1 00:00:00,200 --> 00:00:04,440 Speaker 1: This show contains terrifying, shocking, and haunting stories that some 2 00:00:04,600 --> 00:00:07,200 Speaker 1: listeners may find disturbing or offensive. 3 00:00:25,720 --> 00:00:29,360 Speaker 2: It's three twenty am. You're driving down a dirt road 4 00:00:29,400 --> 00:00:33,040 Speaker 2: on the sixty two. Not a soul and sight, just 5 00:00:33,159 --> 00:00:38,479 Speaker 2: you and the desert night. But wait, you hear a 6 00:00:38,520 --> 00:00:43,000 Speaker 2: signal off from the distance. It's faint that it grows louder. 7 00:00:44,520 --> 00:00:47,760 Speaker 2: Is it a howl of a coyote? The hiss of 8 00:00:47,840 --> 00:00:51,280 Speaker 2: a king snake? Where is the voice of a man 9 00:00:51,640 --> 00:00:56,600 Speaker 2: guiding you toward a great darkness? From my heart radio 10 00:00:56,720 --> 00:01:01,400 Speaker 2: and overtones media, you're listening to YFT two, the only 11 00:01:01,480 --> 00:01:05,680 Speaker 2: sound you'll hear in the Sleephole Valley. I'm Dixon Lewis 12 00:01:05,720 --> 00:01:08,480 Speaker 2: your lone companion for the night, and I've got a 13 00:01:08,520 --> 00:01:11,160 Speaker 2: new batch of stories to keep you up as you 14 00:01:11,280 --> 00:01:17,720 Speaker 2: drive down this dusty, desolate highway. Ramone dreams of being 15 00:01:17,760 --> 00:01:20,800 Speaker 2: a professional baseball player. All he has to do is 16 00:01:20,840 --> 00:01:24,920 Speaker 2: graduate high school. His ambitions are uprooted, though, when his 17 00:01:25,040 --> 00:01:30,440 Speaker 2: hometown is on the brink of destruction. This is The 18 00:01:30,520 --> 00:01:34,160 Speaker 2: Ravine by Walter Thompson Hernandez. 19 00:02:02,240 --> 00:02:02,400 Speaker 3: Man. 20 00:02:14,840 --> 00:02:23,880 Speaker 4: The IRA's rading here. Look, Ray, I don't know what 21 00:02:23,880 --> 00:02:26,200 Speaker 4: all the hooplah's about. It's just gambling. 22 00:02:26,919 --> 00:02:29,360 Speaker 5: Shoot, there's nothing wrong with wedding your beak a little 23 00:02:29,360 --> 00:02:30,600 Speaker 5: bit sometimes. 24 00:02:31,080 --> 00:02:36,040 Speaker 1: Letting your beak. What are you a parrot like? You're right, 25 00:02:36,120 --> 00:02:38,800 Speaker 1: I agree with you. The only thing is his buddy. 26 00:02:39,160 --> 00:02:41,720 Speaker 1: He should have been a little quieter about it. Then 27 00:02:41,720 --> 00:02:44,079 Speaker 1: it would have been no harm, no foul type of thing. 28 00:02:45,400 --> 00:02:46,760 Speaker 1: We wouldn't be here talking about it. 29 00:02:47,960 --> 00:02:48,160 Speaker 6: Right. 30 00:02:49,480 --> 00:02:51,280 Speaker 4: It sure costs a lot of money to get him here. 31 00:02:51,880 --> 00:02:53,639 Speaker 4: You think we got a chance to go all the way? 32 00:02:54,240 --> 00:02:57,960 Speaker 1: Man, we have to. He's the real deal and these 33 00:02:58,000 --> 00:03:01,440 Speaker 1: other players come up big. There's no reason why we 34 00:03:01,480 --> 00:03:04,160 Speaker 1: should have made home dependent this year telling you. 35 00:03:06,000 --> 00:03:08,000 Speaker 4: Is diving up on the ball, and he's diving up. 36 00:03:08,080 --> 00:03:08,760 Speaker 1: He's driving me. 37 00:03:08,919 --> 00:03:10,120 Speaker 4: He's not the box. 38 00:03:10,680 --> 00:03:11,240 Speaker 5: And it's. 39 00:03:30,240 --> 00:03:33,880 Speaker 7: Come on. I know you can hear me. 40 00:03:35,640 --> 00:03:36,320 Speaker 1: Who your jets? 41 00:03:37,160 --> 00:03:39,720 Speaker 7: Who my jets? Whom my jets? Talk to me with 42 00:03:39,760 --> 00:03:42,160 Speaker 7: some respect. I'm your mom, that's what we're saying. Oh, 43 00:03:42,240 --> 00:03:43,880 Speaker 7: get with the time, I get with the times. You 44 00:03:43,920 --> 00:03:46,320 Speaker 7: know what's with the times? To respect your mother? Anyway? 