WEBVTT - Pentagram: Demons, Curses, and Doom

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<v Speaker 1>Disgraceland is a production of Double Elvis. This is a

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<v Speaker 1>story about inversion, about what happens when you take something ancient,

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<v Speaker 1>something sacred, and you turn it upside down. It's about

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<v Speaker 1>the sound of doom echoing from the basement of a

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<v Speaker 1>suburban Virginia home. It's about mystery tapes and cheap pawnshop stereos,

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<v Speaker 1>about the thin line between myth and memory. It's a

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<v Speaker 1>story about drugs, demons, and deals that may or may

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<v Speaker 1>not have ever gone down. And it's also a story

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<v Speaker 1>about a curse, one which may have been cast the

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<v Speaker 1>moment a certain name was spoken out loud. That name

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<v Speaker 1>was Pentagram, a band that was supposed to be louder

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<v Speaker 1>and heavier than anything else, but instead became a whisper

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<v Speaker 1>on a worn out cassette. Their music passed from one

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<v Speaker 1>true believer to the next great music, unlike that music

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<v Speaker 1>I played for you at the top of the show.

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<v Speaker 1>That wasn't great music. That was a preset loop for

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<v Speaker 1>my melotron called Haunted Star MK two. I played you

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<v Speaker 1>that loop because I can't afford the rights to Maggie

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<v Speaker 1>May by Rod Stewart, And why would I play you

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<v Speaker 1>that specific slice of feels like the first time cheese?

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<v Speaker 1>Could I afford it? Because that was the number one

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<v Speaker 1>song in America on Halloween nineteen seventy one, And that

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<v Speaker 1>was the day that Bobby Leebling decided to form a

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<v Speaker 1>band that he would call Pentagram and unknowingly unleasha curse

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<v Speaker 1>he could never shake. On this episode Doo Demons, drugs, curses,

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<v Speaker 1>Bobby leibling and the greatest band that never won was Pentagram.

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<v Speaker 1>I'm Jake Brennan and this is Disgraceland. The guy in

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<v Speaker 1>the back of the pawn shop working on the stereo equipment.

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<v Speaker 1>Was he a really young looking old dude or a

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<v Speaker 1>really old looking young dude? Was he white, black, Latino Israeli?

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<v Speaker 1>Was he either perpetually tanned or just plain filthy? And

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<v Speaker 1>what was with the perm the Grecian yearning, the sinewy

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<v Speaker 1>frame and piped wife beater? And was that a gold

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<v Speaker 1>star of David or a Pentagram hanging around his neck?

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<v Speaker 1>Most important, how how did this dude look cool? So

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<v Speaker 1>many questions rumors have persisted ever since he started working here.

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<v Speaker 1>The pawnshop gig was the latest in a string of

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<v Speaker 1>jobs out on the Fringes Bail Bondsman straight Pi off

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<v Speaker 1>the book Snatch and Grab Man. Ord around town was

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<v Speaker 1>that not only could he fix your turntable, he could

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<v Speaker 1>play anything guitar, drums, sacks, and most proficiently, the devil's instrument,

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<v Speaker 1>the fiddle. The kids who came in the shop fucked

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<v Speaker 1>with him. He was an easy target, part soul trained,

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<v Speaker 1>part porn star stand in. But when he pulled an

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<v Speaker 1>old cassette tape and popped open the cheap plastic case

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<v Speaker 1>with a flick of his thumb and shook out the

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<v Speaker 1>cream colored cassette like he was shaking a Marlboro red

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<v Speaker 1>loose from the soft pack he kept in his shirt pocket,

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<v Speaker 1>everything changed, At least it did for the two impressionable

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<v Speaker 1>teenage headbangers who'd wound their way into the back of

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<v Speaker 1>the pawn shop, passed the thirty odd six and the

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<v Speaker 1>velvet el and passed the stuffed jackalobe and the squire

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<v Speaker 1>telecaster with the faded steel your face sticker peeling from

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<v Speaker 1>the pit guard to where this dude was hiding in

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<v Speaker 1>plain sight. He looked at them like he knew they

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<v Speaker 1>were coming, and they looked at him like he had

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<v Speaker 1>what they were looking for, and he did, And they

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<v Speaker 1>stood there with their Cliff Burton Peach fuzz stashes and

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<v Speaker 1>their torn Levi's jackets, ready to have their minds blown

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<v Speaker 1>in a way that they knew the holier than thou

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<v Speaker 1>twenty three year old down at the record store could

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<v Speaker 1>never do. And they stared at the dude's stack of

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<v Speaker 1>tapes with band names handwritten on the spines, names like Stone, Bunny, Space, Meat,

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<v Speaker 1>Wicked Angel In Virgin Death. They stared at the letters

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<v Speaker 1>inked on the knuckles of this dude on his right

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<v Speaker 1>and left hands diez Era Day of Wrath. And they

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<v Speaker 1>stared at the oily Chevron gas station work shirt that

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<v Speaker 1>was chaotically tied around this dude's waist with a name

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<v Speaker 1>patch over the left breast that read Teddy. Teddy knew

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<v Speaker 1>that these two headbangers weren't here for a busted watch

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<v Speaker 1>or a faulty piece of stereo equipment. They were there

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<v Speaker 1>for this. He popped the cassette inside a boombox that

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<v Speaker 1>was sitting there on the counter. It has to be

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<v Speaker 1>a cassette, Teddy told them. The shit doesn't sound right

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<v Speaker 1>any other way. A CD is gonna give you too

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<v Speaker 1>much clarity, too much definition, and Vinyl fuck Vinyl, vinyls

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<v Speaker 1>of pain in the balls. Yeah, I see you're not

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<v Speaker 1>in your head before you even had time to process it.

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<v Speaker 1>But of course I'm right. Vinyl sucks. Teddy press play.

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<v Speaker 1>The riff came storming from the speakers, heavy thunderous, laying

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<v Speaker 1>the tap hiss to waste. The boys instinctively slammed their

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<v Speaker 1>heads up and down. What the fuck was this? Motorhead? No,

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<v Speaker 1>this is it's more like Sabbath. But that definitely wasn't

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<v Speaker 1>ausy on the mic. The guy sounded like an American.

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<v Speaker 1>Teddy saw the excitement in their eyes, saw that they

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<v Speaker 1>were having that full body chills reaction to hearing something

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<v Speaker 1>for the first time that only kids of a certain

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<v Speaker 1>age and suggestibility are capable of having. Teddy took in

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<v Speaker 1>their reaction, breathed it in, really tried to absorb it,

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<v Speaker 1>and hopes that it would awaken some sort of long

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<v Speaker 1>dormant feeling that he lost possession of years ago. And

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<v Speaker 1>then he exhaled. Hear that that's doom in that hiss

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<v Speaker 1>you're hearing too, that tape hiss, that's the tape breathing's

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<v Speaker 1>that's how you know it's alive. Never been pressed, never

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<v Speaker 1>been released, buried for more than a decade. Only those

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<v Speaker 1>who know know about this. I know what you're about

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<v Speaker 1>to ask me, what's the name of the band? Right?

