1 00:00:00,320 --> 00:00:06,280 Speaker 1: Hello, Internet, it is. Let's seem welcome. I want to 2 00:00:06,320 --> 00:00:08,920 Speaker 1: say two season two thirty one. Yes, I'm gonna start there. 3 00:00:08,920 --> 00:00:11,480 Speaker 1: Welcome to season two thirty one, Episode four of The 4 00:00:11,560 --> 00:00:13,640 Speaker 1: Daily Zy Guys. It's the production of My Heart Radio, 5 00:00:13,880 --> 00:00:16,520 Speaker 1: and it's also this podcast where we take a deep 6 00:00:16,560 --> 00:00:20,720 Speaker 1: dive into America's shared consciousness. It's Thursday, April seven, of 7 00:00:20,800 --> 00:00:26,320 Speaker 1: two thousand twenty two, which means this National Burrito Day. Okay, 8 00:00:26,360 --> 00:00:28,960 Speaker 1: I can get behind that. It's National coffee cake Day. 9 00:00:29,000 --> 00:00:31,120 Speaker 1: I actually really like both of those foods a lot, 10 00:00:31,200 --> 00:00:34,319 Speaker 1: so this feels right. And also it's National beer Day. 11 00:00:34,360 --> 00:00:35,800 Speaker 1: I'm not you know, I don't really foc with hereer 12 00:00:35,880 --> 00:00:37,760 Speaker 1: that much, but hey, two out of three, ain't that? 13 00:00:38,200 --> 00:00:41,080 Speaker 1: My name is Miles Gray, a k A good kid, 14 00:00:41,200 --> 00:00:45,120 Speaker 1: mad Hickey because I had mad hiccups yesterday's episode. Apologies 15 00:00:45,120 --> 00:00:48,000 Speaker 1: for that. That's from Hendron on the discord, coming at 16 00:00:48,000 --> 00:00:50,919 Speaker 1: me with that one. And let me just get into it. 17 00:00:51,000 --> 00:00:53,400 Speaker 1: Who's my guest host today? It's the guest host that 18 00:00:53,479 --> 00:00:56,120 Speaker 1: everybody loves. It's the one that I love. It's the 19 00:00:56,160 --> 00:00:58,880 Speaker 1: one that my mother loves. Said, wait, who's that person? 20 00:00:58,920 --> 00:01:02,680 Speaker 1: Are they on? More? I said, that's Joel. Anyway, I'll 21 00:01:02,680 --> 00:01:06,720 Speaker 1: say less please welcome be brilliant and talented Joel Monique, 22 00:01:08,080 --> 00:01:12,040 Speaker 1: I'm so honored by your mom. Tell her thanks. I 23 00:01:12,080 --> 00:01:15,039 Speaker 1: love her by proxy. Oh yeah, she said, you can 24 00:01:15,200 --> 00:01:18,360 Speaker 1: you can tell she's smiling. She was saying like she 25 00:01:18,400 --> 00:01:22,640 Speaker 1: can hear your yeah. Yeah yeah. She was like sort 26 00:01:22,680 --> 00:01:24,200 Speaker 1: of saying in Japanese, you get you can hear the 27 00:01:24,240 --> 00:01:28,720 Speaker 1: smiling your voice. Oh my god, I'm so blessed this morning. 28 00:01:29,000 --> 00:01:32,160 Speaker 1: Thanks mom. Shout out all moms out there, how you been, 29 00:01:33,680 --> 00:01:36,360 Speaker 1: you know, good? Good? As they almost secure some tickets. 30 00:01:36,400 --> 00:01:38,080 Speaker 1: I paid way too much for me. Talk about it 31 00:01:38,160 --> 00:01:41,120 Speaker 1: later in the show. It's really really a struggle to 32 00:01:41,160 --> 00:01:45,400 Speaker 1: get tickets seeds days to like what like just generally 33 00:01:45,400 --> 00:01:49,160 Speaker 1: to anything what else multi verse of madness, but yes 34 00:01:49,320 --> 00:01:51,320 Speaker 1: to anything like if you're trying to get confidant. Well, 35 00:01:51,480 --> 00:01:53,560 Speaker 1: we'll talk about all about it. But we are being 36 00:01:53,560 --> 00:01:56,800 Speaker 1: held hostage by these online ticket sales companies, and we 37 00:01:56,880 --> 00:02:00,480 Speaker 1: demand freedom we deserve right right right, Okay, well, thank you. 38 00:02:00,600 --> 00:02:02,760 Speaker 1: We need to know more about that. We will know 39 00:02:02,880 --> 00:02:07,560 Speaker 1: more about that pretty so, but first let's get to 40 00:02:07,840 --> 00:02:11,720 Speaker 1: our guest today. This guest, look, we always shout out 41 00:02:11,720 --> 00:02:15,080 Speaker 1: her tweets, because the fucking Twitter feed is just a 42 00:02:15,240 --> 00:02:18,840 Speaker 1: fucking inferno of hilarity, so we'd be stupid to ignore 43 00:02:18,880 --> 00:02:21,280 Speaker 1: some of these hilarious offerings that we get on such 44 00:02:21,320 --> 00:02:24,280 Speaker 1: a cursed website known as Twitter. But also their stand 45 00:02:24,360 --> 00:02:28,200 Speaker 1: up is on point. You may know their podcast, Young 46 00:02:28,240 --> 00:02:32,240 Speaker 1: Old Pod. Maybe you heard of it. Maybe perhaps even 47 00:02:32,760 --> 00:02:35,600 Speaker 1: you've seen them at Funneling Guess, which they co host 48 00:02:35,919 --> 00:02:38,400 Speaker 1: every month, because I know we've had plenty of comedians 49 00:02:38,400 --> 00:02:39,440 Speaker 1: who have been on that show, and I know a 50 00:02:39,480 --> 00:02:41,200 Speaker 1: lot of y'all get out to stand up shows. Or 51 00:02:41,240 --> 00:02:43,600 Speaker 1: maybe again, you just know this person because they're generally 52 00:02:43,800 --> 00:02:46,239 Speaker 1: like all up in it. I don't have wherever I turn, 53 00:02:46,360 --> 00:02:48,440 Speaker 1: I feel like I'm seeing them in trades or just 54 00:02:49,000 --> 00:02:52,359 Speaker 1: viral posts, whatever it is. But please welcome the amazingly 55 00:02:52,520 --> 00:03:00,600 Speaker 1: talented and hilarious Dana donalllan. Thank you everyone. Yes, what's 56 00:03:00,600 --> 00:03:05,680 Speaker 1: your favorite brito? Um? I like like shrimp burritos weirdly, 57 00:03:06,639 --> 00:03:09,800 Speaker 1: but I also just like, like, you know, I like anything, 58 00:03:09,880 --> 00:03:12,280 Speaker 1: I like I like everything. Sure, sure, sure, Dana, that's 59 00:03:12,280 --> 00:03:16,799 Speaker 1: not weird at all. A serpent Er barrito is absolutely peak. 60 00:03:18,000 --> 00:03:19,239 Speaker 1: I love French fries and a breedo. I love a 61 00:03:19,240 --> 00:03:24,480 Speaker 1: California Bredo. Yeah, barrito a breakfast freedo. I love co 62 00:03:24,639 --> 00:03:28,320 Speaker 1: Fax bringing it bring it home. Yeah, there's smoked potatoes 63 00:03:28,360 --> 00:03:32,520 Speaker 1: that they put in the burritos, like Cofax. They even 64 00:03:32,600 --> 00:03:35,000 Speaker 1: like they even freeze them and ship them out now 65 00:03:35,040 --> 00:03:38,880 Speaker 1: to be really, that's like people dessert something across the world. 66 00:03:38,920 --> 00:03:42,600 Speaker 1: It's a little bit. I had it. Like somebody was like, oh, 67 00:03:42,680 --> 00:03:44,960 Speaker 1: I got like frozen co Fax or whatever and like 68 00:03:45,040 --> 00:03:46,800 Speaker 1: just have on deck. And I had and I was like, 69 00:03:47,400 --> 00:03:49,880 Speaker 1: it's it's good. It's still good. But there's you know, 70 00:03:49,920 --> 00:03:52,960 Speaker 1: obviously like when something like a burrito cannot be frozen 71 00:03:53,040 --> 00:03:56,920 Speaker 1: and then brought back to life, even if evanescence is 72 00:03:56,960 --> 00:03:59,800 Speaker 1: there to bring it back to life, not like a pizza. 73 00:04:00,080 --> 00:04:04,080 Speaker 1: This little snap right back. What's your favorite burrito, Joel Oh, 74 00:04:04,280 --> 00:04:09,480 Speaker 1: favorite burrito breakfast burrito? Yeah, definitely, or listen, is it 75 00:04:09,600 --> 00:04:12,360 Speaker 1: Chimmy chunga a burrito we can get into it. It's 76 00:04:12,440 --> 00:04:15,400 Speaker 1: a deep fried burrito. Is by nature makes it better. 77 00:04:15,760 --> 00:04:17,640 Speaker 1: And I really miss them. I used to live next 78 00:04:17,680 --> 00:04:20,440 Speaker 1: to like a little Mexican restaurant Chicago that made little 79 00:04:20,440 --> 00:04:24,560 Speaker 1: mini Chimmy chungos. Y'all this Pete I might have to 80 00:04:24,560 --> 00:04:25,880 Speaker 1: give you that name because I think I might be 81 00:04:25,880 --> 00:04:29,080 Speaker 1: going to Chicago an the one I will. Oh my gosh, 82 00:04:29,080 --> 00:04:32,640 Speaker 1: you have to support them the best, yes please um. 83 00:04:32,680 --> 00:04:35,280 Speaker 1: And also coffee Cake, I don't know, yell, I was 84 00:04:35,320 --> 00:04:37,400 Speaker 1: like one of these weird little kids who to meet 85 00:04:37,440 --> 00:04:40,080 Speaker 1: coffee Cake at a certain point was like the highest 86 00:04:40,240 --> 00:04:46,200 Speaker 1: dessert a black grandma. Of course, he did coffeecake granty 87 00:04:46,279 --> 00:04:48,360 Speaker 1: as a kid who was deprived of sugar, like desperately 88 00:04:48,360 --> 00:04:51,599 Speaker 1: deprived to sugar. I like love coffeecake, right because you 89 00:04:51,640 --> 00:04:53,440 Speaker 1: look at it, You're like it's just a bunch of 90 00:04:53,480 --> 00:04:56,240 Speaker 1: sugar on the top. Like I used to eat that, 91 00:04:56,320 --> 00:04:58,440 Speaker 1: like I'm strusel off the top, like and just eat 92 00:04:58,520 --> 00:05:04,200 Speaker 1: the sugar crumble butter stuff. I'm like that's the ship, right, 93 00:05:04,279 --> 00:05:06,240 Speaker 1: Like why don't we just have that on a plate? 94 00:05:06,400 --> 00:05:08,440 Speaker 1: Like literally give me the strizzle when my mom would 95 00:05:08,480 --> 00:05:10,240 Speaker 1: make it separately, like the strizzle then the cake, and 96 00:05:10,279 --> 00:05:12,960 Speaker 1: I literally would like eat the stristle right right right, 97 00:05:13,080 --> 00:05:15,080 Speaker 1: I'm down to just just sit down with a big 98 00:05:15,080 --> 00:05:17,440 Speaker 1: old pot of stro Oh yeah, you just give me 99 00:05:17,520 --> 00:05:20,120 Speaker 1: like like a brown sugar and butter and like cinnamon 100 00:05:20,160 --> 00:05:22,800 Speaker 1: mixed in a jar. I'll just throw it out. Yeah right, 101 00:05:22,839 --> 00:05:25,359 Speaker 1: exactly like it's it's our new like new teller. Just 102 00:05:25,400 --> 00:05:27,880 Speaker 1: put in the jar. Trader Jills will start bagging it 103 00:05:27,920 --> 00:05:30,560 Speaker 1: and then then then it's a rap after that. Well, Dana, 104 00:05:30,560 --> 00:05:32,400 Speaker 1: we're gonna get to know you a little bit better. 105 00:05:32,600 --> 00:05:35,400 Speaker 1: But first we're gonna tell the listeners what we're going 106 00:05:35,480 --> 00:05:38,600 Speaker 1: to talk about today, just talking about Obviously, rent is 107 00:05:38,680 --> 00:05:42,200 Speaker 1: fucking ridiculous, and no matter what city you live in, 108 00:05:42,200 --> 00:05:45,120 Speaker 1: but there's some cities where it's even more ridiculous, and 109 00:05:45,240 --> 00:05:48,880 Speaker 1: just generally need to bring up again why our rents 110 00:05:48,880 --> 00:05:51,040 Speaker 1: are so high. It's a factor of many things, and 111 00:05:51,360 --> 00:05:54,240 Speaker 1: human greed does actually factor into it too, so don't 112 00:05:54,279 --> 00:05:56,200 Speaker 1: be too shocked when you hear about that. And then 113 00:05:56,200 --> 00:05:59,880 Speaker 1: speaking of overlords way and lords or other lords in general, 114 00:06:00,160 --> 00:06:03,239 Speaker 1: Howard Schultz, who you know, the on again, off again 115 00:06:03,520 --> 00:06:07,160 Speaker 1: CEO of Starbucks. He's back trying to plead with the 116 00:06:07,160 --> 00:06:13,440 Speaker 1: workers do not and he's doing it in the saddest 117 00:06:13,480 --> 00:06:15,880 Speaker 1: fucking way possible. So we're just gonna we're gonna drink 118 00:06:15,920 --> 00:06:18,360 Speaker 1: some some fucking one percent or tears in a second, 119 00:06:18,760 --> 00:06:22,320 Speaker 1: and then we'll talk about just again the tickets. They're 120 00:06:22,360 --> 00:06:25,040 Speaker 1: so hard to get websites crashing. Joel is going to 121 00:06:25,120 --> 00:06:27,120 Speaker 1: catch us up to speed on what the plight of 122 00:06:27,200 --> 00:06:30,680 Speaker 1: the ticket seekers of this earth. Um, we'll get to 123 00:06:30,720 --> 00:06:33,960 Speaker 1: all that, but first they know, gotta ask you, what's 124 00:06:34,000 --> 00:06:37,680 Speaker 1: something from your search history that's revealing about who you are? Okay? 125 00:06:37,680 --> 00:06:39,680 Speaker 1: So I looked and one of the last things I 126 00:06:39,680 --> 00:06:45,360 Speaker 1: started was designer children's clothing. Okay, yes, and that's because 127 00:06:45,440 --> 00:06:48,760 Speaker 1: I am looking for I'm always looking for clothing in 128 00:06:48,760 --> 00:06:52,839 Speaker 1: a side children's followed four team because I'm really short, okay, 129 00:06:52,880 --> 00:06:54,680 Speaker 1: and it's like a little cheaper. So that's what I 130 00:06:54,800 --> 00:06:58,279 Speaker 1: did for I was gonna say, isn't that like, aren't 131 00:06:58,279 --> 00:07:00,600 Speaker 1: you blessed to be able to buy children in his clothing? 132 00:07:00,640 --> 00:07:04,000 Speaker 1: But with your adult taste, like honestly, like I'm not 133 00:07:04,000 --> 00:07:06,000 Speaker 1: gonna lie, it makes it a lot easier. And it's 134 00:07:06,040 --> 00:07:08,440 Speaker 1: just like last competitive like things like don't sell out 135 00:07:08,560 --> 00:07:11,360 Speaker 1: in a children's twelve oh right, because there's not hype 136 00:07:11,360 --> 00:07:16,520 Speaker 1: beasts using box to size whatever, right, got you got 137 00:07:16,600 --> 00:07:19,360 Speaker 1: you got you? You let's win on shoes to my 138 00:07:19,440 --> 00:07:22,200 Speaker 1: feet aren't like exceptionally small. That's the thing. I'm kind 139 00:07:22,200 --> 00:07:25,720 Speaker 1: of like, I'm I'm a sturdy girl. So you know 140 00:07:25,760 --> 00:07:27,520 Speaker 1: I got I got six and a half. I'm a 141 00:07:27,520 --> 00:07:30,640 Speaker 1: normal com shoe size. Oh yeah, you're you're you're going 142 00:07:30,640 --> 00:07:32,800 Speaker 1: to elbow to elbow with it. Yeah, I'm fighting people 143 00:07:32,840 --> 00:07:36,320 Speaker 1: for six and a halfs. You know, what's the what's 144 00:07:36,360 --> 00:07:40,000 Speaker 1: like the last hype piece of you know, fashion that 145 00:07:40,040 --> 00:07:42,640 Speaker 1: you're not necessarily overly hype but like something you were 146 00:07:42,640 --> 00:07:44,720 Speaker 1: really stoked on getting and then maybe you were a 147 00:07:44,720 --> 00:07:47,960 Speaker 1: little too slow to get. Oh um, oh well there's 148 00:07:47,960 --> 00:07:51,160 Speaker 1: this there's this one designer I'm being so annoying. There's 149 00:07:51,200 --> 00:07:53,960 Speaker 1: a sunder like called Danielle Guisio and she's had these 150 00:07:54,000 --> 00:07:58,520 Speaker 1: corsets and they sold that really and I couldn't get on. Wow. Okay, 151 00:07:58,520 --> 00:08:02,400 Speaker 1: so there's hype corsets now there are yeah. Oh yeah. 152 00:08:02,760 --> 00:08:04,800 Speaker 1: Well I'm convinced, like all these brands make like twenty 153 00:08:04,960 --> 00:08:07,880 Speaker 1: of an item so that they can be like right, 154 00:08:07,960 --> 00:08:10,000 Speaker 1: right right, I mean I guess that is a good model. 