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Speaker 1: This is a history.

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Speaker 2: It's what you've done.

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Speaker 3: You guys, auld do a platform.

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Speaker 2: That influence.

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Speaker 4: World's most morning show breakfast clubs, DJ VY, every play

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Speaker 4: by Recket I met just hilarious.

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Speaker 5: She'll sign up?

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Speaker 2: God made you think they're liking a controversial question. We

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Speaker 2: close this part.

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Speaker 5: I like thanks, Breakfast Club.

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Speaker 2: It's a newday. Is it your time to get it

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Speaker 2: off your chest?

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Speaker 5: Way up, whether you're mad or blessed, time to get

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Speaker 5: up and get something.

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Speaker 2: Call up now.

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Speaker 5: Eight hundred and five eighty five one O five one.

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Speaker 5: We want to hear from you on the Breakfast Club.

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Speaker 2: Hello, who's this?

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Speaker 6: Good morning?

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Speaker 5: This is Latoria, Hey, LaToya, get it off your chest.

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Speaker 7: Okay, I'm a delivery driver for Walmart and I just

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Speaker 7: want to get off my chests. These customers went, I'm

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Speaker 7: at the door. They know him at the door, and

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Speaker 7: they open the door and they.

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Speaker 8: Dogs come out, like you know him at the door.

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Speaker 7: Why would you let your dog out?

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Speaker 9: You gotta make sure you gotta make show us all

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Speaker 9: pieces and cream. Got to make sure you are who

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Speaker 9: you say you are.

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Speaker 2: That's all a little.

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Speaker 7: And didn't expect for me to grab them because they

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Speaker 7: run it.

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Speaker 9: No, Well, hopefully you get a bit one day and

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Speaker 9: it don't cast too much damage, and you get a

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Speaker 9: nice little lawsuit because they got to warn you about

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Speaker 9: the dog.

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Speaker 3: They're supposed to just let their dog out on you.

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Speaker 5: Now you know what happened when when they open the

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Speaker 5: door to get the package. A lot of times the dogs.

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Speaker 3: They know that dog behind them. They know they should

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Speaker 3: know better, and they.

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Speaker 7: Know how they do right right, they came to the

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Speaker 7: door first one they when I ring the door.

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Speaker 9: Then so yeah, and depending what kind of day, depending

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Speaker 9: what time of dad is, it might have been a

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Speaker 9: long day for you.

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Speaker 3: Dog might smell fish, be a little hungry.

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Speaker 5: Do tell them you don't smell fish, Mama, tell them

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Speaker 5: you don't smell like fish.

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Speaker 7: No, I don't smell like and by uniform is always clean.

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Speaker 3: There you go, right, have a.

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Speaker 5: Hello?

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Speaker 2: Who's this?

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Speaker 5: What's what's your name? Brother? What up?

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Speaker 10: Man?

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Speaker 5: Get it off your chest?

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Speaker 8: Hey? Why you always hit on the cowboys because I'm.

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Speaker 2: A peace king. How you doing, brother?

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Speaker 8: Yes?

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Speaker 6: How you doing?

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Speaker 8: Beautiful?

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Speaker 4: Good?

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Speaker 11: They ain't need good morning.

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Speaker 8: Hey, I still love you, even know you're a cowboy hat.

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Speaker 2: Hey, but you remember that.

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Speaker 5: Right you said it? You already know and since you

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Speaker 5: from North Carolina. How come you not a Panthers fan? Man?

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Speaker 9: Nah, manna, How how old are you?

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Speaker 2: My brother?

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Speaker 9: Okay, I was born in nineteen hundred and seventy eighth,

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Speaker 9: so on forty five. People don't understand growing up in

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Speaker 9: the Carolinas, South Carolina and North Carolina, we didn't have

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Speaker 9: no football teams, and so most people that we knew

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Speaker 9: were either My my daddy was a Dallas Cowboy fan.

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Speaker 2: There's a lot of.

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Speaker 9: Forty nine Ers fans and Steelers fans as well in

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Speaker 9: the Carolinas.

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Speaker 3: So the Panthers didn't come around till later.

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Speaker 5: Panthers came around, and I think ninety three established that

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Speaker 5: right thirty years ago.

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Speaker 9: I'm already I'm already married to Cowboys by then.

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Speaker 8: There you're doing, man.

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Speaker 6: My daddy told me when they were playing the Philds

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Speaker 6: in the Super Bowl, Man, you got to pull for

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Speaker 6: the Cowboys and nobody else.

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Speaker 2: That's right.

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Speaker 5: Yeah, I been a busy your whole life, have a

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Speaker 5: good one.

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Speaker 9: First of all, we were not abused our whole lives.

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Speaker 9: And the reason we weren't abused our whole lives because

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Speaker 9: in the nineties we dominated.

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Speaker 5: Sir, Yes, but you gotta remember the nineties.

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Speaker 9: And there's also an AI generated that picked the Cowboys

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Speaker 9: to win the Super Bowl in twenty twenty eight.

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Speaker 2: I just want to throw that boy Cowboys winning.

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Speaker 3: Stop that and don't come in here with that negative

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Speaker 3: energy this morning.

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Speaker 5: Hey, who's this you?

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Speaker 8: Good morning everybody. I got one thing, jes my sister.

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Speaker 8: She has a shopping booklyn.

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Speaker 10: I just said to her page to you on I

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Speaker 10: G okay, thank you, and she she does all the

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Speaker 10: stuff you want.

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Speaker 8: She's a sag after I think that's how you pronounced it.

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Speaker 5: She you know, she's a part of the Actors Union

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Speaker 5: and all that, so she like she actually works with

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Speaker 5: celebrities and does their hair stuff.

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Speaker 8: So I said, talk players to you on Instagram. It's

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Speaker 8: hair anomos.

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Speaker 11: Thank you, hair Anonymous, Thank you.

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Speaker 5: So much, hair Anomics.

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Speaker 11: So oh Haeronymous haaronymous gotcha.

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Speaker 8: Yeah, it's to your DM so just check it out

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Speaker 8: that way. He got to bed. You're too pregnant to

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Speaker 8: be going back and forth like that.

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Speaker 12: Though I know I ain't drive, I had calls service,

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Speaker 12: but you're right. You're still right because I need all

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Speaker 12: my rest I can get.

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Speaker 8: That's right, Yeah, yeah, yeah, stop that hood stuff.

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Speaker 2: Make y'all have a blessed morning.

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Speaker 12: Stop that hood bog stuff now in the hood to

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Speaker 12: get my head, stop.

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Speaker 2: That hood booker stuff.

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Speaker 3: They can go hello, who's this?

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Speaker 5: Yeah?

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Speaker 6: Hello?

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Speaker 5: What's up? Man? What's your name?

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Speaker 8: What's every time?

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Speaker 5: Or something? Get off your chest?

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Speaker 8: Bro?

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Speaker 13: Yeah, just before I'm just gonna beat up Charlotte and

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Speaker 13: beat up just you know what I mean. Yeah, So

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Speaker 13: my opinion is, young man, I just want to say,

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Speaker 13: even when I come degree, it's still like almost impossible to.

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Speaker 2: Get a job.

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Speaker 13: I've been looking for jobs for like months now and

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Speaker 13: still cannot find anything. I have a computer science degree

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Speaker 13: and it's like most impossible.

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Speaker 8: Man.

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Speaker 9: We don't disagree with you. We noticed we've been hearing

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Speaker 9: this for years from from Yo.

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Speaker 13: I'm in Connecticut, No, but you know I'm about at Jamaica.

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Speaker 1: Yeah.

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Speaker 13: Me listening thing every time? O, man, like really inspired

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Speaker 13: me a lot.

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Speaker 2: What do you What is it you want to do?

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Speaker 2: What do you want to do? Ultimately, sir?

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Speaker 13: Oh yeah, So I made iOS apps, So I make

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Speaker 13: iPhone apps. Uh huh. If you go on the app

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Speaker 13: store you can see some of my apps. It's called

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Speaker 13: the nerd app.

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Speaker 8: M HM, said I say, nerd.

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Speaker 5: Ll you think about the mean you think about leaving Connecticut.

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Speaker 13: Yeah, I've t about you, man, But it's hard.

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Speaker 14: Man.

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Speaker 13: So I had that job before, but you know, the

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Speaker 13: mild were off and we're just stuck righting on.

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Speaker 8: It's like hard.

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Speaker 13: But as I said, I've been making iPhone apps, so

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Speaker 13: I love it. Like if like anybody, you know, I'm

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Speaker 13: not asking for money and just check them and support it.

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Speaker 1: It's in the app star right now.

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Speaker 9: It's just what kind of world? What kind of world

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Speaker 9: do we live in? Where Jamaican can't find one?

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Speaker 2: Joab? I grew up with Jamaicans. Happened several at one time.

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Speaker 2: Now they can't find what.

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Speaker 5: Get it off your chest eight hundred five eight five

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Speaker 5: one oh five one. If you need to vent, hit

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Speaker 5: us up now. It's the Breakfast Club. Good morning, the

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Speaker 5: Breakfast Club. Wait, this is your time to get it

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Speaker 5: off your chest. Eight hundred and five eight five one

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Speaker 5: five one. We want to hear from you on the

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Speaker 5: breakfast clubs.

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Speaker 2: Hello, who's this yo?

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Speaker 6: Always having the ship?

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Speaker 8: Boy?

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Speaker 1: John Man? What up?

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Speaker 2: Envy?

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Speaker 14: Charlamagnea gat beautiful chests?

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Speaker 11: Good morning?

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Speaker 2: What's happening?

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Speaker 8: Man?

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Speaker 13: I gotta get it off my chest?

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Speaker 6: Man, listen, man, check this out.

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Speaker 14: I just got off at six o'clock, right, I'm trying

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Speaker 14: to go to McDonald's and get me a nice fresh

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Speaker 14: hot sauces and cheese, make muffin sauta. He mother got

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Speaker 14: the nerve to have an attitude because daily, y'all supposed

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Speaker 14: to be open at six o'clock. It's six ten, y'all.

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Speaker 1: Ain't open up yet.

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Speaker 6: Then we gotta wait two three minutes.

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Speaker 8: If we short stabbed and all that.

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Speaker 14: Yo, listen man, it's not my problem, bro, my goddamn business.

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Speaker 9: Well that's not the attitude I understand, but that's not

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Speaker 9: the attitude to have. Everybody's probably a little stretched out

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Speaker 9: this morning.

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Speaker 12: Okay, yeah, but they still have to be to maintaining

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Speaker 12: a level of professionalism because the customers is never always

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Speaker 12: is never wrong.

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Speaker 11: But not in this case.

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Speaker 14: The same thing happened yesterday. They opened up yesterday, Bro,

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Speaker 14: say mcmaphin.

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Speaker 6: Every morning when I get up and see man, it's nothing.

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Speaker 5: But what city where you from?

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Speaker 8: Bro? I'm in Georgia, man, I hate to day. I'm

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Speaker 8: from New York. I'm from Brooklyn, So you're go understand

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Speaker 8: my pain. Man, I'm in Georgie.

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Speaker 9: You can't understand your pain. But I tell you one thing,

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Speaker 9: man is to take you where money won't. So if

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Speaker 9: you just you know, especially if you go there all

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Speaker 9: the time and you're a nice person, they'll probably be

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Speaker 9: happy to see you coming.

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Speaker 3: Pause And I know it justice, it might trigger Jessicae.

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Speaker 1: She wanted to work there.

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Speaker 6: You'll follow me into gram Man's fatherhood.

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Speaker 3: Did you ever have this problem when you work at McDonald's.

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Speaker 12: Why do we tell people to get it off their chests?

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Speaker 12: Have you always got something to say when they're getting

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Speaker 12: it off?

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Speaker 6: Mayn you know?

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Speaker 8: Yeah?

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Speaker 5: What's up? Probably?

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Speaker 2: Where just that? How you doing?

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Speaker 15: Just come?

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Speaker 4: Man?

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Speaker 1: Where are you at?

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Speaker 2: I'm right here, king? How are you?

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Speaker 6: I'm good man, Good morning, man, test I'm headed to

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Speaker 6: I'm in Virginia. I'm driving to North Carolina. I'm going

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Speaker 6: top self beach.

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Speaker 3: Congratulations Is it warm down now?

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Speaker 2: Man?

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Speaker 8: Thank you?

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Speaker 2: Say?

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Speaker 8: What is it?

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Speaker 9: Yeah?

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Speaker 2: Man?

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Speaker 8: It feel good out here.

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Speaker 13: But I was trying to.

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Speaker 6: Get off my chest about my coworkers. Man, Okay, I'm

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Speaker 6: finally getting a break from them, and I been. I

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Speaker 6: ain't had a vacation in the whole year since I

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Speaker 6: started here. And you know, they cool peoples. And everything,

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Speaker 6: But you don't realize how much your the coworkers are

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Speaker 6: your friends, and the people that you around every day

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Speaker 6: can really just take a tax on your mind.

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Speaker 15: Man.

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Speaker 6: And even if they're your good friends and you know,

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Speaker 6: y'all get along most of the time, you're gonna have

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Speaker 6: those disagreements and everybody just kind of need time away

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Speaker 6: to really get their minds straight. Man. So I'm just

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Speaker 6: I'm really blessed and grateful to have this time away

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Speaker 6: with my family. I got a little four year old

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Speaker 6: with me. You know, we dropping say we got the rental.

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Speaker 6: I got my lady in the seat. She became my

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Speaker 6: fiance this year.

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Speaker 2: Congratulations.

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Speaker 3: You sound like you work here at the breakfast club.

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Speaker 3: Yeah rightwer the phone and told you to say that

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Speaker 3: you sound like people that work up here.

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Speaker 6: Hey man, it is what it is. Hey, y'all have

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Speaker 6: a good day.

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Speaker 8: I appreciate you.

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Speaker 9: I can hear the positive energy in his voice, can't

265
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Speaker 9: you hear it? About the raw his wife all weekend,

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Speaker 9: even play with the kids.

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Speaker 2: You know what I'm saying. Be in the water at

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Speaker 2: the beach that's living there.

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Speaker 9: You hear me, right?

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Speaker 5: Yeah, get it off your chest. Eight hundred and five

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Speaker 5: eight five, one oh five one. If you need to

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Speaker 5: be hit us up now. It's the Breakfast Club in morning,

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Speaker 5: the Breakfast Club. I want to got anybody. It's d

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Speaker 5: J M V Jess Lari Charlamage the guy. We are

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Speaker 5: the Breakfast Club. We got a special guest in the building. Yes, indeed,

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Speaker 5: Lady and gentlemen, Drew Stee Welcome back black In Hollyhi,

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Speaker 5: how are you, brother?

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Speaker 2: I'm good, man, I feel good.

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Speaker 3: I started going allright. Remember on MSNB.

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Speaker 4: I don't know why I was on that, brother, I'm

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Speaker 4: confused on why they put me on the news.

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Speaker 2: But you know, man, I got a pr man. I

283
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Speaker 2: don't know what he got me doing. I don't know.

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Speaker 2: I just agree with what they tell me. I showed up.

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Speaker 2: I'm showing up.

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Speaker 5: I didn't even where the right time, So I just

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Speaker 5: was I like how you didn't act like you knew

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Speaker 5: what was going on.

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Speaker 2: Let them straight up. I know what that was about it.

290
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Speaker 2: I loved it.

291
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Speaker 3: Negotiations.

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Speaker 2: Yeah, negotiation when you talk about remorse, I know, yeah, I.

293
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Speaker 4: Know they talking about something. So I'm like, hey, I'm

294
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Speaker 4: gonna just try to blend in. I ain't even I'm

295
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Speaker 4: not gonna try to try to blend in on here man.

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Speaker 9: With the video, I'm already tapped into coaches. I'm sure

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Speaker 9: I already knew who Drewsky was.

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Speaker 2: Yeah, yeah, someone somewhat. That dude.

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Speaker 4: He's very hip and he knows what's going on. He

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Speaker 4: was reciting lyrics and stuff.

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Speaker 2: Yeah, I don't know what that guy.

302
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Speaker 9: And it worked for you because I mean, you know,

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Speaker 9: you still ended up getting a viral moment. Yeah, you know,

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Speaker 9: and it was funny. Yeah yeah, yeah, So the pr

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Speaker 9: I ended up working. It was like reverse of they

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Speaker 9: were supposed to do. I think we were supposed to

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Speaker 9: be on there talking about me going to the White

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Speaker 9: House or yeah, dogs and.

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Speaker 4: The White Man. Yeah, I went like, a year ago,

310
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Speaker 4: you had a dog. No, I don't know why they

311
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Speaker 4: had me talking you don't really know much. I guess

312
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Speaker 4: the secret service dog had been somebody multiple dog beat

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Speaker 4: a bunch of secret service. Yeah, but they're not putting

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Speaker 4: it down, so it's like, uh. And then when I

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Speaker 4: said that, he looked at me like what would you? Yeah,

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Speaker 4: So let's just move on to I want them to

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Speaker 4: talk about what they had to talk about, because I

318
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Speaker 4: was like, hey, the subject, you'll have me.

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Speaker 2: I don't even want to talk about that. I'll just

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Speaker 2: keep doing.

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Speaker 3: But you think the dog should be killed?

322
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Speaker 4: Put I like how he tried to make it sound

323
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Speaker 4: he hates dogs.

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Speaker 5: How many How many people did the dog white?

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Speaker 2: It was a lot.

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Speaker 5: Yeah, I think you want anybody else's dog. They to

327
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Speaker 5: put your dog down. But it was like secure secret

328
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Speaker 5: service the first day to put a muzzle on, the minute,

329
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Speaker 5: to put that dog down.

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Speaker 4: If it was a black dog, pit bull. Yeah, it

331
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Speaker 4: was the first bike, damn and not twenty twenty four

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Speaker 4: is come on now?

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Speaker 11: So you got a new show could have been out.

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Speaker 2: It's an amazing show.

335
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Speaker 4: It's based on I was influenced by P Diddy and

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Speaker 4: when he had to making the band show, I sway like, yeah, no,

337
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Speaker 4: that's bro. See that's why I can't look this way.

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Speaker 4: And that's what I said. That's a lot, he said,

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Speaker 4: because he didn't making the band. You know we were

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Speaker 4: watching that, you know the Yeah they Yeah, I wasn't

341
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Speaker 4: watching making the band. We was watching making the band.

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Speaker 4: So yeah, it played a big part. And I really

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Speaker 4: wanted to do something based it's too much space between

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Speaker 4: I said.

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Speaker 2: What he did? It was it was that question. Yeah,

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Speaker 2: I like, you gotta get to that quick. I need

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Speaker 2: to say making the band first.

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Speaker 4: There you go fluenced by making the band the show

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Speaker 4: and yeah, nah, it's it's a mazing Sure. It's pretty

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Speaker 4: much like a comedic version of that, kind of like

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Speaker 4: how Chappelle did when he did like a.

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Speaker 2: Skit on making the band back in the day.

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Speaker 4: But yeah, they we had We had contestants staying there

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Speaker 4: for seven days. They competed for fifty thousand dollars and

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Speaker 4: you come out of pocket to do that stuff, right

356
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Speaker 4: heh yeah yeah man. But you know, now we had

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Speaker 4: companies help us. We had Raising Canes put up the

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Speaker 4: fifty thousand for the contestants to win.

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Speaker 2: Yeah, yeah, yeah sure, and we had like Nike.

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Speaker 4: Nike participated in putting in some money, prize picks, Ice Box,

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00:13:38,000 --> 00:13:39,520
Speaker 4: Jewelry putting some money too as well.

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Speaker 2: Yeah nice. Nice.

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Speaker 9: So why so, I mean, I see you're putting it

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Speaker 9: out on YouTube and some people would ask why, But

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Speaker 9: if you're getting your own sponsors and you're making your

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Speaker 9: own money, like why chase behind these networks in your

367
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Speaker 9: screaming service?

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Speaker 4: Yeah kind of because it's like, uh, they we tried

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Speaker 4: to pitch it to all these big networks anyway, and

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Speaker 4: nobody believed it.

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Speaker 2: They were like, yo, what it is? Could have been records?

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00:14:00,480 --> 00:14:02,680
Speaker 4: Yeah, there's a lot of you know them older executives

373
00:14:02,679 --> 00:14:04,520
Speaker 4: that don't really know, they're not really hit and they

374
00:14:04,720 --> 00:14:07,040
Speaker 4: just like, we heard this guy is funny, but we

375
00:14:07,080 --> 00:14:08,520
Speaker 4: don't know what the hell could have been records is?

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00:14:08,520 --> 00:14:08,720
Speaker 2: You know?

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00:14:08,800 --> 00:14:11,200
Speaker 4: So every time I tried to explain it, nobody understood

378
00:14:11,200 --> 00:14:12,559
Speaker 4: what I was talking about. So I'm like, damn, we

379
00:14:13,040 --> 00:14:14,959
Speaker 4: probably gonna have to do this ourselves. We went to

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00:14:15,000 --> 00:14:17,760
Speaker 4: every meeting. I'm talking, I'm taking zooms. It's taking an hour.

381
00:14:17,800 --> 00:14:19,760
Speaker 4: I'm explaining it for like an hour, breaking it down.

382
00:14:19,760 --> 00:14:22,040
Speaker 4: We got a power point. I'm pointing that stuff. I'm

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00:14:22,040 --> 00:14:23,880
Speaker 4: making them laugh. So I'm like, oh, we got this.

384
00:14:24,440 --> 00:14:27,240
Speaker 4: Nobody believe. They all like, nah, we'll pass, We'll pass.

385
00:14:27,320 --> 00:14:28,800
Speaker 3: That's one of your most popular sketches.

386
00:14:29,080 --> 00:14:31,280
Speaker 4: Yeah, I know, that's how we got proof of concept.

387
00:14:31,360 --> 00:14:34,480
Speaker 4: I'm like this doing views. We get millions of views.

388
00:14:34,520 --> 00:14:37,120
Speaker 4: But you know, they, you know they you know what

389
00:14:37,240 --> 00:14:40,160
Speaker 4: happened with the show with you, Kevin Hark Oh man,

390
00:14:40,240 --> 00:14:42,160
Speaker 4: they took that off.

391
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Speaker 8: Man.

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Speaker 4: We uh, we were supposed to do that, right a strike,

393
00:14:46,080 --> 00:14:48,760
Speaker 4: right a strike. So during writer a Strike. They took

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00:14:48,840 --> 00:14:50,960
Speaker 4: that down. They just they just got rid of it.

395
00:14:50,960 --> 00:14:52,600
Speaker 4: I don't know, I don't know what the real real

396
00:14:52,640 --> 00:14:55,440
Speaker 4: reason was, but uh yeah it was a show based

397
00:14:55,480 --> 00:14:57,600
Speaker 4: on like like past high school being like a high

398
00:14:57,600 --> 00:15:00,480
Speaker 4: school senior, and uh yeah I came on talked about

399
00:15:00,480 --> 00:15:02,720
Speaker 4: it with you. But yeah, they I really don't know

400
00:15:02,720 --> 00:15:05,280
Speaker 4: the full reason, but they took that off.

401
00:15:05,320 --> 00:15:07,960
Speaker 2: Man, I don't know. Yeah, low key pissed me off

402
00:15:07,960 --> 00:15:08,400
Speaker 2: a little bit.

403
00:15:08,440 --> 00:15:11,720
Speaker 4: But yeah, this just because you know, I don't I

404
00:15:11,760 --> 00:15:16,040
Speaker 4: really don't know the full writer shrike reason, you know

405
00:15:16,080 --> 00:15:18,160
Speaker 4: what I'm saying. So, and I feel like nobody fully

406
00:15:18,240 --> 00:15:20,240
Speaker 4: knew exactly what was going on with writer striking all that,

407
00:15:20,320 --> 00:15:22,440
Speaker 4: so I think, yeah, they might have used that as

408
00:15:22,440 --> 00:15:22,920
Speaker 4: an excuse.

409
00:15:22,960 --> 00:15:26,160
Speaker 2: I really don't know. But yeah, we we had everything rolling.

410
00:15:26,240 --> 00:15:29,080
Speaker 9: But you know, I think about you with sketch, right,

411
00:15:29,120 --> 00:15:30,720
Speaker 9: and I think about you know, I was born in

412
00:15:30,760 --> 00:15:32,920
Speaker 9: nineteen hundred and seventy eight, so I've seen a lot

413
00:15:32,960 --> 00:15:36,000
Speaker 9: of great sketch shows in living color chapel.

