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Speaker 1: Done x Y and Z man.

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Speaker 2: You putting young in the situation to lose money. Yeah,

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Speaker 2: we gotta cancel that show, sir. We didn't know you

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Speaker 2: was doing a this song. You know how many times

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Speaker 2: Dirk men Winning done that little song or doing slick

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Speaker 2: this songs in these arenas, but they don't make a

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Speaker 2: big thing about it.

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Speaker 1: It ain't a big deal.

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Speaker 2: Ain't no running to the internet putting no context around

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Speaker 2: some shit that's just supposed to be about us in

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Speaker 2: this situation. Right, This shit got blood on it. This

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Speaker 2: shit got real blood on it. You got a internet

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Speaker 2: running to the internet.

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Speaker 3: Yo.

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Speaker 1: Man that walk down. Pay attention to what he said.

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Speaker 4: I just seen that. I just seen the walk down

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Speaker 4: of a lifetime in Atlanta.

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Speaker 1: Yo.

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Speaker 4: And y'all gonna say I'm thick sucking, but this is yo.

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Speaker 4: Listen with all due respects even and again, I'm not

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Speaker 4: shitting catching trust me. This shit was bigger than not

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Speaker 4: like us. For me, ain't nobody get ain't nobody get

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Speaker 4: clat behind not like us. That's a fact. Like this

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Speaker 4: is a Yeah they called Jacob pettiphar Yeah al right, cool, cool,

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Speaker 4: cool name calling. This was a walk doown. This is

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Speaker 4: the biggest walk down since Gucci pulled up to Making

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Speaker 4: Georgia and perform the truth that was Pookylo's home kind

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Speaker 4: of thing.

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Speaker 2: This is young Boy's first tour. Academics takes this huge

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Speaker 2: platform and rap a negative narrative around this ability to

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Speaker 2: go and pick up a million dollars a night, and

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Speaker 2: he pushes it out there and guess what happens. State

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Speaker 2: Farm Marena decides to do what they decide to cancel

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Speaker 2: his second show waiting today. It's more so geared a

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Speaker 2: young boy even aligned when him and bird Man, one

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Speaker 2: of y'all supposed to get home on line one, Yo,

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Speaker 2: you might be for the money up man.

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Speaker 1: You got to shut up with all that talking.

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Speaker 2: Say man, you went and made all the videos mocking them,

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Speaker 2: and nobody from Atlanta say nothing.

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Speaker 1: They letting him get his money.

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Speaker 2: It's his first tour, it's his first trip around the

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Speaker 2: son on. It's rod Wayne fifth year, this Baby fourth year,

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Speaker 2: this Travis fifth, sixth year, this Drake tenth year. Been

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Speaker 2: around the sun with this shit, yo, yo, yo, welcome back.

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Speaker 2: I just wanted to pop back again. Of course, we

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Speaker 2: got a whole episode going on right now about this.

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Speaker 2: It's about an hour and a half something like that.

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Speaker 2: So if you have not seen that, make sure you

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Speaker 2: go and see that episode. It's up there podcast. We're

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Speaker 2: back to doing solo episodes. We know the culch appreciates it,

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Speaker 2: and we'll appreciate it about it. Just tapped in tune.

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Speaker 2: Then just give me a minute to get back in

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Speaker 2: that bag. Give me three months or something, just you

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Speaker 2: know what I'm saying, back getting into that mode, and

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Speaker 2: I'm sure you will see not only the result, but

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Speaker 2: you'll see the comfortability factor. Get back to what we were,

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Speaker 2: you know, alongside the interviews. They're still coming. Go check

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Speaker 2: out the Chico Bean episode out right now. Man salute

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Speaker 2: the Chico Bean came and stopped by us up the

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Speaker 2: podcast on his return. We did like three or four hours.

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Speaker 2: Part one is out right now. Of course, new episodes

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Speaker 2: drop every Thursday. You come to patreon dot com. That's

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Speaker 2: where these solo episodes live. Literally they're dropping every two

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Speaker 2: or three days at this point. Just depends on who

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Speaker 2: you are and how engaged you all with the content.

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Speaker 2: But I got something for you back there behind that paywall.

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Speaker 2: You dig what I'm saying. All of my truck drivers,

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Speaker 2: all of my workers, all of my people that clean

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Speaker 2: and listen to pause if your podcast lover, it's up.

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Speaker 2: That podcast has been premier touched BOT four about three

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Speaker 2: to four years here, and so I definitely appreciate everyone

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Speaker 2: who is in position and want to listen to us.

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Speaker 1: Listen.

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Speaker 2: Last episode we did, I spoke about academics NBA Young Boy.

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Speaker 2: We kind of touched on some of the things surrounding

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Speaker 2: some of the hipocritical behavior that comes from somemmer media

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Speaker 2: that's kind of stirring up what looks like beef on

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Speaker 2: behalf of NBA Young Boy. They're trying to it's almost

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Speaker 2: like they're trying to hold him back, and so I

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Speaker 2: want to make I want to have this conversation. So

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Speaker 2: I wanted to pop back in because new information has

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Speaker 2: just been revealed while they're in the editing process up

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Speaker 2: to the other episode that should be out right now.

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Speaker 2: If it's not out, if it's not on Patreon, it'll

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Speaker 2: be out in the knicks. I would say ten hours

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Speaker 2: or so if you're seeing this. So, but for people

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Speaker 2: who do not know, NBA Young Boy is on his tour,

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Speaker 2: very successful toward the young man has a fan base

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Speaker 2: that is activated in a way where you can see

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Speaker 2: that purchase in power. And again what I said in

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Speaker 2: the last episode, I don't want it to be too

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Speaker 2: it's me hating on Young Boy because I kind of

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Speaker 2: like what he do. You know, I know some of

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Speaker 2: the people on his team, and I like to see

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Speaker 2: young come from the trenches and get them some money. So,

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Speaker 2: you know, definitely definitely with him on that front. But

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Speaker 2: you know, I'm always called spade a spade. Can't nobody

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Speaker 2: pull my ring, Can't nobody say nothing to me, back

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Speaker 2: me or nothing. So I get to say whatever I

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Speaker 2: want to say, and I'm probably one of the few

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Speaker 2: people that can do that. But when it comes to

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Speaker 2: Young Boy, as we all in the culture kind of

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Speaker 2: celebrating his first trip around the sun, again, I made

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Speaker 2: a clear last episode if you're not a fan of

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Speaker 2: Young Boy, if you don't really understand the business element

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Speaker 2: that this culture has, Young Boy has never been able

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Speaker 2: to better fruits of his label. Right when Young Boy

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Speaker 2: blew up, he got into legal trouble, then COVID happened,

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Speaker 2: then he got in a more legal trouble. He has

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Speaker 2: never been able to really go out there and see

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Speaker 2: what it's like. Feel my fans stayed to State pick

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Speaker 2: up a million dollars a night, whatever the case may be.

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Speaker 1: He's never been able to do that.

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Speaker 2: So this is his first trip around the sun, and

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Speaker 2: I want people to kind of appreciate it from that perspective,

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Speaker 2: but also understand it from that perspective when they talk

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Speaker 2: about some of these other artists like your Rod Waves

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Speaker 2: or your Little Babies, or your Travis Scott or your

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Speaker 2: Drake so any of these people that's been on tour

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Speaker 2: for the last five years selling out arenas. I think

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Speaker 2: there's even Glorilla sexy Red some of these people. And

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Speaker 2: I think sexy Red, with all due respect, maybe her

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Speaker 2: profile hast came down some and so maybe she has

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Speaker 2: to go on tour with someone at this point. But

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Speaker 2: there was a point where sexy Red was one of

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Speaker 2: a premier act as far as torn like selling tickets.

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Speaker 2: People really get up and get out there and go

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Speaker 2: and see sexy Red. And so all I'm saying is,

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Speaker 2: no one is hating on Young Boy, right, and so

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Speaker 2: let's get to the meeting potatoes or what the conversation

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Speaker 2: really is surrounding around. Academics got into a scenario where

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Speaker 2: he saw NBA Young Boy head to Atlanta, NBA. Young

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Speaker 2: Boy did what's called this song. I think it's the

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Speaker 2: song I Hate Young Boy in which he addressed a

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Speaker 2: lot of people in that song. Now, Young Boy as

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Speaker 2: an artist is put in a very interesting situation because

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Speaker 2: if you go to the town and you don't do it,

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Speaker 2: that kind of hurts your brain. But you stay loyal

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Speaker 2: to your fan base and you go and do the song,

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Speaker 2: but you don't want to. You know, you ain't really

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Speaker 2: dissing these boys, you ain't really posting it act trying

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Speaker 2: to really go at these And I know more than

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Speaker 2: I'm saying that green flag. It's a lot of people

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Speaker 2: that's tied in with their green flag that you know,

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Speaker 2: I got real love for and they got respect for

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Speaker 2: my campaign. So I got more information than I can

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Speaker 2: really leave it on. But nonetheless, young Boy comes to Atlanta,

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Speaker 2: he does the discs on way this Gucci he dissed,

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Speaker 2: he damn it dissed a bunch of people, anybody that

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Speaker 2: he saw standing next to Little Dirt. And so following that, academics,

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Speaker 2: I guess flew home. He wasn't even home an entire

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Speaker 2: day or two, and he went on stream and he

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Speaker 2: antagonized all of the rappers from Atlanta. He antagonized the

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Speaker 2: city of Atlanta, and he raised some awareness that there

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Speaker 2: was some contradictions in what was going on as it

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Speaker 2: pertains to Young Boy.

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Speaker 1: You dig.

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Speaker 2: He spoke about young Boy's ability to rap about what

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Speaker 2: he raps about and gets a reward. He even called

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Speaker 2: it a key to the city, and this had made

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Speaker 2: it all around the internet before Foldon County had to

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Speaker 2: actually come out and say, we did not give this

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Speaker 2: man a key to the city. And they're not saying

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Speaker 2: that as the shunning young Boy, but the news is

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Speaker 2: getting out of control. You did not see a key

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Speaker 2: on that stage, but for some reason people were throwing

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Speaker 2: shots at Atlanta, so they wanted to be like, yo,

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Speaker 2: he came to the Holly City and got a key

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Speaker 2: to the city. You know, he pushing out when he

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Speaker 2: kicking that kind of shit to try to I guess

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Speaker 2: I don't know what what academics is doing when he's

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Speaker 2: positioning Young Boy like this, But we're gonna zoom out

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Speaker 2: and take a look at it. It's it's very interesting.

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Speaker 2: It almost feels counterproductive, counterintuitive. It's not something that I

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Speaker 2: would advise, but let's take a look at it. Because

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Speaker 2: I have a podcast and this is what I do.

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Speaker 2: After Academics raised all of this awareness, basically said NBA,

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Speaker 2: young Boy's going State to State this and this is

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Speaker 2: how he's framing this young boy's chance to go and

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Speaker 2: get the money he deserve on tour.

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Speaker 1: The young never been on tour.

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Speaker 2: He go on his first tour and quote unquote, guy,

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Speaker 2: this is what I don't understand about a lot of

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Speaker 2: you wrap running behind these media and they be shitting

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Speaker 2: on you. I'm having a hard time with that coming

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Speaker 2: from where I come from, and they now shitting on

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Speaker 2: me ever in life, so I'm having a hard time

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Speaker 2: dealing with that. This is young boy's first tour. Academics

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Speaker 2: takes this huge platform and rap a negative narrative around

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Speaker 2: this ability to go and pick up a million dollars

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Speaker 2: a night, and he pushes it out there and guess

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Speaker 2: what happens. State Farm Arena decides to do what they

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Speaker 2: decide to cancel his second show. Now, why do I

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Speaker 2: say that the media and the narrative has something to

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Speaker 2: do with that, It's because his first show went well.

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Speaker 2: So Ever, Deadley, they had already went through a standard

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Speaker 2: operating procedure as it pertains the checks and balances, and

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Speaker 2: he passed it because he came the first night, but

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Speaker 2: all of a sudden that second night he was an

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Speaker 2: interception on the plate because the next two we have

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Speaker 2: around him like an academics kind of who done been

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Speaker 2: to nine or ten shows. Don't put him in a

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Speaker 2: scenario were jeopardizing the money. Let's take a look at

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Speaker 2: what State Farm Arena said on behalf of them canceling

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Speaker 2: the concert.

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Speaker 1: Pay attention.

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Speaker 2: State Farm Arena has now posted NBA Young Boy Concert canceled.

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Speaker 2: State Farm Arena has made a decision to cancel the

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Speaker 2: NBA Young Boys shows scheduled for Saturday, October eighteenth and Atlanta.

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Speaker 2: If you purchase tickets to ticket Masters, refunds will be

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Speaker 2: issued automatically. If you purchase from a third party reseller,

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Speaker 2: please reach out for your point of purchase. You know,

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Speaker 2: I've been watching less and less of these gentlemen, academics,

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Speaker 2: Joe Budden, I don't watch Drake Champs million dollars worth

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Speaker 2: of gat like I've been watching less and less of

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Speaker 2: all of these shows. You know, as I'm getting further

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Speaker 2: and further in the business, because I want to cater

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Speaker 2: my conversations around where I'm headed and not where I'm being,

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Speaker 2: And sometimes a lot of the podcasts that's available in

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Speaker 2: these niches are dealing with the past. With It's up

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Speaker 2: there podcast, I try my best to not only deal

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Speaker 2: with the past, but deal with the future and also

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Speaker 2: the present. Some of these podcasts don't even deal with

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Speaker 2: the present. They deal with the past. I'm trying to

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Speaker 2: remain intellectually curious and to keep myself in the scenario

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Speaker 2: where I keep gaining and garnering new information and try

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Speaker 2: to harness new techniques to help me along the way

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Speaker 2: in my journey. I want to be clear that a

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Speaker 2: lot of the shit that we see these guys with

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Speaker 2: platforms and media guys do is they thrive in this

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Speaker 2: space of chaos.

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Speaker 1: Right.

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Speaker 2: A lot of these companies are built and they're anti fragile,

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Speaker 2: and what tends to happen is the more chaos, the

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Speaker 2: more lucrative. And so when I see that, knowing that

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Speaker 2: I could be making money the same way, I bow

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Speaker 2: out of making money that way. I don't know why

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Speaker 2: I do that, Because I got family to save, I

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Speaker 2: got the village to feed, like, I got shit to do,

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Speaker 2: and so the selfish part of me sometimes looks at

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Speaker 2: ability to make two million dollars a month based on

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Speaker 2: rhetoric and narratives and spending news and things of that nature,

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Speaker 2: and you will say, man, listen, those chicks don't know

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Speaker 2: who writing them and don't care who writing them, and

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Speaker 2: they don't care who cashing them. And the billy don't

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Speaker 2: care how you got it. Yeah, and the mansion don't

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Speaker 2: care how you got it. The tuition don't care how

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Speaker 2: it was paid. That why Mama sometimes would have took

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Speaker 2: the drug money because we don't care how to rent.

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Speaker 1: Get paid long as it's paid.

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Speaker 2: And so sometimes you look at those things coming from

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Speaker 2: the hustler community. You know, the bigger issue here is

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Speaker 2: that win the wild wild West as it pertains the

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Speaker 2: content music kind of has a threshold. Even though that's

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Speaker 2: some wild things being said, I would argue that it's

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Speaker 2: not as free as us on this side. When you

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Speaker 2: got money and you really already built the platform against

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Speaker 2: our laws. Sometimes you operate in this little bitty spot

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Speaker 2: that it's hard to reach and it's hard to teach.

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Speaker 2: And so the creator spirit that I have really enjoys

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Speaker 2: the fact that we're in the wild wild West. But

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Speaker 2: I do understand that it has its cons and some

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Speaker 2: of these deregulated conditions that we sit in as content

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Speaker 2: creators with platforms, sometimes the rhetoric that we push out,

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Speaker 2: whether true or false, is took it as truth. I've

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Speaker 2: been studying these guys for years, you know, whether they're

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Speaker 2: my pills or not. You know, I've operated in this market,

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Speaker 2: and so what I've noticed is is that they survive

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Speaker 2: and thriving chaos. They make more money because people want

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Speaker 2: to hear the story relying to the fight, right. People

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Speaker 2: want to hear why they got the fight, and what's

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Speaker 2: the backstory and why was they into it again and

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Speaker 2: why she said that? And so I drive your fans

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Speaker 2: over here to me, and I make money off of it.

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Speaker 2: So first I planned the story, then I explained the story,

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Speaker 2: and I make money the entire time.

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Speaker 1: It's a beautiful business.

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Speaker 2: And it's not like academics or some of these platforms

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Speaker 2: started this business. This thing dates back to the early

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Speaker 2: twenties when paper was first being distributed as a source

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Speaker 2: of information. But they eat better in this kind of space, right.

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Speaker 2: They operate in this fractioned market and they thrive in chaos.

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Speaker 2: They chaos dependent. It's what you would call it. So

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Speaker 2: operating in this space, man, you run into a few things,

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Speaker 2: some of which you got to say something about it.

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Speaker 2: Some you know, you ignore. I think some of this

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Speaker 2: is getting out of control. And for the sake of

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Speaker 2: young boy, I want to come and have a real

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Speaker 2: conversation and possibly even put academics boots on. Maybe he

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Speaker 2: don't know what he's doing, and maybe I can teach

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Speaker 2: him a thing or two about how he's operating and

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Speaker 2: how he's painting a situation that he not gonna have

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Speaker 2: to deal with. You're not gonna be in Atlanta when

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Speaker 2: young boy pull up and you're saying all let and

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Speaker 2: reignite and all that energy. If it's no, it's them,

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Speaker 2: and so it's for him, right, So it's always for them.

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Speaker 2: It ain't never not for them. But sometimes you on

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Speaker 2: the outside reigniting all of that shit and.

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Speaker 1: You ain't even gonna be in the arena. You ain't no.

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Speaker 2: Where to catch you at the Yeah, man, come on, man,

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Speaker 2: So I'm saying, let's not start files that you don't

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Speaker 2: have to put out. You know, I came in the

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Speaker 2: game and said, these is burning shit down and I

305
00:15:43,600 --> 00:15:47,600
Speaker 2: gotta go visit the burn sites right, I'm watching fight

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00:15:47,680 --> 00:15:50,280
Speaker 2: off of that and lose their life. I'm watching push

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Speaker 2: Dirk a certain way, push this game a certain way.

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Speaker 2: I'm watching them from the outside. I'm saying, man, they

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Speaker 2: knowing some dangerous shit, and it ain't dangerous if I

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Speaker 2: gotta walk into it, because let me Ma. Mama used

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00:16:03,200 --> 00:16:06,480
Speaker 2: to tell me when I was young, you make that bed,

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Speaker 2: you gotta lay in it.

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Speaker 1: The problem I have is you.

