1 00:00:01,840 --> 00:00:06,120 Speaker 1: Broadcasting live from the Abraham Lincoln Radio Studio, the George 2 00:00:06,200 --> 00:00:10,720 Speaker 1: Washington Broadcast Center, Jack Armstrong and Joe Ketty arm Strong 3 00:00:10,760 --> 00:00:17,680 Speaker 1: and Jettie and he Armstrong and Yetty. 4 00:00:24,800 --> 00:00:27,120 Speaker 2: Listen is that President Trump is going to become the 5 00:00:27,120 --> 00:00:29,480 Speaker 2: first sitting president to attend the Super Bowl. 6 00:00:29,600 --> 00:00:31,240 Speaker 1: Every time the cuts to tell us swich he's gonna 7 00:00:31,280 --> 00:00:35,840 Speaker 1: lean in? Like, also, I'm here too, Hi, Mama Kelsey, Hi, 8 00:00:38,840 --> 00:00:43,320 Speaker 1: I just saw Travis Kelsey asked, doing those media appearances 9 00:00:43,320 --> 00:00:46,120 Speaker 1: all week long would be hard to do while you're 10 00:00:46,400 --> 00:00:49,440 Speaker 1: preparing for the biggest moment of your life all week long. 11 00:00:49,479 --> 00:00:51,680 Speaker 1: But Travis Kelcey was just asked, do you know what 12 00:00:51,720 --> 00:00:57,080 Speaker 1: Taylor's gonna wear to the game? Yeah? Did he punch them? 13 00:00:57,600 --> 00:01:00,960 Speaker 1: Why didn't he punch them? He laughed, and he laughed, 14 00:01:00,960 --> 00:01:04,160 Speaker 1: and he said, I'm sure she's gonna wear red. There 15 00:01:04,240 --> 00:01:07,520 Speaker 1: you go, that's a charmac. Yeah. Man. 16 00:01:09,080 --> 00:01:12,680 Speaker 3: So who could forget this charming young woman? Catherine Mayer, 17 00:01:13,200 --> 00:01:16,760 Speaker 3: she was the This was just before she became the 18 00:01:16,840 --> 00:01:19,760 Speaker 3: CEO of NPR for. 19 00:01:19,880 --> 00:01:25,120 Speaker 4: Our most tricky disagreements. Seeking the truth and seeking to 20 00:01:25,160 --> 00:01:29,120 Speaker 4: convince others of the truth might not be the right 21 00:01:29,160 --> 00:01:33,800 Speaker 4: place to start in fact, our reverence for the truth 22 00:01:34,760 --> 00:01:38,400 Speaker 4: might be a distraction that's getting in the way of 23 00:01:38,600 --> 00:01:41,480 Speaker 4: fine and common ground and getting things done. 24 00:01:41,840 --> 00:01:46,440 Speaker 1: That is so insane as somebody who is allegedly a journalist. 25 00:01:46,680 --> 00:01:49,800 Speaker 3: She is not a journalist. She is an activist and 26 00:01:49,840 --> 00:01:53,160 Speaker 3: a propagandist. And she is with her blonde hair and 27 00:01:53,200 --> 00:01:56,400 Speaker 3: her straight white teeth and her lovely shape and her 28 00:01:56,440 --> 00:02:00,280 Speaker 3: soothing voice, trying to explain this hole seeking the truth thing. 29 00:02:00,760 --> 00:02:04,840 Speaker 1: That's an interference with our goal, even outside of journalism. 30 00:02:04,880 --> 00:02:07,120 Speaker 1: And tell me a realm of life where you like that, 31 00:02:07,480 --> 00:02:11,440 Speaker 1: any any any anything where you like the the truth 32 00:02:11,520 --> 00:02:14,240 Speaker 1: is getting in the way. When when is that ever 33 00:02:14,360 --> 00:02:15,560 Speaker 1: a thing? Oh? 34 00:02:15,639 --> 00:02:20,040 Speaker 3: Yeah, when does that ever not turn rancid and and 35 00:02:20,040 --> 00:02:25,120 Speaker 3: and and infected in a relationship. I'll just keep these secrets. 36 00:02:25,160 --> 00:02:28,840 Speaker 3: He's better off not knowing. Yeah, nice attitude. Play that 37 00:02:28,840 --> 00:02:30,560 Speaker 3: one more time, Michael. It's so incredible. 38 00:02:31,600 --> 00:02:36,880 Speaker 4: For our most tricky disagreements, seeking the truth and seeking 39 00:02:36,919 --> 00:02:40,760 Speaker 4: to convince others of the truth might not be the 40 00:02:40,840 --> 00:02:45,320 Speaker 4: right place to start. In fact, our reverence for the 41 00:02:45,400 --> 00:02:49,840 Speaker 4: truth might be a distraction that's getting in the way 42 00:02:50,280 --> 00:02:53,400 Speaker 4: of finding common ground and getting things done. 43 00:02:53,680 --> 00:02:57,680 Speaker 1: That's like, Wow, dangerous lenin Stalin sort of crap right there. 44 00:02:57,800 --> 00:03:01,640 Speaker 3: I mean just gonna say Hermann Gerring is in hell saying, Wow, 45 00:03:01,680 --> 00:03:02,440 Speaker 3: she's got it down? 46 00:03:02,600 --> 00:03:07,919 Speaker 1: Is she still in charge NPR? I believe she is? Wow? Yeah. 47 00:03:07,960 --> 00:03:11,800 Speaker 1: So anyway, do you remember their name? Uri Berliner? 48 00:03:12,400 --> 00:03:16,520 Speaker 3: He was the guy who it was like ten months 49 00:03:16,520 --> 00:03:20,240 Speaker 3: ago he wrote an essay for The Free Press in 50 00:03:20,280 --> 00:03:23,320 Speaker 3: which he explained why he was resigning from NPR, where 51 00:03:23,320 --> 00:03:27,040 Speaker 3: he'd worked for twenty five years, and he said much 52 00:03:27,040 --> 00:03:30,560 Speaker 3: more in sorrow than anger, having they lost the trust 53 00:03:30,560 --> 00:03:34,880 Speaker 3: of a large segment of the country. Once curious, open minded, rigorous, 54 00:03:34,920 --> 00:03:37,640 Speaker 3: if liberal leaning, public radio news had evolved into a 55 00:03:37,760 --> 00:03:41,000 Speaker 3: doctrinaire source of what I called one story after another 56 00:03:41,040 --> 00:03:45,880 Speaker 3: about instances of supposed racism, transphobia, signs of the climate apocalypse, 57 00:03:46,040 --> 00:03:49,320 Speaker 3: Israel doing something bad, in the dire threat of Republican policies. 58 00:03:49,640 --> 00:03:53,280 Speaker 3: In twenty twenty alone, we dismissed the very possibility of 59 00:03:53,320 --> 00:03:56,240 Speaker 3: a COVID lab league in China, and our then managing 60 00:03:56,360 --> 00:04:00,280 Speaker 3: editor refused even to cover Hunter Biden's laptop, call it 61 00:04:00,360 --> 00:04:03,560 Speaker 3: not really a story, and he reminds us of some 62 00:04:03,600 --> 00:04:07,600 Speaker 3: of the things he said. But now the crisis is 63 00:04:07,880 --> 00:04:11,240 Speaker 3: in at hand. Republicans control Congress in the White House, 64 00:04:11,240 --> 00:04:14,600 Speaker 3: and they seem serious about what had previously been ritualistic 65 00:04:14,680 --> 00:04:19,679 Speaker 3: GOP threats to cut public media. And indeed, Catherine Mayer, 66 00:04:19,760 --> 00:04:25,280 Speaker 3: the delightful woman we just heard from who called Berliners 67 00:04:25,279 --> 00:04:29,800 Speaker 3: free press essay disrespectful, hurtful and demeaning, Oh my god, 68 00:04:30,000 --> 00:04:32,560 Speaker 3: has been called before the House Subcommittee on Delivery on 69 00:04:32,600 --> 00:04:37,560 Speaker 3: Government Efficiency, that's the doge fellas as soon as early March. 70 00:04:38,400 --> 00:04:40,360 Speaker 1: So do you have the numbers? I saw some numbers 71 00:04:40,400 --> 00:04:42,560 Speaker 1: footing around the other day. That's about a half a 72 00:04:42,560 --> 00:04:45,320 Speaker 1: billion dollars five hundred million dollars. It gets spread around 73 00:04:45,400 --> 00:04:48,120 Speaker 1: NPR and PBS outlets around the country. So it's not 74 00:04:48,160 --> 00:04:49,480 Speaker 1: going to happen to have that, and it's not a 75 00:04:49,600 --> 00:04:52,839 Speaker 1: ton of money, but you know, it's a half billion 76 00:04:52,880 --> 00:04:55,919 Speaker 1: dollars more that's being spread around to stations were on 77 00:04:56,080 --> 00:04:59,520 Speaker 1: of taxpayer money to not to have as many commercials 78 00:04:59,600 --> 00:05:01,400 Speaker 1: or higher better reporters or whatever you want to do 79 00:05:01,440 --> 00:05:01,680 Speaker 1: with it. 80 00:05:02,279 --> 00:05:06,200 Speaker 3: And if you have state sponsored propaganda media for the 81 00:05:07,920 --> 00:05:13,159 Speaker 3: domestic audience, the sides of the budget isn't the issue. 