WEBVTT - Finding Her Funny - The Melissa Fumero Interview Part 1

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<v Speaker 1>Hey, everybody, This is Freddy Rodriguez and I'm Wilmer Balderama.

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<v Speaker 1>Welcome to those amigos. Today is a very special, very special,

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<v Speaker 1>very special episode. Yes, because we've never had a dear,

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<v Speaker 1>dear amiga the show, and we want to welcome the

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<v Speaker 1>first ever Amiga, the first ever Amiga Melissa Fromta.

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<v Speaker 2>You know, everybody in the car who's listening in the car.

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<v Speaker 3>I was like, you, we hope you did not.

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<v Speaker 2>Sorry, it's just there's so much that song in this

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<v Speaker 2>well we're so happy.

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<v Speaker 1>Look, you know, I'm gonna lead with this that that

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<v Speaker 1>we don't you know, we don't tend to have guests,

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<v Speaker 1>you know, so when we.

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<v Speaker 4>Have, you were going to say we don't tend to

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<v Speaker 4>have women. I was like, because you hate women.

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<v Speaker 3>Accept me.

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<v Speaker 2>Mouth, I know that, I think, I think.

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<v Speaker 1>Know what what I'm what I'm trying to say is

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<v Speaker 1>is what I'm what I told the very few uh

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<v Speaker 1>friends that.

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<v Speaker 2>Very few women before that.

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<v Speaker 1>You know that when we have a guest, the guest

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<v Speaker 1>has to really represent something that's been special, that has

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<v Speaker 1>been you know, really uh you know, not just memorable,

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<v Speaker 1>but impactful in our lives. So the guests that we

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<v Speaker 1>have are people that are like really individuals that I

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<v Speaker 1>know are not just only like minded, but I can

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<v Speaker 1>provide so much context to the history.

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<v Speaker 3>And you know, also yeah, the female persuasion.

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<v Speaker 2>But we're just so happy.

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<v Speaker 1>And you know, I've told you this before many times,

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<v Speaker 1>but I'll tell you again on the air office that

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<v Speaker 1>you know, I've always admire you so much, and I

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<v Speaker 1>think you're one of the most talented actresses on the planet.

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<v Speaker 1>And from someone who like has done a little bit

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<v Speaker 1>of comedy, a little bit of drama, to talk to

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<v Speaker 1>somebody who has, you know, who has like this same

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<v Speaker 1>amount of expertise and capacity to be so free to

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<v Speaker 1>be dramatic and so free to be comedic. Yeah, it's

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<v Speaker 1>really really really rare in our industry.

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<v Speaker 2>And you process all of that. And by the way,

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<v Speaker 2>you're a beautiful woman.

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<v Speaker 1>You know, you're an incredible mother, and you're an amazing

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<v Speaker 1>producer but also an amazing director. So like to have

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<v Speaker 1>a dear sister of ours coming in.

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<v Speaker 2>Best our show really really excited.

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<v Speaker 1>And also you are the host of another Sister you

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<v Speaker 1>know episode Another Sister a podcast too, you know, to

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<v Speaker 1>the family of Michael Tuda more Better with Stephanie Mitrice

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<v Speaker 1>as well. Who's another one of our sisters too, who

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<v Speaker 1>also by the way, you both of you are like

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<v Speaker 1>just weapons of mass laughter because they you guys are

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<v Speaker 1>just so so you two together is like Laverna Chirley.

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<v Speaker 3>Oh my goodness, thank you so much, so.

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<v Speaker 1>Just so excited, and thank you for accepting our invitation.

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<v Speaker 2>This conversation will be painful, but.

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<v Speaker 3>I dare you.

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<v Speaker 5>Was where are you from?

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<v Speaker 4>I am from New Jersey, from born and bread born

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<v Speaker 4>and bred.

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<v Speaker 3>In New Jersey, northeast, New Jersey.

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<v Speaker 4>By what was formerly Giant Stadium for those who are wondering,

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<v Speaker 4>close ish to Manhattan.

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<v Speaker 3>My parents are Cuban.

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<v Speaker 5>Both Cuban, born in Cuba.

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<v Speaker 4>Both born in Cuba. Came when they were teenagers. When

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<v Speaker 4>my dad came and he was like twelve. My mom

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<v Speaker 4>came and she was fifteen. They were high school sweethearts

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<v Speaker 4>in Cuba. In Jersey, yeah, they met in New Jersey.

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<v Speaker 4>My mom met my dad like very soon after she arrived,

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<v Speaker 4>because she was in New Jersey actually with her dad

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<v Speaker 4>and stepmother while her mom, uh like kind of found

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<v Speaker 4>a place for them in Miami. But then she met

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<v Speaker 4>my dad and it was like a kind of like

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<v Speaker 4>a love at first sight sort of thing, and she

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<v Speaker 4>was like, Mommy, I want to stay I'm at this boy.

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<v Speaker 4>And so then she ended up staying with her dad

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<v Speaker 4>instead of her mom and her stepmom, uh for those

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<v Speaker 4>like high school college years and then they got married

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<v Speaker 4>super young, and yeah, so.

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<v Speaker 5>He was she was destined to go to Miami. She

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<v Speaker 5>was supposed to.

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<v Speaker 4>Ye, she was supposed to go to Miami, but she

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<v Speaker 4>ended up staying in New Jersey.

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<v Speaker 5>What did your grandparents do in Cuba?

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<v Speaker 3>Oh gosh, my.

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<v Speaker 4>On my mom's side, my her dad was a carpenter,

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<v Speaker 4>and I believe her mom and her mom was I

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<v Speaker 4>think just to stay at home.

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<v Speaker 3>Mom.

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<v Speaker 4>The woman, the man that my grandmother ended up marrying

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<v Speaker 4>when she came here was like really my willow.

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<v Speaker 2>Yeah.

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<v Speaker 4>I didn't see my mom's dad that much. He was

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<v Speaker 4>the matre d at Fountain Blue in Miami.

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<v Speaker 6>No.

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<v Speaker 3>And when I was a kid, I thought that was

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<v Speaker 3>so fancy.

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<v Speaker 2>I was like, that was the time.

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<v Speaker 3>That was the time, Like we're.

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<v Speaker 4>Talking like eighties, early nineties like, and I just thought

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<v Speaker 4>it was like so cool, like a very charismatic guy,

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<v Speaker 4>I think until he retired yeah wow.

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<v Speaker 3>Yeah.

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<v Speaker 4>And then my dad's my dad's side of the family.

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<v Speaker 3>I don't know that much about it, to be honest.

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<v Speaker 7>Goshcha, did you ever see your grandfather in action at

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<v Speaker 7>the Fountain Blue.

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<v Speaker 4>I do have a memory of being really little and

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<v Speaker 4>like seeing the lobby and that grand staircase of the

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<v Speaker 4>Fountain Blue, and like seeing him in a suit, But

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<v Speaker 4>I think it was like really quick. Yeah, I never

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<v Speaker 4>liked super ought to see him. It's just like the

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<v Speaker 4>title was cool, you know.

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<v Speaker 7>Yeah, he was almost like an actor and right you

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<v Speaker 7>ever see those matrix.

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<v Speaker 3>And he was. He was so charming.

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<v Speaker 4>He could make me laugh so much as a kid,

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<v Speaker 4>and he was like the sweetest man and he was

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<v Speaker 4>the best.

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<v Speaker 1>Uh, the anyone in your family dabbled in entertainment at all?

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<v Speaker 4>Not entertainment, But my mom's side of the family has

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<v Speaker 4>a lot of visual artists, a lot of painters, a

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<v Speaker 4>lot of sculptors. I have a cousin who was like

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<v Speaker 4>a music prodigy, a couple other cousins that like danced

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<v Speaker 4>so that were younger than me for a while, but no,

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<v Speaker 4>no one in entertainment.

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<v Speaker 3>It was all like visual you paint.

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<v Speaker 4>I did start in painting classes when I was like

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<v Speaker 4>nine and ten.

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<v Speaker 3>I did it for a few years I did the

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<v Speaker 3>Bob Ross technique.

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<v Speaker 2>Wife would be excited to hear that, really.

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<v Speaker 4>Yes, which is like not paint by numbers, but like

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<v Speaker 4>it's very like, you know, it kind of makes like

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<v Speaker 4>anyone can paint a little bit like anyone's or it's

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<v Speaker 4>like those painting studios that people go to, you know,

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<v Speaker 4>they got a certain ways whine and like yay, yeah, yeah.

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<v Speaker 3>Everyone's painting.

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<v Speaker 4>One's good and you're like, everyone can't be that good

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<v Speaker 4>at painting.

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<v Speaker 3>It's like there's a certain tricks. So no, I did not.

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<v Speaker 4>Inherit the family gene, but I did always love like drawing,

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<v Speaker 4>and I wasn't that good at it though, But my

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<v Speaker 4>kid is good.

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<v Speaker 2>At it really yeah.

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<v Speaker 3>Yeah, yeah, it gives.

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<v Speaker 4>It gives a generation exactly, and my husband has it

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<v Speaker 4>on his side too.

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<v Speaker 2>How young did you get got the bug to perform?

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<v Speaker 2>Were you like super young or were you yeah?

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<v Speaker 5>Yeah.

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<v Speaker 4>My mom put me in dance classes like all women

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<v Speaker 4>do with their daughters. And as we as I got

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<v Speaker 4>older and like my friends started quitting, I kept going

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<v Speaker 4>and then I followed a dance teacher from the rec

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<v Speaker 4>center to a dance studio, and then I just wanted

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<v Speaker 4>to do all the classes. It was like a dance

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<v Speaker 4>and theater studio in my hometown. And when I was ten,

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<v Speaker 4>my parents took me to see my first Broadway show

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<v Speaker 4>and I lost my mind.

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<v Speaker 5>What was It?

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<v Speaker 3>Was The Secret Garden starring Mandy Patinkin.

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<v Speaker 4>And Daisy Egan and Rebecca Luker Broadway icons.

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<v Speaker 3>It was amazing. It was a Secret Garden.

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<v Speaker 4>And then I got like, uh, I wanted a Secret

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<v Speaker 4>Garden journal after that, and I got like all the

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<v Speaker 4>Secret Garden stuff and I was just like and listen

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<v Speaker 4>to the soundtrack all the time and subsessed with it.

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<v Speaker 3>Yeah, so I.

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<v Speaker 2>Thing as well.

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<v Speaker 3>The complicated it is.

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<v Speaker 4>So when I was a kid, I fully believed that

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<v Speaker 4>I was a singer, and I took voice lessons and

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<v Speaker 4>I got up on stage many times and sang when

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<v Speaker 4>I got older, and I listened to those performances that.

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<v Speaker 2>Your voice change as your girl.

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<v Speaker 4>Do you think no, I was just fully delusional, Okay,

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<v Speaker 4>I was like, I can totally sing, and I could not,

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<v Speaker 4>but I could when it came time to like audition

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<v Speaker 4>for colleges, and I knew I wanted to be I

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<v Speaker 4>knew I wanted to be a theater major.

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<v Speaker 3>And at the time. I felt very much like an

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<v Speaker 3>actor and a dancer for a while.

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<v Speaker 4>At first, when I was like a freshman and sophomore

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<v Speaker 4>in high school, I thought I would major in dance

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<v Speaker 4>and like go that route or like try to audition

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<v Speaker 4>for dance companies right after high school.

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<v Speaker 3>But then I fell in love with acting during high.

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<v Speaker 4>School, and somewhere along the way, I sort of told myself, well,

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<v Speaker 4>if I learned how to say well enough, I won't

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<v Speaker 4>have to choose because I could do musical theater and

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<v Speaker 4>I could just keep acting and dancing and I'll like

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<v Speaker 4>figure out the singing part.