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<v Speaker 1>Check it out? And Teddy just pointed at the gold

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<v Speaker 1>chain hanging around his neck. Teddy laugh and as he did,

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<v Speaker 1>he arched his head back, stretching out the leathery skin

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<v Speaker 1>of his neck, and the boys could swear they saw

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<v Speaker 1>his blue eyes turn red. Nah Man, Teddy said this.

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<v Speaker 1>He pointed out the gold chain again, and this time

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<v Speaker 1>the boys heard a sound like a thundercut, an explosion.

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<v Speaker 1>A billboard all fiery red and blazing hot, seared into

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<v Speaker 1>the back of their skulls, a billboard which read Teddy Pentagram.

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<v Speaker 1>Teddy kept talking. You haven't heard of the band Pentagram,

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<v Speaker 1>have you? No one has. But they've been around for

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<v Speaker 1>a while, just like their namesake, the pentagram, the five

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<v Speaker 1>pointed star that's been around longer than Christ, and the

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<v Speaker 1>Egyptians carved it into their tombs. The Greeks used it

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<v Speaker 1>as a secret handshake. One Greek in particular called it

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<v Speaker 1>the mark of perfection. One line five points. You learn

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<v Speaker 1>about the golden ratio in school, Yet well, anyway, I'm

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<v Speaker 1>talking about protection, order, virtue from the tiny speakers. Pentagram's

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<v Speaker 1>guitarists lid into a solo so fuzzed out it sounded

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<v Speaker 1>like the boombox was melting. Now, when you flip it

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<v Speaker 1>upside down, the Pentagram, all that order and virtue, shit,

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<v Speaker 1>it goes out the window. Teddy then took his gold

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<v Speaker 1>chain between two nicotine stained fingers and demonstrated what he

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<v Speaker 1>was talking about. Just like that, you got the devil's pitchfork,

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<v Speaker 1>Satan's horns, not protection damnation, he went on. Now, Bobby

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<v Speaker 1>Leebling didn't know all that. Back in nineteen seventy one

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<v Speaker 1>on Halloween night, when he was sitting in the basement

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<v Speaker 1>of his parents' house in Alexandria, Virginia, he was just

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<v Speaker 1>getting stoned out of his gore, passing a joint back

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<v Speaker 1>and forth with his friend Jeff, trying to ignore all

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<v Speaker 1>the neighborhood kitties as they went door to door with

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<v Speaker 1>their pillowcases overflowing with that Knight's loop. You too need

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<v Speaker 1>to understand that Bobby Leebling was eighteen years old, not

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<v Speaker 1>much older than you guys, and just like you guys,

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<v Speaker 1>he was chasing a heavy sound there on the pullout sofa,

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<v Speaker 1>listening to his favorite band, Blue Cheer, at an ear

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<v Speaker 1>blistering volume. You know, summertime blues. I'm not talking about

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<v Speaker 1>the Who, and I don't mean Eddie Cochran. Neither Bobby

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<v Speaker 1>and Jeff wanted to start their own band, and their

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<v Speaker 1>one guiding principle was that they could be louder and

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<v Speaker 1>heavier than Blue Cheer, which wasn't exactly in the cards

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<v Speaker 1>for Bobby. Seeing as his father worked for Lyndon Johnson,

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<v Speaker 1>Richard Nixon, and Gerald fucking Ford. They called Bobby Leaving's

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<v Speaker 1>dad little Kissinger swear to fucking got well well, his

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<v Speaker 1>dad was stamping out as Winston's and ashtrays at the Pentagon.

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<v Speaker 1>His son Bobby was dropping acid on his tongue. Actually,

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<v Speaker 1>according to Bobby, he dropped acid directly onto his eyeballs.

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<v Speaker 1>At the mention of this, the two metal heads shared

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<v Speaker 1>a glance somewhere between horror and fascination. Teddy brought his

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<v Speaker 1>voice down to a whisper. This was back when LSD

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<v Speaker 1>was legal, Back when a dropper full of that shit

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<v Speaker 1>would blow the cobwebs out of your brain. Your mind

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<v Speaker 1>would get so warmed you create people out of whole

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<v Speaker 1>cloth and have conversations with them. And it wasn't long

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<v Speaker 1>after that that Bobby got himself acquainted with the needle.

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<v Speaker 1>My point is, Bobby Leaveling was not his old man.

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<v Speaker 1>Bobby Leveling wasn't born to be a conformist suit and

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<v Speaker 1>tie shaking hands with the leaders of the free world.

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<v Speaker 1>Fuck that. Bobby was put on this earth to make

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<v Speaker 1>a racket, to rattle the minds of others the way

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<v Speaker 1>that his own mind had been rattled. Now, just exactly

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<v Speaker 1>how do you do that? In the late nineteen sixties

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<v Speaker 1>and early seventies. You know you've read the books. You

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<v Speaker 1>start a fucking rock and roll band. And I don't

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<v Speaker 1>have to tell you this, but when Bobby Leaveling started

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<v Speaker 1>his band, it was faced at the same question that

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<v Speaker 1>every guy who ever picked the guitars asked themselves. What

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<v Speaker 1>am I gonna call my band? What do I choose?

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<v Speaker 1>What name convey how the music I'm going to make

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<v Speaker 1>sounds well? For Bobby, the answer came to very quickly.

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<v Speaker 1>It was what all the suburban housewives were scared of

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<v Speaker 1>at the time. Housewise, like his own mother, they were

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<v Speaker 1>haunted by images of crazy Charlie Manson walking into court

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<v Speaker 1>with those pinball eyes and with that big X carving

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<v Speaker 1>into the flesh of his forehead. Suburban moms didn't just

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<v Speaker 1>know about Manson. They listened to Sammy Davis Junior Man,

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<v Speaker 1>They read The Inquirer. They knew about Anton LaVey and

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<v Speaker 1>his book The Satanic Bible. It was like their worst

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<v Speaker 1>nightmares were coming true. In this symbol, the Pentagram, the

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<v Speaker 1>one right there on the cover of Anton LaVey's book.

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<v Speaker 1>Bobby knew that that was the key that unlocked this

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<v Speaker 1>so other dimension, a dimension that the Squares always thought

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<v Speaker 1>never existed, but was now beginning to break through the

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<v Speaker 1>fabric of reality as they knew it. This was what

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<v Speaker 1>Bobby Leebling wanted his music to do, pierce the veil.

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<v Speaker 1>But again, just like the two of you, Bobby was

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<v Speaker 1>young at the time he named his band Pentagram, And

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<v Speaker 1>when you're young, you think you get the world by

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<v Speaker 1>the balls. You think that any decision you make could

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<v Speaker 1>somehow be unmade down the line if things get fucked.

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<v Speaker 1>The thing about the Pentagram, however, you draw that star

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<v Speaker 1>one way, you keep the demons out, but you draw

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<v Speaker 1>it the other way. Well, you let the man. As

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<v Speaker 1>Teddy hit a jack on the boom and flipped over

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<v Speaker 1>the tape, the two boys couldn't help but focus on

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<v Speaker 1>his singular long fingernail sticking out conspicuously from his pinky.

