WEBVTT - Businessweek Extra- Candace Bushnell

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<v Speaker 1>This is Bloomberg Business Week from Bloomberg Radio Jason Kelly

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<v Speaker 1>and I'm Carol Masser. Welcome to the Bloomberg Business Week Extra.

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<v Speaker 1>It's a weekly podcast bringing an in depth interview you

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<v Speaker 1>will not hear anywhere else. And this week, I gotta

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<v Speaker 1>say I love this conversation. Candice Bushnell stopped by. We're

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<v Speaker 1>expecting you know, sort of a chat about sex and

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<v Speaker 1>TV and all of that. It really took a turn,

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<v Speaker 1>a much more serious turn, candidly, because she really brought

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<v Speaker 1>her a game, talking about economics, women, sort of the

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<v Speaker 1>changing nature of power and money here in New York

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<v Speaker 1>City and elsewhere. Right, we went down memory lane, but

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<v Speaker 1>it also took some interesting turns. Listen up. So every

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<v Speaker 1>once in a while, something or someone or both comes

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<v Speaker 1>along that becomes so much a part of our world,

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<v Speaker 1>a reference that ties together people, marks an era in

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<v Speaker 1>our society. And that was definitely the case with Sex

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<v Speaker 1>in the City. We talked so much about the idea

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<v Speaker 1>of Zeitgeist, and there are few people who were more

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<v Speaker 1>Zeitgeist than Candice Bushnell. She's here with us in the

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<v Speaker 1>York City. She's got a new book out. Is there

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<v Speaker 1>still Sex in the City? It's a good looking cover.

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<v Speaker 1>You look great on it, you know, I don't. I

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<v Speaker 1>don't know. I mean your dogs. I have my dogs.

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<v Speaker 1>And but I think I should have I should have

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<v Speaker 1>been sort of coming out like at the reader, like

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<v Speaker 1>it's there still. So what inspired you to write this book? Now?

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<v Speaker 1>Really the same thing that inspired me to write Sex

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<v Speaker 1>in the City, and that is that I felt like

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<v Speaker 1>as a woman I was in uncharted territory. Um, you know,

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<v Speaker 1>once again being in my fifties. And when I was

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<v Speaker 1>in my thirties and I was writing Sex in the City,

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<v Speaker 1>I was a single woman. And um uh, you know,

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<v Speaker 1>there really weren't supposed to be any single women in

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<v Speaker 1>their thirties. That was, you know, twenty years ago, being

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<v Speaker 1>single in your thirties was considered what's wrong with you?

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<v Speaker 1>What's wrong with you? You have baggage. Why haven't you

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<v Speaker 1>been able to understand how society works and find, you know,

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<v Speaker 1>find somebody. Um so that was really the rise of

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<v Speaker 1>the Sex and the City woman. You know, a woman

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<v Speaker 1>who said, I'm living by different rules for a variety

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<v Speaker 1>of reasons, I haven't found the guy. I mean, the

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<v Speaker 1>Sex of the City woman is really the woman who

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<v Speaker 1>in the eighties, set out to have it all and

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<v Speaker 1>do it all. How hard take us back there, Like,

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<v Speaker 1>how hard was it to be a single woman in

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<v Speaker 1>the city dating, trying to make her way, make her impact?

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<v Speaker 1>How hard was it? It was pretty hard. I mean

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<v Speaker 1>it was pretty hard. And I think one of the

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<v Speaker 1>hardest things for me was really being somebody who I

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<v Speaker 1>came to the city. I didn't go to an ivy

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<v Speaker 1>league school, so I didn't have that protection. Um, I

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<v Speaker 1>didn't really know anybody, and I had no relatives here.

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<v Speaker 1>So this is a city that really really thrives on connections,

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<v Speaker 1>and you are greatly protected by your connections and who

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<v Speaker 1>you can get to and what circles you move in,

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<v Speaker 1>and so being somebody without any of those cards makes it,

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<v Speaker 1>I think difficult. You really really have to look out

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<v Speaker 1>for yourself. And you were young. You were nine. I

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<v Speaker 1>was nineteen when I first moved to the city, and

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<v Speaker 1>it was pretty you know, the city was it was

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<v Speaker 1>very dangerous. I was held up at gunpoint. Um, I

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<v Speaker 1>think actually somebody I once I was in a punk

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<v Speaker 1>fashion show. It was probably two or three in the morning.

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<v Speaker 1>I was going home and I had a face full

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<v Speaker 1>of pretty extreme makeup of course, it was two and

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<v Speaker 1>three in the morning. I wasn't going home. I was

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<v Speaker 1>going to visit a friend where you threw down the key.

