WEBVTT - The Great Sci-Fi Debate: What Makes a Film Science Fiction?

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<v Speaker 1>Hello, My name is Jason and I'm Rosie Knight, and

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<v Speaker 1>welcome back.

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<v Speaker 2>The x Ray Vision of the podcast will be dive

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<v Speaker 2>you to your favorite shows.

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<v Speaker 1>Movies, comics to pop culture coming from her podcast will.

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<v Speaker 2>We're bringing you three episodes a week every Tuesday, Wednesday, Thursday.

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<v Speaker 1>In today's episode, we're going to start off by arguing

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<v Speaker 1>about what constitutes the science fiction movie and will that

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<v Speaker 1>take up most of the podcast potentially potentially because it's

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<v Speaker 1>been taking up most of our life in the group chat.

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<v Speaker 1>And then we will be presenting our faith.

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<v Speaker 3>Each of us will.

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<v Speaker 1>Present our five favorite science fiction movies, see if the

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<v Speaker 1>judging panel of our peers agrees with them, and then

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<v Speaker 1>you will all be able to vote on whom do

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<v Speaker 1>you think has the best five top science fiction films.

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<v Speaker 2>And the democracy will take place across multiple platforms, mail

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<v Speaker 2>in voting, DMS, post scored, wherever. However, you want to

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<v Speaker 2>reach out to us and tell us whose list of

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<v Speaker 2>five is the best, you go ahead and do that.

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<v Speaker 1>Let's get into it.

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<v Speaker 2>Okay, here we are. We're about to put up our

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<v Speaker 2>x Ray Vision crew list of our favorite sci fi

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<v Speaker 2>movies that are not Star Wars. Oh yes, important, No,

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<v Speaker 2>Star Wars and no Star Wars, and we may exclude

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<v Speaker 2>other things. But first let's introduce the crew. It's me Jason,

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<v Speaker 2>it's you Rosie, of course, but let's welcome in the

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<v Speaker 2>Superducer team for today.

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<v Speaker 1>Joelle, how are you yo?

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<v Speaker 4>Devastated to learn that so many people don't know what's that.

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<v Speaker 1>Coming out?

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<v Speaker 2>I haven't even introduced everybody Else's no ability for everybody

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<v Speaker 2>else to retort. Super producer Aboo.

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<v Speaker 5>Welcome, great to be here. I'm personally devastated that Joel

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<v Speaker 5>doesn't seem to know what sci fi is.

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<v Speaker 2>But wait, okay, okay, hold on, please college calm down.

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<v Speaker 2>And finally, our final super producer, Carmen. Carmen welcome, thank you.

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<v Speaker 6>Hello. I am just here because I love to discourse,

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<v Speaker 6>so I cannot wait to discourse.

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<v Speaker 3>I came to be messy.

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<v Speaker 1>She's like, I can't. She's like, my android phone has

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<v Speaker 1>been messing up the iPhone group chat, and please let's

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<v Speaker 1>not get into that.

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<v Speaker 2>It is. I mean, there's a multiverse right now where

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<v Speaker 2>different versions of ourselves are taking place, are discoursing in

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<v Speaker 2>different group chats through time, and we don't even know

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<v Speaker 2>where they all are. It's like messages are only going

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<v Speaker 2>to like different people in the group chat at different

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<v Speaker 2>times in different places. Anyway, here's the question before us today,

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<v Speaker 2>what are the best? What are our personal best non

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<v Speaker 2>Star Wars sci fis? So as we prepare to answer

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<v Speaker 2>that question, let's first talk about what is sci fi?

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<v Speaker 2>I think we all have our own ideas about what

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<v Speaker 2>it is and what it looks like. But much like

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<v Speaker 2>the Supreme Court's definition of pornography from like thirty years ago, now.

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<v Speaker 1>It also feels like it's kind of a know it

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<v Speaker 1>when you see its situation.

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<v Speaker 2>Yea, and I think the borders of sci fi are,

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<v Speaker 2>you know, from person to person or a lot more

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<v Speaker 2>porous and a morphous than uh than perhaps the standard

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<v Speaker 2>definition whatever that is. So let's talk about it first.

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<v Speaker 1>What Joel, I.

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<v Speaker 2>Feel you like bucking in the in the pen ready

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<v Speaker 2>to be released?

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<v Speaker 1>We got it, we gotta we have. Because Joel doesn't

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<v Speaker 1>even think that Star Wars is a science fiction THEA,

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<v Speaker 1>let's start there, Joe, what is what is your definition

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<v Speaker 1>of sci fi?

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<v Speaker 4>Okay, so for listeners, this started in the group chat

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<v Speaker 4>or like what and I was like, well, it's gotta

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<v Speaker 4>absolutely like have science in it. It's science fiction. It's

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<v Speaker 4>the whole points analyze science. Okay, And people are like,

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<v Speaker 4>you actually don't need science, which is bananas. Why even

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<v Speaker 4>call it science fiction if you're not gonna have science

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<v Speaker 4>as a base element of the film.

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<v Speaker 3>Okay, it doesn't make sense to me. Star Wars is

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<v Speaker 3>a fantasy. No, there's no elements we did not see either,

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<v Speaker 3>no testtoobs. We're not.

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<v Speaker 4>You know, there are droids, which I might make an

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<v Speaker 4>argument for making a film a sci fi in a minute,

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<v Speaker 4>so I might have to eat crow on this.

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<v Speaker 3>We do have droids.

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<v Speaker 4>We have robots on planet Earth. But here's here's why

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<v Speaker 4>it makes a difference. Okay, here's why I don't count it.

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<v Speaker 4>I like Asimov. Isaac Asimov a writer, foundation and many

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<v Speaker 4>other side. He's one of the Big three or whatever.

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<v Speaker 4>His thoughts on what science fiction are is that it's

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<v Speaker 4>mankind's reaction to science and technology. Okay, And in Star Wars,

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<v Speaker 4>we're not. We're like, droids are just there. They're so commonplace.

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<v Speaker 4>This is no, not a reaction or instated into the storytellers.

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<v Speaker 2>So let me just to just to clarify for the audience. Yes,

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<v Speaker 2>your position is that because there is no discussion of

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<v Speaker 2>how say light Speed works or you know the science, yeah,

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<v Speaker 2>or the science behind how the artifical artificial intelligence of

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<v Speaker 2>Droid's work. Therefore, Star Wars is not a sci fi.

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<v Speaker 2>So that's your position, which, by the way, I'm respecting, right, No,

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<v Speaker 2>I appreciate that you No.

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<v Speaker 4>Yeah, if you're not in, if the characters are not

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<v Speaker 4>engaging with the science or technology, it's not.

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<v Speaker 2>Can I can I as a pushback? As a slight pushback?

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<v Speaker 1>Aren't.

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<v Speaker 2>Hasn't this kind of market and efficiency been corrected by

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<v Speaker 2>the creation or the acknowledgment of the sci fi sub

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<v Speaker 2>genre hard sci fi?

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<v Speaker 3>Because hard sci fi is because.

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<v Speaker 2>Hard sci fi is more of the you know three

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<v Speaker 2>body problem foundation.

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<v Speaker 4>Sure, you know what's an actual scientific theory?

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<v Speaker 2>Rightly?

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<v Speaker 3>You know sci fi?

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<v Speaker 4>Right if Freakinsteign kicks off the genre that's not based

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<v Speaker 4>in anything scientifically factual, and it doesn't need to be.

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<v Speaker 4>It is based in this idea of like, what is

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<v Speaker 4>the possibility of science? And if we rely and lean

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<v Speaker 4>into it, how does that affect us as Hugh? How

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<v Speaker 4>does it change how we see ourselves as human? And

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<v Speaker 4>I really like that. I think for me that's what

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<v Speaker 4>the category of sci fi is trying to accomplish.

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<v Speaker 2>Okay, does anybody have any drastically different definitions of sci fi?

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<v Speaker 1>For a control?

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<v Speaker 2>Well, I uh, I've said my piece. I will push

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<v Speaker 2>back later, but does anybody have a drastic like a

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<v Speaker 2>polar opposite?

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<v Speaker 1>So I know you've got at least some thoughts on this.

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<v Speaker 5>Yeah, I think my definition of sci fi, rather than

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<v Speaker 5>being the polar opposite here is more that my sci

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<v Speaker 5>fi umbrella is just much bigger. It encompasses so much more.

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<v Speaker 5>For me, a lot of science fiction is speculative storytelling,

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<v Speaker 5>and that encompasses a lot of different subgenres, of which

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<v Speaker 5>hard hard science fiction is certainly one. But you have

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<v Speaker 5>your dystopian sci fi genres that aren't necessarily grounded in

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<v Speaker 5>this one piece of technology caused the dystopia U. We're

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<v Speaker 5>certainly going to be debating one of those films later

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<v Speaker 5>on today, and so for me, the for me, science

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<v Speaker 5>fiction is a genre of storytelling that really turns a

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<v Speaker 5>mirror on humanity through whatever device or setting that it

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<v Speaker 5>may be, right, whether it's we're set in a dystopian

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<v Speaker 5>world and we are taking a look at humanity through

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<v Speaker 5>that lens and providing social commentary there, or we're in

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<v Speaker 5>Star Trek and it's like zap zapp lasers and space battles.

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<v Speaker 5>Both of those to me are equally science fiction because

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<v Speaker 5>they are providing a level of social commentary through their settings, characters, technologies,

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<v Speaker 5>et cetera.

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<v Speaker 2>Can I can I with a gentle pushback as well,

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<v Speaker 2>is name me any genre of storytelling that does not quote,

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<v Speaker 2>turn a mirror on the human condition.

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<v Speaker 5>I would say there are certainly genres of storytelling that

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<v Speaker 5>are less focused on social or political commentary. I would say,

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<v Speaker 5>for example, something like fourth Wing. While there are political

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<v Speaker 5>elements in that story, I don't think that. I don't think.

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<v Speaker 5>I don't think the main goal and the main message

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<v Speaker 5>of that story is I am making a commentary on

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<v Speaker 5>how humanity exists today. I think science fiction and the

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<v Speaker 5>best of science fiction does that.

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<v Speaker 2>Does anyone have any other meaningful critiques or things to

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<v Speaker 2>add to the discussion of what is and what is

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<v Speaker 2>not sci fi?

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<v Speaker 1>I will just say I do think that sci fi.

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<v Speaker 1>I am in the mindset of it being broader. Like

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<v Speaker 1>one of the original posts, you know, Frankenstein by Mary Shelley,

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<v Speaker 1>which is the first science fiction book. As much as

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<v Speaker 1>other places would hate to give credit for that comment, Actually,

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<v Speaker 1>why don't you jump in with your nerdy fact that

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<v Speaker 1>you've put in the group chat, but did not feel

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<v Speaker 1>brave enough to say against Joel.

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<v Speaker 6>Well, yes, thank you for giving me the floor. I

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<v Speaker 6>just wanted to say. Mary Shelley was so it was

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<v Speaker 6>a dream. She had a nightmare she had, but she

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<v Speaker 6>was inspired by a previous demonstration she had seen Luigi

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<v Speaker 6>Galvani perform on a dead frog. He was a man

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<v Speaker 6>from Italy who invented the Galvanic method. I only know

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<v Speaker 6>about this because I was an esthetician for ten years

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<v Speaker 6>and he made this dead frog move around using electricity,

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<v Speaker 6>and later like she had a dream about it, and

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<v Speaker 6>I guess dreamt that she could make a man come

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<v Speaker 6>to life using electricity, and then wrote wrote the book.

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<v Speaker 1>You know, I would say, like, that's eighteen seventeen. In

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<v Speaker 1>eighteen seventy you have twenty thousand Leagues under the Sea

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<v Speaker 1>by Jules Vern which might not seem like a science

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<v Speaker 1>fiction story, but is very much in that space because

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<v Speaker 1>he's going under the sea instead of into space. So

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<v Speaker 1>I think the notion of exploring some kind of territory

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<v Speaker 1>that we've never seen before, whether it's medical like Frankenstein,

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<v Speaker 1>whether it is a space like underwater or whether it

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<v Speaker 1>is a space like space. I think that the notion

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<v Speaker 1>of needing to explore something new. I mean this even

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<v Speaker 1>fits in with dystopias like you are in the Hunger Games. Yeah,

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<v Speaker 1>you're making a commentary on humanity, but you're also imagining

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<v Speaker 1>a way that technology and media could be used in

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<v Speaker 1>a terrible way, kind of like nineteen eighty four. So

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<v Speaker 1>I think it's also about imagining and embarking on a

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<v Speaker 1>new location or a new technolog I think that has

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<v Speaker 1>to be some kind of exploratory angle to it, even

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<v Speaker 1>if you're just exploring a hypothetical of what could happen

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<v Speaker 1>in the future.

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<v Speaker 2>I see I also have a I think a larger

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<v Speaker 2>view of what sci fi is. I take the view

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<v Speaker 2>of that to counter Joelle. I think, first of all,

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<v Speaker 2>it would be too destabilizing to the.

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<v Speaker 1>To the to the.

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<v Speaker 2>DVD and labeling the genre marketplace, on the genre community

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<v Speaker 2>to suddenly it would just be a massive upheaval. I

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<v Speaker 2>think of like suddenly Star Wars is going to have

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<v Speaker 2>to just be labeled fantasy. I think it'll be confusing

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<v Speaker 2>to people, and I think that for me, I think

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<v Speaker 2>sci fi is simply does the story have at its heart,

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<v Speaker 2>as part of its like load bearing plot, have technology

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<v Speaker 2>or devices that do not exist currently. I think it's

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<v Speaker 2>for me. For me, I think it's it's really that simple.

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<v Speaker 1>Now.

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<v Speaker 2>I think we're going to encounter in our discussions stories

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<v Speaker 2>where you know it's on the border of maybe being

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<v Speaker 2>a sci fi or maybe some something else. But then

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<v Speaker 2>like characters have communication devices that seem advanced. To me,

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<v Speaker 2>that's if it's just like a couple of devices, but

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<v Speaker 2>it's not like central to the plot, it's not sci fi.

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<v Speaker 2>Whereas if it's like back to the Future, to me,

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<v Speaker 2>is sci fi because the whole thing is like time machine.

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<v Speaker 2>Even though a lot of the story is not sci fi,

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<v Speaker 2>none of the story happens because because if there is

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<v Speaker 2>no time machine.

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<v Speaker 1>So that's my tick. Does anybody have a problem that

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<v Speaker 1>I have?

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<v Speaker 5>I think making the cutoff there technology that does not

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<v Speaker 5>exist today undercuts like ninety percent of Black Mirror, right

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<v Speaker 5>because Black Mirror, for me, I think it's at the

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<v Speaker 5>core of sci fi is asking what if it's what

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<v Speaker 5>if this thing was taken to an extreme or this

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<v Speaker 5>is the direction humanity went, what would happen? How would

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<v Speaker 5>we react, What would that mean politically socially? And so

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<v Speaker 5>I think making the cutoffs something that doesn't exist today

0:14:24.640 --> 0:14:27.040
<v Speaker 5>excludes quite a bit of sci fi that asks the

0:14:27.080 --> 0:14:31.240
<v Speaker 5>what if question? What if ai xyz? What if you

0:14:31.280 --> 0:14:34.120
<v Speaker 5>know this this technology had this effect on the environment

0:14:34.280 --> 0:14:35.920
<v Speaker 5>with stuff that's already happening today.

0:14:36.760 --> 0:14:37.080
<v Speaker 1>Hmmm.

0:14:37.880 --> 0:14:41.240
<v Speaker 2>I take your point, But now does anybody have any

0:14:41.280 --> 0:14:41.760
<v Speaker 2>issues with it?

0:14:41.760 --> 0:14:44.400
<v Speaker 1>Here's my retort. I think a lot of black.

0:14:44.160 --> 0:14:46.840
<v Speaker 2>Mirror is like, what if we were even more addicted

0:14:46.880 --> 0:14:49.080
<v Speaker 2>to our phones than we are? What if this technology

0:14:49.160 --> 0:14:54.400
<v Speaker 2>exists has driven us completely to one side of the spectrum?

0:14:54.920 --> 0:14:57.600
<v Speaker 1>Is that sci fi? Or is that social commentary? To me?

0:14:58.440 --> 0:15:04.320
<v Speaker 2>Existing technology? Plus, uh, look at the way we are

0:15:04.360 --> 0:15:06.960
<v Speaker 2>engaging with this a story that hinges on, look at

0:15:06.960 --> 0:15:14.720
<v Speaker 2>our relationship to this technology is social commentary. Allah uh,

0:15:16.600 --> 0:15:20.640
<v Speaker 2>animal farm and not necessarily sci fi.

0:15:20.920 --> 0:15:24.040
<v Speaker 1>That's my I agree with that. I know I would

0:15:24.080 --> 0:15:28.760
<v Speaker 1>also say I think that the issue. I guess it's

0:15:28.760 --> 0:15:30.920
<v Speaker 1>not an issue. This is the kind of conversation we

0:15:30.960 --> 0:15:32.720
<v Speaker 1>can have because we love this stuff and we watch

0:15:32.760 --> 0:15:34.240
<v Speaker 1>it and we can buy all the time and get

0:15:34.280 --> 0:15:37.240
<v Speaker 1>really granular. But I also think we got to about

0:15:37.280 --> 0:15:40.640
<v Speaker 1>the fact that like ninety of a viewing audience who

0:15:40.680 --> 0:15:43.280
<v Speaker 1>put on an episode of Black Mirror and it's about

0:15:43.280 --> 0:15:45.520
<v Speaker 1>like an evil iPad or whatever. They're like, yeah, this

0:15:45.640 --> 0:15:47.400
<v Speaker 1>is sci fi, Okay, you know what I mean?

0:15:47.480 --> 0:15:51.520
<v Speaker 2>Like, I think, I think some entry point, it's a

0:15:51.520 --> 0:15:53.600
<v Speaker 2>lot of I think a lot of Black Mirror is

0:15:53.640 --> 0:15:55.240
<v Speaker 2>sci fi, but I think a lot of it isn't.

0:15:55.280 --> 0:16:00.240
<v Speaker 1>Like, for instance, the very first Black Mirror.

0:16:00.120 --> 0:16:04.080
<v Speaker 2>Episode of you know, the guy who gets the president

0:16:04.160 --> 0:16:06.720
<v Speaker 2>of the Pig and the Pig?

0:16:06.880 --> 0:16:09.120
<v Speaker 1>Is that sci fi? It's actually not sci fi? I

0:16:09.120 --> 0:16:13.080
<v Speaker 1>will agree with that, Okay, So I guess it's an

0:16:13.080 --> 0:16:15.440
<v Speaker 1>episode by episode breakdown.

0:16:14.960 --> 0:16:19.080
<v Speaker 2>Right while the work now Sandra Depero sci fi true,

0:16:19.480 --> 0:16:23.920
<v Speaker 2>John Hamm and the Ai sci fi like, but some

0:16:24.000 --> 0:16:24.520
<v Speaker 2>of it isn't.