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<v Speaker 1>And then there was the skull ring on the next finger,

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<v Speaker 1>over where some men would wear a wedding ring, but

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<v Speaker 1>Teddy didn't strike them as the marrying type. Here flanked

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<v Speaker 1>on one side by a sony receiver with a busted

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<v Speaker 1>volume knob, and on the other by a morants that

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<v Speaker 1>no longer lit up powder blue when you flip the

0:13:26.360 --> 0:13:30.920
<v Speaker 1>power switch, Teddy was in his element. He pressed play,

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<v Speaker 1>and once again, the sound of the greatest metal band

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<v Speaker 1>the boys had never heard seemed to suck all the

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<v Speaker 1>air from the room. Their feet felt like they were

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<v Speaker 1>glued to the floor, and Teddy Teddy almost appeared to

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<v Speaker 1>be lit from below as he continued to tell the

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<v Speaker 1>tragic tale of Bobby Leebling and Pentagram. There's always Demons, man,

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<v Speaker 1>and the demons were kept at bay for a while,

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<v Speaker 1>but only briefly. You see, at first, Bobby couldn't stick

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<v Speaker 1>to the name. He probably knew deep down inside of

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<v Speaker 1>himself that there was something wrong with it that it

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<v Speaker 1>would do him more harm than good and long run.

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<v Speaker 1>So for a short period of time he called the

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<v Speaker 1>Dan macab and they released one single in nineteen seventy two,

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<v Speaker 1>this song called Before Warren. What a title, right, It's

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<v Speaker 1>almost like he was talking to himself, you know. But

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<v Speaker 1>like most great artists, Bobby leveland couldn't take his own advice.

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<v Speaker 1>And the Pentagram's pull its power, it would not be denied.

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<v Speaker 1>And so Bobby, with his friend Jeff on drums, Greg

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<v Speaker 1>Main on bass, and Vincent McAllister on guitar, committed to

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<v Speaker 1>that ancient symbol, and they committed to that cursed name Pentagram.

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<v Speaker 1>The band was now a thing. And this is at

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<v Speaker 1>the very same time that Bobby's hometown, Alexandria, Virginia, that

0:14:50.920 --> 0:14:54.080
<v Speaker 1>bedroom community just outside the nation's capitol, where his old

0:14:54.080 --> 0:14:57.080
<v Speaker 1>man little Kissinger was holed up doing god knows what

0:14:57.120 --> 0:15:00.720
<v Speaker 1>with the Secretary of Defense. It was here the demons

0:15:00.760 --> 0:15:03.640
<v Speaker 1>began to make their playground, and it was here that

0:15:03.720 --> 0:15:07.240
<v Speaker 1>the bodies began to pile up, the bodies of women,

0:15:07.360 --> 0:15:11.600
<v Speaker 1>specifically a high school junior found in a ravine with

0:15:11.680 --> 0:15:15.160
<v Speaker 1>an ice pick jammed in her skull. An English teacher

0:15:15.200 --> 0:15:17.200
<v Speaker 1>who had been slashed with a knife well over one

0:15:17.240 --> 0:15:20.560
<v Speaker 1>hundred times in an eighteen year old a switchboard operator

0:15:20.600 --> 0:15:22.880
<v Speaker 1>at the FBI who was found murdered with a pair

0:15:22.920 --> 0:15:26.400
<v Speaker 1>of scissors in her apartment. These are only a few

0:15:26.520 --> 0:15:30.840
<v Speaker 1>the many murders in Alexandria, Virginia in the nineteen seventies

0:15:31.000 --> 0:15:35.040
<v Speaker 1>that are still unsolved to this day, murders in cases

0:15:35.240 --> 0:15:37.920
<v Speaker 1>that are as cold as the February wind whipping off

0:15:37.960 --> 0:15:43.400
<v Speaker 1>the Potomac. Teddy paused to let this information sink in.

0:15:44.320 --> 0:15:47.640
<v Speaker 1>The two metal heads just sat there listening, waiting for more,

0:15:48.400 --> 0:15:52.320
<v Speaker 1>and Teddy went on, and when Bobby decided to call

0:15:52.360 --> 0:15:55.760
<v Speaker 1>his band Pentagram for good, the demons rounded the corner

0:15:55.800 --> 0:16:00.120
<v Speaker 1>and zeroed in. The curse first struck in December in

0:16:00.200 --> 0:16:02.960
<v Speaker 1>nineteen seventy five. This is right around the time that

0:16:03.000 --> 0:16:06.440
<v Speaker 1>the band Kiss was turning into this phenomenon, a bunch

0:16:06.440 --> 0:16:12.160
<v Speaker 1>of clowns and makeup right wrong Kiss Kiss Knights in

0:16:12.360 --> 0:16:16.400
<v Speaker 1>Satan's Service. Sure, the band denied that that was even

0:16:16.440 --> 0:16:18.800
<v Speaker 1>a thing, and they laughed at it, and they said,

0:16:18.840 --> 0:16:22.000
<v Speaker 1>how stupid knights in Satan's service. But of course that's

0:16:22.000 --> 0:16:25.440
<v Speaker 1>what Satan's Knights would say. They do anything to shield

0:16:25.480 --> 0:16:30.280
<v Speaker 1>the very existence of their master. Before too long, Satan's

0:16:30.320 --> 0:16:33.480
<v Speaker 1>Knights came to Alexandria, just as the demons had before them,

0:16:33.600 --> 0:16:36.280
<v Speaker 1>only they came to make an unholy pact with Pentagram

0:16:36.560 --> 0:16:41.880
<v Speaker 1>right there in Bobby Leebling's parents' basement. Literally, let me

0:16:41.920 --> 0:16:46.320
<v Speaker 1>back up for a second. Pentagram's first manager, this guy

0:16:46.400 --> 0:16:50.480
<v Speaker 1>named Gordon Fletcher. He was connected, and one of those

0:16:50.520 --> 0:16:54.440
<v Speaker 1>connections was to Kiss. Now, look, I always thought that

0:16:54.480 --> 0:16:57.000
<v Speaker 1>band was a fucking joke, but whatever, the point is,

0:16:57.120 --> 0:16:59.440
<v Speaker 1>they were huge at the time, super big deal, and

0:16:59.480 --> 0:17:03.760
<v Speaker 1>so Gordon Fletcher convinced Kiss's manager to send Gene Simmons

0:17:03.800 --> 0:17:08.199
<v Speaker 1>and Paul Stanley over to Alexandria to hear Pentagram play.