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Speaker 2: Have individuals making other people's beds, and so my situation

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00:16:17,800 --> 00:16:21,359
Speaker 2: today is more so geared a young boy, even aligning

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00:16:21,520 --> 00:16:23,640
Speaker 2: him and bird Man. One of y'all supposed to get

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00:16:23,680 --> 00:16:26,920
Speaker 2: home on line one, Yo, you might be the money up.

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Speaker 1: Man.

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Speaker 2: You got to shut up with all let talking say man,

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00:16:31,680 --> 00:16:34,640
Speaker 2: you went and made all the videos mocking them. Then't

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Speaker 2: nobody from Atlanta say nothing? They letting him get his money.

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Speaker 2: It's his first tour, it's his first trip around the sun.

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Speaker 2: It's Rod Wade fifth year, this baby fourth year, this

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00:16:45,840 --> 00:16:50,520
Speaker 2: Travis fifth, sixth year, this Drake tenth year. Been around

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00:16:50,600 --> 00:16:54,720
Speaker 2: the sun with this shit, and so young boys in

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00:16:54,720 --> 00:16:57,640
Speaker 2: a scenario to go make him some paper, respecting and

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00:16:57,760 --> 00:17:01,800
Speaker 2: saluting that yo, go get your money. And then all

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Speaker 2: of a sudden, he go do a song because he

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Speaker 2: being loyal to his fans, if you ask me, because

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Speaker 2: if he don't do the song, the fans gonna say, man,

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Speaker 2: they're my favorite song.

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Speaker 1: Why you ain't do it?

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00:17:13,080 --> 00:17:15,720
Speaker 2: But I don't actively hear no drama or hear no

334
00:17:15,840 --> 00:17:19,080
Speaker 2: pushing no lines. Ain't nobody pushing no lines? Look like

335
00:17:19,160 --> 00:17:22,919
Speaker 2: shit done, kind of died off. You gonna put on

336
00:17:23,000 --> 00:17:26,120
Speaker 2: the forefront that this man going around in somebody else

337
00:17:26,200 --> 00:17:29,720
Speaker 2: town taking shots at of list of rappers. Now somebody

338
00:17:29,760 --> 00:17:32,560
Speaker 2: can really instead explaining it to the DA, they can

339
00:17:32,600 --> 00:17:35,639
Speaker 2: say this is what's going on, watch this yeah, and

340
00:17:35,680 --> 00:17:37,760
Speaker 2: they can believe it coming from you as you are

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Speaker 2: one of the.

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Speaker 1: People that these that next to.

343
00:17:42,320 --> 00:17:44,840
Speaker 2: So they could think the energy that young boy's giving

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Speaker 2: is rolling off of your tongue.

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00:17:49,160 --> 00:17:51,520
Speaker 1: The shit you saying he responsible for.

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00:17:51,880 --> 00:17:53,960
Speaker 2: So when you gotta come out of you keep saying, boy,

347
00:17:54,000 --> 00:17:55,520
Speaker 2: he just walked down on the liner.

348
00:17:55,720 --> 00:17:57,119
Speaker 1: He just done X, Y and Z.

349
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Speaker 2: Man, you putting young in the situation to lose money. Yeah,

350
00:18:01,480 --> 00:18:03,679
Speaker 2: we gotta cancel that show, sir. We didn't know you

351
00:18:03,800 --> 00:18:06,240
Speaker 2: was doing this song. You know how many times Dirk

352
00:18:06,280 --> 00:18:09,080
Speaker 2: and them winning done that little song or don't slick

353
00:18:09,200 --> 00:18:12,560
Speaker 2: this songs in these arenas, but they don't make a big.

354
00:18:12,320 --> 00:18:15,160
Speaker 1: Thing about it. It ain't a big deal.

355
00:18:15,200 --> 00:18:18,959
Speaker 2: Ain't no running to the internet putting no context around

356
00:18:18,960 --> 00:18:21,280
Speaker 2: some shit that's just supposed to be about us in

357
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Speaker 2: this situation. Right, This shit got blood on it. This

358
00:18:25,800 --> 00:18:29,200
Speaker 2: shit got real blood on it. You got an internet

359
00:18:29,560 --> 00:18:33,320
Speaker 2: running to the internet. Yo, man, walk down. Pay attention

360
00:18:33,359 --> 00:18:35,920
Speaker 2: to what he said. I'm done talking. Pay attention to it,

361
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Speaker 2: and let me calm down. For they think I'm upset

362
00:18:38,280 --> 00:18:42,600
Speaker 2: because I feel marvelous. I got money, like everybody loved me.

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Speaker 2: I mean, I'm I'm I'm I'm batting a thousand lome boy,

364
00:18:46,640 --> 00:18:47,639
Speaker 2: I'm talking about I'm.

365
00:18:47,520 --> 00:18:51,720
Speaker 1: Batting a whole hunter. I'm talking about. Hey, ain't no

366
00:18:51,840 --> 00:18:53,200
Speaker 1: hiccups in my get up.

367
00:18:53,320 --> 00:18:53,760
Speaker 3: You and me.

368
00:18:54,119 --> 00:18:57,920
Speaker 2: I'm batting a whole hunter. So let not get that confused. Right,

369
00:18:58,119 --> 00:19:00,720
Speaker 2: It is just me on the microphone. It's just how

370
00:19:00,800 --> 00:19:04,160
Speaker 2: I get down. The animation come out, the passion come out.

371
00:19:04,320 --> 00:19:07,320
Speaker 2: It's part of the game. It's part is that something

372
00:19:07,520 --> 00:19:10,240
Speaker 2: don't have let me beat me, right, So we're gonna

373
00:19:10,240 --> 00:19:13,120
Speaker 2: look at academics. This is what he's saying about, young boy,

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00:19:13,520 --> 00:19:16,240
Speaker 2: as he's traveling to Atlanta.

375
00:19:16,280 --> 00:19:19,000
Speaker 1: And he does a song in a arena, Pay attention.

376
00:19:19,119 --> 00:19:21,200
Speaker 4: I just seen that. I've just seen the walk down

377
00:19:21,240 --> 00:19:22,840
Speaker 4: of a lifetime in Atlanta.

378
00:19:22,960 --> 00:19:23,160
Speaker 1: Yo.

379
00:19:23,240 --> 00:19:25,320
Speaker 4: And y'all gonna say I'm thinking sucking, but this is YO.

380
00:19:25,400 --> 00:19:27,800
Speaker 4: Listen with all due respects even and again I'm not

381
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Speaker 4: shitting on Kendrick.

382
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Speaker 1: Trust me.

383
00:19:29,680 --> 00:19:31,520
Speaker 4: This ship was bigger than not like us. For me,

384
00:19:32,160 --> 00:19:34,119
Speaker 4: ain't nobody get anybody get clat.

385
00:19:33,840 --> 00:19:34,720
Speaker 1: Behind not like us.

386
00:19:34,800 --> 00:19:36,920
Speaker 4: That's a fact, Like this is just Yeah, they called

387
00:19:36,960 --> 00:19:40,400
Speaker 4: Draco pedophile. Yeah alright, cool, cool, cool name calling. Bet

388
00:19:40,920 --> 00:19:45,280
Speaker 4: this was a walkdown. This is the biggest walkdown since

389
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Speaker 4: Gucci pulled up to making Georgia and perform the Truth.

390
00:19:49,800 --> 00:19:54,120
Speaker 4: That was Pooky Look's hometown, I think. And when everybody

391
00:19:54,160 --> 00:19:57,119
Speaker 4: said that not go there. Not granted, I know somebody

392
00:19:57,240 --> 00:19:59,400
Speaker 4: was be like, why you ain't doing to Chicago. Look

393
00:19:59,440 --> 00:20:04,359
Speaker 4: clearly was about to do the Chicago. Clearly, if he

394
00:20:04,400 --> 00:20:07,000
Speaker 4: could catch it in Chicago, he called it. He caught

395
00:20:07,040 --> 00:20:10,440
Speaker 4: it in Atlanta. What the what the whole thing happened?

396
00:20:11,040 --> 00:20:13,879
Speaker 4: I ain't gonna cap this is a walkdown. We gotta

397
00:20:13,920 --> 00:20:17,840
Speaker 4: keep it a hundred and I ain't gonna lie the

398
00:20:17,880 --> 00:20:21,480
Speaker 4: best thing I like about why be performing at this song?

399
00:20:21,560 --> 00:20:24,680
Speaker 4: There was a few allegedly that might have been teetering,

400
00:20:25,359 --> 00:20:29,520
Speaker 4: like YO could put him now? Dirt locked up, Dirk

401
00:20:29,600 --> 00:20:31,800
Speaker 4: locked up, even though when Dirt was free, we were

402
00:20:31,840 --> 00:20:35,359
Speaker 4: standing on Venis and it was like, y'all, we can't

403
00:20:35,400 --> 00:20:38,040
Speaker 4: fuck with him, but Dirt locked up, Like maybe we

404
00:20:38,119 --> 00:20:41,680
Speaker 4: could put him now. Slap yo. He slammed door shut

405
00:20:41,720 --> 00:20:44,679
Speaker 4: on that. Oh y'all, this call le.

406
00:20:45,359 --> 00:20:49,920
Speaker 2: And so what you just watched was academics reacting to

407
00:20:50,119 --> 00:20:53,119
Speaker 2: NBA Young Boy doing I Hate Young Boy, which is

408
00:20:53,119 --> 00:20:56,399
Speaker 2: a this song probably one of his fans' favorite tune.

409
00:20:56,480 --> 00:20:59,320
Speaker 2: It's probably one of his fans' favorite songs. He got right,

410
00:20:59,359 --> 00:21:01,640
Speaker 2: So he go to of the town, he go down

411
00:21:01,680 --> 00:21:04,720
Speaker 2: to Atlanta, and he do the song. If you're asking me,

412
00:21:04,800 --> 00:21:08,280
Speaker 2: you put him in a bad spot because he gotta

413
00:21:08,320 --> 00:21:10,720
Speaker 2: be loyal to the fans and do the song again.

414
00:21:10,840 --> 00:21:14,280
Speaker 2: My conversation is always surrounding the business. It's gonna have

415
00:21:14,320 --> 00:21:17,159
Speaker 2: some business in it, it's gonna have some information. And

416
00:21:17,240 --> 00:21:20,600
Speaker 2: so as my conversation is wrapped around the business. My

417
00:21:20,720 --> 00:21:24,200
Speaker 2: question for bird Man, young Boy, anyone that's on their team,

418
00:21:24,359 --> 00:21:27,520
Speaker 2: what value add is that that he is stating next

419
00:21:27,520 --> 00:21:30,639
Speaker 2: to y'all screaming these kind of things. In my opinion,

420
00:21:30,920 --> 00:21:34,960
Speaker 2: we're dealing with the law of diminishing returns.

421
00:21:36,320 --> 00:21:37,760
Speaker 1: You already to the point.

422
00:21:37,520 --> 00:21:40,040
Speaker 2: Where people look at you like a little gangster, look

423
00:21:40,080 --> 00:21:42,439
Speaker 2: at you like it's gonna go look at you like

424
00:21:42,480 --> 00:21:43,200
Speaker 2: you solid.

425
00:21:43,359 --> 00:21:44,680
Speaker 1: You done been through some things.

426
00:21:44,680 --> 00:21:48,120
Speaker 2: You don't need no internet coming and painting these kind

427
00:21:48,160 --> 00:21:50,679
Speaker 2: of narratives while you're going through the town, scraping the

428
00:21:50,760 --> 00:21:53,600
Speaker 2: bag up. You supposed to come through Atlanta and got

429
00:21:53,640 --> 00:21:58,320
Speaker 2: you too mean for two days on the internet, capping

430
00:21:58,400 --> 00:22:01,639
Speaker 2: and talking this and that about ooh, he walked down

431
00:22:01,720 --> 00:22:06,040
Speaker 2: on respect for who. That's gonna make the people. Come on, man,

432
00:22:06,080 --> 00:22:09,159
Speaker 2: that's gonna make the people cancel the show. He did

433
00:22:09,280 --> 00:22:13,080
Speaker 2: respect them in their own town. Now you dealing with

434
00:22:13,160 --> 00:22:16,640
Speaker 2: the DA from this town. To know all of these raps,

435
00:22:16,840 --> 00:22:22,159
Speaker 2: I got hitters and smackers on their team. You inciting

436
00:22:22,200 --> 00:22:25,720
Speaker 2: shit on behalf of who to what means.

437
00:22:26,880 --> 00:22:27,600
Speaker 1: What value?

438
00:22:27,680 --> 00:22:30,720
Speaker 2: Add is that part of it may sound crazy because

439
00:22:30,760 --> 00:22:33,000
Speaker 2: I think that because you don't have a family, or

440
00:22:33,040 --> 00:22:35,280
Speaker 2: because you don't have children, or you don't have a

441
00:22:35,280 --> 00:22:38,200
Speaker 2: loving woman that been waiting on you to get in

442
00:22:38,280 --> 00:22:41,120
Speaker 2: from out of town and instead of coming right off

443
00:22:41,160 --> 00:22:43,600
Speaker 2: the jet, getting to the house and hopping on the

444
00:22:43,640 --> 00:22:48,440
Speaker 2: stream in my airport closed and masking it as I'm

445
00:22:48,480 --> 00:22:53,680
Speaker 2: a workaholic, masking it as I'm a workaholic. You won't

446
00:22:53,720 --> 00:22:56,320
Speaker 2: let things get calm because in the comm you gotta

447
00:22:56,359 --> 00:22:59,880
Speaker 2: deal with yourself. When there's no chaos, you gotta pay attention.

448
00:23:00,400 --> 00:23:03,360
Speaker 2: You look up fifteen yels, done past what out undone

449
00:23:05,119 --> 00:23:08,880
Speaker 2: made a lot of money, but I haven't made any

450
00:23:08,960 --> 00:23:12,840
Speaker 2: real connections. I believe somewhat deep down it's because it's

451
00:23:12,840 --> 00:23:15,919
Speaker 2: the lack of family that leads to some of this

452
00:23:16,080 --> 00:23:19,280
Speaker 2: kind of discourse, especially when you get into your thirties.

453
00:23:19,359 --> 00:23:21,720
Speaker 2: Like I just think you're in a situation where you

454
00:23:21,840 --> 00:23:24,959
Speaker 2: lacking something. And I say that respectfully, with all due respect,

455
00:23:25,440 --> 00:23:27,359
Speaker 2: but at some point you got to look into that

456
00:23:27,440 --> 00:23:29,840
Speaker 2: big house, or in this case, in that small house.

457
00:23:31,200 --> 00:23:33,800
Speaker 2: You got to look into that home and be by

458
00:23:33,880 --> 00:23:37,520
Speaker 2: yourself and say, damn, I'm sitting in a room fresh

459
00:23:37,520 --> 00:23:40,840
Speaker 2: off the airport saying that I want to see someone

460
00:23:40,880 --> 00:23:43,560
Speaker 2: that I call my friend. If I'm DJ academics and

461
00:23:43,680 --> 00:23:46,000
Speaker 2: young boy, I want to see my young boy go

462
00:23:46,119 --> 00:23:49,000
Speaker 2: to a city to perform with this and add to

463
00:23:49,080 --> 00:23:53,360
Speaker 2: an already lingering conversation surrounding his status in these arenas.

464
00:23:53,440 --> 00:23:56,480
Speaker 2: And this is his first time trying to already, this

465
00:23:56,560 --> 00:23:59,800
Speaker 2: is what I'm saying, bro, this is first time doing it.

466
00:24:00,080 --> 00:24:02,520
Speaker 2: A reason why they keep getting canseled and certain little

467
00:24:02,560 --> 00:24:05,439
Speaker 2: things are happening because they don't have no resume with him.

468
00:24:06,280 --> 00:24:08,400
Speaker 2: This is what people is feeling to realize. They don't

469
00:24:08,440 --> 00:24:11,120
Speaker 2: have no relationship with young boy. They just know he'll

470
00:24:11,160 --> 00:24:14,359
Speaker 2: sell this out. But this is first time coming through.

471
00:24:14,800 --> 00:24:17,160
Speaker 2: What kind of fans is coming out? What they selling

472
00:24:17,200 --> 00:24:19,920
Speaker 2: green ban donnas? You should have ain't gained now? They

473
00:24:20,040 --> 00:24:23,320
Speaker 2: representing Fok Trade, that's his record label, that's their thing.

474
00:24:23,359 --> 00:24:25,159
Speaker 2: They ain't got nothing to do with that. But the

475
00:24:25,240 --> 00:24:30,440
Speaker 2: conversations are being had since it's his first time on tour.

476
00:24:30,920 --> 00:24:34,880
Speaker 2: I believe DJ Academics is detrimental to the really going

477
00:24:34,920 --> 00:24:39,120
Speaker 2: to get that money on. I think that he's interfering

478
00:24:39,280 --> 00:24:41,760
Speaker 2: with the young going to get that money on. If

479
00:24:41,760 --> 00:24:44,560
Speaker 2: you asking me, it's because they coming out and saying,

480
00:24:44,760 --> 00:24:48,639
Speaker 2: oh my god, he dissing. He dissing everybody in their

481
00:24:48,720 --> 00:24:51,560
Speaker 2: own town. Young boy running around trying to get some

482
00:24:51,600 --> 00:24:54,199
Speaker 2: money and this is the problem they already trying to

483
00:24:54,200 --> 00:24:56,760
Speaker 2: pay him like an issue. Some of these people is

484
00:24:56,840 --> 00:25:01,960
Speaker 2: just canceling without even calls, just yo Wi doing yeah,

485
00:25:02,480 --> 00:25:06,200
Speaker 2: old fashion shit. He dealing with that on the business side.

486
00:25:06,240 --> 00:25:08,960
Speaker 2: He don't need no black of mouth fast knicks running

487
00:25:09,000 --> 00:25:12,080
Speaker 2: around talking this that. And the third, if you're asking

488
00:25:12,119 --> 00:25:14,040
Speaker 2: me some of the behavior of late for some of

489
00:25:14,040 --> 00:25:17,400
Speaker 2: these with pages and blogs and people that call theirself

490
00:25:17,480 --> 00:25:19,680
Speaker 2: cool with bird Man and young Boy, they done cost

491
00:25:19,720 --> 00:25:23,520
Speaker 2: them some money. They done cost them some real money

492
00:25:23,640 --> 00:25:26,880
Speaker 2: up and so my question to y'all is it worth it?

493
00:25:26,960 --> 00:25:29,320
Speaker 2: Is that worth it to y'all people who do not

494
00:25:29,480 --> 00:25:33,359
Speaker 2: know we're talking about NBA. Young Boy he was on tour.