0:16:24.800 --> 0:16:27.040
<v Speaker 1>Some of it isn't okay. I also have to bring

0:16:27.120 --> 0:16:30.480
<v Speaker 1>up because I think this would be a question that

0:16:30.520 --> 0:16:33.400
<v Speaker 1>at least one person would ask. We are not including

0:16:33.400 --> 0:16:35.960
<v Speaker 1>Star Wars ops, and I think that you'll see from

0:16:36.000 --> 0:16:38.600
<v Speaker 1>our pics we are not including a lot of bigger

0:16:38.840 --> 0:16:43.000
<v Speaker 1>franchises in general. Yes, but let's quickly talk about the

0:16:43.000 --> 0:16:45.520
<v Speaker 1>the Disney shaped elephant in the room, which is that

0:16:45.720 --> 0:16:51.160
<v Speaker 1>going by a lot of our uh kind of reasoning

0:16:51.200 --> 0:16:54.880
<v Speaker 1>that we have laid out here, the MCU, Iron Man,

0:16:54.920 --> 0:16:58.640
<v Speaker 1>Black Panther, those are very much in our sci fi

0:16:58.760 --> 0:17:01.800
<v Speaker 1>space we are I think we're not including them because

0:17:01.800 --> 0:17:03.480
<v Speaker 1>of the same reason of Star Wars. We want to

0:17:03.480 --> 0:17:05.600
<v Speaker 1>talk to you guys about movies maybe you haven't seen,

0:17:05.720 --> 0:17:08.880
<v Speaker 1>or movies that we really love. But isn't it interesting

0:17:09.200 --> 0:17:11.560
<v Speaker 1>to me if I think of the MCU, I don't

0:17:11.560 --> 0:17:13.720
<v Speaker 1>think sci fi just off the top of my head.

0:17:13.760 --> 0:17:15.800
<v Speaker 1>But I was going through the movies and I was like, well,

0:17:15.800 --> 0:17:18.840
<v Speaker 1>Black Panther is definitely sci fi and always has been

0:17:18.880 --> 0:17:23.159
<v Speaker 1>since it was first created an Iron Man. Obviously, the

0:17:23.240 --> 0:17:26.040
<v Speaker 1>version we get of it in the MCU is extreme

0:17:26.119 --> 0:17:28.400
<v Speaker 1>sci fi, and when you get to Endgame and there

0:17:28.520 --> 0:17:32.240
<v Speaker 1>is like cosmic Battles, that is also sci fi. But

0:17:32.320 --> 0:17:34.280
<v Speaker 1>I am going to put a disclaim head that there

0:17:34.280 --> 0:17:36.520
<v Speaker 1>are no MCU movies in our pick well.

0:17:36.560 --> 0:17:41.240
<v Speaker 2>I think the issue is this superhero, which I think

0:17:41.280 --> 0:17:44.240
<v Speaker 2>has become now a genre of its own, is a

0:17:45.400 --> 0:17:50.639
<v Speaker 2>super container that contains every genre. It can be a

0:17:50.680 --> 0:17:53.600
<v Speaker 2>spy film, it can be a crime film, it can

0:17:53.640 --> 0:17:56.600
<v Speaker 2>be a fantasy, it can be a family movie, it

0:17:56.600 --> 0:17:59.200
<v Speaker 2>can be a sci fi and often it's often it's

0:17:59.359 --> 0:18:04.479
<v Speaker 2>all of those things in one to you know, lesser

0:18:04.600 --> 0:18:08.120
<v Speaker 2>or greater effect. So I think that's we're drilling down

0:18:08.200 --> 0:18:12.760
<v Speaker 2>specifically on the one container that is sci fi to

0:18:12.880 --> 0:18:17.000
<v Speaker 2>try and defind what what is Shall we go to

0:18:17.000 --> 0:18:19.439
<v Speaker 2>our Okay, we talked about excluding Star Wars. Is there

0:18:19.440 --> 0:18:22.840
<v Speaker 2>any does anybody here feel strongly about excluding anything else?

0:18:23.840 --> 0:18:26.400
<v Speaker 3>I feel like Dune is just such an obvious answer.

0:18:27.359 --> 0:18:34.520
<v Speaker 4>Yeah, that perhaps in the interest of exploring a large.

0:18:33.600 --> 0:18:39.560
<v Speaker 1>Ready to go to l A. I agree with you, girl.

0:18:39.640 --> 0:18:42.959
<v Speaker 1>If we're if we're not counting Star Wars, which is,

0:18:43.280 --> 0:18:47.520
<v Speaker 1>you know, spoiler allat basically just June ripped off, then

0:18:47.560 --> 0:18:49.960
<v Speaker 1>it makes sense that we would also not include June.

0:18:50.040 --> 0:18:51.760
<v Speaker 1>I think. I mean Star.

0:18:51.520 --> 0:18:57.320
<v Speaker 2>Wars is don't hold on, don't don't don't discount how

0:18:57.400 --> 0:18:59.800
<v Speaker 2>much it also rips off foundation.

0:19:00.480 --> 0:19:05.640
<v Speaker 1>Also like every Corsi. Yeah, yeah, but I would also

0:19:05.680 --> 0:19:08.760
<v Speaker 1>say I think I think Dune would have been able

0:19:08.840 --> 0:19:14.399
<v Speaker 1>to be included pre the Billine movies, which have exploded

0:19:14.440 --> 0:19:16.480
<v Speaker 1>it to a whole different level. If you were coming

0:19:16.480 --> 0:19:18.840
<v Speaker 1>here and you were like, I'm arguing that my favorite

0:19:18.840 --> 0:19:22.320
<v Speaker 1>movie is David Lynch's Dune sci fi movie. You know,

0:19:22.400 --> 0:19:24.800
<v Speaker 1>five years ago when none of these existed, I probably

0:19:24.840 --> 0:19:26.959
<v Speaker 1>would have said, Okay, there's gonna be enough people who

0:19:27.040 --> 0:19:29.679
<v Speaker 1>this will be like a new entry point two, that

0:19:29.800 --> 0:19:32.960
<v Speaker 1>it's not so broad. But I think that now I

0:19:33.000 --> 0:19:35.480
<v Speaker 1>think it is a big enough one that we also

0:19:35.640 --> 0:19:36.320
<v Speaker 1>cut out.

0:19:36.560 --> 0:19:39.040
<v Speaker 2>So looking at looking at our lists, here's what I

0:19:39.080 --> 0:19:42.800
<v Speaker 2>think we're doing. And tell me if anybody disagrees with this.

0:19:42.880 --> 0:19:45.480
<v Speaker 2>We're saying no Star Wars because you know, it's kind

0:19:45.480 --> 0:19:49.440
<v Speaker 2>of like the big daddy of sci fi Joelle and

0:19:49.640 --> 0:19:56.320
<v Speaker 2>all apologies to your particular critique. And I think Dune

0:19:57.480 --> 0:20:01.720
<v Speaker 2>simply because of recency, let's put it away, because I

0:20:01.720 --> 0:20:05.160
<v Speaker 2>think everybody. I think what we're kind of circling around

0:20:05.200 --> 0:20:08.480
<v Speaker 2>here with our list is, hey, maybe you haven't seen

0:20:08.520 --> 0:20:11.840
<v Speaker 2>this one, or this is a big movie but it

0:20:11.880 --> 0:20:15.639
<v Speaker 2>came out twenty thirty years ago, and maybe you haven't

0:20:15.680 --> 0:20:18.200
<v Speaker 2>seen it and you should watch it because it's maybe

0:20:18.200 --> 0:20:20.399
<v Speaker 2>one that slips through the net.

0:20:20.600 --> 0:20:22.359
<v Speaker 1>I think that's what we're doing. Do we agree?

0:20:22.600 --> 0:20:23.040
<v Speaker 5>I agree?

0:20:23.119 --> 0:20:23.359
<v Speaker 6>Yes?

0:20:24.119 --> 0:20:27.040
<v Speaker 2>And so is does anything else rise to that level

0:20:27.520 --> 0:20:30.440
<v Speaker 2>of like you've probably you know, like we don't need

0:20:30.480 --> 0:20:35.119
<v Speaker 2>to discuss this Terminator for instance, or or Star Trek

0:20:35.320 --> 0:20:37.119
<v Speaker 2>or Alienmina.

0:20:38.520 --> 0:20:41.320
<v Speaker 1>I'm also going to say, like a movie that I

0:20:41.400 --> 0:20:43.800
<v Speaker 1>don't think anyone has on our lists, which I would

0:20:43.800 --> 0:20:47.080
<v Speaker 1>say two thousand and one A Space Odyssey, right, I

0:20:47.080 --> 0:20:51.479
<v Speaker 1>would say, you've heard about it, seen as high as

0:20:51.560 --> 0:20:54.960
<v Speaker 1>you go. I would also say I am interested because

0:20:54.960 --> 0:20:57.840
<v Speaker 1>I'm trying to think of other big franchises like this,

0:20:58.560 --> 0:21:02.560
<v Speaker 1>and I mean, I don't think any of us are

0:21:02.560 --> 0:21:04.880
<v Speaker 1>going to include these, but like Planet of the Apes,

0:21:05.119 --> 0:21:08.520
<v Speaker 1>that's definitely like one of those big sci fi franchises.

0:21:08.640 --> 0:21:10.640
<v Speaker 2>How does Joel feel about it?

0:21:10.680 --> 0:21:14.520
<v Speaker 3>Is it? I looked at it for a long time.

0:21:14.600 --> 0:21:14.960
<v Speaker 3>Here's what.

0:21:16.680 --> 0:21:19.600
<v Speaker 2>Definitely are right right, You're talking.

0:21:19.440 --> 0:21:20.000
<v Speaker 1>Right right right.

0:21:20.359 --> 0:21:23.600
<v Speaker 4>They're testing and they create these, you know, like hyperanals.

0:21:23.640 --> 0:21:26.480
<v Speaker 3>So the new ones definitely are. The old ones might

0:21:26.480 --> 0:21:27.320
<v Speaker 3>be more fantasy.

0:21:27.920 --> 0:21:30.159
<v Speaker 1>Mm hmmm, I think yeah. The old ones are almost

0:21:30.280 --> 0:21:34.639
<v Speaker 1>more like a old universe, post apocalyptic world kind of sur.

0:21:34.640 --> 0:21:37.640
<v Speaker 2>There's very little science. The rocket ship.

0:21:37.960 --> 0:21:40.320
<v Speaker 1>I do believe I was gonna say, I do believe

0:21:40.359 --> 0:21:43.400
<v Speaker 1>that the notion of the movie is that you could

0:21:43.480 --> 0:21:47.919
<v Speaker 1>go through space so fast and so long that you

0:21:47.920 --> 0:21:50.160
<v Speaker 1>would end up in the future. So I'm like, could

0:21:50.160 --> 0:21:53.040
<v Speaker 1>it be? But anyway, basically irrelevant because none of us

0:21:53.040 --> 0:21:55.280
<v Speaker 1>picked them. Now, I will bring up one that I

0:21:55.320 --> 0:21:57.840
<v Speaker 1>was considering a lot, and I'm not going to include

0:21:58.040 --> 0:22:00.919
<v Speaker 1>because I do think this is too popular. But what

0:22:01.040 --> 0:22:06.560
<v Speaker 1>about Godzilla? Because the original Godzilla movie from nineteen fifty

0:22:06.600 --> 0:22:11.480
<v Speaker 1>four is about a nuclear bomb. It's about the evolution

0:22:11.840 --> 0:22:14.760
<v Speaker 1>of like a dinosaur like creature. So and it started

0:22:14.760 --> 0:22:17.080
<v Speaker 1>a subgenre kind of like Planet of the Apes did

0:22:17.160 --> 0:22:20.159
<v Speaker 1>with this. But the Godzilla sub genre was, you know,

0:22:20.280 --> 0:22:25.840
<v Speaker 1>kaiju science fiction. There's definitely movies like Godzilla versus Bolante

0:22:26.119 --> 0:22:29.760
<v Speaker 1>where you have the movie where it's like the scientist

0:22:29.920 --> 0:22:32.959
<v Speaker 1>is doing the experiments to create the kaiju. But I

0:22:33.000 --> 0:22:35.320
<v Speaker 1>think that we are in a Godzilla, I think the

0:22:35.359 --> 0:22:37.639
<v Speaker 1>renaissance right now. So I don't think we need to

0:22:37.760 --> 0:22:39.760
<v Speaker 1>include those either.

0:22:39.920 --> 0:22:43.080
<v Speaker 2>My thought is that is a very specific genre. Now

0:22:43.359 --> 0:22:46.000
<v Speaker 2>that well, I agree with you. It might have started

0:22:46.040 --> 0:22:49.160
<v Speaker 2>as like a sci fi offshoot. I think the monster Kaiju,

0:22:49.359 --> 0:22:55.040
<v Speaker 2>Kaiju Monster, It's it's like the Blob, King Kong, Godzilla,

0:22:55.200 --> 0:23:00.320
<v Speaker 2>et cetera. Yeah, yeah, Attack of the fifty the Woman

0:23:00.400 --> 0:23:01.040
<v Speaker 2>great one.

0:23:01.400 --> 0:23:06.159
<v Speaker 1>Yes, So okay, oh, that's I mean that where do

0:23:06.240 --> 0:23:06.680
<v Speaker 1>we stand?

0:23:08.280 --> 0:23:10.119
<v Speaker 2>We are where do we stand on the sub genre

0:23:10.240 --> 0:23:24.800
<v Speaker 2>of shrinking or growing? Joel incredible shrinkingly.

0:23:25.440 --> 0:23:31.639
<v Speaker 1>It absolutely fits into the notion of how we explained honey,

0:23:31.640 --> 0:23:35.160
<v Speaker 1>I shrunk the kids, but like, yeah, incredible voyage. I think,

0:23:35.280 --> 0:23:38.040
<v Speaker 1>oh yeah, I loved the Incredible Voyage as a kid.

0:23:38.359 --> 0:23:40.440
<v Speaker 1>I think it's going to be very interesting because I think,

0:23:40.560 --> 0:23:44.199
<v Speaker 1>really what this is and what this conversation is is

0:23:44.280 --> 0:23:47.520
<v Speaker 1>about the sci fi stories that speak to us and

0:23:47.560 --> 0:23:50.040
<v Speaker 1>the kind of vibes. Now, I will say, wait.

0:23:49.760 --> 0:23:51.200
<v Speaker 2>I just want to say one thing that I think

0:23:51.240 --> 0:23:56.440
<v Speaker 2>that we've just should hammer this down. So growing into

0:23:56.480 --> 0:24:00.360
<v Speaker 2>a monster sized monster movie, shrinking so that you could

0:24:00.400 --> 0:24:05.440
<v Speaker 2>go inside a body or inside like between particles, science

0:24:05.480 --> 0:24:06.399
<v Speaker 2>science fiction.

0:24:10.080 --> 0:24:10.600
<v Speaker 1>Monsters.

0:24:11.119 --> 0:24:13.879
<v Speaker 3>Okay, we gotta keep.

0:24:16.640 --> 0:24:17.960
<v Speaker 1>We gotta make the rule book.

0:24:18.720 --> 0:24:21.320
<v Speaker 3>Ye are we?

0:24:21.520 --> 0:24:27.240
<v Speaker 1>Are we not? Are we thinking post Romulus post the

0:24:27.400 --> 0:24:31.240
<v Speaker 1>kind of big boom with Alien f coming? Is Alien?

0:24:31.680 --> 0:24:35.119
<v Speaker 1>Is Alien franchise out? Is it too big because it

0:24:35.200 --> 0:24:36.240
<v Speaker 1>is science fiction?

0:24:36.880 --> 0:24:39.480
<v Speaker 2>I think it's you think I think it is science fiction,

0:24:39.680 --> 0:24:42.480
<v Speaker 2>and I think the alien movies are my sense, is

0:24:42.480 --> 0:24:43.160
<v Speaker 2>their fair game?

0:24:43.240 --> 0:24:45.000
<v Speaker 1>And then we can you know, we're going to debate these.

0:24:46.760 --> 0:24:49.440
<v Speaker 2>Yeah, so when it comes up, But I think people

0:24:49.480 --> 0:24:52.680
<v Speaker 2>should feel free to try it. It's not like Star Wars,

0:24:52.680 --> 0:24:54.000
<v Speaker 2>where it's a hard exclude or do.

0:24:54.160 --> 0:24:56.080
<v Speaker 1>Yeah, yeah, okay, I like that. I like that.

0:24:56.280 --> 0:24:58.199
<v Speaker 2>Okay, should we should we take a break and then

0:24:58.240 --> 0:24:59.200
<v Speaker 2>get to our lists.

0:25:00.119 --> 0:25:00.480
<v Speaker 6>Let's do it.

0:25:00.600 --> 0:25:02.320
<v Speaker 1>Let's let's take a quick.

0:25:18.480 --> 0:25:19.080
<v Speaker 3>And we're back.

0:25:19.520 --> 0:25:23.800
<v Speaker 2>Okay. I'm gonna just say, our order of list is

0:25:23.840 --> 0:25:28.560
<v Speaker 2>just gonna be my riverside window in clockwise order, starting

0:25:28.600 --> 0:25:31.679
<v Speaker 2>in top left. So that means, Carmen, you're gonna start,

0:25:32.160 --> 0:25:36.080
<v Speaker 2>You're gonna give us your here's what I think we

0:25:36.080 --> 0:25:39.040
<v Speaker 2>should do. Let's all give our fives, and then we

0:25:39.119 --> 0:25:42.320
<v Speaker 2>will go through and in the same order, we will

0:25:42.400 --> 0:25:45.080
<v Speaker 2>vote on everybody's list. Carmen, what's your five?

0:25:45.320 --> 0:25:47.479
<v Speaker 6>All right? So at the very top of my list

0:25:48.000 --> 0:25:51.040
<v Speaker 6>is definitely my favorite sci fi movie and the one

0:25:51.040 --> 0:25:54.560
<v Speaker 6>that I can remember seeing first that wasn't a Star

0:25:54.600 --> 0:25:57.960
<v Speaker 6>Wars property, And this is the fifth element. I was

0:25:58.000 --> 0:26:00.640
<v Speaker 6>like seven or eight years old. My dad was taking

0:26:00.680 --> 0:26:03.040
<v Speaker 6>me into a Hi Fi buys and there was a

0:26:03.040 --> 0:26:06.920
<v Speaker 6>home theater demonstration, and it was the scene where they're

0:26:06.960 --> 0:26:10.480
<v Speaker 6>actually like generating Leelou's body and then putting like the

0:26:10.520 --> 0:26:14.080
<v Speaker 6>clothes on her, and I remember being I remember being

0:26:14.359 --> 0:26:16.840
<v Speaker 6>absolutely mesmerized by that, and I remember my dad being like,

0:26:16.880 --> 0:26:18.359
<v Speaker 6>we gotta go, we gotta go, and I'm like, no,

0:26:18.440 --> 0:26:23.280
<v Speaker 6>I'm watching this movie like this is cool. I love it. Actually, yeah,

0:26:23.320 --> 0:26:25.480
<v Speaker 6>it's like it's I rewatch it constantly because to me,

0:26:25.520 --> 0:26:27.840
<v Speaker 6>it's like the one of the gayest sci fi movies

0:26:27.880 --> 0:26:35.560
<v Speaker 6>that exists. Chris Tucker is amazing a Mealy, Bruce Willis

0:26:35.600 --> 0:26:39.840
<v Speaker 6>is at his peak of sexiness, costumes done by Jean

0:26:39.880 --> 0:26:45.040
<v Speaker 6>Paul Gautier, amazing McDonald's costumes by Jean Paul Gautier. Okay,

0:26:45.160 --> 0:26:48.720
<v Speaker 6>I'm there for it. And then the last thing that

0:26:48.760 --> 0:26:52.359
<v Speaker 6>I'm still obsessed with today from this movie is the

0:26:52.560 --> 0:26:57.879
<v Speaker 6>Chanelle branded I Makeup applicator where she puts it over

0:26:58.560 --> 0:27:01.440
<v Speaker 6>and it instantly gives her an I makeup. Like we're

0:27:01.480 --> 0:27:03.720
<v Speaker 6>still waiting for that in twenty twenty five.

0:27:03.800 --> 0:27:05.680
<v Speaker 1>That's technology that doesn't exist.