0:17:08.400 --> 0:17:10.760
<v Speaker 1>The idea was that Kiss would take Pentagram on the

0:17:10.840 --> 0:17:13.160
<v Speaker 1>road and boost their profile, kind of like they did

0:17:13.160 --> 0:17:17.080
<v Speaker 1>with Judis Priest later on. But from the jump, this

0:17:17.160 --> 0:17:20.280
<v Speaker 1>whole meet and greet was fucked. Greg and Vincent, that's

0:17:20.440 --> 0:17:24.000
<v Speaker 1>Pentagram's bassist and guitar player. They had these crummy jobs

0:17:24.000 --> 0:17:27.040
<v Speaker 1>as janitors somewhere in town, and seeing that there are

0:17:27.080 --> 0:17:30.640
<v Speaker 1>struggling musicians, starving artists, so to speak, they had no car,

0:17:31.280 --> 0:17:34.800
<v Speaker 1>which meant that they hitchhike to work every day, and

0:17:34.920 --> 0:17:38.679
<v Speaker 1>this day was no exception. This most important days for

0:17:38.760 --> 0:17:41.400
<v Speaker 1>the career of their budding metal band, the day that

0:17:41.640 --> 0:17:44.480
<v Speaker 1>two knights in the service of Satan, Jean and Paul

0:17:44.720 --> 0:17:47.920
<v Speaker 1>were going to bring Pentagram into their army. This is

0:17:47.920 --> 0:17:50.920
<v Speaker 1>stunt via blood oath? Was there a sacrifice at offering

0:17:50.960 --> 0:17:54.399
<v Speaker 1>to the dark Lord? Greg and Vincent had no idea,

0:17:54.480 --> 0:17:58.600
<v Speaker 1>but you can imagine their minds fucking wandered, man, just

0:17:58.640 --> 0:18:01.040
<v Speaker 1>like they themselves wandered down the side of the road

0:18:01.080 --> 0:18:03.879
<v Speaker 1>after they got out of work that day, just drifting along,

0:18:04.240 --> 0:18:07.000
<v Speaker 1>their thumbs out, their pride, the bitterest of fucking pills,

0:18:07.000 --> 0:18:09.160
<v Speaker 1>the swall, waiting for someone to take pity and stop

0:18:09.200 --> 0:18:12.080
<v Speaker 1>to give him a ride. And when they finally arrived

0:18:12.080 --> 0:18:14.680
<v Speaker 1>at Bobby's place, there were a sweaty mess and even worse.

0:18:14.960 --> 0:18:17.120
<v Speaker 1>Gene Simmons and Paul Stanley have been waiting for close

0:18:17.160 --> 0:18:20.720
<v Speaker 1>through an hour, getting more annoyed by the minute. But

0:18:20.840 --> 0:18:23.959
<v Speaker 1>Pentagram's private performance for two of the biggest rock stars

0:18:23.960 --> 0:18:28.120
<v Speaker 1>on the planet, it seemed to put everything right, at

0:18:28.200 --> 0:18:31.959
<v Speaker 1>least for the brief time while it was happening. They

0:18:32.040 --> 0:18:35.120
<v Speaker 1>ran through songs like Forever my queen. When the screams

0:18:35.200 --> 0:18:38.480
<v Speaker 1>come and living in a ram's head, Bobby did his

0:18:38.560 --> 0:18:41.760
<v Speaker 1>best possessed lead singer stick, and when they were finished

0:18:42.240 --> 0:18:46.280
<v Speaker 1>they felt triumphant. It was only then that they felt

0:18:46.320 --> 0:18:50.680
<v Speaker 1>the sting of the curse. Paul Stanley was polite enough,

0:18:51.160 --> 0:18:54.240
<v Speaker 1>tried to let them down easy. Look, Gene, well you

0:18:54.280 --> 0:18:57.920
<v Speaker 1>guys know Gene. He didn't hold back. He said, you

0:18:57.960 --> 0:19:00.840
<v Speaker 1>guys call yourselves pentagram, and yet there's only four of you.

0:19:00.840 --> 0:19:03.520
<v Speaker 1>You can't make a pentagram with four points. That's just

0:19:03.560 --> 0:19:07.560
<v Speaker 1>a fucking square, which is what Bobby, Jeff, greg and

0:19:07.640 --> 0:19:12.800
<v Speaker 1>Vincent were to Gene Simmons at least square. And so

0:19:13.280 --> 0:19:16.159
<v Speaker 1>Satan's army you packed up and left, and there was

0:19:16.200 --> 0:19:19.399
<v Speaker 1>no blood oath, no deal with the devil. I'm not

0:19:19.400 --> 0:19:22.359
<v Speaker 1>talking about demons, because unlike the devil, demons didn't make

0:19:22.400 --> 0:19:26.159
<v Speaker 1>a deal. A curse is not the byproduct of a deal.

0:19:26.800 --> 0:19:29.400
<v Speaker 1>And how does one go about lifting a curse when

0:19:29.400 --> 0:19:33.240
<v Speaker 1>you're unaware of its existence? The two metal heads looked

0:19:33.240 --> 0:19:37.240
<v Speaker 1>at each other, confused. Teddy didn't care. He went on,

0:19:38.600 --> 0:19:41.600
<v Speaker 1>So as all this is happening, Columbia Records comes calling

0:19:41.680 --> 0:19:44.679
<v Speaker 1>by way Murray Krugman Murray Krugman, at the time, was

0:19:44.680 --> 0:19:47.720
<v Speaker 1>one of Blue Oyster Cults managers and producers, and Murray

0:19:47.760 --> 0:19:50.400
<v Speaker 1>Krugman ponied up cash to bring Pentagram to New York

0:19:50.440 --> 0:19:53.280
<v Speaker 1>City so that they could record a demo. Murray Krugman

0:19:53.359 --> 0:19:56.439
<v Speaker 1>brought them to the precipice. These four guys from a

0:19:56.440 --> 0:20:00.000
<v Speaker 1>basement in Alexandria, Virginia were now balancing on the edge

0:20:00.280 --> 0:20:03.280
<v Speaker 1>of the big time. And right then, right there, right then,

0:20:03.320 --> 0:20:07.919
<v Speaker 1>at that pivotal moment, what did Bobby Leebling do. He

0:20:08.119 --> 0:20:12.919
<v Speaker 1>tanked the session, He insulted Murray, He acted like they

0:20:12.920 --> 0:20:15.479
<v Speaker 1>were making pet sounds or some shit, and he just

0:20:15.520 --> 0:20:19.320
<v Speaker 1>had to get his vocal perfect just right. But to

0:20:19.400 --> 0:20:24.160
<v Speaker 1>Murray to Columbia, just the fucking demo man, fast cheat.

0:20:24.280 --> 0:20:28.520
<v Speaker 1>But Bobby couldn't let it be because something wasn't letting

0:20:28.600 --> 0:20:30.800
<v Speaker 1>him let it be. Do you understand what I'm saying

0:20:30.800 --> 0:20:33.679
<v Speaker 1>to you? This story kept playing like a broken record.

0:20:34.160 --> 0:20:36.960
<v Speaker 1>Pentagram's name was inked on the ledgers of seven different

0:20:37.040 --> 0:20:41.520
<v Speaker 1>managers in five years time. Every bridge Bobby crossed went

0:20:41.600 --> 0:20:44.040
<v Speaker 1>up in flames as quickly as his feet got across it.

0:20:45.520 --> 0:20:48.240
<v Speaker 1>Now back in the Middle Ages, way the fuck back

0:20:48.880 --> 0:20:52.800
<v Speaker 1>chivalrous knights would display the pentagram on the shield. Sir Gawayne,

0:20:52.880 --> 0:20:55.800
<v Speaker 1>for one, had it on both his shawl and his shield.

0:20:56.440 --> 0:21:02.640
<v Speaker 1>Five points for five virtues, courage, honor, kindness, truth, loyalty.

0:21:02.840 --> 0:21:08.760
<v Speaker 1>It was meant as protection against demons, but Pentagram the

0:21:08.880 --> 0:21:13.800
<v Speaker 1>band protection was never in the carts. The only thing

0:21:13.840 --> 0:21:16.960
<v Speaker 1>Bobby Leebling or anyone else could count on was the

0:21:17.080 --> 0:21:27.480
<v Speaker 1>always present sound of doom. We'll be right back after this.

