WEBVTT - Henry Willson "The Man Who Invented Beefcake"

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<v Speaker 1>This show contains mature content and adult themes. It may

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<v Speaker 1>not be suitable for young audiences.

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<v Speaker 2>In twenty seventeen, Harvey Weinstein was outed as a serial

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<v Speaker 2>sexual abuser. Many brave women came forward and told their stories.

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<v Speaker 2>They exposed one of Hollywood's most powerful moguls as a

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<v Speaker 2>vicious sexual predator who operated horrifically and seemingly without consequences.

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<v Speaker 2>But Weinstein was standing on the shoulders of monsters. For

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<v Speaker 2>so many years, those monsters remained unchecked in Hollywood, shielded

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<v Speaker 2>by the millions of dollars they made for their studios.

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<v Speaker 2>Sex for fame is not new. In fact, it's as

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<v Speaker 2>old as Hollywood itself. Today, we'll look at the career

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<v Speaker 2>of Henry Wilson, the Hollywood agent who specialized in spotting

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<v Speaker 2>young actors with star potential. He would whine and dine them,

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<v Speaker 2>and then if they wanted stardom badly enough, he would

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<v Speaker 2>take them home to bed. Legend has it that Henry

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<v Speaker 2>Wilson used the promise of fame to lure dozens of

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<v Speaker 2>handsome young men onto his casting couch. He made stars

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<v Speaker 2>of more than a few, and created a whole new

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<v Speaker 2>genre of male eye candy. That came to be called Beefcake.

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<v Speaker 2>Henry's legend faded after he died, but recently he was

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<v Speaker 2>given another fifteen minutes of fame in Ryan Murphy's Netflix

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<v Speaker 2>series Hollywood. Jim Parsons won an Emmy nomination for his

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<v Speaker 2>highly fictionalized portrayal of Henry Wilson and his discovery and

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<v Speaker 2>sexual coercion of Rock Hudson. In today's episode of Variety Confidential,

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<v Speaker 2>will open Variety's archives to separate fact from fiction about

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<v Speaker 2>Henry Wilson, a deeply closeted, sexually abusive agent and starmaker

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<v Speaker 2>in mid century Hollywood. From Variety and iHeart Podcasts, I'm

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<v Speaker 2>Tracy Patton. This is the secret history of the Casting Couch.

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<v Speaker 2>Today's episode Closet Monster, The Man who invented Beefcake, and

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<v Speaker 2>with Me Today's Matt Donnelly, Variety Senior Entertainment and Media writer. Welcome, Matt.

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<v Speaker 3>Thank you so much for having me, and it's great.

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<v Speaker 2>To have you here to get your Hollywood perspective and insights.

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<v Speaker 3>You know the cliche of there's nothing new under the sun. Yes,

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<v Speaker 3>I think that's particularly true in terms of the methods

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<v Speaker 3>and the mechanics of the casting couch. For instance, there's

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<v Speaker 3>a term we use in journalism. Catch and kill. Has

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<v Speaker 3>become so prominent in the past few years that that

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<v Speaker 3>was actually the title of Ronan Pharaoh's book about sexual

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<v Speaker 3>predators in the entertainment industry. What it basically means is

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<v Speaker 3>is that a power broker will trade the cover up

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<v Speaker 3>of one piece of very salacious information by trading another

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<v Speaker 3>incredibly slatious piece of information. In this Henry wilson saga

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<v Speaker 3>catch and kill has an especially sort of odious place

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<v Speaker 3>in his career. He practically patented a technique to do

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<v Speaker 3>this nearly three quarters of a century ago.

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<v Speaker 2>Indeed, and for those unfamiliar, Henry Wilson was a talent

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<v Speaker 2>agent and manager who worked in Hollywood from the nineteen

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<v Speaker 2>thirties to the sixties. Wilson had scored big as an

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<v Speaker 2>agent with stars like Lona Turner and Tab Hunter, but

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<v Speaker 2>Rock Hudson was the jewel in his management crown. He

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<v Speaker 2>couldn't afford a whiff of scandal to damage the luster

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<v Speaker 2>of this major leading man. There was a problem, however,

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<v Speaker 2>rock Hudson's homosexuality. Inevitably, stories about Hudson's gay trysts surfaced

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<v Speaker 2>and Confidential magazine was eager to expose Rock's gay relationships,

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<v Speaker 2>so Henry Wilson swung into action with catch and Kill,

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<v Speaker 2>and he sacrificed the careers of lesser stars or those

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<v Speaker 2>who had parted ways with him. Among the victims were

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<v Speaker 2>Tab Hunter, who had severed his business ties with Wilson,

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<v Speaker 2>and his important but more expendable TV star Rory Calhoun.

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<v Speaker 2>Wilson leaked Calhoun's criminal record to Confidential magazine, and he

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<v Speaker 2>provided proof that Hunter had been caught at a gay party.

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<v Speaker 2>Rock Hudson's secret remained safe thanks to Wilson's methods, but

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<v Speaker 2>these two other actors saw their careers hugely damaged by

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<v Speaker 2>his catch and kill methods.

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<v Speaker 3>Well, let's dive in. Tell me about Henry's early life.

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<v Speaker 2>Yes, he was born in nineteen eleven in Lansdowne, Pennsylvania,

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<v Speaker 2>outside Philadelphia. His father was Horace Wilson, vice president of

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<v Speaker 2>the Columbia Phonograph Company, a precursor to Columbia Records.

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<v Speaker 3>So they were pretty well off.

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<v Speaker 2>Yes, they were wealthy enough to send him to boarding

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<v Speaker 2>school and then to Wesleyan University in Connecticut, and then

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<v Speaker 2>after college he went to work writing gossip items for

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<v Speaker 2>Variety in New York. He got a byline on some

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<v Speaker 2>of them, which was good for a kid right out

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<v Speaker 2>of college. He moved to Hollywood in nineteen thirty three

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<v Speaker 2>and found work writing for Photoplay, The Hollywood Reporter, and

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<v Speaker 2>New Movie Magazine. In nineteen thirty four, that experience led

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<v Speaker 2>to work as a talent agent for a small firm

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<v Speaker 2>in Beverly Hills. He was twenty four then, and his

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<v Speaker 2>job was to find young talent.