0:27:06.320 --> 0:27:09.600
<v Speaker 6>Yeah, next one is gonna be for me. You're gonna

0:27:09.600 --> 0:27:12.560
<v Speaker 6>notice a big theme on minus cyberpunk. Ghost in the

0:27:12.600 --> 0:27:16.040
<v Speaker 6>Shell love the original Ghost in the Show choice animated movie.

0:27:16.080 --> 0:27:20.240
<v Speaker 6>It inspired the Matrix if you don't know, And yeah,

0:27:20.280 --> 0:27:24.280
<v Speaker 6>it's it's one of these amazing stories of like transhumanism

0:27:24.359 --> 0:27:27.840
<v Speaker 6>and if all of my parts are replaced with robotic parts.

0:27:27.840 --> 0:27:30.760
<v Speaker 6>Am I human or am I a robot? Which is it?

0:27:30.880 --> 0:27:31.119
<v Speaker 3>You know?

0:27:32.119 --> 0:27:34.840
<v Speaker 6>And so it's a very very interesting question of what

0:27:34.960 --> 0:27:39.240
<v Speaker 6>makes someone a human and what makes somebody synthetic? And

0:27:39.280 --> 0:27:42.960
<v Speaker 6>I just love that theme. Next one for me is

0:27:43.000 --> 0:27:46.960
<v Speaker 6>one that I watched recently. This is nineteen ninety seven's Gatica.

0:27:47.960 --> 0:27:50.840
<v Speaker 1>There's a banga movie, I you really pay.

0:27:51.560 --> 0:27:55.200
<v Speaker 6>Gattica is a great one for me because aesthetically, I

0:27:55.240 --> 0:28:00.040
<v Speaker 6>love the way that it combines film noir aesthetics with

0:28:00.359 --> 0:28:03.280
<v Speaker 6>that kind of like sci fi aesthetic. And so I'm

0:28:03.320 --> 0:28:06.200
<v Speaker 6>really obsessed with the film nor aesthetic, which we see

0:28:06.200 --> 0:28:09.320
<v Speaker 6>in Blade Runner as well, and I love that that's

0:28:09.400 --> 0:28:14.200
<v Speaker 6>like just so throughout Gatika, the hair, the makeup, the styling,

0:28:14.400 --> 0:28:17.359
<v Speaker 6>the clothes. I don't the script doesn't even have to

0:28:17.400 --> 0:28:19.400
<v Speaker 6>be good for me, y'all. It could just be about

0:28:19.520 --> 0:28:26.199
<v Speaker 6>the aesthetics. Okay, okay. Next movie nineteen seventy four's or

0:28:26.240 --> 0:28:29.199
<v Speaker 6>two thousand and four's The Stepford Wives. I rewatched it

0:28:29.280 --> 0:28:32.240
<v Speaker 6>last night and I changed my mind. I'll tell you why.

0:28:32.400 --> 0:28:34.760
<v Speaker 6>It's kind of a boring movie and not a lot happens.

0:28:35.800 --> 0:28:39.920
<v Speaker 6>And then I realized, and then I realized, wait, Companion

0:28:40.200 --> 0:28:42.600
<v Speaker 6>is a movie that I saw earlier this year that

0:28:42.680 --> 0:28:46.560
<v Speaker 6>I'm absolutely obsessed with. And thematically they're not at all

0:28:46.600 --> 0:28:49.800
<v Speaker 6>about the same thing. They're obviously about two separate things,

0:28:49.880 --> 0:28:53.840
<v Speaker 6>but thematically, thematically, yeah, I think it touches on a

0:28:53.880 --> 0:28:56.400
<v Speaker 6>lot of the same issues of what it's like to

0:28:56.400 --> 0:28:59.760
<v Speaker 6>be a woman in a relationship that you feel powerless

0:28:59.760 --> 0:29:02.080
<v Speaker 6>in and you feel like a piece of property in,

0:29:02.680 --> 0:29:06.960
<v Speaker 6>you know. And so Companion is a great, I think

0:29:08.240 --> 0:29:10.240
<v Speaker 6>upgraded version of the Stepford Wives.

0:29:10.400 --> 0:29:12.960
<v Speaker 1>I was gonna say, I also think you saved yourself

0:29:13.440 --> 0:29:17.200
<v Speaker 1>because Stepford Wives is definitely getting into that, like what

0:29:17.360 --> 0:29:20.600
<v Speaker 1>does it count? Like where which version of it? What's

0:29:20.640 --> 0:29:23.880
<v Speaker 1>the reveal at the end? Like you you depend on.

0:29:23.920 --> 0:29:27.080
<v Speaker 6>That right exactly, And it's it's such a slow burn too,

0:29:27.120 --> 0:29:27.800
<v Speaker 6>I'm like, damn.

0:29:27.680 --> 0:29:31.280
<v Speaker 1>Call Companion definitely a science fiction yes, so what is it?

0:29:31.320 --> 0:29:31.400
<v Speaker 2>So?

0:29:31.560 --> 0:29:34.320
<v Speaker 1>Is it so Stepford Wives? Is your is on your list?

0:29:34.520 --> 0:29:34.800
<v Speaker 3>It is?

0:29:34.960 --> 0:29:36.640
<v Speaker 2>Or Companion has taken its.

0:29:36.720 --> 0:29:38.479
<v Speaker 6>Companion has taken its place. But I wanted to tell

0:29:38.520 --> 0:29:41.800
<v Speaker 6>a little story, Okay, okay, okay. And then my last

0:29:41.840 --> 0:29:45.320
<v Speaker 6>one is of course the classic Blade Runner in nineteen

0:29:45.360 --> 0:29:48.480
<v Speaker 6>eighty two. I live that it combines the film noir

0:29:48.520 --> 0:29:51.680
<v Speaker 6>aesthetic with the cyberpunk aesthetic, which I think this is

0:29:51.680 --> 0:29:54.280
<v Speaker 6>probably one of the films that like really establishes the

0:29:54.320 --> 0:29:56.400
<v Speaker 6>cyberpunk I think.

0:29:56.240 --> 0:29:59.600
<v Speaker 2>You're I can feel the audience screaming, which cut Carmen,

0:29:59.640 --> 0:30:01.560
<v Speaker 2>which yeah, common.

0:30:02.360 --> 0:30:04.120
<v Speaker 6>Look, can I be honest with you all? When I

0:30:04.120 --> 0:30:07.160
<v Speaker 6>go to the movies, I am the I have the

0:30:07.320 --> 0:30:10.000
<v Speaker 6>propeller hat on, I have the big lollipop man. I've

0:30:10.040 --> 0:30:12.520
<v Speaker 6>just I love the movies.

0:30:13.240 --> 0:30:15.840
<v Speaker 2>I don't let me let me.

0:30:18.560 --> 0:30:22.080
<v Speaker 1>That has do you like compassion? That has the voiceover

0:30:22.240 --> 0:30:22.960
<v Speaker 1>or doesn't have the.

0:30:23.000 --> 0:30:24.000
<v Speaker 6>Voice no voiceover?

0:30:24.800 --> 0:30:30.280
<v Speaker 1>Okay, that's that's at least.

0:30:30.760 --> 0:30:33.560
<v Speaker 2>Woman original director, original directors.

0:30:33.640 --> 0:30:36.680
<v Speaker 6>Yes, and I own that one, so yes, yes. And

0:30:36.720 --> 0:30:37.360
<v Speaker 6>that's my list.

0:30:38.560 --> 0:30:43.080
<v Speaker 1>Great, great list. Up next A boo, A boo? Your five?

0:30:43.520 --> 0:30:46.320
<v Speaker 5>Okay, my five? And this is in order. Starting out

0:30:46.400 --> 0:30:51.920
<v Speaker 5>one is Children of Men, followed by This is already controversial,

0:30:51.920 --> 0:30:54.480
<v Speaker 5>This has been blown up the group chat. Number two

0:30:54.960 --> 0:30:55.560
<v Speaker 5>is heard.

0:30:55.880 --> 0:30:57.960
<v Speaker 1>Been one of my favorite movies of all. Yes, mine too,

0:30:58.000 --> 0:30:59.960
<v Speaker 1>and I will be arguing in favor of a food.

0:31:01.280 --> 0:31:06.320
<v Speaker 5>Number two is her number three, District nine, number four Arrival,

0:31:06.920 --> 0:31:11.520
<v Speaker 5>and number five ppacific fucking spacific.

0:31:11.640 --> 0:31:14.440
<v Speaker 2>Rim some interesting things to talk about.

0:31:14.480 --> 0:31:20.240
<v Speaker 5>Considering discourse exactly, considering we divided kaiju into a different category.

0:31:20.760 --> 0:31:24.280
<v Speaker 1>But I will say though in Pacific rim they are

0:31:24.400 --> 0:31:27.280
<v Speaker 1>naturally occurring creatures that come through a portal. They do

0:31:27.320 --> 0:31:28.800
<v Speaker 1>not grow to a crazy size.

0:31:29.080 --> 0:31:33.040
<v Speaker 2>All save it for the discussion, but I agree this

0:31:33.160 --> 0:31:39.960
<v Speaker 2>is an important details. You know, I think all great

0:31:40.000 --> 0:31:45.280
<v Speaker 2>movies I'm eager to debate my list. Here is my list,

0:31:46.920 --> 0:31:53.600
<v Speaker 2>in no particular order. Edge of Tomorrow twenty fourteen, the

0:31:53.640 --> 0:31:58.240
<v Speaker 2>Tom Cruise box office bomb that I think is one

0:31:58.280 --> 0:32:01.479
<v Speaker 2>of the modern day sci fi classics lived I repeat,

0:32:01.520 --> 0:32:05.959
<v Speaker 2>et cetera. One of the great groundhog day genre subgenre

0:32:06.000 --> 0:32:10.760
<v Speaker 2>movies based on a comic, The Eternal Sunshine of the

0:32:10.800 --> 0:32:12.560
<v Speaker 2>Spotless Mind two thousand and four.

0:32:12.680 --> 0:32:21.640
<v Speaker 1>Come on, it's such a beautiful girl. Will take away

0:32:21.640 --> 0:32:26.080
<v Speaker 1>credit from Garden State. I think to me, Garden State

0:32:26.200 --> 0:32:28.280
<v Speaker 1>really did it. I would get it in a way

0:32:28.360 --> 0:32:33.360
<v Speaker 1>that was that Eternal Sunshine cemented it as a as

0:32:33.720 --> 0:32:35.160
<v Speaker 1>a genre staple.

0:32:36.280 --> 0:32:39.600
<v Speaker 2>I think to me it Garden State, because of the

0:32:39.640 --> 0:32:45.360
<v Speaker 2>soundtrack track aspect, really put the manic pixie dream girl

0:32:46.160 --> 0:32:49.880
<v Speaker 2>center stage in pop culture because it like surrounded her

0:32:50.000 --> 0:32:54.560
<v Speaker 2>with this sound, with this uh suite of songs, that.

0:32:54.840 --> 0:32:57.080
<v Speaker 2>I don't know about you, but I was. That was

0:32:57.120 --> 0:33:00.800
<v Speaker 2>in my iPod, iPod shuffle or iPod or whatever I

0:33:00.840 --> 0:33:01.600
<v Speaker 2>was using at the time.

0:33:02.320 --> 0:33:02.720
<v Speaker 1>Sorry.

0:33:02.800 --> 0:33:04.720
<v Speaker 2>So Eternal Sunshine and the Spotless Mind. I just think

0:33:04.720 --> 0:33:10.520
<v Speaker 2>it's a beautiful, incredibly beautiful, beautiful looking, beautifully shot movie.

0:33:10.640 --> 0:33:13.560
<v Speaker 2>Jim Carrey, if you're ever like that, guy's not a

0:33:13.600 --> 0:33:17.400
<v Speaker 2>real actor. Eternal Shunshine, he goes the full, he gives

0:33:17.400 --> 0:33:20.840
<v Speaker 2>you everything in that film. Kate Winslet at him, unbelievable,

0:33:21.280 --> 0:33:22.560
<v Speaker 2>shocking chemistry.

0:33:22.640 --> 0:33:27.280
<v Speaker 1>It's just a good movie. Strange Days.

0:33:27.720 --> 0:33:30.320
<v Speaker 2>I think, here's my bubble pit, Here's the one that

0:33:30.360 --> 0:33:35.440
<v Speaker 2>I could feel people maybe trying to shoot down. I

0:33:35.480 --> 0:33:39.800
<v Speaker 2>think that this and Children of Men are two of

0:33:39.840 --> 0:33:45.800
<v Speaker 2>the most prophetic dystopia's, Like we live in Strange Days

0:33:45.840 --> 0:33:48.840
<v Speaker 2>now and Children of Men we will be there in

0:33:48.880 --> 0:33:51.840
<v Speaker 2>fifteen years. It feels like Strange Days.

0:33:51.880 --> 0:33:52.280
<v Speaker 1>Great movie.

0:33:52.320 --> 0:33:54.280
<v Speaker 2>If you haven't seen it, I believe it's on Criterion

0:33:54.320 --> 0:33:55.840
<v Speaker 2>and you can probably watch it on Max or.

0:33:55.760 --> 0:33:56.400
<v Speaker 3>Something like that.

0:33:57.200 --> 0:34:04.280
<v Speaker 2>Also, Hot Hot Ray Fie, does everybody does anybody remember

0:34:04.600 --> 0:34:07.000
<v Speaker 2>pre Voldemort when Ray fines.

0:34:09.400 --> 0:34:13.000
<v Speaker 4>Angela, Yeah, it fine as hell.

0:34:13.520 --> 0:34:14.680
<v Speaker 3>That rembers.

0:34:15.040 --> 0:34:20.279
<v Speaker 2>Oh my god, good god, really good movie. And it

0:34:20.880 --> 0:34:24.160
<v Speaker 2>gives you a version of Los Angeles that feels like

0:34:25.000 --> 0:34:29.000
<v Speaker 2>old and new. Aniara twenty eighteen. I saw this movie recently.

0:34:29.120 --> 0:34:33.760
<v Speaker 2>It's a Swedish film about You can watch it on Hulu,

0:34:33.840 --> 0:34:37.360
<v Speaker 2>and I recommend you do. The thing I love about

0:34:37.600 --> 0:34:41.759
<v Speaker 2>international sci fi, recent international sci fi is you know,

0:34:41.840 --> 0:34:44.919
<v Speaker 2>like we're so CGI dependent here with like Western big

0:34:44.920 --> 0:34:48.959
<v Speaker 2>budget movies that it can feel kind of lifeless. And

0:34:49.480 --> 0:34:54.120
<v Speaker 2>Aniara has there's a dramatic, like a human quality of

0:34:54.320 --> 0:34:58.600
<v Speaker 2>the kind of practical effects of like the more focused

0:34:59.400 --> 0:35:04.439
<v Speaker 2>utilization of the CGI they do have of there's a creativity,

0:35:04.600 --> 0:35:06.040
<v Speaker 2>like it's clearly shot in the mall.

0:35:07.280 --> 0:35:08.400
<v Speaker 1>It stands in for a.

0:35:08.400 --> 0:35:12.920
<v Speaker 2>Spaceship and it's about a journey to Mars that gets

0:35:14.400 --> 0:35:19.960
<v Speaker 2>rerooted because of space debris and the collapse of the

0:35:20.000 --> 0:35:24.800
<v Speaker 2>internal society over time of this spaceship. And it's really

0:35:24.920 --> 0:35:29.400
<v Speaker 2>dark and really scary, but also very human and.

0:35:29.280 --> 0:35:30.320
<v Speaker 1>It's good, it's worthwhile.

0:35:30.480 --> 0:35:33.520
<v Speaker 2>And then finally they live nineteen eighty eight, John Corp

0:35:34.160 --> 0:35:40.600
<v Speaker 2>That just just one of the great political sci fi thrillers,

0:35:41.280 --> 0:35:45.160
<v Speaker 2>with everything completely over the top. I think it you

0:35:45.200 --> 0:35:48.400
<v Speaker 2>could convince me that this is John Carpenter's masterpiece.

0:35:49.080 --> 0:35:51.440
<v Speaker 1>I think people are. I think people are having that

0:35:51.440 --> 0:35:56.120
<v Speaker 1>conversation now, especially because this is an extreme, extremely influential movie.

0:35:56.400 --> 0:35:59.759
<v Speaker 2>I yes, up next, Rosie, It's me.

0:36:01.080 --> 0:36:03.640
<v Speaker 1>This is very hard. I love lots of movies in

0:36:03.680 --> 0:36:06.239
<v Speaker 1>this genre, but I am going to say number one

0:36:06.280 --> 0:36:08.759
<v Speaker 1>pick is a Kira. I think that's one of the

0:36:08.800 --> 0:36:11.760
<v Speaker 1>best movies ever made, obviously one of the best animated

0:36:11.760 --> 0:36:19.840
<v Speaker 1>movies ever made, very defiantly about the strange world of

0:36:20.120 --> 0:36:23.920
<v Speaker 1>kind of experiments and esp It could also be argued,

0:36:23.960 --> 0:36:25.520
<v Speaker 1>I am aware of this that is more of like

0:36:25.560 --> 0:36:27.759
<v Speaker 1>a supernatural movie if you really dig into it. But

0:36:27.800 --> 0:36:31.719
<v Speaker 1>I think with like the visuals of Neo Tokyo and

0:36:31.960 --> 0:36:35.320
<v Speaker 1>the kind of way that a Tomo perceives the future,

0:36:35.360 --> 0:36:38.520
<v Speaker 1>I think is I think it fits. Also, I will

0:36:38.520 --> 0:36:43.080
<v Speaker 1>say my second pick is of two Jehoven movies on

0:36:43.160 --> 0:36:47.080
<v Speaker 1>here at Starship Troopers. I think that's like a really

0:36:47.160 --> 0:36:49.960
<v Speaker 1>fast ready to do my part. I'm ready to do

0:36:50.239 --> 0:36:52.920
<v Speaker 1>my part, and I will say, who knows, maybe somebody

0:36:53.000 --> 0:36:56.040
<v Speaker 1>will argue that akin to Black Mirror, this is actually

0:36:56.200 --> 0:36:59.040
<v Speaker 1>very much in the space of like a satire more

0:36:59.120 --> 0:37:02.799
<v Speaker 1>than a side. I think that monster is monster. I

0:37:02.800 --> 0:37:08.040
<v Speaker 1>think it's sci fi in its establishing tropes, trappings and

0:37:08.120 --> 0:37:10.600
<v Speaker 1>story that it tells with the satire on side. Our

0:37:10.880 --> 0:37:13.919
<v Speaker 1>third pick is my second Verhoven movie. I could have put,

0:37:13.960 --> 0:37:17.759
<v Speaker 1>honestly done like five Viehoven science fiction films, but this

0:37:18.160 --> 0:37:22.359
<v Speaker 1>is RoboCop. I think it is a masterpiece. I think

0:37:22.400 --> 0:37:25.080
<v Speaker 1>it's a sci fi masterpiece. I also think it's very

0:37:25.320 --> 0:37:29.440
<v Speaker 1>prescient and scary and all that kind of stuff. My

0:37:29.719 --> 0:37:33.799
<v Speaker 1>next pick is the far more family friendly but still

0:37:33.880 --> 0:37:37.480
<v Speaker 1>ultimately terrifying Jurassic Park, one of the greatest science fiction

0:37:37.680 --> 0:37:40.160
<v Speaker 1>books and movies ever made. Is it more of a

0:37:40.200 --> 0:37:43.719
<v Speaker 1>monster movie? Let's argue about it in a minut And

0:37:43.760 --> 0:37:50.319
<v Speaker 1>then my last pick is the really, really weird and

0:37:50.440 --> 0:37:54.560
<v Speaker 1>haunting High Life from twenty eighteen, directed by Claire Denis,

0:37:54.640 --> 0:37:59.319
<v Speaker 1>who I love, stars Robert Pattinson and Julia Binochet. I

0:37:59.400 --> 0:38:02.560
<v Speaker 1>was originally going to include her movie from two thousand

0:38:02.600 --> 0:38:06.000
<v Speaker 1>and one, which is called Trouble every Day, which is

0:38:06.040 --> 0:38:08.839
<v Speaker 1>about to be showing at Bleak Week in la and

0:38:09.000 --> 0:38:12.759
<v Speaker 1>it is so horrible and scary and part of the

0:38:12.760 --> 0:38:16.160
<v Speaker 1>French New Extremity. It really launched the French New Extremity movement,

0:38:16.200 --> 0:38:18.480
<v Speaker 1>though she didn't get any credit for it, but I

0:38:18.560 --> 0:38:20.839
<v Speaker 1>decided that was like much more in the horror vein,

0:38:20.960 --> 0:38:23.880
<v Speaker 1>even though it does have a lot of the conversation

0:38:24.040 --> 0:38:26.640
<v Speaker 1>kind of points that we said about starting a horror

0:38:26.960 --> 0:38:29.640
<v Speaker 1>I mean starting as about science that we don't have

0:38:29.800 --> 0:38:32.319
<v Speaker 1>and experimentation. But yeah, I'm going for High Life because

0:38:32.320 --> 0:38:37.640
<v Speaker 1>it is set on a spaceship. It's about space colonies

0:38:37.760 --> 0:38:43.040
<v Speaker 1>and space prisons and the way that people are exploited

0:38:43.200 --> 0:38:47.040
<v Speaker 1>in prison and in kind of capitalist society. So I

0:38:47.080 --> 0:38:50.520
<v Speaker 1>think that works. I also have five alts for whenever

0:38:50.560 --> 0:38:52.480
<v Speaker 1>you guys are trying to take my off the list,

0:38:53.640 --> 0:38:55.160
<v Speaker 1>and then finally Joelle.

