1 00:00:00,640 --> 00:00:05,040 Speaker 1: Good Transmitting America. 2 00:00:10,640 --> 00:00:13,440 Speaker 2: Welcome to Monday Show Morning Studio. And I hope you 3 00:00:13,480 --> 00:00:15,960 Speaker 2: guys are having a great Monday because we've got a 4 00:00:16,000 --> 00:00:21,920 Speaker 2: short week because it's almost Thanksgiving. Oh man, finally, what's up? 5 00:00:22,160 --> 00:00:23,200 Speaker 3: Finally Thanksgiving? 6 00:00:23,520 --> 00:00:24,759 Speaker 2: Because you're looking forward to Thanksgiving? 7 00:00:24,800 --> 00:00:28,240 Speaker 4: Any time off, A little bit of both, but mainly 8 00:00:28,280 --> 00:00:30,640 Speaker 4: on any time off and going hard a little too hard, Yeah, 9 00:00:30,640 --> 00:00:31,240 Speaker 4: a little too hard. 10 00:00:31,240 --> 00:00:33,120 Speaker 2: A lot of work hours, sure. 11 00:00:33,120 --> 00:00:35,560 Speaker 3: Doing doing what work? 12 00:00:36,080 --> 00:00:37,800 Speaker 2: Little, this little that, Oh I don't know you did this? 13 00:00:38,200 --> 00:00:38,800 Speaker 2: That makes sense. 14 00:00:39,159 --> 00:00:39,760 Speaker 3: That's what we're gonna do. 15 00:00:39,800 --> 00:00:40,440 Speaker 2: We're gonna get to know. 16 00:00:40,640 --> 00:00:41,520 Speaker 3: I let you do on Monday. 17 00:00:41,560 --> 00:00:43,440 Speaker 2: Amy's got the question for us, So what is your story? 18 00:00:43,600 --> 00:00:48,120 Speaker 1: It's which type of procrastinator are you? Because there's different versions. Okay, 19 00:00:48,280 --> 00:00:49,879 Speaker 1: that's sort of like how you show up when it 20 00:00:49,880 --> 00:00:54,320 Speaker 1: comes to projects. The perfectionists spends too much time on 21 00:00:54,400 --> 00:00:57,120 Speaker 1: every small detail and feels overwhelmed by the need to 22 00:00:57,160 --> 00:00:58,280 Speaker 1: be perfect. 23 00:00:58,560 --> 00:01:01,320 Speaker 2: Okay, anybody feel like they're that. I'm not that. 24 00:01:01,320 --> 00:01:02,000 Speaker 3: That's not you. 25 00:01:02,040 --> 00:01:06,679 Speaker 2: No, I don't need to be perfect, not me, nobody, that, nobody, 26 00:01:06,720 --> 00:01:07,080 Speaker 2: what else. 27 00:01:07,440 --> 00:01:09,800 Speaker 1: The dreamer likes to plan and think about how to 28 00:01:09,840 --> 00:01:12,039 Speaker 1: best do things, but does not follow through. 29 00:01:12,959 --> 00:01:13,600 Speaker 3: That's lunchbox. 30 00:01:13,600 --> 00:01:17,520 Speaker 2: That's lunchbox for sure. Never does they never follows through. Yeah, 31 00:01:17,560 --> 00:01:19,000 Speaker 2: that's not right, and often lies. 32 00:01:19,120 --> 00:01:20,720 Speaker 3: Is that on there? Yeah, that's lunchbo and. 33 00:01:20,640 --> 00:01:22,520 Speaker 2: Tricks people out of their money. No, never treat you 34 00:01:22,560 --> 00:01:24,759 Speaker 2: out of your own money. Lunchbox is a dreamer. Go ahead. 35 00:01:24,880 --> 00:01:27,679 Speaker 1: The avoid doesn't want to be embarrassed or judged for 36 00:01:27,720 --> 00:01:30,120 Speaker 1: any mistakes, would rather avoid it completely. 37 00:01:30,520 --> 00:01:31,120 Speaker 2: That's Eddie. 38 00:01:31,280 --> 00:01:32,720 Speaker 3: No, that's Eddie. 39 00:01:32,840 --> 00:01:34,320 Speaker 4: I don't want to do I'm too busy man. So 40 00:01:34,360 --> 00:01:35,839 Speaker 4: he doesn't want to do it. He avoids it because 41 00:01:35,840 --> 00:01:37,800 Speaker 4: he doesn't want to have to put his name on it. 42 00:01:37,840 --> 00:01:39,880 Speaker 5: I'm too busy doesn't mean I want to avoid it. 43 00:01:39,880 --> 00:01:41,920 Speaker 5: I would agree with that, but I also don't agree 44 00:01:41,959 --> 00:01:42,680 Speaker 5: you're always so busy. 45 00:01:42,720 --> 00:01:44,199 Speaker 3: But go ahead, okay. 46 00:01:44,319 --> 00:01:48,200 Speaker 1: The next one is the crisis maker works well under pressure, 47 00:01:48,400 --> 00:01:50,360 Speaker 1: needs the excitement of a close deadline. 48 00:01:50,400 --> 00:01:52,120 Speaker 3: Oooh bones, that's me. 49 00:01:52,560 --> 00:01:54,080 Speaker 2: That's you. Yeah, it's not me. I don't think I'm 50 00:01:54,080 --> 00:01:54,960 Speaker 2: a procrastinator at all. 51 00:01:56,120 --> 00:01:57,560 Speaker 1: You don't ever put anything off. 52 00:01:57,400 --> 00:01:59,120 Speaker 3: No, he really doesn't, just for the thrill of it. 53 00:02:00,080 --> 00:02:01,480 Speaker 2: Why would I get a thrill out of put a 54 00:02:01,520 --> 00:02:03,160 Speaker 2: something off? I get anxiety thinking about it. 55 00:02:03,200 --> 00:02:04,920 Speaker 5: Like even when we try to do like, hey, well 56 00:02:05,480 --> 00:02:07,480 Speaker 5: it's a great idea, we can do this in three weeks, 57 00:02:07,520 --> 00:02:08,760 Speaker 5: He's like, now I want to do it to tomorrow 58 00:02:08,800 --> 00:02:09,359 Speaker 5: or today. 59 00:02:09,720 --> 00:02:12,720 Speaker 2: I'm gonna fraid I'll lose the fire. Yeah, so but 60 00:02:12,760 --> 00:02:14,560 Speaker 2: I can be annoyed. That can be annoying too. I'm 61 00:02:14,560 --> 00:02:16,480 Speaker 2: not saying it, but I don't think I'm a procrastinator. 62 00:02:17,360 --> 00:02:19,079 Speaker 1: Yes, that's probably why you're not going to be any 63 00:02:19,120 --> 00:02:19,440 Speaker 1: of these. 64 00:02:19,639 --> 00:02:21,880 Speaker 2: Okay, what's Eddie? I think you might be that one. 65 00:02:21,960 --> 00:02:22,400 Speaker 3: What was that one? 66 00:02:22,480 --> 00:02:23,200 Speaker 1: Crisis maker? 67 00:02:23,280 --> 00:02:24,240 Speaker 2: Oh no, Amy's that one. 68 00:02:24,440 --> 00:02:26,760 Speaker 1: It works well under pressure, it okay, And then the 69 00:02:26,880 --> 00:02:28,919 Speaker 1: final one is the dread field. It doesn't like what 70 00:02:28,960 --> 00:02:31,239 Speaker 1: they're working on and lacks motivation to begin Eddie. 71 00:02:32,480 --> 00:02:34,560 Speaker 3: Now we found Eddie. There it is. But you thought 72 00:02:34,560 --> 00:02:36,520 Speaker 3: I could be a little bit of everything. Yeah, you 73 00:02:36,520 --> 00:02:37,600 Speaker 3: did come up a lot in those. 74 00:02:37,840 --> 00:02:39,720 Speaker 2: I am a procrastinator. Which one do you think you're 75 00:02:39,760 --> 00:02:40,080 Speaker 2: most like? 76 00:02:40,280 --> 00:02:43,320 Speaker 3: Probably the dreamer. I like to dream things up, but 77 00:02:43,320 --> 00:02:43,640 Speaker 3: then when it. 78 00:02:43,639 --> 00:02:44,440 Speaker 2: Comes they never do it. 79 00:02:44,560 --> 00:02:46,320 Speaker 3: Nah, maybe tomorrow. 80 00:02:46,360 --> 00:02:47,840 Speaker 2: I think most people, if they had to pick one, 81 00:02:47,880 --> 00:02:49,720 Speaker 2: would think that the crisis one. Like I work best 82 00:02:49,720 --> 00:02:51,440 Speaker 2: when the lights are on, but they're really also not that. 83 00:02:51,400 --> 00:02:55,320 Speaker 1: A No, I really think I have I work to 84 00:02:55,400 --> 00:02:57,720 Speaker 1: not be that because I don't want to put things 85 00:02:57,720 --> 00:03:00,240 Speaker 1: off to the last minute. But I always like that's 86 00:03:00,240 --> 00:03:02,280 Speaker 1: how I was in college studying for tests. It was 87 00:03:02,320 --> 00:03:05,480 Speaker 1: always right up to the last minute. I was cramming 88 00:03:05,480 --> 00:03:05,680 Speaker 1: it in. 89 00:03:05,840 --> 00:03:07,840 Speaker 2: But was it because you thought you just did better? 90 00:03:08,240 --> 00:03:11,359 Speaker 2: Like this says like if I just wait, I thrive 91 00:03:11,440 --> 00:03:13,679 Speaker 2: whenever it's time to like under the lights, like put 92 00:03:13,680 --> 00:03:15,239 Speaker 2: me in coach because of what's game time. 93 00:03:15,280 --> 00:03:17,960 Speaker 1: I go, Yeah, I guess and thrivings and getting it done. 94 00:03:18,040 --> 00:03:19,800 Speaker 2: Yeah, I hear you. Okay, well I will put this 95 00:03:19,840 --> 00:03:20,920 Speaker 2: up if you guys want to see this, we'll put 96 00:03:20,960 --> 00:03:23,200 Speaker 2: this up on our bobbybones dot com go check it out. 97 00:03:23,200 --> 00:03:25,440 Speaker 2: What type of procrastinator or you. I don't feel like 98 00:03:25,520 --> 00:03:27,640 Speaker 2: i'm that. I'm not trying to too my own horne. 99 00:03:27,720 --> 00:03:29,880 Speaker 2: I have a lot of flaws, sure, so many, we'd 100 00:03:29,919 --> 00:03:31,480 Speaker 2: do the whole show would be all flaw all the time. 101 00:03:32,040 --> 00:03:33,320 Speaker 2: But I don't think I'm a procrastinator. 102 00:03:35,080 --> 00:03:38,120 Speaker 3: You family game mail and we read it all the air. 103 00:03:38,480 --> 00:03:40,960 Speaker 3: It's something we call bobbymail bag. 104 00:03:41,320 --> 00:03:45,200 Speaker 2: Yeah, hello, Bobby Bones. I was invited to a good 105 00:03:45,200 --> 00:03:48,280 Speaker 2: friend's wedding, but found out through the grape vine that 106 00:03:48,360 --> 00:03:51,400 Speaker 2: I'm not invited to the bachelor party. It seems to 107 00:03:51,400 --> 00:03:53,200 Speaker 2: include a lot of mutual friends, and I feel a 108 00:03:53,240 --> 00:03:56,040 Speaker 2: bit hurt and excluded. It seems as though pretty much 109 00:03:56,040 --> 00:03:59,920 Speaker 2: everyone within the circle is invited because of me, though 110 00:04:00,960 --> 00:04:03,400 Speaker 2: I thought maybe someone forgot or maybe assumed I'd already 111 00:04:03,400 --> 00:04:06,160 Speaker 2: been invited, or that there's a reason for me being 112 00:04:06,240 --> 00:04:08,640 Speaker 2: excluded that I'm not aware of. Should I bring this 113 00:04:08,720 --> 00:04:11,800 Speaker 2: up with the groom or let it go and focus 114 00:04:11,840 --> 00:04:17,480 Speaker 2: on the wedding? Signed left out of the party. It 115 00:04:17,520 --> 00:04:18,719 Speaker 2: was an accident. 116 00:04:19,800 --> 00:04:21,120 Speaker 3: And she heard it through the grapevine. 117 00:04:21,320 --> 00:04:26,279 Speaker 2: It's a yeah. Also, there may be a reason. For example, 118 00:04:26,480 --> 00:04:28,400 Speaker 2: I remember when Lunchbarks got married, I wasn't invited to 119 00:04:28,440 --> 00:04:30,640 Speaker 2: his bachelor party, and at first I was I was like, 120 00:04:30,640 --> 00:04:33,760 Speaker 2: well that hurts, But then they just went hard and 121 00:04:33,800 --> 00:04:37,640 Speaker 2: I would have invited me either, But I cried for days. 122 00:04:37,640 --> 00:04:41,679 Speaker 4: You didn't invite them to No, Look, it was drinking. 123 00:04:42,400 --> 00:04:45,640 Speaker 4: Bobby didn't drink. It was gambling at that point in time. 124 00:04:45,640 --> 00:04:48,440 Speaker 4: Bobby wasn't gambling. No, he wasn't gambled. I think I 125 00:04:48,440 --> 00:04:51,120 Speaker 4: stepped away from bit and step away from gambling, golfing. 126 00:04:51,320 --> 00:04:53,559 Speaker 4: He wasn't golfing at that time, he'd stepped away from golf. 127 00:04:53,920 --> 00:04:56,039 Speaker 4: So really, what was there going to be for Bobby 128 00:04:56,080 --> 00:04:59,680 Speaker 4: to do? And there was dance clubing, and. 129 00:04:59,640 --> 00:05:01,800 Speaker 2: What do you mean by dance club and there was 130 00:05:01,960 --> 00:05:03,359 Speaker 2: certain people dancing your sitting. 