
<v Speaker 1>one one or the other. He had just seen Rambo two,

0:43:41.280 --> 0:43:42.799
<v Speaker 1>and I think that's what it was. He had seen

0:43:42.880 --> 0:43:45.799
<v Speaker 1>Rambo two and was like he got like a lot

0:43:45.840 --> 0:43:48.360
<v Speaker 1>of he killed a lot of people in that movie,

0:43:48.560 --> 0:43:51.120
<v Speaker 1>and so they like added scene. They were literally taking

0:43:51.160 --> 0:43:54.080
<v Speaker 1>extras who had just been shot and like spirit guming

0:43:54.080 --> 0:43:57.479
<v Speaker 1>a mustache onto their face to like differentiate them from

0:43:57.480 --> 0:43:59.279
<v Speaker 1>there and then just being like get back out there

0:43:59.320 --> 0:44:02.759
<v Speaker 1>to be killed again. Oh that's so awesome, man, for

0:44:02.840 --> 0:44:05.359
<v Speaker 1>all the hating. So Stallone should have taken the role

0:44:05.360 --> 0:44:07.480
<v Speaker 1>of terminator, because wasn't he offered the role? Like, didn't

0:44:07.480 --> 0:44:11.200
<v Speaker 1>he didn't? Stallone turned down the terminator role. Yeah, the

0:44:11.239 --> 0:44:14.480
<v Speaker 1>Stallone episode is gonna be crazy, like there their rivalry.

0:44:14.760 --> 0:44:17.440
<v Speaker 2>So let's let's get into the episode, allow me to

0:44:17.480 --> 0:44:18.960
<v Speaker 2>say I'll be back.

0:44:21.880 --> 0:44:24.760
<v Speaker 1>Rights. Hey, it wasn't. I got right.

0:44:26.760 --> 0:44:27.680
<v Speaker 3>Shows three.

0:44:29.520 --> 0:44:32.040
<v Speaker 1>I assumed that, like the rivalry between the two of

0:44:32.040 --> 0:44:35.640
<v Speaker 1>them was like made up in my child mind, you know,

0:44:35.800 --> 0:44:38.520
<v Speaker 1>because they were like the two big, strong guys. But

0:44:38.960 --> 0:44:41.880
<v Speaker 1>it was not I want to I want.

0:44:41.760 --> 0:44:43.879
<v Speaker 3>To just tell the stop or my mom will shoot.

0:44:44.280 --> 0:44:48.800
<v Speaker 1>Yes, oh yeah, yes. But this is a quote from

0:44:49.080 --> 0:44:53.240
<v Speaker 1>Arnold Miles that just appeared in the Yeah yeah, yeah,

0:44:53.280 --> 0:44:54.720
<v Speaker 1>this is this is from Arnold.

0:44:55.160 --> 0:44:58.920
<v Speaker 4>Yes, we were movie rivals, but we took the competitiveness

0:44:58.920 --> 0:45:01.920
<v Speaker 4>to the extreme. We had to have the best body,

0:45:02.160 --> 0:45:04.680
<v Speaker 4>we had to kill more people in our films, and

0:45:04.760 --> 0:45:06.160
<v Speaker 4>we had to have the biggest guns.

0:45:06.400 --> 0:45:11.720
<v Speaker 1>Yeah. Wow. They were counting and like literal dick measuring

0:45:11.800 --> 0:45:16.600
<v Speaker 1>guns and truly they were just keeping tabs on how

0:45:16.600 --> 0:45:19.240
<v Speaker 1>many people they killed it and like stallone was on lettermans.

0:45:19.280 --> 0:45:21.239
<v Speaker 1>Then after a while I started to like competition, this

0:45:21.320 --> 0:45:24.440
<v Speaker 1>one upsmanship. He'd get a bigger gun, I'd shoot more people,

0:45:24.520 --> 0:45:29.040
<v Speaker 1>He'd shoot more people. And so I think probably definitively

0:45:29.040 --> 0:45:33.040
<v Speaker 1>and Gabers, I want to get your official scholar's opinion

0:45:33.080 --> 0:45:36.360
<v Speaker 1>on this, but I feel like Schwartzenegger won right, Like

0:45:36.440 --> 0:45:41.400
<v Speaker 1>his movies did better than Stallone's and it's all there's

0:45:41.440 --> 0:45:45.640
<v Speaker 1>just the nature Rocky one in Oscar, that's true.

0:45:45.880 --> 0:45:49.239
<v Speaker 2>Right, So there's like this one thing that that Schwarzenegger

0:45:49.239 --> 0:45:51.600
<v Speaker 2>doesn't have, that Rocky had, that Stallone had.

0:45:51.719 --> 0:45:54.080
<v Speaker 1>Schwartzenegger probably doesn't give a shit about that, right.

0:45:53.960 --> 0:45:56.080
<v Speaker 2>It doesn't matter because he was like governor, like you

0:45:56.120 --> 0:45:58.200
<v Speaker 2>know what I mean, Like he won like a million

0:45:58.239 --> 0:46:01.080
<v Speaker 2>times over. Yeah, And I think his will be kinder

0:46:01.160 --> 0:46:05.560
<v Speaker 2>to Schwarzenegger than Stallone to Stallone has maybe more duds

0:46:05.560 --> 0:46:09.000
<v Speaker 2>in his but Stallone has always been a little bit more.

0:46:08.880 --> 0:46:10.960
<v Speaker 3>Of an artist than Arnold too.

0:46:11.000 --> 0:46:15.960
<v Speaker 2>Like Stallone wants to be Robert de Niro, right, Arnold

0:46:15.960 --> 0:46:18.880
<v Speaker 2>wants to be Superman, not the actor character.

0:46:19.520 --> 0:46:19.960
<v Speaker 1>Literally.

0:46:21.920 --> 0:46:24.600
<v Speaker 2>But I think you're I think I think the competition.

0:46:25.280 --> 0:46:28.640
<v Speaker 2>I also think we're talking about two guys who come

0:46:28.640 --> 0:46:30.839
<v Speaker 2>across as really dumb but are probably a little more

0:46:30.880 --> 0:46:34.600
<v Speaker 2>savvy than they for sure, And I think they understand

0:46:34.680 --> 0:46:39.920
<v Speaker 2>k fabe and a rivalry between two big guys will benefit.

0:46:39.520 --> 0:46:41.160
<v Speaker 1>Both of them, kindness, you know what I mean.

0:46:41.280 --> 0:46:43.040
<v Speaker 2>And so then they get to make the escape plan

0:46:43.080 --> 0:46:45.120
<v Speaker 2>and we all go and it's like it's like Heat.

0:46:45.600 --> 0:46:46.839
<v Speaker 3>It's like dumb heat, you.

0:46:46.800 --> 0:46:50.640
<v Speaker 1>Know, dumb heat fifteen years too late. I do like

0:46:51.120 --> 0:46:54.279
<v Speaker 1>the dreamcasing in my mind, and I don't know if

0:46:54.320 --> 0:46:56.960
<v Speaker 1>I would want to change a perfect film, but it

0:46:57.080 --> 0:46:59.799
<v Speaker 1>does seem like if they had been able to get

0:46:59.800 --> 0:47:03.160
<v Speaker 1>over the rivalry and make sure it's an egger ivan

0:47:03.200 --> 0:47:07.319
<v Speaker 1>drago like that, it would have broken the world like that.

0:47:07.320 --> 0:47:10.880
<v Speaker 1>That movie already did incredibly well for a movie that

0:47:11.040 --> 0:47:15.640
<v Speaker 1>is like I think forty percent montage. Yeah, but you know,

0:47:15.920 --> 0:47:19.560
<v Speaker 1>like that that would have fucking destroyed people's brains.

0:47:19.680 --> 0:47:22.080
<v Speaker 2>Yeah, Arnold's like and you see it with some of

0:47:22.080 --> 0:47:24.239
<v Speaker 2>the big actors now, where their ego gets in their

0:47:24.280 --> 0:47:26.719
<v Speaker 2>way of like interesting choices, like where it's just like

0:47:26.960 --> 0:47:29.400
<v Speaker 2>I can't have Sly beat me up and it's like,

0:47:30.040 --> 0:47:31.960
<v Speaker 2>but okay, it cool.

0:47:32.200 --> 0:47:34.920
<v Speaker 1>Yeah, literally everyone in the world would have seen it.

0:47:35.040 --> 0:47:37.560
<v Speaker 1>But yeah, and you would have gotten one more kill

0:47:37.680 --> 0:47:38.880
<v Speaker 1>than him in that movie.

0:47:39.000 --> 0:47:40.760
<v Speaker 3>Yeah, you kill your boy.

0:47:41.040 --> 0:47:44.920
<v Speaker 1>Fucking yeah, Carl Weathers, that's right. It just wasn't properly

0:47:44.960 --> 0:47:45.799
<v Speaker 1>pitched to him.

0:47:45.880 --> 0:47:48.479
<v Speaker 4>Do you think there's any backstory to like, I feel

0:47:48.480 --> 0:47:52.719
<v Speaker 4>like the movie posters for Cobra and Terminator are very similar,

0:47:53.000 --> 0:47:55.920
<v Speaker 4>you know, like where terminators, like he's got like a

0:47:55.920 --> 0:47:57.160
<v Speaker 4>gun like this cobra.

0:47:57.239 --> 0:47:58.799
<v Speaker 1>Stallone is also doing it with.

0:47:58.800 --> 0:48:00.800
<v Speaker 2>Like got a bigger guy, though he's not he doesn't

0:48:00.800 --> 0:48:02.120
<v Speaker 2>have a pistol, he has like a little.

0:48:03.280 --> 0:48:08.080
<v Speaker 4>Exactly, are you really going for the exact same composition

0:48:08.440 --> 0:48:10.000
<v Speaker 4>of a movie poster and con.

0:48:09.880 --> 0:48:12.800
<v Speaker 1>It's like no. It also has those weird like techno

0:48:13.000 --> 0:48:16.320
<v Speaker 1>vibe like the aren't there like those music video shoots

0:48:16.320 --> 0:48:17.840
<v Speaker 1>in there that kind of look like.

0:48:17.840 --> 0:48:23.160
<v Speaker 3>Up is like shooting music videos with robots. So I

0:48:23.200 --> 0:48:23.680
<v Speaker 3>wanted to.

0:48:23.600 --> 0:48:28.080
<v Speaker 1>Talk about Brigitte Nielsen in a second because that she

0:48:28.360 --> 0:48:32.120
<v Speaker 1>started out working with Arnold, and I feel like this

0:48:32.200 --> 0:48:35.640
<v Speaker 1>is a good kind of summation of who they were.

0:48:35.840 --> 0:48:38.719
<v Speaker 1>So Arnold and Brigitte Nielsen co starred in one of

0:48:38.760 --> 0:48:42.239
<v Speaker 1>the Conan films, and like her quote on it is

0:48:42.280 --> 0:48:44.719
<v Speaker 1>like the set lights wouldn't be out and we'd be

0:48:44.760 --> 0:48:48.719
<v Speaker 1>off fucking each other like we did every single thing

0:48:48.760 --> 0:48:51.200
<v Speaker 1>to each other's body is the like reads like a

0:48:51.320 --> 0:48:55.520
<v Speaker 1>romance novel. And then Stallone goes on to marry her

0:48:55.880 --> 0:48:59.520
<v Speaker 1>and like tightly control her career and like she couldn't

0:48:59.560 --> 0:49:02.200
<v Speaker 1>be in any thing that he wasn't involved with. And

0:49:02.200 --> 0:49:05.000
<v Speaker 1>then when she was finally in Beverly Hills Cop two,

0:49:05.520 --> 0:49:08.440
<v Speaker 1>he called Eddie Murphy and accused him of sleeping with her.

0:49:09.200 --> 0:49:12.160
<v Speaker 1>Like it just seems like he's like fueled by insecurity

0:49:12.560 --> 0:49:15.720
<v Speaker 1>and Arnold is just this like bounding, confident puppy.

0:49:16.200 --> 0:49:18.759
<v Speaker 2>Fucking yeah, he's like a giant Golden Retriever with his

0:49:18.800 --> 0:49:25.080
<v Speaker 2>lipstick out. Yeah yeah, right, yeah, Oh that's actually Arnold

0:49:25.080 --> 0:49:27.920
<v Speaker 2>and Brigitte hit it off in Red Sonya, which is

0:49:27.960 --> 0:49:29.240
<v Speaker 2>not a Conan movie.