82 00:05:13,360 --> 00:05:15,640 Speaker 3: It's just it's very existence that is going to be 83 00:05:15,680 --> 00:05:16,920 Speaker 3: absolutely terrible. 84 00:05:17,040 --> 00:05:19,960 Speaker 1: I personally, I know though a number of very smart 85 00:05:20,000 --> 00:05:24,039 Speaker 1: people who you cannot convince them that NPR is not 86 00:05:24,839 --> 00:05:26,800 Speaker 1: didn't know they're straight down the middle, didn't They have 87 00:05:26,920 --> 00:05:30,599 Speaker 1: no reason to be biased because they don't have to 88 00:05:30,680 --> 00:05:34,760 Speaker 1: take advertisers. I know, and I've actually said to people 89 00:05:34,760 --> 00:05:37,200 Speaker 1: before seriously, and because I don't want to get into 90 00:05:37,200 --> 00:05:40,160 Speaker 1: a fight with people that I'm friends with, but sit 91 00:05:40,200 --> 00:05:42,480 Speaker 1: down anytime for a half an hour, let's listen together. 92 00:05:42,920 --> 00:05:47,960 Speaker 1: I'll point out all the places where it's just insanely biased. Yeah. 93 00:05:48,080 --> 00:05:50,080 Speaker 3: Well, you know, as I've said a million times, I'm 94 00:05:50,080 --> 00:05:52,640 Speaker 3: thinking of getting it tattooed on my forehead. Intelligence and 95 00:05:52,640 --> 00:05:55,599 Speaker 3: wisdom are two completely different things and practically unrelated. 96 00:05:55,880 --> 00:05:56,720 Speaker 1: And if you just. 97 00:05:56,720 --> 00:06:00,680 Speaker 3: Never get a perspective, you might be both intelligent and wise, 98 00:06:00,760 --> 00:06:03,520 Speaker 3: but not realize because you hadn't seen the other side 99 00:06:03,560 --> 00:06:05,640 Speaker 3: of it. And I think a lot of people haven't. 100 00:06:05,640 --> 00:06:08,560 Speaker 3: But anyway, Uri Berliner, the point of his piece today 101 00:06:08,920 --> 00:06:14,200 Speaker 3: is he suggests a series of questions to ask the 102 00:06:14,680 --> 00:06:18,840 Speaker 3: head of NPR, both Ms Mayer, who would have been 103 00:06:18,839 --> 00:06:23,960 Speaker 3: an absolutely outstanding Nazi propagandas gandist, and Paul Berger, CEO 104 00:06:24,000 --> 00:06:29,599 Speaker 3: of PBS. Can you provide examples of NPR coverage that 105 00:06:29,680 --> 00:06:35,359 Speaker 3: criticized or questioned progressive narratives on crime, immigration, youth, gender, medicine, 106 00:06:35,600 --> 00:06:40,080 Speaker 3: or climate change. Ms Mayor you said, regarding your previous 107 00:06:40,160 --> 00:06:43,640 Speaker 3: role as the CEO of the Wikipedia Foundation Wikimedia Foundation, 108 00:06:43,720 --> 00:06:45,960 Speaker 3: that our reverence for the truth might be a distraction 109 00:06:46,800 --> 00:06:49,400 Speaker 3: that quote we just heard. What exactly did you mean? 110 00:06:49,520 --> 00:06:51,560 Speaker 3: Do you still believe it? And if so, how is 111 00:06:51,600 --> 00:06:54,320 Speaker 3: such a view compatible with leadership of a news organization. 112 00:06:56,080 --> 00:06:58,920 Speaker 3: Another question, The immediate past CEO of NPR, the late 113 00:06:59,000 --> 00:07:02,200 Speaker 3: John Lansing, declared that diversity, equity, and inclusion is the 114 00:07:02,240 --> 00:07:04,320 Speaker 3: north star of our organization? 115 00:07:04,839 --> 00:07:05,480 Speaker 1: Is it still? 116 00:07:05,600 --> 00:07:08,599 Speaker 3: If not, why and if so, please explain how DEI 117 00:07:08,800 --> 00:07:14,520 Speaker 3: influences NPR's hiring, training, and coverage. Love this, especially because 118 00:07:14,520 --> 00:07:18,960 Speaker 3: all that's illegal. In twenty twenty one, his next question goes, 119 00:07:19,160 --> 00:07:23,800 Speaker 3: I found eighty seven registered Democrats among NPR editorial staff 120 00:07:23,840 --> 00:07:26,040 Speaker 3: residing in DC, where the network is headquartered. 121 00:07:26,360 --> 00:07:27,040 Speaker 1: Eighty seven. 122 00:07:27,200 --> 00:07:31,440 Speaker 3: There were zero Republicans, along with forty four registered with 123 00:07:31,520 --> 00:07:34,880 Speaker 3: no party. Is NPR doing anything to address this seeming 124 00:07:34,960 --> 00:07:38,800 Speaker 3: lack of diversity of viewpoints, such as hiring journalists from 125 00:07:38,880 --> 00:07:42,720 Speaker 3: conservative media recruiting military veterans or seeking candidates who attended 126 00:07:42,760 --> 00:07:44,640 Speaker 3: religious colleges and state universities. 127 00:07:44,680 --> 00:07:47,200 Speaker 1: Here's a question I'd go with, do you realize that 128 00:07:47,280 --> 00:07:51,280 Speaker 1: latenax is stupid and that Hispanic people don't like it? 129 00:07:51,840 --> 00:07:54,400 Speaker 1: And it's only over educated white women that ever even 130 00:07:54,400 --> 00:07:56,240 Speaker 1: came up with this stupid term and keep using it, 131 00:07:56,320 --> 00:07:58,440 Speaker 1: But you use it all the time on PBS and NPR. 132 00:07:59,520 --> 00:08:02,640 Speaker 3: In fact, are you aware that LATINX people hate LATINX 133 00:08:03,120 --> 00:08:04,200 Speaker 3: more than anybody else? 134 00:08:05,000 --> 00:08:07,200 Speaker 1: It's stupid? Are you aware of that? That'd be my 135 00:08:07,280 --> 00:08:09,800 Speaker 1: question be a good question. 136 00:08:10,840 --> 00:08:12,800 Speaker 3: Do you have regrets about how NPR dealt with the 137 00:08:12,880 --> 00:08:15,840 Speaker 3: Hunter Biden laptop story, the Lablaku theory, or more recently, 138 00:08:16,080 --> 00:08:19,920 Speaker 3: President Joe Biden's apparent cognitive decline while in the White House. 139 00:08:20,920 --> 00:08:21,800 Speaker 1: Love these questions. 140 00:08:22,680 --> 00:08:25,120 Speaker 3: NPR says it gets one percent of its annual operating 141 00:08:25,120 --> 00:08:28,920 Speaker 3: budget directly from federal funding. A larger portion, though reportedly 142 00:08:28,960 --> 00:08:33,040 Speaker 3: around ten percent, flows indirectly to NPR through member stations 143 00:08:33,240 --> 00:08:36,560 Speaker 3: that acquire NPR programming with support from the Corporation for 144 00:08:36,679 --> 00:08:40,439 Speaker 3: Public Broadcasting. Would you be open to a new financing 145 00:08:40,440 --> 00:08:45,280 Speaker 3: structure that lets local member stations keep more money. 146 00:08:46,240 --> 00:08:50,760 Speaker 1: In which case you would what probably end up with 147 00:08:50,920 --> 00:08:53,960 Speaker 1: super left leaning NPR versions in San Francisco, which you 148 00:08:53,960 --> 00:08:58,480 Speaker 1: already have, but maybe more moderate or right leaning NPR 149 00:08:58,559 --> 00:09:03,280 Speaker 1: stations in you know, Oklahoma City, May I don't know. 150 00:09:03,720 --> 00:09:05,400 Speaker 3: Yeah, his next question is kind of hint at that 151 00:09:05,559 --> 00:09:09,839 Speaker 3: very thing. It could happen, I. 152 00:09:09,760 --> 00:09:12,200 Speaker 1: Mean, because well, how would we feel about that. I'd 153 00:09:12,200 --> 00:09:14,000 Speaker 1: never thought about this before, but I think that'd be 154 00:09:14,040 --> 00:09:18,160 Speaker 1: fine for public radio if it more or less reflected 155 00:09:19,559 --> 00:09:23,240 Speaker 1: that city area's beliefs and things. If you're gonna have 156 00:09:23,240 --> 00:09:26,160 Speaker 1: bias at all, as opposed to the way it currently is, 157 00:09:26,240 --> 00:09:30,320 Speaker 1: it's like insanely biased every every example in the country. 