WEBVTT - QLS Classic: Alan Leeds (Part 3 of 3)

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<v Speaker 1>This is umpay Bill from Team Supreme, here to give

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<v Speaker 1>you the latest Quest Love Freme Classic episode. Back in October,

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<v Speaker 1>Alan Leaves was our fifth guest on q LS. That conversation,

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<v Speaker 1>which I encourage you all to check out, has been

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<v Speaker 1>re released. But even three hours Allan was not enough.

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<v Speaker 1>He came back for a two part interview. Last week.

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<v Speaker 1>We ran part two, which you also need do here

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<v Speaker 1>Now Here's Allen's third QLs episode, first aired March. In

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<v Speaker 1>this final of three parts, Allen talks a lot about

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<v Speaker 1>as James Brown. There's some really great stuff, especially if

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<v Speaker 1>you're a fan of Prince D'Angelo and Chris Rock. Alan

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<v Speaker 1>leads definitely deserved three QLs episodes, and we're happy to

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<v Speaker 1>share the leading episode one O two in Jodan. Okay,

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<v Speaker 1>see you. You walked us thoroughly through UH prime early

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<v Speaker 1>younger James Brown in the in the beginning, So no, no, no, Well,

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<v Speaker 1>I actually want to skip because it's more about the

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<v Speaker 1>business of tour managing than anything um and this stuff

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<v Speaker 1>I really didn't get to touch upon the last time

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<v Speaker 1>you were here. So I mean, assuming that by the numbers,

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<v Speaker 1>I would I would think that Prince was your biggest

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<v Speaker 1>artist at least by the numbers. Yeah, touring wise, So

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<v Speaker 1>when you're okay, so when it's like okay, we're going

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<v Speaker 1>to tour, what is step number one in tour managing

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<v Speaker 1>at least by the eighties contemporary version, which I which

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<v Speaker 1>I assume hasn't changed much now except for the communication.

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<v Speaker 1>Probably not, but it's a lot of it depends on

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<v Speaker 1>your relationship with the artist and his person, his or

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<v Speaker 1>her personal manager. Because you take three tours in the chemistries,

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<v Speaker 1>that can be three different things. Um. Most tour managers

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<v Speaker 1>don't get involved in routing. We're dealing with the agents.

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<v Speaker 1>I did. Um. I knew routing from having done it

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<v Speaker 1>for five years with Brown. I knew arenas at new buildings.

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<v Speaker 1>So for not only let me deal with Rob Light

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<v Speaker 1>and we would sit and agent at the time and

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<v Speaker 1>the tour promoters, which were usually Jeff Sharp and Quentin

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<v Speaker 1>Perry has partners. Wait, Jeff Sharp, he can goes back

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<v Speaker 1>to the early eighties, Damn. Okay. I know Jeff started

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<v Speaker 1>from my my days of like smoking grooves and whatnot.

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<v Speaker 1>But I didn't realized that he was early eighties into

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<v Speaker 1>the Yeah. Yeah, because he was he was independent on

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<v Speaker 1>the had his own company. It was long before a

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<v Speaker 1>e g. Which is now Latin. But and we would

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<v Speaker 1>sit down and talk about, Okay, you know, how many

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<v Speaker 1>days do we want to play in certain cities? And

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<v Speaker 1>you know, Sharpen the agent would do their research and

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<v Speaker 1>come back and say, okay, Baltimore is worth two nights,

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<v Speaker 1>bill these worth three nights, Detroits worth six nights. And

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<v Speaker 1>then we would sit there and digest that, and then

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<v Speaker 1>we would decide what we wanted to do with that information.

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<v Speaker 1>Do we want to underplay it? Do we want to

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<v Speaker 1>sit in Detroit for a week? Um? And didn't you

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<v Speaker 1>know we would route a tour. So most two managers

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<v Speaker 1>don't do that. They just get an itinerary from the

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<v Speaker 1>agents and says, this is where you're going. I know,

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<v Speaker 1>I know with an artist like Prince who was kind

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<v Speaker 1>of hands off as far as you're getting to know him,

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<v Speaker 1>and so you I guess the last time you're you're

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<v Speaker 1>saying that chick was like if you asked him any questions,

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<v Speaker 1>he'll think you don't know what you're doing. But it's like, well,

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<v Speaker 1>one the narrative of the of the Purple Rain phenomenon,

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<v Speaker 1>what I assume was unprecedented to everyone on how successful

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<v Speaker 1>this is going to be or not. I mean, the

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<v Speaker 1>movie could have came out and did Cherry Moon numbers

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<v Speaker 1>and then it's like, well does he have life? I

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<v Speaker 1>would assume that the success of the movie meant more

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<v Speaker 1>dates had to be added, and it was crazy. So

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<v Speaker 1>then I'm I'm thinking, are you like, Okay, well this

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<v Speaker 1>guy likes to do these man in three hour shows. Uh,

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<v Speaker 1>maybe we'll let him do three nights and then get

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<v Speaker 1>time off the rest. Or would he say no, work

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<v Speaker 1>me to the bone? I want to know he would

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<v Speaker 1>he would? You know? I mean what you described about

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<v Speaker 1>not asking too many questions applied when I was new,

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<v Speaker 1>before he really got to know me. Okay, but from

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<v Speaker 1>then on it was like what the problem? I mean,

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<v Speaker 1>we would talk about anything that was necessary to talk about.

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<v Speaker 1>Would no hesitation? I mean the tiptoe. So when I

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<v Speaker 1>started with him, as in how many nights do you

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<v Speaker 1>want to do? How many nights do you want off?

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<v Speaker 1>And a person that's addicted to recording would would he

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<v Speaker 1>want equal time off to like, Okay, well let's do

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<v Speaker 1>four nights on the road. And but then you have

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<v Speaker 1>this large tour on your back. You have to make

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<v Speaker 1>money exactly exactly. Yeah, every every night, off the meter

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<v Speaker 1>is still running, everybody's in hotels, the trucks and busses

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<v Speaker 1>are still running. Everything. Was he fin was he financially aware?

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<v Speaker 1>What was he sort of it pays for itself somehow? Yeah,

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<v Speaker 1>he wasn't really financially aware in those in the days

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<v Speaker 1>I was there. I mean he'd radically changed that in

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<v Speaker 1>time past. You think, Um, I wish I could see

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<v Speaker 1>the erow we just did, here's a here's a latitude

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<v Speaker 1>in my room, because we used to begging to try

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<v Speaker 1>to cut costs and because I mean, you're doing this phenomenal.

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<v Speaker 1>I mean, I'll flash forward to Love Sexy, a tour

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<v Speaker 1>that barely broke even if in fact it did probably

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<v Speaker 1>lost money, and saw the final accountings of the tour,

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<v Speaker 1>but you know it's a very very expensive tour to

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<v Speaker 1>mount and um, you know he can't get rich off

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<v Speaker 1>that tour. I mean it's a legendary tour for the

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<v Speaker 1>production value, but it was financially not successful. Purple ring was.

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<v Speaker 1>I mean, that phenomenon was beatlesque. It was crazy, just

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<v Speaker 1>car around. True. I would I would also think that, uh,

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<v Speaker 1>he didn't care his his attitude towards money. Every time

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<v Speaker 1>we go to say we can't afford he said, but

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<v Speaker 1>I pay you guys to find the money. I want this,

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<v Speaker 1>so figure it out. So there wasn't logic at all.

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<v Speaker 1>Just make it happen. Yeah, pretty pretty much. This is

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<v Speaker 1>what I want. Make it happen. I see, okay, So

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<v Speaker 1>not to compare the two. One of the one of

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<v Speaker 1>the prevalent problems of the Voodoot tour was that if de'

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<v Speaker 1>angela ever went super hard with his voice, there might

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<v Speaker 1>be the risk of us canceling the next night. Whereas Prince,

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<v Speaker 1>well known for his screaming and use of his voice.

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<v Speaker 1>I mean, were there ever problems of like his voice

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<v Speaker 1>gave out tonight, we have to cancel the show. And

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<v Speaker 1>it was never a major concern. I mean, having said that,

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<v Speaker 1>it probably were times where his voice was in shape

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<v Speaker 1>than it was, like I mean the trap of a feather,

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<v Speaker 1>Daniel was like, I cancel the ship. But where Prince

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<v Speaker 1>was Prince Moore Rider died. James Brown like, I don't

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<v Speaker 1>care that I could be sick. Yes, So he did

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<v Speaker 1>purple rain shows, even absolutely with a hurt knee and

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<v Speaker 1>you know what cold and you know I mean, which

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<v Speaker 1>nothing stopped it was. I think it was a TV

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<v Speaker 1>performance where like he hits himself in the face with

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<v Speaker 1>the yeah, like he did the whole set with like

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<v Speaker 1>a mouthful of blood or something like that. Well, yeah,

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<v Speaker 1>he Susanna said that he busted his lip doing that. No,

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<v Speaker 1>he was a trooper. I mean you had to give

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<v Speaker 1>him so many days off. I mean, I don't think

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<v Speaker 1>we ever did more than three on before we took

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<v Speaker 1>an off date. And we tried to do to one

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<v Speaker 1>to one, but there were threes, but I don't really

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<v Speaker 1>think we did more than three. I'm starting with Purple

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<v Speaker 1>Rain two, where he was doing five and six a week.

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<v Speaker 1>But um, but starting with Purple Rain, it was a

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<v Speaker 1>little less often because it was it was a strain

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<v Speaker 1>you were sure to do. I see. So then how

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<v Speaker 1>do you you You were out at the beginning, so

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<v Speaker 1>you built that into the routing and assuming that okay, well,

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<v Speaker 1>I know that those Christmas shows were in Minnesota, so

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<v Speaker 1>you assume that he wanted to be home for Christmas

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<v Speaker 1>and accident of course, okay, and and gave a band,

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<v Speaker 1>assuming that the band also lived in Minnesota well as well,

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<v Speaker 1>so and afternoon shows up to think like we did

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<v Speaker 1>do a couple of mats. I think and I know

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<v Speaker 1>we did one. It was either Christmas eve Day or

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<v Speaker 1>Christmas Day. I have to go look and don't remember.

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<v Speaker 1>So even then it was like not take Christmas off.

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<v Speaker 1>It was no, because that's that's that's a big ticket.

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<v Speaker 1>And again you can I think we were off Christmas Day.

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<v Speaker 1>I think that mattinate was Christmas. I don't know. It

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<v Speaker 1>was either Christmas Day or Christmas eve Day. But you

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<v Speaker 1>know this is when you're on tour, you know this,

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<v Speaker 1>and in the meter's running, you gotta be very strategic

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<v Speaker 1>about where your up dates are because okay, so but

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<v Speaker 1>thank you sir, the thing is very the most organized.

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<v Speaker 1>That's why he's here. Wait wait, I just had an

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<v Speaker 1>important question about so. Well, what I'm trying to get

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<v Speaker 1>at is when handling uh what I call monkey wrenches

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<v Speaker 1>or eleventh hour avoid uh disaster. So I think with

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<v Speaker 1>Purple Rain, uh the when did he get the ideas

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<v Speaker 1>that he wanted to take off days to to do

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<v Speaker 1>shows at for deaf children at death at death schools

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<v Speaker 1>that we kind of built in from the beginning. I mean,

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<v Speaker 1>it wasn't it wasn't wasn't just death. We we did

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<v Speaker 1>Gallant at College in Washington, d C. Which is a

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<v Speaker 1>university for hearing a prayered people. Well, hearing it parents

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<v Speaker 1>not become in this woke era. You know it's supposed

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<v Speaker 1>to say hearing it proods. So can you say that, um,

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<v Speaker 1>what do you say? I always said that I didn't

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<v Speaker 1>know hearing a parent was trust me. Tristan corrects me

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<v Speaker 1>on a regular basis. It's like, dadda, don't say that.

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<v Speaker 1>That's not cool. Was it his relationship with Tristan that

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<v Speaker 1>it often wondered if that influence did because certainly he

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<v Speaker 1>can do Tristan by then, and there was a possibility

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<v Speaker 1>that maybe because Trison would hang out, they shoot hoops

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<v Speaker 1>sometimes and you go into the students with him. How

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<v Speaker 1>is Tristan now? Wait what in my mind Tristan is

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<v Speaker 1>still like sixty, I wasn't ready for this. Ship is

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<v Speaker 1>a man, Yes, Tristan, Oh, he acts like it. It's

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<v Speaker 1>no mistaking he's a man. When you talk to him, dude,

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<v Speaker 1>he's he's d's eh. That's how in my mind Tristan is.

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<v Speaker 1>I think he would be like he's twenty nine now,

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<v Speaker 1>like forty freaking five. Ship, I didn't realize that. Okay,

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<v Speaker 1>so at the beginning of this happening, like was he

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<v Speaker 1>aware of lu Prince was, Like was Tristan Well, even

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<v Speaker 1>at the time he was, I mean if he's five

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<v Speaker 1>years than men, yeah he was seven eight If he wasn't,

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<v Speaker 1>he became a word pretty quickly, I mean certainly by

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<v Speaker 1>like he was. He was born in seventy four, so

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<v Speaker 1>Purple was, and he knew who Prince was. Definitely, And

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<v Speaker 1>Dad's in a movie. Okay, you know ten year old kid,

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<v Speaker 1>Dad's in a movie. I see, so it's up the time.

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<v Speaker 1>But but his relationship, I mean, Prince had seen him

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<v Speaker 1>and met him, but it was later that they got

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<v Speaker 1>close when once Paisley Park was up, which is of

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<v Speaker 1>course several years past Purple. But once Paisley Park goes

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<v Speaker 1>up and Tristan started spending more time with us in Minneapolis.

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<v Speaker 1>He would come out with me and do you not

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<v Speaker 1>be going to work? And he's like, can I hang out?

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<v Speaker 1>And yeah, come on if you want, and he'd spend

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<v Speaker 1>the whole Yes, he'd take him in the studio and

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<v Speaker 1>play him stuff and sitting ask him like, okay, what

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<v Speaker 1>do you hear? What if this track can you feel

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<v Speaker 1>the base part. Can you hear the drums? Can you

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<v Speaker 1>hear the guitar? Because he was always interested in what

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<v Speaker 1>is his degree? His degree of hearing, because quite deaf

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<v Speaker 1>in the higher registers, but his hearing is maybe fifty

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<v Speaker 1>fifty and low registers. Okay, it's perfect for hip hop.

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<v Speaker 1>Heaby and and I'll never forget. This is really off

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<v Speaker 1>the beating path, but I'll never forget. We were riding

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<v Speaker 1>in a car and Alexander's O'Neill's fake, fake, fake fake

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<v Speaker 1>came on the radio. Can I gets base? We're listening

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<v Speaker 1>to came? O j was another you can hear that

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<v Speaker 1>song coming from a mile away, and don't talk. Tristan

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<v Speaker 1>would hear that open being his low teens, ten eleven,

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<v Speaker 1>twelve years old, and He's like that, that sounds like fake,

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<v Speaker 1>and Alan's drove off the road. Uh. And that's when

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<v Speaker 1>I realized that he had not just enough hearing, but

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<v Speaker 1>also the musical sensibility to recognize a song just based

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<v Speaker 1>on and it wasn't even jacked up loud, so it

0:14:16.000 --> 0:14:19.800
<v Speaker 1>was definitely base and drops, whatever the patterns were. And

0:14:20.000 --> 0:14:23.600
<v Speaker 1>it really it changed our lives because from that point on,

0:14:23.880 --> 0:14:27.200
<v Speaker 1>you know, it was. It was very awkward to have

0:14:27.480 --> 0:14:31.880
<v Speaker 1>somebody who lives and breathes a passion for music. You

0:14:31.960 --> 0:14:34.480
<v Speaker 1>can't have a child that you can't share that with.