0:49:29.480 --> 0:49:31.160
<v Speaker 3>Red Sonya is red Sonya.

0:49:31.239 --> 0:49:34.000
<v Speaker 2>And then Arnold plays exactly a character like Conan but

0:49:34.080 --> 0:49:36.680
<v Speaker 2>named like a name of different. Yeah, it's just it's

0:49:36.719 --> 0:49:39.759
<v Speaker 2>just like, yes, we can't legally call him Conan, but

0:49:40.040 --> 0:49:42.720
<v Speaker 2>he's a barbarian who focks a chick with a sword

0:49:42.719 --> 0:49:43.400
<v Speaker 2>in this movie.

0:49:43.640 --> 0:49:46.480
<v Speaker 1>Yes, and he also they he said that they shot

0:49:46.560 --> 0:49:49.640
<v Speaker 1>him from like three different angles in every shot that

0:49:49.680 --> 0:49:52.360
<v Speaker 1>he was on, so like they could just like stretch

0:49:52.400 --> 0:49:55.400
<v Speaker 1>the footage as much as possible. He was just like,

0:49:55.440 --> 0:49:57.360
<v Speaker 1>I don't really want to do this, and they're like, yeah, no,

0:49:57.400 --> 0:49:58.799
<v Speaker 1>you're just here for a couple of days, and then

0:49:58.800 --> 0:50:00.880
<v Speaker 1>they're like he's actually the star or of the movie.

0:50:01.719 --> 0:50:04.440
<v Speaker 1>But yeah, So the one thing that Arnold always had

0:50:04.480 --> 0:50:07.120
<v Speaker 1>the ability to do which is weird because he doesn't

0:50:07.160 --> 0:50:11.400
<v Speaker 1>like seem like that funny of a person necessarily, but

0:50:11.600 --> 0:50:15.759
<v Speaker 1>he could always do comedy and that drove Stallone crazy,

0:50:16.280 --> 0:50:20.080
<v Speaker 1>and so in nineteen ninety two he decided to fuck

0:50:20.120 --> 0:50:23.840
<v Speaker 1>with Stallone. Let's and tell him that the movie Stopper

0:50:23.920 --> 0:50:26.799
<v Speaker 1>my mom will shoot. That script was going around and

0:50:27.160 --> 0:50:30.560
<v Speaker 1>he said that he read the script. It was a

0:50:30.600 --> 0:50:33.440
<v Speaker 1>piece of shit. Let's be honest. I say to myself,

0:50:33.480 --> 0:50:35.759
<v Speaker 1>I'm not gonna do this movie. Then they went to

0:50:35.840 --> 0:50:38.400
<v Speaker 1>Sly and Sly called me, have they ever talked to

0:50:38.440 --> 0:50:41.399
<v Speaker 1>you about doing this movie? And here, I'm gonna give

0:50:41.440 --> 0:50:43.040
<v Speaker 1>you the quote, Miles, so you can read it.

0:50:43.520 --> 0:50:46.239
<v Speaker 4>And I said, yes, I was thinking about doing it.

0:50:46.520 --> 0:50:48.799
<v Speaker 4>This is a really brilliant idea of the movie. When

0:50:48.840 --> 0:50:52.319
<v Speaker 4>he heard that, because he was in the competition, he said,

0:50:52.640 --> 0:50:54.200
<v Speaker 4>whatever it takes, I'll do the movie.

0:50:54.520 --> 0:50:57.600
<v Speaker 1>And of course the movie went major into the toilet,

0:50:58.520 --> 0:50:59.800
<v Speaker 1>major into the toilet.

0:51:00.120 --> 0:51:06.200
<v Speaker 2>You're it's so awesome. That movie is fucking bad and weird.

0:51:06.640 --> 0:51:09.080
<v Speaker 2>You guys, you don't just cover the good ones on action.

0:51:09.200 --> 0:51:09.319
<v Speaker 1>Now.

0:51:09.880 --> 0:51:12.520
<v Speaker 2>Yeah, we haven't done Oscar yet, which is all which

0:51:12.560 --> 0:51:15.759
<v Speaker 2>is slies other attempt at comedy that fucking failed hard. Yeah,

0:51:15.840 --> 0:51:19.120
<v Speaker 2>Arnold just has a better sense of humor even about himself,

0:51:19.160 --> 0:51:21.680
<v Speaker 2>which I think is like the thing that makes him better.

0:51:21.880 --> 0:51:24.440
<v Speaker 2>The rock doesn't have that, like none of none of

0:51:24.440 --> 0:51:27.480
<v Speaker 2>our modern maybe Sina does, but none of our modern

0:51:27.520 --> 0:51:30.360
<v Speaker 2>people have that about themselves, like, you know, like everyone's

0:51:30.400 --> 0:51:33.440
<v Speaker 2>too self serious or like worried that you know, like

0:51:33.840 --> 0:51:37.319
<v Speaker 2>that nineties toxic masculinity mentality of like, well, if I

0:51:37.360 --> 0:51:43.000
<v Speaker 2>made fun of myself, then everyone knows I'm a bitch, Okay.

0:51:42.680 --> 0:51:45.279
<v Speaker 1>Then what then I might become gay or something. Yeah,

0:51:45.320 --> 0:51:47.600
<v Speaker 1>someone will think I'm day if Kevin Hart mocks me

0:51:47.640 --> 0:51:51.360
<v Speaker 1>in a movie like no, I should rip Kevin Hart

0:51:51.360 --> 0:51:56.160
<v Speaker 1>in half. In this movie Predator, I think arguably his

0:51:56.200 --> 0:51:58.840
<v Speaker 1>best movie. I don't know Tato is probably my favorite

0:51:58.920 --> 0:52:01.960
<v Speaker 1>of his movies, but it's a really great movie. His

0:52:02.080 --> 0:52:04.480
<v Speaker 1>muscles are used for comedy and like that. That also

0:52:04.520 --> 0:52:06.960
<v Speaker 1>gets to the question of like how much is he

0:52:07.000 --> 0:52:08.720
<v Speaker 1>aware of it and how much is he just willing

0:52:08.760 --> 0:52:13.359
<v Speaker 1>to let himself be used by directors in the way

0:52:13.400 --> 0:52:15.520
<v Speaker 1>that like he like kind of finds the right people

0:52:15.520 --> 0:52:17.279
<v Speaker 1>to work with and then lets him do their job.

0:52:17.360 --> 0:52:21.240
<v Speaker 1>Whereas that seems to be the exact opposite of Sylvester Stallone.

0:52:21.239 --> 0:52:23.279
<v Speaker 2>He gets like guys that he can bully and be

0:52:23.360 --> 0:52:25.280
<v Speaker 2>in charge of and fire as.

0:52:25.120 --> 0:52:27.760
<v Speaker 1>The initial director, and then gets like some guy who

0:52:27.800 --> 0:52:31.120
<v Speaker 1>he can just like put more or less. Yeah, Yeah.

0:52:31.480 --> 0:52:35.160
<v Speaker 2>Arnold's strong suit is like a trust in directors and

0:52:35.360 --> 0:52:38.480
<v Speaker 2>like a ability to go like I don't fully understand

0:52:38.480 --> 0:52:41.000
<v Speaker 2>what I'm saying in this scene, but you just tell

0:52:41.040 --> 0:52:43.120
<v Speaker 2>me how to say phonetically and I'll get it out.

0:52:43.239 --> 0:52:43.439
<v Speaker 1>Yes.

0:52:44.560 --> 0:52:45.359
<v Speaker 3>And then you watch Sly.

0:52:45.440 --> 0:52:53.440
<v Speaker 2>Movies and realize, like English, what was Sylvester Sloane's first language?

0:52:51.600 --> 0:52:55.760
<v Speaker 2>He sounds like that and English is the only language

0:52:55.800 --> 0:52:56.840
<v Speaker 2>they spoke in his life.

0:52:58.080 --> 0:53:00.719
<v Speaker 1>The only other detail I learned about Predator in this

0:53:01.239 --> 0:53:03.600
<v Speaker 1>from Jam is that there was they had a problem

0:53:03.600 --> 0:53:07.239
<v Speaker 1>with their water filtration system. The cast got sick. As

0:53:07.239 --> 0:53:09.719
<v Speaker 1>far as I know, this is the only Arnold Schwarzenegger

0:53:09.760 --> 0:53:12.200
<v Speaker 1>movie in which he shipped his pants during the filming.

0:53:13.160 --> 0:53:18.400
<v Speaker 1>And I bring that up only because I have a

0:53:18.400 --> 0:53:21.160
<v Speaker 1>loose theory, because that's also true of Harrison Ford and

0:53:21.239 --> 0:53:24.840
<v Speaker 1>Raiders of the Lost Arc. All the all the desert

0:53:24.920 --> 0:53:27.959
<v Speaker 1>films are filmed while he's like running off to ship

0:53:28.040 --> 0:53:31.720
<v Speaker 1>his brains out because he was like incredibly sick. Also

0:53:31.840 --> 0:53:34.720
<v Speaker 1>true of the most iconic moment of Michael Jordan's career.

0:53:35.080 --> 0:53:38.080
<v Speaker 1>I'm just saying, when you have to, when you have

0:53:38.200 --> 0:53:41.120
<v Speaker 1>to like focus your mind on not shitting your pants,

0:53:44.600 --> 0:53:46.960
<v Speaker 1>you do some pretty iconic work. We don't know, Like

0:53:47.040 --> 0:53:50.279
<v Speaker 1>it's not It's also not something that like Einstein would

0:53:50.320 --> 0:53:52.239
<v Speaker 1>have said, Like, you know, when I came up with

0:53:52.280 --> 0:53:56.440
<v Speaker 1>the equals MC squared, I was shitting my back out

0:53:56.440 --> 0:53:58.279
<v Speaker 1>of my button up the pants. It wasn't just a

0:53:58.320 --> 0:53:58.880
<v Speaker 1>loose theory.

0:53:58.880 --> 0:54:02.640
<v Speaker 4>It's a loose stool that it's a really Yeah, I

0:54:02.680 --> 0:54:04.440
<v Speaker 4>mean that's inspired me.

0:54:04.520 --> 0:54:04.719
<v Speaker 1>Jack.

0:54:04.760 --> 0:54:06.719
<v Speaker 4>I think next week I'm gonna do we'll do the

0:54:06.760 --> 0:54:08.640
<v Speaker 4>diarrhea episodes to see if that.

0:54:08.640 --> 0:54:09.920
<v Speaker 1>Changes my performance here on the.

0:54:09.920 --> 0:54:11.839
<v Speaker 3>Pod Theory of diar Reativity.

0:54:12.280 --> 0:54:19.160
<v Speaker 1>Yeah, sorry, relativity. Kindergarten Cop gave us the soundboard, which

0:54:19.200 --> 0:54:22.240
<v Speaker 1>I do think is like one of the most iconic

0:54:22.280 --> 0:54:23.280
<v Speaker 1>things about his career.

0:54:23.640 --> 0:54:28.319
<v Speaker 2>Reinvigorated him in a weird way and it really made

0:54:28.400 --> 0:54:31.880
<v Speaker 2>him in like crystallized like a joke version of Arnold

0:54:32.280 --> 0:54:36.320
<v Speaker 2>that then he got to like push against by becoming

0:54:36.400 --> 0:54:39.240
<v Speaker 2>a politician. Like it was like there's like this weird

0:54:39.280 --> 0:54:42.319
<v Speaker 2>thing where this is like he's a household joke with

0:54:42.400 --> 0:54:45.200
<v Speaker 2>the fucking soundboard which we were all obsessed with that

0:54:45.360 --> 0:54:48.799
<v Speaker 2>shout out eBaum's World for giving me like fucking six

0:54:48.960 --> 0:54:51.400
<v Speaker 2>years of fucking joy. And Howard Stern is where I

0:54:51.400 --> 0:54:55.200
<v Speaker 2>first heard it too, But then he survives becoming like

0:54:55.320 --> 0:54:58.880
<v Speaker 2>that much of a fucking joke somehow, which is just crazy.

