1 00:00:00,560 --> 00:00:03,040 Speaker 1: Live from the Mercedes Bands Interview Lounge. 2 00:00:03,840 --> 00:00:07,960 Speaker 2: Kesha is here, Hi, Kesha o, Hi, gag order out? 3 00:00:08,160 --> 00:00:10,239 Speaker 2: Maybe not hold on seconds out? Let me look at 4 00:00:10,240 --> 00:00:10,559 Speaker 2: my time? 5 00:00:10,720 --> 00:00:10,880 Speaker 3: No? 6 00:00:10,880 --> 00:00:14,040 Speaker 2: No to nineteenth? Oh? So can we play some of 7 00:00:14,080 --> 00:00:14,760 Speaker 2: the songs anyway? 8 00:00:15,200 --> 00:00:16,360 Speaker 4: I mean I'm fine with that. 9 00:00:17,720 --> 00:00:19,280 Speaker 2: You know, our favorite artists coming in, They're like, you know, oh, 10 00:00:19,320 --> 00:00:21,200 Speaker 2: got this new album. Here's a song you can play, 11 00:00:21,200 --> 00:00:22,880 Speaker 2: But we have fifteen others you're gonna love even more. 12 00:00:22,920 --> 00:00:24,720 Speaker 2: I'm like, well, let me hear them. No, we can't 13 00:00:24,760 --> 00:00:25,200 Speaker 2: let you do that. 14 00:00:25,560 --> 00:00:26,479 Speaker 4: We play one song. 15 00:00:26,800 --> 00:00:29,600 Speaker 2: You can play whatever you want. This is Dasha Day, 16 00:00:29,680 --> 00:00:30,440 Speaker 2: It's Kesha Day. 17 00:00:30,560 --> 00:00:30,760 Speaker 1: Wait. 18 00:00:30,800 --> 00:00:31,680 Speaker 2: Can I ask a question? 19 00:00:31,760 --> 00:00:34,480 Speaker 1: Why do artists get upset if a song leaks early? 20 00:00:34,920 --> 00:00:37,920 Speaker 1: In my mind, it's just isn't that just like better 21 00:00:38,080 --> 00:00:39,080 Speaker 1: promotion for you? 22 00:00:39,120 --> 00:00:43,320 Speaker 4: Honestly? For me, sometimes the leaked songs aren't the final product. 23 00:00:43,760 --> 00:00:46,279 Speaker 4: So I take in the song and we call it 24 00:00:46,520 --> 00:00:48,640 Speaker 4: dressing it up. So you can dress it up in 25 00:00:48,880 --> 00:00:51,280 Speaker 4: so many different kinds of clothes. You can dress it 26 00:00:51,360 --> 00:00:55,000 Speaker 4: up in big pop banger clothes, or you slow it down, 27 00:00:55,400 --> 00:00:58,120 Speaker 4: bring it down an octave, and then it's like a 28 00:00:58,280 --> 00:00:59,280 Speaker 4: miserable ballad. 29 00:01:00,080 --> 00:01:01,360 Speaker 2: So songs that are leaked. 30 00:01:01,720 --> 00:01:05,080 Speaker 4: They're not their final like, it's not the final outfit, Okay, 31 00:01:05,720 --> 00:01:07,560 Speaker 4: so you just want people to see it in its 32 00:01:07,560 --> 00:01:08,760 Speaker 4: final outfit, at least for me. 33 00:01:09,000 --> 00:01:12,360 Speaker 2: Now we know we've been taught by Kesha Well. Gag order, 34 00:01:12,440 --> 00:01:15,320 Speaker 2: by the way I've heard, is the product of many 35 00:01:15,360 --> 00:01:18,520 Speaker 2: things personal in your life, oh very very personal, including 36 00:01:19,040 --> 00:01:22,040 Speaker 2: you getting in and out of COVID yep. Where were 37 00:01:22,080 --> 00:01:24,080 Speaker 2: you in the world at that time? And how is 38 00:01:24,120 --> 00:01:27,520 Speaker 2: your head how was your headspace? Terrible? Horrible? 39 00:01:27,600 --> 00:01:30,680 Speaker 4: I had just put out my album like right before 40 00:01:30,720 --> 00:01:34,160 Speaker 4: this al had happened, and then obviously we collectively all 41 00:01:34,200 --> 00:01:37,240 Speaker 4: had much bigger issues to deal with, and I had 42 00:01:37,240 --> 00:01:40,600 Speaker 4: this spiritual experience one night, couldn't sleep and my cat 43 00:01:40,680 --> 00:01:43,039 Speaker 4: brought me my headphones to meditate, and it was just 44 00:01:43,080 --> 00:01:44,720 Speaker 4: everything was just so weird. 