0:14:36.040 --> 0:14:39.560
<v Speaker 1>And more importantly, it's not about me, it's about him,

0:14:39.600 --> 0:14:42.480
<v Speaker 1>because you don't want it to appear that something that

0:14:42.520 --> 0:14:46.120
<v Speaker 1>he can't get into is so important to dad, because

0:14:46.160 --> 0:14:49.840
<v Speaker 1>that creates a void. It creates a feeling of inadequacy,

0:14:50.200 --> 0:14:52.440
<v Speaker 1>which is the last thing you want him to have,

0:14:52.520 --> 0:14:55.160
<v Speaker 1>because the whole, the whole idea of raising a child

0:14:55.200 --> 0:14:58.880
<v Speaker 1>who has a hearing problem is that you can do

0:14:58.960 --> 0:15:03.000
<v Speaker 1>anything except here. And we're not going to give you

0:15:03.040 --> 0:15:04.960
<v Speaker 1>a pass because of that. You're gonna get out of

0:15:04.960 --> 0:15:06.720
<v Speaker 1>the car and go into the store and get what

0:15:06.800 --> 0:15:09.040
<v Speaker 1>you want. And if you have to write a note,

0:15:09.120 --> 0:15:11.280
<v Speaker 1>whatever the hell you have to do to communicate with

0:15:11.320 --> 0:15:13.640
<v Speaker 1>the store clerk or wherever the hell we are, you're

0:15:13.640 --> 0:15:16.680
<v Speaker 1>gonna do that. And that's how we raised him, and

0:15:16.680 --> 0:15:21.120
<v Speaker 1>and is totally self sufficient, and you know as a result,

0:15:21.640 --> 0:15:24.880
<v Speaker 1>and you're not gonna get any sympathy. It's like, you know,

0:15:25.160 --> 0:15:28.320
<v Speaker 1>this is this is the world, this is the world,

0:15:28.600 --> 0:15:30.680
<v Speaker 1>and you gotta function and I ain't gonna be here

0:15:30.720 --> 0:15:36.080
<v Speaker 1>forever okay. So the idea that music was so important

0:15:36.080 --> 0:15:38.760
<v Speaker 1>to me was awkward because I didn't want him to

0:15:39.240 --> 0:15:42.680
<v Speaker 1>sense how important it was so as to feel like

0:15:42.720 --> 0:15:49.920
<v Speaker 1>an outsider or that he was somebody inadequate. So when

0:15:49.960 --> 0:15:53.360
<v Speaker 1>he started recognizing songs, I'm like, oh, I mean this, this,

0:15:53.560 --> 0:15:55.840
<v Speaker 1>this was the kid. When he was like five years old.

0:15:56.000 --> 0:15:58.200
<v Speaker 1>We would look it up. He would see a Funkadelic

0:15:58.320 --> 0:16:00.960
<v Speaker 1>album cover. Of course, he was a track the Parliament

0:16:01.360 --> 0:16:04.680
<v Speaker 1>Delic album Carrots because of the graphics and every and

0:16:04.680 --> 0:16:09.440
<v Speaker 1>he's five years old, and god, that crazy George. Crazy George.

0:16:10.960 --> 0:16:15.200
<v Speaker 1>So he had the disease it was in And now

0:16:15.360 --> 0:16:18.160
<v Speaker 1>he sends me YouTube clips of bands that I've never

0:16:18.200 --> 0:16:20.440
<v Speaker 1>heard of. If he turns me onto Mortarship that I mean,

0:16:20.480 --> 0:16:23.840
<v Speaker 1>it's it's it's crazy. Um. But then we were totally

0:16:23.840 --> 0:16:27.160
<v Speaker 1>off the beat and path. No, I'm wow. I'm still

0:16:27.240 --> 0:16:32.920
<v Speaker 1>mind blowing. That he's in his forties, so it's crazy.

0:16:33.040 --> 0:16:36.840
<v Speaker 1>So okay. So I'm also it's hard to explain to

0:16:36.880 --> 0:16:39.480
<v Speaker 1>people that I could have a son forty five and

0:16:39.520 --> 0:16:41.480
<v Speaker 1>that that he was born when I was only ten.

0:16:42.680 --> 0:16:46.360
<v Speaker 1>That's there you go. Also, I guess I have to

0:16:46.360 --> 0:16:52.040
<v Speaker 1>take into account that Prince rarely got a no in

0:16:52.240 --> 0:16:56.720
<v Speaker 1>the eighties if he wanted something done correct or okay,

0:16:56.800 --> 0:17:01.640
<v Speaker 1>I pay you to figure it out. Just yeah, you

0:17:01.680 --> 0:17:03.360
<v Speaker 1>would have to figure it out, give you a story.

0:17:03.400 --> 0:17:05.360
<v Speaker 1>And I don't know if we if you cut me off,

0:17:05.400 --> 0:17:07.560
<v Speaker 1>if we did this before. But but this is this

0:17:07.640 --> 0:17:11.639
<v Speaker 1>is a metaphor for everything about Prince. Remember the Alphabet

0:17:11.720 --> 0:17:15.760
<v Speaker 1>Street video. Yeah you did tell us a story? I did. Okay, okay,

0:17:16.040 --> 0:17:17.399
<v Speaker 1>you can go back and listen to that one in

0:17:17.400 --> 0:17:22.280
<v Speaker 1>the quest. Yes, so all right, So that's that's a

0:17:22.359 --> 0:17:26.040
<v Speaker 1>prime Is there any other Well, there was at least

0:17:26.080 --> 0:17:29.000
<v Speaker 1>one a day. When when when did the after shows?

0:17:29.800 --> 0:17:34.320
<v Speaker 1>I mean the earliest after show I've heard was, well

0:17:34.359 --> 0:17:36.440
<v Speaker 1>the sign, Well there was a parade. There's a few

0:17:36.480 --> 0:17:40.639
<v Speaker 1>parade ones in Europe, but what was There was one

0:17:40.680 --> 0:17:45.720
<v Speaker 1>in a hotel bar in I have that one. Well

0:17:45.960 --> 0:17:48.200
<v Speaker 1>where he just crashed a hotel bar that had a

0:17:48.240 --> 0:17:51.800
<v Speaker 1>band and just decided to take over and they were

0:17:51.800 --> 0:17:54.320
<v Speaker 1>fine with that. It was Prince, Yeah, it was Prince.

0:17:55.080 --> 0:17:57.840
<v Speaker 1>Was the Prince was like, who's this guy? No, it

0:17:58.000 --> 0:18:01.439
<v Speaker 1>was Prince Okay, yeah, okay, no, we we have a

0:18:02.800 --> 0:18:04.320
<v Speaker 1>I think one of the earliest ones we have is

0:18:04.359 --> 0:18:08.479
<v Speaker 1>a there's a Sam's Club. He debutsed all the critics

0:18:08.520 --> 0:18:11.439
<v Speaker 1>love you in New York and remember he said this

0:18:11.520 --> 0:18:14.720
<v Speaker 1>is this is just a dance. Yeah, so obviously, oh yeah,

0:18:14.720 --> 0:18:16.920
<v Speaker 1>that was an after show from that. That's a great

0:18:16.920 --> 0:18:19.119
<v Speaker 1>shop by the way. Yeah, it was. I'm trying to

0:18:19.119 --> 0:18:21.359
<v Speaker 1>find I don't know if it exists, but there's one. Uh.

0:18:21.520 --> 0:18:24.199
<v Speaker 1>I think job Wobble was playing at First Avenue that

0:18:24.280 --> 0:18:27.280
<v Speaker 1>night and he got up on stage with Prince got

0:18:27.320 --> 0:18:30.040
<v Speaker 1>up on stage with him in the base. Yeah, it

0:18:30.160 --> 0:18:38.879
<v Speaker 1>was like, yeah, he licked the guitar. Yeah, Prince, we

0:18:39.520 --> 0:18:41.520
<v Speaker 1>were in a club in Paris. This was in the

0:18:42.280 --> 0:18:46.040
<v Speaker 1>pre Cheering Moon experiment of going to Paris to see

0:18:46.040 --> 0:18:48.280
<v Speaker 1>if he liked it and would we shoot in France

0:18:49.200 --> 0:18:52.800
<v Speaker 1>and we were. It was Farnoi and Prince and me

0:18:53.080 --> 0:18:56.880
<v Speaker 1>and don't forget who else, maybe Jerome, and we spent

0:18:56.920 --> 0:19:00.480
<v Speaker 1>a week in Paris just to hang out and see

0:19:00.480 --> 0:19:03.400
<v Speaker 1>if Prince might survive it. Yeah, and he spent most

0:19:03.440 --> 0:19:06.920
<v Speaker 1>of the time in his hotel suite with the keyboard

0:19:06.960 --> 0:19:09.120
<v Speaker 1>that we went on bought the first day we got there.

0:19:10.080 --> 0:19:13.560
<v Speaker 1>Um writing music, most of which ended up this party.

0:19:13.800 --> 0:19:18.240
<v Speaker 1>The Cherryman and Parade Elements on. Um. Long story short,

0:19:19.080 --> 0:19:24.280
<v Speaker 1>we were in some crazy club that was like a

0:19:24.320 --> 0:19:26.960
<v Speaker 1>low rent version of Mulan Rouge. They had they had

0:19:27.040 --> 0:19:29.760
<v Speaker 1>dancing girls that were exacted. Was it wasn't an outright

0:19:29.800 --> 0:19:33.560
<v Speaker 1>titty bar. I mean it wasn't you know, it wasn't sleazy,

0:19:33.600 --> 0:19:41.080
<v Speaker 1>but they were hot girls who were abbreviated outfits abbreviated.

0:19:41.480 --> 0:19:44.120
<v Speaker 1>I don't know how did you say that? I mean

0:19:44.119 --> 0:19:48.879
<v Speaker 1>they had clothes on, but barely. Okay anyway, Um, but

0:19:49.000 --> 0:19:52.360
<v Speaker 1>it was. It was just a little Parisian lounge and

0:19:52.400 --> 0:19:56.359
<v Speaker 1>it it, you know, and for some reason he liked it,

0:19:56.640 --> 0:19:59.560
<v Speaker 1>and so we went there a couple of times and

0:19:59.600 --> 0:20:01.480
<v Speaker 1>they had little combo and I I think it was like

0:20:01.520 --> 0:20:05.240
<v Speaker 1>a three piece combo of three local musicians that played

0:20:05.320 --> 0:20:11.000
<v Speaker 1>corny stuff. They were terrible, and he just one night

0:20:11.040 --> 0:20:13.520
<v Speaker 1>he looked at me and he said, would you ask

0:20:13.640 --> 0:20:16.760
<v Speaker 1>me if I could play? And I don't think those

0:20:16.880 --> 0:20:19.040
<v Speaker 1>musicians really knew who he was. I mean they were

0:20:19.080 --> 0:20:21.480
<v Speaker 1>they were older guys, and they were like the French

0:20:21.640 --> 0:20:24.840
<v Speaker 1>version of the De Polie trio or something. They were

0:20:25.040 --> 0:20:29.320
<v Speaker 1>just really really cheesy, and he just decided he wanted

0:20:29.320 --> 0:20:30.840
<v Speaker 1>to play. I don't know if he wanted to impress

0:20:30.920 --> 0:20:32.639
<v Speaker 1>one of the dancers or what. And he got up

0:20:32.640 --> 0:20:34.920
<v Speaker 1>there and he played and sang two or three songs.

0:20:35.680 --> 0:20:38.080
<v Speaker 1>I can't even tell you what they were. He just

0:20:38.280 --> 0:20:41.760
<v Speaker 1>started band leading. No, no, no, he just went up

0:20:41.760 --> 0:20:43.840
<v Speaker 1>there and a almost he knew those songs. Oh he

0:20:43.840 --> 0:20:46.919
<v Speaker 1>did a solo. Oh ship, Yeah damn. That was a

0:20:46.960 --> 0:20:53.199
<v Speaker 1>treat at Maxims in Paris, France. It wasn't. It was

0:20:53.200 --> 0:20:56.560
<v Speaker 1>actually called La Milia dere Oh. Okay, okay, that one's

0:20:56.600 --> 0:21:01.080
<v Speaker 1>not here. No nobody knows. It was just off the

0:21:01.080 --> 0:21:04.480
<v Speaker 1>comp the first time it's ever been mentioned. Yeah, there's

0:21:05.400 --> 0:21:08.879
<v Speaker 1>so in one of those rehearsal tapes, I realized that

0:21:09.000 --> 0:21:11.439
<v Speaker 1>his level of wanting to play no matter who was

0:21:11.520 --> 0:21:19.720
<v Speaker 1>on instruments. Uh, there's all right. So there's there's a

0:21:20.160 --> 0:21:24.920
<v Speaker 1>tape of a forty five minute jam. Like, here's the thing.

0:21:25.320 --> 0:21:28.760
<v Speaker 1>I love and respect the three of you in this room,

0:21:28.800 --> 0:21:31.720
<v Speaker 1>but I don't know if I would put two hour

0:21:32.040 --> 0:21:35.480
<v Speaker 1>efforts for us to have a jam session, because I

0:21:35.480 --> 0:21:37.440
<v Speaker 1>could sort of imagine what the result would be with

0:21:37.640 --> 0:21:40.320
<v Speaker 1>just the four of us in this room. Put me

0:21:40.359 --> 0:21:44.040
<v Speaker 1>on drums, I'll be all right. But alright, so Vanity

0:21:44.119 --> 0:21:50.640
<v Speaker 1>is on keyboards Jamie shop is on drums. I think

0:21:51.480 --> 0:21:55.520
<v Speaker 1>Jamie shoopers on drums, Vanity is on keyboards. I think

0:21:55.600 --> 0:22:00.320
<v Speaker 1>Fink is on another keyboard, and Princess basically trying to

0:22:00.359 --> 0:22:03.679
<v Speaker 1>teach them how to jam or how to play. Okay,

0:22:03.920 --> 0:22:09.119
<v Speaker 1>what if the three of us were cute girls. I

0:22:09.240 --> 0:22:12.920
<v Speaker 1>never met Jamie Shoop until so in her heyday, Jamie

0:22:12.960 --> 0:22:15.520
<v Speaker 1>Shoop was Are you saying she's not fine now in

0:22:15.520 --> 0:22:17.680
<v Speaker 1>a non me two wish way? No, no, no, I

0:22:20.280 --> 0:22:23.840
<v Speaker 1>don't I don't know what I don't know. I mean,

0:22:24.160 --> 0:22:25.920
<v Speaker 1>Jamie was hot and she had a cool person that

0:22:26.000 --> 0:22:27.320
<v Speaker 1>I looked she was. She was going to be one

0:22:27.320 --> 0:22:30.560
<v Speaker 1>of the Hookers, wasn't she. Yeah, that's right, she had

0:22:30.600 --> 0:22:34.760
<v Speaker 1>to be hot. I forgot that she was a word.

0:22:35.840 --> 0:22:38.840
<v Speaker 1>Okay for those that don't know, those that do not know.

0:22:39.680 --> 0:22:43.480
<v Speaker 1>Before before, before they were called Vanity six. Before Vanity

0:22:43.520 --> 0:22:45.400
<v Speaker 1>six was formed, Prince was going to perform a group

0:22:45.440 --> 0:22:50.040
<v Speaker 1>called the Hookers and the lead yes and our older

0:22:50.080 --> 0:22:52.760
<v Speaker 1>sister yes and um the lead the lead singer was

0:22:52.760 --> 0:22:55.760
<v Speaker 1>gonna Their stage name was going to be the Vaginas

0:22:55.880 --> 0:23:00.480
<v Speaker 1>Vagina I guess or that yeah wow yeah. That obviously

0:23:00.480 --> 0:23:04.200
<v Speaker 1>did not work, so they changed it, Yeah, exactly so.

0:23:04.560 --> 0:23:08.080
<v Speaker 1>But the thing is is that he sounds just as

0:23:08.119 --> 0:23:13.200
<v Speaker 1>happy and he's got al Bolo about how do you say,

0:23:13.400 --> 0:23:15.320
<v Speaker 1>I see? I thought that was no. No, it's Alan

0:23:15.320 --> 0:23:19.480
<v Speaker 1>bol the photographer, petographer. He's also playing as well. He's

0:23:19.480 --> 0:23:22.800
<v Speaker 1>playing bass. But so that obviously means he has photos

0:23:22.800 --> 0:23:25.840
<v Speaker 1>from that probably ship, and it also means that his

0:23:25.840 --> 0:23:28.280
<v Speaker 1>story of him coming up with the river Let's go

0:23:28.359 --> 0:23:33.479
<v Speaker 1>Crazy is probably true as well. Damn good one, good one,

0:23:34.240 --> 0:23:36.760
<v Speaker 1>good one. Yeah. But my whole thing is that, well,

0:23:36.760 --> 0:23:40.000
<v Speaker 1>if who was there, they probably were shooting something. It

0:23:40.040 --> 0:23:44.359
<v Speaker 1>could have been promote pictures for god knows what, because

0:23:44.400 --> 0:23:46.199
<v Speaker 1>he wouldn't I mean, they weren't that close that he

0:23:46.240 --> 0:23:50.399
<v Speaker 1>was just gonna be hanging out house and play bass.

0:23:50.400 --> 0:23:52.680
<v Speaker 1>I mean, that wasn't gonna happen. So then he must

0:23:52.680 --> 0:23:56.639
<v Speaker 1>have been there with a with a photographic purpose that

0:23:56.720 --> 0:23:59.840
<v Speaker 1>then turned into you know, maybe they drank a little.

0:24:01.000 --> 0:24:05.120
<v Speaker 1>But my question is that he just for him any

0:24:05.200 --> 0:24:10.120
<v Speaker 1>jam session was the equivalent of talking or I'd rather

0:24:10.200 --> 0:24:12.920
<v Speaker 1>be trying to play music with you than the small talk,

0:24:13.680 --> 0:24:17.760
<v Speaker 1>or maybe maybe after your tape runs out, he starts

0:24:17.960 --> 0:24:20.800
<v Speaker 1>making fun of him not being able to play you know.