131 00:05:03,440 --> 00:05:05,840 Speaker 4: Bobby didn't do that, and Bobby didn't do that, So 132 00:05:05,920 --> 00:05:07,400 Speaker 4: what was there for Bobby to do? 133 00:05:08,720 --> 00:05:12,240 Speaker 2: I maybe just the yeah, it's okay, it's okay. I'm 134 00:05:12,240 --> 00:05:15,680 Speaker 2: not still scarred any but so I think that that's okay. 135 00:05:15,720 --> 00:05:18,039 Speaker 4: Because guys, when Bobby had a bouncer party, I was 136 00:05:18,080 --> 00:05:19,400 Speaker 4: not invited either, So let's. 137 00:05:19,240 --> 00:05:21,560 Speaker 2: Not but that was second. That was only in return 138 00:05:21,600 --> 00:05:24,159 Speaker 2: for not being invited to yours, because that's how we 139 00:05:24,200 --> 00:05:27,719 Speaker 2: do it. Because there was no dancers and no drinking 140 00:05:28,839 --> 00:05:29,839 Speaker 2: and no gambling. 141 00:05:30,000 --> 00:05:31,440 Speaker 3: So did whe of you guys write the mail bag? 142 00:05:31,600 --> 00:05:32,280 Speaker 3: I'm confused. 143 00:05:32,920 --> 00:05:35,320 Speaker 2: We're just giving out. We're telling you it was probably 144 00:05:35,400 --> 00:05:37,120 Speaker 2: left on purpose. I don't know what the reason is. 145 00:05:37,560 --> 00:05:38,120 Speaker 2: It could have been. 146 00:05:39,960 --> 00:05:42,320 Speaker 4: Who knows, Like maybe this dude goes back and tells 147 00:05:42,320 --> 00:05:44,760 Speaker 4: his wife and like the wife tells everybody exactly. 148 00:05:45,000 --> 00:05:46,039 Speaker 2: Maybe you have loose lips. 149 00:05:46,040 --> 00:05:46,960 Speaker 3: We don't know. 150 00:05:47,000 --> 00:05:48,600 Speaker 2: Maybe maybe you're laying. 151 00:05:48,640 --> 00:05:51,480 Speaker 5: Yes, hit the brakes like he hasn't said anything yet, 152 00:05:51,720 --> 00:05:54,000 Speaker 5: Like you've just heard through other people that you may 153 00:05:54,040 --> 00:05:54,840 Speaker 5: not be invited. 154 00:05:55,080 --> 00:05:58,200 Speaker 2: Wait till, don't get closer. Don't stare at the phone. 155 00:05:58,200 --> 00:06:01,600 Speaker 2: Bro I mean I remember when having his party. I'll 156 00:06:01,640 --> 00:06:02,680 Speaker 2: be like I was looking for an al to show 157 00:06:02,720 --> 00:06:06,040 Speaker 2: up my phone and never can still collect her. 158 00:06:06,120 --> 00:06:11,920 Speaker 1: Oh yeah, so I I follow Mel Robbins and on 159 00:06:12,000 --> 00:06:13,720 Speaker 1: Instagram and she posts this whole thing and it went 160 00:06:13,800 --> 00:06:17,279 Speaker 1: really viral. It's to let them theory and if someone 161 00:06:17,920 --> 00:06:19,600 Speaker 1: One of the examples of the let them theory is 162 00:06:19,640 --> 00:06:22,599 Speaker 1: if a friend doesn't invite you to, you know, a 163 00:06:22,680 --> 00:06:25,359 Speaker 1: launch or in this case, a bachelor party or whatever, 164 00:06:25,680 --> 00:06:29,240 Speaker 1: you just let them. That's it's not you don't want 165 00:06:29,240 --> 00:06:30,960 Speaker 1: it to take up space in your brain. If they're 166 00:06:30,960 --> 00:06:33,000 Speaker 1: going to do that, you can let them and you 167 00:06:33,040 --> 00:06:35,320 Speaker 1: proceed on with your weekend and. 168 00:06:35,279 --> 00:06:37,640 Speaker 2: Go buy some theories. It's weird, though. Let's say you're 169 00:06:37,680 --> 00:06:38,320 Speaker 2: getting robbed. 170 00:06:38,720 --> 00:06:42,840 Speaker 1: Not that part. It's not that was at example. It's 171 00:06:42,880 --> 00:06:48,719 Speaker 1: not like it's what you're gonna let take up space 172 00:06:48,839 --> 00:06:49,320 Speaker 1: in your brain. 173 00:06:49,400 --> 00:06:51,000 Speaker 2: Let's say you're walking with your kids. Someone would like 174 00:06:51,040 --> 00:06:51,560 Speaker 2: to have that kid. 175 00:06:52,360 --> 00:06:54,839 Speaker 3: Let them, let them have the kids. It's a terrible theory, 176 00:06:55,680 --> 00:06:56,320 Speaker 3: you know that. 177 00:06:56,320 --> 00:06:57,960 Speaker 1: That's not what it is about. 178 00:06:58,240 --> 00:07:01,160 Speaker 2: I would just say it sucks. It sucks to be 179 00:07:01,240 --> 00:07:05,040 Speaker 2: left out, for sure, But don't don't raise your hand 180 00:07:05,040 --> 00:07:06,440 Speaker 2: and be like, was I supposed to get invited? That's 181 00:07:06,480 --> 00:07:07,280 Speaker 2: only doubly awkward. 182 00:07:07,520 --> 00:07:08,839 Speaker 1: Yeah, no, you just gotta let them. 183 00:07:09,640 --> 00:07:11,800 Speaker 2: This is the one time I grew with amy. Let them. 184 00:07:11,920 --> 00:07:12,120 Speaker 3: Yeah. 185 00:07:12,400 --> 00:07:13,800 Speaker 2: Sorry, there's no good answer to this. 186 00:07:13,960 --> 00:07:15,440 Speaker 1: No one time you agree with me. 187 00:07:15,720 --> 00:07:17,720 Speaker 2: Yeah, okay, Well the other left thems I came up with. 188 00:07:17,760 --> 00:07:20,120 Speaker 2: We're terrible examples of that theory. All right, thank you. 189 00:07:20,200 --> 00:07:21,400 Speaker 2: That's the mailbag. Close it up. 190 00:07:21,640 --> 00:07:23,400 Speaker 3: We got your game mail. 191 00:07:23,160 --> 00:07:26,600 Speaker 4: And we read in on your now found the clothes 192 00:07:26,640 --> 00:07:28,280 Speaker 4: Bobby failed back. Damn. 193 00:07:29,400 --> 00:07:31,320 Speaker 2: I don't know who this is, for the record, so 194 00:07:31,320 --> 00:07:33,480 Speaker 2: I'm gonna play along too. So Eddie, what happened? 195 00:07:33,520 --> 00:07:35,640 Speaker 5: Well, there's something my in laws have always done for 196 00:07:35,640 --> 00:07:37,480 Speaker 5: as long as I've known them. They send us like 197 00:07:37,640 --> 00:07:41,040 Speaker 5: newspaper clippings or magazines or whatever. Usually things that I 198 00:07:41,040 --> 00:07:43,119 Speaker 5: think are interesting, like Willie Nelson or whatever. 199 00:07:43,160 --> 00:07:43,960 Speaker 3: It's like, Oh it's cool. 200 00:07:44,280 --> 00:07:46,760 Speaker 5: They sent me one a couple of days ago, and 201 00:07:46,800 --> 00:07:49,360 Speaker 5: I look at it and then it's like, what is this? 202 00:07:49,840 --> 00:07:53,760 Speaker 5: And I keep reading reading and one of the show members, 203 00:07:53,920 --> 00:07:56,880 Speaker 5: one of us, is on the cover and there's a 204 00:07:56,880 --> 00:07:59,280 Speaker 5: fool of a magazine of a magazine, and there's a 205 00:07:59,320 --> 00:08:01,600 Speaker 5: full store on this person. 206 00:08:03,000 --> 00:08:05,720 Speaker 3: Of a magazine. Yeah, And I was so shocked because 207 00:08:05,720 --> 00:08:07,320 Speaker 3: I'm like, what, I've never heard of this? 208 00:08:08,040 --> 00:08:09,480 Speaker 2: And who and who sent it? 209 00:08:09,760 --> 00:08:10,640 Speaker 3: My mother in law? 210 00:08:10,800 --> 00:08:12,480 Speaker 2: Okay, so you got to put that together. So that's 211 00:08:12,520 --> 00:08:13,240 Speaker 2: but that's Texas. 212 00:08:13,520 --> 00:08:14,679 Speaker 3: Yeah, she lives in Dallas. 213 00:08:16,960 --> 00:08:18,240 Speaker 2: What kind of magazine? 214 00:08:18,520 --> 00:08:19,679 Speaker 3: I don't know if I can say. 215 00:08:19,520 --> 00:08:21,320 Speaker 2: That, Okay, don't, don't give away. 216 00:08:21,360 --> 00:08:26,520 Speaker 3: I can say it's related to college. It's related to college? 217 00:08:26,560 --> 00:08:27,360 Speaker 2: Does anybody know? 218 00:08:28,680 --> 00:08:28,920 Speaker 3: Was it? 219 00:08:29,080 --> 00:08:30,680 Speaker 5: Like A did you read it? Wasn't like kind of 220 00:08:30,680 --> 00:08:34,040 Speaker 5: bull crap? I didn't really, I didn't read it. Saw 221 00:08:34,080 --> 00:08:35,440 Speaker 5: it and I'm like, what is this crap? 222 00:08:35,800 --> 00:08:36,079 Speaker 3: Okay? 223 00:08:36,160 --> 00:08:37,040 Speaker 1: By full spread? 224 00:08:37,320 --> 00:08:38,480 Speaker 3: Oh yeah, I did read it. 225 00:08:38,520 --> 00:08:42,120 Speaker 2: By the clues, only those clues, because we think it 226 00:08:42,160 --> 00:08:43,280 Speaker 2: is Abby or Morgan. 227 00:08:44,960 --> 00:08:47,800 Speaker 4: Yeah, it has to be about someone that Kansas State. 228 00:08:48,520 --> 00:08:51,880 Speaker 3: Maybe could it be Utsa No. 229 00:08:51,080 --> 00:08:52,520 Speaker 2: No, because they don't even acknowledge. 230 00:08:52,160 --> 00:08:53,920 Speaker 4: That he m Because I get to Sombria in the 231 00:08:53,920 --> 00:08:55,680 Speaker 4: mail and they've never had me on the front the. 232 00:08:55,720 --> 00:08:56,720 Speaker 3: Sombria, that's what it's called. 233 00:08:57,040 --> 00:09:00,680 Speaker 2: Even when they do famous Alum and they list people 234 00:09:00,720 --> 00:09:02,800 Speaker 2: who were like kicked off Survivor Week one, Okay, they 235 00:09:02,840 --> 00:09:03,960 Speaker 2: just still don't list Lunchbox. 236 00:09:05,880 --> 00:09:07,480 Speaker 4: I don't even know if they list Travis Scott, which 237 00:09:07,520 --> 00:09:09,439 Speaker 4: is crazy they do. I've seen him on him. I 238 00:09:09,440 --> 00:09:12,480 Speaker 4: was just trying to like, what about Arkansas? 239 00:09:13,600 --> 00:09:15,360 Speaker 2: I just don't know that it would have happened then, 240 00:09:15,440 --> 00:09:16,760 Speaker 2: but in Dallas, I don't. I don't know. 241 00:09:17,160 --> 00:09:19,280 Speaker 3: She's sent me a couple that you're that you're in 242 00:09:19,320 --> 00:09:20,920 Speaker 3: and it's not you. I'll say it's not you. Got it? 243 00:09:20,920 --> 00:09:26,040 Speaker 2: I'm gonna I'm gonna go with Morgan. I've do you 244 00:09:26,040 --> 00:09:26,400 Speaker 2: have it? 245 00:09:27,440 --> 00:09:27,800 Speaker 3: Wait to you? 246 00:09:28,600 --> 00:09:29,360 Speaker 1: Do you have a magazine? 247 00:09:29,440 --> 00:09:34,959 Speaker 3: No? No? Yeah, I don't What am I gonna do with that? 248 00:09:35,400 --> 00:09:37,560 Speaker 1: Clearly, whoever it is, they don't know they're on it. 249 00:09:37,600 --> 00:09:43,040 Speaker 1: They may want to Morgan. Okay, Morgan, I got I 250 00:09:43,080 --> 00:09:43,600 Speaker 1: go Morgan. 251 00:09:45,320 --> 00:09:48,520 Speaker 4: Why are we ask exing out ray Mundo? Because remember 252 00:09:48,559 --> 00:09:50,920 Speaker 4: his call his old college reached out to be a 253 00:09:50,960 --> 00:09:53,000 Speaker 4: mentor Texas State? 254 00:09:53,240 --> 00:09:56,320 Speaker 2: Right? No, guess Eddie, who was it? 255 00:09:56,320 --> 00:09:58,400 Speaker 3: It's Morgan? Do you know about it? Morgan? 256 00:09:58,600 --> 00:10:00,120 Speaker 6: I mean I know I was in a magazine, but 257 00:10:00,120 --> 00:10:01,679 Speaker 6: I didn't know I was on a cover or anything. 258 00:10:01,800 --> 00:10:05,360 Speaker 5: It was a sorority magazine, the Delta Delta Deltas, which 259 00:10:05,400 --> 00:10:05,840 Speaker 5: I guess. 260 00:10:05,720 --> 00:10:07,080 Speaker 3: My mother in law was a Delta. 261 00:10:07,240 --> 00:10:08,680 Speaker 2: Oh that's so weird. 262 00:10:09,120 --> 00:10:12,360 Speaker 3: So yeah, hey, your Morgan as sisters like your mom. 263 00:10:12,440 --> 00:10:13,439 Speaker 3: She's aunt Morgan. 264 00:10:14,640 --> 00:10:14,960 Speaker 7: Morgan. 