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<v Speaker 3>Oh, it's a little embarrassing. He worked at Variety. That's

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<v Speaker 3>a pretty good entry level job, though, so, which obviously

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<v Speaker 3>would give him some visibility in the industry.

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<v Speaker 2>Yeah, he apparently did very well. Variety announced two years

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<v Speaker 2>later that Henry had been hired by the Zeppo Marx Agency.

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<v Speaker 2>Before he opened the agency, Zeppo had been the fourth

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<v Speaker 2>brother in the world famous Marx Brothers comedy act, along

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<v Speaker 2>with Graucho, Chico and Harpo. Zeppo got tired of playing

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<v Speaker 2>the straight man to his brother's zany antics. He quit

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<v Speaker 2>the act in nineteen thirty three and opened what became

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<v Speaker 2>a successful talent agency.

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<v Speaker 3>But his next job was even more fastigious, wasn't it.

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<v Speaker 3>He went to work for David ozelsnig Yes.

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<v Speaker 2>From Variety again. On June thirtieth, nineteen forty three, Henry

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<v Speaker 2>Wilson had joined Vanguard Films, Selznick's new production company as

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<v Speaker 2>head of the talent division. Selznick had produced some of

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<v Speaker 2>the biggest movies in Hollywood history, the original King Kong

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<v Speaker 2>in nineteen thirty three, the original A Star Is Born

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<v Speaker 2>in nineteen thirty seven, and Gone with the Wind in

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<v Speaker 2>nineteen thirty nine, one of the highest grossing movies of

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<v Speaker 2>all time. Not bad, yeah, but he was infamous for

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<v Speaker 2>his out of control spending in his compulsive gambling. By

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<v Speaker 2>April nineteen forty nine, Vanguard was underwater. Selznik closed it

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<v Speaker 2>that spring and auctioned its assess for five hundred thousand dollars.

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<v Speaker 2>Henry went to work in new talent development for the

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<v Speaker 2>Famous Artists Agency, one of the top agencies in town.

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<v Speaker 2>Later he handled new talent for Worldwide Management. He also

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<v Speaker 2>operated several independent agencies over the years.

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<v Speaker 3>So Henry made quite a name for himself as an

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<v Speaker 3>aggressive agent. He was incredibly committed to his clients. Is

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<v Speaker 3>that right?

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<v Speaker 2>Yes, it is, and he seems to have insinuated himself

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<v Speaker 2>into their lives. He became their friend, the parent, the protector,

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<v Speaker 2>and in many cases their lover.

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<v Speaker 3>And by the way, some of them became huge stars.

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<v Speaker 3>I mean, it doesn't get bigger than Lana Turner, Rock

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<v Speaker 3>Hudson or Natalie Wood.

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<v Speaker 2>Absolutely. Henry was Lana Turner's first agent. She was Judy Turner,

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<v Speaker 2>a student at Hollywood High School when she was signed

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<v Speaker 2>by the Zeppo Marx agency and assigned to Henry. After

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<v Speaker 2>a makeover, her name was changed from Judy to Lana.

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<v Speaker 2>The camera loved her, and Henry easily found walk on

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<v Speaker 2>rolls for her, but none of those small, non speaking

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<v Speaker 2>parts resulted in a contract. Eventually, a producer at Fox

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<v Speaker 2>told Henry she can't act. Henry said, I didn't say

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<v Speaker 2>she could act. I said she could be a movie star.

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<v Speaker 2>And that summed up his approach. The acting can be

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<v Speaker 2>added later, he would say. Henry knew that sex appeal

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<v Speaker 2>was often more important on screen than acting ability. He

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<v Speaker 2>also knew that that was true only up to a point.

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<v Speaker 2>To achieve stardom, young actors would have to study acting,

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<v Speaker 2>which is what Lana Turner did. After she learned the ropes,

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<v Speaker 2>MGM put her under contract. She appeared in more than

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<v Speaker 2>fifty movies over the years, almost always in the starring role.

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<v Speaker 2>Many of them were hits like The Postman Always Rings

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<v Speaker 2>twice in nineteen forty six and Imitation of Life in

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<v Speaker 2>nineteen fifty nine. She was nominated for Best Actress for

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<v Speaker 2>Peyton Place in nineteen fifty seven. Natalie Wood was twelve

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<v Speaker 2>years old when Henry became her agent. She already appeared

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<v Speaker 2>in a dozen movies by then. Her breakthrough was at

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<v Speaker 2>age nine in Miracle on thirty Fourth Street. Eventually, Henry

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<v Speaker 2>helped her land the role of James Dean's love interest

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<v Speaker 2>in Rebel Without a Cause. Natalie Wood appeared in twenty

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<v Speaker 2>five movies after that. They included hits like All the

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<v Speaker 2>Fine Young Cannibals in nineteen sixty, Splendor in the Grass

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<v Speaker 2>in nineteen sixty one, The Original West Side Story in

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<v Speaker 2>nineteen sixty one, Gypsy in nineteen sixty two, and others.

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<v Speaker 3>Now Henry's first important discoveries as an agent were two

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<v Speaker 3>men who later made it really big on television.

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<v Speaker 2>And before Henry renamed them, they were Robert Moseley Junior

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<v Speaker 2>and Frank McCown. Afterward, they became famous as Guy Madison

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<v Speaker 2>and Rory Calhoun. Both men were muscular and beefy and

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<v Speaker 2>incredibly good looking. Guy Madison was photographed shirtless dozens of times.