0:24:21.800 --> 0:24:25.399
<v Speaker 1>It's also that I don't know. There's the famous Spruce

0:24:25.440 --> 0:24:29.160
<v Speaker 1>Springsteen Camy on one of his shows and way back

0:24:29.160 --> 0:24:31.120
<v Speaker 1>to the dressing room, he's looking at me and he's

0:24:31.160 --> 0:24:33.800
<v Speaker 1>bouncing up and down. I don't he can't play guitar.

0:24:35.560 --> 0:24:41.879
<v Speaker 1>There's that I have that I thought he was cool.

0:24:42.040 --> 0:24:47.359
<v Speaker 1>I mean, Bruce hung in there. But okay, in your observations,

0:24:48.640 --> 0:24:53.720
<v Speaker 1>I always thought that major towns were not as good

0:24:54.480 --> 0:24:57.440
<v Speaker 1>as the smaller towns as far as show is concerned,

0:24:57.840 --> 0:25:02.000
<v Speaker 1>because you think specifically for princes or in general in general,

0:25:02.040 --> 0:25:05.600
<v Speaker 1>but yes, also for princes. Uh. Based on the Purple

0:25:05.640 --> 0:25:08.920
<v Speaker 1>Rain shows. None of the l A shows we're exciting.

0:25:08.960 --> 0:25:13.320
<v Speaker 1>To me. I have a theory. I think that if

0:25:14.560 --> 0:25:17.720
<v Speaker 1>people are watching you, and this has been for every

0:25:17.720 --> 0:25:20.080
<v Speaker 1>show I've ever done in l A, and stars come

0:25:20.080 --> 0:25:23.240
<v Speaker 1>out girls you like her movies and on television show,

0:25:23.280 --> 0:25:26.000
<v Speaker 1>they're in the audience. Yeah. I always think that shows

0:25:26.400 --> 0:25:32.159
<v Speaker 1>in front of celebrities freezes the artists, whereas towns that

0:25:32.240 --> 0:25:37.120
<v Speaker 1>you have little expectations, you bring out your your A game.

0:25:37.240 --> 0:25:38.880
<v Speaker 1>I don't think it's the artist. I think it might

0:25:38.920 --> 0:25:42.000
<v Speaker 1>be you know, the major publications are there, you know

0:25:42.000 --> 0:25:44.200
<v Speaker 1>they you know, new York Times may send a reviewer

0:25:44.200 --> 0:25:47.720
<v Speaker 1>out or Rolling Stone or somebody in that case in

0:25:47.800 --> 0:25:52.080
<v Speaker 1>Minnesota must be a nightmare because John Breen is there watching.

0:25:52.760 --> 0:25:55.640
<v Speaker 1>Was that was the rivalry with John Breen really real?

0:25:55.760 --> 0:26:00.280
<v Speaker 1>Or was it like playful and he got tired John

0:26:00.320 --> 0:26:03.720
<v Speaker 1>brute at one point and they kissed him, you know,

0:26:04.320 --> 0:26:07.679
<v Speaker 1>you know, because it was like it wasn't a it

0:26:07.720 --> 0:26:10.760
<v Speaker 1>was it was kind of a Trumpish moment. It was like,

0:26:10.880 --> 0:26:14.480
<v Speaker 1>you're not loyal. You actually wrote something negative. If you're

0:26:14.480 --> 0:26:20.040
<v Speaker 1>not loyal, fake news. Okay, you know you of all people, John,

0:26:20.680 --> 0:26:24.400
<v Speaker 1>you were there at the beginning, you got you're supposed

0:26:24.400 --> 0:26:28.119
<v Speaker 1>to stay loyal. Nelson George can write something bad, I

0:26:28.200 --> 0:26:30.399
<v Speaker 1>might make a record about it, but well you know,

0:26:30.600 --> 0:26:32.840
<v Speaker 1>I expect it, but not from you, not from uh

0:26:33.359 --> 0:26:35.760
<v Speaker 1>like John's from the hometown. Yeah, you're supposed to. You

0:26:35.800 --> 0:26:37.880
<v Speaker 1>were there from the beginning, and you wrote great things

0:26:37.920 --> 0:26:40.400
<v Speaker 1>from the beginning, and you were way ahead of everybody

0:26:40.440 --> 0:26:45.919
<v Speaker 1>else and recognizing I see whatever. So I'm just you know,

0:26:45.960 --> 0:26:50.600
<v Speaker 1>I'm surmising. But I mean, in your years of tour managing,

0:26:50.720 --> 0:26:53.760
<v Speaker 1>what was your favorite period, Like, do you have a

0:26:53.800 --> 0:26:57.320
<v Speaker 1>fine memory? The travel was great. I didn't have to,

0:26:58.560 --> 0:27:04.000
<v Speaker 1>you know, fa a situation. It was, you know, I

0:27:04.080 --> 0:27:07.840
<v Speaker 1>can I hit your pause button for minutes and rewind

0:27:08.000 --> 0:27:13.000
<v Speaker 1>for a second, back to the intimidation factor of playing

0:27:13.000 --> 0:27:15.640
<v Speaker 1>big cities, And I think Bill's right. I mean, certainly,

0:27:15.680 --> 0:27:21.160
<v Speaker 1>the fact is you can't unless you're remarkably disciplined. If

0:27:21.200 --> 0:27:23.600
<v Speaker 1>you know there's a media focus on what you're doing,

0:27:24.119 --> 0:27:27.160
<v Speaker 1>if you know there's people in the audience whose opinions

0:27:27.200 --> 0:27:30.200
<v Speaker 1>you care about or trying to impress for one reason

0:27:30.320 --> 0:27:34.199
<v Speaker 1>or another, then you're going on stage with all of

0:27:34.240 --> 0:27:37.920
<v Speaker 1>that somewhere in your head. Even if you can kick

0:27:37.960 --> 0:27:41.560
<v Speaker 1>it to the rear burner, it's still there. So instead

0:27:41.600 --> 0:27:45.400
<v Speaker 1>of going on stage in your normal zone where all

0:27:45.440 --> 0:27:48.159
<v Speaker 1>you're thinking about is the music and who you're playing,

0:27:48.160 --> 0:27:52.199
<v Speaker 1>It was m that it just makes sense that that

0:27:52.240 --> 0:27:54.680
<v Speaker 1>would affect you. Now, there's some people who could overcome that,

0:27:55.280 --> 0:27:58.320
<v Speaker 1>um but I think about Miles Davis used to say,

0:27:58.640 --> 0:28:02.800
<v Speaker 1>and this was in Quincy Cher, the Miles Davis autobiography,

0:28:02.840 --> 0:28:05.240
<v Speaker 1>talks about the fact that he could always tell when

0:28:05.280 --> 0:28:07.960
<v Speaker 1>anybody in his band either we're looking at a girl

0:28:08.000 --> 0:28:11.280
<v Speaker 1>in the audience of their old lady was there because

0:28:11.320 --> 0:28:15.240
<v Speaker 1>they'd show off they played different they'd overplay, and he said,

0:28:15.280 --> 0:28:17.200
<v Speaker 1>you it's a driving crazy out of the point where

0:28:17.200 --> 0:28:20.240
<v Speaker 1>told Jack Dgent it do not bring a woman into

0:28:20.280 --> 0:28:25.640
<v Speaker 1>these clubs. Really. Now it's Miles probably exaggerating a little

0:28:25.680 --> 0:28:28.800
<v Speaker 1>bits the truth, but but yeah, he's telling the truth.

0:28:29.200 --> 0:28:33.960
<v Speaker 1>And particularly in the context of a jazz quintet, where

0:28:34.400 --> 0:28:40.000
<v Speaker 1>it's so much of it is improvisational, as opposed to

0:28:40.680 --> 0:28:43.080
<v Speaker 1>a Prince concert where the band is pretty much playing

0:28:43.120 --> 0:28:46.840
<v Speaker 1>the same thing that after night, Um, it would be

0:28:46.880 --> 0:28:49.840
<v Speaker 1>that much more noticeable. And I suppose it's human nature.

0:28:49.920 --> 0:28:54.280
<v Speaker 1>It's it's you know, you're right, you know, we all

0:28:54.320 --> 0:28:56.360
<v Speaker 1>look in the mirror once or twice extra if you're

0:28:56.360 --> 0:29:00.520
<v Speaker 1>gonna see somebody you really care about. Okay, So anyway

0:29:00.560 --> 0:29:03.680
<v Speaker 1>back to your question, what was your favorite period of

0:29:03.840 --> 0:29:10.640
<v Speaker 1>tour managing or what was the easiest? Alright, alright, okay,

0:29:10.840 --> 0:29:16.480
<v Speaker 1>what was the easiest? Like, just I suppose physically you

0:29:16.480 --> 0:29:19.760
<v Speaker 1>would say, Chris Rock. Okay, I can see that because

0:29:19.800 --> 0:29:24.680
<v Speaker 1>there's just there's five grown men who are responsible, mature,

0:29:26.400 --> 0:29:31.360
<v Speaker 1>flying on private jets, staying in for its Carton's and

0:29:32.280 --> 0:29:37.240
<v Speaker 1>nobody has to wake anybody up, nobody misses the plane. Um,

0:29:37.440 --> 0:29:39.680
<v Speaker 1>the only time we'd ever spat was who gets the

0:29:39.800 --> 0:29:42.080
<v Speaker 1>art section of the New York Times first on the flight?

0:29:43.320 --> 0:29:49.360
<v Speaker 1>You know? Um? Now the gig was was you think

0:29:49.400 --> 0:29:53.040
<v Speaker 1>the gig is easy because it's stand up. There's no production,

0:29:53.080 --> 0:29:58.560
<v Speaker 1>there's at least very little. But the other side of

0:29:58.600 --> 0:30:01.600
<v Speaker 1>that point is what that with that tour you're wearing

0:30:01.640 --> 0:30:03.600
<v Speaker 1>because you don't have the staff, you're out there by

0:30:03.720 --> 0:30:08.320
<v Speaker 1>yourself in terms of management, and you're wearing every hat.

0:30:09.240 --> 0:30:13.160
<v Speaker 1>So you're overseeing the production. You're overseeing the local crews

0:30:13.240 --> 0:30:19.720
<v Speaker 1>that do sound in lights, you're overseeing, um, the promoters,

0:30:19.920 --> 0:30:25.560
<v Speaker 1>you're overseeing the settlements. You're doing the settlements. Um. I

0:30:25.560 --> 0:30:28.840
<v Speaker 1>would assume that you do and you do settlements anyway though, right, yeah?

0:30:29.040 --> 0:30:32.720
<v Speaker 1>But or do you send someone But here, here's here's

0:30:32.720 --> 0:30:35.680
<v Speaker 1>the point. If I'm on the Angelo to or not

0:30:35.720 --> 0:30:38.040
<v Speaker 1>gotta who do settlement? I just tell Bill Reeves, I

0:30:38.040 --> 0:30:39.920
<v Speaker 1>won't be around for a now, or I'm going in front.

0:30:39.960 --> 0:30:42.200
<v Speaker 1>If you need to be be hit me, text me I'm

0:30:42.200 --> 0:30:45.320
<v Speaker 1>in the box office. Okay. But with Chris, you're scared

0:30:45.360 --> 0:30:52.560
<v Speaker 1>to leave because who's in Terence? There's no backup? I see, okay,

0:30:52.760 --> 0:30:54.880
<v Speaker 1>you know. So it got to the point where his

0:30:55.000 --> 0:30:58.640
<v Speaker 1>personal assistant who really had nothing to do with the

0:30:58.720 --> 0:31:02.920
<v Speaker 1>shows themselves, but was just his personal assistant. Um, I

0:31:02.960 --> 0:31:05.480
<v Speaker 1>would always have him. If I'm going up front, I

0:31:05.520 --> 0:31:08.719
<v Speaker 1>would say, Okay, you gotta keep your eyes on the stage.

0:31:09.920 --> 0:31:13.320
<v Speaker 1>But also, I mean, Chris is a level celebrity, so

0:31:14.400 --> 0:31:20.160
<v Speaker 1>it's just the five of you. Yeah, but he's a list.

0:31:20.400 --> 0:31:24.760
<v Speaker 1>So like he's he's got a personal security. He's got

0:31:24.760 --> 0:31:30.640
<v Speaker 1>one security. Okay, he's got his personal assistant. There's Chris,

0:31:30.880 --> 0:31:33.560
<v Speaker 1>there's the opening comic. He usually travels with us, the

0:31:33.640 --> 0:31:39.720
<v Speaker 1>support act and myself. Okay, that's it. Okay, that's it.

0:31:40.280 --> 0:31:42.760
<v Speaker 1>And and I'm still doing the other things that too

0:31:42.760 --> 0:31:45.240
<v Speaker 1>were manager does, which is do all the advancing with

0:31:45.360 --> 0:31:48.280
<v Speaker 1>the venues we're headed next, and making sure this is

0:31:48.320 --> 0:31:50.680
<v Speaker 1>set up and set up and make sure the cars right,

0:31:50.800 --> 0:31:53.560
<v Speaker 1>and make sure that the staying in touch with the

0:31:53.560 --> 0:31:56.800
<v Speaker 1>pilots and airports and knowing what the flight conditions, you know,

0:31:56.800 --> 0:31:59.240
<v Speaker 1>all the ship that goes with the logistics and hotels

0:31:59.360 --> 0:32:02.840
<v Speaker 1>and and is that always having a plan. B. You're

0:32:02.920 --> 0:32:06.680
<v Speaker 1>looking at the weather app and it's raining in Tennessee

0:32:06.720 --> 0:32:09.080
<v Speaker 1>and we might have to take a bus. Yeah, or

0:32:09.240 --> 0:32:10.880
<v Speaker 1>either we're just gonna sit here and wait for the

0:32:10.960 --> 0:32:13.160
<v Speaker 1>rain depending on forecast. So yeah, you always have to

0:32:13.240 --> 0:32:17.480
<v Speaker 1>keep your on the weather. Okay, that's just part of it.

0:32:18.080 --> 0:32:23.640
<v Speaker 1>So that's the easiest. What's the most historical Let me

0:32:23.720 --> 0:32:26.680
<v Speaker 1>say this, it's it's it's a lot of work. It's

0:32:26.720 --> 0:32:30.560
<v Speaker 1>long days, and Chris is one of the few comics

0:32:30.560 --> 0:32:33.360
<v Speaker 1>I know who actually in system doing sound checks. As

0:32:33.440 --> 0:32:35.800
<v Speaker 1>you know, because you've been there, so you know. So

0:32:35.880 --> 0:32:37.800
<v Speaker 1>the day it starts at three or four o'clock in

0:32:37.840 --> 0:32:41.520
<v Speaker 1>the afternoon, it doesn't end till midnight. Um, by the

0:32:41.520 --> 0:32:44.280
<v Speaker 1>time you've unsettlement. Frequently the show would be down, but

0:32:44.320 --> 0:32:46.880
<v Speaker 1>I would still have business and to stay back and

0:32:46.880 --> 0:32:50.440
<v Speaker 1>wouldn't get to the hotel until that later. So there

0:32:50.560 --> 0:32:55.440
<v Speaker 1>was there was a workload, curious workload, but it was.

0:32:55.760 --> 0:32:59.120
<v Speaker 1>But it was not stressful because you didn't have to

0:32:59.120 --> 0:33:04.080
<v Speaker 1>worry about knucklehead bass player who won't get up, disappears

0:33:04.440 --> 0:33:10.480
<v Speaker 1>and you know, damn that Palladina and I'm playing. No,

0:33:10.680 --> 0:33:13.280
<v Speaker 1>that's actually the one band where it wasn't the bass player.

0:33:13.360 --> 0:33:16.000
<v Speaker 1>Historically it's always been the bass player that's a knucklehead.

0:33:16.040 --> 0:33:22.120
<v Speaker 1>I can never really yeah, not the case we do, okay, Yeah,

0:33:22.120 --> 0:33:27.440
<v Speaker 1>in that case, the base was the responsible person. Yeah, Rumber,

0:33:27.480 --> 0:33:31.560
<v Speaker 1>it was pretty good. He wouldn't he wouldn't. We'll see,

0:33:31.600 --> 0:33:36.600
<v Speaker 1>he had his days, right, But yeah, right? What was

0:33:36.800 --> 0:33:41.560
<v Speaker 1>what did you feel was the most historical in hindsight?