414
00:15:35,720 --> 00:15:38,000
Speaker 2: Shows get gassed when we started talking about times.

415
00:15:42,800 --> 00:15:44,560
Speaker 9: When I think about it, because you are very good

416
00:15:44,560 --> 00:15:46,760
Speaker 9: at it, right, Yeah, do you think you need a

417
00:15:46,840 --> 00:15:51,160
Speaker 9: TV show to validate you to where people start talking

418
00:15:51,200 --> 00:15:53,600
Speaker 9: about you in that way like they talked about the

419
00:15:53,680 --> 00:15:56,040
Speaker 9: key and the pills and chapels in Living Colors.

420
00:15:57,440 --> 00:16:00,000
Speaker 4: Not really, I think because social media is so powerful.

421
00:16:00,000 --> 00:16:04,160
Speaker 4: Well now, bro, like without social media, and I'm sure

422
00:16:04,200 --> 00:16:07,040
Speaker 4: she know this too as well, like social media might

423
00:16:07,080 --> 00:16:10,080
Speaker 4: be bigger than TV now, like it used to be

424
00:16:10,120 --> 00:16:11,880
Speaker 4: the goal, like, oh, we're gonna get the TV, We're

425
00:16:11,880 --> 00:16:14,320
Speaker 4: gonna do this big thing. But it's like, when you

426
00:16:14,320 --> 00:16:17,360
Speaker 4: really think about it, majority of the stars right now

427
00:16:17,440 --> 00:16:20,520
Speaker 4: are like the social media people. We even got Twitch

428
00:16:20,520 --> 00:16:24,280
Speaker 4: streamers who are making bigger bags than rappers, That's what

429
00:16:24,280 --> 00:16:27,440
Speaker 4: I'm saying. And aiden rass. These dudes are really making

430
00:16:27,480 --> 00:16:30,400
Speaker 4: a lot of money. They're paying the rappers like real

431
00:16:30,520 --> 00:16:32,920
Speaker 4: show fees to come onto their stream. So it's like,

432
00:16:32,960 --> 00:16:36,600
Speaker 4: I don't know, it's different days, but I think that's

433
00:16:36,680 --> 00:16:38,960
Speaker 4: what made me think I don't really need anything to

434
00:16:39,080 --> 00:16:41,480
Speaker 4: justify anything, because it's like, damn, we're doing it now.

435
00:16:41,520 --> 00:16:44,000
Speaker 4: Like I will pull up to a city and say

436
00:16:44,080 --> 00:16:46,520
Speaker 4: we're doing could have been records tomorrow, and thousands of

437
00:16:46,520 --> 00:16:49,400
Speaker 4: people are out there just lined up trying to audition.

438
00:16:49,560 --> 00:16:50,800
Speaker 2: So it's like that's really the goal.

439
00:16:50,840 --> 00:16:53,120
Speaker 5: For we got more with Drew Ski when we come back,

440
00:16:53,160 --> 00:16:56,320
Speaker 5: don't move. It's to Breakfast Club. Good Morning, the Breakfast

441
00:16:56,400 --> 00:17:02,680
Speaker 5: Club Morning. Everybody is st j A Lee Jesselaris. Charlamagne,

442
00:17:02,720 --> 00:17:04,920
Speaker 5: the guy we all to Breakfast Club is still kicking

443
00:17:04,920 --> 00:17:05,480
Speaker 5: it with Drew Ski.

444
00:17:05,600 --> 00:17:08,119
Speaker 9: Charlamagne as could have been records Like you talk a

445
00:17:08,119 --> 00:17:10,080
Speaker 9: lot about the three sixty deals in the Bad Contract.

446
00:17:10,160 --> 00:17:11,639
Speaker 3: You actually talk to artists about that.

447
00:17:11,760 --> 00:17:12,320
Speaker 2: Yeah, Hell yeah.

448
00:17:12,680 --> 00:17:14,720
Speaker 4: I like to tell people straight up, we're gonna over.

449
00:17:15,240 --> 00:17:17,119
Speaker 4: That's why I said I was inspired by p Diddy.

450
00:17:17,359 --> 00:17:20,880
Speaker 4: That's what I was talking about. Why do y'all keep

451
00:17:20,920 --> 00:17:22,840
Speaker 4: looking at me like that when I say that, I'm

452
00:17:22,880 --> 00:17:26,080
Speaker 4: saying that I'm inspired by the way he.

453
00:17:26,040 --> 00:17:29,640
Speaker 2: Was talking to his people. Well, I ain't say that.

454
00:17:31,200 --> 00:17:33,160
Speaker 5: Yeah, I say that.

455
00:17:33,880 --> 00:17:35,720
Speaker 2: I like the way that he was talking to the.

456
00:17:35,640 --> 00:17:37,960
Speaker 4: People at his label on the show. You know, like, yeah,

457
00:17:38,040 --> 00:17:40,520
Speaker 4: so that's the same way we do our business. Yeah,

458
00:17:40,560 --> 00:17:43,120
Speaker 4: we tell you up. Yeah, if you know you're getting

459
00:17:43,359 --> 00:17:46,399
Speaker 4: over from Jump, what the problem is you knew the

460
00:17:46,440 --> 00:17:47,520
Speaker 4: contract when you got in him.

461
00:17:47,560 --> 00:17:49,440
Speaker 2: That's true. You knew what it was by the way.

462
00:17:49,520 --> 00:17:49,920
Speaker 2: That's true.

463
00:17:49,960 --> 00:17:52,640
Speaker 3: Even if you don't tell him that because curate don't

464
00:17:52,640 --> 00:17:53,240
Speaker 3: get you a lawyer.

465
00:17:54,920 --> 00:17:58,960
Speaker 4: They can't already though, don't Yeah, he can't already. Yeah,

466
00:17:59,000 --> 00:18:01,359
Speaker 4: somebody else just slex that was recently on the show.

467
00:18:01,960 --> 00:18:04,680
Speaker 4: You know, Okay, his brother can't read either.

468
00:18:07,280 --> 00:18:08,400
Speaker 2: Wait for you.

469
00:18:08,960 --> 00:18:10,600
Speaker 4: He liked to get you to just keep talking and

470
00:18:10,640 --> 00:18:13,760
Speaker 4: just run down that rapit hole saying stupid, keep doing

471
00:18:13,840 --> 00:18:22,640
Speaker 4: that ahead talking something. I gotta I gotta come back

472
00:18:22,640 --> 00:18:24,400
Speaker 4: and correct myself. I feel like we needed to put

473
00:18:24,400 --> 00:18:26,480
Speaker 4: a disclaimer at the beginning of this. Wait for Drew

474
00:18:26,520 --> 00:18:28,760
Speaker 4: to finish his whole answer. I thought you came here

475
00:18:28,760 --> 00:18:32,040
Speaker 4: just had beef with everybody name y'all bringing up all

476
00:18:32,040 --> 00:18:38,520
Speaker 4: to beef man, dyslexic, dazzy Wait, whoa, whoa, whoa whoa

477
00:18:39,040 --> 00:18:40,760
Speaker 4: Now y'all, Hey, come on, man, I don't have no

478
00:18:40,800 --> 00:18:42,080
Speaker 4: beef with problem with nobody.

479
00:18:42,080 --> 00:18:42,240
Speaker 2: Man.

480
00:18:42,840 --> 00:18:44,320
Speaker 11: Is it tough for people to take you serious?

481
00:18:44,359 --> 00:18:47,600
Speaker 4: And because obviously you see you see I'm trying to

482
00:18:47,680 --> 00:18:48,240
Speaker 4: be serious.

483
00:18:48,280 --> 00:18:50,760
Speaker 5: Man, I try to get my point of cry.

484
00:18:51,119 --> 00:18:51,359
Speaker 6: Nah.

485
00:18:52,080 --> 00:18:54,760
Speaker 2: Yeah, since I was a kid, man, I always but

486
00:18:54,840 --> 00:18:57,200
Speaker 2: I think, uh even when the kid when he was

487
00:18:57,200 --> 00:18:58,280
Speaker 2: a kid, they didn't take you serious.

488
00:18:58,440 --> 00:19:02,320
Speaker 4: Yeah yeah, yeah, I think likes uh students all that man,

489
00:19:02,359 --> 00:19:04,720
Speaker 4: Like we always used to I used to around so

490
00:19:04,800 --> 00:19:06,920
Speaker 4: much that everybody thought everything I said it was a joke,

491
00:19:07,280 --> 00:19:10,000
Speaker 4: you know, so it's normal. But the people close to me,

492
00:19:10,040 --> 00:19:15,800
Speaker 4: they know we laughing. My brother's trying to tell his

493
00:19:15,920 --> 00:19:17,119
Speaker 4: truth right now, Man, I'm.

494
00:19:17,119 --> 00:19:17,600
Speaker 1: Laughing at that.

495
00:19:18,280 --> 00:19:21,600
Speaker 9: Yeah, you remember a time, but like you was like dad, serious,

496
00:19:21,640 --> 00:19:23,399
Speaker 9: like man, like you was think of something.

497
00:19:23,119 --> 00:19:24,920
Speaker 3: And you believe you, and they didn't believe you.

498
00:19:25,000 --> 00:19:25,280
Speaker 6: Yeah. No.

499
00:19:25,560 --> 00:19:28,560
Speaker 4: I had to go to the hospital when I crashed

500
00:19:28,600 --> 00:19:30,880
Speaker 4: on a on a four wheeler like four or five

501
00:19:30,960 --> 00:19:34,080
Speaker 4: years ago, and we're really like three four years ago,

502
00:19:34,200 --> 00:19:37,040
Speaker 4: and I went to the hospital and everybody was in

503
00:19:37,080 --> 00:19:39,520
Speaker 4: there trying to take selfies, take videos and joke around.

504
00:19:39,760 --> 00:19:41,879
Speaker 4: But I really was like hurt for real. But it

505
00:19:42,000 --> 00:19:44,520
Speaker 4: was like a whole joke that I was in there,

506
00:19:44,520 --> 00:19:49,320
Speaker 4: Like what what the hell you doing here? I'm like, yeah,

507
00:19:49,600 --> 00:19:50,240
Speaker 4: you know what I'm saying.

508
00:19:52,040 --> 00:19:54,639
Speaker 2: It's like, yo, I need help right now. You know

509
00:19:54,680 --> 00:19:58,720
Speaker 2: what I'm saying. But that's the problem your ass doing yours?

510
00:19:58,920 --> 00:19:59,359
Speaker 6: Shut up?

511
00:20:00,119 --> 00:20:03,880
Speaker 2: How much about back my back? You know what I'm saying.

512
00:20:03,880 --> 00:20:06,359
Speaker 2: But that that's the thing about man. You can never

513
00:20:06,560 --> 00:20:09,040
Speaker 2: be serious or like really be going through some real

514
00:20:09,600 --> 00:20:12,160
Speaker 2: that's because of you. Because you not not even even

515
00:20:12,200 --> 00:20:13,399
Speaker 2: even d C d C.

516
00:20:13,640 --> 00:20:16,600
Speaker 4: Recently, I think somebody stole his bag or something and

517
00:20:17,440 --> 00:20:19,680
Speaker 4: he was in the comments ROSA. They said, lame man

518
00:20:19,760 --> 00:20:23,320
Speaker 4: lost your bag at the club, and I'm like, damn, bro,

519
00:20:23,480 --> 00:20:24,240
Speaker 4: he had some.

520
00:20:24,160 --> 00:20:27,600
Speaker 2: Valuable things in there. Man, Can y'all really show some

521
00:20:27,680 --> 00:20:30,120
Speaker 2: remorse for the Yeah? Yeah, yeah.

522
00:20:30,440 --> 00:20:32,600
Speaker 4: People don't go when you when you funny, people don't

523
00:20:32,600 --> 00:20:33,639
Speaker 4: give us.

524
00:20:33,720 --> 00:20:35,159
Speaker 11: You do be having like.

525
00:20:35,320 --> 00:20:37,240
Speaker 2: Yeah, I'll be having real, real circumstances.

526
00:20:37,280 --> 00:20:39,880
Speaker 4: Yeah, yeah, I think he would be thinking that after

527
00:20:39,880 --> 00:20:40,600
Speaker 4: he's coming into the.

528
00:20:40,520 --> 00:20:43,360
Speaker 11: Stadium's raders, courthouses.

529
00:20:42,920 --> 00:20:46,240
Speaker 2: Don't matter what he is t s A. So like, yeah,

530
00:20:46,440 --> 00:20:48,800
Speaker 2: why would I be Yeah, you're right, you're right, You're right.

531
00:20:48,880 --> 00:20:50,120
Speaker 2: I did tell you I.

532
00:20:50,000 --> 00:20:52,399
Speaker 3: Had I had a guy text me, was NB all

533
00:20:52,440 --> 00:20:52,800
Speaker 3: the weekend?

534
00:20:52,880 --> 00:20:53,320
Speaker 2: Last weekend?

535
00:20:53,560 --> 00:20:53,720
Speaker 8: Yeah?

536
00:20:54,640 --> 00:20:55,040
Speaker 2: Shut up?

537
00:20:55,359 --> 00:20:56,160
Speaker 3: Text me last weekening?

538
00:20:56,920 --> 00:20:57,320
Speaker 5: Text you.

539
00:20:57,320 --> 00:20:58,920
Speaker 9: He was like it was like it was in a

540
00:20:58,960 --> 00:21:01,679
Speaker 9: group chat and he was like, man, was popular person

541
00:21:01,760 --> 00:21:05,840
Speaker 9: that some NBA All Star party Drew Skie hands down.

542
00:21:06,040 --> 00:21:08,080
Speaker 9: I'm like, hey, are you doing this thing?

543
00:21:08,200 --> 00:21:10,439
Speaker 2: Yeah? Man, I'm just I'm blessed. I'm thankful.

544
00:21:10,480 --> 00:21:10,640
Speaker 8: Man.

545
00:21:10,720 --> 00:21:12,119
Speaker 9: Did you feel that in the party that he was

546
00:21:12,119 --> 00:21:13,159
Speaker 9: talking about a.

547
00:21:13,160 --> 00:21:15,200
Speaker 4: Little bit a little bit. Yeah, because my man was

548
00:21:15,240 --> 00:21:18,080
Speaker 4: standing on the couch and nobody else was. No, no, no, no,

549
00:21:18,080 --> 00:21:20,880
Speaker 4: that wasn't my groove. Yeah, it was he talking about

550
00:21:20,880 --> 00:21:23,399
Speaker 4: the All Star Yeah, yeah, yeah, I remember that.

551
00:21:23,480 --> 00:21:23,680
Speaker 2: Yeah.

552
00:21:23,680 --> 00:21:27,119
Speaker 4: I think it was Jada, Jada Kitsch. Yeah, it was

553
00:21:27,119 --> 00:21:28,560
Speaker 4: a couple. It was a couple of different that was

554
00:21:28,560 --> 00:21:31,920
Speaker 4: out there had a party. Yeah, I think Jada Kiss

555
00:21:31,920 --> 00:21:33,119
Speaker 4: had a party. It was it was one of the

556
00:21:33,160 --> 00:21:36,520
Speaker 4: old heads, man, they had a party. No, no, no, no, no,

557
00:21:36,680 --> 00:21:38,199
Speaker 4: I'm just saying like it was. It was one of

558
00:21:38,200 --> 00:21:38,960
Speaker 4: those I don't know.

559
00:21:39,400 --> 00:21:41,400
Speaker 5: Let's let's let's get into your rec Let's introduce your

560
00:21:42,560 --> 00:21:43,479
Speaker 5: a lot of movie right.

561
00:21:43,480 --> 00:21:44,320
Speaker 3: Are you still working on that?

562
00:21:44,560 --> 00:21:49,280
Speaker 2: No, we're not working on that.

563
00:21:49,440 --> 00:21:53,680
Speaker 4: Another another writer, Shrike, We had we had a whole

564
00:21:53,680 --> 00:21:56,120
Speaker 4: bunch of a lot of misopportunities. But see, it will

565
00:21:56,200 --> 00:22:00,240
Speaker 4: be about the miss opportunities. Man, it's about continuing to try, right.

566
00:22:00,320 --> 00:22:03,480
Speaker 4: You gotta keep doing this over and over, figuring it out.

567
00:22:03,960 --> 00:22:05,800
Speaker 4: You don't matter about the news. They only gonna know

568
00:22:05,840 --> 00:22:07,879
Speaker 4: about the yeses unless you y'all bring it up.

569
00:22:09,000 --> 00:22:11,480
Speaker 2: Nobody really Jack got a good relationship though. Yeah, yeah,

570
00:22:11,520 --> 00:22:12,640
Speaker 2: hell yeah, man, that's my boy.

571
00:22:12,920 --> 00:22:15,000
Speaker 3: Y'all, how do you feel about his record talking.

572
00:22:14,800 --> 00:22:17,440
Speaker 2: About man bro he's going crazy.

573
00:22:17,680 --> 00:22:18,960
Speaker 3: I mean, there's a white guy talk about wis the

574
00:22:19,040 --> 00:22:19,639
Speaker 3: chains in America?

575
00:22:19,720 --> 00:22:20,240
Speaker 2: People love that.

576
00:22:20,320 --> 00:22:22,920
Speaker 4: Yeah, but I think he's talking about like locking them down,

577
00:22:23,040 --> 00:22:28,360
Speaker 4: like yeah.

578
00:22:23,800 --> 00:22:28,400
Speaker 2: That man, you know what I'm saying, Like locking them down,

579
00:22:28,480 --> 00:22:30,000
Speaker 2: like nobody locking with slavery.

580
00:22:30,560 --> 00:22:34,200
Speaker 4: No, man, as long as it's Jackson, keep trying.

581
00:22:36,640 --> 00:22:37,400
Speaker 2: It's a good song.

582
00:22:37,480 --> 00:22:43,120
Speaker 4: I think I think he uh yeah, moving on because

583
00:22:43,119 --> 00:22:44,359
Speaker 4: I don't want how to correct myself on that.

584
00:22:46,320 --> 00:22:49,600
Speaker 2: Yeah, yeah, yeah, it's about my music to go number one.

585
00:22:49,680 --> 00:22:50,720
Speaker 5: We appreciate you for joining it.

586
00:22:50,920 --> 00:22:53,840
Speaker 9: Follow if you're not already, but who is it Definitely,

587
00:22:54,560 --> 00:22:55,720
Speaker 9: it's always a pleasure to see you.

588
00:22:56,680 --> 00:23:02,040
Speaker 5: Man. Thank the breakfast clubs, Drew Skif you're like into

589
00:23:02,040 --> 00:23:07,120
Speaker 5: the breakfast club, good morning, everybody is DJ Envy, Jess Hilarious, Charlamagne,

590
00:23:07,119 --> 00:23:09,760
Speaker 5: the gud We are the breakfast club. Nophew just joining us.

591
00:23:10,000 --> 00:23:12,359
Speaker 5: Salute to little Real. And this is what he said

592
00:23:12,400 --> 00:23:15,040
Speaker 5: about marriage and the wedding. We've really been playing the

593
00:23:15,160 --> 00:23:17,119
Speaker 5: marriage like weird and that's easy.

594
00:23:17,119 --> 00:23:18,679
Speaker 16: We could do that, but like I want to make

595
00:23:18,680 --> 00:23:21,560
Speaker 16: sure everything's in order by the time we get into

596
00:23:21,560 --> 00:23:23,399
Speaker 16: that plasing all that.

597
00:23:23,400 --> 00:23:25,880
Speaker 9: That's a great perspective. I'm not planning for the wedding.

598
00:23:25,920 --> 00:23:26,960
Speaker 9: I'm planning for the marriage.

599
00:23:27,000 --> 00:23:30,399
Speaker 16: Yeah, we're talking about you combined and finances. We have

600
00:23:30,560 --> 00:23:32,239
Speaker 16: seven kids between us, so we need to make sure

601
00:23:32,280 --> 00:23:34,400
Speaker 16: it's the right home we have. You know, everything has

602
00:23:34,440 --> 00:23:38,199
Speaker 16: to be in order, and even just us and communicating. Yeah,

603
00:23:38,280 --> 00:23:40,280
Speaker 16: I love talking to her every day and we talk

604
00:23:40,320 --> 00:23:42,800
Speaker 16: about everything. You know, sometimes we don't agree on a

605
00:23:42,840 --> 00:23:44,399
Speaker 16: lot of shit, but we talk it out and I

606
00:23:44,440 --> 00:23:44,680
Speaker 16: love that.

607
00:23:45,160 --> 00:23:47,440
Speaker 5: So we asking eight hundred and five five one O

608
00:23:47,600 --> 00:23:50,040
Speaker 5: five one, what are you playing for the marriage or

609
00:23:50,080 --> 00:23:51,400
Speaker 5: the wedding? Let's start with you Jess.

610
00:23:51,760 --> 00:23:54,720
Speaker 12: Well, ever since Louarel said that, I won't my so Chris,

611
00:23:54,720 --> 00:23:57,520
Speaker 12: I said, Look, planning for the marriage.

612
00:23:57,280 --> 00:23:58,000
Speaker 5: What does that mean though?

613
00:23:58,040 --> 00:23:58,280
Speaker 4: Wedding?

614
00:23:58,880 --> 00:23:58,920
Speaker 6: It?

615
00:23:59,720 --> 00:24:00,680
Speaker 11: Uh?

616
00:24:00,720 --> 00:24:03,720
Speaker 12: It is exactly what Charlemagne said is like. And then

617
00:24:03,760 --> 00:24:05,720
Speaker 12: what you said like when you were younger, you weren't

618
00:24:05,760 --> 00:24:07,840
Speaker 12: thinking about it. I mean as a woman, you just

619
00:24:07,880 --> 00:24:10,360
Speaker 12: think about the fairytale wedding. Like I know I can't

620
00:24:10,359 --> 00:24:12,960
Speaker 12: speak for all women, but what I hear a lot

621
00:24:13,040 --> 00:24:16,359
Speaker 12: and even myself, like I've always wanted that fairytale wedding,

622
00:24:16,440 --> 00:24:18,440
Speaker 12: walking down the aisle in front of my friends and family,

623
00:24:18,480 --> 00:24:20,199
Speaker 12: beautiful dress, the kids that I do.

624
00:24:20,720 --> 00:24:22,640
Speaker 11: But then after what is it now?

625
00:24:22,760 --> 00:24:25,119
Speaker 12: So that's just one ceremony, you know what I'm saying, Like,

626
00:24:25,320 --> 00:24:28,680
Speaker 12: this is us, this is us becoming one. Now we're

627
00:24:28,760 --> 00:24:31,840
Speaker 12: joining accounts, we're joining finances, we're joining like I can't

628
00:24:31,880 --> 00:24:35,359
Speaker 12: think for myself only for think about the future for myself.

629
00:24:35,400 --> 00:24:38,119
Speaker 11: I have to think about another partner. We live in

630
00:24:38,160 --> 00:24:38,960
Speaker 11: the same.

631
00:24:38,760 --> 00:24:41,840
Speaker 12: House, we two children. Yeah, you know what I'm saying.

632
00:24:41,880 --> 00:24:46,240
Speaker 12: So this is literally what you should plan for. And

633
00:24:46,240 --> 00:24:47,840
Speaker 12: then that's why I said the wedding is easy. You know,

634
00:24:47,880 --> 00:24:49,560
Speaker 12: if you got money, wedding is easy.

635
00:24:50,000 --> 00:24:52,399
Speaker 11: What is it? All of it entail?

636
00:24:52,720 --> 00:24:55,159
Speaker 5: After that, let me ask you a question too. You

637
00:24:55,160 --> 00:24:57,680
Speaker 5: can say that, but what about the ring because most

638
00:24:57,720 --> 00:24:59,640
Speaker 5: women when they get the ring, that ring is expensive,

639
00:25:00,040 --> 00:25:02,239
Speaker 5: and that ring could be something that you use to

640
00:25:02,280 --> 00:25:05,400
Speaker 5: plan for your marriage, right because those rings be expensive.

641
00:25:05,720 --> 00:25:08,879
Speaker 5: They're not no cheap brings domitating they cheap. So you know,

642
00:25:08,920 --> 00:25:10,840
Speaker 5: a lot of people spend a lot of the money

643
00:25:10,840 --> 00:25:12,560
Speaker 5: on the diamond and then they have to wait to

644
00:25:12,600 --> 00:25:14,240
Speaker 5: save some more money. Then they got to plan for

645
00:25:14,280 --> 00:25:16,080
Speaker 5: the wedding and they gotta wait to save some more money.