155 00:08:10,000 --> 00:08:11,720 Speaker 1: I mean maybe we should try that with a podcast, 156 00:08:11,800 --> 00:08:13,560 Speaker 1: be like, I mean, there's only twenty there's only like 157 00:08:13,640 --> 00:08:17,240 Speaker 1: so many downloads available, all downloaded out and then but 158 00:08:17,360 --> 00:08:20,360 Speaker 1: really there's only two, and then you do four, and 159 00:08:20,400 --> 00:08:22,480 Speaker 1: then you do six and then I feel like, maybe 160 00:08:22,600 --> 00:08:25,000 Speaker 1: hold on, this is it's an easy way to make 161 00:08:25,040 --> 00:08:29,080 Speaker 1: demand seem really high. Yeah, because I mean the the 162 00:08:29,160 --> 00:08:31,400 Speaker 1: Nike does that in Most sneaker companies do that now, 163 00:08:31,440 --> 00:08:33,600 Speaker 1: and people are like, what the funk is this really 164 00:08:33,600 --> 00:08:40,520 Speaker 1: smart doing? Yeah? Except for bleeding consumers bone fucking draws. Yeah, Joel, 165 00:08:40,559 --> 00:08:42,920 Speaker 1: what about you as less anything anything recently? You you 166 00:08:42,960 --> 00:08:47,800 Speaker 1: were you relate to the drawing? Yeah? Tell far just did? 167 00:08:48,320 --> 00:08:52,640 Speaker 1: And what's it? The olive green dropper? I also wanted 168 00:08:52,720 --> 00:08:59,000 Speaker 1: them the roast beef one has that's like a color 169 00:08:59,040 --> 00:09:01,640 Speaker 1: of color. It's a color wave they dropped, which is 170 00:09:01,640 --> 00:09:10,440 Speaker 1: like a pinkish like like, yeah, exactly exactly. I don't 171 00:09:10,440 --> 00:09:13,040 Speaker 1: know why, but I didn't care. At first. I was 172 00:09:13,080 --> 00:09:15,079 Speaker 1: like the name, but then I was looking at the 173 00:09:15,080 --> 00:09:16,240 Speaker 1: color and I was like, I have a lot of 174 00:09:16,240 --> 00:09:18,880 Speaker 1: things that can match that, and I'm trying to expand 175 00:09:18,920 --> 00:09:20,920 Speaker 1: my purse collection. And now I was like, the purses 176 00:09:21,280 --> 00:09:23,839 Speaker 1: to match the sneakers. You know, I'm trying to put 177 00:09:23,880 --> 00:09:26,880 Speaker 1: it together. I need to get my brother's organized. He 178 00:09:26,920 --> 00:09:29,839 Speaker 1: buys the shoes first and then finds a T shirt 179 00:09:29,920 --> 00:09:34,959 Speaker 1: that matches the sweaters. Yeah, I'm not that way I'm like, oh, 180 00:09:35,080 --> 00:09:36,960 Speaker 1: click by, and then I'm like what does this go with? 181 00:09:37,080 --> 00:09:40,320 Speaker 1: And what is happening in this space? So it's messy, 182 00:09:40,400 --> 00:09:43,320 Speaker 1: but yeah, I have my purple one and it's perfect, 183 00:09:43,320 --> 00:09:46,840 Speaker 1: my purple. Tell far I love it, Becca, drop and 184 00:09:46,840 --> 00:09:49,160 Speaker 1: tell far links in the chat it's called corn beef. 185 00:09:50,640 --> 00:09:54,120 Speaker 1: I want to tell far so bad? Yeah? Also, like 186 00:09:54,120 --> 00:09:55,560 Speaker 1: what a way to find out that your favorite color 187 00:09:55,600 --> 00:09:57,480 Speaker 1: is actually corned beef and you just didn't even know 188 00:09:57,559 --> 00:10:02,040 Speaker 1: the whole And where do you go with that information? Now? 189 00:10:02,080 --> 00:10:04,200 Speaker 1: Like when you know you're like, what's your what do 190 00:10:04,240 --> 00:10:07,320 Speaker 1: you say? What's your seasons? You know what what's your season? 191 00:10:07,520 --> 00:10:09,920 Speaker 1: What's what's what's the term I'm looking for with fashion? Look, 192 00:10:09,920 --> 00:10:11,880 Speaker 1: I'm dumb as fuck? Oh like are you a winter? 193 00:10:12,080 --> 00:10:13,560 Speaker 1: Are you talking about like that like when people are 194 00:10:13,559 --> 00:10:16,000 Speaker 1: like winter or summers or whatever? Yeah? Yeah yeah, based 195 00:10:16,040 --> 00:10:18,920 Speaker 1: on your colors, that's like a really like seventies eighties thing. 196 00:10:19,040 --> 00:10:21,440 Speaker 1: I think, Okay, that makes sense because I'm elderly and 197 00:10:21,640 --> 00:10:23,679 Speaker 1: the last thing I heard that from was like like, 198 00:10:23,720 --> 00:10:27,079 Speaker 1: I don't think you No, I wasn't, but I remember 199 00:10:27,080 --> 00:10:29,080 Speaker 1: I had a manager when I worked at Conde Nast 200 00:10:29,080 --> 00:10:31,640 Speaker 1: who was older and would talk about that stuff, and 201 00:10:31,679 --> 00:10:34,280 Speaker 1: I was like, the season, yeah, my my mom. My 202 00:10:34,320 --> 00:10:36,520 Speaker 1: mom was always talking about like getting her colors done 203 00:10:36,520 --> 00:10:38,200 Speaker 1: when in the eighties and how it made her like 204 00:10:38,240 --> 00:10:40,160 Speaker 1: not were certain colors for a really long time, and 205 00:10:40,280 --> 00:10:41,640 Speaker 1: she was like I thought. I was like, oh, that's stupid. 206 00:10:43,040 --> 00:10:44,880 Speaker 1: So anyway, yeah, corn beef shout out. I'm a corn 207 00:10:44,920 --> 00:10:46,920 Speaker 1: beef I think too this this is kind of dope. 208 00:10:46,960 --> 00:10:49,640 Speaker 1: It's like old chewing gum. That's what I would call it. 209 00:10:49,679 --> 00:10:53,560 Speaker 1: But that's not that's kind of a weird thing to say. 210 00:10:53,600 --> 00:10:55,520 Speaker 1: If you're marketing it is like, you know, we could 211 00:10:55,520 --> 00:10:59,600 Speaker 1: go we could go corn beef or old chewing gum. 212 00:10:59,640 --> 00:11:02,200 Speaker 1: That's what it's evoking for me. But I'm gonna call 213 00:11:02,200 --> 00:11:06,360 Speaker 1: it bubble um. There you go, bubble just to give 214 00:11:06,400 --> 00:11:08,640 Speaker 1: it that they see that patina on it, that little 215 00:11:08,640 --> 00:11:11,920 Speaker 1: aged factor to it. Absolutely, Daniel, what's something you think 216 00:11:11,960 --> 00:11:15,640 Speaker 1: is overrated? Oh? Overrated? Because I was at Universal Studios 217 00:11:15,760 --> 00:11:19,760 Speaker 1: on the other day and you got what No, I mean, 218 00:11:19,800 --> 00:11:22,320 Speaker 1: I like, hold on, I think I think I like it. 219 00:11:22,360 --> 00:11:25,839 Speaker 1: I love University Studios. But we got like he's in 220 00:11:25,920 --> 00:11:27,520 Speaker 1: front of the line passes for the first time ever, 221 00:11:27,600 --> 00:11:30,840 Speaker 1: is called the Universal express and we realized that we 222 00:11:31,040 --> 00:11:33,200 Speaker 1: don't like cutting lines and it just makes it like 223 00:11:33,480 --> 00:11:37,199 Speaker 1: we like like to chat like I like like, Ryan, yeah, 224 00:11:37,720 --> 00:11:42,199 Speaker 1: that's true. There is something formative of you know, your 225 00:11:41,679 --> 00:11:48,360 Speaker 1: your your comrades when you're ninety minute line for that. Yeah. 226 00:11:49,000 --> 00:11:51,680 Speaker 1: So what was the experience like when you began to 227 00:11:51,720 --> 00:11:54,000 Speaker 1: realize it? Um, When I began to realize that cutting 228 00:11:54,000 --> 00:11:56,080 Speaker 1: line was not fun, I really was just like, oh, 229 00:11:56,120 --> 00:11:57,960 Speaker 1: like I'm I'm excited to come back here and have 230 00:11:58,040 --> 00:12:01,000 Speaker 1: to wait in line again. That was on. I was like, well, 231 00:12:01,040 --> 00:12:03,360 Speaker 1: that's it's really I'm really missing something without the line 232 00:12:03,360 --> 00:12:06,600 Speaker 1: portion of this experience. Sure, because doesn't that make the 233 00:12:06,679 --> 00:12:09,880 Speaker 1: day like just hours shorter when you take out all 234 00:12:09,920 --> 00:12:11,839 Speaker 1: the waiting time? Yeah, we did everything you want to do. 235 00:12:11,880 --> 00:12:14,120 Speaker 1: It is two Okay, here's my thing on the Universal too, 236 00:12:14,120 --> 00:12:16,360 Speaker 1: there's like two good roller coasters. So it's like, okay, 237 00:12:16,400 --> 00:12:17,640 Speaker 1: so now I have to go on these like time 238 00:12:17,679 --> 00:12:22,360 Speaker 1: times each like it'stainly that's the point, you know. Yeah. Wait, 239 00:12:22,440 --> 00:12:25,000 Speaker 1: So okay, Joe, Well you were like Universal trash and 240 00:12:25,000 --> 00:12:28,120 Speaker 1: I want to hear this take too. Listen, Okay, I'm 241 00:12:28,160 --> 00:12:30,560 Speaker 1: just saying before you start, just I grew up in 242 00:12:30,559 --> 00:12:33,920 Speaker 1: the shadow of Universal Studios in North Hollywood and the 243 00:12:34,040 --> 00:12:36,240 Speaker 1: shadow of city, walking on the shadow of that King 244 00:12:36,320 --> 00:12:39,520 Speaker 1: Kong thing hanging off the side of the like I 245 00:12:39,600 --> 00:12:42,400 Speaker 1: get it and listen from outside, driving up, you're like, 246 00:12:42,480 --> 00:12:45,199 Speaker 1: oh my god, it's about to be lit. Let's go 247 00:12:45,480 --> 00:12:48,040 Speaker 1: like Universal. But once you get inside, is this the 248 00:12:48,040 --> 00:12:57,480 Speaker 1: whole park? Is this everything? I've been two or three 249 00:12:57,600 --> 00:13:01,040 Speaker 1: rides on the Jurassic Park ride from this vents or 250 00:13:01,160 --> 00:13:04,640 Speaker 1: or the why why did you let the O G. 251 00:13:04,640 --> 00:13:07,360 Speaker 1: Grinch set get crispy out there? You all don't want 252 00:13:07,360 --> 00:13:09,480 Speaker 1: to paint that up? Do what it is when he 253 00:13:09,600 --> 00:13:14,920 Speaker 1: will is decrepit that they're still showing it like you 254 00:13:15,120 --> 00:13:18,880 Speaker 1: take it down or paint it, but like highlighting that 255 00:13:18,960 --> 00:13:21,400 Speaker 1: like it's a feature is weird. I feel like they've 256 00:13:21,400 --> 00:13:24,000 Speaker 1: stopped highlighting. I remember them not discussing it on the tour, 257 00:13:24,080 --> 00:13:26,280 Speaker 1: and I think it goes around that good because I 258 00:13:26,280 --> 00:13:28,400 Speaker 1: think they've realized it's too dilapidated and people are like, 259 00:13:28,440 --> 00:13:31,839 Speaker 1: this is really sad. How much would it cost to paint? 260 00:13:31,920 --> 00:13:33,960 Speaker 1: It's not a large set. I'm just saying you could 261 00:13:34,080 --> 00:13:37,960 Speaker 1: make it weird, even the Jaws part of it, and 262 00:13:38,160 --> 00:13:41,200 Speaker 1: especially here's the real problem. If you must go to 263 00:13:41,240 --> 00:13:44,440 Speaker 1: Universal in California, just don't go before you go before 264 00:13:44,440 --> 00:13:46,079 Speaker 1: you go to the one in Florida, because one in 265 00:13:46,080 --> 00:13:49,240 Speaker 1: Florida is so freaking epic, really jaws right down, Oh 266 00:13:49,320 --> 00:13:53,839 Speaker 1: my god. The actual park, it's it's like Disney size park. 267 00:13:54,440 --> 00:13:57,599 Speaker 1: It's Disney size park. You're abed as the versions of 268 00:13:57,640 --> 00:13:59,880 Speaker 1: amusement parks being so much better than California has. I'm like, 269 00:14:00,240 --> 00:14:04,880 Speaker 1: why Californians are are very much like first of all, 270 00:14:04,960 --> 00:14:07,240 Speaker 1: like you have to remember, like Disney built the park 271 00:14:07,320 --> 00:14:10,679 Speaker 1: here first, and so it's very like petite to what 272 00:14:10,720 --> 00:14:13,440 Speaker 1: we're used to. They've expanded a lot. But because they're 273 00:14:13,480 --> 00:14:16,040 Speaker 1: in Pasadena, which is an old town, which is very 274 00:14:16,080 --> 00:14:19,800 Speaker 1: aware of its chokehold on Disney, Nianian is not letting 275 00:14:19,800 --> 00:14:21,360 Speaker 1: you get away with ship. They're like, listen, you want 276 00:14:21,360 --> 00:14:24,040 Speaker 1: to build a garage. Uh fine, we're gonna talk to numbers. 277 00:14:24,440 --> 00:14:27,040 Speaker 1: And I am I on crack. Where is it at Anaheim? 278 00:14:27,880 --> 00:14:31,479 Speaker 1: I don't know my small out of the way yet Anaheim. 279 00:14:31,760 --> 00:14:34,800 Speaker 1: Anaheim has a chokehold on Disney, and they're very much 280 00:14:34,840 --> 00:14:38,200 Speaker 1: about like making sure where that it stays looking a 281 00:14:38,240 --> 00:14:41,200 Speaker 1: certain way. Disney is trying to get some of these 282 00:14:41,240 --> 00:14:43,120 Speaker 1: older hotels out of the way. But they're like, no, 283 00:14:43,320 --> 00:14:45,880 Speaker 1: those are local business people, Like that's a hole to do. 284 00:14:46,080 --> 00:14:48,520 Speaker 1: And because of that, it's small. When they went to Florida, 285 00:14:48,720 --> 00:14:50,800 Speaker 1: they opened up in a swamp. Ain't no jurisdiction in 286 00:14:50,880 --> 00:14:52,680 Speaker 1: a swamp, and it was like, we're just gonna build 287 00:14:52,680 --> 00:14:54,480 Speaker 1: and build and build, and it's fine. We don't have 288 00:14:54,560 --> 00:14:56,920 Speaker 1: to tear down to bring in new rides. I can 289 00:14:56,960 --> 00:14:58,840 Speaker 1: just build up a new ride, and we can also 290 00:14:59,440 --> 00:15:03,640 Speaker 1: just ignore ship if we don't. That's true. That's true. 291 00:15:03,680 --> 00:15:08,640 Speaker 1: Like it's abundance there. You can't do Disney or Universal 292 00:15:08,680 --> 00:15:10,800 Speaker 1: down there in a single day. It would literally be impossible. 293 00:15:10,840 --> 00:15:12,800 Speaker 1: You couldn't even walk all of it in a single day. 294 00:15:13,160 --> 00:15:17,120 Speaker 1: So I swear you can't. There's too many parts. Because 295 00:15:17,120 --> 00:15:19,920 Speaker 1: you've got Animal Kingdom, you've got the o G Park, 296 00:15:20,240 --> 00:15:25,400 Speaker 1: You've got epcotcomm which is actually cool because you can 297 00:15:25,480 --> 00:15:27,480 Speaker 1: drink there, so they've got like drinks from around the world. 298 00:15:27,880 --> 00:15:32,480 Speaker 1: It's so cool. But Universals down in Florida, like when 299 00:15:32,520 --> 00:15:36,280 Speaker 1: you get on there, like dinosaur rides, epic there um. 300 00:15:36,280 --> 00:15:38,480 Speaker 1: When I went I was little, they still had the 301 00:15:38,520 --> 00:15:40,760 Speaker 1: Jaws ride, which I think they've retired, but it was 302 00:15:40,800 --> 00:15:43,160 Speaker 1: like the most like the shark is in the boat 303 00:15:43,200 --> 00:15:45,520 Speaker 1: as opposed to hear where you're like looking at a 304 00:15:45,560 --> 00:15:51,920 Speaker 1: small lagoon, you're like, that has teeth and oh yeah, 305 00:15:51,960 --> 00:15:53,680 Speaker 1: there it is. No, the thing comes up on the 306 00:15:53,680 --> 00:15:55,120 Speaker 1: side of the boat and you think you're gonna die. 307 00:15:55,200 --> 00:15:59,320 Speaker 1: So it's just the levels are totally bigger. Yeah, the 308 00:15:59,360 --> 00:16:02,040 Speaker 1: family asked of like going back every year up here 309 00:16:02,080 --> 00:16:04,280 Speaker 1: are really hute. I love disney Land up here. It's 310 00:16:04,360 --> 00:16:06,160 Speaker 1: very sweet. Like a lot of people are like, this 311 00:16:06,160 --> 00:16:08,200 Speaker 1: is my second homes where go like, you know, three 312 00:16:08,320 --> 00:16:10,800 Speaker 1: or four times a year. But as far as amusement 313 00:16:10,840 --> 00:16:13,320 Speaker 1: and actual fun, you want to go to Florida. That 314 00:16:13,360 --> 00:16:16,840 Speaker 1: seems to be the consistent thing, and I get it. Universally, 315 00:16:17,080 --> 00:16:19,920 Speaker 1: there's that like when you do the backlot tour and 316 00:16:19,960 --> 00:16:22,040 Speaker 1: you're like, oh damn, the War of the World's thing 317 00:16:22,120 --> 00:16:23,960 Speaker 1: looks real fucked up still, and they're like, no, that's 318 00:16:23,960 --> 00:16:31,720 Speaker 1: who Ville with the crashed airplane. Yeah, oh no, no, Yeah, 319 00:16:31,760 --> 00:16:34,400 Speaker 1: that's neglect that we cleaned up the War the World 320 00:16:34,400 --> 00:16:37,000 Speaker 1: said a long time ago, when that ship first came 321 00:16:37,000 --> 00:16:39,400 Speaker 1: out the World the World set that ship was so clean. 322 00:16:39,440 --> 00:16:42,040 Speaker 1: I remember being like, whoa, I really I feel like 323 00:16:42,120 --> 00:16:43,440 Speaker 1: now I know what it's like to be on the 324 00:16:43,440 --> 00:16:46,440 Speaker 1: other end of American foreign policy. But yeah, it was 325 00:16:46,480 --> 00:16:50,320 Speaker 1: a really cool, uh cool vibe Atlas Dana. What's something 326 00:16:50,360 --> 00:16:53,560 Speaker 1: you think is underrated? Oh? Um? I think like the 327 00:16:53,600 --> 00:16:56,720 Speaker 1: broad multi camera st com that people that on the 328 00:16:56,720 --> 00:16:59,720 Speaker 1: coast don't launch, but that the Midwest loves. I love 329 00:17:00,320 --> 00:17:04,399 Speaker 1: just like the cheesiest broadest that came on the planet, 330 00:17:04,440 --> 00:17:06,879 Speaker 1: like and everybody loves Raymond Like I think like and 331 00:17:07,119 --> 00:17:10,920 Speaker 1: obviously those aren't actually underrated. They're like they are properly rated. 