45 00:03:47,000 --> 00:03:49,360 Speaker 7: How did it go last night? I heard you coming 46 00:03:49,400 --> 00:03:51,160 Speaker 7: in way past your curfew too. 47 00:03:52,040 --> 00:03:55,240 Speaker 1: A man? It was okay, I guess went to a 48 00:03:55,320 --> 00:03:58,360 Speaker 1: movie downtown over on Broadway. Then to the lookout spot 49 00:03:58,400 --> 00:04:00,440 Speaker 1: over by Bale by the Highway. 50 00:04:00,920 --> 00:04:03,280 Speaker 7: Yeah, that lookout spot. It's not the safest place me. 51 00:04:03,360 --> 00:04:04,680 Speaker 7: Who that's where that boy where he? 52 00:04:05,400 --> 00:04:07,640 Speaker 1: I heard you say that before, But that kid was 53 00:04:07,720 --> 00:04:08,360 Speaker 1: up to no good. 54 00:04:08,640 --> 00:04:11,240 Speaker 7: I mean, who, just be careful. I only have one son. 55 00:04:12,040 --> 00:04:14,200 Speaker 1: Your son is the toughest one on the whole hill. Ah. 56 00:04:14,360 --> 00:04:19,279 Speaker 7: Yeah, yeah that's what your dad thought too. I'll look anyway. 57 00:04:19,880 --> 00:04:22,320 Speaker 7: Expananta is a good girl. She comes from a good family. 58 00:04:22,880 --> 00:04:26,320 Speaker 7: They've been on a norma for a while too. No, yeah, 59 00:04:26,600 --> 00:04:29,640 Speaker 7: she's cool mom. And you know she let me get 60 00:04:29,680 --> 00:04:34,119 Speaker 7: on base last night. You know, first base, second base. 61 00:04:34,760 --> 00:04:39,240 Speaker 7: First you're kissing, holding hands. Then you know you really 62 00:04:39,240 --> 00:04:41,080 Speaker 7: want to do is go home? Wait wait no, no, no, no, no, 63 00:04:41,080 --> 00:04:41,320 Speaker 7: no no. 64 00:04:41,480 --> 00:04:43,240 Speaker 8: Yeah, that's the fact that. 65 00:04:44,760 --> 00:04:45,040 Speaker 4: You need. 66 00:04:45,120 --> 00:04:50,880 Speaker 7: Jesus, that's what you need. Look, Holy Water, look looks 67 00:04:50,880 --> 00:04:51,800 Speaker 7: like more people are moving. 68 00:04:52,839 --> 00:04:53,479 Speaker 1: I don't know what for. 69 00:04:54,240 --> 00:04:56,600 Speaker 7: I mean, everyone is saying that they're coming here next week. 70 00:04:56,680 --> 00:04:59,600 Speaker 7: At least that's what Petes is telling everyone. But you 71 00:04:59,600 --> 00:05:01,400 Speaker 7: can't really trust what these people say. You know, a 72 00:05:01,400 --> 00:05:03,160 Speaker 7: bunch of cheese, most of us, if you ask me. 73 00:05:04,040 --> 00:05:06,880 Speaker 1: Yeah, I can't call it, but if they come or not, 74 00:05:07,640 --> 00:05:08,839 Speaker 1: I'll be ready for them. 75 00:05:09,040 --> 00:05:12,599 Speaker 7: I mean, who, you shouldn't be saying those things. 76 00:05:11,680 --> 00:05:13,880 Speaker 1: Saying what things that would have done the same if 77 00:05:13,880 --> 00:05:15,920 Speaker 1: he were still around, you know he would. 78 00:05:17,000 --> 00:05:20,719 Speaker 7: Boy, he's listening. 