45 00:01:44,880 --> 00:01:49,000 Speaker 2: Hold on one second. Your cat brought your headphones into meditative. 46 00:01:49,200 --> 00:01:51,960 Speaker 4: He's really He's not just a cat, Okay, now I 47 00:01:52,000 --> 00:01:54,480 Speaker 4: believe that he's a genius. But so he was like 48 00:01:54,720 --> 00:01:57,120 Speaker 4: sensing the vibe and so he brought him in his 49 00:01:57,200 --> 00:01:59,840 Speaker 4: little mouth and put him on me. And he's never 50 00:02:00,040 --> 00:02:02,560 Speaker 4: done it, sense, never did it before. So I meditate 51 00:02:02,640 --> 00:02:07,680 Speaker 4: and I start having this wild, spiritual experience. It felt 52 00:02:07,720 --> 00:02:10,079 Speaker 4: like I was on acid, even though I've never take 53 00:02:10,080 --> 00:02:12,880 Speaker 4: an acid. That was my like thought where I just 54 00:02:12,960 --> 00:02:16,400 Speaker 4: kind of the whole entirety of the world made sense, 55 00:02:16,440 --> 00:02:18,600 Speaker 4: and we were also full of love and all lights 56 00:02:18,600 --> 00:02:21,760 Speaker 4: and we're all like we're not We're really so connected. 57 00:02:22,360 --> 00:02:24,680 Speaker 4: So that was the catalyst for the album. I wrote 58 00:02:24,720 --> 00:02:26,200 Speaker 4: the song ETHI Acid the next day. 59 00:02:26,440 --> 00:02:28,720 Speaker 2: It's eat the Acid. By the way, I just want 60 00:02:28,720 --> 00:02:29,200 Speaker 2: to make sure. 61 00:02:29,480 --> 00:02:31,239 Speaker 4: The ad that's what I thought it was. 62 00:02:31,320 --> 00:02:32,360 Speaker 2: Did I eat like acid? 63 00:02:33,240 --> 00:02:36,800 Speaker 4: Play that I'm doing a remix. I'm doing a remix. 64 00:02:37,000 --> 00:02:43,240 Speaker 2: And it'll be called Okay, hey, nothing surprises me, and 65 00:02:43,960 --> 00:02:45,040 Speaker 2: that's totally fine. 66 00:02:45,240 --> 00:02:47,720 Speaker 4: But eat the Acid. So the song is, if you 67 00:02:47,800 --> 00:02:50,200 Speaker 4: listen to it, it's about how my mom told me, like, 68 00:02:50,800 --> 00:02:53,919 Speaker 4: here's what alcohol makes you feel like whatever, do whatever, 69 00:02:54,120 --> 00:02:57,160 Speaker 4: just don't take acid. And I didn't take acid and 70 00:02:57,200 --> 00:03:03,160 Speaker 4: still had this psychedelic experience. And something that I'm big 71 00:03:03,160 --> 00:03:06,160 Speaker 4: into is talking about all this stuff and sometimes makes 72 00:03:06,160 --> 00:03:08,400 Speaker 4: me sound like cuckoo bananas. 73 00:03:08,840 --> 00:03:12,960 Speaker 2: Kuckoo bananas is fine. I have no problem next albums 74 00:03:13,160 --> 00:03:16,840 Speaker 2: sounds like it also sounds like a breakfast cereal. What 75 00:03:16,840 --> 00:03:18,119 Speaker 2: do you think it of? The Gandhi. I can tell 76 00:03:18,120 --> 00:03:20,119 Speaker 2: Gandhi has this thought. I am well. 77 00:03:20,200 --> 00:03:22,160 Speaker 5: I mean, I, first of all, I love you, and 78 00:03:22,200 --> 00:03:24,400 Speaker 5: I have been on a Kesha cruise and I really 79 00:03:24,440 --> 00:03:26,200 Speaker 5: just yes, let me tell you, I still have glitter 80 00:03:26,240 --> 00:03:27,680 Speaker 5: in my lungs go in that cruise. 81 00:03:27,800 --> 00:03:30,840 Speaker 2: Sorry, you're snorting glitter on the Kesha cruise, I got 82 00:03:30,840 --> 00:03:31,400 Speaker 2: an elevator. 