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<v Speaker 1>While I was waiting for this person to throw down

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<v Speaker 1>the key, a car pulled up and there was you know,

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<v Speaker 1>they were definitely looking for some of their prostitutes or

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<v Speaker 1>whatever who had clearly run away, and they one guy

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<v Speaker 1>got out of the car with a gun and ran

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<v Speaker 1>towards me. And it was like, I got in the

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<v Speaker 1>first door, but I couldn't get through this into the

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<v Speaker 1>second door, and and I just turned around and I

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<v Speaker 1>just screamed, and I knew at that point, I was like,

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<v Speaker 1>there's no way I'm getting in that car. I was like,

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<v Speaker 1>you're gonna have to shoot me before you put a

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<v Speaker 1>hand on me. And I don't know if it was

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<v Speaker 1>the extreme makeup, but he looked absolutely startled and shocked

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<v Speaker 1>and frightened and ran away. That was like, so, I, yes,

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<v Speaker 1>but that kind of thing happened all the time. But

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<v Speaker 1>I was really fearless, and I really really was fearless. Well,

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<v Speaker 1>and you were fearless professionally as well. And you know,

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<v Speaker 1>in a pre social media age, it sounds like what

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<v Speaker 1>you set out to do was to create the connections

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<v Speaker 1>to your point that I think we take for granted

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<v Speaker 1>now because everybody is a click or an instagram or

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<v Speaker 1>a tweet away. You had to sort of do that

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<v Speaker 1>the old fashioned way. But one of the things you

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<v Speaker 1>did was you fell in with a group of incredibly

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<v Speaker 1>well known writers at the time. You talk about sort

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<v Speaker 1>of the site guysy writers at the time, Freddie Snellis,

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<v Speaker 1>Jay McNerney, editors and others. What was that all about, Well,

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<v Speaker 1>it was so much fun, it was. That was what

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<v Speaker 1>happened in New York was when I first moved to

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<v Speaker 1>in nineteen nine, the city was broke. Economics have so

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<v Speaker 1>much to do with this, and that's something that we

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<v Speaker 1>never want to talk about, but you know about it

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<v Speaker 1>all the time. You know, the economy was bad. And

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<v Speaker 1>one of the things that I've noticed is that when

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<v Speaker 1>the economy these bad, feminism rises. Um and I could

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<v Speaker 1>be wrong about this, but it's something that I've observed.

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<v Speaker 1>And so there was seemed like there was a lot

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<v Speaker 1>of feminism in New York in the early eighties. You

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<v Speaker 1>probably don't remember this, but there were women on the

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<v Speaker 1>streets with you know that we're against pornography, and the

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<v Speaker 1>pornography was it was pretty brutal, dead um, New York pornography,

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<v Speaker 1>New York pornography. It was pretty bad. And you know,

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<v Speaker 1>then there was that big boom in the eighties, you know,

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<v Speaker 1>and and so that seemed to start happening in the

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<v Speaker 1>mid eighties, and and so it was New York was

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<v Speaker 1>really a party city. And it was also the thing

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<v Speaker 1>that everyone has to remember, it was very very small.

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<v Speaker 1>I mean, this society of you know, the movers and

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<v Speaker 1>shakers or boldfaced names was probably literally five thousand people max,

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<v Speaker 1>but probably about two thou people. And it was really

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<v Speaker 1>the time of the velvet rope and more and more exclusivity.

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<v Speaker 1>So it was great to be on the inside of that.

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<v Speaker 1>And life was incredibly exciting. And you know, there was

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<v Speaker 1>no the gossip was it was page six, which of

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<v Speaker 1>course everybody wanted to and didn't want to be on.

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<v Speaker 1>I mean people were so afraid of you know, bad publicity.

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<v Speaker 1>Now of course everybody gets it. I mean everybody gets

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<v Speaker 1>it on Twitter sense, so um. But then you know,

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<v Speaker 1>we had the big boom, and then we had that bust,

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<v Speaker 1>and we had the trophy wife. In the these eight

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<v Speaker 1>late eighties, you know, what was it Black Friday? But

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<v Speaker 1>wasn't there another crash in? That was that? But like

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<v Speaker 1>was essentially when Bush goes out of office, Clinton comes in.

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<v Speaker 1>That was the economy that was fairly unsteady. And that economy,

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<v Speaker 1>yes and so, and that was you know, that recession

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<v Speaker 1>time was a time when well, first of all, there

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<v Speaker 1>were a lot of perks because there were you know,

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<v Speaker 1>the big, big companies. They didn't take care of their employees,

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<v Speaker 1>but they would not pay you very much. That was

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<v Speaker 1>the time of you know, everybody he was taking a

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<v Speaker 1>town car and they had these little luxuries that they

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<v Speaker 1>would give you in order to make up for the

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<v Speaker 1>fact that you were not paid well paid very badly.

