WEBVTT - Ask Us Anything Part 2

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<v Speaker 1>And that's what you really missed with Jenna and Kevin

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<v Speaker 1>an iHeartRadio podcast. Welcome to you, and that's why you

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<v Speaker 1>really missed ask me anything part I don't know, we've

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<v Speaker 1>done asked me anythings with Ryan and what kind of

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<v Speaker 1>and Jane and are So this is version one thousand. Yeah,

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<v Speaker 1>that's just another one, another one. Okay, thank you for

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<v Speaker 1>submitting all your questions. Again, we got thousands, so many questions.

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<v Speaker 1>So many do you need to despite some people just

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<v Speaker 1>write in people's names. It's like Cord Danna darn right. Okay,

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<v Speaker 1>that's not a question. But yes, I agree. Um, let's

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<v Speaker 1>let's let's just speed round, Jenna, let's get to as

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<v Speaker 1>many of these as possible. Whoa, Okay, let's go. Yeah,

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<v Speaker 1>let's give the people what they want. Jenna. Were you

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<v Speaker 1>aware of all the Glee merch? We were not. I mean,

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<v Speaker 1>there are some things that we saw and obviously on

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<v Speaker 1>or we saw some things, but um, the amount of

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<v Speaker 1>things that I'm learning about now that are out there, it's, um,

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<v Speaker 1>it's mind blowing. So no, I was not. I was not. Um, Kevin, Yes,

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<v Speaker 1>what song would Artie and Tina sing if there was

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<v Speaker 1>a reboot? Oh oh um, oh man, what god, what

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<v Speaker 1>do you think? Um? I don't hear what were we

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<v Speaker 1>sign good together on? Well? What's in the top forty

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<v Speaker 1>right now? I mean, oh, I don't know, Like I

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<v Speaker 1>would love that would be funny. Yeah, I think you're right.

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<v Speaker 1>I think you're probably right. That's yeah. You know, sometimes

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<v Speaker 1>it's just you hear it and you're like, oh yeah,

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<v Speaker 1>of course. Um did the cast ever break while filming

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<v Speaker 1>where you had to stop so you could stop laughing? Absolutely,

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<v Speaker 1>but not that often. The one that comes to mind

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<v Speaker 1>for me is fix You. Yes see, this is why

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<v Speaker 1>we tried not to happen have it happened, because we

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<v Speaker 1>would get in trouble. We do get in trouble. We

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<v Speaker 1>were filming Fix You, and that has to do this,

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<v Speaker 1>like you know, he's the lead on vocal on it,

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<v Speaker 1>and we're in the background doing the ooze, and we

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<v Speaker 1>all decided to do basically what Leah's bad singing from

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<v Speaker 1>Laryngite is, but all off key behind Matt as he's

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<v Speaker 1>got a cry and we're all futzing around because like

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<v Speaker 1>we don't have anything to do really, and we are

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<v Speaker 1>singing really poorly. Everybody is laughing so hard. Our shoulders

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<v Speaker 1>are shaking, probably probably see it. And because everyone else

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<v Speaker 1>was actually keeping their faces and everything was fine, I

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<v Speaker 1>was the one whose shoulders were like convulsive and I

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<v Speaker 1>couldn't had nowhere else to go. I didn't know what

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<v Speaker 1>to do. She's like Kevin, like she was right behind me.

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<v Speaker 1>It's got so mad at us, and I was crying.

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<v Speaker 1>I was. There were tears stream I mean tears streamed

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<v Speaker 1>on your face. Doing is directed Kevin. Do you have

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<v Speaker 1>any anger towards Ryan for how hard you worked? I

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<v Speaker 1>can only speak for me. I don't. I think with

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<v Speaker 1>the hindsight, I was always very of the mind, and

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<v Speaker 1>I think maybe this is probably the wrong mentality, just

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<v Speaker 1>because of how I grew up at a young age

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<v Speaker 1>in the music business of just say yes and be

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<v Speaker 1>grateful for the work, and if they're running you into

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<v Speaker 1>the ground, it's fine. I was so happy to have

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<v Speaker 1>a paycheck and be able to afford rent, and you know,

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<v Speaker 1>all those sorts of things. I think we've had really

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<v Speaker 1>good conversations with him now where he looks back in

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<v Speaker 1>hindsight and realizes how it did not need to be

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<v Speaker 1>the way that it was. But I don't know. I

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<v Speaker 1>am empathetic towards you are a showrunner slash writer, and

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<v Speaker 1>then all of a sudden you are put in charge

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<v Speaker 1>of this billion dollar brand, and I don't think correct

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<v Speaker 1>anyone is trained for that, and I don't think that's

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<v Speaker 1>ever going to be perfect. Now does that mean? I

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<v Speaker 1>don't know? I don't know. I feel like there's a

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<v Speaker 1>gray area and thereof everybody could have been better, done better.

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<v Speaker 1>But I don't have any sort of anger towards him

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<v Speaker 1>for that. Well said, you know, did you do you

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<v Speaker 1>have any anger towards him or do you just want

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<v Speaker 1>to let me answer that? No, I you know, I didn't.

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<v Speaker 1>I don't think I had anger towards him about that.

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<v Speaker 1>I think the bigger thing for me was like when

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<v Speaker 1>he kind of went away, right and he had to

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<v Speaker 1>go do his other stuff, and it felt like the

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<v Speaker 1>show kind of faltered because when he went in some ways,

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<v Speaker 1>and now that we've had these you know, wonderful honest

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<v Speaker 1>chats with him, and as you said, like he wasn't

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<v Speaker 1>equipped or traded. There was no camp to go to

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<v Speaker 1>how to show run, you know, and like manage a

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<v Speaker 1>billion or multimillion dollar show. I definitely feel like I've

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<v Speaker 1>found my um my closure and my like kind of

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<v Speaker 1>therapy with him and being able to share our honest,

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<v Speaker 1>you know, feelings of where we all were. So I mean,

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<v Speaker 1>he's not lying when he says when he comes on

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<v Speaker 1>here and says, this is like therapy working at all

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<v Speaker 1>out in real time. Well, and also there's just no

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<v Speaker 1>mental there was no talk of mental health in the workplace,

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<v Speaker 1>like we keep saying that, Like had that been a thing,

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<v Speaker 1>I think we all would have been able to have honest,

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<v Speaker 1>open conversations where it didn't come from a place where

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<v Speaker 1>you're like, I'm complaining, I'm not ungrateful, I'm feeling so

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<v Speaker 1>because back then it felt like because we were in

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<v Speaker 1>such a position of privilege in many ways that if

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<v Speaker 1>we were complaining, we were assholes, you know, and like

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<v Speaker 1>how dare you? So that was kind of the it's

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<v Speaker 1>just a different time. Yeah. It's also something like we're

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<v Speaker 1>a part of a union, like actors are in SAG

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<v Speaker 1>after and it's like they're the amount of people who

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<v Speaker 1>are actually working regularly within that union is very small,

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<v Speaker 1>and so to get any opportunity to do work and

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<v Speaker 1>have consistent work, you just feel like I have to

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<v Speaker 1>just say yes to it because it is so rare

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<v Speaker 1>that you get a job, and you get a job

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<v Speaker 1>that you keep getting to do for six years. Yeah, yeah, exactly.