83 00:03:31,400 --> 00:03:33,079 Speaker 5: Somebody blew it in my face. It was the craziest. 84 00:03:33,800 --> 00:03:35,840 Speaker 5: There was a lot happening, but it was a good time. 85 00:03:36,360 --> 00:03:38,000 Speaker 5: But one of the things I love about you is 86 00:03:38,240 --> 00:03:42,320 Speaker 5: your interest in extraterrestrials. And I see the tattoo on 87 00:03:42,360 --> 00:03:46,000 Speaker 5: your hand. It's Saturn and I and Saturn. Are you 88 00:03:46,040 --> 00:03:48,880 Speaker 5: summoning aliens still and were you ever successful in doing it? 89 00:03:49,360 --> 00:03:53,240 Speaker 4: I'm always summoning aliens, Like That's just a constant in 90 00:03:53,280 --> 00:03:56,080 Speaker 4: my life. It's one of those things where I want 91 00:03:56,080 --> 00:03:59,040 Speaker 4: to experience everything, and I feel like an alien abduction 92 00:03:59,160 --> 00:04:02,360 Speaker 4: would really there'd be a great album that came from that. 93 00:04:02,440 --> 00:04:02,800 Speaker 2: For sure. 94 00:04:03,520 --> 00:04:08,360 Speaker 4: Yes, I'm super here for it. I just hope they're like, nice, Well, 95 00:04:08,360 --> 00:04:09,760 Speaker 4: hold on, natere Go. 96 00:04:09,920 --> 00:04:12,720 Speaker 2: Nate is totally convinced he was abducted. 97 00:04:12,920 --> 00:04:16,040 Speaker 3: Yeah, one hundred percent. At the age of I believe 98 00:04:16,120 --> 00:04:19,039 Speaker 3: four or five. Well, you know, as an expert, you 99 00:04:19,080 --> 00:04:21,679 Speaker 3: know that when you're abducted, it's a total lapse of time. 100 00:04:21,880 --> 00:04:24,640 Speaker 3: Time passes like that, right. So I remember I was 101 00:04:24,680 --> 00:04:27,719 Speaker 3: in my bed and I heard this loud, whirring noise. 102 00:04:27,760 --> 00:04:29,240 Speaker 3: I looked out the window as a five year old, 103 00:04:29,240 --> 00:04:30,839 Speaker 3: and I see lights up in the sky, and I 104 00:04:30,839 --> 00:04:32,600 Speaker 3: got scared, so I pulled the sheets over my head. 105 00:04:32,760 --> 00:04:35,520 Speaker 3: Next thing I know, waking up, it's like ten hours later, 106 00:04:35,720 --> 00:04:38,400 Speaker 3: still in the same exact position that I had been 107 00:04:38,440 --> 00:04:41,520 Speaker 3: in when I fell asleep, Totally convinced I was abducted. 108 00:04:42,040 --> 00:04:43,440 Speaker 4: Do you remember anything I. 109 00:04:43,440 --> 00:04:45,159 Speaker 3: Was not probed to my knowledge? 110 00:04:45,400 --> 00:04:47,719 Speaker 4: Did you like but do you remember seeing any other 111 00:04:47,839 --> 00:04:48,839 Speaker 4: like beings? No? 112 00:04:49,040 --> 00:04:51,440 Speaker 3: No, I think I need some like deep therapy to 113 00:04:51,480 --> 00:04:52,360 Speaker 3: go through that experime. 114 00:04:52,440 --> 00:04:53,560 Speaker 4: I should get hypnotized. 115 00:04:54,160 --> 00:04:54,520 Speaker 2: I would. 116 00:04:54,560 --> 00:04:56,599 Speaker 3: I would definitely do it because I am convinced that 117 00:04:56,640 --> 00:04:58,600 Speaker 3: I was abducted. And I mean, I can't say that 118 00:04:58,640 --> 00:05:00,559 Speaker 3: I recommend it because I don't know exactly what happened 119 00:05:00,560 --> 00:05:00,760 Speaker 3: to me. 120 00:05:00,839 --> 00:05:03,800 Speaker 2: Yeah, but if you can recommend it, I don't know. 121 00:05:03,839 --> 00:05:09,360 Speaker 3: If you do, you decide, Oh, you know, it's somebody 122 00:05:09,360 --> 00:05:11,719 Speaker 3: that's interested in something like this. I'm not sure you 123 00:05:11,760 --> 00:05:14,159 Speaker 3: know you really want it to happen to you. 124 00:05:14,160 --> 00:05:16,280 Speaker 4: No, I don't like you know what. I'm just here 125 00:05:16,320 --> 00:05:19,960 Speaker 4: for the experiences, like we're human blobs wandering around the earth. 