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Speaker 1: So it's me and all the other giants of Late Night.

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Speaker 1: It's Leno Letterman, It's Cordon, it's the Jimmy's, it's just

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Speaker 1: about everybody you could imagine. Colbart is there, Sam Bee

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Speaker 1: and uh, Lily's there?

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Speaker 2: Who else?

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Speaker 1: Carson is in the house and we are down on

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Speaker 1: all four is drinking out a giant dog bowl. Uh,

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Speaker 1: just slurping up, just trying to get more in touch

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Speaker 1: with you know. Obviously, Letterman popularized these you know, stupid

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Speaker 1: patricks or whatever, and he's been a toning of late

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Speaker 1: for some of his uh moments of being tone deaf

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Speaker 1: times that he could have been more of an ally

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Speaker 1: and uh now that you know, in the human realm,

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Speaker 1: obviously that's been pretty public. But the way that he

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Speaker 1: has decided to make it up to the animals who

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Speaker 1: he humiliated.

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Speaker 3: You only stupid stupid pet tricks.

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Speaker 1: And calling it stupid when some of them were actually

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Speaker 1: pretty smart. Yeah, uh, is that he has gotten us

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Speaker 1: together for this big charity video where we are going

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Speaker 1: to drink out of a giant dog bowl out all

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Speaker 1: fours until the water is gone and even if there's

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Speaker 1: stuff in the water, like like hair and.

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Speaker 3: Stuff and a lot of like he has so much

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Speaker 3: like a beard that is like.

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Speaker 1: Oh my god, really much stuff was coming out of

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Speaker 1: his beard that you couldn't even imagine.

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Speaker 3: And I like it.

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Speaker 2: I think he's really funny.

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Speaker 4: But dude, yes, what is Can I ask what's the

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Speaker 4: what's the inspiration inspo behind his beard?

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Speaker 2: Did you?

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Speaker 4: Did you get that from him?

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Speaker 5: Sure?

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Speaker 3: I guess it would help to start by just saying,

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Speaker 3: like who you are.

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Speaker 1: Just not to like jump in and start talking when

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Speaker 1: like we don't know just for our audio. I don't

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Speaker 1: give a shit. I know who you are. I'm a

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Speaker 1: fan of your shit. Man, I like you, but our

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Speaker 1: our listeners don't know what's.

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Speaker 3: And this is on and we'll get to like there.

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Speaker 3: You have no reason to know what's expecting of you

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Speaker 3: on the show because of how because it starts arranged

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Speaker 3: because of our things happening on our side that we

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Speaker 3: need to take care of.

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Speaker 2: So none of this is on you.

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Speaker 3: They should all have been explained to you long before

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Speaker 3: this moment.

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Speaker 4: Well, I'll be honest with you. That's why I'm coming

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Speaker 4: in hot. Yeah, I'm coming in a little bit hot

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Speaker 4: because of that, And I apologize.

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Speaker 3: And it would help us to say who you are

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Speaker 3: what like because.

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Speaker 1: It's very scary for our listeners. It's very scary to

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Speaker 1: hear this new voice coming in at a level that

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Speaker 1: was insane. It was psychotic, the way that you started talking,

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Speaker 1: and some of what you were saying right and that,

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Speaker 1: you know, could be very upsetting. So you know, it's

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Speaker 1: I understand why you're mad, but let's not take it

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Speaker 1: out on them.

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Speaker 4: Well, and first of all, I want to apologize to them.

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Speaker 6: And even hear that.

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Speaker 2: It would be great to say who you are and

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Speaker 2: I have that letter? Does he does have it? He does?

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Speaker 1: I do? Should I go get it? I have it?

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Speaker 4: I would love that. I would feel like, okay, never mind,

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Speaker 4: I'll text Grace. My name is Jason Concepcion and I Jason. Yeah,

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Speaker 4: it's great to be here the ringer himself.

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Speaker 1: You are the ringer I am.

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Speaker 4: I am Queen's Boulevard.

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Speaker 2: Yes.

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Speaker 3: Different, and then you said I don't want to be

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Speaker 3: that anymore. You're going to be something else. I'll say

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Speaker 3: about the ring I like the movie. I thought it

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Speaker 3: was fine. I didn't like it that much.

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Speaker 4: It's okay, O, those.

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Speaker 1: Funny, it's surprisingly touching.

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Speaker 7: It is.

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Speaker 1: Yeah, I don't know that I would have built a

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Speaker 1: media empire based on it.

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Speaker 2: It's a love story.

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Speaker 3: You're going in expecting this, like this raunchy comedy, and

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Speaker 3: it is that. But at its core, it's a love story.

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Speaker 3: But am I naming my entire like this, like an

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Speaker 3: entire franchise after it?

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Speaker 2: No?

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Speaker 4: Well, that's I mean, that's that's what you would think.

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Speaker 4: But but it tested really well. Okay, name the concept

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Speaker 4: tested really well. And to be honest with you, what

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Speaker 4: is in the love story? What story is not a

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Speaker 4: love story?

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Speaker 3: Okay, Pacific rim.

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Speaker 4: It's a love story, is it not?

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Speaker 6: Yeah?

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Speaker 1: That one is? That one is because it's I mean,

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Speaker 1: at its heart, it's about how much the kaiju love destruction.

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Speaker 4: Not only that, but then it's about two people who

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Speaker 4: share the responsibility of piloting these huge robots that defend

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Speaker 4: against the kaiju, and they share their consciousness and their brains.

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Speaker 4: It's a marriage.

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Speaker 3: That's a marriage, it's a relationship. My wife and I

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Speaker 3: are piloting a kaiju together.

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Speaker 1: Well, is the sorry is the kaiju? I thought the

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Speaker 1: kaiju was the monster and the and the the like.

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Speaker 3: Now that's neck was the robot. Now that's interesting. And

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Speaker 3: like Sean and I have been having this debate for

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Speaker 3: a really long time.

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Speaker 1: It's been endless.

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Speaker 3: We don't actually have time to even get into it

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Speaker 3: right now. We have so much else to talk about today.

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Speaker 3: We do have to talk about the Kevin issue. We

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Speaker 3: do we have now signs gonna come up? Well, can

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Speaker 3: we say, I mean the question on everyone's mind. Can

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Speaker 3: I just ask it, Jason?

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Speaker 1: Are you going to keep going bing mode on Cooked Media? I?

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Speaker 4: Uh, I don't know if that that I'm at this

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Speaker 4: particular juncture whether I can reveal that, but I will

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Speaker 4: say that the brand that I've established at The Ringer,

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Speaker 4: which is a media media empire based on a love

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Speaker 4: story and kind of like funky wacky love story that

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Speaker 4: people didn't expect, that brand will carry over into the projects,

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Speaker 4: uh that I end up doing as I go forward

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Speaker 4: into my life.

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Speaker 2: Initiate Bang Mode, I go East Mode on bang Mode.

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Speaker 1: And I was really hoping when I heard you're doing

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Speaker 1: Cooked Media that we will that we will get to

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Speaker 1: continue that.

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Speaker 2: So that's just my hope.

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Speaker 1: And I understand there's contractual you know stuff and what yeah,

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Speaker 1: you know, No, I know a ton about it. It's

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Speaker 1: funny we we didn't always know everything Hayes used to

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Speaker 1: not know what a holding deal was. Wow, but that's

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Speaker 1: not what the show is about anymore.

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Speaker 2: It never was.

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Speaker 3: It actually never was about that. For one episode. The

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Speaker 3: show actually never was about that. For one episode, it

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Speaker 3: certainly was Kevin. Uh, let's let's talk about this. We

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Speaker 3: have signed a long term business partnership with Kevin. We

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Speaker 3: have invested in in in. Kevin is like part of

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Speaker 3: our future.

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Speaker 2: Uh.

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Speaker 3: He has been very disciplined, He's worked very hard for

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Speaker 3: the for the time that we've known him, apparently preparing

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Speaker 3: for this moment all along. So as soon as the

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Speaker 3: deal was signed, h he could absolutely vanish off the

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Speaker 3: face of the earth, take his ass to freaking Tahiti.

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Speaker 2: Uh, and leave.

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Speaker 3: Us to just like flopping on the on the sand.

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Speaker 2: Right.

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Speaker 3: We show up today for a record with Jason by

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Speaker 3: the way, and Kevin is not there.

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Speaker 2: And what were you doing? Kevin? Say who you were with?

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Speaker 6: I won't say who I'm with. I was taking who

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Speaker 6: you were with you. I wasn't taking a shoar with someone.

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Speaker 6: I had to cool off after two recordings. I had

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Speaker 6: two recordings this morning.

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Speaker 4: You were quite happy. Go ahead, Jason, you're quite happy

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Speaker 4: to tell us about it before before we hit record.

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Speaker 4: But that's fine.

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Speaker 6: So I had some recordings. I uh took a shower.

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Speaker 6: I'm in the conditioning phase, and then I go, thank god,

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Speaker 6: my next recording is not till one thirty.

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Speaker 2: Oh right.

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Speaker 1: This was this was This was a contractual sticking point

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Speaker 1: for us that in order for us to allow Kevin

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Speaker 1: to follow us and leave and continue producing the show,

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Speaker 1: we had to agree that he could bring up himself

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Speaker 1: in the shower multiple times per episode, that that that

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Speaker 1: was an image he wanted to create for our listeners

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Speaker 1: and was just not There was no budget either. We

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Speaker 1: actually got a good deal financial compensation back from him

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Speaker 1: and agreeing to it. But I still think we may

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Speaker 1: have lost the battle to an extent because he's He's

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Speaker 1: mentioned it at least three times now.

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Speaker 3: And not to bring that up again, Kevin being in

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Speaker 3: the shower. But I will say, go ahead, whatever whatever

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Speaker 3: process was cut short for you to come and do

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Speaker 3: the record. I actually it's counterintuitive, but I actually do

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Speaker 3: need you to finish it, so you don't.

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Speaker 1: Want Jason the famous cardigan is here. Kevin, are you

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Speaker 1: getting this?

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Speaker 6: I'm getting it? It looks so good.

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Speaker 1: Kevin, are you getting this? Vin, Yeah, this ship, Jason

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Speaker 1: and I have the same fucking cardigan. Look at this

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Speaker 1: Cardi bus Cardi B. Oh wow, that's what cardi B

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Speaker 1: stands for. Huh dude, epic?

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Speaker 4: Yes, Kevin? Did did Did cutting short your kind of

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Speaker 4: like multi phasal showering process? Did that in some way?

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Speaker 4: Cause this distracted kind of energy that you have right now?

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Speaker 2: Like?

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Speaker 4: What what was it that.

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Speaker 6: I do feel completely scatterbrained because I am stinky from

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Speaker 6: the waist down. So I won't be thinking about that

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Speaker 6: for the rest of the recording.

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Speaker 1: Okay, at this we explicitly said you could not bring

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Speaker 1: up this is where we drew the lide. This stinky

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Speaker 1: from the waist down could not become your new catchphrase.

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Speaker 1: That's get that, that's getting cut. Kevin. We talked about this.

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Speaker 1: There's no way that that's gonna be. That you can

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Speaker 1: talk about yourself in the shower. You can imply that

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Speaker 1: you did not finish washing your lower half, but stinky

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Speaker 1: from the waist down that phrase, in particular, cannot be

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Speaker 1: in every episode of the show.