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<v Speaker 1>There was another question sort of relevant to that, one

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<v Speaker 1>of how how many days a week did we shooting? For?

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<v Speaker 1>How many hours a day? Oh my gosh. Yeah, So

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<v Speaker 1>I would say the earlier seasons, I think we're a

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<v Speaker 1>bit crazier. As it went on, we sort of as

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<v Speaker 1>there was New York in Ohio. You know, schedules were split,

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<v Speaker 1>so it wasn't as bad. But the first couple of

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<v Speaker 1>seasons we were working regularly I would say fifteen hours

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<v Speaker 1>a day, fifteen, sometimes up to seventeen, but regularly I

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<v Speaker 1>would say fifteen. Well, and additionally we were also shooting

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<v Speaker 1>a long beach for all of our musical numbers, so

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<v Speaker 1>it was like a forty hour minute drive for most people.

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<v Speaker 1>That was the average each way, each way, and so

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<v Speaker 1>it was just very it felt very aggressive, and we

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<v Speaker 1>were just I remember so vividly, just constantly hitting my

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<v Speaker 1>pillow at night and feeling like when I opened my

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<v Speaker 1>eyes like no time had passed. Yeah, you just close

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<v Speaker 1>your eyes open as you back to work, You're like

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<v Speaker 1>where am I? And it was crazy and how it

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<v Speaker 1>works with those things too. So you start on a Monday,

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<v Speaker 1>you start early usually you know, five or six am,

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<v Speaker 1>and then you have a certain number of hours you're

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<v Speaker 1>allowed to work before the crew cast get overtime. And

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<v Speaker 1>so what happens is the days start to get later

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<v Speaker 1>as the week goes on, because you have to have

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<v Speaker 1>a certain amount of time from when an actor is

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<v Speaker 1>wrapped for the day. You're just to have twelve hours

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<v Speaker 1>before they're allowed back onto set, and if you need

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<v Speaker 1>to fudge that rule, you have to pay for it.

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<v Speaker 1>There's a penalty for it, so they try not to

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<v Speaker 1>do that. So therefore, by the end of the week

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<v Speaker 1>on Friday, we could be starting up one pm. And

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<v Speaker 1>what does that mean. That means we're going at least

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<v Speaker 1>until one am Faturday. Faturday, and usually we go late later.

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<v Speaker 1>And so while we technically didn't shoot on the weekends,

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<v Speaker 1>we only shot five days a week, we still then

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<v Speaker 1>had to be there at six am or earlier on Monday.

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<v Speaker 1>So I'm like, if you're getting home at three or

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<v Speaker 1>four am on a Friday night, your day Saturday is

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<v Speaker 1>sort of like a half day because you're sleeping in

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<v Speaker 1>to recover. I just remember having the luxury of being

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<v Speaker 1>able to sleep in where most of our crew had

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<v Speaker 1>family least, that's the time you spend with your family,

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<v Speaker 1>so like you go home at three, you wake up

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<v Speaker 1>at six seven to be with your family, and then

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<v Speaker 1>you go back to work again on Monday at five

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<v Speaker 1>or six. It's just it's a vicious the energy human

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<v Speaker 1>industry is really hard fron especially on crews like that

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<v Speaker 1>because they're the ones who are there all the time.

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<v Speaker 1>And for us as a Glee cast, we kind of

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<v Speaker 1>worked like the crew because we were all in every

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<v Speaker 1>scene all the time or rehearsing or recording or having

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<v Speaker 1>more job fittings. So yeah, that was it was a

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<v Speaker 1>lot in the beginning. Did you use stand ins a lot?

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<v Speaker 1>So the way it works, we're stand ins. There's always

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<v Speaker 1>stand ins for the principal actors. So if Tina n

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<v Speaker 1>Lardy are in a scene, say like um, I don't

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<v Speaker 1>know the episode dream on, they're in a scene, your

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<v Speaker 1>standing is always there working and a lot of the

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<v Speaker 1>time the stand in will get the job and then

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<v Speaker 1>keep the job for our show. And so it's a

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<v Speaker 1>really solid, insistent work because you know, as long as

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<v Speaker 1>the show is running and you're available, like you're working

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<v Speaker 1>for as seeing Tina's stand in or already stand in

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<v Speaker 1>and yeah, shout out to Kim and somehow you know,

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<v Speaker 1>it varies sometimes, but yeah, the standings are always on

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<v Speaker 1>set and then they kind of sit off in when

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<v Speaker 1>we're working and shooting. And then when we're getting ready

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<v Speaker 1>for a scene and they're lighting the scene, that's when

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<v Speaker 1>the stand ins are there standing in our place. Literally, yes,

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<v Speaker 1>there's a stand in. And then usually when we get

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<v Speaker 1>to then because what happens if we rehearse the scene

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<v Speaker 1>and then we go get ready, like Jenna said, and

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<v Speaker 1>when the stands are there and they're lighting it, sometimes

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<v Speaker 1>there are little changes to the blocking and so then

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<v Speaker 1>we get to set after we're all prepared and dressed

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<v Speaker 1>and makeup and all that, and then they fill us

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<v Speaker 1>in sort of on what the changes may or may

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<v Speaker 1>not be. And then each time there's a new camera setup,

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<v Speaker 1>if the camera moves to a different part of the room, whatever,

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<v Speaker 1>then again standings come back in and we leave so

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<v Speaker 1>they can work. Do you have a favorite competition song? Oh,

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<v Speaker 1>you know, I have a soft spot for Oh God,

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<v Speaker 1>what is the one you and Darren did? What have um?

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<v Speaker 1>Boston m a feeling a feeling, yeah, not what a feeling,

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<v Speaker 1>um more than a feeling, more than a feeling. I

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<v Speaker 1>think you guys smashed that and also like that whole

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<v Speaker 1>number was very emotional for a number of reasons. Yes, yes,

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<v Speaker 1>we have like the tribute to Finn in it, and

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<v Speaker 1>that I was going to say that's my favorite was

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<v Speaker 1>still having found what I'm looking for. And that's also

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<v Speaker 1>when we found out Marco, my ex boyfriend, was coming

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<v Speaker 1>back to America because he had been trapped out of

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<v Speaker 1>the country and we were singing the song America. I

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<v Speaker 1>literally got off the phone with his mom and she

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<v Speaker 1>told me his like his green car was approved after

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<v Speaker 1>he had been trapped out of the country for three

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<v Speaker 1>and a half years. And it was so late at night,

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<v Speaker 1>and we were so tired, and I had to get

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<v Speaker 1>back on stage and I just shouted to everyone because

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<v Speaker 1>everyone was in on it. They everyone knew the situation,

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<v Speaker 1>and we were shooting America Wow, and the song I

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<v Speaker 1>did not love. And then you better believe I was

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<v Speaker 1>shouting that number out loud like I was going So

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<v Speaker 1>that's and yeah, I think that was probably my favorite

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<v Speaker 1>set of Yeah, that's funny. I love that one. Yeah, great.

