1 00:00:01,760 --> 00:00:05,240 Speaker 1: And that's what you really missed with Jenna and Kevin 2 00:00:05,519 --> 00:00:10,360 Speaker 1: an iHeartRadio podcast. Welcome to you, and that's why you 3 00:00:10,400 --> 00:00:14,400 Speaker 1: really missed ask me anything part I don't know, we've 4 00:00:14,400 --> 00:00:17,080 Speaker 1: done asked me anythings with Ryan and what kind of 5 00:00:17,120 --> 00:00:21,759 Speaker 1: and Jane and are So this is version one thousand. Yeah, 6 00:00:21,800 --> 00:00:26,640 Speaker 1: that's just another one, another one. Okay, thank you for 7 00:00:26,680 --> 00:00:32,000 Speaker 1: submitting all your questions. Again, we got thousands, so many questions. 8 00:00:32,000 --> 00:00:34,279 Speaker 1: So many do you need to despite some people just 9 00:00:34,360 --> 00:00:39,560 Speaker 1: write in people's names. It's like Cord Danna darn right. Okay, 10 00:00:39,840 --> 00:00:44,880 Speaker 1: that's not a question. But yes, I agree. Um, let's 11 00:00:45,000 --> 00:00:47,800 Speaker 1: let's let's just speed round, Jenna, let's get to as 12 00:00:47,840 --> 00:00:51,360 Speaker 1: many of these as possible. Whoa, Okay, let's go. Yeah, 13 00:00:51,440 --> 00:00:53,360 Speaker 1: let's give the people what they want. Jenna. Were you 14 00:00:53,360 --> 00:00:57,400 Speaker 1: aware of all the Glee merch? We were not. I mean, 15 00:00:57,560 --> 00:00:59,760 Speaker 1: there are some things that we saw and obviously on 16 00:01:00,160 --> 00:01:02,960 Speaker 1: or we saw some things, but um, the amount of 17 00:01:03,000 --> 00:01:06,959 Speaker 1: things that I'm learning about now that are out there, it's, um, 18 00:01:06,959 --> 00:01:13,759 Speaker 1: it's mind blowing. So no, I was not. I was not. Um, Kevin, Yes, 19 00:01:15,440 --> 00:01:18,440 Speaker 1: what song would Artie and Tina sing if there was 20 00:01:18,480 --> 00:01:30,320 Speaker 1: a reboot? Oh oh um, oh man, what god, what 21 00:01:30,360 --> 00:01:34,520 Speaker 1: do you think? Um? I don't hear what were we 22 00:01:34,520 --> 00:01:37,760 Speaker 1: sign good together on? Well? What's in the top forty 23 00:01:37,880 --> 00:01:42,480 Speaker 1: right now? I mean, oh, I don't know, Like I 24 00:01:42,520 --> 00:01:46,759 Speaker 1: would love that would be funny. Yeah, I think you're right. 25 00:01:47,920 --> 00:01:52,880 Speaker 1: I think you're probably right. That's yeah. You know, sometimes 26 00:01:52,920 --> 00:01:55,280 Speaker 1: it's just you hear it and you're like, oh yeah, 27 00:01:55,280 --> 00:01:59,920 Speaker 1: of course. Um did the cast ever break while filming 28 00:02:00,080 --> 00:02:03,080 Speaker 1: where you had to stop so you could stop laughing? Absolutely, 29 00:02:03,120 --> 00:02:06,240 Speaker 1: but not that often. The one that comes to mind 30 00:02:06,280 --> 00:02:11,840 Speaker 1: for me is fix You. Yes see, this is why 31 00:02:11,919 --> 00:02:14,680 Speaker 1: we tried not to happen have it happened, because we 32 00:02:14,720 --> 00:02:18,639 Speaker 1: would get in trouble. We do get in trouble. We 33 00:02:18,639 --> 00:02:20,480 Speaker 1: were filming Fix You, and that has to do this, 34 00:02:20,600 --> 00:02:23,120 Speaker 1: like you know, he's the lead on vocal on it, 35 00:02:23,240 --> 00:02:25,560 Speaker 1: and we're in the background doing the ooze, and we 36 00:02:25,639 --> 00:02:29,160 Speaker 1: all decided to do basically what Leah's bad singing from 37 00:02:29,240 --> 00:02:34,200 Speaker 1: Laryngite is, but all off key behind Matt as he's 38 00:02:34,400 --> 00:02:37,600 Speaker 1: got a cry and we're all futzing around because like 39 00:02:37,639 --> 00:02:40,440 Speaker 1: we don't have anything to do really, and we are 40 00:02:40,600 --> 00:02:46,239 Speaker 1: singing really poorly. Everybody is laughing so hard. Our shoulders 41 00:02:46,240 --> 00:02:52,799 Speaker 1: are shaking, probably probably see it. And because everyone else 42 00:02:52,880 --> 00:02:55,959 Speaker 1: was actually keeping their faces and everything was fine, I 43 00:02:56,080 --> 00:03:00,360 Speaker 1: was the one whose shoulders were like convulsive and I 44 00:03:00,400 --> 00:03:03,000 Speaker 1: couldn't had nowhere else to go. I didn't know what 45 00:03:03,040 --> 00:03:09,200 Speaker 1: to do. She's like Kevin, like she was right behind me. 46 00:03:09,680 --> 00:03:17,600 Speaker 1: It's got so mad at us, and I was crying. 47 00:03:17,639 --> 00:03:22,040 Speaker 1: I was. There were tears stream I mean tears streamed 48 00:03:22,080 --> 00:03:28,360 Speaker 1: on your face. Doing is directed Kevin. Do you have 49 00:03:28,360 --> 00:03:31,600 Speaker 1: any anger towards Ryan for how hard you worked? I 50 00:03:31,639 --> 00:03:37,840 Speaker 1: can only speak for me. I don't. I think with 51 00:03:37,880 --> 00:03:41,000 Speaker 1: the hindsight, I was always very of the mind, and 52 00:03:41,000 --> 00:03:43,120 Speaker 1: I think maybe this is probably the wrong mentality, just 53 00:03:43,160 --> 00:03:46,120 Speaker 1: because of how I grew up at a young age 54 00:03:46,120 --> 00:03:49,720 Speaker 1: in the music business of just say yes and be 55 00:03:49,800 --> 00:03:51,920 Speaker 1: grateful for the work, and if they're running you into 56 00:03:51,920 --> 00:03:55,400 Speaker 1: the ground, it's fine. I was so happy to have 57 00:03:55,400 --> 00:03:58,160 Speaker 1: a paycheck and be able to afford rent, and you know, 58 00:03:58,800 --> 00:04:00,440 Speaker 1: all those sorts of things. I think we've had really 59 00:04:00,440 --> 00:04:02,560 Speaker 1: good conversations with him now where he looks back in 60 00:04:02,680 --> 00:04:07,400 Speaker 1: hindsight and realizes how it did not need to be 61 00:04:07,520 --> 00:04:10,040 Speaker 1: the way that it was. But I don't know. I 62 00:04:10,400 --> 00:04:15,440 Speaker 1: am empathetic towards you are a showrunner slash writer, and 63 00:04:15,480 --> 00:04:18,080 Speaker 1: then all of a sudden you are put in charge 64 00:04:18,120 --> 00:04:22,279 Speaker 1: of this billion dollar brand, and I don't think correct 65 00:04:22,320 --> 00:04:24,880 Speaker 1: anyone is trained for that, and I don't think that's 66 00:04:24,880 --> 00:04:28,400 Speaker 1: ever going to be perfect. Now does that mean? I 67 00:04:28,400 --> 00:04:30,600 Speaker 1: don't know? I don't know. I feel like there's a 68 00:04:30,680 --> 00:04:34,720 Speaker 1: gray area and thereof everybody could have been better, done better. 