332 00:17:10,920 --> 00:17:13,800 Speaker 1: They're ugly rated, but like, I think they're underrated in 333 00:17:13,840 --> 00:17:16,919 Speaker 1: like cool communities, and I really like them. I've been 334 00:17:16,920 --> 00:17:18,879 Speaker 1: rewatching like two and off men. Obviously you know some 335 00:17:18,920 --> 00:17:23,000 Speaker 1: problematic elements, But oh, what happened? Is everything cool with 336 00:17:23,240 --> 00:17:30,000 Speaker 1: John Wolf? What's that guy's name that was the bad 337 00:17:30,040 --> 00:17:33,840 Speaker 1: guy of the two? Right, isn't Charlie's What happened with 338 00:17:33,880 --> 00:17:37,160 Speaker 1: Charlie Sheen? I don't know. Wasn't he canceled for something? 339 00:17:37,480 --> 00:17:40,680 Speaker 1: Oh my god, Charlie? I don't know. I actually don't know, 340 00:17:40,720 --> 00:17:42,280 Speaker 1: And I'm just saying things. Don't have a lot of 341 00:17:42,359 --> 00:17:45,199 Speaker 1: signed major league DVDs that I'm going to have to 342 00:17:45,200 --> 00:17:48,960 Speaker 1: get rid of soon if he is canceled that actually 343 00:17:48,960 --> 00:17:51,040 Speaker 1: I'm not. Yeah, I really don't know he is, but 344 00:17:51,080 --> 00:17:54,200 Speaker 1: I love it so um wait, so so you're saying 345 00:17:54,200 --> 00:17:56,679 Speaker 1: the classics like you're dusting off the classics or do 346 00:17:56,720 --> 00:17:58,960 Speaker 1: you even see any like what you're seeing now, I'm 347 00:17:59,000 --> 00:18:01,320 Speaker 1: really saying multiicamps that comes to like that no one 348 00:18:01,359 --> 00:18:05,359 Speaker 1: watches like the Neighbors on CBS or whatever. Wait what 349 00:18:05,440 --> 00:18:07,800 Speaker 1: was that about? Exactly the neighborhood. It's like it's like 350 00:18:07,840 --> 00:18:10,159 Speaker 1: a it's a multiicam with like Max Greenfeld in like 351 00:18:10,160 --> 00:18:13,520 Speaker 1: Sedrict Entertainer, and it's like it's like just the broadest 352 00:18:13,680 --> 00:18:17,080 Speaker 1: multi caam about a white family moving into a black neighborhood. 353 00:18:17,400 --> 00:18:20,119 Speaker 1: And it's not great, but I'm like there is something 354 00:18:20,119 --> 00:18:22,359 Speaker 1: about it that I'm like, it's doing something. It's filling 355 00:18:22,359 --> 00:18:26,480 Speaker 1: a void, right, you know. It's like the way you 356 00:18:26,560 --> 00:18:28,440 Speaker 1: talk about it, you said it sort of reminds me 357 00:18:28,480 --> 00:18:31,800 Speaker 1: of how I talk about terrible Christmas romance films that 358 00:18:31,840 --> 00:18:34,400 Speaker 1: come out of Hallmark, where it's like, yo, do the 359 00:18:34,440 --> 00:18:37,840 Speaker 1: worst the better? Yeah? Yeah, yes, I think I think 360 00:18:37,880 --> 00:18:40,879 Speaker 1: like as the more the more, like multi caam Like, 361 00:18:40,880 --> 00:18:42,439 Speaker 1: the more that you could make fun of it for 362 00:18:42,520 --> 00:18:45,600 Speaker 1: being stupid, the more I like it, got it, got it, 363 00:18:45,640 --> 00:18:47,200 Speaker 1: got it, got it. So I mean I guess that's 364 00:18:47,240 --> 00:18:49,080 Speaker 1: the other thing too, Like there's a comfort in like 365 00:18:49,160 --> 00:18:53,120 Speaker 1: really predictable like writing. Also, I love a laugh track. 366 00:18:53,400 --> 00:18:56,760 Speaker 1: I'm like, tell me, tell me O. Wait, So okay, 367 00:18:56,760 --> 00:18:59,360 Speaker 1: what's if if you're gonna put somebody onto a sitcom 368 00:18:59,440 --> 00:19:03,920 Speaker 1: right now? What would you what would you recommend? Um? Honestly, 369 00:19:03,960 --> 00:19:05,440 Speaker 1: I'm like, I'm just telling everyone I know to watch 370 00:19:05,640 --> 00:19:07,760 Speaker 1: you watch two and half Man and they don't like it, 371 00:19:07,840 --> 00:19:13,160 Speaker 1: and they're like they're like, stop telling me to watch that, 372 00:19:14,160 --> 00:19:19,399 Speaker 1: and it's dope elementary. Oh yeah, actually, but I've got 373 00:19:19,440 --> 00:19:23,240 Speaker 1: elementaries Like like like that's like this is what I'm 374 00:19:23,440 --> 00:19:26,399 Speaker 1: different than what I'm talking about. It's like we're talking 375 00:19:27,720 --> 00:19:32,240 Speaker 1: what I'm like, Like it's like an opiate for your brain. 376 00:19:32,359 --> 00:19:33,720 Speaker 1: Like you're literally like it's like you feel like you're 377 00:19:33,760 --> 00:19:37,760 Speaker 1: on Santa you know. I call that listen, No, I 378 00:19:37,800 --> 00:19:41,360 Speaker 1: call that depression TV. Yeah, I am way into it. 379 00:19:41,920 --> 00:19:44,840 Speaker 1: My Depression TV was friends for a long time. I 380 00:19:44,880 --> 00:19:47,520 Speaker 1: don't really like anybody on that shows a human being, 381 00:19:47,600 --> 00:19:49,760 Speaker 1: like not the actors are fine, but like the characters, 382 00:19:50,359 --> 00:19:52,760 Speaker 1: you know, difficult to human beings we not want to 383 00:19:52,800 --> 00:19:55,320 Speaker 1: live with. But man, something about that show was just 384 00:19:55,400 --> 00:19:57,080 Speaker 1: like I'm gonna get through the day and it's gonna 385 00:19:57,080 --> 00:19:59,560 Speaker 1: be fine. It's gonna be okay. And if once you 386 00:19:59,560 --> 00:20:02,199 Speaker 1: watch a know so many times, now you know the 387 00:20:02,240 --> 00:20:04,760 Speaker 1: beats of it, and when you can start saying the 388 00:20:04,800 --> 00:20:07,800 Speaker 1: lines with like it's time to get out of that. 389 00:20:07,880 --> 00:20:09,560 Speaker 1: I have to go to something. I was with The 390 00:20:09,640 --> 00:20:13,120 Speaker 1: Office and I was like, like the UK and American 391 00:20:13,200 --> 00:20:15,639 Speaker 1: version of the Office, I would I would like saying 392 00:20:15,680 --> 00:20:17,320 Speaker 1: I would like I could like like you're saying, you 393 00:20:17,359 --> 00:20:18,680 Speaker 1: know the beats of it to the point like I 394 00:20:18,760 --> 00:20:20,879 Speaker 1: think I'm just listening to music now. No, no, no, 395 00:20:20,960 --> 00:20:23,040 Speaker 1: the Office is music. I mean officely Like I knew 396 00:20:23,119 --> 00:20:26,000 Speaker 1: karaoke in to every episode of the Office, right, you know, 397 00:20:26,280 --> 00:20:28,240 Speaker 1: like yeah, like a man on hinge. I'm like, wow, 398 00:20:28,280 --> 00:20:32,800 Speaker 1: I can really I know every line of the Office. 399 00:20:32,880 --> 00:20:34,520 Speaker 1: I don't know what it is about it. I don't 400 00:20:34,560 --> 00:20:37,920 Speaker 1: know what it is about it. Although recently there was 401 00:20:37,920 --> 00:20:40,919 Speaker 1: that episode where um, someone took a dump on Michael 402 00:20:40,960 --> 00:20:43,879 Speaker 1: in Michael's office and on the carpet and he says 403 00:20:43,960 --> 00:20:46,480 Speaker 1: this thing where I'm like, I've always been like, you know, 404 00:20:46,800 --> 00:20:50,000 Speaker 1: since like you know, we've been more aware of like 405 00:20:50,040 --> 00:20:52,800 Speaker 1: ignorance and workplaces and more sensitive to it, especially after 406 00:20:53,800 --> 00:20:56,399 Speaker 1: Michael Scott rubs me in such a fucking like the 407 00:20:56,440 --> 00:20:59,400 Speaker 1: wrong way. Like it's weird how my relationship to Michael 408 00:20:59,400 --> 00:21:01,040 Speaker 1: Scott has change raged over the years, And I'm like, 409 00:21:01,040 --> 00:21:04,399 Speaker 1: this motherfucker is exact problem with these Isn't that the 410 00:21:04,480 --> 00:21:08,440 Speaker 1: point it is? But I think I've I then I've 411 00:21:08,480 --> 00:21:10,439 Speaker 1: I shifted to this place of like I don't know 412 00:21:10,480 --> 00:21:13,399 Speaker 1: how funny sometimes like even benign ignorance can be to 413 00:21:13,440 --> 00:21:16,240 Speaker 1: me anymore. But it's but it's like it ebbs and 414 00:21:16,240 --> 00:21:18,000 Speaker 1: flows because other times I watch it, I'm like, this 415 00:21:18,040 --> 00:21:21,159 Speaker 1: ship is so stupid. I love it, but so in 416 00:21:21,200 --> 00:21:23,080 Speaker 1: my mind, like when people always talk about you know, 417 00:21:23,119 --> 00:21:25,200 Speaker 1: they always speculate like what would the office be doing 418 00:21:25,280 --> 00:21:27,399 Speaker 1: now or whatever, I'm like, dude, this guy would be 419 00:21:27,440 --> 00:21:30,280 Speaker 1: such an alright person. And then in the in the 420 00:21:30,280 --> 00:21:33,240 Speaker 1: fucking episode, he's like, I love Joe Rogan. He brings 421 00:21:33,320 --> 00:21:35,680 Speaker 1: up fear factor and he goes pretty much love anything 422 00:21:35,760 --> 00:21:37,800 Speaker 1: Joe Rogan does, and I was like, Okay, there's an 423 00:21:37,800 --> 00:21:40,879 Speaker 1: exhibit A. I mean, that's that's who Michael Scott is 424 00:21:40,920 --> 00:21:42,480 Speaker 1: for sure. I Mean I always think of the episode 425 00:21:42,520 --> 00:21:44,760 Speaker 1: where he pretends like they have to stay an extra 426 00:21:44,840 --> 00:21:47,080 Speaker 1: hour because of something corporate wants them to do, just 427 00:21:47,119 --> 00:21:48,600 Speaker 1: so we can make sure that they all come to 428 00:21:48,640 --> 00:21:51,200 Speaker 1: his party, because well, I know that you thought you 429 00:21:51,200 --> 00:21:52,600 Speaker 1: were gonna stay late, so you have you don't have 430 00:21:52,640 --> 00:21:55,600 Speaker 1: many plans. You have to come to my party, right, um, 431 00:21:55,680 --> 00:21:59,040 Speaker 1: And I'm like, that's so funny and crazy, that's sick. 432 00:21:59,720 --> 00:22:01,720 Speaker 1: It's know, no one comes to this party or I 433 00:22:01,760 --> 00:22:04,439 Speaker 1: mean one of my favorites, uh, this Dwight date to 434 00:22:04,480 --> 00:22:07,560 Speaker 1: the dinner party that he wasn't invited to. Anyway. This 435 00:22:07,640 --> 00:22:10,119 Speaker 1: is not a it's not an office podcast. We actually 436 00:22:10,200 --> 00:22:13,000 Speaker 1: have that. It's called The Office Deep Dive with Brian 437 00:22:13,040 --> 00:22:15,360 Speaker 1: Bob Gartner on the network, So check that ship out, 438 00:22:15,400 --> 00:22:17,320 Speaker 1: not this one. All right, let's take a quick break 439 00:22:17,320 --> 00:22:31,000 Speaker 1: and we'll be right back after this and we are back. 440 00:22:31,920 --> 00:22:35,760 Speaker 1: Rent high enough for you? Just just a quick question, everybody, 441 00:22:35,880 --> 00:22:39,040 Speaker 1: No good, good to the rent? Okay, perfect, Let's move on. Um, look, 442 00:22:39,359 --> 00:22:43,119 Speaker 1: rent rates have everybody knows, like I think anecdotally, they're like, 443 00:22:43,160 --> 00:22:45,800 Speaker 1: what the fuck is going on with rent. If you're 444 00:22:45,920 --> 00:22:48,320 Speaker 1: moving space at places, you're like, the rent has gone 445 00:22:48,359 --> 00:22:50,439 Speaker 1: up at a ridiculous amount of New Yorkers I know, 446 00:22:50,640 --> 00:22:53,800 Speaker 1: or like the rent fucking nose dive for a second. 447 00:22:53,840 --> 00:22:57,560 Speaker 1: And now they're essentially like when with your application for 448 00:22:57,600 --> 00:23:00,600 Speaker 1: a new place, they also do a little strong on robbery, 449 00:23:00,680 --> 00:23:03,040 Speaker 1: holds you at knife point and patch your pockets down, 450 00:23:03,080 --> 00:23:04,879 Speaker 1: and they're like, all right, thanks, h welcome to the 451 00:23:04,920 --> 00:23:08,960 Speaker 1: new renter's market. On paper, right, rents have increased by 452 00:23:08,960 --> 00:23:13,400 Speaker 1: on average, like nationally sevent based on one year ago, 453 00:23:13,480 --> 00:23:15,800 Speaker 1: they've gone up seven team. That's when you average the 454 00:23:15,800 --> 00:23:19,840 Speaker 1: ship out. Other places it's fucking worse. Austin, Texas, for example, 455 00:23:19,880 --> 00:23:23,760 Speaker 1: the ship has gone up, Dallas Fort Worth area up, 456 00:23:25,240 --> 00:23:27,520 Speaker 1: And I think again most people are like, what the 457 00:23:27,600 --> 00:23:31,160 Speaker 1: fuck is going on? Like it's not like like, uh, 458 00:23:31,440 --> 00:23:33,960 Speaker 1: it's a fucking building. How is the ship more money 459 00:23:34,040 --> 00:23:36,360 Speaker 1: right now? Is it? What is happening? Why are we 460 00:23:36,680 --> 00:23:39,359 Speaker 1: at the wheel of the landlords and these costs? Well, 461 00:23:39,600 --> 00:23:41,840 Speaker 1: when you look at it, there's a few different factors, 462 00:23:42,160 --> 00:23:44,760 Speaker 1: and I think most many people are very sensitive to 463 00:23:44,800 --> 00:23:48,280 Speaker 1: this naturally, because we're at a point in in time, 464 00:23:48,320 --> 00:23:52,199 Speaker 1: at the moment where gas prices are ridiculous, food prices 465 00:23:52,200 --> 00:23:55,600 Speaker 1: are going up, and most people's wages are like stagnant. 466 00:23:55,880 --> 00:23:59,040 Speaker 1: Uh if not like the opposite of a living wage, 467 00:23:59,640 --> 00:24:07,240 Speaker 1: like a joke wage. Almost yeah, so there not funny 468 00:24:08,200 --> 00:24:11,439 Speaker 1: Congress being like, uh, you could have a joke wage. 469 00:24:11,480 --> 00:24:14,520 Speaker 1: Wage is no longer applicable, you can't reach it. But 470 00:24:15,000 --> 00:24:17,760 Speaker 1: allow you to pay them a joke wage they laugh 471 00:24:17,800 --> 00:24:19,719 Speaker 1: about it. It'll be great. Here's some how about a 472 00:24:19,800 --> 00:24:26,760 Speaker 1: lull wage three cents an hour? You funk with that? Joking? Or? 473 00:24:26,840 --> 00:24:31,639 Speaker 1: Am I? Or am I? Not for prisoners? Not accurate? Right? No? 474 00:24:31,720 --> 00:24:35,480 Speaker 1: I mean we're all we're all, um, we're all staring 475 00:24:35,480 --> 00:24:38,080 Speaker 1: down the gun of not being housed unless you work 476 00:24:38,200 --> 00:24:40,439 Speaker 1: to be a what is it a productive member of 477 00:24:40,440 --> 00:24:43,439 Speaker 1: society as it were. So you look at what's going on, 478 00:24:43,480 --> 00:24:45,159 Speaker 1: and depending on the factors you look at, there's a 479 00:24:45,240 --> 00:24:47,760 Speaker 1: number of explanations, but the biggest thing is that there's 480 00:24:47,800 --> 00:24:50,760 Speaker 1: just not enough housing. Right. One of the biggest things 481 00:24:50,840 --> 00:24:54,080 Speaker 1: that is factoring into all of this is that there 482 00:24:54,200 --> 00:24:58,239 Speaker 1: just aren't like appropriate homes available for the kinds of 483 00:24:58,240 --> 00:25:01,200 Speaker 1: people that need them. So if there's not enough homes 484 00:25:01,240 --> 00:25:04,160 Speaker 1: to meet the demand, that means there's no fucking pressure 485 00:25:04,280 --> 00:25:08,000 Speaker 1: or competition from landlords to do anything about it, you 486 00:25:08,000 --> 00:25:09,159 Speaker 1: know what I mean, Because then they're like, oh, what 487 00:25:09,200 --> 00:25:11,199 Speaker 1: are you gonna do? Like, we're the only few rackets 488 00:25:11,240 --> 00:25:14,240 Speaker 1: in town that have like a single family housing unit 489 00:25:14,320 --> 00:25:16,720 Speaker 1: that is in like seven thousand dollars a month. So 490 00:25:16,720 --> 00:25:18,800 Speaker 1: I guess what I can set the rate because if 491 00:25:18,800 --> 00:25:20,960 Speaker 1: you're not going to pay it, some other person more 492 00:25:21,040 --> 00:25:23,680 Speaker 1: desperate and maybe with slightly more money than you will 493 00:25:23,760 --> 00:25:26,480 Speaker 1: pay it. And I get to do my thing. And 494 00:25:26,920 --> 00:25:28,399 Speaker 1: I think, you know, when you look at how cities 495 00:25:28,440 --> 00:25:31,720 Speaker 1: over emphasized like luxury high rise condos, like for example, 496 00:25:31,760 --> 00:25:35,639 Speaker 1: like l A, we have less places for people to 497 00:25:35,680 --> 00:25:39,600 Speaker 1: live that don't descend from like oligar key. So you 498 00:25:39,640 --> 00:25:41,880 Speaker 1: mean you have these landlords that have us all by throwing. 