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<v Speaker 1>We had a lot of fun doing those with that

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<v Speaker 1>new crew. Is there any chance that tell Him gets released?

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<v Speaker 1>I picked that one, Kevin, because I know how much

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<v Speaker 1>you love it and I thought that was really funny. Wait,

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<v Speaker 1>can I do something I legal right now? Are you

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<v Speaker 1>gonna play? Can I play it off of my phone?

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<v Speaker 1>I don't know, but I feel like if you play

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<v Speaker 1>just like three seconds, we won't get in trouble? Right?

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<v Speaker 1>Which part should I play? I'm gonna play? Don't know, honestly,

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<v Speaker 1>I'm getting so trouble, but you don't know what you're missing?

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<v Speaker 1>What a number? I'm gonna sad like some sort of

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<v Speaker 1>SoundCloud and just put it on there. Um and also

0:13:49.320 --> 0:13:51.600
<v Speaker 1>love the way you lying, which I'm not gonna Oh

0:13:51.679 --> 0:13:55.560
<v Speaker 1>my god, it's so good. Um. Do you have a

0:13:55.559 --> 0:14:00.680
<v Speaker 1>playlist of your favorite lay songs? Okay? Um? I don't,

0:14:00.720 --> 0:14:03.960
<v Speaker 1>But do you think we should make Let's make one? Okay,

0:14:04.120 --> 0:14:06.200
<v Speaker 1>I inspired? How do we do that? How do we

0:14:06.280 --> 0:14:09.200
<v Speaker 1>make a proper Glee playlist for everyone? We're gonna do that.

0:14:10.080 --> 0:14:13.080
<v Speaker 1>And that's what you really missed favorites? Okay. I did

0:14:13.160 --> 0:14:15.680
<v Speaker 1>go on like a Twitter listening spree a while back,

0:14:16.000 --> 0:14:18.040
<v Speaker 1>like a late night and I'm through all the seasons

0:14:18.040 --> 0:14:20.960
<v Speaker 1>of like my favorites and like live tweeted them. Oh

0:14:21.000 --> 0:14:23.360
<v Speaker 1>and we're just like I sounded like shit on this one. Oh, listen,

0:14:23.360 --> 0:14:27.160
<v Speaker 1>I sounded pretty good. We should do that, um, like

0:14:27.200 --> 0:14:31.120
<v Speaker 1>a listening party. I actually recently started in the car.

0:14:31.360 --> 0:14:33.840
<v Speaker 1>I get coffee in the mornings sometimes with Emma and

0:14:33.880 --> 0:14:35.560
<v Speaker 1>I go and get like a coffee out in the

0:14:35.600 --> 0:14:39.080
<v Speaker 1>world and I will. There's a Spotify is just ugly

0:14:39.160 --> 0:14:41.480
<v Speaker 1>all the seasons like in a row, and so I

0:14:41.560 --> 0:14:43.840
<v Speaker 1>scroll through those and I pick them. So we should

0:14:43.880 --> 0:14:49.400
<v Speaker 1>do that, all right. What do your go to? Um? Well,

0:14:50.040 --> 0:14:54.360
<v Speaker 1>Never Going Back Again is one? Really yeah? Um Dog

0:14:54.440 --> 0:14:59.520
<v Speaker 1>Days is another. Um. I just listened to Bridge Over

0:14:59.560 --> 0:15:07.600
<v Speaker 1>Trouble Water, um and some Madonna definitely like but and

0:15:07.640 --> 0:15:10.920
<v Speaker 1>then um and what's the one we did? The friend one?

0:15:11.160 --> 0:15:16.600
<v Speaker 1>Um never? Yeah? Yeah, I love how we sound on

0:15:16.640 --> 0:15:20.200
<v Speaker 1>that one. I love Yeah, it's really good. It's a

0:15:20.200 --> 0:15:22.680
<v Speaker 1>good one. Okay. What are your song of your gots?

0:15:23.600 --> 0:15:28.080
<v Speaker 1>I do Breakaway a lot lately. That's that's like the

0:15:28.120 --> 0:15:32.640
<v Speaker 1>past year or so. That's really been I love it.

0:15:33.480 --> 0:15:39.240
<v Speaker 1>I don't know why I do. I do the hundred

0:15:39.280 --> 0:15:43.880
<v Speaker 1>episode version of a Loser, like me, Wow, Kevin, Yeah,

0:15:43.920 --> 0:15:46.840
<v Speaker 1>it's I mean, it's selfish, it's narcissistic. I just know

0:15:47.480 --> 0:15:50.200
<v Speaker 1>I like the harmonies and the runs that Luke Edgemond

0:15:50.280 --> 0:15:53.720
<v Speaker 1>had me doing, and it's some of those things. But

0:15:54.000 --> 0:15:55.560
<v Speaker 1>you know, I'm just like I used to be able

0:15:55.600 --> 0:15:58.440
<v Speaker 1>to sing right some of those. I was like, wow,

0:15:58.640 --> 0:16:00.800
<v Speaker 1>I remember when I was like I got to go

0:16:00.840 --> 0:16:03.760
<v Speaker 1>into a professional booth and like be produced like really

0:16:03.760 --> 0:16:06.200
<v Speaker 1>well and like beautifully, And you're like, oh, that was cool.

0:16:06.280 --> 0:16:10.680
<v Speaker 1>I'm gonna go listen some paces after this. Okay, which

0:16:10.720 --> 0:16:14.320
<v Speaker 1>style of temas did you like best? Oh? My gosh, well,

0:16:14.360 --> 0:16:20.360
<v Speaker 1>which one did I hate the most? There was a

0:16:20.440 --> 0:16:22.720
<v Speaker 1>season I think it was before season thing. I think

0:16:22.800 --> 0:16:27.000
<v Speaker 1>this season two. At the steampunk it's just a lot

0:16:27.040 --> 0:16:30.840
<v Speaker 1>of lace and a lot of buttons, and I remember

0:16:31.360 --> 0:16:34.880
<v Speaker 1>at some point being so miserable I wanted to cut

0:16:34.920 --> 0:16:38.920
<v Speaker 1>myself out of this dress. And I think I looked

0:16:38.920 --> 0:16:41.640
<v Speaker 1>at you maybe or somebody, and I said, something's gotta change.