495
00:25:33,520 --> 00:25:36,720
Speaker 2: He went to Atlanta Academics, came out and called it

496
00:25:36,760 --> 00:25:40,080
Speaker 2: a walk down and attagonized all the rapresent Atlanta and

497
00:25:40,240 --> 00:25:44,520
Speaker 2: he's like he's trying to strip Atlanta of some sort

498
00:25:44,520 --> 00:25:48,439
Speaker 2: of status that he believes and he knows that Atlanta has.

499
00:25:48,480 --> 00:25:52,119
Speaker 2: But it's like there's a weird energy surrounding his passionate

500
00:25:52,200 --> 00:25:55,520
Speaker 2: behavior to highlight some of these things. And for me,

501
00:25:56,400 --> 00:25:58,640
Speaker 2: you know, I look at it and I zoom out

502
00:25:58,680 --> 00:26:01,240
Speaker 2: and I say, well, maybe it's because because the young

503
00:26:01,280 --> 00:26:03,960
Speaker 2: fella doesn't have a wife for children, and so this

504
00:26:04,119 --> 00:26:06,720
Speaker 2: is his entertainment for real, and he's locked in. So

505
00:26:06,760 --> 00:26:10,480
Speaker 2: he's treating these rap dudes kind of like action figures

506
00:26:10,560 --> 00:26:14,080
Speaker 2: or some shit on the PlayStation on Xbox, some kind

507
00:26:14,080 --> 00:26:16,840
Speaker 2: of third world characters. But I try to give grace

508
00:26:16,880 --> 00:26:19,479
Speaker 2: to the young lads out there, right to the young

509
00:26:19,600 --> 00:26:22,040
Speaker 2: niggas out there that's hustling and doing their rap thing,

510
00:26:22,720 --> 00:26:24,760
Speaker 2: and they're trying to catch on fire. They're trying to

511
00:26:24,760 --> 00:26:29,400
Speaker 2: get some momentum going, because I understand they believe it's

512
00:26:29,480 --> 00:26:32,639
Speaker 2: value in being tied to someone with a big platform.

513
00:26:32,680 --> 00:26:35,440
Speaker 2: I have a big platform, so I understand it. But

514
00:26:35,480 --> 00:26:38,840
Speaker 2: that's a cost sheet. There is no free lunch. And

515
00:26:38,880 --> 00:26:41,640
Speaker 2: so the only reason I give as much grace as

516
00:26:41,680 --> 00:26:43,680
Speaker 2: I give is because I know what it's like trying

517
00:26:43,680 --> 00:26:47,399
Speaker 2: to find momentium in this game, especially coming from nothing,

518
00:26:47,520 --> 00:26:50,040
Speaker 2: coming from outside of this industry, and really trying to

519
00:26:50,080 --> 00:26:51,879
Speaker 2: find momentum in this industry.

520
00:26:52,240 --> 00:26:53,359
Speaker 1: You'll go into some.

521
00:26:53,280 --> 00:26:56,080
Speaker 2: Dog caves and you'll run over here and try to

522
00:26:56,080 --> 00:26:58,480
Speaker 2: get with these folks, and these folks to just try

523
00:26:58,480 --> 00:27:01,200
Speaker 2: to light your room up. And so in this part,

524
00:27:01,280 --> 00:27:03,240
Speaker 2: you heard me give a number of reasons that I

525
00:27:03,280 --> 00:27:07,680
Speaker 2: felt like had to do with NBA Young Boy's second

526
00:27:07,840 --> 00:27:11,119
Speaker 2: date in Atlanta being canceled, and right when we was

527
00:27:11,160 --> 00:27:13,919
Speaker 2: about to put that out, there was another video adding

528
00:27:13,960 --> 00:27:17,080
Speaker 2: some contexts to what is also going on when NBA

529
00:27:17,200 --> 00:27:18,120
Speaker 2: Young Boy in this tool.

530
00:27:18,160 --> 00:27:20,840
Speaker 1: Pay attention, barricase and armored vehicles.

531
00:27:20,920 --> 00:27:23,280
Speaker 5: Those are some of the extra security measures planned for

532
00:27:23,359 --> 00:27:26,200
Speaker 5: rapper NBA Young Boys concerts this weekend. Parker Boyd is

533
00:27:26,240 --> 00:27:28,600
Speaker 5: live at the Smoothie King Center, which police expect to

534
00:27:28,600 --> 00:27:29,520
Speaker 5: be packed.

535
00:27:32,480 --> 00:27:32,640
Speaker 1: Well.

536
00:27:32,720 --> 00:27:35,560
Speaker 6: John Meg NBA Young Boys set to perform here at

537
00:27:35,560 --> 00:27:37,959
Speaker 6: the Smoothie King Center on Sunday and Monday nights. Now

538
00:27:38,000 --> 00:27:41,560
Speaker 6: New Orleans police are expecting full crowds that seventeen thousand

539
00:27:41,560 --> 00:27:42,720
Speaker 6: people each night.

540
00:27:42,760 --> 00:27:42,960
Speaker 1: Now.

541
00:27:43,480 --> 00:27:46,119
Speaker 6: A law enforcement so tells Fox Say that one of

542
00:27:46,160 --> 00:27:49,520
Speaker 6: the rappers associates also plans to attend. That's rivals of

543
00:27:49,560 --> 00:27:53,080
Speaker 6: the rappers associates they planned to attend the concert as well.

544
00:27:53,320 --> 00:27:56,159
Speaker 6: A law enforcement source also says NBA Young Boys concert

545
00:27:56,160 --> 00:27:59,240
Speaker 6: tomorrow in Atlanta was canceled after members of his honorage

546
00:27:59,280 --> 00:28:01,760
Speaker 6: clashed with police poe at the vip entrance of the

547
00:28:01,800 --> 00:28:04,600
Speaker 6: State Farm Arena. The New Orleans Police Department says it's

548
00:28:04,600 --> 00:28:07,280
Speaker 6: been in contact with Atlanta Police about that incident. The

549
00:28:07,359 --> 00:28:09,639
Speaker 6: NPD plans to have four hundred officers on the streets

550
00:28:09,680 --> 00:28:13,160
Speaker 6: along with state police and federal agents. Deputy Superintendent Hans

551
00:28:13,200 --> 00:28:17,680
Speaker 6: Gantier says police will deploy armored vehicles, light towers and

552
00:28:17,760 --> 00:28:20,800
Speaker 6: drones and key parts of the French Quarter and the CBD.

553
00:28:21,600 --> 00:28:25,200
Speaker 7: The intelligence we have for this particular concert from various

554
00:28:25,200 --> 00:28:28,000
Speaker 7: cities and various events that they've had in various police

555
00:28:28,000 --> 00:28:31,879
Speaker 7: departments and our federal partners, their Intel division, So I

556
00:28:31,920 --> 00:28:35,479
Speaker 7: think that gives us concern and it also lets us

557
00:28:35,520 --> 00:28:37,600
Speaker 7: know to be ready for that. So that is why

558
00:28:38,000 --> 00:28:40,520
Speaker 7: we have a robus more robust package for this.

559
00:28:44,080 --> 00:28:47,080
Speaker 6: Ganteass most of the officers working this and hand security

560
00:28:47,120 --> 00:28:50,120
Speaker 6: will not be acquiring overtime. He also says the department

561
00:28:50,160 --> 00:28:53,040
Speaker 6: met with representatives from the Smoothe King Center and its manager,

562
00:28:53,120 --> 00:28:56,200
Speaker 6: ASM Global to discuss the concert. We reached out to

563
00:28:56,240 --> 00:29:00,280
Speaker 6: ASM Global, they did not comment reporting life from this

564
00:29:00,360 --> 00:29:02,440
Speaker 6: movie King Center at Parker Boy to Fox eight.

565
00:29:03,080 --> 00:29:05,760
Speaker 1: Local first four hundred officers.

566
00:29:05,640 --> 00:29:08,080
Speaker 2: And so the integrity stays on the side of our

567
00:29:08,160 --> 00:29:11,080
Speaker 2: content creation. We wanted to play that video so you

568
00:29:11,240 --> 00:29:14,320
Speaker 2: know that there's several things happening with young Boy behind

569
00:29:14,360 --> 00:29:17,080
Speaker 2: the scenes as it pertains to his tour. Number One,

570
00:29:17,400 --> 00:29:22,120
Speaker 2: he's in a situation where because they don't have any resume, right,

571
00:29:22,240 --> 00:29:24,560
Speaker 2: this is his first big tour like that, because again

572
00:29:24,600 --> 00:29:27,200
Speaker 2: I explained it in the other part of the podcast, that.

573
00:29:27,160 --> 00:29:28,160
Speaker 1: He's been in trouble.

574
00:29:28,240 --> 00:29:31,840
Speaker 2: He blew up real big and he got back in trouble,

575
00:29:31,880 --> 00:29:34,840
Speaker 2: so he wasn't able to really experience and go out

576
00:29:34,880 --> 00:29:37,600
Speaker 2: on tour, and so you're seeing an adverse reaction for

577
00:29:37,720 --> 00:29:40,400
Speaker 2: some of these counties and some of these arenas as

578
00:29:40,400 --> 00:29:44,200
Speaker 2: they try to like swat him down and figure out

579
00:29:44,200 --> 00:29:47,040
Speaker 2: what the vibe is with him. And for the most part,

580
00:29:47,040 --> 00:29:50,200
Speaker 2: he's had a very successful show. But that's a stigma

581
00:29:50,720 --> 00:29:54,000
Speaker 2: attached to such an authentic brand when it comes from

582
00:29:54,040 --> 00:29:56,560
Speaker 2: the inner city. And we'll get to why I got

583
00:29:56,680 --> 00:29:59,040
Speaker 2: you know, I have an issue with what Native Land

584
00:29:59,120 --> 00:30:03,160
Speaker 2: Podcast was doing because this sector and section of black

585
00:30:03,320 --> 00:30:08,280
Speaker 2: culture is still black people. We need not aband in

586
00:30:08,440 --> 00:30:14,800
Speaker 2: any sector of our people, right, So understanding that this

587
00:30:14,920 --> 00:30:17,640
Speaker 2: young nigga moving around and they got this stigma test

588
00:30:17,680 --> 00:30:20,840
Speaker 2: to his brand. Although a very productive, very lucrative the

589
00:30:20,880 --> 00:30:24,360
Speaker 2: brand makes a lot of money they got this stigma

590
00:30:24,560 --> 00:30:29,160
Speaker 2: test to it, acting like that it's beef impression, dish

591
00:30:29,240 --> 00:30:32,840
Speaker 2: is and rivals and all of this surrounding it. So

592
00:30:32,920 --> 00:30:37,000
Speaker 2: I beg the question, why the fuck with bird Man

593
00:30:37,960 --> 00:30:42,280
Speaker 2: or NBA Young Boy allow academics to run around and

594
00:30:42,360 --> 00:30:46,480
Speaker 2: get on stream and basically say, I hire the niggas

595
00:30:46,800 --> 00:30:50,640
Speaker 2: that NBA Young Boy went to Atlanta and performed the song.

596
00:30:51,320 --> 00:30:54,680
Speaker 2: If he was a responsible media person, he would explained

597
00:30:54,680 --> 00:30:59,280
Speaker 2: it something like how I seen it, which was Yo,

598
00:30:59,360 --> 00:31:02,440
Speaker 2: the young nigga gotta be loyal to his audience. So

599
00:31:02,520 --> 00:31:04,440
Speaker 2: when I come, I'm gonna perform the song. But I

600
00:31:04,440 --> 00:31:07,440
Speaker 2: ain't pushing no beef and I ain't pushing no trying

601
00:31:07,440 --> 00:31:09,640
Speaker 2: to step on niggas and shine on niggas.

602
00:31:09,640 --> 00:31:12,080
Speaker 1: Man, I'm having my moment. I deserve this.

603
00:31:13,400 --> 00:31:16,840
Speaker 2: I've been through hell, right, So you know niggas is

604
00:31:16,920 --> 00:31:21,560
Speaker 2: letting young boys shine. But my problem is it's twofold.

605
00:31:21,640 --> 00:31:25,480
Speaker 2: One is I don't want any young niggas thinking that

606
00:31:25,680 --> 00:31:29,160
Speaker 2: all momentum is good momentum. All momentum ain't worth it,

607
00:31:29,240 --> 00:31:32,680
Speaker 2: I'll say, because all momentum may move you forward, but

608
00:31:32,760 --> 00:31:36,880
Speaker 2: it you may can't control the direction. So it surprised

609
00:31:36,920 --> 00:31:39,800
Speaker 2: me that not young boy, not bird man. Nobody stepped

610
00:31:39,800 --> 00:31:42,000
Speaker 2: in to say, yo, that portrayal that you're doing on

611
00:31:42,120 --> 00:31:45,720
Speaker 2: us academics, that's bad for business. When you operating at

612
00:31:45,760 --> 00:31:48,800
Speaker 2: a national level, moving city to city, My nigga is

613
00:31:48,840 --> 00:31:52,080
Speaker 2: reckless to frame your art is violence. And at the

614
00:31:52,160 --> 00:31:55,080
Speaker 2: level that these young niggas is on the gangst aesthetic

615
00:31:55,160 --> 00:31:57,760
Speaker 2: might help you on the lower level, it might be

616
00:31:57,840 --> 00:32:00,320
Speaker 2: a mistique and give you extra points when you coming

617
00:32:00,360 --> 00:32:02,680
Speaker 2: from the streets, but at this stage right here, it

618
00:32:02,840 --> 00:32:05,800
Speaker 2: just destroys your leverage with these arenas. And we got

619
00:32:05,840 --> 00:32:08,240
Speaker 2: a dude who didn't travel to Atlanta. Ain't like he

620
00:32:08,360 --> 00:32:10,800
Speaker 2: in Atlanta saying Yo, I'm in Atlanta with him, nigga,

621
00:32:10,840 --> 00:32:14,880
Speaker 2: we doing these songs. He waved back in New York saying, boy,

622
00:32:14,880 --> 00:32:18,480
Speaker 2: he walked down, he took rap over. So you basically

623
00:32:18,560 --> 00:32:20,560
Speaker 2: telling you know what rap mean to some of these

624
00:32:20,600 --> 00:32:25,040
Speaker 2: young niggas, Niggas making hundreds of millions fucking with this shit,

625
00:32:25,400 --> 00:32:28,000
Speaker 2: and you basically putting his head on the swift of

626
00:32:28,080 --> 00:32:31,440
Speaker 2: saying he come and take rap by performing in Atlanta.

627
00:32:31,880 --> 00:32:34,240
Speaker 2: So what kind of reaction is you expecting from that?

628
00:32:34,600 --> 00:32:37,000
Speaker 2: I'm glad you didn't get one. But what I'm saying

629
00:32:37,200 --> 00:32:39,720
Speaker 2: is you can provoke a nigga saying, man, we gotta

630
00:32:39,760 --> 00:32:43,280
Speaker 2: defend the Atlanta nigga. This's the whole rap world, nigga.

631
00:32:43,280 --> 00:32:46,160
Speaker 2: This is hundreds of means. We gotta defending around here.

632
00:32:46,600 --> 00:32:49,240
Speaker 2: And put Bruh in the trick bag and put people

633
00:32:49,280 --> 00:32:53,080
Speaker 2: on his trail just because how you aligning his brand

634
00:32:53,160 --> 00:32:56,280
Speaker 2: with violence and all of these different things. That's detrimental

635
00:32:56,280 --> 00:32:58,640
Speaker 2: to wear them dudes trying to go these folks is

636
00:32:58,720 --> 00:33:01,200
Speaker 2: trying to make money, trying to make millions of dollars.

637
00:33:01,360 --> 00:33:04,600
Speaker 2: Allow these dudes to hustle without the interference from these

638
00:33:04,640 --> 00:33:09,080
Speaker 2: Internet niggas. Can I hustle without the interference from these

639
00:33:09,120 --> 00:33:13,200
Speaker 2: Internet niggas? Please, That's all we asking in twenty twenty six.

640
00:33:13,560 --> 00:33:18,280
Speaker 2: Can I hustle without the interference from these Internet niggas.

641
00:33:19,920 --> 00:33:23,680
Speaker 2: I'm just trying to move merchandise. I'm trying to get marketshall,

642
00:33:23,920 --> 00:33:26,440
Speaker 2: I'm trying to make Miggins, and I'm trying to call

643
00:33:26,680 --> 00:33:29,640
Speaker 2: Mayham when these niggas play with this hell man, and

644
00:33:29,720 --> 00:33:31,760
Speaker 2: so I think it's important that I let it be

645
00:33:31,920 --> 00:33:34,440
Speaker 2: known to Yo after you done been to jail.

646
00:33:34,520 --> 00:33:36,040
Speaker 1: This is what confuses me.

647
00:33:38,040 --> 00:33:40,440
Speaker 2: This is how I'm starting to think, young boy and

648
00:33:40,520 --> 00:33:43,160
Speaker 2: there ain't knowing that academics is running around with this

649
00:33:43,240 --> 00:33:47,080
Speaker 2: kind of reckless behavior online, because Yo, my nigga, ain't

650
00:33:47,120 --> 00:33:50,320
Speaker 2: no rep academics can give you niggas that the jail

651
00:33:50,400 --> 00:33:54,440
Speaker 2: didn't give you that coming from Louisiana didn't give you that.

652
00:33:54,600 --> 00:33:57,680
Speaker 2: Making it from your circumstances didn't give you all the

653
00:33:57,720 --> 00:34:00,240
Speaker 2: shit you already been through. Man, you don't need no

654
00:34:00,320 --> 00:34:04,360
Speaker 2: academics coming out saying gangster shit about your brand for

655
00:34:04,440 --> 00:34:06,720
Speaker 2: you to feel or know that you've been through it

656
00:34:06,800 --> 00:34:09,839
Speaker 2: and went through it. I think is irresponsible for him

657
00:34:10,200 --> 00:34:13,279
Speaker 2: to be a friend of NBA young Boy, knowing that

658
00:34:13,320 --> 00:34:16,000
Speaker 2: this is his first time in these arenas, for him

659
00:34:16,040 --> 00:34:18,879
Speaker 2: to be framing this like this is a violent man

660
00:34:19,000 --> 00:34:22,319
Speaker 2: moving around this in people and his rivals know that

661
00:34:22,400 --> 00:34:28,680
Speaker 2: he's in the city, performing this songs, reporting some inaccurate information,

662
00:34:29,400 --> 00:34:32,200
Speaker 2: and your positioning a scenario where you're saying that the

663
00:34:32,239 --> 00:34:35,440
Speaker 2: city gave a MCKI No. If you just listen, they say, YO,

664
00:34:35,840 --> 00:34:37,840
Speaker 2: were just trying to get in front of the children

665
00:34:38,280 --> 00:34:41,479
Speaker 2: and tell them stop gun violence, the same that they're

666
00:34:41,480 --> 00:34:44,399
Speaker 2: doing with thed Like they're trying to let these children know, Yo,

667
00:34:44,520 --> 00:34:49,040
Speaker 2: y'all turn y'all gangster down. Song, Yeah, turn your gangster

668
00:34:49,160 --> 00:34:53,680
Speaker 2: down song. Please turn your gangster down. And so if

669
00:34:53,760 --> 00:34:55,960
Speaker 2: you listen to him, that's what they said, that's why

670
00:34:55,960 --> 00:34:58,799
Speaker 2: they made he did that little speech about yo, I

671
00:34:58,800 --> 00:35:01,799
Speaker 2: don't really care for gun. I'm protected, but I don't

672
00:35:01,840 --> 00:35:04,440
Speaker 2: move around like that, right because these folks want to

673
00:35:04,480 --> 00:35:08,200
Speaker 2: get in communication with the children, and sometimes they got

674
00:35:08,200 --> 00:35:10,560
Speaker 2: to come in those kind of environments to get in

675
00:35:10,560 --> 00:35:13,920
Speaker 2: front of them children and say, y'all, please stop the violence.