158 00:09:31,440 --> 00:09:35,600 Speaker 3: Well, and this is the problem with right yeah, obviously. Uh, 159 00:09:35,800 --> 00:09:39,400 Speaker 3: this is the problem with government media in general. Is 160 00:09:39,440 --> 00:09:43,520 Speaker 3: once you step onto that that twisty, slippery road, you're 161 00:09:43,520 --> 00:09:46,800 Speaker 3: gonna find yourself in really uncomfortable places without good answers. 162 00:09:47,120 --> 00:09:50,480 Speaker 3: I mean, for instance, I could absolutely make the case 163 00:09:51,000 --> 00:10:00,240 Speaker 3: that NPR ought to be studiously carefully run by an 164 00:10:00,280 --> 00:10:06,480 Speaker 3: ideologically diverse, you know, board that makes sure every issue 165 00:10:06,640 --> 00:10:11,360 Speaker 3: looks at both sides in a fair way, steel mans 166 00:10:11,360 --> 00:10:15,320 Speaker 3: each other's arguments, as the saying goes, But then you 167 00:10:15,400 --> 00:10:17,640 Speaker 3: run into the problem. And actually lefties bring this up. 168 00:10:17,640 --> 00:10:20,080 Speaker 3: They bring it up in ridiculous ways. But all right, 169 00:10:20,160 --> 00:10:24,400 Speaker 3: what if the question is should child molesters be allowed 170 00:10:24,400 --> 00:10:25,400 Speaker 3: to get child porn? 171 00:10:25,920 --> 00:10:28,520 Speaker 1: Or you know something truly horrific, that's a good one, 172 00:10:28,559 --> 00:10:31,280 Speaker 1: that's a that's a great ethical dilemma. 173 00:10:31,640 --> 00:10:34,600 Speaker 3: Or or you know, like confused adolescent girls ought to 174 00:10:34,600 --> 00:10:37,800 Speaker 3: be fed sterilizing hormones and have their healthy breasts cut 175 00:10:37,840 --> 00:10:40,760 Speaker 3: off if they decide one day, under pressure from an 176 00:10:40,760 --> 00:10:42,600 Speaker 3: activist teacher, that they admire that. 177 00:10:42,520 --> 00:10:43,199 Speaker 1: They're a boy. 178 00:10:43,559 --> 00:10:47,000 Speaker 3: I don't particularly relish the idea of having somebody make 179 00:10:47,080 --> 00:10:48,520 Speaker 3: that case because I find it repugnant. 180 00:10:49,640 --> 00:10:51,320 Speaker 1: So you just you find yourself in a place you 181 00:10:51,320 --> 00:10:57,000 Speaker 1: don't want to be, right, hmm, Well, what we got 182 00:10:57,040 --> 00:11:03,679 Speaker 1: currently is ridiculous and it's laugh out loud funny regularly. 183 00:11:04,679 --> 00:11:07,760 Speaker 1: Oh yeah, their attempt to be the news. 184 00:11:08,360 --> 00:11:11,920 Speaker 3: Well, and they're how every story or eight out of 185 00:11:12,080 --> 00:11:17,480 Speaker 3: nine is who is the victim of something somewhere on earth? 186 00:11:17,679 --> 00:11:17,839 Speaker 1: Right? 187 00:11:17,920 --> 00:11:22,000 Speaker 3: I mean, if there is a painter in Afghanistan who 188 00:11:22,000 --> 00:11:25,280 Speaker 3: no longer can get the blue paint because the US 189 00:11:25,480 --> 00:11:29,200 Speaker 3: is embargoed something or other, they will spend ten minutes 190 00:11:29,200 --> 00:11:33,280 Speaker 3: on the bitter sadness of this poor Afghan artist who 191 00:11:33,280 --> 00:11:34,080 Speaker 3: can't get blue paint. 192 00:11:34,480 --> 00:11:37,280 Speaker 1: There was a horrifying school shooting somewhere in the world 193 00:11:37,320 --> 00:11:41,320 Speaker 1: the other day. Where was that Sweden someplace? And I 194 00:11:41,360 --> 00:11:43,360 Speaker 1: was listening to the NPR version where they went at 195 00:11:43,440 --> 00:11:46,480 Speaker 1: length about how we've exported this culture to the country. 196 00:11:46,520 --> 00:11:49,160 Speaker 1: So we're to blame. Gun owners are in the United 197 00:11:49,160 --> 00:11:51,720 Speaker 1: States are to blame for school shootings in other countries. 198 00:11:51,920 --> 00:11:55,840 Speaker 1: Let's make that clear. Because nobody has any agency. They're 199 00:11:55,880 --> 00:11:59,400 Speaker 1: all just victims of what ugly conservatives do. That's it whole. 200 00:12:00,160 --> 00:12:02,800 Speaker 1: In the Palestinians who have no agency, that's victims. That's 201 00:12:02,800 --> 00:12:05,040 Speaker 1: that weird mindset that you're always talking about the oppressor 202 00:12:05,080 --> 00:12:08,880 Speaker 1: oppressed if you buy into that mindset. So whoever's got 203 00:12:09,040 --> 00:12:12,800 Speaker 1: power is the reason for all bad things happening. So 204 00:12:12,920 --> 00:12:15,920 Speaker 1: United States says power the biggest economy and biggest culture 205 00:12:15,960 --> 00:12:18,240 Speaker 1: and everything like that. So any shootings around the world, 206 00:12:18,280 --> 00:12:18,920 Speaker 1: it's our fault. 207 00:12:20,200 --> 00:12:23,000 Speaker 3: And anybody who's a victim or has less power is 208 00:12:23,080 --> 00:12:28,720 Speaker 3: automatically good and virtuous and right, no matter what their 209 00:12:28,760 --> 00:12:31,760 Speaker 3: opinion is. And a lot of people listening are like, dude, 210 00:12:31,800 --> 00:12:33,160 Speaker 3: you can't oversimplify it like that. 211 00:12:33,280 --> 00:12:36,480 Speaker 1: No, that's actually the philosophy. I've said more than once. 212 00:12:36,760 --> 00:12:39,600 Speaker 3: If my dog has spoused that philosophy, I would kick 213 00:12:39,679 --> 00:12:41,559 Speaker 3: him for being that dumb. 214 00:12:43,120 --> 00:12:45,240 Speaker 1: And I am not a dog kicker. Oh my god, 215 00:12:47,360 --> 00:12:48,439 Speaker 1: But you got people. 216 00:12:48,200 --> 00:12:54,160 Speaker 3: Graduating from quote unquote, I might vomit elite universities who 217 00:12:54,240 --> 00:12:56,480 Speaker 3: spout this nonsense all day long and think they're wise 218 00:12:56,520 --> 00:12:57,240 Speaker 3: and educated. 219 00:12:57,720 --> 00:12:59,920 Speaker 1: Man, if they're going to finally look into the funding 220 00:12:59,880 --> 00:13:02,800 Speaker 1: of NPR radio and like get to the brass tacks 221 00:13:02,800 --> 00:13:04,800 Speaker 1: on it, I would love that. I'll watch that on 222 00:13:04,920 --> 00:13:09,040 Speaker 1: c SPAN. More on the way. 223 00:13:09,960 --> 00:13:13,839 Speaker 2: Diplomatic shock waves are reverberating across the Middle East after 224 00:13:13,880 --> 00:13:17,880 Speaker 2: President Trump unexpectedly announced plans for a US takeover of 225 00:13:17,960 --> 00:13:21,880 Speaker 2: Gaza that would include forcing Palestinians out. The idea was 226 00:13:21,960 --> 00:13:25,760 Speaker 2: quickly rejected by Jordan and Egypt, countries the President says 227 00:13:25,800 --> 00:13:30,439 Speaker 2: would take in displaced refugees. Saudi Arabia also denounce the proposal. 228 00:13:31,360 --> 00:13:35,080 Speaker 5: The Ministry of Foreign Affairs affirmed that the Kingdom's position 229 00:13:35,240 --> 00:13:39,720 Speaker 5: on the establishment of the Palestinian state is firm, steadfast 230 00:13:39,800 --> 00:13:43,960 Speaker 5: and unwavering, and that this firm position is not subject 231 00:13:43,960 --> 00:13:45,920 Speaker 5: to negotiation or outbidding. 232 00:13:46,000 --> 00:13:47,880 Speaker 1: Hmm, do they feel that way behind the scenes. I 233 00:13:47,960 --> 00:13:49,160 Speaker 1: don't know. Time will tell. 234 00:13:49,840 --> 00:13:53,040 Speaker 3: I speak fluent Arabic, I can translate that we have 235 00:13:53,120 --> 00:13:56,160 Speaker 3: been getting by by paying lip service to the Palestinian 236 00:13:56,200 --> 00:13:59,120 Speaker 3: people while doing nothing and letting them continue to die. 237 00:13:59,200 --> 00:14:04,520 Speaker 1: We would like to continue that plan. So it's Oscar season. 