265 00:10:16,120 --> 00:10:17,880 Speaker 3: Yeah, you didn't save it for her to see? No, 266 00:10:18,000 --> 00:10:18,679 Speaker 3: you probably have it. 267 00:10:18,800 --> 00:10:19,959 Speaker 2: I don't. 268 00:10:21,559 --> 00:10:23,160 Speaker 3: Oh no, I threw it away. 269 00:10:23,600 --> 00:10:25,520 Speaker 8: I was under like a thirty three hundred thirty three 270 00:10:25,559 --> 00:10:27,760 Speaker 8: for tried Out List, but I didn't know that they 271 00:10:27,760 --> 00:10:30,160 Speaker 8: would put me on the cover like a bunch of 272 00:10:30,160 --> 00:10:30,880 Speaker 8: people on the cover. 273 00:10:31,040 --> 00:10:34,599 Speaker 3: Yeah, no, no, no, it's just you. No way you 274 00:10:35,080 --> 00:10:37,440 Speaker 3: have a picture of it. No, what are you talking about? 275 00:10:37,480 --> 00:10:39,480 Speaker 2: You just threw it away immediately. 276 00:10:39,559 --> 00:10:40,840 Speaker 3: I don't know what she was wearing. 277 00:10:41,240 --> 00:10:44,760 Speaker 4: What in the world what was the article about. Eddie 278 00:10:44,840 --> 00:10:47,480 Speaker 4: knows nothing about this thing that he had. So did 279 00:10:47,520 --> 00:10:49,360 Speaker 4: maybe your mother in law just send you a picture 280 00:10:49,400 --> 00:10:51,240 Speaker 4: of it and you never really had me the magazine. 281 00:10:51,280 --> 00:10:53,240 Speaker 5: But I'm telling you, she sends me stuff all the time, 282 00:10:53,280 --> 00:10:54,600 Speaker 5: and I'm like, oh, that's cool, and I throw it away. 283 00:10:54,640 --> 00:10:56,160 Speaker 2: I think the message war gonna be like, Hey, I 284 00:10:56,200 --> 00:10:58,440 Speaker 2: have this magazine. Do you want to see it? Think 285 00:10:58,480 --> 00:10:59,319 Speaker 2: twice about it. 286 00:10:59,480 --> 00:11:01,400 Speaker 3: Both. When you come out of magazines, do you have 287 00:11:01,440 --> 00:11:03,000 Speaker 3: the magazine? Yes? 288 00:11:03,640 --> 00:11:06,199 Speaker 2: No, not always stop. When you were in People, did 289 00:11:06,200 --> 00:11:09,240 Speaker 2: you not have the magazine? People was different because they 290 00:11:09,240 --> 00:11:11,280 Speaker 2: sent me a bunch of them. Well, this is tried Delta, 291 00:11:11,320 --> 00:11:14,040 Speaker 2: Delta Delta dude. Yeah, it's weird that they didn't send 292 00:11:14,040 --> 00:11:16,200 Speaker 2: Morgan a magazine, but also that she didn't know and 293 00:11:16,200 --> 00:11:17,640 Speaker 2: you didn't text her be like you want the copy 294 00:11:17,640 --> 00:11:17,800 Speaker 2: of this? 295 00:11:17,800 --> 00:11:18,920 Speaker 3: Well, I thought I would just send it to the 296 00:11:18,920 --> 00:11:19,760 Speaker 3: show and talk about it. 297 00:11:19,800 --> 00:11:22,360 Speaker 1: Wait, Morgan, whenever you were submitted as the thirty three 298 00:11:22,440 --> 00:11:25,080 Speaker 1: and or whatever thirty three, did you submit a photo? 299 00:11:25,320 --> 00:11:28,400 Speaker 6: Yeah, there's gonna be like an article or something. I 300 00:11:28,400 --> 00:11:29,760 Speaker 6: didn't know I was going to be on the cover. 301 00:11:30,200 --> 00:11:32,040 Speaker 2: You did an interview, and what was your sorority? 302 00:11:32,040 --> 00:11:35,200 Speaker 8: Delta Delta, Delta, Try Delta, Yeah, adulta Delta Delta. 303 00:11:35,240 --> 00:11:36,760 Speaker 3: What may I help you? Help you? Help you? 304 00:11:37,360 --> 00:11:38,400 Speaker 2: Is that it like that's their thing. 305 00:11:38,480 --> 00:11:39,960 Speaker 6: It's something we would say sometimes. 306 00:11:40,080 --> 00:11:41,280 Speaker 2: Yeah, and you were. 307 00:11:41,080 --> 00:11:42,880 Speaker 1: A kapa kapa gamma. 308 00:11:43,280 --> 00:11:45,480 Speaker 2: And did you guys ever have a fews where you 309 00:11:45,520 --> 00:11:46,160 Speaker 2: fought each other? 310 00:11:46,640 --> 00:11:46,880 Speaker 3: No? 311 00:11:46,920 --> 00:11:51,280 Speaker 1: But Delta. Delta Delta did cut me the first night. 312 00:11:51,400 --> 00:11:52,160 Speaker 2: Oh so you couldn't. 313 00:11:52,800 --> 00:11:54,040 Speaker 1: They're not an option for me? 314 00:11:54,160 --> 00:11:54,400 Speaker 3: Why? 315 00:11:54,520 --> 00:11:56,360 Speaker 1: Amy, I don't know. I'll probably because I was a 316 00:11:56,400 --> 00:11:59,840 Speaker 1: Kyomega legacy, so most people thought I was going to go. 317 00:12:00,679 --> 00:12:01,960 Speaker 2: So they cut you because they thought you were going 318 00:12:02,000 --> 00:12:05,760 Speaker 2: to reject them. Hey, that's why every girl rejected me 319 00:12:05,800 --> 00:12:07,480 Speaker 2: when I was younger, because they thought I was going 320 00:12:07,520 --> 00:12:08,040 Speaker 2: to reject them. 321 00:12:08,520 --> 00:12:09,200 Speaker 3: I don't understand. 322 00:12:09,360 --> 00:12:10,320 Speaker 1: It's the only reason. 323 00:12:10,520 --> 00:12:11,000 Speaker 6: I'm sure. 324 00:12:11,040 --> 00:12:13,439 Speaker 1: I just yeah, I wasn't there a cup of teeth. 325 00:12:13,640 --> 00:12:15,720 Speaker 2: Did do you benefit, Amy from being in a sorority? 326 00:12:15,760 --> 00:12:16,439 Speaker 3: Do you feel. 327 00:12:17,720 --> 00:12:21,880 Speaker 1: I think that I met some amazing girls and it 328 00:12:21,920 --> 00:12:22,520 Speaker 1: was fun. 329 00:12:23,040 --> 00:12:23,800 Speaker 2: I asked. 330 00:12:24,440 --> 00:12:26,480 Speaker 1: I think I would have had a good college experience 331 00:12:26,480 --> 00:12:29,800 Speaker 1: had I done it or not done it, So either way. 332 00:12:29,760 --> 00:12:31,520 Speaker 6: Yeah, I totally would have done it no matter what. 333 00:12:31,679 --> 00:12:33,600 Speaker 2: So you do benefit? You did benefit from being authority? 334 00:12:33,720 --> 00:12:33,880 Speaker 3: Yeah? 335 00:12:33,920 --> 00:12:37,680 Speaker 8: And I well, I don't think there's any direct benefits 336 00:12:37,679 --> 00:12:39,840 Speaker 8: that I've had, Like there's never a connection that I've had, 337 00:12:39,880 --> 00:12:42,800 Speaker 8: but it's always been like I've connected with people after 338 00:12:42,840 --> 00:12:44,760 Speaker 8: the fact, Like it's cool to know that like Eddie's 339 00:12:44,760 --> 00:12:47,280 Speaker 8: mother in law, now we're sisters, like that is a 340 00:12:47,280 --> 00:12:47,880 Speaker 8: cool connection. 341 00:12:48,040 --> 00:12:49,080 Speaker 2: Do you have a secret handshake? 342 00:12:49,840 --> 00:12:51,600 Speaker 6: No, but we have a sign we to try it out. 343 00:12:51,640 --> 00:12:52,640 Speaker 2: That's not secret. You're showing me. 344 00:12:53,200 --> 00:12:56,160 Speaker 6: But there are secret chants that we have. 345 00:12:56,240 --> 00:12:57,120 Speaker 3: Can you share one with us? 346 00:12:57,160 --> 00:12:57,199 Speaker 9: No? 347 00:12:57,240 --> 00:12:58,520 Speaker 6: I cannot because they're inappropriate. 348 00:12:59,120 --> 00:13:01,360 Speaker 3: Oh I'm gonna ask my money. 349 00:13:01,360 --> 00:13:02,960 Speaker 8: There are things that we would only do, like during 350 00:13:02,960 --> 00:13:03,600 Speaker 8: the meetings that. 351 00:13:03,559 --> 00:13:05,880 Speaker 2: Nobody else knew it appropriate things with just all you girl, 352 00:13:06,040 --> 00:13:06,559 Speaker 2: they're just like that. 353 00:13:07,160 --> 00:13:07,880 Speaker 3: The podcast. 354 00:13:07,920 --> 00:13:11,480 Speaker 2: We're gonna do this on the podcast to uncut. Well, Eddie, 355 00:13:11,480 --> 00:13:12,840 Speaker 2: if you could getnother cofee, we'd like to see it. 356 00:13:12,920 --> 00:13:14,040 Speaker 2: How long did you get another copy? 357 00:13:14,160 --> 00:13:14,439 Speaker 3: Dude? 358 00:13:14,480 --> 00:13:15,600 Speaker 2: I don't ask your mother in law. 359 00:13:15,640 --> 00:13:18,319 Speaker 4: Okay, I called it a tried del chapter. Or go 360 00:13:18,320 --> 00:13:19,760 Speaker 4: by the online I at least like to see it. 361 00:13:19,840 --> 00:13:22,280 Speaker 4: Or stop by the tri deels here, okay, Eddie, knock 362 00:13:22,280 --> 00:13:22,559 Speaker 4: on the door. 363 00:13:22,640 --> 00:13:23,480 Speaker 3: Hey, I don't care. 364 00:13:25,320 --> 00:13:31,520 Speaker 9: Wow, it's time for the good news. 365 00:13:32,040 --> 00:13:36,200 Speaker 1: Karen Collinsworth has been near Marshall University campus for a 366 00:13:36,240 --> 00:13:38,360 Speaker 1: long time and working at the Starbucks that's right there. 367 00:13:38,400 --> 00:13:40,960 Speaker 1: She's sixty five years old and she feels like she's 368 00:13:41,000 --> 00:13:42,960 Speaker 1: a mom to a lot of the other nineteen year 369 00:13:43,000 --> 00:13:46,440 Speaker 1: old employees that work there. Everybody loves Karen. Well, she 370 00:13:46,520 --> 00:13:49,160 Speaker 1: recently started to have some car trouble. Her two thousand 371 00:13:49,200 --> 00:13:52,240 Speaker 1: and four Kia hadn't really been working that great, and 372 00:13:52,280 --> 00:13:55,200 Speaker 1: then her car was broken into. It made things worse. 373 00:13:55,679 --> 00:13:59,160 Speaker 1: So her coworkers at Starbucks decided to put up a GoFundMe. 374 00:13:59,440 --> 00:14:02,480 Speaker 1: It was called we Love You Karen, and their goal 375 00:14:02,559 --> 00:14:04,920 Speaker 1: was to help buy her a working car so that 376 00:14:04,960 --> 00:14:06,800 Speaker 1: she didn't have to worry about getting to work or 377 00:14:06,800 --> 00:14:09,400 Speaker 1: handling anything that she needed to and they raised forty 378 00:14:09,400 --> 00:14:12,800 Speaker 1: thousand dollars forty. Yeah, so you know, people love them 379 00:14:12,800 --> 00:14:13,320 Speaker 1: some Karen. 380 00:14:14,000 --> 00:14:14,360 Speaker 3: Wow. 381 00:14:14,440 --> 00:14:16,040 Speaker 2: I thought you were gonna say, like, eight doesn't be 382 00:14:16,120 --> 00:14:17,800 Speaker 2: like wow, that's a lot of money. Yeah, forty I 383 00:14:17,920 --> 00:14:20,360 Speaker 2: like wow, which sounds the same, but it's different intensity 384 00:14:20,400 --> 00:14:20,840 Speaker 2: from a heart. 385 00:14:20,920 --> 00:14:23,400 Speaker 1: Yeah, Karen said. For them to be nineteen year old 386 00:14:23,480 --> 00:14:26,000 Speaker 1: college students with so much going on in their life 387 00:14:26,040 --> 00:14:28,400 Speaker 1: and then to take to take the time to take 388 00:14:28,400 --> 00:14:30,880 Speaker 1: care of their Starbucks mom, she just talked about how 389 00:14:30,920 --> 00:14:31,640 Speaker 1: big their hearts were. 390 00:14:32,600 --> 00:14:32,960 Speaker 3: Wow. 391 00:14:33,640 --> 00:14:40,080 Speaker 10: Yeah, that's crazy. Makes me feel like there's hope for humanity. Yeah, Eddie, 392 00:14:40,000 --> 00:14:42,040 Speaker 10: get them go fund me, you know me? Yeah, turkey 393 00:14:42,440 --> 00:14:45,760 Speaker 10: for your hair. Oh, great story that's what it's all about. 394 00:14:46,440 --> 00:14:51,520 Speaker 9: That was telling me something good. So Bobby Bones Show 395 00:14:51,640 --> 00:14:55,200 Speaker 9: interviews in case you didn't know, they're the front Men. 396 00:14:55,560 --> 00:14:58,000 Speaker 2: They came by months ago and it was just a 397 00:14:58,040 --> 00:15:00,640 Speaker 2: cool thing they were doing to tour. But it's the 398 00:15:00,720 --> 00:15:04,040 Speaker 2: lead singers of Lone Star, Restless Heart, and Little Texas. 