0:21:27.600 --> 0:21:34.600
<v Speaker 1>We're we're, We're back. In the back of the pawnshop,

0:21:35.280 --> 0:21:37.760
<v Speaker 1>Teddy stared at the two metal heads and he said,

0:21:38.160 --> 0:21:43.280
<v Speaker 1>close your eyes. I want you to imagine something. The

0:21:43.320 --> 0:21:46.520
<v Speaker 1>two boys did as Teddy instructed. Each of them was

0:21:46.600 --> 0:21:49.199
<v Speaker 1>conscious that they were still standing in the same place

0:21:49.320 --> 0:21:51.320
<v Speaker 1>in front of the fixed counter at the far end

0:21:51.400 --> 0:21:53.720
<v Speaker 1>of the local pawn shop, and they were aware that

0:21:53.760 --> 0:21:56.120
<v Speaker 1>they had been standing there for far longer than they

0:21:56.119 --> 0:21:59.360
<v Speaker 1>had ever intended, and it was because Teddy wanted them

0:21:59.359 --> 0:22:03.320
<v Speaker 1>to do so. There was no denying it. Pentagram was

0:22:03.359 --> 0:22:05.719
<v Speaker 1>some of the best shit they'd ever heard, but they

0:22:05.720 --> 0:22:08.720
<v Speaker 1>couldn't leave even if they wanted to. What had begun

0:22:08.920 --> 0:22:11.840
<v Speaker 1>is this weird guy playing an obscure metal band for

0:22:11.880 --> 0:22:17.000
<v Speaker 1>them had turned into something else. Now, Teddy's obvious enjoyment

0:22:17.080 --> 0:22:20.479
<v Speaker 1>of their enjoyment simply listening to his cassette tape was

0:22:20.920 --> 0:22:22.960
<v Speaker 1>kind of creepy, to be honest. It was like he

0:22:23.000 --> 0:22:25.000
<v Speaker 1>was getting off on it or something. And so when

0:22:25.040 --> 0:22:27.760
<v Speaker 1>he told him to close their eyes and imagine something,

0:22:28.200 --> 0:22:30.560
<v Speaker 1>every fiber of their being said it probably wasn't the

0:22:30.600 --> 0:22:34.479
<v Speaker 1>best idea, but they were powerless to deny it. So

0:22:35.160 --> 0:22:38.480
<v Speaker 1>they closed their eyes and Teddy put another Pentagram tape

0:22:38.480 --> 0:22:42.120
<v Speaker 1>in the boombox and hit play, and then he went on,

0:22:42.960 --> 0:22:46.080
<v Speaker 1>Now I want the two of you to imagine you're

0:22:46.080 --> 0:22:49.399
<v Speaker 1>stepping into the cockpit of a single engine Cessna for

0:22:49.440 --> 0:22:52.439
<v Speaker 1>the first time. You've only ever been on a plane

0:22:52.480 --> 0:22:55.359
<v Speaker 1>once in your life, a big commercial jetliner when you

0:22:55.400 --> 0:22:57.600
<v Speaker 1>went to visit your Aunt Ronda in San Diego that

0:22:57.680 --> 0:23:00.600
<v Speaker 1>one time. But now you're behind the wheel this little

0:23:00.640 --> 0:23:03.960
<v Speaker 1>cessna and you're expected to fly it from Virginia all

0:23:04.000 --> 0:23:07.280
<v Speaker 1>the way to Bogatar, Columbia. What is that two thousand

0:23:07.359 --> 0:23:11.600
<v Speaker 1>miles at least? Yeah, you're good at following instructions, aren't you.

0:23:12.240 --> 0:23:15.359
<v Speaker 1>But here's the thing. First, you gotta get this big

0:23:15.359 --> 0:23:17.520
<v Speaker 1>bird up into the sky, and then you have to

0:23:17.600 --> 0:23:20.640
<v Speaker 1>keep it down low, so low that you stay off

0:23:20.680 --> 0:23:24.840
<v Speaker 1>everyone's radar, because you're made in voyage. Here isn't exactly

0:23:24.840 --> 0:23:27.479
<v Speaker 1>on the up and up, and that's putting it mildly.

0:23:28.000 --> 0:23:31.639
<v Speaker 1>Because you, my friend, are headed to Bogata, where you

0:23:31.800 --> 0:23:35.760
<v Speaker 1>load up with kilo upon kilo of the finest Colombian

0:23:35.800 --> 0:23:39.240
<v Speaker 1>cocaine and then smuggle it back into the United States.

0:23:40.240 --> 0:23:43.080
<v Speaker 1>And you never met Escobar in person, but from what

0:23:43.080 --> 0:23:45.960
<v Speaker 1>you've been told, that's a good thing. If you ever

0:23:46.000 --> 0:23:47.960
<v Speaker 1>did meet him, it would probably be for all the

0:23:47.960 --> 0:23:51.160
<v Speaker 1>wrong reasons, and you never walk away alive. The only

0:23:51.200 --> 0:23:53.240
<v Speaker 1>people you meet down there are a couple of guys

0:23:53.280 --> 0:23:56.240
<v Speaker 1>with no names in sunburnt faces, standing next to a

0:23:56.280 --> 0:23:59.080
<v Speaker 1>badly rusted pickup on the side of a windswept cliff

0:23:59.400 --> 0:24:02.240
<v Speaker 1>high in the hills, in this remote field, where a

0:24:02.240 --> 0:24:07.000
<v Speaker 1>makeshift landing strip waits for you. You land the Cessna somehow,

0:24:07.040 --> 0:24:10.000
<v Speaker 1>by the grace of God. You literally have no clue

0:24:10.040 --> 0:24:11.919
<v Speaker 1>how you manage not to run out of gas and

0:24:12.240 --> 0:24:14.840
<v Speaker 1>drop into the ocean, and then you load up quickly

0:24:14.920 --> 0:24:18.480
<v Speaker 1>before the sun falls below the horizon. The next day,

0:24:18.960 --> 0:24:21.359
<v Speaker 1>you're handing over the stacks of coke to a distributor

0:24:21.400 --> 0:24:24.640
<v Speaker 1>in Virginia and he's handing you stacks of cash in return.

0:24:25.160 --> 0:24:28.800
<v Speaker 1>I'm talking millions of dollars money which you then proceed

0:24:28.840 --> 0:24:34.240
<v Speaker 1>to burn through women, cars, houses, diamond rings, and chinchilla coats. Shit. Man,

0:24:34.359 --> 0:24:36.159
<v Speaker 1>you could have literally set it all on fire and

0:24:36.200 --> 0:24:39.919
<v Speaker 1>it would have lasted longer. Then, just like that, you

0:24:39.960 --> 0:24:41.560
<v Speaker 1>go back to your life as the leader of a

0:24:41.600 --> 0:24:44.680
<v Speaker 1>metal band that no one's ever heard of. But actually

0:24:45.240 --> 0:24:48.680
<v Speaker 1>the band isn't there anymore because you know dynamics. You're

0:24:48.720 --> 0:24:51.119
<v Speaker 1>difficult to work with. A band is like being married

0:24:51.119 --> 0:24:53.160
<v Speaker 1>to three or four people at the same time. There

0:24:53.200 --> 0:24:56.360
<v Speaker 1>ain't even juice for the squeeze. Pick your reason. It's over.