238 00:14:04,600 --> 00:14:06,840 Speaker 1: We've been talking about that trans movie that got so 239 00:14:06,960 --> 00:14:10,920 Speaker 1: many nominations. But some movies are in the news. There 240 00:14:10,960 --> 00:14:12,920 Speaker 1: is a new list out of best movies of all time. 241 00:14:12,960 --> 00:14:16,520 Speaker 1: It's compiled from like a whole bunch of interesting sources 242 00:14:16,559 --> 00:14:19,360 Speaker 1: IMBD and Rotten Tomatoes and all these different things that 243 00:14:19,400 --> 00:14:22,680 Speaker 1: people vote on. There's like ten different examples. They compiled 244 00:14:22,720 --> 00:14:24,200 Speaker 1: them and gave them a score and came up with 245 00:14:24,240 --> 00:14:27,120 Speaker 1: the fifty best. That's as good as any way to 246 00:14:27,160 --> 00:14:28,680 Speaker 1: do it off the top of your head. What's your 247 00:14:28,680 --> 00:14:29,720 Speaker 1: favorite movie of all time? 248 00:14:30,520 --> 00:14:30,760 Speaker 6: Oh? 249 00:14:31,160 --> 00:14:35,040 Speaker 1: For years I've said Unforgiven Clinic Western. Would that be 250 00:14:35,080 --> 00:14:37,000 Speaker 1: different than if I ask you what's the best movie 251 00:14:37,000 --> 00:14:39,520 Speaker 1: of all time? Or would it be the same question. 252 00:14:40,440 --> 00:14:43,440 Speaker 1: It's it's sure similar. And I was looking at this 253 00:14:43,480 --> 00:14:47,960 Speaker 1: list and wondering, has anybody watched Paths of Glory or 254 00:14:48,040 --> 00:14:51,160 Speaker 1: Seven Samurai who didn't take a film class in college. 255 00:14:51,640 --> 00:14:54,000 Speaker 1: I mean, do people watch that? I don't even know 256 00:14:54,080 --> 00:14:57,680 Speaker 1: Paths of Glory. I think it's a young Kirk Douglas, 257 00:14:57,720 --> 00:15:00,920 Speaker 1: but it's a World War One trenches movie. Truly good? Huh. 258 00:15:01,000 --> 00:15:03,200 Speaker 1: But I mean it's black and white and dark, and 259 00:15:03,440 --> 00:15:06,800 Speaker 1: you know, you know, those kind of movies hard to follow. 260 00:15:06,960 --> 00:15:08,880 Speaker 1: But I just wonder does anybody ever watch those movies? 261 00:15:08,960 --> 00:15:11,040 Speaker 1: They often make your list. One thing I like about 262 00:15:11,040 --> 00:15:13,040 Speaker 1: this list is Citizen Kane is not I don't even 263 00:15:13,040 --> 00:15:15,840 Speaker 1: know where Citizen Kane shows up on? Here is it on? 264 00:15:15,960 --> 00:15:17,800 Speaker 1: Does it make the top fifty? It's not, certainly not 265 00:15:17,840 --> 00:15:20,720 Speaker 1: in the top ten. My favorite movie of all time, 266 00:15:20,720 --> 00:15:24,000 Speaker 1: I think is Apocalypse Now is at thirty four. I 267 00:15:24,000 --> 00:15:26,800 Speaker 1: almost went with Saving Private Ryan. But here's your top ten. 268 00:15:26,800 --> 00:15:28,880 Speaker 1: It's lost to Shakespeare in Love for the Oscars. By 269 00:15:28,880 --> 00:15:31,080 Speaker 1: the way, never forget, here's your top ten. And this 270 00:15:31,120 --> 00:15:35,280 Speaker 1: has got a lot more to do with people watching 271 00:15:35,320 --> 00:15:39,320 Speaker 1: them and liking them more than critics. I guess number 272 00:15:39,360 --> 00:15:42,320 Speaker 1: ten pulp fiction, And whenever you do a list like that, 273 00:15:42,440 --> 00:15:46,640 Speaker 1: you know it's going to tend toward recent. Nobody's taken there, 274 00:15:46,680 --> 00:15:49,120 Speaker 1: nobody's on the gay Hey, kids, I rented Pads of Glory. 275 00:15:49,240 --> 00:15:52,480 Speaker 1: Then we're gonna watch seven Samurai tomorrow night. Now they're 276 00:15:52,520 --> 00:15:57,880 Speaker 1: black and white, silent film. That's right, nobody watches that stuff, 277 00:15:57,920 --> 00:16:02,120 Speaker 1: so there's a presentism bias. Number ten pulp fiction. Damn 278 00:16:02,160 --> 00:16:03,960 Speaker 1: good movie. I'll watch it just recently with my high 279 00:16:03,960 --> 00:16:05,960 Speaker 1: school kid. It's a heck of a movie. We did 280 00:16:06,040 --> 00:16:12,120 Speaker 1: skip a scene or two so much buggery. Yeah, exactly, 281 00:16:12,600 --> 00:16:16,360 Speaker 1: I didn't really need that. Uh number nine, you know what, 282 00:16:16,400 --> 00:16:17,840 Speaker 1: We're down to one minute, and I don't want to 283 00:16:17,880 --> 00:16:23,480 Speaker 1: rush through this because I think I can't wait. But seriously, 284 00:16:23,480 --> 00:16:26,960 Speaker 1: who watches those art films? Does anybody? Unless you've heard 285 00:16:26,960 --> 00:16:29,160 Speaker 1: about it so much you're curious enough go out and 286 00:16:29,200 --> 00:16:32,760 Speaker 1: watch Citizen Kane? Are you having date night anything? Unless 287 00:16:32,760 --> 00:16:35,240 Speaker 1: you got a really weird boyfriend or girlfriend, do you 288 00:16:35,320 --> 00:16:38,280 Speaker 1: do that? I just don't think they do. And this 289 00:16:38,400 --> 00:16:41,480 Speaker 1: is true of music to some extent. Too innovative isn't 290 00:16:41,560 --> 00:16:47,200 Speaker 1: always enjoyable. Right, broke new ground paved the way for 291 00:16:47,280 --> 00:16:49,880 Speaker 1: this style. Doesn't mean I need to see it now 292 00:16:50,480 --> 00:16:51,160 Speaker 1: or hear it now. 293 00:16:51,840 --> 00:16:55,280 Speaker 3: Yeah, it turned into something that's a lot more enjoyable, 294 00:16:55,320 --> 00:16:59,240 Speaker 3: comfortable for most people to watch. But the early innovative stuff. 295 00:16:59,280 --> 00:17:01,000 Speaker 3: Sometimes it's it's just just tough. 296 00:17:01,040 --> 00:17:03,080 Speaker 1: I'm gonna ask you, Katie and Michael, also, what's your 297 00:17:03,120 --> 00:17:05,000 Speaker 1: what's your favorite movie all time? When we come back, 298 00:17:05,920 --> 00:17:07,760 Speaker 1: among other things, and we'll get to this list, and 299 00:17:07,760 --> 00:17:09,680 Speaker 1: we got some other stuff. I have plenty of good stuff. 300 00:17:09,680 --> 00:17:11,359 Speaker 1: It's gonna be all It's gonna be a bang up 301 00:17:11,400 --> 00:17:12,800 Speaker 1: half hour. I'll tell you that if you missed a 302 00:17:12,800 --> 00:17:15,399 Speaker 1: second to get the podcast. Armstrong and Getty on demand 303 00:17:17,119 --> 00:17:21,560 Speaker 1: are Strong and Getty. We are gonna fight this fight. 304 00:17:22,119 --> 00:17:25,200 Speaker 3: I am gonna stand with you in this fight, and 305 00:17:25,240 --> 00:17:26,280 Speaker 3: we will win. 306 00:17:26,760 --> 00:17:33,359 Speaker 1: We win. We will win. We will win. We will win. 307 00:17:34,040 --> 00:17:40,040 Speaker 1: We will win. We will win. We won't rest. We 308 00:17:40,080 --> 00:17:44,679 Speaker 1: won't rest. We won't rest. We won't rest. 309 00:17:45,720 --> 00:17:49,240 Speaker 4: They are those that have said that we made face 310 00:17:49,359 --> 00:17:51,040 Speaker 4: a constitutional crisis. 311 00:17:51,920 --> 00:17:52,720 Speaker 7: I want you to. 312 00:17:52,760 --> 00:17:54,440 Speaker 1: Know that the crisis is here. 313 00:17:55,400 --> 00:17:59,880 Speaker 8: We will not take this from Donald Trump and Elon. 314 00:17:59,560 --> 00:18:08,680 Speaker 2: Mus We have got to tell Elon must nobody elected judge. 