126 00:05:20,920 --> 00:05:24,240 Speaker 2: Sure, abduct Okay, fine, I'll put in a good word 127 00:05:24,279 --> 00:05:29,760 Speaker 2: for it anyway. Kesha is here, of course, eat the Acid. 128 00:05:29,760 --> 00:05:31,279 Speaker 2: We're gonna play that in just a couple of seconds. 129 00:05:31,360 --> 00:05:34,080 Speaker 2: Gag Order is out May nineteenth. You do say you 130 00:05:34,120 --> 00:05:36,840 Speaker 2: are at your most vulnerable, Well, Kesha, not only are 131 00:05:37,120 --> 00:05:39,799 Speaker 2: you releasing these very personal thoughts and feelings to your fans, 132 00:05:39,839 --> 00:05:43,080 Speaker 2: but you're actually studying yourself. It's like when you write 133 00:05:43,120 --> 00:05:45,840 Speaker 2: your own book, you study yourself. You're like you're a 134 00:05:45,880 --> 00:05:47,920 Speaker 2: third person almost. So you hear your music and you're 135 00:05:47,920 --> 00:05:50,200 Speaker 2: talking about the celebration, the celebrations you love to do. 136 00:05:50,400 --> 00:05:53,599 Speaker 2: Sometimes when we're celebrating, we're actually masking. We're masking the 137 00:05:53,640 --> 00:05:56,320 Speaker 2: reality what's really going on down deep? Do you ever 138 00:05:56,480 --> 00:05:58,719 Speaker 2: feel like that's a part of how you wrote this 139 00:05:58,760 --> 00:06:01,640 Speaker 2: album as well. It's with everything and anything you would do, 140 00:06:02,279 --> 00:06:05,719 Speaker 2: you actually still have all this bs. It's still bubbling 141 00:06:05,800 --> 00:06:07,479 Speaker 2: up underneath, and you want to cover it up with 142 00:06:07,520 --> 00:06:09,360 Speaker 2: whatever you're doing. Does it make sense at all? 143 00:06:09,600 --> 00:06:15,000 Speaker 4: Well, the bubbling bs just made me think of like pants. Okay, no, 144 00:06:15,279 --> 00:06:17,320 Speaker 4: but I hear what you're saying where you just everyone 145 00:06:17,480 --> 00:06:23,240 Speaker 4: has their own things, Everyone goes through something, and I 146 00:06:23,279 --> 00:06:26,640 Speaker 4: wanted to try to capture my pain into ways that 147 00:06:26,720 --> 00:06:30,000 Speaker 4: are relatable for other people so they feel not alone 148 00:06:30,160 --> 00:06:33,320 Speaker 4: in their pain. Because I think the worst part of 149 00:06:33,440 --> 00:06:40,840 Speaker 4: having anxiety, depression, rage, grief, sadness, heartbreak is feeling so alone. 150 00:06:41,040 --> 00:06:42,960 Speaker 4: So I wanted to make an album where people could 151 00:06:43,000 --> 00:06:46,800 Speaker 4: go and not feel alone in those harder emotions. 152 00:06:47,520 --> 00:06:49,839 Speaker 2: It sounds like to me that you're a student of 153 00:06:49,880 --> 00:06:51,919 Speaker 2: yourself and everything around you. 154 00:06:52,279 --> 00:06:52,880 Speaker 4: Absolutely. 155 00:06:52,920 --> 00:06:55,520 Speaker 2: You know, we graduate from high school or college or whatever, 156 00:06:55,560 --> 00:06:57,279 Speaker 2: and those are our days of being a student, and 157 00:06:57,320 --> 00:07:01,039 Speaker 2: we close the door right then and there. Okay, we'll 158 00:07:01,080 --> 00:07:03,280 Speaker 2: move on to our career or you know, whatever we do. 159 00:07:03,920 --> 00:07:08,880 Speaker 2: I'm assuming that you are from the thought of always 160 00:07:08,920 --> 00:07:11,520 Speaker 2: be a student, always be learning question things. 