0:38:55.480 --> 0:38:58.440
<v Speaker 4>All right, here we go by first one is the

0:38:58.520 --> 0:39:00.799
<v Speaker 4>day that Erst is still the nineteen fifty one edition, not.

0:39:00.920 --> 0:39:05.240
<v Speaker 3>The two thousand. With love and respect to Keanu.

0:39:05.560 --> 0:39:05.719
<v Speaker 2>No.

0:39:06.840 --> 0:39:09.520
<v Speaker 4>I mean, if you haven't seen the film, it's genuinely

0:39:09.520 --> 0:39:12.879
<v Speaker 4>a masterpiece, but it's it's an exploration of like, when

0:39:13.160 --> 0:39:16.000
<v Speaker 4>humans feel threatened, what is our reaction? And it's mostly

0:39:16.080 --> 0:39:17.600
<v Speaker 4>violent and it's pretty horrible.

0:39:18.000 --> 0:39:18.239
<v Speaker 1>Uh.

0:39:18.280 --> 0:39:23.839
<v Speaker 3>To the Fly one of the most Disma original.

0:39:23.800 --> 0:39:28.239
<v Speaker 4>Wait wait wait wait, I remake I remake sorry, sorry, sorry, sorry,

0:39:28.280 --> 0:39:31.360
<v Speaker 4>Jeff Goldbloom, Jeff gold Bloom. One really works for me

0:39:32.040 --> 0:39:35.760
<v Speaker 4>because Juloom is unbelievably hot in that movie, but also

0:39:36.560 --> 0:39:40.319
<v Speaker 4>the bodygore transformation. I think we live in a world

0:39:40.400 --> 0:39:42.840
<v Speaker 4>really obsessed with plastic surgery right now. And if you

0:39:43.000 --> 0:39:46.759
<v Speaker 4>watch The Fly and this like like incredible push to

0:39:46.960 --> 0:39:50.640
<v Speaker 4>just constantly be altering and changing and advancing, and then

0:39:50.680 --> 0:39:53.359
<v Speaker 4>the like complete falling apart of it, Like I just

0:39:53.440 --> 0:39:57.239
<v Speaker 4>I really really love The Fly. I went back and

0:39:57.280 --> 0:40:01.080
<v Speaker 4>forth on my time table movies guys. Originally I was like,

0:40:01.120 --> 0:40:03.399
<v Speaker 4>Back to the Future, it's epic, and then Aaron said,

0:40:03.400 --> 0:40:05.680
<v Speaker 4>I can't believe nobody has said everything everywhere all at once,

0:40:05.680 --> 0:40:11.000
<v Speaker 4>And I said, oh, pause. And I think because time

0:40:11.040 --> 0:40:13.839
<v Speaker 4>travel is more essential to everything everywhere all at once

0:40:13.960 --> 0:40:17.480
<v Speaker 4>in that there's a constant use of it and a

0:40:17.520 --> 0:40:20.000
<v Speaker 4>flux and a twist, where as opposed to, you know,

0:40:20.320 --> 0:40:24.839
<v Speaker 4>in Back to the Future, it's a it's a direct thing.

0:40:25.080 --> 0:40:27.160
<v Speaker 4>You go there, you got this car, you come back.

0:40:27.640 --> 0:40:31.120
<v Speaker 1>Yes, if he doesn't. If he doesn't go there, he's

0:40:31.160 --> 0:40:32.920
<v Speaker 1>going to not exist. So I would say it is

0:40:33.000 --> 0:40:33.680
<v Speaker 1>quite important.

0:40:33.680 --> 0:40:38.719
<v Speaker 2>Also, we know all the history of popular culture is okay.

0:40:45.440 --> 0:40:47.520
<v Speaker 3>This white boy just store black history.

0:40:47.680 --> 0:40:52.040
<v Speaker 2>I could come on, never have had the idea it's

0:40:52.120 --> 0:40:54.560
<v Speaker 2>not for Marty Fly.

0:40:55.560 --> 0:40:58.760
<v Speaker 3>Yeah, so I think you know everything everywhere all at once.

0:40:59.320 --> 0:41:01.440
<v Speaker 3>Just a good point. Then I was gonna selling harm

0:41:01.480 --> 0:41:01.879
<v Speaker 3>in this morning.

0:41:01.880 --> 0:41:03.719
<v Speaker 4>I was like, oh, I had Smart House on the

0:41:03.719 --> 0:41:07.680
<v Speaker 4>list because Guys as a child more game changing than

0:41:07.760 --> 0:41:08.319
<v Speaker 4>Smart House.

0:41:08.880 --> 0:41:11.880
<v Speaker 3>Watch it's such a good movie.

0:41:11.960 --> 0:41:13.880
<v Speaker 4>But then I was thinking about, okay, well, this is

0:41:13.880 --> 0:41:16.879
<v Speaker 4>my kid's movie sort of on my list. Is there

0:41:17.360 --> 0:41:20.520
<v Speaker 4>some a movie that does it better? And The Iron

0:41:20.560 --> 0:41:22.239
<v Speaker 4>Giants like one of my favorite films.

0:41:22.000 --> 0:41:23.040
<v Speaker 3>Of all time.

0:41:23.160 --> 0:41:27.239
<v Speaker 4>We do not have this technology, and the exploration of

0:41:27.280 --> 0:41:28.240
<v Speaker 4>like what is a gun.

0:41:28.280 --> 0:41:29.399
<v Speaker 3>O my heart?

0:41:29.600 --> 0:41:31.640
<v Speaker 1>I do not have an Iron Giant?

0:41:31.800 --> 0:41:34.160
<v Speaker 3>We could use one? We could use one.

0:41:34.640 --> 0:41:38.600
<v Speaker 4>And finally Alien for I think reasons I should be obvious,

0:41:38.680 --> 0:41:40.960
<v Speaker 4>but could technically be voted out.

0:41:41.520 --> 0:41:43.160
<v Speaker 3>We'll see.

0:41:43.600 --> 0:41:47.680
<v Speaker 2>Well, I think this is a fan whatever happens after

0:41:47.719 --> 0:41:51.480
<v Speaker 2>the ad break, let's just acknowledge this is a fantastic Yeah.

0:41:52.160 --> 0:41:53.000
<v Speaker 3>Good for us.

0:41:53.239 --> 0:41:57.160
<v Speaker 1>If you are gonna go out and watch some sci

0:41:57.160 --> 0:41:59.960
<v Speaker 1>fi movies, you're gonna be pleasantly surprised to find an

0:42:00.239 --> 0:42:03.520
<v Speaker 1>fae from this list. No question, like whatever else happens

0:42:03.760 --> 0:42:07.200
<v Speaker 1>after the break, whether we are still a pulcast after that,

0:42:07.360 --> 0:42:10.520
<v Speaker 1>whether we still are friends, after that. Just remember, guys,

0:42:10.560 --> 0:42:13.120
<v Speaker 1>we put together an incredible list.

0:42:13.560 --> 0:42:33.160
<v Speaker 2>The knives are coming out, accrat and we are back. Okay,

0:42:34.719 --> 0:42:39.960
<v Speaker 2>so should we go? Let's go in reverse order with

0:42:40.120 --> 0:42:43.640
<v Speaker 2>peopless films to vote out films. So we'll start with

0:42:43.719 --> 0:42:47.920
<v Speaker 2>Joelle's film Bring It, and here I will repeat the

0:42:47.920 --> 0:42:50.719
<v Speaker 2>list again today. The Earth should Still nineteen fifty one,

0:42:51.000 --> 0:42:56.200
<v Speaker 2>a true classic, The Cronenberg, The Flyes, starring Jeff Goldbloom

0:42:56.239 --> 0:43:00.920
<v Speaker 2>and Geena Davis looking super hot, both of them. Uh,

0:43:01.000 --> 0:43:06.120
<v Speaker 2>everything everywhere, all at once. The Daniels Kaye Kwon. I

0:43:06.120 --> 0:43:09.160
<v Speaker 2>mean what is to be has not be, said Michelle Yo.

0:43:09.760 --> 0:43:12.960
<v Speaker 2>The Iron Giant, A heart and actually a movie that's

0:43:13.000 --> 0:43:15.680
<v Speaker 2>so good that I don't rewatch it because it makes

0:43:15.719 --> 0:43:19.239
<v Speaker 2>me feel too feelings that are too deep and alien.

0:43:20.080 --> 0:43:23.240
<v Speaker 2>Just one of the great, one of the great films.

0:43:24.080 --> 0:43:24.560
<v Speaker 1>Okay.

0:43:24.960 --> 0:43:31.120
<v Speaker 2>Does anybody have any uh pressing criticisms or issues to

0:43:31.239 --> 0:43:33.160
<v Speaker 2>raise with the list?

0:43:33.440 --> 0:43:38.680
<v Speaker 1>If not, I will start, he said. Guess what I do?

0:43:39.920 --> 0:43:44.600
<v Speaker 2>I do have one, I think, and I'm happy to

0:43:44.719 --> 0:43:46.279
<v Speaker 2>I think I'm gonna get voted out, but I want

0:43:46.280 --> 0:43:49.439
<v Speaker 2>to raise this. I think Animated is its own thing.

0:43:49.640 --> 0:43:53.919
<v Speaker 2>I think Animated is its own an can't be I'm

0:43:53.920 --> 0:43:56.319
<v Speaker 2>not saying it. I'm not saying it can't be sci fi,

0:43:56.719 --> 0:44:04.680
<v Speaker 2>but I'm saying the surreality and pure imaginative nature of

0:44:05.320 --> 0:44:11.239
<v Speaker 2>animated like Superhero is a super container for genres. It's

0:44:11.320 --> 0:44:13.640
<v Speaker 2>not that it's not sci fi. It's not that it's

0:44:13.719 --> 0:44:17.200
<v Speaker 2>not fantasy. It's not that it's not a family drama.

0:44:17.320 --> 0:44:21.759
<v Speaker 2>It's that because it's not based in material objects that

0:44:21.800 --> 0:44:25.839
<v Speaker 2>are filmed, it is a pure imagination space that can

0:44:25.880 --> 0:44:31.280
<v Speaker 2>be all of those things. And therefore I am voting

0:44:31.320 --> 0:44:32.719
<v Speaker 2>to exclude.

0:44:34.040 --> 0:44:34.480
<v Speaker 3>I may be.

0:44:34.600 --> 0:44:37.080
<v Speaker 2>Voted down because of the lists that are out there,

0:44:37.120 --> 0:44:39.400
<v Speaker 2>but I just wanted to raise he said, I.

0:44:43.000 --> 0:44:46.640
<v Speaker 4>The Spielberg film. You remember The Battle of Leader? Or

0:44:50.920 --> 0:44:53.720
<v Speaker 4>do we consider this film sci fi or not? Based

0:44:53.719 --> 0:44:55.040
<v Speaker 4>off of your animation?

0:44:55.400 --> 0:44:57.000
<v Speaker 3>Anim but it.

0:44:58.560 --> 0:45:03.320
<v Speaker 4>Is not fully captured either, and the scope of limitation

0:45:03.719 --> 0:45:05.160
<v Speaker 4>is about the same as well.

0:45:05.239 --> 0:45:07.080
<v Speaker 1>Guys, I'm going to tell you the issue here. The

0:45:07.120 --> 0:45:09.759
<v Speaker 1>real issue is that we are no longer talking about though.

0:45:09.880 --> 0:45:13.240
<v Speaker 1>I do believe that if we had laid this out before,

0:45:13.280 --> 0:45:17.800
<v Speaker 1>we could have separated animation potentially, but that is a

0:45:17.880 --> 0:45:21.520
<v Speaker 1>format issue that is like a medium, it's not a

0:45:21.520 --> 0:45:24.160
<v Speaker 1>genre issue. So I don't think we can take things

0:45:24.280 --> 0:45:27.480
<v Speaker 1>out just as like we couldn't take out other live

0:45:27.560 --> 0:45:31.200
<v Speaker 1>action movies because there like, I just don't think I

0:45:31.239 --> 0:45:33.200
<v Speaker 1>think it's a format issue. A boo. I saw that

0:45:33.239 --> 0:45:34.040
<v Speaker 1>you had some thoughts.

0:45:34.680 --> 0:45:39.880
<v Speaker 5>I agree entirely. I don't think we can entire storytelling.

0:45:40.920 --> 0:45:48.000
<v Speaker 5>Animation is a medium. Superhero films are not a different,

0:45:48.160 --> 0:45:49.160
<v Speaker 5>entirely different medium.

0:45:49.840 --> 0:45:52.600
<v Speaker 2>Jesus right, But I love but we all love our pixels.

0:45:54.400 --> 0:45:57.400
<v Speaker 3>Okay, selective hearing is wild.

0:45:57.800 --> 0:46:02.560
<v Speaker 4>I feel I feel like Rosie has a great point.

0:46:00.960 --> 0:46:03.200
<v Speaker 1>I agree with.

0:46:05.760 --> 0:46:09.560
<v Speaker 2>It's a medium in this well, I agree that it

0:46:09.640 --> 0:46:12.960
<v Speaker 2>is a kind of storytelling, but I think the medium

0:46:13.040 --> 0:46:19.879
<v Speaker 2>is still film, is it not? So? I I kind

0:46:19.880 --> 0:46:22.839
<v Speaker 2>of feel like the medium is still film, but the

0:46:22.960 --> 0:46:28.799
<v Speaker 2>style of storytelling is animated. And I take Joel's point

0:46:28.840 --> 0:46:33.400
<v Speaker 2>that there certain stories lean on animation to a lesser

0:46:33.440 --> 0:46:38.120
<v Speaker 2>and fuller degree. But I do think fully animated films

0:46:38.160 --> 0:46:40.120
<v Speaker 2>now you know, now we're going to talk about motion

0:46:40.200 --> 0:46:42.800
<v Speaker 2>cap and what about what if? What if the characters

0:46:42.800 --> 0:46:49.000
<v Speaker 2>are motion caps? But I still fully animated films. Well,

0:46:49.000 --> 0:46:53.440
<v Speaker 2>I think we did for but I think that fully

0:46:53.480 --> 0:46:56.880
<v Speaker 2>animated films personally, I feel like should be excluded are

0:46:56.920 --> 0:46:58.520
<v Speaker 2>its own thing, and we should have our own list

0:46:58.560 --> 0:46:59.520
<v Speaker 2>of those films.

0:46:59.600 --> 0:47:01.400
<v Speaker 1>But I know I'm going to vote.

0:47:01.239 --> 0:47:09.040
<v Speaker 2>With hands yes, sure the eyes the eyes animated are

0:47:09.200 --> 0:47:09.640
<v Speaker 2>voting no.

0:47:12.040 --> 0:47:14.239
<v Speaker 1>The the animation is in.

0:47:14.920 --> 0:47:21.560
<v Speaker 2>Okay, animation is in. I raise your hands like animation is.

0:47:21.600 --> 0:47:28.560
<v Speaker 1>So that's three. Animation is out.

0:47:25.960 --> 0:47:26.400
<v Speaker 7>Four to one.

0:47:26.520 --> 0:47:30.400
<v Speaker 1>I'm voted down. Okay, So animation I will bring I

0:47:30.440 --> 0:47:33.040
<v Speaker 1>will bring up the issue an issue that I think

0:47:33.080 --> 0:47:37.920
<v Speaker 1>we could talk about. The Fly is undoubtedly a science

0:47:37.960 --> 0:47:42.239
<v Speaker 1>fiction movie. But is it also is it like nowadays

0:47:42.280 --> 0:47:44.799
<v Speaker 1>in twenty twenty five, is it also to perceived as

0:47:44.840 --> 0:47:47.960
<v Speaker 1>a horror movie? Like are we? Are we giving? Where

0:47:48.000 --> 0:47:50.160
<v Speaker 1>do we put the lines on that? Because like the

0:47:50.239 --> 0:47:52.399
<v Speaker 1>Fly is a fact, it is a science fiction movie

0:47:52.440 --> 0:47:55.560
<v Speaker 1>about well if you could, uh like meld the man

0:47:55.600 --> 0:47:57.640
<v Speaker 1>with a fly? First of all, why would you do that?

0:47:57.800 --> 0:48:01.200
<v Speaker 1>So now we don't have the technology. But like I

0:48:01.239 --> 0:48:03.600
<v Speaker 1>also do wonder if like is it is it like

0:48:03.680 --> 0:48:07.000
<v Speaker 1>too horror or are we I guess alien is also

0:48:07.040 --> 0:48:10.440
<v Speaker 1>horror sipers, So I guess the question is how subgenrely

0:48:11.080 --> 0:48:12.759
<v Speaker 1>are we getting in?

0:48:12.960 --> 0:48:14.480
<v Speaker 5>But you could see a world in which it would

0:48:14.520 --> 0:48:18.319
<v Speaker 5>be billed as a horror movie. First, you know, like

0:48:18.400 --> 0:48:21.120
<v Speaker 5>the and it was marketed that way.

0:48:21.400 --> 0:48:23.680
<v Speaker 3>Is genre horror or is it sci fi?

0:48:23.880 --> 0:48:25.680
<v Speaker 6>No, he didn't try to turn himself into a fly.

0:48:25.840 --> 0:48:26.800
<v Speaker 6>It was an accident.

0:48:27.360 --> 0:48:34.120
<v Speaker 1>It was an accident. He was trying to teleport himself success,

0:48:35.800 --> 0:48:37.120
<v Speaker 1>but he did turn into a fly.

0:48:38.320 --> 0:48:42.640
<v Speaker 3>Yes, yes, And basically I'm.