0:16:41.840 --> 0:16:45.160
<v Speaker 1>Something's gotta change. And I talked a little about it,

0:16:45.200 --> 0:16:47.080
<v Speaker 1>and she was like I was just thinking the same thing,

0:16:47.120 --> 0:16:50.080
<v Speaker 1>like maybe we can do black a little black dresses

0:16:50.120 --> 0:16:53.320
<v Speaker 1>and like dress them up with accessories. So they're more comfortable.

0:16:53.320 --> 0:16:54.920
<v Speaker 1>And I just thought, like, God, if we're going to

0:16:54.960 --> 0:16:57.080
<v Speaker 1>be here for six more years or five more years,

0:16:57.080 --> 0:17:00.200
<v Speaker 1>I can't keep doing this. This is so hard, and

0:17:00.200 --> 0:17:02.360
<v Speaker 1>it's you're in it for so long during the days

0:17:02.480 --> 0:17:04.679
<v Speaker 1>and you're under bright lights and the makeup it was

0:17:04.760 --> 0:17:07.320
<v Speaker 1>just it was really bad. So Steve Punk was my

0:17:07.440 --> 0:17:12.680
<v Speaker 1>least favorite. UM. I liked the mod Gina like when

0:17:12.680 --> 0:17:15.800
<v Speaker 1>she had the color blocking dresses later later in time,

0:17:15.880 --> 0:17:17.920
<v Speaker 1>I thought that was really fun, what a great evolution.

0:17:19.119 --> 0:17:20.920
<v Speaker 1>You know. I was very lucky. I did get to

0:17:21.000 --> 0:17:24.400
<v Speaker 1>kind of switch up my look um quite often, so

0:17:24.640 --> 0:17:26.600
<v Speaker 1>that was fun. And I will say there was a

0:17:26.680 --> 0:17:28.760
<v Speaker 1>question to say, why did Artie never dress better? His

0:17:28.800 --> 0:17:34.239
<v Speaker 1>old man clothes were too unrealistic? How dare you? I

0:17:34.280 --> 0:17:39.560
<v Speaker 1>think Artie brought back Normcore. He's a trend setter. U.

0:17:39.920 --> 0:17:44.000
<v Speaker 1>If you look up the trends, there's a correlation. Lou

0:17:44.080 --> 0:17:50.760
<v Speaker 1>did that? Oh my god, norm Core. I think also

0:17:51.040 --> 0:17:52.800
<v Speaker 1>because you are, like what you just said, because you

0:17:52.840 --> 0:17:57.080
<v Speaker 1>are in these outfits all day. Those outfits were so hot,

0:17:58.400 --> 0:18:03.760
<v Speaker 1>so hot, and I wearing long sleeves and thick usually

0:18:03.800 --> 0:18:08.480
<v Speaker 1>wolf sweaters under these very bright and hot lights all day.

0:18:08.520 --> 0:18:12.280
<v Speaker 1>All day and so eventually they started cutting off my

0:18:12.400 --> 0:18:15.600
<v Speaker 1>sleeves of the shirts underneath. So I would walk around

0:18:15.960 --> 0:18:17.240
<v Speaker 1>as soon as we were done, I would take the

0:18:17.240 --> 0:18:19.800
<v Speaker 1>sweater off in between takes and I would just have

0:18:19.880 --> 0:18:22.960
<v Speaker 1>this like cut off of this button up shirt. It

0:18:22.960 --> 0:18:25.159
<v Speaker 1>looked very weird. I think I told you about this

0:18:25.200 --> 0:18:29.399
<v Speaker 1>in high school. I had to wear a white button

0:18:29.440 --> 0:18:33.320
<v Speaker 1>down collared shirt in high school, as we're a uniform. Well,

0:18:33.359 --> 0:18:35.680
<v Speaker 1>when you were in a show, which I was in

0:18:35.800 --> 0:18:38.960
<v Speaker 1>most of the musicals, you got to wear your show

0:18:39.000 --> 0:18:44.240
<v Speaker 1>shirt the weekend of the performances. So Thursday Friday at school,

0:18:44.280 --> 0:18:45.879
<v Speaker 1>you got to wear the show shirt. Your name was

0:18:45.920 --> 0:18:48.160
<v Speaker 1>on the back, they had the logo on the front.

0:18:48.880 --> 0:18:51.679
<v Speaker 1>What we would do was, because you technically had to

0:18:51.680 --> 0:18:54.760
<v Speaker 1>wear your white shirt underneath your show shirt, we would

0:18:54.760 --> 0:18:57.760
<v Speaker 1>cut the collars and you'd have like a fake like

0:18:57.800 --> 0:19:01.240
<v Speaker 1>a dickey, Yes, exactly, And I had one that I

0:19:01.240 --> 0:19:04.280
<v Speaker 1>would put underneath my show shirts so I could just

0:19:04.320 --> 0:19:06.680
<v Speaker 1>wear a T shirt school, Which is like, what a dream?

0:19:07.040 --> 0:19:10.680
<v Speaker 1>So smart? What a dream? Okay? Um, if you could

0:19:10.760 --> 0:19:13.040
<v Speaker 1>give Artie and Tina middle names, what would they be? Well,

0:19:13.080 --> 0:19:14.760
<v Speaker 1>I would like to give Artie a middle name, and

0:19:14.840 --> 0:19:18.240
<v Speaker 1>you can give Tina's middle name. Okay, I think your

0:19:18.280 --> 0:19:34.680
<v Speaker 1>middle name is Archibald Arthur Archibald Abrams Damn. Okay um,

0:19:34.760 --> 0:19:44.840
<v Speaker 1>I think your middle name is Carolina, Tina Carolina. Yeah,

0:19:45.000 --> 0:19:46.800
<v Speaker 1>I think that's what you can get on bord with that,

0:19:46.880 --> 0:19:49.399
<v Speaker 1>and she might go by Carolina she gets older. I

0:19:49.440 --> 0:19:53.080
<v Speaker 1>don't know. TCCCA, that's what I'm hoping, because it was

0:19:53.160 --> 0:19:57.320
<v Speaker 1>tcc Jacob Artist at some at some point started to

0:19:57.320 --> 0:20:01.920
<v Speaker 1>call me to Sissa, Yeah, to Sissa because it was tccum.

0:20:02.240 --> 0:20:04.159
<v Speaker 1>But I'll take I know, I miss him. He had

0:20:04.200 --> 0:20:07.359
<v Speaker 1>the best nicknames. He always had so many nicknames for you.

0:20:08.640 --> 0:20:11.800
<v Speaker 1>He did. He was the king of nicknames for everybody.

0:20:12.200 --> 0:20:22.040
<v Speaker 1>Jacob Okay, what was it like filming the finale? Devastating? Yeah,

0:20:22.080 --> 0:20:28.000
<v Speaker 1>it was rough. We cried a lot, a lot, a lot.

0:20:29.280 --> 0:20:35.439
<v Speaker 1>I remember. It was very celebratory though, it was like

0:20:35.480 --> 0:20:38.159
<v Speaker 1>they threw that party for us on New York Street.