0:24:56.480 --> 0:24:59.600
<v Speaker 1>So you a guy who just ran drugs for Pablo

0:24:59.680 --> 0:25:02.600
<v Speaker 1>fucking Escobar and lived to tell about it. You were

0:25:02.680 --> 0:25:07.320
<v Speaker 1>back in your parents' basement dreaming up Pentagram mark two.

0:25:08.640 --> 0:25:14.720
<v Speaker 1>Now tell me do you believe that story? Hey, open

0:25:14.760 --> 0:25:19.359
<v Speaker 1>your eyes. The two boys did as Teddy commanded. He

0:25:19.400 --> 0:25:22.320
<v Speaker 1>looked beyond excited to see them again, almost as if

0:25:22.320 --> 0:25:24.800
<v Speaker 1>they'd gone away while their eyes were squeezed tight, and

0:25:24.840 --> 0:25:29.200
<v Speaker 1>now here they were again at Teddy's behest. So Teddy

0:25:29.240 --> 0:25:33.800
<v Speaker 1>went on Bobby Leebling said that all that really happened

0:25:33.840 --> 0:25:36.760
<v Speaker 1>to him they piloted a Cessina was Colombian coke in

0:25:36.800 --> 0:25:39.000
<v Speaker 1>the hold. But this is the same guy who said

0:25:39.000 --> 0:25:42.080
<v Speaker 1>he dropped acid and his eyeballs. Maybe it was another

0:25:42.080 --> 0:25:45.840
<v Speaker 1>hallucination in his parents' basement. Remember what I was talking

0:25:45.880 --> 0:25:50.240
<v Speaker 1>about earlier, creating people out of whole cloth. Maybe Bobby

0:25:50.280 --> 0:25:52.600
<v Speaker 1>thought he was staring at a briefcase full of millions,

0:25:52.600 --> 0:25:54.800
<v Speaker 1>when in reality he was looking at a shoe box

0:25:54.840 --> 0:25:58.080
<v Speaker 1>full of roach clips. But that's not the only explanation.

0:25:58.640 --> 0:26:02.400
<v Speaker 1>It's all this careless handling of the pentagram business. You

0:26:02.440 --> 0:26:07.440
<v Speaker 1>invert it even by accident. Now we're talking corruption of perception.

0:26:08.359 --> 0:26:10.760
<v Speaker 1>The Wickens, well some of them at least, will tell

0:26:10.800 --> 0:26:13.640
<v Speaker 1>you that the upright star in the pentagram keeps the

0:26:13.680 --> 0:26:16.920
<v Speaker 1>spirit on the top, the five points of the star

0:26:17.080 --> 0:26:20.800
<v Speaker 1>being air, fire, water, earth, and spirit. But if you

0:26:20.840 --> 0:26:23.920
<v Speaker 1>flip it upside down, now you got two points on top,

0:26:24.320 --> 0:26:27.240
<v Speaker 1>and it doesn't matter which two points or elements they are,

0:26:27.720 --> 0:26:29.640
<v Speaker 1>you get two different points up top, and that means

0:26:29.640 --> 0:26:34.480
<v Speaker 1>the spirit has been suppressed below the beast rises, the

0:26:34.640 --> 0:26:38.479
<v Speaker 1>spirit sinks. So all this could have led to Bobby

0:26:38.480 --> 0:26:41.679
<v Speaker 1>seeing Escobar's product at his feet, and also, as he

0:26:41.800 --> 0:26:44.440
<v Speaker 1>later claimed to finding himself at a party at George

0:26:44.480 --> 0:26:47.600
<v Speaker 1>Harrison's house in Maryland, where John Lennon's guitar pick somehow

0:26:47.640 --> 0:26:51.399
<v Speaker 1>ended up inside his pocket. Now, did Bobby steal that

0:26:51.480 --> 0:26:55.760
<v Speaker 1>pick or was it gifted? Even more important, did George

0:26:55.760 --> 0:26:58.679
<v Speaker 1>even own a home in Maryland? I don't think so, dude.

0:26:58.720 --> 0:27:03.400
<v Speaker 1>Fucking Maryland is a beatle. This is a delusion, okay,

0:27:03.560 --> 0:27:07.520
<v Speaker 1>But somehow Bobby Leveling managed to remain in some part

0:27:07.560 --> 0:27:11.600
<v Speaker 1>of reality long enough to restart Pentagram after the initial

0:27:11.640 --> 0:27:15.879
<v Speaker 1>few lineups had fallen apart, and fourteen years after the

0:27:15.880 --> 0:27:20.600
<v Speaker 1>band was formed. Pentagram self released their debut album in

0:27:20.680 --> 0:27:26.080
<v Speaker 1>nineteen eighty five. But at this point, the doom metal

0:27:26.160 --> 0:27:29.240
<v Speaker 1>sound that they'd helped define had fallen out of fashion

0:27:29.920 --> 0:27:33.639
<v Speaker 1>quote unquote metal, at least to the mall going record

0:27:33.680 --> 0:27:38.160
<v Speaker 1>buying public. Was rats round and round in Motley Cue's Home,

0:27:38.240 --> 0:27:42.920
<v Speaker 1>Sweet Home, not hulking slabs of riff and songs about

0:27:43.080 --> 0:27:49.600
<v Speaker 1>desecrated bones and maggot infested flesh. The fucking curse. Okay,

0:27:49.800 --> 0:27:54.720
<v Speaker 1>back to the curse. The curse was in control. It

0:27:54.840 --> 0:27:58.800
<v Speaker 1>buried the spirit and the beast took over, just like

0:27:58.840 --> 0:28:01.320
<v Speaker 1>when the Pentagram fled. Now, look it's right here in

0:28:01.359 --> 0:28:05.400
<v Speaker 1>the album's artwork. Teddy reached down below and pulled out

0:28:05.440 --> 0:28:09.359
<v Speaker 1>another cassette, this one being the self titled Pentagram album

0:28:09.359 --> 0:28:12.679
<v Speaker 1>from nineteen eighty five. The two boys looked at it

0:28:12.720 --> 0:28:15.200
<v Speaker 1>like they've been staring at a TV screen for hours,

0:28:15.680 --> 0:28:18.320
<v Speaker 1>like their brains have been sucked out through their noses,

0:28:18.760 --> 0:28:22.879
<v Speaker 1>almost like the image wasn't registering at all. Teddy pointed

0:28:22.880 --> 0:28:27.720
<v Speaker 1>to the band's logo, which was of course an inverted pentagram,

0:28:27.760 --> 0:28:31.560
<v Speaker 1>and then he said, see, the balance has been tipped,

0:28:31.960 --> 0:28:35.320
<v Speaker 1>and that was Bobby. That was the band. The spirit

0:28:35.640 --> 0:28:57.320
<v Speaker 1>buried and the beast took over. Hey guys. Earlier in

0:28:57.360 --> 0:29:01.200
<v Speaker 1>the episode our Narrator Here Teddy Pentagram met Bobby Leebling's

0:29:01.240 --> 0:29:04.880
<v Speaker 1>story about running drugs for Pablo Escobar and the Cartels

0:29:04.920 --> 0:29:07.240
<v Speaker 1>back in the day, and then another one about a

0:29:07.240 --> 0:29:10.680
<v Speaker 1>party at George Harrison's house in John Lennon's guitar pick.