676
00:35:14,920 --> 00:35:18,000
Speaker 1: We know the audience members that's in here. Can y'all

677
00:35:18,080 --> 00:35:18,400
Speaker 1: hear me?

678
00:35:18,520 --> 00:35:21,520
Speaker 2: Maybe if he said he said, salute the young boy

679
00:35:21,600 --> 00:35:24,640
Speaker 2: and salute the Doug for even doing some of that

680
00:35:24,719 --> 00:35:27,319
Speaker 2: in the public and letting those children know that we

681
00:35:27,400 --> 00:35:31,600
Speaker 2: got to move past handling every situation with a fire on.

682
00:35:32,120 --> 00:35:34,880
Speaker 2: Some people will say, yo, man, that ain't why Young

683
00:35:34,960 --> 00:35:39,000
Speaker 2: Boy's concert was shut down, and to that, I would

684
00:35:39,040 --> 00:35:41,640
Speaker 2: say that there's If you're asking me, there's a number

685
00:35:41,640 --> 00:35:44,920
Speaker 2: of reasons why some of these shows are being canceled.

686
00:35:45,000 --> 00:35:48,000
Speaker 2: I'm saying that academics being in the media and being

687
00:35:48,040 --> 00:35:51,280
Speaker 2: a quote unquote friend of Young Boy, how he's spinning

688
00:35:51,360 --> 00:35:55,560
Speaker 2: his brand back into the tornado. He just came out of.

689
00:35:56,920 --> 00:35:59,600
Speaker 2: That's what I'm saying. How in the fuck bird Man

690
00:35:59,719 --> 00:36:02,359
Speaker 2: or young Board, somebody on their team ain't hitting this

691
00:36:02,480 --> 00:36:07,840
Speaker 2: dude to say, yo, dexter boo lot man, stop going

692
00:36:07,880 --> 00:36:10,360
Speaker 2: online with all that. This, that, and the third you

693
00:36:10,360 --> 00:36:13,360
Speaker 2: you spinning us back into the tornado that we just

694
00:36:13,440 --> 00:36:16,359
Speaker 2: come up out. Uh we fineling now we finish, try

695
00:36:16,400 --> 00:36:19,520
Speaker 2: to eat coming about the tornado. You spinning us backwards.

696
00:36:20,160 --> 00:36:22,880
Speaker 2: Oh he dis is niggas, Oh he ain't your town dissing.

697
00:36:23,160 --> 00:36:25,960
Speaker 2: And then you bring up the conversation about dirt, Oh

698
00:36:26,040 --> 00:36:28,760
Speaker 2: the rap game switching on dirt. There ain't no evidence

699
00:36:28,800 --> 00:36:32,280
Speaker 2: out there that nobody switching on dirt. That is literally

700
00:36:32,440 --> 00:36:35,600
Speaker 2: zero evidence that some niggas is switching on dirt. Anybody

701
00:36:35,600 --> 00:36:38,120
Speaker 2: that was ryding with dirt, they with dirt right now.

702
00:36:38,560 --> 00:36:41,800
Speaker 2: Ain't no evidence of that. Matter of fact, the only

703
00:36:41,920 --> 00:36:44,680
Speaker 2: real evidence we have with niggas that switching on dirt

704
00:36:44,920 --> 00:36:48,400
Speaker 2: is academics. If were talking about in the industry, like,

705
00:36:48,719 --> 00:36:50,960
Speaker 2: there's a few niggas that may have said some things

706
00:36:51,040 --> 00:36:53,200
Speaker 2: or done some things that you like, yo, but this

707
00:36:53,400 --> 00:36:57,120
Speaker 2: is industry shit. Were talking about academics. The man who

708
00:36:57,560 --> 00:37:01,080
Speaker 2: had Dirt coming through the interview and the relationship with

709
00:37:01,200 --> 00:37:04,920
Speaker 2: him the entire time. You remember when young Boy was

710
00:37:05,000 --> 00:37:06,040
Speaker 2: this in academics.

711
00:37:07,320 --> 00:37:10,800
Speaker 1: It's puss, says nigga. Demis egging like like you're a

712
00:37:11,000 --> 00:37:12,120
Speaker 1: fuck about numbers.

713
00:37:12,160 --> 00:37:15,040
Speaker 8: Bitch, I just dropped two weeks ago. This puss a

714
00:37:15,080 --> 00:37:18,959
Speaker 8: nigga fin a drop, bitch.

715
00:37:19,000 --> 00:37:21,000
Speaker 1: I know I ain't flyaing worry about no numbers.

716
00:37:21,040 --> 00:37:22,520
Speaker 3: Nigga.

717
00:37:22,880 --> 00:37:26,640
Speaker 8: Beach is nigga play litt bank, take lick bank. Your

718
00:37:26,760 --> 00:37:30,680
Speaker 8: stupid drunk face says, it's all you like to do.

719
00:37:30,840 --> 00:37:34,759
Speaker 8: Beach is get drunk and talk shit. That was gonna

720
00:37:34,760 --> 00:37:38,960
Speaker 8: get you fucked up niggas.

721
00:37:38,960 --> 00:37:41,920
Speaker 2: Oh yeah, he was running up under OTF and dirt

722
00:37:42,239 --> 00:37:44,680
Speaker 2: like a motherfucker. But him and young Boy got their

723
00:37:44,719 --> 00:37:48,239
Speaker 2: relationship back, and now he's saying that the industry is

724
00:37:48,280 --> 00:37:52,560
Speaker 2: turning on Dirt. You even got people rap niggas responding

725
00:37:52,600 --> 00:37:56,480
Speaker 2: to it. Who y'all seeing turn on him? Y'all showed

726
00:37:56,520 --> 00:37:59,760
Speaker 2: me somebody that's turning on him publicly. Ain't nobody turning

727
00:37:59,760 --> 00:38:02,680
Speaker 2: on Dirk publicly that I'm seeing? And I'm watching the

728
00:38:02,719 --> 00:38:05,959
Speaker 2: same internet y'all watching, y'all tell me something I don't

729
00:38:06,000 --> 00:38:09,640
Speaker 2: know So y'all gonna police niggas likes. Now, you gonna

730
00:38:09,640 --> 00:38:12,360
Speaker 2: tell me liking the pictures turning on a nigga to

731
00:38:12,800 --> 00:38:15,400
Speaker 2: be happy about another nigga going to get his money,

732
00:38:15,680 --> 00:38:18,080
Speaker 2: or liking a song or something. Y'all telling me that's

733
00:38:18,120 --> 00:38:21,920
Speaker 2: turning on a nigga. See y'all playing them little boy

734
00:38:22,000 --> 00:38:27,000
Speaker 2: Larry games. Yeah, y'all playing little boy Larry Games. You

735
00:38:27,120 --> 00:38:30,040
Speaker 2: contribute to your own nothing doing, young nigga. The gangster

736
00:38:30,080 --> 00:38:32,359
Speaker 2: shit take you so far and then it holds you back.

737
00:38:32,920 --> 00:38:35,840
Speaker 2: Everybody know how this story goes, but still I play.

738
00:38:36,320 --> 00:38:40,000
Speaker 2: But now ever since academics pushing this line, we started

739
00:38:40,040 --> 00:38:44,360
Speaker 2: to see people biting into it. The only problem is

740
00:38:44,440 --> 00:38:47,320
Speaker 2: academics being on the forefront and pushing it, and he

741
00:38:47,440 --> 00:38:51,960
Speaker 2: the main one playing the fifty yard line. He the

742
00:38:52,040 --> 00:38:54,680
Speaker 2: main one that allowed to Cashi six' nine to shoot

743
00:38:54,680 --> 00:38:59,160
Speaker 2: At dirk About, von Disrespect dirk ABOUT vn on his,

744
00:38:59,400 --> 00:39:03,440
Speaker 2: platform and then turn around and have an interview With.

745
00:39:03,480 --> 00:39:06,040
Speaker 2: Dirk this is WHAT i didn't understand about that even

746
00:39:06,040 --> 00:39:09,279
Speaker 2: when it. Happened AND i Know dirk a little real with,

747
00:39:09,440 --> 00:39:11,200
Speaker 2: him but that was SOMETHING i never.

748
00:39:11,320 --> 00:39:15,520
Speaker 1: Understood. Yo here is the they got The takashi up.

749
00:39:15,560 --> 00:39:16,600
Speaker 1: There what the was?

750
00:39:16,640 --> 00:39:18,799
Speaker 2: THAT i think when it sad with, him then WHEN i, say,

751
00:39:18,880 --> 00:39:21,759
Speaker 2: oh the whole shit, fractioned this shit ain't. Nothing this

752
00:39:21,800 --> 00:39:25,280
Speaker 2: shit broke, down this whole, game this shit is watered

753
00:39:25,320 --> 00:39:28,960
Speaker 2: down because in my, era AND i say that, Respectfully

754
00:39:29,000 --> 00:39:31,480
Speaker 2: dirt going through. ENOUGH i don't even got no issue With,

755
00:39:31,520 --> 00:39:36,560
Speaker 2: DIRK i With, DIRT i With, twin you, UNDERSTAND i

756
00:39:36,920 --> 00:39:39,040
Speaker 2: with a couple of them on that. Side so it

757
00:39:39,040 --> 00:39:41,640
Speaker 2: ain't That i'm putting game, down and it's it's IMPORTANT

758
00:39:41,680 --> 00:39:45,319
Speaker 2: i putting information next to things THAT i. See But i'm,

759
00:39:45,400 --> 00:39:48,680
Speaker 2: saying ain't no where in the world if you let

760
00:39:48,719 --> 00:39:52,440
Speaker 2: That koshi sees name come up there and disrespect my

761
00:39:52,560 --> 00:39:53,640
Speaker 2: little Brother King.

762
00:39:53,560 --> 00:39:55,520
Speaker 1: Vaughn like, that That i'm gonna do an interview with.

763
00:39:55,560 --> 00:39:56,920
Speaker 1: YOU i don't give a about this.

764
00:39:57,040 --> 00:40:00,399
Speaker 2: Business and for what we've seen so, Far dirt seem

765
00:40:00,480 --> 00:40:03,719
Speaker 2: to be the kind of going all the way for

766
00:40:03,800 --> 00:40:08,200
Speaker 2: whatever he believed, in and he ain't doing no whole

767
00:40:08,200 --> 00:40:12,480
Speaker 2: bunch of. Complaining so What i'm saying, is if you're

768
00:40:12,480 --> 00:40:15,719
Speaker 2: gonna go that far for what you believe, in, MAN

769
00:40:15,840 --> 00:40:18,759
Speaker 2: i be wondering what he's saying that's doing this shit

770
00:40:19,719 --> 00:40:23,239
Speaker 2: we're an energy in this industry to be leading the

771
00:40:23,400 --> 00:40:27,000
Speaker 2: charge and be the first person that ever broke the.

772
00:40:27,080 --> 00:40:27,520
Speaker 1: Rule it's.

773
00:40:27,600 --> 00:40:30,759
Speaker 2: Crazy you the man that Had dirk on your. Shit

774
00:40:31,440 --> 00:40:33,440
Speaker 2: you the man allowed to cast you to do what he,

775
00:40:33,600 --> 00:40:37,000
Speaker 2: done Disrespect dirk in the way that he. Did right

776
00:40:37,120 --> 00:40:39,319
Speaker 2: you and young boy he said fuck, You but you

777
00:40:39,440 --> 00:40:41,760
Speaker 2: and him? Cool that what that don't make you, Nothing

778
00:40:43,400 --> 00:40:46,399
Speaker 2: that don't make you up a, Hypocrite that don't make

779
00:40:46,440 --> 00:40:49,719
Speaker 2: you dick Riding and see this is WHY i don't

780
00:40:49,800 --> 00:40:52,200
Speaker 2: understand why Bird man ain't pulled him to the, side

781
00:40:53,000 --> 00:40:55,799
Speaker 2: being a big. Homie why young boy somebody on their

782
00:40:55,880 --> 00:40:58,399
Speaker 2: team ain't pulled him to the. SIDE i always tell,

783
00:40:58,440 --> 00:41:00,719
Speaker 2: people you gotta pay attention to what's, cooking of it to,

784
00:41:00,800 --> 00:41:05,800
Speaker 2: burn and sometimes that burning or burning the house. Down

785
00:41:06,440 --> 00:41:08,640
Speaker 2: you gotta pay attention to what's. Cooking if a noise

786
00:41:08,719 --> 00:41:11,480
Speaker 2: running around and sometimes he being seen next to, you

787
00:41:11,520 --> 00:41:13,640
Speaker 2: but when he run over, there he's, saying, wow, shit

788
00:41:13,800 --> 00:41:17,240
Speaker 2: some gotta get put under, control say. Bro he trying

789
00:41:17,280 --> 00:41:20,879
Speaker 2: to pick up as much money as. Possible please do

790
00:41:20,960 --> 00:41:24,960
Speaker 2: not start no. Problems don't wrap us around and pigeonhole

791
00:41:25,040 --> 00:41:27,319
Speaker 2: our brand and make it look like we running through these,

792
00:41:27,360 --> 00:41:30,320
Speaker 2: cities this and the looking for issues and. Drama we

793
00:41:30,480 --> 00:41:33,279
Speaker 2: coming to see our. Fans we comeing to hug our

794
00:41:33,320 --> 00:41:36,240
Speaker 2: loved ones in those. Towns we come in to interact

795
00:41:36,280 --> 00:41:39,240
Speaker 2: with the people that enjoy our. Music sell some, merch

796
00:41:39,560 --> 00:41:42,920
Speaker 2: eat some good, food deal with the, people grab some grass.

797
00:41:42,960 --> 00:41:45,640
Speaker 2: Whatever it might, be little, things but we ain't looking

798
00:41:45,680 --> 00:41:48,319
Speaker 2: for no. Drama and it feels like. It and you

799
00:41:48,360 --> 00:41:51,799
Speaker 2: can change the atmosphere of what we're standing for and

800
00:41:51,840 --> 00:41:54,640
Speaker 2: the gold we headed. Towards you can kind of take

801
00:41:54,719 --> 00:41:57,960
Speaker 2: us off a track when you online and you saying

802
00:41:58,000 --> 00:41:59,040
Speaker 2: certain things.

803
00:41:58,760 --> 00:42:02,759
Speaker 1: Like he walked, down he did, this that and the.

804
00:42:02,760 --> 00:42:03,960
Speaker 1: Third let's listen to a little.

805
00:42:04,000 --> 00:42:06,239
Speaker 4: More but, obviously like, me you know WHAT i, MEAN

806
00:42:06,280 --> 00:42:08,759
Speaker 4: i love vulgar, shit so like SHIT i. DON'T i

807
00:42:08,880 --> 00:42:12,640
Speaker 4: like when you this. ONE i, yo my mind is

808
00:42:12,680 --> 00:42:14,520
Speaker 4: a Little this is why even like you, know you,

809
00:42:14,880 --> 00:42:17,560
Speaker 4: know that's WHY i could never rock with the lawsuit.

810
00:42:17,600 --> 00:42:19,239
Speaker 4: Shit AND i love shit like. THAT i like when

811
00:42:19,239 --> 00:42:20,600
Speaker 4: you this, nigga that, grandma that.

812
00:42:20,760 --> 00:42:21,080
Speaker 1: Dog.

813
00:42:21,840 --> 00:42:25,200
Speaker 4: Shit if if it's baby mama got an, abortion, Miscarriage i'm,

814
00:42:25,200 --> 00:42:27,920
Speaker 4: sorry that's WHAT i. LIKE i grew up on. LISTEN

815
00:42:27,920 --> 00:42:30,319
Speaker 4: i listened to all These, chicago like there's no there's

816
00:42:30,320 --> 00:42:34,200
Speaker 4: no living on. It i'm, sorry but so not like.

817
00:42:34,320 --> 00:42:37,000
Speaker 4: Us it's probably gonna be like the. Greatest you. Know

818
00:42:37,440 --> 00:42:39,919
Speaker 4: you gotta respect him for keeping it. Real that's what he's.

819
00:42:39,960 --> 00:42:43,759
Speaker 4: On you know What i'm. Saying his vibe is. YO

820
00:42:43,880 --> 00:42:46,000
Speaker 4: i like to see them crash. OUT i like that

821
00:42:46,160 --> 00:42:46,480
Speaker 4: type of.

822
00:42:46,600 --> 00:42:50,120
Speaker 2: Vibration AND i don't have no children or no wife

823
00:42:50,440 --> 00:42:53,120
Speaker 2: at this, age So i'm just sitting around in the

824
00:42:53,160 --> 00:42:58,960
Speaker 2: house thinking about googling. Shit, Yeah i'm A google. Machine you.

825
00:42:59,120 --> 00:43:00,759
Speaker 2: Did you know What i'm. Saying if If i'm See

826
00:43:00,760 --> 00:43:02,399
Speaker 2: that's Why i'm trying to. Say and this is why

827
00:43:02,400 --> 00:43:04,520
Speaker 2: it's important for media to be locked in.

828
00:43:04,600 --> 00:43:04,880
Speaker 7: With you.

829
00:43:05,800 --> 00:43:07,880
Speaker 2: Know i'm Glad i'm locked in with you know the

830
00:43:07,920 --> 00:43:10,000
Speaker 2: Guys i'm locked in with and some of the real

831
00:43:10,280 --> 00:43:12,840
Speaker 2: and the. COACH i look forward to locking in and

832
00:43:12,840 --> 00:43:16,120
Speaker 2: and with a couple of. Right but at the end

833
00:43:16,200 --> 00:43:19,879
Speaker 2: of the, day, man when you talk about providing clarity

834
00:43:20,400 --> 00:43:24,520
Speaker 2: around something that has no, context it's a very short

835
00:43:24,560 --> 00:43:27,439
Speaker 2: list of people that you can Get they can get

836
00:43:27,440 --> 00:43:31,759
Speaker 2: that done and have the credibility and have the platform

837
00:43:31,840 --> 00:43:34,720
Speaker 2: to be able to do. That academics has a huge.