79 00:05:23,560 --> 00:05:26,359 Speaker 1: Or it could just be our old shock have I 80 00:05:26,480 --> 00:05:29,160 Speaker 1: speaking of the old man. I know where his old 81 00:05:29,160 --> 00:05:29,719 Speaker 1: stash is. 82 00:05:30,279 --> 00:05:33,560 Speaker 7: I know mobile me who don't talk like that. He's 83 00:05:33,600 --> 00:05:35,760 Speaker 7: not here to talk about the things he did. It. 84 00:05:35,880 --> 00:05:37,360 Speaker 7: Tell who you want to you want to not. 85 00:05:37,360 --> 00:05:44,680 Speaker 1: Be around whatever? Mom, I can whatever, Nika, nada, hm. 86 00:05:57,960 --> 00:06:01,120 Speaker 1: Then he could just come in here. I think they 87 00:06:01,120 --> 00:06:02,920 Speaker 1: could just come into our home. 88 00:06:05,080 --> 00:06:49,000 Speaker 9: No, no way, I'll show them. 89 00:06:49,080 --> 00:06:52,120 Speaker 7: He's starting to remind me of you more and more. 90 00:06:52,480 --> 00:06:55,200 Speaker 7: Remember what you promised me. Don't forget to take care 91 00:06:55,240 --> 00:07:12,960 Speaker 7: of your son again. M indeed, no way. Man. 92 00:07:13,960 --> 00:07:15,960 Speaker 5: Was it like closer to second or more like a 93 00:07:15,960 --> 00:07:16,880 Speaker 5: little after first? 94 00:07:17,880 --> 00:07:18,040 Speaker 9: Mm? 95 00:07:18,680 --> 00:07:25,120 Speaker 5: Yeah, somewhere a little closer to second, actually, dang man, 96 00:07:25,760 --> 00:07:29,960 Speaker 5: nobody's ever gotten that far with her. Jimmy from Bishop 97 00:07:30,280 --> 00:07:31,520 Speaker 5: that was the last one who tried. 98 00:07:31,840 --> 00:07:34,680 Speaker 1: Because they aren't me Holmes. You know, if she didn't 99 00:07:34,680 --> 00:07:36,520 Speaker 1: go to cathedral, I would have got a little. 100 00:07:36,360 --> 00:07:36,880 Speaker 3: Further with her. 101 00:07:38,440 --> 00:07:41,400 Speaker 5: Yeah, yeah, Catholic schoolgirls don't put out like that. 102 00:07:42,960 --> 00:07:45,240 Speaker 4: Hey, did I tell you about the scout coming to 103 00:07:45,280 --> 00:07:47,160 Speaker 4: see me next week? The one from UCLA? 104 00:07:47,480 --> 00:07:50,120 Speaker 1: What no way, man, you did just say a word? 105 00:07:50,640 --> 00:07:52,679 Speaker 1: Is that how you treat your best friend? Shit? 106 00:07:53,800 --> 00:07:56,080 Speaker 5: Coach Salazar said he's coming to check me out against 107 00:07:56,080 --> 00:07:58,920 Speaker 5: Wilson next week. They got that big old white boy 108 00:07:59,160 --> 00:08:02,160 Speaker 5: Eddie Johnson. Supposedly he's signed to go play at USC 109 00:08:02,320 --> 00:08:02,800 Speaker 5: next year. 110 00:08:03,760 --> 00:08:06,520 Speaker 1: The big lefty white kid, the one that looks like 111 00:08:06,560 --> 00:08:07,960 Speaker 1: he's nothing but beef and corn bread. 112 00:08:08,760 --> 00:08:09,280 Speaker 4: Johnson. 113 00:08:10,000 --> 00:08:12,080 Speaker 1: Yeah that's him, But who cares. 114 00:08:12,440 --> 00:08:14,920 Speaker 5: I'm gonna strike his butt out every time he steps 115 00:08:14,960 --> 00:08:15,520 Speaker 5: up to the plate. 116 00:08:16,200 --> 00:08:19,160 Speaker 1: Hell yeah, he's a conner if you ask me, he 117 00:08:19,200 --> 00:08:20,440 Speaker 1: doesn't know what he's got coming. 