0:20:38.320 --> 0:20:41.080
<v Speaker 1>It was like there was a huge like basically amusement

0:20:41.080 --> 0:20:44.200
<v Speaker 1>park festival. Like they had a band, the nineties band,

0:20:44.520 --> 0:20:47.040
<v Speaker 1>they had like games and it was really fun. But

0:20:47.080 --> 0:20:50.720
<v Speaker 1>it was also like so sad because like there was

0:20:50.760 --> 0:20:54.199
<v Speaker 1>so much time that passed for me personally that I

0:20:54.320 --> 0:20:56.840
<v Speaker 1>was like just rushing to the end. I was like,

0:20:56.880 --> 0:20:59.199
<v Speaker 1>get me out of here. I can't wait till this

0:20:59.280 --> 0:21:02.320
<v Speaker 1>is over, like towards the end, not in the beginning,

0:21:03.119 --> 0:21:08.240
<v Speaker 1>or like you know, just not being present and then

0:21:08.280 --> 0:21:10.199
<v Speaker 1>all of a sudden you're like, oh shit, this is

0:21:10.240 --> 0:21:13.400
<v Speaker 1>going away and we just don't know. This is home

0:21:13.440 --> 0:21:18.080
<v Speaker 1>for six years. So it's just really a very wild experience.

0:21:18.160 --> 0:21:21.640
<v Speaker 1>And then just filming everything. And then when Ben are

0:21:22.440 --> 0:21:25.560
<v Speaker 1>one of our favorites on the camera team, I mean,

0:21:26.160 --> 0:21:28.760
<v Speaker 1>let's be real, they're all our favorites, but Ben, who

0:21:28.760 --> 0:21:32.560
<v Speaker 1>would put down our marks every day. The last last day,

0:21:35.000 --> 0:21:38.040
<v Speaker 1>he put down one of our marks in a scene

0:21:38.800 --> 0:21:45.200
<v Speaker 1>and everybody just started clapping, like yeah, and this grown

0:21:45.800 --> 0:21:52.080
<v Speaker 1>British man, this very grown British man, just burst into tears. Yeah,

0:21:52.119 --> 0:21:56.160
<v Speaker 1>And I was like, oh yeah, we all lost it.

0:21:56.359 --> 0:21:58.639
<v Speaker 1>But as soon as Ben lost it, we lost it

0:21:58.640 --> 0:22:02.719
<v Speaker 1>because he is so sweet, quiet, and then it's like,

0:22:02.720 --> 0:22:06.359
<v Speaker 1>oh no, he's breaking, We're done, goodbye. That was the

0:22:06.440 --> 0:22:09.240
<v Speaker 1>funny thing, was like that those like that last week

0:22:09.800 --> 0:22:13.080
<v Speaker 1>one person broke, we all, yeah, if if you keep

0:22:13.080 --> 0:22:15.160
<v Speaker 1>it together and keep it together, but if one person goes,

0:22:15.600 --> 0:22:18.720
<v Speaker 1>I think we all. It was bad. That last um

0:22:20.080 --> 0:22:27.439
<v Speaker 1>song that Matt did, Yeah, brutal. Do you remember we

0:22:27.440 --> 0:22:32.000
<v Speaker 1>were shooting that and then Cord, Oh god, oh god.

0:22:32.640 --> 0:22:35.520
<v Speaker 1>He cried thinking about it. Cord all of a sudden,

0:22:35.800 --> 0:22:38.200
<v Speaker 1>and coord's not afraid to cry it and so when

0:22:38.240 --> 0:22:41.400
<v Speaker 1>he does, he just let it's heartbreaking and he just

0:22:41.480 --> 0:22:45.560
<v Speaker 1>stares at you and it's like, oh god, I have

0:22:45.640 --> 0:22:48.960
<v Speaker 1>that all on tape. It was really bad. We were

0:22:48.960 --> 0:22:51.560
<v Speaker 1>all just like grabbing each other's hands because we were

0:22:51.560 --> 0:22:53.240
<v Speaker 1>all sitting in a line too and looking at each

0:22:53.280 --> 0:22:57.000
<v Speaker 1>other and just losing it. I think I watched it recently,

0:22:57.240 --> 0:23:00.320
<v Speaker 1>recently recently, but I watched that, and I is in

0:23:00.720 --> 0:23:03.040
<v Speaker 1>full to yourself. Yes, there's a video of us online

0:23:03.040 --> 0:23:04.880
<v Speaker 1>when they're wrapping each of us, and you could see

0:23:05.000 --> 0:23:06.679
<v Speaker 1>that was at the end. We had already been crying

0:23:06.720 --> 0:23:10.600
<v Speaker 1>for hours. We had started drinking tequila at some point,

0:23:10.720 --> 0:23:12.840
<v Speaker 1>like we what a day. Yeah, we had had it.

0:23:14.000 --> 0:23:18.399
<v Speaker 1>On that note. Actually, there's another question somebody asked, did

0:23:18.440 --> 0:23:22.960
<v Speaker 1>you ever consider quitting the show? So interesting? Um, well,

0:23:22.960 --> 0:23:27.480
<v Speaker 1>we couldn't if we want to do right. So, um,

0:23:28.560 --> 0:23:30.399
<v Speaker 1>you know, it's funny because like I'm I think I

0:23:30.520 --> 0:23:33.760
<v Speaker 1>definitely threatened, like I'm I can't. I'm done, you know,

0:23:33.840 --> 0:23:36.320
<v Speaker 1>like your just mental state is like I'm done, I've

0:23:36.320 --> 0:23:39.040
<v Speaker 1>got to get out of here, cut me out. But

0:23:39.200 --> 0:23:41.760
<v Speaker 1>the actual thought of doing it, I don't think I

0:23:41.800 --> 0:23:44.199
<v Speaker 1>ever would have done. Yeah, I wouldn't have let you.

0:23:46.080 --> 0:23:50.679
<v Speaker 1>It's like, you know you're gonna get it together, you're yeah. Um,

0:23:51.520 --> 0:23:54.840
<v Speaker 1>I mean it was some people wanted to quit, Oh yeah, definitely,

0:23:54.880 --> 0:23:57.359
<v Speaker 1>and some people did leave, but you know, it wasn't

0:23:57.440 --> 0:24:02.480
<v Speaker 1>like we couldn't really go without permission. Yeah, I think

0:24:02.480 --> 0:24:05.240
<v Speaker 1>there was. There were, yeah, a couple of times when

0:24:05.280 --> 0:24:11.119
<v Speaker 1>like you and you understand, like people will become really famous,

0:24:11.560 --> 0:24:13.640
<v Speaker 1>and there are opportunities because this is taking up ten

0:24:13.680 --> 0:24:16.720
<v Speaker 1>months of the year where you can't go do some

0:24:16.760 --> 0:24:18.439
<v Speaker 1>of these other things. And that's why you see it.