399 00:15:04,040 --> 00:15:05,160 Speaker 2: And we can roll through it real quick. 400 00:15:05,280 --> 00:15:06,840 Speaker 3: Lone Star, Amazed. 401 00:15:08,080 --> 00:15:16,440 Speaker 11: Dude, Little Texas, God Blessed Texas, speaking of Texas, Restless Heart, 402 00:15:16,480 --> 00:15:20,680 Speaker 11: the bluest eyes in Texas, Texas. 403 00:15:20,840 --> 00:15:24,240 Speaker 2: So it's a legitimate thing, massive hits. These guys can 404 00:15:24,240 --> 00:15:26,280 Speaker 2: still sing the crap out of songs. They're called the 405 00:15:26,320 --> 00:15:30,000 Speaker 2: front Men, and they're here now on the Bobby Bones Show. 406 00:15:30,080 --> 00:15:32,800 Speaker 3: Now the front Men, all right, here they are in studio. 407 00:15:32,840 --> 00:15:35,400 Speaker 2: It's the second time you guys have been here, right, yes, yes, okay, 408 00:15:35,440 --> 00:15:38,320 Speaker 2: So let me explain. It's Larry from Restless Heart, Richie 409 00:15:38,400 --> 00:15:41,240 Speaker 2: McDonald formerly of Lone Star, Tim Rushler formerly of Little Texas. 410 00:15:41,320 --> 00:15:42,280 Speaker 2: They are the front man. 411 00:15:42,160 --> 00:15:46,120 Speaker 3: That's walking back. So do you feel like Larry, I'll 412 00:15:46,120 --> 00:15:46,480 Speaker 3: start with you. 413 00:15:46,520 --> 00:15:48,680 Speaker 2: Do you feel like people are starting because the front 414 00:15:48,680 --> 00:15:51,000 Speaker 2: Men's like, who the heck's the front men? Is that 415 00:15:51,120 --> 00:15:53,800 Speaker 2: starting to catch a little bit slowly. 416 00:15:53,400 --> 00:15:53,880 Speaker 7: But surely. 417 00:15:53,920 --> 00:15:57,240 Speaker 12: And yes, I mean the word of mouth. Yeah, Roundswell 418 00:15:57,720 --> 00:16:00,720 Speaker 12: is doing us some favors out there on the road. 419 00:16:01,520 --> 00:16:05,160 Speaker 12: We'll do about seventy shows, so really are introducing ourselves 420 00:16:05,240 --> 00:16:06,160 Speaker 12: to a lot of folks. 421 00:16:06,280 --> 00:16:09,280 Speaker 2: Any fistfights about where God blessed Texas goes into the 422 00:16:09,320 --> 00:16:09,840 Speaker 2: set list? 423 00:16:10,560 --> 00:16:13,360 Speaker 7: No, we end with that one. Oh okay, no brainer. 424 00:16:13,480 --> 00:16:15,200 Speaker 2: Just didn't know because you have three front men here 425 00:16:15,200 --> 00:16:17,200 Speaker 2: have massive groups that I know, you. 426 00:16:17,160 --> 00:16:19,280 Speaker 7: Know probably make all the calls because I'm the oldest. 427 00:16:19,280 --> 00:16:22,520 Speaker 2: So there you're the oldest. I wouldn't have a picture 428 00:16:22,560 --> 00:16:25,480 Speaker 2: tell I was gonna no, I can't you all look beautifully? 429 00:16:26,280 --> 00:16:27,960 Speaker 2: Forty five or so? 430 00:16:28,080 --> 00:16:31,480 Speaker 3: You're hey, where were we? Tim? We were at a 431 00:16:31,480 --> 00:16:34,000 Speaker 3: concert been rich Ben Rector. 432 00:16:34,160 --> 00:16:34,680 Speaker 2: That's right. 433 00:16:35,160 --> 00:16:35,520 Speaker 3: Yeah. 434 00:16:35,600 --> 00:16:36,760 Speaker 13: I walked up to you and I said, hey, it's 435 00:16:36,760 --> 00:16:38,840 Speaker 13: your fault and you go what I do? Yeah, And 436 00:16:38,880 --> 00:16:40,960 Speaker 13: I said, you told us we should cut new music, 437 00:16:41,000 --> 00:16:42,800 Speaker 13: and we did, and now we got a deal when 438 00:16:43,240 --> 00:16:45,240 Speaker 13: I don't know, it's crazy as stuff has happened. 439 00:16:45,240 --> 00:16:46,840 Speaker 2: So you got it. You guys have a deal too. 440 00:16:46,960 --> 00:16:48,960 Speaker 14: Yeah, thanks a lot, Bobby Yang, I really. 441 00:16:50,320 --> 00:16:51,800 Speaker 3: That's your day. We did. 442 00:16:51,920 --> 00:16:56,040 Speaker 13: We wrote and recorded and John Loba heard it and went, 443 00:16:56,400 --> 00:16:57,800 Speaker 13: why would I not want to do this? And we 444 00:16:57,800 --> 00:17:00,640 Speaker 13: were like, really all that, we're still shot super cool. 445 00:17:00,880 --> 00:17:03,160 Speaker 2: And so when you go in because you're three different 446 00:17:03,200 --> 00:17:05,480 Speaker 2: from me, because the new song, let me ask you, 447 00:17:05,520 --> 00:17:08,120 Speaker 2: it's a new song, who's who's singing, Who's who's the. 448 00:17:08,480 --> 00:17:09,320 Speaker 3: Is that awkward? I don't know. 449 00:17:09,600 --> 00:17:10,919 Speaker 2: There's three from men. Who's the front man? 450 00:17:11,080 --> 00:17:14,720 Speaker 12: That has been easy, okay for us to identify the 451 00:17:14,840 --> 00:17:16,200 Speaker 12: voice for a certain song. 452 00:17:16,280 --> 00:17:16,639 Speaker 3: Got it. 453 00:17:17,040 --> 00:17:19,080 Speaker 12: I'm not gonna say it's gonna be like that forever, 454 00:17:19,240 --> 00:17:21,160 Speaker 12: but so far, so perfect. 455 00:17:21,280 --> 00:17:23,760 Speaker 2: Yeah, So the song Landloord in Mexico is a new song. 456 00:17:24,280 --> 00:17:25,840 Speaker 2: Who sings that song? 457 00:17:26,080 --> 00:17:28,280 Speaker 3: We all do? We share lead vocals on that song? Oh? Well, 458 00:17:28,320 --> 00:17:28,960 Speaker 3: that's easy one. 459 00:17:29,119 --> 00:17:30,600 Speaker 13: I would do that in all the songs then, right, 460 00:17:30,600 --> 00:17:32,639 Speaker 13: We've gotten like some songs that are obviously Richie or 461 00:17:32,680 --> 00:17:35,560 Speaker 13: Larry or me, and then we actually on three or 462 00:17:35,560 --> 00:17:38,040 Speaker 13: four songs we're sharing vocals on them. I don't think 463 00:17:38,080 --> 00:17:40,639 Speaker 13: that's really been done. And that's the hard part, or 464 00:17:40,760 --> 00:17:43,600 Speaker 13: actually the cool part is that three lead singers singing 465 00:17:43,640 --> 00:17:46,000 Speaker 13: harmony together. It sounds a little bit more powerful to 466 00:17:46,000 --> 00:17:47,920 Speaker 13: me than it does. Just like you've got your singer. 467 00:17:47,960 --> 00:17:50,800 Speaker 13: Then you got the background. Guys, we're three lead singers 468 00:17:50,800 --> 00:17:51,960 Speaker 13: who just kind of you. 469 00:17:51,840 --> 00:17:53,680 Speaker 2: Know, you're basically the Backstree boys. 470 00:17:54,040 --> 00:17:56,199 Speaker 3: Yeah, I ever heard minus and minus three? 471 00:17:56,320 --> 00:18:00,680 Speaker 2: Well do you every think about that or insane in sank? 472 00:18:00,800 --> 00:18:01,000 Speaker 3: Yes? 473 00:18:01,000 --> 00:18:02,240 Speaker 2: As you said, yes absolutely. 474 00:18:03,119 --> 00:18:05,919 Speaker 3: The states that you're from you from? Where are you from? 475 00:18:06,080 --> 00:18:06,560 Speaker 7: Kentucky? 476 00:18:06,720 --> 00:18:07,680 Speaker 2: And you're from Texas? 477 00:18:08,080 --> 00:18:09,600 Speaker 3: Born in Oklahoma, raised in Texas. 478 00:18:09,600 --> 00:18:11,600 Speaker 2: Well that's a weird, weird dynamic. So where do you 479 00:18:11,640 --> 00:18:13,440 Speaker 2: Where are you from? Then it's where you're from. 480 00:18:13,520 --> 00:18:15,520 Speaker 3: I was born at Tinker for Space, Oklahoma City. Do 481 00:18:15,560 --> 00:18:16,359 Speaker 3: you say Oklahoma? 482 00:18:16,560 --> 00:18:19,119 Speaker 1: I do, Okay, But so you say Oklahoma or you 483 00:18:19,160 --> 00:18:20,680 Speaker 1: give the longears. 484 00:18:20,800 --> 00:18:23,440 Speaker 13: Well the Texas thing is because I was in little Texas. 485 00:18:23,520 --> 00:18:26,000 Speaker 13: So I kind of claim both depending on where I'm at, you. 486 00:18:25,960 --> 00:18:27,879 Speaker 2: Know, Okay, So if you're gonna lie, you say Texas. 487 00:18:27,880 --> 00:18:29,240 Speaker 2: But if you're gonn tell the truth to say Oklahoma. 488 00:18:29,320 --> 00:18:31,400 Speaker 3: Yeah, all time to I guess I'll go too. 489 00:18:31,680 --> 00:18:35,520 Speaker 2: And you're from Okay, So Texas, Oklahoma, Kentucky? 490 00:18:35,960 --> 00:18:36,400 Speaker 3: All right? 491 00:18:36,800 --> 00:18:39,040 Speaker 2: There is there a big football? Is there a big 492 00:18:39,040 --> 00:18:41,560 Speaker 2: Texas Oklahoma rivalry here? Do you guys care? No? 493 00:18:41,800 --> 00:18:45,960 Speaker 3: We just like good games, unless we're you know that 494 00:18:46,160 --> 00:18:46,760 Speaker 3: non it or something. 495 00:18:46,800 --> 00:18:48,800 Speaker 7: And I'm from Kentucky. I hadn't had a football team 496 00:18:48,920 --> 00:18:49,639 Speaker 7: very often over. 497 00:18:49,520 --> 00:18:51,399 Speaker 2: My every once in a while. You've got a lot 498 00:18:51,440 --> 00:18:54,760 Speaker 2: of basketball teams though, well not recently. But yeah, you know, 499 00:18:55,680 --> 00:18:56,920 Speaker 2: can I hear a little bit of the new song 500 00:18:58,119 --> 00:18:59,520 Speaker 2: you guys play? Oh, if you're not tuned for we 501 00:18:59,520 --> 00:19:01,680 Speaker 2: can go to something. Are you guys good on that? Yeah, 502 00:19:01,680 --> 00:19:04,720 Speaker 2: i'd either start with that if you can. That is 503 00:19:04,720 --> 00:19:06,440 Speaker 2: what I'm talking about right there, country music. 504 00:19:06,800 --> 00:19:08,760 Speaker 3: This is something really brandy, like no one's really even 505 00:19:08,840 --> 00:19:09,119 Speaker 3: heard it. 506 00:19:09,200 --> 00:19:11,679 Speaker 2: So well, here we go. They're they're they're tuning up, 507 00:19:11,760 --> 00:19:14,959 Speaker 2: except they don't tune. The new EP is out today. 508 00:19:15,320 --> 00:19:18,439 Speaker 2: It is called Laying Low in Mexico and this is 509 00:19:18,440 --> 00:19:19,880 Speaker 2: a new song from the Frontmen. 510 00:19:20,240 --> 00:19:23,600 Speaker 3: Here they are on the Bobby Bone Show. I don't 511 00:19:24,960 --> 00:19:25,560 Speaker 3: I don't know. 512 00:19:25,440 --> 00:19:27,920 Speaker 2: What I expected, but that was awesome. So I think 513 00:19:27,920 --> 00:19:31,120 Speaker 2: I was expecting good and I got awesome. 514 00:19:31,680 --> 00:19:33,280 Speaker 7: Wow before lunch. 515 00:19:33,520 --> 00:19:35,080 Speaker 3: Yeah, holy crap. 516 00:19:35,520 --> 00:19:38,720 Speaker 2: And it still is who you guys are, but it's 517 00:19:38,760 --> 00:19:43,960 Speaker 2: also it feels extremely contemporary as well. 518 00:19:44,040 --> 00:19:45,760 Speaker 3: At the same time, I'm know that's important to you guys. 519 00:19:45,960 --> 00:19:46,640 Speaker 3: That's a big deal. 520 00:19:46,760 --> 00:19:49,240 Speaker 13: That's what Mickey Jack cons our producer, was like, you know, 521 00:19:49,320 --> 00:19:51,960 Speaker 13: you guys are kind of this three voices of the 522 00:19:52,000 --> 00:19:55,240 Speaker 13: soundtrack of people's lives that are totally nineties, but we 523 00:19:55,560 --> 00:19:58,040 Speaker 13: need to bring in into today and production wise and 524 00:19:58,080 --> 00:20:00,720 Speaker 13: then writing wise create that and I think we think 525 00:20:00,720 --> 00:20:01,639 Speaker 13: we pulled that off so far. 526 00:20:01,680 --> 00:20:03,280 Speaker 2: And when you guys coming together, that was full. 527 00:20:03,440 --> 00:20:03,600 Speaker 1: Yeah. 528 00:20:04,200 --> 00:20:06,639 Speaker 2: Hellox, if you get to pick a fourth front man, 529 00:20:06,640 --> 00:20:07,320 Speaker 2: why would it be me? 530 00:20:09,160 --> 00:20:11,680 Speaker 13: Because you have a radio show and well we're Buddy 531 00:20:11,680 --> 00:20:15,520 Speaker 13: Holly fan, so has okay, just making sure that So 532 00:20:15,760 --> 00:20:18,520 Speaker 13: when you guys play shows, I'm always curious in the 533 00:20:18,560 --> 00:20:22,120 Speaker 13: first and the last song because the first. 