0:33:41.600 --> 0:33:47.040
<v Speaker 1>What was the most historical run you did? It had

0:33:47.040 --> 0:33:50.520
<v Speaker 1>to be purple, right, so you consider that more historable

0:33:50.560 --> 0:33:53.360
<v Speaker 1>than the night that like sex Machine came together or

0:33:54.960 --> 0:33:57.120
<v Speaker 1>well you're comparing him six months two or two a

0:33:57.200 --> 0:34:02.360
<v Speaker 1>one night gig. I have a yeah, I mean it's

0:34:02.480 --> 0:34:05.719
<v Speaker 1>you know, it was there a historical significant success of course,

0:34:06.720 --> 0:34:09.120
<v Speaker 1>but you know, what did you feel was historical as

0:34:09.200 --> 0:34:12.440
<v Speaker 1>it was happening, because that's rare to know that capturing

0:34:13.160 --> 0:34:16.240
<v Speaker 1>So for you, I was relieved that he could take

0:34:16.320 --> 0:34:19.600
<v Speaker 1>this new band that had its weaknesses and go in

0:34:19.719 --> 0:34:21.880
<v Speaker 1>and cut what so obviously was going to be a

0:34:21.920 --> 0:34:28.040
<v Speaker 1>smash hit. So it was really relief. Okay, because because

0:34:28.080 --> 0:34:30.160
<v Speaker 1>the jury still out on whether or not they were

0:34:30.160 --> 0:34:32.480
<v Speaker 1>still good or exactly. I mean, we knew Boots and

0:34:32.520 --> 0:34:37.319
<v Speaker 1>Captures were keepers. That wasn't hard. But Clayton Connal's and

0:34:37.360 --> 0:34:42.520
<v Speaker 1>all those cats were Yeah, right, I see, I see.

0:34:43.719 --> 0:34:49.040
<v Speaker 1>Do you have any regrets or places that you haven't

0:34:49.040 --> 0:34:52.520
<v Speaker 1>gone to or things that you haven't done yet tour wise,

0:34:52.680 --> 0:34:58.040
<v Speaker 1>or what's well damn Okay, I know, with the exception

0:34:58.080 --> 0:35:01.440
<v Speaker 1>of the D word, you where, but what stopped you

0:35:01.560 --> 0:35:06.400
<v Speaker 1>from the next level? Like what kept you at tour

0:35:06.520 --> 0:35:10.000
<v Speaker 1>manager as opposed to let me get a nine to

0:35:10.120 --> 0:35:13.560
<v Speaker 1>five at you could easily worked at William Morris. No,

0:35:14.080 --> 0:35:17.399
<v Speaker 1>I'll tell you a conversation ahead with Bob Cavallo. When

0:35:17.440 --> 0:35:20.360
<v Speaker 1>I took over Paisley Park Records, Bob called me and

0:35:20.400 --> 0:35:22.800
<v Speaker 1>he was on the way out because it was around

0:35:22.880 --> 0:35:26.000
<v Speaker 1>the same time, and it Pritts cleaned house a little

0:35:26.000 --> 0:35:29.839
<v Speaker 1>bit after I took over the label. I know. Let

0:35:29.880 --> 0:35:36.480
<v Speaker 1>me I'm rewind when he cleaned house and fired his lawyers,

0:35:36.560 --> 0:35:40.440
<v Speaker 1>his business managers and his personal managers, Steve Farnoli and

0:35:40.440 --> 0:35:44.760
<v Speaker 1>Bob Cavallo. When he fired them, that's when I actually

0:35:44.800 --> 0:35:46.640
<v Speaker 1>went to him and said, Okay, I need a votal

0:35:46.640 --> 0:35:49.359
<v Speaker 1>confidence if I next you're cleaning house and just need

0:35:49.360 --> 0:35:52.879
<v Speaker 1>to know what's else going on. I told you you're fired. No,

0:35:53.120 --> 0:35:57.279
<v Speaker 1>but you know what time out? What do you do?

0:35:57.320 --> 0:36:02.080
<v Speaker 1>The firing it was Jane you were he second of

0:36:02.400 --> 0:36:09.960
<v Speaker 1>nineteen after Graffiti Bird, Before Graffiti, it was after look

0:36:10.040 --> 0:36:16.440
<v Speaker 1>sexy for Batman. But I'm saying, would he himself do it? Now?

0:36:16.480 --> 0:36:19.280
<v Speaker 1>He said he sent he had he had another attorney

0:36:19.280 --> 0:36:21.560
<v Speaker 1>who sent ledgers. He had already cooked up the deal

0:36:21.600 --> 0:36:25.280
<v Speaker 1>with Albert made Nolie to be as manager. They had

0:36:25.280 --> 0:36:29.360
<v Speaker 1>hatched this plan. Magnoli introduced him to a new lawyer,

0:36:29.400 --> 0:36:31.680
<v Speaker 1>who then issued the seas and his sisters or whatever

0:36:31.719 --> 0:36:35.360
<v Speaker 1>you want to call him, the notifications that I'm breaking

0:36:35.719 --> 0:36:38.439
<v Speaker 1>away from you guys. I'm only asking because all right,

0:36:38.680 --> 0:36:41.160
<v Speaker 1>I've maybe the last two years, I've had to fire

0:36:41.200 --> 0:36:43.759
<v Speaker 1>six people from my camp, and that's one of the

0:36:43.760 --> 0:36:48.560
<v Speaker 1>most painstaking, especially when you're like super close to them.

0:36:48.600 --> 0:36:51.319
<v Speaker 1>This week alone, last Saturday, I had to fire someone

0:36:51.360 --> 0:36:53.799
<v Speaker 1>that's worked for me for like ten years. And it

0:36:53.920 --> 0:36:56.000
<v Speaker 1>was like it was like asking for a divorce. I

0:36:56.040 --> 0:36:59.720
<v Speaker 1>always wanted to know, like literally, like is he going around?

0:36:59.760 --> 0:37:01.520
<v Speaker 1>Asked of advice, like how do you let someone go?

0:37:01.600 --> 0:37:05.160
<v Speaker 1>How do you because he first of all, he didn't

0:37:05.160 --> 0:37:09.440
<v Speaker 1>personally do it. Oh that's easy. I thought you had

0:37:09.480 --> 0:37:11.279
<v Speaker 1>to do it yourself. Like no, he was a pump

0:37:11.360 --> 0:37:17.160
<v Speaker 1>like that, wait should you? If you were all right?

0:37:17.280 --> 0:37:20.960
<v Speaker 1>So he had me fire people. I was gonna say,

0:37:21.160 --> 0:37:23.240
<v Speaker 1>you've I'm sure you've had to fire many a person,

0:37:23.360 --> 0:37:28.640
<v Speaker 1>not many, but yeah, right sure, But is there what's

0:37:28.680 --> 0:37:31.880
<v Speaker 1>the proper way to do so? Because the thing is

0:37:31.920 --> 0:37:35.080
<v Speaker 1>you're such you're such a paternal It really litherly figure.

0:37:35.200 --> 0:37:38.120
<v Speaker 1>It depends on who it is and what the relationship is.

0:37:38.160 --> 0:37:41.799
<v Speaker 1>It really does. Um. We had a road manager on

0:37:41.840 --> 0:37:43.719
<v Speaker 1>a tour and I'm not going to say which one,

0:37:43.800 --> 0:37:46.080
<v Speaker 1>who was out from the beginning of the tour and

0:37:46.120 --> 0:37:47.719
<v Speaker 1>he was going to be the road manager of my

0:37:47.760 --> 0:37:51.080
<v Speaker 1>tour manager. Can you say the tour or that would

0:37:51.120 --> 0:37:53.799
<v Speaker 1>give it away? That gives it away? Yeah, and just

0:37:53.840 --> 0:37:58.120
<v Speaker 1>as soon poor guys no longer Whether he since passed away,

0:37:58.160 --> 0:38:02.640
<v Speaker 1>but he was totally qualified, had worked on other major tours,

0:38:03.160 --> 0:38:06.080
<v Speaker 1>was a good guy, but for one reason or another,

0:38:06.200 --> 0:38:08.960
<v Speaker 1>Prince Chick didn't like him, dropped the dime on and

0:38:09.080 --> 0:38:15.080
<v Speaker 1>Prince didn't like him. The band loved him, and we

0:38:15.080 --> 0:38:18.239
<v Speaker 1>were about two or three weeks into the tour if that,

0:38:19.200 --> 0:38:21.640
<v Speaker 1>and Prince called me to his dressing room before show

0:38:21.640 --> 0:38:22.920
<v Speaker 1>Who and he said, don't want you to fire us

0:38:23.000 --> 0:38:27.640
<v Speaker 1>on so And I actually sucked it up and tried

0:38:27.680 --> 0:38:30.640
<v Speaker 1>to make up a case because I felt it was

0:38:30.680 --> 0:38:34.520
<v Speaker 1>totally unfair. That was he just playing for whatever stupid reason,

0:38:34.600 --> 0:38:36.839
<v Speaker 1>just didn't like him. The guy hadn't done anything wrong.

0:38:37.000 --> 0:38:40.600
<v Speaker 1>It was perfectly qualified. It was gonna give me personally

0:38:40.640 --> 0:38:42.560
<v Speaker 1>a headache because now I had to replace him in

0:38:42.600 --> 0:38:44.480
<v Speaker 1>the middle of a tour. I was gonna say, how

0:38:44.520 --> 0:38:48.080
<v Speaker 1>do you find a b person? You know? Um, well,

0:38:48.239 --> 0:38:51.640
<v Speaker 1>we did you do. I mean, it's part of having

0:38:51.920 --> 0:38:53.920
<v Speaker 1>something filed away in the back of your head just

0:38:53.960 --> 0:38:56.960
<v Speaker 1>in case. But the long june of it is is

0:38:57.000 --> 0:38:58.880
<v Speaker 1>I had to go to this guy and you basically

0:38:58.880 --> 0:39:01.880
<v Speaker 1>didn't speak to me for two years, and and he

0:39:02.000 --> 0:39:03.919
<v Speaker 1>actually and if he knew that you weren't the person

0:39:03.960 --> 0:39:06.120
<v Speaker 1>that pulled the trigger, or you're not allowed to say,

0:39:06.280 --> 0:39:09.400
<v Speaker 1>look I love you, but dog no, that's exactly what

0:39:09.440 --> 0:39:12.840
<v Speaker 1>I said that you gotta know this isn't coming from you.

0:39:12.960 --> 0:39:16.280
<v Speaker 1>The band and they adore you, but there's a problem

0:39:16.320 --> 0:39:18.800
<v Speaker 1>with the boss and he wants somebody else, and I

0:39:18.840 --> 0:39:21.400
<v Speaker 1>worked for him, and I don't have his choice. And

0:39:21.480 --> 0:39:24.600
<v Speaker 1>it was really really uncomfortable because I cared about Scott.

0:39:24.640 --> 0:39:28.000
<v Speaker 1>It was it was unfair, okay, but he was the

0:39:28.080 --> 0:39:30.880
<v Speaker 1>gold makes the girls, and I mean, deep down the

0:39:30.920 --> 0:39:35.040
<v Speaker 1>guy understood, he got it. But from that point one

0:39:35.040 --> 0:39:37.920
<v Speaker 1>and he actually ended up opening a business in l A.

0:39:38.880 --> 0:39:42.440
<v Speaker 1>And Um I would occasionally drop by his business and

0:39:43.280 --> 0:39:47.160
<v Speaker 1>it was always awkward, and he was close to Gwen.

0:39:47.280 --> 0:39:51.320
<v Speaker 1>I mean it was really awkward. Um. On the other hand,

0:39:51.560 --> 0:39:56.560
<v Speaker 1>on the Purple Rain tour, Princess business manager found a

0:39:56.760 --> 0:40:02.600
<v Speaker 1>tour accountant that he assigned to the tour. And this

0:40:02.640 --> 0:40:05.640
<v Speaker 1>guy came on the road and he too had worked

0:40:05.680 --> 0:40:08.640
<v Speaker 1>on other tours. He had a resume. None of us

0:40:08.760 --> 0:40:10.719
<v Speaker 1>knew him, but you know, it's gonna be the zour

0:40:10.719 --> 0:40:14.920
<v Speaker 1>accountant and that's fine. You know, the business manager who

0:40:14.920 --> 0:40:17.759
<v Speaker 1>we all knew and not a close relationship, was trusted him,

0:40:17.800 --> 0:40:22.239
<v Speaker 1>so no reason not to trust him. So this was

0:40:22.320 --> 0:40:26.040
<v Speaker 1>Purple Rain. We played Detroit. We ended up in Greensboro,

0:40:26.120 --> 0:40:28.960
<v Speaker 1>which I think was the second stop, and Big Chick

0:40:29.000 --> 0:40:30.960
<v Speaker 1>comes to me and he says, hey, buddy, what do

0:40:31.000 --> 0:40:36.600
<v Speaker 1>you know about this accountant. Dude, nothing, I guess he's okay.

0:40:36.960 --> 0:40:39.760
<v Speaker 1>He said, Well, he was chatting with being talking about

0:40:39.840 --> 0:40:44.520
<v Speaker 1>he thinks you're overpaid, and he was talking about that

0:40:44.520 --> 0:40:47.000
<v Speaker 1>that they could get a good tour manager for less

0:40:47.080 --> 0:40:50.880
<v Speaker 1>money and this one and he didn't like Bill Reeves.

0:40:50.920 --> 0:40:53.320
<v Speaker 1>He thought he was overpaid and some of the bands

0:40:53.400 --> 0:40:56.360
<v Speaker 1>was overpaid, and he was just I said, chick, you

0:40:56.560 --> 0:40:58.640
<v Speaker 1>just don't like him. You're dropping a dime on him

0:40:58.640 --> 0:41:01.319
<v Speaker 1>by saying this, or you sirid he actually is just

0:41:01.600 --> 0:41:05.640
<v Speaker 1>discussing people's salaries with you. And he says, no, I mean,

0:41:05.840 --> 0:41:07.520
<v Speaker 1>I don't really have a horse in this race. But

0:41:07.560 --> 0:41:14.920
<v Speaker 1>the guy ain't cool. Um m hmm. I called the

0:41:14.960 --> 0:41:18.600
<v Speaker 1>business manager in l A and I said, I need

0:41:18.640 --> 0:41:23.000
<v Speaker 1>somebody else. We were going to Philly Thanksgiving, yep, and

0:41:23.040 --> 0:41:25.000
<v Speaker 1>we we actually where did we go first? I think

0:41:25.000 --> 0:41:28.760
<v Speaker 1>we went to d C next, because we we we

0:41:28.760 --> 0:41:32.120
<v Speaker 1>we busted from DC to Philly. I'll never forget. We

0:41:32.160 --> 0:41:38.560
<v Speaker 1>busted as as opposed to find. And I called the

0:41:39.000 --> 0:41:42.000
<v Speaker 1>business manager from d C and said, I want this

0:41:42.040 --> 0:41:45.040
<v Speaker 1>guy out of here. He said, what happened? Did you verify?

0:41:45.800 --> 0:41:48.960
<v Speaker 1>Did you verify? Yeah? Yeah, I mean I went to

0:41:49.120 --> 0:41:52.040
<v Speaker 1>me denied it. But because my first thought was all right,

0:41:52.120 --> 0:41:56.239
<v Speaker 1>it's chicken agitator and he could be. But I went

0:41:56.320 --> 0:41:57.840
<v Speaker 1>to the guy and talked to him, and who was

0:41:57.880 --> 0:42:00.719
<v Speaker 1>obvious that he his whole attitude. He's like, well, you know,

0:42:00.840 --> 0:42:03.400
<v Speaker 1>I was just thinking that, you know, you need to

0:42:03.440 --> 0:42:06.239
<v Speaker 1>streamline this, and you know, all I'm doing is trying

0:42:06.280 --> 0:42:09.800
<v Speaker 1>to protect the artist. And I'm like, okay, you're the

0:42:09.880 --> 0:42:12.120
<v Speaker 1>one guy in this whole crew. The artist doesn't even

0:42:12.200 --> 0:42:17.840
<v Speaker 1>know right and this is my house. And if you

0:42:17.920 --> 0:42:20.799
<v Speaker 1>want to streamline something because you think it's the right

0:42:20.840 --> 0:42:22.920
<v Speaker 1>thing to do, then you should have come to me

0:42:23.120 --> 0:42:27.000
<v Speaker 1>at the bodyguard and I'll have that conversation with you

0:42:27.120 --> 0:42:29.279
<v Speaker 1>because I'd appreciate it if you can help us make

0:42:29.360 --> 0:42:33.640
<v Speaker 1>more money. But don't be coming in my house behind

0:42:33.719 --> 0:42:38.600
<v Speaker 1>my back. He's like, okay, I'm sorry, pop up. I

0:42:38.640 --> 0:42:40.320
<v Speaker 1>call the business manager and said I don't want to

0:42:40.320 --> 0:42:43.120
<v Speaker 1>see him after tomorrow. He rode the bus with us

0:42:43.400 --> 0:42:47.280
<v Speaker 1>to d C to Philly. We got to the hotel

0:42:47.360 --> 0:42:50.400
<v Speaker 1>in Philly and there was a message waiting for him

0:42:50.440 --> 0:42:53.360
<v Speaker 1>to get on the first plane out the next morning.