161 00:07:11,600 --> 00:07:11,840 Speaker 1: Yeah. 162 00:07:11,880 --> 00:07:14,160 Speaker 4: Absolutely, I feel like I would die. I think the 163 00:07:14,200 --> 00:07:19,040 Speaker 4: point of living is too is for knowledge, and we 164 00:07:19,080 --> 00:07:21,920 Speaker 4: can all pick what interests us and for me, the 165 00:07:22,040 --> 00:07:26,400 Speaker 4: spiritual realm. And I've always been a seeker of some 166 00:07:26,440 --> 00:07:28,680 Speaker 4: sort of higher power ever since I was a little kid. 167 00:07:29,080 --> 00:07:31,800 Speaker 4: So for me, that's just the most interesting text I 168 00:07:31,800 --> 00:07:34,480 Speaker 4: can read. It's the most interesting experiences I can have. 169 00:07:34,520 --> 00:07:37,040 Speaker 4: That's why I had this paranormal show. It's because I 170 00:07:37,080 --> 00:07:40,200 Speaker 4: wanted to. We wanted to see it with my own eyes. 171 00:07:40,480 --> 00:07:42,280 Speaker 4: Are there aliens? Are their ghosts? 172 00:07:42,520 --> 00:07:45,520 Speaker 2: Have you seen enough to be convinced either way of ghosts? 173 00:07:45,600 --> 00:07:50,440 Speaker 4: Absolutely? Have a show called Conjuring and Kesha out on 174 00:07:50,480 --> 00:07:53,960 Speaker 4: Discovery Plus, and if you watch it, I just am like, 175 00:07:54,760 --> 00:07:59,640 Speaker 4: it's it's it's wild style. It's wild, like just like 176 00:07:59,720 --> 00:08:02,840 Speaker 4: all the stuff I saw with my own eyeballs. It's like, yes, 177 00:08:02,880 --> 00:08:07,400 Speaker 4: there's definitely something else we can't visibly see. So like 178 00:08:08,360 --> 00:08:13,720 Speaker 4: I'm on that fine line of like enlightenment or crazy. 179 00:08:14,640 --> 00:08:18,720 Speaker 2: There is a fine line. Yeah, I choose to travel 180 00:08:18,760 --> 00:08:21,720 Speaker 2: to that line. Yeah, as much as possible. But you know, 181 00:08:22,120 --> 00:08:24,040 Speaker 2: I guess where we need to go now is how 182 00:08:24,040 --> 00:08:27,920 Speaker 2: does this all come out sonically on an album? 183 00:08:28,200 --> 00:08:30,800 Speaker 4: So you have to listen to my album because we 184 00:08:30,960 --> 00:08:35,200 Speaker 4: worked on this for three years every day, like so 185 00:08:35,240 --> 00:08:38,840 Speaker 4: we were really trying to capture the emotion of what 186 00:08:39,320 --> 00:08:42,440 Speaker 4: becoming more aware of yourself and more in touch with yourself? 187 00:08:42,960 --> 00:08:43,920 Speaker 4: What does this sound like? 188 00:08:44,840 --> 00:08:47,000 Speaker 1: What do you do with Like, like you said, you 189 00:08:47,000 --> 00:08:48,880 Speaker 1: work on it for three years, So in the beginning 190 00:08:48,880 --> 00:08:51,880 Speaker 1: of the three years, you're in one place, and then 191 00:08:51,920 --> 00:08:54,400 Speaker 1: three years later you're in a different place. Do you 192 00:08:54,559 --> 00:08:56,960 Speaker 1: change the way the music sounds to sound like you 193 00:08:57,080 --> 00:08:58,280 Speaker 1: in this new place that you're in. 194 00:08:59,040 --> 00:09:01,720 Speaker 4: Hmm, that's a really good question. I mean, once it's 195 00:09:02,120 --> 00:09:04,240 Speaker 4: after like two years of it, I was like, okay, 196 00:09:04,320 --> 00:09:09,720 Speaker 4: we're not changing it anymore. So it does like chronicle specifically, 197 00:09:09,800 --> 00:09:13,640 Speaker 4: like about twenty twenty to twenty twenty two, Like that 198 00:09:13,840 --> 00:09:17,440 Speaker 4: was like the sound of my emotion? Is this album 199 00:09:18,040 --> 00:09:18,560 Speaker 4: to judge? 