69 00:04:35,080 --> 00:04:37,160 Speaker 1: But I don't have any sort of anger towards him 70 00:04:37,160 --> 00:04:41,920 Speaker 1: for that. Well said, you know, did you do you 71 00:04:41,920 --> 00:04:44,760 Speaker 1: have any anger towards him or do you just want 72 00:04:44,760 --> 00:04:47,799 Speaker 1: to let me answer that? No, I you know, I didn't. 73 00:04:47,839 --> 00:04:51,000 Speaker 1: I don't think I had anger towards him about that. 74 00:04:51,640 --> 00:04:53,960 Speaker 1: I think the bigger thing for me was like when 75 00:04:53,960 --> 00:04:56,599 Speaker 1: he kind of went away, right and he had to 76 00:04:56,640 --> 00:04:59,840 Speaker 1: go do his other stuff, and it felt like the 77 00:05:00,040 --> 00:05:04,320 Speaker 1: show kind of faltered because when he went in some ways, 78 00:05:04,400 --> 00:05:09,400 Speaker 1: and now that we've had these you know, wonderful honest 79 00:05:09,480 --> 00:05:14,279 Speaker 1: chats with him, and as you said, like he wasn't 80 00:05:14,839 --> 00:05:17,240 Speaker 1: equipped or traded. There was no camp to go to 81 00:05:17,279 --> 00:05:20,320 Speaker 1: how to show run, you know, and like manage a 82 00:05:20,360 --> 00:05:26,680 Speaker 1: billion or multimillion dollar show. I definitely feel like I've 83 00:05:26,720 --> 00:05:30,760 Speaker 1: found my um my closure and my like kind of 84 00:05:30,839 --> 00:05:33,719 Speaker 1: therapy with him and being able to share our honest, 85 00:05:34,040 --> 00:05:36,480 Speaker 1: you know, feelings of where we all were. So I mean, 86 00:05:36,560 --> 00:05:38,039 Speaker 1: he's not lying when he says when he comes on 87 00:05:38,120 --> 00:05:40,960 Speaker 1: here and says, this is like therapy working at all 88 00:05:41,000 --> 00:05:43,479 Speaker 1: out in real time. Well, and also there's just no 89 00:05:43,720 --> 00:05:46,599 Speaker 1: mental there was no talk of mental health in the workplace, 90 00:05:46,640 --> 00:05:49,479 Speaker 1: like we keep saying that, Like had that been a thing, 91 00:05:49,560 --> 00:05:52,960 Speaker 1: I think we all would have been able to have honest, 92 00:05:52,960 --> 00:05:55,240 Speaker 1: open conversations where it didn't come from a place where 93 00:05:55,279 --> 00:05:59,000 Speaker 1: you're like, I'm complaining, I'm not ungrateful, I'm feeling so 94 00:05:59,040 --> 00:06:01,960 Speaker 1: because back then it felt like because we were in 95 00:06:02,040 --> 00:06:08,080 Speaker 1: such a position of privilege in many ways that if 96 00:06:08,120 --> 00:06:10,960 Speaker 1: we were complaining, we were assholes, you know, and like 97 00:06:11,000 --> 00:06:13,440 Speaker 1: how dare you? So that was kind of the it's 98 00:06:13,480 --> 00:06:16,159 Speaker 1: just a different time. Yeah. It's also something like we're 99 00:06:16,200 --> 00:06:18,560 Speaker 1: a part of a union, like actors are in SAG 100 00:06:18,680 --> 00:06:21,400 Speaker 1: after and it's like they're the amount of people who 101 00:06:21,400 --> 00:06:25,200 Speaker 1: are actually working regularly within that union is very small, 102 00:06:25,600 --> 00:06:28,320 Speaker 1: and so to get any opportunity to do work and 103 00:06:28,360 --> 00:06:32,120 Speaker 1: have consistent work, you just feel like I have to 104 00:06:32,200 --> 00:06:35,320 Speaker 1: just say yes to it because it is so rare 105 00:06:35,400 --> 00:06:37,360 Speaker 1: that you get a job, and you get a job 106 00:06:37,400 --> 00:06:40,640 Speaker 1: that you keep getting to do for six years. Yeah, yeah, exactly. 107 00:06:41,920 --> 00:06:45,520 Speaker 1: There was another question sort of relevant to that, one 108 00:06:45,680 --> 00:06:49,200 Speaker 1: of how how many days a week did we shooting? For? 109 00:06:49,200 --> 00:06:53,120 Speaker 1: How many hours a day? Oh my gosh. Yeah, So 110 00:06:53,839 --> 00:06:58,359 Speaker 1: I would say the earlier seasons, I think we're a 111 00:06:58,400 --> 00:07:02,560 Speaker 1: bit crazier. As it went on, we sort of as 112 00:07:02,560 --> 00:07:06,239 Speaker 1: there was New York in Ohio. You know, schedules were split, 113 00:07:06,279 --> 00:07:07,880 Speaker 1: so it wasn't as bad. But the first couple of 114 00:07:07,920 --> 00:07:13,920 Speaker 1: seasons we were working regularly I would say fifteen hours 115 00:07:13,920 --> 00:07:17,760 Speaker 1: a day, fifteen, sometimes up to seventeen, but regularly I 116 00:07:17,760 --> 00:07:20,600 Speaker 1: would say fifteen. Well, and additionally we were also shooting 117 00:07:20,600 --> 00:07:22,840 Speaker 1: a long beach for all of our musical numbers, so 118 00:07:22,920 --> 00:07:25,880 Speaker 1: it was like a forty hour minute drive for most people. 119 00:07:25,920 --> 00:07:29,400 Speaker 1: That was the average each way, each way, and so 120 00:07:29,480 --> 00:07:31,840 Speaker 1: it was just very it felt very aggressive, and we 121 00:07:31,840 --> 00:07:35,960 Speaker 1: were just I remember so vividly, just constantly hitting my 122 00:07:36,040 --> 00:07:39,560 Speaker 1: pillow at night and feeling like when I opened my 123 00:07:39,600 --> 00:07:44,000 Speaker 1: eyes like no time had passed. Yeah, you just close 124 00:07:44,040 --> 00:07:46,280 Speaker 1: your eyes open as you back to work, You're like 125 00:07:46,640 --> 00:07:49,520 Speaker 1: where am I? And it was crazy and how it 126 00:07:49,560 --> 00:07:52,680 Speaker 1: works with those things too. So you start on a Monday, 127 00:07:52,800 --> 00:07:55,880 Speaker 1: you start early usually you know, five or six am, 128 00:07:55,920 --> 00:07:58,080 Speaker 1: and then you have a certain number of hours you're 129 00:07:58,080 --> 00:08:02,080 Speaker 1: allowed to work before the crew cast get overtime. And 130 00:08:02,160 --> 00:08:05,880 Speaker 1: so what happens is the days start to get later 131 00:08:05,920 --> 00:08:07,120 Speaker 1: as the week goes on, because you have to have 132 00:08:07,160 --> 00:08:09,520 Speaker 1: a certain amount of time from when an actor is 133 00:08:09,520 --> 00:08:12,160 Speaker 1: wrapped for the day. You're just to have twelve hours 134 00:08:12,160 --> 00:08:15,520 Speaker 1: before they're allowed back onto set, and if you need 135 00:08:15,560 --> 00:08:18,440 Speaker 1: to fudge that rule, you have to pay for it. 136 00:08:18,480 --> 00:08:20,240 Speaker 1: There's a penalty for it, so they try not to 137 00:08:20,320 --> 00:08:22,520 Speaker 1: do that. So therefore, by the end of the week 138 00:08:22,560 --> 00:08:26,040 Speaker 1: on Friday, we could be starting up one pm. And 139 00:08:26,040 --> 00:08:28,200 Speaker 1: what does that mean. That means we're going at least 140 00:08:28,280 --> 00:08:33,679 Speaker 1: until one am Faturday. Faturday, and usually we go late later. 141 00:08:34,440 --> 00:08:37,520 Speaker 1: And so while we technically didn't shoot on the weekends, 142 00:08:37,559 --> 00:08:39,559 Speaker 1: we only shot five days a week, we still then 143 00:08:39,640 --> 00:08:43,120 Speaker 1: had to be there at six am or earlier on Monday. 