0:54:59.120 --> 0:55:00.000
<v Speaker 3>That's impossible.

0:55:00.320 --> 0:55:02.080
<v Speaker 1>This soundboard still exists.

0:55:02.200 --> 0:55:04.120
<v Speaker 3>Dude, who is your daddy and what does he do?

0:55:04.480 --> 0:55:06.080
<v Speaker 1>Who is your daddy? I want to ask you a

0:55:06.120 --> 0:55:07.000
<v Speaker 1>bunch of questions.

0:55:07.120 --> 0:55:10.520
<v Speaker 4>Uh huh, I have to answered immediately who is your

0:55:10.600 --> 0:55:12.360
<v Speaker 4>daddy and what does he do?

0:55:13.719 --> 0:55:13.879
<v Speaker 3>Pop?

0:55:13.920 --> 0:55:17.480
<v Speaker 1>Who don't know what this is our yoga listeners? Like

0:55:17.560 --> 0:55:20.120
<v Speaker 1>it was just it's like a pool string toy, but

0:55:20.239 --> 0:55:22.080
<v Speaker 1>like you know, you can like hit everything and it

0:55:22.160 --> 0:55:24.200
<v Speaker 1>like gives you all these different lines from Schwarzenegger. And

0:55:24.280 --> 0:55:29.160
<v Speaker 1>it was used for a great like prank call effect

0:55:29.440 --> 0:55:33.759
<v Speaker 1>on many a radio show. And but I also think

0:55:33.880 --> 0:55:36.640
<v Speaker 1>like something I think it was Rogers said on Action

0:55:36.760 --> 0:55:40.800
<v Speaker 1>Boys that I thought was really smart is that both

0:55:40.880 --> 0:55:45.560
<v Speaker 1>as a movie star and like just how we thought

0:55:45.600 --> 0:55:48.880
<v Speaker 1>of him, He's just an action figure that you like

0:55:49.000 --> 0:55:52.440
<v Speaker 1>dress up in different things and like make do different things.

0:55:52.760 --> 0:55:55.759
<v Speaker 1>And like that's why I think the soundboard works so

0:55:55.840 --> 0:55:59.080
<v Speaker 1>well is because it's basically the pool string toy for

0:55:59.440 --> 0:56:02.040
<v Speaker 1>like pre internet shit posters, where you can just like

0:56:02.440 --> 0:56:05.880
<v Speaker 1>use Arnold quotes to just like do whatever, like use

0:56:05.920 --> 0:56:07.080
<v Speaker 1>it as many times as you want.

0:56:07.320 --> 0:56:10.480
<v Speaker 2>And there's no scene where he's a child opening up

0:56:10.480 --> 0:56:13.680
<v Speaker 2>a package making the audience cry watching the movie. Like

0:56:13.800 --> 0:56:17.439
<v Speaker 2>everything he says is like weirdly ah, you know, and.

0:56:17.360 --> 0:56:18.279
<v Speaker 1>It's like a right right.

0:56:22.040 --> 0:56:24.480
<v Speaker 4>My favorite one was he called the Gator Lodge was

0:56:24.520 --> 0:56:27.000
<v Speaker 4>one where he confuses this old woman.

0:56:28.040 --> 0:56:28.279
<v Speaker 1>Dude.

0:56:28.280 --> 0:56:30.839
<v Speaker 4>Those are the best videos or though I guess they

0:56:30.840 --> 0:56:32.920
<v Speaker 4>were just you know, audio clips at the time, but

0:56:33.000 --> 0:56:36.719
<v Speaker 4>I think, like to your point, it really was sonically,

0:56:36.840 --> 0:56:39.480
<v Speaker 4>Arnold Schwarzenegger is just in your subconscious on this in

0:56:39.520 --> 0:56:42.040
<v Speaker 4>this way that you also got excited at the idea

0:56:42.040 --> 0:56:45.480
<v Speaker 4>that someone was just laughing in your face, playing blatantly

0:56:45.640 --> 0:56:48.520
<v Speaker 4>Arnold Schwarzenegger's rights and they're like who.

0:56:48.400 --> 0:56:51.640
<v Speaker 5>Is this and they're like, Detective John Kimball, you fucking

0:56:51.680 --> 0:56:55.840
<v Speaker 5>need it's Detective John Kimble, you idiot, you idiot.

0:56:59.440 --> 0:57:03.640
<v Speaker 2>Okay, Hey, Bennetts left off some steam. Yeah, remember when

0:57:03.640 --> 0:57:07.360
<v Speaker 2>I told you I'd kill you last I love my

0:57:07.480 --> 0:57:13.479
<v Speaker 2>friend is dead tired. Commando Commando is the most full

0:57:13.520 --> 0:57:14.279
<v Speaker 2>of those, like.

0:57:14.239 --> 0:57:16.640
<v Speaker 1>If you're Commando And Kindergarten Cop.

0:57:16.800 --> 0:57:18.840
<v Speaker 3>Yeah, yeah, Kindergarten Cop is.

0:57:18.800 --> 0:57:21.160
<v Speaker 1>The one that like has so many of my favorite

0:57:21.320 --> 0:57:24.760
<v Speaker 1>Kindergarten Cop like weirdly is one of the ones that

0:57:24.920 --> 0:57:28.200
<v Speaker 1>kind of looms the largest in my memory other than

0:57:28.280 --> 0:57:32.080
<v Speaker 1>Terminator two, Like Terminator two is the most burnt on

0:57:32.160 --> 0:57:35.360
<v Speaker 1>my brain or movie of my life. But Kindergarten Cop

0:57:36.120 --> 0:57:38.640
<v Speaker 1>just really like every review when you go back and

0:57:38.680 --> 0:57:41.960
<v Speaker 1>look is like this really shouldn't work. Why does this work?

0:57:42.080 --> 0:57:43.880
<v Speaker 1>But it like really fucking does.

0:57:44.280 --> 0:57:47.680
<v Speaker 2>The Bad Guy is like too scary for like a

0:57:47.720 --> 0:57:52.320
<v Speaker 2>movie that also features children and Arnold, Like it's like also,

0:57:52.360 --> 0:57:54.800
<v Speaker 2>it's like our first time we see Arnold and a beard, right,

0:57:55.000 --> 0:57:56.840
<v Speaker 2>like yea and my guy and I'm a big fan

0:57:56.880 --> 0:57:58.880
<v Speaker 2>of Arnold with facial hair and he has a fake

0:57:58.920 --> 0:58:01.640
<v Speaker 2>beard in the beginning of that and those weird little

0:58:01.680 --> 0:58:06.440
<v Speaker 2>like fucking shooter glasses. It's like very it's that is

0:58:06.520 --> 0:58:08.680
<v Speaker 2>that was Jack. I kind of get what you're saying

0:58:08.720 --> 0:58:11.560
<v Speaker 2>because we were young when we saw it exactly. I

0:58:11.600 --> 0:58:13.960
<v Speaker 2>was kind of like, you know, the other movies were

0:58:13.960 --> 0:58:16.200
<v Speaker 2>like grown up movies, but this felt like a movie

0:58:16.280 --> 0:58:18.440
<v Speaker 2>that we were like allowed to see. And so then

0:58:19.120 --> 0:58:21.160
<v Speaker 2>and then all of a sudden, you feel like, wow,

0:58:21.240 --> 0:58:24.760
<v Speaker 2>imagine if your fucking teacher like had a gun, not

0:58:24.880 --> 0:58:27.800
<v Speaker 2>to think about it would be sick. My dad, he's

0:58:27.800 --> 0:58:30.200
<v Speaker 2>a guyanic cologist and he looks like vagianas all.

0:58:31.840 --> 0:58:33.920
<v Speaker 1>It was a time before that was actually a political

0:58:33.960 --> 0:58:36.280
<v Speaker 1>talking point that all teachers should have guns.

0:58:38.000 --> 0:58:39.160
<v Speaker 3>It's crazy.

0:58:39.560 --> 0:58:42.080
<v Speaker 1>But yeah, like I haven't really been able to get

0:58:42.160 --> 0:58:44.880
<v Speaker 1>Arnold much in front of my kids because like, I

0:58:44.880 --> 0:58:47.200
<v Speaker 1>don't want their first experience to be jingle all the way,

0:58:47.200 --> 0:58:50.320
<v Speaker 1>because I don't think that's like that good of a movie.

0:58:50.640 --> 0:58:52.560
<v Speaker 1>And so I was gonna show them. I was going

0:58:52.640 --> 0:58:55.600
<v Speaker 1>to show them Kindergarten Cop, and then I listened back

0:58:55.640 --> 0:58:58.280
<v Speaker 1>to the Action Boys. You're like, there's like a drug

0:58:58.320 --> 0:59:00.920
<v Speaker 1>overdose in this. Yeah. I don't want to get on

0:59:01.000 --> 0:59:02.760
<v Speaker 1>the wrong idea about drugs, you know.

0:59:03.440 --> 0:59:06.720
<v Speaker 2>Yeah, I know we'll be using them wisely in our house. Exactly,

0:59:06.720 --> 0:59:08.440
<v Speaker 2>both of my kids know where the narcan is.

0:59:10.400 --> 0:59:18.120
<v Speaker 1>You got test strips man, Exactly.

0:59:19.480 --> 0:59:22.120
<v Speaker 4>It says we have to learn to use the Yeah,

0:59:22.160 --> 0:59:24.080
<v Speaker 4>We're gonna go get our fenyl vaccines today.

0:59:37.080 --> 0:59:40.360
<v Speaker 1>His comedies are like on pap again, all of the ship,

0:59:40.480 --> 0:59:44.080
<v Speaker 1>like he doesn't make any sense on paper, like Twins

0:59:44.280 --> 0:59:48.200
<v Speaker 1>is a deeply fucked up eugenics story, Like it begins

0:59:48.200 --> 0:59:51.280
<v Speaker 1>in a top secret government lab where scientists are attempting

0:59:51.360 --> 0:59:54.640
<v Speaker 1>to create a physically, mentally and spiritually advanced human being,

0:59:55.080 --> 0:59:58.280
<v Speaker 1>and the narrator has like a thick Austrian accent, so

0:59:58.320 --> 1:00:01.240
<v Speaker 1>it's like it doesn't make it seemed like it wasn't

1:00:01.400 --> 1:00:04.520
<v Speaker 1>about x Nazi doctors trying to create a master race.

1:00:04.800 --> 1:00:09.000
<v Speaker 1>And then kindergarten cop is like gun toting policeman again

1:00:09.200 --> 1:00:12.720
<v Speaker 1>goes undercover the most conspicuous human being on the plant,

1:00:12.760 --> 1:00:15.080
<v Speaker 1>Like if that guy was just a cop, he would

1:00:15.080 --> 1:00:20.920
<v Speaker 1>be famous, right, how fucking cool he looks? And then Junior, Yeah.

1:00:20.760 --> 1:00:24.760
<v Speaker 2>Yeah, Twins is like maybe your best back to show kids,

1:00:24.840 --> 1:00:28.520
<v Speaker 2>but it's like all adult themed. It's not like it's

1:00:28.560 --> 1:00:31.760
<v Speaker 2>not like really fucked up, but it is like too,

1:00:31.840 --> 1:00:35.520
<v Speaker 2>like I couldn't imagine kids holding their interests, like almost

1:00:35.600 --> 1:00:37.880
<v Speaker 2>like if Conan wasn't so scary, that would be the

1:00:37.880 --> 1:00:39.680
<v Speaker 2>one that makes the most sense. But it's a touch

1:00:40.040 --> 1:00:42.720
<v Speaker 2>spooky with like snake worshippers and shit like that.

1:00:43.040 --> 1:00:46.160
<v Speaker 1>Yeah, I am very interested to see, like if his

1:00:46.600 --> 1:00:49.840
<v Speaker 1>appeal still holds. You know, I'm sure it does, right,

1:00:49.880 --> 1:00:53.600
<v Speaker 1>It's still like these movies are good. But then I

1:00:53.600 --> 1:00:55.640
<v Speaker 1>thought that about Jaws, and my son was like, it's

1:00:55.720 --> 1:00:58.240
<v Speaker 1>almost as good as the meg too, So.