646
00:25:16,080 --> 00:25:19,040
Speaker 5: But by that point, is it planning for the marriage

647
00:25:19,160 --> 00:25:20,879
Speaker 5: and not just financially. You know, you got to be

648
00:25:21,200 --> 00:25:22,080
Speaker 5: right ready as well.

649
00:25:22,359 --> 00:25:22,800
Speaker 2: Yeah.

650
00:25:22,840 --> 00:25:26,800
Speaker 12: And then also because weddings do cost so much, if

651
00:25:27,320 --> 00:25:28,719
Speaker 12: you already, if you play, if you do it right,

652
00:25:28,760 --> 00:25:29,360
Speaker 12: you plan for.

653
00:25:29,320 --> 00:25:32,679
Speaker 11: The marriage, is the person worth all the money?

654
00:25:32,720 --> 00:25:32,800
Speaker 17: Like?

655
00:25:32,840 --> 00:25:35,000
Speaker 12: You got to think about that because I hear some

656
00:25:35,040 --> 00:25:37,160
Speaker 12: people and be like, yo, I spent all that money

657
00:25:37,200 --> 00:25:39,679
Speaker 12: on the wedding and we ain't even you know, like

658
00:25:39,880 --> 00:25:41,800
Speaker 12: I shouldn't even have did all that. That's why you

659
00:25:41,840 --> 00:25:44,520
Speaker 12: should plan for the marriage first and get to know

660
00:25:44,640 --> 00:25:47,920
Speaker 12: this woman or get to know this man, because it

661
00:25:47,960 --> 00:25:50,600
Speaker 12: doesn't your love shouldn't have a price on it. Like

662
00:25:50,640 --> 00:25:52,200
Speaker 12: if you do it, you did it from the heart. Man,

663
00:25:52,280 --> 00:25:54,760
Speaker 12: my baby worth all this, like you know whatever. So

664
00:25:54,760 --> 00:25:56,280
Speaker 12: you got to think about it from that perspective too,

665
00:25:56,320 --> 00:25:58,959
Speaker 12: when you plan for marriage, that the wedding is easy

666
00:25:59,000 --> 00:26:01,880
Speaker 12: and that is easy to get to.

667
00:26:01,880 --> 00:26:02,359
Speaker 2: Pay for that.

668
00:26:02,520 --> 00:26:04,359
Speaker 5: Yeah, I agree with you to. I think that you

669
00:26:04,400 --> 00:26:06,880
Speaker 5: should plan for the marriage marriage, figure out how you're

670
00:26:06,880 --> 00:26:10,120
Speaker 5: gonna make this thing last longevity, whether it's like you said,

671
00:26:10,200 --> 00:26:13,160
Speaker 5: finances or we're going to therapy together to make sure

672
00:26:13,200 --> 00:26:15,320
Speaker 5: that we know how to keep this marriage in a

673
00:26:15,320 --> 00:26:17,600
Speaker 5: place where we both respect each other, we both keep

674
00:26:17,600 --> 00:26:20,800
Speaker 5: it sexy, we both know the business of marriage and

675
00:26:20,840 --> 00:26:23,120
Speaker 5: make sure that it's a successful marriage. But I think,

676
00:26:23,200 --> 00:26:25,359
Speaker 5: like you said, when when you're younger, you plan for

677
00:26:25,400 --> 00:26:27,040
Speaker 5: that wedding. Like I wanted to give my wife that

678
00:26:27,119 --> 00:26:29,520
Speaker 5: fairy tale wedding that she wanted, and I'm sure she

679
00:26:29,640 --> 00:26:30,879
Speaker 5: wanted that fairytale wedding.

680
00:26:31,000 --> 00:26:32,520
Speaker 2: I don't think we planned for the marriage at all.

681
00:26:32,560 --> 00:26:35,439
Speaker 9: When you're younger, I think you're really just thinking about, Okay,

682
00:26:35,560 --> 00:26:36,399
Speaker 9: I'm gonna get married.

683
00:26:36,440 --> 00:26:37,840
Speaker 2: What does that mean? Correct?

684
00:26:38,080 --> 00:26:39,000
Speaker 3: You know what I'm saying.

685
00:26:39,200 --> 00:26:41,480
Speaker 9: It sounds good the wedding and all of that, but

686
00:26:41,520 --> 00:26:45,320
Speaker 9: then what does it actually mean to be married personally

687
00:26:45,400 --> 00:26:46,160
Speaker 9: and business wise?

688
00:26:46,720 --> 00:26:49,040
Speaker 5: Are you right? I remember when I when I got married.

689
00:26:49,440 --> 00:26:51,439
Speaker 5: After the wedding, I went on a honeymoon and then

690
00:26:51,640 --> 00:26:54,520
Speaker 5: I lived. I lived with yaz mother. Like right, right,

691
00:26:54,920 --> 00:26:56,160
Speaker 5: we got married, spent all this.

692
00:26:56,160 --> 00:26:59,360
Speaker 3: Money on Miami. Huh, you'll go for a honeymoon?

693
00:26:59,440 --> 00:26:59,880
Speaker 5: What you said?

694
00:26:59,880 --> 00:27:02,359
Speaker 2: Myami because he was younger. I'm just asking you.

695
00:27:02,359 --> 00:27:06,480
Speaker 5: Went on a cruise, sir, A cruise, sir that left

696
00:27:06,480 --> 00:27:12,280
Speaker 5: from Miami, Miami from the West Side Highway to Miami.

697
00:27:13,320 --> 00:27:14,520
Speaker 5: Let's go through the phone lines.

698
00:27:14,960 --> 00:27:15,840
Speaker 2: Hello, who's this.

699
00:27:16,440 --> 00:27:19,760
Speaker 7: Hey m B, Hey Uncle Charlotte, Hey, jes.

700
00:27:23,280 --> 00:27:26,600
Speaker 5: Morning, good morning. It says you getting married next week.

701
00:27:27,200 --> 00:27:28,640
Speaker 18: I am getting married next week.

702
00:27:28,760 --> 00:27:29,600
Speaker 2: Congratulation.

703
00:27:30,320 --> 00:27:33,560
Speaker 18: Planned our marriage and not our wedding. We're having a

704
00:27:33,680 --> 00:27:38,160
Speaker 18: very small, intimate, little ceremony. But we have talked way

705
00:27:38,200 --> 00:27:40,000
Speaker 18: more about our marriage than we did our wedding.

706
00:27:40,080 --> 00:27:41,600
Speaker 3: What is planning for a marriage to look like.

707
00:27:42,240 --> 00:27:45,080
Speaker 18: Well, we talked about how we're filing taxes and how

708
00:27:45,080 --> 00:27:49,800
Speaker 18: we're combining finances, and between the both of us, we

709
00:27:49,880 --> 00:27:54,000
Speaker 18: have four kids, so it's how we're parenting each other's kids,

710
00:27:54,040 --> 00:27:58,199
Speaker 18: and they all live with us, so that's how we

711
00:27:58,240 --> 00:28:00,440
Speaker 18: are planning for our future. Instead of, you know, the

712
00:28:01,200 --> 00:28:04,880
Speaker 18: day is, you know, a day to remember forever. However,

713
00:28:05,320 --> 00:28:07,080
Speaker 18: I'm spending the rest of my life with the person,

714
00:28:07,080 --> 00:28:09,000
Speaker 18: so I rather plan the rest of my life than

715
00:28:09,040 --> 00:28:09,760
Speaker 18: the one day.

716
00:28:10,840 --> 00:28:13,000
Speaker 2: That Hello, who's this?

717
00:28:14,000 --> 00:28:15,679
Speaker 1: I am gonna go with anonymous.

718
00:28:16,880 --> 00:28:18,320
Speaker 3: Oh that means wedding didn't work out?

719
00:28:18,800 --> 00:28:22,880
Speaker 1: Yeah, yeah, no, definitely not. I agree with little Real.

720
00:28:24,200 --> 00:28:26,840
Speaker 1: Once you're out of the hypothetical of what we're gonna

721
00:28:26,840 --> 00:28:30,639
Speaker 1: do when we get married, when we get married. My

722
00:28:30,800 --> 00:28:33,080
Speaker 1: ex she she just wanted to live in the same

723
00:28:33,080 --> 00:28:36,000
Speaker 1: fear in the pageantry, and I wanted to go back

724
00:28:36,040 --> 00:28:39,800
Speaker 1: to premadal counseling. I wanted to plan the future. I

725
00:28:39,880 --> 00:28:42,680
Speaker 1: set up the joint bank account, and she just wasn't

726
00:28:42,720 --> 00:28:44,600
Speaker 1: moving accordingly. So I canceled the wedding.

727
00:28:45,480 --> 00:28:47,560
Speaker 12: Okay, you saw it before it even got there, because

728
00:28:47,560 --> 00:28:48,240
Speaker 12: how it starts is.

729
00:28:48,240 --> 00:28:49,040
Speaker 11: How it ends.

730
00:28:49,680 --> 00:28:50,320
Speaker 8: Absolutely.

731
00:28:50,560 --> 00:28:52,960
Speaker 1: Yeah, you know, it's like she didn't want to put

732
00:28:53,040 --> 00:28:55,600
Speaker 1: she didn't want to put equal amount of work into

733
00:28:55,680 --> 00:28:58,600
Speaker 1: the future. We were out the hypothetical, like you know,

734
00:28:58,760 --> 00:29:02,360
Speaker 1: the whole time you're dating, and there's all these conversations, Oh,

735
00:29:02,640 --> 00:29:04,640
Speaker 1: let's do this when we get married, or I'm gonna

736
00:29:04,640 --> 00:29:06,760
Speaker 1: be like this, I'm gonna be like that. Well the

737
00:29:06,840 --> 00:29:09,880
Speaker 1: ring is on, it's time to start playing that, you

738
00:29:09,920 --> 00:29:10,280
Speaker 1: know what I mean.

739
00:29:11,240 --> 00:29:13,160
Speaker 2: You're right, Well, thank you brother.

740
00:29:13,520 --> 00:29:14,880
Speaker 5: Hello, who's this Hi?

741
00:29:14,960 --> 00:29:17,120
Speaker 15: This is Fatima from Stelle.

742
00:29:16,720 --> 00:29:17,600
Speaker 11: North Carolina.

743
00:29:17,720 --> 00:29:20,800
Speaker 5: Fatima talk to us about planning a wedding versus planning

744
00:29:20,920 --> 00:29:21,560
Speaker 5: the marriage.

745
00:29:21,800 --> 00:29:25,040
Speaker 15: So one of the things that we always talk about

746
00:29:25,280 --> 00:29:28,000
Speaker 15: is the fact that you're going to be with this

747
00:29:28,080 --> 00:29:30,720
Speaker 15: person for the rest of your life. So the marriage

748
00:29:30,760 --> 00:29:34,720
Speaker 15: is great, the wedding is nice, but love is not everything.

749
00:29:34,880 --> 00:29:37,680
Speaker 15: And I say that by saying, do you like this person?

750
00:29:37,840 --> 00:29:38,000
Speaker 6: Right?

751
00:29:38,880 --> 00:29:40,720
Speaker 15: Can you be with this person for the rest of

752
00:29:40,720 --> 00:29:43,040
Speaker 15: your life? Can you combine finances like the little girl

753
00:29:43,160 --> 00:29:46,600
Speaker 15: was talking about and also think about you're also marrying

754
00:29:46,600 --> 00:29:51,760
Speaker 15: this person's family, right, so a combination of both. You

755
00:29:51,920 --> 00:29:56,800
Speaker 15: have to plan for the future from finances, sickness and health,

756
00:29:56,840 --> 00:29:58,760
Speaker 15: like everything that you can think about. Because marriage is

757
00:29:58,800 --> 00:30:03,160
Speaker 15: not easy work. People think it's fun and games until

758
00:30:03,280 --> 00:30:06,600
Speaker 15: some real issue really happened. Can you be there for

759
00:30:06,680 --> 00:30:09,200
Speaker 15: that person and have that faith in that person that

760
00:30:09,200 --> 00:30:10,760
Speaker 15: that person's going to be there for you as well?

761
00:30:10,960 --> 00:30:11,920
Speaker 2: That's real, right?

762
00:30:12,120 --> 00:30:15,320
Speaker 5: Yeah, Yeah, that's real, Thank you mama. Yeah, what's the

763
00:30:15,400 --> 00:30:16,080
Speaker 5: motal to the story?

764
00:30:16,120 --> 00:30:16,360
Speaker 2: Guys?

765
00:30:16,400 --> 00:30:17,200
Speaker 5: If there's more.

766
00:30:17,080 --> 00:30:20,040
Speaker 9: Planning for your marriage, that's what we're trying to tell

767
00:30:20,080 --> 00:30:22,440
Speaker 9: you this morning. Planning for your marriage wasn't The ceremony

768
00:30:22,520 --> 00:30:24,680
Speaker 9: is great, that's cute, but that's really just the moment

769
00:30:24,720 --> 00:30:25,040
Speaker 9: in time.

770
00:30:25,120 --> 00:30:27,240
Speaker 3: The marriage should be forever.

771
00:30:27,440 --> 00:30:29,280
Speaker 2: That's right. I can't wait you a little big head

772
00:30:29,320 --> 00:30:29,800
Speaker 2: get married.

773
00:30:30,920 --> 00:30:34,920
Speaker 12: Yeah, I can't wait, But you know what I can

774
00:30:35,600 --> 00:30:39,160
Speaker 12: you know, you know, because yeah, planning for her marriage now? Yeah,

775
00:30:39,320 --> 00:30:41,800
Speaker 12: because you also got to make sure people mental state

776
00:30:41,920 --> 00:30:44,560
Speaker 12: is right to Like yo, some of the phone calls

777
00:30:44,560 --> 00:30:46,040
Speaker 12: that I get up here for Jessica's my mass.

778
00:30:46,080 --> 00:30:46,640
Speaker 11: Remember we had that.

779
00:30:46,680 --> 00:30:49,080
Speaker 12: One caller where she was like, she didn't know she

780
00:30:49,200 --> 00:30:52,760
Speaker 12: married her husband and when he left her, when she

781
00:30:52,840 --> 00:30:55,360
Speaker 12: left him for cheating, he killed himself because.

782
00:30:55,080 --> 00:30:56,280
Speaker 2: He felt like I remember that.

783
00:30:56,400 --> 00:30:59,160
Speaker 12: He you know, he couldn't have you know, he couldn't

784
00:30:59,160 --> 00:31:01,920
Speaker 12: deal with losing her. But that went back to something

785
00:31:01,920 --> 00:31:04,960
Speaker 12: he was dealing with way before even meeting her. Like

786
00:31:05,040 --> 00:31:08,000
Speaker 12: you know what I'm saying. So you just gotta therapy,

787
00:31:08,200 --> 00:31:09,880
Speaker 12: mental evaluations.

788
00:31:09,280 --> 00:31:09,520
Speaker 5: All that.

789
00:31:09,560 --> 00:31:12,520
Speaker 11: You gotta know who you are becoming one with.

790
00:31:13,000 --> 00:31:15,440
Speaker 9: Just as that's that's real because we're having all these

791
00:31:15,440 --> 00:31:18,120
Speaker 9: conversations about financial but you really got to go do

792
00:31:18,240 --> 00:31:21,920
Speaker 9: the work on yourself. Man, both both partners being holy

793
00:31:22,000 --> 00:31:24,840
Speaker 9: matrimony with a person and do it together. Talk about

794
00:31:24,840 --> 00:31:27,040
Speaker 9: you gonna be with this person forever until they get

795
00:31:27,040 --> 00:31:29,320
Speaker 9: triggered by your fault and then, oh my god, you

796
00:31:29,320 --> 00:31:30,920
Speaker 9: know what I'm saying, y'all in the bed together and

797
00:31:31,040 --> 00:31:34,160
Speaker 9: you fought on the person by accident, not realizing that

798
00:31:34,200 --> 00:31:36,360
Speaker 9: happened to him in jail and some crazy stuff happened

799
00:31:36,400 --> 00:31:38,280
Speaker 9: after that, because when a man faughts around another man

800
00:31:38,320 --> 00:31:40,920
Speaker 9: that's flirting, you don't even understand why that happened. Now

801
00:31:40,960 --> 00:31:45,160
Speaker 9: he bugging out and you don't realize why that's personal.

802
00:31:45,320 --> 00:31:51,800
Speaker 12: Like, that's why he is a mental health advocate, because

803
00:31:51,840 --> 00:31:53,080
Speaker 12: he's still working through some things.

804
00:31:53,200 --> 00:31:55,680
Speaker 5: Yes, that's why he pulled out in his pants when

805
00:31:55,680 --> 00:31:58,840
Speaker 5: he fought. I hate a little fun pants.

806
00:31:59,120 --> 00:32:00,280
Speaker 8: Yeah, like work.

807
00:32:00,880 --> 00:32:02,760
Speaker 12: I hate a little for especially with the Mexican for

808
00:32:02,960 --> 00:32:05,800
Speaker 12: us because they eat a lot of no never mind.

809
00:32:05,600 --> 00:32:07,000
Speaker 3: My boyfriend is Mexican.

810
00:32:08,000 --> 00:32:13,840
Speaker 12: And black, but his eating habits are very yeah, yeah, and.

811
00:32:13,840 --> 00:32:17,360
Speaker 9: So you know I hate a little Mexican for it.

812
00:32:17,520 --> 00:32:20,000
Speaker 5: Yeah, like you know, with the case so and all that.

813
00:32:20,040 --> 00:32:20,440
Speaker 2: I'll be like.

814
00:32:20,680 --> 00:32:27,000
Speaker 5: Now, it's the Breakfast Logan Morning, the Breakfast Club.

815
00:32:29,280 --> 00:32:29,600
Speaker 2: Morning.

816
00:32:29,640 --> 00:32:33,320
Speaker 5: Everybody is dj NV just hilarious, charlamage the guy. We

817
00:32:33,360 --> 00:32:35,360
Speaker 5: are the Breakfast Club. We got some special guest in

818
00:32:35,400 --> 00:32:39,040
Speaker 5: the building. We have Kim Osorio, the legendary, the legendary

819
00:32:39,120 --> 00:32:43,080
Speaker 5: Kim Osorio. Welcome Kim, good morning, and also Malik Movie Welcome.

820
00:32:43,800 --> 00:32:46,360
Speaker 5: Are you feeling Now? They have a new documentary Tale

821
00:32:46,520 --> 00:32:49,080
Speaker 5: of the Tape. I'm about to say weed Tale of

822
00:32:49,160 --> 00:32:52,120
Speaker 5: the tape, how the mixed tape revolutionized hip hop, which

823
00:32:52,120 --> 00:32:54,400
Speaker 5: I'm an executive producer on as well.

824
00:32:54,600 --> 00:32:56,640
Speaker 19: Welcome, Thank you, did I mess up the whole.

825
00:32:56,480 --> 00:33:00,720
Speaker 5: Thanks for having us still call the mixtapes?

826
00:33:00,840 --> 00:33:02,440
Speaker 19: Do they still call them mixtape.

827
00:33:02,680 --> 00:33:05,000
Speaker 3: Even to this day? There's no mixing, not on tapes.

828
00:33:05,280 --> 00:33:08,400
Speaker 2: It's mixed shows now now it's mix shows. Yeah, that's true, they.

829
00:33:08,280 --> 00:33:10,960
Speaker 5: Were mixing back then. But it talks about the I

830
00:33:11,000 --> 00:33:13,680
Speaker 5: guess how the mixtape game and how the mixtape started.

831
00:33:13,680 --> 00:33:15,680
Speaker 5: So it starts from the beginning from Bruce E b

832
00:33:16,720 --> 00:33:19,080
Speaker 5: DJ and parties and how people started and how it

833
00:33:19,080 --> 00:33:21,440
Speaker 5: became so popular. So before we get into that, let's

834
00:33:21,480 --> 00:33:23,000
Speaker 5: let's tell people who who you are.

835
00:33:23,080 --> 00:33:25,600
Speaker 19: Let's talk with you Ken, Okay, it all started in

836
00:33:25,640 --> 00:33:30,800
Speaker 19: the Bronx hip hop Now. Yeah, you know a lot

837
00:33:30,800 --> 00:33:32,720
Speaker 19: of people know me from the Source magazine. So I

838
00:33:32,760 --> 00:33:34,640
Speaker 19: was the former editor in chief of the Source magazine.

839
00:33:34,680 --> 00:33:38,760
Speaker 19: But today I work primarily in television right, producing passion

840
00:33:38,800 --> 00:33:41,520
Speaker 19: projects such as this one, but also a lot of

841
00:33:41,520 --> 00:33:44,520
Speaker 19: projects that you're familiar with. People know me today from

842
00:33:44,560 --> 00:33:47,080
Speaker 19: the impact New York love and hip hop, growing up

843
00:33:47,120 --> 00:33:50,240
Speaker 19: hip hop. You know your favorite reality shows, that's right.

844
00:33:50,080 --> 00:33:51,640
Speaker 2: And Malik oh Man.

845
00:33:51,840 --> 00:33:55,360
Speaker 10: I'm a director of producer, owner, operator of Red Summer TV.

846
00:33:56,120 --> 00:33:58,400
Speaker 10: Been in the game a long time telling stories. Used

847
00:33:58,400 --> 00:34:02,320
Speaker 10: to work at every platforms for RHAP City, one, O, six,

848
00:34:02,400 --> 00:34:04,360
Speaker 10: et cetera. But now I do everything through my company

849
00:34:05,320 --> 00:34:07,280
Speaker 10: and I was happy to have Kim come aboard for

850
00:34:07,280 --> 00:34:07,840
Speaker 10: this project.

851
00:34:07,960 --> 00:34:10,480
Speaker 5: Now let's break down the tale of the tape? What

852
00:34:10,600 --> 00:34:12,560
Speaker 5: made you guys want to do the Tale of the

853
00:34:12,600 --> 00:34:14,040
Speaker 5: tape came? I didn't think you were a DJ.

854
00:34:14,440 --> 00:34:16,239
Speaker 19: First of all, don't play with me. And I used

855
00:34:16,239 --> 00:34:19,239
Speaker 19: to have turntables, right, did you? Yes? I sold them.

856
00:34:19,320 --> 00:34:22,080
Speaker 19: I needed to sell them at one one Christmas back

857
00:34:22,120 --> 00:34:24,719
Speaker 19: in the nineties that that I didn't have any money

858
00:34:24,719 --> 00:34:26,919
Speaker 19: to buy gifts. I sold my turntable and I still

859
00:34:26,960 --> 00:34:29,840
Speaker 19: regret it. Why do you want to do that? I

860
00:34:30,120 --> 00:34:38,600
Speaker 19: think I can't DJ. No like I love DJ. I'm

861
00:34:38,600 --> 00:34:39,040
Speaker 19: a huge but.

862
00:34:39,040 --> 00:34:39,880
Speaker 5: You don't even know what I know.

863
00:34:40,040 --> 00:34:42,200
Speaker 19: First of all, I was the first person that ever

864
00:34:42,239 --> 00:34:45,640
Speaker 19: put you in the source man right. They brought a

865
00:34:45,800 --> 00:34:48,360
Speaker 19: very young DJ Envy to me and said this is

866
00:34:48,400 --> 00:34:51,359
Speaker 19: the next guy, and I was like, oh, look at

867
00:34:51,360 --> 00:34:55,480
Speaker 19: this page person. My brother and I said let me

868
00:34:55,520 --> 00:34:59,239
Speaker 19: put and we followed your career at the source back then, right,

869
00:34:59,480 --> 00:35:03,120
Speaker 19: supported But you know, I think that during that time, right,

870
00:35:03,280 --> 00:35:05,920
Speaker 19: DJing it was such an important part of the culture.

871
00:35:05,920 --> 00:35:07,239
Speaker 19: I'm not saying it isn't now. It's just that it

872
00:35:07,239 --> 00:35:10,400
Speaker 19: doesn't get as much shine, correct, Right, So I feel

873
00:35:10,400 --> 00:35:12,920
Speaker 19: like it's our responsibility to do that. So I'm a

874
00:35:12,960 --> 00:35:16,359
Speaker 19: huge fan of DJ, like I've always been, Like, I'm

875
00:35:16,480 --> 00:35:19,040
Speaker 19: the type of person that sends playlists to people, Like

876
00:35:19,120 --> 00:35:21,440
Speaker 19: if you're like really close to me, you know that

877
00:35:21,520 --> 00:35:23,400
Speaker 19: about me. You know what I'm saying, c NV.