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<v Speaker 2>A gossip columnist coined a new term for Guy's physique

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<v Speaker 2>photo He called them beefcake. Guy and Rory were inexperienced

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<v Speaker 2>in acting, but loaded with sex appeal. In both cases,

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<v Speaker 2>the acting did come later. Both men had successful careers

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<v Speaker 2>in television in the nineteen fifties. Guy Madison starred in

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<v Speaker 2>Wild Bill Hiccock from nineteen fifty one to nineteen fifty eight,

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<v Speaker 2>and Rory Calhoun in The Texan. In the late nineteen fifties,

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<v Speaker 2>Henry Wilson had a run of good luck placing his

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<v Speaker 2>clients as leads in television series. Along with Guy and Rory,

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<v Speaker 2>Henry represented Guy Williams, who starred in Zoro, Don Durant

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<v Speaker 2>starred in Johnny Ringo, Nick Adams in The Rebel, and

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<v Speaker 2>Craig Stevens and Peter gunn So.

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<v Speaker 3>Two of Henry's later discoveries, were both blondes who became

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<v Speaker 3>teen idols in the nineteen fifties and sixties. He discovered

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<v Speaker 3>Troy Donna Hue formerly Merril Johnson Junior in the fifties,

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<v Speaker 3>and he signed tab Hunter formerly Arthur Glean in nineteen

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<v Speaker 3>forty nine.

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<v Speaker 2>And Troy Donahue had a surfer boy look that made

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<v Speaker 2>him a teen heartthrob in the early nineteen sixties. In

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<v Speaker 2>nineteen fifty nine, appeared in Imitation of Life with Lana

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<v Speaker 2>Turner and A Summer Place. In nineteen sixty two, he

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<v Speaker 2>starred in Rome Adventure with Suzanne Pluchette, who he later

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<v Speaker 2>married briefly, and he appeared in Palm Springs Weekend with

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<v Speaker 2>Connie Stevens. Tab Hunter had acted in high school plays,

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<v Speaker 2>but had no acting ambition until he was discovered. In

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<v Speaker 2>his case, the acting followed fairly quickly. He eventually appeared

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<v Speaker 2>in more than fifty movies, often in lead roles, and

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<v Speaker 2>then in nineteen fifty seven he became a teen idol

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<v Speaker 2>with the release of Young Love, a number one pop

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<v Speaker 2>hit in both the US and UK. Other hits followed.

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<v Speaker 2>Tab Hunter hosted his own television show in nineteen sixty

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<v Speaker 2>and sixty one. He returned to movies in nineteen eighty

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<v Speaker 2>four when he appeared in John Waters's Lust in the Dust,

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<v Speaker 2>playing opposite a fearless drag performer called Divine.

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<v Speaker 3>And Yet Henry's biggest discovery was, of course, Rock Hudson.

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<v Speaker 2>Yes, Rock said later, it was September nineteen four seven.

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<v Speaker 2>I don't think anything important ever happened to me until

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<v Speaker 2>I walked into Wilson's office that day. His name was

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<v Speaker 2>Roy Fitzgerald before Henry gave him a makeover. He had

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<v Speaker 2>exceptional good looks and, like the others, no acting experience

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<v Speaker 2>or natural talent. But Henry believed in him. He spent

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<v Speaker 2>thousands of dollars on turning the former truck driver into

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<v Speaker 2>a movie star. He paid for acting and vocal lessons

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<v Speaker 2>in capped Rock's teeth. He also paid for Rock's room

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<v Speaker 2>and board, and bought him a whole new wardrobe. But

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<v Speaker 2>Rock's first big audition was a disaster. The casting director

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<v Speaker 2>at MGM and Henry were friendly. She told him she

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<v Speaker 2>couldn't cast Rock because he was too effeminate. Henry taught

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<v Speaker 2>him how to be butch, how to smile, how to walk,

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<v Speaker 2>cross his legs, even how to smoke a cigarette. When

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<v Speaker 2>he was done, Henry Wilson really had invented Rock Hudson.

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<v Speaker 3>But with Rock, the acting part really did come later.

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<v Speaker 2>Yes, yes, At first, Rock was cast in a series

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<v Speaker 2>of adventure films, cowboy pictures, and war movies, and then

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<v Speaker 2>he had a major breakthrough in nineteen fifty four with

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<v Speaker 2>the melodrama Magnificent Obsession. That movie made him a bona

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<v Speaker 2>fide star, but it was his role in the nineteen

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<v Speaker 2>fifty six epic Giant with Elizabeth Taylor and James Dean

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<v Speaker 2>that made him an A list movie star.

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<v Speaker 3>Both Rock and James Dean got Oscar nominations that year

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<v Speaker 3>for Best Actor, and the ap named Rock number one

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<v Speaker 3>at the box office that year.

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<v Speaker 2>And later he made romantic comedies co starring Doris Day

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<v Speaker 2>that were big hits. He moved to television in the

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<v Speaker 2>nineteen seventies and became the highest paid actor in TV,

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<v Speaker 2>starring with Susan Saint James in McMillan and Wife, which

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<v Speaker 2>ran from nineteen seventy one to nineteen seventy seven. In

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<v Speaker 2>nineteen eighty four, he joined the cast of Dynasty. He

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<v Speaker 2>began to drink heavily again and then quit all together

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<v Speaker 2>when he was diagnosed with HIV.

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<v Speaker 3>So Henry had many other clients, and arguably he had

0:13:00.480 --> 0:13:03.160
<v Speaker 3>sex with most of them. Like almost all casting couch

0:13:03.160 --> 0:13:05.960
<v Speaker 3>abuse back in the day, Henry's went unreported. He was

0:13:06.000 --> 0:13:06.920
<v Speaker 3>never held accountable.

0:13:07.000 --> 0:13:08.920
<v Speaker 2>Yeah, and it was complicated by the fact that he

0:13:08.960 --> 0:13:12.199
<v Speaker 2>was deeply closeted, like all gay people were back then.

0:13:12.480 --> 0:13:15.439
<v Speaker 2>But it is possible that Henry's sexuality and his casting

0:13:15.480 --> 0:13:19.280
<v Speaker 2>couch abuses were an open secret in Hollywood. The powerful

0:13:19.280 --> 0:13:21.600
<v Speaker 2>men who depended on him for a steady supply of

0:13:21.640 --> 0:13:24.880
<v Speaker 2>fresh talent had good reason to protect him, and of

0:13:24.960 --> 0:13:29.200
<v Speaker 2>course many of them had casting couch abuses of their own.