499 00:25:41,880 --> 00:25:44,359 Speaker 1: It reminds me just like the internet service in most 500 00:25:44,600 --> 00:25:48,480 Speaker 1: places where there's like only two companies, so they're never 501 00:25:48,600 --> 00:25:51,280 Speaker 1: incentivized to have it fucking work because they're like, what 502 00:25:51,280 --> 00:25:55,680 Speaker 1: are you gonna do? Go to the other shitty one anyway? 503 00:25:55,720 --> 00:25:58,320 Speaker 1: Shout out spectrum. That's like kind of like the same 504 00:25:58,320 --> 00:26:00,440 Speaker 1: way it's looking with housing to where people are looking 505 00:26:00,480 --> 00:26:02,960 Speaker 1: at you know, they're looking at people needing housing and 506 00:26:03,000 --> 00:26:05,360 Speaker 1: sort of being like, well, I don't know. I mean, 507 00:26:05,520 --> 00:26:07,439 Speaker 1: if you're not going to pay, someone else will. And 508 00:26:07,520 --> 00:26:11,080 Speaker 1: this is becoming just an increasingly dire situation. And I 509 00:26:11,119 --> 00:26:13,399 Speaker 1: think you know, the other elements to this is that 510 00:26:13,520 --> 00:26:17,400 Speaker 1: construction is slowed down because the materials cost too much. 511 00:26:17,760 --> 00:26:21,040 Speaker 1: But this is the other part. Most people, right because 512 00:26:21,040 --> 00:26:23,560 Speaker 1: of the pandemic, they are beginning to look at their 513 00:26:23,600 --> 00:26:26,800 Speaker 1: own like living spaces differently. We saw that how people 514 00:26:26,840 --> 00:26:29,120 Speaker 1: begin all these sort of like d I Y projects 515 00:26:29,160 --> 00:26:31,160 Speaker 1: at home or trying to make their like home offices 516 00:26:31,200 --> 00:26:34,840 Speaker 1: and things like that. People want more space, more privacy, 517 00:26:34,880 --> 00:26:37,879 Speaker 1: and a lot of people don't fucking want roommates anymore 518 00:26:37,920 --> 00:26:40,280 Speaker 1: if they can afford to not have roommates. So that's 519 00:26:40,320 --> 00:26:45,600 Speaker 1: also creating just this perfect storm that also allows allows 520 00:26:45,640 --> 00:26:49,080 Speaker 1: for human greed to be a bit distorted or at 521 00:26:49,160 --> 00:26:52,639 Speaker 1: least camouflaged by these other factors. But yeah, I don't know, 522 00:26:52,680 --> 00:26:54,520 Speaker 1: if I don't know how much things have changed, if 523 00:26:54,680 --> 00:26:57,639 Speaker 1: if if y'all have moved, or your perception of what 524 00:26:57,720 --> 00:26:59,960 Speaker 1: you need for where you live has where you live 525 00:27:00,000 --> 00:27:05,680 Speaker 1: has changed since the pandemic. But yeah, we moved January one, 526 00:27:06,000 --> 00:27:09,400 Speaker 1: which was a great time to move. Oh my god, prices. 527 00:27:09,600 --> 00:27:12,680 Speaker 1: And in the basement a whole bunch of new properties 528 00:27:12,720 --> 00:27:14,159 Speaker 1: had just gone up, and they were like, how are 529 00:27:14,200 --> 00:27:16,800 Speaker 1: we going to feel them? It's crazy And I had 530 00:27:17,080 --> 00:27:20,439 Speaker 1: intense pandemic time, and so we sort of felt like 531 00:27:20,520 --> 00:27:23,639 Speaker 1: we had, you know, our pick and it was nice 532 00:27:23,680 --> 00:27:26,080 Speaker 1: because we had all sort of just started making like 533 00:27:26,400 --> 00:27:31,400 Speaker 1: real people money, so long freelance and uh it was helpful. 534 00:27:31,640 --> 00:27:35,119 Speaker 1: We are now moving again for a multitude of reasons, 535 00:27:35,200 --> 00:27:37,480 Speaker 1: mostly because when you buy a house that goes up 536 00:27:37,560 --> 00:27:41,480 Speaker 1: quickly here real thin walls, Uh frustrating. So I guess 537 00:27:41,520 --> 00:27:43,080 Speaker 1: similar to a lot of people being like, we don't 538 00:27:43,080 --> 00:27:45,639 Speaker 1: want roommates, and we just wanted to be silent in 539 00:27:45,640 --> 00:27:48,200 Speaker 1: our own home, right, you don't want to hear someone 540 00:27:48,240 --> 00:27:51,360 Speaker 1: else having no not at all. You've got a house 541 00:27:51,440 --> 00:27:53,879 Speaker 1: in like or we I've lived in apartments mostly that 542 00:27:53,920 --> 00:27:56,320 Speaker 1: were built in the seventies. There's like a big boom 543 00:27:56,320 --> 00:27:59,719 Speaker 1: between the fifties and early seventies in California, and all 544 00:27:59,720 --> 00:28:03,280 Speaker 1: those houses super solid, like you can't hear anything. It 545 00:28:03,359 --> 00:28:08,600 Speaker 1: was perfect. Now there's there's a lot of property going up, 546 00:28:08,640 --> 00:28:11,120 Speaker 1: but not a lot of information available about like when 547 00:28:11,160 --> 00:28:13,000 Speaker 1: it's going to be finished. I'm guessing that's a supply 548 00:28:13,080 --> 00:28:16,359 Speaker 1: chain issue. But my other concern is so um to 549 00:28:16,400 --> 00:28:18,240 Speaker 1: your point, a lot of it's happening in like single 550 00:28:18,280 --> 00:28:21,360 Speaker 1: family communities where we're seeing a big gentrifica a lot 551 00:28:21,359 --> 00:28:25,200 Speaker 1: of gentrification. Gavin Newsom signed a new bill into law 552 00:28:25,440 --> 00:28:29,560 Speaker 1: late last year which was like two housing bills that 553 00:28:29,560 --> 00:28:33,119 Speaker 1: allowed for denser housing on single family lots, which, on 554 00:28:33,160 --> 00:28:35,439 Speaker 1: the one hand, seems like a really good opportunity to 555 00:28:35,480 --> 00:28:39,840 Speaker 1: alleviate the housing crisis in California, more houses and smaller spaces. 556 00:28:39,880 --> 00:28:41,720 Speaker 1: You know, we're seeing a lot of townhouses go up. 557 00:28:42,040 --> 00:28:44,120 Speaker 1: But on the other hand, like these communities that have 558 00:28:44,200 --> 00:28:48,760 Speaker 1: long been let's face it, predominantly like Mexican are dying 559 00:28:48,840 --> 00:28:52,440 Speaker 1: now they're quickly being gentrified, and that's sort of I 560 00:28:52,520 --> 00:28:56,200 Speaker 1: don't want to be a contributor to that cause. But 561 00:28:56,360 --> 00:28:58,920 Speaker 1: I also need a place to live. So it's it's 562 00:28:58,920 --> 00:29:02,280 Speaker 1: a difficult out here for pretty much everyone just trying 563 00:29:02,320 --> 00:29:03,880 Speaker 1: to find a house to live. And I don't know, 564 00:29:03,880 --> 00:29:05,520 Speaker 1: all he's got a lot of work to do. We're 565 00:29:05,520 --> 00:29:08,000 Speaker 1: gonna resolve this crisis. I mean, yeah, who should we 566 00:29:08,080 --> 00:29:12,120 Speaker 1: vote for for mayor to make it better. Oh my god, 567 00:29:12,280 --> 00:29:16,520 Speaker 1: I'm obviously Rick Caruso. Yeah, yeah, I mean he's gonna 568 00:29:16,600 --> 00:29:19,080 Speaker 1: right into the growth, like I just want to live 569 00:29:19,120 --> 00:29:22,400 Speaker 1: in a free people so much does right? No? No, no, 570 00:29:22,440 --> 00:29:24,320 Speaker 1: it's I mean, I mean you look at most people 571 00:29:24,400 --> 00:29:28,200 Speaker 1: who like running for mayor of l A like you're 572 00:29:28,280 --> 00:29:32,640 Speaker 1: beholden to commercial real estate developers no matter what. Well again, 573 00:29:32,800 --> 00:29:35,240 Speaker 1: like one guy is the developer. It's just like he's 574 00:29:35,280 --> 00:29:39,320 Speaker 1: literally developer. Yeah, yeah, no, it's it's he's like, hey, 575 00:29:39,400 --> 00:29:42,320 Speaker 1: you know the places where like you almost don't believe 576 00:29:42,360 --> 00:29:44,680 Speaker 1: that un housed people don't exist. Yeah, those are all 577 00:29:44,680 --> 00:29:47,440 Speaker 1: the shopping malls I built because I work, and the 578 00:29:47,520 --> 00:29:50,240 Speaker 1: l a p D are like fucking this. I actually 579 00:29:50,360 --> 00:29:53,920 Speaker 1: used to be the president of the Police Commission with 580 00:29:54,400 --> 00:29:57,360 Speaker 1: people don't realize that about me either. I'm Rick Caruso, folks. Yeah, 581 00:29:57,560 --> 00:29:59,480 Speaker 1: And which is funny because most people who have that 582 00:29:59,520 --> 00:30:02,520 Speaker 1: position for the l a p D Commission are typically 583 00:30:02,920 --> 00:30:05,920 Speaker 1: private citizens, always private citizens, but real estate people like 584 00:30:05,960 --> 00:30:09,200 Speaker 1: whether they had a hand in rejuvenating downtown or people 585 00:30:09,240 --> 00:30:13,239 Speaker 1: like Rick Caruso. Just shows you the relationship between the 586 00:30:13,280 --> 00:30:16,920 Speaker 1: police and private property. So just beyond this though, too, 587 00:30:17,000 --> 00:30:19,440 Speaker 1: Like this is all sort of against a backdrop where 588 00:30:19,800 --> 00:30:23,880 Speaker 1: you know, so many people's financial situations are tenuous, not 589 00:30:23,960 --> 00:30:27,080 Speaker 1: even even before the pandemic, but even now because of 590 00:30:27,080 --> 00:30:29,920 Speaker 1: the pandemic. There's this study that was that was done 591 00:30:29,960 --> 00:30:32,520 Speaker 1: before the pandemic that said in cities like l A, 592 00:30:32,600 --> 00:30:35,800 Speaker 1: where the rent is so high, five percent increase in 593 00:30:35,840 --> 00:30:39,240 Speaker 1: rent could drive thousands to become unhoused. That's all. It takes, 594 00:30:39,280 --> 00:30:42,640 Speaker 1: its fucking five percent to throw everybody's finances off. And 595 00:30:42,680 --> 00:30:44,400 Speaker 1: we're now in a thing where you're looking in some 596 00:30:44,520 --> 00:30:47,680 Speaker 1: areas they're taking you know, we're looking at an average 597 00:30:47,680 --> 00:30:52,080 Speaker 1: of seventeen you know, what happens with the regulations around this, 598 00:30:52,800 --> 00:30:55,960 Speaker 1: we shall see, but I mean until then, without an 599 00:30:56,000 --> 00:30:59,320 Speaker 1: emphasis on like affordable housing, like you know, we can't 600 00:30:59,320 --> 00:31:01,760 Speaker 1: have people can in you to be like because you 601 00:31:01,800 --> 00:31:03,120 Speaker 1: see so many so much of this ship in l 602 00:31:03,160 --> 00:31:04,840 Speaker 1: A too, where people like I just feel like, you know, 603 00:31:04,880 --> 00:31:07,800 Speaker 1: there's like so many homeless people like around and like 604 00:31:08,280 --> 00:31:09,800 Speaker 1: if there's like I don't know what, I don't know 605 00:31:09,840 --> 00:31:11,760 Speaker 1: what to do, it's like you don't know what to do? 606 00:31:11,920 --> 00:31:17,840 Speaker 1: Give them housing and advocate complicated. Yeah, And it's so 607 00:31:17,920 --> 00:31:21,239 Speaker 1: interesting when I talk to people who seemingly have their 608 00:31:21,280 --> 00:31:22,840 Speaker 1: head in the right place when it comes to other 609 00:31:22,880 --> 00:31:26,360 Speaker 1: societal ills that they're like, Okay, they can understand about 610 00:31:26,360 --> 00:31:29,680 Speaker 1: like the proliferation of like police militarized police, and like 611 00:31:29,720 --> 00:31:33,200 Speaker 1: white supremacy and all this other ship, But then their 612 00:31:33,240 --> 00:31:36,400 Speaker 1: empathy like stop suddenly for people who are like not 613 00:31:36,520 --> 00:31:38,080 Speaker 1: doing well, and then it's like, well, I don't know, 614 00:31:38,160 --> 00:31:41,640 Speaker 1: like they just shouldn't, Like there was like poop like 615 00:31:41,680 --> 00:31:45,160 Speaker 1: all over this, like Transformer box, I walked the dog 616 00:31:45,200 --> 00:31:47,160 Speaker 1: by all the time. It's like I just wish they 617 00:31:47,240 --> 00:31:50,360 Speaker 1: could just like move them somewhere, but they you need 618 00:31:50,440 --> 00:31:55,000 Speaker 1: to invest in the actual the ideas and the concepts 619 00:31:55,040 --> 00:31:58,960 Speaker 1: that will alleviate people, alleviate homelessness, and not just be 620 00:31:59,080 --> 00:32:01,280 Speaker 1: like it's grow pison. I don't like to see it. 621 00:32:01,600 --> 00:32:04,040 Speaker 1: If you don't, if you really care enough, don't just 622 00:32:04,080 --> 00:32:06,120 Speaker 1: turn it into a thing of I'm disgusted by the 623 00:32:06,160 --> 00:32:09,000 Speaker 1: reality that people are destitute, because I think that's the 624 00:32:09,000 --> 00:32:11,640 Speaker 1: thing most people are butting up against. Like I don't 625 00:32:11,680 --> 00:32:13,959 Speaker 1: like the idea of having to acknowledge that, like some 626 00:32:14,000 --> 00:32:16,280 Speaker 1: people could be doing so terribly and I'd rather just 627 00:32:16,320 --> 00:32:19,600 Speaker 1: not have that in my like my peripheral vision because 628 00:32:20,040 --> 00:32:23,040 Speaker 1: I'm just trying to do my thing, but really taking 629 00:32:23,080 --> 00:32:27,120 Speaker 1: that and focusing that into oh, what are the actual 630 00:32:27,240 --> 00:32:30,840 Speaker 1: solutions to this, and that is affordable housing or just 631 00:32:30,840 --> 00:32:32,680 Speaker 1: looking at all the people, you know, the money that 632 00:32:32,720 --> 00:32:36,480 Speaker 1: we've put aside as a city that many residents are like, oh, 633 00:32:36,720 --> 00:32:39,360 Speaker 1: we can't have that, we can't have that in my backyard, 634 00:32:39,600 --> 00:32:42,040 Speaker 1: not even affordable housing. Yet well we're seeing it like 635 00:32:42,240 --> 00:32:45,600 Speaker 1: even in you know, I mean most recently, Dave Chappelle 636 00:32:46,200 --> 00:32:48,520 Speaker 1: went on a tirade in his own community where he 637 00:32:48,640 --> 00:32:53,000 Speaker 1: was like, if you build these were essentially Section eight 638 00:32:53,040 --> 00:32:55,840 Speaker 1: houses for people, I'll pull all my money out of 639 00:32:55,840 --> 00:32:59,840 Speaker 1: the city and bounce. And it was like, dude, yeah, homeless, 640 00:32:59,840 --> 00:33:01,920 Speaker 1: this is not a crime, and the fact that we 641 00:33:01,960 --> 00:33:04,880 Speaker 1: criminalize it doesn't make it a crime. Like we have 642 00:33:04,920 --> 00:33:09,120 Speaker 1: to be afraid of people without housing. That's just bananas. Yeah, 643 00:33:09,160 --> 00:33:11,880 Speaker 1: but I think that's reveals the whole you know, the 644 00:33:11,920 --> 00:33:15,880 Speaker 1: game there is if you criminalize being poor, then you 645 00:33:16,000 --> 00:33:20,600 Speaker 1: have to work, right, and then there's no option but 646 00:33:20,840 --> 00:33:24,480 Speaker 1: for you to toil because the the only other recourse 647 00:33:24,520 --> 00:33:27,200 Speaker 1: you have is to become unhoused or not be able 648 00:33:27,200 --> 00:33:30,720 Speaker 1: to pay your bills. And then yeah, you'll begin to 649 00:33:30,760 --> 00:33:33,800 Speaker 1: meet the other part of law enforcement. That's just bananas statement, 650 00:33:33,880 --> 00:33:35,800 Speaker 1: because I feel like there's not that many people who 651 00:33:35,920 --> 00:33:37,840 Speaker 1: don't want to work. And I don't mean like, of 652 00:33:37,840 --> 