WEBVTT - Ep 78: Julia Jacklin

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<v Speaker 1>And I was standing on stage with these coach praying.

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<v Speaker 2>There's like thousands of people and I'm like lifting the

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<v Speaker 2>rain up with him, and then it stopped raining.

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<v Speaker 3>Hey everyone, and welcome to episode seventy eight of the podcast,

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<v Speaker 3>where tonight's guest is Julia Jacqueline, who I recorded this

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<v Speaker 3>episode with probably about a month ago now, and Julia

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<v Speaker 3>had just flown into the country. She had literally got

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<v Speaker 3>off a plane. She got a cab to our office

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<v Speaker 3>to record this episode and then she was getting in

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<v Speaker 3>a van to drive to Wales to play the green

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<v Speaker 3>Man Festival the following day. So it was a very

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<v Speaker 3>narrow window to get this done. So thank you to

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<v Speaker 3>Julia for agreeing to do this when she had been

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<v Speaker 3>so busy. She's been touring since February when she released

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<v Speaker 3>her second album called Crushing and if you haven't heard

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<v Speaker 3>that record yet, and especially if you're a fan of

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<v Speaker 3>extremely emotional and honest and raw folk music and folk

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<v Speaker 3>rock music, then then check it out. It's quite something,

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<v Speaker 3>this record. I won't try and give it some justice now.

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<v Speaker 3>I met Julia at the end of last year. We

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<v Speaker 3>did a cover feature with her for the cover of

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<v Speaker 3>Loud and Quiet issue one, hundred and thirty one. You

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<v Speaker 3>can read that on our website on loudon quiet dot com,

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<v Speaker 3>where you can get the lowdown on that record and

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<v Speaker 3>everything that went into it and the heartbreak and the

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<v Speaker 3>hope that came out of it as well. So that's

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<v Speaker 3>all in there. This conversation is a lot more relaxed.

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<v Speaker 3>These podcasts tend to be that way when you've spent

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<v Speaker 3>a decent amount of time with the person beforehand, and

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<v Speaker 3>this wasn't the first time I'd met Julia, so it

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<v Speaker 3>was just nice to catch up with her, and we're

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<v Speaker 3>going to pick up the conversation talking really about the

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<v Speaker 3>perils of touring festival, the festival circuit, because Julia was

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<v Speaker 3>about to play green Man, as I say, and then

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<v Speaker 3>she was about seven days away from the end of

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<v Speaker 3>festival season. So that's where this conversation starts. And let

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<v Speaker 3>me just remind you that you can support this podcast

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<v Speaker 3>by subscribing to Loud and Quiet magazine. All the information

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<v Speaker 3>is at loudon Quiet dot com forward slash subscribe, where

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<v Speaker 3>we will post you our next nine issues for as

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<v Speaker 3>little as three pounds per month.

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<v Speaker 1>You can you can see people leaving.

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<v Speaker 2>That's the other thing about festivals, Like even if they're

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<v Speaker 2>just going to the bathroom or they want to get

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<v Speaker 2>a kebab, or they run out a beer, or they're

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<v Speaker 2>meaning a friend, you can still like visually see people

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<v Speaker 2>like halfway through you're just like singing your guts out.

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<v Speaker 1>You just see them be like, oh yeah, time to go.

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<v Speaker 3>Somewhere. Else is starting over there. I just go and

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<v Speaker 3>check that out. I feel like I've got enough, Julia

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<v Speaker 3>jackling out of this, you.

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<v Speaker 1>Know, and you're just sitting like, is there not enough

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<v Speaker 1>for you?

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<v Speaker 4>I feel like when I get really and that's the

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<v Speaker 4>other thing, the festival season, you're just like it's chaotic

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<v Speaker 4>if you're just flying in and being transferred to some

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<v Speaker 4>place that's usually like some big field or some air

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<v Speaker 4>hanger or some weird space and kind of thrown into the.

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<v Speaker 1>Mess of it.

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<v Speaker 2>And then yeah, sometimes you get on stage and I'm

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<v Speaker 2>in such a weird mood. But I feel like I've

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<v Speaker 2>been close to just being you know, being.

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<v Speaker 1>A bit rude.

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<v Speaker 3>Yeah, but that would be okay as well. I think

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<v Speaker 3>have you ever like do you have? Because some of

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<v Speaker 3>your songs, especially are very quiet and hushed and minimal,

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<v Speaker 3>and I have seen you play at festivals as well

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<v Speaker 3>as your own shows. But at your own shows, I'm

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<v Speaker 3>aware of the fact that the audience are very respectful

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<v Speaker 3>of that, and I normally you can hear a pin

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<v Speaker 3>drop they're very quiet, but obviously at a festival a

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<v Speaker 3>bit like that walking away thing. Yeah, that kind of

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<v Speaker 3>rab it in on and talking. Do you find that

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<v Speaker 3>And is that off putting when you're singing like a

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<v Speaker 3>really you know, quiet song.