0:13:30.040 --> 0:13:34.280
<v Speaker 2>But that dynamic changed after nineteen fifty eight, when Rock's wife,

0:13:34.360 --> 0:13:37.400
<v Speaker 2>Phyllis Gates, hired a private eye to bug their home

0:13:37.440 --> 0:13:40.960
<v Speaker 2>above the Sunset Strip. She planned to use the recording

0:13:41.000 --> 0:13:42.440
<v Speaker 2>as leverage in their divorce.

0:13:43.320 --> 0:13:46.160
<v Speaker 3>So three years earlier, rumors about rock sexuality had put

0:13:46.160 --> 0:13:48.840
<v Speaker 3>his career at risk, and Henry sprung into action. He

0:13:48.960 --> 0:13:52.440
<v Speaker 3>convinced Rock to marry Phyllis, the secretary in Henry's office,

0:13:52.559 --> 0:13:54.960
<v Speaker 3>and that wedding took place in November nineteen fifty five

0:13:55.000 --> 0:13:56.760
<v Speaker 3>at the Santa Barbara Biltmore Hotel.

0:13:57.000 --> 0:13:59.280
<v Speaker 2>Yeah, and it probably seemed like a brilliant plan at

0:13:59.280 --> 0:14:03.040
<v Speaker 2>the time, but the strategy quickly fell apart in the

0:14:03.080 --> 0:14:07.680
<v Speaker 2>aftermath of the divorce. Henry's sexuality was exposed, he became

0:14:07.880 --> 0:14:12.960
<v Speaker 2>radioactive to his most important prospective new clients, handsome young men.

0:14:13.760 --> 0:14:16.400
<v Speaker 2>A new actor hoping for stardom could not afford to

0:14:16.440 --> 0:14:20.480
<v Speaker 2>be associated with homosexuality without a robust ci and tell

0:14:20.520 --> 0:14:26.880
<v Speaker 2>of new potential stars. Henry's value to the industry slowly evaporated.

0:14:26.800 --> 0:14:29.800
<v Speaker 3>So Phyllis's recording may have well brought him down right. Yes.

0:14:29.920 --> 0:14:33.480
<v Speaker 2>By nineteen fifty eight, Phyllis could no longer tolerate Rock's

0:14:33.480 --> 0:14:36.920
<v Speaker 2>addiction to gay hookups. He was putting his career and

0:14:36.960 --> 0:14:40.680
<v Speaker 2>their movie star lifestyle at risk, so she decided to

0:14:40.720 --> 0:14:44.800
<v Speaker 2>sue for divorce. Phyllis knew she needed leverage, otherwise it

0:14:44.920 --> 0:14:48.520
<v Speaker 2>was her word against theirs. She said, he said. She

0:14:48.680 --> 0:14:53.080
<v Speaker 2>hired legendary Hollywood private investigator Fred Otash to bug their house.

0:14:53.880 --> 0:14:57.280
<v Speaker 2>Although the transcript was not made public until nineteen seventy six,

0:14:57.920 --> 0:15:00.640
<v Speaker 2>it is likely that word got out that Rock had

0:15:00.680 --> 0:15:03.200
<v Speaker 2>admitted on the tape that he'd slept with Henry to

0:15:03.200 --> 0:15:07.120
<v Speaker 2>help his career. Phyllis got almost everything she wanted in

0:15:07.160 --> 0:15:10.120
<v Speaker 2>the divorce, so there was no public expose of Rock

0:15:10.200 --> 0:15:14.320
<v Speaker 2>Hudson's sexuality or his sham marriage. The majority of his

0:15:14.520 --> 0:15:17.960
<v Speaker 2>fans never knew any of it, and it didn't affect

0:15:18.000 --> 0:15:21.840
<v Speaker 2>his career. Inside the industry, it was a different story.

0:15:22.400 --> 0:15:26.120
<v Speaker 2>The scandal led to a gradual erosion of Henry's value

0:15:26.120 --> 0:15:30.560
<v Speaker 2>to producers. It tainted his agency's reputation and exposed his

0:15:30.720 --> 0:15:35.800
<v Speaker 2>male clients past and present to accusations of homosexuality. It

0:15:35.920 --> 0:15:39.920
<v Speaker 2>gradually reduced Henry's access to new talent and drove prospective

0:15:40.000 --> 0:15:43.640
<v Speaker 2>new clients to other agencies. Troy Donahue said that he

0:15:43.680 --> 0:15:46.520
<v Speaker 2>didn't sign with Henry until after he was under contract

0:15:46.520 --> 0:15:50.280
<v Speaker 2>with Universal. Henry was still very well connected in Hollywood,

0:15:50.320 --> 0:15:53.400
<v Speaker 2>he said, but I didn't want to be indebted to him.

0:15:53.680 --> 0:15:55.160
<v Speaker 2>He had this reputation.

0:15:55.720 --> 0:15:57.920
<v Speaker 3>So there are very few first hand accounts of Henry

0:15:57.920 --> 0:16:00.960
<v Speaker 3>Wilson's casting couch abuses, which is you're in most cases

0:16:00.960 --> 0:16:02.080
<v Speaker 3>before the me too movement.

0:16:02.480 --> 0:16:05.920
<v Speaker 2>But Tab Hunter wrote about Henry and his autobiography, tab

0:16:06.040 --> 0:16:09.440
<v Speaker 2>Hunter Confidential. The book was published in two thousand and five,

0:16:09.520 --> 0:16:12.280
<v Speaker 2>the same year he came out as gay. In the book,

0:16:12.640 --> 0:16:15.640
<v Speaker 2>tab wrote about his time as Henry's client and described

0:16:15.680 --> 0:16:19.960
<v Speaker 2>Henry's casting couch tactics. He said Henry's routine was to

0:16:20.040 --> 0:16:23.440
<v Speaker 2>whine and dine young men his prospective clients at a

0:16:23.640 --> 0:16:27.680
<v Speaker 2>list night spots like chasen' Ciro's or the Macombo. After

0:16:27.760 --> 0:16:30.120
<v Speaker 2>dinner and drinks, he would make a pass. If the

0:16:30.120 --> 0:16:33.880
<v Speaker 2>guy was unreceptive to his advances, Henry would get out

0:16:33.880 --> 0:16:36.280
<v Speaker 2>of it by saying, come on, you know, I was

0:16:36.320 --> 0:16:40.120
<v Speaker 2>only joking. But if the young actor was receptive, they

0:16:40.160 --> 0:16:43.920
<v Speaker 2>would adjourn to Henry's house. Tab wrote that's how Henry

0:16:43.960 --> 0:16:49.320
<v Speaker 2>earned his less than sterling reputation as Hollywood's lecherous gay Svengali.