0:48:42.520 --> 0:48:46.360
<v Speaker 1>Hearing that despite Joelle's controversial ideas of what Star Wars

0:48:46.520 --> 0:48:49.080
<v Speaker 1>is or is not, whether it does fit into the

0:48:49.120 --> 0:48:51.960
<v Speaker 1>sci fi genre, I'm hearing that her pigs are actually

0:48:52.040 --> 0:48:56.960
<v Speaker 1>quite uncontroversial. Well, well, I would say that I have

0:48:57.000 --> 0:49:00.919
<v Speaker 1>another tells. Yeah.

0:49:01.040 --> 0:49:03.640
<v Speaker 5>Look, I don't even know if I entirely believe that

0:49:04.440 --> 0:49:07.359
<v Speaker 5>I have thought out loud, if when I think of

0:49:07.400 --> 0:49:10.520
<v Speaker 5>everything everywhere, all at once, I don't think my first

0:49:10.520 --> 0:49:12.880
<v Speaker 5>thought is not sci fi. I was about to say,

0:49:13.239 --> 0:49:16.720
<v Speaker 5>you know, I understand that it's a parallel timeline story.

0:49:16.760 --> 0:49:21.000
<v Speaker 5>There's time travel to some extent multiverse, like yeah, multiverses

0:49:21.000 --> 0:49:23.080
<v Speaker 5>at its core, those are all sci fi elements. But

0:49:23.480 --> 0:49:26.719
<v Speaker 5>for some intangible reason, I do not think of that

0:49:26.760 --> 0:49:27.720
<v Speaker 5>as a sci fi film.

0:49:27.840 --> 0:49:31.919
<v Speaker 2>It feels, well, can I try to Can I try

0:49:31.920 --> 0:49:34.240
<v Speaker 2>to clarify because a boo, I have the same feeling.

0:49:34.320 --> 0:49:36.440
<v Speaker 2>Although again, I'm happy to be voted down. Here is

0:49:36.440 --> 0:49:39.000
<v Speaker 2>my feeling with everything everywhere all at once, I think

0:49:39.640 --> 0:49:42.560
<v Speaker 2>I think the version of time travel that is being

0:49:42.600 --> 0:49:49.440
<v Speaker 2>displayed in this movie is essentially like a higher understanding

0:49:49.520 --> 0:49:54.160
<v Speaker 2>of the natural world and less using science to access

0:49:54.520 --> 0:49:58.280
<v Speaker 2>the time stream. It's like, hey, nature and the quantum

0:49:58.320 --> 0:50:01.800
<v Speaker 2>realm give rise to this kind of thing that's happening

0:50:02.640 --> 0:50:06.319
<v Speaker 2>independently of our story, and our characters kind of get

0:50:06.320 --> 0:50:10.239
<v Speaker 2>sucked into it. There's very little like Okay, although I

0:50:10.600 --> 0:50:13.200
<v Speaker 2>will I will eat hold on. I do agree that

0:50:14.000 --> 0:50:19.080
<v Speaker 2>characters build technology to access the multiverse. But that's why

0:50:19.120 --> 0:50:22.239
<v Speaker 2>I'm going to ancillary to the kind of existence of

0:50:22.719 --> 0:50:23.560
<v Speaker 2>the multiverse.

0:50:24.120 --> 0:50:25.280
<v Speaker 1>To me, it's on the bubble.

0:50:25.400 --> 0:50:27.480
<v Speaker 2>I'm happy to have it, but I have the same

0:50:27.600 --> 0:50:31.560
<v Speaker 2>kind of reservations that a Boo has. Carmen, I see

0:50:31.600 --> 0:50:36.280
<v Speaker 2>you the fingers up the nails, the clause.

0:50:39.400 --> 0:50:41.960
<v Speaker 6>I'm well, I'm just I'm thinking about other things on

0:50:42.000 --> 0:50:44.600
<v Speaker 6>the list, and I'm thinking if we don't consider Everything

0:50:44.640 --> 0:50:47.960
<v Speaker 6>Everywhere All at Once a sci fi for the fact

0:50:47.960 --> 0:50:51.840
<v Speaker 6>that they are using a higher consciousness to access time travel,

0:50:52.640 --> 0:50:55.040
<v Speaker 6>then Arrival would also fall under that same category.

0:50:55.080 --> 0:50:58.400
<v Speaker 2>When well, well, let's stick to let's stay we I

0:50:58.640 --> 0:51:01.759
<v Speaker 2>don't disagree, but let's let's stick to the list. Let's

0:51:01.800 --> 0:51:06.279
<v Speaker 2>take the vote on everything, everywhere, all at once. Let's

0:51:06.280 --> 0:51:08.719
<v Speaker 2>take a vote on everything everywhere, all at once. The

0:51:08.840 --> 0:51:11.439
<v Speaker 2>yes is it is sci fi. Let's see the show

0:51:11.440 --> 0:51:16.520
<v Speaker 2>of hands. Two, let's see the show of hands.

0:51:16.560 --> 0:51:27.560
<v Speaker 1>It is not sci fi. I think I.

0:51:29.960 --> 0:51:33.200
<v Speaker 2>Might not have spoken up and the bravery of that man,

0:51:33.840 --> 0:51:36.120
<v Speaker 2>so we're gonna have to go to an alt But

0:51:36.280 --> 0:51:38.640
<v Speaker 2>let's let's go through the rest of the list.

0:51:39.360 --> 0:51:43.560
<v Speaker 1>I now, I just want to raise this issue.

0:51:43.960 --> 0:51:48.120
<v Speaker 2>I think I don't subscribe personally to Joel's I think

0:51:48.280 --> 0:51:52.200
<v Speaker 2>a little too targeted definition of sci fi.

0:51:52.320 --> 0:51:53.120
<v Speaker 3>But I have to.

0:51:53.640 --> 0:51:58.319
<v Speaker 2>Wonder if the films on Joel's list actually rise to

0:51:58.400 --> 0:52:04.480
<v Speaker 2>Joel's definition of sci fi. Alien for Existence, for instance,

0:52:06.000 --> 0:52:08.800
<v Speaker 2>I agree that there's a science officer and there's an AI,

0:52:08.960 --> 0:52:12.640
<v Speaker 2>and there's a discussion of like stuff mining and geology,

0:52:12.840 --> 0:52:14.120
<v Speaker 2>but it's.

0:52:13.960 --> 0:52:18.080
<v Speaker 1>Also like not super explored. I don't know. And I

0:52:18.160 --> 0:52:19.600
<v Speaker 1>think you could say the same of.

0:52:20.360 --> 0:52:23.120
<v Speaker 2>The Iron Giant, which is like they never talk about

0:52:23.200 --> 0:52:26.160
<v Speaker 2>what the giant can do. In fact, like explicitly the

0:52:26.200 --> 0:52:29.160
<v Speaker 2>technology behind the Giant is just kind of like mysterious

0:52:29.200 --> 0:52:35.120
<v Speaker 2>and just almost disx machina. Do you have any I

0:52:35.200 --> 0:52:38.360
<v Speaker 2>sense you having a retort? Joel, what is your retort

0:52:38.400 --> 0:52:38.600
<v Speaker 2>to that?

0:52:39.280 --> 0:52:44.719
<v Speaker 4>Okay, so for alien to start there, because your big

0:52:44.800 --> 0:52:51.280
<v Speaker 4>bad is ultimately a deceiving droid who is so human

0:52:51.520 --> 0:52:55.000
<v Speaker 4>they don't even know. And then the mother of sist,

0:52:55.160 --> 0:52:58.359
<v Speaker 4>like the plot is you've been set up to die,

0:52:58.400 --> 0:52:59.839
<v Speaker 4>so you could worth alien here.

0:53:00.400 --> 0:53:01.799
<v Speaker 3>That to me is what makes it sci fi.

0:53:01.840 --> 0:53:04.640
<v Speaker 4>I would agree that if it was more alien, we

0:53:04.640 --> 0:53:06.960
<v Speaker 4>could be more creature focused, but aliens sort of like

0:53:07.000 --> 0:53:11.000
<v Speaker 4>almost like you know, also lured into this trout like

0:53:11.200 --> 0:53:15.080
<v Speaker 4>also a victim on some level, and so that's why

0:53:15.080 --> 0:53:19.000
<v Speaker 4>I classify that sci fi. Now for Okay, Iron Giant,

0:53:20.080 --> 0:53:23.120
<v Speaker 4>I hear your argument. I think for me, what makes

0:53:23.120 --> 0:53:27.760
<v Speaker 4>it sci fice? And maybe this is getting too niche,

0:53:27.760 --> 0:53:30.480
<v Speaker 4>but like it's set in the fifties, so like this

0:53:30.640 --> 0:53:32.839
<v Speaker 4>robot is like already like sort of like this way

0:53:32.880 --> 0:53:37.319
<v Speaker 4>futuristic appeal to this character, and so he doesn't really

0:53:37.320 --> 0:53:39.719
<v Speaker 4>need to understand the science because the whole point is

0:53:39.760 --> 0:53:44.440
<v Speaker 4>like could science create something that then is like so horrific?

0:53:44.640 --> 0:53:47.440
<v Speaker 4>The device itself is like I'm not interested in being

0:53:47.480 --> 0:53:49.640
<v Speaker 4>what you've programmed me to be and that to me

0:53:50.080 --> 0:53:54.080
<v Speaker 4>is what makes it science fiction. It's like this again,

0:53:54.080 --> 0:53:56.960
<v Speaker 4>a human reacting to the technology and then the technology

0:53:57.000 --> 0:53:57.760
<v Speaker 4>reacting back.

0:53:57.920 --> 0:53:59.480
<v Speaker 3>Like that's peak science fiction.

0:54:00.719 --> 0:54:03.640
<v Speaker 1>I would I would also say, I do think I

0:54:03.680 --> 0:54:05.600
<v Speaker 1>don't fully buy it, but I'm excited.

0:54:07.480 --> 0:54:10.040
<v Speaker 7>I am also saying, guys, this is this is the

0:54:10.200 --> 0:54:12.480
<v Speaker 7>cause of what we have, what we have tried to

0:54:12.480 --> 0:54:16.480
<v Speaker 7>sell out here is you start laying out boundaries outside

0:54:16.480 --> 0:54:19.279
<v Speaker 7>of just like vibes, because then you're like, well, the

0:54:19.320 --> 0:54:22.320
<v Speaker 7>day the US, that's still like, I mean, yeah.

0:54:22.160 --> 0:54:25.560
<v Speaker 1>Obviously it is a science fiction because there's like an alien,

0:54:25.760 --> 0:54:27.799
<v Speaker 1>But then you're like, so does any movie with an

0:54:27.840 --> 0:54:29.880
<v Speaker 1>alien count as science fiction?

0:54:30.160 --> 0:54:32.759
<v Speaker 2>So let's just murte on the let's just moan on

0:54:32.800 --> 0:54:36.200
<v Speaker 2>these alien. Yes, it's sci fi science fiction.

0:54:36.320 --> 0:54:39.000
<v Speaker 1>I'm sorry, guys, I was the only one who said,

0:54:41.239 --> 0:54:43.520
<v Speaker 1>let's hear the dissenting opinion. What do you say, No,

0:54:43.719 --> 0:54:44.240
<v Speaker 1>it's not.

0:54:45.840 --> 0:54:52.000
<v Speaker 2>Yes, Okay, you were just lacking. Sorry, So alien is

0:54:52.120 --> 0:54:58.720
<v Speaker 2>unanimous sci fi? The Fly sci fi? Yes, I think unanimous,

0:54:59.560 --> 0:55:01.399
<v Speaker 2>The Daily still sci fi.

0:55:02.560 --> 0:55:06.640
<v Speaker 1>Yeah, it's sci fi. The Iron Giant there is no

0:55:06.760 --> 0:55:07.560
<v Speaker 1>double jeopardy.

0:55:07.880 --> 0:55:10.120
<v Speaker 2>But who agrees with me that the Iron Giant does

0:55:10.160 --> 0:55:19.360
<v Speaker 2>not rise to Joel's definition. Rise to Joel's definition Joel,

0:55:19.760 --> 0:55:23.360
<v Speaker 2>Joel is already in.

0:55:23.440 --> 0:55:28.120
<v Speaker 8>Guys, I'm I'm proposing because of how in depth this is,

0:55:28.160 --> 0:55:30.040
<v Speaker 8>and because we could obviously talk about it, so they

0:55:30.200 --> 0:55:33.120
<v Speaker 8>how about instead of proposing alts for the five, the

0:55:33.239 --> 0:55:35.880
<v Speaker 8>final list that we recommend is just all the stuff

0:55:35.920 --> 0:55:39.200
<v Speaker 8>that didn't get strike sure.

0:55:40.520 --> 0:55:41.279
<v Speaker 3>I like that.

0:55:41.360 --> 0:55:44.400
<v Speaker 2>I like that we can certainly the the altar are

0:55:44.480 --> 0:55:54.800
<v Speaker 2>gonna get heavily talk. Okay, next up Rosie's films.

0:55:52.120 --> 0:55:54.280
<v Speaker 1>RoboCop, Jurassic Park, Highlight.

0:55:54.360 --> 0:55:57.759
<v Speaker 2>Does anybody have any outstanding issues with any of these films?

0:55:57.800 --> 0:56:00.520
<v Speaker 2>We could start there before we start votes.

0:56:03.960 --> 0:56:07.200
<v Speaker 1>Perfect I'll raise the bubble. I think it's on the bubble.

0:56:07.320 --> 0:56:11.680
<v Speaker 1>Jurassic Park? Is it not monster? I understand those genetic engineering,

0:56:12.719 --> 0:56:17.600
<v Speaker 1>but is it? But is it primarily monster? I also, well,

0:56:18.040 --> 0:56:20.399
<v Speaker 1>I'm not supposed to do this of my own thing,

0:56:20.640 --> 0:56:23.160
<v Speaker 1>But I also do think you raised an interesting point

0:56:23.239 --> 0:56:27.560
<v Speaker 1>about like the notion of like effects and animation, because honestly,

0:56:27.719 --> 0:56:33.600
<v Speaker 1>is Jurassic Park not in hindsight more of like an

0:56:33.719 --> 0:56:37.760
<v Speaker 1>unbelievable step forward in special effects making it a special

0:56:37.760 --> 0:56:40.239
<v Speaker 1>effects monster movie. I could agree, but I think I'm

0:56:40.239 --> 0:56:43.680
<v Speaker 1>gonna make the argument because I did pick this. The

0:56:43.880 --> 0:56:47.279
<v Speaker 1>science of Jurassic Park is such a huge part of it,

0:56:47.760 --> 0:56:52.239
<v Speaker 1>but there are literally when you go to Universal Studios,

0:56:52.440 --> 0:56:59.799
<v Speaker 1>they have toys of the like you can buy you

0:57:00.080 --> 0:57:02.000
<v Speaker 1>and buy stuff. It's so much a part of it

0:57:02.040 --> 0:57:05.839
<v Speaker 1>that we all understand. We even know the lore of it,

0:57:05.920 --> 0:57:08.920
<v Speaker 1>which is that the reason that they couldn't control it

0:57:08.960 --> 0:57:11.360
<v Speaker 1>and life would find a way is because they used

0:57:11.400 --> 0:57:14.920
<v Speaker 1>a frog that could change its gender, which allowed the animals.

0:57:15.040 --> 0:57:17.320
<v Speaker 1>You know, I think it's so much a part of

0:57:17.320 --> 0:57:19.480
<v Speaker 1>it that we almost might forget it. But I do

0:57:19.520 --> 0:57:21.000
<v Speaker 1>think that discussion.

0:57:20.560 --> 0:57:25.040
<v Speaker 5>Is that I think Jura part films lean more monster film,

0:57:25.320 --> 0:57:28.360
<v Speaker 5>but the first I agree with enough.

0:57:28.200 --> 0:57:31.880
<v Speaker 2>Science, I tend to agree to it. So we don't

0:57:32.000 --> 0:57:34.280
<v Speaker 2>seem to mind that the science takes place in the

0:57:34.280 --> 0:57:38.480
<v Speaker 2>first fifteen minutes of the movie and eighty five percent

0:57:38.560 --> 0:57:41.120
<v Speaker 2>of the rest of the movie is a monster run.

0:57:41.440 --> 0:57:46.120
<v Speaker 1>If they did do science, that they didn't do science,

0:57:46.160 --> 0:57:49.320
<v Speaker 1>the monsters would not exist. I tend to agree with you.

0:57:49.400 --> 0:57:56.160
<v Speaker 2>I just think we need to be rigorous. Okay, any

0:57:56.280 --> 0:57:59.080
<v Speaker 2>other outstanding issues that anybody has with this list? A

0:57:59.160 --> 0:58:01.760
<v Speaker 2>cure Starship Trooper Robochopterissic Park, High Life.

0:58:02.120 --> 0:58:06.840
<v Speaker 5>I mean, if we're gonna talk about animation, I've already.

0:58:06.560 --> 0:58:07.320
<v Speaker 1>Raised my issues.

0:58:07.320 --> 0:58:08.680
<v Speaker 2>I feel like I said my piece.

0:58:08.720 --> 0:58:11.320
<v Speaker 1>I got shot.

0:58:10.480 --> 0:58:14.760
<v Speaker 6>I think it's so multi genre that it's hard to

0:58:14.760 --> 0:58:17.000
<v Speaker 6>pin down. You know what I mean. It's it's definitely

0:58:17.000 --> 0:58:18.160
<v Speaker 6>got the sci fi elements.

0:58:18.280 --> 0:58:21.040
<v Speaker 1>I do think that that is the case. That was

0:58:21.080 --> 0:58:23.280
<v Speaker 1>my issue with everything everywhere once, So I will hate you.

0:58:23.320 --> 0:58:25.840
<v Speaker 1>I'm also just gonna warn you comment and you know

0:58:25.920 --> 0:58:31.000
<v Speaker 1>I love I'm gonna warn you this, this very argument

0:58:31.880 --> 0:58:34.560
<v Speaker 1>could potentially be an issue for one of your picks.

0:58:34.800 --> 0:58:35.960
<v Speaker 1>They're very still.

0:58:40.440 --> 0:58:48.400
<v Speaker 6>Hold on, I'll say, I'll say, I'll say. The thing

0:58:48.440 --> 0:58:51.880
<v Speaker 6>that goes through my mind and a Kira that doesn't

0:58:52.520 --> 0:58:55.080
<v Speaker 6>that that army kind of like sets is that the

0:58:55.200 --> 0:58:59.160
<v Speaker 6>supernatural children like that whole Like that's true?

0:58:59.360 --> 0:59:02.360
<v Speaker 2>Can I And I feel like I don't want to

0:59:02.360 --> 0:59:04.400
<v Speaker 2>feel like a broken record, but I want to ask,

0:59:04.520 --> 0:59:08.600
<v Speaker 2>just ask the question. Is it not more of a

0:59:08.720 --> 0:59:12.680
<v Speaker 2>kind of superhero story in that it is both animated

0:59:12.720 --> 0:59:16.240
<v Speaker 2>and a mashup of multiple genres. I agree that there's

0:59:16.280 --> 0:59:22.120
<v Speaker 2>a sci fi element, but like like the Iron Giant,

0:59:22.200 --> 0:59:28.280
<v Speaker 2>which is in there, I also feel like along with

0:59:28.440 --> 0:59:31.560
<v Speaker 2>the genre mash, along with the issues that animated that

0:59:31.640 --> 0:59:34.360
<v Speaker 2>I'm the only one that cares about if there's also

0:59:34.480 --> 0:59:37.080
<v Speaker 2>the ancillary issue that it does not rise to the

0:59:37.160 --> 0:59:38.680
<v Speaker 2>Joel definition of sci fi.

0:59:38.800 --> 0:59:45.520
<v Speaker 1>That's true, that's true, and so there's that. Sorry, any other?