534 00:20:22,240 --> 00:20:24,199 Speaker 2: Very much a tone setter, even if the tone is 535 00:20:24,240 --> 00:20:26,400 Speaker 2: you don't know this song yet, but here you go. 536 00:20:27,040 --> 00:20:29,600 Speaker 2: The last song always boom, this is the one we 537 00:20:29,640 --> 00:20:31,560 Speaker 2: want to end on. So you leave feeling this song. 538 00:20:31,600 --> 00:20:33,120 Speaker 2: What's the first song the front men play? 539 00:20:33,440 --> 00:20:35,840 Speaker 14: Well, the first one, you know you want to you 540 00:20:35,880 --> 00:20:37,480 Speaker 14: want to get their attention right away. 541 00:20:37,560 --> 00:20:41,720 Speaker 3: So what about now one that we recorded years ago? 542 00:20:42,320 --> 00:20:44,320 Speaker 14: So that kind of you know, up tempo, a lot 543 00:20:44,320 --> 00:20:46,159 Speaker 14: of energy, high energy, and it kind of sets the 544 00:20:46,520 --> 00:20:48,560 Speaker 14: sets the tone for the whole night. 545 00:20:48,800 --> 00:20:51,040 Speaker 3: It's sort of a medley because we do all. 546 00:20:50,960 --> 00:20:53,159 Speaker 13: Of what about now and then we do a like 547 00:20:53,160 --> 00:20:55,240 Speaker 13: a ten song medley of just number one hits, just 548 00:20:55,400 --> 00:20:57,000 Speaker 13: doing Boom medley. 549 00:20:57,240 --> 00:20:58,480 Speaker 3: Yeah, it's kick a little. 550 00:20:58,680 --> 00:20:59,359 Speaker 2: I'd be sweating. 551 00:20:59,359 --> 00:21:01,440 Speaker 3: What is after that? What I forgot? 552 00:21:01,440 --> 00:21:01,720 Speaker 7: What it is? 553 00:21:01,800 --> 00:21:06,879 Speaker 3: Yeah, it's it's what is it a little right to 554 00:21:06,880 --> 00:21:07,160 Speaker 3: be wrong? 555 00:21:07,280 --> 00:21:07,440 Speaker 2: Right? 556 00:21:08,280 --> 00:21:08,800 Speaker 6: No news? 557 00:21:12,480 --> 00:21:12,680 Speaker 7: Yeah? 558 00:21:12,920 --> 00:21:16,280 Speaker 2: I use a prompter on the stage when I'm doing 559 00:21:16,280 --> 00:21:18,280 Speaker 2: my stand up back to just give me themes of 560 00:21:18,440 --> 00:21:19,760 Speaker 2: the order I want to go. Do you guys use 561 00:21:19,800 --> 00:21:21,280 Speaker 2: prompter all? You have so many number ones and you 562 00:21:21,320 --> 00:21:22,840 Speaker 2: have to learn nobody else's songs as well? Or do 563 00:21:22,880 --> 00:21:23,880 Speaker 2: you guys have them memorized? 564 00:21:24,040 --> 00:21:25,520 Speaker 3: We know them? You do not yet? 565 00:21:26,119 --> 00:21:29,520 Speaker 2: Because I feel well, I use one now is why 566 00:21:29,520 --> 00:21:32,199 Speaker 2: I ask. I feel like that I know every one 567 00:21:32,240 --> 00:21:33,560 Speaker 2: of you guys a song, except I don't really know 568 00:21:33,600 --> 00:21:33,960 Speaker 2: the words. 569 00:21:35,280 --> 00:21:37,800 Speaker 3: Meaning I know every song and I can visoom. 570 00:21:37,320 --> 00:21:42,399 Speaker 2: You know if they're like I'm already dep's number new money, 571 00:21:43,320 --> 00:21:45,920 Speaker 2: you know if it's on I've done that lyric. 572 00:21:46,040 --> 00:21:46,800 Speaker 3: Yeah you know what I'm saying. 573 00:21:48,400 --> 00:21:50,399 Speaker 2: But I don't know any word to any song. Like 574 00:21:50,440 --> 00:21:53,720 Speaker 2: I love lyrics, but I don't know them. But I 575 00:21:53,800 --> 00:22:03,040 Speaker 2: know melodies like Amy is back in Austin, nahs. 576 00:21:58,920 --> 00:22:03,040 Speaker 1: Rich working at Lozona Rosa caffin. 577 00:22:03,240 --> 00:22:07,120 Speaker 2: Yeah, well yeah, but I mean yeah, we've been as 578 00:22:07,720 --> 00:22:09,680 Speaker 2: when it was the thing. Yeah, but that's your song. 579 00:22:10,119 --> 00:22:12,880 Speaker 1: I know, I'm that was my song because I'm from 580 00:22:12,920 --> 00:22:15,080 Speaker 1: Austin and my name is Samy, so I will see there. 581 00:22:15,400 --> 00:22:17,760 Speaker 3: It is totally your song. Baby, when. 582 00:22:20,160 --> 00:22:24,439 Speaker 2: Nothing no, no, no, don't laugh one dude. You gotta let 583 00:22:24,440 --> 00:22:25,160 Speaker 2: me do my process. 584 00:22:26,119 --> 00:22:27,840 Speaker 7: Baby, when I come to. 585 00:22:29,280 --> 00:22:34,480 Speaker 2: Nothing inside you, there's always words I can't take. 586 00:22:35,280 --> 00:22:37,960 Speaker 3: Yeah, I don't, man, but then I know you still 587 00:22:38,000 --> 00:22:41,920 Speaker 3: believe I'm the only one ever I get any of them, right, 588 00:22:42,960 --> 00:22:46,399 Speaker 3: trouple of words. Yeah, but I know when it's on, 589 00:22:47,200 --> 00:22:50,600 Speaker 3: you're spot on. Don't know why you do what you do. 590 00:22:51,080 --> 00:22:54,640 Speaker 2: You go, I'm so in love with you. 591 00:22:54,680 --> 00:22:56,000 Speaker 3: Are you acting like you're playing piano? 592 00:22:56,119 --> 00:22:58,440 Speaker 2: Yes, because I'm trying to keep the time, just keep 593 00:22:58,480 --> 00:23:01,600 Speaker 2: getting better. Yeah, it's like I said, I know every word, 594 00:23:01,680 --> 00:23:04,320 Speaker 2: except I don't know any of the words. If that 595 00:23:04,359 --> 00:23:05,040 Speaker 2: makes sense. 596 00:23:04,840 --> 00:23:05,120 Speaker 7: It does. 597 00:23:05,160 --> 00:23:06,879 Speaker 3: It's kind of cool. I'm digging the whole. 598 00:23:07,119 --> 00:23:08,280 Speaker 7: This is totally new to me. 599 00:23:08,560 --> 00:23:10,199 Speaker 3: Some of my songwriting buddies do that. 600 00:23:10,200 --> 00:23:11,840 Speaker 13: They'll come up with a melody while we're writing and 601 00:23:11,880 --> 00:23:13,040 Speaker 13: they can't say any wors is. 602 00:23:13,080 --> 00:23:15,320 Speaker 3: Go, Hey it divin't did it? Did you? 603 00:23:15,359 --> 00:23:16,760 Speaker 2: Kind of like that in the exp I didn't come 604 00:23:16,840 --> 00:23:19,119 Speaker 2: up with the melody, I stole yours and then but 605 00:23:19,400 --> 00:23:22,560 Speaker 2: that's you guys have done all these songs, our whole lives. 606 00:23:22,720 --> 00:23:26,600 Speaker 2: You're the soundtrack. Like I said to us, probably what teenage? 607 00:23:26,960 --> 00:23:28,800 Speaker 3: Oh we're now younger than that ten. 608 00:23:28,880 --> 00:23:30,760 Speaker 5: Because I was in the I was in the Little 609 00:23:30,800 --> 00:23:32,040 Speaker 5: Texas fan Club here. 610 00:23:32,760 --> 00:23:35,040 Speaker 3: Wow. No, but I mean one, I'm the oldest one here. 611 00:23:35,119 --> 00:23:36,679 Speaker 5: But I mean I was in the Little Texas Fan 612 00:23:36,720 --> 00:23:38,640 Speaker 5: Club when I was ten years old. 613 00:23:38,720 --> 00:23:39,240 Speaker 7: Nine years old? 614 00:23:39,720 --> 00:23:41,399 Speaker 3: Wow? Yeah, man, I love that. 615 00:23:41,440 --> 00:23:43,720 Speaker 2: Oh my god, come on, but you guys look the 616 00:23:43,720 --> 00:23:44,360 Speaker 2: same age. 617 00:23:44,800 --> 00:23:48,120 Speaker 3: Who me and Tim? Yeah? Yeah, it's like we never 618 00:23:48,119 --> 00:23:50,080 Speaker 3: got older. Tim, Yeah, both of you guys stayed the 619 00:23:50,119 --> 00:23:51,080 Speaker 3: same age. Frozen. 620 00:23:51,600 --> 00:23:54,840 Speaker 2: So this new EP, Familiar Faces, it is three new songs. 621 00:23:54,840 --> 00:23:56,360 Speaker 2: One of them you played Landlone in Mexico. 622 00:23:57,000 --> 00:23:59,000 Speaker 3: Actually yeah, that song is actually not on the E. 623 00:23:59,160 --> 00:24:00,000 Speaker 3: Why did you play it here? 624 00:24:00,240 --> 00:24:00,359 Speaker 2: Then? 625 00:24:00,400 --> 00:24:03,360 Speaker 3: Because we want to do this sound special. We wanted 626 00:24:03,400 --> 00:24:04,600 Speaker 3: to give you a little something. You know, do you 627 00:24:04,600 --> 00:24:06,760 Speaker 3: do any other new songs? Yeah? 628 00:24:06,920 --> 00:24:07,879 Speaker 2: Do you want to I mean, if you want to 629 00:24:07,880 --> 00:24:10,080 Speaker 2: play with a little something from the new record, you can. 630 00:24:10,119 --> 00:24:11,679 Speaker 2: You don't have to. I don't want to put you 631 00:24:11,680 --> 00:24:12,119 Speaker 2: on the spot. 632 00:24:13,040 --> 00:24:17,000 Speaker 3: Do a little bit of lefter mark. That's so good. 633 00:24:17,359 --> 00:24:20,199 Speaker 3: His holy crap, Wow, that's awesome. You want to hear 634 00:24:20,200 --> 00:24:23,199 Speaker 3: the second verse? Oh a crime, you get a pair 635 00:24:23,240 --> 00:24:26,199 Speaker 3: of flyers in a running start. It's yeah, it's He 636 00:24:26,280 --> 00:24:26,880 Speaker 3: brought that in. 637 00:24:27,200 --> 00:24:29,639 Speaker 13: We were trying to wrap up what with the final 638 00:24:29,680 --> 00:24:32,080 Speaker 13: components of the album would be the full album, and 639 00:24:32,440 --> 00:24:33,760 Speaker 13: he brought that and he goes, hey, man, I got 640 00:24:33,760 --> 00:24:36,280 Speaker 13: something I wrote and he told the story about you know, 641 00:24:36,960 --> 00:24:40,359 Speaker 13: literally pulling his car over. Impatient at first because that 642 00:24:40,400 --> 00:24:42,080 Speaker 13: looked like something was going on and ended up being 643 00:24:42,080 --> 00:24:42,840 Speaker 13: a funeral procession. 644 00:24:42,880 --> 00:24:44,719 Speaker 3: And he wrote that, and we were like, dude, we 645 00:24:44,760 --> 00:24:47,560 Speaker 3: are so cutting that. That's a great Richie, great song. 646 00:24:47,640 --> 00:24:50,440 Speaker 2: You sounded great, like I think everybody kind of felt 647 00:24:50,480 --> 00:24:51,320 Speaker 2: it in one way or the other. 648 00:24:51,359 --> 00:24:52,960 Speaker 3: Oh yeah, that's awesome. 649 00:24:53,160 --> 00:24:53,480 Speaker 7: Thank you. 650 00:24:53,560 --> 00:24:53,720 Speaker 3: Yeah. 651 00:24:53,720 --> 00:24:54,920 Speaker 2: I know you guys aren't planning to play that, but 652 00:24:54,960 --> 00:24:57,000 Speaker 2: I'm glad you did. You can curse me after you're 653 00:24:57,000 --> 00:24:59,040 Speaker 2: gone for making you do that, But right now we're 654 00:24:59,040 --> 00:24:59,800 Speaker 2: feeling pretty good. 655 00:25:00,160 --> 00:25:01,680 Speaker 7: Cool, Okay, we love that song. 656 00:25:01,680 --> 00:25:06,440 Speaker 12: It's yeah, top top one or two favorite that we recorded. 657 00:25:06,560 --> 00:25:08,119 Speaker 3: Well, you only recorded three, so I mean if you 658 00:25:08,119 --> 00:25:08,560 Speaker 3: were to say it. 659 00:25:08,720 --> 00:25:10,360 Speaker 7: Then we recorded about twelve. 