315 00:18:11,200 --> 00:18:14,640 Speaker 1: So yeah, a lot of we are a war hit 316 00:18:14,680 --> 00:18:19,120 Speaker 1: the streets. Sounds like you're inspiring and inspiring an insurrection 317 00:18:19,160 --> 00:18:21,960 Speaker 1: to me, But I'm guessing on this one. This is 318 00:18:22,000 --> 00:18:25,320 Speaker 1: completely guessing. But I think they're on the wrong side 319 00:18:25,320 --> 00:18:26,840 Speaker 1: of this by a lot. I think the majority of 320 00:18:26,920 --> 00:18:30,760 Speaker 1: Americans are loving this digging into these various programs and 321 00:18:30,800 --> 00:18:33,199 Speaker 1: finding stuff that's a waste of money. It's just in 322 00:18:33,240 --> 00:18:35,600 Speaker 1: the lunch room and a guy getting coffee in there, 323 00:18:35,600 --> 00:18:38,240 Speaker 1: one of the top salespeople around here saying how many 324 00:18:38,280 --> 00:18:41,600 Speaker 1: thousands of dollars for Politico subscriptions? That story you brought 325 00:18:41,640 --> 00:18:45,600 Speaker 1: us earlier where taxpayers were buying Politico subscriptions for some 326 00:18:46,040 --> 00:18:49,200 Speaker 1: agency in DC, And I brought up the yeah, well, 327 00:18:49,200 --> 00:18:51,040 Speaker 1: that's about the same as the eight million dollars for 328 00:18:51,119 --> 00:18:53,399 Speaker 1: the trans play in Ireland or whatever. I've had a 329 00:18:53,520 --> 00:18:55,880 Speaker 1: number of people bring this up to me in real life. 330 00:18:57,600 --> 00:19:00,240 Speaker 1: This cutting this just insane stuff that condoms for the 331 00:19:00,280 --> 00:19:01,840 Speaker 1: Tally banner whatever the hell? 332 00:19:02,280 --> 00:19:05,600 Speaker 3: Right, right, Yeah, I just I think it's desperate flailing. 333 00:19:05,640 --> 00:19:09,880 Speaker 1: They don't know what to say. Oh yeah, the idea 334 00:19:09,960 --> 00:19:11,840 Speaker 1: that Elon Musk is evil for trying to get rid 335 00:19:11,840 --> 00:19:13,680 Speaker 1: of that stuff. All right, we'll see how this plays out. 336 00:19:15,400 --> 00:19:19,760 Speaker 1: So I brought up the it's Oscar season. Been talking 337 00:19:19,800 --> 00:19:23,679 Speaker 1: about movies. There's this new list of the fifty greatest 338 00:19:23,720 --> 00:19:28,000 Speaker 1: movies of all time where they compiled a bunch of 339 00:19:28,040 --> 00:19:32,480 Speaker 1: online thingies and took their average scores, and this is 340 00:19:32,480 --> 00:19:35,000 Speaker 1: what they came up with. So I did. I just 341 00:19:35,119 --> 00:19:39,240 Speaker 1: noticed in Uh, I'll go with the top sixteen because 342 00:19:39,240 --> 00:19:42,000 Speaker 1: at number sixteen is the highest ranking Star Wars movie 343 00:19:42,040 --> 00:19:44,760 Speaker 1: of any kind. Well, first of this, Michael, what's your 344 00:19:44,760 --> 00:19:46,040 Speaker 1: favorite movie of all time or what do you think 345 00:19:46,119 --> 00:19:47,240 Speaker 1: is the best movie of all time? 346 00:19:47,320 --> 00:19:50,680 Speaker 9: Well, for me, I mean it's Araplane, the comedy movie 347 00:19:50,720 --> 00:19:52,920 Speaker 9: way back when. So I have a fond memories of 348 00:19:52,920 --> 00:19:55,359 Speaker 9: watching it with my dad. And also it taught me 349 00:19:55,440 --> 00:19:57,600 Speaker 9: you know what comedy was, I mean, you know what 350 00:19:58,119 --> 00:19:59,840 Speaker 9: crazy comedy was, and that's I was. 351 00:20:01,119 --> 00:20:03,199 Speaker 1: Then you spent some time in a Turkish prison. No, 352 00:20:03,480 --> 00:20:05,480 Speaker 1: that was handy. That is a great movie if you're 353 00:20:05,480 --> 00:20:10,200 Speaker 1: gonna talk about like influence or people know it or 354 00:20:10,240 --> 00:20:14,840 Speaker 1: references or whatever. Yeah, rank way up there. Anyway, Katie, It's. 355 00:20:14,680 --> 00:20:19,480 Speaker 10: A toss up between two from Sawshank Redemption to Life 356 00:20:19,520 --> 00:20:20,119 Speaker 10: Is Beautiful. 357 00:20:20,440 --> 00:20:23,320 Speaker 1: Those are two of my all time beautiful too fine 358 00:20:23,480 --> 00:20:27,199 Speaker 1: choices both. Yeah, Shawshank Redemption ranks very high in this 359 00:20:27,280 --> 00:20:28,840 Speaker 1: list of what I could about to get to it 360 00:20:29,440 --> 00:20:32,800 Speaker 1: quick reveal, I've never seen that movie really, Yeah. 361 00:20:33,080 --> 00:20:37,639 Speaker 3: Right up the Gladiator. It's it's it's every bit as 362 00:20:37,720 --> 00:20:39,680 Speaker 3: good as you've gotten the impression. 363 00:20:39,760 --> 00:20:42,960 Speaker 1: I believe it. I just I've never been in the 364 00:20:43,040 --> 00:20:44,639 Speaker 1: mood for it. Every time I think of it, I 365 00:20:44,640 --> 00:20:46,320 Speaker 1: think I should have seen it at the time when 366 00:20:46,359 --> 00:20:50,040 Speaker 1: it was hot. Yeah, it's it's not a light comedy. 367 00:20:50,160 --> 00:20:52,800 Speaker 1: But I'm not a Star Wars guy. So the highest 368 00:20:52,880 --> 00:20:56,520 Speaker 1: ranking Star Wars movie is Star Wars Episode five, The 369 00:20:56,600 --> 00:21:00,879 Speaker 1: Umpire Strikes Back from nineteen eighty Did you say Empire Umpire? 370 00:21:01,160 --> 00:21:03,560 Speaker 3: Just because if you said Umpire, I think you're confused 371 00:21:03,560 --> 00:21:04,200 Speaker 3: about the plot. 372 00:21:04,240 --> 00:21:08,040 Speaker 1: It's Empire. Ah, So the only Star Wars movie they 373 00:21:08,040 --> 00:21:09,719 Speaker 1: got in the top sixteen is that one? Why are 374 00:21:09,720 --> 00:21:12,840 Speaker 1: you shaking your head like that? Katie? Know that I 375 00:21:13,520 --> 00:21:16,840 Speaker 1: your friend and colleague, huge Star Wars fan, But would 376 00:21:16,880 --> 00:21:18,439 Speaker 1: you have but would you choose a different one? If 377 00:21:18,440 --> 00:21:20,520 Speaker 1: you're gonna have one of the Star Wars movies from 378 00:21:20,520 --> 00:21:24,000 Speaker 1: the whole franchise break into the top fifteen, would it 379 00:21:24,040 --> 00:21:24,440 Speaker 1: be that one? 380 00:21:25,520 --> 00:21:25,760 Speaker 9: Fine? 381 00:21:26,040 --> 00:21:28,000 Speaker 1: Okay, that's as good as they get, but a whole 382 00:21:28,000 --> 00:21:30,200 Speaker 1: bunch of Lord of the Rings. We just don't like wookies, 383 00:21:30,280 --> 00:21:34,320 Speaker 1: do you, Katie? And nailed that three three Lord of 384 00:21:34,320 --> 00:21:38,679 Speaker 1: the Rings movies make it in the top fifteen like 385 00:21:38,720 --> 00:21:43,000 Speaker 1: the greatest filmmaking ever made. They are extraordinary. I don't 386 00:21:43,040 --> 00:21:45,600 Speaker 1: dig that sort of thing at all. I just I'm 387 00:21:45,600 --> 00:21:49,679 Speaker 1: not into fantasy that sort of stuff. But the movie 388 00:21:49,720 --> 00:21:52,520 Speaker 1: making part of it is just freaking amazing. That's Peter 389 00:21:52,640 --> 00:21:53,720 Speaker 1: Jackson stuff. Is that right? 390 00:21:54,119 --> 00:21:56,520 Speaker 10: I have such a hard problem escaping from reality with 391 00:21:57,760 --> 00:21:59,880 Speaker 10: those kind of movies. I just picture that director call 392 00:22:00,200 --> 00:22:02,359 Speaker 10: cut and the Hobbits going off and having a cigarette 393 00:22:02,400 --> 00:22:02,760 Speaker 10: or something. 394 00:22:02,960 --> 00:22:08,159 Speaker 1: I can't at their hairy feet. Interesting problem that is anyway. 395 00:22:08,000 --> 00:22:10,639 Speaker 9: Soon as are Hanson's movies are Smoking in the Bandit 396 00:22:10,720 --> 00:22:13,959 Speaker 9: Blazing Saddles and Doctor Schafhoga, Oh Blazing Saddle. 397 00:22:14,240 --> 00:22:17,359 Speaker 1: It's quite the spanning the globe of kind of movies. 