118 00:08:23,680 --> 00:08:26,240 Speaker 4: How about you, ramon? You still thinking about the army 119 00:08:26,240 --> 00:08:26,640 Speaker 4: next year? 120 00:08:27,640 --> 00:08:30,840 Speaker 1: I think so, man, Pops did it, and my TiO 121 00:08:30,920 --> 00:08:32,160 Speaker 1: Juan might. 122 00:08:32,040 --> 00:08:36,880 Speaker 5: As well do it too. Your Pops was real cool, man. 123 00:08:37,400 --> 00:08:38,480 Speaker 5: I know he'd be proud of you. 124 00:08:39,920 --> 00:08:44,640 Speaker 1: Yeah, I think so too. Throwing like that? Come on, 125 00:08:44,800 --> 00:08:46,080 Speaker 1: Eddy's gonna hit it out the park? 126 00:09:04,280 --> 00:09:05,840 Speaker 7: Hey, but like, how do you know it was him? 127 00:09:06,400 --> 00:09:09,680 Speaker 1: But can you so hose? I saw him with that bimbo. 128 00:09:09,920 --> 00:09:12,600 Speaker 10: They thought everyone was sleeping, but I had bad cramps 129 00:09:12,640 --> 00:09:13,520 Speaker 10: at night, so I was up. 130 00:09:14,880 --> 00:09:15,280 Speaker 7: Was my heart. 131 00:09:15,320 --> 00:09:17,720 Speaker 1: I hope to die girl. I saw how short her 132 00:09:17,760 --> 00:09:18,880 Speaker 1: skirt was too. 133 00:09:19,360 --> 00:09:19,600 Speaker 5: Well. 134 00:09:19,920 --> 00:09:24,240 Speaker 7: I hope they're both happy, the both of them. Well, yeah, 135 00:09:24,240 --> 00:09:25,720 Speaker 7: I meg, I have you read the latest letter the 136 00:09:25,760 --> 00:09:26,319 Speaker 7: city since? 137 00:09:27,520 --> 00:09:32,000 Speaker 10: Yeah, we did, and the money would help. I honestly 138 00:09:32,080 --> 00:09:34,120 Speaker 10: don't want to go, but if we do have to, 139 00:09:35,440 --> 00:09:39,480 Speaker 10: my sister's got some landover and said no, and you know, 140 00:09:39,520 --> 00:09:42,120 Speaker 10: it might be good for us and the kids, either 141 00:09:42,160 --> 00:09:43,959 Speaker 10: that or up in Fresno. 142 00:09:44,080 --> 00:09:45,440 Speaker 1: But I hear it's too hot up there. 143 00:09:45,800 --> 00:09:49,000 Speaker 7: I know if it seems too far, and SEO doesn't 144 00:09:49,000 --> 00:09:51,080 Speaker 7: seem too bad. I mean, they say they're gonna be 145 00:09:51,080 --> 00:09:55,120 Speaker 7: calling it alesioned His you know, thirteen story buildings, stores 146 00:09:55,160 --> 00:09:56,240 Speaker 7: and stuff. Can you believe it? 147 00:09:56,880 --> 00:09:58,880 Speaker 10: I believe it when I see it. He's green gonna 148 00:09:58,880 --> 00:10:02,320 Speaker 10: say it. Lot, Are you gonna go to the next hearing? 149 00:10:03,040 --> 00:10:06,079 Speaker 10: A lotta says she's gonna take another group soon? Okay, 150 00:10:06,720 --> 00:10:08,800 Speaker 10: the lotta says it might help change people's minds. 151 00:10:09,200 --> 00:10:11,000 Speaker 7: I mean, you should go if you want, But I'm 152 00:10:11,000 --> 00:10:14,600 Speaker 7: fine here. Hey help me with these clothes? 153 00:10:14,679 --> 00:10:16,880 Speaker 1: Yeah, thang this one's real happy. 154 00:10:16,880 --> 00:10:17,520 Speaker 2: What are you doing? 155 00:10:17,840 --> 00:10:21,000 Speaker 10: Laundry for all of La Loma. 156 00:10:24,880 --> 00:10:35,480 Speaker 2: We'll be back with our broadcast after these messages. 157 00:10:36,160 --> 00:10:37,920 Speaker 1: Hey man, let's go check out the spot on the 158 00:10:37,920 --> 00:10:38,280 Speaker 1: way home. 159 00:10:39,320 --> 00:10:41,920 Speaker 4: But I have practice, man, I gotta get right to school. 