1:00:59.720 --> 1:01:02.320
<v Speaker 2>Yeah, yeah, you know it's hard. You're like fucking with

1:01:02.400 --> 1:01:04.960
<v Speaker 2>the modern attention span, which is just like on it.

1:01:05.200 --> 1:01:09.000
<v Speaker 2>It's like modern consumption is on just a different frequency

1:01:09.040 --> 1:01:10.200
<v Speaker 2>than we had growing up.

1:01:10.480 --> 1:01:12.440
<v Speaker 3>Yeah, you know, we kind.

1:01:12.280 --> 1:01:14.680
<v Speaker 2>Of had no choice but to be like, well, Jaws

1:01:14.760 --> 1:01:16.920
<v Speaker 2>is what's on. I have to like set my brain

1:01:17.000 --> 1:01:19.280
<v Speaker 2>to be able to sit here for this, which we'd

1:01:19.320 --> 1:01:21.520
<v Speaker 2>barely ever see a shark. And then you're a kid

1:01:21.560 --> 1:01:23.320
<v Speaker 2>and you just get baby Shark, and then all of

1:01:23.320 --> 1:01:25.560
<v Speaker 2>a sudden you're like, who cares about Jaws when there's

1:01:25.680 --> 1:01:26.360
<v Speaker 2>baby Shark?

1:01:26.480 --> 1:01:29.400
<v Speaker 1>Why is the shark singing? Why does Chief Brody not

1:01:29.480 --> 1:01:32.640
<v Speaker 1>open the video by being like, hey, guys, you know,

1:01:32.880 --> 1:01:36.439
<v Speaker 1>talking directly to me. We're at the kind of part

1:01:36.440 --> 1:01:38.960
<v Speaker 1>where his career starts to go away a little bit,

1:01:39.080 --> 1:01:41.160
<v Speaker 1>starts to go downhill for the first time. He's like

1:01:41.280 --> 1:01:44.400
<v Speaker 1>kind of invincible for a long time. Two things that

1:01:44.480 --> 1:01:47.439
<v Speaker 1>happened in the early nineties. One his Planet Hollywood, which

1:01:47.680 --> 1:01:50.880
<v Speaker 1>was like a massive deal at the time, but it

1:01:51.160 --> 1:01:55.760
<v Speaker 1>just it fell apart pretty quickly. The food suck. Schwarzenegger

1:01:55.760 --> 1:01:58.720
<v Speaker 1>pulled out in two thousand. He was notoriously bad at

1:01:58.720 --> 1:01:59.800
<v Speaker 1>pulling out early enough.

1:02:00.240 --> 1:02:01.240
<v Speaker 3>Uh, that's a.

1:02:01.280 --> 1:02:03.520
<v Speaker 1>One time he put one time he pulled out, one

1:02:03.560 --> 1:02:07.520
<v Speaker 1>time actually pulled out on top. And then the Last

1:02:07.520 --> 1:02:11.760
<v Speaker 1>Action Hero was like the big the big one. Uh,

1:02:12.040 --> 1:02:15.080
<v Speaker 1>it was everybody was like focused on it, so it

1:02:15.080 --> 1:02:17.400
<v Speaker 1>got like watered down by studio notes. It doesn't like

1:02:17.520 --> 1:02:20.360
<v Speaker 1>totally cohere. There's some like really good stuff in it,

1:02:20.840 --> 1:02:21.479
<v Speaker 1>but like.

1:02:21.720 --> 1:02:24.600
<v Speaker 2>An inshanely good concept that they just fall a little

1:02:24.600 --> 1:02:27.720
<v Speaker 2>short on. And I remember loving it as a kid,

1:02:27.800 --> 1:02:29.840
<v Speaker 2>and or I loved it at least wanting to love it,

1:02:29.880 --> 1:02:32.320
<v Speaker 2>and then rewatching it as a grown up, You're like, man,

1:02:32.400 --> 1:02:35.640
<v Speaker 2>this could be so much better. Yeah, they also movie

1:02:35.720 --> 1:02:38.560
<v Speaker 2>to remake. Everyone on these remakes movies that everyone loves.

1:02:38.600 --> 1:02:40.800
<v Speaker 2>Remake a movie that kind of sucked.

1:02:41.120 --> 1:02:44.200
<v Speaker 4>Because it had like kind and yeah, he was also

1:02:44.240 --> 1:02:45.440
<v Speaker 4>listening to mini discs.

1:02:45.480 --> 1:02:49.320
<v Speaker 1>I think, like in his stereo in his car. Its

1:02:49.320 --> 1:02:52.280
<v Speaker 1>just like a technology. It's like a satire of action

1:02:52.400 --> 1:02:54.600
<v Speaker 1>movies that like doesn't really get a lot of action

1:02:54.760 --> 1:02:58.080
<v Speaker 1>movie like tropes are like there's a cartoon character walking

1:02:58.080 --> 1:03:02.440
<v Speaker 1>through the police station. He's like always throwing dynamite around.

1:03:02.520 --> 1:03:05.040
<v Speaker 1>It's like, what the fuck is that? He keeps calling

1:03:05.120 --> 1:03:10.480
<v Speaker 1>f Murray Abraham Salieri too. He's like, that's Alma Dais.

1:03:10.560 --> 1:03:14.800
<v Speaker 1>What are we talking about it. They also made a

1:03:14.800 --> 1:03:19.040
<v Speaker 1>pretty confident decision by deciding to release it the same

1:03:19.160 --> 1:03:23.120
<v Speaker 1>day as Jurassic Park, which didn't go well. Oh wow,

1:03:23.440 --> 1:03:27.000
<v Speaker 1>same day June ninety three, What a Time erected a

1:03:27.040 --> 1:03:30.200
<v Speaker 1>gigantic inflatable Schwartzenegger in the middle of Times Square. But

1:03:30.440 --> 1:03:34.280
<v Speaker 1>it was like Kaiju sized and holding a bundle of dynamite,

1:03:34.520 --> 1:03:36.840
<v Speaker 1>and it was three days after the World Trade Center bombing.

1:03:37.480 --> 1:03:40.200
<v Speaker 1>They had to immediately move it out. They also put

1:03:40.680 --> 1:03:43.960
<v Speaker 1>the title of the movie on a NASA space shuttle,

1:03:44.600 --> 1:03:47.480
<v Speaker 1>spent five hundred thousand dollars to have it on the

1:03:47.600 --> 1:03:50.320
<v Speaker 1>Space Shuttle launch, and then it got delayed till like

1:03:50.440 --> 1:03:55.440
<v Speaker 1>five months after its release date. It was like that

1:03:56.320 --> 1:03:58.800
<v Speaker 1>is a like it would almost be at that point

1:03:58.880 --> 1:04:02.400
<v Speaker 1>like terrible luck for the nasubmission to like write that

1:04:02.560 --> 1:04:05.560
<v Speaker 1>movie's name on it. But it was also just like,

1:04:05.600 --> 1:04:08.400
<v Speaker 1>in terms of action heroes, this is like Diehard has

1:04:08.440 --> 1:04:11.360
<v Speaker 1>come out, Batman has come out, like lethal Weapon, and

1:04:11.360 --> 1:04:15.720
<v Speaker 1>you're starting to see people kind of trend towards more

1:04:15.880 --> 1:04:20.040
<v Speaker 1>normal sized action heroes. It's just like people are like,

1:04:20.440 --> 1:04:22.520
<v Speaker 1>I don't know, it's kind of weird that that is

1:04:22.760 --> 1:04:24.360
<v Speaker 1>as fucking massive as he is.

1:04:24.440 --> 1:04:27.800
<v Speaker 2>Right because much like the Brad Pitt paradox, or you know,

1:04:27.880 --> 1:04:30.760
<v Speaker 2>like if Arnold's movies were any more realistic, like every

1:04:30.800 --> 1:04:32.760
<v Speaker 2>scene would just have people stopping him on the street

1:04:32.840 --> 1:04:37.120
<v Speaker 2>going like what the fuck, or like picture with your arm.

1:04:39.000 --> 1:04:42.040
<v Speaker 2>The Brad Pitt one is like, dude, you are fucking hot.

1:04:42.080 --> 1:04:44.920
<v Speaker 2>Like every situation would just be absolutely ruined by like

1:04:45.160 --> 1:04:46.919
<v Speaker 2>wait a minute, dude, you're fucking hot.

1:04:48.480 --> 1:04:51.720
<v Speaker 1>You're a carpenter. Dude, I'm wearing glasses and have a

1:04:51.720 --> 1:04:54.040
<v Speaker 1>bucket hat on, so nobody's gonna even pay attention to me.

1:04:56.240 --> 1:04:59.280
<v Speaker 1>But just a quick anecdote from that time, Bruce Willis

1:04:59.280 --> 1:05:01.680
<v Speaker 1>says that after I heard he walked into a restaurant

1:05:01.680 --> 1:05:04.640
<v Speaker 1>and Arnold was already there, and he like called across

1:05:04.640 --> 1:05:06.560
<v Speaker 1>the dining room. Do you know why he'll never be

1:05:06.640 --> 1:05:08.800
<v Speaker 1>an action hero. And then he flexs and he goes

1:05:08.920 --> 1:05:16.320
<v Speaker 1>tooth pick arms. True Eyes, I will say, is a

1:05:17.480 --> 1:05:22.480
<v Speaker 1>incredibly islamophobic but very watchable high this like late career

1:05:22.800 --> 1:05:25.080
<v Speaker 1>part of there with you Don't mess with the Sohan.

1:05:25.520 --> 1:05:30.000
<v Speaker 2>Yeah, it's a fun fucking movie, but you can't believe it.

1:05:30.120 --> 1:05:31.320
<v Speaker 1>You know, they're like wild.

1:05:31.480 --> 1:05:37.600
<v Speaker 2>It's like really kind of Oh yeah, it's fucking crazy.

1:05:38.040 --> 1:05:44.440
<v Speaker 2>I'll do anything for that. Jamie Lee Curtis, uh sequence, yeah.

1:05:43.720 --> 1:05:48.000
<v Speaker 1>Do it sixty, do it slowly. And even there he's

1:05:48.040 --> 1:05:49.680
<v Speaker 1>doing he's kind of using a soundboard.

1:05:49.880 --> 1:05:53.720
<v Speaker 2>Yeah, and Running Man when he's picking out his woman

1:05:53.880 --> 1:05:58.960
<v Speaker 2>sleezy like, that's a great one board line tozy athletic.

1:06:00.600 --> 1:06:04.400
<v Speaker 1>His You know, we can offer all the cultural commentary

1:06:04.560 --> 1:06:07.800
<v Speaker 1>we want on why we think his movie career faded

1:06:08.000 --> 1:06:10.280
<v Speaker 1>down the stretch of like the nineties.

1:06:10.320 --> 1:06:10.520
<v Speaker 3>Here.

1:06:10.800 --> 1:06:12.760
<v Speaker 1>His theory is that it was when he fixed the

1:06:12.760 --> 1:06:18.240
<v Speaker 1>gap in his teeth. He recently told Glenn Palell during

1:06:18.320 --> 1:06:21.400
<v Speaker 1>like the Running Man movie run up that he thought

1:06:21.400 --> 1:06:23.440
<v Speaker 1>it was he should have never fixed the gap in

1:06:23.440 --> 1:06:23.880
<v Speaker 1>his teeth.

1:06:24.080 --> 1:06:26.920
<v Speaker 2>He might be right, but that's definitely not what it was.

1:06:29.400 --> 1:06:33.680
<v Speaker 2>Some people just start making bad choices like money and team,

1:06:33.800 --> 1:06:35.400
<v Speaker 2>like shit gets in the way and you just start

1:06:35.560 --> 1:06:40.240
<v Speaker 2>choosing stuff like Arnold had like accidentally great taste for

1:06:40.320 --> 1:06:42.400
<v Speaker 2>what he would put, you know what I mean, Like

1:06:42.400 --> 1:06:44.440
<v Speaker 2>like it just made like he would he was in

1:06:44.480 --> 1:06:46.720
<v Speaker 2>things that were so perfect for him and he never

1:06:46.840 --> 1:06:48.920
<v Speaker 2>like stretched too far. But then he would do like

1:06:49.080 --> 1:06:51.520
<v Speaker 2>Eraser and stuff, and you would be like, these are

1:06:51.680 --> 1:06:52.800
<v Speaker 2>bad versions of stuff.