0:29:11.200 --> 0:29:13.880
<v Speaker 1>Bobby was a bit of an unreliable narrator, say the least,

0:29:14.240 --> 0:29:17.200
<v Speaker 1>and his wild stories don't stop there. In fact, he's

0:29:17.200 --> 0:29:19.400
<v Speaker 1>got a particularly crazy one about going on a bender

0:29:19.440 --> 0:29:22.840
<v Speaker 1>with the Rolling stones in their limo for hours, and

0:29:22.880 --> 0:29:24.560
<v Speaker 1>we just didn't have time to cover that story here

0:29:24.560 --> 0:29:27.600
<v Speaker 1>in the full episode, but you can hear it if

0:29:27.640 --> 0:29:30.440
<v Speaker 1>you listen to this week's brand new mini episode or Disgraceland,

0:29:30.480 --> 0:29:32.640
<v Speaker 1>which is available only to All Access members. To become

0:29:32.680 --> 0:29:35.720
<v Speaker 1>a member, just go to disgracelandpod dot com slash membership

0:29:35.760 --> 0:29:38.160
<v Speaker 1>to sign up. All right, now, back to this story

0:29:38.200 --> 0:29:45.200
<v Speaker 1>about Doom Metal Godfather's pentagram. Teddy rooted around in the

0:29:45.200 --> 0:29:48.000
<v Speaker 1>pocket of his black jeans, clearly not finding what he

0:29:48.080 --> 0:29:50.880
<v Speaker 1>was looking for. He pulled his hand out and dropped

0:29:50.880 --> 0:29:52.760
<v Speaker 1>a couple of quarters on the counter, along with a

0:29:52.800 --> 0:29:55.080
<v Speaker 1>guitar pick he'd made by cutting a triangle out of

0:29:55.080 --> 0:29:59.640
<v Speaker 1>a land of Lake's buttertub. Fuck is it? Oh? Yeah?

0:30:01.160 --> 0:30:03.520
<v Speaker 1>His hand was back in his pocket, and this time

0:30:03.560 --> 0:30:06.720
<v Speaker 1>he got it a tiny metal vial with an even

0:30:06.800 --> 0:30:11.680
<v Speaker 1>tinier metal chain attached. He unscrewed the cap and carefully

0:30:11.680 --> 0:30:14.760
<v Speaker 1>tapped on the vial, knocking some white powder out under

0:30:14.760 --> 0:30:18.440
<v Speaker 1>that long, pinky fingernail. Then he brought the fingernail up

0:30:18.480 --> 0:30:23.080
<v Speaker 1>to his nose and inhaled sharply. The boys could see

0:30:23.080 --> 0:30:26.520
<v Speaker 1>the blue veins and his biceps. His eyes bulged as

0:30:26.520 --> 0:30:29.600
<v Speaker 1>the nasal picked me up took effect, and he fumbled

0:30:29.600 --> 0:30:32.400
<v Speaker 1>with another cassette tape, plunked it into the boom box

0:30:32.440 --> 0:30:38.160
<v Speaker 1>and hit play. This one definitely sounded like it was

0:30:38.200 --> 0:30:41.480
<v Speaker 1>Pentagram Circle in the nineteen eighties, and Teddy was right.

0:30:42.000 --> 0:30:46.240
<v Speaker 1>It did sound way better on this shitty cassette. Inspired

0:30:46.240 --> 0:30:51.320
<v Speaker 1>by the music, Teddy continued his story. Those old Pentagram

0:30:51.360 --> 0:30:54.720
<v Speaker 1>tapes finally surfaced around the turn of the century. This

0:30:54.920 --> 0:30:58.920
<v Speaker 1>metal label out of Pennsylvania, Relapsed Records, reissued them as

0:30:58.960 --> 0:31:03.680
<v Speaker 1>a new compilation. Suddenly all the doom kids were lapping

0:31:03.680 --> 0:31:07.160
<v Speaker 1>it up. They called Pentagram proto legends, they called Bobby

0:31:07.200 --> 0:31:11.240
<v Speaker 1>Leebling the American Ozzy Osbourne, and before long you even

0:31:11.280 --> 0:31:14.760
<v Speaker 1>had guys like Hank three, Hank Williams's grandson, playing Pentagram

0:31:14.840 --> 0:31:17.680
<v Speaker 1>songs as part of his live set. This is where

0:31:17.680 --> 0:31:20.320
<v Speaker 1>it's supposed to pay off for Bobby Leebling, right where

0:31:20.360 --> 0:31:22.880
<v Speaker 1>all the years of struggling in the shadows, all the

0:31:22.920 --> 0:31:27.200
<v Speaker 1>lineup changes, the missed opportunities with kiss and major labels,

0:31:27.480 --> 0:31:29.960
<v Speaker 1>all of it worth it because now suddenly everyone wants

0:31:29.960 --> 0:31:34.200
<v Speaker 1>a peace. You guys know better than that. You know

0:31:34.280 --> 0:31:37.440
<v Speaker 1>that a curse doesn't just up and quit. The beast

0:31:37.520 --> 0:31:42.040
<v Speaker 1>doesn't just let go. Let those demons down in Alexandria,

0:31:42.200 --> 0:31:45.640
<v Speaker 1>they never went anywhere. All those cold cases there in

0:31:45.680 --> 0:31:49.680
<v Speaker 1>Bobby's hometown, they're still unsolved. In the air, there is

0:31:49.720 --> 0:31:54.080
<v Speaker 1>still unsettled, and for Bobby, his life continued to be

0:31:54.240 --> 0:31:58.800
<v Speaker 1>just as unsettled. Only a few years back, in twenty seventeen,

0:31:58.840 --> 0:32:01.240
<v Speaker 1>he was kicked out of his own bay. Some say

0:32:01.240 --> 0:32:03.320
<v Speaker 1>he was admitted to a hospital. In fact, he had

0:32:03.360 --> 0:32:07.800
<v Speaker 1>been arrested, charged with first degree assault and physical abuse

0:32:07.880 --> 0:32:11.400
<v Speaker 1>of a vulnerable adult. Word was he pushed his eighty

0:32:11.400 --> 0:32:14.400
<v Speaker 1>seven year old mother down the stairs, and that got

0:32:14.400 --> 0:32:18.640
<v Speaker 1>Bobby eighteen months in prison in three years probation. And

0:32:18.680 --> 0:32:23.280
<v Speaker 1>then earlier this year, twenty twenty five, with Bobby back

0:32:23.320 --> 0:32:26.280
<v Speaker 1>in the lineup, back in the saddle at seventy fucking

0:32:26.320 --> 0:32:31.040
<v Speaker 1>something years old, Pentagram incredibly was once again riding a

0:32:31.040 --> 0:32:34.480
<v Speaker 1>wave of delayed goodwill and opportunity. They're getting ready to

0:32:34.480 --> 0:32:37.120
<v Speaker 1>embark on their very first tour of Australia and New Zealand,

0:32:37.880 --> 0:32:41.520
<v Speaker 1>which is weeks before the promoter pulled the plug on

0:32:41.600 --> 0:32:45.160
<v Speaker 1>the entire tour Sidney, Melbourne, perth Auckland. All that this

0:32:45.240 --> 0:32:48.800
<v Speaker 1>whole thing was suddenly on hiatus. The Pentagram was being

0:32:48.800 --> 0:32:52.320
<v Speaker 1>denied the world stage, some fifty years after they first began.