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<v Speaker 3>So I was like, I am a singer.

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<v Speaker 4>And then while I was in college and I went

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<v Speaker 4>to college with like crazy thing like people that are

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<v Speaker 4>on Broadway now, I was like, oh, where'd you go?

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<v Speaker 4>I'm not a singer, actually a singer. I'm actually not

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<v Speaker 4>that good at this. I yeah, yeah, so yeah, yeah

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<v Speaker 4>I was.

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<v Speaker 2>You know, Freddy was a rapper?

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<v Speaker 5>Are you past life?

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<v Speaker 2>I was like you.

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<v Speaker 7>I got around some like real ones, and I was

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<v Speaker 7>kind of like, oh, yeah.

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<v Speaker 4>That's what happens, right, You're like I am crushing this

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<v Speaker 4>crushing that.

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<v Speaker 3>I was so bold in high school.

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<v Speaker 4>I remember there was a musical theater program I was

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<v Speaker 4>in at that day school, and I basically like lobbied

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<v Speaker 4>to get the lead, but like in a way where

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<v Speaker 4>I was like, so I deserve this.

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<v Speaker 3>I'm a senior and this we all know this role

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<v Speaker 3>should go to me.

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<v Speaker 4>Like I'm cocky as fuck, right right, And like I

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<v Speaker 4>kind of figured out how to sing it. I was

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<v Speaker 4>just like impersonating the person that had sung it before

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<v Speaker 4>and kind of it was in my range enough that.

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<v Speaker 3>But like there were lots of other parts.

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<v Speaker 4>I was like, that doesn't and like when it didn't

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<v Speaker 4>sound good, I was like, what, I'll just sing low,

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<v Speaker 4>no one will hear it.

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<v Speaker 3>Like I was so confident a.

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<v Speaker 2>No audition.

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<v Speaker 4>Yeah, the American Idol was around when I was in

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<v Speaker 4>high school.

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<v Speaker 3>Yeah, oh yeah. I was like this is happening.

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<v Speaker 4>And then very quickly after getting to n y U

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<v Speaker 4>and like being in vocal performance class with these.

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<v Speaker 2>I mean but I mean it's not in the back

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<v Speaker 2>and you.

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<v Speaker 3>Just feel yourself shrinking in your chair. But it's not

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<v Speaker 3>everything I knew.

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<v Speaker 2>It's not fair.

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<v Speaker 3>It is not real.

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<v Speaker 1>It's not real, and it's not fair, you know, like

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<v Speaker 1>some of these people, uh that are extraordinarily talented and singing.

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<v Speaker 2>They have been doing.

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<v Speaker 1>Vocal pull ups for their entire life, entire life, you know,

0:12:26.880 --> 0:12:29.600
<v Speaker 1>society like the notes they can hit his.

0:12:29.679 --> 0:12:34.240
<v Speaker 4>Insane and singing like you know, like like painting is

0:12:34.280 --> 0:12:37.120
<v Speaker 4>I think like comedic timing. I think is like you

0:12:37.200 --> 0:12:40.640
<v Speaker 4>can't there's a big chunk of it cannot be taught,

0:12:40.840 --> 0:12:43.040
<v Speaker 4>like you either have it or you don't, you know,

0:12:43.760 --> 0:12:47.400
<v Speaker 4>And I yeah, it just it was very humbling.

0:12:47.520 --> 0:12:48.520
<v Speaker 3>And then so then did.

0:12:48.360 --> 0:12:50.720
<v Speaker 1>You change gears into them? Like I think I'm an

0:12:50.760 --> 0:12:51.640
<v Speaker 1>actress or.

0:12:51.920 --> 0:12:54.120
<v Speaker 3>You know, I was in the musical theater program at

0:12:54.240 --> 0:12:54.640
<v Speaker 3>ed Yu.

0:12:57.040 --> 0:13:01.680
<v Speaker 2>But you must have learned to hole the No, yeah,

0:13:01.920 --> 0:13:03.120
<v Speaker 2>don't give yourself more.

0:13:04.000 --> 0:13:05.960
<v Speaker 3>But I know that. I was like, how did I

0:13:06.040 --> 0:13:06.520
<v Speaker 3>get here?

0:13:06.720 --> 0:13:06.920
<v Speaker 2>Right?

0:13:07.120 --> 0:13:10.120
<v Speaker 5>And well, you got there for a reason though, I

0:13:10.120 --> 0:13:10.640
<v Speaker 5>mean I did.

0:13:10.679 --> 0:13:13.199
<v Speaker 3>But here's the thing. I did I sing for my audition,

0:13:13.520 --> 0:13:16.680
<v Speaker 3>I must you have to Yeah, yeah, yeah, I did sing.

0:13:16.840 --> 0:13:18.199
<v Speaker 3>But I sang a song.

0:13:18.320 --> 0:13:18.960
<v Speaker 2>What was the song?

0:13:19.240 --> 0:13:21.120
<v Speaker 3>Oh? God, do I remember?

0:13:21.240 --> 0:13:21.760
<v Speaker 2>N is Low?

0:13:22.160 --> 0:13:22.840
<v Speaker 3>I sang?

0:13:23.640 --> 0:13:26.400
<v Speaker 4>And no I care, I'm like, what was my go

0:13:26.559 --> 0:13:28.679
<v Speaker 4>to change?

0:13:32.040 --> 0:13:33.400
<v Speaker 2>That's why we're not in the program.

0:13:34.760 --> 0:13:37.040
<v Speaker 3>No, it must have been some music. Who knows. It

0:13:37.120 --> 0:13:38.920
<v Speaker 3>might have been like part of Your World or some shit.

0:13:39.040 --> 0:13:41.240
<v Speaker 2>I don't know, Yeah, that's always the go to. Is

0:13:41.280 --> 0:13:44.000
<v Speaker 2>that Latin? Or or the Little Mermaid?

0:13:44.080 --> 0:13:46.640
<v Speaker 3>Yeah, it was probably a Disney song. So I sang

0:13:46.640 --> 0:13:48.400
<v Speaker 3>for the audition and I did a monologue.

0:13:48.600 --> 0:13:50.520
<v Speaker 4>So anyway, so then when I'm in the program and

0:13:50.559 --> 0:13:52.560
<v Speaker 4>I'm watching all these singers, I'm like, holy funk, how

0:13:52.559 --> 0:13:55.280
<v Speaker 4>did I get here? I kind of quickly realized that

0:13:55.520 --> 0:13:59.160
<v Speaker 4>there were three groups within the class. Right, most people

0:13:59.280 --> 0:14:02.600
<v Speaker 4>were extraordinary singers and they were there to become better

0:14:02.640 --> 0:14:07.040
<v Speaker 4>actors and better dancers or be comfortable get better with

0:14:07.080 --> 0:14:13.360
<v Speaker 4>that movement. And then the medium to small size group

0:14:14.200 --> 0:14:17.439
<v Speaker 4>was the extraordinary dancers who and a lot of them

0:14:17.440 --> 0:14:20.440
<v Speaker 4>could sing and they were there to like become actors.

0:14:21.200 --> 0:14:23.120
<v Speaker 4>And then the small it's great, the one that I

0:14:23.160 --> 0:14:28.040
<v Speaker 4>think I was in was people that were actors who

0:14:28.640 --> 0:14:31.160
<v Speaker 4>could were there to get better at singing. And I

0:14:31.240 --> 0:14:34.320
<v Speaker 4>was also a dancer, so you know, I had I

0:14:34.320 --> 0:14:35.560
<v Speaker 4>had I think that helped.

0:14:35.680 --> 0:14:37.040
<v Speaker 2>Well kind of dancer were you?

0:14:37.640 --> 0:14:42.920
<v Speaker 4>How did you see like ballet and contemporary and so

0:14:42.960 --> 0:14:45.640
<v Speaker 4>you were a dance minor theater jazz. I wanted to

0:14:45.640 --> 0:14:48.480
<v Speaker 4>be a dance miner, but the way the program was

0:14:48.520 --> 0:14:51.200
<v Speaker 4>structured like there literally wasn't time to do it. But

0:14:51.600 --> 0:14:54.480
<v Speaker 4>in my program, I had like three hours of dance

0:14:55.160 --> 0:14:56.800
<v Speaker 4>three or four times a week.

0:14:56.840 --> 0:14:58.400
<v Speaker 5>That's kind of they included it in.

0:14:58.600 --> 0:15:00.000
<v Speaker 3>It was included in a program.

0:15:00.200 --> 0:15:02.160
<v Speaker 4>I would start every morning with like three hours of

0:15:02.240 --> 0:15:05.160
<v Speaker 4>dance classes and then have acting and singing, and it

0:15:05.200 --> 0:15:06.120
<v Speaker 4>was a great program.

0:15:06.200 --> 0:15:08.600
<v Speaker 2>Were you consider doing a musical now?

0:15:09.120 --> 0:15:09.360
<v Speaker 6>No?

0:15:10.680 --> 0:15:11.200
<v Speaker 3>Maybe?

0:15:11.800 --> 0:15:11.920
<v Speaker 7>No?

0:15:12.320 --> 0:15:20.080
<v Speaker 3>Yes, live, Yes, it's different, it's different. Television have destroyed

0:15:20.080 --> 0:15:22.239
<v Speaker 3>my voice. First of all. I would have to completely

0:15:22.440 --> 0:15:23.480
<v Speaker 3>relearn how to.

0:15:23.400 --> 0:15:27.520
<v Speaker 4>Sing and how to project yeah, and like how to

0:15:27.560 --> 0:15:30.440
<v Speaker 4>sing with this voice, because you know, hours and hours

0:15:30.480 --> 0:15:34.120
<v Speaker 4>on a TV set, Like I literally speak lower than

0:15:34.160 --> 0:15:35.160
<v Speaker 4>I did when I was younger.

0:15:36.680 --> 0:15:39.160
<v Speaker 3>And that's just kind of happens with our gig.

0:15:39.400 --> 0:15:41.760
<v Speaker 7>But but I'm sure, look, I'm sure you could say

0:15:41.800 --> 0:15:45.720
<v Speaker 7>you might have not been yeah good as.

0:15:45.760 --> 0:15:50.600
<v Speaker 3>Yours bleed, But I don't know.

0:15:51.040 --> 0:15:53.200
<v Speaker 2>I don't give me, give me a part of your world,

0:15:53.880 --> 0:15:56.040
<v Speaker 2>give me give me.

0:15:57.520 --> 0:15:59.680
<v Speaker 4>Kind of like I could like sort of yell on

0:15:59.800 --> 0:16:04.440
<v Speaker 4>pay you know, it's kind of that.

0:16:03.240 --> 0:16:03.800
<v Speaker 5>You could yell.

0:16:04.280 --> 0:16:05.440
<v Speaker 3>I can yell a question.

0:16:05.560 --> 0:16:07.720
<v Speaker 2>I have a question. If you go to karaoke and

0:16:07.760 --> 0:16:12.480
<v Speaker 2>you pick, what's the karaoke.

0:16:13.120 --> 0:16:15.040
<v Speaker 3>Oh no, not part of your world?

0:16:16.280 --> 0:16:18.320
<v Speaker 2>On your world? Would you murder that?

0:16:18.760 --> 0:16:18.800
<v Speaker 3>No?

0:16:20.000 --> 0:16:20.760
<v Speaker 2>What's your what's your?

0:16:20.800 --> 0:16:20.880
<v Speaker 7>What?

0:16:21.680 --> 0:16:23.160
<v Speaker 2>You would? A hundred percent you would.

0:16:23.680 --> 0:16:26.280
<v Speaker 3>No, I'll tell you a go to what's your go to?

0:16:27.120 --> 0:16:30.840
<v Speaker 2>Like job? What from r from.