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<v Speaker 1>And then that also seemed like a time of feminism,

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<v Speaker 1>um really in the nineties. And it seemed like to me,

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<v Speaker 1>all of those women in the eighties who come to

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<v Speaker 1>New York to make it, who hadn't found somebody, they

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<v Speaker 1>were now in their thirties and they had careers, and

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<v Speaker 1>some of them were starting to be successful, and they

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<v Speaker 1>had a very different view of men. They really didn't

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<v Speaker 1>want to settle and they didn't want to accept, you know,

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<v Speaker 1>the things that they supposedly would have accepted in the

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<v Speaker 1>eighties when they were maybe more desperate. Ticket Mary, that's

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<v Speaker 1>a very long winded conversation, but it's really fascinating. But

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<v Speaker 1>your column in The New York Observer, from what we

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<v Speaker 1>understand is that you were talking about your stories right

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<v Speaker 1>dating in the office and a couple of editors were like,

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<v Speaker 1>this would be a great column. Is that correct or

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<v Speaker 1>how did it kind of come correct me? Because we

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<v Speaker 1>want to know like kind of how that came to be,

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<v Speaker 1>because that was really I was actually right. It's so

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<v Speaker 1>it's so hard actually writing something about that time of

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<v Speaker 1>when I was writing the column and how I got

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<v Speaker 1>the column, and I do put the scene in where

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<v Speaker 1>the character is, you know, talking about her dating life

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<v Speaker 1>all of the editors and stuff like that. So, um, yes,

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<v Speaker 1>I had a lot of stories and I was full

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<v Speaker 1>of ideas for stories, um for them. And Susan Morrison

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<v Speaker 1>was the editor when I was first there, and she

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<v Speaker 1>sent me out to do a lot of She wanted

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<v Speaker 1>me to write about a lot of these different kinds

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<v Speaker 1>of guys like Richard Holbrook was one of them, who

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<v Speaker 1>I hear is an absolutely fascinating man. There's a new

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<v Speaker 1>biography of him. I couldn't even get him on the phone.

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<v Speaker 1>And you know, and Jeffrey Epstein was also one of these,

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<v Speaker 1>you know, kind of questionable what's going on? How did

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<v Speaker 1>he get his money? And there were a few other

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<v Speaker 1>of these types, And it was pretty normal when you

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<v Speaker 1>interviewed these big business types that you would either get bribed,

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<v Speaker 1>they would try to bribe you, or would threaten you.

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<v Speaker 1>So they would kind of bribe you with I can

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<v Speaker 1>make your career and threaten you with you're gonna end

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<v Speaker 1>up in the East River, whether block around your ankle. Well,

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<v Speaker 1>let's talk about that for a second, because I feel

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<v Speaker 1>like those archetypes that you know, started in the boom

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<v Speaker 1>of the eighties, they go through the nineties, they manifest

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<v Speaker 1>differently here in the two thousands. This is the audience

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<v Speaker 1>the characters that were so interested in from a Bloomberg

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<v Speaker 1>in a Business Week perspective, how has that archetype changed?

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<v Speaker 1>And maybe a different way of asking it is what

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<v Speaker 1>does Mr Big look like in twenty nineteen? Oh gosh, Um,

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<v Speaker 1>that's such a hard question for me to answer, partly

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<v Speaker 1>because I just tell Chris Note and you know, literally

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<v Speaker 1>what he looks like, literally what he looks like. I

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<v Speaker 1>just saw him a couple of days ago. He's looking good.

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<v Speaker 1>He's good. Um, does he still exists too? Like does

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<v Speaker 1>Mr You know that's a very good question, and and um,

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<v Speaker 1>you know Mr Big we're hoping is not a me tour. Um.

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<v Speaker 1>I but does he exist? I think he looks maybe

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<v Speaker 1>a little bit different. But I have to tell you,

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<v Speaker 1>I you know, men with power, they given the opportunity

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<v Speaker 1>to behave like men with power, they will. That's generally

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<v Speaker 1>been my experience. So I don't I think that men

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<v Speaker 1>are held more accountable. I think that men do things way,

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<v Speaker 1>make too many decisions based on ego and ocean. Um,

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<v Speaker 1>that's still my existence with men. Boy, they've got thin skins.

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<v Speaker 1>I mean I have had a lot of problems in business,

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<v Speaker 1>which just trying to talk to men like look, this

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<v Speaker 1>is the way it is, you know. So uh, you

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<v Speaker 1>know from I tend to have a lot of difficulty

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<v Speaker 1>working with men in business. Um, it's an ego thing.

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<v Speaker 1>I you know, I still see it. So much of

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<v Speaker 1>business is really run on the egos of men. And

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<v Speaker 1>we're in this mess because of you know, men are

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<v Speaker 1>keeping score and counting up how many billions they have?

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<v Speaker 1>Is that also that because I was thinking about how

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<v Speaker 1>often we talk about, you know, equality, whether it's in

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<v Speaker 1>you know, the c suite or on corporate boards, like

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<v Speaker 1>it's still held back dramatically, it's hugely held back. I mean,

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<v Speaker 1>women are there is no equality. And part of the

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<v Speaker 1>reason is, I think socially, how are we brought up

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<v Speaker 1>to look at men and women? And it's we've all

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<v Speaker 1>internalized it so much. And I think, you know, it

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<v Speaker 1>goes so deep because we really have to look at

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<v Speaker 1>you know, we as human beings. We probably raised to

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<v Speaker 1>live in tribes and and you know small groups, were

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<v Speaker 1>also raised to be very cooperative and also to specialize.