0:24:18.440 --> 0:24:21.880
<v Speaker 1>It's so common for people to leave TV shows after

0:24:22.080 --> 0:24:24.680
<v Speaker 1>a couple of seasons because like I needed to start

0:24:24.680 --> 0:24:28.919
<v Speaker 1>taking these opportunities or they passed by. Look. Yeah, and

0:24:28.960 --> 0:24:32.960
<v Speaker 1>so I think you know that's that was happening a bit.

0:24:33.080 --> 0:24:37.560
<v Speaker 1>But yeah, we weren't allowed to leave. I never wanted

0:24:37.600 --> 0:24:40.760
<v Speaker 1>to quit, but yeah, I know you didn't which season

0:24:40.800 --> 0:24:46.240
<v Speaker 1>had the best music. Oh that's tough. I really don't know.

0:24:47.280 --> 0:24:49.240
<v Speaker 1>I don't know that it was a season. I think

0:24:49.280 --> 0:24:54.600
<v Speaker 1>it was episodes. I mean I think season two. I'm

0:24:54.640 --> 0:24:57.920
<v Speaker 1>thinking abstractly. I don't really remember, but I would imagine

0:24:57.920 --> 0:24:59.800
<v Speaker 1>because we haven't gotten it to gotten to it yet.

0:25:00.000 --> 0:25:02.720
<v Speaker 1>But season two, when we were in the full swing

0:25:02.760 --> 0:25:07.239
<v Speaker 1>of things, yeah, we broke some songs, you know, like

0:25:07.640 --> 0:25:09.800
<v Speaker 1>where people hadn't really heard them for the first time,

0:25:09.840 --> 0:25:12.680
<v Speaker 1>and we got the rights to a lot more songs, right,

0:25:12.920 --> 0:25:16.440
<v Speaker 1>So it was like Katie Perry, there was Gaga, there

0:25:16.600 --> 0:25:21.800
<v Speaker 1>was Bruno Mars, there was Robin Thick, Like I think, yeah,

0:25:21.840 --> 0:25:25.000
<v Speaker 1>that's right. Yeah, two two probably was like we had

0:25:25.040 --> 0:25:28.600
<v Speaker 1>the budget to get it, we had the prestige and

0:25:28.720 --> 0:25:32.399
<v Speaker 1>like artists giving us songs and the permission. So yeah,

0:25:32.440 --> 0:25:36.919
<v Speaker 1>that sounds right. Um, we had a few times for

0:25:36.920 --> 0:25:40.800
<v Speaker 1>a few where did the nickname be come from? So

0:25:41.000 --> 0:25:44.720
<v Speaker 1>for those of you who don't know, my nickname, sort

0:25:44.760 --> 0:25:49.040
<v Speaker 1>of amongst all the Glee folk, right was b and

0:25:49.160 --> 0:25:52.280
<v Speaker 1>that actually is It's one of those things that makes

0:25:52.560 --> 0:25:56.160
<v Speaker 1>no sense. But I had I had a friend named

0:25:56.200 --> 0:26:01.919
<v Speaker 1>Carly pre Glee, and um, she and I had this

0:26:02.000 --> 0:26:04.240
<v Speaker 1>running joke where we'd make fun of couples who'd be

0:26:04.280 --> 0:26:09.760
<v Speaker 1>like Beanie Beamie, I'm hot trying the sundown. Yeah, like

0:26:09.800 --> 0:26:12.399
<v Speaker 1>that kind of thing. And then night and I started

0:26:12.440 --> 0:26:16.240
<v Speaker 1>doing that on Glee. Would be you know, in between

0:26:16.240 --> 0:26:18.959
<v Speaker 1>takes or something like maybe why aren't you Mabie, why

0:26:18.960 --> 0:26:22.919
<v Speaker 1>aren't you hearing me? And then it just short shortened

0:26:22.960 --> 0:26:26.080
<v Speaker 1>tip be B, and then it came I became B.

0:26:26.840 --> 0:26:29.120
<v Speaker 1>But then we all sort of like me and whoever,

0:26:30.240 --> 0:26:32.520
<v Speaker 1>like Leah and I would call each other be Diana

0:26:32.560 --> 0:26:35.680
<v Speaker 1>and I, Nia and I, Corey and I. The craziest

0:26:35.720 --> 0:26:38.600
<v Speaker 1>was when Corey did it, because you have this like

0:26:38.680 --> 0:26:43.800
<v Speaker 1>really big, very straight guy'd be like hey, B. But

0:26:43.840 --> 0:26:45.520
<v Speaker 1>you'd also be on set and you would be like

0:26:45.640 --> 0:26:49.159
<v Speaker 1>quiet and like we'd be like lighting a senior waiting

0:26:49.240 --> 0:26:51.280
<v Speaker 1>for a take to start, and then somebody would just

0:26:51.359 --> 0:26:54.200
<v Speaker 1>like to raw like a beat in the middle of Yes.

0:26:54.680 --> 0:26:56.240
<v Speaker 1>I was like, I was at a restaurant I remember

0:26:56.280 --> 0:26:57.920
<v Speaker 1>a couple of years ago, and I hadn't seen Leah

0:26:57.920 --> 0:27:01.199
<v Speaker 1>in a while, and I just hear BE and I

0:27:01.359 --> 0:27:03.800
<v Speaker 1>turned around because that's how you call each other. It's

0:27:03.840 --> 0:27:06.280
<v Speaker 1>a good way to just cut through the noise. What

0:27:06.359 --> 0:27:11.000
<v Speaker 1>was your other nickname, Kevin? What was my other nickname?

0:27:11.560 --> 0:27:14.919
<v Speaker 1>What did that call you, oh, Zach specifically Woodley, he

0:27:14.920 --> 0:27:19.840
<v Speaker 1>would call me tater, top o, tater or talk. Yes.

0:27:20.040 --> 0:27:26.520
<v Speaker 1>I love that one. Loved that one. Um, wait, can

0:27:26.560 --> 0:27:30.160
<v Speaker 1>I ask you a really fun fact question? Somebody presented

0:27:30.160 --> 0:27:31.960
<v Speaker 1>this and I did not know this, or maybe I

0:27:31.960 --> 0:27:35.920
<v Speaker 1>had forgotten, But did you know that Diana Agron exists

0:27:36.119 --> 0:27:40.159
<v Speaker 1>within the world of Glee because Kurt runs for class

0:27:40.200 --> 0:27:46.119
<v Speaker 1>president and he gives out burlesque DVDs as part of

0:27:46.160 --> 0:27:49.520
<v Speaker 1>his gifts and his incentives, and Dana was in burlesque.

0:27:49.560 --> 0:27:56.919
<v Speaker 1>So Diana exists within Glee. That's meta, isn't that? That's meta?