398 00:22:17,720 --> 00:22:20,280 Speaker 1: Hell of a film Festival eleven. I do like Smoking 399 00:22:20,280 --> 00:22:22,679 Speaker 1: the bat Okay, I don't even know Grave of the 400 00:22:22,680 --> 00:22:25,600 Speaker 1: Fireflies from nineteen eighty eight at thirteen. The Dark Knight 401 00:22:25,760 --> 00:22:32,560 Speaker 1: is a joker vehicle? Is that correct? Batman? Batman is twelve? 402 00:22:32,880 --> 00:22:35,760 Speaker 1: Number eleven the highest ranking Lord of the Rings movie. Okay, 403 00:22:35,760 --> 00:22:38,400 Speaker 1: now at top ten I mentioned pulp Fiction number nine. Well, 404 00:22:38,400 --> 00:22:41,199 Speaker 1: what's the highest ranking fellowship The Lord of the Ring 405 00:22:41,280 --> 00:22:43,240 Speaker 1: is the Fellowship of the Ring from all one Yeah, 406 00:22:43,440 --> 00:22:46,680 Speaker 1: first one, Yeah, okay. Number ten Pulp Fiction. As a mention, 407 00:22:46,840 --> 00:22:49,920 Speaker 1: that is an amazing movie. Number nine The Good, the Bad, 408 00:22:49,960 --> 00:22:52,200 Speaker 1: and the Ugly. Happy to see that on the list 409 00:22:52,280 --> 00:22:53,880 Speaker 1: as a guy who's a big fan of that kind 410 00:22:53,880 --> 00:22:56,600 Speaker 1: of movie. I tried to watch that not terribly long ago, 411 00:22:56,800 --> 00:22:59,399 Speaker 1: did not enjoy it. Really. I love that movie, but 412 00:22:59,440 --> 00:23:02,000 Speaker 1: if you're used to the modern pace of movies, right, 413 00:23:02,440 --> 00:23:06,639 Speaker 1: it is so slow compared to the modern world. I 414 00:23:06,680 --> 00:23:07,960 Speaker 1: tried to watch it with my kids and it was 415 00:23:08,000 --> 00:23:13,320 Speaker 1: just killing them. It's like a punishment for them. And 416 00:23:13,320 --> 00:23:17,880 Speaker 1: that's from nineteen sixty six. Number eight Spirited Away from one. 417 00:23:17,960 --> 00:23:22,560 Speaker 1: I don't know that movie. Spirited Away, No, okay. Number 418 00:23:22,600 --> 00:23:25,159 Speaker 1: seven The seven Samurai, which you have to watch if 419 00:23:25,200 --> 00:23:27,480 Speaker 1: you take a film class from nineteen fifty four. Fine, 420 00:23:27,520 --> 00:23:31,040 Speaker 1: good for you. Congratulations to Samurai. Too long. Five would 421 00:23:31,040 --> 00:23:33,920 Speaker 1: have been playing five samurais plenty of Samurai. How many 422 00:23:33,960 --> 00:23:37,880 Speaker 1: Samurai do we need? Uh? Number six Good Fellas Give 423 00:23:37,880 --> 00:23:39,919 Speaker 1: me a break, right. You can't hardly get better than 424 00:23:40,000 --> 00:23:46,600 Speaker 1: that movie. The Godfather Part Two at number five. Schindler's 425 00:23:46,600 --> 00:23:51,840 Speaker 1: List at number four, do you feel like you're being 426 00:23:51,920 --> 00:23:53,640 Speaker 1: mean if you don't put Schindler's List at the top. 427 00:23:53,680 --> 00:23:58,600 Speaker 1: I like Schindler's List. I just don't get bad being 428 00:23:58,680 --> 00:24:01,760 Speaker 1: an anti semi from the Seinfeld episode, you fell asleep 429 00:24:01,800 --> 00:24:09,360 Speaker 1: during Schindler's List number three, Shawshank Redemption number two. Twelve 430 00:24:09,440 --> 00:24:13,080 Speaker 1: Angry Men Again, I think ten Angry Men would have 431 00:24:13,119 --> 00:24:14,639 Speaker 1: been plenty. You get two of the angry Men with 432 00:24:14,680 --> 00:24:17,399 Speaker 1: a couple of samurais, go have their own movie, and uh, 433 00:24:18,680 --> 00:24:21,520 Speaker 1: it might have been a good, good film. Twelve Angry Men. 434 00:24:21,680 --> 00:24:25,560 Speaker 1: I'm not sure I've ever seen that. Oh goodness, second 435 00:24:25,600 --> 00:24:27,600 Speaker 1: best movie of all time. I've seen one of the 436 00:24:27,720 --> 00:24:29,960 Speaker 1: it was a very very famous play for a long time. 437 00:24:30,000 --> 00:24:35,640 Speaker 1: Sure I've seen some version of it. It's a jury movie, right, Yeah. 438 00:24:35,520 --> 00:24:39,639 Speaker 3: Essentially eleven to one bigoted jury is going to convict 439 00:24:39,640 --> 00:24:41,720 Speaker 3: a black man of murder, I think it is, and 440 00:24:42,119 --> 00:24:45,280 Speaker 3: one loan hold out. It's very uh to kill a 441 00:24:45,320 --> 00:24:46,880 Speaker 3: mockingbirtish in its. 442 00:24:46,720 --> 00:24:49,840 Speaker 1: Themes and what they have is the greatest movie of 443 00:24:49,840 --> 00:24:52,240 Speaker 1: all time The Godfather from nineteen seventy two, which is 444 00:24:52,280 --> 00:24:55,840 Speaker 1: an amazing movie and I think ranks up there with 445 00:24:55,880 --> 00:24:57,480 Speaker 1: the Lord of the Ring stuff in terms of like 446 00:24:57,640 --> 00:25:01,159 Speaker 1: movie making. I mean that whole backyard wedding scene and 447 00:25:01,200 --> 00:25:07,399 Speaker 1: all that stuff. It's just incredible, just incredible. But I 448 00:25:07,440 --> 00:25:09,320 Speaker 1: just thought it was interesting that this list. I don't 449 00:25:09,320 --> 00:25:12,040 Speaker 1: see Citizen Kane anywhere, which used to be Like if 450 00:25:12,080 --> 00:25:14,640 Speaker 1: you ask critics, they always put it number one or two. Whatever. 451 00:25:15,000 --> 00:25:17,480 Speaker 1: Good for you, congratulations, you're smarter than me. You like 452 00:25:17,520 --> 00:25:22,240 Speaker 1: Citizen Kane. Give me a real movie. Let me look 453 00:25:22,280 --> 00:25:25,240 Speaker 1: through the top fifty three of anything jumps out Amadeus. 454 00:25:26,200 --> 00:25:30,560 Speaker 1: Oh loved it. Alien number forty oh, one of the 455 00:25:30,560 --> 00:25:35,200 Speaker 1: great suspense movies ever made. Yeah, Lawrence Arabia is cool 456 00:25:35,240 --> 00:25:40,360 Speaker 1: movie making, but again very slow, very slow. Can they 457 00:25:40,400 --> 00:25:42,959 Speaker 1: speed up old timey movies? Just like the way we 458 00:25:42,960 --> 00:25:45,280 Speaker 1: were talking earlier about listening to podcasts at one and 459 00:25:45,280 --> 00:25:47,399 Speaker 1: a half time speed or if that would work. You 460 00:25:47,440 --> 00:25:49,080 Speaker 1: take Lawrence of Arabian, you put it on one and 461 00:25:49,119 --> 00:25:51,359 Speaker 1: a half time speed. Maybe my kids could enjoy it 462 00:25:51,359 --> 00:25:53,280 Speaker 1: in some fashion whatsoever? 463 00:25:53,800 --> 00:25:57,480 Speaker 3: Right, instead of having Lawrence gaze out on the desert 464 00:25:57,600 --> 00:26:00,399 Speaker 3: sands for thirty seconds, just have a quick one second 465 00:26:00,520 --> 00:26:01,760 Speaker 3: that he looked at the sand for a bit and 466 00:26:01,880 --> 00:26:02,520 Speaker 3: then it comes. 467 00:26:02,359 --> 00:26:05,400 Speaker 1: To the next scene exactly. My favorite movie of all time. 468 00:26:05,440 --> 00:26:07,760 Speaker 1: I think is Apocalypse Now and that's number thirty four. 469 00:26:08,560 --> 00:26:10,720 Speaker 1: Spider Man Spider Verse at thirty two. That is a 470 00:26:10,720 --> 00:26:16,119 Speaker 1: great movie. MM Silence of the Lambs. I like my Lambs. 471 00:26:16,160 --> 00:26:21,000 Speaker 1: Noisy Casa Blanket twenty six, Cuckoo's Nests. 472 00:26:20,600 --> 00:26:24,400 Speaker 3: Back when you could present a serial killing madman as 473 00:26:24,400 --> 00:26:25,719 Speaker 3: a transgender person. 474 00:26:26,200 --> 00:26:30,399 Speaker 1: Is the shining on there? Oh yes, please it is. 475 00:26:30,440 --> 00:26:31,640 Speaker 1: I saw it in here somewhere. 476 00:26:33,720 --> 00:26:36,560 Speaker 10: I just saw a movie with Jack Nicholson's son, and oh, 477 00:26:36,600 --> 00:26:39,840 Speaker 10: my gosh, it is Jack Nicholson Part two, really really 478 00:26:40,000 --> 00:26:43,200 Speaker 10: facial expressions, his mannerisms, the way he laughs. 