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<v Speaker 1>And people also want leaders. I mean, that's another thing

0:14:50.680 --> 0:14:54.040
<v Speaker 1>that's really very interesting about people, is so many people

0:14:54.160 --> 0:14:58.520
<v Speaker 1>want to give up power to somebody else and let

0:14:58.560 --> 0:15:01.120
<v Speaker 1>somebody else make the decision. And I think we've seen

0:15:01.160 --> 0:15:03.240
<v Speaker 1>that all across the board. I mean, it takes a

0:15:03.240 --> 0:15:07.520
<v Speaker 1>lot of effort to go up against you know, power,

0:15:07.560 --> 0:15:11.960
<v Speaker 1>and I do think you know, there are certain things,

0:15:12.240 --> 0:15:15.160
<v Speaker 1>for instance, like all these grooming that women are encouraged

0:15:15.200 --> 0:15:18.320
<v Speaker 1>to do, and I do a percentage of it. I do,

0:15:18.480 --> 0:15:24.720
<v Speaker 1>I do as little as possible because I honestly, uh

0:15:25.200 --> 0:15:28.720
<v Speaker 1>I feel that it's maybe not always the best use

0:15:28.880 --> 0:15:32.480
<v Speaker 1>of one's time, but society tells us that it is. Well,

0:15:32.800 --> 0:15:35.800
<v Speaker 1>when you're spending all that time grooming, guess what you're

0:15:35.840 --> 0:15:39.960
<v Speaker 1>not spending time doing making money. And you know, women

0:15:40.000 --> 0:15:43.760
<v Speaker 1>are still not raised to go out there and make money.

0:15:43.920 --> 0:15:47.400
<v Speaker 1>And I am saying to women, now is the time,

0:15:48.080 --> 0:15:52.960
<v Speaker 1>like forget relationships honestly, because that's you are not going

0:15:53.000 --> 0:15:56.440
<v Speaker 1>to be relying on that in the future. Well, it's interesting,

0:15:56.440 --> 0:15:58.280
<v Speaker 1>and I feel like, well, a couple of things when

0:15:58.280 --> 0:15:59.920
<v Speaker 1>you talk about women in money, because I do feel

0:15:59.920 --> 0:16:02.360
<v Speaker 1>like when women are aggressive about money, they get a

0:16:02.440 --> 0:16:05.080
<v Speaker 1>label right away, whereas when men are aggressive about money.

0:16:05.080 --> 0:16:07.880
<v Speaker 1>And I really do believe that that it's a different perception.

0:16:08.160 --> 0:16:10.160
<v Speaker 1>He's taking care of his family, it's a good thing,

0:16:10.160 --> 0:16:12.000
<v Speaker 1>he's ambitious, and I do feel like we still have

0:16:12.080 --> 0:16:14.240
<v Speaker 1>that playing out. The other thing, I feel like when

0:16:14.240 --> 0:16:16.440
<v Speaker 1>you say women should go out there and make money,

0:16:16.480 --> 0:16:18.480
<v Speaker 1>you talk about kind of the role of technology in

0:16:18.520 --> 0:16:20.400
<v Speaker 1>our world now, right, And I mean we're coming to

0:16:20.720 --> 0:16:23.600
<v Speaker 1>an error where I don't necessarily I mean, I'm married,

0:16:23.640 --> 0:16:25.720
<v Speaker 1>but I wouldn't have to get married to have children, right,

0:16:25.760 --> 0:16:28.440
<v Speaker 1>There's other ways to do it. Exactly, and that I

0:16:28.480 --> 0:16:33.040
<v Speaker 1>mean to me, one of the things that's so fascinating

0:16:33.280 --> 0:16:37.240
<v Speaker 1>is what is the future going to look like with

0:16:37.840 --> 0:16:40.920
<v Speaker 1>all of these dating apps, because people now feel like

0:16:40.960 --> 0:16:46.040
<v Speaker 1>they really can't meet somebody unless they're swiping right, you know,

0:16:46.360 --> 0:16:48.320
<v Speaker 1>on a dating app. And you played around with this,

0:16:48.480 --> 0:16:51.160
<v Speaker 1>right I did. I went on Tinder. I was definitely

0:16:51.200 --> 0:16:53.360
<v Speaker 1>not going to meet somebody on Tinder. I'm somebody who

0:16:53.440 --> 0:16:58.240
<v Speaker 1>I am? I mean, I think I do think about

0:16:58.280 --> 0:17:02.120
<v Speaker 1>it a bit, you know, the whole online kind of thing,

0:17:02.240 --> 0:17:04.920
<v Speaker 1>and we're going to be using it more and more

0:17:04.920 --> 0:17:07.760
<v Speaker 1>and more. And you know, my feeling is, are we

0:17:07.800 --> 0:17:10.320
<v Speaker 1>going to be using it to vote like who gets

0:17:10.320 --> 0:17:13.399
<v Speaker 1>to stay on the island? But in a macro sense

0:17:13.520 --> 0:17:18.480
<v Speaker 1>like who gets to come into the United States? Who

0:17:18.520 --> 0:17:22.120
<v Speaker 1>are we keeping out? I mean, are we? You know?