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Speaker 4: It's troubling and not to not to kind of like

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Speaker 4: dig at this, but if you're if you're saying that

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Speaker 4: you were in the conditioning phase. That would mean that

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Speaker 4: you were in the cleansing phase prior to that. So

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Speaker 4: why would you be stinky from the waist down? It

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Speaker 4: doesn't It doesn't track, Kevin, it doesn't track at all.

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Speaker 6: Well, I put one part of my body in the

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Speaker 6: shower at a time. I isolate. Do you know how

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Speaker 6: when you exercise you can like isolate certain muscles. I

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Speaker 6: do that with my showering.

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Speaker 1: Jason, No, look at his fucking body.

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Speaker 6: Dude's Cardi boy.

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Speaker 8: That's not what it means that that's ripped. Guys were ripped.

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Speaker 8: Guys are Cardi boys. It's about the sweater.

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Speaker 1: The Cardi's the sweater, the buddies underneath it.

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Speaker 3: Can we also get into what was going on? I

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Speaker 3: assume something shower related when it comes to how Jason

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Speaker 3: was brought onto this show, Jason, do you want to

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Speaker 3: share that experience?

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Speaker 7: Sure?

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Speaker 4: So two days ago, December ninth, I get an email

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Speaker 4: from Kevin Bartelt.

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Speaker 6: Thank you.

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Speaker 4: First of all, really, it's really easy to say, like

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Speaker 4: to think Bartlett or some other name. That's just that's

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Speaker 4: just kind of like the baseline annoyance that I went

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Speaker 4: into this email with.

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Speaker 1: Mm hmmm, and learning his name. That's both. Yeah, his

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Speaker 1: name is kind of the.

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Speaker 4: Little it's totally.

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Speaker 6: It's it's we can.

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Speaker 4: Get we can put a pin in that. Wet's come

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Speaker 4: back to it.

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Speaker 1: Please.

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Speaker 4: The email says, Hey, Jason, I'm reaching out on behalf

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Speaker 4: of Sean and hey is great. Start to see if

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Speaker 4: you're interested and available to be a guest on Hollywood

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Speaker 4: Handbook in the next few days if possible. If not,

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Speaker 4: no problem. We have more dates too. Here are some options. Thursday,

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Speaker 4: December tenth at one pm, Friday, December tenth at one pm, Monday,

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Speaker 4: December tenth at one pm. Oh, I think you're seeing

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Speaker 4: I think you're seeing the issue here.

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Speaker 1: Now I'm starting to get a sense of it.

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Speaker 6: I didn't say the year.

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Speaker 4: Though, exactly my point. I spent seventeen hours straight trying

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Speaker 4: to figure out what year December tenth fell on a

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Speaker 4: Friday and then on a Monday, and how that would work,

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Speaker 4: and how that I could possibly know when what my

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Speaker 4: schedule would be, where I would be in my life.

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Speaker 3: And now Kevin saying, Kevin saying we have we have

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Speaker 3: more dates. Now that's a threat right now, that'd say

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Speaker 3: I've got plenty more to destroy your day.

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Speaker 2: With over this.

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Speaker 1: Yes, no, I'm commandeering your entire life to deal with

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Speaker 1: my just perverted scheduling kink where I make you look

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Speaker 1: up different calendar years and all this other shit and

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Speaker 1: try to do math when what he should be doing

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Speaker 1: is making everyone's life easier.

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Speaker 6: Please, Normally I would, but I was having to negotiate

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Speaker 6: not being able to say stinky from the waist down

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Speaker 6: on the show going forward, So I had.

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Speaker 1: Kevin, did you see what I did? I closed the

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Speaker 1: shade next to me so that it's not so that

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Speaker 1: I'm not getting all this glare you could get a

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Speaker 1: better image of the card was really loud, because it's

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Speaker 1: sure it was loud as hell, but it's CARDI time

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Speaker 1: and and welcome to my to my birthday carty. So

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Speaker 1: I'm I'm ready to move on from this. I have

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Speaker 1: a lot of other stuff I wanted to talk about. Please, yes,

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Speaker 1: of course, I yeah, so much to get to and

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Speaker 1: it's disgusting that we even spent this much time. But

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Speaker 1: this is Kevin's game, right, He gets all the attention

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Speaker 1: onto him. Oh, sickening, sickening, Jason, I have a T

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Speaker 1: shirt idea. Tell me if you like this, so the

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Speaker 1: shirt would say, don't have to be a T shirt

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Speaker 1: actually could be a sweatshirt. Could be pretty cool though,

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Speaker 1: And we wear it under our our cardies together and

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Speaker 1: it says and the shirt says this. My love language

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Speaker 1: is bread.

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Speaker 3: I like it.

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Speaker 4: It's and what do you bread? As in like French bread?

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Speaker 4: Is there a particular type of bread?

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Speaker 1: And this is because I don't have any idea for

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Speaker 1: like a drawing on the shirt or even a photograph,

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Speaker 1: but maybe it should be a type of bread like

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Speaker 1: maybe a bag at as you mentioned would be Usually.

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Speaker 4: When usually when people pitch me, it's a little bit

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Speaker 4: more of a formed idea.

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Speaker 3: So say a bread say it like, yeah, say just

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Speaker 3: say a bread.

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Speaker 1: There's a bun, it's a bun, thinking bun.

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Speaker 4: Okay, a seated bun, a whole week bund.

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Speaker 7: Yeah.

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Speaker 2: If that's gonna be really kind of dusty ones.

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Speaker 4: Oh yeah, like a like a whatever that dust is.

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Speaker 1: Yeah, that's powdery flowery thing, not flowery like flowery like

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Speaker 1: flowery like flowery.

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Speaker 2: Really dusty bun on there.

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Speaker 4: My loved language is bread.

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Speaker 1: And some dusty buns. My love language is bread. Bread

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Speaker 1: could be all caps f y.

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Speaker 4: I Oh, I like it.

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Speaker 1: I like that.

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Speaker 4: What kind of font do you thay, like? Is there

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Speaker 4: a font? Do you seeing a font here?

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Speaker 2: Oh?

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Speaker 1: Yeah, No, Well, I know you're used to fully formed ideas,

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Speaker 1: so I've of course came up with a font ahead

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Speaker 1: of time.

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Speaker 2: It's it's uh.

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Speaker 1: Looking around, looking around, they're funked anywhere in here.

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Speaker 2: Uh.

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Speaker 1: You know what could be block letters?

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Speaker 4: Oh that's good. Yeah, I like that and we'd wear

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Speaker 4: it under our cardies. What would it? What does it

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Speaker 4: mean to you? I'll tell you what it means to me.

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Speaker 2: Bread.

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Speaker 4: I'll take bread. I'll tell you what bread bread. When

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Speaker 4: I think about bread, I think about life. I think

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Speaker 4: about the right that people have to nourish themselves from

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Speaker 4: the sweat of their own brows. I'm thinking about a

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Speaker 4: production of grain that underpinned the development of human society.

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Speaker 4: I think this is like an incredibly deep and moving idea.

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Speaker 4: I wish I wish we really had the bread, kind

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Speaker 4: of like Illo nailed down harder. The dusty bun thing

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Speaker 4: is interesting, but I'm not sure how you do like

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Speaker 4: you get the I'm not sure how you show the dust,

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Speaker 4: but I.

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Speaker 1: Got dusty buns. No, I'm not married to dusty buns.

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Speaker 1: Oh you thought I was serious, No, it's what did

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Speaker 1: you just say?

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Speaker 2: Illo?

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Speaker 1: I couldn't understand what you were saying.

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Speaker 4: Sorry, illustration Yeah, yeah.

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Speaker 1: Yeah, no the ill No, that's not the real illo. No,

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Speaker 1: the ilo is is actually probably more closer to what

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Speaker 1: you're picturing.

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Speaker 4: Right, So like a French bread. I'm thinking like a

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Speaker 4: French bread, yeah.

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Speaker 1: Which you said right away, in which I agreed with

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Speaker 1: as I recall.

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Speaker 2: Yeah, really long one.

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Speaker 3: And maybe it's kind of sticking out of your like waistband,

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Speaker 3: not for real.

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Speaker 1: Uh huh, but you're picturing that you tuck in the

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Speaker 1: shirt and that yes, yeah, that it looks like a

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Speaker 1: bad guy is sticking up like straight up over it's like.

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Speaker 3: Fake, it's like not actually bread coming out of there,

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Speaker 3: but like.

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Speaker 1: No, but it invokes a certain out of horniness for

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Speaker 1: the bread, yes, which is you know, always going to

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Speaker 1: do good business.

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Speaker 3: And maybe it's kind of like you know, these things

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Speaker 3: are it can be like these things are huge, are

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Speaker 3: so long, and so maybe it's like messing with the

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Speaker 3: letters and it's like knocking the letters.

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Speaker 2: Oh it's like.

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Speaker 1: Yeah, it's go, it's sticking like through some of the letters.

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Speaker 2: Right.

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Speaker 4: Let me just because there's no bad ideas in a brainstorm.

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Speaker 4: What if it was not that long but really wide.

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Speaker 1: Okay, that's getting that's getting my head turning a little bit.

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Speaker 1: All right, so it's like, but it's horrible loaf. That's

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Speaker 1: like a big wow, I love this. Then it's almost

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Speaker 1: a pillow that all the letters are sleeping on. Isn't

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Speaker 1: it a big pillowy for coca?

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Speaker 7: That?

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Speaker 1: Yeah, it's that rises from your waist. It's a it's

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Speaker 1: a fuba, it's a fat upper bread area, isn't it.

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Speaker 4: Wow? That's good.

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Speaker 2: So if if.

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Speaker 3: This is resolved and it sounds to me like it is, well,

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Speaker 3: we're all excited about this version.

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Speaker 1: My love language is bread.

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Speaker 3: We do want to talk about actually initiating bing mode

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Speaker 3: right now and talking about how so this is the

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Speaker 3: thing that like Sean and I like, uh, we have

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00:19:28,640 --> 00:19:33,320
Speaker 3: this issue where some of these like franchises, like these

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Speaker 3: big properties right that everyone is talking about, you know,

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Speaker 3: the ones.

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Speaker 4: Like Police Academy.

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Speaker 3: So great, let's talk about right things like this.

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Speaker 4: Everyone is like juicy, porky, unbelievable.

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Speaker 3: Yeah, uh, we're like it is hard for us to

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Speaker 3: simply take in these entertainments as fans. Why being too

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Speaker 3: close to individuals involved in making the project essentially the

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Speaker 3: production itself. Yeah, the process of the story being put together.

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Speaker 3: And so it's always like, oh yeah, that that ended

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Speaker 3: up like getting into the like we're too close, We're

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Speaker 3: too close to this.

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Speaker 6: It's so true.

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Speaker 2: And you.

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Speaker 3: Have developed, to great financial reward, huge the ability to

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Speaker 3: talk about this stuff as just like I'm I'm a fan,

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Speaker 3: I'm loving this, I'm the ringer, I'm crooked, I'm like

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Speaker 3: this is this is this to me?

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Speaker 2: Is my ship?

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00:20:52,680 --> 00:20:56,359
Speaker 3: Yeah, I would love this, Jason, if you would walk

403
00:20:56,520 --> 00:20:58,439
Speaker 3: us through some.

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00:20:58,359 --> 00:21:01,199
Speaker 2: Of these big right and just.

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Speaker 3: And being mister teacher today and saying here's who's some

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00:21:07,200 --> 00:21:10,280
Speaker 3: of these guys, and like, this is what is happening

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Speaker 3: in this show if it's a show or if it's

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00:21:16,280 --> 00:21:19,720
Speaker 3: something else, like what's the current You're doing a series

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Speaker 3: right now.