660 00:25:10,520 --> 00:25:13,399 Speaker 3: Well the one that I said, yeah, I love that. 661 00:25:14,600 --> 00:25:18,040 Speaker 2: The medley that you guys do of the hits, how 662 00:25:18,040 --> 00:25:19,280 Speaker 2: many hits do you put in that medley? 663 00:25:21,000 --> 00:25:23,200 Speaker 3: Well, you mean the one you have had. 664 00:25:23,119 --> 00:25:25,199 Speaker 2: A concert, because it would be hilarious if you went 665 00:25:25,240 --> 00:25:26,640 Speaker 2: and you just played a NonStop melody for an hour 666 00:25:26,640 --> 00:25:28,840 Speaker 2: and then walked off like there was never a break, 667 00:25:29,119 --> 00:25:31,160 Speaker 2: it was just one to the next. I would laugh 668 00:25:31,320 --> 00:25:32,360 Speaker 2: for that would. 669 00:25:32,160 --> 00:25:32,560 Speaker 3: Be the greatest. 670 00:25:32,600 --> 00:25:34,480 Speaker 2: Like, all right, guys, we gonna start with this, you 671 00:25:34,520 --> 00:25:36,840 Speaker 2: finish all every number one you do, and then you 672 00:25:36,880 --> 00:25:39,640 Speaker 2: just walk off. I'd like that. I'd get good laugh at. 673 00:25:39,600 --> 00:25:42,200 Speaker 12: About an hour and fifty minutes, and there's still about 674 00:25:42,240 --> 00:25:44,160 Speaker 12: five number one songs that we don't have in the show. 675 00:25:44,240 --> 00:25:46,840 Speaker 3: Bragger it is. It is kind of cool. 676 00:25:47,000 --> 00:25:48,679 Speaker 13: I mean, it's a I think a lot for us 677 00:25:48,720 --> 00:25:52,119 Speaker 13: on stage is just watching people's eyeballs connecting the dots 678 00:25:52,119 --> 00:25:54,920 Speaker 13: and you know, and you know, not to be smallsy 679 00:25:54,920 --> 00:25:56,640 Speaker 13: about it, but there's a lot of emotion because all 680 00:25:56,640 --> 00:25:58,560 Speaker 13: those songs take people to a certain place, and so 681 00:25:59,560 --> 00:26:02,040 Speaker 13: you knows one thing like when he does, I'm already there. 682 00:26:02,080 --> 00:26:04,280 Speaker 13: I mean, it's just bring a mop out people who 683 00:26:04,320 --> 00:26:08,479 Speaker 13: just it fractures people. But I also think that we 684 00:26:08,480 --> 00:26:10,760 Speaker 13: we do a really cool fresh version of all those songs, 685 00:26:10,800 --> 00:26:12,399 Speaker 13: you know, so we kind of bring a freshness to it. 686 00:26:12,800 --> 00:26:15,440 Speaker 13: But it is it's a great concert experience, even for us. 687 00:26:15,480 --> 00:26:17,600 Speaker 13: It's you know, we we actually dig it. 688 00:26:17,840 --> 00:26:19,800 Speaker 2: Larry, do you ever rap in these songs for the freshness? 689 00:26:20,320 --> 00:26:20,760 Speaker 7: Do we ever? 690 00:26:20,760 --> 00:26:20,840 Speaker 1: What? 691 00:26:20,960 --> 00:26:22,080 Speaker 2: Do you have a rap? Do a little rap in 692 00:26:22,160 --> 00:26:25,320 Speaker 2: the middle? No, he could, though you should adds a 693 00:26:25,359 --> 00:26:28,879 Speaker 2: freshness to that be like I'm Larry from Restless saving it. Okay, 694 00:26:28,880 --> 00:26:30,879 Speaker 2: I won't. I won't lay down anything, Larry and Larry 695 00:26:30,880 --> 00:26:34,040 Speaker 2: stew Would you guys do the medley because on this 696 00:26:34,119 --> 00:26:37,560 Speaker 2: the new EPs familiar faces and so man, that song 697 00:26:37,600 --> 00:26:39,879 Speaker 2: that you guys played left there Mark is awesome. But 698 00:26:39,960 --> 00:26:43,320 Speaker 2: I know you guys are doing. I'll still be loving you, 699 00:26:43,400 --> 00:26:46,520 Speaker 2: God blessed Texas amazed. Can you cram those three together? 700 00:26:47,840 --> 00:26:48,440 Speaker 7: I could? 701 00:26:48,800 --> 00:26:50,400 Speaker 2: I don't know, whatever you want, just cram whatever together. 702 00:26:50,440 --> 00:26:52,000 Speaker 2: We'll just be here, play for an hour. We'll check 703 00:26:52,000 --> 00:26:52,480 Speaker 2: it back it later. 704 00:26:52,520 --> 00:26:55,120 Speaker 3: Yeah, we'll be here. You want to do whatever you want. 705 00:26:55,359 --> 00:26:57,000 Speaker 2: I don't care what you do. Here's the front Men. 706 00:26:57,160 --> 00:26:58,639 Speaker 2: We're just enjoying the show. This is one of those 707 00:26:58,680 --> 00:26:59,960 Speaker 2: rare times where we just get to sit back and 708 00:27:00,160 --> 00:27:02,199 Speaker 2: whatever you guys do. The Frontmen are here, which, by 709 00:27:02,200 --> 00:27:04,480 Speaker 2: the way, follow them on Instagram. At the Frontmen Live. 710 00:27:04,760 --> 00:27:07,400 Speaker 2: It's Larry from Restless Heart, Ritchie from Lone Star, Tim 711 00:27:07,440 --> 00:27:10,560 Speaker 2: Rushlow Little Texas. They have three new songs and three 712 00:27:10,600 --> 00:27:12,439 Speaker 2: new versions of three hits from their past. 713 00:27:13,359 --> 00:27:14,720 Speaker 3: This is awesome me talking. 714 00:27:14,440 --> 00:27:17,120 Speaker 2: Over this, and I want everybody to know that no 715 00:27:17,119 --> 00:27:19,360 Speaker 2: matter who you are and where you are, you are loved. 716 00:27:19,680 --> 00:27:22,160 Speaker 2: Someone right now is thinking about you, and they're thinking 717 00:27:22,160 --> 00:27:24,960 Speaker 2: about and they're caring about you with all of their heart. 718 00:27:25,080 --> 00:27:35,160 Speaker 15: Leave your number, Jelly Row now the Frontman. 719 00:27:35,680 --> 00:27:38,080 Speaker 2: They have a new EP out of six songs. Three 720 00:27:38,119 --> 00:27:41,280 Speaker 2: songs that you love done a little differently, a little 721 00:27:41,359 --> 00:27:43,040 Speaker 2: little uh what would you say, I want to say 722 00:27:43,040 --> 00:27:45,959 Speaker 2: new or a little fresher, Yeah, a little fresher, and 723 00:27:46,000 --> 00:27:48,600 Speaker 2: then three songs that you already loved, done a little 724 00:27:48,760 --> 00:27:52,080 Speaker 2: fresher except I mean whatever, it's all stuff, it's all 725 00:27:52,200 --> 00:27:52,760 Speaker 2: it's all fun. 726 00:27:52,960 --> 00:27:55,320 Speaker 3: You guys sound great, thank you, Thanks man, Thanks you 727 00:27:55,320 --> 00:27:56,639 Speaker 3: so much for sing together. 728 00:27:56,720 --> 00:27:59,960 Speaker 2: You sound great too, Like, how did three guys who 729 00:28:00,000 --> 00:28:02,240 Speaker 2: were just like alpha energy decide. 730 00:28:01,840 --> 00:28:04,680 Speaker 3: To do it and then it works together? 731 00:28:06,000 --> 00:28:08,640 Speaker 13: I would never it just does, you know, And even 732 00:28:08,640 --> 00:28:11,560 Speaker 13: when we're doing our creative stuff, we just know who 733 00:28:11,920 --> 00:28:13,399 Speaker 13: is going to sing what and oh you take the 734 00:28:13,440 --> 00:28:15,280 Speaker 13: high part too. He's singing lead on that one, and 735 00:28:15,440 --> 00:28:18,399 Speaker 13: just it just feels, you know, And to be really 736 00:28:18,560 --> 00:28:21,119 Speaker 13: not too cornball, I think we're really grateful that we 737 00:28:21,160 --> 00:28:22,960 Speaker 13: still get to do what we love to do and 738 00:28:23,640 --> 00:28:26,000 Speaker 13: we're still I think, on top of our game vocally, 739 00:28:26,200 --> 00:28:28,280 Speaker 13: and you know, we try to take care of ourselves 740 00:28:28,359 --> 00:28:30,520 Speaker 13: and just you know, to get this shot. 741 00:28:30,560 --> 00:28:33,199 Speaker 3: I mean again, it's your fault, dude. It's not my 742 00:28:33,280 --> 00:28:34,199 Speaker 3: fault that I love you. 743 00:28:34,280 --> 00:28:38,360 Speaker 2: Okay, I can't welp love oh exactly. 744 00:28:38,680 --> 00:28:40,000 Speaker 3: But we did take your advice. 745 00:28:39,800 --> 00:28:42,160 Speaker 13: And we you know, we've we've now got in a 746 00:28:42,160 --> 00:28:44,760 Speaker 13: position to actually make music that we're proud of, and 747 00:28:44,960 --> 00:28:46,200 Speaker 13: you never know, we may screw up and have a 748 00:28:46,280 --> 00:28:46,800 Speaker 13: hit on the radio. 749 00:28:46,840 --> 00:28:47,560 Speaker 7: Get yeah. 750 00:28:47,600 --> 00:28:49,080 Speaker 1: Well, I mean it's awesome y'all can make it work, 751 00:28:49,120 --> 00:28:52,200 Speaker 1: because I mean I could picture some lead singers getting 752 00:28:52,200 --> 00:28:54,640 Speaker 1: together and it being more of a battle of like 753 00:28:54,680 --> 00:28:56,360 Speaker 1: when you're like h and then the next is like, 754 00:28:56,600 --> 00:29:01,040 Speaker 1: you're all I mean that, you're like, oh, I can 755 00:29:01,080 --> 00:29:02,520 Speaker 1: do that, louder I can do that better. I can 756 00:29:02,520 --> 00:29:04,080 Speaker 1: do that, louder I can hold that note longer. 757 00:29:04,280 --> 00:29:06,040 Speaker 2: But y'all just kind of whoever peas on the tree 758 00:29:06,040 --> 00:29:08,760 Speaker 2: first of these three, they get it? Pay my dog's 759 00:29:09,360 --> 00:29:11,960 Speaker 2: first one to pee there, it's that's their spot. Okay, 760 00:29:12,000 --> 00:29:14,959 Speaker 2: So the music's out now, the EP, and I'm assuming 761 00:29:14,960 --> 00:29:17,120 Speaker 2: if this does pretty well, there'll be more music. EP 762 00:29:17,200 --> 00:29:20,880 Speaker 2: turns into LP, LP turns into baby. First love comes love, 763 00:29:20,960 --> 00:29:22,000 Speaker 2: then comes marriage. 764 00:29:22,120 --> 00:29:25,440 Speaker 3: Well, we actually have an LP done, you do well? 765 00:29:25,480 --> 00:29:27,880 Speaker 3: You don't have to whisper. We do. Yeah, it's just 766 00:29:27,880 --> 00:29:28,920 Speaker 3: not out yet, got it? 767 00:29:29,600 --> 00:29:31,560 Speaker 7: The goal of single twenty twenty four. 768 00:29:31,680 --> 00:29:33,880 Speaker 2: Yeah, you're gonna be single twenty twenty four. Good for you? 769 00:29:37,360 --> 00:29:38,120 Speaker 3: Oh this Janet? 770 00:29:38,200 --> 00:29:38,360 Speaker 2: No one? 771 00:29:38,720 --> 00:29:41,560 Speaker 3: Oh? All right from in go watch them. 772 00:29:41,600 --> 00:29:43,320 Speaker 2: You guys do a bunch of shows in twenty twenty four, 773 00:29:43,440 --> 00:29:46,240 Speaker 2: like fairs and festivals and that's so fun. 774 00:29:46,760 --> 00:29:47,320 Speaker 3: Which song? 775 00:29:47,360 --> 00:29:48,960 Speaker 2: Okay, this is the last question because I could do 776 00:29:49,000 --> 00:29:53,080 Speaker 2: this for three hours and I need honesty, which always 777 00:29:53,080 --> 00:29:56,840 Speaker 2: means it's gonna be an awkward question. So let me go 778 00:29:57,120 --> 00:29:59,240 Speaker 2: Larry to you first. What song of theirs it's the 779 00:29:59,320 --> 00:30:01,080 Speaker 2: number one? Do you like playing the least? 780 00:30:01,760 --> 00:30:02,520 Speaker 7: Playing the least? 781 00:30:02,520 --> 00:30:05,840 Speaker 16: That's funny, it doesn't that's amazing. It doesn't mean you 782 00:30:05,880 --> 00:30:08,520 Speaker 16: don't like it. But it's like playing the least for 783 00:30:08,600 --> 00:30:10,760 Speaker 16: whatever reason. What's the number one song from that you 784 00:30:10,800 --> 00:30:12,560 Speaker 16: like playing the least? From them? 785 00:30:12,800 --> 00:30:14,360 Speaker 1: It's like, okay, so they did get along. 