0:17:22.760 --> 0:17:27.200
<v Speaker 1>I don't know. And everybody now has to have some

0:17:27.359 --> 0:17:31.679
<v Speaker 1>kind of presence on social media, um, and that seems

0:17:31.680 --> 0:17:35.399
<v Speaker 1>to be increasingly true. One of the things I've noticed

0:17:35.440 --> 0:17:39.400
<v Speaker 1>about people is technology only tends to go in one direction.

0:17:40.200 --> 0:17:43.360
<v Speaker 1>It doesn't tend to go backwards unless there is some

0:17:43.440 --> 0:17:46.800
<v Speaker 1>kind of armageddon, which you know, we know with climate change,

0:17:46.800 --> 0:17:51.840
<v Speaker 1>I mean forty years who knows, but well, let me

0:17:51.840 --> 0:17:54.879
<v Speaker 1>ask you about that specific point, because we're experiencing it

0:17:54.920 --> 0:17:58.720
<v Speaker 1>feels like, at least a little mini backlash toward our

0:17:58.720 --> 0:18:03.160
<v Speaker 1>reliance on technology. It feels like, you know, parents, candidly,

0:18:03.440 --> 0:18:06.560
<v Speaker 1>more affluent parents are starting to ask questions about how

0:18:06.640 --> 0:18:09.800
<v Speaker 1>much time is my kids spending on social media on

0:18:09.880 --> 0:18:12.560
<v Speaker 1>their device? How much time are we all spending on

0:18:12.640 --> 0:18:15.520
<v Speaker 1>our devices. Is that just a moment that will pass

0:18:15.600 --> 0:18:19.439
<v Speaker 1>in this sort of inexorable march towards us sort of

0:18:19.440 --> 0:18:27.440
<v Speaker 1>shippifying ourselves. Probably? I mean, you know, it's interesting because

0:18:27.440 --> 0:18:31.160
<v Speaker 1>people always look back in time and feel that somehow

0:18:31.200 --> 0:18:34.840
<v Speaker 1>things were better, But we have to remember that, you know,

0:18:34.960 --> 0:18:38.119
<v Speaker 1>fifty sixty years ago in this country, being rich or

0:18:38.200 --> 0:18:41.440
<v Speaker 1>being well off meant like one and a half bathrooms

0:18:41.520 --> 0:18:48.159
<v Speaker 1>for a family of five or six. And you know,

0:18:48.280 --> 0:18:50.560
<v Speaker 1>you look at the cell phone. I mean, if it

0:18:50.600 --> 0:18:54.439
<v Speaker 1>weren't for really the phones that we are all using,

0:18:54.840 --> 0:18:58.960
<v Speaker 1>technology probably wouldn't have taken such a big leap, you know,

0:18:59.040 --> 0:19:01.040
<v Speaker 1>with the social media. And now we've got it in

0:19:01.040 --> 0:19:05.400
<v Speaker 1>our hands. So what's going to happen when it's and

0:19:05.800 --> 0:19:11.479
<v Speaker 1>to your point, it's not just technology that social media

0:19:11.840 --> 0:19:14.400
<v Speaker 1>and you know computers and that kind of thing. It's

0:19:14.480 --> 0:19:18.919
<v Speaker 1>also freezing your eggs and we are going to be

0:19:20.160 --> 0:19:25.240
<v Speaker 1>you know, probably the wealthy will be able to reproduce

0:19:25.480 --> 0:19:28.320
<v Speaker 1>in a different way. And I think we see more

0:19:28.400 --> 0:19:36.240
<v Speaker 1>and more people are using surrogates and you know, choosing

0:19:38.880 --> 0:19:42.520
<v Speaker 1>you know, in some ways choosing the attributes of their children.

0:19:43.160 --> 0:19:48.800
<v Speaker 1>And if people have money, they will and these things

0:19:48.840 --> 0:19:52.760
<v Speaker 1>are available, people will avail themselves of them. I mean,

0:19:52.800 --> 0:19:57.960
<v Speaker 1>plastic surgery is a perfect example. That's something that it's

0:19:58.040 --> 0:20:04.360
<v Speaker 1>only in East and it's it's interesting to me can

0:20:04.400 --> 0:20:06.840
<v Speaker 1>afford it for those who can afford it, but also

0:20:08.240 --> 0:20:12.280
<v Speaker 1>it's something that's also you know, you can also put

0:20:12.320 --> 0:20:15.560
<v Speaker 1>it on a credit card, so that has made it

0:20:15.600 --> 0:20:20.040
<v Speaker 1>talk about much much more widely affordable to people. So

0:20:20.400 --> 0:20:23.160
<v Speaker 1>if people can improve themselves in some way or get

0:20:23.200 --> 0:20:27.480
<v Speaker 1>a leg up, they tend to do that. So let

0:20:27.520 --> 0:20:29.040
<v Speaker 1>me ask you and take you back to something you

0:20:29.080 --> 0:20:31.040
<v Speaker 1>said earlier, which I think is such a fascinating point

0:20:31.080 --> 0:20:36.520
<v Speaker 1>that the economy and feminism are correlated. Look around the

0:20:36.840 --> 0:20:40.119
<v Speaker 1>at the economy right now. By many accounts, it's booming

0:20:40.119 --> 0:20:43.080
<v Speaker 1>from a consumer perspective, and yet we talk about it

0:20:43.160 --> 0:20:46.480
<v Speaker 1>every day. There are sort of clouds looming on the horizon.