1:06:52.840 --> 1:06:53.680
<v Speaker 3>He's already done.

1:06:53.720 --> 1:06:55.880
<v Speaker 4>Yeah, But when you look at it, if you think like, okay,

1:06:55.880 --> 1:06:59.320
<v Speaker 4>true Lies ninety four, your hairy tasker, A great next

1:06:59.320 --> 1:07:03.440
<v Speaker 4>movie is yeah, you know, then Eraser then Jingle all

1:07:03.440 --> 1:07:07.360
<v Speaker 4>the Way, you're like, oh, yeah, it's cresting now, yeah, yeah, yeah.

1:07:07.200 --> 1:07:09.120
<v Speaker 2>Yeah, And Jingle all the Way would be a fun

1:07:09.240 --> 1:07:12.680
<v Speaker 2>like career, like aside if he kept the other ship

1:07:12.760 --> 1:07:14.960
<v Speaker 2>going on, but Jingle all the Way became, then he

1:07:15.040 --> 1:07:16.800
<v Speaker 2>was just like, oh this is who I am.

1:07:17.000 --> 1:07:19.640
<v Speaker 1>Yeah. And I think also like as you lose the heat,

1:07:19.840 --> 1:07:22.280
<v Speaker 1>like no, you're no longer working with James Cameron. Now

1:07:22.320 --> 1:07:25.320
<v Speaker 1>you're working with whoever directed like you know some of

1:07:25.360 --> 1:07:28.520
<v Speaker 1>these movies, and then it's like you you don't have

1:07:28.720 --> 1:07:31.160
<v Speaker 1>Danny DeVito re teaming with you in Jingle all the Way.

1:07:31.200 --> 1:07:34.040
<v Speaker 1>As he was supposed to. It's like, although symbat's great,

1:07:34.120 --> 1:07:38.920
<v Speaker 1>but you know, it's just like he stops having It's

1:07:39.000 --> 1:07:41.760
<v Speaker 1>hard to like sustain a thing like that. And I

1:07:41.760 --> 1:07:45.160
<v Speaker 1>always remember, like Batman and Robin, him coming into that

1:07:45.280 --> 1:07:49.120
<v Speaker 1>world felt like an admission of like being a failure,

1:07:49.240 --> 1:07:51.040
<v Speaker 1>like he had given up, because it's just like, no,

1:07:51.160 --> 1:07:52.960
<v Speaker 1>this is like the thing where they have to paint

1:07:53.000 --> 1:07:55.440
<v Speaker 1>on your muscles, Like you don't. You don't have to

1:07:55.440 --> 1:07:59.200
<v Speaker 1>do that. You're fucking in a suit, dude, yeaheah. So

1:07:59.520 --> 1:08:02.120
<v Speaker 1>he's like, all right, my career slowed down. I'm going

1:08:02.160 --> 1:08:05.720
<v Speaker 1>to become the governor of California. He does. There's like

1:08:06.000 --> 1:08:09.080
<v Speaker 1>a recall election, a bunch of celebrities, Gary Coleman runs,

1:08:09.480 --> 1:08:12.320
<v Speaker 1>He runs. Everybody treats it as a joke. At first,

1:08:12.360 --> 1:08:15.320
<v Speaker 1>he's doing like just terminator puns the whole time. But

1:08:15.360 --> 1:08:20.720
<v Speaker 1>then he wins and becomes like an actual politician. And

1:08:20.880 --> 1:08:23.759
<v Speaker 1>this is where we come to. You know, he was bad.

1:08:24.000 --> 1:08:26.080
<v Speaker 1>He had like you know, he fought gay marriage, and

1:08:27.439 --> 1:08:30.160
<v Speaker 1>by saying that gay marriage should be between a man

1:08:30.200 --> 1:08:35.080
<v Speaker 1>and a woman, you know, the sorts of malapropisms that

1:08:35.680 --> 1:08:37.640
<v Speaker 1>you know, you can edit out of a movie. But

1:08:37.640 --> 1:08:39.519
<v Speaker 1>then it beends like a thing that everybody.

1:08:39.640 --> 1:08:41.960
<v Speaker 3>Yeah, when you're a lawmaker, it hits a little different.

1:08:42.040 --> 1:08:45.519
<v Speaker 1>Yeah, yeah, yeah. But there was this moment where I

1:08:45.520 --> 1:08:48.040
<v Speaker 1>don't know if you guys remember Barbara Bush like showed

1:08:48.120 --> 1:08:50.920
<v Speaker 1>up with a cast and they said that she like

1:08:50.960 --> 1:08:53.720
<v Speaker 1>slid down an icy hill on a saucer sled and

1:08:53.760 --> 1:08:57.240
<v Speaker 1>that's how she broke her leg. Arnold recently told the

1:08:57.280 --> 1:09:00.719
<v Speaker 1>true story, which I'm going to put in the Chat

1:09:00.880 --> 1:09:01.439
<v Speaker 1>Free Month.

1:09:01.760 --> 1:09:04.640
<v Speaker 4>It was snowing of the and we had this toboggan

1:09:05.200 --> 1:09:07.799
<v Speaker 4>and Bush is trying to teach me how to slide

1:09:07.840 --> 1:09:10.160
<v Speaker 4>that because I was only used to sledding down with

1:09:10.240 --> 1:09:13.519
<v Speaker 4>Austrian sleds, which you direct kind of with your feet,

1:09:13.960 --> 1:09:16.120
<v Speaker 4>and so we went down totally out of control, and

1:09:16.200 --> 1:09:17.519
<v Speaker 4>of course we crashed into.

1:09:17.360 --> 1:09:21.240
<v Speaker 1>Barbara Bush, who broke a leg. Then after that, Jesus,

1:09:21.720 --> 1:09:26.960
<v Speaker 1>he just trucked poor Barbara, and of course we crashed

1:09:27.000 --> 1:09:30.800
<v Speaker 1>into and of course we crashed when he says like

1:09:31.120 --> 1:09:32.080
<v Speaker 1>and of course.

1:09:32.120 --> 1:09:34.760
<v Speaker 2>And of course we are crashing and like because we

1:09:34.800 --> 1:09:38.040
<v Speaker 2>talk about it, like he has like these like rolling

1:09:38.160 --> 1:09:40.439
<v Speaker 2>dialogue things, and of course we are. And then I

1:09:40.479 --> 1:09:42.479
<v Speaker 2>am here, I am on the delhi'side geist. I am

1:09:42.520 --> 1:09:45.160
<v Speaker 2>talking to Miles and Jack, and I am here with

1:09:45.240 --> 1:09:46.760
<v Speaker 2>Jack and Miles, and we are having fun and we

1:09:46.800 --> 1:09:49.040
<v Speaker 2>are talking about the sled and of course I'm sledding

1:09:49.200 --> 1:09:51.960
<v Speaker 2>and I'm sledding on with with Miles and Jack like

1:09:52.160 --> 1:09:53.559
<v Speaker 2>like it's kind of you know, He's like, I am

1:09:53.600 --> 1:09:55.840
<v Speaker 2>here on the Tonight show to talk about Collateral and

1:09:55.880 --> 1:09:57.559
<v Speaker 2>its Collateral is the film I am.

1:09:57.479 --> 1:10:00.320
<v Speaker 1>Coming out of that Collateral. Yeah, it just keeps going. Yeah,

1:10:00.800 --> 1:10:02.680
<v Speaker 1>that's I think the coolest thing he ever did as

1:10:02.680 --> 1:10:03.880
<v Speaker 1>a politician was.

1:10:04.640 --> 1:10:07.080
<v Speaker 2>Well, it's so funny because I remember being I was

1:10:07.120 --> 1:10:10.280
<v Speaker 2>not very politically minded, uh for a long time in

1:10:10.320 --> 1:10:12.280
<v Speaker 2>my life, and I remember being like, oh, that's cool,

1:10:12.400 --> 1:10:15.160
<v Speaker 2>Arnold's the governor. And then like some people whose opinions

1:10:15.200 --> 1:10:17.760
<v Speaker 2>I liked as a young kid were like, he's like not,

1:10:18.280 --> 1:10:21.000
<v Speaker 2>he's not that like cool, like he's got he's got

1:10:21.000 --> 1:10:23.920
<v Speaker 2>like bad politics, and You're like, oh okay, And now

1:10:24.040 --> 1:10:26.840
<v Speaker 2>as like a grown up, I'm like, fuck, Like imagine

1:10:27.000 --> 1:10:30.839
<v Speaker 2>Arnold was like what the right was like a dream

1:10:30.960 --> 1:10:34.160
<v Speaker 2>come true and there just actually are only about taxes

1:10:34.200 --> 1:10:38.120
<v Speaker 2>somehow and not about like policing every fucking choice every

1:10:38.160 --> 1:10:40.280
<v Speaker 2>person makes He's.

1:10:40.160 --> 1:10:43.120
<v Speaker 1>Like, uh, pro choice but no healthcare.

1:10:43.479 --> 1:10:44.040
<v Speaker 3>Yeah, I.

1:10:45.840 --> 1:10:50.200
<v Speaker 1>Mean that's kind of sad, warm warmer progress.

1:10:50.280 --> 1:10:55.080
<v Speaker 2>Yeah, uh he said on nerdous Chris Hardwick asked him, uh,

1:10:55.240 --> 1:10:58.000
<v Speaker 2>is there any law you would change if you could

1:10:58.120 --> 1:11:00.760
<v Speaker 2>as a lawmaker, and he said it is obvious, but

1:11:00.840 --> 1:11:04.600
<v Speaker 2>I would change The president has to be natural boy,

1:11:04.760 --> 1:11:05.880
<v Speaker 2>like he.

1:11:05.800 --> 1:11:08.000
<v Speaker 3>Would change the rules so he could run for president.

1:11:08.080 --> 1:11:08.720
<v Speaker 1>Yeah, that's right.

1:11:09.680 --> 1:11:12.200
<v Speaker 2>At the time, you're going like, yeah, right, but a

1:11:12.240 --> 1:11:13.400
<v Speaker 2>celebrity winning.

1:11:13.160 --> 1:11:16.519
<v Speaker 3>President, I got no man, I would kill that.

1:11:17.000 --> 1:11:19.320
<v Speaker 1>We that is like one of the reasons we wanted

1:11:19.360 --> 1:11:23.760
<v Speaker 1>to do this show is like to like have more fun,

1:11:23.880 --> 1:11:28.640
<v Speaker 1>but also like, you know, icons are powerful and like

1:11:28.760 --> 1:11:30.920
<v Speaker 1>they become they take on a life of their own,

1:11:30.920 --> 1:11:33.559
<v Speaker 1>and like Donald Trump was just a cartoon rich guy,

1:11:33.680 --> 1:11:36.720
<v Speaker 1>and yeah, you know, like we just I think we

1:11:36.760 --> 1:11:41.519
<v Speaker 1>have a tendency to like misunderstand what they become, how

1:11:41.560 --> 1:11:44.760
<v Speaker 1>people get iconic, and also like the power that they

1:11:44.880 --> 1:11:47.559
<v Speaker 1>have over us, and like I feel like he kind

1:11:47.600 --> 1:11:49.760
<v Speaker 1>of he's been a critic of Trump, but it's hard

1:11:49.800 --> 1:11:51.840
<v Speaker 1>not to see that his political career is like a

1:11:52.600 --> 1:11:56.680
<v Speaker 1>template for Trump's rise, where he's like a wealthy megastar

1:11:56.880 --> 1:11:59.959
<v Speaker 1>who was just like presented himself as an outsider underdog

1:12:00.080 --> 1:12:01.320
<v Speaker 1>who could fix the problems.

1:12:01.560 --> 1:12:04.360
<v Speaker 2>But for the twenty years before he was a politician

1:12:04.400 --> 1:12:07.920
<v Speaker 2>with bad politics. You liked him so, like, you know,

1:12:08.000 --> 1:12:11.960
<v Speaker 2>it's hard to shake that. Like Trump, no one liked Trump,

1:12:12.040 --> 1:12:14.040
<v Speaker 2>but no one hated him either. He was like this

1:12:14.520 --> 1:12:16.760
<v Speaker 2>rich douchebag. And then he got like a TV show

1:12:16.800 --> 1:12:18.600
<v Speaker 2>and he was like kind of weird and kind of

1:12:18.640 --> 1:12:21.320
<v Speaker 2>funny and gaudy, and you were like, oh, it's fucking crazy.