838
00:43:34,760 --> 00:43:37,880
Speaker 2: PLATFORM i just don't like the fact that he continues

839
00:43:37,920 --> 00:43:41,360
Speaker 2: to keep starting these files and maybe he don't understand

840
00:43:41,360 --> 00:43:44,560
Speaker 2: how to. Fix maybe in his twisted mind or his drunk,

841
00:43:44,600 --> 00:43:48,400
Speaker 2: thoughts he believes that he's helping young boy by painting

842
00:43:48,480 --> 00:43:51,799
Speaker 2: him as a gangster this far in his. Career everybody

843
00:43:51,880 --> 00:43:54,760
Speaker 2: know the look, gangster, Right niggas look at the little

844
00:43:54,920 --> 00:43:58,480
Speaker 2: like a gangst. Already academics can't really help that the

845
00:43:58,520 --> 00:44:01,040
Speaker 2: BOY i been to the faz that has, shit having

846
00:44:01,080 --> 00:44:01,880
Speaker 2: his blood on his.

847
00:44:02,040 --> 00:44:03,440
Speaker 1: Money it's certain.

848
00:44:03,120 --> 00:44:06,800
Speaker 2: Things that doesn't went down, right and all the little

849
00:44:06,840 --> 00:44:09,520
Speaker 2: real all the little, youngsters they kind of respect his.

850
00:44:09,640 --> 00:44:14,399
Speaker 2: Vibration so don't nobody question that at this. Point that's

851
00:44:14,440 --> 00:44:16,960
Speaker 2: WHAT i tell. People being a real get you so

852
00:44:17,160 --> 00:44:19,680
Speaker 2: far and then it work against. You at this, point

853
00:44:19,719 --> 00:44:22,799
Speaker 2: you screaming at real shit on behalf of a young's

854
00:44:22,920 --> 00:44:25,399
Speaker 2: moving like him and been through what he'd been. Through

855
00:44:25,640 --> 00:44:29,960
Speaker 2: it don't do nothing but hurt. Him that shit ain't helping.

856
00:44:30,000 --> 00:44:33,000
Speaker 2: Him for an academics to get off the plane in

857
00:44:33,040 --> 00:44:35,960
Speaker 2: his airport, closed to walk in his house and have

858
00:44:36,320 --> 00:44:40,040
Speaker 2: an hour long conversation ABOUT nba young boy doing a,

859
00:44:40,160 --> 00:44:43,200
Speaker 2: dish how he did it in another city and got a.

860
00:44:43,239 --> 00:44:43,839
Speaker 1: Key to the.

861
00:44:43,840 --> 00:44:46,799
Speaker 2: City the key to the city part was. Wrong the

862
00:44:46,920 --> 00:44:50,719
Speaker 2: narrative he wrapped Around Young boy's brand was. Irresponsible in.

863
00:44:50,800 --> 00:44:55,600
Speaker 2: Negative If i'm Young, Boy i'm hot about, that, yo

864
00:44:55,760 --> 00:45:00,040
Speaker 2: fam don't do. That we ain't talking like. That we

865
00:45:00,120 --> 00:45:02,600
Speaker 2: got a chance to make fifty six point two. Million

866
00:45:02,719 --> 00:45:05,799
Speaker 2: if we get every dollar from this, walker and we

867
00:45:05,880 --> 00:45:09,759
Speaker 2: expect to make fifty six point two, million we really

868
00:45:09,760 --> 00:45:12,160
Speaker 2: gonna make some mold because every city wind were trying

869
00:45:12,200 --> 00:45:14,920
Speaker 2: to see what the vibration is on the after. Parties

870
00:45:15,640 --> 00:45:18,560
Speaker 2: but at the end of the, day there's a situation

871
00:45:18,680 --> 00:45:22,640
Speaker 2: Where i'm, Saying, yo somebody tell this young shut the

872
00:45:22,680 --> 00:45:25,879
Speaker 2: fuck up. Man whether the response or, NOT i think

873
00:45:25,920 --> 00:45:27,880
Speaker 2: it's important for me to just put that in the.

874
00:45:28,000 --> 00:45:31,719
Speaker 2: Universe how important that. Is you, know it's rougher for

875
00:45:31,760 --> 00:45:34,560
Speaker 2: me than it is for other. People and let me

876
00:45:34,600 --> 00:45:37,239
Speaker 2: clarify all of this street thing they put next to.

877
00:45:37,280 --> 00:45:41,040
Speaker 2: ME i would appreciate a little respect on my name

878
00:45:41,120 --> 00:45:47,080
Speaker 2: as it pertains to my intellectual. CURIOSITY i would expect

879
00:45:47,120 --> 00:45:49,640
Speaker 2: a little bit more respect put on my, name and

880
00:45:49,640 --> 00:45:52,440
Speaker 2: then for y'all to marginalize me Like i'm some street.

881
00:45:52,600 --> 00:45:58,759
Speaker 2: CHARACTER i have a specific set of skills young love.

882
00:46:00,800 --> 00:46:05,799
Speaker 2: Specific i'm talking very, specific and With god's, Grace i'll

883
00:46:05,840 --> 00:46:07,520
Speaker 2: be able to implement certain.

884
00:46:07,560 --> 00:46:10,120
Speaker 1: Things and WHEN i get to a b and there

885
00:46:10,160 --> 00:46:10,520
Speaker 1: will be.

886
00:46:10,600 --> 00:46:14,280
Speaker 2: Indicators and you KNOW i said on the last, episode

887
00:46:14,320 --> 00:46:18,040
Speaker 2: academics is welcome to us up there. Podcast i'll do

888
00:46:18,120 --> 00:46:21,120
Speaker 2: it even. Better we can Do it's up there podcast in.

889
00:46:21,160 --> 00:46:24,880
Speaker 2: Person every rapper you've, mentioned they'll be in the. Building

890
00:46:25,200 --> 00:46:28,000
Speaker 2: there will be no, violence to just be a conversation

891
00:46:28,160 --> 00:46:30,799
Speaker 2: one on. One we'll see what they look. Like you

892
00:46:30,880 --> 00:46:32,840
Speaker 2: know What i'm. SAYING i think that it's about time

893
00:46:32,880 --> 00:46:36,040
Speaker 2: for some of those words to collide in a way

894
00:46:36,080 --> 00:46:38,480
Speaker 2: where some of these ideas be put to rest and be,

895
00:46:38,600 --> 00:46:41,840
Speaker 2: challenged at least at bare, minimum we challenge some of

896
00:46:41,880 --> 00:46:45,120
Speaker 2: these ideas because if you're asking, ME i just think

897
00:46:45,280 --> 00:46:47,640
Speaker 2: things are getting far too messy and out of, hand

898
00:46:48,920 --> 00:46:52,600
Speaker 2: and those things are going unchallenged for the most, part

899
00:46:53,000 --> 00:46:55,200
Speaker 2: when like for, instance like for, now for What i've

900
00:46:55,200 --> 00:46:58,600
Speaker 2: been talking about for the last about forty eight, minutes

901
00:46:58,960 --> 00:47:02,719
Speaker 2: if you're asking, me there's malicious. BEHAVIOR i think the

902
00:47:02,800 --> 00:47:06,600
Speaker 2: money in the fame has made academics extremely, huborous and

903
00:47:06,719 --> 00:47:11,360
Speaker 2: not only, ACADEMICS i think the market drives off, entertainment which,

904
00:47:11,400 --> 00:47:13,360
Speaker 2: Again i'm in this, tool SO i know. IT i,

905
00:47:13,480 --> 00:47:16,080
Speaker 2: KNOW i know, it don't. KNOW i just hope it's

906
00:47:16,080 --> 00:47:18,000
Speaker 2: not sounding LIKE i don't know it Because.

907
00:47:17,760 --> 00:47:18,200
Speaker 1: I'm in this.

908
00:47:18,320 --> 00:47:22,000
Speaker 2: Tool So i'm not absent when we at the party

909
00:47:22,080 --> 00:47:26,040
Speaker 2: talking about what's next for. Content i'm prisent in those.

910
00:47:26,120 --> 00:47:29,480
Speaker 2: Parties BUT i know these people to be real, people

911
00:47:31,320 --> 00:47:33,440
Speaker 2: and so some of the agendas attached to some of

912
00:47:33,480 --> 00:47:36,760
Speaker 2: the narratives just placed out to the. Public if you're asking,

913
00:47:36,840 --> 00:47:40,480
Speaker 2: me the perspective needs to be. Intercepted people need to be,

914
00:47:40,640 --> 00:47:45,440
Speaker 2: notified put on. Notice people need to be. Right you

915
00:47:45,520 --> 00:47:47,640
Speaker 2: need to lead them in the right direction to, say,

916
00:47:47,680 --> 00:47:52,160
Speaker 2: hey hold, on think about. It like, This academics is

917
00:47:52,160 --> 00:47:55,520
Speaker 2: telling y'all that rappers can't be cool with Young boy

918
00:47:55,560 --> 00:47:58,359
Speaker 2: because young boy dished, them but Young boy dished him

919
00:47:58,360 --> 00:48:01,920
Speaker 2: and they super. Cool also bringing up the fact that

920
00:48:02,040 --> 00:48:07,640
Speaker 2: he's performing in this song in, arenas Like dirk didn't

921
00:48:07,680 --> 00:48:11,760
Speaker 2: perform that song he had in. Arenas it's now growing

922
00:48:11,880 --> 00:48:15,120
Speaker 2: legs and you got his family and people responding to

923
00:48:15,239 --> 00:48:18,600
Speaker 2: all of this Because academics is obsessed with a couple

924
00:48:18,600 --> 00:48:22,600
Speaker 2: of rappers that he mentions no matter what he finds

925
00:48:22,600 --> 00:48:26,440
Speaker 2: a way to mention certain rappers that there's an obsession

926
00:48:26,640 --> 00:48:29,759
Speaker 2: he has with those. Rappers so, again the deal is

927
00:48:29,920 --> 00:48:33,239
Speaker 2: on the. Table academics come to us up. There podcast

928
00:48:33,560 --> 00:48:37,440
Speaker 2: will have a room full of the rappers that he's obsessed.

929
00:48:37,520 --> 00:48:41,400
Speaker 1: With that's my. Word they'll be. There there will be no.

930
00:48:41,520 --> 00:48:45,040
Speaker 2: Issue it'll be a live taping with a room full

931
00:48:45,040 --> 00:48:48,640
Speaker 2: of rappers That academics is obsessed, with and we'll have

932
00:48:48,680 --> 00:48:51,319
Speaker 2: a conversation and challenge some of these narratives and see

933
00:48:51,320 --> 00:48:54,080
Speaker 2: how far we. Get as it pertains to. That let

934
00:48:54,120 --> 00:48:56,680
Speaker 2: me explain something to, you. Man at, FIRST i wouldn't

935
00:48:56,719 --> 00:48:59,560
Speaker 2: have a conversation BECAUSE i understood, that you, know the

936
00:48:59,600 --> 00:49:03,759
Speaker 2: coms isn't necessarily. Needed it's just an. Idea it's not that.

937
00:49:03,920 --> 00:49:07,319
Speaker 2: Serious it's not something that we're banking. On BECAUSE i,

938
00:49:07,400 --> 00:49:09,640
Speaker 2: understand the bird and the fish can't make a. Deal

939
00:49:11,320 --> 00:49:13,279
Speaker 2: the bird and the fish can't make a. Deal you

940
00:49:13,320 --> 00:49:15,359
Speaker 2: THINK i don't know shit from, Sugar AND i made

941
00:49:15,400 --> 00:49:18,080
Speaker 2: it this. Far AND i was taught to leave him

942
00:49:18,080 --> 00:49:20,920
Speaker 2: in error if he in love with his, Errors and

943
00:49:20,960 --> 00:49:22,880
Speaker 2: so that's why a lot of TIMES i just was, like,

944
00:49:22,960 --> 00:49:25,120
Speaker 2: yo let let him run with that. Shit you just

945
00:49:25,200 --> 00:49:28,080
Speaker 2: keep putting down what you putting. Down BUT i think

946
00:49:28,080 --> 00:49:30,799
Speaker 2: it's time for those worlds to. Collide twenty twenty. Six

947
00:49:30,880 --> 00:49:34,000
Speaker 2: at the bare, minimum those worlds need to. Collide let's

948
00:49:34,040 --> 00:49:35,759
Speaker 2: talk about this and then we'll get out of. HERE

949
00:49:36,080 --> 00:49:39,319
Speaker 2: i don't plan on stand. Long Mark Lamont hell And

950
00:49:39,440 --> 00:49:41,719
Speaker 2: Queen's flip had a back and forth on The Joe

951
00:49:41,719 --> 00:49:45,440
Speaker 2: button podcast in which it's spun out of, control and

952
00:49:45,480 --> 00:49:48,319
Speaker 2: these two gentlemen had what was looked at like a

953
00:49:48,360 --> 00:49:51,279
Speaker 2: fight from the outsiders and the people who are not

954
00:49:51,760 --> 00:49:54,279
Speaker 2: kind of in tune with what happens in that niche of.

955
00:49:54,360 --> 00:49:57,080
Speaker 2: Podcasting BUT i want you to pay attention to this

956
00:49:57,239 --> 00:49:58,719
Speaker 2: video and then we'll come back with some.

957
00:49:58,760 --> 00:50:00,400
Speaker 1: Commentary take a.

958
00:50:00,400 --> 00:50:02,000
Speaker 3: Look people will hear that THINK i do, that, WELL

959
00:50:02,000 --> 00:50:02,239
Speaker 3: i don't.

960
00:50:02,280 --> 00:50:04,280
Speaker 1: KNOW i thank you because.

961
00:50:04,040 --> 00:50:05,920
Speaker 9: Don't want people Becau people will hear that THINK i do, that,

962
00:50:05,920 --> 00:50:07,480
Speaker 9: WELL i don't know if you do. It but you

963
00:50:07,480 --> 00:50:08,640
Speaker 9: have any REASON i THINK i do?

964
00:50:08,719 --> 00:50:09,520
Speaker 3: THAT i don't.

965
00:50:09,520 --> 00:50:11,480
Speaker 9: Know do you have any reason to THINK i do?

966
00:50:11,480 --> 00:50:13,439
Speaker 9: THAT i said because you just said. That you said

967
00:50:13,440 --> 00:50:17,759
Speaker 9: you you're cracking a joke With. Joe listen to What

968
00:50:17,800 --> 00:50:18,319
Speaker 9: i'm trying to tell.

969
00:50:18,320 --> 00:50:19,919
Speaker 3: You go, ahead go, ahead, listen is What i'm trying

970
00:50:19,920 --> 00:50:21,319
Speaker 3: to tell. YOU i think that people need to see this.

971
00:50:21,320 --> 00:50:25,160
Speaker 10: Show, hey you guess, what it's going.

972
00:50:25,200 --> 00:50:25,759
Speaker 3: Out it's going.

973
00:50:25,760 --> 00:50:30,720
Speaker 5: OUT i just want to care about what people shouldn't

974
00:50:30,719 --> 00:50:32,600
Speaker 5: see and shut up and don't say this is going.

975
00:50:32,600 --> 00:50:35,319
Speaker 5: On i'm comfortable with Everything i'm. Saying here's going.

976
00:50:35,360 --> 00:50:40,520
Speaker 10: RIGHT i love, You, FLIP i love you as a

977
00:50:40,560 --> 00:50:46,040
Speaker 10: matter of franks next to it ups the tracking as

978
00:50:46,080 --> 00:50:47,680
Speaker 10: a matter of. Fact you, KNOW i don't because whatever

979
00:50:47,760 --> 00:50:49,200
Speaker 10: whatever you ever told, me you, KNOW i ain't never

980
00:50:49,239 --> 00:50:51,319
Speaker 10: come out and whatever ever happened and our WITNESS i

981
00:50:51,440 --> 00:50:56,680
Speaker 10: never said About.

982
00:50:54,480 --> 00:50:58,440
Speaker 9: I'm not gonna say it because What i'm gonna saying

983
00:50:58,600 --> 00:50:59,640
Speaker 9: can't nobody out here say?

984
00:50:59,680 --> 00:51:03,760
Speaker 3: No but you? Secret you kept your? Secret what secrets?

985
00:51:03,840 --> 00:51:04,640
Speaker 1: Is we know your?

986
00:51:04,680 --> 00:51:06,719
Speaker 3: SECRET i tell You i'm not Gonna i'm.

987
00:51:06,760 --> 00:51:10,280
Speaker 9: Not i'm not even gonna allude to it at. Lawyer

988
00:51:10,440 --> 00:51:12,640
Speaker 9: that's not loyal that that ship you do this lawyer

989
00:51:12,880 --> 00:51:15,480
Speaker 9: gonna you up in front of you just talking.

990
00:51:15,320 --> 00:51:18,279
Speaker 5: About to be clear from the, ones an't nothing, personal

991
00:51:18,320 --> 00:51:20,200
Speaker 5: if any of my personal. LIFE i don't make it

992
00:51:20,200 --> 00:51:21,839
Speaker 5: sound like that BECAUSE i don't people to think about

993
00:51:22,160 --> 00:51:23,080
Speaker 5: anything THAT i tell you.

994
00:51:23,160 --> 00:51:23,800
Speaker 3: Niggas ain't that that.

995
00:51:23,840 --> 00:51:26,279
Speaker 9: HAPPENED i can talk about. It it's for you to talk

996
00:51:26,320 --> 00:51:30,200
Speaker 9: about so anything That i'm. Saying so if you allude

997
00:51:30,200 --> 00:51:32,000
Speaker 9: to it because you said a lot of tricky, words

998
00:51:32,080 --> 00:51:32,239
Speaker 9: NO i.

999
00:51:32,280 --> 00:51:34,440
Speaker 3: DON'T i say regular. Words that's tricky to. You tricky.

1000
00:51:34,440 --> 00:51:38,040
Speaker 9: Words that that's another thing you, do, right my, Nigga

1001
00:51:38,040 --> 00:51:39,840
Speaker 9: you said you got all the busiest man in the.

1002
00:51:39,880 --> 00:51:42,480
Speaker 9: World you spend a thousand hours trying to communicate and

1003
00:51:42,480 --> 00:51:45,200
Speaker 9: speak to people to be. Accepted beid that this community

1004
00:51:45,200 --> 00:51:47,040
Speaker 9: that this nigga built through the, COMMUNITY.