0:16:30.760 --> 0:16:37.040
<v Speaker 3>Rock Rocky Hard? Picture show? Touch me, Bro? That's so hard?

0:16:37.320 --> 0:16:38.640
<v Speaker 5>How does touch that heart? How does it go?

0:16:39.400 --> 0:16:40.080
<v Speaker 3>I'm not going to say.

0:16:40.120 --> 0:16:42.600
<v Speaker 7>How does we're trying to get to Come on, we're

0:16:42.600 --> 0:16:44.640
<v Speaker 7>trying to get the melody you said, that'll be the one.

0:16:44.680 --> 0:16:47.120
<v Speaker 3>How does somebody play it on their phone? This is

0:16:47.160 --> 0:16:51.800
<v Speaker 3>a trap? No, it's it's you know the one that's Instagram?

0:16:52.680 --> 0:16:55.320
<v Speaker 4>Yeah yeah, but I yeah, I just I yell it

0:16:55.440 --> 0:16:56.280
<v Speaker 4>on pitch.

0:16:56.840 --> 0:16:57.440
<v Speaker 5>But how does it?

0:16:57.520 --> 0:16:58.280
<v Speaker 2>But how do you yell?

0:16:58.440 --> 0:16:58.600
<v Speaker 6>Though?

0:16:58.640 --> 0:17:00.440
<v Speaker 3>What do you? What do you get out of here?

0:17:00.960 --> 0:17:02.920
<v Speaker 2>Let me see no way out of here?

0:17:03.080 --> 0:17:05.760
<v Speaker 3>I hate you both. I have an older brother. Okay,

0:17:05.920 --> 0:17:08.879
<v Speaker 3>I know this game. I know all your.

0:17:08.760 --> 0:17:16.000
<v Speaker 2>Moods America, and we're gonna move on. But did you.

0:17:26.680 --> 0:17:29.160
<v Speaker 5>Did you speak Spanish?

0:17:29.240 --> 0:17:29.359
<v Speaker 8>So?

0:17:29.480 --> 0:17:33.440
<v Speaker 3>We did? We so? So the story is.

0:17:34.920 --> 0:17:38.199
<v Speaker 4>My parents only spoke to us in Spanish until my

0:17:38.200 --> 0:17:42.119
<v Speaker 4>brother started elementary school and he had a tea and

0:17:42.160 --> 0:17:45.199
<v Speaker 4>one of his teachers called my parents in and she

0:17:45.320 --> 0:17:47.119
<v Speaker 4>was like, what are you speaking to him at home?

0:17:47.920 --> 0:17:51.480
<v Speaker 4>And they were like Spanish, Like, it's really messing him

0:17:51.560 --> 0:17:54.080
<v Speaker 4>up at school because he was speaking in Spanglish.

0:17:54.280 --> 0:17:57.199
<v Speaker 3>But this is the eighties and like, so they scared my.

0:17:57.960 --> 0:18:02.240
<v Speaker 4>Immigrant parents and they still spoke to us in Spanish,

0:18:02.480 --> 0:18:06.840
<v Speaker 4>but they stopped making us respond in Spanish. So I

0:18:06.880 --> 0:18:11.280
<v Speaker 4>grew up like I always say, I'm in my ear,

0:18:11.600 --> 0:18:16.600
<v Speaker 4>I'm my brain, I'm fluent, but the connection from here

0:18:16.640 --> 0:18:19.880
<v Speaker 4>to my mouth is not fluent because I grew up

0:18:20.000 --> 0:18:24.080
<v Speaker 4>hearing Spanish and responding in English all the time, and

0:18:24.200 --> 0:18:27.360
<v Speaker 4>so it's gotten a little bit better over to yours.

0:18:27.480 --> 0:18:29.840
<v Speaker 4>I keep saying that I'm gonna like, really.

0:18:30.160 --> 0:18:30.800
<v Speaker 2>It's honesty.

0:18:31.200 --> 0:18:33.679
<v Speaker 1>Your brain has to kind of just lock back in

0:18:33.800 --> 0:18:36.159
<v Speaker 1>and say, hey, I'm going to tap into what I

0:18:36.200 --> 0:18:37.840
<v Speaker 1>know this is in there.

0:18:37.920 --> 0:18:39.560
<v Speaker 2>It's just about flowing with it.

0:18:39.560 --> 0:18:40.880
<v Speaker 3>Every time I'm immersed.

0:18:41.400 --> 0:18:43.439
<v Speaker 4>I went on a trip to Costa Rica once with

0:18:43.520 --> 0:18:46.320
<v Speaker 4>a friend and she didn't speak any Spanish.

0:18:46.400 --> 0:18:49.119
<v Speaker 3>By the end of the trip, my Spanish was like

0:18:49.359 --> 0:18:50.119
<v Speaker 3>so much better.

0:18:50.240 --> 0:18:52.600
<v Speaker 4>You know, every time I go to Florida, like it's

0:18:52.640 --> 0:18:53.840
<v Speaker 4>in there, it comes back.

0:18:54.680 --> 0:18:56.639
<v Speaker 1>But it happens when you have to switch back and

0:18:56.640 --> 0:18:58.840
<v Speaker 1>forth from England to Spanish because I do junk is

0:18:59.320 --> 0:19:03.440
<v Speaker 1>in English and Spanish, and I would I start, dude,

0:19:03.440 --> 0:19:05.479
<v Speaker 1>if I start in English and then I have to

0:19:05.480 --> 0:19:09.080
<v Speaker 1>do now another ten in Spanish. My brain is like,

0:19:09.600 --> 0:19:11.359
<v Speaker 1>you know, like it's just like really really hard to

0:19:11.440 --> 0:19:13.159
<v Speaker 1>kind of click it. And I grew up Spanish my

0:19:13.240 --> 0:19:15.359
<v Speaker 1>first language, and I didn't want her to speak English

0:19:15.400 --> 0:19:16.240
<v Speaker 1>unce I was fourteen.

0:19:16.680 --> 0:19:17.720
<v Speaker 2>Wow, yeah, so.

0:19:19.240 --> 0:19:21.000
<v Speaker 1>You have no excuses, but I do feel like I

0:19:21.040 --> 0:19:22.800
<v Speaker 1>have the vocabulary of a fourteen year old.

0:19:22.920 --> 0:19:25.960
<v Speaker 3>But no, you don't in Spanish. Oh in Spanish.

0:19:26.000 --> 0:19:29.320
<v Speaker 1>Oh thank god you didn't agree, Thank god you didn't

0:19:29.320 --> 0:19:30.240
<v Speaker 1>agree them.

0:19:30.480 --> 0:19:31.720
<v Speaker 2>That fourteen year old English.

0:19:31.880 --> 0:19:34.399
<v Speaker 1>She was like, you do because I know the words

0:19:34.440 --> 0:19:38.679
<v Speaker 1>like a compromise and constitution in English, and so yeah.

0:19:38.560 --> 0:19:41.120
<v Speaker 7>Those are tough in Spanish, those junkets because it gets

0:19:41.119 --> 0:19:41.840
<v Speaker 7>so technical.

0:19:42.480 --> 0:19:44.440
<v Speaker 5>I could hold the conversation.

0:19:44.000 --> 0:19:46.160
<v Speaker 1>And fast, and they want to, you know, they want

0:19:46.200 --> 0:19:48.439
<v Speaker 1>to kind of like make it fun and snappy, and.

0:19:48.440 --> 0:19:50.800
<v Speaker 2>You're like, I'm trying to remember my sentence, right.

0:19:51.000 --> 0:19:53.800
<v Speaker 1>Yeah, I have to give you some flowers because you

0:19:53.960 --> 0:19:57.560
<v Speaker 1>have been so consistent and showing up for our community.

0:19:59.160 --> 0:20:02.480
<v Speaker 1>You you know, you really show up for your brothers

0:20:02.520 --> 0:20:06.760
<v Speaker 1>and sisters, and specifically in entertainment, and how we continue

0:20:06.800 --> 0:20:10.480
<v Speaker 1>to not just tell our stories but really civically engage,

0:20:10.600 --> 0:20:13.600
<v Speaker 1>you know, our cultures and values. You know, so it

0:20:13.720 --> 0:20:16.800
<v Speaker 1>continue to be you know, amplified and what we make

0:20:16.840 --> 0:20:20.240
<v Speaker 1>as artists. But you know, but you have been very

0:20:20.280 --> 0:20:22.639
<v Speaker 1>consistent in reminding people that you are Latina and you're

0:20:22.720 --> 0:20:25.440
<v Speaker 1>very proud of that. And you know, at a time

0:20:25.480 --> 0:20:28.120
<v Speaker 1>where we were doing television, you know, and where we're

0:20:28.160 --> 0:20:30.080
<v Speaker 1>all still doing television, but at the beginning when we

0:20:30.119 --> 0:20:33.679
<v Speaker 1>started television, you know, Freddie and I talk about this

0:20:33.680 --> 0:20:35.960
<v Speaker 1>all the time, where we were the only Latino in

0:20:36.000 --> 0:20:38.440
<v Speaker 1>the room, right, Like that's like you were, they only

0:20:38.480 --> 0:20:40.840
<v Speaker 1>gave you one, right and you know, so god forbid

0:20:40.920 --> 0:20:42.600
<v Speaker 1>there's two Latinos because they're like they.

0:20:42.480 --> 0:20:44.000
<v Speaker 2>Can be in the same show because there's too many.

0:20:44.160 --> 0:20:49.320
<v Speaker 1>Yeah, but the conversation has really kind of evolving and

0:20:49.320 --> 0:20:51.040
<v Speaker 1>and with Freddie and I have been really trying to

0:20:51.080 --> 0:20:53.639
<v Speaker 1>discover and one of the explorations of this show is

0:20:53.680 --> 0:20:58.880
<v Speaker 1>also to create enough perspective to say that we're we're

0:20:58.880 --> 0:21:02.800
<v Speaker 1>trying to redefine main stream by uplifting the most mainstream

0:21:02.840 --> 0:21:05.000
<v Speaker 1>audience there is, and that is the Latino audience. The

0:21:05.080 --> 0:21:08.239
<v Speaker 1>Latino audience is the most mainstream, the most loyal, the

0:21:08.240 --> 0:21:11.439
<v Speaker 1>most trusted. When it comes to the opening box office weekends,

0:21:11.480 --> 0:21:12.560
<v Speaker 1>we're the first ones day.

0:21:12.600 --> 0:21:15.160
<v Speaker 3>Now on Thursday night, watch all the show.

0:21:15.560 --> 0:21:17.840
<v Speaker 1>You tell us nine pm, We're there at nine pm,

0:21:17.880 --> 0:21:20.600
<v Speaker 1>you know, And so so in cultivating that, we we

0:21:20.640 --> 0:21:23.800
<v Speaker 1>also as a as an audience, as we demand more

0:21:23.880 --> 0:21:27.520
<v Speaker 1>representation is the man, more roles or stories that speak

0:21:27.560 --> 0:21:32.200
<v Speaker 1>to us. We gotta continue to cultivate our home, homegrown heroes.

0:21:32.600 --> 0:21:35.000
<v Speaker 1>You know, we can take down the individuals that are

0:21:35.080 --> 0:21:37.719
<v Speaker 1>breaking the barriers and making it more commercial for us

0:21:37.760 --> 0:21:40.760
<v Speaker 1>to see ourselves. Because if there, if we're not commercial,

0:21:41.520 --> 0:21:44.480
<v Speaker 1>you know, it's not investible. And if it's not investible,

0:21:44.640 --> 0:21:45.440
<v Speaker 1>it cannot be made.

0:21:45.920 --> 0:21:46.119
<v Speaker 3>You know.