0:32:52.480 --> 0:32:57.520
<v Speaker 1>And why quote unquote current allegations? So you got to

0:32:57.520 --> 0:32:59.600
<v Speaker 1>assume they're talking about the thing with Bobby and his mom.

0:32:59.640 --> 0:33:01.560
<v Speaker 1>I guess I don't know, though, Why would a conviction

0:33:01.640 --> 0:33:04.000
<v Speaker 1>from years earlier, for which he'd already done his time?

0:33:04.080 --> 0:33:06.920
<v Speaker 1>One would presume, why would that be described as a

0:33:07.200 --> 0:33:11.720
<v Speaker 1>current allegation? Could the current allegation be the very thing

0:33:11.720 --> 0:33:14.080
<v Speaker 1>I've been talking to you guys about this entire time,

0:33:14.800 --> 0:33:18.920
<v Speaker 1>the allegation of Bobby Leebling's associations with that upside down star,

0:33:19.800 --> 0:33:26.960
<v Speaker 1>the Curse the Beast. Teddy suddenly hit stop on the boombox,

0:33:27.320 --> 0:33:33.200
<v Speaker 1>and a shocking silence replaced the music. But there, seeping in,

0:33:33.280 --> 0:33:39.240
<v Speaker 1>ever so slightly, was the tape hiss. The sound slowly

0:33:39.280 --> 0:33:42.400
<v Speaker 1>grew louder, even though the tape was no longer playing.

0:33:43.160 --> 0:33:49.360
<v Speaker 1>And the boys, wait, wait, where were those two keenage boys,

0:33:50.320 --> 0:33:52.680
<v Speaker 1>The boys who had been here the whole time, the

0:33:52.720 --> 0:33:55.640
<v Speaker 1>ones who couldn't leave, who had been held captive by

0:33:56.000 --> 0:34:02.600
<v Speaker 1>Teddy's otherworldly poll? Hey you who? Yeah? You the one

0:34:02.640 --> 0:34:05.960
<v Speaker 1>listening to me? Talk right now, What teenage boys do

0:34:06.000 --> 0:34:09.239
<v Speaker 1>you think you're referring to. There's no one else here.

0:34:10.200 --> 0:34:13.879
<v Speaker 1>It's just you and me. You're the one who's been

0:34:13.920 --> 0:34:16.839
<v Speaker 1>standing here the whole time. You nodded your head when

0:34:16.840 --> 0:34:19.880
<v Speaker 1>I said that Vinyl sucked. You closed your eyes and

0:34:19.880 --> 0:34:21.799
<v Speaker 1>then opened them back up when I told you to

0:34:22.480 --> 0:34:26.920
<v Speaker 1>you remember right, I'm dead fucking serious. You thought you

0:34:26.920 --> 0:34:29.439
<v Speaker 1>were listening to a story. You thought you were one

0:34:29.520 --> 0:34:32.800
<v Speaker 1>step removed, like you could eavesdrop from the safety of

0:34:32.840 --> 0:34:35.520
<v Speaker 1>your car, or your kitchen or wherever it is you're

0:34:35.520 --> 0:34:40.080
<v Speaker 1>listening to this right now. No, man, you weren't listening

0:34:40.120 --> 0:34:44.960
<v Speaker 1>to a story. You've been listening to the tape, and

0:34:45.000 --> 0:34:50.080
<v Speaker 1>once you hear it, you can't unhear it. It's inside you,

0:34:50.200 --> 0:34:53.840
<v Speaker 1>just like it's inside Bobby, just like it's inside me.

0:34:55.440 --> 0:34:57.920
<v Speaker 1>You can call it a curse, you can call it

0:34:57.920 --> 0:35:04.239
<v Speaker 1>the beast. You can even call it a disgrace. I'm

0:35:04.320 --> 0:35:26.000
<v Speaker 1>Jake Brennan, and this this Disgraceland, all right. Thanks for

0:35:26.040 --> 0:35:29.319
<v Speaker 1>hanging out with us and our very trusting narrator here,

0:35:29.600 --> 0:35:33.000
<v Speaker 1>Teddy Pentagram, for our Pentagram Story Question of the Week.

0:35:33.680 --> 0:35:36.000
<v Speaker 1>You know we all had a Teddy Pentagram in our lives,

0:35:36.280 --> 0:35:40.320
<v Speaker 1>someone who shepherded us to the great music? Who was

0:35:40.360 --> 0:35:42.600
<v Speaker 1>that for you? Was it an older sibling and uncle?

0:35:42.800 --> 0:35:45.040
<v Speaker 1>Was it someone at a record store, some cool dude

0:35:45.080 --> 0:35:48.279
<v Speaker 1>in a band. You know, your older sister who let

0:35:48.280 --> 0:35:51.239
<v Speaker 1>me know? Who was your musical sherpa who opened up

0:35:51.280 --> 0:35:54.320
<v Speaker 1>the world of great rock and roll, punk, rock, jazz?

0:35:54.400 --> 0:35:57.399
<v Speaker 1>Whatever it was? Who turned you on six one, seven,

0:35:57.480 --> 0:35:59.879
<v Speaker 1>nine oh six sixty sixty three eight voicemail and text

0:36:00.040 --> 0:36:02.440
<v Speaker 1>and you might hear your answer on the afterparty bonus

0:36:02.480 --> 0:36:06.160
<v Speaker 1>episode coming up right after this. Hit me up at

0:36:06.160 --> 0:36:09.240
<v Speaker 1>disgrace slampod on the socials. All right, here comes some credits.

0:36:11.200 --> 0:36:14.000
<v Speaker 1>Disgraceland was created by Yours Truly and is produced in

0:36:14.040 --> 0:36:17.440
<v Speaker 1>partnership with Double Elvis. Credits for this episode can be

0:36:17.440 --> 0:36:21.080
<v Speaker 1>found on the show notes page at disgracelampod dot com.

0:36:21.160 --> 0:36:24.239
<v Speaker 1>If you're listening as a Disgraceland All Access member, thank

0:36:24.280 --> 0:36:26.960
<v Speaker 1>you for supporting the show. We really appreciate it. And

0:36:27.040 --> 0:36:29.319
<v Speaker 1>if not, you can become a member right now by

0:36:29.320 --> 0:36:33.640
<v Speaker 1>going to disgracelampod dot com slash membership, rate and review

0:36:33.680 --> 0:36:36.120
<v Speaker 1>the show, and follow us on Instagram, TikTok, Twitter, and

0:36:36.200 --> 0:36:40.280
<v Speaker 1>Facebook at disgracelampod and on YouTube at YouTube dot com,

0:36:40.280 --> 0:36:49.080
<v Speaker 1>slash at disgracelanpod, Rock a Rolla. He then