0:59:48.560 --> 0:59:52.320
<v Speaker 5>Is the sci fi aesthetic and backdrop of Neo Tokyo

0:59:52.840 --> 0:59:54.880
<v Speaker 5>enough to call the whole movie side.

0:59:57.640 --> 0:59:59.120
<v Speaker 1>From dramatic great points?

0:59:59.160 --> 1:00:01.200
<v Speaker 2>I think that's what we're So let's take a vote.

1:00:01.240 --> 1:00:04.440
<v Speaker 2>Let's let's vote on the list. Let's we'll start with

1:00:04.440 --> 1:00:04.800
<v Speaker 2>a curra.

1:00:04.880 --> 1:00:28.000
<v Speaker 1>A curra. It is sci fi hands.

1:00:09.120 --> 1:00:24.680
<v Speaker 9>O curra is not sci fi hands for one, it's

1:00:24.880 --> 1:00:26.960
<v Speaker 9>not sci fi Oh my god.

1:00:27.280 --> 1:00:27.840
<v Speaker 1>Struck out.

1:00:29.880 --> 1:00:31.080
<v Speaker 2>Starship Troopers.

1:00:31.120 --> 1:00:32.800
<v Speaker 1>It is sci fi show of hands.

1:00:34.320 --> 1:00:34.800
<v Speaker 3>Yes, he.

1:00:36.320 --> 1:00:40.560
<v Speaker 1>It is sci fi show of hands. Yes, okay, good.

1:00:40.480 --> 1:00:43.800
<v Speaker 2>The Jurassic Park it is sci fi show of hands.

1:00:45.360 --> 1:00:48.919
<v Speaker 2>All of us unanimous, despite the significant issues.

1:00:48.640 --> 1:00:52.240
<v Speaker 1>With the balance. Thank you, high life.

1:00:52.320 --> 1:00:54.560
<v Speaker 2>It is this, shouts declared, she's amazing.

1:00:54.880 --> 1:00:56.320
<v Speaker 1>It is sci fi show of hands.

1:00:56.480 --> 1:00:57.040
<v Speaker 2>Five to one.

1:00:57.480 --> 1:01:01.600
<v Speaker 1>Okay, your vault, what are you gonna put in there?

1:01:01.640 --> 1:01:04.960
<v Speaker 1>As the alt seeing as I feel like this is

1:01:05.080 --> 1:01:08.160
<v Speaker 1>gonna be the one that is least controversial as we've

1:01:08.240 --> 1:01:13.760
<v Speaker 1>already essentially we have already essentially agreed that this does

1:01:13.920 --> 1:01:16.880
<v Speaker 1>count as science fiction and not a monster movie because

1:01:16.880 --> 1:01:19.920
<v Speaker 1>they're getting very, very small. I am alting with the

1:01:20.080 --> 1:01:24.520
<v Speaker 1>classic Inner Space about a man who gets shrunk so

1:01:24.680 --> 1:01:27.600
<v Speaker 1>tiny and then injected into another man in the mall.

1:01:27.800 --> 1:01:30.640
<v Speaker 1>And for some reason, I fucking love this movie as

1:01:30.680 --> 1:01:33.720
<v Speaker 1>a kid like I just think it's a really fun

1:01:33.920 --> 1:01:38.400
<v Speaker 1>kind of family throwback movie. Yeah, and bait and it is,

1:01:38.560 --> 1:01:40.360
<v Speaker 1>like I will say, the one thing I will say,

1:01:40.600 --> 1:01:43.800
<v Speaker 1>definitely in the comedy space, but we spend a lot

1:01:43.840 --> 1:01:47.360
<v Speaker 1>of time both inside of somebody's human body in a

1:01:47.440 --> 1:01:49.720
<v Speaker 1>little capsure ship, and then there is kind of a

1:01:49.840 --> 1:01:54.040
<v Speaker 1>more broad action comedy experience going on outside.

1:01:54.080 --> 1:01:55.480
<v Speaker 2>But I will bring that in as I think it's

1:01:55.520 --> 1:01:58.160
<v Speaker 2>gonna win. I think that's a unanimous it's science fiction.

1:01:58.320 --> 1:01:59.680
<v Speaker 2>I think we all agree with that. That is x

1:01:59.760 --> 1:02:03.400
<v Speaker 2>ray vision, x ray Vision's law. Shrink is science fiction.

1:02:03.720 --> 1:02:04.800
<v Speaker 1>Grow is miss.

1:02:07.520 --> 1:02:12.320
<v Speaker 2>That's gonna really start some conversations. Okay, let's go to

1:02:12.360 --> 1:02:13.960
<v Speaker 2>a quick break and then we'll be back with more.

1:02:30.240 --> 1:02:33.480
<v Speaker 1>And we're at okay. Next up is my list Edge

1:02:33.520 --> 1:02:33.960
<v Speaker 1>of Tomorrow.

1:02:34.040 --> 1:02:37.560
<v Speaker 2>Eternal Sunshine is spotless sign Strange Days, Aniara, they live.

1:02:37.720 --> 1:02:41.440
<v Speaker 2>Anybody have any issues with my list? Okay, and I

1:02:41.480 --> 1:02:43.880
<v Speaker 2>can see I'm gonna I'm gonna bubble issues.

1:02:44.120 --> 1:02:46.080
<v Speaker 1>I'm waiting for them. Yeah, Okay, I'm gonna put something

1:02:46.120 --> 1:02:49.280
<v Speaker 1>out there, Shine of Sunshine of the Spotless Mind. Okay,

1:02:49.840 --> 1:02:54.160
<v Speaker 1>it is based on a technology, as Joelle was saying,

1:02:54.520 --> 1:02:59.360
<v Speaker 1>but if Akira is essentially like, it's got the aesthetics

1:02:59.440 --> 1:03:02.880
<v Speaker 1>of a side but is not a sci fi is

1:03:03.760 --> 1:03:06.080
<v Speaker 1>a title Sunshine and Spotless Mine a movie by one

1:03:06.080 --> 1:03:07.960
<v Speaker 1>of my favorite directors, by the way, which I do love,

1:03:08.160 --> 1:03:11.200
<v Speaker 1>but like, is it sci fi enough? Or is it

1:03:11.440 --> 1:03:17.080
<v Speaker 1>like an indie kind of drama with the sci fi element? Interesting?

1:03:17.200 --> 1:03:19.400
<v Speaker 2>This is going to bring up her issues, I can see,

1:03:21.800 --> 1:03:26.880
<v Speaker 2>But the rest is effectively I will. I see your point,

1:03:27.000 --> 1:03:30.120
<v Speaker 2>And I was, and I was anticipating this. I think

1:03:30.560 --> 1:03:32.760
<v Speaker 2>I'm going to raise the Jurassic.

1:03:35.120 --> 1:03:37.480
<v Speaker 1>As soon as I said it, as I said, it

1:03:38.040 --> 1:03:38.560
<v Speaker 1>was like sh.

1:03:40.120 --> 1:03:44.640
<v Speaker 2>And say that that because everything happens because of the

1:03:44.760 --> 1:03:48.600
<v Speaker 2>mind to race Son, it's true, therefore it's sci fi correct.

1:03:49.720 --> 1:03:53.040
<v Speaker 2>But I'm any other issues with this, I'll raise so

1:03:53.320 --> 1:03:55.280
<v Speaker 2>to me, Strange Days has a little bit of the

1:03:55.360 --> 1:04:00.640
<v Speaker 2>same issue. It's essentially a very very immersive arc technology,

1:04:01.440 --> 1:04:05.000
<v Speaker 2>and with the kind of all future take I could

1:04:05.040 --> 1:04:07.360
<v Speaker 2>see it being on the bubble. I just want to

1:04:07.440 --> 1:04:09.080
<v Speaker 2>raise the issue with it.

1:04:09.280 --> 1:04:12.640
<v Speaker 1>I think. I think the thing about Strange Days is

1:04:13.040 --> 1:04:14.800
<v Speaker 1>that falls into almost.

1:04:14.480 --> 1:04:20.120
<v Speaker 10>Your Akira Blade Runner issue, which is like, is it

1:04:20.520 --> 1:04:24.520
<v Speaker 10>is the esthetic and the vibe and the vision enough.

1:04:24.760 --> 1:04:27.040
<v Speaker 1>Is it more of a post apocalyptic movie? Is it

1:04:27.160 --> 1:04:29.640
<v Speaker 1>more of a sci fi movie? I love this movie.

1:04:29.800 --> 1:04:31.960
<v Speaker 1>I would actually come down on the side that it

1:04:32.080 --> 1:04:35.760
<v Speaker 1>fits within the general parameters, though I don't necessarily know

1:04:35.840 --> 1:04:37.960
<v Speaker 1>if we have, like off the top of my head,

1:04:38.000 --> 1:04:43.280
<v Speaker 1>a very incisive conversation about the technology as it exists.

1:04:43.600 --> 1:04:45.920
<v Speaker 1>But I do think generally I would like it to

1:04:45.960 --> 1:04:47.480
<v Speaker 1>be on the list because I think it's a really

1:04:47.520 --> 1:04:49.680
<v Speaker 1>great movie and for a long time was not available

1:04:49.720 --> 1:04:51.960
<v Speaker 1>for people to watch, So I do think it fits in.

1:04:52.120 --> 1:04:55.439
<v Speaker 1>I think the number one to me for the way

1:04:55.520 --> 1:04:58.720
<v Speaker 1>we're doing the list, I think the absolute safe one

1:04:58.800 --> 1:05:01.640
<v Speaker 1>on your list is Ani first of all, because I

1:05:01.720 --> 1:05:03.880
<v Speaker 1>think that's like a heart I love that movie. I

1:05:03.920 --> 1:05:06.960
<v Speaker 1>think it's a direct science fiction film A lot of

1:05:07.080 --> 1:05:11.800
<v Speaker 1>times actually the notion of a low budget sci fi

1:05:11.840 --> 1:05:15.240
<v Speaker 1>It's why I picked high life. They often feel a

1:05:15.360 --> 1:05:17.520
<v Speaker 1>lot more like the science fiction we grew up with,

1:05:17.920 --> 1:05:22.600
<v Speaker 1>and like this very physical, touchable sci fi. I would say,

1:05:22.640 --> 1:05:25.760
<v Speaker 1>I do think there is an element. I'm not gonna lie.

1:05:26.080 --> 1:05:28.320
<v Speaker 1>As much as I do love this movie, I think

1:05:28.360 --> 1:05:32.840
<v Speaker 1>it's amazing. I have watched the fucking Jijak like They

1:05:32.960 --> 1:05:36.880
<v Speaker 1>Live breakdown of the trash fight like five hundred thousand times.

1:05:37.000 --> 1:05:40.240
<v Speaker 2>You know the aliens, you know the they common state

1:05:40.280 --> 1:05:44.200
<v Speaker 2>they are are politicians with the new liberal politicians.

1:05:45.800 --> 1:05:49.880
<v Speaker 1>I'm gonna say the technology of the glasses in They

1:05:49.960 --> 1:05:53.680
<v Speaker 1>Live is very fucking bad. Like you put them on,

1:05:54.560 --> 1:05:55.520
<v Speaker 1>it's kind of magic.

1:05:55.600 --> 1:05:57.240
<v Speaker 6>You put them on, you can see them.

1:05:57.920 --> 1:06:00.880
<v Speaker 1>And then like they don't really talk. Then the it's

1:06:00.960 --> 1:06:03.240
<v Speaker 1>kind of more of like a conspiracy thriller. So I

1:06:03.280 --> 1:06:06.760
<v Speaker 1>would say, but aliens. It does have aliens aliens, but

1:06:07.320 --> 1:06:10.120
<v Speaker 1>is aliens enough for it to be a sci fi movie.

1:06:10.600 --> 1:06:14.360
<v Speaker 2>Isn't technology so advanced that you don't understand it essentially magic?

1:06:14.720 --> 1:06:18.560
<v Speaker 1>Well guess what that is? Exactly? Yes, Also, I mean

1:06:18.640 --> 1:06:21.200
<v Speaker 1>I'm not I'm not gonna lie. That is basically like

1:06:21.360 --> 1:06:25.280
<v Speaker 1>the biggest argument about all sci fi. So yes, very good,

1:06:26.240 --> 1:06:26.680
<v Speaker 1>you know me.

1:06:26.880 --> 1:06:29.080
<v Speaker 3>I treat features.

1:06:30.680 --> 1:06:33.400
<v Speaker 1>Features in that case, Man, I gotta tell you something.

1:06:33.800 --> 1:06:36.880
<v Speaker 1>You bet you lucky that the day the up stand

1:06:36.960 --> 1:06:39.720
<v Speaker 1>still because that's a Preacher features alien.

1:06:43.240 --> 1:06:47.120
<v Speaker 2>Let's vote. Let's vote, okay. At Edge of Tomorrow it

1:06:47.240 --> 1:06:47.960
<v Speaker 2>is sci fi.

1:06:48.280 --> 1:06:50.240
<v Speaker 1>Yes, yeah, it's a time lisk, but it's sci fi.

1:06:51.000 --> 1:06:53.480
<v Speaker 1>Eternal Sunshine of the Spotless Mind, it is sci fi.

1:06:55.320 --> 1:06:55.520
<v Speaker 6>Yeah.

1:06:56.000 --> 1:07:00.840
<v Speaker 2>The Jurassic corollary gets it in there straight days. It

1:07:00.960 --> 1:07:04.800
<v Speaker 2>is a sci fi show of hands yep, okay, five Aniara,

1:07:04.960 --> 1:07:05.960
<v Speaker 2>it is a sci fi.

1:07:07.400 --> 1:07:08.200
<v Speaker 1>They're all going through that.

1:07:08.360 --> 1:07:10.360
<v Speaker 2>Here is the bubble one they live. Is it a

1:07:10.400 --> 1:07:10.880
<v Speaker 2>sci fi?

1:07:14.280 --> 1:07:18.160
<v Speaker 1>It's not a sci fi? Four to one? Hold on what?

1:07:18.320 --> 1:07:18.600
<v Speaker 3>Okay?

1:07:18.680 --> 1:07:21.200
<v Speaker 1>So let's hear it though. What is not a sci fi?

1:07:24.120 --> 1:07:25.600
<v Speaker 2>I can see if you want to tell me, like,

1:07:25.760 --> 1:07:29.200
<v Speaker 2>it's a political thriller with sci fi compiracy thriller festival.

1:07:29.680 --> 1:07:31.680
<v Speaker 6>Where does he gets the glass movie?

1:07:32.080 --> 1:07:34.720
<v Speaker 1>It's also a horror movie. He finds the glasses just

1:07:34.840 --> 1:07:38.320
<v Speaker 1>in a ball, and I look.

1:07:38.160 --> 1:07:39.000
<v Speaker 6>I need them to come from.

1:07:40.360 --> 1:07:47.320
<v Speaker 2>I mean the science of broadcast communications and the electro magnetic.

1:07:49.960 --> 1:07:54.040
<v Speaker 1>List of I no, the hacker takes over the TV,

1:07:54.520 --> 1:07:57.680
<v Speaker 1>but I'm sorry, both of those technologies do exist, and

1:07:57.920 --> 1:08:01.800
<v Speaker 1>I would say the book it does just like it's

1:08:01.920 --> 1:08:03.400
<v Speaker 1>just like crash Box.

1:08:03.840 --> 1:08:05.840
<v Speaker 2>I want to just point out that one of the

1:08:05.920 --> 1:08:12.400
<v Speaker 2>things we did establish with the Iron Giant is as

1:08:12.520 --> 1:08:16.840
<v Speaker 2>long as the science was futuristic for the period, that

1:08:17.000 --> 1:08:17.320
<v Speaker 2>is true.

1:08:19.120 --> 1:08:22.280
<v Speaker 1>But but but somebody taking open like a somebody being

1:08:22.320 --> 1:08:24.759
<v Speaker 1>a hacker in the late eighties that existed in the termina.

1:08:25.200 --> 1:08:29.080
<v Speaker 1>I'm willing to again, I I I get it. I'm

1:08:29.160 --> 1:08:32.559
<v Speaker 1>willing to. Okay, So we voted it's out?

1:08:32.760 --> 1:08:33.479
<v Speaker 2>Is it? Is it out?

1:08:34.040 --> 1:08:34.760
<v Speaker 1>I think it's out.

1:08:35.040 --> 1:08:38.639
<v Speaker 2>Okay, So then I'm going to gosh, let's I'm gonna

1:08:38.720 --> 1:08:46.000
<v Speaker 2>look at my I do, but but I can see

1:08:46.080 --> 1:08:49.760
<v Speaker 2>I can see some uh some holes in some of

1:08:49.880 --> 1:08:52.360
<v Speaker 2>them despite them being great.

1:08:53.479 --> 1:08:59.400
<v Speaker 1>Okay, what about this, I'm gonna go with I know

1:08:59.520 --> 1:09:03.200
<v Speaker 1>what should goodness, you don't know you're gonna go with.

1:09:07.439 --> 1:09:11.960
<v Speaker 1>I'm gonna go with nineteen eighty five Enemy Mind, And

1:09:12.040 --> 1:09:16.960
<v Speaker 1>then I know it as a sci fi movie, guys,

1:09:17.040 --> 1:09:18.280
<v Speaker 1>I just know he loves this movie.

1:09:18.280 --> 1:09:21.400
<v Speaker 2>It's it's so I do love this movie. Dennis Quaid

1:09:21.439 --> 1:09:26.240
<v Speaker 2>and Lewis Gossip Junior are are a human and alien, respectively,

1:09:26.320 --> 1:09:28.800
<v Speaker 2>on two sides of a galactic war. They get maroon

1:09:28.920 --> 1:09:31.719
<v Speaker 2>together on an icy planet, and they have to bridge

1:09:31.760 --> 1:09:36.559
<v Speaker 2>their differences. Dennis Quaid also in Innerspace, what a sci

1:09:36.680 --> 1:09:40.320
<v Speaker 2>fi career he had in the Ees. Let's take the

1:09:40.439 --> 1:09:41.880
<v Speaker 2>vote on it, Enemy mind.

1:09:43.320 --> 1:09:44.599
<v Speaker 1>Is it a sci fi? Yes?

1:09:45.080 --> 1:09:47.040
<v Speaker 4>Sorry, I haven't seen these, so I just want to

1:09:47.160 --> 1:09:51.200
<v Speaker 4>just want to clarify one point. So he's a space

1:09:51.320 --> 1:09:53.680
<v Speaker 4>traveler who runs into an alien.

1:09:53.479 --> 1:09:55.679
<v Speaker 2>No, no, no, there's a there's a galactic war going

1:09:55.760 --> 1:09:59.440
<v Speaker 2>on and he they are both starship pilots on opposite

1:09:59.479 --> 1:10:05.880
<v Speaker 2>sides of war, and they're right, and they they crash

1:10:06.000 --> 1:10:10.680
<v Speaker 2>on an icy planet. And uh, I should say that

1:10:10.840 --> 1:10:15.640
<v Speaker 2>the plot hinges significantly on the alien biology of of

1:10:15.840 --> 1:10:20.400
<v Speaker 2>Jeribah Lewis Gossa Jr. And the fact that the males

1:10:20.520 --> 1:10:26.200
<v Speaker 2>of the species, in their of their race give birth,

1:10:26.280 --> 1:10:32.200
<v Speaker 2>and so Lewis gossip Junior gives birth to Zamus, and uh,

1:10:32.960 --> 1:10:40.439
<v Speaker 2>Dennis Quaid's characters feelings of warmth and a fatherly love

1:10:40.720 --> 1:10:44.560
<v Speaker 2>for this child is part of what brings peace to

1:10:44.680 --> 1:10:46.559
<v Speaker 2>these two warring nations.