0:27:57.119 --> 0:27:59.040
<v Speaker 1>I love that. Something like do you know this? Like

0:27:59.160 --> 0:28:13.280
<v Speaker 1>now the more you know? Top three Kevin Zong, Oh God,

0:28:14.359 --> 0:28:22.600
<v Speaker 1>don't you never going back again? Py t Well, whatever

0:28:22.600 --> 0:28:24.680
<v Speaker 1>I call your friend is one of my favorites. Yeah,

0:28:25.040 --> 0:28:27.800
<v Speaker 1>do that all right? I'm going with that for now. Great,

0:28:28.080 --> 0:28:30.119
<v Speaker 1>that's a solid three. That is pretty good three. But

0:28:30.160 --> 0:28:33.080
<v Speaker 1>there's so many other ones. I mean, like Empire State

0:28:33.119 --> 0:28:41.480
<v Speaker 1>of Mind. I don't know did you shoot scenes chronologically? No?

0:28:41.560 --> 0:28:49.480
<v Speaker 1>We did not. No, it was timing money. They would

0:28:49.480 --> 0:28:51.400
<v Speaker 1>try to like get if we were going breadsticks and

0:28:51.400 --> 0:28:53.080
<v Speaker 1>there are two scenes you do the back to back

0:28:53.200 --> 0:28:55.800
<v Speaker 1>like it was kind of it was just for efficiency

0:28:55.840 --> 0:29:02.440
<v Speaker 1>and production? Um correct? Did your partners watch Glee before

0:29:02.440 --> 0:29:08.400
<v Speaker 1>meeting you? Yes, David watched it, and then when we

0:29:08.520 --> 0:29:12.520
<v Speaker 1>met on hand, she thought he was being catfished because

0:29:12.600 --> 0:29:21.320
<v Speaker 1>he was like Tenick from Las Campy. Ye here, I am, um,

0:29:21.360 --> 0:29:23.680
<v Speaker 1>what has been your favorite episode? I have you watched

0:29:23.760 --> 0:29:33.479
<v Speaker 1>so far? Man? Was it SmackDown or throw down? I

0:29:33.600 --> 0:29:36.080
<v Speaker 1>laughed a lot. That was really inappropriate that one. But

0:29:37.040 --> 0:29:39.440
<v Speaker 1>I think power of Madonna. Maybe I was going to

0:29:39.520 --> 0:29:42.520
<v Speaker 1>say Madonna is there and and Prager's is definitely one

0:29:42.560 --> 0:29:47.440
<v Speaker 1>of them as well in my memory. Um, one or

0:29:47.480 --> 0:29:50.959
<v Speaker 1>two more, Kevin, one or two more? All right? Oh?

0:29:51.040 --> 0:29:55.520
<v Speaker 1>How did the cast celebrate birthdays on the show? Well,

0:29:55.560 --> 0:29:59.640
<v Speaker 1>it was always fun um crafty or production would always

0:29:59.640 --> 0:30:03.240
<v Speaker 1>get you cake if your birthday landed in the production scare.

0:30:03.400 --> 0:30:05.760
<v Speaker 1>I never did so. I never got a cake. Oh

0:30:07.200 --> 0:30:08.960
<v Speaker 1>did you get a particularly get a cake on tour

0:30:09.080 --> 0:30:11.880
<v Speaker 1>or anything? We did do a birthday. We did your birthday,

0:30:11.880 --> 0:30:15.760
<v Speaker 1>We saw you. We definitely saw my birthday. Kevin did

0:30:15.800 --> 0:30:18.960
<v Speaker 1>your birthday? Oh? Yeah, but we know they bring you

0:30:18.960 --> 0:30:21.240
<v Speaker 1>a cake. And I never got my own cake because

0:30:21.240 --> 0:30:22.920
<v Speaker 1>Harry and I shared a birthday, so Karen, I would

0:30:22.920 --> 0:30:25.600
<v Speaker 1>always get a shared cake. It's like having a sibling

0:30:25.840 --> 0:30:32.960
<v Speaker 1>you or like your birthday landing on like a holiday. Um. Um, Jennet,

0:30:33.000 --> 0:30:36.040
<v Speaker 1>you have two Tony's that you want for producing? Do

0:30:36.040 --> 0:30:41.479
<v Speaker 1>you enjoy acting or producing theater more Current State twenty

0:30:41.520 --> 0:30:47.160
<v Speaker 1>twenty three, March March of twenty twenty three parties producing. Yeah,

0:30:47.400 --> 0:30:49.760
<v Speaker 1>but you're so good at both. Oh that's very kind,

0:30:50.400 --> 0:30:55.680
<v Speaker 1>very kind. Um. Oh so um. Someone asked, did we

0:30:55.720 --> 0:30:58.240
<v Speaker 1>have any famous fans of Glee that we are surprised

0:30:58.360 --> 0:31:05.040
<v Speaker 1>watch the show? Yes, they're so. Our first Golden Globes

0:31:05.600 --> 0:31:10.240
<v Speaker 1>was very enlightening experience because yeah, that's right. We were

0:31:10.240 --> 0:31:12.840
<v Speaker 1>on the red carpet. Jane and I were doing an

0:31:12.840 --> 0:31:15.640
<v Speaker 1>interview and I turn around and I go, oh my god. Jane,

0:31:16.320 --> 0:31:20.400
<v Speaker 1>Julian Moore, and Tom Ford are right there because tom

0:31:20.400 --> 0:31:23.200
<v Speaker 1>Ford's movie A Single Man was out that year, and

0:31:23.360 --> 0:31:25.400
<v Speaker 1>she goes, let's go talk to them. I'm like I

0:31:25.440 --> 0:31:27.960
<v Speaker 1>can't do this. I'm like, you can talk to them.

0:31:28.240 --> 0:31:32.880
<v Speaker 1>I cannot. So we go and Julian Moore knows exactly

0:31:32.920 --> 0:31:35.440
<v Speaker 1>who we are, and she turns to us and it's

0:31:35.440 --> 0:31:36.840
<v Speaker 1>talking to Jane. She turns to me and she goes,

0:31:36.960 --> 0:31:40.040
<v Speaker 1>we watch every single week, me and my kids, and

0:31:40.080 --> 0:31:44.080
<v Speaker 1>we think you're all so good. Wow. I was peeing

0:31:44.120 --> 0:31:47.600
<v Speaker 1>myself and that's when Tom Ford walked up to me

0:31:47.640 --> 0:31:50.040
<v Speaker 1>and fixed my bow tie. I remembered her, and then

0:31:50.080 --> 0:31:52.920
<v Speaker 1>I just start like babbling like whatever. That was also

0:31:53.000 --> 0:31:58.880
<v Speaker 1>the same Golden Globes where Leah was nominated and she

0:31:59.040 --> 0:32:03.680
<v Speaker 1>lost and Tom and Rita Wilson We're bad and said

0:32:03.720 --> 0:32:11.120
<v Speaker 1>you were wrong. Oh my god, that's amazing. Yes, there

0:32:11.320 --> 0:32:14.200
<v Speaker 1>was a lot. We met a lot of them on tour,

0:32:14.600 --> 0:32:17.760
<v Speaker 1>and like Ryan said, like we spoke to like all

0:32:17.760 --> 0:32:22.120
<v Speaker 1>these are artsy underdog kids, so like they relate to

0:32:22.160 --> 0:32:25.840
<v Speaker 1>this type of show, right right. Yeah. What advice do

0:32:25.840 --> 0:32:32.280
<v Speaker 1>you have for actors starting out? Jenna? Oh god, um, exactly.