200 00:09:19,320 --> 00:09:23,160 Speaker 2: Really judge? I know, starting with Eat the Acid, Heat 201 00:09:23,240 --> 00:09:23,640 Speaker 2: the Acid. 202 00:09:23,679 --> 00:09:27,360 Speaker 4: I'm curious because this chronicles the night I had like 203 00:09:28,120 --> 00:09:29,280 Speaker 4: psychedelic experience. 204 00:09:29,440 --> 00:09:31,640 Speaker 2: I love that me too, of course you do. 205 00:09:31,720 --> 00:09:34,760 Speaker 5: I'm a fan of that. But also I read recently 206 00:09:34,760 --> 00:09:36,880 Speaker 5: that you were talking about how artists are not put 207 00:09:36,880 --> 00:09:39,120 Speaker 5: on this earth just to make other people happy, and 208 00:09:39,200 --> 00:09:41,400 Speaker 5: I feel like that is from the catch that we've 209 00:09:41,400 --> 00:09:44,760 Speaker 5: all seen before, an interesting turn, and I like that. 210 00:09:45,120 --> 00:09:47,200 Speaker 5: Are you ready for all the feedback that you're getting 211 00:09:47,240 --> 00:09:47,760 Speaker 5: from all of this? 212 00:09:49,440 --> 00:09:53,240 Speaker 4: Yeah, you know, I'm a grown ass woman and I 213 00:09:53,280 --> 00:09:56,520 Speaker 4: know who I am and I stand firmly in who 214 00:09:56,559 --> 00:10:01,680 Speaker 4: I am, so people can have nostalgia for who I 215 00:10:01,679 --> 00:10:05,079 Speaker 4: once was, and she's there. That's a chapter of my life. 216 00:10:05,600 --> 00:10:08,959 Speaker 4: So bang out, Cannibal if you want Cannibal, But if 217 00:10:08,960 --> 00:10:11,120 Speaker 4: you want to go on this ride with me, if 218 00:10:11,120 --> 00:10:16,160 Speaker 4: you're ready, it's it's a different experience. I don't even 219 00:10:16,240 --> 00:10:18,840 Speaker 4: know what to call it sonically, so I'm just calling 220 00:10:18,840 --> 00:10:19,559 Speaker 4: it post. 221 00:10:19,320 --> 00:10:22,680 Speaker 2: Pop okay, wall, Why do we have to call it anything? 222 00:10:23,120 --> 00:10:23,400 Speaker 3: I don't know. 223 00:10:23,480 --> 00:10:25,360 Speaker 4: It sounded cool? 224 00:10:25,880 --> 00:10:26,920 Speaker 5: Don't you take this from her? 225 00:10:28,600 --> 00:10:30,760 Speaker 2: I mean it doesn't come out to the nineteenth gag 226 00:10:30,840 --> 00:10:33,079 Speaker 2: order of the nineteenth I mean, is it done? I mean, 227 00:10:33,120 --> 00:10:36,520 Speaker 2: are the tracks in concrete done? So nothing's going to change. 228 00:10:37,520 --> 00:10:39,000 Speaker 2: You know, there's no hidden tracks. 229 00:10:39,160 --> 00:10:42,920 Speaker 4: I wouldn't. I would get murdered by that side of 230 00:10:42,920 --> 00:10:45,520 Speaker 4: the room if I change anything at this point. 231 00:10:45,559 --> 00:10:49,440 Speaker 2: Ignore them. They've worked with artists, all sorts of different 232 00:10:49,480 --> 00:10:52,199 Speaker 2: artists from all different walks of life. Don't get over it. 233 00:10:51,920 --> 00:10:55,640 Speaker 2: It's your outBut I think it's pretty perfect. I love 234 00:10:55,679 --> 00:10:56,080 Speaker 2: hearing that. 235 00:10:56,320 --> 00:11:00,720 Speaker 4: Yeah, And I'm like, you know, I i'n't ever said 236 00:11:00,760 --> 00:11:02,200 Speaker 4: that before about anything I've ever done. 237 00:11:02,440 --> 00:11:04,800 Speaker 2: Is this the first time you said that? About this project. 