878
00:35:23,760 --> 00:35:24,879
Speaker 5: You straight away.

879
00:35:24,920 --> 00:35:27,279
Speaker 19: Over the years, you ain't want to call nobody, so

880
00:35:27,280 --> 00:35:29,480
Speaker 19: I don't send you my playlist. But I'm that to

881
00:35:29,600 --> 00:35:31,880
Speaker 19: I build playlists, and I think that like that's almost

882
00:35:31,880 --> 00:35:34,239
Speaker 19: like the new mixtape when we think about it. But

883
00:35:34,360 --> 00:35:36,839
Speaker 19: I just love music. I love DJ culture, and so

884
00:35:36,880 --> 00:35:38,520
Speaker 19: it was a project that I wanted to get down with.

885
00:35:38,719 --> 00:35:38,879
Speaker 8: Now.

886
00:35:38,920 --> 00:35:42,000
Speaker 5: You guys started this project years ago, many years ago. Yeah,

887
00:35:42,160 --> 00:35:45,200
Speaker 5: you could tell from j Cole that doesn't have a dreads.

888
00:35:45,680 --> 00:35:46,600
Speaker 5: Neither does Kendrick.

889
00:35:46,719 --> 00:35:48,200
Speaker 19: I don't think you got any facial.

890
00:35:48,120 --> 00:35:50,200
Speaker 5: I didn't have.

891
00:35:50,840 --> 00:35:52,719
Speaker 9: The products were all the products that they used now

892
00:35:52,719 --> 00:35:57,239
Speaker 9: weren't out back then. Joe got the rewind. Now you

893
00:35:57,280 --> 00:35:59,320
Speaker 9: know that wasn't around when y'all probably started.

894
00:36:00,080 --> 00:36:02,560
Speaker 5: So you know, why did it take so long to

895
00:36:02,600 --> 00:36:03,439
Speaker 5: actually get it out?

896
00:36:04,360 --> 00:36:06,560
Speaker 10: Like Kim said, this was a this is a passion process,

897
00:36:06,840 --> 00:36:10,359
Speaker 10: right self funded. You know, it started because of you know,

898
00:36:10,520 --> 00:36:14,360
Speaker 10: me being a storyteller. Everywhere I went, you know, interviewing

899
00:36:14,360 --> 00:36:17,200
Speaker 10: and documenting, whether it was artists, whether it was DJ's

900
00:36:17,440 --> 00:36:20,000
Speaker 10: the connective tissue was always the mixtape. You know, That's

901
00:36:20,000 --> 00:36:23,320
Speaker 10: how everybody that got their start in some way, shape

902
00:36:23,360 --> 00:36:25,480
Speaker 10: form or fashion. And I was like, we have to

903
00:36:25,520 --> 00:36:27,839
Speaker 10: tell his story. So a lot of some of those

904
00:36:27,880 --> 00:36:30,480
Speaker 10: interviews were on the back end of certain certain certain

905
00:36:30,520 --> 00:36:33,239
Speaker 10: production you know what I mean. And yeah, so you know,

906
00:36:33,280 --> 00:36:35,000
Speaker 10: we're very happy that, you know, we were able to

907
00:36:35,080 --> 00:36:37,080
Speaker 10: like fully craft it into the story that it is.

908
00:36:37,520 --> 00:36:40,600
Speaker 5: Now watching this, uh, you know, you realize that Brucey

909
00:36:40,640 --> 00:36:43,400
Speaker 5: B was kind of the creator of the mixtape. He

910
00:36:43,440 --> 00:36:46,160
Speaker 5: doesn't get a lot of the the accolades and shine

911
00:36:46,160 --> 00:36:48,640
Speaker 5: as he should. So how it's talking to Brucey B.

912
00:36:48,840 --> 00:36:51,200
Speaker 5: If you don't know who Brucey B was, he was DJ,

913
00:36:51,200 --> 00:36:52,840
Speaker 5: I don't know if he's from Harlem and the Bronx.

914
00:36:53,200 --> 00:36:54,520
Speaker 19: I think he is from Harlem.

915
00:36:54,640 --> 00:36:54,799
Speaker 9: Right.

916
00:36:55,200 --> 00:36:57,880
Speaker 5: Yeah, So so talk about Brucey B and how how

917
00:36:57,920 --> 00:36:58,800
Speaker 5: it was created.

918
00:36:58,960 --> 00:37:01,000
Speaker 10: I mean, first of all, shout out to Brucey B.

919
00:37:01,400 --> 00:37:04,279
Speaker 10: He was, you know, really really inviting. I just got

920
00:37:04,280 --> 00:37:06,200
Speaker 10: his number through a friend and gave McCall and said, look,

921
00:37:06,239 --> 00:37:08,120
Speaker 10: I want to I want to do your interview who,

922
00:37:08,200 --> 00:37:11,240
Speaker 10: what time and where. His story is so dope because

923
00:37:11,320 --> 00:37:14,080
Speaker 10: you know, he was that guy for the from the rooftop, right,

924
00:37:14,200 --> 00:37:16,759
Speaker 10: that legendary club, which I guess like you know what

925
00:37:16,800 --> 00:37:17,680
Speaker 10: the tunnel.

926
00:37:17,360 --> 00:37:18,480
Speaker 2: Was for us something like that.

927
00:37:19,360 --> 00:37:22,160
Speaker 10: But it was a painstaking process to like actually record

928
00:37:22,200 --> 00:37:26,120
Speaker 10: his mixes and then spend the whole week duplicating one

929
00:37:26,200 --> 00:37:29,080
Speaker 10: by one by one, right and then selling them that

930
00:37:29,160 --> 00:37:30,960
Speaker 10: next week. The only other way to make you know,

931
00:37:31,000 --> 00:37:33,280
Speaker 10: the ways he was making extra money was like hustl

932
00:37:33,360 --> 00:37:34,920
Speaker 10: dude saying, Yo, can you shout my name out?

933
00:37:35,239 --> 00:37:37,920
Speaker 2: He's charging extra for that, you know, And it's.

934
00:37:37,840 --> 00:37:40,560
Speaker 10: Just dope as we follow it in a linear process,

935
00:37:40,920 --> 00:37:43,120
Speaker 10: so we get to like, you know, you and clueing

936
00:37:43,160 --> 00:37:46,200
Speaker 10: you guys are evds and shrink rap and whatnot.

937
00:37:46,360 --> 00:37:48,320
Speaker 2: So it was it's, you know, it's dope to see.

938
00:37:48,480 --> 00:37:51,280
Speaker 5: Now I noticed Roan G wasn't on the project, that's correct.

939
00:37:51,320 --> 00:37:54,960
Speaker 10: What what happened with Ron g Ron had some schedule issues,

940
00:37:55,880 --> 00:37:58,879
Speaker 10: I'll say that, but you know, we couldn't not talk

941
00:37:58,920 --> 00:38:02,520
Speaker 10: about it. You know, Rawn g is an integral part

942
00:38:02,600 --> 00:38:06,800
Speaker 10: of mixtape culture. You know I went to the National

943
00:38:06,800 --> 00:38:09,359
Speaker 10: Treasure of Morgan State. He used to come down and

944
00:38:09,560 --> 00:38:12,640
Speaker 10: battle with him in essens. We have parties. That's actually

945
00:38:12,640 --> 00:38:14,640
Speaker 10: where I met you the first time. You coming through

946
00:38:14,680 --> 00:38:19,200
Speaker 10: Morgan going to Hampton one weekend and we did some

947
00:38:19,239 --> 00:38:22,480
Speaker 10: business with your mixtapes. Had a mixtape spot back then, and.

948
00:38:22,440 --> 00:38:24,880
Speaker 5: I was gonna ask with all those you know, what

949
00:38:25,040 --> 00:38:26,799
Speaker 5: was one thing that you realized that you didn't know?

950
00:38:26,840 --> 00:38:29,080
Speaker 5: Like for myself, I didn't know that Swiss Beats actually

951
00:38:29,120 --> 00:38:31,879
Speaker 5: got his start by listening to these DJs do intro

952
00:38:31,960 --> 00:38:33,680
Speaker 5: and he wanted to create intros like that, and that's

953
00:38:33,680 --> 00:38:35,040
Speaker 5: how he actually got into production.

954
00:38:35,120 --> 00:38:35,719
Speaker 2: I didn't know that.

955
00:38:35,760 --> 00:38:37,400
Speaker 5: What was one of the things that you guys learned

956
00:38:37,400 --> 00:38:39,759
Speaker 5: off for watching making this that you were like, wow,

957
00:38:39,800 --> 00:38:40,359
Speaker 5: I didn't know that.

958
00:38:40,520 --> 00:38:41,080
Speaker 2: I go first.

959
00:38:41,120 --> 00:38:44,879
Speaker 10: I think what I learned most interesting was why Kid

960
00:38:44,880 --> 00:38:48,239
Speaker 10: Capri exited doing mixtapes. I didn't know had got so

961
00:38:48,360 --> 00:38:49,920
Speaker 10: high for him. I just thought it was a natural

962
00:38:49,960 --> 00:38:53,560
Speaker 10: transition progression for him to do, you know, def comedy

963
00:38:53,640 --> 00:38:56,319
Speaker 10: jam and kind of go you know, more of the

964
00:38:56,360 --> 00:38:58,080
Speaker 10: business slash corporate route.

965
00:38:58,239 --> 00:38:59,839
Speaker 2: But you know that wasn't that.

966
00:38:59,840 --> 00:39:01,920
Speaker 10: Was necessarily the case, because if he was stuck around

967
00:39:01,920 --> 00:39:04,080
Speaker 10: doing what he did, he ended up like drama.

968
00:39:04,600 --> 00:39:08,360
Speaker 19: I think so right, And I think for me, besides

969
00:39:08,400 --> 00:39:10,160
Speaker 19: the fact of course that I learned that you was

970
00:39:10,200 --> 00:39:13,960
Speaker 19: a lot more controversial icy, It was a lot more

971
00:39:14,000 --> 00:39:16,480
Speaker 19: spicy in the original interview, you know what I'm saying,

972
00:39:16,560 --> 00:39:18,879
Speaker 19: Like you've toned it down a little bit, and that's

973
00:39:18,920 --> 00:39:20,879
Speaker 19: I think that's what you had to do a mixtape culture, right,

974
00:39:20,960 --> 00:39:23,520
Speaker 19: Like you had to get out there. It was very competitive.

975
00:39:23,600 --> 00:39:26,839
Speaker 19: But I learned a lot about drama situation and how

976
00:39:27,000 --> 00:39:30,600
Speaker 19: that changed the course of mixtapes and kind of steered

977
00:39:30,640 --> 00:39:33,839
Speaker 19: into the mixtape. I think as the younger community knows

978
00:39:33,840 --> 00:39:36,960
Speaker 19: it today, they don't really understand like how we viewed

979
00:39:36,960 --> 00:39:39,160
Speaker 19: mixtapes back then. How you went to the you know,

980
00:39:39,160 --> 00:39:41,920
Speaker 19: one hundred and twenty fifth Street, Fordham Road, third Avenue

981
00:39:41,960 --> 00:39:43,640
Speaker 19: to get the tape if it came out on Friday,

982
00:39:43,760 --> 00:39:45,879
Speaker 19: just to hear all of the new cuts or hear

983
00:39:45,920 --> 00:39:49,440
Speaker 19: the new blends. They don't have that same perspective, And

984
00:39:49,480 --> 00:39:52,319
Speaker 19: I think the game changed around that time, when you

985
00:39:52,360 --> 00:39:54,200
Speaker 19: know the FEDS rated.

986
00:39:55,760 --> 00:39:58,640
Speaker 5: Yeah, we got more with the legendary Kim Osorio and

987
00:39:58,719 --> 00:40:01,440
Speaker 5: also Maliko when we come back, don't move. It's the

988
00:40:01,440 --> 00:40:04,680
Speaker 5: Breakfast Club in the morning, morning everybody. It's DJ, Envy,

989
00:40:04,880 --> 00:40:07,719
Speaker 5: Jess Hilarious, Charlamagne the guy. We are the breakfast Club.

990
00:40:07,719 --> 00:40:11,719
Speaker 5: We're still kicking with kim O sorryo and also Charlamage.

991
00:40:11,800 --> 00:40:13,560
Speaker 9: What about I haven't seen it? Just so what about

992
00:40:13,600 --> 00:40:15,520
Speaker 9: Wayne in fifty? Did y'all speak to them? Because there

993
00:40:15,520 --> 00:40:19,160
Speaker 9: was a period where, like you know, DJ's, the artists were.

994
00:40:19,360 --> 00:40:21,640
Speaker 3: Probably more important to mixtap coaching than the DJ.

995
00:40:21,760 --> 00:40:24,000
Speaker 19: I mean, we wasn't getting no fifty in this Stamp

996
00:40:24,160 --> 00:40:29,280
Speaker 19: documentary we said it was self funded.

997
00:40:29,800 --> 00:40:32,400
Speaker 2: We said it was self funded, you know what?

998
00:40:32,520 --> 00:40:34,160
Speaker 19: Yeah, And I think part of the reason I have

999
00:40:34,400 --> 00:40:36,040
Speaker 19: and we come in and work with us on this

1000
00:40:36,160 --> 00:40:39,320
Speaker 19: documentaries was just to have a credible DJ be able

1001
00:40:39,360 --> 00:40:41,959
Speaker 19: to help us shape our narrative and telling the story

1002
00:40:41,960 --> 00:40:43,719
Speaker 19: and make sure there weren't things that we missed because

1003
00:40:43,719 --> 00:40:46,319
Speaker 19: a lot of that inside stuff you don't know really

1004
00:40:46,400 --> 00:40:47,880
Speaker 19: what's going on, and then you come in with your

1005
00:40:47,880 --> 00:40:49,880
Speaker 19: cameras and you're trying to interview people and they're not

1006
00:40:49,920 --> 00:40:52,040
Speaker 19: really telling you the full story. So MV was our

1007
00:40:52,080 --> 00:40:54,040
Speaker 19: checks and ballancs. So MVY, why didn't fifty do the doc?

1008
00:40:54,120 --> 00:40:55,759
Speaker 5: Because I think what this doctor was mostly based on

1009
00:40:55,760 --> 00:40:57,320
Speaker 5: the DJs, the actually DJ.

1010
00:40:57,280 --> 00:40:59,680
Speaker 3: But there wasn't a period where the artists did shift.

1011
00:40:59,440 --> 00:41:02,560
Speaker 19: Things to talk about that a lot in there, right,

1012
00:41:02,680 --> 00:41:05,320
Speaker 19: like the g unit, like how they change the game

1013
00:41:05,480 --> 00:41:08,360
Speaker 19: dipset right, and that's where and that's why you know

1014
00:41:08,360 --> 00:41:10,080
Speaker 19: we did get Kendrick. Kendrick is in.

1015
00:41:10,040 --> 00:41:13,080
Speaker 5: There, Cole talks about you.

1016
00:41:13,400 --> 00:41:13,680
Speaker 2: In there.

1017
00:41:14,560 --> 00:41:16,279
Speaker 5: J Cole on there talks about how he thought he

1018
00:41:16,320 --> 00:41:18,040
Speaker 5: would never do a mixtape. He thought it was whack,

1019
00:41:18,400 --> 00:41:20,000
Speaker 5: and then when he came up here in New York

1020
00:41:20,040 --> 00:41:21,560
Speaker 5: and seeing all the DJ's doing, he was like, I

1021
00:41:21,640 --> 00:41:23,160
Speaker 5: have to do it. And that was the creation of

1022
00:41:23,200 --> 00:41:23,720
Speaker 5: his mixtape.

1023
00:41:23,760 --> 00:41:25,919
Speaker 3: That's what blew him up. Yeah, Like that's what set

1024
00:41:25,960 --> 00:41:26,719
Speaker 3: the foundation and.

1025
00:41:26,640 --> 00:41:28,880
Speaker 5: That's what he talks about. So he talks about that.

1026
00:41:28,920 --> 00:41:30,279
Speaker 5: So now let me ask you when it when it

1027
00:41:30,280 --> 00:41:32,320
Speaker 5: comes to DJs, who do you guys can see that

1028
00:41:32,600 --> 00:41:36,040
Speaker 5: the mount Rushmore of DJs mixtape DJs, I should say, oh, Wow,

1029
00:41:36,440 --> 00:41:38,120
Speaker 5: take me out because I probably want to take me

1030
00:41:38,280 --> 00:41:39,400
Speaker 5: out part of the project.

1031
00:41:40,360 --> 00:41:43,440
Speaker 19: Bruce E B, K, Capri, ron G and DJ Clue.

1032
00:41:43,880 --> 00:41:46,400
Speaker 19: What that's just what I listened to, Okay, So.

1033
00:41:46,640 --> 00:41:47,560
Speaker 2: Leave Drama off.

1034
00:41:48,560 --> 00:41:52,279
Speaker 19: Drama is comes later in my mind, like, that's much later.

1035
00:41:52,360 --> 00:41:54,040
Speaker 19: And you're from the South, so that's different.

1036
00:41:54,080 --> 00:41:56,800
Speaker 9: I'm from New York and for me it would be Clue, Drama,

1037
00:41:57,200 --> 00:41:59,759
Speaker 9: ron G and probably.

1038
00:42:00,160 --> 00:42:04,480
Speaker 10: Yeah, yeah, I think I definitely Kipri Clue Drama.

1039
00:42:06,719 --> 00:42:09,960
Speaker 19: Wow you left off and you said that was your

1040
00:42:10,000 --> 00:42:10,800
Speaker 19: favorite mixtape?

1041
00:42:11,400 --> 00:42:12,759
Speaker 2: Is my favorite?

1042
00:42:12,960 --> 00:42:13,239
Speaker 6: Wasn't that?

1043
00:42:13,239 --> 00:42:17,920
Speaker 5: W Yeah? I see it's bad because a lot of

1044
00:42:17,920 --> 00:42:20,279
Speaker 5: people forget Brucey B. Right, they forget what Brucey B

1045
00:42:20,440 --> 00:42:22,799
Speaker 5: did for mixtape he started. So just because of that,

1046
00:42:22,800 --> 00:42:25,200
Speaker 5: Brucey B has to be on there right then, for me,

1047
00:42:25,560 --> 00:42:28,600
Speaker 5: Clue is my mixtape savior. He's my god. Right, He's

1048
00:42:28,640 --> 00:42:29,279
Speaker 5: not my dad, I.

1049
00:42:29,280 --> 00:42:32,120
Speaker 2: Said, credit.

1050
00:42:35,320 --> 00:42:41,000
Speaker 5: Man, credit, He's not my dad, but he's definitely up there.

1051
00:42:41,520 --> 00:42:43,440
Speaker 5: You can't take away what Drama did. Like you know,

1052
00:42:43,440 --> 00:42:44,960
Speaker 5: I joke with Drama all the time and we always

1053
00:42:44,960 --> 00:42:47,239
Speaker 5: talk about who's better Drama on Clue. But Drama was

1054
00:42:47,320 --> 00:42:49,560
Speaker 5: one of the people that changed the game, and when

1055
00:42:49,600 --> 00:42:51,560
Speaker 5: it came to mixtape, like Clue changed the game how

1056
00:42:51,760 --> 00:42:54,719
Speaker 5: he did it. But Drama was getting full artist mixtapes,

1057
00:42:54,920 --> 00:42:57,319
Speaker 5: which wasn't done before. And what he was able to

1058
00:42:57,360 --> 00:42:59,719
Speaker 5: do was, you know, some of these artist mixtapes are

1059
00:42:59,719 --> 00:43:01,520
Speaker 5: better than in the actual album. You know, if you

1060
00:43:01,560 --> 00:43:03,239
Speaker 5: think about what he did with g Z, what he

1061
00:43:03,280 --> 00:43:05,239
Speaker 5: did with Wayne, what he did with Gotti, what he

1062
00:43:05,280 --> 00:43:07,480
Speaker 5: did with g Unit, what he did with for Real,

1063
00:43:07,600 --> 00:43:11,279
Speaker 5: what he did all those TI TI especially, is like,

1064
00:43:11,680 --> 00:43:14,080
Speaker 5: you can't take that away from Drama, And then it's

1065
00:43:14,120 --> 00:43:17,319
Speaker 5: like that's kind of for but you can't forget Kid

1066
00:43:17,480 --> 00:43:18,000
Speaker 5: or Ron.

1067
00:43:18,040 --> 00:43:18,400
Speaker 19: You know what I mean.

1068
00:43:18,480 --> 00:43:20,360
Speaker 5: So it's very difficult, right.

1069
00:43:20,520 --> 00:43:22,840
Speaker 19: Right, Why y'all try to have Drama calling my phone?

1070
00:43:22,840 --> 00:43:25,000
Speaker 19: Like he wasn't on my top four y'all was like,

1071
00:43:25,040 --> 00:43:27,719
Speaker 19: you can't take everybody went against me. I was like, okay,

1072
00:43:27,760 --> 00:43:30,600
Speaker 19: but you know what that was after I think my

1073
00:43:30,719 --> 00:43:33,920
Speaker 19: impressionable years of when I was consuming mixtapes, right, so,

1074
00:43:33,960 --> 00:43:36,359
Speaker 19: like I could see why in my mind I look

1075
00:43:36,400 --> 00:43:40,520
Speaker 19: at really like the forefathers more so of the culture

1076
00:43:40,840 --> 00:43:43,360
Speaker 19: at that time when mixtapes were prevalent.

1077
00:43:43,040 --> 00:43:45,319
Speaker 5: We broke down a lot of the artists that got

1078
00:43:45,360 --> 00:43:47,680
Speaker 5: their start form mixtapes, right, can y'all talk break that

1079
00:43:47,719 --> 00:43:49,160
Speaker 5: down a little bit some of those artists.

1080
00:43:49,560 --> 00:43:52,200
Speaker 10: I mean, of course there's g Unit and of course

1081
00:43:52,200 --> 00:43:56,600
Speaker 10: this Dipset. But Joe, Joe butten talks about how he

1082
00:43:56,640 --> 00:43:59,200
Speaker 10: got his start. He talks about integral You and the

1083
00:43:59,280 --> 00:44:01,759
Speaker 10: clue world to his career. He always says he did

1084
00:44:01,760 --> 00:44:04,680
Speaker 10: it first. He always says he was but that's just Joe, right,

1085
00:44:04,719 --> 00:44:06,799
Speaker 10: he said, no, I did it first. G Unit and

1086
00:44:06,880 --> 00:44:10,480
Speaker 10: Dipset copied me. But I think those move music and tapes,

1087
00:44:10,680 --> 00:44:12,560
Speaker 10: you know, set the bar for what a lot of

1088
00:44:12,600 --> 00:44:15,880
Speaker 10: the other guys did from the Coles, Kendricks and especially

1089
00:44:15,880 --> 00:44:16,440
Speaker 10: Big Shawn's.

1090
00:44:16,960 --> 00:44:18,880
Speaker 5: Yeah, I just I'm just glad that people get a

1091
00:44:18,960 --> 00:44:21,399
Speaker 5: chance to see where it actually started from and when

1092
00:44:21,600 --> 00:44:24,160
Speaker 5: DJ is really mattered. And I think the DVDs is great.

1093
00:44:24,160 --> 00:44:26,560
Speaker 5: I mean, you have to do French Montana where he

1094
00:44:26,560 --> 00:44:29,560
Speaker 5: got his start. Of course, Smack Smack was my first fight.

1095
00:44:29,760 --> 00:44:32,120
Speaker 19: Oh so you can't come on his executive.

1096
00:44:31,680 --> 00:44:35,960
Speaker 5: Now we're cool now he beat me up to beat you.

1097
00:44:36,200 --> 00:44:39,600
Speaker 5: Smack beat me up to each other.

1098
00:44:39,880 --> 00:44:41,120
Speaker 19: You said, shout out to.

1099
00:44:46,400 --> 00:44:47,520
Speaker 5: Smack was my first fight.

1100
00:44:48,640 --> 00:44:50,440
Speaker 19: But these are the things that that we have to

1101
00:44:50,520 --> 00:44:52,120
Speaker 19: document in front of my pops.

1102
00:44:52,160 --> 00:44:54,399
Speaker 3: Dude, that was great, meet up in front cool.