00:33:41,560 Speaker 1: course most people don't. Often most people don't dream of labor, 653 00:33:41,680 --> 00:33:44,400 Speaker 1: and if they could do something else, they they could 654 00:33:44,400 --> 00:33:47,400 Speaker 1: follow their dreams, you know. But most people have like 655 00:33:47,480 --> 00:33:50,520 Speaker 1: something they want to do. I mean, like most people 656 00:33:50,520 --> 00:33:52,479 Speaker 1: don't want to just sit around and be complain Most 657 00:33:52,520 --> 00:33:55,280 Speaker 1: people do want to contribute to society. It's just like 658 00:33:55,360 --> 00:33:57,719 Speaker 1: in what capacity do they want to do that. It's like, 659 00:33:58,480 --> 00:34:01,400 Speaker 1: you know, like do I want want to work at 660 00:34:01,680 --> 00:34:04,200 Speaker 1: you know, like like work at a quick service like 661 00:34:04,320 --> 00:34:07,600 Speaker 1: restaurant or damn would be fucking chill. If like I 662 00:34:07,640 --> 00:34:10,600 Speaker 1: could have a writing career because I'm really creative, I 663 00:34:10,680 --> 00:34:13,279 Speaker 1: just don't there's no outlets for that because I'm not 664 00:34:13,360 --> 00:34:16,239 Speaker 1: in prox pre close enough proximity to benefit from like 665 00:34:16,280 --> 00:34:20,360 Speaker 1: the social networks you need to enter show business. Anyway. Yes, 666 00:34:21,400 --> 00:34:23,600 Speaker 1: these are all things that you know, you think could 667 00:34:23,640 --> 00:34:25,759 Speaker 1: be better managed, but yeah, we're still looking at the 668 00:34:25,800 --> 00:34:28,080 Speaker 1: same situation. And like I was reading an article from 669 00:34:28,920 --> 00:34:31,320 Speaker 1: that was like, why is the rent so darn high? 670 00:34:31,520 --> 00:34:34,719 Speaker 1: They're still pointing at the exact same problems, and so 671 00:34:35,400 --> 00:34:39,320 Speaker 1: you know, the slow, slow boil of progress continues, I guess, 672 00:34:40,000 --> 00:34:41,839 Speaker 1: or at least I don't know. I mean, at least 673 00:34:41,920 --> 00:34:44,520 Speaker 1: landlords are seemed to be kicked up. Becca said, it's 674 00:34:44,560 --> 00:34:49,520 Speaker 1: up in New York City. In some places that I 675 00:34:49,560 --> 00:34:52,400 Speaker 1: see of like people like apartment hunting in the Ark City. 676 00:34:52,520 --> 00:34:54,839 Speaker 1: I'm like, there's a lot for these over over over 677 00:34:54,920 --> 00:34:58,040 Speaker 1: priced apartment like lines, like you can't even get one 678 00:34:58,200 --> 00:35:00,960 Speaker 1: with like regardless of whether you're willing to pain insane 679 00:35:01,360 --> 00:35:04,000 Speaker 1: like amount of money for a really tiny, tiny place, 680 00:35:04,120 --> 00:35:06,560 Speaker 1: it's like you still can't even get it because like 681 00:35:06,680 --> 00:35:09,840 Speaker 1: literally like the five people want this to overpay for 682 00:35:09,880 --> 00:35:13,560 Speaker 1: the same shitty place. Like it's so I saw another 683 00:35:13,560 --> 00:35:15,640 Speaker 1: TikTok of something about like I think it was in 684 00:35:15,719 --> 00:35:19,640 Speaker 1: North Carolina or something like near Asheville, where like this 685 00:35:19,719 --> 00:35:22,600 Speaker 1: realtor was like, this is a house that's going up 686 00:35:22,880 --> 00:35:25,359 Speaker 1: like for to be seen, and it's one of the 687 00:35:25,440 --> 00:35:29,200 Speaker 1: only houses that's actually like at a price that makes 688 00:35:29,239 --> 00:35:32,719 Speaker 1: sense for human beings who aren't like, you know, completely 689 00:35:32,920 --> 00:35:35,200 Speaker 1: like unable to you know, you're just maybe doing a 690 00:35:35,280 --> 00:35:38,400 Speaker 1: terrible loan or whatever. But the most reasonably house or 691 00:35:38,520 --> 00:35:41,759 Speaker 1: priced house, and they were shooting this TikTok, dude, the 692 00:35:41,840 --> 00:35:44,640 Speaker 1: people it you thought, I don't even know. I don't 693 00:35:44,640 --> 00:35:47,120 Speaker 1: know what kind of crowds I've seen like this, like 694 00:35:47,200 --> 00:35:50,799 Speaker 1: outside just for people to see an affordable home. And 695 00:35:51,160 --> 00:35:53,359 Speaker 1: when you when you see that that's there's that many 696 00:35:53,440 --> 00:35:57,040 Speaker 1: people looking for it, go a few levels lower to 697 00:35:57,120 --> 00:35:58,920 Speaker 1: people who might not even be in the market to 698 00:35:59,040 --> 00:36:01,279 Speaker 1: buy a house, but to rent a house. And then 699 00:36:01,440 --> 00:36:05,320 Speaker 1: from there you have an even you know, more ludicrous 700 00:36:05,360 --> 00:36:07,759 Speaker 1: market where you have people being able to set the 701 00:36:07,800 --> 00:36:14,040 Speaker 1: prices because whatever. Yeah, it's really disheartening to watch, especially 702 00:36:14,080 --> 00:36:16,959 Speaker 1: when you consider like somebody was tweeting the other day 703 00:36:17,120 --> 00:36:20,640 Speaker 1: about how their landlord was mad because they were two 704 00:36:20,719 --> 00:36:25,240 Speaker 1: days late in the bank, like tag the landlord because 705 00:36:25,280 --> 00:36:27,759 Speaker 1: their mortgage payment was late, and they're like, am I 706 00:36:27,800 --> 00:36:31,520 Speaker 1: my landlords like head of household, am I might the 707 00:36:31,600 --> 00:36:37,400 Speaker 1: beneficiary supporting my landlord's lifestyle? That is madness. That's why 708 00:36:37,520 --> 00:36:40,040 Speaker 1: I think that's why landlords have get such terrible flak, 709 00:36:40,200 --> 00:36:42,719 Speaker 1: because more people are sort of aware because there are 710 00:36:42,719 --> 00:36:45,040 Speaker 1: people who are just straight up landlords were like, my 711 00:36:45,200 --> 00:36:49,040 Speaker 1: job is to just collect your wages and then pay 712 00:36:49,080 --> 00:36:51,839 Speaker 1: for this property and that's what I do. And then 713 00:36:51,960 --> 00:36:54,840 Speaker 1: because it's wild when you see on especially on TikTok 714 00:36:54,880 --> 00:36:57,879 Speaker 1: and read it, you got like these pro landlord spaces 715 00:36:58,239 --> 00:37:00,960 Speaker 1: where people were like, I can't bove the people are 716 00:37:01,000 --> 00:37:03,960 Speaker 1: saying like, I'm a dick because I raised the rent. 717 00:37:04,760 --> 00:37:09,320 Speaker 1: I have bills too that I extract through passively having 718 00:37:09,360 --> 00:37:11,880 Speaker 1: this property that I may have inherited or whatever. And 719 00:37:11,880 --> 00:37:15,000 Speaker 1: I get that some people inherit houses and our landlords 720 00:37:15,000 --> 00:37:17,280 Speaker 1: and you're not trying to funk people over, but there's 721 00:37:17,560 --> 00:37:19,839 Speaker 1: damn sure a lot more people who look at land 722 00:37:19,920 --> 00:37:22,359 Speaker 1: being a landlord as the way out. But there's also 723 00:37:22,440 --> 00:37:24,120 Speaker 1: like this section of tech talk where it's like literally 724 00:37:24,160 --> 00:37:26,360 Speaker 1: like it's like how to become only onlord tektok and 725 00:37:27,520 --> 00:37:29,480 Speaker 1: and it's like he's like with like little fun music 726 00:37:29,520 --> 00:37:31,200 Speaker 1: and it's like this cute like girl in her like 727 00:37:31,239 --> 00:37:34,000 Speaker 1: early thirties, and she's like, this is how like I 728 00:37:34,080 --> 00:37:37,160 Speaker 1: make five thousand dollars a year with four Airbnb properties 729 00:37:37,160 --> 00:37:39,319 Speaker 1: that I put no money down on. And it's like 730 00:37:39,360 --> 00:37:41,400 Speaker 1: and it's like basically trying to get you also to 731 00:37:41,440 --> 00:37:43,719 Speaker 1: do the same kind of like Airbnb scam. And I'm 732 00:37:43,760 --> 00:37:48,080 Speaker 1: sorry and and you know and why and you you 733 00:37:48,080 --> 00:37:51,200 Speaker 1: can see why that is attractive, right because so many 734 00:37:51,360 --> 00:37:54,360 Speaker 1: people are like scrambling to figure out how to survive. 735 00:37:54,800 --> 00:37:57,359 Speaker 1: And right now, some of the examples you'll get on 736 00:37:57,400 --> 00:38:00,760 Speaker 1: social media are these people who are like young, dress nice, 737 00:38:01,120 --> 00:38:04,040 Speaker 1: got all the consumer items that you know, someone who's 738 00:38:04,040 --> 00:38:07,319 Speaker 1: struggling would probably want themselves. And the way that they're 739 00:38:07,400 --> 00:38:10,400 Speaker 1: presenting their lifestyle is like the way I did it 740 00:38:10,480 --> 00:38:14,080 Speaker 1: was to exploit other people's need for housing, y'all. Uh, 741 00:38:14,120 --> 00:38:15,520 Speaker 1: and this is how you do it. Look for some 742 00:38:15,600 --> 00:38:19,000 Speaker 1: distressed properties, like I see those videos too, and there's 743 00:38:19,040 --> 00:38:23,520 Speaker 1: no there's no real awareness as to what that means, 744 00:38:23,560 --> 00:38:27,200 Speaker 1: Like what what what cycles you're perpetuating by getting into 745 00:38:27,239 --> 00:38:31,080 Speaker 1: this idea of like lucrative landlord or your landlord orism 746 00:38:31,200 --> 00:38:33,080 Speaker 1: or whatever we like, and you're they're not just like 747 00:38:33,080 --> 00:38:35,080 Speaker 1: where is this money coming from? And the money is 748 00:38:35,080 --> 00:38:37,560 Speaker 1: coming from other people who are like working shitty jobs. 749 00:38:37,600 --> 00:38:40,480 Speaker 1: It's just like, but now I don't have to work 750 00:38:40,520 --> 00:38:42,959 Speaker 1: and I have a I have a lambl payment now, 751 00:38:43,480 --> 00:38:46,279 Speaker 1: but yeah, go off with their lords. Um. Speaking of overlords, 752 00:38:46,280 --> 00:38:48,840 Speaker 1: I want to check in with Howard Schultz, who is 753 00:38:48,880 --> 00:38:51,720 Speaker 1: the on again off again Starbucks CEO, as I mentioned earlier, 754 00:38:52,040 --> 00:38:57,640 Speaker 1: and he is again he's fighting for his corporate overlord 755 00:38:57,880 --> 00:39:01,680 Speaker 1: life right now. The history unionization of a Starbucks and 756 00:39:01,760 --> 00:39:05,240 Speaker 1: Buffalo was a high point for people who are actually 757 00:39:05,320 --> 00:39:08,759 Speaker 1: invested in labor rights, uh and equity. But if you're 758 00:39:08,760 --> 00:39:11,160 Speaker 1: in the c suite of a publicly traded company, it 759 00:39:11,239 --> 00:39:14,560 Speaker 1: looked more like when the spaceships from Independence Day pulled up, 760 00:39:14,920 --> 00:39:17,960 Speaker 1: like where they're looking at that and they're like, they're 761 00:39:18,000 --> 00:39:20,759 Speaker 1: trying to fuck us up. And that was and that's 762 00:39:20,800 --> 00:39:23,800 Speaker 1: why we see so much money going into union busting 763 00:39:23,880 --> 00:39:26,600 Speaker 1: and fucking with people who are trying to organize unions 764 00:39:26,600 --> 00:39:29,680 Speaker 1: in their workplaces. So he was so concerned, right he 765 00:39:29,719 --> 00:39:31,960 Speaker 1: came out of retirement to try and reason with the 766 00:39:32,000 --> 00:39:34,880 Speaker 1: people with some of these employees in Buffalo. This was 767 00:39:34,920 --> 00:39:36,960 Speaker 1: back in November when we covered it. There was that 768 00:39:37,000 --> 00:39:41,320 Speaker 1: clip of him like lining like the unionizing workers to 769 00:39:41,440 --> 00:39:44,120 Speaker 1: like people in the Holocaust who are sharing a blanket 770 00:39:44,200 --> 00:39:47,280 Speaker 1: to like keep themselves from not dying in the freezing cold. 771 00:39:47,360 --> 00:39:49,080 Speaker 1: And he's like, and that's what we're trying to do 772 00:39:49,120 --> 00:39:52,120 Speaker 1: with Starbucks is share the blanket as a way to 773 00:39:52,160 --> 00:39:54,839 Speaker 1: be like, so you don't have to unionize where you're like, 774 00:39:54,920 --> 00:39:58,520 Speaker 1: I'm sorry, who are the Holocaust victims in this metaphor? 775 00:39:58,840 --> 00:40:03,000 Speaker 1: Exactly what are you saying? So that obviously went to 776 00:40:03,320 --> 00:40:07,880 Speaker 1: the sound of crickets. Those workers successfully unionized. And you know, 777 00:40:07,960 --> 00:40:09,520 Speaker 1: this is like the thing that a lot of people 778 00:40:09,800 --> 00:40:12,680 Speaker 1: who are you know, who are OMG afraid of unionizing. 779 00:40:13,040 --> 00:40:16,240 Speaker 1: They see places like Starbucks that have so many locations 780 00:40:16,280 --> 00:40:19,160 Speaker 1: that if slowly they begin to unionize more and more, 781 00:40:19,520 --> 00:40:21,719 Speaker 1: that a company that hires so many people has like 782 00:40:21,760 --> 00:40:24,360 Speaker 1: such a sort of baseline for what is equal pay 783 00:40:24,400 --> 00:40:27,799 Speaker 1: that affects fucking everyone else in the space. That's why 784 00:40:27,840 --> 00:40:29,879 Speaker 1: you see so much money being poured into it because 785 00:40:29,880 --> 00:40:32,000 Speaker 1: down the road they're like, don't I have to make 786 00:40:32,160 --> 00:40:36,319 Speaker 1: less Moneis. So when that didn't work, he returned to 787 00:40:36,360 --> 00:40:39,440 Speaker 1: his post is as as CEO and he's been you 788 00:40:39,480 --> 00:40:42,120 Speaker 1: know I presumably because he thinks he can keep the 789 00:40:42,239 --> 00:40:48,200 Speaker 1: unionizing from happening. And he had another employee roundtable discussion 790 00:40:48,280 --> 00:40:52,719 Speaker 1: again recently, and my god, this is him getting you know, 791 00:40:52,760 --> 00:40:54,319 Speaker 1: we want to get to I don't see you're not 792 00:40:54,400 --> 00:40:57,960 Speaker 1: employees were partners. You guys are partners even though you 793 00:40:58,000 --> 00:41:00,720 Speaker 1: don't have any stake in the profits of this place 794 00:41:00,960 --> 00:41:03,640 Speaker 1: where partners, right, and he wanted to just kind of 795 00:41:03,719 --> 00:41:06,239 Speaker 1: let everybody know all the cool stuff that's happening in 796 00:41:06,320 --> 00:41:08,560 Speaker 1: Starbucks basically as a way to sort of say, like, 797 00:41:08,600 --> 00:41:10,960 Speaker 1: we're gonna stop, he said, we'll stop doing stock buy 798 00:41:11,040 --> 00:41:13,720 Speaker 1: backs and we're actually gonna pour that money back into 799 00:41:13,760 --> 00:41:17,440 Speaker 1: the company. They're like making better stores and navy wages 800 00:41:17,480 --> 00:41:20,920 Speaker 1: who knows, won't say that explicitly, and just you know, 801 00:41:21,000 --> 00:41:24,360 Speaker 1: making things nicer for Starbucks as it is. The people, again, 802 00:41:24,520 --> 00:41:28,440 Speaker 1: were so fucking bored at this event that then he 803 00:41:28,520 --> 00:41:30,399 Speaker 1: goes on to be Okay, that didn't work. What else 804 00:41:30,400 --> 00:41:33,360 Speaker 1: can I get these these like really poor working people, 805 00:41:33,360 --> 00:41:36,600 Speaker 1: How can I get them excited about the future of Starbucks? 