0:21:46.359 --> 0:21:48.359
<v Speaker 1>So that's the type of stuff that I think is

0:21:48.400 --> 0:21:50.960
<v Speaker 1>so interesting, and you know, I would say, I want

0:21:50.960 --> 0:21:53.919
<v Speaker 1>to talk a little bit about your your trajectory as

0:21:53.960 --> 0:21:57.720
<v Speaker 1>an actress, because you have been a consistent, you know,

0:21:57.840 --> 0:22:01.560
<v Speaker 1>performer and many of our not prime time by daytime too.

0:22:02.640 --> 0:22:06.320
<v Speaker 1>You started in soap operas, right, we could have used

0:22:06.359 --> 0:22:11.520
<v Speaker 1>her and uh, those heads on Camino, but those head

0:22:11.640 --> 0:22:14.640
<v Speaker 1>is Camino with Eric Strata, but maybe it was before

0:22:14.680 --> 0:22:15.120
<v Speaker 1>your time.

0:22:15.600 --> 0:22:17.919
<v Speaker 2>The truth was I feel like I.

0:22:18.080 --> 0:22:22.280
<v Speaker 3>Don't remember it, but I have definitely heard that is Camino.

0:22:23.040 --> 0:22:25.960
<v Speaker 1>It was Eric Strada had the brightest idea to learn

0:22:26.040 --> 0:22:29.879
<v Speaker 1>how to kind of speak Spanish, flew to Mexico and

0:22:29.960 --> 0:22:32.440
<v Speaker 1>shot a Spanish soap opera and he was one of

0:22:32.480 --> 0:22:34.800
<v Speaker 1>the biggest purposes was Erica Strata had. You know, the

0:22:34.960 --> 0:22:37.159
<v Speaker 1>last thing you remember him doing was punch and chips.

0:22:37.520 --> 0:22:40.120
<v Speaker 1>So when he went down there and he played opposite

0:22:40.200 --> 0:22:42.800
<v Speaker 1>two of the most beautiful Mexican actresses of that time,

0:22:44.240 --> 0:22:48.159
<v Speaker 1>and he was in Spanish where those mohad is comino

0:22:48.200 --> 0:22:54.520
<v Speaker 1>means two women and one one way, only one road.

0:22:56.640 --> 0:22:58.320
<v Speaker 5>So the whole thing was about him having to pick.

0:22:58.600 --> 0:23:00.800
<v Speaker 2>Having to pick and the two women. The whole thing.

0:23:00.920 --> 0:23:05.399
<v Speaker 2>It's like fighting for the protecting, you know, the fighting

0:23:05.480 --> 0:23:06.399
<v Speaker 2>for that love and.

0:23:08.000 --> 0:23:08.520
<v Speaker 7>The two.

0:23:10.640 --> 0:23:12.440
<v Speaker 3>And so.

0:23:12.600 --> 0:23:15.399
<v Speaker 1>But you know, going full circle to telenovelas, which are

0:23:15.520 --> 0:23:18.800
<v Speaker 1>such a big part of our culture. I mean, they

0:23:18.880 --> 0:23:22.680
<v Speaker 1>are our mission impossibles, like they are our star Wars.

0:23:22.840 --> 0:23:25.000
<v Speaker 3>I don't know when I was on the so I

0:23:25.119 --> 0:23:27.640
<v Speaker 3>was on the soap opera. It was just my first job.

0:23:27.840 --> 0:23:29.520
<v Speaker 2>I was at right after college.

0:23:29.520 --> 0:23:33.320
<v Speaker 3>It was right after college. So I my last semester

0:23:33.480 --> 0:23:35.600
<v Speaker 3>there was One Life to Live first, One Life to Live.

0:23:35.680 --> 0:23:36.400
<v Speaker 2>That was the first one.

0:23:37.000 --> 0:23:39.480
<v Speaker 4>Yes, I actually wasn't on. I was the All my

0:23:39.600 --> 0:23:44.000
<v Speaker 4>Children episodes. Uh were like crossover episodes. So I was

0:23:44.040 --> 0:23:46.679
<v Speaker 4>playing my One Life to Live character episodes of All

0:23:46.760 --> 0:23:47.240
<v Speaker 4>my Children?

0:23:47.960 --> 0:23:48.640
<v Speaker 5>How did that happen?

0:23:48.960 --> 0:23:49.280
<v Speaker 2>Crazy?

0:23:49.480 --> 0:23:49.760
<v Speaker 5>How do you?

0:23:49.840 --> 0:23:50.119
<v Speaker 4>How do you?

0:23:50.240 --> 0:23:54.159
<v Speaker 1>You were doing Marvel comics crossovers before Marvel Comics.

0:23:54.320 --> 0:23:54.960
<v Speaker 5>Yes, I was.

0:23:56.600 --> 0:23:58.639
<v Speaker 4>I So my last semester at n y U, I

0:23:58.760 --> 0:24:02.440
<v Speaker 4>was in the film and Televis studio and they it

0:24:02.560 --> 0:24:05.080
<v Speaker 4>was great because every week they would do a showcase

0:24:05.080 --> 0:24:07.440
<v Speaker 4>and they would invite a casting director or an agent.

0:24:07.520 --> 0:24:10.399
<v Speaker 4>I met my first agent through that, and then the

0:24:10.520 --> 0:24:13.960
<v Speaker 4>casting director. First, the casting director for Guiding Light came

0:24:14.040 --> 0:24:17.000
<v Speaker 4>in and I screen tested for Guiding Light, me and

0:24:17.119 --> 0:24:19.280
<v Speaker 4>Katie Low's because I went to college with Katie Lows

0:24:19.760 --> 0:24:21.720
<v Speaker 4>and we didn't get it. Both of us didn't get it.

0:24:22.160 --> 0:24:25.440
<v Speaker 4>And then the casting director for One Life to Live

0:24:25.560 --> 0:24:30.360
<v Speaker 4>came through and I again I was a confident teenager.

0:24:30.680 --> 0:24:30.920
<v Speaker 5>Yeah.

0:24:32.160 --> 0:24:34.280
<v Speaker 3>So you would have a one on one with them.

0:24:34.680 --> 0:24:37.400
<v Speaker 4>You would like read a scene and then they would

0:24:37.400 --> 0:24:40.119
<v Speaker 4>talk to you for a little bit, and so I

0:24:40.240 --> 0:24:42.480
<v Speaker 4>read the scene and while she was talking to me,

0:24:42.560 --> 0:24:44.760
<v Speaker 4>I went, oh, yeah, and I just screen tested for

0:24:44.840 --> 0:24:47.480
<v Speaker 4>Guiding Light last week, like just dropped that in.

0:24:47.720 --> 0:24:52.800
<v Speaker 5>Like yeah, like like for leverage, like.

0:24:52.960 --> 0:24:58.440
<v Speaker 3>Yeah, like like like in case you don't know, you

0:24:58.520 --> 0:25:00.159
<v Speaker 3>know what I mean. It was just like and I

0:25:00.200 --> 0:25:01.880
<v Speaker 3>said it all like yeah, and it was really great.

0:25:01.920 --> 0:25:03.159
<v Speaker 4>It was a great you know, I didn't get it,

0:25:03.280 --> 0:25:05.040
<v Speaker 4>but it's okay, it was a great experience.

0:25:05.200 --> 0:25:06.600
<v Speaker 3>Like I just made sure to mention it.

0:25:07.200 --> 0:25:09.960
<v Speaker 4>And then three days later they called me in for

0:25:10.200 --> 0:25:13.840
<v Speaker 4>like an audition and uh, there was a role that

0:25:14.000 --> 0:25:17.720
<v Speaker 4>was being recasted. Yeah, and it was on One Life

0:25:17.760 --> 0:25:22.440
<v Speaker 4>to Live. There was a token Latino family, and so

0:25:22.840 --> 0:25:25.080
<v Speaker 4>she was it was it was a Latin role.

0:25:25.800 --> 0:25:33.639
<v Speaker 3>This is two thousand end of two thousand three, okay, and.

0:25:34.160 --> 0:25:35.520
<v Speaker 2>Very forward thinking for daytime.

0:25:35.600 --> 0:25:38.399
<v Speaker 4>By the way, yes, well yes, on One Life to

0:25:38.480 --> 0:25:40.720
<v Speaker 4>Live there was a token black family and there was

0:25:40.760 --> 0:25:44.840
<v Speaker 4>a token Latin family. So we were represented, we were represented.

0:25:44.920 --> 0:25:47.879
<v Speaker 4>We were very progressive. It also meant all of the

0:25:48.200 --> 0:25:50.639
<v Speaker 4>black characters were related and all of the Latin characters

0:25:50.680 --> 0:25:51.320
<v Speaker 4>were related.

0:25:53.080 --> 0:25:54.359
<v Speaker 5>Just related.

0:25:54.760 --> 0:25:58.159
<v Speaker 1>Yeah, so like we know, you know, because we live

0:25:58.200 --> 0:26:00.280
<v Speaker 1>in the same neighborhood. We make babies with the each other.

0:26:00.400 --> 0:26:01.480
<v Speaker 1>It makes so much sense.

0:26:02.160 --> 0:26:06.000
<v Speaker 4>So the other four Latino characters on the show were

0:26:06.080 --> 0:26:08.439
<v Speaker 4>my aunt, my cousin, my other cousin.

0:26:08.760 --> 0:26:10.600
<v Speaker 3>Like yeah, and then it was the same.

0:26:10.480 --> 0:26:13.159
<v Speaker 4>Deal with the black family, you know, So there was

0:26:13.240 --> 0:26:16.480
<v Speaker 4>no like, I don't think there were any All the

0:26:16.560 --> 0:26:19.200
<v Speaker 4>couples were mixed, do you know what I'm saying, Like, yeah,

0:26:19.280 --> 0:26:19.880
<v Speaker 4>there weren't enough.

0:26:19.960 --> 0:26:24.120
<v Speaker 2>Character couldn't take the same color, you know, Yeah.

0:26:24.000 --> 0:26:28.600
<v Speaker 4>No, no, no, no. But like David's character had like

0:26:28.800 --> 0:26:30.760
<v Speaker 4>two of his girl my husband. That's why I met

0:26:30.760 --> 0:26:31.800
<v Speaker 4>my husband. He was on the show.

0:26:33.680 --> 0:26:34.359
<v Speaker 3>He was my cousin.

0:26:35.240 --> 0:26:36.400
<v Speaker 5>He played he played your cousin.

0:26:39.840 --> 0:26:41.280
<v Speaker 2>So that's so mainstream.

0:26:41.560 --> 0:26:46.480
<v Speaker 4>And so but two of his lovers on the show

0:26:47.200 --> 0:26:49.520
<v Speaker 4>were black, So that was you know, how they would

0:26:49.640 --> 0:26:51.440
<v Speaker 4>at least get couples of color.

0:26:53.040 --> 0:26:56.240
<v Speaker 2>That was very scandalous for daytime vary scandals.

0:26:57.760 --> 0:26:59.920
<v Speaker 4>Yeah, and then I ended up screen testing, and I

0:27:00.080 --> 0:27:03.440
<v Speaker 4>think I screen tested twice. And then the crazy part

0:27:03.520 --> 0:27:05.480
<v Speaker 4>of the story that I've told many times is I

0:27:05.600 --> 0:27:08.240
<v Speaker 4>got the call that I got the job on the

0:27:08.359 --> 0:27:11.080
<v Speaker 4>day I took my last exam for college.

0:27:11.680 --> 0:27:14.400
<v Speaker 3>Yeah, so then I was on set like a week later.

0:27:14.960 --> 0:27:17.200
<v Speaker 5>Now you got to graduate, right I did.

0:27:17.359 --> 0:27:20.480
<v Speaker 4>Yeah, I finished a semester. Well, I finished a semester

0:27:20.600 --> 0:27:25.040
<v Speaker 4>early because I was poor and couldn't afford the tuition.