238 00:11:05,200 --> 00:11:05,760 Speaker 4: Yeah, I think so. 239 00:11:06,120 --> 00:11:07,640 Speaker 2: All right, now we're all charged up. We got to 240 00:11:07,640 --> 00:11:11,600 Speaker 2: hear the album. We'll start with Eat the Acid Acid. 241 00:11:13,840 --> 00:11:16,800 Speaker 2: Danielle's like, I don't think we'll get the assid either. 242 00:11:16,840 --> 00:11:21,600 Speaker 4: One open to interpretation, that is art, Kesha, thank you 243 00:11:21,600 --> 00:11:23,320 Speaker 4: for coming in today, My gosh, thank you. 244 00:11:23,640 --> 00:11:23,800 Speaker 3: Here. 245 00:11:23,840 --> 00:11:25,559 Speaker 2: It is, by the way, gag Order, Like I said, 246 00:11:25,640 --> 00:11:29,720 Speaker 2: May nineteenth, but this is a taste. It's Eat the Acid. 247 00:11:31,200 --> 00:11:31,440 Speaker 4: Wow. 248 00:11:31,559 --> 00:11:35,400 Speaker 2: That is Eat the Acid brand new from the one 249 00:11:35,400 --> 00:11:37,800 Speaker 2: and only Kesha. And by the way, her album gag 250 00:11:37,920 --> 00:11:43,360 Speaker 2: Order drops May nineteenth. I am going to sit down 251 00:11:43,360 --> 00:11:46,440 Speaker 2: with Kesha and do an incredible podcast one on one 252 00:11:46,440 --> 00:11:48,600 Speaker 2: with her. As soon as we know that's ready to go, 253 00:11:48,640 --> 00:11:50,800 Speaker 2: we will let you know. And thanks for listening today. 254 00:11:51,320 --> 00:11:54,360 Speaker 2: Kesha Again, gag Order comes out May nineteenth. It sounds 255 00:11:54,360 --> 00:11:58,040 Speaker 2: like a very very personal personal project for her. Bringing on, 256 00:11:58,080 --> 00:11:59,480 Speaker 2: Let's get into the three things we need to know 257 00:11:59,480 --> 00:12:00,800 Speaker 2: from Gandi, Oh, gandhi? 258 00:12:01,120 --> 00:12:01,440 Speaker 5: Hello? 259 00:12:01,600 --> 00:12:02,160 Speaker 2: What's going on? 260 00:12:02,400 --> 00:12:02,800 Speaker 1: All right? 261 00:12:02,920 --> 00:12:05,920 Speaker 5: At least six people are dead and thirty injured after 262 00:12:05,960 --> 00:12:09,720 Speaker 5: a dust storm pile up in south central Illinois. Crews 263 00:12:09,760 --> 00:12:12,680 Speaker 5: are still at the site near Springfield on Interstate fifty five. 264 00:12:13,000 --> 00:12:16,360 Speaker 5: A dust storm hit the area dramatically, bringing down visibility, 265 00:12:16,440 --> 00:12:20,120 Speaker 5: causing a chain reaction crash. Police say forty to sixty 266 00:12:20,200 --> 00:12:23,560 Speaker 5: vehicles were involved in crashes yesterday afternoon, and several were 267 00:12:23,559 --> 00:12:26,720 Speaker 5: actually engulfed in flames. Officials say it occurred when heavy 268 00:12:26,760 --> 00:12:31,360 Speaker 5: winds blew dirt from farm fields across the highway. President 269 00:12:31,440 --> 00:12:34,280 Speaker 5: Biden plans to talk with lawmakers this month about the 270 00:12:34,320 --> 00:12:37,960 Speaker 5: debt ceiling. Reports say Biden called House Speaker Kevin McCarthy 271 00:12:38,000 --> 00:12:40,200 Speaker 5: and other leaders Monday to invite them to the White 272 00:12:40,240 --> 00:12:44,000 Speaker 5: House on May ninth. This comes after Treasury Secretary Janet 273 00:12:44,040 --> 00:12:47,200 Speaker 5: Yellen told lawmakers yesterday that the US could default on 274 00:12:47,240 --> 00:12:49,880 Speaker 5: its debt as