806 00:41:36,800 --> 00:41:41,160 Speaker 1: Listen to this fucking pivot? Okay? How many people have 807 00:41:41,360 --> 00:41:45,640 Speaker 1: followed what has been happening with n f T S 808 00:41:48,800 --> 00:41:54,279 Speaker 1: nervous laughter? How many people have participated in investing in 809 00:41:55,440 --> 00:42:03,960 Speaker 1: We're poor bitch? Okay for that. Okay, So if you 810 00:42:04,120 --> 00:42:07,440 Speaker 1: look at I've tried to be a student with all this, 811 00:42:07,719 --> 00:42:10,520 Speaker 1: not saying a digital native. If you look at the companies, 812 00:42:10,560 --> 00:42:13,799 Speaker 1: the brands of celebrities, the influencers that are trying to 813 00:42:13,880 --> 00:42:19,520 Speaker 1: create a digital n f T platform and business. I 814 00:42:19,600 --> 00:42:23,320 Speaker 1: can't find one of them that has the treasure trove 815 00:42:24,000 --> 00:42:29,080 Speaker 1: of assets that Starbucks has, from selectibles to the entire 816 00:42:29,160 --> 00:42:35,560 Speaker 1: heritage of the company. So not any entertainment industry with 817 00:42:35,880 --> 00:42:41,439 Speaker 1: solidified characters are stories, way way backed up, has more 818 00:42:41,520 --> 00:42:45,920 Speaker 1: than I'm sorry, the dream company Starbucks. You sound like 819 00:42:45,960 --> 00:42:48,840 Speaker 1: an idiot, And that's just on a business level. Ambling 820 00:42:49,000 --> 00:42:53,080 Speaker 1: ambling entertainment as a production company has more exploitable i p. 821 00:42:53,280 --> 00:42:56,479 Speaker 1: Than fucking Starbucks. But again, this is what he was saying. 822 00:42:56,480 --> 00:43:00,400 Speaker 1: He was Danely's like, wouldn't that be sick? Like y'all, 823 00:43:00,440 --> 00:43:02,920 Speaker 1: like Starbucks is gonna start doing n f T s, 824 00:43:03,360 --> 00:43:06,439 Speaker 1: How the fuck does that benefit these people? And what 825 00:43:06,480 --> 00:43:08,160 Speaker 1: the fund did you think they were going to be? 826 00:43:08,200 --> 00:43:12,480 Speaker 1: Like finally, because what he'll he'll pivot to and you 827 00:43:12,520 --> 00:43:14,640 Speaker 1: know who's gonna get first first swipe with those n 828 00:43:14,680 --> 00:43:19,760 Speaker 1: f T s, y'all the partners. That is what's wild 829 00:43:19,800 --> 00:43:24,360 Speaker 1: to me is these you know, millionaire billionaire CEOs coming 830 00:43:24,440 --> 00:43:29,279 Speaker 1: to talk to folks who make one their salary a year, 831 00:43:30,000 --> 00:43:33,080 Speaker 1: you know, and not ever sitting down to actually address 832 00:43:33,120 --> 00:43:35,359 Speaker 1: these issues, but like talking to them like they're at 833 00:43:35,360 --> 00:43:38,880 Speaker 1: a board meeting. You know it just it doesn't compute 834 00:43:38,960 --> 00:43:41,640 Speaker 1: at all to their daily lives. You're not at all 835 00:43:41,920 --> 00:43:44,919 Speaker 1: addressing their needs or concerns. You're just adding frivolous things 836 00:43:44,920 --> 00:43:47,719 Speaker 1: to a company that they genuinely don't care about. Here's 837 00:43:47,719 --> 00:43:49,600 Speaker 1: the thing you need to understand. If you're paying your 838 00:43:49,680 --> 00:43:53,200 Speaker 1: employee minimum wage, if you're paying and most likely if 839 00:43:53,200 --> 00:43:56,160 Speaker 1: you're paying your employee ten dollars over minimum wage, don't 840 00:43:56,200 --> 00:43:58,480 Speaker 1: give a shit about your company. They don't care. Do 841 00:43:58,600 --> 00:44:00,399 Speaker 1: you have a family to them, they'll have a time. 842 00:44:00,440 --> 00:44:03,040 Speaker 1: They came in here to make sure their kids could eat, right. 843 00:44:03,440 --> 00:44:05,719 Speaker 1: It's from the last story where it will be criminal 844 00:44:05,800 --> 00:44:12,120 Speaker 1: to not have a job, even if they really enjoy 845 00:44:12,480 --> 00:44:15,879 Speaker 1: making their little latte foam are or you know this 846 00:44:16,080 --> 00:44:18,480 Speaker 1: Starbucks is a hub in their community and people come 847 00:44:18,480 --> 00:44:21,040 Speaker 1: in and use the internet and it you know that 848 00:44:21,080 --> 00:44:23,480 Speaker 1: feels warm and fuzzy to them. Like even if those 849 00:44:23,480 --> 00:44:27,960 Speaker 1: things are true, it's still most likely not their dream place. 850 00:44:28,200 --> 00:44:30,160 Speaker 1: You know, most of them are not, like I can't 851 00:44:30,160 --> 00:44:32,000 Speaker 1: wait to open a Starbucks of my very own, Like 852 00:44:32,200 --> 00:44:34,839 Speaker 1: they literally just came here to work. And when we 853 00:44:34,920 --> 00:44:37,319 Speaker 1: make it so that, you know, our jobs have to 854 00:44:37,360 --> 00:44:41,000 Speaker 1: support our health care. When our jobs have to support 855 00:44:41,200 --> 00:44:46,400 Speaker 1: us past retirement, then it's important that jobs do those things. 856 00:44:46,400 --> 00:44:48,600 Speaker 1: Like you really can't have it both ways of being like, well, 857 00:44:48,600 --> 00:44:52,840 Speaker 1: we don't want the government to like support people independently, 858 00:44:53,160 --> 00:44:55,359 Speaker 1: you know, they gotta work, but we also aren't going 859 00:44:55,400 --> 00:44:57,720 Speaker 1: to make it so that work places have to support 860 00:44:57,760 --> 00:45:00,439 Speaker 1: people in a way that is realistic and these don't 861 00:45:00,560 --> 00:45:05,160 Speaker 1: unionize and make us have to actually honor those that 862 00:45:05,239 --> 00:45:07,680 Speaker 1: relationship where I'm telling you we're a family and this 863 00:45:07,719 --> 00:45:09,279 Speaker 1: is the thing, even though the n f t S 864 00:45:09,320 --> 00:45:13,239 Speaker 1: thing didn't fucking everyone laughed at that one. He then 865 00:45:13,280 --> 00:45:15,800 Speaker 1: just fully takes the fucking mask off and hits people 866 00:45:15,880 --> 00:45:19,480 Speaker 1: with his assessment of what workers fighting to have stable 867 00:45:19,640 --> 00:45:23,000 Speaker 1: and life sustaining wages looks like unionizing. This is this 868 00:45:23,040 --> 00:45:26,839 Speaker 1: is his unionizing take. Here's where it gets a little 869 00:45:26,880 --> 00:45:30,120 Speaker 1: sensitive because I've been coached a little bit, but I 870 00:45:30,160 --> 00:45:35,839 Speaker 1: do want to talk about something pretty serious. Oh, we 871 00:45:35,960 --> 00:45:40,799 Speaker 1: can't ignore what is happening in the country as it 872 00:45:40,840 --> 00:45:48,560 Speaker 1: relates to companies throughout the country being assaulted in many 873 00:45:48,600 --> 00:45:55,120 Speaker 1: ways by the threat of unionization. You can't assault literally 874 00:45:55,160 --> 00:46:00,000 Speaker 1: using the word assault for that is actually truly so sorry, 875 00:45:59,719 --> 00:46:02,840 Speaker 1: so someone coached him to say that. I think he 876 00:46:02,920 --> 00:46:06,640 Speaker 1: was coached to not say, please, don't say that a 877 00:46:06,760 --> 00:46:10,560 Speaker 1: sleep like we said aoid the word of salt, and 878 00:46:10,840 --> 00:46:13,279 Speaker 1: then you would you ascribe that too. You're saying a 879 00:46:14,200 --> 00:46:21,920 Speaker 1: multibillion dollar entity was being assaulted by people seeking seeking equity. Wow, 880 00:46:22,040 --> 00:46:24,560 Speaker 1: I want to want be people wanting to be paid 881 00:46:24,600 --> 00:46:26,600 Speaker 1: like five dollars more an hour. I'm like, that's like, 882 00:46:26,680 --> 00:46:29,840 Speaker 1: you're crazy, Like this is the thing, right, and it 883 00:46:29,920 --> 00:46:32,719 Speaker 1: makes sense from the perspective of an olive garden like this, 884 00:46:33,120 --> 00:46:36,640 Speaker 1: if you're used to making obscene amounts of money, like 885 00:46:36,800 --> 00:46:42,040 Speaker 1: every fucking hour on the hour, anything that fucking threatens 886 00:46:42,120 --> 00:46:44,839 Speaker 1: that order seems like an existential threat. Is the same 887 00:46:44,880 --> 00:46:48,200 Speaker 1: ship you saw a white supremacist deal with anything dealing 888 00:46:48,200 --> 00:46:52,120 Speaker 1: with equality. They treat that ship as an like existential threat. 889 00:46:52,160 --> 00:46:56,160 Speaker 1: Black lives matter? Oh my god, then hours, don't you 890 00:46:56,160 --> 00:46:58,880 Speaker 1: know what I mean? It's exact same response from someone 891 00:46:59,200 --> 00:47:01,640 Speaker 1: in a place, So you know, in the hedge ofmonic 892 00:47:01,680 --> 00:47:04,680 Speaker 1: class or whatever whatever what have you to be to 893 00:47:04,760 --> 00:47:07,680 Speaker 1: look at this and say this is fucking dangerous, this 894 00:47:07,760 --> 00:47:10,799 Speaker 1: is bad, but also to not have the wherewithal or 895 00:47:10,840 --> 00:47:14,480 Speaker 1: awareness to you're talking to the fucking people that are 896 00:47:14,520 --> 00:47:17,400 Speaker 1: looking for a better outcome. And you're saying like, I 897 00:47:17,440 --> 00:47:20,600 Speaker 1: don't know if you heard about these fucking poor weirdos 898 00:47:20,640 --> 00:47:24,279 Speaker 1: that one are like curb stomp Starbucks, but that's like. 899 00:47:24,320 --> 00:47:27,360 Speaker 1: The super wealthy have this idea that you have to 900 00:47:27,719 --> 00:47:31,279 Speaker 1: you have to work your way up from nothing, and 901 00:47:31,320 --> 00:47:34,600 Speaker 1: they're really repulsed by the idea that people might start 902 00:47:34,640 --> 00:47:38,160 Speaker 1: off at a balanced place, even though many of them 903 00:47:38,239 --> 00:47:42,920 Speaker 1: started off like beyond wealthy. You know, Like recently, I 904 00:47:42,960 --> 00:47:44,960 Speaker 1: was offered a gig from somebody who's like, yeah, i'd 905 00:47:45,000 --> 00:47:47,120 Speaker 1: have to bump you down to assistant and work your 906 00:47:47,120 --> 00:47:50,720 Speaker 1: way up this personal wealthy. Their whole existence born into 907 00:47:50,760 --> 00:47:54,000 Speaker 1: like family name wealth. And I was like, as much 908 00:47:54,040 --> 00:47:57,239 Speaker 1: as I appreciate, I guess the offerings to come work 909 00:47:57,280 --> 00:48:01,080 Speaker 1: for you. Like I've risen to an executive status, I 910 00:48:01,120 --> 00:48:03,480 Speaker 1: can't go back to it. I just literally could not 911 00:48:03,680 --> 00:48:06,920 Speaker 1: work for it. That literally cannot afford to go back to. 912 00:48:07,080 --> 00:48:09,879 Speaker 1: And he was like, oh, well, my current assistant can't 913 00:48:09,920 --> 00:48:13,200 Speaker 1: afford it either, but she really wants the gig. I 914 00:48:13,200 --> 00:48:15,040 Speaker 1: don't know to tell you, bro, I can't be your 915 00:48:15,320 --> 00:48:17,960 Speaker 1: she can't do what she's doing. And it's just it's 916 00:48:17,960 --> 00:48:21,200 Speaker 1: a complete unawareness of like what it is to just 917 00:48:21,239 --> 00:48:23,399 Speaker 1: try to survive. But again, these are the same people 918 00:48:23,400 --> 00:48:26,800 Speaker 1: who if you ask them, what's a gown of gas cost? 919 00:48:27,080 --> 00:48:32,719 Speaker 1: You know, I read that you're mostly impacted by the 920 00:48:32,800 --> 00:48:36,000 Speaker 1: inflation if you make less than three hundred K a year. 921 00:48:36,400 --> 00:48:44,600 Speaker 1: I instantly felt called out. I was like, oh, I'm poor. Cool, great, Like, yeah, 922 00:48:44,640 --> 00:48:46,120 Speaker 1: if you make up up the enterk, you're not really 923 00:48:46,120 --> 00:48:48,799 Speaker 1: being impacted by the inflation. And so that's kind of 924 00:48:48,800 --> 00:48:51,160 Speaker 1: puts into perspective for a lot of people like, oh, 925 00:48:51,200 --> 00:48:54,000 Speaker 1: this is the difference of and theater k is not 926 00:48:54,080 --> 00:48:59,200 Speaker 1: even touching extreme wealth, right. That is it's it's just 927 00:48:59,239 --> 00:49:02,920 Speaker 1: hard to consert salized how people could be so upset 928 00:49:02,960 --> 00:49:07,120 Speaker 1: about like maybe you can't afford your second yacht, but 929 00:49:07,280 --> 00:49:09,719 Speaker 1: you know, other people are literally just trying to keep 930 00:49:09,760 --> 00:49:12,400 Speaker 1: an apartment. We have family every year. I'm like shocked 931 00:49:12,440 --> 00:49:15,040 Speaker 1: by the idea of families piling into their car because 932 00:49:15,040 --> 00:49:17,799 Speaker 1: it has air conditioning and just driving around as a 933 00:49:17,840 --> 00:49:21,960 Speaker 1: means to keep their families like cooled off. Yeah, the 934 00:49:22,000 --> 00:49:24,759 Speaker 1: disparity is this, It's it's unconscionable to come and then 935 00:49:24,760 --> 00:49:27,520 Speaker 1: talk to these people and play in their face like this, um. 936 00:49:27,560 --> 00:49:29,600 Speaker 1: But I'm glad the Internet gets to roast him. But 937 00:49:29,640 --> 00:49:31,760 Speaker 1: I also think it's like people like him, I don't 938 00:49:31,760 --> 00:49:35,520 Speaker 1: know any poor people, like the poor people. So it's 939 00:49:35,520 --> 00:49:38,960 Speaker 1: like that, you know, people like that day will say like, no, 940 00:49:39,200 --> 00:49:41,400 Speaker 1: you know, I used to I used to be I 941 00:49:41,480 --> 00:49:44,040 Speaker 1: used to be a working guy. Back in seventy two. 942 00:49:44,960 --> 00:49:47,640 Speaker 1: I was working with this guy, this Feller. He came 943 00:49:47,680 --> 00:49:51,920 Speaker 1: from Loos in Asia and we were we were working together, 944 00:49:52,000 --> 00:49:54,200 Speaker 1: shoulder to shoulder, and he told me how how much 945 00:49:54,239 --> 00:49:56,480 Speaker 1: better it was here in the US. And I think 946 00:49:56,520 --> 00:49:59,279 Speaker 1: about that, how do I give that to my employees? 947 00:49:59,400 --> 00:50:03,200 Speaker 1: Like that's the weird like a class awareness that these 948 00:50:03,200 --> 00:50:05,919 Speaker 1: people pretend to have. Its like from sixty years ago, 949 00:50:06,600 --> 00:50:13,480 Speaker 1: not like yeah exactly. I also like yelling, you used 950 00:50:13,520 --> 00:50:16,880 Speaker 1: to be able to like rise up a little higher. 951 00:50:16,880 --> 00:50:20,080 Speaker 1: It's like now you can't, right, I mean, it's it's 952 00:50:20,560 --> 00:50:24,920 Speaker 1: the playing field is so tilted now. It's it's it's 953 00:50:25,000 --> 00:50:27,360 Speaker 1: very hard to know who actually has a head start 954 00:50:27,840 --> 00:50:29,879 Speaker 1: because most people look like they're starting from some kind 955 00:50:29,880 --> 00:50:33,760 Speaker 1: of deficit. But yeah, you know what, Bazos and Shultz, 956 00:50:33,800 --> 00:50:36,560 Speaker 1: they've poured a lot of money into busting the unions 957 00:50:36,800 --> 00:50:39,800 Speaker 1: um at their respective companies, because again that upfront spend 958 00:50:39,840 --> 00:50:42,680 Speaker 1: of spending millions of dollars now to just even prevent 959 00:50:42,880 --> 00:50:45,000 Speaker 1: Like when you even say, dude, that four million would 960 00:50:45,040 --> 00:50:47,759 Speaker 1: have kept those people from wanting to unionize if you 961 00:50:47,800 --> 00:50:49,520 Speaker 1: just invested in them. They're like, no, no, not, because 962 00:50:49,520 --> 00:50:50,960 Speaker 1: then I'd have to do it everywhere. If I just 963 00:50:51,000 --> 00:50:54,320 Speaker 1: do this one four million to completely go outside the 964 00:50:54,320 --> 00:50:58,239 Speaker 1: bounds of the law to union bust, that's more. That's 965 00:50:58,239 --> 00:51:00,719 Speaker 1: better for my long term goal of making as much 966 00:51:00,719 --> 00:51:05,160 Speaker 1: money as possible. Then to have people collectively bargaining for 967 00:51:05,480 --> 00:51:09,400 Speaker 1: a fair share. No join se support your local workers revolution. 968 00:51:09,520 --> 00:51:13,920 Speaker 1: It's happening. It's among us. That's the thing. I'm like, 969 00:51:14,040 --> 00:51:17,400 Speaker 1: you know what, I know they're not liking this because 970 00:51:17,440 --> 00:51:20,600 Speaker 1: the momentum is definitely, uh, not with them at the moment. 