0:27:25.440 --> 0:27:26.720
<v Speaker 2>I barely graduated high.

0:27:26.840 --> 0:27:29.800
<v Speaker 4>I did maths credits and a summer session and I

0:27:29.920 --> 0:27:33.520
<v Speaker 4>could graduate early and saved my parents a lot of

0:27:33.600 --> 0:27:38.520
<v Speaker 4>moner and myself. So yeah, so I so then the

0:27:38.760 --> 0:27:43.200
<v Speaker 4>graduation ceremony that was in the spring, I had already

0:27:43.240 --> 0:27:43.680
<v Speaker 4>been working.

0:27:44.240 --> 0:27:44.640
<v Speaker 5>Oh wow.

0:27:44.920 --> 0:27:45.120
<v Speaker 3>Yeah.

0:27:54.640 --> 0:27:58.800
<v Speaker 1>So soap operas were your first introduction to to on screen, yes,

0:27:59.200 --> 0:28:02.440
<v Speaker 1>which is crazy because it's single handedly probably the hardest

0:28:02.640 --> 0:28:07.000
<v Speaker 1>and most taxing thing you can do as an actor. People,

0:28:07.000 --> 0:28:09.960
<v Speaker 1>I don't think I understand now how many pages of

0:28:10.160 --> 0:28:11.480
<v Speaker 1>dialogue are you shooting a day?

0:28:11.680 --> 0:28:13.360
<v Speaker 2>And how many episodes you're shooting a week?

0:28:13.480 --> 0:28:16.200
<v Speaker 4>And like you're doing six episodes a week, you're doing

0:28:16.240 --> 0:28:17.800
<v Speaker 4>on average thirty to forty.

0:28:17.600 --> 0:28:18.280
<v Speaker 3>Pages a day.

0:28:19.200 --> 0:28:22.400
<v Speaker 4>Cow Because they shoot so it's shot like a multicam

0:28:22.760 --> 0:28:25.800
<v Speaker 4>right where the fourth wall is your cameras and it's

0:28:26.320 --> 0:28:28.720
<v Speaker 4>three to five cameras and it's live editing.

0:28:28.760 --> 0:28:30.680
<v Speaker 3>There's someone in a booth going camera one camera.

0:28:30.760 --> 0:28:31.840
<v Speaker 2>Do you do it sitcoms?

0:28:31.920 --> 0:28:32.040
<v Speaker 3>Right?

0:28:32.200 --> 0:28:32.400
<v Speaker 2>Yeah?

0:28:32.520 --> 0:28:35.760
<v Speaker 4>Just like you do it sitcoms, right, and you shoot

0:28:35.880 --> 0:28:39.600
<v Speaker 4>each scene one or two times and then you move on.

0:28:40.280 --> 0:28:43.160
<v Speaker 5>So how do you learn all that dialogue within that period?

0:28:43.640 --> 0:28:48.120
<v Speaker 3>You hide your script in a sofa and you look.

0:28:48.040 --> 0:28:50.840
<v Speaker 2>At it really because that's before self.

0:28:51.000 --> 0:28:53.560
<v Speaker 4>Unless you really fuck something up, they're not going to

0:28:53.600 --> 0:28:56.760
<v Speaker 4>correct you. If you basically say the thing, they're going

0:28:56.840 --> 0:28:59.840
<v Speaker 4>to move on. Yeah, and also if you say the

0:28:59.880 --> 0:29:02.200
<v Speaker 4>words but your performances.

0:29:02.280 --> 0:29:03.200
<v Speaker 2>Never, we're going to move on.

0:29:05.360 --> 0:29:09.600
<v Speaker 3>So yeah, it's it's it's super fast and so you

0:29:10.000 --> 0:29:11.400
<v Speaker 3>you know, so you can do.

0:29:13.280 --> 0:29:16.400
<v Speaker 4>Five or five scenes in an hour or more, you know,

0:29:16.680 --> 0:29:18.680
<v Speaker 4>and so you just fly, fly, fly, and then when

0:29:18.680 --> 0:29:20.560
<v Speaker 4>they're done with that set, they move all the cameras

0:29:20.600 --> 0:29:22.520
<v Speaker 4>to the next set and they do all those scenes.

0:29:22.920 --> 0:29:25.360
<v Speaker 4>And you're shooting six episodes a week, so everything is

0:29:25.400 --> 0:29:27.760
<v Speaker 4>also from like different episodes. They would try to do

0:29:27.920 --> 0:29:30.920
<v Speaker 4>things like in order at least, like but you're just

0:29:31.040 --> 0:29:33.840
<v Speaker 4>jumping around. But it's also their short scenes and they're

0:29:34.000 --> 0:29:34.680
<v Speaker 4>very and a.

0:29:34.680 --> 0:29:36.400
<v Speaker 2>Couple of people in the scenes, so everybody kind of

0:29:36.440 --> 0:29:37.280
<v Speaker 2>balances line.

0:29:37.480 --> 0:29:40.640
<v Speaker 4>Yeah, yeah, there were, It wasn't like I don't remember

0:29:40.720 --> 0:29:45.440
<v Speaker 4>it being even No, it's like three four page scenes

0:29:45.840 --> 0:29:48.280
<v Speaker 4>it's they're short, and it's like, I.

0:29:48.320 --> 0:29:50.560
<v Speaker 1>Mean, look, let me tell you something. That was your

0:29:50.560 --> 0:29:53.200
<v Speaker 1>first introduction. They didn't feel as hard, but it's like

0:29:53.360 --> 0:29:54.040
<v Speaker 1>a very no.

0:29:54.360 --> 0:29:54.640
<v Speaker 3>No, no, no.

0:29:54.920 --> 0:29:57.160
<v Speaker 4>It was really hard, And I think the biggest thing

0:29:57.200 --> 0:30:00.800
<v Speaker 4>I learned was, you know, it wasn't just about the

0:30:00.920 --> 0:30:03.200
<v Speaker 4>performance part was really hard because there were a lot

0:30:03.240 --> 0:30:05.080
<v Speaker 4>of days I would leave and go I just did

0:30:05.120 --> 0:30:07.880
<v Speaker 4>the worst fucking acting money and that's going to be

0:30:07.960 --> 0:30:08.640
<v Speaker 4>on television.

0:30:10.200 --> 0:30:11.520
<v Speaker 2>I was like, what is this job?

0:30:11.880 --> 0:30:14.840
<v Speaker 4>Like I And I'm trying to figure it out. I'm watching, like,

0:30:15.160 --> 0:30:16.720
<v Speaker 4>you know, the vets that have been there for a

0:30:16.800 --> 0:30:18.400
<v Speaker 4>long time. Some of them are crazy.

0:30:18.440 --> 0:30:21.320
<v Speaker 3>They can just turn on water works like literally action

0:30:21.480 --> 0:30:24.160
<v Speaker 3>and they're like water coming down their face and they're

0:30:24.200 --> 0:30:26.560
<v Speaker 3>crying and you're just like, oh, they can just do

0:30:26.720 --> 0:30:29.320
<v Speaker 3>that like and you're so you're trying to figure out

0:30:29.400 --> 0:30:33.400
<v Speaker 3>like tricks basically for yourself. But the biggest thing I.

0:30:33.400 --> 0:30:37.280
<v Speaker 4>Think I learned was the working with so many cameras

0:30:37.600 --> 0:30:42.000
<v Speaker 4>and what that how that blocking is? And then the

0:30:42.120 --> 0:30:44.760
<v Speaker 4>biggest biggest thing I think I learned was it's like

0:30:44.840 --> 0:30:48.600
<v Speaker 4>a twenty person cast and a rotation of like seven

0:30:48.680 --> 0:30:53.640
<v Speaker 4>to ten directors and you're working with, and then you

0:30:53.760 --> 0:30:58.960
<v Speaker 4>never see the writers. You only see the head writer ever. Uh,

0:30:59.160 --> 0:31:01.960
<v Speaker 4>and then you're just working with all these different personalities,

0:31:02.320 --> 0:31:05.680
<v Speaker 4>And that to me was like the biggest best thing

0:31:05.720 --> 0:31:06.520
<v Speaker 4>I walked away from.

0:31:06.440 --> 0:31:12.080
<v Speaker 3>That job with just why because it was I mean,

0:31:12.160 --> 0:31:12.960
<v Speaker 3>toxic is like a.

0:31:13.000 --> 0:31:16.640
<v Speaker 2>Strong word, but I complex navigation.

0:31:16.800 --> 0:31:18.920
<v Speaker 4>It's a complex It was a very at twenty one

0:31:19.000 --> 0:31:22.280
<v Speaker 4>years old, a very complex thing to navigate of. Like

0:31:22.600 --> 0:31:25.000
<v Speaker 4>you had these older actors that had been there forever,

0:31:25.240 --> 0:31:27.480
<v Speaker 4>you had younger actors that were just starting out. You

0:31:27.600 --> 0:31:30.160
<v Speaker 4>had actors in the middle that, like, some were happy

0:31:30.200 --> 0:31:32.360
<v Speaker 4>to be there, some were fucking miserable to be there.

0:31:32.680 --> 0:31:36.520
<v Speaker 4>Like you just there were so many different dynamics going on,

0:31:36.960 --> 0:31:39.600
<v Speaker 4>and you're constant and you're not working. You're working with

0:31:39.680 --> 0:31:41.960
<v Speaker 4>the same people a lot, but you're also like thrown

0:31:42.000 --> 0:31:44.800
<v Speaker 4>into scenes with people you've never worked with before, and

0:31:44.840 --> 0:31:46.640
<v Speaker 4>then you're trying to figure that out. So I think

0:31:47.000 --> 0:31:51.040
<v Speaker 4>I felt like it made me, uh, sort of more

0:31:51.240 --> 0:31:56.160
<v Speaker 4>flexible and like leaning into just like maybe observing people

0:31:56.240 --> 0:31:58.720
<v Speaker 4>or you know what I mean, like when to hang back,

0:31:58.880 --> 0:32:01.560
<v Speaker 4>when to be a little bit more of like a

0:32:01.640 --> 0:32:04.520
<v Speaker 4>showman and like you know, entertain and like you know

0:32:04.840 --> 0:32:06.720
<v Speaker 4>how to kind of read a room, and you know

0:32:07.000 --> 0:32:10.320
<v Speaker 4>how to deal with someone that might be difficult, or

0:32:10.560 --> 0:32:13.320
<v Speaker 4>you know someone that's like screaming at props because they

0:32:13.320 --> 0:32:15.160
<v Speaker 4>don't know their lines and they're trying to stall, you

0:32:15.280 --> 0:32:17.840
<v Speaker 4>know what I mean, and like how to handle yourself

0:32:17.960 --> 0:32:19.120
<v Speaker 4>in those situations.

0:32:19.200 --> 0:32:22.440
<v Speaker 3>And I was so young, right, and I think nothing

0:32:22.520 --> 0:32:23.320
<v Speaker 3>shook me after that.

0:32:23.800 --> 0:32:27.000
<v Speaker 1>Yeah, because as soon as you enter the industry, the

0:32:27.160 --> 0:32:30.239
<v Speaker 1>industry was a fool of all these personalities, right.

0:32:31.840 --> 0:32:34.400
<v Speaker 3>I still see plenty of that as you go along.

0:32:34.680 --> 0:32:38.120
<v Speaker 4>And so I think for my first thing and then

0:32:38.280 --> 0:32:41.480
<v Speaker 4>when I did like Brooklyn nine nine, which was.

0:32:42.320 --> 0:32:45.400
<v Speaker 2>This, did you go from the soaps to that?

0:32:46.040 --> 0:32:48.200
<v Speaker 3>No, there was like six years in between.

0:32:48.040 --> 0:32:49.960
<v Speaker 2>Okay, and what happened in those six years.