0:42:53.440 --> 0:42:58.640
<v Speaker 1>Everybody said what time did he come? M hm. So

0:42:58.920 --> 0:43:03.360
<v Speaker 1>it totally to pay ends. It just totally depends. And

0:43:04.920 --> 0:43:09.600
<v Speaker 1>the first lesson is don't hire your friends, son, you

0:43:09.719 --> 0:43:20.080
<v Speaker 1>out now starting fire people. That's the key. Let me

0:43:20.160 --> 0:43:22.279
<v Speaker 1>just mark this off. Do not ask for a raise

0:43:22.840 --> 0:43:27.000
<v Speaker 1>because because I have I have had a situation um

0:43:27.080 --> 0:43:29.839
<v Speaker 1>in the last ten years where I hired a friend

0:43:30.880 --> 0:43:36.279
<v Speaker 1>who was qualified but for whatever reason, didn't satisfy the

0:43:36.920 --> 0:43:42.839
<v Speaker 1>situation and or the artist, and I hesitated to fire him,

0:43:43.080 --> 0:43:45.480
<v Speaker 1>and I should have. If it had been anybody else,

0:43:45.560 --> 0:43:50.480
<v Speaker 1>I would have replaced him right um, And I didn't

0:43:51.400 --> 0:44:03.200
<v Speaker 1>because I pumped out next subject before we wrapped up.

0:44:05.280 --> 0:44:10.319
<v Speaker 1>I've heard quasi heard step Gordon's version of this, only

0:44:10.360 --> 0:44:15.600
<v Speaker 1>because he's owner of Carlos and Charlie's. And we've had

0:44:15.760 --> 0:44:19.640
<v Speaker 1>Huey Lewis on the show, and we're just discovering that

0:44:19.880 --> 0:44:24.000
<v Speaker 1>Huey Lewis saying what was supposed to be Princess parts

0:44:25.000 --> 0:44:30.799
<v Speaker 1>on We Are the World? Can you I've never asked

0:44:30.800 --> 0:44:34.040
<v Speaker 1>you this question? What the hell actually happened the night

0:44:34.120 --> 0:44:38.319
<v Speaker 1>of American Music Awards and why? How did you get

0:44:38.400 --> 0:44:42.920
<v Speaker 1>the word that there was a song called we Are

0:44:43.000 --> 0:44:48.200
<v Speaker 1>the World? And he's expected to participate, Like I assume

0:44:48.239 --> 0:44:53.479
<v Speaker 1>that the call would have came to you first, Okay, okay,

0:44:53.600 --> 0:44:56.439
<v Speaker 1>not to you? Yeah, I mean I was involved into

0:44:56.480 --> 0:45:00.160
<v Speaker 1>conversations and farnly pitched it to him. So do what

0:45:00.320 --> 0:45:03.560
<v Speaker 1>Quincy's doing. He's reached out. He really wants you on this.

0:45:03.800 --> 0:45:06.960
<v Speaker 1>Here's who everybody else is gonna be there in prison. No,

0:45:07.360 --> 0:45:10.879
<v Speaker 1>he was just not interested. It's just I'm not gonna

0:45:10.920 --> 0:45:14.279
<v Speaker 1>be like everybody else. But he did contribute a song

0:45:14.400 --> 0:45:17.840
<v Speaker 1>ultimately to that, and and he offered to do that

0:45:18.000 --> 0:45:20.239
<v Speaker 1>at the beginning. He's like, I'll give my song for

0:45:20.320 --> 0:45:23.359
<v Speaker 1>the album, but I'm just not that guy. I don't

0:45:23.440 --> 0:45:26.879
<v Speaker 1>do group things that I don't have everything controlled over. Yeah, okay,

0:45:28.920 --> 0:45:33.080
<v Speaker 1>you know that's understandable. Okay, but but but that night

0:45:33.120 --> 0:45:35.680
<v Speaker 1>at Carlos and Charley's, like what happened that? What what

0:45:35.920 --> 0:45:40.080
<v Speaker 1>happened is is we tried to convince him like, okay,

0:45:40.160 --> 0:45:43.239
<v Speaker 1>you're not going to do that, but understand something, this

0:45:43.400 --> 0:45:46.480
<v Speaker 1>recording session is bigger than the ords show. This is

0:45:46.600 --> 0:45:49.600
<v Speaker 1>like the biggest thing of the year because everybody's there,

0:45:51.040 --> 0:45:56.200
<v Speaker 1>and by you not doing it, you can't go out clubbing.

0:45:58.239 --> 0:46:00.160
<v Speaker 1>That was the actual concern of you guys back then.

0:46:00.239 --> 0:46:02.600
<v Speaker 1>It was a huge consitent This could be a pr disaster,

0:46:03.280 --> 0:46:06.640
<v Speaker 1>Like why are you not singing for starving children? Yeah? Exactly,

0:46:06.719 --> 0:46:08.960
<v Speaker 1>you I would think, like now just been like Rianna

0:46:09.040 --> 0:46:11.839
<v Speaker 1>didn't make it. Well maybe now, but but there wasn't

0:46:11.880 --> 0:46:16.000
<v Speaker 1>No Prince couldn't make it because um Quincy was pissed.

0:46:17.200 --> 0:46:21.160
<v Speaker 1>He's like, who does he think The reaction was from him?

0:46:21.160 --> 0:46:23.680
<v Speaker 1>Midtalanto Routie was, who does he think he is? Michael's here?

0:46:23.760 --> 0:46:28.000
<v Speaker 1>Diana Ross is here, fucking Ray Charles is here? Is here? Okay?

0:46:34.280 --> 0:46:45.759
<v Speaker 1>Left right? And the Canadian, the Canadian who was part

0:46:45.760 --> 0:46:50.640
<v Speaker 1>of USA for Africa. Um, but no, it was a

0:46:50.800 --> 0:46:54.239
<v Speaker 1>serious concern. So they just literally thought that he would

0:46:54.320 --> 0:46:57.560
<v Speaker 1>jump at this opportunity. I suppose. I mean, you know,

0:46:57.640 --> 0:46:59.279
<v Speaker 1>who does he think he is? Park here? He goes

0:46:59.320 --> 0:47:05.680
<v Speaker 1>at the door? Everybody else who's famously private and diva ish,

0:47:06.719 --> 0:47:13.399
<v Speaker 1>no more than Donna Ross, right, Michael was no joke.

0:47:14.600 --> 0:47:16.839
<v Speaker 1>So I mean, if they can do it, why can't

0:47:16.880 --> 0:47:20.319
<v Speaker 1>he do it? Not to mention the fact that it's

0:47:20.320 --> 0:47:24.279
<v Speaker 1>a cause he should be associated with. So I still

0:47:24.400 --> 0:47:28.640
<v Speaker 1>think decision. I'm not saying it wasn't. But the issue

0:47:28.800 --> 0:47:32.200
<v Speaker 1>wasn't whether he did it. It was to Quincy because

0:47:32.239 --> 0:47:38.040
<v Speaker 1>he took it personally, because that's just how exactly. But

0:47:38.719 --> 0:47:44.000
<v Speaker 1>the issue was don't go out drinking in clubs when

0:47:44.080 --> 0:47:47.880
<v Speaker 1>everybody else is doing that. Because the media was out there,

0:47:47.920 --> 0:47:52.520
<v Speaker 1>I mean, this was a big event and everybody at

0:47:52.560 --> 0:47:55.720
<v Speaker 1>the Oars was talking about it. See at the studio.

0:47:56.000 --> 0:48:00.120
<v Speaker 1>You know, this was huge. It's never been a an

0:48:00.120 --> 0:48:03.480
<v Speaker 1>assemblage of the Empany people to make one record on

0:48:03.640 --> 0:48:07.239
<v Speaker 1>on that level. It was crazy. It was unamagine somebody said,

0:48:07.280 --> 0:48:09.600
<v Speaker 1>you're gonna have all of those people in a recording

0:48:09.640 --> 0:48:14.080
<v Speaker 1>studio at the same time, You'd be like, what, I

0:48:14.160 --> 0:48:19.000
<v Speaker 1>don't think so, so we begged him and we had

0:48:19.040 --> 0:48:23.200
<v Speaker 1>a plan. We were staying at the Westwood Markuee out

0:48:23.239 --> 0:48:27.759
<v Speaker 1>in Westwood. Yeah, it was kind of one of the

0:48:27.840 --> 0:48:30.480
<v Speaker 1>hot hotels at that point, and it was also off

0:48:30.520 --> 0:48:32.560
<v Speaker 1>the beaten path because it was all the way west.

0:48:33.760 --> 0:48:37.000
<v Speaker 1>And we went back to the hotel to celebrate and

0:48:37.160 --> 0:48:41.439
<v Speaker 1>we got Bobby, and Vickie was there and Gwen was there,

0:48:41.440 --> 0:48:44.319
<v Speaker 1>and we all went up to his suite and hung

0:48:44.360 --> 0:48:46.600
<v Speaker 1>out and I said, Okay, none of us are going

0:48:46.640 --> 0:48:48.600
<v Speaker 1>to paid early tonight. We're gonna hang out with him

0:48:48.600 --> 0:48:51.200
<v Speaker 1>because we gotta keep him in the hotel. So we

0:48:51.280 --> 0:48:55.400
<v Speaker 1>got to create your was absolutely a plan. Is that

0:48:55.560 --> 0:48:57.840
<v Speaker 1>a party with six people? Well there were more, the

0:48:57.920 --> 0:49:01.000
<v Speaker 1>whole band was there, a few other people, and you know,

0:49:01.160 --> 0:49:03.160
<v Speaker 1>but it was basically in the house. Because that's not

0:49:03.239 --> 0:49:06.880
<v Speaker 1>really like socialized. It doesn't let any nobody come hang

0:49:06.960 --> 0:49:09.880
<v Speaker 1>in the hotel suite. But the whole point was just,

0:49:10.360 --> 0:49:13.000
<v Speaker 1>you know, let's let's keep the talk going. It was

0:49:13.040 --> 0:49:16.520
<v Speaker 1>a great night. We won awards, and to celebrate, and

0:49:16.680 --> 0:49:19.880
<v Speaker 1>let's toast and even have a couple of extra drinks

0:49:19.960 --> 0:49:22.040
<v Speaker 1>or maybe he'll fall asleep because he wasn't a drinker.

0:49:22.800 --> 0:49:25.120
<v Speaker 1>He was like, he'd have two drinks in Carloston Charlie's

0:49:25.160 --> 0:49:30.200
<v Speaker 1>and be sitting on the floor gagling literally literally, Um

0:49:31.320 --> 0:49:35.800
<v Speaker 1>yeah when it come to drinking. Absolutely so that that

0:49:35.920 --> 0:49:39.440
<v Speaker 1>was the whole plan. And I guess it got to

0:49:39.520 --> 0:49:42.759
<v Speaker 1>be about one o'clock, maybe one three. I can't tell

0:49:42.760 --> 0:49:48.120
<v Speaker 1>you exactly what time. And um, we finally figured okay,

0:49:48.280 --> 0:49:50.120
<v Speaker 1>and it was a piano in his sweet and he

0:49:50.280 --> 0:49:55.080
<v Speaker 1>was playing, and you know, it was, you know, big

0:49:55.160 --> 0:49:58.160
<v Speaker 1>party the in house, all of us celebrating because it

0:49:58.200 --> 0:50:02.520
<v Speaker 1>has been a great night. And um, so finally figured

0:50:02.520 --> 0:50:04.759
<v Speaker 1>it was safe and I was exhausted, so Gwen and

0:50:04.840 --> 0:50:07.440
<v Speaker 1>I went to our room and the little party broke up,

0:50:08.800 --> 0:50:13.160
<v Speaker 1>and I'm thinking mission accomplished. It's all good. About three

0:50:13.239 --> 0:50:15.640
<v Speaker 1>o'clock in the morning, the phone rings in my room

0:50:15.680 --> 0:50:19.040
<v Speaker 1>and it's chick buddy. We got a problem. That's how

0:50:19.120 --> 0:50:23.120
<v Speaker 1>it always starts. How many times wait, wait with pause?

0:50:24.239 --> 0:50:26.440
<v Speaker 1>How many times have you gotten a call from Chick

0:50:26.480 --> 0:50:29.560
<v Speaker 1>where it's buddy, we got a problem. Knock that often.

0:50:29.640 --> 0:50:33.000
<v Speaker 1>We didn't have a lot of problems. But so you

0:50:33.120 --> 0:50:36.319
<v Speaker 1>already were bracing yourself. No, I thought we were cool.

0:50:36.440 --> 0:50:39.520
<v Speaker 1>I thought mission accomplished. Said he's had a couple of drinks,

0:50:39.600 --> 0:50:42.800
<v Speaker 1>he's getting sleepy, he's you know, he had his his

0:50:42.960 --> 0:50:46.560
<v Speaker 1>fun was his with his posse, and we gave him

0:50:46.560 --> 0:50:49.120
<v Speaker 1>all the props he needed to feel important. Didn't feel

0:50:49.120 --> 0:50:52.400
<v Speaker 1>good about the night, you know, and he was already

0:50:52.400 --> 0:50:55.480
<v Speaker 1>talking about the song he was gonna do for the album.

0:50:55.760 --> 0:51:01.200
<v Speaker 1>It's Steve reminded us of So I'm thinking we're good. Well,

0:51:01.400 --> 0:51:05.759
<v Speaker 1>not only did he called Chick to go out after

0:51:05.880 --> 0:51:09.520
<v Speaker 1>we all disappeared, and they also had I think Wally

0:51:09.719 --> 0:51:13.200
<v Speaker 1>was with him, Wally Stafford and another bodyguard named Larry,

0:51:15.360 --> 0:51:21.040
<v Speaker 1>and they went to Carlos and Charlotte's, and some paparazzi

0:51:21.160 --> 0:51:27.880
<v Speaker 1>mobbed the car and they got into a pushing. I

0:51:27.960 --> 0:51:30.120
<v Speaker 1>guess they tried to stick the camera in the window

0:51:30.160 --> 0:51:33.120
<v Speaker 1>of the car window or something. And and at any rate,

0:51:33.200 --> 0:51:39.600
<v Speaker 1>there was a spat and the photographer said that he

0:51:39.680 --> 0:51:45.400
<v Speaker 1>had been attacked, and um um, I guess Larry the

0:51:45.480 --> 0:51:48.200
<v Speaker 1>bodyguard who was like twice your size. I mean, the

0:51:48.280 --> 0:51:51.800
<v Speaker 1>guy was freaking huge. He's like he was like Tyson

0:51:51.880 --> 0:51:56.719
<v Speaker 1>Fury huge. And um, I guess he did push him

0:51:56.760 --> 0:51:58.839
<v Speaker 1>or shove him or smack him or something. I don't

0:51:58.880 --> 0:52:02.320
<v Speaker 1>know what he did. At any rate, the police locked

0:52:02.360 --> 0:52:06.160
<v Speaker 1>up Larry. So it wasn't just about Princes having this

0:52:06.400 --> 0:52:08.640
<v Speaker 1>issue that is now going to be in the press.