160 00:10:41,960 --> 00:10:44,880 Speaker 1: Come on, man, it won't take long, promise. 161 00:10:46,480 --> 00:11:00,239 Speaker 4: All right, But I can't be late, not this week. 162 00:11:02,480 --> 00:11:05,880 Speaker 1: What in the heck? These belong to my dad, all of. 163 00:11:05,840 --> 00:11:08,760 Speaker 4: Them, and they still work. 164 00:11:09,120 --> 00:11:11,640 Speaker 1: Yeah, they do. He bought them back from the war, 165 00:11:11,960 --> 00:11:14,080 Speaker 1: and you some of these a night he got into 166 00:11:14,080 --> 00:11:18,320 Speaker 1: that shootout with the cops. If the city comes like 167 00:11:18,320 --> 00:11:20,600 Speaker 1: they say they are, then this is what they're gonna get. 168 00:11:21,480 --> 00:11:21,600 Speaker 10: You. 169 00:11:21,640 --> 00:11:25,839 Speaker 1: Ever, shoot with this thing with my dad all the time, 170 00:11:26,120 --> 00:11:30,320 Speaker 1: and sometimes I come up here a target practice. Frank 171 00:11:31,400 --> 00:11:32,440 Speaker 1: you in a help if they come. 172 00:11:34,640 --> 00:11:36,760 Speaker 5: I don't know, man, Baseball's probably the only thing I 173 00:11:36,760 --> 00:11:37,920 Speaker 5: should be thinking about right now. 174 00:11:38,080 --> 00:11:41,720 Speaker 1: I got that recruiter coming loock. Man, baseball isn't going anywhere. 175 00:11:41,880 --> 00:11:43,480 Speaker 1: I'm counting on you, man, Come. 176 00:11:43,280 --> 00:11:48,200 Speaker 5: On, What if something happens, What if something like we 177 00:11:48,240 --> 00:11:49,480 Speaker 5: get hurt or something worse? 178 00:11:49,960 --> 00:11:52,400 Speaker 1: What about our home? Man? If you don't want to 179 00:11:52,440 --> 00:11:55,160 Speaker 1: do it, that's fine. I'll find others. Juana and Gabe 180 00:11:55,120 --> 00:12:01,040 Speaker 1: would do it. Yeah, I bet they would. Look this 181 00:12:01,120 --> 00:12:03,040 Speaker 1: one's all oiled up ready to go. 182 00:12:05,280 --> 00:12:13,000 Speaker 4: I'll think about it, and I gotta go to practice. 183 00:12:15,760 --> 00:12:33,000 Speaker 8: H What is it, Mama? I could get understand. 184 00:12:34,840 --> 00:12:35,320 Speaker 7: I am. 185 00:12:52,120 --> 00:12:53,880 Speaker 1: That boy's gonna do whatever he's going to do. 186 00:12:55,760 --> 00:12:58,959 Speaker 7: But there are other ways to fight back. What did 187 00:12:58,960 --> 00:13:01,520 Speaker 7: that way ever do for us? That way is why 188 00:13:01,520 --> 00:13:02,720 Speaker 7: you're not even here anymore. 189 00:13:04,480 --> 00:13:07,280 Speaker 1: It did a lot for us. It did a lot 190 00:13:07,320 --> 00:13:11,360 Speaker 1: for me, you know what. I am still here. 191 00:13:11,760 --> 00:13:16,920 Speaker 7: We do speaking like you were before. But I kept 192 00:13:16,960 --> 00:13:17,719 Speaker 7: my promise, did not? 193 00:13:18,760 --> 00:13:22,040 Speaker 1: I told you I always be here, you remember, no 194 00:13:22,120 --> 00:13:22,520 Speaker 1: matter what? 195 00:13:23,720 --> 00:13:27,199 Speaker 7: Yeah, you did. But it's almost harder now than it 196 00:13:27,240 --> 00:13:30,360 Speaker 7: was before. Like at least before I could hold you, 197 00:13:30,880 --> 00:13:35,000 Speaker 7: touch you, feel the warmth of your body. Now I 198 00:13:35,120 --> 00:13:36,720 Speaker 7: just hear the floor creaking under you. 199 00:13:38,960 --> 00:13:43,719 Speaker 1: I miss those things too, matter I do, but it's 200 00:13:43,760 --> 00:13:44,640 Speaker 1: better than nothing to me. 201 00:13:46,640 --> 00:13:49,640 Speaker 7: You know, sometimes sometimes I wish it wasn't. 202 00:13:51,360 --> 00:13:58,680 Speaker 1: Too mah hm, who are you talking to? 203 00:13:59,600 --> 00:14:09,319 Speaker 7: No, no buddy, nobody mean who through here? 204 00:14:10,960 --> 00:14:13,920 Speaker 4: Did he or dated by the video. 