1103
00:44:56,440 --> 00:45:02,160
Speaker 9: This is crazy, yeah, crazy. I think it's gonna be

1104
00:45:02,200 --> 00:45:05,880
Speaker 9: interesting to see too, how DJ's got their music, like

1105
00:45:05,920 --> 00:45:08,360
Speaker 9: those exclusives that they used to put on their mixtapes.

1106
00:45:08,400 --> 00:45:10,120
Speaker 3: Like I always like hearing those stories.

1107
00:45:10,360 --> 00:45:12,520
Speaker 9: I like hearing how artists used to get really pissed

1108
00:45:12,560 --> 00:45:15,120
Speaker 9: off and used to be hunting the DJs down because

1109
00:45:15,160 --> 00:45:15,399
Speaker 9: of that.

1110
00:45:15,440 --> 00:45:17,960
Speaker 2: Who talks about that? He talks about clue and envy,

1111
00:45:18,120 --> 00:45:20,279
Speaker 2: How they used to steal Who kid got kidnapped? Did

1112
00:45:20,280 --> 00:45:22,520
Speaker 2: he talk No, he didn't talk about that.

1113
00:45:24,960 --> 00:45:29,440
Speaker 5: Punk kidnapped him. The story they said they were going

1114
00:45:29,480 --> 00:45:31,120
Speaker 5: to book them for a party and who kid drove

1115
00:45:31,200 --> 00:45:33,040
Speaker 5: up to I think it was the Bronx or Harlem

1116
00:45:33,280 --> 00:45:35,120
Speaker 5: and they told him to come, you know, come to

1117
00:45:35,160 --> 00:45:37,000
Speaker 5: the car so we can give you a deposit. So

1118
00:45:37,080 --> 00:45:39,080
Speaker 5: his man stayed in the car. Who kids jumped out

1119
00:45:39,080 --> 00:45:40,160
Speaker 5: and they threw him in the back and they beat

1120
00:45:40,239 --> 00:45:42,960
Speaker 5: him up, beat him up for playing an exclusive. So

1121
00:45:43,040 --> 00:45:44,279
Speaker 5: that was one of them. Well, we used to get

1122
00:45:44,280 --> 00:45:47,080
Speaker 5: the exclusive a couple of different ways. So the Biggie

1123
00:45:47,200 --> 00:45:49,920
Speaker 5: exclusive that I got was Biggie put his car in valet,

1124
00:45:50,120 --> 00:45:52,440
Speaker 5: and the valet guy took the tape out and sold

1125
00:45:52,480 --> 00:45:54,759
Speaker 5: to me. So that's how we got that wheeling. Yeah,

1126
00:45:56,040 --> 00:46:00,000
Speaker 5: was pray for my downfall. Wow, it was unmixed mass

1127
00:46:00,040 --> 00:46:02,600
Speaker 5: that the all of earth gott the exclusives. It was

1128
00:46:02,760 --> 00:46:06,080
Speaker 5: IRV gott his intern. They never paid the interns back here,

1129
00:46:06,160 --> 00:46:09,279
Speaker 5: that's old now, they never paid the interns. W used

1130
00:46:09,280 --> 00:46:10,920
Speaker 5: to go to the studio. What he used to do

1131
00:46:11,040 --> 00:46:13,000
Speaker 5: is used to play the dats back in the day

1132
00:46:13,120 --> 00:46:15,600
Speaker 5: loud in the office, so everybody would hear it, and

1133
00:46:15,640 --> 00:46:18,760
Speaker 5: the intern took that one, and then uh, the engineers

1134
00:46:18,760 --> 00:46:20,920
Speaker 5: in the studio. So all these artist would be disrespectful

1135
00:46:20,920 --> 00:46:22,920
Speaker 5: to the engineers and curse out him to yell at him.

1136
00:46:22,960 --> 00:46:24,200
Speaker 5: So you give him a couple hundred Back then it

1137
00:46:24,239 --> 00:46:26,040
Speaker 5: was a couple hundred dollars, two hundred dollars, and they

1138
00:46:26,640 --> 00:46:28,360
Speaker 5: just leaking the record and they would leak the records.

1139
00:46:28,400 --> 00:46:30,280
Speaker 5: That's how we got the majority of our records.

1140
00:46:30,320 --> 00:46:32,719
Speaker 19: Wow, that's an exclusive right there.

1141
00:46:34,200 --> 00:46:37,040
Speaker 9: How could the mixtapes legally be sold if they weren't

1142
00:46:37,080 --> 00:46:38,600
Speaker 9: original songs?

1143
00:46:38,400 --> 00:46:40,800
Speaker 19: The artist for the day that it was all illegal,

1144
00:46:41,239 --> 00:46:41,560
Speaker 19: wasn't it.

1145
00:46:41,600 --> 00:46:43,680
Speaker 5: So even those stores you used to go up in

1146
00:46:43,760 --> 00:46:46,080
Speaker 5: when the promotional use so that's what it always used

1147
00:46:46,080 --> 00:46:47,040
Speaker 5: to say, promotional use only.

1148
00:46:47,160 --> 00:46:47,319
Speaker 17: Yep.

1149
00:46:47,600 --> 00:46:48,960
Speaker 5: Really yeah wow.

1150
00:46:49,320 --> 00:46:52,799
Speaker 19: It was all illegal and then they would get bootlegged

1151
00:46:52,880 --> 00:46:57,080
Speaker 19: by the bootlegs and so everything was kind of like whole.

1152
00:46:57,440 --> 00:46:59,600
Speaker 2: Wholes wholesalers, and that was different.

1153
00:46:59,719 --> 00:47:02,040
Speaker 10: I was when I met Envy, when he came down,

1154
00:47:02,640 --> 00:47:05,759
Speaker 10: he had again his products were shrink wrapped, arcoded, like.

1155
00:47:05,719 --> 00:47:08,040
Speaker 2: Somebody was keeping inventory. I was impressed.

1156
00:47:08,040 --> 00:47:10,160
Speaker 10: I was like, you know, and you're good friends with

1157
00:47:10,200 --> 00:47:14,000
Speaker 10: my boys, sha and so in the Philippines, okay, yeah,

1158
00:47:14,040 --> 00:47:16,520
Speaker 10: yeah yeah, and so he would be like, he'd be like, yeah,

1159
00:47:16,520 --> 00:47:18,600
Speaker 10: you can't boot like my boys stuff, and so we

1160
00:47:18,640 --> 00:47:21,040
Speaker 10: would just you know, have to take the hit on that.

1161
00:47:21,880 --> 00:47:22,120
Speaker 2: Yeah.

1162
00:47:22,160 --> 00:47:23,960
Speaker 5: So yeah, we we figured out a way to do it.

1163
00:47:24,000 --> 00:47:27,080
Speaker 5: But the labels would never complain because for the labels,

1164
00:47:27,080 --> 00:47:29,560
Speaker 5: it was promotion for their artists. So they wanted their

1165
00:47:29,640 --> 00:47:32,240
Speaker 5: artists on the top six songs because it was promotion.

1166
00:47:32,360 --> 00:47:34,759
Speaker 5: They wanted their freestyles, they wanted that, so they would give,

1167
00:47:35,040 --> 00:47:37,440
Speaker 5: you know, mixtapes, and then we were getting so many

1168
00:47:37,520 --> 00:47:40,440
Speaker 5: Rockefeller records. Jay Z and Dan Dash protests to say,

1169
00:47:40,520 --> 00:47:42,760
Speaker 5: let's do these Rockefeller mixtapes and that's how the Rockefeller

1170
00:47:42,800 --> 00:47:45,400
Speaker 5: mixtapes came with Lennis and just became big cluded and

1171
00:47:45,480 --> 00:47:48,960
Speaker 5: want to do it. So I was next. I look

1172
00:47:49,000 --> 00:47:50,600
Speaker 5: forward to. So how can people see this? If they

1173
00:47:50,600 --> 00:47:53,120
Speaker 5: want to watch the full documentary, the full DVD document

1174
00:47:53,280 --> 00:47:55,400
Speaker 5: hip hop mixtape documentary, how can they watch it?

1175
00:47:55,520 --> 00:47:58,240
Speaker 10: Well, they can go to uh It's on Amazon prompt,

1176
00:47:58,719 --> 00:48:01,400
Speaker 10: It's on uh verrizons on Spectrum.

1177
00:48:01,480 --> 00:48:03,440
Speaker 2: You can go to Taylor to tapefilm.

1178
00:48:03,000 --> 00:48:06,560
Speaker 10: Dot com and and get all the info all the

1179
00:48:06,600 --> 00:48:09,520
Speaker 10: links and go to rest Summer TV on YouTube on

1180
00:48:09,640 --> 00:48:11,000
Speaker 10: ig for behind the scenes.

1181
00:48:11,239 --> 00:48:13,440
Speaker 5: All right, Well, it's the Breakfast Cup. It's Malik and

1182
00:48:13,520 --> 00:48:15,400
Speaker 5: Kimmel Sorrio, It's the Breakfast Club. Good morning.

1183
00:48:16,440 --> 00:48:18,560
Speaker 11: Your execution on the Donkey of the Day is something

1184
00:48:18,600 --> 00:48:22,080
Speaker 11: to God for you to read. They gave me donkey

1185
00:48:22,160 --> 00:48:23,160
Speaker 11: other day and I deserve that.

1186
00:48:23,320 --> 00:48:25,279
Speaker 5: You need to know. You need to tell them.

1187
00:48:25,640 --> 00:48:31,000
Speaker 2: I am you have they tell them it's time for donkey.

1188
00:48:31,160 --> 00:48:31,680
Speaker 17: It's a read.

1189
00:48:32,200 --> 00:48:34,920
Speaker 5: But you're so good at your charlamage.

1190
00:48:35,280 --> 00:48:39,160
Speaker 2: Want Charlomagne, Damn Salomeme.

1191
00:48:39,239 --> 00:48:39,759
Speaker 4: Who do you give it?

1192
00:48:39,840 --> 00:48:40,600
Speaker 11: Dusky the other day too?

1193
00:48:40,680 --> 00:48:40,839
Speaker 2: Now?

1194
00:48:41,560 --> 00:48:43,560
Speaker 9: Yes, donkey today goes the twenty nine year old and

1195
00:48:43,640 --> 00:48:46,440
Speaker 9: Keisha Wood Williams of Texas. Now Lakeisha was hit with

1196
00:48:46,520 --> 00:48:50,400
Speaker 9: two charges of child endangerment last Thursday after police officers

1197
00:48:50,400 --> 00:48:53,520
Speaker 9: found her eight year old and six year old child

1198
00:48:53,640 --> 00:48:56,680
Speaker 9: alone in their high rise apartment complex.

1199
00:48:56,760 --> 00:48:58,720
Speaker 2: Now, I know we've heard these stories before.

1200
00:48:59,080 --> 00:49:01,279
Speaker 9: Parents leave their home a loons that they can go

1201
00:49:01,320 --> 00:49:04,839
Speaker 9: to work, sometimes the clubs, sometimes to the grocery store

1202
00:49:04,880 --> 00:49:08,359
Speaker 9: real quick. But Lakeisha, oh, she had bigger plans. See,

1203
00:49:08,440 --> 00:49:10,960
Speaker 9: Lakeisha didn't leave for a couple hours. No, Lakeisha decided

1204
00:49:11,000 --> 00:49:13,279
Speaker 9: she needed to be gone for nearly a week. What

1205
00:49:13,360 --> 00:49:15,479
Speaker 9: would cause the woman to leave her kids for nearly

1206
00:49:15,520 --> 00:49:15,799
Speaker 9: a week?

1207
00:49:15,920 --> 00:49:17,919
Speaker 3: Let's go to ABC thirteen. I was his news report.

1208
00:49:17,960 --> 00:49:18,200
Speaker 5: Please.

1209
00:49:18,480 --> 00:49:19,719
Speaker 11: Lakisha Williams.

1210
00:49:19,960 --> 00:49:22,560
Speaker 20: Williams is accused of leaving her six year old daughter

1211
00:49:22,640 --> 00:49:25,360
Speaker 20: and eight year old son home alone at their luxury

1212
00:49:25,440 --> 00:49:28,359
Speaker 20: high rise in the Memorial City area while she flew

1213
00:49:28,400 --> 00:49:31,120
Speaker 20: to Florida and bordered a cruise to Puerto Rico.

1214
00:49:31,400 --> 00:49:35,360
Speaker 1: Both juveniles teld officers that they had been left alone

1215
00:49:35,400 --> 00:49:36,480
Speaker 1: since April fourth.

1216
00:49:36,560 --> 00:49:38,600
Speaker 20: The young children were said to be left alone to

1217
00:49:38,640 --> 00:49:41,799
Speaker 20: fend for themselves for at least five days, and told

1218
00:49:41,800 --> 00:49:44,600
Speaker 20: deputies they didn't know when their mother was coming home.

1219
00:49:45,040 --> 00:49:48,200
Speaker 20: The Precinct five Constable's office responded to William's apartment for

1220
00:49:48,239 --> 00:49:51,920
Speaker 20: a welfare check on Tuesday and noted that the apartment

1221
00:49:52,000 --> 00:49:54,680
Speaker 20: was in a state of disarray. They say it smelled

1222
00:49:54,760 --> 00:49:57,600
Speaker 20: like urine and said it was obvious the children had

1223
00:49:57,640 --> 00:49:59,160
Speaker 20: tried to make themselves meals.

1224
00:50:00,080 --> 00:50:01,719
Speaker 11: Records say police found.

1225
00:50:01,440 --> 00:50:03,880
Speaker 20: A phone and a camera that she was using to

1226
00:50:03,920 --> 00:50:07,280
Speaker 20: communicate with the children while she was gone. When deputies

1227
00:50:07,360 --> 00:50:10,520
Speaker 20: tried to contact Williams, they say she was not cooperative

1228
00:50:10,600 --> 00:50:12,640
Speaker 20: and changed her story about where she was.

1229
00:50:13,160 --> 00:50:14,800
Speaker 5: She was arrested Thursday evening.

1230
00:50:15,080 --> 00:50:17,560
Speaker 9: Don't matter where you were, like you was going away

1231
00:50:17,560 --> 00:50:18,600
Speaker 9: from the kids for a week.

1232
00:50:18,960 --> 00:50:21,200
Speaker 3: Okay, why did this remind me of Jay and Stylent Bob?

1233
00:50:21,280 --> 00:50:25,240
Speaker 2: Remember that? What the hell? Excuse me? Who's watching these babies?

1234
00:50:25,719 --> 00:50:26,120
Speaker 4: I did?

1235
00:50:26,560 --> 00:50:28,160
Speaker 2: Fallon's watching the little one?

1236
00:50:28,400 --> 00:50:30,480
Speaker 3: Oh nice parent, Lakeisha.

1237
00:50:30,560 --> 00:50:33,680
Speaker 9: As a parent, we all want a vacation from our kids. Okay,

1238
00:50:33,760 --> 00:50:35,920
Speaker 9: you take My wife and I don't take vacations, but

1239
00:50:36,040 --> 00:50:38,000
Speaker 9: we just go and get away from the kids for

1240
00:50:38,040 --> 00:50:41,080
Speaker 9: a while. Yes, the difference is we have babysitiz in,

1241
00:50:41,200 --> 00:50:45,880
Speaker 9: nannies and grandparents adult supervision. Imagine planning a vacation. Okay,

1242
00:50:45,920 --> 00:50:48,279
Speaker 9: you packing. You're getting your head done some.

1243
00:50:48,280 --> 00:50:52,320
Speaker 5: Nice protective style like con roles or full locks or

1244
00:50:53,400 --> 00:50:54,200
Speaker 5: Cinegalese twist.

1245
00:50:54,200 --> 00:50:56,840
Speaker 12: That's what they call, right, Jess, I don't know Senegalese was.

1246
00:50:57,160 --> 00:50:59,600
Speaker 3: What protective style you'd be getting full locks?

1247
00:51:00,000 --> 00:51:00,360
Speaker 2: I don't know.

1248
00:51:00,480 --> 00:51:02,399
Speaker 5: By no senegal Eese, she said.

1249
00:51:02,480 --> 00:51:05,440
Speaker 9: She No, okay, okay, you get you some nice little outfits,

1250
00:51:05,440 --> 00:51:06,239
Speaker 9: some pretty little thing.

1251
00:51:06,320 --> 00:51:07,640
Speaker 2: Sheen fashion over right.

1252
00:51:07,600 --> 00:51:12,600
Speaker 5: Jess, Yeah, boy, rainbow maybe rainbow.

1253
00:51:13,120 --> 00:51:16,000
Speaker 9: You go get you a manicure, pedicure, you get you

1254
00:51:16,080 --> 00:51:19,520
Speaker 9: a wax. You're doing all the things to go on vacation. Meanwhile,

1255
00:51:19,600 --> 00:51:21,880
Speaker 9: you're just planning to leave your eight and six year

1256
00:51:21,880 --> 00:51:22,359
Speaker 9: old at home.

1257
00:51:22,560 --> 00:51:22,640
Speaker 2: Now.

1258
00:51:22,680 --> 00:51:25,000
Speaker 9: I know people can't afford proper childcare. I get it,

1259
00:51:25,000 --> 00:51:27,840
Speaker 9: But if you can't afford the vacation and for someone

1260
00:51:27,880 --> 00:51:30,040
Speaker 9: to watch your kids, then maybe you can't afford to

1261
00:51:30,080 --> 00:51:30,720
Speaker 9: go on vacation.

1262
00:51:31,320 --> 00:51:32,640
Speaker 2: Why don't people think like that?

1263
00:51:32,760 --> 00:51:35,560
Speaker 9: Forget, if you can afford the cruise, can you afford

1264
00:51:35,760 --> 00:51:38,080
Speaker 9: to leave this eight and six year old home alone

1265
00:51:38,120 --> 00:51:38,600
Speaker 9: for a week?

1266
00:51:38,719 --> 00:51:40,280
Speaker 3: Dan says, no, okay.

1267
00:51:40,520 --> 00:51:42,880
Speaker 9: This woman was communicating with the kids via a camera

1268
00:51:42,880 --> 00:51:44,879
Speaker 9: in the apartment and be a text message to.

1269
00:51:44,840 --> 00:51:45,480
Speaker 2: The eight year old.

1270
00:51:47,719 --> 00:51:50,839
Speaker 9: This whole situation is a prime example of Grandma no

1271
00:51:50,920 --> 00:51:52,040
Speaker 9: longer being in our lives.

1272
00:51:52,239 --> 00:51:56,480
Speaker 5: Where is Big Mama? Okay, where is Grandma? Where is Grandma? Nowadays?

1273
00:51:56,600 --> 00:51:58,640
Speaker 9: Grandma might have been on the cruise with her because

1274
00:51:58,640 --> 00:52:01,160
Speaker 9: Grandma forty nine and the daughter's and both of them

1275
00:52:01,239 --> 00:52:03,960
Speaker 9: working on Facebook the sexy right now, both kids would

1276
00:52:04,040 --> 00:52:06,840
Speaker 9: check by paramedics as well as child protective Services, and

1277
00:52:06,880 --> 00:52:08,560
Speaker 9: they've both have been removed from the apartment.

1278
00:52:08,680 --> 00:52:11,240
Speaker 2: And guess what now they are in care.

1279
00:52:11,280 --> 00:52:11,960
Speaker 3: Of their aunt.

1280
00:52:12,800 --> 00:52:14,719
Speaker 9: If they have an aunt that they can be in

1281
00:52:14,800 --> 00:52:17,439
Speaker 9: care of now, then why the hell weren't theyn care.

1282
00:52:17,360 --> 00:52:18,640
Speaker 3: The aunt while you was on the cruise?

1283
00:52:19,360 --> 00:52:21,520
Speaker 5: Maybe the aunt was there too, Maybe then.

1284
00:52:22,960 --> 00:52:25,319
Speaker 2: They wouldn't give him to the hunting right, Well, yeah,

1285
00:52:25,320 --> 00:52:25,680
Speaker 2: you're right.

1286
00:52:26,200 --> 00:52:27,759
Speaker 9: The fact that we can't make sense of any of

1287
00:52:27,800 --> 00:52:30,240
Speaker 9: this is exactly why we must give Lakeisha the credit

1288
00:52:30,280 --> 00:52:33,120
Speaker 9: she deserves being stupid. So please let Remy mar give

1289
00:52:33,239 --> 00:52:35,160
Speaker 9: Lakeisha wood Williams the biggest he haw.

1290
00:52:35,320 --> 00:52:36,719
Speaker 19: He haw he ha.

1291
00:52:37,320 --> 00:52:38,399
Speaker 5: You stupid mother?

1292
00:52:38,760 --> 00:52:39,600
Speaker 2: Are you dumb?

1293
00:52:40,600 --> 00:52:43,000
Speaker 9: You had a little time? I want to play a game?

1294
00:52:44,040 --> 00:52:47,120
Speaker 9: Sure you can't play a game in a while? Would

1295
00:52:47,160 --> 00:52:48,040
Speaker 9: you like to play a game?

1296
00:52:48,120 --> 00:52:51,359
Speaker 2: Up? Guess what races.

1297
00:52:51,880 --> 00:52:57,120
Speaker 9: Lakeisha Woods Williams of Texas black.

1298
00:52:59,440 --> 00:53:05,520
Speaker 5: Will Yeah, Lakeisha Woods Williams of Texas let her eight

1299
00:53:05,560 --> 00:53:07,120
Speaker 5: and six year old go, let her eight and.

1300
00:53:07,120 --> 00:53:08,960
Speaker 9: Six year old stay home alone while she went on

1301
00:53:08,960 --> 00:53:10,520
Speaker 9: the cruise. Just hilarious, Yes.

1302
00:53:10,640 --> 00:53:11,799
Speaker 2: What racious?

1303
00:53:16,040 --> 00:53:17,440
Speaker 3: Why do y'all think that? Why do y'all say that's

1304
00:53:17,440 --> 00:53:17,920
Speaker 3: so confident?

1305
00:53:18,160 --> 00:53:18,520
Speaker 8: So quick?

1306
00:53:18,640 --> 00:53:24,000
Speaker 12: Lakeisha Woods Williams, Like, what what.

1307
00:53:23,960 --> 00:53:24,680
Speaker 2: Did you talking about?

1308
00:53:24,760 --> 00:53:28,360
Speaker 3: Elizabeth or the lau Keisha are the two last names

1309
00:53:28,760 --> 00:53:30,720
Speaker 3: Woods and Williams. It's both.

1310
00:53:30,760 --> 00:53:35,080
Speaker 5: It's Lakeisha Woods Williams. I've never heard of a white Lakeisha,

1311
00:53:35,200 --> 00:53:37,640
Speaker 5: or Asian Lakeisha or a Latina Lakeisha.

1312
00:53:37,719 --> 00:53:39,640
Speaker 2: Yeah, that's what you'll about to be surprised.

1313
00:53:39,719 --> 00:53:42,279
Speaker 5: Oh my god, No you better not. Y'all about to

1314
00:53:42,280 --> 00:53:44,719
Speaker 5: be better not we should say by Rachel Well.

1315
00:53:45,120 --> 00:53:49,200
Speaker 9: Lakeisha Woods Williams just hilarious and dj envy is absolutely

1316
00:53:49,239 --> 00:53:51,200
Speaker 9: pure one hundred and.

1317
00:53:54,560 --> 00:53:59,200
Speaker 17: This is any word behavior that there's a difference word

1318
00:54:00,040 --> 00:54:03,120
Speaker 17: Damn it man, damn you. And she young, Yeah, she

1319
00:54:03,239 --> 00:54:07,320
Speaker 17: most do you know what I'm saying? She looks younger

1320
00:54:07,320 --> 00:54:07,799
Speaker 17: than that though.

1321
00:54:09,520 --> 00:54:11,680
Speaker 12: Yeah, she had a hard life, but she's definitely she

1322
00:54:11,719 --> 00:54:12,920
Speaker 12: looks younger than twenty nine.

1323
00:54:12,960 --> 00:54:14,840
Speaker 9: No, it's just the overbite. Old bites make you look young,

1324
00:54:14,920 --> 00:54:21,040
Speaker 9: especially when you ain't smiling. Over body, you can tell.

1325
00:54:21,080 --> 00:54:23,280
Speaker 9: You can tell she got her mouth balls was tucked

1326
00:54:23,280 --> 00:54:24,040
Speaker 9: over the over bite.

1327
00:54:24,360 --> 00:54:26,600
Speaker 3: Her look a little younger. Over bites make you look

1328
00:54:26,640 --> 00:54:27,480
Speaker 3: for five years younger.