144 00:08:43,280 --> 00:08:45,520 Speaker 1: So I'm like, if you're getting home at three or 145 00:08:45,559 --> 00:08:50,120 Speaker 1: four am on a Friday night, your day Saturday is 146 00:08:50,160 --> 00:08:51,880 Speaker 1: sort of like a half day because you're sleeping in 147 00:08:51,920 --> 00:08:56,640 Speaker 1: to recover. I just remember having the luxury of being 148 00:08:56,679 --> 00:08:59,600 Speaker 1: able to sleep in where most of our crew had 149 00:08:59,640 --> 00:09:02,360 Speaker 1: family least, that's the time you spend with your family, 150 00:09:02,480 --> 00:09:04,360 Speaker 1: so like you go home at three, you wake up 151 00:09:04,400 --> 00:09:06,800 Speaker 1: at six seven to be with your family, and then 152 00:09:06,840 --> 00:09:08,960 Speaker 1: you go back to work again on Monday at five 153 00:09:09,120 --> 00:09:12,400 Speaker 1: or six. It's just it's a vicious the energy human 154 00:09:12,440 --> 00:09:15,720 Speaker 1: industry is really hard fron especially on crews like that 155 00:09:15,760 --> 00:09:17,880 Speaker 1: because they're the ones who are there all the time. 156 00:09:17,920 --> 00:09:20,000 Speaker 1: And for us as a Glee cast, we kind of 157 00:09:20,000 --> 00:09:22,280 Speaker 1: worked like the crew because we were all in every 158 00:09:22,320 --> 00:09:26,400 Speaker 1: scene all the time or rehearsing or recording or having 159 00:09:26,559 --> 00:09:29,720 Speaker 1: more job fittings. So yeah, that was it was a 160 00:09:29,720 --> 00:09:32,600 Speaker 1: lot in the beginning. Did you use stand ins a lot? 161 00:09:32,840 --> 00:09:35,720 Speaker 1: So the way it works, we're stand ins. There's always 162 00:09:35,840 --> 00:09:40,199 Speaker 1: stand ins for the principal actors. So if Tina n 163 00:09:40,280 --> 00:09:44,560 Speaker 1: Lardy are in a scene, say like um, I don't 164 00:09:44,559 --> 00:09:47,199 Speaker 1: know the episode dream on, they're in a scene, your 165 00:09:47,240 --> 00:09:51,080 Speaker 1: standing is always there working and a lot of the 166 00:09:51,080 --> 00:09:55,680 Speaker 1: time the stand in will get the job and then 167 00:09:55,920 --> 00:09:58,640 Speaker 1: keep the job for our show. And so it's a 168 00:09:58,679 --> 00:10:02,960 Speaker 1: really solid, insistent work because you know, as long as 169 00:10:02,960 --> 00:10:05,480 Speaker 1: the show is running and you're available, like you're working 170 00:10:05,480 --> 00:10:08,520 Speaker 1: for as seeing Tina's stand in or already stand in 171 00:10:09,200 --> 00:10:13,840 Speaker 1: and yeah, shout out to Kim and somehow you know, 172 00:10:14,120 --> 00:10:17,360 Speaker 1: it varies sometimes, but yeah, the standings are always on 173 00:10:17,440 --> 00:10:19,920 Speaker 1: set and then they kind of sit off in when 174 00:10:19,960 --> 00:10:22,800 Speaker 1: we're working and shooting. And then when we're getting ready 175 00:10:22,800 --> 00:10:24,839 Speaker 1: for a scene and they're lighting the scene, that's when 176 00:10:24,840 --> 00:10:28,160 Speaker 1: the stand ins are there standing in our place. Literally, yes, 177 00:10:28,240 --> 00:10:30,240 Speaker 1: there's a stand in. And then usually when we get 178 00:10:30,320 --> 00:10:34,160 Speaker 1: to then because what happens if we rehearse the scene 179 00:10:34,200 --> 00:10:35,640 Speaker 1: and then we go get ready, like Jenna said, and 180 00:10:35,640 --> 00:10:37,280 Speaker 1: when the stands are there and they're lighting it, sometimes 181 00:10:37,320 --> 00:10:40,559 Speaker 1: there are little changes to the blocking and so then 182 00:10:40,600 --> 00:10:43,800 Speaker 1: we get to set after we're all prepared and dressed 183 00:10:43,840 --> 00:10:46,560 Speaker 1: and makeup and all that, and then they fill us 184 00:10:46,600 --> 00:10:49,439 Speaker 1: in sort of on what the changes may or may 185 00:10:49,480 --> 00:10:53,200 Speaker 1: not be. And then each time there's a new camera setup, 186 00:10:53,200 --> 00:10:55,560 Speaker 1: if the camera moves to a different part of the room, whatever, 187 00:10:55,960 --> 00:10:59,719 Speaker 1: then again standings come back in and we leave so 188 00:11:00,080 --> 00:11:14,280 Speaker 1: they can work. Do you have a favorite competition song? Oh, 189 00:11:14,320 --> 00:11:20,120 Speaker 1: you know, I have a soft spot for Oh God, 190 00:11:20,120 --> 00:11:25,480 Speaker 1: what is the one you and Darren did? What have um? 191 00:11:26,080 --> 00:11:33,920 Speaker 1: Boston m a feeling a feeling, yeah, not what a feeling, 192 00:11:34,080 --> 00:11:38,240 Speaker 1: um more than a feeling, more than a feeling. I 193 00:11:38,240 --> 00:11:44,360 Speaker 1: think you guys smashed that and also like that whole 194 00:11:44,440 --> 00:11:48,400 Speaker 1: number was very emotional for a number of reasons. Yes, yes, 195 00:11:48,840 --> 00:11:51,199 Speaker 1: we have like the tribute to Finn in it, and 196 00:11:51,240 --> 00:11:53,560 Speaker 1: that I was going to say that's my favorite was 197 00:11:53,960 --> 00:11:57,480 Speaker 1: still having found what I'm looking for. And that's also 198 00:11:57,679 --> 00:12:01,120 Speaker 1: when we found out Marco, my ex boyfriend, was coming 199 00:12:01,120 --> 00:12:03,120 Speaker 1: back to America because he had been trapped out of 200 00:12:03,160 --> 00:12:06,240 Speaker 1: the country and we were singing the song America. I 201 00:12:06,280 --> 00:12:08,880 Speaker 1: literally got off the phone with his mom and she 202 00:12:09,040 --> 00:12:12,640 Speaker 1: told me his like his green car was approved after 203 00:12:12,679 --> 00:12:14,480 Speaker 1: he had been trapped out of the country for three 204 00:12:14,480 --> 00:12:17,320 Speaker 1: and a half years. And it was so late at night, 205 00:12:18,200 --> 00:12:20,200 Speaker 1: and we were so tired, and I had to get 206 00:12:20,200 --> 00:12:22,079 Speaker 1: back on stage and I just shouted to everyone because 207 00:12:22,080 --> 00:12:24,679 Speaker 1: everyone was in on it. They everyone knew the situation, 208 00:12:25,559 --> 00:12:29,520 Speaker 1: and we were shooting America Wow, and the song I 209 00:12:29,559 --> 00:12:32,920 Speaker 1: did not love. And then you better believe I was 210 00:12:33,200 --> 00:12:38,400 Speaker 1: shouting that number out loud like I was going So 211 00:12:38,559 --> 00:12:42,920 Speaker 1: that's and yeah, I think that was probably my favorite 212 00:12:42,960 --> 00:12:46,920 Speaker 1: set of Yeah, that's funny. I love that one. Yeah, great. 213 00:12:47,400 --> 00:12:49,400 Speaker 1: We had a lot of fun doing those with that 214 00:12:49,880 --> 00:12:53,800 Speaker 1: new crew. Is there any chance that tell Him gets released? 215 00:12:54,920 --> 00:12:57,120 Speaker 1: I picked that one, Kevin, because I know how much 216 00:12:57,160 --> 00:13:00,280 Speaker 1: you love it and I thought that was really funny. Wait, 217 00:13:00,360 --> 00:13:03,280 Speaker 1: can I do something I legal right now? Are you 218 00:13:03,320 --> 00:13:07,040 Speaker 1: gonna play? Can I play it off of my phone? 