0:16:50.000 --> 0:16:53.080
<v Speaker 2>I wasn't comfortable with his sexual shenanigans, he said, but

0:16:53.200 --> 0:16:56.000
<v Speaker 2>I did play along up to a point. Henry had

0:16:56.000 --> 0:16:59.320
<v Speaker 2>a magnetic personality, but it certainly wasn't strong enough to

0:16:59.440 --> 0:17:02.760
<v Speaker 2>lure me up onto the casting couch. I knew exactly

0:17:02.840 --> 0:17:06.320
<v Speaker 2>where my line was drawn. Late in his life, Troy

0:17:06.359 --> 0:17:09.720
<v Speaker 2>Donahue denied rumors that he was gay. He blamed them

0:17:09.720 --> 0:17:12.399
<v Speaker 2>on the fact that he and tab Hunter looked similar

0:17:12.480 --> 0:17:15.840
<v Speaker 2>and had similar names. He said, people confused meet with

0:17:15.920 --> 0:17:19.200
<v Speaker 2>tab Hunter. His being gay created problems for me, and

0:17:19.240 --> 0:17:21.880
<v Speaker 2>that's where the story started interesting.

0:17:22.359 --> 0:17:25.480
<v Speaker 3>Neither Guy Madison nor Rory Calhoun never commented on whether

0:17:25.520 --> 0:17:29.040
<v Speaker 3>Henry demanded section them but Rory did accept Henry's invitation

0:17:29.080 --> 0:17:30.679
<v Speaker 3>to spend two weeks with him in a cabin in

0:17:30.680 --> 0:17:32.360
<v Speaker 3>the San Gabriel Mountains, And.

0:17:32.359 --> 0:17:35.200
<v Speaker 2>There were rumors about them back then, but they both

0:17:35.240 --> 0:17:37.280
<v Speaker 2>had active romantic lives with women.

0:17:37.600 --> 0:17:40.760
<v Speaker 3>Well, there were straight actors who slept with Henry. Dennis Hopper,

0:17:40.800 --> 0:17:43.480
<v Speaker 3>who was not Henry's client, said that wanta be actors,

0:17:43.480 --> 0:17:46.040
<v Speaker 3>both gay and straight, had sex with Henry hoping for

0:17:46.119 --> 0:17:47.120
<v Speaker 3>a chance at stardom.

0:17:47.160 --> 0:17:50.600
<v Speaker 2>Yeah, and Henry's assistant confirmed that. He said Henry had

0:17:50.640 --> 0:17:53.440
<v Speaker 2>gay clients who did not sleep with him, and heterosexual

0:17:53.480 --> 0:17:57.120
<v Speaker 2>clients who did, And I thought this was interesting. Henry

0:17:57.160 --> 0:18:01.160
<v Speaker 2>advised his straight clients to sleep with male and directors.

0:18:01.400 --> 0:18:03.480
<v Speaker 2>He said, it will take you longer if you don't.

0:18:03.800 --> 0:18:06.800
<v Speaker 2>If they objected, Henry would tell them you're an actor,

0:18:07.240 --> 0:18:08.919
<v Speaker 2>so act, you know.

0:18:09.000 --> 0:18:12.359
<v Speaker 3>Tony Curtis, who was also not Henry's client, said, the

0:18:12.400 --> 0:18:15.760
<v Speaker 3>whole town knew what Henry Wilson represented. Everybody who went

0:18:15.800 --> 0:18:18.960
<v Speaker 3>with him had to sexually express himself to Henry. I'm

0:18:19.000 --> 0:18:21.840
<v Speaker 3>putting it nicely. With Henry, it was almost mandatory.

0:18:22.240 --> 0:18:25.240
<v Speaker 2>And Roddy McDowell, the British actor, who also was not

0:18:25.359 --> 0:18:29.399
<v Speaker 2>a client, was disgusted by Henry's casting couch tactics. I

0:18:29.480 --> 0:18:31.920
<v Speaker 2>often think what would have happened if I signed with him,

0:18:32.200 --> 0:18:35.760
<v Speaker 2>McDowell said. Farley Granger, who came out as bisexual in

0:18:35.760 --> 0:18:38.679
<v Speaker 2>two thousand and seven, agreed it was awful what he

0:18:38.760 --> 0:18:42.199
<v Speaker 2>made his clients do. Men like Rock and young actors

0:18:42.200 --> 0:18:45.920
<v Speaker 2>weren't the only victims of Wilson's callous approach to career management.

0:18:46.520 --> 0:18:50.680
<v Speaker 2>Before he was the Beefcake King. Wilson biographer Bob Hoffler

0:18:50.760 --> 0:18:54.120
<v Speaker 2>notes that Wilson served as a virtual pimp for studio

0:18:54.200 --> 0:18:58.560
<v Speaker 2>bigwig Darryl Zanik and played a role in trying, unsuccessfully,

0:18:58.600 --> 0:19:02.639
<v Speaker 2>as it turns out, to recruit young actresses to Xanik's

0:19:02.760 --> 0:19:06.600
<v Speaker 2>casting couch. During the shooting of nineteen forty four's romantic

0:19:06.680 --> 0:19:10.520
<v Speaker 2>drama Since You Went Away, Selznik tried to bet all

0:19:10.600 --> 0:19:15.359
<v Speaker 2>three headliners, Claudette Colbert, Jennifer Jones, whom he would later wed,

0:19:15.760 --> 0:19:19.680
<v Speaker 2>and even Shirley Temple, but Wilson's efforts warn enough to

0:19:19.720 --> 0:19:22.639
<v Speaker 2>procure their sexual favors for his lecherous boss.