0:52:09.440 --> 0:52:12.440
<v Speaker 1>But you also had our bodyguard dudes on tour with

0:52:12.560 --> 0:52:15.080
<v Speaker 1>us in jail, so I had to deal with that

0:52:15.360 --> 0:52:20.080
<v Speaker 1>how to get him out? And sure enough USA today

0:52:20.200 --> 0:52:22.200
<v Speaker 1>and a lot of the papers that they're talking about

0:52:22.520 --> 0:52:25.640
<v Speaker 1>prints attacking and photographer at Carlos and Charley's, while the

0:52:25.680 --> 0:52:29.080
<v Speaker 1>whole record industry is doing, We're in the world and

0:52:29.200 --> 0:52:32.040
<v Speaker 1>it's exactly what happened. So do you think it was

0:52:32.160 --> 0:52:34.040
<v Speaker 1>ego that made him not want to participate in that,

0:52:34.280 --> 0:52:36.600
<v Speaker 1>or like he's notorious for not letting people watch him

0:52:36.600 --> 0:52:38.759
<v Speaker 1>record his vocals. Do you think that might have been

0:52:38.760 --> 0:52:42.040
<v Speaker 1>played a part of it. I never thought that that

0:52:42.480 --> 0:52:44.319
<v Speaker 1>might have been part of it. But he wasn't going

0:52:44.360 --> 0:52:46.600
<v Speaker 1>to be doing really lead vocals. So I don't think

0:52:46.680 --> 0:52:49.239
<v Speaker 1>that was that big of an issue. It's like he

0:52:49.440 --> 0:52:52.239
<v Speaker 1>never never wanted to be part of anything that that

0:52:52.760 --> 0:52:55.279
<v Speaker 1>he didn't have control over. I mean, if you if

0:52:55.320 --> 0:52:57.680
<v Speaker 1>you think of all the other people's records that he

0:52:57.800 --> 0:53:02.000
<v Speaker 1>appeared on, they were almost was tracks he produced or

0:53:02.080 --> 0:53:06.399
<v Speaker 1>head input or head control. He just the same goes

0:53:06.520 --> 0:53:13.719
<v Speaker 1>with you're gonna play like this, Yeah, but then you

0:53:13.760 --> 0:53:15.279
<v Speaker 1>guys mix him like so you can't hear him? So

0:53:15.840 --> 0:53:21.960
<v Speaker 1>is he even really there? Yes, he's there that you

0:53:22.040 --> 0:53:26.160
<v Speaker 1>know what now that HUEI So Huie reveals that, um,

0:53:26.840 --> 0:53:30.319
<v Speaker 1>I didn't know Chef Carloson Charley. Yeah, so he has

0:53:30.360 --> 0:53:35.879
<v Speaker 1>a story like he he has a Eddie Murphy. Yeah,

0:53:36.160 --> 0:53:39.520
<v Speaker 1>he chef was part owner of Carlson Charles. He tells

0:53:39.560 --> 0:53:45.759
<v Speaker 1>the story of Eddie Murphy getting into a tussle with

0:53:46.360 --> 0:53:50.440
<v Speaker 1>a fan the night before his first day of shooting

0:53:50.440 --> 0:53:54.759
<v Speaker 1>Beverly Hills cop and so Eddie actually has to go

0:53:54.960 --> 0:54:04.200
<v Speaker 1>to the Beverly Hills jail and it took method acting

0:54:05.280 --> 0:54:10.040
<v Speaker 1>and it took I guess the president of Paramount had

0:54:10.120 --> 0:54:15.560
<v Speaker 1>to call up Sheep to see if chef could pull strings.

0:54:15.640 --> 0:54:18.839
<v Speaker 1>Chef had like pulled with the Beverly opd back then

0:54:18.920 --> 0:54:20.759
<v Speaker 1>or whatever, and said, look, this guy has to be

0:54:20.840 --> 0:54:24.480
<v Speaker 1>on set tomorrow at five am. Yeada YadA woo, and

0:54:24.680 --> 0:54:29.520
<v Speaker 1>took a lot of easing into that. But Sheep also remembers,

0:54:30.000 --> 0:54:33.200
<v Speaker 1>uh that night, that's how I knew that he owned

0:54:34.120 --> 0:54:38.000
<v Speaker 1>was part owner Carlos and Charlie. The thing is is

0:54:38.080 --> 0:54:42.040
<v Speaker 1>that when Huey lewis Revelle, so there's a point when

0:54:42.120 --> 0:54:45.520
<v Speaker 1>you's like telling what the experiences like. And I think

0:54:46.000 --> 0:54:48.840
<v Speaker 1>at the last minute they realized, ship, we don't know

0:54:48.880 --> 0:54:52.520
<v Speaker 1>everbody's singing Prince's part. And just at the last minute,

0:54:53.120 --> 0:54:58.279
<v Speaker 1>Quincy looking from the huie, you sing it. And then

0:54:58.360 --> 0:55:02.520
<v Speaker 1>I realized, oh, Michael Jackson, you slide devil like you

0:55:02.800 --> 0:55:08.239
<v Speaker 1>purposely set up this, this this game of horse once

0:55:08.320 --> 0:55:13.440
<v Speaker 1>again for Prince to follow you. And it's done in

0:55:13.520 --> 0:55:18.560
<v Speaker 1>a key. Prince rarely sings in in uh e minor.

0:55:19.800 --> 0:55:23.399
<v Speaker 1>It's it's it's too high for him to sing, it's

0:55:23.440 --> 0:55:28.360
<v Speaker 1>too low for like he rarely sings. It was shokodels

0:55:28.400 --> 0:55:30.560
<v Speaker 1>in e minor like I can count like and and

0:55:31.000 --> 0:55:33.600
<v Speaker 1>Dorothy Parker he changed the speed of his voice on

0:55:33.640 --> 0:55:37.919
<v Speaker 1>that song too, exactly That's what I'm saying is done

0:55:38.000 --> 0:55:41.440
<v Speaker 1>in that. And you know, Dorothy Parker is more him

0:55:41.480 --> 0:55:43.440
<v Speaker 1>going all over the place but not sticking in that key.

0:55:43.800 --> 0:55:46.560
<v Speaker 1>So I can't imagine him singing. I've never heard him

0:55:46.560 --> 0:55:50.279
<v Speaker 1>singing a song. So when I realized that, I was like,

0:55:50.360 --> 0:55:55.839
<v Speaker 1>oh damn, Michael Jackson set him up again. Oh wait,

0:55:55.840 --> 0:55:57.399
<v Speaker 1>I don't want to end it on a bad prince.

0:56:01.600 --> 0:56:07.120
<v Speaker 1>All right, that's enough, no, okay for you. Purple Rain

0:56:07.200 --> 0:56:11.000
<v Speaker 1>was the most historical, and yeah, I mean it's as

0:56:11.080 --> 0:56:13.640
<v Speaker 1>a tour, it had to be. I mean, what James Brown,

0:56:13.719 --> 0:56:16.960
<v Speaker 1>We didn't tour. We worked. It's so there were certain

0:56:17.040 --> 0:56:19.960
<v Speaker 1>gigs that were more significant than others. But but it's

0:56:20.040 --> 0:56:23.040
<v Speaker 1>it's it's hard to isolate a tour because we just

0:56:23.440 --> 0:56:26.960
<v Speaker 1>worked all the time out of the year exactly. Okay,

0:56:27.080 --> 0:56:32.719
<v Speaker 1>So my last question is what do you think you

0:56:32.840 --> 0:56:38.400
<v Speaker 1>have a top three? Damn, this show is good moment

0:56:38.640 --> 0:56:41.319
<v Speaker 1>and I know that most of the time your backstage,

0:56:43.080 --> 0:56:47.080
<v Speaker 1>you know, handling business, preparing for Like do you have

0:56:47.239 --> 0:56:50.040
<v Speaker 1>you ever watched any of your clients shows from beginning

0:56:50.080 --> 0:56:53.799
<v Speaker 1>to end from the front of the house occasion, sure,

0:56:54.239 --> 0:56:56.440
<v Speaker 1>just for nothing to do or just just to make

0:56:56.480 --> 0:56:59.279
<v Speaker 1>sure that nothing goes wrong, like are you looking at

0:56:59.320 --> 0:57:02.240
<v Speaker 1>the lights of and or are you just They're like, okay,

0:57:02.600 --> 0:57:04.800
<v Speaker 1>I trust that for the next hour and a half,

0:57:05.520 --> 0:57:07.359
<v Speaker 1>the world's not gonna come to an end and blah

0:57:07.400 --> 0:57:12.000
<v Speaker 1>blah blah. Has this backstage? Or there was a James

0:57:12.120 --> 0:57:14.640
<v Speaker 1>Brown show at the at the Old Spectrum in Philly

0:57:16.240 --> 0:57:19.800
<v Speaker 1>and the Cells were on the show right and the

0:57:19.920 --> 0:57:22.560
<v Speaker 1>Dells were red hot at the time, and they killed

0:57:22.800 --> 0:57:25.320
<v Speaker 1>and James was backstage. I tell the story in the book.

0:57:25.400 --> 0:57:29.440
<v Speaker 1>He was backstage pacing, going berserk. He told Danny Ray

0:57:29.520 --> 0:57:31.520
<v Speaker 1>to go out there and pull him off stage. They're

0:57:31.560 --> 0:57:34.600
<v Speaker 1>staying on too long. They had they had the crowd

0:57:34.680 --> 0:57:37.600
<v Speaker 1>in the poplar hands. Now they're blown it because they didn't.

0:57:37.600 --> 0:57:39.560
<v Speaker 1>They're not professionals. They don't know when to come off.

0:57:40.600 --> 0:57:42.480
<v Speaker 1>And it was all because they were killing. The place

0:57:42.560 --> 0:57:46.160
<v Speaker 1>was going to preserve m hmm. And wait, was there

0:57:46.240 --> 0:57:48.560
<v Speaker 1>stage though that good? Or is this the Hits or

0:57:49.520 --> 0:57:53.320
<v Speaker 1>just Marvin Jr. Was just God of singing. They could sing.

0:57:54.760 --> 0:57:56.720
<v Speaker 1>The Dells were no joke. I mean, they had the

0:57:56.800 --> 0:57:59.520
<v Speaker 1>typical choreography and they were good at it. But but

0:58:00.440 --> 0:58:02.720
<v Speaker 1>and a couple of more decent looking guys. But I

0:58:02.760 --> 0:58:07.760
<v Speaker 1>mean they weren't the Temptations, but goddamn they could sing Marvin. Yeah,

0:58:08.160 --> 0:58:14.760
<v Speaker 1>neither was Johnny cart exactly. And their harmonies, they their

0:58:15.000 --> 0:58:18.320
<v Speaker 1>group harmonies tended to be a little more sophisticated than

0:58:18.400 --> 0:58:22.880
<v Speaker 1>the average duop group. Right. Um and they and they

0:58:22.960 --> 0:58:28.120
<v Speaker 1>had they had a string of great sun Stepney before

0:58:29.320 --> 0:58:33.800
<v Speaker 1>he did their biggest hits. Um, and they were killing.

0:58:33.920 --> 0:58:35.960
<v Speaker 1>This was right at the peak of their their thing.

0:58:36.400 --> 0:58:39.680
<v Speaker 1>James was going crazy. I've never seen him like that,

0:58:39.960 --> 0:58:42.520
<v Speaker 1>and it really was remarkable to me because I had

0:58:42.600 --> 0:58:46.960
<v Speaker 1>never seen him actually show any nerves like that. And

0:58:47.280 --> 0:58:52.800
<v Speaker 1>I mean he was dressed and pacing and smoking a cigarette,

0:58:52.840 --> 0:58:55.720
<v Speaker 1>which you never did until he would he would smoke.

0:58:55.800 --> 0:58:59.040
<v Speaker 1>He didn't smoke, but he would smoke a cigarette as

0:58:59.080 --> 0:59:01.480
<v Speaker 1>he walked to this age and then hand it to

0:59:01.600 --> 0:59:05.200
<v Speaker 1>somebody as he walked onto the stage. And I guess

0:59:05.280 --> 0:59:07.080
<v Speaker 1>it had something to do with his voice, and he

0:59:07.640 --> 0:59:11.600
<v Speaker 1>believed it did something for his voice that raps came from.

0:59:13.760 --> 0:59:15.800
<v Speaker 1>Unless it was just a nervous happened or is this

0:59:15.920 --> 0:59:19.440
<v Speaker 1>nineteen seventy, This is seventy or seventy one, I can't remember.

0:59:19.680 --> 0:59:22.560
<v Speaker 1>This is super prime James yeah. Oh yeah, that guy

0:59:22.680 --> 0:59:25.440
<v Speaker 1>was good. Yeah. I think he meant mustache. No no, no, no,

0:59:25.520 --> 0:59:27.680
<v Speaker 1>no no no, no, no no no, this was this

0:59:27.920 --> 0:59:33.240
<v Speaker 1>was no facial hair James. This was a James. And

0:59:33.600 --> 0:59:36.880
<v Speaker 1>this is nineteen seventy. My parents are at this show

0:59:39.040 --> 0:59:41.960
<v Speaker 1>because my mom said that my first kicks were at

0:59:42.040 --> 0:59:47.040
<v Speaker 1>a Dell's concert. Anyway, Okay, so you were there, Yeah,

0:59:47.880 --> 0:59:50.320
<v Speaker 1>suffice it to say, if you remember the Spectrum, the

0:59:50.400 --> 0:59:52.920
<v Speaker 1>stage was in the round, in the middle of the arena,

0:59:53.560 --> 0:59:56.560
<v Speaker 1>and it actually revolved through it slowly revolved. So the

0:59:56.680 --> 1:00:00.560
<v Speaker 1>idea was that every seat would get a front review

1:00:00.680 --> 1:00:05.760
<v Speaker 1>at some point. Spectrum or Valley Forge Music Fair, Spectrum, yeah,

1:00:05.800 --> 1:00:07.680
<v Speaker 1>they have one, not the only place that had it.

1:00:07.760 --> 1:00:11.920
<v Speaker 1>But yeah, anyway, long story short places soldier. It's packed,

1:00:12.080 --> 1:00:18.840
<v Speaker 1>it's really big show. And he comes out and in

1:00:19.080 --> 1:00:20.960
<v Speaker 1>order to get to the stage because it's in the

1:00:21.040 --> 1:00:22.880
<v Speaker 1>middle of the green and you got to create a

1:00:24.040 --> 1:00:29.240
<v Speaker 1>space to get from the locker rooms across to the stage,

1:00:30.760 --> 1:00:34.240
<v Speaker 1>and of course as security, and you create a human

1:00:34.360 --> 1:00:36.640
<v Speaker 1>fence with security and so on and so on, and

1:00:37.000 --> 1:00:40.000
<v Speaker 1>and I mean he got mopped. I mean they were

1:00:40.040 --> 1:00:43.480
<v Speaker 1>people were diving over the security just to tear at him.

1:00:43.720 --> 1:00:46.880
<v Speaker 1>He got to the stage, his jacket was already torn.

1:00:48.160 --> 1:00:51.240
<v Speaker 1>I mean literally he hit the stage with it was

1:00:51.320 --> 1:00:52.960
<v Speaker 1>kind of a shirt jacket and it was like a

1:00:53.080 --> 1:00:57.600
<v Speaker 1>jumpsuit type town or seventies and and it was torn.

1:00:58.600 --> 1:01:02.200
<v Speaker 1>And he looked a little bit disheveled because he going

1:01:02.280 --> 1:01:05.360
<v Speaker 1>through this. And it was probably the most intense show

1:01:05.360 --> 1:01:07.800
<v Speaker 1>I've ever seen him too before since. I mean, it

1:01:07.920 --> 1:01:15.240
<v Speaker 1>was just absolutely on fire and memorably so. And who

1:01:15.320 --> 1:01:17.640
<v Speaker 1>was the band probably so it was it was boosting

1:01:17.720 --> 1:01:25.960
<v Speaker 1>them and I can't remember if they don't have any um,

1:01:26.360 --> 1:01:28.800
<v Speaker 1>but I mean, he was just amazing. He was just

1:01:29.000 --> 1:01:32.400
<v Speaker 1>just just the Bambo was tight. Clyde was there. He

1:01:32.520 --> 1:01:35.240
<v Speaker 1>had come back, so we had Clyde and Jabbo both

1:01:35.280 --> 1:01:38.000
<v Speaker 1>on stage. I can't remember if Pinkney was back yet,

1:01:38.080 --> 1:01:43.000
<v Speaker 1>probably because he was he had come back. But it

1:01:43.240 --> 1:01:46.040
<v Speaker 1>was just and in the place, and of course a

1:01:46.120 --> 1:01:48.040
<v Speaker 1>lot of it had to do with the audience was amped.

1:01:48.600 --> 1:01:52.920
<v Speaker 1>It was just people weren't preserved um. So that's memorable.

1:01:53.600 --> 1:01:58.840
<v Speaker 1>But quite honestly, and Princeman Annex will hate me for this.

1:01:59.840 --> 1:02:04.760
<v Speaker 1>The most musically gratifying shows I've been part of since

1:02:04.840 --> 1:02:13.479
<v Speaker 1>my James Brown years. Thank you very much, Dalter, don't

1:02:13.480 --> 1:02:16.840
<v Speaker 1>do that. Don't do that. That's not true. That's not

1:02:17.000 --> 1:02:21.040
<v Speaker 1>good man. Yeah, seriously, dude, but no question. Our show

1:02:21.240 --> 1:02:25.760
<v Speaker 1>was just by the transitive accium. This show was a parade. Parade.

1:02:26.600 --> 1:02:28.840
<v Speaker 1>Now do you see how he says our show? He

1:02:28.960 --> 1:02:31.840
<v Speaker 1>doesn't realize I could be talking about the more recent

1:02:31.920 --> 1:02:42.320
<v Speaker 1>shows with Chris. Are you telling me good ones? Good one? No? Seriously,

1:02:43.480 --> 1:02:46.360
<v Speaker 1>I played agree with you. I played tapes of those shows.