971 00:51:20,640 --> 00:51:22,719 Speaker 1: It's definitely with the workers and the people see if 972 00:51:22,760 --> 00:51:25,000 Speaker 1: they can win. And the thing is like, like Kellogg 973 00:51:25,040 --> 00:51:26,840 Speaker 1: had to find out the hard way, we will just 974 00:51:26,880 --> 00:51:28,880 Speaker 1: stop working because it's not that much of a difference 975 00:51:29,239 --> 00:51:32,759 Speaker 1: from the way. We'll just stop. So they're like, I 976 00:51:32,800 --> 00:51:35,960 Speaker 1: can figure it out. They're like, no, we can figure out. 977 00:51:35,960 --> 00:51:38,320 Speaker 1: This little ship called mutual aid that can help me 978 00:51:38,360 --> 00:51:41,080 Speaker 1: weather this storm. All right, let's take a quick break 979 00:51:41,120 --> 00:51:43,600 Speaker 1: and we'll come back to just talk about man these tickets, man, 980 00:51:54,680 --> 00:51:58,720 Speaker 1: and we're back. Hey, tickets, tickets. Who's got the ticket? 981 00:51:58,719 --> 00:52:01,240 Speaker 1: Got tickets here? You need tickets? You need tickets. Listen. 982 00:52:01,360 --> 00:52:03,319 Speaker 1: That's kind of what we've come down to. If you 983 00:52:03,440 --> 00:52:05,200 Speaker 1: I don't know, I've tried to go to a concert, 984 00:52:05,360 --> 00:52:09,880 Speaker 1: a ball game, a film. You're aware of your options. 985 00:52:09,920 --> 00:52:14,040 Speaker 1: You got your ticket masters and your fan dangos, and oftentimes, 986 00:52:14,160 --> 00:52:18,440 Speaker 1: unfortunately you were paying more for you know, the website 987 00:52:18,480 --> 00:52:22,360 Speaker 1: expenses than you are for your actual ticket, sometimes twice 988 00:52:22,400 --> 00:52:25,680 Speaker 1: as much. It is, it was very challenging as to 989 00:52:25,800 --> 00:52:32,320 Speaker 1: purchase a ticket, uh, to go anyway? It is fucked up. Okay, 990 00:52:32,440 --> 00:52:35,400 Speaker 1: it is difficult. And on top of that, y'all have 991 00:52:35,520 --> 00:52:39,640 Speaker 1: sites that are just always crashing. Okay. Marvel's Multiverse of 992 00:52:39,640 --> 00:52:41,759 Speaker 1: Madness starring Doctor Strange a k A. Bet at a 993 00:52:41,880 --> 00:52:45,440 Speaker 1: cumber Ratch went on sale yesterday, and while marvel fans 994 00:52:45,520 --> 00:52:47,839 Speaker 1: a k A. Me are exciting to get their hands 995 00:52:47,840 --> 00:52:50,000 Speaker 1: on tickets, we once again run into the ever plaguing 996 00:52:50,040 --> 00:52:53,680 Speaker 1: problem of crashed sites. And coming off Marvel's last release, 997 00:52:53,680 --> 00:52:56,000 Speaker 1: which was Spider Man No Way Home, created in partnership 998 00:52:56,040 --> 00:52:59,520 Speaker 1: with Sony and when considering the twenty plus years of 999 00:52:59,520 --> 00:53:02,840 Speaker 1: online ticket sales, it's devastating issue, okay, and it's the 1000 00:53:02,840 --> 00:53:05,080 Speaker 1: most important issue of our time. I wanted to get 1001 00:53:05,120 --> 00:53:08,480 Speaker 1: to the bottom of it. Now we could maybe forgive 1002 00:53:08,600 --> 00:53:12,200 Speaker 1: the Spider Man crash Cap movies and by proxy, ticket 1003 00:53:12,200 --> 00:53:16,719 Speaker 1: sales sites have took a huge like hurting during the pandemic. Okay, 1004 00:53:16,760 --> 00:53:19,799 Speaker 1: we almost lost a lot of major theater chains, and 1005 00:53:20,040 --> 00:53:22,880 Speaker 1: like Spider Man did, eventually become the first pandemic air 1006 00:53:22,960 --> 00:53:26,160 Speaker 1: released to break the hundred million opening weekend mark, which 1007 00:53:26,200 --> 00:53:29,040 Speaker 1: was great. It showed like sustained growth for the industry, 1008 00:53:29,239 --> 00:53:31,640 Speaker 1: and I understand that because we had taken a break, 1009 00:53:31,680 --> 00:53:35,800 Speaker 1: maybe people weren't expecting the ticket sales to be that high. Blessed, 1010 00:53:35,880 --> 00:53:38,719 Speaker 1: I totally understand. Several months after that though, we are 1011 00:53:38,760 --> 00:53:42,440 Speaker 1: still dealing with Harry Styles pre released tickets for Europe, 1012 00:53:42,920 --> 00:53:47,320 Speaker 1: crash ticket Master's website, and even other like smaller sites 1013 00:53:47,760 --> 00:53:51,520 Speaker 1: like Skittle, which is a UK based company. It's s 1014 00:53:51,600 --> 00:53:54,200 Speaker 1: k I D d l E. Not like Candy over here. 1015 00:53:54,520 --> 00:53:56,319 Speaker 1: You know, they received a lot of backclash when they 1016 00:53:56,360 --> 00:53:58,600 Speaker 1: were trying to promote a fat Boy Slim Beach show, 1017 00:53:59,000 --> 00:54:02,000 Speaker 1: crashed the entire thing. People were being who had been 1018 00:54:02,239 --> 00:54:05,080 Speaker 1: in line for hours were suddenly bumped back to like 1019 00:54:05,080 --> 00:54:09,839 Speaker 1: seventy place. It is not a sustainable business model. And 1020 00:54:09,880 --> 00:54:13,320 Speaker 1: when you consider the fact that the money that fans 1021 00:54:13,320 --> 00:54:16,640 Speaker 1: spent are not going to your acts or even to 1022 00:54:16,680 --> 00:54:20,920 Speaker 1: the venues housing them, but mostly to the corporation selling 1023 00:54:20,960 --> 00:54:26,520 Speaker 1: these tickets, it becomes very frustrating. Now it's not well, 1024 00:54:26,520 --> 00:54:28,800 Speaker 1: I guess I'll pause. There. Are you guys? Is it 1025 00:54:28,880 --> 00:54:32,040 Speaker 1: just me? Are you guys also experiencing ticket sales burnout? 1026 00:54:32,080 --> 00:54:35,600 Speaker 1: Are you enjoying the way tickets are being sold to you? 1027 00:54:36,239 --> 00:54:38,680 Speaker 1: I mean, okay, Like to be honest, I've just been 1028 00:54:38,760 --> 00:54:42,279 Speaker 1: using the mc app and that seems to work pretty well. No, 1029 00:54:42,480 --> 00:54:45,520 Speaker 1: it will crash day one. I spent two hours this 1030 00:54:45,560 --> 00:54:48,319 Speaker 1: morning trying to get tickets on my because I have 1031 00:54:48,360 --> 00:54:51,080 Speaker 1: Stubbs and I was like, I'm gonna get my Stubbs points. Okay, 1032 00:54:51,120 --> 00:54:53,719 Speaker 1: with means I get a free ticket, I get all 1033 00:54:53,719 --> 00:54:56,520 Speaker 1: my points. Are you're going for like a big release thing? Right? 1034 00:54:56,560 --> 00:54:59,359 Speaker 1: You're saying, like for you, you're you're because you're trying 1035 00:54:59,400 --> 00:55:02,880 Speaker 1: to get that that Thursday night. Yes, Thursday Night Vibe, 1036 00:55:02,960 --> 00:55:05,920 Speaker 1: but I dinna are you even working with Thursday Night Vibes. No, 1037 00:55:06,040 --> 00:55:09,280 Speaker 1: I'm like us, like, I'll go like Sunday eleven, AM okay, 1038 00:55:09,280 --> 00:55:14,360 Speaker 1: So I think we're doing so I got you soon. 1039 00:55:14,680 --> 00:55:17,040 Speaker 1: I expect that they just went on sale yesterday. But 1040 00:55:17,040 --> 00:55:19,319 Speaker 1: I guess what. It was frustrating for me through the 1041 00:55:19,320 --> 00:55:21,799 Speaker 1: process of trying to buy through the AMC subs app, 1042 00:55:21,840 --> 00:55:25,680 Speaker 1: and they know because I reached out to them on Twitter. Um, 1043 00:55:25,120 --> 00:55:28,319 Speaker 1: it's frustrating to be trying to purchase tickets. And I 1044 00:55:28,400 --> 00:55:31,120 Speaker 1: understand like they created a QUE system, which they didn't 1045 00:55:31,160 --> 00:55:33,120 Speaker 1: have for Spider Man. This night just crashed. You had 1046 00:55:33,160 --> 00:55:35,240 Speaker 1: to wait like a full like five or six hours, 1047 00:55:35,239 --> 00:55:37,640 Speaker 1: go back try to purchase your tickets. They had a 1048 00:55:37,680 --> 00:55:39,600 Speaker 1: que system, which I was excited about. They were like, 1049 00:55:39,840 --> 00:55:41,640 Speaker 1: in two minutes you'll be able to buy your tickets. 1050 00:55:41,680 --> 00:55:43,320 Speaker 1: You'll have ten minutes, and I was like, Oh, the 1051 00:55:43,400 --> 00:55:46,600 Speaker 1: resolve of the issue perfect. I hop in line. I 1052 00:55:46,760 --> 00:55:49,400 Speaker 1: wait the minute I go in to purchase the ticket 1053 00:55:50,360 --> 00:55:53,600 Speaker 1: and I just kept coming up air Air Air. Maybe 1054 00:55:53,600 --> 00:55:55,880 Speaker 1: it's at maybe the app can't support all the traffic. 1055 00:55:56,000 --> 00:55:59,600 Speaker 1: I'll go to the website, exact same error pops up. Now, 1056 00:55:59,600 --> 00:56:01,640 Speaker 1: why the do you have me in a queue waiting 1057 00:56:01,640 --> 00:56:04,560 Speaker 1: to join to purchase tickets if it doesn't work? What is? 1058 00:56:04,640 --> 00:56:06,719 Speaker 1: And then, on top of that, because the AMC app 1059 00:56:06,760 --> 00:56:08,799 Speaker 1: cash when I went to fan Dango, which does allow 1060 00:56:08,840 --> 00:56:10,040 Speaker 1: you to put your stubs card in so you can 1061 00:56:10,040 --> 00:56:13,000 Speaker 1: still get your membership points, because the AMC app was crashed, 1062 00:56:13,040 --> 00:56:16,160 Speaker 1: it would not calculate my stubs card as being active 1063 00:56:16,760 --> 00:56:19,080 Speaker 1: because it can't tap into the AMC site to confirm 1064 00:56:19,160 --> 00:56:22,680 Speaker 1: the number. Oh god, so they just starts scalping. Truly, 1065 00:56:22,719 --> 00:56:26,360 Speaker 1: it was hell. Uh if you could scalp a theater ticket, 1066 00:56:26,520 --> 00:56:28,840 Speaker 1: I would if I lived closer to the a m C, 1067 00:56:29,000 --> 00:56:30,640 Speaker 1: I would have just popped over there for a second 1068 00:56:30,640 --> 00:56:33,600 Speaker 1: and purchased them at the window. Unfortunately, just play a 1069 00:56:33,640 --> 00:56:37,200 Speaker 1: full price on dan Dango. You can listen for AMC members. 1070 00:56:37,239 --> 00:56:39,840 Speaker 1: You know, you can't go in and have them retroactively 1071 00:56:39,840 --> 00:56:43,400 Speaker 1: attached it to your stubs card. I guess, But like 1072 00:56:43,440 --> 00:56:47,520 Speaker 1: three tickets is like seventy six dollars. It's a listen. 1073 00:56:47,560 --> 00:56:49,480 Speaker 1: I'm not a parent. I'm sorry parents that you have 1074 00:56:49,520 --> 00:56:51,759 Speaker 1: to deal with this. This is so much money. But 1075 00:56:51,800 --> 00:56:53,960 Speaker 1: I also just think that we've been doing this for 1076 00:56:53,960 --> 00:56:57,440 Speaker 1: twenty years, twenty years of online ticket sales. Why is 1077 00:56:57,480 --> 00:57:00,520 Speaker 1: this not resolved issue? Why can't you tell me to 1078 00:57:00,520 --> 00:57:03,160 Speaker 1: come back at like three o'clock my spot where we reserved. 1079 00:57:03,200 --> 00:57:04,719 Speaker 1: You do went on the phone all the time. You're like, hey, 1080 00:57:04,719 --> 00:57:06,239 Speaker 1: we're just gonna bounce back and call you in a 1081 00:57:06,239 --> 00:57:08,560 Speaker 1: minute when we have some time and available. People, they're 1082 00:57:08,560 --> 00:57:11,040 Speaker 1: not going to sort it out because you like you're 1083 00:57:11,040 --> 00:57:13,920 Speaker 1: saying they make too much money. Well, it makes so 1084 00:57:14,000 --> 00:57:16,439 Speaker 1: much money. I mean ticket resales are like a huge 1085 00:57:16,440 --> 00:57:18,440 Speaker 1: It's like a huge market. I mean the same with 1086 00:57:18,520 --> 00:57:21,200 Speaker 1: what we're talking about, like um like resale hype stuff. 1087 00:57:21,840 --> 00:57:25,280 Speaker 1: It's like, wait, what's the secondary ticket market look like? 1088 00:57:25,520 --> 00:57:28,160 Speaker 1: Oh oh my god, well okay, like maybe like ticket Master, 1089 00:57:28,280 --> 00:57:30,000 Speaker 1: but I mean like like like I mean there's like 1090 00:57:30,080 --> 00:57:32,520 Speaker 1: stub Hub and there's like, oh yeah, why am I 1091 00:57:32,560 --> 00:57:35,760 Speaker 1: acting like I don't even even on a t X. 1092 00:57:36,040 --> 00:57:38,680 Speaker 1: It's like they have acts you have access to like 1093 00:57:38,720 --> 00:57:41,760 Speaker 1: the actual ticket prices. But then like once those do 1094 00:57:41,960 --> 00:57:44,720 Speaker 1: those tickets, then they have other people selling their tickets 1095 00:57:44,720 --> 00:57:47,640 Speaker 1: that they bought for market value for like four like 1096 00:57:47,760 --> 00:57:50,080 Speaker 1: ten x like what they bought it for like that's 1097 00:57:50,120 --> 00:57:52,560 Speaker 1: what I was looking for on Lord tickets the other day, 1098 00:57:52,920 --> 00:57:55,160 Speaker 1: and like like you can't buy a Lord ticket for 1099 00:57:55,160 --> 00:57:57,280 Speaker 1: like under six hundred dollars, but it's still through the 1100 00:57:57,320 --> 00:58:00,400 Speaker 1: main ticket website, and so I'm like so like now 1101 00:58:00,440 --> 00:58:02,400 Speaker 1: it looks like a t s is charging six dollars, 1102 00:58:02,400 --> 00:58:04,360 Speaker 1: but it's like they're not, but they are. It's just 1103 00:58:04,400 --> 00:58:07,040 Speaker 1: like I hate it, and he's so upset. And this 1104 00:58:07,120 --> 00:58:10,560 Speaker 1: has been like a huge issue, like with especially concert tickets, 1105 00:58:10,600 --> 00:58:14,040 Speaker 1: about like this intermingling of the promoters the tickets sales 1106 00:58:14,040 --> 00:58:17,120 Speaker 1: outlets and how they are like only putting out limited 1107 00:58:17,200 --> 00:58:20,120 Speaker 1: numbers and having like basically controlling the market to their 1108 00:58:20,120 --> 00:58:23,520 Speaker 1: own benom. And we don't need time to get into 1109 00:58:23,600 --> 00:58:26,280 Speaker 1: the like pre credit card situation where like a lot 1110 00:58:26,320 --> 00:58:28,000 Speaker 1: of times credit cards will be like we bought a 1111 00:58:28,080 --> 00:58:31,040 Speaker 1: bunch of tickets and to our appressive members the American 1112 00:58:31,120 --> 00:58:35,480 Speaker 1: Expressed ship like insane, although its not good enough for 1113 00:58:35,480 --> 00:58:37,720 Speaker 1: American Express. They don't like me over there, but I'm 1114 00:58:37,720 --> 00:58:39,760 Speaker 1: coming for you so I can get these tickets. It's 1115 00:58:39,800 --> 00:58:43,960 Speaker 1: such a problem, but there's some hope. There's a website 1116 00:58:44,040 --> 00:58:46,240 Speaker 1: called ticks Are. I'm pretty sure that's how you see it. 1117 00:58:46,240 --> 00:58:49,800 Speaker 1: It's t i x are, and they've implemented what they're 1118 00:58:49,800 --> 00:58:53,240 Speaker 1: calling waitless technology enables those who even shut out of 1119 00:58:53,280 --> 00:58:55,720 Speaker 1: life events to commit with a credit card to purchasing 1120 00:58:55,720 --> 00:58:58,560 Speaker 1: a tickets. Basically, what you're saying, there's enough money on 1121 00:58:58,600 --> 00:59:01,880 Speaker 1: this credit card, should an additional show become added to 1122 00:59:01,880 --> 00:59:03,920 Speaker 1: the schedule. Now, what I like about this is it 1123 00:59:03,960 --> 00:59:06,880 Speaker 1: shows both the artists and the venue how many more 1124 00:59:07,280 --> 00:59:10,880 Speaker 1: like shows you could potentially do, And it invites artists 1125 00:59:10,880 --> 00:59:12,360 Speaker 1: to say like, oh hey, yeah, I will do a 1126 00:59:12,400 --> 00:59:14,680 Speaker 1: second show in this area there's that many tickets sold, 1127 00:59:15,040 --> 00:59:18,400 Speaker 1: It goes through and automatically you're wait listed immediately to 1128 00:59:18,520 --> 00:59:21,960 Speaker 1: join that second showing, which I think is a brilliant idea. 1129 00:59:22,000 --> 00:59:24,280 Speaker 1: Like if a MC wants to be like, hey, we 1130 00:59:24,360 --> 00:59:27,120 Speaker 1: have this many number of shows for this day, but 1131 00:59:27,280 --> 00:59:29,920 Speaker 1: if we have enough people committed, we'll just dedicate another theater. 