0:20:47.040 --> 0:20:52.280
<v Speaker 1>Synthesize that with me too. Times up this moment that

0:20:52.440 --> 0:20:55.480
<v Speaker 1>we seem to be having, questioning a lot of the

0:20:55.520 --> 0:21:00.119
<v Speaker 1>existing power structure. How does the economy figure in to

0:21:00.200 --> 0:21:03.920
<v Speaker 1>what happens next for women and for feminism. Well, one

0:21:03.960 --> 0:21:07.600
<v Speaker 1>of the things that I noticed was in two thousand,

0:21:08.040 --> 0:21:14.560
<v Speaker 1>you know, before two eight, that I felt like about

0:21:16.040 --> 0:21:19.640
<v Speaker 1>a hundred steps back from feminism. And I just remember

0:21:19.680 --> 0:21:22.840
<v Speaker 1>how shocked I felt. Now, of course, those young women

0:21:22.880 --> 0:21:28.280
<v Speaker 1>are in their thirties, forties, maybe they're a little bit younger,

0:21:28.320 --> 0:21:33.840
<v Speaker 1>but it was the time of bridezillas. It was a

0:21:34.040 --> 0:21:38.160
<v Speaker 1>time where there was i mean consumers and really felt

0:21:38.160 --> 0:21:40.440
<v Speaker 1>like it took off. Then it was also a time

0:21:40.480 --> 0:21:46.080
<v Speaker 1>if we loosened to the debts debt requirements, So people

0:21:46.080 --> 0:21:51.600
<v Speaker 1>are spending, spending money, and you know, they're thinking they're

0:21:51.600 --> 0:21:55.760
<v Speaker 1>gonna have kids, and they're putting the kids in designer clothes,

0:21:55.920 --> 0:21:58.200
<v Speaker 1>and it's we see all this with the celebrities, and

0:21:58.359 --> 0:22:05.159
<v Speaker 1>how many women actresses stood up in those times and

0:22:05.200 --> 0:22:13.000
<v Speaker 1>staid I'm not a feminist. Really shameful, right, and then

0:22:13.119 --> 0:22:18.719
<v Speaker 1>the crash comes and there's a real change. Um, you know,

0:22:18.840 --> 0:22:24.440
<v Speaker 1>I think there's so many industries that haven't recovered from

0:22:24.480 --> 0:22:28.399
<v Speaker 1>that change. I mean, yes, people are working, but you know,

0:22:28.480 --> 0:22:35.760
<v Speaker 1>if you are, it feels like they're more women in

0:22:36.200 --> 0:22:40.320
<v Speaker 1>more powerful position. I think it was pivotal, pivotal, pivotal.

0:22:40.359 --> 0:22:43.879
<v Speaker 1>Excuse me, because I think a lot of financial jobs

0:22:43.880 --> 0:22:47.520
<v Speaker 1>were lost, which were predominantly men. And I saw personally

0:22:47.680 --> 0:22:49.680
<v Speaker 1>a lot of women who kept their jobs and then

0:22:49.720 --> 0:22:52.560
<v Speaker 1>became the sole supporter of their families. And I really

0:22:52.560 --> 0:22:55.960
<v Speaker 1>saw role reversals happening at that era. Yes, I mean

0:22:56.240 --> 0:22:59.280
<v Speaker 1>that is something that I tried to capture in my

0:22:59.359 --> 0:23:04.800
<v Speaker 1>book Stick Jungle, this idea of the role reversal, where

0:23:04.880 --> 0:23:10.119
<v Speaker 1>I see more and more women are the breadwinners in

0:23:10.160 --> 0:23:15.320
<v Speaker 1>the family. And that's always been true for lower income women.

0:23:15.440 --> 0:23:20.280
<v Speaker 1>For lower income women, it might be as high as thirty,

0:23:20.720 --> 0:23:25.080
<v Speaker 1>might be as high as and you know, for upper

0:23:25.119 --> 0:23:31.720
<v Speaker 1>income women it was. Now maybe it's but that's something

0:23:32.200 --> 0:23:39.760
<v Speaker 1>that is inching up along with less marriage and more

0:23:39.760 --> 0:23:45.040
<v Speaker 1>single people. And in a sense, that's that's it's going

0:23:45.080 --> 0:23:47.840
<v Speaker 1>to be the future for a lot of people. I

0:23:47.880 --> 0:23:49.639
<v Speaker 1>feel like we'd be remissed because I, first of all,

0:23:49.640 --> 0:23:52.080
<v Speaker 1>I feel like you should have another column because of

0:23:52.080 --> 0:23:54.160
<v Speaker 1>what you're talking about, but I want to talk about

0:23:54.200 --> 0:23:56.679
<v Speaker 1>Sex in the City just before we go, because it

0:23:56.760 --> 0:23:58.840
<v Speaker 1>was such a phenomenon. It really was. It became a