219 00:13:07,760 --> 00:13:11,320 Speaker 1: I don't know, but I feel like if you play 220 00:13:11,440 --> 00:13:14,440 Speaker 1: just like three seconds, we won't get in trouble? Right? 221 00:13:14,760 --> 00:13:36,560 Speaker 1: Which part should I play? I'm gonna play? Don't know, honestly, 222 00:13:37,880 --> 00:13:40,560 Speaker 1: I'm getting so trouble, but you don't know what you're missing? 223 00:13:42,559 --> 00:13:46,280 Speaker 1: What a number? I'm gonna sad like some sort of 224 00:13:46,480 --> 00:13:49,040 Speaker 1: SoundCloud and just put it on there. Um and also 225 00:13:49,320 --> 00:13:51,600 Speaker 1: love the way you lying, which I'm not gonna Oh 226 00:13:51,679 --> 00:13:55,560 Speaker 1: my god, it's so good. Um. Do you have a 227 00:13:55,559 --> 00:14:00,680 Speaker 1: playlist of your favorite lay songs? Okay? Um? I don't, 228 00:14:00,720 --> 00:14:03,960 Speaker 1: But do you think we should make Let's make one? Okay, 229 00:14:04,120 --> 00:14:06,200 Speaker 1: I inspired? How do we do that? How do we 230 00:14:06,280 --> 00:14:09,200 Speaker 1: make a proper Glee playlist for everyone? We're gonna do that. 231 00:14:10,080 --> 00:14:13,080 Speaker 1: And that's what you really missed favorites? Okay. I did 232 00:14:13,160 --> 00:14:15,680 Speaker 1: go on like a Twitter listening spree a while back, 233 00:14:16,000 --> 00:14:18,040 Speaker 1: like a late night and I'm through all the seasons 234 00:14:18,040 --> 00:14:20,960 Speaker 1: of like my favorites and like live tweeted them. Oh 235 00:14:21,000 --> 00:14:23,360 Speaker 1: and we're just like I sounded like shit on this one. Oh, listen, 236 00:14:23,360 --> 00:14:27,160 Speaker 1: I sounded pretty good. We should do that, um, like 237 00:14:27,200 --> 00:14:31,120 Speaker 1: a listening party. I actually recently started in the car. 238 00:14:31,360 --> 00:14:33,840 Speaker 1: I get coffee in the mornings sometimes with Emma and 239 00:14:33,880 --> 00:14:35,560 Speaker 1: I go and get like a coffee out in the 240 00:14:35,600 --> 00:14:39,080 Speaker 1: world and I will. There's a Spotify is just ugly 241 00:14:39,160 --> 00:14:41,480 Speaker 1: all the seasons like in a row, and so I 242 00:14:41,560 --> 00:14:43,840 Speaker 1: scroll through those and I pick them. So we should 243 00:14:43,880 --> 00:14:49,400 Speaker 1: do that, all right. What do your go to? Um? Well, 244 00:14:50,040 --> 00:14:54,360 Speaker 1: Never Going Back Again is one? Really yeah? Um Dog 245 00:14:54,440 --> 00:14:59,520 Speaker 1: Days is another. Um. I just listened to Bridge Over 246 00:14:59,560 --> 00:15:07,600 Speaker 1: Trouble Water, um and some Madonna definitely like but and 247 00:15:07,640 --> 00:15:10,920 Speaker 1: then um and what's the one we did? The friend one? 248 00:15:11,160 --> 00:15:16,600 Speaker 1: Um never? Yeah? Yeah, I love how we sound on 249 00:15:16,640 --> 00:15:20,200 Speaker 1: that one. I love Yeah, it's really good. It's a 250 00:15:20,200 --> 00:15:22,680 Speaker 1: good one. Okay. What are your song of your gots? 251 00:15:23,600 --> 00:15:28,080 Speaker 1: I do Breakaway a lot lately. That's that's like the 252 00:15:28,120 --> 00:15:32,640 Speaker 1: past year or so. That's really been I love it. 253 00:15:33,480 --> 00:15:39,240 Speaker 1: I don't know why I do. I do the hundred 254 00:15:39,280 --> 00:15:43,880 Speaker 1: episode version of a Loser, like me, Wow, Kevin, Yeah, 255 00:15:43,920 --> 00:15:46,840 Speaker 1: it's I mean, it's selfish, it's narcissistic. I just know 256 00:15:47,480 --> 00:15:50,200 Speaker 1: I like the harmonies and the runs that Luke Edgemond 257 00:15:50,280 --> 00:15:53,720 Speaker 1: had me doing, and it's some of those things. But 258 00:15:54,000 --> 00:15:55,560 Speaker 1: you know, I'm just like I used to be able 259 00:15:55,600 --> 00:15:58,440 Speaker 1: to sing right some of those. I was like, wow, 260 00:15:58,640 --> 00:16:00,800 Speaker 1: I remember when I was like I got to go 261 00:16:00,840 --> 00:16:03,760 Speaker 1: into a professional booth and like be produced like really 262 00:16:03,760 --> 00:16:06,200 Speaker 1: well and like beautifully, And you're like, oh, that was cool. 263 00:16:06,280 --> 00:16:10,680 Speaker 1: I'm gonna go listen some paces after this. Okay, which 264 00:16:10,720 --> 00:16:14,320 Speaker 1: style of temas did you like best? Oh? My gosh, well, 265 00:16:14,360 --> 00:16:20,360 Speaker 1: which one did I hate the most? There was a 266 00:16:20,440 --> 00:16:22,720 Speaker 1: season I think it was before season thing. I think 267 00:16:22,800 --> 00:16:27,000 Speaker 1: this season two. At the steampunk it's just a lot 268 00:16:27,040 --> 00:16:30,840 Speaker 1: of lace and a lot of buttons, and I remember 269 00:16:31,360 --> 00:16:34,880 Speaker 1: at some point being so miserable I wanted to cut 270 00:16:34,920 --> 00:16:38,920 Speaker 1: myself out of this dress. And I think I looked 271 00:16:38,920 --> 00:16:41,640 Speaker 1: at you maybe or somebody, and I said, something's gotta change. 272 00:16:41,840 --> 00:16:45,160 Speaker 1: Something's gotta change. And I talked a little about it, 273 00:16:45,200 --> 00:16:47,080 Speaker 1: and she was like I was just thinking the same thing, 274 00:16:47,120 --> 00:16:50,080 Speaker 1: like maybe we can do black a little black dresses 275 00:16:50,120 --> 00:16:53,320 Speaker 1: and like dress them up with accessories. So they're more comfortable. 276 00:16:53,320 --> 00:16:54,920 Speaker 1: And I just thought, like, God, if we're going to 277 00:16:54,960 --> 00:16:57,080 Speaker 1: be here for six more years or five more years, 278 00:16:57,080 --> 00:17:00,200 Speaker 1: I can't keep doing this. This is so hard, and 279 00:17:00,200 --> 00:17:02,360 Speaker 1: it's you're in it for so long during the days 280 00:17:02,480 --> 00:17:04,679 Speaker 1: and you're under bright lights and the makeup it was 281 00:17:04,760 --> 00:17:07,320 Speaker 1: just it was really bad. So Steve Punk was my 282 00:17:07,440 --> 00:17:12,680 Speaker 1: least favorite. UM. I liked the mod Gina like when 283 00:17:12,680 --> 00:17:15,800 Speaker 1: she had the color blocking dresses later later in time, 284 00:17:15,880 --> 00:17:17,920 Speaker 1: I thought that was really fun, what a great evolution. 