1:12:21.600 --> 1:12:23.280
<v Speaker 3>And then you're like, he's in my life. He's someone

1:12:23.320 --> 1:12:24.040
<v Speaker 3>I recognized.

1:12:24.080 --> 1:12:26.360
<v Speaker 2>And then when he's like, oh, I'm running for office,

1:12:26.840 --> 1:12:28.880
<v Speaker 2>a lot of us went like that makes no sense,

1:12:28.920 --> 1:12:30.519
<v Speaker 2>and a lot of us were like I know him.

1:12:31.680 --> 1:12:34.240
<v Speaker 3>They're like, oh no, I vote for him. I know

1:12:34.360 --> 1:12:34.840
<v Speaker 3>any name.

1:12:35.040 --> 1:12:36.520
<v Speaker 1>He's not the law determinator.

1:12:36.720 --> 1:12:39.320
<v Speaker 2>Yeah, he's actually he's very rich, so he doesn't he

1:12:39.400 --> 1:12:42.120
<v Speaker 2>knows how to get rich for everybody, So I'm going

1:12:42.200 --> 1:12:42.639
<v Speaker 2>to be rich.

1:12:42.720 --> 1:12:45.160
<v Speaker 1>I'm quoting like six of my family members in one

1:12:45.240 --> 1:12:49.320
<v Speaker 1>when I say that, right, right, right, exactly, Yeah. I mean.

1:12:49.680 --> 1:12:53.360
<v Speaker 1>There were lots of scandals in line with his run

1:12:53.400 --> 1:12:56.519
<v Speaker 1>for governor. Shortly before the two thousand and three election,

1:12:57.120 --> 1:12:59.600
<v Speaker 1>La Times published a story documenting a long history of

1:12:59.640 --> 1:13:02.920
<v Speaker 1>sexual must conduct at least fifteen women claiming they were

1:13:02.960 --> 1:13:07.439
<v Speaker 1>groped or harassed by Schwartzenegger. And then in twenty eleven

1:13:07.520 --> 1:13:11.120
<v Speaker 1>his marriage he married into the Kennedy family Maria Shriver,

1:13:11.680 --> 1:13:14.080
<v Speaker 1>and it was revealed that he had fathered a child

1:13:14.080 --> 1:13:17.599
<v Speaker 1>with their housekeeper, which came to late because the kid.

1:13:17.960 --> 1:13:21.719
<v Speaker 1>No one has ever looked more like Schwartzenegger before.

1:13:22.240 --> 1:13:25.479
<v Speaker 2>It's funny because Christopher looks more like him than Patrick does.

1:13:25.560 --> 1:13:28.760
<v Speaker 2>Patrick has Patrick has Kennedy jeans, which of course are beneficial.

1:13:29.240 --> 1:13:32.920
<v Speaker 2>Christopher is like big, square jawed, handsome, Like it's very

1:13:33.080 --> 1:13:37.080
<v Speaker 2>but I look, it's fucking you know, wear a rubber

1:13:37.320 --> 1:13:39.280
<v Speaker 2>when you have affairs with employees.

1:13:40.920 --> 1:13:42.519
<v Speaker 1>That's a little lesson that we're taking away.

1:13:42.960 --> 1:13:44.160
<v Speaker 3>That's amazing to take away.

1:13:44.160 --> 1:13:47.639
<v Speaker 2>But I would also say, like it's bad, it's fucked up.

1:13:48.200 --> 1:13:52.120
<v Speaker 2>But the fact that he's like, loves and accepts Christopher

1:13:52.240 --> 1:13:56.639
<v Speaker 2>is so fucking real, Like it's so Joseph is that Joseph, Joseph,

1:13:56.720 --> 1:13:59.960
<v Speaker 2>Joseph Joseph. Patrick is the one from White Lotus. Joseph

1:14:00.160 --> 1:14:03.960
<v Speaker 2>is the Yeah, yeah, that's when we bought a jeep. Yeah,

1:14:04.080 --> 1:14:07.320
<v Speaker 2>it's just so like it's funny, like it's he's just like, yes,

1:14:07.479 --> 1:14:09.960
<v Speaker 2>she's I had affair with but he's my son and

1:14:10.120 --> 1:14:12.840
<v Speaker 2>yeah I was the governor. Like he's just like that's

1:14:12.880 --> 1:14:15.960
<v Speaker 2>the power he like he's he has where we're just

1:14:16.000 --> 1:14:19.440
<v Speaker 2>like a, come on, Arnie, what's twenty women.

1:14:19.280 --> 1:14:21.360
<v Speaker 3>Reporting sexual assault your coneen?

1:14:21.680 --> 1:14:25.640
<v Speaker 4>You're just say he's not even because he's not a

1:14:25.680 --> 1:14:29.680
<v Speaker 4>person in a weird yeah idea. Yeah, Like I'm like,

1:14:29.720 --> 1:14:31.320
<v Speaker 4>I don't know, I don't think Arnold was saying is

1:14:31.320 --> 1:14:34.040
<v Speaker 4>a person to be honest, He's like, again, he's a

1:14:34.120 --> 1:14:36.880
<v Speaker 4>fucking g I Joe toy that you just fucking pose

1:14:36.920 --> 1:14:37.639
<v Speaker 4>in different things.

1:14:37.760 --> 1:14:40.879
<v Speaker 1>Allegations were not shocking to anybody who's seen that Brazil

1:14:41.360 --> 1:14:44.360
<v Speaker 1>video home. There's a video from early, very early in

1:14:44.400 --> 1:14:48.040
<v Speaker 1>his career where they sent him down to Brazil, and uh,

1:14:48.160 --> 1:14:51.880
<v Speaker 1>it's one of the wildest things. It's like the most

1:14:51.880 --> 1:14:56.960
<v Speaker 1>overtly horny anyone's ever been on camera, Like uh, and yeah,

1:14:56.960 --> 1:15:01.040
<v Speaker 1>I mean he's like grabbing women's asses who are like

1:15:01.160 --> 1:15:04.559
<v Speaker 1>you can see samba dancers who are like pushing his

1:15:04.640 --> 1:15:06.120
<v Speaker 1>hands off of is.

1:15:06.120 --> 1:15:09.280
<v Speaker 4>They're like dancing around him, like doing like carnival dancing

1:15:09.280 --> 1:15:11.880
<v Speaker 4>and he thinks it's a strip club and he's like, yeah, yeah,

1:15:12.000 --> 1:15:14.639
<v Speaker 4>let's get let me grab you by the way shorty,

1:15:15.240 --> 1:15:18.439
<v Speaker 4>and it was yeah, it's it's pretty just everything, even

1:15:18.479 --> 1:15:21.400
<v Speaker 4>his interactions like with like that one woman, like he's

1:15:21.439 --> 1:15:22.639
<v Speaker 4>like feeding her carrots and.

1:15:22.560 --> 1:15:27.800
<v Speaker 1>Shiit no no, no no. It's wild, but overall like

1:15:27.960 --> 1:15:32.200
<v Speaker 1>a very weird, a very weird career that just like

1:15:32.240 --> 1:15:36.160
<v Speaker 1>I do wonder how much it's going to fade over time,

1:15:36.240 --> 1:15:38.720
<v Speaker 1>Like do you guys think those movies are going to

1:15:38.840 --> 1:15:42.719
<v Speaker 1>make sense to people in like even like thirty more years,

1:15:43.280 --> 1:15:46.760
<v Speaker 1>is it going to be like poly Shore movies, you know,

1:15:46.840 --> 1:15:49.519
<v Speaker 1>where it's just like this was the thing that people

1:15:49.520 --> 1:15:53.000
<v Speaker 1>were obsessed with and like studied more sociologically. Some of

1:15:53.000 --> 1:15:56.080
<v Speaker 1>the movies are just like too good and undeniable. But

1:15:56.560 --> 1:15:59.639
<v Speaker 1>it does also feel like thirty years from now people

1:15:59.680 --> 1:16:01.840
<v Speaker 1>will look back and be like so weird that he's

1:16:01.920 --> 1:16:04.960
<v Speaker 1>like this giant fucking oh.

1:16:05.000 --> 1:16:06.599
<v Speaker 4>Right, Like is it more of a thing that people

1:16:06.960 --> 1:16:08.519
<v Speaker 4>like are like oh okay, I get it, or it's

1:16:08.560 --> 1:16:09.960
<v Speaker 4>like one of those things and you're like what the

1:16:09.960 --> 1:16:11.360
<v Speaker 4>fuck were people back then.

1:16:12.080 --> 1:16:13.879
<v Speaker 3>Think you're anti seat belts?

1:16:13.920 --> 1:16:17.439
<v Speaker 2>You know, like like that shit when you're just like,

1:16:17.760 --> 1:16:19.320
<v Speaker 2>we smoked on planes.

1:16:20.960 --> 1:16:23.800
<v Speaker 1>This guy clearly no one's asking why he's talking like

1:16:23.840 --> 1:16:28.040
<v Speaker 1>this in the reality of the film, right, All right, guys, sure.

1:16:27.920 --> 1:16:31.160
<v Speaker 2>I mean, if if film still exists, I'm sure there'll

1:16:31.200 --> 1:16:33.840
<v Speaker 2>be very interesting ways to discuss what the trends air

1:16:33.920 --> 1:16:37.519
<v Speaker 2>and stuff. But fucking up like it is funny Jack,

1:16:37.640 --> 1:16:39.920
<v Speaker 2>Like you just casually say something like in thirty years,

1:16:39.960 --> 1:16:42.080
<v Speaker 2>how will we look at that? And then my brain

1:16:42.160 --> 1:16:43.800
<v Speaker 2>just goes to be like, what the fuck is going

1:16:43.880 --> 1:16:47.160
<v Speaker 2>to be happening in thirty years years? I mean, I'm

1:16:47.160 --> 1:16:49.400
<v Speaker 2>talking to two dads, so I feel I always lessen

1:16:49.479 --> 1:16:51.000
<v Speaker 2>my nihilism in those moments.

1:16:52.760 --> 1:16:59.880
<v Speaker 1>God Jesus Christ, I know over a glass of water.

1:17:00.120 --> 1:17:02.599
<v Speaker 2>Based on your day job here at TDZ, I'm assuming

1:17:02.680 --> 1:17:04.120
<v Speaker 2>you guys are a little plugged into that.

1:17:04.360 --> 1:17:08.599
<v Speaker 4>Yeah, I'm always envisioning The Road by Cormick McCarthy.

1:17:09.840 --> 1:17:13.519
<v Speaker 1>When we're doing The Road. Is gonna appreciate Arnold Schwarzenegger movies.

1:17:15.840 --> 1:17:18.439
<v Speaker 2>All we have is this iPad pre loaded with last

1:17:18.439 --> 1:17:20.920
<v Speaker 2>action here. Sorry, I really wish you'd had can our

1:17:21.000 --> 1:17:21.720
<v Speaker 2>Terminator on it.

1:17:22.479 --> 1:17:24.479
<v Speaker 1>As a big bridget Wilson fan, this is a big

1:17:24.520 --> 1:17:29.160
<v Speaker 1>break in it well, John Gabris, such a pleasure. Thank

1:17:29.160 --> 1:17:32.040
<v Speaker 1>you so much for coming on. Always such a good

1:17:32.040 --> 1:17:33.160
<v Speaker 1>time talking to YouTube.

1:17:33.520 --> 1:17:36.280
<v Speaker 2>I appreciate you having me on especially I don't have

1:17:36.360 --> 1:17:38.800
<v Speaker 2>to deal with today's awful news stories and we could

1:17:38.840 --> 1:17:41.360
<v Speaker 2>just talk about I know how awesome Arnold is to

1:17:41.560 --> 1:17:43.760
<v Speaker 2>even throw over treat to do TDZ with you guys.

1:17:43.840 --> 1:17:47.800
<v Speaker 2>But it's not about the state of the universe feels good.

1:17:48.040 --> 1:17:49.439
<v Speaker 2>It's about mister Universe instead.