0:19:23.280 --> 0:19:26.360
<v Speaker 3>You know, abuse, especially sexual abuse, often takes a toll

0:19:26.400 --> 0:19:29.080
<v Speaker 3>on the victims in the form of alcoholism or drug use.

0:19:29.240 --> 0:19:31.440
<v Speaker 3>You know, for gay people living in the closet back then,

0:19:31.520 --> 0:19:34.439
<v Speaker 3>there was also potential for psychological damage caused by stress

0:19:34.440 --> 0:19:35.480
<v Speaker 3>from fear and rejection.

0:19:35.640 --> 0:19:37.840
<v Speaker 2>Yeah, and Henry Wilson was both a product of his

0:19:38.000 --> 0:19:40.560
<v Speaker 2>time and a promoter of a toxic system that he

0:19:40.640 --> 0:19:44.240
<v Speaker 2>profited from. One could speculate it destroyed him, along with

0:19:44.280 --> 0:19:47.120
<v Speaker 2>the many gay people whose lives were damaged by being

0:19:47.200 --> 0:19:50.200
<v Speaker 2>forced to live in the closet. He won't be gay

0:19:50.240 --> 0:19:52.800
<v Speaker 2>when I get through with him is a famous Wilson

0:19:52.880 --> 0:19:56.159
<v Speaker 2>quote that says it all. Tab Hunter, who claimed he

0:19:56.280 --> 0:19:59.800
<v Speaker 2>fended off Henry's advances, was a social drinker. He didn't

0:19:59.800 --> 0:20:03.679
<v Speaker 2>me experiencing alcoholism or drug abuse in his book. On

0:20:03.720 --> 0:20:06.520
<v Speaker 2>the other hand, Troy Donahue, who denied he was gay,

0:20:06.600 --> 0:20:09.840
<v Speaker 2>succumbed to alcohol and drug abuse. He did get sober

0:20:09.840 --> 0:20:12.080
<v Speaker 2>in nineteen eighty two when he was forty six, and

0:20:12.160 --> 0:20:16.399
<v Speaker 2>lived another nineteen years. Rock Hudson was a heavy drinker

0:20:16.440 --> 0:20:19.439
<v Speaker 2>and smoker. After a heart attack in nineteen eighty one,

0:20:19.520 --> 0:20:23.399
<v Speaker 2>he cut his fifteen drinks per night to two, but

0:20:23.520 --> 0:20:26.520
<v Speaker 2>only for a while. He began to drink heavily again

0:20:26.600 --> 0:20:30.000
<v Speaker 2>and then quit altogether when he was diagnosed with HIV.

0:20:30.560 --> 0:20:34.280
<v Speaker 2>Henry Wilson did abuse drugs and alcohol. His substance abuse

0:20:34.320 --> 0:20:38.240
<v Speaker 2>problems became worse after the Rock Hudson scandal affected his business.

0:20:38.560 --> 0:20:41.880
<v Speaker 2>He continued working into his sixties, but his business failed

0:20:41.920 --> 0:20:46.640
<v Speaker 2>in the end. Eventually, Henry Wilson lost it all. He'd

0:20:46.680 --> 0:20:50.520
<v Speaker 2>spent everything he'd ever made. In nineteen seventy four, with

0:20:50.600 --> 0:20:53.439
<v Speaker 2>his health failing, he moved into the motion picture and

0:20:53.520 --> 0:20:57.600
<v Speaker 2>television country house and hospital. He died there on November two,

0:20:57.880 --> 0:21:01.000
<v Speaker 2>nineteen seventy eight, from cirrhosis of the life liver. He

0:21:01.160 --> 0:21:05.720
<v Speaker 2>was sixty seven years old. So, Matt, after hearing all

0:21:05.760 --> 0:21:08.199
<v Speaker 2>of this, what have you learned about Henry Wilson that

0:21:08.280 --> 0:21:10.040
<v Speaker 2>you might not have thought about before?

0:21:10.480 --> 0:21:12.440
<v Speaker 3>Well, first of all, thank god he's not working now

0:21:13.640 --> 0:21:16.639
<v Speaker 3>all I can say. But no, honestly, I think it's

0:21:16.680 --> 0:21:19.880
<v Speaker 3>an incredibly sad story. And I also think that what's

0:21:19.920 --> 0:21:23.119
<v Speaker 3>really worthy about telling a story like Henry Wilson's is

0:21:23.160 --> 0:21:26.040
<v Speaker 3>that we see that victims come in all shapes and sizes,

0:21:26.160 --> 0:21:28.320
<v Speaker 3>and there are probably a lot of young men whose

0:21:28.400 --> 0:21:31.119
<v Speaker 3>careers and hopes and identities were dashed because of this

0:21:31.200 --> 0:21:34.400
<v Speaker 3>sort of predation and also playing on their worst fears.

0:21:34.600 --> 0:21:37.639
<v Speaker 3>It's just a really yet another incredibly dark chapter in

0:21:37.680 --> 0:21:38.640
<v Speaker 3>the history of this town.

0:21:39.080 --> 0:21:41.120
<v Speaker 2>Yeah, and as we said at the top, a lot

0:21:41.160 --> 0:21:44.400
<v Speaker 2>of people know Henry Wilson because they watched Ryan Murphy's

0:21:44.400 --> 0:21:48.040
<v Speaker 2>Hollywood series on Netflix. But first, for those who haven't

0:21:48.040 --> 0:21:50.399
<v Speaker 2>seen the series, Matt, can you give us a gist

0:21:50.440 --> 0:21:51.080
<v Speaker 2>of the plot?