0:32:50.000 --> 0:32:54.080
<v Speaker 3>Barely working of like recurring guest stars.

0:32:53.880 --> 0:32:55.560
<v Speaker 5>Collectors, Like what recurring?

0:32:56.160 --> 0:32:58.640
<v Speaker 3>I did a recurring on Gossip Girl?

0:33:00.040 --> 0:33:00.560
<v Speaker 5>Would you play?

0:33:01.040 --> 0:33:04.760
<v Speaker 4>I played a minion of Blair, a minion of Blair

0:33:05.440 --> 0:33:07.760
<v Speaker 4>during the Columbia school years. I think it was like

0:33:07.880 --> 0:33:11.880
<v Speaker 4>season six or something. I did like six or seven episodes.

0:33:13.440 --> 0:33:16.080
<v Speaker 4>It was very fun and that was like wild because

0:33:16.840 --> 0:33:21.000
<v Speaker 4>uh there there was they were such a hit show.

0:33:22.040 --> 0:33:23.920
<v Speaker 5>Oh yeah, that was like there would.

0:33:23.720 --> 0:33:28.280
<v Speaker 3>Be paparazzi when they'd shoot outside. There would be yeah,

0:33:28.760 --> 0:33:32.719
<v Speaker 3>gaggles of schoolgirls like outside the trailers, just like waiting

0:33:32.800 --> 0:33:35.800
<v Speaker 3>to see Layton or Blake, Like it was insane.

0:33:35.840 --> 0:33:38.480
<v Speaker 5>It was that for you, Like experiencing that for the

0:33:38.560 --> 0:33:40.000
<v Speaker 5>first time, I sort of.

0:33:40.160 --> 0:33:43.920
<v Speaker 4>Was like mesmerized by it all and I was like, Wow,

0:33:44.200 --> 0:33:50.320
<v Speaker 4>this is crazy, and it just felt like it felt like, uh,

0:33:50.720 --> 0:33:52.080
<v Speaker 4>I don't know, I don't know how. It's hard to

0:33:52.200 --> 0:33:54.719
<v Speaker 4>describe because it was like at that point they were

0:33:54.840 --> 0:33:57.160
<v Speaker 4>like a well oiled machine. They were just like making

0:33:57.280 --> 0:33:59.800
<v Speaker 4>the show, but it felt like everything was so much

0:33:59.840 --> 0:34:03.840
<v Speaker 4>more more about like the hype and the gossip girl

0:34:03.920 --> 0:34:07.120
<v Speaker 4>of it all, and you know, you be. I got

0:34:07.160 --> 0:34:09.080
<v Speaker 4>a little yelled at one time for like leaving my

0:34:09.280 --> 0:34:11.960
<v Speaker 4>sides on a chair, you know, like and that kind

0:34:12.000 --> 0:34:15.160
<v Speaker 4>of thing. And then there was one time sometimes they

0:34:15.160 --> 0:34:17.319
<v Speaker 4>would give me scripts and sometimes they wouldn't, and then

0:34:17.360 --> 0:34:19.160
<v Speaker 4>I had a scene that made no sense and I

0:34:19.520 --> 0:34:22.120
<v Speaker 4>you had an all and I had no script and I.

0:34:22.160 --> 0:34:23.720
<v Speaker 3>Was like, can I get a script? I don't understand

0:34:23.760 --> 0:34:24.720
<v Speaker 3>my scene. They were like, oh.

0:34:26.120 --> 0:34:28.640
<v Speaker 5>My god, and I was like what is there?

0:34:29.480 --> 0:34:29.640
<v Speaker 7>You know?

0:34:30.120 --> 0:34:33.000
<v Speaker 1>Was it also the contrast of doing that many scenes

0:34:33.040 --> 0:34:34.839
<v Speaker 1>and that many pages and a soap and then going

0:34:34.880 --> 0:34:36.400
<v Speaker 1>to do this guess.

0:34:36.200 --> 0:34:42.480
<v Speaker 3>Oh it felt easier, Yeah, easier two scenes today, you

0:34:42.560 --> 0:34:45.080
<v Speaker 3>know what I mean? Like one two cameras, like.

0:34:45.600 --> 0:34:47.520
<v Speaker 1>All right, Like then you go to a movie and

0:34:47.520 --> 0:34:49.600
<v Speaker 1>you shoot a three page scene for a week, you know,

0:34:50.160 --> 0:34:50.759
<v Speaker 1>Oh my god.

0:34:50.960 --> 0:34:53.560
<v Speaker 5>Yeah, it's like did you find the acting styles? Like

0:34:53.680 --> 0:34:54.320
<v Speaker 5>did you did you?

0:34:54.480 --> 0:34:56.839
<v Speaker 7>Did you feel that coming from a soap you had

0:34:56.880 --> 0:34:59.600
<v Speaker 7>a very specific acting style that you had to do there?

0:35:00.200 --> 0:35:03.120
<v Speaker 5>Did did you find it you had to adjust while

0:35:03.200 --> 0:35:04.399
<v Speaker 5>doing a show like well?

0:35:04.520 --> 0:35:06.920
<v Speaker 4>I did? In terms of Gossip Girl was very specific

0:35:06.960 --> 0:35:09.719
<v Speaker 4>because they had a very specific cadence to the dialogue

0:35:09.760 --> 0:35:11.960
<v Speaker 4>on that show and you had to be word perfect.

0:35:12.400 --> 0:35:16.560
<v Speaker 3>Oh really you dropped the or an and they would

0:35:16.560 --> 0:35:16.759
<v Speaker 3>tell you.

0:35:16.840 --> 0:35:19.239
<v Speaker 4>They would tell you, so you had to be the

0:35:19.320 --> 0:35:22.520
<v Speaker 4>word perfect and everyone just there was that there was

0:35:22.600 --> 0:35:25.200
<v Speaker 4>like a musicality of cadence to that show that I

0:35:25.440 --> 0:35:27.440
<v Speaker 4>could sort it that I heard when I was watching

0:35:27.520 --> 0:35:30.960
<v Speaker 4>the show before I did it, and uh, and then

0:35:31.000 --> 0:35:34.640
<v Speaker 4>when I got there, I remember they were like because

0:35:34.640 --> 0:35:37.920
<v Speaker 4>our first episode was almost like an audition, and they

0:35:37.960 --> 0:35:40.360
<v Speaker 4>were like basically like if we like you, guys, if

0:35:40.400 --> 0:35:41.520
<v Speaker 4>you do well today, we're going.

0:35:41.520 --> 0:35:45.000
<v Speaker 2>To bring you back. I community around.

0:35:44.719 --> 0:35:47.200
<v Speaker 3>The no pressure and they were like, oh, by the way,

0:35:47.800 --> 0:35:49.040
<v Speaker 3>don't drop any words.

0:35:48.880 --> 0:35:50.840
<v Speaker 5>All right, So they told you that, right?

0:35:50.960 --> 0:35:51.120
<v Speaker 6>Yeah?

0:35:51.200 --> 0:35:52.560
<v Speaker 3>Yeah, I believe they did tell us.

0:35:52.600 --> 0:35:55.560
<v Speaker 2>And what's crazy is that it was Gossip Girl. Yeah,

0:35:55.680 --> 0:35:57.000
<v Speaker 2>and it was like just chill out.

0:36:04.840 --> 0:36:07.640
<v Speaker 4>I definitely like during my time there was a little

0:36:07.840 --> 0:36:10.400
<v Speaker 4>got a little like disenchanted with like is it like

0:36:10.520 --> 0:36:11.720
<v Speaker 4>this on every show?

0:36:12.239 --> 0:36:13.680
<v Speaker 3>And do I want to do this?

0:36:14.480 --> 0:36:17.480
<v Speaker 4>Like M going to be happy and fulfilled doing this.

0:36:18.960 --> 0:36:22.880
<v Speaker 4>But then, you know, like life sends you things sometimes

0:36:22.960 --> 0:36:25.120
<v Speaker 4>when you most need them. I was like at a

0:36:25.200 --> 0:36:27.800
<v Speaker 4>low point and I booked a guest star on Royal Pains.

0:36:29.560 --> 0:36:33.239
<v Speaker 2>Yeah, with with Mark is a gift? Can we talk

0:36:33.280 --> 0:36:33.719
<v Speaker 2>about Mark?

0:36:33.760 --> 0:36:35.760
<v Speaker 3>Can we talk about Mark? Can we please?

0:36:35.800 --> 0:36:36.480
<v Speaker 2>Do you break it down?

0:36:38.320 --> 0:36:41.200
<v Speaker 3>I have wanted to see him in person ever since

0:36:41.320 --> 0:36:42.359
<v Speaker 3>this because.

0:36:42.040 --> 0:36:44.440
<v Speaker 2>I was like, they're rebooting it and he's coming back.

0:36:45.360 --> 0:36:45.799
<v Speaker 2>Oh my god.

0:36:45.840 --> 0:36:46.080
<v Speaker 3>Okay.

0:36:46.239 --> 0:36:48.719
<v Speaker 4>Mark is the kind of number one on the call

0:36:48.800 --> 0:36:53.960
<v Speaker 4>sheet that arrives, knows everyone's name on the creuse, everyone

0:36:54.320 --> 0:36:57.680
<v Speaker 4>everyone's name is, you know, going up to a grip

0:36:57.719 --> 0:36:59.680
<v Speaker 4>and being like, how is your daughter's birthday party, like

0:37:00.080 --> 0:37:04.960
<v Speaker 4>the best fucking guy completely memorized, has like this crazy

0:37:05.360 --> 0:37:08.680
<v Speaker 4>monologue medical monologue that he's doing like first up in

0:37:08.719 --> 0:37:11.239
<v Speaker 4>the day and like spits it out and likes so

0:37:11.440 --> 0:37:12.840
<v Speaker 4>collaborative with everyone.

0:37:13.640 --> 0:37:15.880
<v Speaker 3>My storyline, there was like a few of us. It

0:37:16.040 --> 0:37:17.960
<v Speaker 3>was like a it was like a girl that crashed

0:37:18.000 --> 0:37:20.239
<v Speaker 3>on like a jet ski and he saves me and

0:37:20.360 --> 0:37:21.919
<v Speaker 3>then we're like part of this little party group.

0:37:21.960 --> 0:37:24.319
<v Speaker 4>So there's like five guest stars and this learns all

0:37:24.360 --> 0:37:27.640
<v Speaker 4>our names every time we're sitting, you know. Sometimes guest

0:37:27.680 --> 0:37:31.640
<v Speaker 4>stars are set like yeah, a little separated like regulars. Yeah,

0:37:32.440 --> 0:37:34.960
<v Speaker 4>would come over and talk to us and just it

0:37:35.120 --> 0:37:38.840
<v Speaker 4>was the loveliest week and everyone was so happy on

0:37:39.400 --> 0:37:42.800
<v Speaker 4>set and having so much fun and it felt creative

0:37:43.040 --> 0:37:43.560
<v Speaker 4>and fun.

0:37:43.840 --> 0:37:48.319
<v Speaker 3>And I was like, oh, this was in New York. Yeah,

0:37:49.200 --> 0:37:50.880
<v Speaker 3>And I was like, if this is what it's like,

0:37:51.320 --> 0:37:55.960
<v Speaker 3>this is what could be like in I'm so in.

0:37:57.480 --> 0:38:02.360
<v Speaker 4>And that experience was so magical because I felt like

0:38:02.640 --> 0:38:07.800
<v Speaker 4>it gave me something to visualize to like hope and

0:38:07.920 --> 0:38:11.239
<v Speaker 4>dream for. And it's actually what materialized on Brooklyn nine nine.