1:17:50.240 --> 1:17:53.160
<v Speaker 1>Olympia. Where can people find you, follow you, hear you,

1:17:53.280 --> 1:17:54.120
<v Speaker 1>all that good stuff.

1:17:54.520 --> 1:17:57.639
<v Speaker 2>I'm at Gabris On social media. I got a free

1:17:57.680 --> 1:18:01.040
<v Speaker 2>podcast with Adam Pally called stany Live. Wherever you get

1:18:01.080 --> 1:18:04.400
<v Speaker 2>podcasts or YouTube, I got Action Boys, which is a

1:18:04.400 --> 1:18:07.280
<v Speaker 2>Patreon podcast where if you remotely like what this episode's about,

1:18:07.600 --> 1:18:10.680
<v Speaker 2>it's unfortunately that for three hours every week. That's at

1:18:10.720 --> 1:18:14.240
<v Speaker 2>actionboys dot biz. We have some free episodes that you

1:18:14.280 --> 1:18:17.120
<v Speaker 2>can get addicted, you know, we get you, get you hooked,

1:18:17.400 --> 1:18:17.719
<v Speaker 2>and then.

1:18:17.640 --> 1:18:18.559
<v Speaker 3>You come back for more.

1:18:18.880 --> 1:18:22.679
<v Speaker 2>And then lastly, I made this physical media thirty episodes

1:18:22.680 --> 1:18:26.200
<v Speaker 2>of the Gino Lombardo Show. It's like three ten episode seasons.

1:18:26.400 --> 1:18:28.559
<v Speaker 2>I turned it into a USB drive with like original

1:18:28.680 --> 1:18:30.760
<v Speaker 2>art that comes in like a cassette form and you

1:18:30.800 --> 1:18:33.240
<v Speaker 2>can get that at Geno dot Gabris dot com.

1:18:33.240 --> 1:18:34.200
<v Speaker 3>If that's something that.

1:18:34.200 --> 1:18:37.920
<v Speaker 1>Appeals amazing any comedy Bang Bang fans out there, Yeah, yeah,

1:18:38.000 --> 1:18:41.280
<v Speaker 1>forget that. Well, that's where I first first heard. I

1:18:41.360 --> 1:18:47.240
<v Speaker 1>still remember sound Speeds. I still remember writing Gino Lombardo

1:18:47.479 --> 1:18:50.439
<v Speaker 1>and then John Gabris down in my notes app I

1:18:50.439 --> 1:18:52.160
<v Speaker 1>think it was like its first appearance and I was

1:18:52.160 --> 1:18:53.439
<v Speaker 1>just like, who the fuck is this guy?

1:18:53.520 --> 1:18:56.200
<v Speaker 2>Yeah, that was like my second podcast appearance ever. I

1:18:56.200 --> 1:18:58.160
<v Speaker 2>didn't even know what podcasts where I had moved out

1:18:58.160 --> 1:19:00.559
<v Speaker 2>here and I did Geno for Gotten, and I had

1:19:00.560 --> 1:19:02.080
<v Speaker 2>such a good time that I didn't know I would

1:19:02.120 --> 1:19:04.080
<v Speaker 2>be doing exclusively that.

1:19:04.160 --> 1:19:05.599
<v Speaker 3>Character for the next fifty years.

1:19:05.680 --> 1:19:14.120
<v Speaker 1>One day we'll be doing an Icon episode about Yeah, yeah.

1:19:13.640 --> 1:19:15.160
<v Speaker 3>What's well, don't worry.

1:19:15.160 --> 1:19:20.479
<v Speaker 2>His sexual assault scandals are are coming in hot. He

1:19:20.560 --> 1:19:23.120
<v Speaker 2>grew up the bagel boss guy.

1:19:24.640 --> 1:19:28.880
<v Speaker 1>Hessed him on the back of the neck. All right,

1:19:29.160 --> 1:19:33.320
<v Speaker 1>that was a fun one. This is the notebook, dumb.

1:19:33.680 --> 1:19:35.400
<v Speaker 1>You may have noticed first of all, that we didn't

1:19:35.439 --> 1:19:39.320
<v Speaker 1>hit air standard question. If this person or character existed

1:19:39.320 --> 1:19:41.760
<v Speaker 1>in the present tens or in our reality, would they

1:19:41.880 --> 1:19:46.720
<v Speaker 1>have been on the epsteam flight logs. We didn't hit

1:19:46.760 --> 1:19:49.839
<v Speaker 1>it because this is our first icon who did exist

1:19:49.880 --> 1:19:53.360
<v Speaker 1>in our moment, and he wasn't on them, dinging casino

1:19:53.439 --> 1:19:58.519
<v Speaker 1>jackpots sound effect, he was not on them. I think

1:19:58.560 --> 1:20:03.400
<v Speaker 1>we decided Miss Higgy wasn't probably on them also in

1:20:03.479 --> 1:20:07.360
<v Speaker 1>that alternate reality, and people were pissed. People were like, yes,

1:20:07.439 --> 1:20:11.280
<v Speaker 1>she definitely would have been with Arnold. I'll say the

1:20:11.280 --> 1:20:14.960
<v Speaker 1>internet actually couldn't believe he wasn't on it and made

1:20:15.000 --> 1:20:17.880
<v Speaker 1>a fake list of names that went viral on Twitter

1:20:18.479 --> 1:20:20.640
<v Speaker 1>claiming these people were on the flight logs. I mean,

1:20:20.640 --> 1:20:23.200
<v Speaker 1>it's still early. It's still early, folks. We still don't

1:20:23.479 --> 1:20:27.439
<v Speaker 1>know every We still haven't seen every file yet. One

1:20:27.479 --> 1:20:31.000
<v Speaker 1>thing that's becoming a recurring theme also as we look

1:20:31.040 --> 1:20:34.479
<v Speaker 1>at these icons for me is the question of I

1:20:34.520 --> 1:20:37.920
<v Speaker 1>guess it's like kind of a nature nurture question, more

1:20:37.960 --> 1:20:40.720
<v Speaker 1>of a was it them or was it us? Of

1:20:40.760 --> 1:20:44.120
<v Speaker 1>the icons we've covered so far, like Einstein is one

1:20:44.560 --> 1:20:47.880
<v Speaker 1>extreme because he's this super singular genius who is going

1:20:47.960 --> 1:20:51.360
<v Speaker 1>to be famous no matter where and when he existed,

1:20:51.720 --> 1:20:55.799
<v Speaker 1>and then Erkeles kind of the other side, probably doesn't

1:20:55.800 --> 1:21:00.679
<v Speaker 1>become an icon in most other moments. Historically, or places

1:21:00.720 --> 1:21:04.880
<v Speaker 1>in time, but catches something peculiar about the cultural moment,

1:21:05.479 --> 1:21:08.280
<v Speaker 1>and I'd say Arnold is kind of somewhere in the

1:21:08.280 --> 1:21:11.439
<v Speaker 1>middle there kind of an enigma. I feel like he

1:21:11.560 --> 1:21:14.000
<v Speaker 1>was going to be famous no matter what. Everyone who

1:21:14.040 --> 1:21:16.519
<v Speaker 1>meets him, like even the people who go in being like,

1:21:16.840 --> 1:21:20.719
<v Speaker 1>this guy seems like an idiot, like James Cameron, for instance.

1:21:20.760 --> 1:21:23.960
<v Speaker 1>They come away from like a single meal with him

1:21:24.040 --> 1:21:28.839
<v Speaker 1>being like, this is the face of and titular character

1:21:29.000 --> 1:21:32.479
<v Speaker 1>of my next movie. But the specifics in the level

1:21:32.640 --> 1:21:37.080
<v Speaker 1>of his dominance feel very peculiar to the eighties and nineties,

1:21:37.160 --> 1:21:40.360
<v Speaker 1>Like it'll be one of the weirdest sections of the

1:21:40.400 --> 1:21:43.920
<v Speaker 1>Future Museum about the late twentieth century, Like people will

1:21:44.000 --> 1:21:47.200
<v Speaker 1>just be like, why is this guy everywhere? And why

1:21:47.240 --> 1:21:47.680
<v Speaker 1>does he.

1:21:47.680 --> 1:21:48.439
<v Speaker 3>Look like that?

1:21:48.880 --> 1:21:50.800
<v Speaker 1>I also wanted to note that you can kind of

1:21:50.840 --> 1:21:56.960
<v Speaker 1>see the specificity and the suddenness and massive impact of

1:21:57.040 --> 1:22:01.240
<v Speaker 1>his influence in movies he never appeared in like the

1:22:01.280 --> 1:22:04.880
<v Speaker 1>same way that you can see certain cataclysmic volcanic eruptions

1:22:05.000 --> 1:22:08.880
<v Speaker 1>in tree rings on like other continents. Like the example

1:22:08.920 --> 1:22:11.400
<v Speaker 1>I was thinking about is the Rocky franchise. In the

1:22:11.400 --> 1:22:15.719
<v Speaker 1>first Rocky movie, Stallone's trying to play by the roles

1:22:15.760 --> 1:22:19.880
<v Speaker 1>of the seventies. He's a schlubby every man who isn't

1:22:20.120 --> 1:22:23.200
<v Speaker 1>as ripped as his opponent. That was kind of the point.

1:22:23.320 --> 1:22:27.520
<v Speaker 1>It's an underdog tail, like all our movies are generally underdogtails,

1:22:27.520 --> 1:22:29.879
<v Speaker 1>so it doesn't make sense that he'd be the superman.

1:22:30.400 --> 1:22:34.479
<v Speaker 1>But then Arnold hits and by Rocky three, Stallone looks

1:22:34.600 --> 1:22:38.040
<v Speaker 1>actually like too muscular to make sense as a boxer.

1:22:38.360 --> 1:22:41.680
<v Speaker 1>But by that time the point was no longer to

1:22:41.920 --> 1:22:44.080
<v Speaker 1>make sense. The point was suddenly to always look as

1:22:44.120 --> 1:22:48.439
<v Speaker 1>conspicuously awesome as possible, no matter the role. And then

1:22:48.640 --> 1:22:52.240
<v Speaker 1>Arnold's influence fades, and you know, he and Van dam

1:22:52.240 --> 1:22:57.280
<v Speaker 1>are replaced by action heroes with tooth pickoms, and Stallone

1:22:57.360 --> 1:23:00.320
<v Speaker 1>goes back to playing a schlubby guy in Copland. I think.

1:23:00.360 --> 1:23:03.920
<v Speaker 1>Cop Land came out the year after Eraser, I think,

1:23:04.240 --> 1:23:09.000
<v Speaker 1>which was the first of Arnold's big swing action movies

1:23:09.040 --> 1:23:12.439
<v Speaker 1>that like doesn't really exist. It's not like a flop

1:23:12.520 --> 1:23:14.400
<v Speaker 1>or a bomb like last actor hero is just like

1:23:14.520 --> 1:23:16.800
<v Speaker 1>people are like I don't even remember what that movie

1:23:16.880 --> 1:23:20.639
<v Speaker 1>was about. On the subject of bodybuilding's relationship to acting,

1:23:21.640 --> 1:23:24.759
<v Speaker 1>there's this mystery at the heart of filmmaking I've always

1:23:24.760 --> 1:23:29.439
<v Speaker 1>found interesting, which is why do actors like Robert de

1:23:29.520 --> 1:23:33.720
<v Speaker 1>Niro and like John Turtrurou, who are these great actors,

1:23:34.600 --> 1:23:38.000
<v Speaker 1>You know, they're actors actors, but then when they direct movies,

1:23:38.360 --> 1:23:42.080
<v Speaker 1>nobody really like they're not great directors. And then the

1:23:42.160 --> 1:23:45.280
<v Speaker 1>actors who do make great directors are people like Ben

1:23:45.320 --> 1:23:48.679
<v Speaker 1>Affleck and Clint Eastwood and Robert Redford, who are kind

1:23:48.680 --> 1:23:52.040
<v Speaker 1>of one dimensional. I mean, they're movie stars, like you'd

1:23:52.080 --> 1:23:54.679
<v Speaker 1>never want to go see them in a stage play,

1:23:55.080 --> 1:23:59.000
<v Speaker 1>but they end up making great directors. And I think

1:23:59.080 --> 1:24:03.280
<v Speaker 1>one of the reasons is that they understand a very