0:21:51.240 --> 0:21:53.840
<v Speaker 3>Sure? So, Ryan Murphy cast Jim Parsons, you know, the

0:21:53.840 --> 0:21:56.560
<v Speaker 3>beloved star of the Big Bang Theory, to play Wilson,

0:21:56.600 --> 0:21:58.840
<v Speaker 3>and I think a pretty brave role as the sort

0:21:58.840 --> 0:22:00.840
<v Speaker 3>of lecherous you know, all the things that we just heard.

0:22:00.880 --> 0:22:04.080
<v Speaker 3>Henry Wilson was Jim sort of embodied, and we saw

0:22:04.240 --> 0:22:08.480
<v Speaker 3>laid bare the horrible practices he used to manipulate, control

0:22:08.840 --> 0:22:12.520
<v Speaker 3>and ultimately bully promising young men in this town to

0:22:12.640 --> 0:22:15.960
<v Speaker 3>fit his sexual predation, to sort of abuse and to

0:22:16.000 --> 0:22:17.120
<v Speaker 3>also profit from.

0:22:17.600 --> 0:22:20.600
<v Speaker 2>And you know what's so interesting to me about Ryan

0:22:20.720 --> 0:22:25.440
<v Speaker 2>Murphy's series is he has said this that he created

0:22:25.440 --> 0:22:29.360
<v Speaker 2>a what if scenario so people who don't know the

0:22:29.400 --> 0:22:31.800
<v Speaker 2>real history of what it really was like back then,

0:22:32.520 --> 0:22:36.240
<v Speaker 2>this is a fantasy of what could life have been

0:22:36.560 --> 0:22:41.520
<v Speaker 2>like if gay men were allowed to walk the red

0:22:41.560 --> 0:22:45.280
<v Speaker 2>carpet right as a couple and if a black gay

0:22:45.359 --> 0:22:48.800
<v Speaker 2>man could be the writer of a series.

0:22:48.560 --> 0:22:51.280
<v Speaker 3>Sure be under contract at a major studio. Yeah, it is,

0:22:51.359 --> 0:22:54.399
<v Speaker 3>it is. It's a sort of a wonderful but again

0:22:54.520 --> 0:22:57.560
<v Speaker 3>pure fantasy in that way, especially for the time period

0:22:57.560 --> 0:23:01.800
<v Speaker 3>had set in. But I'm glad that the one thing

0:23:01.880 --> 0:23:04.680
<v Speaker 3>Ryan Murphy preserved though, you know, before sort of letting

0:23:04.720 --> 0:23:07.440
<v Speaker 3>it drift off into as you said, what if I

0:23:07.640 --> 0:23:11.320
<v Speaker 3>was immortalizing and being very factual about someone like Henry

0:23:11.359 --> 0:23:14.040
<v Speaker 3>Wilson and how he absolutely sort of destroyed a lot

0:23:14.080 --> 0:23:16.399
<v Speaker 3>of young men that came into his path, and so

0:23:16.520 --> 0:23:18.399
<v Speaker 3>much of it I think too when you watch the

0:23:18.440 --> 0:23:20.960
<v Speaker 3>series and even hearing about Henry's life comes from a

0:23:20.960 --> 0:23:23.480
<v Speaker 3>self loathing, which I think is common in closet and

0:23:23.520 --> 0:23:26.280
<v Speaker 3>gay men two, but it's a real his real self loathing,

0:23:26.359 --> 0:23:29.080
<v Speaker 3>like not even being able to stomach himself, and projecting

0:23:29.119 --> 0:23:32.560
<v Speaker 3>that onto hopeful in Hollywood has just been terrible.

0:23:32.960 --> 0:23:35.520
<v Speaker 2>I mean, he really was Henry Wilson really was the

0:23:35.600 --> 0:23:39.560
<v Speaker 2>ultimate in the casting couch of that era. I mean,

0:23:39.600 --> 0:23:42.119
<v Speaker 2>he really was such an integral part, and so many

0:23:42.160 --> 0:23:46.359
<v Speaker 2>people have never heard of him, including Jim Parson, did

0:23:46.400 --> 0:23:49.919
<v Speaker 2>not know who he was before he got the role. Yeah,

0:23:49.960 --> 0:23:54.359
<v Speaker 2>and also, what do you think about Ryan Murphy combining

0:23:54.400 --> 0:23:57.280
<v Speaker 2>the fact and fiction calling it faction. I think that's

0:23:57.280 --> 0:23:58.119
<v Speaker 2>pretty interesting.

0:23:58.240 --> 0:24:00.840
<v Speaker 3>It is. I mean, I think that for a younger audiences,

0:24:00.920 --> 0:24:03.400
<v Speaker 3>which you know, Ryan Murphy tends to attract, that it's

0:24:03.440 --> 0:24:07.040
<v Speaker 3>a good way to reframe history and to maybe give

0:24:07.040 --> 0:24:09.280
<v Speaker 3>it a little bit more positive a spin. I don't

0:24:09.280 --> 0:24:11.679
<v Speaker 3>know that it ultimately serves anyone at the end, not

0:24:11.720 --> 0:24:14.040
<v Speaker 3>telling the truth about how these things pan out. For instance,

0:24:14.119 --> 0:24:16.800
<v Speaker 3>I didn't know Henry Wilson is buried in an unmarked grave,

0:24:16.880 --> 0:24:18.359
<v Speaker 3>But in a way, I think it's a very fitting

0:24:18.480 --> 0:24:22.720
<v Speaker 3>end for someone who perpetrated such crazy crimes and also

0:24:22.880 --> 0:24:26.000
<v Speaker 3>was just such a scourge on so many young men's lives.

0:24:26.040 --> 0:24:28.359
<v Speaker 3>Like that, to me is poetic justice. But you know,

0:24:28.440 --> 0:24:30.719
<v Speaker 3>Ryan Murphy is going to do what Ryan Murphy's going

0:24:30.760 --> 0:24:34.640
<v Speaker 3>to do. At least he's surfacing in these conversations, which

0:24:34.640 --> 0:24:35.840
<v Speaker 3>I think are really important to have.