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00:21:20,960 --> 00:21:25,160
Speaker 4: We're doing a series about about Marvel, the Marvel movies,

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00:21:25,240 --> 00:21:38,560
Speaker 4: which you make. Yes, perfect, Tony, Steve, Natasha, He's kind

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00:21:38,560 --> 00:21:40,840
Speaker 4: of like various. I'm on a first name basis with

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00:21:40,960 --> 00:21:44,720
Speaker 4: them as you know their characters, but they mean a

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Speaker 4: lot to my life, so I think of them that way.

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Speaker 2: But and this is and you're friends with them is

416
00:21:51,600 --> 00:21:57,480
Speaker 2: basically the family Yeah, it's I think about them that

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00:21:57,520 --> 00:22:00,679
Speaker 2: way because you know, you know how the way the

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00:22:00,720 --> 00:22:03,399
Speaker 2: modern world is now twenty twenty, you know, we're so

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00:22:03,520 --> 00:22:04,640
Speaker 2: disconnected from each other.

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Speaker 4: Who are we connected with? We're connected with these that

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00:22:07,080 --> 00:22:11,399
Speaker 4: we spend so much time with, like Steve, and and

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Speaker 4: it's not just your friendly.

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Speaker 1: You know, and it's not just your friends started to interrupt.

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Speaker 9: It's not just your family, right, it's your teachers, it's

425
00:22:17,400 --> 00:22:20,639
Speaker 9: your boss, right, it's who's ringing you up at the

426
00:22:21,640 --> 00:22:24,960
Speaker 9: UH Sporting goods store saying he's right, hang on these

427
00:22:25,119 --> 00:22:29,440
Speaker 9: you know, these socks aren't on sale, and and it's

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Speaker 9: all and it's all these things. Isn't it to have

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Speaker 9: these guys and you and you've said their names. We

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Speaker 9: don't have to go through all the names again.

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Speaker 1: But but for someone who's totally uninitiated, who isn't family, friends, teach,

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Speaker 1: your boss, you know, and neighbor and and possibly in

433
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Speaker 1: some instance is maybe getting catfished by some of these

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00:22:49,119 --> 00:22:52,760
Speaker 1: some of these folks, Yeah, and me in particular. You know,

435
00:22:53,680 --> 00:22:55,960
Speaker 1: what what are they doing?

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00:22:58,240 --> 00:22:58,520
Speaker 5: Yeah?

437
00:22:58,680 --> 00:23:02,199
Speaker 4: I think it's an interesting question in the sense that

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00:23:03,320 --> 00:23:08,080
Speaker 4: what what aren't they doing? Tony? I know, you said,

439
00:23:08,400 --> 00:23:10,240
Speaker 4: you know We've heard the names, but I just can't

440
00:23:10,240 --> 00:23:16,720
Speaker 4: stop saying them. Tony, for instance, loves to be inside

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00:23:18,720 --> 00:23:21,159
Speaker 4: a suit. He's like a like a fir what do

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00:23:21,200 --> 00:23:21,560
Speaker 4: they call those?

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00:23:21,800 --> 00:23:23,000
Speaker 2: Like the Gentleman sort of.

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Speaker 3: So this is a franchise that if you could connect

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Speaker 3: this to the recent movie The Gentlemen, they also love

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Speaker 3: to be inside a suit.

447
00:23:31,760 --> 00:23:33,960
Speaker 2: And these are but these are my understanding.

448
00:23:34,119 --> 00:23:35,960
Speaker 3: These are different guys, right.

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00:23:35,840 --> 00:23:40,160
Speaker 4: They're completely different guys. It's a different ip. Any any

450
00:23:40,440 --> 00:23:46,960
Speaker 4: similarity to the Gentleman franchise, I think is purely coincidental,

451
00:23:47,320 --> 00:23:48,000
Speaker 4: and it's not.

452
00:23:48,320 --> 00:23:50,399
Speaker 1: There are no coincidences. It's not.

453
00:23:50,760 --> 00:23:51,080
Speaker 2: It's not.

454
00:23:51,359 --> 00:23:53,920
Speaker 1: I I understand what you're saying, and I understand you're

455
00:23:53,920 --> 00:23:59,280
Speaker 1: protecting my friends. There are certain stories inherent to humanity

456
00:23:59,359 --> 00:24:02,240
Speaker 1: that are told again and again. The Gentleman is one

457
00:24:02,280 --> 00:24:06,320
Speaker 1: of these stories. So whether it's being told through your

458
00:24:06,320 --> 00:24:10,280
Speaker 1: friend Tony, whether it's being told through the Gentleman himself,

459
00:24:10,560 --> 00:24:13,920
Speaker 1: it is the same story. And it's somehow it's at

460
00:24:13,960 --> 00:24:16,760
Speaker 1: the core of our beings, right, It's it's just in

461
00:24:16,800 --> 00:24:19,439
Speaker 1: the star stuff that we're made of somehow that we

462
00:24:19,520 --> 00:24:23,359
Speaker 1: have to kind of repeat these fables again and again.

463
00:24:23,480 --> 00:24:27,080
Speaker 1: The specifics change a bit, but it's it's always there.

464
00:24:27,560 --> 00:24:30,200
Speaker 4: You know. It's like, well, listen, if we want to

465
00:24:30,240 --> 00:24:33,720
Speaker 4: get into like the deep storytelling, of which I really think,

466
00:24:34,240 --> 00:24:38,480
Speaker 4: you know, Gey Richie has has the twelve levels of

467
00:24:38,480 --> 00:24:43,640
Speaker 4: a story in which the gentleman leaves his leaves his world,

468
00:24:44,119 --> 00:24:46,840
Speaker 4: is called into a new world in which he's going

469
00:24:46,880 --> 00:24:49,800
Speaker 4: to find like some other adventurers, find a new suit.

470
00:24:50,119 --> 00:24:53,120
Speaker 4: He puts on this suit, and then he's changed forever

471
00:24:53,560 --> 00:24:56,680
Speaker 4: and he finds himself in a realm of loneliness because

472
00:24:56,680 --> 00:25:00,000
Speaker 4: he can't go back to his previous world wearing this suit.

473
00:25:00,400 --> 00:25:01,679
Speaker 4: But you can't do that, so he.

474
00:25:01,680 --> 00:25:04,240
Speaker 2: Has to go further to action.

475
00:25:04,600 --> 00:25:07,680
Speaker 3: In all the movies, there's the way to action work, right,

476
00:25:07,760 --> 00:25:12,879
Speaker 3: the character says, I there's the meeting with the bird

477
00:25:13,600 --> 00:25:14,200
Speaker 3: mm hmm.

478
00:25:14,440 --> 00:25:17,120
Speaker 4: Which after which everything changes.

479
00:25:17,200 --> 00:25:17,360
Speaker 7: Right.

480
00:25:17,400 --> 00:25:18,880
Speaker 4: So if you want to talk about that, these kind

481
00:25:18,880 --> 00:25:23,720
Speaker 4: of like archetypical uh stories, Sure, but I'm talking about

482
00:25:23,760 --> 00:25:26,280
Speaker 4: only going to detail for detail level.

483
00:25:26,840 --> 00:25:28,760
Speaker 2: You know, legally.

484
00:25:28,440 --> 00:25:32,680
Speaker 4: Speaking, they're they're not the same. Although yes, all human

485
00:25:32,800 --> 00:25:36,040
Speaker 4: stories hue to this framework that guy Richie is hammered

486
00:25:36,040 --> 00:25:37,359
Speaker 4: out over the course of his career.

487
00:25:37,640 --> 00:25:40,840
Speaker 1: It's funny when you say that Tony wears suits because

488
00:25:40,920 --> 00:25:43,320
Speaker 1: I don't. That's not how I picture Tony, Like when

489
00:25:43,359 --> 00:25:44,919
Speaker 1: I think of Tony, it's not I se him.

490
00:25:45,080 --> 00:25:47,160
Speaker 5: And maybe it's because I always think of him at

491
00:25:47,160 --> 00:25:48,159
Speaker 5: his most vulnerable.

492
00:25:49,359 --> 00:25:53,200
Speaker 1: At the beginning of season four, when jack Bauer did

493
00:25:53,400 --> 00:25:56,080
Speaker 1: have to call him when he said, I'm calling the

494
00:25:56,160 --> 00:26:01,119
Speaker 1: only person I can trust, because he and uh secretary

495
00:26:01,119 --> 00:26:05,560
Speaker 1: of Heller's daughter, Audrey Rains, was you know, with him,

496
00:26:05,640 --> 00:26:08,800
Speaker 1: and they were trying to uh, you know, get the

497
00:26:09,520 --> 00:26:12,800
Speaker 1: get the footage to see if she could recognize the

498
00:26:12,800 --> 00:26:14,879
Speaker 1: face of one of the men who had kidnapped her

499
00:26:14,960 --> 00:26:19,720
Speaker 1: and and all of their security was murdered. And when

500
00:26:19,840 --> 00:26:21,640
Speaker 1: Jackson he was calling the other person who he could trust,

501
00:26:21,680 --> 00:26:23,200
Speaker 1: we didn't know who. And then Tony al made a

502
00:26:23,240 --> 00:26:28,920
Speaker 1: dig show up, you know, drunk, divorced, an ex con

503
00:26:29,040 --> 00:26:32,520
Speaker 1: at this point, and a shell of his former self,

504
00:26:32,520 --> 00:26:37,240
Speaker 1: and he didn't have a suit on. But I guess

505
00:26:37,280 --> 00:26:39,760
Speaker 1: in a way, we're all wearing a suit all the time.

506
00:26:39,880 --> 00:26:41,760
Speaker 2: Huh sure.

507
00:26:42,720 --> 00:26:44,720
Speaker 4: I mean, it's it's a suit of the mind, it's

508
00:26:44,720 --> 00:26:46,680
Speaker 4: a suit of the heart, it's a it's a it's

509
00:26:46,720 --> 00:26:49,200
Speaker 4: a suit of armor that you wear around.

510
00:26:49,960 --> 00:26:52,000
Speaker 2: A suit of clothes it might close.

511
00:26:52,040 --> 00:26:55,960
Speaker 3: It's not the the stuff you were saying is that it's.

512
00:26:56,000 --> 00:26:59,240
Speaker 4: Well, it could be that, could it not. It's only

513
00:26:59,320 --> 00:27:02,440
Speaker 4: clothes in this In this case, I think it could

514
00:27:02,440 --> 00:27:03,879
Speaker 4: well suit if you.

515
00:27:03,960 --> 00:27:06,639
Speaker 1: Just say, it's just not like clothes you would call

516
00:27:06,680 --> 00:27:08,560
Speaker 1: a suit. He's wearing like a jacket and like a

517
00:27:08,600 --> 00:27:12,640
Speaker 1: T shirt, wearing like a more of a suit when

518
00:27:12,680 --> 00:27:13,280
Speaker 1: you see her.

519
00:27:13,400 --> 00:27:14,880
Speaker 5: But Tony's dressed more casually.

520
00:27:16,400 --> 00:27:16,800
Speaker 4: Mm hmm.

521
00:27:17,320 --> 00:27:21,400
Speaker 3: And this is the teacher. This Tony is the teacher,

522
00:27:22,960 --> 00:27:23,680
Speaker 3: you were saying.