0:38:11.880 --> 0:38:13.719
<v Speaker 4>Like that was the vibe we had. And when when

0:38:13.760 --> 0:38:16.200
<v Speaker 4>Brooklyn first started, I remember thinking, oh my god, I

0:38:16.280 --> 0:38:19.360
<v Speaker 4>got my role pains, like this is that vibe? What?

0:38:19.520 --> 0:38:20.400
<v Speaker 5>And why do you think that is?

0:38:20.480 --> 0:38:23.440
<v Speaker 7>Melissa, Like, like, how do you think a vibe like

0:38:23.520 --> 0:38:25.960
<v Speaker 7>that is created? Do you feel that it's created from

0:38:26.000 --> 0:38:28.960
<v Speaker 7>the top and it trickles down like who dictates?

0:38:29.320 --> 0:38:30.399
<v Speaker 5>Like I'm Brooklyn nine nine?

0:38:30.480 --> 0:38:30.600
<v Speaker 6>Right?

0:38:30.760 --> 0:38:32.080
<v Speaker 5>Was it was it? And like who who?

0:38:33.120 --> 0:38:34.080
<v Speaker 3>It was? Andy and Andre?

0:38:34.920 --> 0:38:38.120
<v Speaker 4>So every it was Andy and Andre and and I

0:38:38.200 --> 0:38:43.520
<v Speaker 4>think to an extent the showrunners, you know, and like yeah,

0:38:43.760 --> 0:38:45.960
<v Speaker 4>and they and they also are like this, this is

0:38:46.000 --> 0:38:50.040
<v Speaker 4>a no asshole space, you know, Like but when you

0:38:50.239 --> 0:38:54.640
<v Speaker 4>have the number one and the number two being so gracious,

0:38:54.840 --> 0:38:58.520
<v Speaker 4>so kind to everybody walking on set, greeting the crew,

0:38:58.840 --> 0:39:02.000
<v Speaker 4>treating everyone with respect. Act when a guest star rolls through,

0:39:02.160 --> 0:39:04.799
<v Speaker 4>no matter how big a star they are, they see

0:39:04.880 --> 0:39:09.879
<v Speaker 4>that and there's no room for tomw Like, no one's

0:39:09.920 --> 0:39:10.920
<v Speaker 4>gonna try ship.

0:39:19.920 --> 0:39:23.319
<v Speaker 1>In your show speaking of Brooklyn, and what is very

0:39:23.400 --> 0:39:26.080
<v Speaker 1>evident is that you were doing something that felt like

0:39:26.200 --> 0:39:30.040
<v Speaker 1>the first time of something in a long time on television,

0:39:30.440 --> 0:39:34.160
<v Speaker 1>like tonally, to be that kind of outgoing and innovative

0:39:34.200 --> 0:39:35.719
<v Speaker 1>to say, hey, we're gonna do a show about this,

0:39:36.680 --> 0:39:40.120
<v Speaker 1>you know, it's like there's elements, there's elements of things

0:39:40.160 --> 0:39:43.480
<v Speaker 1>that really effortlessly worked in some amazing comedies, and they

0:39:43.480 --> 0:39:46.680
<v Speaker 1>were all combined into one formula, and then you had

0:39:46.760 --> 0:39:50.080
<v Speaker 1>the perfect cast that was so liberated by just trying

0:39:50.400 --> 0:39:54.200
<v Speaker 1>things that that's what it really came across. That it

0:39:54.320 --> 0:39:57.080
<v Speaker 1>was you guys are were out there just you're not

0:39:57.200 --> 0:39:59.520
<v Speaker 1>going to give up until it was funny. Yeah, you know,

0:39:59.719 --> 0:40:01.360
<v Speaker 1>and I and it was that's that's what that was.

0:40:01.440 --> 0:40:03.279
<v Speaker 1>Grouper evident. Do you feel like that's kind of the

0:40:03.440 --> 0:40:06.439
<v Speaker 1>environment that the producers and the showrunners they're like, let's

0:40:06.520 --> 0:40:08.200
<v Speaker 1>let's try this line or let's try this thing, Like

0:40:08.360 --> 0:40:10.799
<v Speaker 1>let's like wire, you guys say, improving at times, We.

0:40:10.880 --> 0:40:13.279
<v Speaker 4>Were improving at times, and we would do a lot

0:40:13.360 --> 0:40:16.319
<v Speaker 4>of alts, And again I think that tone was set

0:40:16.400 --> 0:40:19.640
<v Speaker 4>by Dan and by Andy too. Like Andy, if Andy

0:40:19.760 --> 0:40:23.880
<v Speaker 4>hears something in a in a scene that's not working,

0:40:24.400 --> 0:40:27.280
<v Speaker 4>that's not as funny as it could be, he cannot

0:40:27.400 --> 0:40:30.880
<v Speaker 4>let he cannot move on, you know. And he would

0:40:30.920 --> 0:40:35.880
<v Speaker 4>pinpoint moments and he would pinpoint just dynamics that needed

0:40:36.320 --> 0:40:39.719
<v Speaker 4>needed tweaks and needed reworking. And that was my Those

0:40:39.760 --> 0:40:42.480
<v Speaker 4>were my favorite moments, right like, that's what I love

0:40:42.560 --> 0:40:47.480
<v Speaker 4>about single camera comedy, is like if something's not feeling

0:40:47.640 --> 0:40:51.719
<v Speaker 4>right or landing, everyone just kind of comes together and

0:40:51.920 --> 0:40:53.160
<v Speaker 4>is like, what what can we do?

0:40:53.360 --> 0:40:55.160
<v Speaker 3>You know, should we play? Should we improv? Should we

0:40:55.320 --> 0:40:55.480
<v Speaker 3>you know?

0:40:55.760 --> 0:40:57.640
<v Speaker 4>The writer comes with an alt like well we had

0:40:57.719 --> 0:40:59.719
<v Speaker 4>this idea, you know what I mean, And it's like

0:40:59.800 --> 0:41:02.320
<v Speaker 4>all these people coming together, and then you just fucking

0:41:02.400 --> 0:41:04.680
<v Speaker 4>try ship. Then you try like three different versions of

0:41:04.719 --> 0:41:08.320
<v Speaker 4>the thing, and sometimes you find something crazy magical that

0:41:08.400 --> 0:41:10.279
<v Speaker 4>you're like, oh my, you know where you say cut

0:41:10.360 --> 0:41:13.239
<v Speaker 4>and the whole crew laughs and it's the best.

0:41:13.680 --> 0:41:13.840
<v Speaker 7>You know.

0:41:13.960 --> 0:41:17.520
<v Speaker 4>It's like such a high and and he really from

0:41:17.640 --> 0:41:19.879
<v Speaker 4>day one like set that tone. Like I remember when

0:41:19.920 --> 0:41:22.000
<v Speaker 4>we did the pilot, he was there every day, like

0:41:22.160 --> 0:41:24.520
<v Speaker 4>he took his producer role like so seriously.

0:41:25.760 --> 0:41:27.440
<v Speaker 2>Also for him, the stakes were really high.

0:41:27.440 --> 0:41:29.000
<v Speaker 3>I mean yeah, he was just coming off that snel.

0:41:29.239 --> 0:41:35.840
<v Speaker 5>He was like, is that where you met Stephanie was

0:41:35.880 --> 0:41:36.319
<v Speaker 5>on the show?

0:41:36.560 --> 0:41:40.920
<v Speaker 4>Yeah, yeah, So Stephanie and I we got cast and

0:41:41.040 --> 0:41:42.640
<v Speaker 4>at the time, like you guys were saying, you know,

0:41:42.719 --> 0:41:45.360
<v Speaker 4>it was always just one this for us, this was

0:41:45.440 --> 0:41:47.200
<v Speaker 4>like we were like, this is really the first time

0:41:47.239 --> 0:41:51.120
<v Speaker 4>they've had two Latin latinas on one show and we

0:41:51.239 --> 0:41:55.160
<v Speaker 4>were freaking out and we both knew Gina Rodriguez. So

0:41:55.360 --> 0:42:00.160
<v Speaker 4>when we booked the pilot, Gina, uh, if you even

0:42:00.239 --> 0:42:03.840
<v Speaker 4>been on like Facebook, like this is like pre Instagram,

0:42:04.000 --> 0:42:04.360
<v Speaker 4>right like.

0:42:05.239 --> 0:42:08.239
<v Speaker 8>Yeah, like mighty yeah yeah, like like dm us both

0:42:08.280 --> 0:42:10.360
<v Speaker 8>and was like, hey, I know you both, and you

0:42:10.440 --> 0:42:14.279
<v Speaker 8>both just booked this thing, and we exchanged numbers through that,

0:42:14.640 --> 0:42:20.400
<v Speaker 8>and then we were so scared about them deciding to

0:42:20.440 --> 0:42:23.320
<v Speaker 8>get rid of one of us that for the Network

0:42:23.400 --> 0:42:26.760
<v Speaker 8>table read, we decided to wear our hair very differently

0:42:26.960 --> 0:42:27.560
<v Speaker 8>because we were.

0:42:27.480 --> 0:42:31.560
<v Speaker 6>Afraid they would confuse us, even though we looked nothing alike,

0:42:32.200 --> 0:42:36.000
<v Speaker 6>right right, No, and we both have wavy hair, and

0:42:37.000 --> 0:42:40.640
<v Speaker 6>I remember like we talked about it and we were like, yeah,

0:42:40.920 --> 0:42:43.279
<v Speaker 6>how and she was like, well, I'm definitely gonna dress

0:42:43.280 --> 0:42:44.839
<v Speaker 6>in all black, and I was like, yeah, I'm gonna

0:42:44.840 --> 0:42:47.280
<v Speaker 6>wear like maybe I'll wear white, like something light colored.

0:42:47.800 --> 0:42:49.279
<v Speaker 4>And then I was like, maybe we could do our

0:42:49.400 --> 0:42:52.880
<v Speaker 4>hair different and she was like, well, she was like,

0:42:53.000 --> 0:42:55.520
<v Speaker 4>my curls don't really Like I was like, my hair straightens.

0:42:55.680 --> 0:42:58.040
<v Speaker 4>I can straighten my hair. I was like, I'll wear

0:42:58.080 --> 0:43:00.320
<v Speaker 4>my hair straight. And that's literally the reason why Amy

0:43:00.400 --> 0:43:03.239
<v Speaker 4>has straight hair on the show and Rosa has big,

0:43:03.320 --> 0:43:06.520
<v Speaker 4>curly hair is because from the beginning we just no

0:43:06.640 --> 0:43:09.919
<v Speaker 4>one told us to but me behind the scenes made

0:43:09.960 --> 0:43:13.040
<v Speaker 4>that decision out of fear, because we just wanted to

0:43:13.120 --> 0:43:14.480
<v Speaker 4>look very, very different.

0:43:14.640 --> 0:43:17.600
<v Speaker 1>So you're providing two different perspectives of two different characters.

0:43:17.640 --> 0:43:19.200
<v Speaker 1>By the way, your characters can not be more different,

0:43:19.239 --> 0:43:20.280
<v Speaker 1>but more different.

0:43:20.960 --> 0:43:22.680
<v Speaker 3>We sound different, we look different.

0:43:22.719 --> 0:43:26.000
<v Speaker 4>But at the time we were just so used to like,

0:43:26.200 --> 0:43:29.200
<v Speaker 4>oh there's already we already have a Latin character, or

0:43:29.360 --> 0:43:33.360
<v Speaker 4>like people just you know, confusing you like.

0:43:33.600 --> 0:43:37.319
<v Speaker 5>Out of fear, but it was also rooted in reality, right, Yeah,

0:43:37.320 --> 0:43:38.080
<v Speaker 5>it was a little bit.

0:43:38.640 --> 0:43:40.160
<v Speaker 2>This is how it goes to point.