285 00:17:19,119 --> 00:17:20,920 Speaker 1: You know. I was very lucky. I did get to 286 00:17:21,000 --> 00:17:24,400 Speaker 1: kind of switch up my look um quite often, so 287 00:17:24,640 --> 00:17:26,600 Speaker 1: that was fun. And I will say there was a 288 00:17:26,680 --> 00:17:28,760 Speaker 1: question to say, why did Artie never dress better? His 289 00:17:28,800 --> 00:17:34,239 Speaker 1: old man clothes were too unrealistic? How dare you? I 290 00:17:34,280 --> 00:17:39,560 Speaker 1: think Artie brought back Normcore. He's a trend setter. U. 291 00:17:39,920 --> 00:17:44,000 Speaker 1: If you look up the trends, there's a correlation. Lou 292 00:17:44,080 --> 00:17:50,760 Speaker 1: did that? Oh my god, norm Core. I think also 293 00:17:51,040 --> 00:17:52,800 Speaker 1: because you are, like what you just said, because you 294 00:17:52,840 --> 00:17:57,080 Speaker 1: are in these outfits all day. Those outfits were so hot, 295 00:17:58,400 --> 00:18:03,760 Speaker 1: so hot, and I wearing long sleeves and thick usually 296 00:18:03,800 --> 00:18:08,480 Speaker 1: wolf sweaters under these very bright and hot lights all day. 297 00:18:08,520 --> 00:18:12,280 Speaker 1: All day and so eventually they started cutting off my 298 00:18:12,400 --> 00:18:15,600 Speaker 1: sleeves of the shirts underneath. So I would walk around 299 00:18:15,960 --> 00:18:17,240 Speaker 1: as soon as we were done, I would take the 300 00:18:17,240 --> 00:18:19,800 Speaker 1: sweater off in between takes and I would just have 301 00:18:19,880 --> 00:18:22,960 Speaker 1: this like cut off of this button up shirt. It 302 00:18:22,960 --> 00:18:25,159 Speaker 1: looked very weird. I think I told you about this 303 00:18:25,200 --> 00:18:29,399 Speaker 1: in high school. I had to wear a white button 304 00:18:29,440 --> 00:18:33,320 Speaker 1: down collared shirt in high school, as we're a uniform. Well, 305 00:18:33,359 --> 00:18:35,680 Speaker 1: when you were in a show, which I was in 306 00:18:35,800 --> 00:18:38,960 Speaker 1: most of the musicals, you got to wear your show 307 00:18:39,000 --> 00:18:44,240 Speaker 1: shirt the weekend of the performances. So Thursday Friday at school, 308 00:18:44,280 --> 00:18:45,879 Speaker 1: you got to wear the show shirt. Your name was 309 00:18:45,920 --> 00:18:48,160 Speaker 1: on the back, they had the logo on the front. 310 00:18:48,880 --> 00:18:51,679 Speaker 1: What we would do was, because you technically had to 311 00:18:51,680 --> 00:18:54,760 Speaker 1: wear your white shirt underneath your show shirt, we would 312 00:18:54,760 --> 00:18:57,760 Speaker 1: cut the collars and you'd have like a fake like 313 00:18:57,800 --> 00:19:01,240 Speaker 1: a dickey, Yes, exactly, And I had one that I 314 00:19:01,240 --> 00:19:04,280 Speaker 1: would put underneath my show shirts so I could just 315 00:19:04,320 --> 00:19:06,680 Speaker 1: wear a T shirt school, Which is like, what a dream? 316 00:19:07,040 --> 00:19:10,680 Speaker 1: So smart? What a dream? Okay? Um, if you could 317 00:19:10,760 --> 00:19:13,040 Speaker 1: give Artie and Tina middle names, what would they be? Well, 318 00:19:13,080 --> 00:19:14,760 Speaker 1: I would like to give Artie a middle name, and 319 00:19:14,840 --> 00:19:18,240 Speaker 1: you can give Tina's middle name. Okay, I think your 320 00:19:18,280 --> 00:19:34,680 Speaker 1: middle name is Archibald Arthur Archibald Abrams Damn. Okay um, 321 00:19:34,760 --> 00:19:44,840 Speaker 1: I think your middle name is Carolina, Tina Carolina. Yeah, 322 00:19:45,000 --> 00:19:46,800 Speaker 1: I think that's what you can get on bord with that, 323 00:19:46,880 --> 00:19:49,399 Speaker 1: and she might go by Carolina she gets older. I 324 00:19:49,440 --> 00:19:53,080 Speaker 1: don't know. TCCCA, that's what I'm hoping, because it was 325 00:19:53,160 --> 00:19:57,320 Speaker 1: tcc Jacob Artist at some at some point started to 326 00:19:57,320 --> 00:20:01,920 Speaker 1: call me to Sissa, Yeah, to Sissa because it was tccum. 327 00:20:02,240 --> 00:20:04,159 Speaker 1: But I'll take I know, I miss him. He had 328 00:20:04,200 --> 00:20:07,359 Speaker 1: the best nicknames. He always had so many nicknames for you. 329 00:20:08,640 --> 00:20:11,800 Speaker 1: He did. He was the king of nicknames for everybody. 330 00:20:12,200 --> 00:20:22,040 Speaker 1: Jacob Okay, what was it like filming the finale? Devastating? Yeah, 331 00:20:22,080 --> 00:20:28,000 Speaker 1: it was rough. We cried a lot, a lot, a lot. 332 00:20:29,280 --> 00:20:35,439 Speaker 1: I remember. It was very celebratory though, it was like 333 00:20:35,480 --> 00:20:38,159 Speaker 1: they threw that party for us on New York Street. 334 00:20:38,320 --> 00:20:41,080 Speaker 1: It was like there was a huge like basically amusement 335 00:20:41,080 --> 00:20:44,200 Speaker 1: park festival. Like they had a band, the nineties band, 336 00:20:44,520 --> 00:20:47,040 Speaker 1: they had like games and it was really fun. But 337 00:20:47,080 --> 00:20:50,720 Speaker 1: it was also like so sad because like there was 338 00:20:50,760 --> 00:20:54,199 Speaker 1: so much time that passed for me personally that I 339 00:20:54,320 --> 00:20:56,840 Speaker 1: was like just rushing to the end. I was like, 340 00:20:56,880 --> 00:20:59,199 Speaker 1: get me out of here. I can't wait till this 341 00:20:59,280 --> 00:21:02,320 Speaker 1: is over, like towards the end, not in the beginning, 342 00:21:03,119 --> 00:21:08,240 Speaker 1: or like you know, just not being present and then 343 00:21:08,280 --> 00:21:10,199 Speaker 1: all of a sudden you're like, oh shit, this is 344 00:21:10,240 --> 00:21:13,400 Speaker 1: going away and we just don't know. This is home 345 00:21:13,440 --> 00:21:18,080 Speaker 1: for six years. So it's just really a very wild experience. 346 00:21:18,160 --> 00:21:21,640 Speaker 1: And then just filming everything. And then when Ben are 347 00:21:22,440 --> 00:21:25,560 Speaker 1: one of our favorites on the camera team, I mean, 348 00:21:26,160 --> 00:21:28,760 Speaker 1: let's be real, they're all our favorites, but Ben, who 349 00:21:28,760 --> 00:21:32,560 Speaker 1: would put down our marks every day. The last last day, 350 00:21:35,000 --> 00:21:38,040 Speaker 1: he put down one of our marks in a scene 351 00:21:38,800 --> 00:21:45,200 Speaker 1: and everybody just started clapping, like yeah, and this grown 352 00:21:45,800 --> 00:21:52,080 Speaker 1: British man, this very grown British man, just burst into tears. Yeah, 353 00:21:52,119 --> 00:21:56,160 Speaker 1: And I was like, oh yeah, we all lost it. 354 00:21:56,359 --> 00:21:58,639 Speaker 1: But as soon as Ben lost it, we lost it 355 00:21:58,640 --> 00:22:02,719 Speaker 1: because he is so sweet, quiet, and then it's like, 356 00:22:02,720 --> 00:22:06,359 Speaker 1: oh no, he's breaking, We're done, goodbye. That was the 357 00:22:06,440 --> 00:22:09,240 Speaker 1: funny thing, was like that those like that last week 358 00:22:09,800 --> 00:22:13,080 Speaker 1: one person broke, we all, yeah, if if you keep 359 00:22:13,080 --> 00:22:15,160 Speaker 1: it together and keep it together, but if one person goes, 360 00:22:15,600 --> 00:22:18,720 Speaker 1: I think we all. It was bad. That last um 361 00:22:20,080 --> 00:22:27,439 Speaker 1: song that Matt did, Yeah, brutal. Do