523
00:27:24,080 --> 00:27:27,000
Speaker 4: Tony is the teacher. He's he teaches and he brings

524
00:27:27,040 --> 00:27:29,800
Speaker 4: people together. He brings this kind of like extended family

525
00:27:29,800 --> 00:27:33,840
Speaker 4: together and and teaches them how to live and how

526
00:27:33,920 --> 00:27:35,040
Speaker 4: to how to dress.

527
00:27:36,320 --> 00:27:40,240
Speaker 3: And this is you talk about this like this is

528
00:27:41,320 --> 00:27:42,960
Speaker 3: you can do a whole show about this.

529
00:27:43,480 --> 00:27:44,800
Speaker 4: We can do a whole show about this.

530
00:27:44,880 --> 00:27:45,280
Speaker 6: We did.

531
00:27:45,960 --> 00:27:49,240
Speaker 4: We did a twelve episode season about the movie Game Night.

532
00:27:50,800 --> 00:27:51,159
Speaker 2: Wow.

533
00:27:51,800 --> 00:28:00,360
Speaker 4: Yay, Yes, and just all the themes and all the things. Yeah,

534
00:28:01,080 --> 00:28:01,840
Speaker 4: what a genius.

535
00:28:03,200 --> 00:28:09,879
Speaker 5: The guys acting wild. You know what's real and what's

536
00:28:10,000 --> 00:28:11,600
Speaker 5: not in Game Night? Right?

537
00:28:12,359 --> 00:28:12,560
Speaker 2: Right?

538
00:28:12,920 --> 00:28:14,040
Speaker 5: So fucked up?

539
00:28:15,520 --> 00:28:16,360
Speaker 2: I'm tripping out.

540
00:28:16,440 --> 00:28:17,639
Speaker 4: It's like an imaginarium.

541
00:28:18,359 --> 00:28:21,760
Speaker 1: Whoa, I'm tripping out on this.

542
00:28:22,040 --> 00:28:25,919
Speaker 5: Hey, thanks for bringing that up, Jason. That's reminding me.

543
00:28:26,640 --> 00:28:28,760
Speaker 1: I was lost in that movie, man.

544
00:28:29,359 --> 00:28:32,240
Speaker 10: I mean I didn't know what the fuck was going on.

545
00:28:35,720 --> 00:28:39,600
Speaker 10: That movie was so confusing to me.

546
00:28:41,440 --> 00:28:43,280
Speaker 3: It really I'm wondering if this is like kind of

547
00:28:43,280 --> 00:28:45,280
Speaker 3: what the how you could do twelve episodes out of

548
00:28:45,280 --> 00:28:48,600
Speaker 3: something like this is to kind of just initiate people

549
00:28:48,720 --> 00:28:51,800
Speaker 3: remembering it and then you just leave them space to

550
00:28:51,880 --> 00:28:53,360
Speaker 3: react in their homes.

551
00:28:54,040 --> 00:28:55,640
Speaker 4: Wow, hold on, can I can?

552
00:28:55,680 --> 00:28:56,000
Speaker 6: I use?

553
00:28:56,080 --> 00:28:57,800
Speaker 4: That's a good idea. I'm just going to take.

554
00:28:57,720 --> 00:28:59,760
Speaker 6: A note and that really quick.

555
00:28:59,520 --> 00:29:04,600
Speaker 3: Because I mean, like everyone's happy you you don't have

556
00:29:04,680 --> 00:29:07,800
Speaker 3: to talk as much people. The listeners are like how

557
00:29:07,880 --> 00:29:10,880
Speaker 3: you heard Sean? Like even just being like the mention

558
00:29:11,040 --> 00:29:18,080
Speaker 3: of game night these memories to just like blow in what.

559
00:29:19,640 --> 00:29:30,520
Speaker 11: No, it's so nuts, I mean there you know obviously it's.

560
00:29:31,320 --> 00:29:36,440
Speaker 1: Yeah, scary, but it's also, uh, it's also having fun.

561
00:29:38,040 --> 00:29:41,200
Speaker 3: And so what like what's an episode like you did

562
00:29:41,200 --> 00:29:44,440
Speaker 3: a Marvel one? What was like the last one that

563
00:29:44,560 --> 00:29:47,960
Speaker 3: came out? Like what do you do when it happened?

564
00:29:48,680 --> 00:29:49,120
Speaker 2: We did?

565
00:29:49,320 --> 00:29:52,040
Speaker 4: Ant Man is the one that came out today? As

566
00:29:52,080 --> 00:29:57,000
Speaker 4: we record this and that that stars clueless. Is Paul

567
00:29:57,120 --> 00:30:01,160
Speaker 4: Rudd as a man who turns into the size of an.

568
00:30:01,440 --> 00:30:07,480
Speaker 5: He's not age? Does he does not age? Paul Rudd.

569
00:30:07,960 --> 00:30:09,400
Speaker 5: He's looking young.

570
00:30:10,440 --> 00:30:11,160
Speaker 4: He looks great.

571
00:30:11,360 --> 00:30:13,240
Speaker 5: Did you tell I, am I stepping on the show?

572
00:30:13,360 --> 00:30:14,120
Speaker 1: Is this what the show?

573
00:30:14,120 --> 00:30:16,800
Speaker 4: I just I you know, I just it's he's he

574
00:30:16,880 --> 00:30:19,720
Speaker 4: is actually really sensitive about it about the fact that

575
00:30:19,760 --> 00:30:22,880
Speaker 4: he doesn't age. It's like an Andy Milanokus thing. He

576
00:30:23,040 --> 00:30:28,640
Speaker 4: hit fifty and then stopped and then that's what it is.

577
00:30:28,720 --> 00:30:29,000
Speaker 2: Now.

578
00:30:29,160 --> 00:30:31,719
Speaker 4: He just looks like that now, and he'll look like

579
00:30:31,760 --> 00:30:33,320
Speaker 4: that when he's eighty five, and.

580
00:30:33,400 --> 00:30:35,640
Speaker 2: He looks like that when he was a little kid. Right,

581
00:30:36,400 --> 00:30:36,719
Speaker 2: m hm.

582
00:30:37,600 --> 00:30:41,040
Speaker 4: So in in terms of like his interior self, it

583
00:30:41,200 --> 00:30:42,880
Speaker 4: just doesn't match who he is.

584
00:30:43,720 --> 00:30:46,360
Speaker 2: Yeah, right, And you're friends with him.

585
00:30:46,720 --> 00:30:49,520
Speaker 4: I wouldn't say friends, but I but you know, in

586
00:30:49,560 --> 00:30:52,680
Speaker 4: the course of my research, I we we've you know,

587
00:30:52,720 --> 00:30:54,840
Speaker 4: we've traded emails.

588
00:30:55,320 --> 00:31:00,360
Speaker 3: An ant man has so like talk about I'm let's

589
00:31:00,360 --> 00:31:04,120
Speaker 3: talk about it the Thorax, right, let's get into it.

590
00:31:05,080 --> 00:31:08,520
Speaker 4: They call the Thorax the powerhouse of the ant mm

591
00:31:08,640 --> 00:31:09,160
Speaker 4: mm hmmm.

592
00:31:09,640 --> 00:31:10,680
Speaker 5: I don't disagree.

593
00:31:10,920 --> 00:31:14,440
Speaker 1: But the Abdomen's got something to say about it.

594
00:31:14,440 --> 00:31:19,800
Speaker 4: It's just a segmented abdomen chitnu shell kind of like

595
00:31:19,840 --> 00:31:23,080
Speaker 4: the multi part I. These are all parts of the ant.

596
00:31:23,160 --> 00:31:28,400
Speaker 4: We we dedicate one episode each to two different parts,

597
00:31:28,440 --> 00:31:29,120
Speaker 4: different parts of.

598
00:31:29,120 --> 00:31:32,160
Speaker 1: The and the pheromones. Right, I mean you know this

599
00:31:33,040 --> 00:31:34,160
Speaker 1: is how they're communicating.

600
00:31:34,360 --> 00:31:34,600
Speaker 5: Right.

601
00:31:34,880 --> 00:31:36,720
Speaker 1: They started to saying there, I'll say, hey, go over here,

602
00:31:36,720 --> 00:31:37,600
Speaker 1: I found a piece of food.

603
00:31:37,640 --> 00:31:39,200
Speaker 5: They're saying, hey, smell this.

604
00:31:39,920 --> 00:31:43,720
Speaker 4: They're like this, this smells like a like a stinky

605
00:31:43,800 --> 00:31:46,240
Speaker 4: lower abdomen. I'm gonna follow this.

606
00:31:46,320 --> 00:31:48,320
Speaker 2: No, don't, no, no, no.

607
00:31:48,720 --> 00:31:55,000
Speaker 6: Who can relate. I'm not touching it. I'm not touching it.

608
00:31:55,200 --> 00:31:59,360
Speaker 1: Be very careful, be very careful in how you proceed.

609
00:31:59,520 --> 00:32:03,960
Speaker 5: Kevin, Wow, served up on a platter. But no, they

610
00:32:03,960 --> 00:32:04,800
Speaker 5: stink for each other.

611
00:32:04,880 --> 00:32:08,000
Speaker 1: They stink to they stink at one another, and they say, hey,

612
00:32:08,000 --> 00:32:10,840
Speaker 1: come over here or go over there, let's do this,

613
00:32:11,160 --> 00:32:12,760
Speaker 1: and or I'm dead.

614
00:32:12,760 --> 00:32:13,480
Speaker 5: They say, you.

615
00:32:13,440 --> 00:32:16,720
Speaker 4: Know, right, and they're not ashamed of it. Not like

616
00:32:16,840 --> 00:32:18,600
Speaker 4: us in terms of the way we smell, where we're

617
00:32:18,600 --> 00:32:25,680
Speaker 4: always so ever or putting or having various multi step

618
00:32:25,840 --> 00:32:29,880
Speaker 4: processes to both scrub our sense and then replace our

619
00:32:29,920 --> 00:32:32,200
Speaker 4: sense with other sense. They don't do that. They just

620
00:32:32,280 --> 00:32:34,200
Speaker 4: smell the way they smell, and they're proud of it.

621
00:32:34,320 --> 00:32:35,120
Speaker 4: That's who they are.

622
00:32:36,000 --> 00:32:38,240
Speaker 3: So I am man. Never you never see him take a.

623
00:32:38,200 --> 00:32:43,320
Speaker 4: Shower, not in the small form, because he he would.

624
00:32:43,160 --> 00:32:46,840
Speaker 3: Watch you see him shower a lot in his in

625
00:32:46,920 --> 00:32:49,520
Speaker 3: his larger form. Sounds like you're saying.

626
00:32:50,200 --> 00:32:52,160
Speaker 4: It happens mostly off screen, and I think you're just

627
00:32:52,240 --> 00:32:54,320
Speaker 4: meant to kind of like assume that it happens.

628
00:32:55,040 --> 00:32:57,800
Speaker 3: He just says that he he took a shower.

629
00:32:57,880 --> 00:33:00,120
Speaker 6: Jason didn't see the message I sent you.

630
00:33:00,600 --> 00:33:04,400
Speaker 4: Let me look at it. Now did you send where

631
00:33:04,400 --> 00:33:04,960
Speaker 4: did you say it?

632
00:33:06,040 --> 00:33:10,600
Speaker 5: Oh? My god, not recording, g chat, I'm not recording.

633
00:33:11,240 --> 00:33:13,160
Speaker 3: Oh and see now this is another thing.

634
00:33:13,720 --> 00:33:17,120
Speaker 5: I was recording. But my thing died. My thing died

635
00:33:17,160 --> 00:33:17,400
Speaker 5: on me.