479 00:26:43,320 --> 00:26:47,240 Speaker 1: Oh it's so great. Huh yeah. I think the only 480 00:26:47,320 --> 00:26:49,800 Speaker 1: Jack Nicholson thing on here is uh Cuckoo's Nest, which 481 00:26:49,800 --> 00:26:54,080 Speaker 1: I do really really like that movie. Psycho. I've always 482 00:26:54,119 --> 00:26:55,679 Speaker 1: felt that's overrated. It's fine. 483 00:26:55,760 --> 00:27:04,199 Speaker 3: That's again of its time, influential and important and enjoyable 484 00:27:04,280 --> 00:27:05,359 Speaker 3: or different questions. 485 00:27:05,640 --> 00:27:08,080 Speaker 1: Saving Private Ryan is number twenty two. That's a pretty 486 00:27:08,119 --> 00:27:11,760 Speaker 1: damn good movie. Got a bunch of art films all right. 487 00:27:12,760 --> 00:27:14,480 Speaker 1: I feel like they throw those into the list just 488 00:27:14,520 --> 00:27:17,720 Speaker 1: to make them to give their list some credibility, Like 489 00:27:17,760 --> 00:27:21,480 Speaker 1: if you don't have Semon Samurai and Harry Carey from 490 00:27:21,480 --> 00:27:24,480 Speaker 1: sixty two, which I've never seen, and Pads of Glory, 491 00:27:24,520 --> 00:27:26,560 Speaker 1: which nobody wants to watch. If you don't have those 492 00:27:26,880 --> 00:27:31,000 Speaker 1: Modern Times from nineteen thirty six with Charlie Chaplin, I 493 00:27:31,040 --> 00:27:32,960 Speaker 1: feel like you we're gonna make a list. We gotta 494 00:27:32,960 --> 00:27:34,639 Speaker 1: put these five on there. Let's spread them out and 495 00:27:34,640 --> 00:27:36,440 Speaker 1: then get the real movies on their people care about. 496 00:27:37,240 --> 00:27:39,960 Speaker 3: I'll watch Modern Times by Charlie Chaplin if you change 497 00:27:40,000 --> 00:27:44,120 Speaker 3: the title to old boring Times, gotta be accurate. 498 00:27:45,400 --> 00:27:49,800 Speaker 1: I demand that when people had nothing else to do Times, 499 00:27:50,000 --> 00:27:51,440 Speaker 1: it should be the main of the movie. 500 00:27:52,040 --> 00:27:57,320 Speaker 3: Let's pop that list up on Armstrong and Geddy dot com. 501 00:27:57,840 --> 00:27:59,560 Speaker 1: Animal House is not on the list. Noo also a 502 00:27:59,640 --> 00:28:04,800 Speaker 1: very very good movie. The like we've mentioned before, the 503 00:28:05,160 --> 00:28:08,720 Speaker 1: Twitter follow of seventy Sports guy or what is that called. 504 00:28:09,760 --> 00:28:12,600 Speaker 1: That's a super seventy sports super seventy Sports and he 505 00:28:12,640 --> 00:28:16,240 Speaker 1: has a tweet that he regularly puts out that mentions 506 00:28:16,720 --> 00:28:20,720 Speaker 1: Judden Nelson from Breakfast Club and he says Bender's character 507 00:28:21,000 --> 00:28:25,600 Speaker 1: is more memorable and more amazing than tons of Oscar winners, 508 00:28:26,040 --> 00:28:28,200 Speaker 1: and that that's true. It's kind of like you mentioned 509 00:28:28,200 --> 00:28:30,280 Speaker 1: of the movie Airplane. If you rank it on a 510 00:28:30,560 --> 00:28:33,760 Speaker 1: like influence in your life, you remember it, it had 511 00:28:33,760 --> 00:28:37,280 Speaker 1: an impact on you. The list is completely different than 512 00:28:37,320 --> 00:28:39,840 Speaker 1: if you get into some of the fancy stuff. 513 00:28:40,600 --> 00:28:46,320 Speaker 3: Right right now, Katie, you're not like a super girly girl. 514 00:28:46,520 --> 00:28:49,320 Speaker 3: And I mean that is neither a compliment nor an insult. 515 00:28:49,360 --> 00:28:51,480 Speaker 3: It just would you say that's more or less accurate? 516 00:28:51,600 --> 00:28:56,520 Speaker 1: Yeah? Okay, So is it like it is with guys? 517 00:28:56,560 --> 00:28:59,080 Speaker 3: To the extent that you've observed it that there are 518 00:28:59,400 --> 00:29:03,640 Speaker 3: a hand a pretty good handful of touchstone movies that 519 00:29:04,160 --> 00:29:09,959 Speaker 3: everybody knows the catchphrases from for their generation. Does that 520 00:29:10,080 --> 00:29:14,920 Speaker 3: happen with women the way it does with guys? 521 00:29:15,000 --> 00:29:19,280 Speaker 10: Somewhat like the more recent comedy stuff like step Brothers, 522 00:29:20,080 --> 00:29:22,200 Speaker 10: I know, you know, like the do we just become 523 00:29:22,240 --> 00:29:24,400 Speaker 10: best friends? Like throwing those type of lines around that 524 00:29:24,480 --> 00:29:28,000 Speaker 10: it's not like a real big point of our conversation. 525 00:29:28,200 --> 00:29:31,040 Speaker 3: Now, Yeah, I've been a golf freak freaks since has 526 00:29:31,080 --> 00:29:34,320 Speaker 3: a little kids, So it's prejudice. But to me, Caddyshack 527 00:29:34,520 --> 00:29:38,720 Speaker 3: has launched more catchphrases than any film in the history 528 00:29:38,760 --> 00:29:43,360 Speaker 3: of mankind. Such a great movie, and for that reason alone, 529 00:29:43,640 --> 00:29:47,640 Speaker 3: it must be on all best of lists right exactly. 530 00:29:47,640 --> 00:29:49,280 Speaker 1: That's kind of what I'm saying that if it has 531 00:29:49,320 --> 00:29:51,520 Speaker 1: that sort of cultural impact, that there ought to be 532 00:29:51,560 --> 00:29:55,000 Speaker 1: some list for that, or it should carry some Nobody's 533 00:29:55,320 --> 00:29:57,920 Speaker 1: going around in the office today quoting from Pads of Glory, 534 00:29:57,960 --> 00:29:59,920 Speaker 1: which might be a silent film now that I remember, 535 00:30:00,360 --> 00:30:02,360 Speaker 1: it makes it difficult to have quotes. But you see 536 00:30:02,400 --> 00:30:06,040 Speaker 1: my point, I do. We will finish strong next. 537 00:30:06,200 --> 00:30:11,600 Speaker 11: Gambling is illegal at Bushwhit, sir, and I never slide. 538 00:30:12,480 --> 00:30:13,640 Speaker 1: Armstrong and Getty. 539 00:30:15,000 --> 00:30:18,520 Speaker 7: Do you know who won Best Country Album of the 540 00:30:18,600 --> 00:30:20,560 Speaker 7: Year for the twenty and twenty got Grammy's Last? 541 00:30:20,560 --> 00:30:27,280 Speaker 6: Not Prdy, no mar No hell Agree, no, uh Riley Green, no, 542 00:30:27,920 --> 00:30:35,880 Speaker 6: Luke Holmes, no, Allie zimmern uh Ty Whims. Now, what's 543 00:30:35,920 --> 00:30:38,360 Speaker 6: your name? Megan Morny? 544 00:30:38,640 --> 00:30:42,920 Speaker 1: No, Jimmy tell you sure? Beyonce? 545 00:30:43,680 --> 00:30:48,040 Speaker 8: Oh my god, he's nine in Huntry. 546 00:30:48,160 --> 00:30:52,160 Speaker 1: Yeah, that's funny. That kid could name a lot of 547 00:30:52,200 --> 00:30:54,760 Speaker 1: country artists. My kids could have too when they were younger, 548 00:30:55,520 --> 00:30:57,400 Speaker 1: for the Mouths of Day because it is the only 549 00:30:57,480 --> 00:30:59,920 Speaker 1: miss music we could listen to. Even though it's probably 550 00:31:00,040 --> 00:31:03,280 Speaker 1: they're going to be lifetime alcoholics, they've they've they were 551 00:31:03,360 --> 00:31:06,640 Speaker 1: drenched as children in NonStop whiskey drinking is the answer 552 00:31:06,640 --> 00:31:11,240 Speaker 1: to everything. But didn't have any bad words, so let's 553 00:31:11,280 --> 00:31:13,600 Speaker 1: have some good news. Come on, good news to end 554 00:31:13,640 --> 00:31:17,120 Speaker 1: the show. Michael twenty five, Roll It, Baby, Roll It. 555 00:31:17,400 --> 00:31:20,120 Speaker 7: A Trump commitment on the campaign trail became the latest 556 00:31:20,160 --> 00:31:21,520 Speaker 7: executive order today. 557 00:31:21,760 --> 00:31:24,280 Speaker 11: The war on women's sports is over. 558 00:31:24,440 --> 00:31:25,480 Speaker 1: Effective immediately. 