786 00:30:14,400 --> 00:30:15,720 Speaker 3: Here's Larry from now. 787 00:30:16,160 --> 00:30:18,920 Speaker 7: There is not one I dislike in our whole cell. 788 00:30:19,000 --> 00:30:20,840 Speaker 2: And I did say dislike. I said like the least 789 00:30:20,880 --> 00:30:22,480 Speaker 2: because I love all these people here on the show. 790 00:30:22,840 --> 00:30:25,000 Speaker 2: If I got to pick one I like, I like 791 00:30:25,040 --> 00:30:30,560 Speaker 2: the least. Yes, probably Lunchbox. But I still love them. 792 00:30:30,560 --> 00:30:32,440 Speaker 2: We've been together twenty years. 793 00:30:32,480 --> 00:30:35,040 Speaker 3: No big deal. See that's a hard one. 794 00:30:35,040 --> 00:30:35,600 Speaker 2: It's mutual. 795 00:30:35,920 --> 00:30:37,640 Speaker 3: I mean, I don't even know that I. 796 00:30:37,600 --> 00:30:39,560 Speaker 7: Could pick one one of TAM's songs. 797 00:30:39,800 --> 00:30:40,880 Speaker 3: Yeah, there you go, because. 798 00:30:40,640 --> 00:30:43,840 Speaker 2: He sings I sing so high. Yeah, like, okay, I know, 799 00:30:43,880 --> 00:30:46,920 Speaker 2: I feel like Tam. I feel like you would like 800 00:30:46,960 --> 00:30:48,080 Speaker 2: say a song, And I got to say a song, Rich, 801 00:30:48,120 --> 00:30:49,160 Speaker 2: I feel like you would say a song too. 802 00:30:49,520 --> 00:30:51,360 Speaker 3: They think if you say which one the most, I 803 00:30:51,360 --> 00:30:51,920 Speaker 3: can know I can. 804 00:30:52,240 --> 00:30:53,200 Speaker 2: Most is the easy answer. 805 00:30:53,280 --> 00:30:54,000 Speaker 7: Yeah, No, I don't. 806 00:30:54,040 --> 00:30:56,600 Speaker 13: I don't know, man, least probably one. I have to 807 00:30:56,600 --> 00:30:58,920 Speaker 13: sing the high part on that. I, you know, squeak 808 00:30:58,960 --> 00:30:59,280 Speaker 13: it out. 809 00:30:59,680 --> 00:31:03,360 Speaker 3: I don't know. Maybe yes, sir, yes, sir, yes, sir? 810 00:31:03,480 --> 00:31:05,840 Speaker 3: Which one wrong or right? Yeah? 811 00:31:05,960 --> 00:31:10,160 Speaker 14: Only because he has some other hits that I'd rather perform. 812 00:31:10,200 --> 00:31:11,320 Speaker 2: See that's how you answer that question. 813 00:31:11,760 --> 00:31:12,640 Speaker 3: That was really good. 814 00:31:12,680 --> 00:31:14,480 Speaker 2: I'll be voting for him, don't care anything else about it, 815 00:31:14,480 --> 00:31:15,520 Speaker 2: but he got my vote. 816 00:31:15,840 --> 00:31:16,320 Speaker 7: There you go. 817 00:31:17,040 --> 00:31:20,320 Speaker 1: They looked up there like, oh really, they. 818 00:31:20,200 --> 00:31:21,920 Speaker 2: Start fighting my mass stage. 819 00:31:22,080 --> 00:31:23,479 Speaker 3: I quit the front man. 820 00:31:23,520 --> 00:31:26,480 Speaker 2: You guys follow them at the frontmen live. Congratulations on 821 00:31:26,480 --> 00:31:29,280 Speaker 2: the record, guys, thanks, congratulates something new songs sounding really good. 822 00:31:29,280 --> 00:31:31,640 Speaker 2: That's super cool. And now I'm gonna this is what 823 00:31:31,640 --> 00:31:34,760 Speaker 2: I'm gonna commit to right now that that song left there, 824 00:31:34,760 --> 00:31:36,000 Speaker 2: Mark is so good. I don't know what you guys 825 00:31:36,000 --> 00:31:37,720 Speaker 2: plans are, but we I do a National Countdown show. 826 00:31:37,720 --> 00:31:39,280 Speaker 2: I'm got to play that in the National Countdown Show 827 00:31:39,360 --> 00:31:41,200 Speaker 2: is like the feature the National song of the Week, 828 00:31:41,400 --> 00:31:43,960 Speaker 2: because I just think that's you know, I think it's 829 00:31:44,000 --> 00:31:44,720 Speaker 2: an awesome song. 830 00:31:44,920 --> 00:31:45,720 Speaker 3: It moved me. 831 00:31:46,000 --> 00:31:48,160 Speaker 2: You guys just played it and it's so good. I 832 00:31:48,160 --> 00:31:50,959 Speaker 2: think a national audience on the countdown needs to hear 833 00:31:50,960 --> 00:31:52,240 Speaker 2: it too, so we'll do that as well. 834 00:31:52,360 --> 00:31:53,320 Speaker 3: Awesome, all right, thank you? 835 00:31:53,360 --> 00:31:55,320 Speaker 2: All right, there we go that they are the front man. Everybody, 836 00:31:55,400 --> 00:32:02,240 Speaker 2: thank you. Amy's Pile of Stories. 837 00:32:02,320 --> 00:32:04,880 Speaker 1: An etiquette expert was saying that a lot of people 838 00:32:04,880 --> 00:32:07,200 Speaker 1: are eating peas all wrong. So if peas are going 839 00:32:07,280 --> 00:32:09,880 Speaker 1: to be served at Thanksgiving. 840 00:32:09,320 --> 00:32:10,880 Speaker 3: Pease, how do you eat peas? 841 00:32:10,960 --> 00:32:11,080 Speaker 10: Well? 842 00:32:11,080 --> 00:32:12,320 Speaker 1: Tell me how do you eat peas? 843 00:32:12,360 --> 00:32:12,520 Speaker 7: Well? 844 00:32:12,560 --> 00:32:14,560 Speaker 2: You, first of all, you'll have your mouth and you 845 00:32:14,600 --> 00:32:16,120 Speaker 2: take a spoon or a fork and you put them 846 00:32:16,160 --> 00:32:18,000 Speaker 2: in your mouth, and then you chew and then you swallow. 847 00:32:18,080 --> 00:32:20,720 Speaker 3: And that's about all I know. Black eyed peas, green peas? 848 00:32:20,760 --> 00:32:20,840 Speaker 13: What? 849 00:32:21,320 --> 00:32:21,520 Speaker 3: Yeah? 850 00:32:21,920 --> 00:32:26,040 Speaker 1: Peace? Any peace? I guess that works. I was picturing 851 00:32:26,120 --> 00:32:28,600 Speaker 1: green peas, but you're right, black eyed peas could work. 852 00:32:28,880 --> 00:32:31,600 Speaker 1: But apparently you should never shovel or scoop them with 853 00:32:31,800 --> 00:32:34,440 Speaker 1: fork or spoon. Instead, you use your knife like a 854 00:32:34,520 --> 00:32:37,520 Speaker 1: backboard to gather some peas together, and then you spear 855 00:32:37,560 --> 00:32:38,600 Speaker 1: a bunch of them at once. 856 00:32:39,040 --> 00:32:40,640 Speaker 2: I'm going to tell you, if I'm doing this, it's 857 00:32:40,640 --> 00:32:44,200 Speaker 2: gonna be the worst etichete I'm gonna miss. Just let 858 00:32:44,200 --> 00:32:46,320 Speaker 2: me go with the fork, mister Etiicett guy, because there's 859 00:32:46,320 --> 00:32:48,160 Speaker 2: no way any of us are. We're gonna look even 860 00:32:48,160 --> 00:32:49,959 Speaker 2: more hillbilly than we are if we're trying what it's 861 00:32:49,960 --> 00:32:50,800 Speaker 2: supposed to be fancy. 862 00:32:51,040 --> 00:32:53,840 Speaker 1: Well, I'm just saying this is the proper way. If 863 00:32:53,880 --> 00:32:56,160 Speaker 1: you want to bust it out at the family meal, 864 00:32:56,280 --> 00:32:58,720 Speaker 1: you can teach everybody like a sort of like soup. 865 00:32:58,760 --> 00:33:01,200 Speaker 1: You know you're supposed to eat soup? Do you know 866 00:33:01,040 --> 00:33:01,960 Speaker 1: you're suppsed to eat sup? 867 00:33:02,000 --> 00:33:02,200 Speaker 3: Yeah? 868 00:33:02,920 --> 00:33:03,600 Speaker 2: How do you do it? 869 00:33:04,480 --> 00:33:05,400 Speaker 3: Well? It depends. 870 00:33:05,520 --> 00:33:08,560 Speaker 2: I if my wife is not going to be judgmental 871 00:33:08,600 --> 00:33:10,560 Speaker 2: of me, I will ask for extra bread and basically 872 00:33:10,560 --> 00:33:12,680 Speaker 2: eat the soup through the bread. And I will take 873 00:33:12,720 --> 00:33:14,040 Speaker 2: the bread and just dip it and eat the bread 874 00:33:14,080 --> 00:33:14,760 Speaker 2: like a sponge. 875 00:33:15,000 --> 00:33:15,200 Speaker 3: Yes. 876 00:33:15,640 --> 00:33:19,160 Speaker 2: And she's like, hey, we're not Mountain Pine right now. 877 00:33:19,520 --> 00:33:22,680 Speaker 2: And I'm like, don't talk about Mountain Pine, Oklahoma. And 878 00:33:22,800 --> 00:33:25,120 Speaker 2: she's like, good point. And then we move on from that. 879 00:33:25,160 --> 00:33:27,800 Speaker 2: And then she puts the napkin in my lap because 880 00:33:27,840 --> 00:33:30,360 Speaker 2: I usually get food all over me, and so then 881 00:33:30,360 --> 00:33:32,480 Speaker 2: she's like, you eat like a seven year old. And 882 00:33:32,520 --> 00:33:34,320 Speaker 2: then I said I'm trying to get better. And then 883 00:33:34,360 --> 00:33:35,600 Speaker 2: we finished dinner and go home and we have the 884 00:33:35,640 --> 00:33:37,640 Speaker 2: whole conference. It's the whole thing. But yes, it soup 885 00:33:37,680 --> 00:33:38,120 Speaker 2: with a spoon. 886 00:33:38,160 --> 00:33:39,800 Speaker 3: Okay, yeah, but I go backward. 887 00:33:40,040 --> 00:33:40,800 Speaker 1: Yes, that's it. 888 00:33:40,920 --> 00:33:42,680 Speaker 2: Then you're supposed to What do you mean, so you 889 00:33:42,680 --> 00:33:45,000 Speaker 2: take your spoon. I only do this because I worked 890 00:33:45,000 --> 00:33:46,720 Speaker 2: at a fancy restaurant as a waiter and a bus boy. 891 00:33:46,920 --> 00:33:50,600 Speaker 2: You take your spoon, you go in from the front. Okay, 892 00:33:50,640 --> 00:33:52,560 Speaker 2: It's like if you were wiping your butt front to back. 893 00:33:53,560 --> 00:33:55,560 Speaker 1: You go not explain it that way to go from. 894 00:33:55,400 --> 00:33:58,000 Speaker 2: The front of the soup bawl and come to your mouth. 895 00:33:58,080 --> 00:33:59,160 Speaker 3: What is the difference? 896 00:33:59,280 --> 00:33:59,480 Speaker 1: How? 897 00:34:00,600 --> 00:34:01,880 Speaker 3: I don't think I've ever done that. 898 00:34:01,960 --> 00:34:03,720 Speaker 2: You only do it because I worked at a fancy restaurant. 899 00:34:03,800 --> 00:34:04,960 Speaker 3: Wow, I don't understand. 900 00:34:05,040 --> 00:34:06,240 Speaker 1: Yeah, you take the spoon, like. 901 00:34:07,720 --> 00:34:09,520 Speaker 3: Yeah, but why would it. It's so much easier to 902 00:34:09,560 --> 00:34:11,600 Speaker 3: bring it like as you can. You can flip it 903 00:34:11,600 --> 00:34:11,920 Speaker 3: from far. 904 00:34:12,600 --> 00:34:17,680 Speaker 1: No, that's not why. Okay, I have some embarrassing moments 905 00:34:17,760 --> 00:34:19,399 Speaker 1: that a lot of people can relate to, Like, these 906 00:34:19,400 --> 00:34:21,560 Speaker 1: are the things that just really get us all feeling 907 00:34:21,600 --> 00:34:22,359 Speaker 1: weird if we do them. 908 00:34:22,400 --> 00:34:26,359 Speaker 5: Okay, hooper fants, Oh shoot, gotta be on the list. 909 00:34:26,480 --> 00:34:29,040 Speaker 1: I did not make it a careful. 910 00:34:29,200 --> 00:34:30,680 Speaker 6: That would be pretty embarrassing. 911 00:34:31,080 --> 00:34:32,640 Speaker 1: I'll give you the top five things people are most 912 00:34:32,640 --> 00:34:36,400 Speaker 1: embarrassed about. Five deep liking something on social like if you're. 913 00:34:37,960 --> 00:34:43,319 Speaker 2: Or you're just like cyber stalking someone. H Like there 914 00:34:43,360 --> 00:34:45,239 Speaker 2: have been people in the in this business that let 915 00:34:45,239 --> 00:34:46,920 Speaker 2: me go check out their profiles and like see what 916 00:34:46,920 --> 00:34:48,239 Speaker 2: they're up to. So if I like their work or 917 00:34:48,280 --> 00:34:49,960 Speaker 2: maybe want to work, and I'll be like, six months 918 00:34:49,960 --> 00:34:52,239 Speaker 2: ago they're doing like some funny bit and I'm like, oh, 919 00:34:52,280 --> 00:34:57,200 Speaker 2: that's cool. Oh I liked it from six months ago. Yeah, 920 00:34:57,480 --> 00:34:59,000 Speaker 2: that is that's a nightmare. 