1005
00:51:46,680 --> 00:51:48,360
Speaker 3: I don't need to do with our. TIME i believe

1006
00:51:48,360 --> 00:51:48,960
Speaker 3: in myself.

1007
00:51:49,280 --> 00:51:51,279
Speaker 9: Job our job is to come up here and work

1008
00:51:51,360 --> 00:51:53,359
Speaker 9: and show up and put our best foot. Forward that's

1009
00:51:53,360 --> 00:51:56,600
Speaker 9: WHAT i. Do plus do other ship behind the. Scenes

1010
00:51:56,640 --> 00:51:58,560
Speaker 9: you MEAN i don't to show try to win. Favor

1011
00:51:58,640 --> 00:52:02,360
Speaker 9: you try to win. Favoring you mean like favor you're in.

1012
00:52:02,520 --> 00:52:04,520
Speaker 9: Here to, me you try to win famous with the

1013
00:52:04,520 --> 00:52:08,279
Speaker 9: fan if you do with the fans there even if

1014
00:52:08,280 --> 00:52:10,640
Speaker 9: you do win, famous you try to point out everything

1015
00:52:10,640 --> 00:52:13,000
Speaker 9: else that nobody. Do that's sucking ship to? Me when

1016
00:52:13,040 --> 00:52:15,319
Speaker 9: DO i do? That you try to put? Second don't

1017
00:52:15,320 --> 00:52:18,200
Speaker 9: want me a don't call me a, scond but don't

1018
00:52:18,239 --> 00:52:19,719
Speaker 9: call me a circon. Though but that's don't call me

1019
00:52:19,719 --> 00:52:21,440
Speaker 9: a sucking no more That i'm not.

1020
00:52:21,440 --> 00:52:26,919
Speaker 2: Calling, hey this pol was particularly funny to. Me right,

1021
00:52:27,360 --> 00:52:30,040
Speaker 2: See Mark, lamont he is shaking his. Head don't call

1022
00:52:30,120 --> 00:52:33,239
Speaker 2: me a shucker no. More don't call me a sucker no. More,

1023
00:52:33,840 --> 00:52:36,319
Speaker 2: yeah don't call me your sock or no. More he

1024
00:52:36,440 --> 00:52:38,520
Speaker 2: was shaking his. HEAD i, said, man that nigga here

1025
00:52:38,560 --> 00:52:40,680
Speaker 2: on some roddy roddy pipe and. Ship look at when

1026
00:52:40,719 --> 00:52:41,040
Speaker 2: DO i do?

1027
00:52:41,040 --> 00:52:42,080
Speaker 3: That you try to put a?

1028
00:52:42,080 --> 00:52:44,800
Speaker 9: Second, no don't want me a don't call me a,

1029
00:52:44,840 --> 00:52:46,880
Speaker 9: circond but don't call me a circle. Though but that's

1030
00:52:46,920 --> 00:52:49,359
Speaker 9: don't call me a sucking no. More That's i'm not coming.

1031
00:52:49,440 --> 00:52:50,879
Speaker 6: Up take.

1032
00:52:50,920 --> 00:52:52,560
Speaker 3: That i'm not Calling i'm saying that's sucking.

1033
00:52:52,600 --> 00:52:53,040
Speaker 1: Ship you're not a.

1034
00:52:53,040 --> 00:52:53,839
Speaker 3: Second And i'm telling.

1035
00:52:53,840 --> 00:52:55,359
Speaker 9: You you say that sucond, Ship i'm taking like you say

1036
00:52:55,400 --> 00:52:55,600
Speaker 9: that to.

1037
00:52:55,600 --> 00:52:56,480
Speaker 3: Me So i'm saying What i'm.

1038
00:52:56,480 --> 00:53:00,600
Speaker 9: Saying, listeners, listen let's both calm.

1039
00:53:00,680 --> 00:53:02,680
Speaker 3: Down that Now i'm saying that's.

1040
00:53:02,719 --> 00:53:06,480
Speaker 9: Both let's both calm down Because i'm telling you right,

1041
00:53:06,480 --> 00:53:08,080
Speaker 9: now the way you're talking to, Me i'm taking a different.

1042
00:53:08,080 --> 00:53:11,200
Speaker 9: Way so let's both. Know i'm, saying talk like, brother say.

1043
00:53:11,280 --> 00:53:12,919
Speaker 9: That you don't want to say. That i'm saying because

1044
00:53:13,239 --> 00:53:14,799
Speaker 9: you ain't gonna say that. Ship So i'm saying.

1045
00:53:15,320 --> 00:53:17,359
Speaker 3: Seven BUT i said the behavior and then we good

1046
00:53:17,360 --> 00:53:19,239
Speaker 3: ship to? Me then then were? Good then we. Good

1047
00:53:19,280 --> 00:53:20,920
Speaker 3: now let's get back to the. Show but that's What

1048
00:53:20,920 --> 00:53:21,759
Speaker 3: why are you saying?

1049
00:53:21,760 --> 00:53:23,200
Speaker 9: That because when you say that second ship THAT i,

1050
00:53:23,280 --> 00:53:25,600
Speaker 9: take that is disrespectful, too AND i take that to

1051
00:53:25,680 --> 00:53:26,600
Speaker 9: me like that to.

1052
00:53:26,680 --> 00:53:27,960
Speaker 3: Me So i'm trying to tell, you but.

1053
00:53:27,880 --> 00:53:29,279
Speaker 9: It's a lot of. Ship you say the nigga that

1054
00:53:29,280 --> 00:53:31,920
Speaker 9: we take disrespectful before that, SAID i take this to tell.

1055
00:53:32,000 --> 00:53:34,040
Speaker 3: Me i'm not gonna talk about it all air Because

1056
00:53:34,040 --> 00:53:35,880
Speaker 3: i'm not. Sure i'm. Afraid so at the end of the,

1057
00:53:36,000 --> 00:53:37,440
Speaker 3: Day i'm not sure what you're.

1058
00:53:37,440 --> 00:53:42,839
Speaker 9: Doing i'm not gonna Might i'm not.

1059
00:53:42,840 --> 00:53:43,760
Speaker 1: Trying i'm not hotting.

1060
00:53:43,840 --> 00:53:50,920
Speaker 9: That i'm not potting nigga nigga saying, nigga do what

1061
00:53:51,080 --> 00:53:51,640
Speaker 9: are we talking?

1062
00:53:51,640 --> 00:53:55,359
Speaker 3: To? God we can, pie then let's talk.

1063
00:53:55,400 --> 00:53:59,640
Speaker 5: OUTSIDE i Tell Mark, man, no fuck, That mark And

1064
00:53:59,719 --> 00:54:05,960
Speaker 5: flip it's not.

1065
00:54:14,560 --> 00:54:17,400
Speaker 3: They can talk. Outside they can.

1066
00:54:17,520 --> 00:54:21,279
Speaker 2: Talk so this was an encounter Between Mark Lamont hill

1067
00:54:21,360 --> 00:54:24,080
Speaker 2: And queen's. Flip for those who were not able to watch,

1068
00:54:24,080 --> 00:54:28,520
Speaker 2: it that was the quote unquote fight that was had on.

1069
00:54:28,719 --> 00:54:28,959
Speaker 1: Set.

1070
00:54:29,239 --> 00:54:31,080
Speaker 2: Uh there was a couple of different THINGS i want

1071
00:54:31,120 --> 00:54:34,120
Speaker 2: to point out and brank some context setting around What

1072
00:54:34,200 --> 00:54:37,240
Speaker 2: i've seen take. PLACE i saw wink come From Mark Lamont.

1073
00:54:37,320 --> 00:54:39,640
Speaker 2: Hill that was number. ONE i think it's started in

1074
00:54:39,760 --> 00:54:43,200
Speaker 2: content land and it might have spun out and got

1075
00:54:43,200 --> 00:54:46,120
Speaker 2: into some personal areas and then blew. UP i also

1076
00:54:46,680 --> 00:54:49,600
Speaker 2: noticed a few red lines that were. Crossed right when you,

1077
00:54:49,640 --> 00:54:52,040
Speaker 2: say don't call me a sucker, again and somebody calls

1078
00:54:52,120 --> 00:54:55,000
Speaker 2: you a, sucker you don't just say f. You it's

1079
00:54:55,080 --> 00:54:57,680
Speaker 2: like IF i tell you a command like, this ain't a.

1080
00:54:57,800 --> 00:55:00,920
Speaker 2: Question IF i say, yo don't say nothing else to

1081
00:55:01,000 --> 00:55:04,000
Speaker 2: me and you say something else to. Me usually for

1082
00:55:04,080 --> 00:55:08,759
Speaker 2: someone that was provoking, violence that was their opportunity and

1083
00:55:08,800 --> 00:55:10,680
Speaker 2: their window to get it. Done and SO i just

1084
00:55:10,760 --> 00:55:14,320
Speaker 2: point that out to SAY i believe that it started

1085
00:55:14,360 --> 00:55:17,200
Speaker 2: in content world and it just spun out of. Control

1086
00:55:17,560 --> 00:55:20,040
Speaker 2: Mark Lamont hill being an intellectual up there on The

1087
00:55:20,120 --> 00:55:22,640
Speaker 2: Joe button, PODCAST i think this is what a conversation.

1088
00:55:22,840 --> 00:55:26,680
Speaker 2: Lies that there's this notion that comes from some other

1089
00:55:26,719 --> 00:55:30,080
Speaker 2: people that is in podcast, world that's in, media that's

1090
00:55:30,120 --> 00:55:33,719
Speaker 2: in black, culture and there's a lot of, them not

1091
00:55:33,840 --> 00:55:36,240
Speaker 2: just this part that we're about to look at With Angela.

1092
00:55:36,320 --> 00:55:38,680
Speaker 2: Rieh salute to everyone on that part of the native.

1093
00:55:38,719 --> 00:55:42,160
Speaker 2: Part there's a sea of people that Believe Mark Lamont

1094
00:55:42,239 --> 00:55:45,240
Speaker 2: hill should not be on The Joe Button. Podcast he's above.

1095
00:55:45,400 --> 00:55:49,720
Speaker 2: That The Joe Button podcast is very low, level bush

1096
00:55:49,800 --> 00:55:53,240
Speaker 2: league entertainment kind of. Shit, Like i'm gonna be completely

1097
00:55:53,280 --> 00:55:55,880
Speaker 2: honest with, Y'ALL i didn't know people looked at it like.

1098
00:55:55,920 --> 00:55:59,600
Speaker 2: That i'm in some intellectual circles and, sometimes you, Know

1099
00:55:59,680 --> 00:56:04,520
Speaker 2: i'll even bring the podcast up sometimes and. Nobody i've

1100
00:56:04,560 --> 00:56:07,560
Speaker 2: never bumped into anyone that watches, it And i'm gonna say,

1101
00:56:07,600 --> 00:56:09,560
Speaker 2: that BUT i know a lot of people watch, it

1102
00:56:09,800 --> 00:56:11,879
Speaker 2: and that's how big the world. Is you may never

1103
00:56:11,920 --> 00:56:14,360
Speaker 2: bump into one of my, fans but people are one

1104
00:56:14,440 --> 00:56:17,960
Speaker 2: hundred percent watching the. Show BUT i never knew that

1105
00:56:18,080 --> 00:56:22,279
Speaker 2: people viewed The Joe Buddon podcast outside of like the

1106
00:56:22,360 --> 00:56:25,120
Speaker 2: hip hop of the. WORLD i never knew they looked

1107
00:56:25,160 --> 00:56:28,759
Speaker 2: at it with such a stench and such a red, eye, like,

1108
00:56:29,200 --> 00:56:31,799
Speaker 2: uh that shit over, There why Is mark even up?

1109
00:56:31,840 --> 00:56:32,040
Speaker 1: There?

1110
00:56:32,560 --> 00:56:34,880
Speaker 2: NOW i think if we start back to have That

1111
00:56:34,960 --> 00:56:38,200
Speaker 2: Joe budden And charlemagne. Conversation this is What charlomagne has

1112
00:56:38,239 --> 00:56:41,200
Speaker 2: a lot more respecting points in this world over, here,

1113
00:56:42,000 --> 00:56:44,600
Speaker 2: Right because they look At charlemagne and they, say let's

1114
00:56:44,600 --> 00:56:47,239
Speaker 2: have the. Conversation they look At joe and it's, like

1115
00:56:48,280 --> 00:56:50,560
Speaker 2: why Is mark even next to. Them let's take a

1116
00:56:50,560 --> 00:56:52,719
Speaker 2: look at this video from The Native Pard we're not

1117
00:56:52,760 --> 00:56:55,879
Speaker 2: gonna play the entire. Podcast please go watch this show

1118
00:56:55,920 --> 00:56:57,600
Speaker 2: if you're listening to. This if you're looking at this,

1119
00:56:57,760 --> 00:57:01,640
Speaker 2: video they have a podcast that it's under iHeart as.

1120
00:57:01,680 --> 00:57:04,920
Speaker 2: Well they responded To mark Lamont, hill which is a

1121
00:57:04,960 --> 00:57:08,520
Speaker 2: friend of the, show to a lot of these women

1122
00:57:09,160 --> 00:57:11,840
Speaker 2: and these guys that are on this. Show they responded

1123
00:57:11,880 --> 00:57:14,440
Speaker 2: to him getting into it With queen's flip on The

1124
00:57:14,520 --> 00:57:16,680
Speaker 2: Joe budden. Podcast let's take a look at what they

1125
00:57:16,680 --> 00:57:18,720
Speaker 2: said on The Native land. Podcast pay.

1126
00:57:18,760 --> 00:57:20,360
Speaker 1: ATTENTION i Thought.

1127
00:57:20,360 --> 00:57:24,480
Speaker 11: Mark Lamont hill handled himself so incredibly, well sitting across

1128
00:57:24,480 --> 00:57:27,680
Speaker 11: from a full blown temper tantrum from a grown. Man

1129
00:57:27,880 --> 00:57:32,400
Speaker 11: there seems to be the death of black, intellectualism particularly

1130
00:57:32,440 --> 00:57:35,680
Speaker 11: when it comes to who has a microphone and viral

1131
00:57:35,720 --> 00:57:39,280
Speaker 11: clips like this take up so much space to. Me

1132
00:57:39,560 --> 00:57:45,120
Speaker 11: it was clear that his co host felt, small and you,

1133
00:57:45,160 --> 00:57:47,760
Speaker 11: know even him saying you use tricky, words And mark

1134
00:57:47,840 --> 00:57:50,760
Speaker 11: responding WITH i use words that are tricky to, you.

1135
00:57:51,040 --> 00:57:53,120
Speaker 3: Not about like it Wasn't, mark he didn't do.

1136
00:57:53,160 --> 00:57:56,520
Speaker 11: Anything and if someone is so small that you can't

1137
00:57:56,640 --> 00:57:59,840
Speaker 11: articulate your point without throwing a temper tantrum or in

1138
00:58:00,000 --> 00:58:04,440
Speaker 11: resulting another, Person i'm happy That mark showed both tides that,

1139
00:58:04,520 --> 00:58:07,120
Speaker 11: Yes i'm an, intellectual but don't give up in this,

1140
00:58:07,200 --> 00:58:09,800
Speaker 11: studio you, Know AND i think it's important for people

1141
00:58:09,840 --> 00:58:13,520
Speaker 11: to see that, yes you can still be an intellectual

1142
00:58:14,000 --> 00:58:18,280
Speaker 11: and demand your. Respect that doesn't make you. Soft i'm concerned,

1143
00:58:18,360 --> 00:58:21,360
Speaker 11: though in our community because when you look at the

1144
00:58:21,680 --> 00:58:25,160
Speaker 11: just the plain, data you can take my perspectives out of,

1145
00:58:25,200 --> 00:58:29,800
Speaker 11: it there seems to be an. EROSION i don't consider

1146
00:58:29,800 --> 00:58:32,680
Speaker 11: myself a member of the black intellectual. Class we're in

1147
00:58:32,680 --> 00:58:34,560
Speaker 11: a space we're telling people it's a time for reading

1148
00:58:34,600 --> 00:58:40,120
Speaker 11: books is considered, elitist and it's just frustrating to. Me

1149
00:58:40,520 --> 00:58:43,560
Speaker 11: AND i have to, Say i'm sure we'll disagree, here

1150
00:58:44,160 --> 00:58:46,080
Speaker 11: or maybe we won't, disagree BUT i hope there are

1151
00:58:46,080 --> 00:58:49,360
Speaker 11: different perspectives than. Mine BECAUSE i have to SAY i

1152
00:58:49,400 --> 00:58:51,840
Speaker 11: am one of those. PEOPLE i do not respect everybody's

1153
00:58:51,880 --> 00:58:55,640
Speaker 11: opinion the more like just because you have a, MICROPHONE

1154
00:58:55,760 --> 00:58:59,160
Speaker 11: i don't always respect your. Opinion this guy who's, TALKING

1155
00:58:59,240 --> 00:59:02,640
Speaker 11: i don't respect his. OPINION I, andrew we. Talked i'm Not,

1156
00:59:02,760 --> 00:59:05,280
Speaker 11: MARY i don't have. Children If i'm giving you advice on,

1157
00:59:05,360 --> 00:59:07,480
Speaker 11: either it's totally fine for you to, say what are

1158
00:59:07,480 --> 00:59:09,760
Speaker 11: you basing this? On where did you get that information?

1159
00:59:09,880 --> 00:59:12,000
Speaker 11: From And i'm not going to be offended by you

1160
00:59:12,080 --> 00:59:14,360
Speaker 11: asking me, that because even IF i might be, right

1161
00:59:14,720 --> 00:59:16,640
Speaker 11: you don't have to respect my. OPINION i don't respect

1162
00:59:16,640 --> 00:59:19,560
Speaker 11: everybody's opinion on. Politics you might be right on, OCCASION

1163
00:59:19,760 --> 00:59:22,960
Speaker 11: i don't respect your. Opinion SO i just think in

1164
00:59:23,000 --> 00:59:26,160
Speaker 11: this environment of these viral, Clips i'm curious y'all take

1165
00:59:26,200 --> 00:59:27,760
Speaker 11: on all of this BECAUSE i don't want to make

1166
00:59:27,760 --> 00:59:30,880
Speaker 11: it just About. Mark But mark is there because people

1167
00:59:30,920 --> 00:59:33,400
Speaker 11: turn their back on. Him mark should not be on this.