1:10:47.040 --> 1:10:49.640
<v Speaker 4>I gotta say, it's giving me a little children of

1:10:50.520 --> 1:10:54.560
<v Speaker 4>men where it's like, okay, where is this scientist someone.

1:10:58.600 --> 1:11:02.759
<v Speaker 1>Right now? And then there's and then there's the science.

1:11:03.160 --> 1:11:06.960
<v Speaker 1>Where's the science of like an alien species giving birth?

1:11:07.040 --> 1:11:10.800
<v Speaker 1>And how they definitely humans.

1:11:10.520 --> 1:11:11.479
<v Speaker 3>Delivering the baby?

1:11:11.600 --> 1:11:11.840
<v Speaker 1>Are they?

1:11:13.400 --> 1:11:14.800
<v Speaker 3>Dennis Quick? That helps?

1:11:15.280 --> 1:11:17.720
<v Speaker 1>Louisconsin Junior is like, you need to help me give

1:11:17.800 --> 1:11:20.160
<v Speaker 1>birth to this child. I'm going to talk you through crazy.

1:11:20.400 --> 1:11:21.040
<v Speaker 3>Okay, we can't.

1:11:22.360 --> 1:11:24.680
<v Speaker 2>Beautiful and forgotten film it.

1:11:24.840 --> 1:11:29.400
<v Speaker 1>Is, but not forgotten on X ray vision, not a

1:11:29.720 --> 1:11:32.240
<v Speaker 1>Let's hold her vote? Is it sci fi?

1:11:32.680 --> 1:11:34.360
<v Speaker 3>Yes, I'm gonna give this okay.

1:11:35.760 --> 1:11:38.800
<v Speaker 1>Oh Joelle, you never actually voted in an all after

1:11:38.920 --> 1:11:44.880
<v Speaker 1>you lost everything everywhere. We'll come home. Up next to

1:11:44.960 --> 1:11:46.479
<v Speaker 1>boot film.

1:11:49.439 --> 1:11:57.360
<v Speaker 2>Children Children of Men Her District nine Arrival Pacific rim

1:11:57.960 --> 1:12:03.840
<v Speaker 2>any outstanding issues from the group for a Boo's List, Joel,

1:12:03.920 --> 1:12:06.280
<v Speaker 2>I see Carmen, excuse me, I see the I see

1:12:06.320 --> 1:12:06.960
<v Speaker 2>the nail up.

1:12:08.960 --> 1:12:13.799
<v Speaker 6>A cool claw. So Children of Men I was definitely

1:12:13.840 --> 1:12:17.320
<v Speaker 6>on the fence about because I kept saying in the

1:12:17.360 --> 1:12:21.080
<v Speaker 6>group chat, I'm like, it's just a dystopian probable future,

1:12:21.200 --> 1:12:24.960
<v Speaker 6>possible future. There's no future tech in it. Now A

1:12:25.040 --> 1:12:29.160
<v Speaker 6>Boo has very cleverly, very very cleverly, It's included a

1:12:29.200 --> 1:12:32.280
<v Speaker 6>screenshot here that is what is this?

1:12:32.560 --> 1:12:36.000
<v Speaker 2>It's a at best minor plot. This is the son

1:12:36.280 --> 1:12:39.320
<v Speaker 2>of a This is the son of a of a

1:12:39.560 --> 1:12:43.200
<v Speaker 2>character who's playing like a Tetris style video game on it.

1:12:45.920 --> 1:12:48.559
<v Speaker 2>They never discuss it, and it has nothing to do.

1:12:48.640 --> 1:12:48.880
<v Speaker 6>With the.

1:12:54.160 --> 1:12:56.000
<v Speaker 5>This show came out in two thousand and six, which

1:12:56.040 --> 1:13:01.040
<v Speaker 5>is before the iPhone, and we're seeing like touch interface

1:13:02.240 --> 1:13:03.040
<v Speaker 5>in the screenshot.

1:13:03.240 --> 1:13:07.559
<v Speaker 1>So by the rules I does that's fair. I also

1:13:07.680 --> 1:13:09.600
<v Speaker 1>just have to say, guys, sorry to get bleak, but

1:13:10.360 --> 1:13:12.360
<v Speaker 1>I'll tell you something that exists in this movie that

1:13:12.479 --> 1:13:15.479
<v Speaker 1>doesn't currently exist but could soon exist. I mean, there

1:13:15.600 --> 1:13:22.479
<v Speaker 1>is like an entire economic, uh kind of landscape in

1:13:22.600 --> 1:13:25.120
<v Speaker 1>this movie that A big part of it is that

1:13:25.280 --> 1:13:29.680
<v Speaker 1>they have like special pills and then areas where old

1:13:29.800 --> 1:13:32.320
<v Speaker 1>people can go and kill themselves. But it's not like

1:13:32.680 --> 1:13:35.760
<v Speaker 1>your traditional suicide like we have seen. It's this like

1:13:36.120 --> 1:13:40.160
<v Speaker 1>mass version of it where it's also like essentially mandatory.

1:13:40.360 --> 1:13:43.400
<v Speaker 1>I think that that is a technology that we don't

1:13:43.439 --> 1:13:46.040
<v Speaker 1>currently have, thank god. And I will also say I

1:13:46.200 --> 1:13:49.320
<v Speaker 1>just I do for me. Children of Men is a

1:13:49.360 --> 1:13:53.800
<v Speaker 1>science fiction because it also is based on the notion

1:13:54.360 --> 1:13:57.000
<v Speaker 1>without this nothing would happen. That there is like a

1:13:57.240 --> 1:14:01.160
<v Speaker 1>human evolutionary change, and the evolution very changes that nobody

1:14:01.280 --> 1:14:02.479
<v Speaker 1>can give birth anymore?

1:14:02.560 --> 1:14:02.680
<v Speaker 8>Right?

1:14:03.160 --> 1:14:06.840
<v Speaker 1>That is interesting to me. That is a science fiction hypothetical,

1:14:06.960 --> 1:14:10.960
<v Speaker 1>even though it's not about creating a technology, it is

1:14:11.080 --> 1:14:14.719
<v Speaker 1>about the science of human beings and how we evolve

1:14:14.760 --> 1:14:15.120
<v Speaker 1>and how we.

1:14:15.240 --> 1:14:19.280
<v Speaker 2>Like special point of it. I'm going to here's my

1:14:19.439 --> 1:14:20.760
<v Speaker 2>issues with it again.

1:14:20.800 --> 1:14:21.599
<v Speaker 1>I love this film.

1:14:22.000 --> 1:14:29.360
<v Speaker 2>One throw out the game console. You've got much stronger

1:14:29.479 --> 1:14:33.200
<v Speaker 2>arguments than that, because it really does not impact this wave.

1:14:34.040 --> 1:14:40.080
<v Speaker 2>I think, to me, is this not more of a

1:14:42.240 --> 1:14:45.160
<v Speaker 2>this is a story about public health and societal collapse?

1:14:46.000 --> 1:14:51.000
<v Speaker 2>And I agree with you that is it an evolutionary change?

1:14:51.360 --> 1:14:53.880
<v Speaker 2>Is it a public health issue? I think we've all

1:14:54.040 --> 1:14:57.840
<v Speaker 2>lived through an event that feels broadly like Children of

1:14:57.880 --> 1:15:02.280
<v Speaker 2>Men that in ways that feel that feel very now

1:15:02.560 --> 1:15:07.759
<v Speaker 2>true to life. Would I would argue that this falls

1:15:07.880 --> 1:15:12.280
<v Speaker 2>under the I would argue that is this not a dystopia,

1:15:12.360 --> 1:15:14.080
<v Speaker 2>which are not necessarily sci fi?

1:15:14.280 --> 1:15:14.360
<v Speaker 1>Right?

1:15:14.520 --> 1:15:19.240
<v Speaker 2>This is more of a collapse of society story less

1:15:19.479 --> 1:15:22.320
<v Speaker 2>a science fiction story.

1:15:22.439 --> 1:15:24.200
<v Speaker 1>Those are the issues I have with it.

1:15:24.280 --> 1:15:27.919
<v Speaker 2>Does anybody else have anything else about that or anything else.

1:15:28.000 --> 1:15:28.599
<v Speaker 1>Well on the list?

1:15:28.680 --> 1:15:31.080
<v Speaker 6>Or should we just I would say to just kind

1:15:31.120 --> 1:15:34.559
<v Speaker 6>of I guess okay, I said this in the group chat,

1:15:34.600 --> 1:15:36.880
<v Speaker 6>but if if Children of Men is considered a sci

1:15:37.000 --> 1:15:39.840
<v Speaker 6>fi and we have like maybe one example of future

1:15:39.880 --> 1:15:42.920
<v Speaker 6>tech in it, would we consider The Handmaid's Tale a

1:15:42.960 --> 1:15:45.640
<v Speaker 6>sci fi if it had future tech in it?

1:15:45.840 --> 1:15:45.880
<v Speaker 2>No?

1:15:46.320 --> 1:15:48.960
<v Speaker 1>No, I don't think it's aciehy, Yeah it's not. I

1:15:49.040 --> 1:15:52.680
<v Speaker 1>do think the delineation here between dystopia and sci fi

1:15:53.880 --> 1:15:58.840
<v Speaker 1>is blurry, And so I can understand how this is

1:15:58.880 --> 1:16:00.799
<v Speaker 1>a controversial one. I'm believe them.

1:16:00.640 --> 1:16:08.280
<v Speaker 2>Mount amount of has been going games not a sci fi?

1:16:08.400 --> 1:16:08.519
<v Speaker 6>Right?

1:16:08.640 --> 1:16:15.519
<v Speaker 1>WHOA is a sci fi? S Okay?

1:16:15.920 --> 1:16:17.960
<v Speaker 5>Sorry you guys, I think you were just saying, to

1:16:18.120 --> 1:16:21.240
<v Speaker 5>Rosie's point, if we're going to start splitting hairs between

1:16:21.400 --> 1:16:24.080
<v Speaker 5>what is dystopian, what is post apocalyptic, what is not?

1:16:25.640 --> 1:16:29.479
<v Speaker 5>I suppose that while we're here, but we risk a

1:16:29.520 --> 1:16:30.280
<v Speaker 5>slippery slope.

1:16:30.280 --> 1:16:30.400
<v Speaker 3>You know.

1:16:30.439 --> 1:16:34.519
<v Speaker 5>I think we've already slipped very far down the slope

1:16:34.520 --> 1:16:37.200
<v Speaker 5>by knocking Akira off of the list, honestly, But if

1:16:37.240 --> 1:16:38.280
<v Speaker 5>we continue.

1:16:37.880 --> 1:16:39.360
<v Speaker 1>Down this, which which you have.

1:16:44.720 --> 1:16:47.840
<v Speaker 5>Later, I'm utterly regretting my choice because it throws most

1:16:47.880 --> 1:16:50.559
<v Speaker 5>of my listed Like the way as well, if if

1:16:50.560 --> 1:16:53.680
<v Speaker 5>we knock off Children of Men, you could argue, like

1:16:54.040 --> 1:16:56.880
<v Speaker 5>iconic sci fi films snow Piercer Fahrenheit four fifty one,

1:16:57.120 --> 1:17:00.160
<v Speaker 5>The road like these are these could all also just.

1:17:01.640 --> 1:17:05.280
<v Speaker 1>The roads the road vote pier.

1:17:05.400 --> 1:17:06.479
<v Speaker 3>Not being uh.

1:17:11.520 --> 1:17:16.679
<v Speaker 2>That yeah, the children a train is like nineteenth century.

1:17:17.640 --> 1:17:27.519
<v Speaker 11>Never say that Snip has an infinite engine that does

1:17:27.640 --> 1:17:28.240
<v Speaker 11>not exist.

1:17:29.760 --> 1:17:33.720
<v Speaker 2>Let's just say, well, let's not it's not on the list,

1:17:33.800 --> 1:17:37.560
<v Speaker 2>so let's not get into snow here, sir. Let's not

1:17:37.800 --> 1:17:42.920
<v Speaker 2>get diverted snow here, sir. Okay, films on the list

1:17:43.000 --> 1:17:48.240
<v Speaker 2>that we I'm going to raise a couple. I lean

1:17:48.360 --> 1:17:50.479
<v Speaker 2>that her is included, but I but I just want

1:17:50.520 --> 1:17:53.640
<v Speaker 2>to raise it like we're it's basically relating problem of

1:17:54.200 --> 1:17:57.479
<v Speaker 2>phones like that, it's here. This is technology people are

1:17:57.520 --> 1:17:58.800
<v Speaker 2>falling in love with as right now.

1:17:58.840 --> 1:18:03.479
<v Speaker 1>I was gonna say, like till till this year, I

1:18:03.520 --> 1:18:06.800
<v Speaker 1>would have been like, yeah, huh, great indie sci fi pick.

1:18:06.960 --> 1:18:11.040
<v Speaker 1>But I will say I have seen many screen grabs,

1:18:11.120 --> 1:18:13.679
<v Speaker 1>many men who are like falling in love with AI.

1:18:14.000 --> 1:18:17.760
<v Speaker 1>I also have many close friends who play the hilarious

1:18:17.840 --> 1:18:20.439
<v Speaker 1>game Love and Deep Space, which is essentially about having

1:18:20.479 --> 1:18:24.599
<v Speaker 1>a sexy AI boyfriend. And there are people who are

1:18:25.320 --> 1:18:28.960
<v Speaker 1>just having chat GTP be their real life girlfriend. Now,

1:18:29.040 --> 1:18:38.120
<v Speaker 1>so I don't know we have to basically, yea changed

1:18:42.240 --> 1:18:44.799
<v Speaker 1>we a like a are we at like a weird

1:18:45.000 --> 1:18:48.160
<v Speaker 1>transition point when stuff that we are experiencing we have

1:18:48.320 --> 1:18:51.439
<v Speaker 1>to accept is still in a science fiction.

1:18:52.520 --> 1:18:55.120
<v Speaker 4>Change just because time has passed and and and that's

1:18:55.120 --> 1:18:57.960
<v Speaker 4>an interesting question because I know that does happen if

1:18:58.000 --> 1:19:00.599
<v Speaker 4>you live, we might what was once considered comedy might

1:19:00.640 --> 1:19:02.840
<v Speaker 4>now be a drama because of how these situations.

1:19:02.880 --> 1:19:05.680
<v Speaker 3>Sure, but I do think that it's it's strange.

1:19:05.360 --> 1:19:07.320
<v Speaker 4>To say, like, just because the technology is caught up

1:19:07.400 --> 1:19:10.920
<v Speaker 4>to where we were at that it no longer qualifies.

1:19:11.360 --> 1:19:14.600
<v Speaker 1>I think it's the technology.

1:19:14.920 --> 1:19:16.559
<v Speaker 2>I do you think it's a bubble question? And then

1:19:16.680 --> 1:19:23.280
<v Speaker 2>finally I gotta say, I Pacific rim feels more. I mean,

1:19:23.320 --> 1:19:28.160
<v Speaker 2>there's a there's a portal under the sea, and the monsters.

1:19:27.680 --> 1:19:30.120
<v Speaker 1>Come out of it, and I think that how.

1:19:33.479 --> 1:19:36.360
<v Speaker 3>It's a challenge because there's so many mech suits in it?

1:19:36.760 --> 1:19:42.120
<v Speaker 1>Yes, how are they don't? I don't know? Okay, no, no,

1:19:42.200 --> 1:19:42.360
<v Speaker 1>no no.

1:19:42.680 --> 1:19:45.320
<v Speaker 2>I was also the issue of like, why here's the

1:19:45.400 --> 1:19:48.960
<v Speaker 2>thing that's bothered me up a Pacific forever? Use the

1:19:49.040 --> 1:19:52.439
<v Speaker 2>fucking sword every single time? Why is why does he

1:19:52.560 --> 1:19:54.040
<v Speaker 2>only pull the sword out?

1:19:54.120 --> 1:20:00.200
<v Speaker 1>What you get that makes it side by. I don't no,

1:20:00.479 --> 1:20:03.639
<v Speaker 1>I'm going to tell you that. I'm gonna tell you something. Guys,

1:20:03.880 --> 1:20:07.360
<v Speaker 1>somebody has watched it, has I've watched Specific Rim a lot.

1:20:07.479 --> 1:20:10.680
<v Speaker 1>But I do think actually in this case, I think

1:20:10.720 --> 1:20:14.000
<v Speaker 1>a boo has found a get around on our fried

1:20:14.040 --> 1:20:16.799
<v Speaker 1>you rule because not only do they not grow bigger,

1:20:17.040 --> 1:20:18.880
<v Speaker 1>but also there are mech suits, and not just that

1:20:19.240 --> 1:20:22.800
<v Speaker 1>the technology within the mech suits is overly explaining that

1:20:23.280 --> 1:20:25.920
<v Speaker 1>maybe some people do not like it that you have

1:20:26.120 --> 1:20:30.160
<v Speaker 1>to drift, you have to connect with someone psychologically. There's

1:20:30.200 --> 1:20:32.400
<v Speaker 1>a lot of technology there that does not exist and

1:20:32.439 --> 1:20:35.840
<v Speaker 1>will probably never exist, but is a major part of

1:20:36.120 --> 1:20:40.760
<v Speaker 1>the first specific Can I just think he works? I

1:20:40.960 --> 1:20:43.560
<v Speaker 1>agree it's on the bubble? Does it not?

1:20:43.960 --> 1:20:49.080
<v Speaker 2>Though fall a foul of extra Vision's lag growing as much?

1:20:51.520 --> 1:20:55.080
<v Speaker 2>I think that while it is monster with sci fi elements,

1:20:55.640 --> 1:20:56.040
<v Speaker 2>is it not?

1:20:57.400 --> 1:20:58.280
<v Speaker 1>Is it not monster?

1:20:58.600 --> 1:21:03.400
<v Speaker 2>That's all the masters growing, But if it's still tall,

1:21:03.479 --> 1:21:06.000
<v Speaker 2>it's still one hundred feet two hundred feet tall. I think,

1:21:06.080 --> 1:21:08.800
<v Speaker 2>like we don't see God's will grow, but it's still

1:21:08.800 --> 1:21:10.040
<v Speaker 2>obviously monster anyway.

1:21:10.040 --> 1:21:13.040
<v Speaker 5>Okay, And I will readily admit that Pacific Rim doesn't

1:21:13.080 --> 1:21:15.040
<v Speaker 5>even meet my standard of sci fi, like what.

1:21:15.240 --> 1:21:17.240
<v Speaker 1>So comary.

1:21:18.840 --> 1:21:19.080
<v Speaker 2>You know.

1:21:26.040 --> 1:21:32.000
<v Speaker 1>And like, but it is just okay, children of Men,

1:21:32.200 --> 1:21:34.360
<v Speaker 1>it is sci fi. Show of Hands. I think it's

1:21:34.400 --> 1:21:37.479
<v Speaker 1>sci fi. It's just too it's so, it's two.

1:21:37.439 --> 1:21:39.200
<v Speaker 2>To three not sci fi.

1:21:39.360 --> 1:21:41.760
<v Speaker 1>Crossed it off. I listen.

1:21:41.840 --> 1:21:44.120
<v Speaker 5>It's one of my top we've gone so far, we've

1:21:44.160 --> 1:21:46.160
<v Speaker 5>crossed the room conversations.

1:21:47.080 --> 1:21:48.000
<v Speaker 3>It is sci fi.

1:21:48.160 --> 1:21:50.200
<v Speaker 2>It's not show of hands, it's sci fi. I do

1:21:50.360 --> 1:21:52.040
<v Speaker 2>think it's yeah five, it's sci fi.