636
00:33:17,480 --> 00:33:21,040
Speaker 2: It came unplugged, and that was my chat.

637
00:33:21,080 --> 00:33:22,560
Speaker 6: It said. Do you think Sean's recording?

638
00:33:24,320 --> 00:33:27,040
Speaker 5: I am not, and I don't know when it stopped.

639
00:33:27,640 --> 00:33:31,080
Speaker 4: I've done this. I've done this so many times, Sean.

640
00:33:31,840 --> 00:33:32,880
Speaker 3: The exactly we.

641
00:33:32,800 --> 00:33:34,920
Speaker 2: Have we have it, Sean, we have it. We have

642
00:33:35,040 --> 00:33:36,680
Speaker 2: the voice. It'll sound like ship.

643
00:33:38,560 --> 00:33:41,760
Speaker 1: That's going to sound like sh But I was recording

644
00:33:41,840 --> 00:33:43,640
Speaker 1: for a time twenty minutes.

645
00:33:43,680 --> 00:33:45,440
Speaker 2: That's great, dude, dude, that's awesome.

646
00:33:45,520 --> 00:33:46,960
Speaker 4: Yeah, that's what that's like.

647
00:33:47,120 --> 00:33:50,280
Speaker 3: Come on, dude, you were recording for part of the show.

648
00:33:50,640 --> 00:33:51,360
Speaker 2: That wrong.

649
00:33:51,400 --> 00:33:54,840
Speaker 1: Well, that's what I'm saying, Like, can we focus We

650
00:33:54,840 --> 00:33:57,640
Speaker 1: were so quick to focus on on the negative that

651
00:33:57,720 --> 00:34:00,000
Speaker 1: I stopped recording for a big part of the show

652
00:34:00,440 --> 00:34:04,120
Speaker 1: and not even address that I was recording for another part.

653
00:34:04,760 --> 00:34:08,399
Speaker 4: Let's absolutely not focus on the fact that you were

654
00:34:08,440 --> 00:34:11,320
Speaker 4: not recording for an indeterminate part of time.

655
00:34:12,960 --> 00:34:15,720
Speaker 1: Particle that matched that was proud.

656
00:34:17,040 --> 00:34:18,880
Speaker 4: Yeah, that may or may not have made it.

657
00:34:19,160 --> 00:34:22,399
Speaker 3: That was probably when it got unplugged because there.

658
00:34:22,760 --> 00:34:28,520
Speaker 1: Because I was moving it around. Yeah yeah, yeah.

659
00:34:27,040 --> 00:34:29,959
Speaker 2: Kind of swinging it in uh in like a very

660
00:34:30,040 --> 00:34:31,200
Speaker 2: showy way.

661
00:34:32,719 --> 00:34:32,879
Speaker 7: Too.

662
00:34:33,000 --> 00:34:35,960
Speaker 1: Have you seen someone what these cats are doing? Yeah,

663
00:34:36,239 --> 00:34:37,640
Speaker 1: they're going fucking psycho.

664
00:34:37,760 --> 00:34:40,960
Speaker 2: Could have been the cats and Kevin.

665
00:34:41,000 --> 00:34:43,120
Speaker 3: You were sending the guests a message, which is of

666
00:34:43,160 --> 00:34:47,960
Speaker 3: course totally unacceptable, the first time you've ever you've ever

667
00:34:48,080 --> 00:34:48,520
Speaker 3: done that.

668
00:34:48,600 --> 00:34:53,240
Speaker 6: I'm trying to connect make them feel like, isn't.

669
00:34:53,080 --> 00:34:54,920
Speaker 2: This are you talking about his other show?

670
00:34:55,719 --> 00:35:00,239
Speaker 6: Well, while we're there, Yeah, do you need a guest

671
00:35:00,440 --> 00:35:04,759
Speaker 6: or because I got two right here. I mean, we're

672
00:35:04,800 --> 00:35:09,600
Speaker 6: all recording now too. Well, we were Wow, could you

673
00:35:09,719 --> 00:35:11,560
Speaker 6: use any of our first twenty minutes?

674
00:35:11,640 --> 00:35:13,200
Speaker 2: What did what did the message?

675
00:35:13,320 --> 00:35:16,840
Speaker 3: What the first twenty minutes of this show?

676
00:35:17,080 --> 00:35:23,200
Speaker 6: On his podcast? Yeah, dude, cross crossover and they do

677
00:35:23,280 --> 00:35:27,440
Speaker 6: that in the Marvel movies, right, the crossover.

678
00:35:27,040 --> 00:35:30,480
Speaker 4: They do do that. That is that is a good point.

679
00:35:30,760 --> 00:35:32,960
Speaker 1: Well that we kind of have to. I mean, you

680
00:35:33,160 --> 00:35:35,600
Speaker 1: like the movies, so actually you're sort of like.

681
00:35:35,719 --> 00:35:37,440
Speaker 4: Wow, that is a great point. I was. I was

682
00:35:37,480 --> 00:35:41,040
Speaker 4: actually dead set against it until until you brought that up.

683
00:35:41,080 --> 00:35:41,680
Speaker 4: That's a great point.

684
00:35:41,719 --> 00:35:44,680
Speaker 1: Let me ask you this, Kevin using logic and facts

685
00:35:44,680 --> 00:35:46,240
Speaker 1: to dismantle his opponent.

686
00:35:47,160 --> 00:35:54,239
Speaker 4: Wow, I feel snowflaked. I've melted. How long is your

687
00:35:54,280 --> 00:35:55,680
Speaker 4: How long is your contract with Kevin?

688
00:35:55,719 --> 00:35:55,799
Speaker 7: For?

689
00:35:56,040 --> 00:35:58,840
Speaker 4: How long do you do you have? Am I allowed

690
00:35:58,840 --> 00:35:59,440
Speaker 4: to ask Scott?

691
00:36:00,800 --> 00:36:03,560
Speaker 1: Yeah, but we're not with only Kevin knows.

692
00:36:04,160 --> 00:36:05,960
Speaker 4: Oh wow. It's a one way, one of those one

693
00:36:06,000 --> 00:36:07,439
Speaker 4: way blind contracts.

694
00:36:07,480 --> 00:36:08,839
Speaker 6: It's in the message I sent you.

695
00:36:09,160 --> 00:36:11,160
Speaker 1: He just comes up and goes like, Hey, I'm renewed.

696
00:36:11,320 --> 00:36:14,000
Speaker 2: What does the message say? You've said it's all these

697
00:36:14,000 --> 00:36:15,479
Speaker 2: different things. What does it say?

698
00:36:15,719 --> 00:36:17,640
Speaker 6: So do you think Sean's recording?

699
00:36:18,800 --> 00:36:22,000
Speaker 2: No, it didn't say that. What's it really say? For real.

700
00:36:22,040 --> 00:36:24,360
Speaker 1: Oh, by the way, when Kevin says that he's renewed

701
00:36:24,400 --> 00:36:27,360
Speaker 1: to us, he really hits nude and it makes me uncomfortable.

702
00:36:27,400 --> 00:36:30,640
Speaker 6: Yeah, what's it, say, Jason?

703
00:36:32,080 --> 00:36:35,360
Speaker 4: I can't find it. I heard it. I heard a sound,

704
00:36:35,520 --> 00:36:37,680
Speaker 4: but I don't know where where.

705
00:36:37,520 --> 00:36:39,520
Speaker 3: I heard it. And it sounded like a It sounded

706
00:36:39,600 --> 00:36:41,000
Speaker 3: like a slack message.

707
00:36:41,040 --> 00:36:44,719
Speaker 4: It did sound like a slack But why would it

708
00:36:44,760 --> 00:36:48,799
Speaker 4: be there? Hold on, I don't have a slack. Can

709
00:36:48,840 --> 00:36:51,879
Speaker 4: you just read it, Kevin? Kevin, can you just read it?

710
00:36:52,040 --> 00:36:52,319
Speaker 4: Can you?

711
00:36:53,120 --> 00:36:58,320
Speaker 6: Okay? It's a photo of a kid with the funny

712
00:36:58,320 --> 00:36:59,600
Speaker 6: sunglasses and it says, so.

713
00:37:08,880 --> 00:37:10,759
Speaker 2: Don't send that to anyone.

714
00:37:11,400 --> 00:37:13,760
Speaker 3: Please send that to Jason during the show.

715
00:37:13,680 --> 00:37:15,920
Speaker 1: Not during the show, after the show. Send it to

716
00:37:16,040 --> 00:37:17,879
Speaker 1: him as many times as you want.

717
00:37:18,040 --> 00:37:22,960
Speaker 4: That's right, Okay, This it's just kind of like unprofessional

718
00:37:23,040 --> 00:37:26,239
Speaker 4: and also like that is a little bit Is that

719
00:37:26,320 --> 00:37:29,239
Speaker 4: fair use? Also? Does are you just allowed to like

720
00:37:29,400 --> 00:37:33,759
Speaker 4: clip somebody else's some child's ip and then send it

721
00:37:33,840 --> 00:37:37,200
Speaker 4: over the internet to like during a broadcast like you're

722
00:37:37,239 --> 00:37:40,960
Speaker 4: opening up the litigation that you're opening the gentleman up

723
00:37:41,000 --> 00:37:41,680
Speaker 4: to is I.

724
00:37:41,680 --> 00:37:44,239
Speaker 1: Might get sued into the fucking stone age with them?

725
00:37:44,560 --> 00:37:46,480
Speaker 1: Thank you for referring me as the gentleman. I do

726
00:37:46,560 --> 00:37:48,680
Speaker 1: see myself as guy Richie's the gentleman.

727
00:37:54,360 --> 00:37:59,000
Speaker 3: Who's the other So there's a man. Yeah, he doesn't

728
00:37:59,000 --> 00:38:02,320
Speaker 3: take a shower some time. Sometimes sometimes you don't see.

729
00:38:02,120 --> 00:38:03,400
Speaker 2: It, but he talks about it.

730
00:38:03,480 --> 00:38:06,720
Speaker 3: That's or you just like he walks into the scene

731
00:38:06,880 --> 00:38:09,680
Speaker 3: or you hear a shower during the transition.

732
00:38:10,239 --> 00:38:11,120
Speaker 1: He's singing the shower.

733
00:38:12,400 --> 00:38:14,719
Speaker 4: I would assume that he does sing in the shower.

734
00:38:15,120 --> 00:38:17,080
Speaker 4: That's kind of like part of the deep process that

735
00:38:17,120 --> 00:38:19,360
Speaker 4: Paul Rudd goes through where he's like he creates this

736
00:38:19,560 --> 00:38:23,560
Speaker 4: entire realm, this entire character within the performance. So that's

737
00:38:23,560 --> 00:38:25,160
Speaker 4: one of the things that I do get from it,

738
00:38:25,200 --> 00:38:27,239
Speaker 4: even though that's not on the page and it's not

739
00:38:27,440 --> 00:38:29,799
Speaker 4: in the scenes. I just feel like he's a very

740
00:38:30,640 --> 00:38:34,120
Speaker 4: he's a very celebratory individual. He really loves life, and

741
00:38:34,160 --> 00:38:36,360
Speaker 4: he's going to be singing in the shower when he

742
00:38:36,560 --> 00:38:38,200
Speaker 4: when that hot water hits his chest.