1:24:03.320 --> 1:24:06.640
<v Speaker 1>simple thing, which is how to look on camera, like

1:24:06.720 --> 1:24:10.240
<v Speaker 1>how to show up, you know, without the interiority of

1:24:10.320 --> 1:24:13.080
<v Speaker 1>the acting process to rely on, they focus on everything

1:24:13.520 --> 1:24:17.120
<v Speaker 1>outside of them, their relationship to the camera, what angles

1:24:17.160 --> 1:24:19.759
<v Speaker 1>make them look best. If you're not a great actor,

1:24:20.200 --> 1:24:22.439
<v Speaker 1>but you're good at looking awesome on camera, you have

1:24:22.520 --> 1:24:25.840
<v Speaker 1>to be sort of directing while you act, and like

1:24:25.920 --> 1:24:29.680
<v Speaker 1>sort of bending the movie around your face, which requires

1:24:30.160 --> 1:24:35.519
<v Speaker 1>a much broader understanding of how filmmaking works. Because they

1:24:35.560 --> 1:24:38.360
<v Speaker 1>don't have the tools inside, so they figure out how

1:24:38.400 --> 1:24:41.439
<v Speaker 1>to work within the machine around them. To look awesome,

1:24:41.600 --> 1:24:44.880
<v Speaker 1>and that sets them up to be better directors than

1:24:44.920 --> 1:24:46.760
<v Speaker 1>somebody who just like shows up and is like, I'm

1:24:46.760 --> 1:24:48.920
<v Speaker 1>the Jordan of this shit. I don't I don't need

1:24:48.960 --> 1:24:52.479
<v Speaker 1>to pay attention to these idiots with cameras. Obviously, Arnold

1:24:52.479 --> 1:24:54.679
<v Speaker 1>didn't become a great director, but I was thinking about

1:24:54.680 --> 1:24:59.000
<v Speaker 1>that when researching how his bodybuilding led into his acting career,

1:24:59.240 --> 1:25:02.599
<v Speaker 1>because from a very early age, he's thinking about how

1:25:02.640 --> 1:25:06.040
<v Speaker 1>to pose and like hit his angles and how to

1:25:06.240 --> 1:25:11.120
<v Speaker 1>appear to people. He's just like pure exteriority. He's studying

1:25:11.160 --> 1:25:13.719
<v Speaker 1>how to show up at the right angle to portray

1:25:14.439 --> 1:25:17.800
<v Speaker 1>the right things, which for him, the right thing is

1:25:17.840 --> 1:25:21.439
<v Speaker 1>always to just look awesome and strong, and that was

1:25:21.479 --> 1:25:23.799
<v Speaker 1>the right thing for America in the eighties and nineties.

1:25:24.040 --> 1:25:27.320
<v Speaker 1>I mentioned how he tried the Stanislovsky method. I talked

1:25:27.320 --> 1:25:32.640
<v Speaker 1>about how his teacher thought it got great results. Arnold disagreed.

1:25:32.760 --> 1:25:35.720
<v Speaker 1>Arnold eventually was like, I don't want to be that

1:25:36.000 --> 1:25:38.120
<v Speaker 1>kind of actor. I want to be an action hero,

1:25:38.720 --> 1:25:43.559
<v Speaker 1>and he quit the Stanislovsky method and committed to weapons training,

1:25:44.360 --> 1:25:47.840
<v Speaker 1>and he won all sorts of awards from gun nut

1:25:47.880 --> 1:25:52.280
<v Speaker 1>magazines and shit like that for being the best shooter

1:25:52.439 --> 1:25:55.959
<v Speaker 1>of guns in movies. I don't know. I don't subscribe

1:25:56.000 --> 1:25:59.280
<v Speaker 1>to them. Next up, I think the question we kind

1:25:59.280 --> 1:26:01.880
<v Speaker 1>of talked about this, but the question of like is

1:26:02.080 --> 1:26:06.400
<v Speaker 1>Arnold hot is interesting and like why is he not?

1:26:06.840 --> 1:26:09.760
<v Speaker 1>You know? Gabrius mentioned that the women characters in his

1:26:09.880 --> 1:26:12.960
<v Speaker 1>movies are often like ooh ho a hoba, look at

1:26:12.960 --> 1:26:15.960
<v Speaker 1>this guy, but he kind of gives off the same

1:26:16.040 --> 1:26:19.920
<v Speaker 1>vibes as the Rock. He's sort of like too invulnerable

1:26:19.960 --> 1:26:22.760
<v Speaker 1>to make sense in that way. He's sort of a

1:26:22.800 --> 1:26:25.920
<v Speaker 1>marble statue come to Laye, which I think does tie

1:26:25.920 --> 1:26:29.960
<v Speaker 1>back into fascism. There's a really good article called Everyone

1:26:30.040 --> 1:26:32.439
<v Speaker 1>Is Beautiful and No One Is Horny on the website

1:26:32.479 --> 1:26:37.360
<v Speaker 1>blood Knife that talks about the sort of sexless, bloodless

1:26:37.439 --> 1:26:42.160
<v Speaker 1>nature of our movies while everybody has suddenly become completely

1:26:42.200 --> 1:26:45.200
<v Speaker 1>shredded like the Rock and the Marvel movies. And in

1:26:45.240 --> 1:26:49.200
<v Speaker 1>that article, the writer Rs. Benedict connects it back to

1:26:49.280 --> 1:26:53.400
<v Speaker 1>Paul Verhoven's satire of fascism and American action movie Starship

1:26:53.400 --> 1:26:56.960
<v Speaker 1>Troopers and describes the co ed shower scene as quote,

1:26:57.000 --> 1:27:00.200
<v Speaker 1>a room full of beautiful, bare bodies and everyone is

1:27:00.240 --> 1:27:02.920
<v Speaker 1>only horny for war. And I feel like that's a

1:27:02.960 --> 1:27:06.679
<v Speaker 1>perfect summation of Arnold movies. Like they had to cut

1:27:06.720 --> 1:27:11.400
<v Speaker 1>a sex scene from Commando because the actress and the

1:27:11.439 --> 1:27:14.120
<v Speaker 1>director were like, this doesn't make sense and like it

1:27:14.240 --> 1:27:18.439
<v Speaker 1>feels weird, but they were willing to add an extra

1:27:18.680 --> 1:27:21.240
<v Speaker 1>like one hundred and fifty people being killed in the

1:27:21.240 --> 1:27:25.599
<v Speaker 1>final scene. In terms of Arnold's relationship to other action stars,

1:27:25.840 --> 1:27:28.360
<v Speaker 1>as I was reading that book The Last Action Heroes,

1:27:28.680 --> 1:27:32.520
<v Speaker 1>I feel like John Claude Van Dam and Arnold Schwartzenegger

1:27:32.520 --> 1:27:37.320
<v Speaker 1>are sort of spiritually linked. They're just these unquestioningly confident

1:27:37.960 --> 1:27:41.480
<v Speaker 1>like puppies who've never been told no. And then Stallone

1:27:41.520 --> 1:27:46.599
<v Speaker 1>and Segal are these massively insecure, sort of sad boys

1:27:47.080 --> 1:27:50.479
<v Speaker 1>who refuse to let their guard down. Their careers are

1:27:50.600 --> 1:27:54.360
<v Speaker 1>like scar tissue that's like grown over their wounded ego.

1:27:54.760 --> 1:27:58.799
<v Speaker 1>And then Schwartzenegger and Van Dam are like these IDs

1:27:58.960 --> 1:28:02.479
<v Speaker 1>that just sort of shed their super ego like needless

1:28:02.520 --> 1:28:06.360
<v Speaker 1>shirts and are just running around flexing and waving their

1:28:06.360 --> 1:28:10.760
<v Speaker 1>dicks in our faces. And finally, I talked in a

1:28:10.840 --> 1:28:14.400
<v Speaker 1>past episode about this theory I was working on of

1:28:14.479 --> 1:28:19.160
<v Speaker 1>like icons have to have like a contradiction at their core,

1:28:19.560 --> 1:28:23.000
<v Speaker 1>Like there's too many famous people. We don't want to

1:28:23.080 --> 1:28:26.840
<v Speaker 1>learn about another famous person. We're already holding all this shit.

1:28:26.920 --> 1:28:29.280
<v Speaker 1>We don't want to have to pick up another famous person.

1:28:30.120 --> 1:28:34.600
<v Speaker 1>But our brains are intrigued by contradiction, and so you have,

1:28:34.720 --> 1:28:37.400
<v Speaker 1>like Einstein is not just a super genius. He's a

1:28:37.439 --> 1:28:39.920
<v Speaker 1>super genius who can't remember to put his shoes on

1:28:40.040 --> 1:28:43.320
<v Speaker 1>before walking out the door. Erkele's a dork, but he's

1:28:43.400 --> 1:28:47.360
<v Speaker 1>a dork who's extremely confident. This Piggy a career motivated

1:28:47.400 --> 1:28:51.240
<v Speaker 1>diva primarily driven by a romantic love of Kermit. And

1:28:51.280 --> 1:28:54.759
<v Speaker 1>if I had to jam Arnold into the contradiction theory,

1:28:55.040 --> 1:28:57.320
<v Speaker 1>I'd highlight some of the stuff we touched on. He's

1:28:57.320 --> 1:29:00.280
<v Speaker 1>an American hero who spoke with a thick Austrian axe.

1:29:00.680 --> 1:29:06.160
<v Speaker 1>He's constantly going undercover while being the most wildly conspicuous

1:29:06.400 --> 1:29:09.839
<v Speaker 1>character in any movie. And it's interesting that he thinks

1:29:10.200 --> 1:29:12.160
<v Speaker 1>that the thing that killed his career was fixing the

1:29:12.200 --> 1:29:14.960
<v Speaker 1>gap in his teeth. You know, he's a subscriber to

1:29:15.000 --> 1:29:19.240
<v Speaker 1>the contradiction theory apparently. And you know, Stallone also had

1:29:19.280 --> 1:29:22.800
<v Speaker 1>an imperfection with the way he talked and kind of

1:29:22.840 --> 1:29:26.639
<v Speaker 1>slurred his words because like one side of his face

1:29:26.800 --> 1:29:29.920
<v Speaker 1>was lightly crushed by a fourceps accident when he was

1:29:29.960 --> 1:29:32.040
<v Speaker 1>being born. But I'm going to shoot you guys straight,

1:29:32.320 --> 1:29:34.200
<v Speaker 1>I don't think there's a lot of contradiction here. I

1:29:34.200 --> 1:29:39.840
<v Speaker 1>think Arnold is a pretty straightforward like cartoon of a jock.

1:29:40.479 --> 1:29:44.160
<v Speaker 1>He makes locker room blowjob jokes, he smokes massive cigars.

1:29:44.520 --> 1:29:48.439
<v Speaker 1>He's just like the toxic masculinity of the seventies, pumped

1:29:48.520 --> 1:29:52.560
<v Speaker 1>up to the extreme to just like the physical embodiment

1:29:52.680 --> 1:29:54.679
<v Speaker 1>of what a seven year old would design an action

1:29:54.760 --> 1:29:57.559
<v Speaker 1>hero to look like. Yeah, so, I'm not sure where

1:29:57.600 --> 1:29:59.439
<v Speaker 1>we're at with this contradiction theory. I feel like I

1:29:59.520 --> 1:30:02.400
<v Speaker 1>might need to place it with our new theory that

1:30:03.640 --> 1:30:06.920
<v Speaker 1>people do their most iconic work while shaitting their pants.

1:30:07.320 --> 1:30:10.280
<v Speaker 1>All right, that's going to do it for Arnold. We're

1:30:10.280 --> 1:30:14.400
<v Speaker 1>back next Monday with possibly the most famous and recognizable

1:30:14.439 --> 1:30:18.360
<v Speaker 1>figure on the face of the planet, who, depending on

1:30:19.240 --> 1:30:21.679
<v Speaker 1>the tradition that you follow, may have done their most

1:30:21.880 --> 1:30:25.559
<v Speaker 1>iconic work while shaitting their pants. I'm talking, of course,

1:30:25.600 --> 1:30:29.439
<v Speaker 1>about our icon number five, Santa Claus. Talk to you then,

1:30:29.600 --> 1:30:29.680
<v Speaker 1>I