0:23:58.880 --> 0:24:00.679
<v Speaker 1>part of I was talking about cold true literacy, and

0:24:00.680 --> 0:24:03.640
<v Speaker 1>I feel like that kind of changed and marked an

0:24:03.640 --> 0:24:06.360
<v Speaker 1>era for so many of us. It was the reason

0:24:06.440 --> 0:24:08.359
<v Speaker 1>I first bought my first prayer of Jimmy choose to

0:24:08.359 --> 0:24:11.280
<v Speaker 1>be quite honest, but talk to me about how surprised

0:24:11.320 --> 0:24:14.760
<v Speaker 1>you were by what a hit it became and how

0:24:14.840 --> 0:24:17.360
<v Speaker 1>much kind of it became a part of kind of

0:24:17.400 --> 0:24:20.560
<v Speaker 1>our fabric of society, certainly for women, for many women. Well,

0:24:20.680 --> 0:24:24.080
<v Speaker 1>The crazy thing is, ever since I was a kid,

0:24:24.200 --> 0:24:26.680
<v Speaker 1>I always felt like I've got to do something big.

0:24:26.720 --> 0:24:29.040
<v Speaker 1>I've got to do something big, Something's going to happen,

0:24:29.200 --> 0:24:33.320
<v Speaker 1>and something big is going to happen, And that ridiculous

0:24:33.400 --> 0:24:37.240
<v Speaker 1>belief is really what kept me going until I started

0:24:37.240 --> 0:24:39.399
<v Speaker 1>writing the column Sex in the City, because I really

0:24:39.560 --> 0:24:43.640
<v Speaker 1>I was making very very little money. I could support myself,

0:24:44.080 --> 0:24:49.119
<v Speaker 1>I could pay my rent um, and then my big

0:24:49.160 --> 0:24:50.920
<v Speaker 1>goal when I was writing Sex in the City was

0:24:50.960 --> 0:24:53.560
<v Speaker 1>really just to get a column because I wanted to

0:24:53.600 --> 0:24:56.760
<v Speaker 1>have some kind of regular income, and this was something

0:24:56.760 --> 0:25:01.240
<v Speaker 1>I've been working towards for probably thought years and had

0:25:01.240 --> 0:25:05.040
<v Speaker 1>had versions of early versions of Sex in the City.

0:25:05.720 --> 0:25:08.239
<v Speaker 1>So when I got the column, I knew exactly what

0:25:08.280 --> 0:25:11.960
<v Speaker 1>to do with it, and I didn't know that it

0:25:12.080 --> 0:25:15.960
<v Speaker 1>was my big break. It was turned into a book,

0:25:16.000 --> 0:25:18.920
<v Speaker 1>and that was absolutely fabulous because at that time all

0:25:18.960 --> 0:25:20.960
<v Speaker 1>I wanted to do was publish a book. I knew

0:25:21.000 --> 0:25:24.480
<v Speaker 1>that I couldn't. You know, journalism has a shelf life

0:25:25.400 --> 0:25:28.240
<v Speaker 1>and at some point you really have to transition to

0:25:28.280 --> 0:25:32.679
<v Speaker 1>writing books. So that was a huge break for me

0:25:32.960 --> 0:25:37.080
<v Speaker 1>and then Darren's. But when I was writing it, there

0:25:37.160 --> 0:25:39.960
<v Speaker 1>was a lot of interest from TV and movies, which

0:25:40.000 --> 0:25:44.199
<v Speaker 1>I did not take seriously because at that time, you know,

0:25:44.320 --> 0:25:46.800
<v Speaker 1>friends I had who had books turned into movies. It

0:25:46.880 --> 0:25:51.800
<v Speaker 1>was it was just considered like not literary. Being the

0:25:51.800 --> 0:25:56.040
<v Speaker 1>best seller list, believe it or not, was not a goal. Um,

0:25:56.080 --> 0:26:01.119
<v Speaker 1>you know, that was considered a little crass. And and

0:26:01.119 --> 0:26:06.280
<v Speaker 1>and the idea of Sex in the City being a

0:26:06.320 --> 0:26:12.119
<v Speaker 1>TV show was I have to tell you nobody was impressed. Um,

0:26:12.520 --> 0:26:15.560
<v Speaker 1>nobody watched TV. I mean, you have to remember this

0:26:15.640 --> 0:26:20.720
<v Speaker 1>is HBO was just getting started now. ABC was very interested,

0:26:21.320 --> 0:26:24.280
<v Speaker 1>but Darren did not want to go to network I

0:26:24.320 --> 0:26:27.000
<v Speaker 1>didn't want to go to network because HBO was here

0:26:27.000 --> 0:26:32.040
<v Speaker 1>in New York. We knew them. Um. And you also

0:26:32.119 --> 0:26:35.000
<v Speaker 1>have to remember that before Sex in the City, I

0:26:35.040 --> 0:26:38.560
<v Speaker 1>was working with Bravo. I had a TV show called

0:26:38.560 --> 0:26:42.399
<v Speaker 1>sex Lines and Video Clips. So for me, the TV