205 00:14:13,720 --> 00:14:19,880 Speaker 2: Of Fanguli, old man Yellow Brown will be more fully removed. 206 00:14:20,000 --> 00:14:38,080 Speaker 3: No, No rock, whoa whoa whoa I'm gonna shoot whoa, 207 00:14:37,800 --> 00:14:39,120 Speaker 3: it's it's Frank. 208 00:14:39,120 --> 00:14:42,040 Speaker 1: Don't shoot me, Frank. What the hell? Man, Brot's bring 209 00:14:42,080 --> 00:14:43,040 Speaker 1: your freaking brains out. 210 00:14:43,040 --> 00:14:45,320 Speaker 5: They got my dad, dude, and cuffs others too. 211 00:14:45,960 --> 00:14:46,160 Speaker 4: Here. 212 00:14:46,360 --> 00:14:49,400 Speaker 1: Take this all right, cock it like this. Take these 213 00:14:49,400 --> 00:14:53,360 Speaker 1: extra blizz too, and take the safety off. Just once 214 00:14:53,360 --> 00:14:57,280 Speaker 1: you're ready, point it and start through these two lines. Okay, cocky, 215 00:15:01,040 --> 00:15:04,280 Speaker 1: all right. They forced us to do this, man, Remember 216 00:15:04,280 --> 00:15:35,360 Speaker 1: that they forced us. Wow, what a great game today. 217 00:15:35,200 --> 00:15:37,800 Speaker 4: Huh A real good one. 218 00:15:39,480 --> 00:15:43,880 Speaker 1: Man. Doesn't that guy in the batter's box remind you 219 00:15:43,920 --> 00:15:45,200 Speaker 1: of big old Eddie Johnson? 220 00:15:47,040 --> 00:15:47,280 Speaker 2: Man? 221 00:15:47,680 --> 00:15:50,240 Speaker 5: He kind of does, big old white boy. 222 00:15:50,520 --> 00:15:56,240 Speaker 1: Yeah, man, he kind of does. Huh man kind of. 223 00:15:56,200 --> 00:16:11,800 Speaker 6: Does La lom haloed. 224 00:16:13,920 --> 00:16:14,840 Speaker 7: The Bishop vision. 225 00:16:51,280 --> 00:16:55,120 Speaker 2: The Ravine is written and directed by Walter Thompson Hernandez. 226 00:16:56,160 --> 00:17:01,080 Speaker 2: The executive producers are James Kim and Taylor Checquoine. Erica 227 00:17:01,160 --> 00:17:05,040 Speaker 2: Huang is a producer. Diego Perez is producer and lead 228 00:17:05,119 --> 00:17:10,520 Speaker 2: sound designer. Alisina Sauy Nozari provided additional sound designer. Daniel 229 00:17:10,560 --> 00:17:14,919 Speaker 2: Martinez is a production sound mixer. Matthew Wong is a composer. 230 00:17:15,480 --> 00:17:19,720 Speaker 2: Theme music by Ryo Baum and Robert Garova. Artwork by 231 00:17:19,960 --> 00:17:20,359 Speaker 2: Justin D. 232 00:17:20,600 --> 00:17:21,000 Speaker 7: Lee. 233 00:17:21,760 --> 00:17:24,880 Speaker 2: This episode was recorded at Hobby Shop West in Highland Park, 234 00:17:24,880 --> 00:17:31,200 Speaker 2: Los Angeles. Walter Thompson Hernandez plays Miguel. Vladimir Santos plays Ramon. 235 00:17:32,119 --> 00:17:38,600 Speaker 2: Elsa Sanchez plays Zamara. Michael Lorenzo Porter plays Frank Carmena 236 00:17:38,600 --> 00:17:42,280 Speaker 2: called her own. Santos plays Maria. You Feel In This 237 00:17:42,400 --> 00:18:07,639 Speaker 2: Too is a production of iHeartRadio and Overtones Media