1:21:52.160 --> 1:21:55.800
<v Speaker 1>Christ nine. I think clearly this is sci fi, has

1:21:55.960 --> 1:21:58.040
<v Speaker 1>tech elements, it's very interesting.

1:21:58.800 --> 1:22:04.080
<v Speaker 2>Uh, it's sci fi very clearly. Side by Pacific rim

1:22:05.160 --> 1:22:07.160
<v Speaker 2>it's side by show up hands.

1:22:08.240 --> 1:22:08.879
<v Speaker 6>I'm gonna.

1:22:11.240 --> 1:22:14.880
<v Speaker 2>Okay, okay, okay, I think you know what.

1:22:15.080 --> 1:22:17.240
<v Speaker 1>I think that the brain drifting technology.

1:22:17.400 --> 1:22:18.000
<v Speaker 2>I know.

1:22:19.760 --> 1:22:20.200
<v Speaker 1>I'm gonna.

1:22:20.360 --> 1:22:22.880
<v Speaker 2>I'm gonna vote against it. Okay, your altaboo.

1:22:23.360 --> 1:22:26.479
<v Speaker 5>Honestly, I could divert for another twenty minutes by picking

1:22:26.520 --> 1:22:27.639
<v Speaker 5>snow Piercer as my alt.

1:22:27.760 --> 1:22:32.280
<v Speaker 2>But don't do it, Please don't do it.

1:22:32.680 --> 1:22:35.200
<v Speaker 5>So I'm going to I'll throw a blade Runner twenty

1:22:35.240 --> 1:22:36.400
<v Speaker 5>forty nine. Let's have two.

1:22:37.760 --> 1:22:39.960
<v Speaker 1>Yeaheah, Okay, that's it, and I think we all agree

1:22:40.000 --> 1:22:42.120
<v Speaker 1>that that's sci Fi. Yes, if Blade Run side far

1:22:42.400 --> 1:22:42.680
<v Speaker 1>sci fi?

1:22:42.800 --> 1:22:42.960
<v Speaker 7>Yeah?

1:22:43.000 --> 1:22:48.760
<v Speaker 2>Yeah, okay, okay, let's go finally to Carmen's films. Here

1:22:48.840 --> 1:22:55.400
<v Speaker 2>we go, Boy, the Fifth Element, Ghost in the Shell, Gadica, Companion,

1:22:56.439 --> 1:23:00.639
<v Speaker 2>Blade Runner. Any outstanding issues that any that he has

1:23:01.200 --> 1:23:04.680
<v Speaker 2>I've raised my I think the Ghost and Shell might

1:23:04.800 --> 1:23:05.920
<v Speaker 2>have the cura issues.

1:23:06.080 --> 1:23:07.120
<v Speaker 1>Can we start there?

1:23:07.680 --> 1:23:10.040
<v Speaker 2>Does Ghost of Michelle have a cura issues?

1:23:10.439 --> 1:23:13.160
<v Speaker 1>I think that it does, even as the person who

1:23:13.320 --> 1:23:23.160
<v Speaker 1>raised as I'm saying, I'm saying, I do think. I

1:23:23.320 --> 1:23:26.360
<v Speaker 1>do think. Actually specifically in this case, I am on

1:23:26.600 --> 1:23:30.080
<v Speaker 1>common side because I think that the technology aspect of

1:23:30.120 --> 1:23:32.400
<v Speaker 1>Ghost of Michelle is incredibly important.

1:23:32.680 --> 1:23:34.759
<v Speaker 6>It's at the core and the transhuman history.

1:23:35.360 --> 1:23:39.560
<v Speaker 1>It's the transhumanism. It's all also just like aesthetically and

1:23:39.720 --> 1:23:42.880
<v Speaker 1>the images that leave an impact on us. They are

1:23:42.960 --> 1:23:46.400
<v Speaker 1>about the technology, they are about the way that this

1:23:46.680 --> 1:23:49.479
<v Speaker 1>character moves throughout this super high tech world. So I

1:23:49.600 --> 1:23:54.040
<v Speaker 1>actually think Ghost of Michelle is sci Fi. I'm onside, I.

1:23:54.160 --> 1:23:55.160
<v Speaker 3>Lean to agree with you.

1:23:55.360 --> 1:23:57.519
<v Speaker 1>Any other issues I have something else?

1:23:57.920 --> 1:24:01.640
<v Speaker 5>I guess I have a please, I guess I have

1:24:01.680 --> 1:24:05.160
<v Speaker 5>a question Karmen about Companion. I haven't seen it, but

1:24:05.360 --> 1:24:08.000
<v Speaker 5>earlier we raised the potential issue of is this horror

1:24:08.200 --> 1:24:12.160
<v Speaker 5>first and sci fi second? And isn't Companion also about

1:24:12.240 --> 1:24:14.599
<v Speaker 5>like falling in love with Ai? So are we running

1:24:14.600 --> 1:24:16.040
<v Speaker 5>into her issue here as well?

1:24:16.120 --> 1:24:18.760
<v Speaker 6>Well, he's actually not in love with her, He's okay, No,

1:24:19.439 --> 1:24:20.920
<v Speaker 6>she's a possession the way.

1:24:22.280 --> 1:24:25.320
<v Speaker 1>Yes, I would say the issue with Companion is that

1:24:25.439 --> 1:24:28.120
<v Speaker 1>you could argue, and I really enjoyed this movie too,

1:24:29.200 --> 1:24:31.640
<v Speaker 1>I think that you could argue that Companion is like

1:24:32.000 --> 1:24:34.920
<v Speaker 1>a broader movie kind of in this space of like

1:24:35.040 --> 1:24:38.120
<v Speaker 1>a ton of Sunshine of the Spotless Mind, but more

1:24:38.200 --> 1:24:41.519
<v Speaker 1>in like a comedy crime space. But the movie doesn't

1:24:41.560 --> 1:24:43.240
<v Speaker 1>exist without the Companion technology.

1:24:43.320 --> 1:24:44.800
<v Speaker 6>Yes, so I mean we do have to.

1:24:48.000 --> 1:24:51.200
<v Speaker 1>I don't think it exists today or yes, no, no, No,

1:24:51.320 --> 1:24:57.120
<v Speaker 1>it's a full it's imagine if you had a imagine

1:24:57.160 --> 1:25:00.560
<v Speaker 1>if you essentially had like a sex robo, but like

1:25:00.760 --> 1:25:03.400
<v Speaker 1>it's not just like it's not just like a Silicon

1:25:03.479 --> 1:25:06.599
<v Speaker 1>sext door like they sell now. It's a full human

1:25:06.720 --> 1:25:10.160
<v Speaker 1>being who also doesn't know that they're a robot sentience

1:25:10.720 --> 1:25:12.640
<v Speaker 1>and it's controlled by an app. So we're kind of

1:25:12.800 --> 1:25:16.200
<v Speaker 1>far away from that, maybe only thirty I'm gonna look,

1:25:16.240 --> 1:25:20.000
<v Speaker 1>I'm gonna say my controversial opinion here, which I feel

1:25:20.040 --> 1:25:24.920
<v Speaker 1>like has probably just been absolutely erased by the fact

1:25:24.960 --> 1:25:27.240
<v Speaker 1>that we just voted Blade Runner twenty forty nine through.

1:25:28.120 --> 1:25:34.080
<v Speaker 1>I think that Blade Ranner, Oh, he has a lot

1:25:34.080 --> 1:25:40.479
<v Speaker 1>of the same issues as a Kira. It's noir, It's

1:25:40.800 --> 1:25:44.040
<v Speaker 1>it's about a visual I escape there. It's not a

1:25:44.120 --> 1:25:49.560
<v Speaker 1>lot of conversation about how a replicant exists or a

1:25:49.680 --> 1:25:53.160
<v Speaker 1>replicant is more just like something that is created and

1:25:53.320 --> 1:25:55.880
<v Speaker 1>is human and robot.

1:25:56.240 --> 1:25:58.480
<v Speaker 6>It also raises questions of transhumanism.

1:25:58.640 --> 1:26:02.280
<v Speaker 1>I think, no, it's honestly the fact that the replicants

1:26:02.320 --> 1:26:05.560
<v Speaker 1>are like the main point. I can't really argue this,

1:26:05.800 --> 1:26:08.519
<v Speaker 1>but I will say some of the arguments used against

1:26:08.680 --> 1:26:10.719
<v Speaker 1>Kira esthetically the way.

1:26:14.880 --> 1:26:17.080
<v Speaker 2>I think that there is I think, to me, the

1:26:17.160 --> 1:26:22.559
<v Speaker 2>biggest question mark on this is the fifth element, which

1:26:22.920 --> 1:26:25.200
<v Speaker 2>I think has I thought.

1:26:26.520 --> 1:26:29.719
<v Speaker 1>Enough fantasy elements Like it's really.

1:26:33.040 --> 1:26:38.200
<v Speaker 2>It's you know, we're talking about like ancient Egyptian culture

1:26:38.880 --> 1:26:46.519
<v Speaker 2>like integrating with this high space operatness that doesn't actually

1:26:46.840 --> 1:26:52.640
<v Speaker 2>have any discussion of it's more like just by that

1:26:52.760 --> 1:26:55.880
<v Speaker 2>this whole world exists and that there's like an ancient

1:26:55.960 --> 1:27:01.080
<v Speaker 2>Egyptian space cult that has a chosen one that has

1:27:01.600 --> 1:27:04.800
<v Speaker 2>risen again after they've been broken out of like their

1:27:05.160 --> 1:27:09.600
<v Speaker 2>like rock Crypt. It feels like this could be an

1:27:09.640 --> 1:27:13.040
<v Speaker 2>Indiana Jones movie, also, which I agree has sci fi elements,

1:27:13.280 --> 1:27:14.600
<v Speaker 2>So I just wanted to raise it.

1:27:15.479 --> 1:27:15.799
<v Speaker 1>Listen.

1:27:16.280 --> 1:27:20.639
<v Speaker 2>I think it's it's objectively true that the fifth element

1:27:20.720 --> 1:27:22.519
<v Speaker 2>does not rise to the Joel definition.

1:27:23.760 --> 1:27:27.200
<v Speaker 1>It does not, but I will say fifth element, this

1:27:27.400 --> 1:27:29.040
<v Speaker 1>to me is like past flying.

1:27:29.240 --> 1:27:38.000
<v Speaker 6>Future, yeah, and which they create an entire human out

1:27:38.040 --> 1:27:40.000
<v Speaker 6>of just like a little bit of you know.

1:27:40.400 --> 1:27:41.880
<v Speaker 5>So I don't know.

1:27:42.600 --> 1:27:45.280
<v Speaker 2>Okay, so let's take the let's ship this Common.

1:27:45.400 --> 1:27:47.920
<v Speaker 1>I think Common might have the first full five.

1:27:48.120 --> 1:27:48.599
<v Speaker 6>Let's see.

1:27:49.040 --> 1:27:53.040
<v Speaker 2>Let's well, let's vote on it. The fifth element. Yes,

1:27:53.240 --> 1:27:54.000
<v Speaker 2>it's sci fi.

1:27:54.800 --> 1:27:56.400
<v Speaker 6>They generate a whole person.

1:27:57.439 --> 1:28:00.360
<v Speaker 2>I'm I will say that I voted for, but I'm

1:28:00.439 --> 1:28:05.519
<v Speaker 2>like only three and a half ghost in the shell.

1:28:05.680 --> 1:28:11.520
<v Speaker 2>It is sci fi, Gadica, it's sci fi. Great companion,

1:28:11.800 --> 1:28:12.439
<v Speaker 2>it's sci fi.

1:28:13.400 --> 1:28:24.560
<v Speaker 1>Yeah, it has to be bleed. N't get it?

1:28:25.200 --> 1:28:25.920
<v Speaker 2>First five?

1:28:26.160 --> 1:28:26.880
<v Speaker 1>You got ya?

1:28:27.400 --> 1:28:31.439
<v Speaker 2>Okay, so everybody's tween Joe and Joelle.

1:28:31.520 --> 1:28:36.720
<v Speaker 4>Let's get your alt okay, uh, the matrix and do

1:28:36.800 --> 1:28:39.559
<v Speaker 4>another Aaron poll. Aaron was upset it wasn't on the list.

1:28:40.520 --> 1:28:43.439
<v Speaker 4>Going back, I agree, it's completely technology based.

1:28:43.600 --> 1:28:45.840
<v Speaker 3>They have to. Yes, everybody knows the whole thing how

1:28:45.880 --> 1:28:46.280
<v Speaker 3>it works.

1:28:49.360 --> 1:28:50.040
<v Speaker 2>Loves this one.

1:28:50.120 --> 1:28:54.519
<v Speaker 1>Also, let's guys, the Matrix. We could have a whole

1:28:54.600 --> 1:28:57.839
<v Speaker 1>episode on the conversations around the Matrix, but this episode

1:28:57.920 --> 1:28:59.960
<v Speaker 1>is already like an hour and half long, so I'm

1:29:00.080 --> 1:29:03.160
<v Speaker 1>saying it's a fucking side. Oh yeah, yeah, let's just

1:29:03.240 --> 1:29:04.479
<v Speaker 1>be okay, a.

1:29:06.040 --> 1:29:07.320
<v Speaker 6>Limited a video game.

1:29:07.720 --> 1:29:08.040
<v Speaker 1>Okay.

1:29:08.800 --> 1:29:16.080
<v Speaker 2>So here are are finished lists, starting with Carmen Carmen,

1:29:16.320 --> 1:29:19.840
<v Speaker 2>who is the only person who got every movie through

1:29:20.400 --> 1:29:23.000
<v Speaker 2>the fifth elment nineteen ninety seven, Ghosts in the Shelf

1:29:23.040 --> 1:29:26.360
<v Speaker 2>from nineteen ninety five, Ganica from nineteen ninety seven, Companion

1:29:26.479 --> 1:29:30.200
<v Speaker 2>from Just This Summer, Blade Runner from nineteen eighty two,

1:29:30.800 --> 1:29:34.960
<v Speaker 2>a Boo Children of Men crossed off, replaced with Blade

1:29:35.040 --> 1:29:40.400
<v Speaker 2>Runner twenty forty nine, followed by Her, followed by The

1:29:40.800 --> 1:29:45.719
<v Speaker 2>I Mean the Classic District nine, followed by Arrival, followed

1:29:45.720 --> 1:29:49.320
<v Speaker 2>by Pacific Rim which just sneaks through the portal at

1:29:49.320 --> 1:29:54.920
<v Speaker 2>the bottom of the scene. There we go to my films,

1:29:55.360 --> 1:29:58.680
<v Speaker 2>Edge of Tomorrow, Eternal Sunshine of the Spotless Mind, which

1:29:58.760 --> 1:30:02.519
<v Speaker 2>got through on the Jurassic part corollary Strange Days from

1:30:02.600 --> 1:30:06.160
<v Speaker 2>nineteen ninety five, Aniara from twenty eighteen, An Enemy Mine

1:30:06.560 --> 1:30:09.840
<v Speaker 2>from nineteen eighty five. We Go to Rosie Akira knocked off,

1:30:09.960 --> 1:30:16.080
<v Speaker 2>much to Rosie's complete shock and replaced with the legendary alien,

1:30:16.720 --> 1:30:20.080
<v Speaker 2>followed by Starship Troopers, followed by a RoboCop. It's a

1:30:20.160 --> 1:30:25.880
<v Speaker 2>double Verhoven, followed by Jurassic Park, High Life and the

1:30:26.000 --> 1:30:31.920
<v Speaker 2>underrated Inner Space, which replaces the shock knockoff Cura knocked

1:30:31.960 --> 1:30:35.799
<v Speaker 2>off four to one, followed by the double Verhoven, Starship

1:30:35.880 --> 1:30:41.599
<v Speaker 2>Troopers and RoboCop, and followed by a Jurassic Park which

1:30:41.720 --> 1:30:45.000
<v Speaker 2>created the Jurassic Park corollary. As long as the science

1:30:45.160 --> 1:30:47.800
<v Speaker 2>essential to the creation of everything else that follows, it

1:30:47.920 --> 1:30:49.439
<v Speaker 2>only has to be in the first ten minutes of

1:30:49.479 --> 1:30:56.040
<v Speaker 2>the movie, and then in High Life, and then finally

1:30:56.120 --> 1:30:59.400
<v Speaker 2>Joelle The Day the Earth Stood Still from nineteen fifty one,

1:31:00.080 --> 1:31:03.880
<v Speaker 2>pineer and classic in the genre, The Fly from nineteen

1:31:03.920 --> 1:31:07.840
<v Speaker 2>eighty six. Jeff Goldbloom is hot and shirtless. The Matrix

1:31:08.280 --> 1:31:10.000
<v Speaker 2>replaces everything everywhere all it.

1:31:10.280 --> 1:31:12.760
<v Speaker 1>Was a shock knockoff Scandal.

1:31:12.280 --> 1:31:16.640
<v Speaker 2>Of the Iron Giant for nineteen ninety nine, which I

1:31:16.840 --> 1:31:19.360
<v Speaker 2>contend should not be There, but it's there and Alien

1:31:19.920 --> 1:31:24.960
<v Speaker 2>in nineteen seventy nine. Wow, those are our films.

1:31:25.600 --> 1:31:26.519
<v Speaker 1>What is the audience think?

1:31:26.560 --> 1:31:31.160
<v Speaker 2>We get at us through Instagram, through the Blue Sky,

1:31:31.360 --> 1:31:35.639
<v Speaker 2>through the Discord, go to the discord, through the YouTube comments.

1:31:35.760 --> 1:31:37.479
<v Speaker 2>Tell us what you think should be in there? What

1:31:37.640 --> 1:31:42.760
<v Speaker 2>are your definitions of sci fi? And that's it for

1:31:42.840 --> 1:31:46.360
<v Speaker 2>this episode. This has been really fun. Thanks for hanging

1:31:46.400 --> 1:31:48.880
<v Speaker 2>with us. On the next episode of Extra Vision, we're

1:31:48.920 --> 1:31:51.960
<v Speaker 2>continuing our summer movie coverage with another popcorn pop out

1:31:51.960 --> 1:31:54.320
<v Speaker 2>and we'll give you our immediate reaction to the live

1:31:54.360 --> 1:31:58.160
<v Speaker 2>action How to Train Your Dragon and discuss live action

1:31:58.320 --> 1:32:02.679
<v Speaker 2>remakes are they worth it or not? Hi, Carmen, Aboo, Joelle,

1:32:02.760 --> 1:32:04.200
<v Speaker 2>thank you so much for joining us.

1:32:04.240 --> 1:32:07.799
<v Speaker 1>So great. That's it for this episode. Thanks for listening.

1:32:08.800 --> 1:32:17.640
<v Speaker 2>Bye x ray Vision is hosted by Jason Sepsion and

1:32:17.760 --> 1:32:20.240
<v Speaker 2>Rosie Night and is a production of iHeart Podcasts.

1:32:20.520 --> 1:32:24.120
<v Speaker 1>Our executive producers are Joel Monique and Aaron Kaufman.

1:32:24.360 --> 1:32:26.400
<v Speaker 2>Our supervising producer is Abu Zafar.

1:32:26.800 --> 1:32:30.760
<v Speaker 1>Our producers are Common Laurent, Dean Jonathan and Bai Wag.

1:32:30.840 --> 1:32:33.599
<v Speaker 2>Our theme song is by Brian Vasquez, with alternate theme

1:32:33.680 --> 1:32:34.960
<v Speaker 2>songs by Aaron Kaufman.

1:32:35.120 --> 1:32:38.439
<v Speaker 1>Special thanks to Soul Rubin, Chris Lord, Kenny Goodman, and

1:32:38.600 --> 1:32:40.360
<v Speaker 1>Heidi our discord moderator,