1329
00:54:27,480 --> 00:54:28,520
Speaker 2: That's the fact. Yeah.

1330
00:54:28,760 --> 00:54:30,840
Speaker 11: Well she looked like she would do it again and again.

1331
00:54:31,080 --> 00:54:33,440
Speaker 5: Yeah, she would trying to send it up, right, she

1332
00:54:33,440 --> 00:54:35,479
Speaker 5: tried to set up the camera. She put a bad

1333
00:54:35,560 --> 00:54:39,080
Speaker 5: little ravioli and quick little macamoon chese a microwave.

1334
00:54:39,840 --> 00:54:41,719
Speaker 3: Lookuse, she still got to protective handstyle she had on

1335
00:54:41,719 --> 00:54:42,040
Speaker 3: the cruise.

1336
00:54:42,080 --> 00:54:42,799
Speaker 11: That's what I'm saying.

1337
00:54:42,880 --> 00:54:44,040
Speaker 5: That's what it's given because.

1338
00:54:43,920 --> 00:54:45,439
Speaker 3: She got arrested right when she got back.

1339
00:54:45,719 --> 00:54:48,960
Speaker 12: Oh yeah, definitely that late sprint. That's the late sprint,

1340
00:54:49,040 --> 00:54:51,680
Speaker 12: and it's definitely sitting in the middle. It melted down,

1341
00:54:52,360 --> 00:54:53,480
Speaker 12: so it's definitely late.

1342
00:54:54,360 --> 00:54:56,920
Speaker 5: All Right, Well, thank you Charlamagne for that donkey to day.

1343
00:54:57,520 --> 00:54:58,160
Speaker 11: She's been trying out.

1344
00:54:58,160 --> 00:54:58,960
Speaker 5: Head up in jail.

1345
00:54:59,160 --> 00:54:59,359
Speaker 9: Bad.

1346
00:55:00,520 --> 00:55:06,400
Speaker 5: It's a breakfast club. Good morning, the breakfast club. Warning,

1347
00:55:06,480 --> 00:55:10,040
Speaker 5: everybody is dj n V Jesse Larian Cholamine, the guy.

1348
00:55:10,080 --> 00:55:12,680
Speaker 5: We are the breakfast club. We got a special guest

1349
00:55:12,760 --> 00:55:14,800
Speaker 5: in the building. The legend Bruce Bruce.

1350
00:55:15,000 --> 00:55:15,520
Speaker 2: What's cracking?

1351
00:55:15,560 --> 00:55:16,680
Speaker 5: Baby? Welcome? How you feeling.

1352
00:55:16,760 --> 00:55:18,520
Speaker 2: Everything's good, man, everything is good. Yeah.

1353
00:55:18,600 --> 00:55:20,359
Speaker 5: Now, this is the first time Bruce Bruce has been

1354
00:55:20,360 --> 00:55:22,520
Speaker 5: on the shelf, and I want to you know when

1355
00:55:22,640 --> 00:55:24,759
Speaker 5: when sometimes when when somebody comes to the first time,

1356
00:55:24,760 --> 00:55:26,560
Speaker 5: I want to start from the beginning, right, Okay, Now

1357
00:55:26,600 --> 00:55:28,399
Speaker 5: I know your story because I've been studying you, I've

1358
00:55:28,400 --> 00:55:30,520
Speaker 5: been following you. But for people that don't know, how

1359
00:55:30,560 --> 00:55:32,640
Speaker 5: did Bruce Bruce get into comedy? And I want you

1360
00:55:32,680 --> 00:55:35,960
Speaker 5: to explain your job for for comedy way you and

1361
00:55:36,000 --> 00:55:37,480
Speaker 5: I used to be a chef. I can cook like

1362
00:55:37,520 --> 00:55:39,480
Speaker 5: a mug and you know, everywhere I go, I used

1363
00:55:39,480 --> 00:55:42,640
Speaker 5: to always be funny. So I hired this guy one time.

1364
00:55:42,680 --> 00:55:45,160
Speaker 5: I was running a barbecue restaurant, old guy, and he

1365
00:55:45,200 --> 00:55:46,960
Speaker 5: said he used to watch me in the kitchen when

1366
00:55:46,960 --> 00:55:49,520
Speaker 5: I first start, when he first started, he's watching.

1367
00:55:49,600 --> 00:55:51,280
Speaker 4: He said, you need to go, you need to go stage.

1368
00:55:51,320 --> 00:55:52,839
Speaker 4: And I ain't paying to this to He's I gonna

1369
00:55:52,840 --> 00:55:55,040
Speaker 4: bring you something tomorrow. He brought me this album, you know,

1370
00:55:55,080 --> 00:55:57,520
Speaker 4: back in the day Yet album. He was a comedian,

1371
00:55:57,640 --> 00:55:59,920
Speaker 4: but he was ex Navy. He was an alcoholic. He's

1372
00:56:00,000 --> 00:56:01,360
Speaker 4: I don't waste your time on this job, and you

1373
00:56:01,400 --> 00:56:03,799
Speaker 4: need to go on stage. Know what I did how quick?

1374
00:56:03,800 --> 00:56:05,759
Speaker 4: Because I had a family, I was young, man, had

1375
00:56:05,760 --> 00:56:08,200
Speaker 4: three kids, and man, I went and start working for

1376
00:56:08,200 --> 00:56:10,600
Speaker 4: Freedo a potato chips, selling potato chips. And the whole

1377
00:56:10,640 --> 00:56:12,640
Speaker 4: time I'm selling potato chips and on the doc, I'm

1378
00:56:12,680 --> 00:56:14,400
Speaker 4: just funny, acting crazy.

1379
00:56:14,520 --> 00:56:16,080
Speaker 2: It's so good, old white dude. So you know you

1380
00:56:16,160 --> 00:56:18,439
Speaker 2: need to go study. Yeah, I see you here every morning.

1381
00:56:18,440 --> 00:56:22,399
Speaker 4: You know, study you fronny, I look comedians, a fraud,

1382
00:56:22,480 --> 00:56:25,160
Speaker 4: say or nothing you know and you're gonna stay. And

1383
00:56:25,320 --> 00:56:28,319
Speaker 4: when I took that step, man, I knew that's why

1384
00:56:28,360 --> 00:56:29,840
Speaker 4: I should have been my whole entire light. And what

1385
00:56:29,880 --> 00:56:32,120
Speaker 4: made me take that step. I was going through a

1386
00:56:32,120 --> 00:56:34,600
Speaker 4: divorce and my x ye said you'd never make it.

1387
00:56:34,719 --> 00:56:35,440
Speaker 2: Why did you tell you that?

1388
00:56:36,719 --> 00:56:38,319
Speaker 4: So I just looked at it and say, I see

1389
00:56:38,360 --> 00:56:41,319
Speaker 4: you on TV. You know what I'm saying, And it's

1390
00:56:41,400 --> 00:56:43,239
Speaker 4: been gone there. I've been doing it now thirty five

1391
00:56:43,320 --> 00:56:43,719
Speaker 4: years now.

1392
00:56:43,760 --> 00:56:46,279
Speaker 5: You also mentioned that you were only child, only child.

1393
00:56:46,360 --> 00:56:47,839
Speaker 5: Your father left at the age of five.

1394
00:56:47,920 --> 00:56:48,960
Speaker 2: Yeah, he was four or five.

1395
00:56:49,040 --> 00:56:51,360
Speaker 4: He was in Air Force and he was a Madican

1396
00:56:51,480 --> 00:56:53,719
Speaker 4: Air Force and he was uh, he flew choppers and

1397
00:56:53,880 --> 00:56:56,279
Speaker 4: airplanes and when he when he got out, he was

1398
00:56:56,320 --> 00:56:57,360
Speaker 4: an antety geologist.

1399
00:56:57,880 --> 00:57:00,760
Speaker 5: Was it important to mend that relationship before he passed

1400
00:57:00,840 --> 00:57:01,400
Speaker 5: or yeah? I did?

1401
00:57:01,600 --> 00:57:01,920
Speaker 2: I did.

1402
00:57:02,280 --> 00:57:05,160
Speaker 4: My mother said, I just wanted to know I remember him.

1403
00:57:05,160 --> 00:57:06,920
Speaker 4: My mama said, what you looking for him for? You know,

1404
00:57:07,120 --> 00:57:09,239
Speaker 4: because they be mad. But my mother really ran him off,

1405
00:57:09,560 --> 00:57:11,319
Speaker 4: you know what I mean. She was just she ran

1406
00:57:11,480 --> 00:57:14,320
Speaker 4: him off and she was off monster man. You know

1407
00:57:14,320 --> 00:57:19,760
Speaker 4: what I'm saying that No, I just like, man, this dude,

1408
00:57:19,880 --> 00:57:22,520
Speaker 4: this cool. He was really cool, you know, but she's like,

1409
00:57:22,800 --> 00:57:24,400
Speaker 4: I don't want to know everything he tried to do.

1410
00:57:24,560 --> 00:57:26,880
Speaker 4: She just knocked it down, Like but she was listening

1411
00:57:26,920 --> 00:57:28,720
Speaker 4: to a girlfriends. That's why I tried to tell all

1412
00:57:28,720 --> 00:57:30,800
Speaker 4: these young girls. Don't listen to no woman that ain't

1413
00:57:30,800 --> 00:57:32,800
Speaker 4: got no man. You don't say what I'm saying. You

1414
00:57:32,920 --> 00:57:34,880
Speaker 4: got a woman, if you got a girlfriend, you got

1415
00:57:34,920 --> 00:57:36,720
Speaker 4: a husband. She not true a husband, but a woman that.

1416
00:57:36,760 --> 00:57:39,120
Speaker 2: Don't have a man. She can't tell you nothing. But

1417
00:57:39,240 --> 00:57:42,040
Speaker 2: he I mean, he just left and he never ever

1418
00:57:42,240 --> 00:57:44,520
Speaker 2: called us ever. And my mother didn't even know she

1419
00:57:44,680 --> 00:57:45,240
Speaker 2: was divorced.

1420
00:57:45,280 --> 00:57:48,400
Speaker 4: He did a non contestant divorce because my mother just work,

1421
00:57:48,720 --> 00:57:51,160
Speaker 4: come home, never went anywhere. So when she said, I

1422
00:57:51,240 --> 00:57:52,720
Speaker 4: think I'm going to get a divorce, and when she

1423
00:57:52,760 --> 00:57:55,480
Speaker 4: went to do it, said you already divorced and uncontested.

1424
00:57:55,560 --> 00:57:57,360
Speaker 4: You put it in the newspaper for thirty days. You

1425
00:57:57,400 --> 00:57:59,720
Speaker 4: don't answer the ad. Bam, you divorced. I did not

1426
00:57:59,800 --> 00:58:00,800
Speaker 4: know he was already gone.

1427
00:58:01,080 --> 00:58:01,760
Speaker 5: He was gone.

1428
00:58:01,840 --> 00:58:03,720
Speaker 2: He was gone, and I got married three more times.

1429
00:58:03,800 --> 00:58:05,760
Speaker 2: I found it when I was like forty years old.

1430
00:58:05,600 --> 00:58:06,440
Speaker 5: So he knew who he was.

1431
00:58:06,520 --> 00:58:08,800
Speaker 4: He knew it exactly who I was. He knew exactly

1432
00:58:08,840 --> 00:58:11,320
Speaker 4: who I looked like. No, my son looked like him, though,

1433
00:58:11,360 --> 00:58:13,360
Speaker 4: my baby boy looks just like him. But it's funny

1434
00:58:13,400 --> 00:58:15,120
Speaker 4: how I dip over, you know what I'm saying. But

1435
00:58:15,800 --> 00:58:18,520
Speaker 4: I met with him and we talked and we stayed

1436
00:58:18,560 --> 00:58:21,440
Speaker 4: in touch, and he ended up passing away about seventeen

1437
00:58:21,520 --> 00:58:24,280
Speaker 4: years ago. My mother passed away fourteen years You and

1438
00:58:24,360 --> 00:58:25,680
Speaker 4: your mom ever have to talk? Did you ever have

1439
00:58:25,760 --> 00:58:26,520
Speaker 4: to stay in My mom?

1440
00:58:26,640 --> 00:58:26,960
Speaker 8: It was you.

1441
00:58:27,320 --> 00:58:29,720
Speaker 4: Yeah, she said, you know I was wrong. She said

1442
00:58:29,760 --> 00:58:31,600
Speaker 4: I didn't care, but I had other boyfriend. You know,

1443
00:58:31,680 --> 00:58:34,080
Speaker 4: my mama fools around. See parents don't tell you. They

1444
00:58:34,160 --> 00:58:35,840
Speaker 4: tried to tell you the right thing, but they'll do

1445
00:58:35,920 --> 00:58:37,600
Speaker 4: the wrong thing in front of you, you know what

1446
00:58:37,600 --> 00:58:38,920
Speaker 4: I'm saying. Those old dudes she used to go with,

1447
00:58:39,080 --> 00:58:41,680
Speaker 4: named Dave, but you know, had platform shoes with taps on.

1448
00:58:41,840 --> 00:58:45,560
Speaker 4: Remember platform He had taps on platform shoes. He come

1449
00:58:45,640 --> 00:58:50,160
Speaker 4: up the steps, clock your mama doing, and then he'll

1450
00:58:50,200 --> 00:58:51,800
Speaker 4: tell me, hey, come in, let me give you a

1451
00:58:51,800 --> 00:58:53,560
Speaker 4: few dug on now and get your cocola, you know

1452
00:58:53,680 --> 00:58:56,120
Speaker 4: something like that. I know what you're gonna do. Finna

1453
00:58:56,160 --> 00:58:57,440
Speaker 4: get his some tail, you know what I'm saying. So

1454
00:58:58,080 --> 00:59:00,680
Speaker 4: he gets you, gets the potato. I run right out

1455
00:59:00,680 --> 00:59:02,040
Speaker 4: of the house. You know, I know what he's finna do.

1456
00:59:02,080 --> 00:59:03,480
Speaker 4: I don't want no food, you know what I'm saying.

1457
00:59:03,720 --> 00:59:04,400
Speaker 5: But he was cool.

1458
00:59:04,480 --> 00:59:06,520
Speaker 2: He was cool to me. He treated me very nice.

1459
00:59:07,000 --> 00:59:08,760
Speaker 2: But she had this one boyfriend. She's just crazy.

1460
00:59:08,800 --> 00:59:10,760
Speaker 4: But I don't know what's up with women with this

1461
00:59:11,000 --> 00:59:15,480
Speaker 4: one dude that they like. And he ain't nothing. I mean, man,

1462
00:59:15,600 --> 00:59:16,360
Speaker 4: he wasn't nothing.

1463
00:59:16,400 --> 00:59:19,120
Speaker 2: Man. He dogged my mama. Man, he was he was married.

1464
00:59:19,200 --> 00:59:21,320
Speaker 2: She didn't even know he's married. Damn. She was over there.

1465
00:59:21,320 --> 00:59:23,720
Speaker 2: He's over there every day every day.

1466
00:59:24,400 --> 00:59:24,680
Speaker 9: Eating.

1467
00:59:24,800 --> 00:59:27,240
Speaker 2: Yeah, Yeah, God is a good gud you know how

1468
00:59:27,280 --> 00:59:29,520
Speaker 2: to joke with. Yeah, God is a good guy. And woman.

1469
00:59:29,560 --> 00:59:31,400
Speaker 5: Tell you what happened. When I was in high school,

1470
00:59:31,520 --> 00:59:33,520
Speaker 5: four of us used to hang together and we saw

1471
00:59:33,680 --> 00:59:36,120
Speaker 5: him in his truck and my brother said, man, they

1472
00:59:36,200 --> 00:59:38,520
Speaker 5: call you your ma, my boyfriend with your mom. I

1473
00:59:38,560 --> 00:59:40,200
Speaker 5: said no, I said, that's my mom boyfriend.

1474
00:59:40,280 --> 00:59:42,560
Speaker 4: That's not my mom. It was another lady. So I

1475
00:59:42,640 --> 00:59:44,360
Speaker 4: got out the car, looked at him and said, hey,

1476
00:59:44,560 --> 00:59:46,200
Speaker 4: you know I see you right? He said, oh, hey,

1477
00:59:46,240 --> 00:59:46,680
Speaker 4: how you doing?

1478
00:59:46,760 --> 00:59:47,000
Speaker 2: Play it?

1479
00:59:47,320 --> 00:59:48,800
Speaker 4: Come on to my mom house. I told my mother

1480
00:59:49,000 --> 00:59:51,080
Speaker 4: I seen him with another woman. He looked me dead

1481
00:59:51,080 --> 00:59:52,840
Speaker 4: in mine He said that was not He did not

1482
00:59:53,000 --> 00:59:56,720
Speaker 4: see me. And my mother believed it. With the reason

1483
00:59:56,800 --> 00:59:58,960
Speaker 4: she believed it because I didn't like him, so she

1484
00:59:59,160 --> 01:00:01,360
Speaker 4: just kind of figured I made up a story about

1485
01:00:01,440 --> 01:00:03,960
Speaker 4: him and she let it go. But it took her

1486
01:00:04,040 --> 01:00:06,800
Speaker 4: girlfriend and hers to see him, say saw that dude

1487
01:00:07,080 --> 01:00:09,120
Speaker 4: with another woman? You know what I'm saying. And they

1488
01:00:09,200 --> 01:00:12,280
Speaker 4: took her to tell me she dated him like sixteen

1489
01:00:12,400 --> 01:00:14,680
Speaker 4: years man, Dann, And I don't to tell you my mother.

1490
01:00:14,680 --> 01:00:15,840
Speaker 4: I don't want to get married. I don't want to

1491
01:00:15,840 --> 01:00:17,800
Speaker 4: get Okay, you don't want to get married, but this

1492
01:00:17,960 --> 01:00:19,840
Speaker 4: dude's already married, so you can't marry this dude.

1493
01:00:20,120 --> 01:00:22,200
Speaker 2: When she found out, she was like, she was toe up.

1494
01:00:22,360 --> 01:00:24,960
Speaker 9: Yeah, and you said, your uncle Paul inspired you as

1495
01:00:25,000 --> 01:00:26,360
Speaker 9: far as comedy because he was the funny.

1496
01:00:26,360 --> 01:00:28,840
Speaker 5: Oh man, he was funny. Okay, he tell a lot.

1497
01:00:28,920 --> 01:00:31,560
Speaker 5: Everybody got help me with this lot? Everybody, Hell did

1498
01:00:31,640 --> 01:00:32,080
Speaker 5: I tell me?

1499
01:00:32,320 --> 01:00:32,480
Speaker 8: Yeah?

1500
01:00:32,520 --> 01:00:32,920
Speaker 5: He told you.

1501
01:00:34,800 --> 01:00:36,400
Speaker 2: Everybody that help me with this lot. But he was

1502
01:00:36,600 --> 01:00:39,360
Speaker 2: one of the best bakers in the world.

1503
01:00:39,520 --> 01:00:42,760
Speaker 4: He he practically raised Gladys Knight back in the day,

1504
01:00:43,560 --> 01:00:46,720
Speaker 4: and they used to call him the sweetbread Man, and

1505
01:00:46,840 --> 01:00:49,520
Speaker 4: Gladys Knight knew him. His name was Paul Henson Junior,

1506
01:00:49,920 --> 01:00:51,840
Speaker 4: and he went by the sweetbread Man because he was

1507
01:00:51,920 --> 01:00:54,880
Speaker 4: the baker in Atlanta, Georgia. He was the man, and

1508
01:00:55,000 --> 01:00:57,280
Speaker 4: he talked about Gladys all the time. But Gladys and

1509
01:00:57,360 --> 01:01:00,280
Speaker 4: I was really raised on the same street. The street

1510
01:01:00,320 --> 01:01:03,360
Speaker 4: was Chestnut Street. They changed to James Street Broadley. I

1511
01:01:03,560 --> 01:01:05,600
Speaker 4: was on four point fifteen. She was on like seven

1512
01:01:05,680 --> 01:01:07,400
Speaker 4: eighty five something like that, just right up the street,

1513
01:01:07,440 --> 01:01:09,920
Speaker 4: like two blocks, you know. No, no, I I was

1514
01:01:09,960 --> 01:01:12,200
Speaker 4: a little kid, but she lived at when he first husband.

1515
01:01:12,240 --> 01:01:13,720
Speaker 4: You know what I'm saying. But Glad, it's a girl.

1516
01:01:13,960 --> 01:01:14,120
Speaker 2: Man.

1517
01:01:14,440 --> 01:01:17,280
Speaker 9: Wow, how were you able to translate your funny to

1518
01:01:17,400 --> 01:01:19,640
Speaker 9: actually make a career of it? But somebody like Uncle Paul,

1519
01:01:19,880 --> 01:01:22,480
Speaker 9: who was funny, couldn't. I know, My uncle Paul was

1520
01:01:22,520 --> 01:01:23,919
Speaker 9: just scared of going and say he was scared. See

1521
01:01:24,440 --> 01:01:26,920
Speaker 9: see black people back in it. They had the skill

1522
01:01:27,560 --> 01:01:29,600
Speaker 9: to do everything, but they were scared to do it.

1523
01:01:30,200 --> 01:01:32,160
Speaker 9: They had so much fear. So like young kids, not

1524
01:01:32,240 --> 01:01:33,960
Speaker 9: that dude, They I don't care, I'll do it. So

1525
01:01:34,040 --> 01:01:35,600
Speaker 9: I just took it and rain with him. Uncle one

1526
01:01:35,600 --> 01:01:37,200
Speaker 9: of the best bakers in the world. He went against

1527
01:01:37,240 --> 01:01:41,040
Speaker 9: bakers from France and Italy, you know, from England, and

1528
01:01:41,120 --> 01:01:42,720
Speaker 9: he beat them all out, you know what I mean.

1529
01:01:43,000 --> 01:01:45,000
Speaker 4: Then he went to he had a cheesecake that he made.

1530
01:01:45,080 --> 01:01:46,920
Speaker 4: It was one of the best cheesecakes in the world.

1531
01:01:47,520 --> 01:01:50,280
Speaker 4: And they tricked him out of it and didn't have

1532
01:01:50,400 --> 01:01:52,160
Speaker 4: sense enough to get a lawyer and everything. Gave him

1533
01:01:52,200 --> 01:01:54,320
Speaker 4: like ten thousand dollars they clapping. He was all happy

1534
01:01:54,360 --> 01:01:57,880
Speaker 4: with yeah, when he could have got one hundred million.

1535
01:01:58,080 --> 01:01:59,800
Speaker 2: You know what I'm saying. But just didn't have a

1536
01:02:00,080 --> 01:02:02,280
Speaker 2: sense and the knowledge to do that. At the time.

1537
01:02:02,640 --> 01:02:03,480
Speaker 5: Oh you know, I wanted to know.

1538
01:02:03,760 --> 01:02:05,960
Speaker 4: As a child was Bruce Bruce big as a child? No,

1539
01:02:06,200 --> 01:02:07,960
Speaker 4: man was a little bit he calling me little Bruce Man.

1540
01:02:08,320 --> 01:02:09,840
Speaker 4: I didn't I didn't get fat till I got man.

1541
01:02:09,840 --> 01:02:12,800
Speaker 4: I don't know why I got married. Oh my god,

1542
01:02:12,840 --> 01:02:13,480
Speaker 4: I wouldn't eat it.

1543
01:02:13,560 --> 01:02:13,720
Speaker 9: Man.

1544
01:02:14,040 --> 01:02:15,880
Speaker 4: I was just a little bit of dude, just run round,

1545
01:02:16,080 --> 01:02:17,880
Speaker 4: just messing with itverybody. I was a little bit of

1546
01:02:18,040 --> 01:02:20,479
Speaker 4: kid man. But when I got married, I got fat.

1547
01:02:20,520 --> 01:02:22,480
Speaker 4: You know, that's what happened to us as black man.

1548
01:02:22,760 --> 01:02:25,880
Speaker 4: We get complacent that, we get complacent with jobs. We

1549
01:02:26,000 --> 01:02:28,760
Speaker 4: get a job and let's just say jeral motives, we

1550
01:02:29,120 --> 01:02:31,040
Speaker 4: make a little money. Oh man, that's a good job.

1551
01:02:31,080 --> 01:02:33,840
Speaker 4: I don't care nothing about a good job. It's about

1552
01:02:33,840 --> 01:02:35,760
Speaker 4: getting out there getting it because it's more than that

1553
01:02:35,960 --> 01:02:36,880
Speaker 4: and getting a good job.