0:43:40.040 --> 0:43:42.120
<v Speaker 3>Out like no one ever does this, like someone's going

0:43:42.200 --> 0:43:43.080
<v Speaker 3>to change their minds.

0:43:43.320 --> 0:43:45.120
<v Speaker 1>I got to point out something that's like you know,

0:43:45.200 --> 0:43:48.120
<v Speaker 1>we we we should have a moment for it to

0:43:48.200 --> 0:43:53.439
<v Speaker 1>echo for a second, that the two Latina actresses talk

0:43:53.520 --> 0:43:56.720
<v Speaker 1>to one another instead of the clearing a competition, who.

0:43:56.600 --> 0:43:59.719
<v Speaker 5>Stays yeah, yeah and yeah.

0:44:00.120 --> 0:44:02.239
<v Speaker 1>In the common world where they only get one like

0:44:02.920 --> 0:44:05.920
<v Speaker 1>and most people have resources or opportunities, and they're like,

0:44:06.160 --> 0:44:07.600
<v Speaker 1>I don't know where I'm going to get this next,

0:44:07.640 --> 0:44:08.840
<v Speaker 1>so I can't share with anyone.

0:44:10.239 --> 0:44:11.640
<v Speaker 2>That's the thing that we have to learn from.

0:44:12.120 --> 0:44:12.279
<v Speaker 3>You know.

0:44:12.400 --> 0:44:14.279
<v Speaker 1>The example of the two of you coming together and

0:44:14.360 --> 0:44:16.200
<v Speaker 1>be like, how do we both stay here? How do

0:44:16.320 --> 0:44:19.239
<v Speaker 1>we set ourselves for success? Is where I feel like

0:44:19.280 --> 0:44:22.520
<v Speaker 1>a community really needs to continue to resonate, like it's

0:44:22.600 --> 0:44:23.320
<v Speaker 1>not a company.

0:44:23.600 --> 0:44:26.040
<v Speaker 3>Never even thought about how that could have Yeah, you're right.

0:44:26.040 --> 0:44:27.000
<v Speaker 2>Gone to souse.

0:44:27.040 --> 0:44:29.560
<v Speaker 3>You could have not talked to each other, right like

0:44:29.920 --> 0:44:31.760
<v Speaker 3>the table read yeah yeah.

0:44:31.719 --> 0:44:33.440
<v Speaker 2>Or not be Caddy, but just like in the back

0:44:33.480 --> 0:44:34.600
<v Speaker 2>of your mind also like.

0:44:34.680 --> 0:44:35.480
<v Speaker 3>You could be Caddy.

0:44:35.680 --> 0:44:36.640
<v Speaker 2>Yeah, you know what I mean?

0:44:36.840 --> 0:44:38.400
<v Speaker 3>Like could there are people that might have.

0:44:38.480 --> 0:44:40.799
<v Speaker 4>The perspective of, like I'm a show up. Make sure

0:44:40.800 --> 0:44:43.239
<v Speaker 4>I'm funnier than her, right, you know what I mean,

0:44:43.320 --> 0:44:45.719
<v Speaker 4>that I outshine her, like just in case they get

0:44:45.800 --> 0:44:47.320
<v Speaker 4>rid of one of us, they're going to keep me,

0:44:47.640 --> 0:44:51.080
<v Speaker 4>like you know, but we that never even occurred to us.

0:44:51.239 --> 0:44:51.800
<v Speaker 3>We clung.

0:44:52.280 --> 0:44:54.719
<v Speaker 4>The reason we got so close so fast was we

0:44:54.840 --> 0:44:59.239
<v Speaker 4>were both new to like this was both our first show.

0:45:00.080 --> 0:45:02.840
<v Speaker 4>It really yeah, it was both our first show and

0:45:04.160 --> 0:45:09.080
<v Speaker 4>both first time seeing two Latin characters on a network show.

0:45:09.320 --> 0:45:11.279
<v Speaker 3>And we just like clung to each other.

0:45:11.520 --> 0:45:13.720
<v Speaker 4>Yeah, we were just like we are going to survive

0:45:13.800 --> 0:45:16.719
<v Speaker 4>this by like holding onto each other for dear life,

0:45:18.200 --> 0:45:19.359
<v Speaker 4>and that's what we did.

0:45:19.800 --> 0:45:22.600
<v Speaker 7>And but but but there's also you two have this

0:45:22.800 --> 0:45:28.120
<v Speaker 7>incredible chemistry, right, Like was that instantaneous? Was that something

0:45:28.239 --> 0:45:30.600
<v Speaker 7>that I mean really like I'm not saying this to

0:45:30.719 --> 0:45:33.160
<v Speaker 7>like blow smoke up your ass, right, but like I

0:45:33.200 --> 0:45:35.799
<v Speaker 7>remember hanging out with when us four hung out in.

0:45:35.840 --> 0:45:39.560
<v Speaker 5>Austin, I was like, whoa, they're really they really have

0:45:39.760 --> 0:45:43.120
<v Speaker 5>that chemistry like in real life. Yeah, it was. It

0:45:43.239 --> 0:45:46.719
<v Speaker 5>was very Laverne and surely very like and I mean

0:45:46.800 --> 0:45:47.600
<v Speaker 5>that in the most.

0:45:47.480 --> 0:45:48.840
<v Speaker 3>Time, so different.

0:45:49.040 --> 0:45:55.120
<v Speaker 4>We're so different Jesus, like Texas girl, like I'm from Jersey,

0:45:55.640 --> 0:45:59.680
<v Speaker 4>Like we could not we have different we have different tastes,

0:45:59.719 --> 0:46:02.719
<v Speaker 4>we have different But but yeah, like the chemistry was

0:46:02.760 --> 0:46:04.719
<v Speaker 4>always there, like we.

0:46:04.800 --> 0:46:08.040
<v Speaker 1>Would there's a DNA structure you guys are connected to,

0:46:08.680 --> 0:46:11.280
<v Speaker 1>you know, like the esthetics and the and the interest

0:46:11.360 --> 0:46:14.920
<v Speaker 1>could be different. There isn't like there's like a sisterhood

0:46:14.960 --> 0:46:16.280
<v Speaker 1>that's like rooted in blood.

0:46:17.280 --> 0:46:20.160
<v Speaker 2>Yeah, it's just it's like a soulful.

0:46:19.960 --> 0:46:21.839
<v Speaker 3>Kid is like we knew each other in a different life.

0:46:22.560 --> 0:46:23.960
<v Speaker 3>That is the feeling.

0:46:24.239 --> 0:46:27.359
<v Speaker 4>Yes, for sure, And we definitely have when it comes

0:46:27.400 --> 0:46:31.040
<v Speaker 4>to comedy, we're very aligned, like the same shit makes

0:46:31.120 --> 0:46:34.680
<v Speaker 4>us laugh. And I think also we both started in

0:46:34.800 --> 0:46:39.319
<v Speaker 4>theater and so we had kind of similar coming up.

0:46:39.840 --> 0:46:42.200
<v Speaker 4>The seventies was a little different because she stayed in

0:46:42.360 --> 0:46:44.919
<v Speaker 4>theater for longer and kind of just did some little

0:46:44.960 --> 0:46:47.200
<v Speaker 4>guest stars and then like got Brooklyn. So she was

0:46:47.320 --> 0:46:52.719
<v Speaker 4>like very very very new to television, whereas I had

0:46:53.480 --> 0:46:55.040
<v Speaker 4>worked a little bit more in TV.

0:46:55.320 --> 0:46:57.200
<v Speaker 3>So like in the very beginning was.

0:46:57.280 --> 0:47:00.360
<v Speaker 4>Like, you know, like whispering that, you know, like like

0:47:00.480 --> 0:47:02.640
<v Speaker 4>this is you know, the cameras over there, like do this,

0:47:02.840 --> 0:47:07.600
<v Speaker 4>you know, like technical things. But I also just thought

0:47:07.680 --> 0:47:10.400
<v Speaker 4>she was such an extraordinary actress and she was so

0:47:10.680 --> 0:47:15.239
<v Speaker 4>freaking funny, and you know she was like so had

0:47:15.320 --> 0:47:19.440
<v Speaker 4>that character, like the voice, the way she stood, the

0:47:19.520 --> 0:47:21.480
<v Speaker 4>way she wore those leather pants, like.

0:47:21.640 --> 0:47:24.960
<v Speaker 1>Everything was character trade she built for It is amazing

0:47:25.040 --> 0:47:29.080
<v Speaker 1>and so reminder of our audiences. Stephanie Beatrice, uh you know,

0:47:29.239 --> 0:47:31.840
<v Speaker 1>coach star in Brooklyn nine nine. She went on to

0:47:31.920 --> 0:47:34.320
<v Speaker 1>do some extraordinary roles and in the Heights she was

0:47:34.400 --> 0:47:36.480
<v Speaker 1>made a Vela and Kanto. I had the honor of

0:47:36.560 --> 0:47:40.480
<v Speaker 1>playing her father on Encanto. And she's just a gifted singer.

0:47:41.120 --> 0:47:45.920
<v Speaker 3>She very gifted sing singers. She has the opposite story.

0:47:46.280 --> 0:47:48.600
<v Speaker 3>She didn't think she was a singer. And I was like,

0:47:48.800 --> 0:47:52.120
<v Speaker 3>you're a freaking singer. You better fucking audition during the heights.

0:47:52.640 --> 0:47:53.919
<v Speaker 3>I've heard you sing on set.

0:47:54.600 --> 0:47:55.160
<v Speaker 5>You could sing?

0:47:55.360 --> 0:47:56.560
<v Speaker 2>Yes, yes, yes, yes.

0:47:56.600 --> 0:47:57.399
<v Speaker 5>She was like, no, I can't.

0:47:57.440 --> 0:47:59.279
<v Speaker 3>I was like, no, trust me as someone who thought

0:47:59.320 --> 0:48:00.880
<v Speaker 3>she could sing, and then was with you.

0:48:00.960 --> 0:48:03.239
<v Speaker 1>I mean, bro like the fact that she's saying all

0:48:03.320 --> 0:48:08.600
<v Speaker 1>those uh linn Manuel Miranda composed and lyrical songs.

0:48:08.920 --> 0:48:10.360
<v Speaker 2>Those songs are very.

0:48:10.800 --> 0:48:15.080
<v Speaker 3>Very hard to see our generation song time. It is

0:48:15.160 --> 0:48:16.600
<v Speaker 3>not easy to sing his songs.

0:48:16.719 --> 0:48:19.840
<v Speaker 1>So she's so reflecting on the both of you. Now

0:48:19.880 --> 0:48:23.040
<v Speaker 1>we're talking about both of your chemistry. You both host

0:48:23.120 --> 0:48:25.399
<v Speaker 1>a show called More Better, More Better.

0:48:26.000 --> 0:48:26.920
<v Speaker 2>So I'd like to talk.

0:48:26.840 --> 0:48:30.960
<v Speaker 1>About More Better next because it's not only a sister

0:48:31.520 --> 0:48:35.640
<v Speaker 1>podcast to us, but it's also one of the biggest

0:48:35.719 --> 0:48:38.320
<v Speaker 1>hits and Michael to the podcast network. So excited to

0:48:38.760 --> 0:48:41.120
<v Speaker 1>hear how that came about, and uh and the gift

0:48:41.200 --> 0:48:43.000
<v Speaker 1>that you guys have brought to the people who are

0:48:43.320 --> 0:48:47.520
<v Speaker 1>in search of more Better. Wilmer Valderramai Rodriguez and this

0:48:47.719 --> 0:48:50.600
<v Speaker 1>was part one of two parts with Melissa for Meto.

0:48:55.520 --> 0:48:59.400
<v Speaker 7>Those Amigos is a production from WV Sound and iHeartMedia's

0:48:59.520 --> 0:49:01.560
<v Speaker 7>Michael That podcast network hosting