1:02:46.600 --> 1:02:51.840
<v Speaker 1>Like their new records, they're in steady constant rotation in

1:02:51.960 --> 1:02:54.200
<v Speaker 1>my house. We're never gonna get that live album? Are

1:02:54.280 --> 1:03:06.360
<v Speaker 1>we that voodoo live albums? No, we aren't. That silence there,

1:03:07.800 --> 1:03:11.160
<v Speaker 1>there were some coded words there. It's always a possibility, never,

1:03:11.240 --> 1:03:14.480
<v Speaker 1>never say never. That's the That's the one moment in

1:03:14.560 --> 1:03:22.320
<v Speaker 1>my life where I felt I was living history in

1:03:22.520 --> 1:03:27.160
<v Speaker 1>real time, like something historical. And it wasn't that because

1:03:27.360 --> 1:03:31.200
<v Speaker 1>it wasn't because like that was my first taste of

1:03:32.560 --> 1:03:35.800
<v Speaker 1>something major, you know, because by that point, like we

1:03:35.920 --> 1:03:39.959
<v Speaker 1>had just broken through the other side as the roots

1:03:40.040 --> 1:03:42.760
<v Speaker 1>and you know, like just slowly started to creep to

1:03:43.480 --> 1:03:49.400
<v Speaker 1>a satisfactory level of celebrity whatever. But um, you know,

1:03:49.560 --> 1:03:58.320
<v Speaker 1>for me, nothing will ever beat that Minneapolis show and

1:04:00.120 --> 1:04:08.120
<v Speaker 1>got Prince Fans will kill me. It was just it starts.

1:04:09.520 --> 1:04:13.760
<v Speaker 1>See the Minneapolis show starts with we. We were summoned

1:04:13.760 --> 1:04:18.800
<v Speaker 1>to the park at one m. At one M. Well,

1:04:18.800 --> 1:04:20.960
<v Speaker 1>are you talking about that experience? Are you're talking about

1:04:21.000 --> 1:04:24.320
<v Speaker 1>the actual gig? No? No, no no, But that experience

1:04:24.400 --> 1:04:28.720
<v Speaker 1>leads to the gig. And you know, it was a

1:04:28.920 --> 1:04:32.480
<v Speaker 1>really weird night with him. I've had great nights wood prints,

1:04:32.640 --> 1:04:36.200
<v Speaker 1>I've had weird nights wood prints. We had nights wood prints.

1:04:36.520 --> 1:04:40.520
<v Speaker 1>But it's like we we were there for three hours,

1:04:42.280 --> 1:04:45.160
<v Speaker 1>and to me, the highlight of the whole night. Now,

1:04:45.240 --> 1:04:48.320
<v Speaker 1>we played with him for an hour. We sat in

1:04:48.400 --> 1:04:50.880
<v Speaker 1>the studio with him for an hour, listen to music

1:04:50.960 --> 1:04:54.800
<v Speaker 1>for an hour, And to me, the best part of

1:04:54.880 --> 1:04:58.360
<v Speaker 1>the whole night was the forty five minutes we took

1:04:58.440 --> 1:05:02.520
<v Speaker 1>out to watch an HBO special by a comedian named

1:05:02.600 --> 1:05:08.120
<v Speaker 1>Dave Chappelle that was on rotation in his nightclub. You know,

1:05:08.200 --> 1:05:10.320
<v Speaker 1>this guy is really funny, you said, And we sat

1:05:10.400 --> 1:05:12.440
<v Speaker 1>and watched it. He had Dave on that one on

1:05:12.520 --> 1:05:15.520
<v Speaker 1>the Beach one special, which one the Love for One

1:05:15.640 --> 1:05:18.840
<v Speaker 1>Enough other special. Yeah, Dave comes out like in the

1:05:18.920 --> 1:05:20.440
<v Speaker 1>middle of it and does like a five minutes see

1:05:20.480 --> 1:05:23.160
<v Speaker 1>or something like that. I was disinvited from that, remember,

1:05:23.840 --> 1:05:28.880
<v Speaker 1>were then I became disinvited. Even Richie the driver, who's

1:05:28.920 --> 1:05:33.040
<v Speaker 1>the driver, Robbie the driver like couldn't drive us in

1:05:33.120 --> 1:05:35.240
<v Speaker 1>the gates because he had been banned from Like we

1:05:35.320 --> 1:05:38.440
<v Speaker 1>had to walk through the snow to get there, not

1:05:38.600 --> 1:05:40.720
<v Speaker 1>the snow, like I just remember he could. It was

1:05:40.760 --> 1:05:45.160
<v Speaker 1>the summertime, right or honestly, no, I started the show

1:05:45.240 --> 1:05:49.800
<v Speaker 1>started in March. Yeah, it was summertimes or early fall. Yeah,

1:05:49.840 --> 1:05:51.600
<v Speaker 1>but I just remember that Robbie was like, I'm not

1:05:51.720 --> 1:05:54.600
<v Speaker 1>allowed to drive through, so you guys to walk through. Yeah,

1:05:54.720 --> 1:05:57.240
<v Speaker 1>that's weird. And that's where the night got weird. But

1:05:57.640 --> 1:06:01.480
<v Speaker 1>he had worked for him for years, right, old person assistant,

1:06:01.680 --> 1:06:06.280
<v Speaker 1>you know we know. So wait, don't we saw that, Robbie?

1:06:06.880 --> 1:06:09.680
<v Speaker 1>Yeah we do? Yeah? Yeah. And that was August of

1:06:09.920 --> 1:06:14.240
<v Speaker 1>two damn. What the internet is amazing? Damn? And this

1:06:14.400 --> 1:06:15.760
<v Speaker 1>the show I saw? It was two days after that.

1:06:16.200 --> 1:06:22.320
<v Speaker 1>What did you see Indiana the expo? No, I'm you're anyway?

1:06:22.440 --> 1:06:26.920
<v Speaker 1>So uh we left is that there must be a

1:06:27.000 --> 1:06:32.160
<v Speaker 1>Perkins restaurant or some sort of pancake house that's near

1:06:32.400 --> 1:06:34.680
<v Speaker 1>there and Robbie took us to it, and me and

1:06:34.760 --> 1:06:37.480
<v Speaker 1>d were our first words was like, yo, man, I

1:06:37.520 --> 1:06:40.720
<v Speaker 1>feel like we didn't know how to feel because the

1:06:40.840 --> 1:06:43.040
<v Speaker 1>night was just weird, Like he was talking weird. What

1:06:43.160 --> 1:06:45.560
<v Speaker 1>didn't you call me? And I don't remember who? And

1:06:45.760 --> 1:06:48.120
<v Speaker 1>you said, We've been quiet in the car all the

1:06:48.240 --> 1:06:51.360
<v Speaker 1>way and I feel like I need a bath. Yeah,

1:06:51.640 --> 1:06:54.959
<v Speaker 1>I said, never forget it. It was such a weird

1:06:55.120 --> 1:07:00.560
<v Speaker 1>violation because I'd never experienced. You know, now, I'm very

1:07:00.600 --> 1:07:03.120
<v Speaker 1>careful about like, oh, don't meet your idols, they might

1:07:03.200 --> 1:07:07.680
<v Speaker 1>disappoint you. But that was such an ambush that we

1:07:07.760 --> 1:07:13.120
<v Speaker 1>weren't ready for. And we sat there for like three minutes.

1:07:13.120 --> 1:07:15.920
<v Speaker 1>I was like, yo, like wait, was he trying to

1:07:16.000 --> 1:07:19.040
<v Speaker 1>diss us or what do you what do you think?

1:07:19.080 --> 1:07:21.200
<v Speaker 1>That's what? Like? We just sat there like not knowing

1:07:21.280 --> 1:07:24.600
<v Speaker 1>what happened to us. It was like some aliens side

1:07:24.640 --> 1:07:27.840
<v Speaker 1>in your heads. He he didn't get in our heads?

1:07:28.000 --> 1:07:30.800
<v Speaker 1>Yeah he did, you just said he did? Basically, it

1:07:30.960 --> 1:07:33.760
<v Speaker 1>wasn't he. I was disappointed he tried to get in

1:07:33.800 --> 1:07:37.320
<v Speaker 1>our heads because you know, I mean, no no secret.

1:07:37.400 --> 1:07:39.200
<v Speaker 1>I know he was like, you know, dude, watch out

1:07:39.200 --> 1:07:45.960
<v Speaker 1>for like you whatever, and yeah, all that stuff label,

1:07:46.000 --> 1:07:50.240
<v Speaker 1>but I bootlegged old stuff that's out there, and so

1:07:52.120 --> 1:07:58.360
<v Speaker 1>we said, I don't know. The next day, like you know,

1:07:58.520 --> 1:08:00.640
<v Speaker 1>we we went to our rooms next day, and then

1:08:01.400 --> 1:08:05.560
<v Speaker 1>backstage I was he was like, how do you feel, man,

1:08:06.400 --> 1:08:08.680
<v Speaker 1>I don't know, and I was just like, yo, man,

1:08:08.760 --> 1:08:12.280
<v Speaker 1>let's just let's do it. Because the thing was we

1:08:12.360 --> 1:08:16.760
<v Speaker 1>wanted to know was he gonna come to this and

1:08:17.080 --> 1:08:21.599
<v Speaker 1>he had conveniently Well, we should also preface that John

1:08:21.640 --> 1:08:24.840
<v Speaker 1>Breen didn't help at all with this one. Like John

1:08:24.880 --> 1:08:29.560
<v Speaker 1>Breen probably wrote the most scathing Prince taunt, and I

1:08:29.760 --> 1:08:31.960
<v Speaker 1>felt like he thought he was doing something good but

1:08:32.120 --> 1:08:35.880
<v Speaker 1>like trying to provoke Prince into or no, just to

1:08:37.240 --> 1:08:43.800
<v Speaker 1>return to his yeah, that sort of thing. So he

1:08:44.000 --> 1:08:47.000
<v Speaker 1>wrote this whole he wrote yeah, but he wrote this

1:08:47.080 --> 1:08:49.200
<v Speaker 1>whole thing about like you know, like a new Kings

1:08:49.240 --> 1:08:52.160
<v Speaker 1>in town. And I read the article and I was like, oh,

1:08:52.240 --> 1:08:55.200
<v Speaker 1>this is so over the top, Like John, you're not helping,

1:08:55.240 --> 1:09:00.559
<v Speaker 1>You're making people hate us. And I don't know. It's

1:09:00.600 --> 1:09:03.960
<v Speaker 1>just when we performed, when he performed Devil's Pie, he

1:09:04.120 --> 1:09:09.519
<v Speaker 1>brought that halle Berry energy and by the time we

1:09:09.840 --> 1:09:17.439
<v Speaker 1>got to we asked your brother to uh Solong lady,

1:09:18.920 --> 1:09:22.960
<v Speaker 1>and it was just like I felt we were on fire,

1:09:23.080 --> 1:09:26.560
<v Speaker 1>like I thought we were going to levitate, and the

1:09:26.680 --> 1:09:28.880
<v Speaker 1>audience was dead, and I was nervous about all that,

1:09:29.520 --> 1:09:33.120
<v Speaker 1>like we're in his town and we know his spies

1:09:33.160 --> 1:09:36.600
<v Speaker 1>are here and whatnot. I don't even believe that he

1:09:36.800 --> 1:09:42.920
<v Speaker 1>went to Egypt that day. I just think he just

1:09:43.080 --> 1:09:46.760
<v Speaker 1>told us that, just know he knew enough to know

1:09:46.920 --> 1:09:48.560
<v Speaker 1>you were gonna kill and he didn't want to be

1:09:50.360 --> 1:09:53.760
<v Speaker 1>man I was. You know, it's it's that's that's the

1:09:53.880 --> 1:09:56.679
<v Speaker 1>side of him. God rest assult just as so annoying

1:09:56.760 --> 1:10:02.040
<v Speaker 1>and not necessary. It's it's just like an a really

1:10:02.160 --> 1:10:05.920
<v Speaker 1>brief comparison. Talk about this in the book too um

1:10:08.720 --> 1:10:11.800
<v Speaker 1>for him to talk to you and d And I

1:10:11.880 --> 1:10:14.400
<v Speaker 1>remember D told me because John had also done a

1:10:14.520 --> 1:10:20.439
<v Speaker 1>story about me becoming Deed's part manager co manager and

1:10:20.800 --> 1:10:24.360
<v Speaker 1>you know, it's small media towns and that's a big deal.

1:10:25.439 --> 1:10:29.519
<v Speaker 1>And Prince sent the Deeds all only it's your manager,

1:10:30.360 --> 1:10:33.920
<v Speaker 1>you know, just kind of like what's wrong with two?

1:10:35.280 --> 1:10:41.280
<v Speaker 1>And I'm like, what, didn't you think that he would

1:10:41.320 --> 1:10:45.400
<v Speaker 1>be proud that somebody who learned the business a great

1:10:45.560 --> 1:10:50.720
<v Speaker 1>part of the business through him with him goes on

1:10:51.160 --> 1:10:54.920
<v Speaker 1>and their career grows the same way that he hires

1:10:54.960 --> 1:10:59.439
<v Speaker 1>you because you And this is the comparison when Purple

1:10:59.560 --> 1:11:02.360
<v Speaker 1>Rain Blue Up, James Brown did an interview with MTV

1:11:02.640 --> 1:11:05.400
<v Speaker 1>for whatever reason, and one of the questions they asked

1:11:05.479 --> 1:11:07.120
<v Speaker 1>him was, how do you feel about the fact that

1:11:07.200 --> 1:11:10.040
<v Speaker 1>you're playing clubs and you've got Michael Jackson and particularly

1:11:10.160 --> 1:11:12.760
<v Speaker 1>Prince who are selling out to reading us all over

1:11:12.840 --> 1:11:16.760
<v Speaker 1>the world and they're basically this generation's version of you.

1:11:18.040 --> 1:11:20.800
<v Speaker 1>And Brown says, well, there's a lot of my people

1:11:20.880 --> 1:11:24.200
<v Speaker 1>over there in Princess Camp, you know, namely Alan Leads.

1:11:25.080 --> 1:11:29.400
<v Speaker 1>And I was like, thank you, godfather, you know. But

1:11:29.560 --> 1:11:33.000
<v Speaker 1>now that was also him trying to take credit for

1:11:33.320 --> 1:11:35.960
<v Speaker 1>you know. It's like, well, that's because I let him

1:11:35.960 --> 1:11:40.519
<v Speaker 1>have my people. But but he was the next time

1:11:40.560 --> 1:11:42.439
<v Speaker 1>I saw I might tease him about that, and he

1:11:42.640 --> 1:11:45.439
<v Speaker 1>was like proud. I mean, he was like, you know,

1:11:45.600 --> 1:11:47.320
<v Speaker 1>when I hired your kids, I knew you were going

1:11:47.439 --> 1:11:50.479
<v Speaker 1>places and you gotta be careful now you you're in

1:11:50.520 --> 1:11:53.040
<v Speaker 1>a fast track now. And he gave me fatherly advice.

1:11:53.160 --> 1:11:56.960
<v Speaker 1>But he was actually proud that somebody who was a

1:11:57.120 --> 1:12:00.200
<v Speaker 1>novice under him had worked his way at to the

1:12:00.280 --> 1:12:02.160
<v Speaker 1>point where he was on the biggest freaking tour in

1:12:02.240 --> 1:12:08.400
<v Speaker 1>the decade, and you know that ain't gonna be Prince.

1:12:09.240 --> 1:12:11.880
<v Speaker 1>And it was just unnecessary because Prince and I never

1:12:12.000 --> 1:12:15.120
<v Speaker 1>really fell out. He called me, you know, usually when

1:12:15.160 --> 1:12:18.040
<v Speaker 1>he's through with somebody's through, but he called me back

1:12:18.120 --> 1:12:21.120
<v Speaker 1>to set up a Japanese tour for him in the nineties.

1:12:22.000 --> 1:12:24.759
<v Speaker 1>He needed somebody to deal with the promoters. I didn't

1:12:24.800 --> 1:12:27.400
<v Speaker 1>go on the tour, but at that particular time, he

1:12:27.479 --> 1:12:30.720
<v Speaker 1>didn't have a tour worthy staff of of of back

1:12:30.840 --> 1:12:33.000
<v Speaker 1>line people, and he said, I need you to find

1:12:33.040 --> 1:12:35.600
<v Speaker 1>me a production manager and I needs you to negotiate

1:12:35.680 --> 1:12:39.160
<v Speaker 1>the deal with Hudo, the promoter in Japan. I owed

1:12:39.240 --> 1:12:42.240
<v Speaker 1>him some dates, but I just need you to set

1:12:42.320 --> 1:12:44.640
<v Speaker 1>up the crew and do some of the do the

1:12:44.680 --> 1:12:46.560
<v Speaker 1>tour managers stuff. But you don't need to go on

1:12:46.680 --> 1:12:49.720
<v Speaker 1>the tour. Just hire somebody to go. And he's like,

1:12:49.840 --> 1:12:51.200
<v Speaker 1>you know, it can't be like it used to be.