1554
01:02:37,600 --> 01:02:40,160
Speaker 9: I ain't like that question, by the way, I don't

1555
01:02:40,200 --> 01:02:42,400
Speaker 9: like the question he asked. What was Bruce Bruce little

1556
01:02:42,440 --> 01:02:45,240
Speaker 9: as a child was a big child?

1557
01:02:45,280 --> 01:02:47,760
Speaker 2: I went on fat kid man? What he wanted.

1558
01:02:49,280 --> 01:02:51,800
Speaker 4: He thought I was just couldn't clap my hands. Child

1559
01:02:52,600 --> 01:02:56,600
Speaker 4: could clap his hand. Y'all clap my hand. But no,

1560
01:02:56,880 --> 01:02:59,080
Speaker 4: I was a little kid. A little cute joker. Man,

1561
01:02:59,440 --> 01:03:03,200
Speaker 4: I messing with everybody, and you know we we seen

1562
01:03:03,280 --> 01:03:05,560
Speaker 4: to lose focus, and that's what happened. You lose focus,

1563
01:03:05,600 --> 01:03:07,920
Speaker 4: you start eating crazy. But now I'm back at man.

1564
01:03:07,960 --> 01:03:10,480
Speaker 4: I'm sixty two years old. Man, Wow, we got more

1565
01:03:10,560 --> 01:03:11,160
Speaker 4: with Bruce Bruce.

1566
01:03:11,200 --> 01:03:13,120
Speaker 5: When we come back, don't move. It's to Breakfast Club.

1567
01:03:13,160 --> 01:03:13,520
Speaker 2: Good morning.

1568
01:03:13,640 --> 01:03:16,320
Speaker 5: More than everybody is DJ and V. Yes, I lost

1569
01:03:16,400 --> 01:03:18,680
Speaker 5: my voice, jess Alariy Charlamagne the God. We are the

1570
01:03:18,720 --> 01:03:21,200
Speaker 5: Breakfast Club. We're still kicking it with Bruce Bruce. Now,

1571
01:03:21,200 --> 01:03:23,959
Speaker 5: I got a question, what's the most difficult city Because

1572
01:03:23,960 --> 01:03:25,920
Speaker 5: you're on the road. What five days a week, four

1573
01:03:26,000 --> 01:03:29,680
Speaker 5: days a week, shoes, you know, every week. What's the

1574
01:03:29,800 --> 01:03:30,520
Speaker 5: toughest city for you.

1575
01:03:30,720 --> 01:03:32,880
Speaker 2: I'm gonna be honest. I never had a tough city, man.

1576
01:03:33,120 --> 01:03:34,720
Speaker 2: I have had some tough crowds.

1577
01:03:35,360 --> 01:03:39,280
Speaker 4: When the comedy clubs hold these people hostages, you know,

1578
01:03:39,360 --> 01:03:42,439
Speaker 4: like let's just say, first show is at seven, second

1579
01:03:42,480 --> 01:03:44,760
Speaker 4: show is supposed start at ten, all right, they let

1580
01:03:44,840 --> 01:03:46,920
Speaker 4: the first show run over. These people are coming to

1581
01:03:46,960 --> 01:03:49,560
Speaker 4: the show at ten o'clock outside waiting, So that's the

1582
01:03:49,680 --> 01:03:52,480
Speaker 4: piss they pissed, you know, So you got to really

1583
01:03:52,560 --> 01:03:54,960
Speaker 4: go to work to make them laugh, you know, or

1584
01:03:55,040 --> 01:03:56,960
Speaker 4: go and or say something like this, say y'all have

1585
01:03:57,040 --> 01:03:58,640
Speaker 4: been at working, they want to be there, Like yeah,

1586
01:03:59,240 --> 01:04:00,919
Speaker 4: that's why I feel that, you know what I'm saying.

1587
01:04:00,960 --> 01:04:03,280
Speaker 4: So when you break the ice with them, you got them.

1588
01:04:03,520 --> 01:04:06,040
Speaker 4: Once you get them, you got them. But you got

1589
01:04:06,120 --> 01:04:08,080
Speaker 4: to run the clubs on time. And it's hard dealing

1590
01:04:08,120 --> 01:04:09,560
Speaker 4: with us. It's black people. It's hard to deal with

1591
01:04:09,560 --> 01:04:11,800
Speaker 4: a lot of black people, man. But the white clubs

1592
01:04:11,800 --> 01:04:14,800
Speaker 4: they be on it, damn because they realize the money

1593
01:04:14,840 --> 01:04:16,439
Speaker 4: they can make in the short length of time.

1594
01:04:16,640 --> 01:04:18,040
Speaker 9: You know, you just maybe think about when it comes

1595
01:04:18,040 --> 01:04:20,160
Speaker 9: to doing business with black people and white people, because

1596
01:04:20,160 --> 01:04:22,440
Speaker 9: I love doing business with with with my people, right,

1597
01:04:22,680 --> 01:04:25,600
Speaker 9: but I don't think we often look at it as

1598
01:04:25,600 --> 01:04:26,080
Speaker 9: a business.

1599
01:04:26,600 --> 01:04:28,600
Speaker 5: We donel like it should be a personal TRANSI action.

1600
01:04:28,760 --> 01:04:28,880
Speaker 8: Right.

1601
01:04:28,960 --> 01:04:29,880
Speaker 2: It's always.

1602
01:04:31,440 --> 01:04:34,640
Speaker 4: It's because people people call my manager and be like, man,

1603
01:04:34,680 --> 01:04:37,040
Speaker 4: Bruce go back fifteen. I don't even know this brother.

1604
01:04:37,400 --> 01:04:38,840
Speaker 4: You know what I'm saying, Yeah, I met him at

1605
01:04:38,920 --> 01:04:40,800
Speaker 4: gas station and you don't know me.

1606
01:04:40,920 --> 01:04:41,000
Speaker 8: Bro.

1607
01:04:41,200 --> 01:04:43,480
Speaker 4: Maybe I come across like you do know me, but

1608
01:04:43,680 --> 01:04:45,800
Speaker 4: you don't know me. They'll call and be like we

1609
01:04:45,960 --> 01:04:48,080
Speaker 4: discussed the deal, and he said he will do it

1610
01:04:48,120 --> 01:04:50,360
Speaker 4: for this. That's not true because I don't discuss money

1611
01:04:50,480 --> 01:04:53,160
Speaker 4: at all with anybody, but they always think it's like

1612
01:04:53,240 --> 01:04:55,160
Speaker 4: a partner thing when it should just be business.

1613
01:04:56,200 --> 01:04:57,720
Speaker 5: Do you remember your best show and you remember your

1614
01:04:57,760 --> 01:04:58,160
Speaker 5: worst show?

1615
01:04:58,680 --> 01:05:00,400
Speaker 2: Yeah? Man, I can remember a lot of him, but

1616
01:05:00,480 --> 01:05:02,200
Speaker 2: they people don't know it. I knew it.

1617
01:05:02,640 --> 01:05:04,360
Speaker 4: I can remember my first I mean, I come off

1618
01:05:04,360 --> 01:05:06,080
Speaker 4: Saint Tap a guy, and I liked that show. But

1619
01:05:06,160 --> 01:05:07,680
Speaker 4: people thought it was great. But I'd be like, I

1620
01:05:07,720 --> 01:05:08,400
Speaker 4: didn't like that show.

1621
01:05:08,440 --> 01:05:10,400
Speaker 5: What was your What was your worst show? Because they said,

1622
01:05:11,000 --> 01:05:12,560
Speaker 5: you don't write things down, it's just awful.

1623
01:05:12,960 --> 01:05:13,480
Speaker 2: Come out a couple.

1624
01:05:13,480 --> 01:05:15,960
Speaker 4: One time, I was in Houston, Texas, and uh, I

1625
01:05:16,080 --> 01:05:18,120
Speaker 4: was doing this show and I was joning everybody out

1626
01:05:18,120 --> 01:05:20,040
Speaker 4: and this dude came up and joeed me, and he

1627
01:05:20,200 --> 01:05:23,720
Speaker 4: was funny, but he said, you know, God, damn Joe.

1628
01:05:24,120 --> 01:05:27,080
Speaker 4: He said, I like a pickle jaw, you know. And

1629
01:05:27,200 --> 01:05:29,840
Speaker 4: I saw, like, damn, that's funny. But I said, I'm

1630
01:05:29,840 --> 01:05:32,200
Speaker 4: gonna keep that. You know, sent me like a pickle jaw.

1631
01:05:32,440 --> 01:05:34,640
Speaker 4: I was like, oh my god, that's funny. But the

1632
01:05:34,720 --> 01:05:36,960
Speaker 4: crowd loved it because I took it so well. I

1633
01:05:37,040 --> 01:05:40,120
Speaker 4: didn't go off, you know, I exactly. It was really

1634
01:05:40,200 --> 01:05:42,200
Speaker 4: funny when he said it. And the best show I

1635
01:05:42,240 --> 01:05:44,240
Speaker 4: ever did, it was years and years and years ago.

1636
01:05:44,720 --> 01:05:47,360
Speaker 4: Is when Bernie Mack was red hot. Bernie Mack was

1637
01:05:47,400 --> 01:05:49,720
Speaker 4: super hot. And it's a it's a part of Georgia

1638
01:05:49,760 --> 01:05:52,320
Speaker 4: called Macon, Georgia, and it's about an hour from Atlanta,

1639
01:05:52,400 --> 01:05:54,919
Speaker 4: and Bernie was performing. He had a five thousand seater

1640
01:05:55,120 --> 01:05:56,840
Speaker 4: and the feature didn't show up and the guy said, hey, man,

1641
01:05:56,880 --> 01:05:58,760
Speaker 4: my feature did in show. Can you come down opening

1642
01:05:58,840 --> 01:06:01,400
Speaker 4: up for Bernie Mac? I said, yes, you know I

1643
01:06:01,480 --> 01:06:04,120
Speaker 4: had been in the game now by Bobby. Yes, And

1644
01:06:04,240 --> 01:06:06,240
Speaker 4: I drove down that quick as I could, and I

1645
01:06:06,320 --> 01:06:08,760
Speaker 4: was on stage and I can remember Bernie Mack had

1646
01:06:08,800 --> 01:06:10,400
Speaker 4: his arm folded looking at me.

1647
01:06:10,680 --> 01:06:12,520
Speaker 2: He said, who's that dude right that they said his

1648
01:06:12,640 --> 01:06:14,560
Speaker 2: Bruce was? He said, he is funny.

1649
01:06:15,120 --> 01:06:17,160
Speaker 4: But Bernie went up and ripped it. And I worked

1650
01:06:17,160 --> 01:06:20,160
Speaker 4: with Bernie twice in my whole entire life. May couldn't

1651
01:06:20,160 --> 01:06:22,680
Speaker 4: And then I worked with in Columbia, South Carolina on time.

1652
01:06:23,320 --> 01:06:23,600
Speaker 2: That's it.

1653
01:06:23,880 --> 01:06:26,400
Speaker 5: But Bernie was a bad dude man, and people don't

1654
01:06:26,400 --> 01:06:29,040
Speaker 5: realize when he did. I'm not scared of you on

1655
01:06:29,240 --> 01:06:32,520
Speaker 5: death Jam. He made that up right then because everybody

1656
01:06:32,600 --> 01:06:34,040
Speaker 5: was coming up. They was having a car a hard

1657
01:06:34,120 --> 01:06:35,400
Speaker 5: time here in New York.

1658
01:06:35,880 --> 01:06:36,280
Speaker 2: Damn Jam.

1659
01:06:36,360 --> 01:06:37,760
Speaker 4: They was getting it to him. You know New York.

1660
01:06:38,120 --> 01:06:40,520
Speaker 4: They don't hold no punches, you know. And Bernie said, man,

1661
01:06:40,760 --> 01:06:42,680
Speaker 4: I ain't scatting the mother, and he went up and

1662
01:06:42,720 --> 01:06:44,640
Speaker 4: did it. Him and Capri went together on it and

1663
01:06:44,720 --> 01:06:46,800
Speaker 4: he ripped it. Man, Bernie was bad.

1664
01:06:47,000 --> 01:06:48,400
Speaker 5: Was that the funniest comedian you have worked with?

1665
01:06:48,560 --> 01:06:49,040
Speaker 2: No, man?

1666
01:06:49,480 --> 01:06:52,280
Speaker 4: I know some funny comedians now, like Tony Robinson is stupid.

1667
01:06:52,360 --> 01:06:55,440
Speaker 4: Funny Tony makes me laugh. You know who Tony Robbinson is. Yes,

1668
01:06:55,680 --> 01:06:58,320
Speaker 4: Oh my god, Tonor Robbinson told me he's the date

1669
01:06:58,360 --> 01:07:00,160
Speaker 4: of girl. Her breath was so bad it smelled like

1670
01:07:00,240 --> 01:07:04,480
Speaker 4: a horse's hiccups. So who think of that? Who think

1671
01:07:04,560 --> 01:07:07,480
Speaker 4: of a horses? You know what I'm saying. He makes

1672
01:07:07,520 --> 01:07:10,280
Speaker 4: me laugh. Mike Caps, Mike Capps is one of the

1673
01:07:10,360 --> 01:07:12,320
Speaker 4: dude I trained back in the day. Mike used to

1674
01:07:12,320 --> 01:07:14,400
Speaker 4: be on the road me. Mike moved from Indiana to Atlanta.

1675
01:07:14,520 --> 01:07:15,640
Speaker 4: I used to take him on the road with me,

1676
01:07:15,680 --> 01:07:18,640
Speaker 4: and then he moved to New York. And he called

1677
01:07:18,680 --> 01:07:19,960
Speaker 4: me when They said, man, they want me to audition

1678
01:07:20,120 --> 01:07:21,919
Speaker 4: for Fridays. I said, what you waiting on? I said,

1679
01:07:21,960 --> 01:07:23,480
Speaker 4: look for somebody like you and he called me A

1680
01:07:23,520 --> 01:07:23,920
Speaker 4: week later.

1681
01:07:24,080 --> 01:07:26,000
Speaker 2: I got the part. I said, you're on your wait day.

1682
01:07:26,080 --> 01:07:27,400
Speaker 2: They that's my man.

1683
01:07:27,680 --> 01:07:30,480
Speaker 5: Now we've seen Kat Williams pulled out his chop a

1684
01:07:30,480 --> 01:07:33,400
Speaker 5: couple of months ago. He was fired at everybody. What

1685
01:07:33,520 --> 01:07:34,680
Speaker 5: was your thoughts? Because you know a lot of that

1686
01:07:34,760 --> 01:07:37,320
Speaker 5: stuff was inside that became outside.

1687
01:07:37,440 --> 01:07:40,000
Speaker 4: Well, I think Cat just told how he felt, man

1688
01:07:40,080 --> 01:07:42,800
Speaker 4: and what's been going on in his life for real,

1689
01:07:42,840 --> 01:07:44,320
Speaker 4: and he just got fed up with it. You know

1690
01:07:44,400 --> 01:07:47,360
Speaker 4: when people when people dog you out, Let's just say this.

1691
01:07:47,680 --> 01:07:49,880
Speaker 4: I used to tell people I had a club at Atlanta.

1692
01:07:49,920 --> 01:07:52,040
Speaker 4: It's called Club five five nine, and I used to

1693
01:07:52,080 --> 01:07:54,360
Speaker 4: tell my securities. I said, listen, when you have an

1694
01:07:54,360 --> 01:07:58,320
Speaker 4: altercation with a guy, be careful because they don't forget you.

1695
01:07:59,040 --> 01:08:01,120
Speaker 4: You don't be a forgot to them. So if you

1696
01:08:01,240 --> 01:08:02,919
Speaker 4: throw them out the club, throw them on their head

1697
01:08:03,000 --> 01:08:05,000
Speaker 4: and they'd be like, I'm not gonna forget that. They

1698
01:08:05,080 --> 01:08:08,520
Speaker 4: won't forget you, but you forgot who that was. And

1699
01:08:08,600 --> 01:08:11,240
Speaker 4: you'd go store with your woman shopping. He run up

1700
01:08:11,240 --> 01:08:13,320
Speaker 4: all you you remember me. You're like, no, you had

1701
01:08:13,320 --> 01:08:15,760
Speaker 4: to be careful. So Cat just went through some things,

1702
01:08:15,880 --> 01:08:18,080
Speaker 4: stuff that he never forgot that was done to him,

1703
01:08:18,280 --> 01:08:21,280
Speaker 4: and he's coming back retaliating and he just told.

1704
01:08:21,120 --> 01:08:21,640
Speaker 8: It like it was.

1705
01:08:21,840 --> 01:08:23,240
Speaker 9: I mean, there's a lot of different things you could

1706
01:08:23,240 --> 01:08:25,120
Speaker 9: take from that conversation. But the thing I took from

1707
01:08:25,200 --> 01:08:27,800
Speaker 9: it that I appreciate it. It felt like it put

1708
01:08:27,920 --> 01:08:30,680
Speaker 9: black comedy in a in a new light. Yeah, like

1709
01:08:30,760 --> 01:08:33,720
Speaker 9: people started paying attention to the old geez like you,

1710
01:08:34,280 --> 01:08:35,160
Speaker 9: Tony Robbers like they.

1711
01:08:35,479 --> 01:08:35,760
Speaker 2: I don't know.

1712
01:08:35,800 --> 01:08:37,960
Speaker 9: I just felt like it just shine earthquake and shine

1713
01:08:37,960 --> 01:08:39,920
Speaker 9: a light on the on the people who've been doing it,

1714
01:08:40,160 --> 01:08:42,439
Speaker 9: and people got to understand something about Kat Williams. Kat

1715
01:08:42,439 --> 01:08:43,920
Speaker 9: Williams is not a dummy.

1716
01:08:44,280 --> 01:08:47,040
Speaker 2: He is very smart. He's very smart.

1717
01:08:47,080 --> 01:08:48,639
Speaker 4: I don't know if y'all remember when he had altercation

1718
01:08:48,800 --> 01:08:51,280
Speaker 4: in Atlanta with one of the smith if you if

1719
01:08:51,320 --> 01:08:53,960
Speaker 4: you ever noticed it, he never lost his composer.

1720
01:08:54,400 --> 01:08:56,640
Speaker 2: He stood there and drunk his coffee and he was

1721
01:08:56,720 --> 01:08:59,080
Speaker 2: killing her the whole time. And he's just cool like that.

1722
01:08:59,200 --> 01:09:00,800
Speaker 2: He's very smart. He's a smart guy.

1723
01:09:01,000 --> 01:09:03,240
Speaker 5: How did you feel about all these artists mentioned you

1724
01:09:03,320 --> 01:09:03,960
Speaker 5: and their songs?

1725
01:09:04,280 --> 01:09:04,680
Speaker 2: I love it.

1726
01:09:04,880 --> 01:09:06,439
Speaker 5: Well, you have a surprise that you here before when

1727
01:09:06,439 --> 01:09:07,640
Speaker 5: you heard let Bruce Bruce hit it that.

1728
01:09:08,520 --> 01:09:10,439
Speaker 4: God, I just hate when dude said it. You know

1729
01:09:10,479 --> 01:09:13,240
Speaker 4: what I'm saying, like we let Bruce brother, Brother, you

1730
01:09:13,240 --> 01:09:15,920
Speaker 4: shouldn't be saying that. Then your girls should say it,

1731
01:09:16,000 --> 01:09:18,200
Speaker 4: but not not me, not you brother say that on

1732
01:09:18,280 --> 01:09:18,960
Speaker 4: the text this morning?

1733
01:09:19,439 --> 01:09:21,439
Speaker 9: Did it because our producer was like, man, Bruce Bruce

1734
01:09:21,479 --> 01:09:23,280
Speaker 9: has already had we were on the way, Yeah, and

1735
01:09:23,360 --> 01:09:25,479
Speaker 9: so he goes, well, entertain them, then let Bruce.

1736
01:09:25,320 --> 01:09:25,760
Speaker 8: Bruce hit it.

1737
01:09:25,880 --> 01:09:28,800
Speaker 2: I was joking. I forgive you. That's what he said.

1738
01:09:28,800 --> 01:09:29,240
Speaker 2: I forgive you.

1739
01:09:29,520 --> 01:09:30,439
Speaker 5: That's inside stuff.

1740
01:09:30,479 --> 01:09:30,639
Speaker 8: Man.

1741
01:09:30,680 --> 01:09:31,880
Speaker 3: I just I just thought it was stupid.

1742
01:09:32,320 --> 01:09:34,479
Speaker 2: You know he did. I felt he felt we cool.

1743
01:09:34,560 --> 01:09:36,760
Speaker 3: So he just told me and our producer told him

1744
01:09:36,760 --> 01:09:37,600
Speaker 3: that was he was going to h.

1745
01:09:39,479 --> 01:09:42,040
Speaker 2: It's gonna be some that breath. Why did you do that?

1746
01:09:42,320 --> 01:09:46,280
Speaker 5: Why did you? Yeah, bigg Biggie mentioned you and hypnotime. Yeah,

1747
01:09:47,160 --> 01:09:49,000
Speaker 5: the first time you heard did you happened?

1748
01:09:49,320 --> 01:09:52,160
Speaker 4: I was in Jacksonville, Floyd. I never forget this, and

1749
01:09:52,479 --> 01:09:54,760
Speaker 4: I wanted to meet him so bad because I was

1750
01:09:54,840 --> 01:09:57,240
Speaker 4: a fan of big you know man. He came in

1751
01:09:57,400 --> 01:10:00,479
Speaker 4: and I was on stage clown and I was the people.

1752
01:10:00,800 --> 01:10:02,720
Speaker 4: I mean, I asked to do it. I said that

1753
01:10:02,800 --> 01:10:05,160
Speaker 4: shirt sill because it's like I say, is it's silky

1754
01:10:05,200 --> 01:10:06,040
Speaker 4: behind it too much?

1755
01:10:06,120 --> 01:10:07,840
Speaker 2: You know something like that. He walked in, he said,

1756
01:10:07,880 --> 01:10:08,240
Speaker 2: just do this.

1757
01:10:08,320 --> 01:10:11,439
Speaker 4: Funny because if you ever really pay attention to Biggie,

1758
01:10:11,760 --> 01:10:14,639
Speaker 4: he didn't really smile that much, you know what I'm saying.

1759
01:10:14,680 --> 01:10:17,360
Speaker 4: He just always had that look, this nons look. He

1760
01:10:17,439 --> 01:10:19,400
Speaker 4: smiled on the video when he was on the boat.

1761
01:10:19,439 --> 01:10:20,880
Speaker 4: When he was on the boat and he started smiling,

1762
01:10:21,200 --> 01:10:22,640
Speaker 4: he said, we'll put you down for it. And when

1763
01:10:22,640 --> 01:10:25,240
Speaker 4: I heard him, like what what was like?

1764
01:10:25,360 --> 01:10:25,560
Speaker 17: That was?

1765
01:10:26,160 --> 01:10:28,240
Speaker 3: People were debating whether he yeah, did he say that?

1766
01:10:28,360 --> 01:10:31,400
Speaker 2: Yeah? It was like Bruce, Bruce, who do something to us?

1767
01:10:31,560 --> 01:10:32,600
Speaker 5: Talk goes through us?

1768
01:10:32,920 --> 01:10:35,479
Speaker 2: Girls do us? One of those screws who met Poppy

1769
01:10:35,560 --> 01:10:37,479
Speaker 2: and Pump. It was just love he showed.

1770
01:10:37,520 --> 01:10:39,960
Speaker 4: But he was a cool guy man, and I actually

1771
01:10:40,120 --> 01:10:43,800
Speaker 4: saw him smile and laugh because I never saw him smile.

1772
01:10:43,840 --> 01:10:46,320
Speaker 4: He just always had this like heart look, like you know,

1773
01:10:46,439 --> 01:10:48,479
Speaker 4: he read to fight. But he was really funny. It

1774
01:10:48,600 --> 01:10:49,439
Speaker 4: was fun to be around.

1775
01:10:49,520 --> 01:10:51,880
Speaker 3: So he told you he was going to put you Yeah, okay,

1776
01:10:51,960 --> 01:10:52,600
Speaker 3: yeah's how you know it?

1777
01:10:52,680 --> 01:10:53,000
Speaker 2: Was Yeah.