0:26:42.520 --> 0:26:46.560
<v Speaker 1>series was like another thing in a list of things

0:26:46.560 --> 0:26:48.359
<v Speaker 1>that I had going on. I think I was also

0:26:48.440 --> 0:26:51.800
<v Speaker 1>probably writing a screenplay, so I had a lot that

0:26:51.920 --> 0:26:56.000
<v Speaker 1>was going on that was all new and and so

0:26:56.040 --> 0:27:02.280
<v Speaker 1>the show was exciting, but it was really HBO kept

0:27:02.320 --> 0:27:06.919
<v Speaker 1>it on and it just ended up like getting a

0:27:07.040 --> 0:27:11.679
<v Speaker 1>bigger and bigger audience and becoming a phenomenon. I mean,

0:27:12.920 --> 0:27:15.560
<v Speaker 1>they never told us the numbers. Apparently the numbers were

0:27:15.560 --> 0:27:18.040
<v Speaker 1>really pretty big out of the gate, but they never

0:27:18.080 --> 0:27:22.560
<v Speaker 1>told They never told Darren Start that. So we literally

0:27:22.960 --> 0:27:29.640
<v Speaker 1>power Place had no idea. We had no idea, and

0:27:29.760 --> 0:27:32.080
<v Speaker 1>people in New York didn't really watch that much TV.

0:27:33.280 --> 0:27:37.000
<v Speaker 1>So but then it's started, and that was part of it, right,

0:27:37.040 --> 0:27:40.480
<v Speaker 1>I mean, it's sort of democratized in many ways the

0:27:40.600 --> 0:27:43.720
<v Speaker 1>ideas and validated a lot of feelings maybe that people

0:27:43.720 --> 0:27:46.080
<v Speaker 1>were having that well you know what, that was all

0:27:46.119 --> 0:27:49.119
<v Speaker 1>sort time thanks to the Internet where all of the

0:27:49.200 --> 0:27:53.800
<v Speaker 1>creativity of New York that had really been contained in

0:27:53.840 --> 0:27:59.439
<v Speaker 1>this pretty small group of artists and fashion designers and

0:28:00.000 --> 0:28:05.359
<v Speaker 1>ashion magazines and writing and you know art that was

0:28:05.400 --> 0:28:08.240
<v Speaker 1>a pretty small group. Because of the Internet, it all

0:28:08.320 --> 0:28:14.240
<v Speaker 1>exploded really out there into the ether. And that's what

0:28:15.480 --> 0:28:18.040
<v Speaker 1>it was a combination of those two things that I

0:28:18.080 --> 0:28:21.240
<v Speaker 1>think really made it so big. You know, New York

0:28:21.600 --> 0:28:26.159
<v Speaker 1>was in the early nineties, nobody wanted to go to

0:28:26.359 --> 0:28:30.720
<v Speaker 1>New York, and after that, everybody wanted to come to

0:28:30.720 --> 0:28:32.119
<v Speaker 1>New York, like it was a love letter to New

0:28:32.160 --> 0:28:36.360
<v Speaker 1>York anyways, which was really cool. This new book, you're older,

0:28:37.200 --> 0:28:40.480
<v Speaker 1>dealing with dating again, but also a lot of other things.

0:28:40.560 --> 0:28:42.920
<v Speaker 1>I mean, there is a lot of call it the

0:28:43.000 --> 0:28:47.520
<v Speaker 1>new middle age, and and I mean this to me

0:28:47.800 --> 0:28:54.720
<v Speaker 1>is so zeitgeist um, because we're all, you know, we

0:28:54.760 --> 0:28:58.440
<v Speaker 1>are all in this time when we're getting older and

0:28:58.480 --> 0:29:04.040
<v Speaker 1>dealing with lots of different issues, whether it's parents, whether

0:29:04.120 --> 0:29:09.840
<v Speaker 1>it's it's parentship itself, you know, it's emotionally and I

0:29:09.880 --> 0:29:12.360
<v Speaker 1>find that this it's this time of readjustment for men

0:29:12.520 --> 0:29:15.760
<v Speaker 1>and women. And there's something I call middle aged madness.

0:29:15.800 --> 0:29:18.040
<v Speaker 1>I see men going going through it too. I've seen

0:29:18.560 --> 0:29:22.440
<v Speaker 1>fifty five year old men moved back to their mother's house. Wow,

0:29:23.280 --> 0:29:25.760
<v Speaker 1>sounds like we have another episode to do with this.

0:29:25.960 --> 0:29:27.640
<v Speaker 1>Is There Still Sex in the City. It's the new

0:29:27.640 --> 0:29:30.640
<v Speaker 1>book Candice Bushnell. Thank you so much. Thank you. And

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<v Speaker 1>that was Candice Bushnell, her new book out, Is There

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<v Speaker 1>Still Sex in the City. She's written many books, and

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<v Speaker 1>of course we know about the HBO series, the movies,

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<v Speaker 1>but she really took us to some very interesting places.

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<v Speaker 1>I love that conversation. You've been listening to Bloomberg business

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