you remember we 362 00:22:27,440 --> 00:22:32,000 Speaker 1: were shooting that and then Cord, Oh god, oh god. 363 00:22:32,640 --> 00:22:35,520 Speaker 1: He cried thinking about it. Cord all of a sudden, 364 00:22:35,800 --> 00:22:38,200 Speaker 1: and coord's not afraid to cry it and so when 365 00:22:38,240 --> 00:22:41,400 Speaker 1: he does, he just let it's heartbreaking and he just 366 00:22:41,480 --> 00:22:45,560 Speaker 1: stares at you and it's like, oh god, I have 367 00:22:45,640 --> 00:22:48,960 Speaker 1: that all on tape. It was really bad. We were 368 00:22:48,960 --> 00:22:51,560 Speaker 1: all just like grabbing each other's hands because we were 369 00:22:51,560 --> 00:22:53,240 Speaker 1: all sitting in a line too and looking at each 370 00:22:53,280 --> 00:22:57,000 Speaker 1: other and just losing it. I think I watched it recently, 371 00:22:57,240 --> 00:23:00,320 Speaker 1: recently recently, but I watched that, and I is in 372 00:23:00,720 --> 00:23:03,040 Speaker 1: full to yourself. Yes, there's a video of us online 373 00:23:03,040 --> 00:23:04,880 Speaker 1: when they're wrapping each of us, and you could see 374 00:23:05,000 --> 00:23:06,679 Speaker 1: that was at the end. We had already been crying 375 00:23:06,720 --> 00:23:10,600 Speaker 1: for hours. We had started drinking tequila at some point, 376 00:23:10,720 --> 00:23:12,840 Speaker 1: like we what a day. Yeah, we had had it. 377 00:23:14,000 --> 00:23:18,399 Speaker 1: On that note. Actually, there's another question somebody asked, did 378 00:23:18,440 --> 00:23:22,960 Speaker 1: you ever consider quitting the show? So interesting? Um, well, 379 00:23:22,960 --> 00:23:27,480 Speaker 1: we couldn't if we want to do right. So, um, 380 00:23:28,560 --> 00:23:30,399 Speaker 1: you know, it's funny because like I'm I think I 381 00:23:30,520 --> 00:23:33,760 Speaker 1: definitely threatened, like I'm I can't. I'm done, you know, 382 00:23:33,840 --> 00:23:36,320 Speaker 1: like your just mental state is like I'm done, I've 383 00:23:36,320 --> 00:23:39,040 Speaker 1: got to get out of here, cut me out. But 384 00:23:39,200 --> 00:23:41,760 Speaker 1: the actual thought of doing it, I don't think I 385 00:23:41,800 --> 00:23:44,199 Speaker 1: ever would have done. Yeah, I wouldn't have let you. 386 00:23:46,080 --> 00:23:50,679 Speaker 1: It's like, you know you're gonna get it together, you're yeah. Um, 387 00:23:51,520 --> 00:23:54,840 Speaker 1: I mean it was some people wanted to quit, Oh yeah, definitely, 388 00:23:54,880 --> 00:23:57,359 Speaker 1: and some people did leave, but you know, it wasn't 389 00:23:57,440 --> 00:24:02,480 Speaker 1: like we couldn't really go without permission. Yeah, I think 390 00:24:02,480 --> 00:24:05,240 Speaker 1: there was. There were, yeah, a couple of times when 391 00:24:05,280 --> 00:24:11,119 Speaker 1: like you and you understand, like people will become really famous, 392 00:24:11,560 --> 00:24:13,640 Speaker 1: and there are opportunities because this is taking up ten 393 00:24:13,680 --> 00:24:16,720 Speaker 1: months of the year where you can't go do some 394 00:24:16,760 --> 00:24:18,439 Speaker 1: of these other things. And that's why you see it. 395 00:24:18,440 --> 00:24:21,880 Speaker 1: It's so common for people to leave TV shows after 396 00:24:22,080 --> 00:24:24,680 Speaker 1: a couple of seasons because like I needed to start 397 00:24:24,680 --> 00:24:28,919 Speaker 1: taking these opportunities or they passed by. Look. Yeah, and 398 00:24:28,960 --> 00:24:32,960 Speaker 1: so I think you know that's that was happening a bit. 399 00:24:33,080 --> 00:24:37,560 Speaker 1: But yeah, we weren't allowed to leave. I never wanted 400 00:24:37,600 --> 00:24:40,760 Speaker 1: to quit, but yeah, I know you didn't which season 401 00:24:40,800 --> 00:24:46,240 Speaker 1: had the best music. Oh that's tough. I really don't know. 402 00:24:47,280 --> 00:24:49,240 Speaker 1: I don't know that it was a season. I think 403 00:24:49,280 --> 00:24:54,600 Speaker 1: it was episodes. I mean I think season two. I'm 404 00:24:54,640 --> 00:24:57,920 Speaker 1: thinking abstractly. I don't really remember, but I would imagine 405 00:24:57,920 --> 00:24:59,800 Speaker 1: because we haven't gotten it to gotten to it yet. 406 00:25:00,000 --> 00:25:02,720 Speaker 1: But season two, when we were in the full swing 407 00:25:02,760 --> 00:25:07,239 Speaker 1: of things, yeah, we broke some songs, you know, like 408 00:25:07,640 --> 00:25:09,800 Speaker 1: where people hadn't really heard them for the first time, 409 00:25:09,840 --> 00:25:12,680 Speaker 1: and we got the rights to a lot more songs, right, 410 00:25:12,920 --> 00:25:16,440 Speaker 1: So it was like Katie Perry, there was Gaga, there 411 00:25:16,600 --> 00:25:21,800 Speaker 1: was Bruno Mars, there was Robin Thick, Like I think, yeah, 412 00:25:21,840 --> 00:25:25,000 Speaker 1: that's right. Yeah, two two probably was like we had 413 00:25:25,040 --> 00:25:28,600 Speaker 1: the budget to get it, we had the prestige and 414 00:25:28,720 --> 00:25:32,399 Speaker 1: like artists giving us songs and the permission. So yeah, 415 00:25:32,440 --> 00:25:36,919 Speaker 1: that sounds right. Um, we had a few times for 416 00:25:36,920 --> 00:25:40,800 Speaker 1: a few where did the nickname be come from? So 417 00:25:41,000 --> 00:25:44,720 Speaker 1: for those of you who don't know, my nickname, sort 418 00:25:44,760 --> 00:25:49,040 Speaker 1: of amongst all the Glee folk, right was b and 419 00:25:49,160 --> 00:25:52,280 Speaker 1: that actually is It's one of those things that makes 420 00:25:52,560 --> 00:25:56,160 Speaker 1: no sense. But I had I had a friend named 421 00:25:56,200 --> 00:26:01,919 Speaker 1: Carly pre Glee, and um, she and I had this 422 00:26:02,000 --> 00:26:04,240 Speaker 1: running joke where we'd make fun of couples who'd be 423 00:26:04,280 --> 00:26:09,760 Speaker 1: like Beanie Beamie, I'm hot trying the sundown. Yeah, like 424 00:26:09,800 --> 00:26:12,399 Speaker 1: that kind of thing. And then night and I started 425 00:26:12,440 --> 00:26:16,240 Speaker 1: doing that on Glee. Would be you know, in between 426 00:26:16,240 --> 00:26:18,959 Speaker 1: takes or something like maybe why aren't you Mabie, why 427 00:26:18,960 --> 00:26:22,919 Speaker 1: aren't you hearing me? And then it just short shortened 428 00:26:22,960 --> 00:26:26,080 Speaker 1: tip be B, and then it came I became B. 429 00:26:26,840 --> 00:26:29,120 Speaker 1: But then we all sort of like me and whoever, 430 00:26:30,240 --> 00:26:32,520 Speaker 1: like Leah and I would call each other be Diana 431 00:26:32,560 --> 00:26:35,680 Speaker 1: and I, Nia and I, Corey and I. The craziest 432 00:26:35,720 --> 00:26:38,600 Speaker 1: was when Corey did it, because you have this like 433 00:26:38,680 --> 00:26:43,800 Speaker 1: really big, very straight guy'd be like hey, B. But 434 00:26:43,840 --> 00:26:45,520 Speaker 1: you'd also be on set and you would be like 435 00:26:45,640 --> 00:26:49,159 Speaker 1: quiet and like we'd be like lighting a senior waiting 436 00:26:49,240 --> 00:26:51,280 Speaker 1: for a take to start, and then somebody would just 437 00:26:51,359 --> 00:26:54,200 Speaker 1: like to raw like a beat in the middle of Yes. 438 00:26:54,680 --> 00:26:56,240 Speaker 1: I was like, I was at a restaurant I remember 439 00:26:56,280 --> 00:26:57,920 Speaker 1: a couple of years ago, and I hadn't seen Leah 440 00:26:57,920 --> 00:27:01,199 Speaker 1: in a while, and I just hear BE and I 441 00:27:01,359 --> 00:27:03,800 Speaker 1: turned around because that's how you call each other. It's 442 00:27:03,840 --> 00:27:06,280 Speaker 1: a good way to just cut through the noise. What 443 00:27:06,359 --> 00:27:11,000 Speaker 1: was your other nickname, Kevin? What was my other nickname? 