743
00:38:40,719 --> 00:38:45,399
Speaker 1: There's I haven't I haven't seen the film per se,

744
00:38:45,560 --> 00:38:47,759
Speaker 1: as Hayes mentioned, we're so close to it, but I

745
00:38:47,840 --> 00:38:50,479
Speaker 1: have seen some of the outtakes and deleted scenes. There's

746
00:38:50,480 --> 00:38:52,719
Speaker 1: a really funny one where it's just Paul Rudd and

747
00:38:52,760 --> 00:38:56,000
Speaker 1: Michael Douglas saying, you know, how I know your aunt man,

748
00:38:56,560 --> 00:38:58,799
Speaker 1: and then they will each sort of give, you know,

749
00:38:58,920 --> 00:39:04,040
Speaker 1: provide evidence of how they're certain that the other man

750
00:39:04,080 --> 00:39:07,719
Speaker 1: is aunt man, which I believe they both maybe are.

751
00:39:08,800 --> 00:39:09,040
Speaker 2: Yeah.

752
00:39:09,160 --> 00:39:13,200
Speaker 4: Yeah, that was that was pure improv.

753
00:39:14,680 --> 00:39:16,360
Speaker 2: That was improv.

754
00:39:17,640 --> 00:39:22,160
Speaker 4: Improv. No, this was when Edgar Wright had was kind

755
00:39:22,160 --> 00:39:25,520
Speaker 4: of like just exiting the project, and he was like,

756
00:39:25,600 --> 00:39:27,719
Speaker 4: you know what, guys, let's just like, you know what,

757
00:39:27,800 --> 00:39:30,360
Speaker 4: they're firing me or I'm moving on or whatever the

758
00:39:30,400 --> 00:39:33,040
Speaker 4: case may be. Let's just let's just try some stuff.

759
00:39:33,080 --> 00:39:36,000
Speaker 4: We got, I got what I needed. Let's just try

760
00:39:36,000 --> 00:39:38,000
Speaker 4: some stuff. And they just went for it. They just

761
00:39:38,080 --> 00:39:40,000
Speaker 4: went wow all the way.

762
00:39:41,560 --> 00:39:42,520
Speaker 2: And am I right?

763
00:39:42,680 --> 00:39:44,799
Speaker 3: Also, like you know, just like you hear about this

764
00:39:44,800 --> 00:39:47,040
Speaker 3: stuff and again I like I haven't seen the film either,

765
00:39:47,280 --> 00:39:50,440
Speaker 3: but also the shrinking was improv.

766
00:39:50,320 --> 00:39:53,480
Speaker 4: The shrinking was improv. Well, it's a lot of that

767
00:39:54,360 --> 00:39:57,920
Speaker 4: has a lot of that is just kind of Paul

768
00:39:59,000 --> 00:40:05,040
Speaker 4: his own ability to concentrate and create the illusion that

769
00:40:05,080 --> 00:40:05,960
Speaker 4: there is shrinking.

770
00:40:06,680 --> 00:40:07,560
Speaker 2: Some of it is just.

771
00:40:07,640 --> 00:40:10,160
Speaker 3: And so what he's really doing is running a really

772
00:40:10,200 --> 00:40:10,880
Speaker 3: fast away.

773
00:40:11,160 --> 00:40:14,080
Speaker 4: Well no, he he kind of like punches his shoulders

774
00:40:14,120 --> 00:40:16,480
Speaker 4: and like caves in his and kind of like stoops

775
00:40:16,520 --> 00:40:19,640
Speaker 4: a little bit and then oh, he's squinching, squinching.

776
00:40:19,719 --> 00:40:23,200
Speaker 1: He's squinching himself. That's right, that's so interesting.

777
00:40:23,520 --> 00:40:27,279
Speaker 3: No, now, so looks like and the you know part

778
00:40:27,320 --> 00:40:29,200
Speaker 3: of it is like you're in a theater and you're

779
00:40:29,239 --> 00:40:31,640
Speaker 3: like suspending for thisbelief, and so it looks like he's

780
00:40:31,640 --> 00:40:36,120
Speaker 3: becoming this tiny bug, but really he is actually just

781
00:40:36,360 --> 00:40:39,760
Speaker 3: it's a practical effect, which is he just squinching.

782
00:40:40,160 --> 00:40:42,560
Speaker 4: There's a little bit of in camera stuff with like

783
00:40:42,600 --> 00:40:44,799
Speaker 4: a with like a with a pull out and a

784
00:40:44,840 --> 00:40:48,880
Speaker 4: focused yeah, like, but but a lot of it is

785
00:40:49,000 --> 00:40:52,560
Speaker 4: just the way he can just kind of contort his

786
00:40:52,680 --> 00:40:59,480
Speaker 4: body so that it looks legitimately absolutely minuscule. So so small.

787
00:41:00,840 --> 00:41:01,880
Speaker 2: Oh like a lot of actors.

788
00:41:01,920 --> 00:41:05,680
Speaker 1: He's not such a tall guy either, that it's going

789
00:41:05,719 --> 00:41:07,880
Speaker 1: that it's going to be distracting on cameras, so he

790
00:41:07,960 --> 00:41:10,520
Speaker 1: can't you know, he's starting from he's not short guy,

791
00:41:10,880 --> 00:41:13,440
Speaker 1: but he's starting from a place where this guy can

792
00:41:13,480 --> 00:41:16,839
Speaker 1: really squinch and you can squench himself up and the

793
00:41:16,920 --> 00:41:20,680
Speaker 1: cat next to me is going insane. I've never seen

794
00:41:20,719 --> 00:41:22,000
Speaker 1: this guy do this.

795
00:41:22,840 --> 00:41:25,919
Speaker 6: I think the cats are mad because we're not talking Garfield.

796
00:41:26,000 --> 00:41:31,359
Speaker 1: A man, come on, you don't A lot of shit

797
00:41:31,480 --> 00:41:35,040
Speaker 1: is funny to me. That's not fucking funny, man, that's

798
00:41:35,080 --> 00:41:39,040
Speaker 1: not cool'n' Kevin's like baked.

799
00:41:39,680 --> 00:41:40,520
Speaker 4: Are you wasted?

800
00:41:40,600 --> 00:41:40,799
Speaker 5: Man?

801
00:41:43,280 --> 00:41:46,239
Speaker 6: Hey, it's four twenty somewhere though, it's not.

802
00:41:46,640 --> 00:41:49,360
Speaker 1: No, it's not dude, are you blazed?

803
00:41:49,480 --> 00:41:53,520
Speaker 8: Come on, man, it's not four to twenty anywhere where

804
00:41:53,560 --> 00:41:54,520
Speaker 8: are you guys?

805
00:41:54,560 --> 00:41:55,440
Speaker 6: Like, be honest.

806
00:41:55,960 --> 00:42:00,200
Speaker 3: Well, maybe the cat is saying, this is effectively what

807
00:42:00,360 --> 00:42:05,560
Speaker 3: the guy does. Other guy huge and like he goes crazy,

808
00:42:05,560 --> 00:42:12,040
Speaker 3: and he says, you don't and I you will not

809
00:42:12,560 --> 00:42:14,520
Speaker 3: like going crazy when I do it.

810
00:42:16,440 --> 00:42:20,839
Speaker 1: Yeah you remember. No, Yes, this is not the same thing.

811
00:42:21,040 --> 00:42:25,319
Speaker 1: That's not what ant Man is saying. Yes, But one

812
00:42:25,360 --> 00:42:29,880
Speaker 1: of his buddies goes, hey, hey, I know we all

813
00:42:30,120 --> 00:42:33,560
Speaker 1: sometimes act a little bit crazy. When I'm acting crazy,

814
00:42:33,880 --> 00:42:38,600
Speaker 1: you're gonna be it's not you know, it's not the best.

815
00:42:39,360 --> 00:42:47,560
Speaker 1: So that's basically what the cats said as well. So like, hey, man, hey,

816
00:42:47,760 --> 00:42:49,160
Speaker 1: I hear you, buddy.

817
00:42:50,320 --> 00:42:53,080
Speaker 3: And that's a practice act as well.

818
00:42:53,280 --> 00:42:56,440
Speaker 2: In fact, that's in camera also.

819
00:42:57,640 --> 00:42:59,960
Speaker 1: So much is happening inside this camera. I'd love to

820
00:43:00,040 --> 00:43:02,240
Speaker 1: go to look at the camera itself, because it seems

821
00:43:02,239 --> 00:43:05,360
Speaker 1: like it's got a lot of pieces that are doing

822
00:43:05,400 --> 00:43:08,239
Speaker 1: stuff that to me, at least from when you know,

823
00:43:08,280 --> 00:43:10,040
Speaker 1: when I've been in the theater, even just to see

824
00:43:10,040 --> 00:43:13,560
Speaker 1: some of the previews, he looks so squenched. The guy

825
00:43:13,680 --> 00:43:18,839
Speaker 1: looks so scary to me. Who's saying that he's gonna

826
00:43:18,840 --> 00:43:23,160
Speaker 1: go crazy? And what is happening? Royal? You are sitting

827
00:43:23,160 --> 00:43:25,319
Speaker 1: in the window yelling. You are running across the room

828
00:43:25,320 --> 00:43:28,040
Speaker 1: as fast as you can. You are jumping onto every surface.

829
00:43:28,480 --> 00:43:30,719
Speaker 1: Nothing has changed, is your behind me?

830
00:43:30,760 --> 00:43:30,920
Speaker 2: Now?

831
00:43:31,320 --> 00:43:34,520
Speaker 1: Nothing has changed or happened at all in this room

832
00:43:34,560 --> 00:43:35,320
Speaker 1: to make.

833
00:43:35,120 --> 00:43:35,799
Speaker 8: You do this.

834
00:43:37,200 --> 00:43:40,520
Speaker 1: It is sabotage, plain and simple. And I think you're

835
00:43:40,640 --> 00:43:42,600
Speaker 1: jealous of bing mode with Jason.

836
00:43:43,000 --> 00:43:43,839
Speaker 4: I appreciate that.

837
00:43:44,560 --> 00:43:47,319
Speaker 1: And I think you're I and I think you think

838
00:43:47,360 --> 00:43:49,800
Speaker 1: that maybe you should have been involved with cooking media

839
00:43:49,920 --> 00:43:54,560
Speaker 1: and and it's honestly disgusting to see this jealousy come

840
00:43:54,600 --> 00:43:57,040
Speaker 1: out this way. And I've always taught in my household

841
00:43:57,960 --> 00:44:00,920
Speaker 1: that a rising tide lifts all butts.

842
00:44:01,920 --> 00:44:04,000
Speaker 4: Well, you know what they what they say about jealousy?

843
00:44:04,920 --> 00:44:08,719
Speaker 1: Mm hmmm, I don't because I don't ever think about it.

844
00:44:08,719 --> 00:44:11,479
Speaker 1: Because I don't feel it. What do they say?

845
00:44:12,120 --> 00:44:14,719
Speaker 4: Uh that it makes it makes an ass out of

846
00:44:14,760 --> 00:44:19,000
Speaker 4: you and me, So just don't participate in it at all.

847
00:44:19,400 --> 00:44:21,000
Speaker 1: Oh well, like I want to hear that.

848
00:44:21,920 --> 00:44:27,560
Speaker 3: Yeah, and may maybe that guy is jealous, and that's

849
00:44:27,600 --> 00:44:30,400
Speaker 3: why this guy looks like this.

850
00:44:30,640 --> 00:44:41,239
Speaker 2: He's like he he Hung ah Hung Hung he you know, he.

851
00:44:43,320 --> 00:44:45,640
Speaker 3: He says, you would like it when I've when I'm

852
00:44:45,680 --> 00:44:46,560
Speaker 3: going crazy.