1168
00:59:33,480 --> 00:59:36,080
Speaker 11: Podcast he gets the opportunity to talk to. People But

1169
00:59:36,120 --> 00:59:38,320
Speaker 11: mark should still be AT. Cnn if you ask my,

1170
00:59:38,360 --> 00:59:41,439
Speaker 11: Opinion mark should have had a contract soon as ceing

1171
00:59:41,480 --> 00:59:43,400
Speaker 11: this every letting you. Go somebody should have Snatched mark

1172
00:59:43,520 --> 00:59:46,280
Speaker 11: up and said. That AND i just think they put

1173
00:59:46,640 --> 00:59:50,360
Speaker 11: dumb people ON tv sometimes just because you have more

1174
00:59:50,560 --> 00:59:53,960
Speaker 11: likes than, followers and they don't celebrate our. Intellectualism SO

1175
00:59:54,200 --> 00:59:54,720
Speaker 11: i leave it.

1176
00:59:54,760 --> 00:59:56,200
Speaker 3: There i'd love to hear y'all.

1177
00:59:56,280 --> 00:59:59,920
Speaker 12: THOUGHTS i Heard tiff at the outset say that she

1178
01:00:00,040 --> 01:00:06,240
Speaker 12: he thought That mark handled himself well in the, exchange

1179
01:00:07,000 --> 01:00:10,240
Speaker 12: AND i can't tell you all how MUCH i cringe

1180
01:00:11,720 --> 01:00:17,480
Speaker 12: looking at that. EXCHANGE i have been in, conversation in

1181
01:00:17,600 --> 01:00:21,200
Speaker 12: relationship with people that take you completely off of your

1182
01:00:21,240 --> 01:00:24,160
Speaker 12: square and who you, are who you have evolved out.

1183
01:00:24,200 --> 01:00:28,520
Speaker 12: Of AND i, think for, me what's, frustrating and this

1184
01:00:28,560 --> 01:00:31,520
Speaker 12: is something THAT i would tell our friend as, well

1185
01:00:32,920 --> 01:00:36,920
Speaker 12: IS i never want anybody to take take any of

1186
01:00:37,000 --> 01:00:39,520
Speaker 12: us off of our, square but particularly not. Him he

1187
01:00:39,640 --> 01:00:42,480
Speaker 12: just has so much to the world, now that's so

1188
01:00:42,560 --> 01:00:44,480
Speaker 12: much to add to the. World, Now i'll say the

1189
01:00:44,520 --> 01:00:49,240
Speaker 12: first to call myself sophistic ratchet all day, Long all day,

1190
01:00:49,240 --> 01:00:51,920
Speaker 12: LONG i believe in you, know both, sides like you

1191
01:00:52,000 --> 01:00:54,040
Speaker 12: might depending on the mood you might if you If

1192
01:00:54,040 --> 01:00:54,760
Speaker 12: i'm feeling.

1193
01:00:54,520 --> 01:00:55,120
Speaker 1: FROGGY i might.

1194
01:00:55,240 --> 01:00:59,400
Speaker 12: Leap but WHAT i don't like IS i know firsthand

1195
01:00:59,520 --> 01:01:03,680
Speaker 12: that the founder Of Uncle bobby's that's striving to ensure

1196
01:01:03,800 --> 01:01:06,360
Speaker 12: that black folks can read in a neighborhood that he,

1197
01:01:06,520 --> 01:01:10,560
Speaker 12: loves And, philly the same person that's creating black jobs

1198
01:01:10,560 --> 01:01:13,680
Speaker 12: and providing opportunity for our folks doesn't want to show

1199
01:01:13,720 --> 01:01:16,960
Speaker 12: up that way for, himself for his, family first, kids for.

1200
01:01:17,080 --> 01:01:21,440
Speaker 12: Anybody and so WHAT i really want to ask us

1201
01:01:21,440 --> 01:01:25,800
Speaker 12: to consider is how do we resolve conflict when things

1202
01:01:25,840 --> 01:01:30,880
Speaker 12: are heated without name, calling without attacking someone's intellect or lack.

1203
01:01:30,920 --> 01:01:35,000
Speaker 12: THEREOF i think that we can lovingly challenge people to

1204
01:01:35,120 --> 01:01:40,400
Speaker 12: rise up without calling them them or anti. Intellectual, sure

1205
01:01:40,440 --> 01:01:42,840
Speaker 12: it's that is where we, are but is there another

1206
01:01:42,880 --> 01:01:45,160
Speaker 12: way to call people IN i don't think That mark

1207
01:01:45,200 --> 01:01:48,280
Speaker 12: should be left holding the bag in this. EXCHANGE i

1208
01:01:48,360 --> 01:01:52,000
Speaker 12: take great issue with that podcast and it's treatment Of,

1209
01:01:52,080 --> 01:01:54,560
Speaker 12: mark AND i was wondering when when he was gonna

1210
01:01:54,600 --> 01:01:57,520
Speaker 12: when he was gonna. Snap you, know there's another clip

1211
01:01:57,560 --> 01:02:03,600
Speaker 12: THAT i don't know if you all, saw Where mark

1212
01:02:03,720 --> 01:02:07,960
Speaker 12: announces very vulnerably that he's lost almost all of his

1213
01:02:08,120 --> 01:02:11,960
Speaker 12: colleagues that were reporting In, gaza and by, LOST i

1214
01:02:12,000 --> 01:02:15,800
Speaker 12: mean they are, killed they were they they died in

1215
01:02:15,840 --> 01:02:18,800
Speaker 12: their reporting and trying to be courageous for their very

1216
01:02:18,880 --> 01:02:22,440
Speaker 12: vulnerably he's lost all his. People And Joe buden's transition

1217
01:02:22,680 --> 01:02:24,600
Speaker 12: not this other. GUY i don't know the everybody's, name

1218
01:02:24,640 --> 01:02:26,880
Speaker 12: but not this other. Guy Joe budden's transition is like

1219
01:02:27,440 --> 01:02:31,000
Speaker 12: and young, thug like just no mention of like are you?

1220
01:02:31,120 --> 01:02:32,480
Speaker 1: Okay how do you?

1221
01:02:32,600 --> 01:02:34,640
Speaker 3: Feel who was lost this?

1222
01:02:34,720 --> 01:02:35,520
Speaker 1: Week how did they?

1223
01:02:35,600 --> 01:02:36,680
Speaker 4: Die just like just like.

1224
01:02:36,800 --> 01:02:41,280
Speaker 12: Nothing so two tips point around. Curiosity if you can't find,

1225
01:02:41,320 --> 01:02:45,960
Speaker 12: curiosity find. Sympathy if you can't find, sympathy find. Empathy

1226
01:02:46,000 --> 01:02:49,440
Speaker 12: if you can't find, empathy find. Compassion we say on this,

1227
01:02:49,480 --> 01:02:52,240
Speaker 12: show welcome, home and we mean, that of, Course mark

1228
01:02:52,320 --> 01:02:54,200
Speaker 12: is welcome. ANYTIME i don't know about the rest of,

1229
01:02:54,280 --> 01:02:57,560
Speaker 12: them BUT i will just, say you, KNOW i don't

1230
01:02:57,560 --> 01:03:01,680
Speaker 12: think that that means that we should be foreclosed to

1231
01:03:01,800 --> 01:03:03,960
Speaker 12: having discussions that are tough or where we don't think

1232
01:03:03,960 --> 01:03:05,640
Speaker 12: people are peers or we're on the same.

1233
01:03:05,720 --> 01:03:09,680
Speaker 2: Level so you Hear angela basically, saying, yo we can have.

1234
01:03:09,800 --> 01:03:14,080
Speaker 2: Conversation she's not neglecting the fact that conversations need to

1235
01:03:14,120 --> 01:03:16,680
Speaker 2: be head across all fields and we need to cover all.

1236
01:03:16,800 --> 01:03:19,880
Speaker 2: Holes and SO i think that's one of the things

1237
01:03:19,920 --> 01:03:23,360
Speaker 2: that maybe needs to be looked at a little. Deeper is, That,

1238
01:03:23,480 --> 01:03:25,640
Speaker 2: yo we can't divide each other in a way where

1239
01:03:25,680 --> 01:03:29,280
Speaker 2: we won't even speak with one. Another the young lady

1240
01:03:29,320 --> 01:03:32,240
Speaker 2: Before angela salute The. ANGELA i love what she. Does

1241
01:03:32,680 --> 01:03:36,120
Speaker 2: the young lady before her spoke to we Failed mark

1242
01:03:36,200 --> 01:03:39,520
Speaker 2: Lamont hill and he ended up On Joe budden podcast

1243
01:03:39,600 --> 01:03:40,480
Speaker 2: because we failed.

1244
01:03:40,520 --> 01:03:40,600
Speaker 3: It.

1245
01:03:40,680 --> 01:03:43,360
Speaker 2: Man she's speaking as a culture like he ended up

1246
01:03:43,400 --> 01:03:46,160
Speaker 2: being a trash man or something like he ended up

1247
01:03:46,160 --> 01:03:48,880
Speaker 2: being over there working at the Graveyard shield was something.

1248
01:03:48,960 --> 01:03:51,600
Speaker 2: Like the way that they framed it was so alarm

1249
01:03:51,680 --> 01:03:54,040
Speaker 2: in the me and not even they let me not say.

1250
01:03:54,080 --> 01:03:57,080
Speaker 2: THEY i want to be politically. Correct angela rad says

1251
01:03:57,120 --> 01:03:59,760
Speaker 2: she's had great issue with that, show and the other

1252
01:03:59,840 --> 01:04:02,360
Speaker 2: young lady straight up just, say, yo he should not be.

1253
01:04:02,520 --> 01:04:05,440
Speaker 2: THERE i try to put myself in that scenario and ask,

1254
01:04:05,560 --> 01:04:08,440
Speaker 2: myself all, right If I'm, ANGELA Rai mark La montheel

1255
01:04:08,520 --> 01:04:10,560
Speaker 2: is my. Friend and the only two clips of this

1256
01:04:10,720 --> 01:04:14,440
Speaker 2: Podcast i've seen is the one where he completely ignored

1257
01:04:14,520 --> 01:04:17,320
Speaker 2: him losing his, colleagues and maybe this, one and IF

1258
01:04:17,320 --> 01:04:20,000
Speaker 2: i have no other footprint, UP i have no other

1259
01:04:20,120 --> 01:04:24,040
Speaker 2: understanding about what goes on in The Joe budden, podcast

1260
01:04:24,120 --> 01:04:26,880
Speaker 2: then MAYBE i can see how they have such vitry

1261
01:04:26,960 --> 01:04:28,920
Speaker 2: off For joe and what they believe him to be.

1262
01:04:29,000 --> 01:04:31,720
Speaker 2: Doing To Mark lamntheel as it pertains to his brand

1263
01:04:31,720 --> 01:04:34,400
Speaker 2: and what he's built up over the last twenty. Years,

1264
01:04:35,000 --> 01:04:37,280
Speaker 2: Right he's been a name over the last twenty years

1265
01:04:37,320 --> 01:04:40,680
Speaker 2: of very trusted source for black people as it pertains

1266
01:04:40,720 --> 01:04:44,040
Speaker 2: to most. Topics AND i say, that you, KNOW i

1267
01:04:44,120 --> 01:04:46,240
Speaker 2: say that coming from The, south and he's not even

1268
01:04:46,280 --> 01:04:49,040
Speaker 2: from The. South he doesn't even speak on The south.

1269
01:04:49,160 --> 01:04:52,320
Speaker 2: Much but you, Know mark la monthel is a name

1270
01:04:52,360 --> 01:04:56,080
Speaker 2: that has been held in high. Regard BUT i also

1271
01:04:56,120 --> 01:04:57,680
Speaker 2: want to be clear on the other side of that,

1272
01:04:57,800 --> 01:05:01,080
Speaker 2: coin you have A Mark lamontheel that the EPISODES i

1273
01:05:01,160 --> 01:05:04,600
Speaker 2: have called of The Joe Budden podcast BECAUSE i don't

1274
01:05:04,640 --> 01:05:07,080
Speaker 2: watch every, WEEK i don't watch all the, time but

1275
01:05:07,440 --> 01:05:10,280
Speaker 2: the ones THAT i have, called in particular this last,

1276
01:05:10,280 --> 01:05:13,280
Speaker 2: ONE i noticed That mark Lamont hill and not even

1277
01:05:13,320 --> 01:05:16,800
Speaker 2: in just this last, one But Mark Lamont hill is

1278
01:05:16,880 --> 01:05:20,040
Speaker 2: leading a lot of these. Topics he's the person that's

1279
01:05:20,080 --> 01:05:22,840
Speaker 2: positioning a lot of these narratives and having a lot

1280
01:05:22,840 --> 01:05:28,720
Speaker 2: of these conversations in particular about relationships and infidelity and divorced,

1281
01:05:28,760 --> 01:05:33,600
Speaker 2: settlements and you, know things that are non traditional for

1282
01:05:33,680 --> 01:05:36,720
Speaker 2: what these intellectual people speak, about AND i think that

1283
01:05:36,800 --> 01:05:40,440
Speaker 2: needs to be highlighted as. Well and also not looking

1284
01:05:40,520 --> 01:05:43,640
Speaker 2: down on. RIGHT i think we can have conversations on

1285
01:05:43,760 --> 01:05:49,040
Speaker 2: both sides of the. Spectrum damn this, simultaneously not on

1286
01:05:49,120 --> 01:05:52,000
Speaker 2: the same, mics but at the same time in different,

1287
01:05:52,040 --> 01:05:55,040
Speaker 2: areas and we should be able to cross collaborate and

1288
01:05:55,080 --> 01:05:57,280
Speaker 2: cross promote some of those. THINGS i, mean it was

1289
01:05:57,280 --> 01:06:01,720
Speaker 2: a reason Why Elon mussel come and sit With. Thevonne Donald,

1290
01:06:01,720 --> 01:06:04,160
Speaker 2: trump the president of The United, states that comes sit

1291
01:06:04,240 --> 01:06:08,360
Speaker 2: with the ovonn and he ain't speaking. Intellectual he has

1292
01:06:08,400 --> 01:06:11,800
Speaker 2: an audience of people who understands his. Language and so

1293
01:06:12,000 --> 01:06:14,040
Speaker 2: IF i have to dumb it down to reach my,

1294
01:06:14,160 --> 01:06:17,040
Speaker 2: people that's What i'll. DO i need to understand what

1295
01:06:17,120 --> 01:06:21,080
Speaker 2: makes black people in certain sectors of this content world

1296
01:06:21,080 --> 01:06:26,160
Speaker 2: believe that they're more influential than the entire political, movement because,

1297
01:06:26,200 --> 01:06:29,080
Speaker 2: again the presidents come and sit down with people who

1298
01:06:29,120 --> 01:06:33,840
Speaker 2: wouldn't necessarily ace the bar exam or get a PERFECT sat.

1299
01:06:34,120 --> 01:06:36,760
Speaker 2: Score but at the end of the, day some of

1300
01:06:36,760 --> 01:06:39,240
Speaker 2: these people are. Effective AND i think if we're all

1301
01:06:39,280 --> 01:06:42,360
Speaker 2: black people and we all care about black, People i'm not,

1302
01:06:42,400 --> 01:06:45,320
Speaker 2: sure we need to have that level of why Is

1303
01:06:45,440 --> 01:06:48,880
Speaker 2: mark even, now because, again some of my content lives

1304
01:06:48,920 --> 01:06:51,240
Speaker 2: in that, niche and SO i have to be careful

1305
01:06:51,280 --> 01:06:52,440
Speaker 2: about how they framed that.

1306
01:06:52,520 --> 01:06:53,440
Speaker 1: NICHE i never.

1307
01:06:53,320 --> 01:06:56,320
Speaker 2: Knew they looked at this niche that some of our

1308
01:06:56,400 --> 01:07:00,520
Speaker 2: content lives in this. Way and of COURSE i don't

1309
01:07:00,520 --> 01:07:03,400
Speaker 2: put myself where they are BECAUSE i don't do the degenerate, shit.

1310
01:07:03,560 --> 01:07:06,440
Speaker 2: RIGHT i have conversations for the most, part but at

1311
01:07:06,440 --> 01:07:08,640
Speaker 2: the end of the, DAY i think that it's a

1312
01:07:08,760 --> 01:07:12,240
Speaker 2: very slippery slope that were when black people start to

1313
01:07:12,360 --> 01:07:15,880
Speaker 2: devalue black, PEOPLE i think we're entered into a dangerous.

1314
01:07:16,320 --> 01:07:20,360
Speaker 2: Place and ALSO i Seen Mark Lamont hill try to

1315
01:07:20,440 --> 01:07:24,200
Speaker 2: defend what they said About joe and this platform on

1316
01:07:24,320 --> 01:07:26,320
Speaker 2: The Joe butten. Podcast let's take a look at a

1317
01:07:26,360 --> 01:07:27,640
Speaker 2: little bit of that. Clip paying.

1318
01:07:27,640 --> 01:07:29,280
Speaker 1: Attention i'm glad they said a. Lot they said a.

1319
01:07:29,280 --> 01:07:31,160
Speaker 5: Lot i'm preciate if those, Brothers, ANGELA i accept your non.

1320
01:07:31,200 --> 01:07:32,840
Speaker 5: Invitation If i'm somewhere and you, There i'm.

1321
01:07:32,920 --> 01:07:34,760
Speaker 1: Leaving. No i'm a fan Of angela R. T i

1322
01:07:34,760 --> 01:07:36,400
Speaker 1: Think i'm gotta heard Times i'm a fan Of Angela.

1323
01:07:36,440 --> 01:07:39,120
Speaker 1: RYE i just think that in our community there's unity and.

1324
01:07:39,160 --> 01:07:42,040
Speaker 5: Community i'm not not a fan of, her but once

1325
01:07:42,080 --> 01:07:44,040
Speaker 5: we get to our all black, clove we could identify

1326
01:07:44,080 --> 01:07:46,040
Speaker 5: where we, had who's our driving Who i'm.

1327
01:07:46,080 --> 01:07:46,840
Speaker 1: NOT i don't.

1328
01:07:48,200 --> 01:07:49,520
Speaker 5: Let me love black, people AND i think they all

1329
01:07:49,520 --> 01:07:51,920
Speaker 5: care about all of us up. HERE i do sound like.

1330
01:07:52,000 --> 01:07:55,040
Speaker 5: THAT i Know i'm, mean SO i think, first in

1331
01:07:55,160 --> 01:07:57,200
Speaker 5: terms of the title of the, EPISODE i, AGREE i

1332
01:07:57,200 --> 01:07:58,680
Speaker 5: wouldn't title it that BECAUSE i think that doesn't set

1333
01:07:58,680 --> 01:08:00,240
Speaker 5: the table for the kind of conversation we want to

1334
01:08:00,280 --> 01:08:01,440
Speaker 5: have aliens before the.

1335
01:08:01,440 --> 01:08:02,000
Speaker 1: BEGINNING i agree with.

1336
01:08:02,000 --> 01:08:03,440
Speaker 3: THAT i think it is a different.