1778
01:10:53,400 --> 01:10:54,720
Speaker 4: I listened to it over and though I just kept

1779
01:10:54,760 --> 01:10:57,240
Speaker 4: coming back, I just I just kept repeating it, this too,

1780
01:10:57,280 --> 01:10:58,599
Speaker 4: it over and on and that was love.

1781
01:10:58,960 --> 01:10:59,720
Speaker 2: That was real love.

1782
01:11:00,200 --> 01:11:01,880
Speaker 5: We got more with Bruce Bruce when we come back.

1783
01:11:01,920 --> 01:11:07,920
Speaker 5: It's the Breakfast Club. Good morning, the Breakfast Club, Good morning.

1784
01:11:08,000 --> 01:11:10,960
Speaker 5: We are the Breakfast Club. Comedian Bruce Bruce is still here.

1785
01:11:11,280 --> 01:11:14,799
Speaker 9: Charlomagne now out of Depth, Comedy Jam, Showtime at the Apollo,

1786
01:11:14,880 --> 01:11:15,439
Speaker 9: and Comic View.

1787
01:11:15,479 --> 01:11:18,400
Speaker 4: Which one had the most impact on you? Comicview? Depth

1788
01:11:18,479 --> 01:11:20,920
Speaker 4: Jam first? Depth Jam was the start and come on

1789
01:11:21,080 --> 01:11:22,760
Speaker 4: that we got to give it to Russell Simmons, I mean,

1790
01:11:22,840 --> 01:11:24,720
Speaker 4: big up for him. Depth Jam was good. But when

1791
01:11:24,800 --> 01:11:27,559
Speaker 4: I did Comic View, see Comic View started out as

1792
01:11:27,920 --> 01:11:29,560
Speaker 4: Coast to Coast. I don't know if you'll remember that.

1793
01:11:30,160 --> 01:11:32,439
Speaker 4: They used to come out to your city and come

1794
01:11:32,520 --> 01:11:35,639
Speaker 4: to a club and film you and then take it back.

1795
01:11:35,720 --> 01:11:38,600
Speaker 4: And DL was the host and he was like, look, we.

1796
01:11:38,600 --> 01:11:40,439
Speaker 5: Went all the way down to Atlanta at a club

1797
01:11:40,520 --> 01:11:43,000
Speaker 5: called the Comedy Act Theater and we've seen this guy,

1798
01:11:43,080 --> 01:11:45,160
Speaker 5: Bruce Bruce, and then showed me and I did the

1799
01:11:45,200 --> 01:11:46,519
Speaker 5: Coast cod when they first started.

1800
01:11:46,760 --> 01:11:48,920
Speaker 4: But I never forget the year that the host. It

1801
01:11:49,160 --> 01:11:52,160
Speaker 4: was probably the best year for me that I have

1802
01:11:52,320 --> 01:11:55,720
Speaker 4: ever experienced in my life. They went from ten ten

1803
01:11:55,800 --> 01:11:58,360
Speaker 4: million viewers a twenty million viewers with the host and

1804
01:11:58,479 --> 01:12:01,120
Speaker 4: it was great for me. It was I made some money.

1805
01:12:01,320 --> 01:12:03,120
Speaker 4: They gave me money for wardrobe. That's why I dressed

1806
01:12:03,120 --> 01:12:04,679
Speaker 4: in all them suits, because I thought I was a pimp.

1807
01:12:04,840 --> 01:12:06,120
Speaker 4: You know what I'm saying. I thought I was a

1808
01:12:06,200 --> 01:12:06,920
Speaker 4: straight up pimp.

1809
01:12:07,000 --> 01:12:09,000
Speaker 5: Why do you help so many comedians? Comedians talk about

1810
01:12:09,000 --> 01:12:11,720
Speaker 5: that you helped someone so many comedians in their.

1811
01:12:11,439 --> 01:12:12,280
Speaker 2: Career and their life.

1812
01:12:12,600 --> 01:12:13,920
Speaker 5: Well, what gives you the energy because a lot of

1813
01:12:13,920 --> 01:12:15,320
Speaker 5: people be like, I ain't helping him because he might

1814
01:12:15,320 --> 01:12:17,320
Speaker 5: get bigger than me. But you you talked about so

1815
01:12:17,400 --> 01:12:18,000
Speaker 5: many communities.

1816
01:12:18,080 --> 01:12:18,680
Speaker 2: Oh my god.

1817
01:12:18,800 --> 01:12:21,479
Speaker 4: Yeah, but so many helped me. I never forget when

1818
01:12:21,520 --> 01:12:23,240
Speaker 4: I first when I was in the comedy act there

1819
01:12:23,360 --> 01:12:27,120
Speaker 4: in Atlanta, and John Willerspoon came to Atlanta and he

1820
01:12:27,240 --> 01:12:29,760
Speaker 4: looked at me and he say, you got it.

1821
01:12:30,200 --> 01:12:32,439
Speaker 2: He said, you really got it. He say, I like you.

1822
01:12:32,760 --> 01:12:34,479
Speaker 4: So he started telling me what to do and what

1823
01:12:34,760 --> 01:12:36,559
Speaker 4: not to do, and he helped me, took me up

1824
01:12:36,600 --> 01:12:39,840
Speaker 4: on this wing. Ronaldolray did the same thing. He helped

1825
01:12:39,880 --> 01:12:42,479
Speaker 4: me on BT when he was my calls. People don't

1826
01:12:42,479 --> 01:12:45,360
Speaker 4: realize that Ronald Ray was a college professor before he

1827
01:12:45,439 --> 01:12:48,280
Speaker 4: started doing comedy. He was extremely smart and he would

1828
01:12:48,320 --> 01:12:50,920
Speaker 4: tell me sometimes he said, turn your body to the

1829
01:12:51,120 --> 01:12:53,639
Speaker 4: right a little bit. When you tell that joke, it'll

1830
01:12:53,680 --> 01:12:55,840
Speaker 4: work better. And I'm like, how's that gonna work better?

1831
01:12:56,240 --> 01:12:59,000
Speaker 4: And it worked better. And then the last are the

1832
01:12:59,080 --> 01:13:01,760
Speaker 4: Mohicans who really told me say you won't have to

1833
01:13:01,800 --> 01:13:03,000
Speaker 4: find her, and they will find you.

1834
01:13:03,720 --> 01:13:06,639
Speaker 2: His name was Paul Mooney. Wow, the legend Paul Mooney.

1835
01:13:06,880 --> 01:13:09,839
Speaker 4: He told me that Rodney Winterfield, y'all remember, Rightney Winfield

1836
01:13:10,760 --> 01:13:12,840
Speaker 4: that my man took. He said, a lot of these

1837
01:13:13,000 --> 01:13:15,720
Speaker 4: juggles don't like you just because you're funny. He says,

1838
01:13:15,840 --> 01:13:18,120
Speaker 4: keep being funny. You're gonna be alright just to call

1839
01:13:18,200 --> 01:13:20,000
Speaker 4: me do shows with him, you know. You know back

1840
01:13:20,040 --> 01:13:22,240
Speaker 4: in the day, man, somebody say, man, we got to

1841
01:13:22,280 --> 01:13:25,040
Speaker 4: show paying three hundred dollars. I'm like, let's go. You

1842
01:13:25,120 --> 01:13:27,400
Speaker 4: know these new kids now, he say, man, I got

1843
01:13:27,479 --> 01:13:28,599
Speaker 4: a show for you. How much you're paying?

1844
01:13:28,600 --> 01:13:29,120
Speaker 2: Hold it play?

1845
01:13:29,880 --> 01:13:33,000
Speaker 4: You ain't been seen walking by TV much less on TV,

1846
01:13:33,600 --> 01:13:35,200
Speaker 4: so what is you talking about? How much they're paying.

1847
01:13:35,479 --> 01:13:37,559
Speaker 4: If I tell you about the show, I'm gonna make

1848
01:13:37,560 --> 01:13:38,320
Speaker 4: sure you get paid.

1849
01:13:38,760 --> 01:13:41,640
Speaker 2: Just that something. You think social media helped the hurt comedy.

1850
01:13:41,400 --> 01:13:43,120
Speaker 4: Oh, he helped it, Chara Mane. I wish I had

1851
01:13:43,360 --> 01:13:45,760
Speaker 4: social media thirty five years ago. The only thing we

1852
01:13:45,840 --> 01:13:49,160
Speaker 4: had was go in this city early through radio, try

1853
01:13:49,240 --> 01:13:52,800
Speaker 4: to do TV to get people in there. Social media

1854
01:13:53,320 --> 01:13:57,400
Speaker 4: is a platform that really helped a lot of young

1855
01:13:58,040 --> 01:14:02,160
Speaker 4: comedians now now bedrim Me like myself. They get pissed

1856
01:14:02,200 --> 01:14:06,080
Speaker 4: because all the new young comedians are coming up faster.

1857
01:14:06,560 --> 01:14:09,599
Speaker 4: Have been doing comedy for twenty five years, thirty years,

1858
01:14:09,840 --> 01:14:11,760
Speaker 4: and he ain't even doing coming with three months. I

1859
01:14:11,880 --> 01:14:13,960
Speaker 4: tell them like this, you can't beat them showing them

1860
01:14:14,600 --> 01:14:16,400
Speaker 4: and they're winning, so you might as well fall in

1861
01:14:16,400 --> 01:14:16,919
Speaker 4: the footstep.

1862
01:14:17,040 --> 01:14:17,759
Speaker 2: They are winning.

1863
01:14:17,880 --> 01:14:19,559
Speaker 3: But that's why them young comedians feel like, that's why

1864
01:14:19,560 --> 01:14:20,360
Speaker 3: they're asking how much?

1865
01:14:20,720 --> 01:14:22,320
Speaker 2: Right, because they following Yeah.

1866
01:14:22,360 --> 01:14:24,360
Speaker 4: But then the only thing about it, Charla, is when

1867
01:14:24,680 --> 01:14:26,519
Speaker 4: they do get booked, only thing they got to say

1868
01:14:26,600 --> 01:14:28,640
Speaker 4: is what they did on social media. You got to

1869
01:14:28,640 --> 01:14:31,040
Speaker 4: bring out more than that, right, you know you got that.

1870
01:14:31,240 --> 01:14:33,600
Speaker 4: That's seven minutes, you got oh, it's five, But what

1871
01:14:33,760 --> 01:14:35,040
Speaker 4: about this other twenty minutes.

1872
01:14:35,080 --> 01:14:35,640
Speaker 2: They need you to do.

1873
01:14:36,360 --> 01:14:38,800
Speaker 4: You can tell when a person is bombing because they

1874
01:14:38,880 --> 01:14:40,840
Speaker 4: start talking real positive. You know, we need to take

1875
01:14:40,840 --> 01:14:41,639
Speaker 4: care of these kids.

1876
01:14:41,760 --> 01:14:41,960
Speaker 5: Man.

1877
01:14:42,760 --> 01:14:45,920
Speaker 4: You know, hey man, support these women. Man, hey man,

1878
01:14:46,000 --> 01:14:48,439
Speaker 4: these women need to support. They need to respect. They're

1879
01:14:48,479 --> 01:14:51,240
Speaker 4: bombing like hell. They trying to get positive. That's a

1880
01:14:51,240 --> 01:14:51,800
Speaker 4: favorite part of a.

1881
01:14:51,800 --> 01:14:53,360
Speaker 9: Comedy show, you know what it is. I like to

1882
01:14:53,439 --> 01:14:55,479
Speaker 9: see somebody trying to dig themselves out of a hole.

1883
01:14:56,120 --> 01:14:58,320
Speaker 9: Oh my god, if you see me laughing really hard,

1884
01:14:58,360 --> 01:14:59,920
Speaker 9: it's probably because you up this thing.

1885
01:15:00,120 --> 01:15:02,000
Speaker 4: Because I remember seeing you, because I watch you guys

1886
01:15:02,000 --> 01:15:05,559
Speaker 4: all the time. I remember seeing you on Ridiculousness. Right Chanelle,

1887
01:15:05,600 --> 01:15:08,000
Speaker 4: West Coast. She made her so mad.

1888
01:15:08,479 --> 01:15:10,519
Speaker 2: You see you was coming and say, I never seen

1889
01:15:10,520 --> 01:15:12,960
Speaker 2: you on anything. I never seen you rap with. I rapped,

1890
01:15:13,000 --> 01:15:17,760
Speaker 2: stoop she got they went to commercial. I think it

1891
01:15:17,840 --> 01:15:21,880
Speaker 2: happened twice right now, just one she do she rap?

1892
01:15:22,800 --> 01:15:23,760
Speaker 3: Yeah, I think she did.

1893
01:15:24,000 --> 01:15:26,160
Speaker 4: Okay, okay, but I didn't know it. But I looked

1894
01:15:26,160 --> 01:15:27,960
Speaker 4: at you and I'm like, oh my god, she's pissed.

1895
01:15:28,280 --> 01:15:31,599
Speaker 4: She got pitched. She moved that hair back the commercial

1896
01:15:32,000 --> 01:15:34,439
Speaker 4: commercial and she came back. She was gonna come. Yeah,

1897
01:15:34,560 --> 01:15:39,200
Speaker 4: we're back. Here pissed her head. I never seen your nothing.

1898
01:15:39,240 --> 01:15:40,920
Speaker 2: I never seen you, snoop, I never seeing you, too short,

1899
01:15:40,960 --> 01:15:43,960
Speaker 2: I never seen you. She was pissed. I laughed so

1900
01:15:44,040 --> 01:15:45,040
Speaker 2: hard at that. That was so good.

1901
01:15:45,160 --> 01:15:46,519
Speaker 3: How big of a deal is it now for her

1902
01:15:46,560 --> 01:15:47,639
Speaker 3: comedian to have a special?

1903
01:15:48,000 --> 01:15:49,000
Speaker 2: Does it even matter? Well?

1904
01:15:49,080 --> 01:15:50,880
Speaker 4: Let me you know, it's funny you said that, man,

1905
01:15:51,320 --> 01:15:53,960
Speaker 4: specials are good. I just got signed for Netflix special.

1906
01:15:54,000 --> 01:15:54,240
Speaker 2: Okay.

1907
01:15:54,600 --> 01:15:57,200
Speaker 4: And the reason, the reason I just took it, I

1908
01:15:57,280 --> 01:15:59,160
Speaker 4: wasn't gonna do I was gonna do it myself, like

1909
01:16:00,080 --> 01:16:01,800
Speaker 4: it make them buy you know what I'm saying.

1910
01:16:01,880 --> 01:16:03,840
Speaker 2: But they offered it to me. We're gonna do it.

1911
01:16:04,280 --> 01:16:04,760
Speaker 2: We're gonna do it.

1912
01:16:04,840 --> 01:16:08,840
Speaker 4: I think around August, so Atlanta, No, no, no, no, no,

1913
01:16:08,960 --> 01:16:10,439
Speaker 4: We're gonna go somewhere else. I want to go somewhere

1914
01:16:10,479 --> 01:16:11,880
Speaker 4: somebody think I'm a superstar.

1915
01:16:12,640 --> 01:16:15,559
Speaker 2: You know what I'm saying. Atlanta, I'm just average. That's up,

1916
01:16:15,600 --> 01:16:17,280
Speaker 2: brus man. You know they see me.

1917
01:16:18,600 --> 01:16:22,439
Speaker 4: But I go somewhere like Chicago, Texas. Oh my god,

1918
01:16:22,640 --> 01:16:24,120
Speaker 4: that's why I want to go in Atlanta.

1919
01:16:24,160 --> 01:16:24,719
Speaker 2: It's my city.

1920
01:16:24,760 --> 01:16:25,080
Speaker 8: I love it.

1921
01:16:25,160 --> 01:16:27,120
Speaker 2: I still live there. And uh, I had a place

1922
01:16:27,160 --> 01:16:29,840
Speaker 2: in la for like thirty years. La, just la.

1923
01:16:30,120 --> 01:16:31,680
Speaker 4: You pay, They make you pay for the weather, you

1924
01:16:31,720 --> 01:16:34,000
Speaker 4: know what I mean? Everything is just so high. It's

1925
01:16:34,040 --> 01:16:36,240
Speaker 4: just ridiculous, it is. I've got a couple more questions.

1926
01:16:36,360 --> 01:16:40,240
Speaker 9: You know, there's a stigma about black comedians wearing dresses

1927
01:16:40,320 --> 01:16:43,080
Speaker 9: to be funny, having the wear addressed to get to

1928
01:16:43,200 --> 01:16:43,920
Speaker 9: that next level.

1929
01:16:43,960 --> 01:16:45,599
Speaker 2: What's your thoughts on that? Well, you know, I'm gonna

1930
01:16:45,600 --> 01:16:46,960
Speaker 2: be honest with you, man, I did it. I did it.

1931
01:16:47,040 --> 01:16:49,000
Speaker 4: It's funny you said that. I did a TV show

1932
01:16:49,080 --> 01:16:50,639
Speaker 4: that I take one time never came out. It's called

1933
01:16:50,680 --> 01:16:53,200
Speaker 4: Bruce Bruce Bounty Honors. I was a bounty hunter. I

1934
01:16:53,280 --> 01:16:55,800
Speaker 4: played a bounty hunter. I played a preacher called Reverend

1935
01:16:55,840 --> 01:16:57,880
Speaker 4: Get Money. It was a Reverend Get Money. And I

1936
01:16:57,960 --> 01:17:01,000
Speaker 4: played a mother named Mother Marshall, where was crazy. But

1937
01:17:01,160 --> 01:17:03,840
Speaker 4: Mother Marshall was a real lady in my church that

1938
01:17:04,000 --> 01:17:06,760
Speaker 4: I mimic. I cop it off for and I also

1939
01:17:06,880 --> 01:17:10,439
Speaker 4: played I did it in Indianapolis, and I did not

1940
01:17:10,520 --> 01:17:13,240
Speaker 4: feel comfortable in that dress, you know what I'm saying

1941
01:17:13,560 --> 01:17:16,479
Speaker 4: at all. And some people could do it. Some people

1942
01:17:16,520 --> 01:17:18,680
Speaker 4: if it worked for you, do it. Flip Wilson did

1943
01:17:18,720 --> 01:17:21,120
Speaker 4: it when he did jeral Deane. You know, because Flip

1944
01:17:21,160 --> 01:17:23,559
Speaker 4: Willson Show was a variety show, which I love because

1945
01:17:23,720 --> 01:17:25,840
Speaker 4: it wasn't a black show. It was a show for everybody,

1946
01:17:25,920 --> 01:17:27,920
Speaker 4: and that's what people got to understand. But if they

1947
01:17:28,000 --> 01:17:29,679
Speaker 4: want to dress up in a dress, do you think

1948
01:17:29,880 --> 01:17:32,160
Speaker 4: you know? But that's not my thing. Tyler Peerr made

1949
01:17:32,160 --> 01:17:34,680
Speaker 4: it big, he's one of the best. But to me,

1950
01:17:35,200 --> 01:17:38,439
Speaker 4: I love Tyler Peerre. But Joe is funny than Tyler

1951
01:17:38,479 --> 01:17:42,320
Speaker 4: peer Then my deal when he plays Joe. When he

1952
01:17:42,400 --> 01:17:46,679
Speaker 4: plays Joe, Joe, it's funny. Joe had an oxygen tank

1953
01:17:47,840 --> 01:17:51,560
Speaker 4: smoking with coughing, and I say, thank you Jesus, you

1954
01:17:51,640 --> 01:17:54,200
Speaker 4: know what I'm saying. So when he plays Joe, Joe

1955
01:17:54,360 --> 01:17:55,280
Speaker 4: is the funniest dude.

1956
01:17:55,479 --> 01:17:58,639
Speaker 2: That's just me. I think, Yeah, I love my deal,

1957
01:17:58,920 --> 01:18:01,720
Speaker 2: but Joe's Oh my god, Joe, it's fright.

1958
01:18:01,920 --> 01:18:03,840
Speaker 9: And see it back then we used to see people

1959
01:18:03,920 --> 01:18:06,000
Speaker 9: in the dresses or even see like when they used

1960
01:18:06,000 --> 01:18:07,400
Speaker 9: to do men on film on a living color it

1961
01:18:07,479 --> 01:18:08,040
Speaker 9: was just funny.

1962
01:18:08,960 --> 01:18:09,560
Speaker 2: Thought nothing of it.

1963
01:18:09,760 --> 01:18:12,880
Speaker 4: Men on film was the thing. When they talked about

1964
01:18:12,960 --> 01:18:17,000
Speaker 4: moby Dick, Moby Dick that gets two snaps and a

1965
01:18:17,120 --> 01:18:20,680
Speaker 4: kiss and around about twist. Yeah, the twist, Yeah, why

1966
01:18:20,720 --> 01:18:22,560
Speaker 4: do you have to say your name twice. Ill my

1967
01:18:22,640 --> 01:18:24,320
Speaker 4: momma just call me twice. My mama said, if I

1968
01:18:24,360 --> 01:18:31,960
Speaker 4: call you the third time, I'm gonna kid. So my

1969
01:18:32,120 --> 01:18:34,719
Speaker 4: mother said, if I call you three times, you're gonna

1970
01:18:34,760 --> 01:18:37,759
Speaker 4: die today. And my mother was a little one about

1971
01:18:37,760 --> 01:18:40,200
Speaker 4: one forty. I mean she was just but loving and

1972
01:18:40,560 --> 01:18:42,000
Speaker 4: knew how to make a way out of no way.

1973
01:18:42,120 --> 01:18:45,519
Speaker 4: Most mothers do. That's why it's always good when you

1974
01:18:45,680 --> 01:18:48,280
Speaker 4: do get successful and you start making money, make sure

1975
01:18:48,280 --> 01:18:49,559
Speaker 4: you take care of mom. And one thing you got

1976
01:18:49,640 --> 01:18:52,920
Speaker 4: to realize it don't take much like you think it does.

1977
01:18:53,400 --> 01:18:55,320
Speaker 4: People think like, well, I got to do it. Your

1978
01:18:55,360 --> 01:18:56,760
Speaker 4: mama don't want that much. She just want to make

1979
01:18:56,800 --> 01:18:59,920
Speaker 4: sure she's okay, she's comfortable, and she got a little money.

1980
01:19:00,000 --> 01:19:01,400
Speaker 4: My mother the last twenty years of her life. I

1981
01:19:01,439 --> 01:19:04,160
Speaker 4: made sure she was straight, didn't pay no bills, nothing.

1982
01:19:04,520 --> 01:19:06,519
Speaker 4: But it didn't take much. But then when your family

1983
01:19:06,560 --> 01:19:08,920
Speaker 4: members found out about it, they started trying to use

1984
01:19:09,000 --> 01:19:10,679
Speaker 4: you too. You know, my mom, I'm going through something.

1985
01:19:10,720 --> 01:19:13,200
Speaker 4: Well that's your mother, this one is mine.

1986
01:19:17,840 --> 01:19:18,280
Speaker 2: Let you have it.

1987
01:19:18,320 --> 01:19:19,040
Speaker 5: It's Bruce Bruce.

1988
01:19:19,040 --> 01:19:20,479
Speaker 3: We've been trying to get Bruce Bruce up here for

1989
01:19:20,520 --> 01:19:20,880
Speaker 3: a minute.

1990
01:19:20,880 --> 01:19:22,800
Speaker 9: Man, because you know I've always just respected you as

1991
01:19:22,840 --> 01:19:24,439
Speaker 9: a as a comedy legend.

1992
01:19:24,479 --> 01:19:28,759
Speaker 3: Man, you an icon, so saluting respect.

1993
01:19:28,920 --> 01:19:32,240
Speaker 5: It's the breakfast Club. Good morning, wake up Wao. You're

1994
01:19:32,320 --> 01:19:36,439
Speaker 5: like into the breakfast club morning everybody. It's DJ NV

1995
01:19:36,760 --> 01:19:39,240
Speaker 5: just Larry Charlamage the guy. We are the breakfast Club.

1996
01:19:39,360 --> 01:19:40,599
Speaker 5: Or leave it on a positive note.

1997
01:19:42,080 --> 01:19:44,560
Speaker 9: The positive notice this maturity is when you know the

1998
01:19:44,680 --> 01:19:47,519
Speaker 9: other person is lying, but you just smile and let

1999
01:19:47,600 --> 01:19:51,080
Speaker 9: it go with your lion asked breakfast club, bitch, you

2000
01:19:51,120 --> 01:19:51,280
Speaker 9: don't

2001
01:19:51,320 --> 01:19:52,200
Speaker 5: Finish for y'all done