853
00:44:46,320 --> 00:44:49,680
Speaker 2: That's that's you will not like.

854
00:44:51,360 --> 00:44:54,040
Speaker 3: And and maybe he's so jealous that that's why he

855
00:44:54,080 --> 00:44:57,520
Speaker 3: looks like this. Like this guy, he looks like this.

856
00:44:59,280 --> 00:45:02,520
Speaker 4: I mean, it could I it could be. I was wondering,

857
00:45:02,680 --> 00:45:06,000
Speaker 4: are you talking about are you talking about the show Hung?

858
00:45:08,000 --> 00:45:11,480
Speaker 3: So no, I understand that the show version, if I

859
00:45:11,480 --> 00:45:13,000
Speaker 3: could actually just step in and help you out a

860
00:45:13,040 --> 00:45:16,840
Speaker 3: little bit here, the show version on Disney Plus is gonna.

861
00:45:16,600 --> 00:45:18,480
Speaker 6: Be she Hung right.

862
00:45:20,080 --> 00:45:25,520
Speaker 2: By then the movie version he is that that is just.

863
00:45:25,600 --> 00:45:31,359
Speaker 4: Hung right, the Hung, the incredible Hung right, the incredible Hung,

864
00:45:31,440 --> 00:45:32,280
Speaker 4: the Hong.

865
00:45:32,120 --> 00:45:34,600
Speaker 2: The incredible changed the years.

866
00:45:36,640 --> 00:45:38,000
Speaker 3: Yeah, the Hung.

867
00:45:39,080 --> 00:45:41,480
Speaker 4: Sometimes he's the Hung, but then other times like he's

868
00:45:41,520 --> 00:45:46,640
Speaker 4: also himself and halfway the Hung. Other times it's like

869
00:45:46,719 --> 00:45:50,319
Speaker 4: he changes colors with it, like like he started as

870
00:45:50,440 --> 00:45:53,719
Speaker 4: Hung as the Hung it was originally yeah, it was

871
00:45:53,760 --> 00:46:00,399
Speaker 4: originally green and couldn't control the Hung. And then as

872
00:46:00,400 --> 00:46:03,720
Speaker 4: the story goes on, he's he you know, he sits

873
00:46:03,719 --> 00:46:06,960
Speaker 4: with it, and he processes it and he's able to

874
00:46:07,000 --> 00:46:09,640
Speaker 4: take more control of the Hung proc and and be

875
00:46:09,800 --> 00:46:10,480
Speaker 4: like half fung.

876
00:46:10,640 --> 00:46:13,560
Speaker 3: He could, he could sit on it even I mean,

877
00:46:13,600 --> 00:46:16,640
Speaker 3: I'm just saying like this guy like, oh.

878
00:46:16,480 --> 00:46:19,680
Speaker 1: Feel free to keep talking about it. No, it's because

879
00:46:20,080 --> 00:46:24,120
Speaker 1: it feels like you're almost stopping yourself. Hayes, right, because

880
00:46:24,160 --> 00:46:26,400
Speaker 1: this is supposed to be Jason's area of expertise, and

881
00:46:26,440 --> 00:46:28,880
Speaker 1: he didn't. He initially thought you meant the TV show,

882
00:46:29,440 --> 00:46:32,040
Speaker 1: which is fine, you're keeping so much information in your head,

883
00:46:32,320 --> 00:46:35,040
Speaker 1: but obviously you were talking about the whole series of movies.

884
00:46:35,080 --> 00:46:37,319
Speaker 1: On all the movies I think have somewhere I have

885
00:46:37,520 --> 00:46:38,480
Speaker 1: Hung's name in them.

886
00:46:39,040 --> 00:46:41,080
Speaker 7: Well, Hung is in all of them. Hung is in

887
00:46:41,520 --> 00:46:44,360
Speaker 7: you know, Hung is in Endgame.

888
00:46:44,560 --> 00:46:50,280
Speaker 4: He's in Infinity War. Although he can't get he can't

889
00:46:50,360 --> 00:46:52,160
Speaker 4: turn into Hung in that one.

890
00:46:52,200 --> 00:46:53,799
Speaker 7: He's got some sort of mental block and.

891
00:46:53,800 --> 00:46:55,720
Speaker 6: He's unable to trap stuck.

892
00:46:55,880 --> 00:46:59,080
Speaker 7: Yeah right, he's unable to kind of get it, going.

893
00:46:59,120 --> 00:46:59,960
Speaker 1: To get it, Yeah, I can't get it.

894
00:47:00,080 --> 00:47:03,479
Speaker 7: It can't get he needed he needed something else, needed

895
00:47:03,520 --> 00:47:07,960
Speaker 7: some help and that kind of embarrassed him. And yeah,

896
00:47:08,400 --> 00:47:11,480
Speaker 7: it was like that, Yeah, it's like this, I can't

897
00:47:12,080 --> 00:47:12,720
Speaker 7: do it.

898
00:47:12,640 --> 00:47:15,080
Speaker 4: For some reason. Can somebody help me? And I was

899
00:47:15,120 --> 00:47:18,160
Speaker 4: like that's you know, I don't know, like can't you

900
00:47:18,280 --> 00:47:20,600
Speaker 4: just go off and do it on your own? But

901
00:47:20,640 --> 00:47:23,800
Speaker 4: then to like kind of close the loop the full

902
00:47:23,840 --> 00:47:27,200
Speaker 4: like arc of the character bending towards justice, he does

903
00:47:27,239 --> 00:47:30,120
Speaker 4: become Hung in the final film, and he's kind of

904
00:47:30,120 --> 00:47:33,400
Speaker 4: like integral into the grand Victory.

905
00:47:33,920 --> 00:47:38,439
Speaker 3: And he says like, you don't want to know my secret, right,

906
00:47:38,680 --> 00:47:41,600
Speaker 3: I'm always this. I could always do it the whole time.

907
00:47:41,800 --> 00:47:44,520
Speaker 3: Yeah right, It's like, okay, why did you say that?

908
00:47:44,560 --> 00:47:44,840
Speaker 2: Then?

909
00:47:44,880 --> 00:47:48,239
Speaker 1: Yeah, why did you do it? Yeah?

910
00:47:49,040 --> 00:47:53,640
Speaker 4: Well that's that seems very interesting because previously to that,

911
00:47:53,800 --> 00:47:56,200
Speaker 4: Tony had said we need Hung. You know what we

912
00:47:56,239 --> 00:48:00,239
Speaker 4: need right now is Hung and Hung? Uh he listen

913
00:48:00,320 --> 00:48:02,920
Speaker 4: in Hung form at that time, Bruce, he kind of

914
00:48:02,920 --> 00:48:06,760
Speaker 4: like rode up on a motorcycle and he was like, oh, wow,

915
00:48:06,920 --> 00:48:10,680
Speaker 4: look at this. What's what's happening with these big snakes

916
00:48:10,680 --> 00:48:13,640
Speaker 4: in the sky and all the stuff? Yeah, the technical

917
00:48:13,719 --> 00:48:14,160
Speaker 4: term and.

918
00:48:14,120 --> 00:48:16,719
Speaker 1: Then Yeah, No, I didn't know it started off.

919
00:48:17,360 --> 00:48:18,520
Speaker 7: Yeah, I didn't mean.

920
00:48:18,440 --> 00:48:20,719
Speaker 1: To get I know what the fuck you're talking about. No,

921
00:48:20,760 --> 00:48:21,440
Speaker 1: it's good.

922
00:48:22,719 --> 00:48:25,640
Speaker 7: If you listen, if you let bing Mode engage. It's

923
00:48:25,640 --> 00:48:27,320
Speaker 7: on episode forty seven.

924
00:48:27,120 --> 00:48:30,160
Speaker 1: Of I Go Boss Mode on bing Mo Dude and.

925
00:48:30,440 --> 00:48:32,680
Speaker 7: Just absolutely flip that switch and go beast.

926
00:48:34,280 --> 00:48:40,279
Speaker 3: Does he remember what he was doing when he was uh,

927
00:48:40,440 --> 00:48:42,960
Speaker 3: when he was when he's hung and when he's normal guide,

928
00:48:43,040 --> 00:48:44,360
Speaker 3: does he remember.

929
00:48:44,760 --> 00:48:48,920
Speaker 7: Kind of like through a haze, through a fog.

930
00:48:48,760 --> 00:48:49,839
Speaker 1: Hey that's your name.

931
00:48:50,239 --> 00:48:52,600
Speaker 2: Yeah, that's my name. Don't worry it out please.

932
00:48:52,880 --> 00:48:56,080
Speaker 4: Sorry, but like yeah, kind of like through a through

933
00:48:56,120 --> 00:48:57,880
Speaker 4: a foggy gauze of.

934
00:49:00,160 --> 00:49:03,560
Speaker 7: Excitement of being hung. Like once the hungness kind.

935
00:49:03,440 --> 00:49:05,880
Speaker 4: Of like wears off, he gets like really drowsy, and

936
00:49:05,920 --> 00:49:08,880
Speaker 4: all of a sudden, his like pants are torn, and

937
00:49:09,200 --> 00:49:11,239
Speaker 4: he spends a lot of the time, like at least

938
00:49:11,280 --> 00:49:15,800
Speaker 4: the early minutes of the transformation back into himself, being

939
00:49:15,880 --> 00:49:18,200
Speaker 4: like what can somebody just get me like a pair

940
00:49:18,239 --> 00:49:20,440
Speaker 4: of pants and a shirt, because like it's I'm just

941
00:49:20,520 --> 00:49:24,160
Speaker 4: out here. But then later on he does think about

942
00:49:24,160 --> 00:49:26,319
Speaker 4: all the stuff that he did when he was hung.

943
00:49:26,920 --> 00:49:29,240
Speaker 1: Can he have really good sex when he's doing.

944
00:49:29,040 --> 00:49:33,560
Speaker 7: That which part which.

945
00:49:33,480 --> 00:49:35,000
Speaker 1: At any point?

946
00:49:35,360 --> 00:49:37,000
Speaker 7: Well, I mean, I guess that's really in the eye

947
00:49:37,040 --> 00:49:38,000
Speaker 7: of the beholder, isn't it?

948
00:49:38,080 --> 00:49:38,200
Speaker 10: Like?

949
00:49:38,239 --> 00:49:41,600
Speaker 7: Are you gonna what kind of you do with your eye? Right?

950
00:49:42,160 --> 00:49:45,480
Speaker 6: You do? Gotta behold it? Can you behold this for me?

951
00:49:54,480 --> 00:49:55,759
Speaker 2: Wait a second? Why do you have?

952
00:49:58,120 --> 00:50:02,200
Speaker 6: I found the filters part on zoom So whenever you

953
00:50:02,239 --> 00:50:04,640
Speaker 6: say something, you can like throw on a give me.

954
00:50:04,640 --> 00:50:05,919
Speaker 2: The what the heck?

955
00:50:06,280 --> 00:50:06,719
Speaker 1: Give me that.

956
00:50:06,960 --> 00:50:08,279
Speaker 2: He's got a pirate hat on.

957
00:50:08,719 --> 00:50:09,239
Speaker 5: Give me that.

958
00:50:10,239 --> 00:50:12,319
Speaker 6: Man. People are gonna love paying for these zooms.

959
00:50:12,440 --> 00:50:15,000
Speaker 3: Oh my god, and now people can see that on video.

960
00:50:15,400 --> 00:50:18,719
Speaker 1: Oh geez, give me that.

961
00:50:19,880 --> 00:50:20,399
Speaker 2: Give me that.