early as June first if Congress fails 275 00:12:49,880 --> 00:12:53,600 Speaker 5: to raise or suspend the debt ceiling. Democrats and Republicans 276 00:12:53,640 --> 00:12:55,720 Speaker 5: are locked in a debate over how to address the 277 00:12:55,720 --> 00:12:59,880 Speaker 5: debt ceiling and threat of default. And finally, if you 278 00:13:00,120 --> 00:13:03,480 Speaker 5: are looking for a new job and you like scaring birds, 279 00:13:03,559 --> 00:13:04,920 Speaker 5: this one might be for Wow. 280 00:13:05,640 --> 00:13:08,280 Speaker 2: Exactly what I was wanting this morning. I need a 281 00:13:08,280 --> 00:13:10,160 Speaker 2: new job and I want to scare birds. Well, the 282 00:13:10,200 --> 00:13:11,120 Speaker 2: competition is tough. 283 00:13:11,160 --> 00:13:13,679 Speaker 5: Over two hundred people have already applied four jobs at 284 00:13:13,679 --> 00:13:16,000 Speaker 5: a Zoo to wear bird costumes as part of an 285 00:13:16,040 --> 00:13:21,520 Speaker 5: official seagull scaring program. Blackpool Zoo advertised for help after 286 00:13:21,559 --> 00:13:25,640 Speaker 5: bosses so that seagulls had been persistently terrorizing guests and 287 00:13:25,679 --> 00:13:29,480 Speaker 5: stealing food from visitors as well as the animal enclosures. 288 00:13:30,000 --> 00:13:33,040 Speaker 5: If you succeed, you'll have to join the Visitors Services 289 00:13:33,080 --> 00:13:37,880 Speaker 5: team as a seagull deterrent. The attraction has five positions available. 290 00:13:37,920 --> 00:13:39,800 Speaker 5: It's only about eleven dollars an hour, but it could 291 00:13:39,840 --> 00:13:42,000 Speaker 5: be fun. And those are your three things. 292 00:13:41,720 --> 00:13:50,079 Speaker 2: Excellent scaring birds. I just want to see it happen. 293 00:13:52,760 --> 00:13:55,400 Speaker 2: You know, Daniel's son is off to college very soon, 294 00:13:55,840 --> 00:14:02,359 Speaker 2: across the pond on a four months away another galaxy. 295 00:14:02,280 --> 00:14:04,720 Speaker 2: He's going to another galaxies, going to the UK, And 296 00:14:04,800 --> 00:14:08,920 Speaker 2: so you guys are coming up with, okay, everything he 297 00:14:09,000 --> 00:14:11,240 Speaker 2: needs to know in order to survive without mom and 298 00:14:11,320 --> 00:14:11,640 Speaker 2: dad near. 299 00:14:11,800 --> 00:14:13,679 Speaker 1: Yes, of course, it's got a lot of life skills 300 00:14:13,679 --> 00:14:14,360 Speaker 1: we need to learn. 301 00:14:14,440 --> 00:14:17,760 Speaker 2: Can we review sure? Your list? Coming on? All right, 302 00:14:17,840 --> 00:14:19,880 Speaker 2: let's get him off safe and sound on the way 303 00:14:19,920 --> 00:14:21,560 Speaker 2: to college. That's so cool? 304 00:14:21,560 --> 00:14:21,880 Speaker 3: All right? 305 00:14:21,920 --> 00:14:23,280 Speaker 2: Are you still a better sweet about that? 306 00:14:23,400 --> 00:14:25,320 Speaker 1: I'm I'm gonna be hysterical of this morning. 307 00:14:25,400 --> 00:14:25,760 Speaker 5: All of you. 308 00:14:25,840 --> 00:14:29,200 Speaker 2: Thank you loving It's okay, I would be too. It's 309 00:14:29,240 --> 00:14:29,600 Speaker 2: all good. 310 00:14:30,080 --> 00:14:32,280 Speaker 4: We up to you every day you read Whip in 311 00:14:32,280 --> 00:14:32,920 Speaker 4: the morning. 312 00:14:32,840 --> 00:14:36,040 Speaker 2: Thick up to the star Helthy Storan in the morning show. 313 00:14:36,440 --> 00:14:39,680 Speaker 2: Hey it's Elvis. 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