0:24:36.119 --> 0:24:38.600
<v Speaker 2>And I think so because I do think young Spring

0:24:38.680 --> 0:24:42.480
<v Speaker 2>chickens like you, please, well look at this and think

0:24:42.520 --> 0:24:45.960
<v Speaker 2>about what it was like for somebody like raw Hudson,

0:24:46.119 --> 0:24:48.439
<v Speaker 2>and it really gives you that you really get a

0:24:48.520 --> 0:24:51.679
<v Speaker 2>sense of the struggle even though Ryan Murphy made it

0:24:51.720 --> 0:24:55.440
<v Speaker 2>all kind of work out in many ways. I think

0:24:55.480 --> 0:24:58.879
<v Speaker 2>it opens just like me too. It opens people's eyes

0:24:59.000 --> 0:25:00.520
<v Speaker 2>to the struggles.

0:25:00.359 --> 0:25:03.080
<v Speaker 3>Absolutely, and I think it ultimately makes you a question

0:25:03.200 --> 0:25:06.000
<v Speaker 3>like what is worth it? What is stardom really worth

0:25:06.040 --> 0:25:07.960
<v Speaker 3>it at the end of the day for what people

0:25:08.000 --> 0:25:09.000
<v Speaker 3>have to give away for it?

0:25:09.320 --> 0:25:11.960
<v Speaker 2>And that is a whole other conversation. I wish we

0:25:12.040 --> 0:25:15.680
<v Speaker 2>had an hour because I find that super fascinating. What

0:25:15.840 --> 0:25:20.639
<v Speaker 2>lengths would people go to become successful in Hollywood? Because

0:25:20.640 --> 0:25:24.960
<v Speaker 2>it's so competitive, you're kind of forced to go to

0:25:25.000 --> 0:25:28.119
<v Speaker 2>great lengths, we'll say, to find success and get an

0:25:28.119 --> 0:25:30.399
<v Speaker 2>opportunity and get the audition and all those things.

0:25:30.600 --> 0:25:32.919
<v Speaker 3>Not to sound super academic, but I think the rules

0:25:33.119 --> 0:25:34.920
<v Speaker 3>of stardom have changed a bit. I think a lot

0:25:34.960 --> 0:25:37.480
<v Speaker 3>more of it now is about sort of how much

0:25:37.480 --> 0:25:39.760
<v Speaker 3>you're personally willing to exploit yourself. You know, if you

0:25:39.800 --> 0:25:43.040
<v Speaker 3>think about the role of reality television, of social media,

0:25:43.119 --> 0:25:44.840
<v Speaker 3>it's sort of about how far you're willing to go

0:25:45.359 --> 0:25:48.520
<v Speaker 3>to sort of carve out a personality on your own terms,

0:25:48.600 --> 0:25:50.520
<v Speaker 3>maybe not at the best of somebody else. I think that,

0:25:50.560 --> 0:25:52.840
<v Speaker 3>you know, many people have said and keep saying that

0:25:52.880 --> 0:25:55.679
<v Speaker 3>the movie star is a dying concept, but in this

0:25:55.840 --> 0:25:58.359
<v Speaker 3>context and the architecture of this town, this is the

0:25:58.359 --> 0:26:00.680
<v Speaker 3>era we're talking about. I don't know if it's worth it.

0:26:00.720 --> 0:26:02.800
<v Speaker 3>I think some people would say it was. I'm sure

0:26:02.880 --> 0:26:05.120
<v Speaker 3>Rock you, Rock had one of the most incredible Hollywood

0:26:05.160 --> 0:26:07.840
<v Speaker 3>careers I think anyone's had. But look at what cost

0:26:07.880 --> 0:26:08.320
<v Speaker 3>it came out.

0:26:08.520 --> 0:26:10.199
<v Speaker 2>I wonder what Rock would say today.

0:26:10.680 --> 0:26:12.879
<v Speaker 3>I do too. I hope he would. I hope he

0:26:12.880 --> 0:26:13.960
<v Speaker 3>would say fire my agent.

0:26:14.440 --> 0:26:15.720
<v Speaker 2>Yeah, exactly.

0:26:16.440 --> 0:26:16.640
<v Speaker 3>Well.

0:26:16.720 --> 0:26:19.600
<v Speaker 2>I think that's a great place to end our episode today.

0:26:19.800 --> 0:26:22.000
<v Speaker 2>Thank you Matt Donnelley so much.

0:26:22.320 --> 0:26:23.280
<v Speaker 3>Thank you for having me.

0:26:24.119 --> 0:26:27.600
<v Speaker 2>Thank you again to Matt Donnelley, Variety's senior Entertainment and

0:26:27.680 --> 0:26:31.000
<v Speaker 2>Media writer, for joining us. We'll be back next time

0:26:31.040 --> 0:26:34.480
<v Speaker 2>with another episode in the six part series The Secret

0:26:34.520 --> 0:26:37.879
<v Speaker 2>History of the Casting Couch from Variety Confidential. This has

0:26:37.920 --> 0:26:42.800
<v Speaker 2>been Couch Monster, the man who invented Beefcake for Variety

0:26:42.800 --> 0:26:47.960
<v Speaker 2>and iHeart Podcasts. I'm Tracy Patton. Variety Confidential is a

0:26:48.000 --> 0:26:52.000
<v Speaker 2>production of Variety Content Studio and iHeart Podcasts. It was

0:26:52.080 --> 0:26:55.680
<v Speaker 2>produced by Sidney Kramer, John Ponder, and Tracy Patten and

0:26:55.680 --> 0:26:58.919
<v Speaker 2>written by Stephen Gatos with John Ponder and Tracy Patton.

0:26:59.320 --> 0:27:02.880
<v Speaker 2>Research by John Ponder and Tracy Patton with Karen Mizogucci.

0:27:03.640 --> 0:27:09.959
<v Speaker 2>Executive producers are Da Lawrence and Stephen Gatos. Variety confidentials recorded, edited,

0:27:10.000 --> 0:27:14.760
<v Speaker 2>and mixed at the Invisible Studios, West Hollywood. Recording engineer,

0:27:14.920 --> 0:27:17.399
<v Speaker 2>editor and mixer Charles Carroll