962
00:50:20,600 --> 00:50:23,200
Speaker 6: Okay, geez, Louise part of the deal.

963
00:50:24,320 --> 00:50:25,400
Speaker 7: So let me get this straight.

964
00:50:25,560 --> 00:50:30,600
Speaker 4: You're just able to like access different filters and the

965
00:50:30,719 --> 00:50:33,480
Speaker 4: talent on the show. It is their show, it's their

966
00:50:33,480 --> 00:50:37,839
Speaker 4: creative enterprise, it's their ex mode of expression.

967
00:50:38,000 --> 00:50:40,000
Speaker 7: You you have hidden.

968
00:50:39,760 --> 00:50:44,520
Speaker 4: This ability from them. Oh wait, Hayes has it and

969
00:50:44,680 --> 00:50:45,239
Speaker 4: Clements has it.

970
00:50:45,320 --> 00:50:47,400
Speaker 2: Now never mind, I don't have anything.

971
00:50:47,680 --> 00:50:50,640
Speaker 7: Yeah, how do you are you gonna explain it to? You?

972
00:50:50,640 --> 00:50:53,080
Speaker 6: Gotta go to zoom dot us in the top left

973
00:50:53,120 --> 00:50:56,680
Speaker 6: corner and then hit preferences and then hit backgrounds and

974
00:50:56,719 --> 00:50:58,480
Speaker 6: filters and change your damn life.

975
00:50:59,040 --> 00:51:01,440
Speaker 1: Nothing weird. This is just how I look.

976
00:51:02,239 --> 00:51:07,320
Speaker 4: Sean right now has a reindeer horns and the kind

977
00:51:07,360 --> 00:51:11,040
Speaker 4: of the kind of like black shiny nose, so not Rudolph,

978
00:51:11,480 --> 00:51:14,640
Speaker 4: one of the rangeers that bullied Rudolph was so mean

979
00:51:14,680 --> 00:51:18,439
Speaker 4: to him, and then ears kind of like the reindeer ears.

980
00:51:18,760 --> 00:51:22,560
Speaker 3: And it says that my processor is not recommended for

981
00:51:22,680 --> 00:51:25,440
Speaker 3: doing this, but wow, I'm gonna do it anyway.

982
00:51:25,480 --> 00:51:27,920
Speaker 7: Okay, sounds like you're a broke bitch.

983
00:51:30,719 --> 00:51:33,239
Speaker 1: Hey Jason, maybe we should have a bag at on there.

984
00:51:35,000 --> 00:51:36,680
Speaker 2: And he has a French habit.

985
00:51:37,000 --> 00:51:40,120
Speaker 1: By my love language is bread shirt. I have a

986
00:51:40,440 --> 00:51:45,919
Speaker 1: wowt So this is cool. So this is actually good.

987
00:51:47,520 --> 00:51:49,799
Speaker 7: Yeah, this is like one of the best. Look at that.

988
00:51:50,080 --> 00:51:50,560
Speaker 1: Deal with it.

989
00:51:50,640 --> 00:51:54,360
Speaker 7: So now you have the deal with the pixelated deal

990
00:51:54,400 --> 00:51:58,319
Speaker 7: with it. Sunglasses. Now you both have them on and.

991
00:51:58,800 --> 00:52:01,759
Speaker 1: Tell cooked media. Because I've seen Joe Biden haves this.

992
00:52:02,840 --> 00:52:05,759
Speaker 3: He does that, now I will say, like I should

993
00:52:05,840 --> 00:52:10,080
Speaker 3: probably he has the real ones. Have listened to the

994
00:52:10,600 --> 00:52:16,239
Speaker 3: warning because this is hurting me to have these on. Yeah,

995
00:52:16,280 --> 00:52:19,080
Speaker 3: and you look really I'm not like upset that I did.

996
00:52:19,200 --> 00:52:21,920
Speaker 3: I did like learn something from this, but like it is.

997
00:52:22,080 --> 00:52:24,640
Speaker 3: It is, it really really hurts.

998
00:52:24,400 --> 00:52:27,640
Speaker 1: But you look unwell, the longer you've had it, the

999
00:52:27,760 --> 00:52:31,160
Speaker 1: more messed up you're starting to look. And it's scary.

1000
00:52:31,320 --> 00:52:34,200
Speaker 3: But luckily I do have an easy reaction to my computer.

1001
00:52:34,239 --> 00:52:37,440
Speaker 3: When my computer says, hey, don't do this.

1002
00:52:38,680 --> 00:52:40,360
Speaker 7: Well, that's a broken bond of trust.

1003
00:52:40,400 --> 00:52:43,360
Speaker 4: Now you can't how can you even believe the warnings

1004
00:52:43,360 --> 00:52:44,400
Speaker 4: that your computer gives you.

1005
00:52:44,800 --> 00:52:47,279
Speaker 3: Yeah, and now I'm basically obligated to just say deal

1006
00:52:47,320 --> 00:52:50,480
Speaker 3: with it because I do have these sunglasses on and

1007
00:52:50,520 --> 00:52:52,320
Speaker 3: that has everything.

1008
00:52:53,040 --> 00:52:57,040
Speaker 4: Now, this is kind of like a would you say

1009
00:52:57,080 --> 00:52:59,520
Speaker 4: this is this is like a rainbow like a ROIGBIV

1010
00:52:59,680 --> 00:53:00,040
Speaker 4: kind of.

1011
00:53:02,719 --> 00:53:06,879
Speaker 7: Yeah, yeah, right, that's a bunny rabbit.

1012
00:53:07,600 --> 00:53:10,160
Speaker 1: Uh huh oh And look at this and being safe

1013
00:53:10,239 --> 00:53:10,800
Speaker 1: got a mESC on.

1014
00:53:14,560 --> 00:53:16,600
Speaker 2: Well this this rocks.

1015
00:53:16,760 --> 00:53:18,160
Speaker 7: This road is unbelievable.

1016
00:53:18,200 --> 00:53:21,360
Speaker 3: And this honestly like in God, I mean, I hate

1017
00:53:22,320 --> 00:53:24,319
Speaker 3: for you to find out this way, Jason, but this

1018
00:53:24,440 --> 00:53:26,759
Speaker 3: is like you're now you're going to like start and

1019
00:53:26,800 --> 00:53:29,120
Speaker 3: you're like doing shows about movies and stuff, But this

1020
00:53:29,280 --> 00:53:31,960
Speaker 3: is basically the end of movies right here. Yeah, and

1021
00:53:32,040 --> 00:53:34,240
Speaker 3: we're watching it happen in real time.

1022
00:53:34,320 --> 00:53:36,960
Speaker 4: Just because this is the way that I process, and

1023
00:53:37,000 --> 00:53:39,520
Speaker 4: this is the way that I like create. I'm just

1024
00:53:39,600 --> 00:53:42,040
Speaker 4: going to like run through what this show has been,

1025
00:53:42,200 --> 00:53:45,080
Speaker 4: what it's been like for me. We've recorded a show,

1026
00:53:46,640 --> 00:53:49,040
Speaker 4: we got into a fight with the producer. There is

1027
00:53:49,080 --> 00:53:52,520
Speaker 4: maybe twenty to thirty minutes twenty to thirty minutes of

1028
00:53:52,560 --> 00:53:55,880
Speaker 4: audio missing, and then we did a whole section that's

1029
00:53:55,960 --> 00:53:56,920
Speaker 4: purely visual.

1030
00:53:58,960 --> 00:54:01,719
Speaker 2: We described it a very rich detail.

1031
00:54:01,800 --> 00:54:07,000
Speaker 4: I think it's this is the next level, this is what.

1032
00:54:08,040 --> 00:54:10,640
Speaker 3: Yeah, and this is like now instead of movies, and

1033
00:54:10,680 --> 00:54:12,840
Speaker 3: I guess you can still enter bingmo. But it's going

1034
00:54:12,920 --> 00:54:18,759
Speaker 3: to have to be like about me trying like these

1035
00:54:18,760 --> 00:54:22,160
Speaker 3: different sunglasses on. It's goods going to be like you know,

1036
00:54:22,400 --> 00:54:25,759
Speaker 3: it's going to require a lot of pivoting to like

1037
00:54:25,800 --> 00:54:27,040
Speaker 3: to get into this space.

1038
00:54:27,120 --> 00:54:28,280
Speaker 6: But you're champions.

1039
00:54:28,520 --> 00:54:31,919
Speaker 1: Just when you talk about movies, man, when you talk

1040
00:54:32,000 --> 00:54:34,839
Speaker 1: about the hung movies or whatever, that's a visual thing.

1041
00:54:34,880 --> 00:54:40,480
Speaker 1: You're discussing that that honestly, oh wow, Blacklist has gone.

1042
00:54:40,320 --> 00:54:41,720
Speaker 2: Full black List.

1043
00:54:42,000 --> 00:54:45,360
Speaker 1: I'm a criminal. So Hayes has gone Blacklist and he's

1044
00:54:45,800 --> 00:54:49,840
Speaker 1: and he is the Spader character from that so Readington.

1045
00:54:50,320 --> 00:54:53,560
Speaker 4: So I had a completely different I thought that Hayes

1046
00:54:53,880 --> 00:54:59,279
Speaker 4: was going to steal Hamburgers from Mayor mccheese. But I

1047
00:54:59,320 --> 00:55:02,680
Speaker 4: guess that is that's completely wrong, and.

1048
00:55:02,800 --> 00:55:04,759
Speaker 1: Well that would be stripes and he would have a

1049
00:55:04,760 --> 00:55:07,160
Speaker 1: big old Hamburger on the band of his hat. So

1050
00:55:07,600 --> 00:55:10,399
Speaker 1: I don't mean to call your ass out, but.

1051
00:55:10,560 --> 00:55:14,879
Speaker 7: I deserve No, it's just.

1052
00:55:17,320 --> 00:55:28,480
Speaker 1: When we allow ignorance, yeah, to just sort of thrive unchecked,

1053
00:55:29,280 --> 00:55:31,480
Speaker 1: we really are doing a disservice to all of society.

1054
00:55:32,040 --> 00:55:36,080
Speaker 1: So I am the honeybear. I am uh coming for

1055
00:55:36,280 --> 00:55:39,040
Speaker 1: the honey because it's yummy to me.

1056
00:55:39,080 --> 00:55:39,399
Speaker 2: The bear.

1057
00:55:40,640 --> 00:55:43,919
Speaker 1: Yeah, And we probably and we're probably running pretty late,

1058
00:55:48,480 --> 00:55:51,399
Speaker 1: so like, uh, you know. And I recorded at least

1059
00:55:51,400 --> 00:55:52,920
Speaker 1: part of this, which I do think should be a

1060
00:55:52,920 --> 00:55:54,120
Speaker 1: bigger part of the conversation.

1061
00:55:54,680 --> 00:55:56,399
Speaker 7: It's huge, it's really great.

1062
00:55:59,680 --> 00:56:02,440
Speaker 1: And I apologize on behalf of my cat, who now

1063
00:56:02,480 --> 00:56:04,280
Speaker 1: has calmed down now that we're dube.

1064
00:56:04,600 --> 00:56:06,640
Speaker 7: Don't do it. Don't apologize for the cat.

1065
00:56:07,080 --> 00:56:09,799
Speaker 1: What was happening for him. He was jealous. He was

1066
00:56:09,840 --> 00:56:11,440
Speaker 1: going in a total hung mode.

1067
00:56:13,200 --> 00:56:16,680
Speaker 2: Bye Hollywood, hamburg