1337
01:08:03,440 --> 01:08:09,280
Speaker 5: One it just appears a little like. You they like

1338
01:08:09,320 --> 01:08:12,280
Speaker 5: you are their, friend, right so they invested in a

1339
01:08:12,320 --> 01:08:14,080
Speaker 5: you and flip back and forth AND i guess you'r

1340
01:08:14,080 --> 01:08:15,160
Speaker 5: are on this, podcast but he's behind the.

1341
01:08:15,160 --> 01:08:17,120
Speaker 1: People it wasn't made, like why IS i even attached

1342
01:08:17,120 --> 01:08:17,599
Speaker 1: to what evidence?

1343
01:08:17,680 --> 01:08:17,760
Speaker 3: Is?

1344
01:08:17,920 --> 01:08:18,240
Speaker 1: One and?

1345
01:08:18,240 --> 01:08:19,800
Speaker 5: Two why would you want to cast that type of?

1346
01:08:19,880 --> 01:08:21,680
Speaker 5: Light because also they showed that other clip where you

1347
01:08:21,680 --> 01:08:23,000
Speaker 5: are where you were saying invest in peace to your,

1348
01:08:23,000 --> 01:08:24,559
Speaker 5: friends to your friends long and we handled it very.

1349
01:08:24,560 --> 01:08:27,559
Speaker 5: POORLY i admit we handle. THAT i NOT i handled

1350
01:08:27,560 --> 01:08:29,360
Speaker 5: that very. Poorly but, again don't tell me that you

1351
01:08:29,439 --> 01:08:31,000
Speaker 5: are pro black and then want to highlight the very

1352
01:08:31,080 --> 01:08:33,200
Speaker 5: very very worst of the best black podcast that there.

1353
01:08:33,240 --> 01:08:34,640
Speaker 5: Is i'm just not buying the words and actually need to.

1354
01:08:34,640 --> 01:08:37,680
Speaker 5: Align it's not trust trust your. Friends, yeah it is

1355
01:08:37,680 --> 01:08:39,599
Speaker 5: a, DIFFERENT i, mean a dear, different and she cares about,

1356
01:08:39,600 --> 01:08:41,320
Speaker 5: me and SO i think we're going to be passionate

1357
01:08:41,320 --> 01:08:44,559
Speaker 5: in defense of my, friends and that might become the top.

1358
01:08:44,560 --> 01:08:45,080
Speaker 1: Priority SO i.

1359
01:08:45,320 --> 01:08:46,960
Speaker 5: DO i do understand that and intifinity all of them

1360
01:08:47,000 --> 01:08:52,240
Speaker 5: friends and as a close friend fuck. Out SO i

1361
01:08:52,240 --> 01:08:53,720
Speaker 5: think that's part of it as. WELL i heard their

1362
01:08:53,720 --> 01:08:56,720
Speaker 5: comments a little more Knew ice than. That WHAT i

1363
01:08:56,720 --> 01:08:58,439
Speaker 5: Heard tiffany say was when she was pushed on it

1364
01:08:58,479 --> 01:09:00,360
Speaker 5: Was i'm not saying people shouldn't be everywhere Can she just,

1365
01:09:00,360 --> 01:09:01,800
Speaker 5: said that's not my. MINISTRY i don't want to be

1366
01:09:01,800 --> 01:09:03,960
Speaker 5: in those. SPACES i think everybody recognizes that those that

1367
01:09:03,960 --> 01:09:05,080
Speaker 5: we have to be in all this. Space we shouldn't

1368
01:09:05,080 --> 01:09:06,719
Speaker 5: just be in. Academy we should't be on mainstream legacy.

1369
01:09:06,720 --> 01:09:08,720
Speaker 5: Medium we SHOULD i don't think they're SAYING i shouldn't be.

1370
01:09:08,760 --> 01:09:10,080
Speaker 5: HERE i think they SAYING i shouldn't be here if

1371
01:09:10,080 --> 01:09:12,080
Speaker 5: it's not. Healthy you later really, no me FISH i

1372
01:09:12,080 --> 01:09:13,519
Speaker 5: shouldn't here at. Heat Dam, Me i'm not going to

1373
01:09:13,600 --> 01:09:14,840
Speaker 5: let you line what you. Said i'm simply said you

1374
01:09:14,840 --> 01:09:17,080
Speaker 5: should not be, here Right. Bati that's not mean. Freestyle

1375
01:09:17,200 --> 01:09:18,240
Speaker 5: i'm win, you but just if to say That flip

1376
01:09:18,240 --> 01:09:19,200
Speaker 5: shouldn't be hurt and that's.

1377
01:09:19,240 --> 01:09:19,559
Speaker 1: You heere What i'm.

1378
01:09:19,560 --> 01:09:21,080
Speaker 5: Saying there was a push, back and But i'm, saying

1379
01:09:21,080 --> 01:09:22,120
Speaker 5: by the end of the, CONVERSATION i think what they

1380
01:09:22,160 --> 01:09:23,479
Speaker 5: were trying to say that there wasn't. Communicated, WELL i

1381
01:09:23,520 --> 01:09:25,080
Speaker 5: agree with you WAS i shouldn't be here if it's

1382
01:09:25,080 --> 01:09:27,000
Speaker 5: not safe or healthy or. PRODUCTIVE i think the problem

1383
01:09:27,040 --> 01:09:28,640
Speaker 5: is if you don't watch the show fully you from the,

1384
01:09:28,640 --> 01:09:30,040
Speaker 5: clips you might think, that but you want to show

1385
01:09:30,040 --> 01:09:31,120
Speaker 5: you realize that it's. Not and that's WHAT i think

1386
01:09:31,120 --> 01:09:32,280
Speaker 5: we have To we have to watch more study one

1387
01:09:32,280 --> 01:09:33,360
Speaker 5: That YAIN i think pe of that just put the

1388
01:09:33,760 --> 01:09:36,160
Speaker 5: being protective of of your. FRIENDS i agree that some

1389
01:09:36,200 --> 01:09:38,360
Speaker 5: spaces aren't worth being. IN i agree with that whole,

1390
01:09:38,360 --> 01:09:39,840
Speaker 5: hardly as DO. I, YEAH i don't think it's one of,

1391
01:09:39,840 --> 01:09:41,160
Speaker 5: them as DO. I but BUT i do think that

1392
01:09:41,160 --> 01:09:42,960
Speaker 5: there are, spaces AND i think that's the point they're.

1393
01:09:42,960 --> 01:09:44,439
Speaker 5: MAKING i just disagree with the now isis that this

1394
01:09:44,520 --> 01:09:45,880
Speaker 5: is one of those. Spaces that's that's ALL i want to.

1395
01:09:45,880 --> 01:09:47,240
Speaker 5: Say and, FINALLY i agree with one hundred percent of

1396
01:09:47,240 --> 01:09:48,719
Speaker 5: the last. Point and this is not about The native,

1397
01:09:48,760 --> 01:09:52,040
Speaker 5: lampid but it's about all these. Places is a lot

1398
01:09:52,080 --> 01:09:53,519
Speaker 5: of people who say to, me why are you up?

1399
01:09:53,520 --> 01:09:54,080
Speaker 5: THERE i give the two.

1400
01:09:54,080 --> 01:09:54,280
Speaker 1: REASONS.

1401
01:09:54,360 --> 01:09:55,439
Speaker 5: R one IS i actually think this is a healthy

1402
01:09:55,439 --> 01:09:56,920
Speaker 5: and good three reasons WHY i enjoy it. TOO i

1403
01:09:56,920 --> 01:09:58,320
Speaker 5: think it's a healthy and good environment for me to

1404
01:09:58,400 --> 01:09:59,960
Speaker 5: have these. Conversations i'm talking to people and in convers

1405
01:10:00,080 --> 01:10:02,120
Speaker 5: before time of the. Audience and the third like up

1406
01:10:02,120 --> 01:10:04,200
Speaker 5: to your, point LIKE i gots ever seeing it in

1407
01:10:04,240 --> 01:10:04,640
Speaker 5: twenty and.

1408
01:10:04,640 --> 01:10:08,880
Speaker 1: Eighteen it's only.

1409
01:10:09,000 --> 01:10:11,400
Speaker 2: As much AS i Like Mark Lamont, heels a part

1410
01:10:11,439 --> 01:10:15,639
Speaker 2: of me believes that he believes that he's better than

1411
01:10:15,680 --> 01:10:20,599
Speaker 2: being up. THERE i, mean it should be one flat out.

1412
01:10:21,120 --> 01:10:24,920
Speaker 2: Yo these are black, People like we're all black people

1413
01:10:25,240 --> 01:10:26,840
Speaker 2: at the end of the. Day and that's WHY i

1414
01:10:26,880 --> 01:10:31,160
Speaker 2: appreciate any of the intellectuals when we have conversation and

1415
01:10:31,240 --> 01:10:33,559
Speaker 2: things of that, nature is Because i'm always telling, them,

1416
01:10:33,640 --> 01:10:36,080
Speaker 2: like let's not shut the door on the rest of

1417
01:10:36,160 --> 01:10:38,439
Speaker 2: our little. Brothers we have a long way to. Go

1418
01:10:38,520 --> 01:10:40,519
Speaker 2: we got a lot of work to. Do you, know

1419
01:10:40,680 --> 01:10:43,040
Speaker 2: sometimes when you a scholar, man you will talk your

1420
01:10:43,080 --> 01:10:46,080
Speaker 2: way into some things and believe you can talk your

1421
01:10:46,120 --> 01:10:48,880
Speaker 2: way out of some, things and sometimes you're just digging

1422
01:10:48,920 --> 01:10:51,080
Speaker 2: a deeper. Hole if it was me AND i markling my,

1423
01:10:51,160 --> 01:10:54,280
Speaker 2: HEEL i can't wrap my mind around while somebody will

1424
01:10:54,320 --> 01:10:57,320
Speaker 2: say he shouldn't be up. There there's no way for

1425
01:10:57,400 --> 01:11:00,519
Speaker 2: me to even have that. Conversation and, again and it's

1426
01:11:00,640 --> 01:11:05,200
Speaker 2: the way they framed, it saying that we failed markla my,

1427
01:11:05,360 --> 01:11:08,280
Speaker 2: heel like why is he even up? There it's like

1428
01:11:08,760 --> 01:11:11,120
Speaker 2: that was mind blowing to me because USUALLY i don't

1429
01:11:11,120 --> 01:11:13,640
Speaker 2: speak about these, things BUT i had to come and

1430
01:11:13,680 --> 01:11:17,480
Speaker 2: say something about that BECAUSE i just think that's that's nonproductive.

1431
01:11:17,520 --> 01:11:20,320
Speaker 2: BEHAVIOR i think we have an opportunity to work together

1432
01:11:20,720 --> 01:11:24,360
Speaker 2: the influence that the entire market. Possesses if we work,

1433
01:11:24,479 --> 01:11:30,040
Speaker 2: together we can make, monumental actionable. Changes and if we

1434
01:11:30,120 --> 01:11:33,360
Speaker 2: continue to marginalize each other and, Say, yo they're too

1435
01:11:33,479 --> 01:11:36,120
Speaker 2: dumb to sit at this table or they're too geeked

1436
01:11:36,160 --> 01:11:38,479
Speaker 2: out to sit at the cool, table we do all

1437
01:11:38,520 --> 01:11:41,120
Speaker 2: of the culture of this. Service and SO i just

1438
01:11:41,160 --> 01:11:43,920
Speaker 2: wanted to make that. Clear, well Markle my. Heel you

1439
01:11:43,920 --> 01:11:45,960
Speaker 2: shouldn't have responded to, this. Bro you should have just

1440
01:11:46,040 --> 01:11:48,040
Speaker 2: let them do whatever they were. DOING i don't have

1441
01:11:48,160 --> 01:11:51,679
Speaker 2: no conversation for, it you, know because what will happen

1442
01:11:51,840 --> 01:11:54,000
Speaker 2: is when it's all said and, Done these are the

1443
01:11:54,040 --> 01:11:56,840
Speaker 2: moments they're gonna look back on and they're gonna, say you,

1444
01:11:56,880 --> 01:11:59,519
Speaker 2: See mark was never all. In you see how you defended,

1445
01:11:59,560 --> 01:12:01,479
Speaker 2: Them you see how he said this and said. That

1446
01:12:01,840 --> 01:12:05,480
Speaker 2: because Maybe mark believes he should be somewhere ELSE cnn,

1447
01:12:05,560 --> 01:12:09,000
Speaker 2: still you, know maybe if someone really has a conversation

1448
01:12:09,120 --> 01:12:11,640
Speaker 2: With mark and ask him a straight, question do you

1449
01:12:11,800 --> 01:12:14,439
Speaker 2: believe you should still be AT? CNN i believe the

1450
01:12:15,080 --> 01:12:18,479
Speaker 2: answer to that question is, yes he thinks he should

1451
01:12:18,560 --> 01:12:20,960
Speaker 2: still be in mainstream. Media but he ended up on

1452
01:12:21,000 --> 01:12:25,600
Speaker 2: a podcast With. Joe butten people do not respect. That

1453
01:12:26,280 --> 01:12:28,639
Speaker 2: all of the scholars seem to have little respect For Joe.

1454
01:12:28,640 --> 01:12:30,439
Speaker 2: Budden And i'm telling, YOU i didn't know this was

1455
01:12:30,520 --> 01:12:32,800
Speaker 2: to be the. Case and so IF i can say

1456
01:12:32,840 --> 01:12:37,439
Speaker 2: anything to The native Lamd, PARD i would just, say you,

1457
01:12:37,479 --> 01:12:39,519
Speaker 2: know the inner city is part of the city as,

1458
01:12:39,560 --> 01:12:43,599
Speaker 2: well and you know we cannot continue to leave parts

1459
01:12:43,640 --> 01:12:47,080
Speaker 2: of the black story. Behind you, know there's no sense

1460
01:12:47,080 --> 01:12:50,160
Speaker 2: in letting strangers at the, cookout because, see that's the

1461
01:12:50,240 --> 01:12:53,000
Speaker 2: thing THAT i see happened a lot of. Times i've

1462
01:12:53,040 --> 01:12:55,960
Speaker 2: seen us open the. Doors and see if you're asking

1463
01:12:56,000 --> 01:12:58,400
Speaker 2: somebody like me on this side of the, culture BECAUSE

1464
01:12:58,479 --> 01:13:02,360
Speaker 2: i operate in both. Lines BUT i also understand that

1465
01:13:02,400 --> 01:13:05,759
Speaker 2: we cannot afford to just abandon any corner of the black.

1466
01:13:05,840 --> 01:13:09,840
Speaker 2: Experience we just don't have the luxury to abandon any

1467
01:13:10,479 --> 01:13:14,120
Speaker 2: part of the black. Experience and, Also i'll say this

1468
01:13:14,280 --> 01:13:16,839
Speaker 2: to some black. People i've seen us open the doors

1469
01:13:16,880 --> 01:13:19,840
Speaker 2: for white people that make it dance or do the

1470
01:13:19,920 --> 01:13:23,280
Speaker 2: stink it leg before we'll pull a chair for our

1471
01:13:23,320 --> 01:13:27,439
Speaker 2: brothers from the inner. City some of y'all won't have

1472
01:13:27,479 --> 01:13:30,720
Speaker 2: street niggas at the banquet or at the. Cookout you

1473
01:13:30,840 --> 01:13:34,040
Speaker 2: know that word they use On. Twitter, yeah he's invited

1474
01:13:34,120 --> 01:13:37,800
Speaker 2: to the cookout because he got a, fade he got

1475
01:13:37,800 --> 01:13:38,240
Speaker 2: a certain.

1476
01:13:38,280 --> 01:13:39,960
Speaker 1: Haircut now they invite him to the.

1477
01:13:39,960 --> 01:13:43,680
Speaker 2: Cookout but ask, them intellectual people that's having that, cookout

1478
01:13:43,960 --> 01:13:46,280
Speaker 2: is there any room for your black cousin from the

1479
01:13:46,280 --> 01:13:48,680
Speaker 2: inner city that's not Jay. Z, now if it's JAY,

1480
01:13:48,760 --> 01:13:49,840
Speaker 2: z please bring him.

1481
01:13:49,880 --> 01:13:51,639
Speaker 1: In we'll ask some questions all.

1482
01:13:51,720 --> 01:13:55,760
Speaker 2: Night we infatuated but in real, time there is no

1483
01:13:55,800 --> 01:13:58,920
Speaker 2: one looking out for the inner city. Kids AND i

1484
01:13:58,960 --> 01:14:01,960
Speaker 2: think we have a commonsation to have. There but we

1485
01:14:02,040 --> 01:14:04,720
Speaker 2: cannot abandon any part of the black, story AND i

1486
01:14:04,720 --> 01:14:08,120
Speaker 2: would ask that we cease all behavior that is fragmented

1487
01:14:08,200 --> 01:14:12,000
Speaker 2: the black. Experience too many times we hand out, sorryes

1488
01:14:12,080 --> 01:14:15,320
Speaker 2: we hand out thank. You we can work with anyone

1489
01:14:15,479 --> 01:14:19,200
Speaker 2: except each. Other let's not marginalize one. Another it's up that.

1490
01:14:19,320 --> 01:14:21,519
Speaker 2: PODCAST i see y'all in a few. Days let's get.

1491
01:14:21,560 --> 01:14:23,800
Speaker 2: It BUT i just wanted to punch in real quick

1492
01:14:23,840 --> 01:14:26,920
Speaker 2: man and speak to y'all for a second BECAUSE i

1493
01:14:26,920 --> 01:14:29,400
Speaker 2: ain't gonna talk about this on the next. Episode AND

1494
01:14:29,439 --> 01:14:31,479
Speaker 2: i probably gave y'all too. LONG i only wanted to

1495
01:14:31,479 --> 01:14:35,200
Speaker 2: give y'all twenty five. Minutes god, DAMN i get lost

1496
01:14:35,200 --> 01:14:38,040
Speaker 2: in this shit. SOMETIME i really appreciate. Y'ALL i see

1497
01:14:38,120 --> 01:14:40,439
Speaker 2: y'all next. Time it's up that. Podcast make sure you,

1498
01:14:40,520 --> 01:14:43,160
Speaker 2: hear like subscribe and shall let somebody KNOW i was.

1499
01:14:43,200 --> 01:14:46,479
Speaker 1: THERE i seen him do. IT i seen him do.

1500
01:14:46,560 --> 01:14:47,040
Speaker 1: IT i was.

1501
01:14:47,120 --> 01:14:50,479
Speaker 2: There it's up that. PODCAST i love, y'all see y'all

1502
01:14:51,880 --> 01:14:54,639
Speaker 2: a couple of. Days love for shitty

1503
01:15:01,360 --> 01:15:05,280
Speaker 8: Assass