1:12:51.640 --> 1:12:53.519
<v Speaker 1>You can't be calling me all the time. We're not

1:12:53.600 --> 1:12:55.720
<v Speaker 1>going to hang out. But I'll pay you well and

1:12:56.000 --> 1:13:00.960
<v Speaker 1>just do what you do. You know. I'm like, okay, cool,

1:13:01.240 --> 1:13:03.960
<v Speaker 1>you know that's good for me, right, And then a

1:13:04.000 --> 1:13:05.880
<v Speaker 1>couple of years later, he called me. Didn't ask me

1:13:05.960 --> 1:13:09.320
<v Speaker 1>to do the liner notes for the Hits package UM,

1:13:09.439 --> 1:13:12.960
<v Speaker 1>which was the first ever collection of his records outside

1:13:13.000 --> 1:13:16.880
<v Speaker 1>of sequenced albums and UM, and he said, and I

1:13:16.960 --> 1:13:19.600
<v Speaker 1>said okay, but he said, well there's certain things I

1:13:19.680 --> 1:13:21.680
<v Speaker 1>once said, and I said, okay, so let me interview you.

1:13:21.880 --> 1:13:24.720
<v Speaker 1>And he said, great, let's do that. And of course

1:13:24.760 --> 1:13:28.000
<v Speaker 1>he had bright of approval or the finished products. You

1:13:29.360 --> 1:13:33.840
<v Speaker 1>you interally said on the phone, and most of what's

1:13:33.880 --> 1:13:36.559
<v Speaker 1>in those liner notes, all the little tidbits about each

1:13:36.600 --> 1:13:40.960
<v Speaker 1>song came from him. You recorded this, damn it Allen,

1:13:41.200 --> 1:13:45.320
<v Speaker 1>because you know, I was glad man. It was all impromptu.

1:13:45.439 --> 1:13:47.160
<v Speaker 1>If we had set it up in advance, I would

1:13:47.200 --> 1:13:51.680
<v Speaker 1>if you don't men the famous phone stuff. But no,

1:13:51.840 --> 1:13:54.479
<v Speaker 1>it was just like we're talking about and he says, well,

1:13:55.360 --> 1:13:59.360
<v Speaker 1>just interview me, come on, do it now, and I'm like, well,

1:13:59.479 --> 1:14:03.160
<v Speaker 1>tell me once telling you you know something, And with

1:14:03.320 --> 1:14:08.080
<v Speaker 1>no preparation, we just just and you telling me stuff.

1:14:09.080 --> 1:14:12.320
<v Speaker 1>So it's you know, there was some respect there and

1:14:12.760 --> 1:14:15.120
<v Speaker 1>we were cool. And occasionally I run into him on

1:14:15.240 --> 1:14:20.840
<v Speaker 1>the road. I dropped in and released party once what

1:14:21.280 --> 1:14:23.240
<v Speaker 1>used to be the Village Gate that it was life

1:14:23.320 --> 1:14:26.240
<v Speaker 1>for a minute, and so on. And you were there

1:14:26.280 --> 1:14:32.920
<v Speaker 1>that night. We were there with Chris ship I didn't

1:14:32.920 --> 1:14:35.599
<v Speaker 1>know you. That was I didn't know you. That's right,

1:14:35.760 --> 1:14:37.840
<v Speaker 1>that's the night I first met him and I was

1:14:37.960 --> 1:14:40.880
<v Speaker 1>not then listened and there was a problem getting it

1:14:40.960 --> 1:14:43.920
<v Speaker 1>and Chris, Chris said it me, you got a let

1:14:43.960 --> 1:14:46.519
<v Speaker 1>him in and just pulled one of those things and

1:14:46.640 --> 1:14:48.920
<v Speaker 1>Prince gave me a huge hug and we talked for

1:14:48.960 --> 1:14:53.439
<v Speaker 1>a few minutes. You know, um, and you know so,

1:14:53.600 --> 1:14:58.360
<v Speaker 1>I mean it's I don't get it. I just don't

1:14:58.400 --> 1:15:00.320
<v Speaker 1>get it, and us don't know the out of me,

1:15:00.439 --> 1:15:04.599
<v Speaker 1>because that means that you did some beef. That means

1:15:04.640 --> 1:15:06.920
<v Speaker 1>you did something right. Like if you weren't a threat,

1:15:07.920 --> 1:15:11.280
<v Speaker 1>there's an artist now, that's that's that's it. That's it.

1:15:11.479 --> 1:15:14.000
<v Speaker 1>And and and you gotta understand when we came through

1:15:14.080 --> 1:15:19.720
<v Speaker 1>with Voodoo, and particularly in light of the video and

1:15:19.840 --> 1:15:23.639
<v Speaker 1>how everybody was obsessing over the video, which became MTVS

1:15:23.760 --> 1:15:28.960
<v Speaker 1>Video of the Year. Yes, I'm sorry, and you know

1:15:29.240 --> 1:15:32.200
<v Speaker 1>that that was a threat to him. He didn't know

1:15:32.280 --> 1:15:35.320
<v Speaker 1>how far this was going to go. There was a

1:15:35.400 --> 1:15:39.160
<v Speaker 1>threat because this is this is a kind of commotion

1:15:39.280 --> 1:15:42.559
<v Speaker 1>that he got when he broke out exactly the same

1:15:42.640 --> 1:15:45.880
<v Speaker 1>kind of commotion. It's like, here's this sex symbol, this

1:15:46.080 --> 1:15:50.400
<v Speaker 1>this crazy guy that girls are going reserk over. And

1:15:50.479 --> 1:15:53.880
<v Speaker 1>he wears you know, tights and crazy clothes that men

1:15:54.000 --> 1:15:57.880
<v Speaker 1>don't wear. And the song was obviously influenced by well

1:15:58.960 --> 1:16:01.240
<v Speaker 1>what wasn't Yeah, you know, but I mean that one

1:16:01.320 --> 1:16:03.479
<v Speaker 1>was almost like a rewriter. She's just a baby. Let's

1:16:03.479 --> 1:16:07.679
<v Speaker 1>be honest. We didn't know that then, really, I'll be honest,

1:16:07.720 --> 1:16:10.320
<v Speaker 1>we didn't know that. We didn't know that. Then maybe

1:16:10.360 --> 1:16:14.000
<v Speaker 1>it's a deep too. I mean I I didn't know

1:16:14.320 --> 1:16:18.760
<v Speaker 1>who cares? No, they didn't, who cares? You know? It worked? Um,

1:16:19.920 --> 1:16:22.479
<v Speaker 1>so I think he really did. And that's that's why

1:16:22.600 --> 1:16:26.200
<v Speaker 1>the that's why the weird news that night. So, uh,

1:16:27.320 --> 1:16:36.840
<v Speaker 1>your third one, Black Massariah tours over anything. We're prints. Yeah,

1:16:37.920 --> 1:16:43.280
<v Speaker 1>that's just about personal where my spott is musically, Um okay,

1:16:43.600 --> 1:16:48.320
<v Speaker 1>it's it's about the churchiness. It's about the fact that

1:16:48.479 --> 1:16:53.200
<v Speaker 1>he had amazing bands that had more freedom to play

1:16:53.280 --> 1:16:57.519
<v Speaker 1>than princess bands did. Princess bands were always scripted. It's

1:16:57.560 --> 1:16:59.960
<v Speaker 1>not they weren't good bands. It's not that they couldn't play.

1:17:00.040 --> 1:17:05.280
<v Speaker 1>Eight but everything he did was scripted. Mhm. It feels

1:17:05.280 --> 1:17:07.320
<v Speaker 1>like D was going for more the after show Vive

1:17:08.200 --> 1:17:12.639
<v Speaker 1>m hmm. Yeah, but even that I don't think gives

1:17:12.680 --> 1:17:17.560
<v Speaker 1>a credit because there's a there's a jazz mentality that

1:17:17.840 --> 1:17:23.680
<v Speaker 1>goes with um. The Voodoo Tour was a little more

1:17:23.760 --> 1:17:26.320
<v Speaker 1>scripted than the stuff that we did later, because the

1:17:26.360 --> 1:17:28.880
<v Speaker 1>stuff we did after Black Massiah was a little looser.

1:17:28.960 --> 1:17:31.560
<v Speaker 1>And actually we would change sett lists from night to

1:17:31.680 --> 1:17:36.880
<v Speaker 1>night for a bit, and and and he he didn't

1:17:36.960 --> 1:17:39.840
<v Speaker 1>have the same relationship with Chris Dave that he had

1:17:39.920 --> 1:17:43.519
<v Speaker 1>with you. So as a result, Chris would go rogue

1:17:43.520 --> 1:17:47.519
<v Speaker 1>occasionally and it might drive d crazy. And then there

1:17:47.520 --> 1:17:49.720
<v Speaker 1>were nights where d would be like, yo, I love

1:17:49.840 --> 1:17:52.160
<v Speaker 1>that ship. That's dope, And the next night Chris would

1:17:52.200 --> 1:17:54.400
<v Speaker 1>do something crazy and he would be like, man, would

1:17:54.400 --> 1:17:56.599
<v Speaker 1>you tell him to just keep time not need a mirror?

1:17:57.080 --> 1:17:59.519
<v Speaker 1>You know? It was that kind of thing Yang and Yang.

1:18:00.120 --> 1:18:04.400
<v Speaker 1>But at some music head, I'm loving this ship because

1:18:04.439 --> 1:18:07.000
<v Speaker 1>I'm sitting there watching him and Pinot every night, and

1:18:07.120 --> 1:18:10.840
<v Speaker 1>it's like every night they surprised me with something, so

1:18:11.000 --> 1:18:14.080
<v Speaker 1>I'm I'm like pretending it's jazz and I'm not even

1:18:14.240 --> 1:18:17.559
<v Speaker 1>listening to everybody else, I'm just listening to the rhythm section,

1:18:18.080 --> 1:18:23.280
<v Speaker 1>and Sharky is like amazing. Um, you know. So, so

1:18:23.479 --> 1:18:26.640
<v Speaker 1>here's an artist who has had two landmark bands now

1:18:26.760 --> 1:18:30.880
<v Speaker 1>overall Soultronic. It's that's the band of the the era.

1:18:31.200 --> 1:18:35.400
<v Speaker 1>That's no, there won't be a better better for lack

1:18:35.439 --> 1:18:38.360
<v Speaker 1>of a better way of putting its soul band. Um,

1:18:38.680 --> 1:18:45.479
<v Speaker 1>probably in our lifetime. Um the Roots and his next

1:18:45.560 --> 1:18:50.240
<v Speaker 1>band are probably next. And it's a lot of the

1:18:50.320 --> 1:18:54.320
<v Speaker 1>same people. So duh. But that's what Matt see. What

1:18:54.439 --> 1:18:57.000
<v Speaker 1>got me into James Brown wasn't just James Brown? Who

1:18:57.080 --> 1:19:02.240
<v Speaker 1>was the band love music and and And I'm the

1:19:02.320 --> 1:19:05.760
<v Speaker 1>person who listens to her record And it doesn't even

1:19:05.840 --> 1:19:08.160
<v Speaker 1>hear the singing until I hear the track. And if

1:19:08.200 --> 1:19:09.920
<v Speaker 1>the track doesn't move me, I don't care what the

1:19:10.000 --> 1:19:13.000
<v Speaker 1>singing is. And I don't care if I like the

1:19:13.080 --> 1:19:15.840
<v Speaker 1>singer or not. If the track is smoking, I like

1:19:15.960 --> 1:19:18.840
<v Speaker 1>the record, And forget lyrics. I don't even know what

1:19:19.040 --> 1:19:21.640
<v Speaker 1>lyrics are. The lyrics always come last for me too. Um,

1:19:22.960 --> 1:19:25.200
<v Speaker 1>sometimes they may even come at all to because I

1:19:25.280 --> 1:19:28.960
<v Speaker 1>don't even care unless they're unusually profound. I mean, you

1:19:29.040 --> 1:19:31.400
<v Speaker 1>know what's going on. Sometimes I find out the lyrics

1:19:31.400 --> 1:19:33.080
<v Speaker 1>and I was like, oh, maybe I should just continue

1:19:33.080 --> 1:19:36.360
<v Speaker 1>ignoring them, right, all right, So when is your next

1:19:36.400 --> 1:19:40.479
<v Speaker 1>book coming out? I gotta figure out what it is first,

1:19:41.040 --> 1:19:43.360
<v Speaker 1>And I had a couple of ideas, have actually started

1:19:43.439 --> 1:19:47.920
<v Speaker 1>on one, but I'm I don't know. It's it's it's

1:19:48.040 --> 1:19:52.360
<v Speaker 1>like I'm the angel loads I think I want to

1:19:52.439 --> 1:19:55.880
<v Speaker 1>do the most is not the most commercially viable. So

1:19:56.360 --> 1:19:59.240
<v Speaker 1>I've got to figure out, like, Okay, the one I

1:19:59.360 --> 1:20:01.960
<v Speaker 1>want to write, it couldn't actually get published, and is

1:20:02.000 --> 1:20:04.040
<v Speaker 1>there a chance somebody would publish it? A and B

1:20:04.200 --> 1:20:07.360
<v Speaker 1>you could sell a few copies? Um, you know, as

1:20:07.400 --> 1:20:10.720
<v Speaker 1>opposed to everybody says, right, a Prince book, that's the

1:20:10.760 --> 1:20:13.000
<v Speaker 1>fastballs down in the middle, because there's more of a

1:20:13.160 --> 1:20:16.040
<v Speaker 1>market and for the kind of things I would write about,

1:20:17.080 --> 1:20:21.240
<v Speaker 1>it's probably the most marketable idea. But there's so many

1:20:21.320 --> 1:20:26.720
<v Speaker 1>Prince books. But I will say that, but you you

1:20:26.880 --> 1:20:31.120
<v Speaker 1>and Gwen's take in wax Poetic, I've read that ten

1:20:31.479 --> 1:20:38.360
<v Speaker 1>fifteen times at least, Like I think, really, I feel

1:20:38.439 --> 1:20:41.120
<v Speaker 1>like if there's someone that would give us the definitive

1:20:42.240 --> 1:20:46.839
<v Speaker 1>oral history of at least the I mean, I'm limited

1:20:46.920 --> 1:20:50.280
<v Speaker 1>by just saying the Purple Rain Tour or whatever I

1:20:50.360 --> 1:20:54.320
<v Speaker 1>think all Revolution members which trust you to talk to them,

1:20:54.439 --> 1:20:58.320
<v Speaker 1>or whatever I feel like you could get and now

1:20:59.479 --> 1:21:07.920
<v Speaker 1>or maybe ladies and gentlemen, you know the guyfather of

1:21:08.040 --> 1:21:15.280
<v Speaker 1>all tour management, Quest Love Supreme, the Quiet Edition, We

1:21:15.439 --> 1:21:19.840
<v Speaker 1>miss you all right and so more with Allen Lee's

1:21:19.840 --> 1:21:23.240
<v Speaker 1>definitely check out our interview from with him in the archives, Yes,

1:21:23.320 --> 1:21:27.919
<v Speaker 1>the archives. Yeah, well, thank you. Uh, and uh, hopefully

1:21:28.280 --> 1:21:30.920
<v Speaker 1>you'll be here for a third round of course. Love

1:21:31.000 --> 1:21:34.599
<v Speaker 1>Supreme beat Jimmy Jams record. Yes, because I think we're

1:21:34.600 --> 1:21:37.880
<v Speaker 1>not tied now. Yes, you're so tired with him? All right,

1:21:38.520 --> 1:21:40.880
<v Speaker 1>I wanna be up of Sugar Steve and Boss Bill

1:21:41.000 --> 1:21:47.320
<v Speaker 1>and I'm paid Bill and Fonte and lay Brood here. Yeah,

1:21:48.160 --> 1:21:51.240
<v Speaker 1>they're they're they're coming on one day. Uh, this question Love,

1:21:51.280 --> 1:21:54.360
<v Speaker 1>Thank you all. I appreciate it. And this Supreme Heart

1:21:54.439 --> 1:21:59.599
<v Speaker 1>Radio see all the next go round. Quest Love Supreme

1:22:00.000 --> 1:22:03.519
<v Speaker 1>production of I Heart Radio. This classic episode was produced

1:22:03.560 --> 1:22:09.519
<v Speaker 1>behind the team at Pandora. For more podcasts from my

1:22:09.680 --> 1:22:12.880
<v Speaker 1>Heart Radio, visit the I heart Radio app, Apple Podcasts,

1:22:13.320 --> 1:22:15.000
<v Speaker 1>or wherever you listen to your favorite shows.