921 00:34:58,840 --> 00:35:01,400 Speaker 1: Deep Like a four when the door says pull but 922 00:35:01,520 --> 00:35:02,400 Speaker 1: you push. 923 00:35:02,680 --> 00:35:04,320 Speaker 3: I don't mind that one that happens all the time. 924 00:35:04,719 --> 00:35:06,440 Speaker 1: When you try to take a sip of something and 925 00:35:06,480 --> 00:35:07,600 Speaker 1: completely miss your mouth. 926 00:35:08,920 --> 00:35:11,279 Speaker 2: No, I don't do that one that much. Yeah, so far, 927 00:35:11,320 --> 00:35:13,880 Speaker 2: I'm so good. Okay, Falling is tough, though, it's embarrassing. 928 00:35:14,080 --> 00:35:14,439 Speaker 3: The trip. 929 00:35:15,000 --> 00:35:16,520 Speaker 1: Yeah, well that's the number one, Like. 930 00:35:16,520 --> 00:35:20,920 Speaker 2: I says, hilarious if it's not you, no, yeah, terrible. 931 00:35:20,680 --> 00:35:22,760 Speaker 3: If it is you, man, it's when old people falls. 932 00:35:22,920 --> 00:35:24,479 Speaker 3: I don't like that. I don't like that. That's worse. 933 00:35:24,640 --> 00:35:25,040 Speaker 2: That's bad. 934 00:35:25,480 --> 00:35:27,799 Speaker 1: So since tripping or falling in public is number one. 935 00:35:28,080 --> 00:35:31,040 Speaker 1: Number two is texting the wrong person, which I guess 936 00:35:31,040 --> 00:35:32,279 Speaker 1: it just depends on what you've said. 937 00:35:32,560 --> 00:35:35,120 Speaker 2: Well, this is what I did the other day. We 938 00:35:35,200 --> 00:35:37,960 Speaker 2: have a text thread. It's me Morgan number one, a 939 00:35:37,960 --> 00:35:41,239 Speaker 2: couple other people that in my little management group, and 940 00:35:41,320 --> 00:35:44,160 Speaker 2: it was one of the people's birthdays, and so I 941 00:35:44,200 --> 00:35:46,160 Speaker 2: was texting Morgan about it. Hey la la, except I 942 00:35:46,160 --> 00:35:47,600 Speaker 2: sent it to the whole thread, including the person who's 943 00:35:47,600 --> 00:35:49,680 Speaker 2: birthday was. All I did was see her name up 944 00:35:49,719 --> 00:35:50,920 Speaker 2: on the front of that text thread and I just 945 00:35:50,960 --> 00:35:52,680 Speaker 2: hit it and was like, hey, so for the birthday. 946 00:35:52,719 --> 00:35:54,799 Speaker 2: And I realized I pushed the whole voice memo through. 947 00:35:55,480 --> 00:35:57,480 Speaker 2: It was like, oh my god, so what. 948 00:35:57,440 --> 00:36:01,040 Speaker 3: Is the birthday? Person said, thank you. Sounds like a good. 949 00:36:00,960 --> 00:36:03,120 Speaker 2: Idea, they said, I don't think I'm supposed to hear this. 950 00:36:03,160 --> 00:36:05,560 Speaker 6: Oh yeah. 951 00:36:05,640 --> 00:36:07,960 Speaker 1: Cody Johnson revealed that he got a tattoo on the 952 00:36:08,000 --> 00:36:08,880 Speaker 1: bottom of his foot. 953 00:36:09,239 --> 00:36:11,040 Speaker 2: I saw that that kind of hurt. That means you 954 00:36:11,120 --> 00:36:12,200 Speaker 2: run out of space though. 955 00:36:12,120 --> 00:36:14,440 Speaker 1: Oh yeah, to be painful, I. 956 00:36:14,520 --> 00:36:17,640 Speaker 2: Do a buttcheek before the bottom of the foot just 957 00:36:17,640 --> 00:36:20,520 Speaker 2: because bottom of the foot you have one, it's gonna hurt. 958 00:36:20,600 --> 00:36:22,200 Speaker 2: Very sensitive until you have to like to use it 959 00:36:22,239 --> 00:36:22,719 Speaker 2: to step on. 960 00:36:23,640 --> 00:36:26,520 Speaker 1: Yeah, he said, the tattoo is a nod to Waylon 961 00:36:26,600 --> 00:36:30,920 Speaker 1: Jennings lyric. That's I've always been different with one foot 962 00:36:30,960 --> 00:36:33,839 Speaker 1: over the line, and so the tattoo is one and 963 00:36:33,840 --> 00:36:36,200 Speaker 1: then the apostrophe for the word foot. 964 00:36:36,480 --> 00:36:38,360 Speaker 2: Well, then that's good because it's not a big one. 965 00:36:38,880 --> 00:36:41,560 Speaker 3: Yeah, yeah, one bottom of the foot, bottom of the foot. 966 00:36:42,239 --> 00:36:44,320 Speaker 1: But still that that's would you are you going to 967 00:36:44,360 --> 00:36:45,160 Speaker 1: get another tattoo. 968 00:36:45,400 --> 00:36:47,480 Speaker 2: I don't have plans to just simply get tattoos. 969 00:36:47,480 --> 00:36:48,520 Speaker 1: It'll just be spur of the moment. 970 00:36:48,520 --> 00:36:49,040 Speaker 3: If you died or. 971 00:36:49,040 --> 00:36:50,719 Speaker 2: Something, i'd probably get your your head or something. 972 00:36:50,800 --> 00:36:52,279 Speaker 3: That'd be nice. Cool. We should all do that. 973 00:36:52,280 --> 00:36:54,120 Speaker 2: I've been close for a long time and so, but 974 00:36:54,200 --> 00:36:56,160 Speaker 2: that would be like a reason I would do that. 975 00:36:56,320 --> 00:36:59,000 Speaker 2: It's because something would happen. Okay, so don't die. I 976 00:36:59,000 --> 00:37:00,879 Speaker 2: don't want a tattoo like his face with a date 977 00:37:00,920 --> 00:37:03,080 Speaker 2: on it. I don't know if I do face, because 978 00:37:03,160 --> 00:37:05,759 Speaker 2: as you get older, they also get older in the tattoo. 979 00:37:05,440 --> 00:37:09,560 Speaker 3: Because their skin stretches. The wrinkled skin. Yeah, so that's okay. 980 00:37:09,640 --> 00:37:10,520 Speaker 3: That means they are a teams. 981 00:37:10,960 --> 00:37:12,560 Speaker 2: But I want to remember that I want to remember 982 00:37:12,600 --> 00:37:14,640 Speaker 2: this Amy right here, the Amy that we love dearly. 983 00:37:14,680 --> 00:37:17,080 Speaker 3: I don't want to remember her later on. 984 00:37:17,320 --> 00:37:19,719 Speaker 1: Sure, I'm Amy. That's my pile. 985 00:37:20,840 --> 00:37:22,680 Speaker 3: That was Amy's pile of stories. 986 00:37:22,680 --> 00:37:24,239 Speaker 2: We talked yesterday about you going to home depot to 987 00:37:24,239 --> 00:37:25,120 Speaker 2: get some stuff for Christmas. 988 00:37:25,200 --> 00:37:25,759 Speaker 3: What did you get? 989 00:37:26,000 --> 00:37:28,160 Speaker 1: Yeah, well, so I got little miniature trees for my 990 00:37:28,280 --> 00:37:29,480 Speaker 1: kids for their rooms. 991 00:37:29,520 --> 00:37:31,319 Speaker 2: But then is that the plant you were talking about? 992 00:37:31,320 --> 00:37:31,839 Speaker 3: Miniature trees? 993 00:37:31,920 --> 00:37:34,080 Speaker 1: Yeah, but it looks like a Christmas tree. And then 994 00:37:34,160 --> 00:37:36,880 Speaker 1: we got many string lights to put around that and 995 00:37:37,040 --> 00:37:40,520 Speaker 1: lights to throw, like a light net that throws on 996 00:37:40,560 --> 00:37:42,799 Speaker 1: bushes in your front yard. I feel like, oh, that's cool, 997 00:37:42,840 --> 00:37:43,400 Speaker 1: looks Christmas. 998 00:37:43,640 --> 00:37:44,279 Speaker 6: It looks really cool. 999 00:37:44,320 --> 00:37:45,640 Speaker 2: And then like you're trapping a bush. 1000 00:37:45,719 --> 00:37:47,239 Speaker 1: I feel like we're going to have to go back 1001 00:37:47,239 --> 00:37:50,120 Speaker 1: because Stevenson is slowly convincing me to get the Grinch 1002 00:37:50,600 --> 00:37:52,080 Speaker 1: Stealing Christmas inflatable. 1003 00:37:53,560 --> 00:37:54,880 Speaker 2: That's a commitment to put it up. 1004 00:37:54,960 --> 00:37:57,520 Speaker 1: I know, I know that there. Yeah, and she was 1005 00:37:57,520 --> 00:37:59,160 Speaker 1: obsessed with it, and I was like, oh, I don't know, 1006 00:37:59,239 --> 00:38:01,439 Speaker 1: we'll think about it, and like it's all he talked 1007 00:38:01,440 --> 00:38:02,160 Speaker 1: about before bed. 1008 00:38:02,480 --> 00:38:05,080 Speaker 2: Your yard is not large, right, I mean we come in. 1009 00:38:05,080 --> 00:38:08,319 Speaker 1: The backyard the front porch something like that. 1010 00:38:08,360 --> 00:38:10,200 Speaker 2: But yeah, Depot has the right tools in the perfect 1011 00:38:10,200 --> 00:38:12,560 Speaker 2: decor to transform your home for the holidays. The Home 1012 00:38:12,600 --> 00:38:15,000 Speaker 2: Depot has Black Friday savings all month long. Find the 1013 00:38:15,000 --> 00:38:18,120 Speaker 2: perfect gifts for every doer on your list or something 1014 00:38:18,120 --> 00:38:20,919 Speaker 2: for you. Holiday prep starts here the Home Depot. 1015 00:38:22,280 --> 00:38:29,839 Speaker 9: It's time for the good news, which Bobby Science, biology, love, 1016 00:38:29,840 --> 00:38:30,200 Speaker 9: I don't know. 1017 00:38:30,239 --> 00:38:33,479 Speaker 2: This is an awesome story in Texas. This person found 1018 00:38:34,200 --> 00:38:36,440 Speaker 2: a bunch of orphan puppies. They'd just been born, but 1019 00:38:36,440 --> 00:38:38,440 Speaker 2: they didn't have a mom anywhere near and so they 1020 00:38:38,480 --> 00:38:41,000 Speaker 2: thought they were guessing nine ten eleven days old. So 1021 00:38:41,040 --> 00:38:43,520 Speaker 2: they took them to the animal shelter and they were like, 1022 00:38:43,560 --> 00:38:45,520 Speaker 2: all right, bottle feed them. So they started bottlefeeding them 1023 00:38:45,600 --> 00:38:48,200 Speaker 2: like crazy. They had brought in a stray that was 1024 00:38:48,200 --> 00:38:50,760 Speaker 2: a Great Pyrenees named Nova, who had also recently given birth. 1025 00:38:51,800 --> 00:38:56,440 Speaker 2: But again not Nova's dogs they found. But again Nova 1026 00:38:56,520 --> 00:38:59,200 Speaker 2: didn't have anywhere to stay, so the shelter took Nova 1027 00:38:59,280 --> 00:39:02,239 Speaker 2: starts nursing the dogs. Oh wow, they never needs the ball. 1028 00:39:02,440 --> 00:39:04,360 Speaker 2: Nobody took care of all the dogs that weren't hers. 1029 00:39:05,480 --> 00:39:11,680 Speaker 2: That again, nature, biology, I don't know, love, But Novah's 1030 00:39:11,719 --> 00:39:14,320 Speaker 2: like this big white Great Pyrenees and all these puppies 1031 00:39:14,600 --> 00:39:15,439 Speaker 2: are right on there. 1032 00:39:18,080 --> 00:39:21,360 Speaker 5: I wonder if she's like known as like the nice dog, like, 1033 00:39:21,440 --> 00:39:23,400 Speaker 5: Oh no, that's that's Nova. 1034 00:39:23,840 --> 00:39:24,479 Speaker 3: That's what Nova. 1035 00:39:24,600 --> 00:39:26,120 Speaker 2: Well she's astray though, I. 1036 00:39:26,080 --> 00:39:28,280 Speaker 5: Know, but that's just crazy that the dogs have a personality, 1037 00:39:28,360 --> 00:39:30,799 Speaker 5: like not every dog would do that, but Nova or 1038 00:39:30,840 --> 00:39:31,680 Speaker 5: would they? 1039 00:39:31,640 --> 00:39:32,520 Speaker 1: Yeah, I don't know. 1040 00:39:33,120 --> 00:39:34,640 Speaker 2: I don't know either, And I wish we could talk 1041 00:39:34,680 --> 00:39:34,960 Speaker 2: to dog. 1042 00:39:35,320 --> 00:39:38,560 Speaker 3: Well, we can find an animal psychic. 1043 00:39:38,640 --> 00:39:40,600 Speaker 2: That's true that we heard about, that's true. 1044 00:39:40,920 --> 00:39:41,600 Speaker 1: Get her on the phone. 1045 00:39:41,640 --> 00:39:43,400 Speaker 2: She makes a lot of money. Now, all right, thank you, 1046 00:39:43,600 --> 00:39:46,719 Speaker 2: great story. That's what it's all about. That was telling 1047 00:39:46,719 --> 00:39:47,479 Speaker 2: me something good.