1132 00:59:29,960 --> 00:59:32,080 Speaker 1: I mean, let's be honest, on a big opening night, 1133 00:59:32,080 --> 00:59:33,960 Speaker 1: you pretty much here in all of your theaters into 1134 00:59:34,320 --> 00:59:38,320 Speaker 1: whatever the markel or like big screening is anyway. So 1135 00:59:38,360 --> 00:59:40,959 Speaker 1: it just things like that give me a little bit 1136 00:59:41,280 --> 00:59:44,160 Speaker 1: of hope just because I think it's become too much 1137 00:59:44,160 --> 00:59:46,800 Speaker 1: of an issue. Remember back in the old days. The venue, 1138 00:59:47,240 --> 00:59:50,720 Speaker 1: well what are they The old days didn't even like 1139 00:59:50,800 --> 00:59:53,480 Speaker 1: camp out overnight. To me, I'm like, whatever, this is 1140 00:59:53,760 --> 00:59:57,000 Speaker 1: easier than that. Yeah. I remember my dad and I 1141 00:59:57,040 --> 00:59:59,320 Speaker 1: went to a tick. We went to Tower Records where 1142 00:59:59,360 --> 01:00:01,640 Speaker 1: you could buy where there was a ticketmaster desk to 1143 01:00:01,760 --> 01:00:04,840 Speaker 1: buy tickets to see you. B forty and US three 1144 01:00:05,760 --> 01:00:07,920 Speaker 1: remember their song Candle Loop Island that was like in 1145 01:00:07,960 --> 01:00:11,120 Speaker 1: every like shampoo commercial. But with that ticks or company, 1146 01:00:11,120 --> 01:00:12,720 Speaker 1: are they doing it with big acts or is it 1147 01:00:12,800 --> 01:00:14,800 Speaker 1: mostly small acts? Because I feel like that's the thing 1148 01:00:14,960 --> 01:00:16,600 Speaker 1: that's the piece that has to come into place. I 1149 01:00:16,600 --> 01:00:18,840 Speaker 1: feel like, if you're a big artist, you're probably doing 1150 01:00:18,880 --> 01:00:21,200 Speaker 1: your tour like a g or something like that, and 1151 01:00:21,200 --> 01:00:24,080 Speaker 1: they're already in bed like Live Nation or whatever. They 1152 01:00:24,120 --> 01:00:26,560 Speaker 1: have their way of distributing tickets. I wonder if like 1153 01:00:26,600 --> 01:00:28,960 Speaker 1: it's going to take artists to say I have to 1154 01:00:29,000 --> 01:00:30,920 Speaker 1: break away from this company to be able to even 1155 01:00:30,920 --> 01:00:33,280 Speaker 1: do business with something that's more equitable in terms of 1156 01:00:33,320 --> 01:00:36,040 Speaker 1: like ticket sales. Yeah, they started with a large, like 1157 01:00:36,400 --> 01:00:41,040 Speaker 1: weekend event for something called Dead and Company. So it's like, 1158 01:00:41,240 --> 01:00:46,800 Speaker 1: I think, come on, okay now. Definitely is apparently a 1159 01:00:46,840 --> 01:00:49,320 Speaker 1: band that has old grateful dead members and new ones 1160 01:00:49,360 --> 01:00:53,160 Speaker 1: are like including John Mayer. Got it okay, so den't 1161 01:00:53,160 --> 01:00:55,120 Speaker 1: how many Like when you bought these tickets, you were 1162 01:00:55,160 --> 01:00:57,760 Speaker 1: not just getting tickets to the show, but also like 1163 01:00:58,240 --> 01:01:01,120 Speaker 1: housing and stuff like that, So the tickets were exponentially 1164 01:01:01,120 --> 01:01:05,320 Speaker 1: more expensive than like your average concert ticket. But it 1165 01:01:05,440 --> 01:01:09,000 Speaker 1: sort of showed like that there is resources for this 1166 01:01:09,120 --> 01:01:11,800 Speaker 1: kind of maneuver. So I'm hoping that we can at 1167 01:01:11,800 --> 01:01:15,240 Speaker 1: the very least, like we've just got done talking about 1168 01:01:15,240 --> 01:01:17,520 Speaker 1: how there's not a lot of competition and like a 1169 01:01:17,520 --> 01:01:20,400 Speaker 1: lot of these ticket websites, you know, I think, especially 1170 01:01:20,440 --> 01:01:24,120 Speaker 1: ticket Master and Live Nation have a chokehold on the system. 1171 01:01:24,200 --> 01:01:26,040 Speaker 1: So I don't know how much competition there will be, 1172 01:01:26,040 --> 01:01:27,720 Speaker 1: and so maybe they'll never need to evolve. But it 1173 01:01:27,760 --> 01:01:30,280 Speaker 1: just seems to me if I could have bought these 1174 01:01:30,280 --> 01:01:32,280 Speaker 1: tickets the same way in two thousand, there should be 1175 01:01:32,320 --> 01:01:37,080 Speaker 1: a better system. So we'd hope for and we'll have 1176 01:01:37,120 --> 01:01:39,480 Speaker 1: to wait and see, But until then, I think we're 1177 01:01:39,480 --> 01:01:42,080 Speaker 1: going to be just at the will of these I mean, really, 1178 01:01:42,080 --> 01:01:43,840 Speaker 1: the only other way is just to wait last minute 1179 01:01:43,880 --> 01:01:46,480 Speaker 1: and then find someone who's desperately trying to unload their tickets, 1180 01:01:46,480 --> 01:01:49,480 Speaker 1: so you can get them at face five. That's typically yeah, 1181 01:01:49,480 --> 01:01:53,040 Speaker 1: but then it's like a huge game of chicken. It is, 1182 01:01:53,040 --> 01:01:55,880 Speaker 1: but you gotta sometimes have the confidence of one thousand sons, 1183 01:01:55,960 --> 01:01:58,280 Speaker 1: like when I went to Coachella in two thousand nine, 1184 01:01:58,320 --> 01:02:00,800 Speaker 1: for like, I think, coach Hell, it's a really good, 1185 01:02:00,880 --> 01:02:02,560 Speaker 1: it's a really good thing to just like wait out because, 1186 01:02:02,560 --> 01:02:04,560 Speaker 1: like I know, I've seen so many Instagram stories recently 1187 01:02:04,560 --> 01:02:06,560 Speaker 1: that are like I'm selling for a hundred dollars my 1188 01:02:06,600 --> 01:02:10,040 Speaker 1: bottom four, like who wants to go? We can do No, 1189 01:02:10,280 --> 01:02:12,760 Speaker 1: I'm waiting till the day of We'll come to you 1190 01:02:12,840 --> 01:02:19,440 Speaker 1: right now. You please speak it, send me pictures. But anyway, Dana, 1191 01:02:19,520 --> 01:02:21,480 Speaker 1: thank you so much for joining us today on the 1192 01:02:21,560 --> 01:02:24,960 Speaker 1: Daily Sight Guys, always a pleasure. Where can people find 1193 01:02:25,000 --> 01:02:27,240 Speaker 1: you and follow you, see you, listen to you and 1194 01:02:27,280 --> 01:02:29,720 Speaker 1: all day? Um. You can find me on Twitter at 1195 01:02:29,840 --> 01:02:33,920 Speaker 1: Danta Donnelly and about Dana and Dana bad Um. You 1196 01:02:33,960 --> 01:02:37,040 Speaker 1: can find me on Instagram at Hottest Dana. You can 1197 01:02:37,040 --> 01:02:41,400 Speaker 1: find me on TikTok at Hottest Dana Perfect. Also the pod. 1198 01:02:41,560 --> 01:02:43,840 Speaker 1: You got the pod. Subscribe to my podcast Young Old 1199 01:02:43,880 --> 01:02:46,440 Speaker 1: on YouTube and all podcasts listening platforms. Come to my 1200 01:02:46,480 --> 01:02:49,280 Speaker 1: monthly show Second Sundays to the Hotalk Cafe in Hollywood. 1201 01:02:49,560 --> 01:02:51,920 Speaker 1: There it is, and is there a tweet that you 1202 01:02:52,040 --> 01:02:54,280 Speaker 1: are liking enjoying that you want to share with us. 1203 01:02:54,680 --> 01:02:58,680 Speaker 1: This tweet is by Biker Smooth at Biker Underscore Smooth 1204 01:02:59,200 --> 01:03:01,840 Speaker 1: and the tweet as quote, I was bullied by everyone 1205 01:03:01,840 --> 01:03:08,960 Speaker 1: in school? End quote, while were you being weird? And 1206 01:03:09,200 --> 01:03:11,520 Speaker 1: really I thought with thought because I was someone who 1207 01:03:11,560 --> 01:03:13,959 Speaker 1: was bullied by everyone in school and it was because 1208 01:03:13,960 --> 01:03:18,040 Speaker 1: I was betting weird? Ah God, but were you being weird? 1209 01:03:18,360 --> 01:03:22,600 Speaker 1: Were you being weird? Uh? Joel, thank you so much 1210 01:03:22,680 --> 01:03:25,360 Speaker 1: for joining me these last few days. Where can people 1211 01:03:25,400 --> 01:03:27,200 Speaker 1: find you and follow you? And what's a tweet that 1212 01:03:27,280 --> 01:03:29,600 Speaker 1: you like? M hm, you'll know me. I'm Joel Money. 1213 01:03:29,680 --> 01:03:31,040 Speaker 1: You can find me all over the internet at Driel 1214 01:03:31,080 --> 01:03:33,040 Speaker 1: Money gets j L E L L E m O 1215 01:03:33,120 --> 01:03:36,480 Speaker 1: N I Q you E y'all please come follow me. 1216 01:03:36,520 --> 01:03:39,120 Speaker 1: I have exciting podcast And he's like, yeah, it's not ready, 1217 01:03:39,120 --> 01:03:41,840 Speaker 1: but it's coming, lots of new stuff. Very excited about it. 1218 01:03:42,040 --> 01:03:46,640 Speaker 1: A tweet I'm enjoying. It's from rapper Plies, whom we love, 1219 01:03:46,760 --> 01:03:49,920 Speaker 1: who brings lots of comedy to the world, says what's 1220 01:03:49,960 --> 01:03:53,000 Speaker 1: crazy to me. Ain't never seen Russell Wilson hate on nobody. 1221 01:03:53,080 --> 01:03:54,800 Speaker 1: Bro makes his money, He takes care of his family 1222 01:03:54,840 --> 01:03:57,479 Speaker 1: and minds his business. It don't get no really then 1223 01:03:57,800 --> 01:04:01,120 Speaker 1: that if you've seen a lot of these all men 1224 01:04:01,360 --> 01:04:04,200 Speaker 1: telling women how to get men, that they would never 1225 01:04:04,280 --> 01:04:05,800 Speaker 1: date you in a million years. In the first place, 1226 01:04:05,840 --> 01:04:10,360 Speaker 1: podcast was talking about how Russell Wilson is like weekend 1227 01:04:10,520 --> 01:04:13,240 Speaker 1: Sierra wouldn't be with him if he didn't have money, 1228 01:04:13,360 --> 01:04:16,800 Speaker 1: which is hilarious. That man loves her tent toes down. 1229 01:04:16,840 --> 01:04:20,000 Speaker 1: You see it everywhere. He's constantly just praising Sierra, you know, 1230 01:04:20,040 --> 01:04:22,320 Speaker 1: and it's annoying to me because I think Russell Wilson 1231 01:04:22,400 --> 01:04:24,160 Speaker 1: like their relationship is fine, you have to come and 1232 01:04:24,200 --> 01:04:25,840 Speaker 1: they're like, oh, she would still want to be the future. No, 1233 01:04:25,920 --> 01:04:28,520 Speaker 1: she wouldn't. He's mean. He's very mean to her. Did 1234 01:04:28,520 --> 01:04:30,400 Speaker 1: you see how many times he wrote when she left 1235 01:04:31,320 --> 01:04:34,920 Speaker 1: dumb if somebody's the simpest future, ninety songs about how's 1236 01:04:34,920 --> 01:04:37,080 Speaker 1: gonna get se her back? And never got her back? Okay, 1237 01:04:37,280 --> 01:04:40,320 Speaker 1: her child calls him daddy. It's not about it's like, 1238 01:04:40,360 --> 01:04:43,480 Speaker 1: get over it anyway. Russell Wilson for loving a woman, 1239 01:04:43,720 --> 01:04:47,480 Speaker 1: and still getting clowned about it's ridiculous. Oh yeah, you 1240 01:04:47,480 --> 01:04:51,720 Speaker 1: know people hate love, you know that hate to see 1241 01:04:51,720 --> 01:04:54,480 Speaker 1: it the most. Um, Let's see some tweets that I like. 1242 01:04:54,520 --> 01:04:58,040 Speaker 1: First one from Christina at Christina E. Cox tweeted today 1243 01:04:58,080 --> 01:05:01,040 Speaker 1: when introducing World War One, a student raised her hand 1244 01:05:01,120 --> 01:05:03,960 Speaker 1: and brought up the death of a certain archduke. Nobody 1245 01:05:04,040 --> 01:05:07,040 Speaker 1: knew his name, so as a hint, I offered that 1246 01:05:07,320 --> 01:05:11,440 Speaker 1: he shares his name with the band Gentle reader. My 1247 01:05:11,520 --> 01:05:16,640 Speaker 1: students asked if there had perhaps been in arch Duke Metallica, 1248 01:05:20,880 --> 01:05:22,920 Speaker 1: But also like, come on, you think the kids no 1249 01:05:23,000 --> 01:05:25,919 Speaker 1: friends Ferdinand? They don't, they don't, they don't, they don't. 1250 01:05:25,920 --> 01:05:27,480 Speaker 1: I mean that was I think that was a moment too, 1251 01:05:27,480 --> 01:05:30,760 Speaker 1: when you realize how old we are. First, Melanie Lynskey 1252 01:05:30,840 --> 01:05:34,280 Speaker 1: at Melanie Lynskey tweeted, tried to throw a slightly neglected 1253 01:05:34,320 --> 01:05:36,800 Speaker 1: baby doll into the toy basket and my three year 1254 01:05:36,800 --> 01:05:40,560 Speaker 1: old shrieks, that's my daughter. I had no idea, I 1255 01:05:40,560 --> 01:05:44,760 Speaker 1: thought this morning, it's this idea, like yo, that energy 1256 01:05:44,800 --> 01:05:48,520 Speaker 1: of like, that's my daughter. You forget these toys what 1257 01:05:48,560 --> 01:05:51,520 Speaker 1: they do to our childhood imaginations. And then last one 1258 01:05:52,240 --> 01:05:56,320 Speaker 1: lol Ennui at lol Ennui tweeted. My theory is every 1259 01:05:56,360 --> 01:05:59,040 Speaker 1: gen X person read a Stephen King book way too young, 1260 01:05:59,080 --> 01:06:01,440 Speaker 1: and that's why they are the way they are. Um 1261 01:06:03,560 --> 01:06:06,760 Speaker 1: spooked out kids reading Stephen King. You can find me 1262 01:06:06,840 --> 01:06:09,520 Speaker 1: at Miles of Gray on Twitter and Instagram. Also check 1263 01:06:09,520 --> 01:06:12,520 Speaker 1: out the new podcast mad Boost These uh, the official 1264 01:06:12,600 --> 01:06:15,000 Speaker 1: NBA podcast Jack and I are doing talking about the 1265 01:06:15,000 --> 01:06:18,440 Speaker 1: basketballs and all that. Also for twenty day Fiance with 1266 01:06:18,520 --> 01:06:20,880 Speaker 1: Sophia Alexander. If you want to hear me talk about 1267 01:06:21,200 --> 01:06:24,560 Speaker 1: and all that reality trid dash, you can find us 1268 01:06:24,800 --> 01:06:28,120 Speaker 1: at daily Zeitgeist on Twitter, at the Days on Instagram. 1269 01:06:28,120 --> 01:06:29,919 Speaker 1: We have a Facebook fan base and a website Daily 1270 01:06:30,000 --> 01:06:32,440 Speaker 1: zite geys dot com, where we post our episodes and 1271 01:06:32,480 --> 01:06:36,560 Speaker 1: our footnotes footnotes thank you as long as as well 1272 01:06:36,600 --> 01:06:38,840 Speaker 1: as not as long as as long as you love me. 1273 01:06:39,080 --> 01:06:41,600 Speaker 1: We will be posting these songs we ride out on 1274 01:06:41,680 --> 01:06:44,880 Speaker 1: as well. And today's song Okay, this is a This 1275 01:06:44,920 --> 01:06:47,680 Speaker 1: is a track that I was somehow, you know how 1276 01:06:47,720 --> 01:06:51,080 Speaker 1: like YouTube history like has almost like sucking everything you've 1277 01:06:51,080 --> 01:06:54,360 Speaker 1: ever watched. I started scrolling back and just kind of 1278 01:06:54,360 --> 01:06:56,520 Speaker 1: like randomly like looking at ship I've looked at and 1279 01:06:56,600 --> 01:06:59,080 Speaker 1: I remember I used to love this music video from 1280 01:06:59,120 --> 01:07:02,760 Speaker 1: two thousands set in from the E d M artists 1281 01:07:02,880 --> 01:07:05,880 Speaker 1: armand Van Hilden, called I Want Your Soul. But I 1282 01:07:05,920 --> 01:07:08,200 Speaker 1: loved it because just this, like this is like in 1283 01:07:08,240 --> 01:07:10,840 Speaker 1: the era before everybody was leaning into the nineties, look 1284 01:07:10,960 --> 01:07:13,120 Speaker 1: so hard in the odds, like just like on the 1285 01:07:13,160 --> 01:07:16,200 Speaker 1: precipice of like old hip hop looks from the nineties. 1286 01:07:16,400 --> 01:07:20,919 Speaker 1: This whole video shot like it's like with like cross colors, 1287 01:07:20,640 --> 01:07:23,840 Speaker 1: overalls and ship like that. And the video is so 1288 01:07:24,040 --> 01:07:26,520 Speaker 1: dope and the tracks the track school too, but I 1289 01:07:26,560 --> 01:07:28,919 Speaker 1: love the video. So this is the track I Want 1290 01:07:28,960 --> 01:07:33,000 Speaker 1: Your Soul by armand Van Hilden. Uh, So check that 1291 01:07:33,120 --> 01:07:36,240 Speaker 1: out obviously. This uh this year podcast in production of 1292 01:07:36,240 --> 01:07:38,240 Speaker 1: I Heart Radio. So for more podcast check out the 1293 01:07:38,240 --> 01:07:41,280 Speaker 1: I Heart Radio app, Apple podcast, or wherever you get 1294 01:07:41,320 --> 01:07:43,760 Speaker 1: your shows. Uh we'll see you later to talk about 1295 01:07:43,760 --> 01:07:46,600 Speaker 1: what's trending, and until then, take care of yourself by