444 00:27:11,560 --> 00:27:14,919 Speaker 1: What did that call you, oh, Zach specifically Woodley, he 445 00:27:14,920 --> 00:27:19,840 Speaker 1: would call me tater, top o, tater or talk. Yes. 446 00:27:20,040 --> 00:27:26,520 Speaker 1: I love that one. Loved that one. Um, wait, can 447 00:27:26,560 --> 00:27:30,160 Speaker 1: I ask you a really fun fact question? Somebody presented 448 00:27:30,160 --> 00:27:31,960 Speaker 1: this and I did not know this, or maybe I 449 00:27:31,960 --> 00:27:35,920 Speaker 1: had forgotten, But did you know that Diana Agron exists 450 00:27:36,119 --> 00:27:40,159 Speaker 1: within the world of Glee because Kurt runs for class 451 00:27:40,200 --> 00:27:46,119 Speaker 1: president and he gives out burlesque DVDs as part of 452 00:27:46,160 --> 00:27:49,520 Speaker 1: his gifts and his incentives, and Dana was in burlesque. 453 00:27:49,560 --> 00:27:56,919 Speaker 1: So Diana exists within Glee. That's meta, isn't that? That's meta? 454 00:27:57,119 --> 00:27:59,040 Speaker 1: I love that. Something like do you know this? Like 455 00:27:59,160 --> 00:28:13,280 Speaker 1: now the more you know? Top three Kevin Zong, Oh God, 456 00:28:14,359 --> 00:28:22,600 Speaker 1: don't you never going back again? Py t Well, whatever 457 00:28:22,600 --> 00:28:24,680 Speaker 1: I call your friend is one of my favorites. Yeah, 458 00:28:25,040 --> 00:28:27,800 Speaker 1: do that all right? I'm going with that for now. Great, 459 00:28:28,080 --> 00:28:30,119 Speaker 1: that's a solid three. That is pretty good three. But 460 00:28:30,160 --> 00:28:33,080 Speaker 1: there's so many other ones. I mean, like Empire State 461 00:28:33,119 --> 00:28:41,480 Speaker 1: of Mind. I don't know did you shoot scenes chronologically? No? 462 00:28:41,560 --> 00:28:49,480 Speaker 1: We did not. No, it was timing money. They would 463 00:28:49,480 --> 00:28:51,400 Speaker 1: try to like get if we were going breadsticks and 464 00:28:51,400 --> 00:28:53,080 Speaker 1: there are two scenes you do the back to back 465 00:28:53,200 --> 00:28:55,800 Speaker 1: like it was kind of it was just for efficiency 466 00:28:55,840 --> 00:29:02,440 Speaker 1: and production? Um correct? Did your partners watch Glee before 467 00:29:02,440 --> 00:29:08,400 Speaker 1: meeting you? Yes, David watched it, and then when we 468 00:29:08,520 --> 00:29:12,520 Speaker 1: met on hand, she thought he was being catfished because 469 00:29:12,600 --> 00:29:21,320 Speaker 1: he was like Tenick from Las Campy. Ye here, I am, um, 470 00:29:21,360 --> 00:29:23,680 Speaker 1: what has been your favorite episode? I have you watched 471 00:29:23,760 --> 00:29:33,479 Speaker 1: so far? Man? Was it SmackDown or throw down? I 472 00:29:33,600 --> 00:29:36,080 Speaker 1: laughed a lot. That was really inappropriate that one. But 473 00:29:37,040 --> 00:29:39,440 Speaker 1: I think power of Madonna. Maybe I was going to 474 00:29:39,520 --> 00:29:42,520 Speaker 1: say Madonna is there and and Prager's is definitely one 475 00:29:42,560 --> 00:29:47,440 Speaker 1: of them as well in my memory. Um, one or 476 00:29:47,480 --> 00:29:50,959 Speaker 1: two more, Kevin, one or two more? All right? Oh? 477 00:29:51,040 --> 00:29:55,520 Speaker 1: How did the cast celebrate birthdays on the show? Well, 478 00:29:55,560 --> 00:29:59,640 Speaker 1: it was always fun um crafty or production would always 479 00:29:59,640 --> 00:30:03,240 Speaker 1: get you cake if your birthday landed in the production scare. 480 00:30:03,400 --> 00:30:05,760 Speaker 1: I never did so. I never got a cake. Oh 481 00:30:07,200 --> 00:30:08,960 Speaker 1: did you get a particularly get a cake on tour 482 00:30:09,080 --> 00:30:11,880 Speaker 1: or anything? We did do a birthday. We did your birthday, 483 00:30:11,880 --> 00:30:15,760 Speaker 1: We saw you. We definitely saw my birthday. Kevin did 484 00:30:15,800 --> 00:30:18,960 Speaker 1: your birthday? Oh? Yeah, but we know they bring you 485 00:30:18,960 --> 00:30:21,240 Speaker 1: a cake. And I never got my own cake because 486 00:30:21,240 --> 00:30:22,920 Speaker 1: Harry and I shared a birthday, so Karen, I would 487 00:30:22,920 --> 00:30:25,600 Speaker 1: always get a shared cake. It's like having a sibling 488 00:30:25,840 --> 00:30:32,960 Speaker 1: you or like your birthday landing on like a holiday. Um. Um, Jennet, 489 00:30:33,000 --> 00:30:36,040 Speaker 1: you have two Tony's that you want for producing? Do 490 00:30:36,040 --> 00:30:41,479 Speaker 1: you enjoy acting or producing theater more Current State twenty 491 00:30:41,520 --> 00:30:47,160 Speaker 1: twenty three, March March of twenty twenty three parties producing. Yeah, 492 00:30:47,400 --> 00:30:49,760 Speaker 1: but you're so good at both. Oh that's very kind, 493 00:30:50,400 --> 00:30:55,680 Speaker 1: very kind. Um. Oh so um. Someone asked, did we 494 00:30:55,720 --> 00:30:58,240 Speaker 1: have any famous fans of Glee that we are surprised 495 00:30:58,360 --> 00:31:05,040 Speaker 1: watch the show? Yes, they're so. Our first Golden Globes 496 00:31:05,600 --> 00:31:10,240 Speaker 1: was very enlightening experience because yeah, that's right. We were 497 00:31:10,240 --> 00:31:12,840 Speaker 1: on the red carpet. Jane and I were doing an 498 00:31:12,840 --> 00:31:15,640 Speaker 1: interview and I turn around and I go, oh my god. Jane, 499 00:31:16,320 --> 00:31:20,400 Speaker 1: Julian Moore, and Tom Ford are right there because tom 500 00:31:20,400 --> 00:31:23,200 Speaker 1: Ford's movie A Single Man was out that year, and 501 00:31:23,360 --> 00:31:25,400 Speaker 1: she goes, let's go talk to them. I'm like I 502 00:31:25,440 --> 00:31:27,960 Speaker 1: can't do this. I'm like, you can talk to them. 503 00:31:28,240 --> 00:31:32,880 Speaker 1: I cannot. So we go and Julian Moore knows exactly 504 00:31:32,920 --> 00:31:35,440 Speaker 1: who we are, and she turns