0:32:34.040 --> 0:32:35.640
<v Speaker 1>I use this one a lot, but I'll share it

0:32:35.680 --> 0:32:38.560
<v Speaker 1>because I think it's I think I wish I had

0:32:38.640 --> 0:32:44.560
<v Speaker 1>this advice. Do not try to copy the stars that

0:32:44.680 --> 0:32:48.680
<v Speaker 1>you I wise, do not try to be a carbon copy.

0:32:49.040 --> 0:32:52.080
<v Speaker 1>Do not try to sound like them. Do not try

0:32:52.120 --> 0:32:57.000
<v Speaker 1>to copy them, because there's already one of them. You

0:32:57.040 --> 0:32:58.959
<v Speaker 1>are one of a kind. The reason that you're going

0:32:59.000 --> 0:33:02.600
<v Speaker 1>to be a star because you're unique, you're different and

0:33:02.680 --> 0:33:06.360
<v Speaker 1>you got something to share, so be true to you.

0:33:06.520 --> 0:33:09.880
<v Speaker 1>I know it sounds so cliche, but growing up, I

0:33:09.960 --> 0:33:11.920
<v Speaker 1>just tried. I tried to sound like Sutton Foster. I

0:33:11.960 --> 0:33:17.960
<v Speaker 1>tried to sound like these like Broadway stars that were

0:33:17.960 --> 0:33:22.160
<v Speaker 1>famous and like Adina and Kristen and all of these people,

0:33:22.200 --> 0:33:24.360
<v Speaker 1>and I just I was like, Oh no, that's not

0:33:24.400 --> 0:33:27.600
<v Speaker 1>what's going to make me successful. What's gonna make me

0:33:27.640 --> 0:33:30.360
<v Speaker 1>successful is me giving the world where I have to share,

0:33:30.480 --> 0:33:32.719
<v Speaker 1>so that'd be one of them. That's right, that's right,

0:33:32.800 --> 0:33:36.400
<v Speaker 1>Jenna Ray Kevin, What about you, Kevin? I would say,

0:33:36.480 --> 0:33:43.520
<v Speaker 1>and the most unjaded way possible, that you need to

0:33:43.600 --> 0:33:51.360
<v Speaker 1>be so certain and secure in your self and your

0:33:51.600 --> 0:33:56.200
<v Speaker 1>want and desire to do this that when you go

0:33:56.240 --> 0:33:58.600
<v Speaker 1>into a room where you're on a zoom or whatever

0:33:58.640 --> 0:34:03.000
<v Speaker 1>the audition process may be, you can't control what the

0:34:03.000 --> 0:34:05.880
<v Speaker 1>person you're artitioning for is feeling that day. That is

0:34:05.920 --> 0:34:08.160
<v Speaker 1>all out of your control. All you can control is

0:34:08.200 --> 0:34:11.520
<v Speaker 1>what you bring in. And I think the ability to

0:34:11.680 --> 0:34:15.120
<v Speaker 1>not take it personally when you get rejected, when you

0:34:15.160 --> 0:34:19.560
<v Speaker 1>don't get a job, is a really powerful and sustaining thing,

0:34:20.200 --> 0:34:22.640
<v Speaker 1>because if you go in there and you're like, well,

0:34:23.719 --> 0:34:25.359
<v Speaker 1>I wasn't the one on that day for that role.

0:34:25.600 --> 0:34:28.759
<v Speaker 1>It's not because oh it's me. They hated me. I

0:34:28.800 --> 0:34:31.080
<v Speaker 1>didn't do a good enough job. No, you don't know

0:34:31.200 --> 0:34:32.720
<v Speaker 1>what the person on the other side of the table

0:34:33.040 --> 0:34:35.560
<v Speaker 1>or the other side of the camera has been through

0:34:35.600 --> 0:34:36.800
<v Speaker 1>that day. You don't know if they got in a

0:34:36.840 --> 0:34:38.919
<v Speaker 1>fight with their partner. You don't know if their dog died.

0:34:39.080 --> 0:34:41.640
<v Speaker 1>You don't know, if they got the best news about

0:34:41.719 --> 0:34:44.759
<v Speaker 1>something else. You just don't know, and all those things

0:34:44.760 --> 0:34:48.319
<v Speaker 1>play a factor in it, unfortunately, and you could look

0:34:48.320 --> 0:34:52.880
<v Speaker 1>like someone's ex, you know. And it's really hard to

0:34:52.920 --> 0:34:55.400
<v Speaker 1>not take rejection personally. But if you can learn to

0:34:55.440 --> 0:34:58.640
<v Speaker 1>not take it personally, you'll be all right. Because this

0:34:58.800 --> 0:35:03.680
<v Speaker 1>business is mostly rejection that you get to work. That's like, um,

0:35:04.040 --> 0:35:06.680
<v Speaker 1>that's like one on one, like you really do have

0:35:06.760 --> 0:35:10.759
<v Speaker 1>to find that in you to sustain. I think for

0:35:10.800 --> 0:35:15.600
<v Speaker 1>everyone and that's okay, And that's I think, that's absolutely okay.

0:35:15.840 --> 0:35:18.000
<v Speaker 1>You give it a go. And if it's not for you,

0:35:18.000 --> 0:35:21.520
<v Speaker 1>you're not a failure. It's not for everyone. I'm just

0:35:21.600 --> 0:35:26.000
<v Speaker 1>dead on the inside. So it's fine. And on that note,

0:35:26.400 --> 0:35:29.759
<v Speaker 1>thanks for writing in you guys, great questions. It can't

0:35:29.800 --> 0:35:31.759
<v Speaker 1>wait to do this again. These are really fun for

0:35:31.840 --> 0:35:34.600
<v Speaker 1>us um I hope join them love this. Thanks for

0:35:34.640 --> 0:35:36.839
<v Speaker 1>spending the time to write in with some of these

0:35:36.840 --> 0:35:40.239
<v Speaker 1>really thoughtful questions and fun facts. And that's what you

0:35:40.320 --> 0:35:44.360
<v Speaker 1>really ask That's it. We'll see you next time. Thanks

0:35:44.400 --> 0:35:47.520
<v Speaker 1>for listening and follow us on Instagram at and that's

0:35:47.520 --> 0:35:49.719
<v Speaker 1>what you really miss pod. Make sure to write us

0:35:49.719 --> 0:35:52.319
<v Speaker 1>a review and leave us five stars. See you next time.