559 00:31:25,600 --> 00:31:29,600 Speaker 7: The new order prohibits biological males from competing against biological 560 00:31:29,680 --> 00:31:33,239 Speaker 7: females for sports teams at schools at any level that 561 00:31:33,280 --> 00:31:35,120 Speaker 7: receive federal taxpayer dollars. 562 00:31:35,320 --> 00:31:38,760 Speaker 11: Have you let men take over women's sports teams or 563 00:31:39,920 --> 00:31:43,920 Speaker 11: invade your locker rooms, you will be investigated for violations 564 00:31:43,960 --> 00:31:46,160 Speaker 11: of Title nine and risk your federal funding. 565 00:31:46,160 --> 00:31:49,440 Speaker 1: There will be no federal farm Huh any school at 566 00:31:49,480 --> 00:31:53,160 Speaker 1: any level that receives federal funding. Would that be practically 567 00:31:53,200 --> 00:31:56,160 Speaker 1: every school that's not private in America and many that are. 568 00:31:56,640 --> 00:32:00,320 Speaker 3: Yes, one hundred percent, Yeah, and the fabulous under the 569 00:32:00,400 --> 00:32:01,280 Speaker 3: Armstrong You Getty show. 570 00:32:01,320 --> 00:32:03,800 Speaker 1: Riley Gaines, commenting in twenty eight, m. 571 00:32:03,800 --> 00:32:07,520 Speaker 8: Dog to see President Trump's decisive action. There was a 572 00:32:07,560 --> 00:32:10,720 Speaker 8: campaign promise of his issue number seventeen on his platform, 573 00:32:11,080 --> 00:32:13,680 Speaker 8: no men and women's sports. So to see him deliver 574 00:32:13,840 --> 00:32:16,080 Speaker 8: in the way that he did that visual that you 575 00:32:16,200 --> 00:32:19,800 Speaker 8: saw him signing this executive order with I mean dozens 576 00:32:19,840 --> 00:32:22,680 Speaker 8: of young girls surrounding him. I mean, I can't even 577 00:32:22,680 --> 00:32:25,640 Speaker 8: tell you what that visual means to me. Man, I 578 00:32:25,680 --> 00:32:29,360 Speaker 8: just feel vindicated and I feel this, this overwhelming feeling 579 00:32:29,360 --> 00:32:30,280 Speaker 8: of gratitude. 580 00:32:31,080 --> 00:32:35,280 Speaker 3: That was Riley Gaines who was forced to her metaphorical. 581 00:32:34,720 --> 00:32:36,560 Speaker 1: Needs nees for a way. 582 00:32:36,680 --> 00:32:39,680 Speaker 3: That sentence was just a train wreck, forced to her 583 00:32:39,720 --> 00:32:43,840 Speaker 3: knees metaphorically speaking to dress and undress in front of 584 00:32:43,840 --> 00:32:46,440 Speaker 3: a fully intact six foot four inch mail and say 585 00:32:46,560 --> 00:32:50,440 Speaker 3: that's a woman. Can you imagine the humiliation and the 586 00:32:50,480 --> 00:32:51,960 Speaker 3: soul deadening nature? 587 00:32:52,000 --> 00:32:57,920 Speaker 1: Then? How is it an applause level event to do 588 00:32:58,040 --> 00:33:02,240 Speaker 1: something this obviously needed to happen a long time ago? 589 00:33:02,680 --> 00:33:04,240 Speaker 1: How did we even get this far down the road? 590 00:33:04,400 --> 00:33:10,360 Speaker 1: It's crazy, Palm strong, and good to you. You have 591 00:33:10,480 --> 00:33:14,880 Speaker 1: disappointed me for the last time. These are your final thoughts. 592 00:33:16,840 --> 00:33:18,480 Speaker 1: I have a final thought about that. Here's your host 593 00:33:18,480 --> 00:33:20,720 Speaker 1: for final thoughts, Joe Getty. Let's get a final thought 594 00:33:20,760 --> 00:33:22,040 Speaker 1: from everybody on the crew. 595 00:33:22,240 --> 00:33:25,440 Speaker 3: It's an ensemble cast, Michael Angelow, what's your final thought? 596 00:33:25,440 --> 00:33:27,960 Speaker 9: We've had some people on Facebook asking about this. Yeah, 597 00:33:28,000 --> 00:33:30,520 Speaker 9: the cheese dip. Recipe for your football party is on 598 00:33:30,680 --> 00:33:33,680 Speaker 9: Armstrong Getty Radio or Armstrong Getty dot com. 599 00:33:33,680 --> 00:33:37,120 Speaker 1: How long will it take me to make this? Thirty minutes? Cool? Yeah? 600 00:33:37,200 --> 00:33:40,120 Speaker 1: All right, Katie Greener esteemed to Newswoman as a final thought. 601 00:33:40,000 --> 00:33:43,480 Speaker 10: Katie, I just realized today February sixth is my second 602 00:33:43,720 --> 00:33:45,000 Speaker 10: Armstrong and Getty birthday. 603 00:33:45,080 --> 00:33:49,360 Speaker 1: Hey, now show for two years? Really kidding, congrats, I 604 00:33:49,440 --> 00:33:52,240 Speaker 1: feel like you just started ten years. I'm aging like 605 00:33:52,280 --> 00:33:55,600 Speaker 1: a president. Oh my god. Jack. A final thought for us, 606 00:33:55,640 --> 00:33:58,800 Speaker 1: how many schools across the country, at all levels are 607 00:33:58,960 --> 00:34:02,320 Speaker 1: happy that Trump that so that they've got an excuse 608 00:34:02,400 --> 00:34:04,240 Speaker 1: for no longer allowing this. And I'll bet a bunch 609 00:34:04,280 --> 00:34:07,160 Speaker 1: of schools where they were letting dudes, you know, win 610 00:34:07,200 --> 00:34:10,120 Speaker 1: the track competition or whatever. They're gonna pretend they don't 611 00:34:10,200 --> 00:34:12,080 Speaker 1: like it, but they're gonna love the fact that we 612 00:34:12,120 --> 00:34:14,760 Speaker 1: can't do that anymore. We'd lose our fund. I'm so sorry. 613 00:34:15,200 --> 00:34:17,320 Speaker 1: A lot of good teachers, a lot of good coaches. Yeah, 614 00:34:17,360 --> 00:34:21,440 Speaker 1: absolutely true. My final thought, I always feel like trapped. 615 00:34:21,000 --> 00:34:23,880 Speaker 3: And cheated when when forced to name one of the 616 00:34:23,920 --> 00:34:26,160 Speaker 3: best of something on my favorite of something. 617 00:34:27,040 --> 00:34:29,480 Speaker 1: But that's silly. I take everything too seriously. 618 00:34:30,040 --> 00:34:32,839 Speaker 3: But I should throw in a clockwork Orange, which I've 619 00:34:32,880 --> 00:34:35,160 Speaker 3: watched so many times in my life. 620 00:34:35,280 --> 00:34:38,680 Speaker 1: Good one me Drew Kis taxi driver wasn't on that list. 621 00:34:38,719 --> 00:34:40,759 Speaker 1: It's one of my all time favorites. It's a good one. 622 00:34:40,880 --> 00:34:43,880 Speaker 1: Armstrong and Getty wrapping up another grueling four hour workday, 623 00:34:44,200 --> 00:34:45,399 Speaker 1: so many people, thank etc. 624 00:34:45,840 --> 00:34:47,520 Speaker 3: I hope you can go to armstrong a getdy dot 625 00:34:47,520 --> 00:34:49,920 Speaker 3: com to grab some hot links or drop us a 626 00:34:49,920 --> 00:34:51,520 Speaker 3: not if there's something we ought to be talking about. 627 00:34:51,680 --> 00:34:53,440 Speaker 3: I'm telling you the hoodie pick it up. 628 00:34:53,760 --> 00:34:58,480 Speaker 1: See tomorrow. God bless America. I'm Strong and Getty. This 629 00:34:58,520 --> 00:35:00,520 Speaker 1: is a message for the people of America. Creak was 630 00:35:00,560 --> 00:35:04,680 Speaker 1: over fifteen minutes ago. Match wow wow. I got nothing 631 00:35:04,719 --> 00:35:06,840 Speaker 1: for you on that. So let's go with the bangs. 632 00:35:06,880 --> 00:35:09,480 Speaker 1: What's the John Denver song? I don't know what is 633 00:35:09,520 --> 00:35:12,600 Speaker 1: the John Denver song? You know? With the thank God? 634 00:35:12,600 --> 00:35:14,760 Speaker 1: I'm a country boy. OH got me and my pipe? 635 00:35:14,760 --> 00:35:17,040 Speaker 1: I got me Old Phil. When the sun's coming up? 636 00:35:17,040 --> 00:35:18,840 Speaker 1: I got cakes on the griddle. How can you not 637 00:35:18,920 --> 00:35:21,400 Speaker 1: fall asleep with the lifestyle. I want to thank. 638 00:35:21,200 --> 00:35:21,879 Speaker 10: You all very much. 639 00:35:22,360 --> 00:35:25,520 Speaker 1: Bye bye, Armstrong and Getty.