to us and it's 505 00:31:35,440 --> 00:31:36,840 Speaker 1: talking to Jane. She turns to me and she goes, 506 00:31:36,960 --> 00:31:40,040 Speaker 1: we watch every single week, me and my kids, and 507 00:31:40,080 --> 00:31:44,080 Speaker 1: we think you're all so good. Wow. I was peeing 508 00:31:44,120 --> 00:31:47,600 Speaker 1: myself and that's when Tom Ford walked up to me 509 00:31:47,640 --> 00:31:50,040 Speaker 1: and fixed my bow tie. I remembered her, and then 510 00:31:50,080 --> 00:31:52,920 Speaker 1: I just start like babbling like whatever. That was also 511 00:31:53,000 --> 00:31:58,880 Speaker 1: the same Golden Globes where Leah was nominated and she 512 00:31:59,040 --> 00:32:03,680 Speaker 1: lost and Tom and Rita Wilson We're bad and said 513 00:32:03,720 --> 00:32:11,120 Speaker 1: you were wrong. Oh my god, that's amazing. Yes, there 514 00:32:11,320 --> 00:32:14,200 Speaker 1: was a lot. We met a lot of them on tour, 515 00:32:14,600 --> 00:32:17,760 Speaker 1: and like Ryan said, like we spoke to like all 516 00:32:17,760 --> 00:32:22,120 Speaker 1: these are artsy underdog kids, so like they relate to 517 00:32:22,160 --> 00:32:25,840 Speaker 1: this type of show, right right. Yeah. What advice do 518 00:32:25,840 --> 00:32:32,280 Speaker 1: you have for actors starting out? Jenna? Oh god, um, exactly. 519 00:32:34,040 --> 00:32:35,640 Speaker 1: I use this one a lot, but I'll share it 520 00:32:35,680 --> 00:32:38,560 Speaker 1: because I think it's I think I wish I had 521 00:32:38,640 --> 00:32:44,560 Speaker 1: this advice. Do not try to copy the stars that 522 00:32:44,680 --> 00:32:48,680 Speaker 1: you I wise, do not try to be a carbon copy. 523 00:32:49,040 --> 00:32:52,080 Speaker 1: Do not try to sound like them. Do not try 524 00:32:52,120 --> 00:32:57,000 Speaker 1: to copy them, because there's already one of them. You 525 00:32:57,040 --> 00:32:58,959 Speaker 1: are one of a kind. The reason that you're going 526 00:32:59,000 --> 00:33:02,600 Speaker 1: to be a star because you're unique, you're different and 527 00:33:02,680 --> 00:33:06,360 Speaker 1: you got something to share, so be true to you. 528 00:33:06,520 --> 00:33:09,880 Speaker 1: I know it sounds so cliche, but growing up, I 529 00:33:09,960 --> 00:33:11,920 Speaker 1: just tried. I tried to sound like Sutton Foster. I 530 00:33:11,960 --> 00:33:17,960 Speaker 1: tried to sound like these like Broadway stars that were 531 00:33:17,960 --> 00:33:22,160 Speaker 1: famous and like Adina and Kristen and all of these people, 532 00:33:22,200 --> 00:33:24,360 Speaker 1: and I just I was like, Oh no, that's not 533 00:33:24,400 --> 00:33:27,600 Speaker 1: what's going to make me successful. What's gonna make me 534 00:33:27,640 --> 00:33:30,360 Speaker 1: successful is me giving the world where I have to share, 535 00:33:30,480 --> 00:33:32,719 Speaker 1: so that'd be one of them. That's right, that's right, 536 00:33:32,800 --> 00:33:36,400 Speaker 1: Jenna Ray Kevin, What about you, Kevin? I would say, 537 00:33:36,480 --> 00:33:43,520 Speaker 1: and the most unjaded way possible, that you need to 538 00:33:43,600 --> 00:33:51,360 Speaker 1: be so certain and secure in your self and your 539 00:33:51,600 --> 00:33:56,200 Speaker 1: want and desire to do this that when you go 540 00:33:56,240 --> 00:33:58,600 Speaker 1: into a room where you're on a zoom or whatever 541 00:33:58,640 --> 00:34:03,000 Speaker 1: the audition process may be, you can't control what the 542 00:34:03,000 --> 00:34:05,880 Speaker 1: person you're artitioning for is feeling that day. That is 543 00:34:05,920 --> 00:34:08,160 Speaker 1: all out of your control. All you can control is 544 00:34:08,200 --> 00:34:11,520 Speaker 1: what you bring in. And I think the ability to 545 00:34:11,680 --> 00:34:15,120 Speaker 1: not take it personally when you get rejected, when you 546 00:34:15,160 --> 00:34:19,560 Speaker 1: don't get a job, is a really powerful and sustaining thing, 547 00:34:20,200 --> 00:34:22,640 Speaker 1: because if you go in there and you're like, well, 548 00:34:23,719 --> 00:34:25,359 Speaker 1: I wasn't the one on that day for that role. 549 00:34:25,600 --> 00:34:28,759 Speaker 1: It's not because oh it's me. They hated me. I 550 00:34:28,800 --> 00:34:31,080 Speaker 1: didn't do a good enough job. No, you don't know 551 00:34:31,200 --> 00:34:32,720 Speaker 1: what the person on the other side of the table 552 00:34:33,040 --> 00:34:35,560 Speaker 1: or the other side of the camera has been through 553 00:34:35,600 --> 00:34:36,800 Speaker 1: that day. You don't know if they got in a 554 00:34:36,840 --> 00:34:38,919 Speaker 1: fight with their partner. You don't know if their dog died. 555 00:34:39,080 --> 00:34:41,640 Speaker 1: You don't know, if they got the best news about 556 00:34:41,719 --> 00:34:44,759 Speaker 1: something else. You just don't know, and all those things 557 00:34:44,760 --> 00:34:48,319 Speaker 1: play a factor in it, unfortunately, and you could look 558 00:34:48,320 --> 00:34:52,880 Speaker 1: like someone's ex, you know. And it's really hard to 559 00:34:52,920 --> 00:34:55,400 Speaker 1: not take rejection personally. But if you can learn to 560 00:34:55,440 --> 00:34:58,640 Speaker 1: not take it personally, you'll be all right. Because this 561 00:34:58,800 --> 00:35:03,680 Speaker 1: business is mostly rejection that you get to work. That's like, um, 562 00:35:04,040 --> 00:35:06,680 Speaker 1: that's like one on one, like you really do have 563 00:35:06,760 --> 00:35:10,759 Speaker 1: to find that in you to sustain. I think for 564 00:35:10,800 --> 00:35:15,600 Speaker 1: everyone and that's okay, And that's I think, that's absolutely okay. 565 00:35:15,840 --> 00:35:18,000 Speaker 1: You give it a go. And if it's not for you, 566 00:35:18,000 --> 00:35:21,520 Speaker 1: you're not a failure. It's not for everyone. I'm just 567 00:35:21,600 --> 00:35:26,000 Speaker 1: dead on the inside. So it's fine. And on that note, 568 00:35:26,400 --> 00:35:29,759 Speaker 1: thanks for writing in you guys, great questions. It can't 569 00:35:29,800 --> 00:35:31,759 Speaker 1: wait to do this again. These are really fun for 570 00:35:31,840 --> 00:35:34,600 Speaker 1: us um I hope join them love this. Thanks for 571 00:35:34,640 --> 00:35:36,839 Speaker 1: spending the time to write in with some of these 572 00:35:36,840 --> 00:35:40,239 Speaker 1: really thoughtful questions and fun facts. And that's what you 573 00:35:40,320 --> 00:35:44,360 Speaker 1: really ask That's it. We'll see you next time. Thanks 574 00:35:44,400 --> 00:35:47,520 Speaker 1: for listening and follow us on Instagram at and that's 575 00:35:47,520 --> 00:35:49,719 Speaker 1: what you really miss pod. Make sure to write us 576 00:35:49,719 --> 00:35:52,319 Speaker 1: a review and leave us five stars. See you next time.