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<v Speaker 2>Yeah, I mean it's always I just always focused on

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<v Speaker 2>because you always know that there's a massive group listening

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<v Speaker 2>that you might not be able to feel because loud

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<v Speaker 2>people louder than quiet people obviously.

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<v Speaker 1>But yeah, because that's the other thing.

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<v Speaker 2>You don't ever want to throw a show just because

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<v Speaker 2>like there's some people who are not into it, because

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<v Speaker 2>you don't want to be disrespectful to the people who

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<v Speaker 2>were like really paying attention.

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<v Speaker 3>Before you were playing festivals as a musician, did you

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<v Speaker 3>go to festivals? Yes? Which were Which are the big festivals?

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<v Speaker 2>Well, they're Australian ones, so they're probably not world known.

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<v Speaker 1>There was one called Blues.

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<v Speaker 2>Fest Okay, which is a pretty big one in Australia.

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<v Speaker 3>Is that the first one you went to?

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<v Speaker 2>Now, the first one I went to was one called

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<v Speaker 2>The Great Escape, which went bankrupt.

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<v Speaker 1>I think it.

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<v Speaker 2>It had one year, right, and I was seventeen, and

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<v Speaker 2>it was like the best two days of my hotel life.

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<v Speaker 3>Who played the Great Escape?

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<v Speaker 1>I don't even remember, Like, wait, who was it? No

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<v Speaker 1>one that great. Not to say anything bad.

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<v Speaker 5>But it was like wolf Mother, Okay, like the fume

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<v Speaker 5>that a wolf wolf Mother is still going right, but

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<v Speaker 5>it's just the one guy, the big care.

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<v Speaker 2>I guess I saw them advertise on some random casino

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<v Speaker 2>in some middle of America, but.

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<v Speaker 3>Playing okay, so you saw what made it. I remember

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<v Speaker 3>the first festival I went to, and it was the

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<v Speaker 3>best two days of my life. Yeah, it was like

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<v Speaker 3>and I was about seventeen, Yeah, and it was just

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<v Speaker 3>that being let off the leash, like away from your

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<v Speaker 3>parents and being able to stay up all night and

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<v Speaker 3>it being done. Was it like a camping festival you're outside? Yeah, yeah, exactly,

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<v Speaker 3>like the best time ever.

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<v Speaker 1>Yeah it was.

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<v Speaker 2>Well, it was great for many reasons, like one because

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<v Speaker 2>I had just moved high schools. So I'd moved from

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<v Speaker 2>my first high school where I was miserable, Like I

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<v Speaker 2>just I didn't I didn't know.

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<v Speaker 1>Who I was supposed to be. I was.

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<v Speaker 2>I knew I loved music, but none of my friends

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<v Speaker 2>played music or cared about music. And if you were

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<v Speaker 2>into music at school, you either liked Jack Johnson or

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<v Speaker 2>like Ozzie hip hop.

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<v Speaker 1>Two. I don't have anything against Jack Johnson, but I

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<v Speaker 1>do not like that.

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<v Speaker 2>Music, and I don't like his busy hip hop well

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<v Speaker 2>definitely not the kind that was, you know, very popular

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<v Speaker 2>at the time. So I just yeah, like I knew that,

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<v Speaker 2>I really And then I was classical. I was doing

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<v Speaker 2>classical singing. So I was just lost. I didn't know

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<v Speaker 2>where I fit in musically, and so I moved high

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<v Speaker 2>schools to the city to a music high school, and

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<v Speaker 2>I met someone on the train who was also starting

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<v Speaker 2>this new high school, and we became really good friends.

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<v Speaker 2>And she was like, Hey, I'm going to this music festival.

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<v Speaker 2>Do you want to come?

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<v Speaker 1>And I was like, a music festival. I don't know

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<v Speaker 1>people who go to music festivals, Like, oh my gosh,

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<v Speaker 1>I'm in heaven. Like just even meeting someone.

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<v Speaker 2>Who invited me to me music festival, like none of

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<v Speaker 2>my friends, like none of my circle at my previous

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<v Speaker 2>high school would even think.

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<v Speaker 1>To do that.

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<v Speaker 2>So so that was you know, I just felt like

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<v Speaker 2>this door had been open to me. And yeah, I

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<v Speaker 2>went to this festival and for one my sister's ID worked,

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<v Speaker 2>so I had a fake ID, which is great.

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<v Speaker 3>Do you look much like your sister?

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<v Speaker 1>Yeah, okay, yeah very much.

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<v Speaker 2>So that was No, that's not true. Sorry, I have

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<v Speaker 2>used I used to use my sister's idea all the time. No,

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<v Speaker 2>what happened was I just thought as I walked in,

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<v Speaker 2>I was like, you know what, I'm just going to

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<v Speaker 2>show this security guard my student ID card, which said I.

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<v Speaker 1>Was seventeen and was also a high school ID card.

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<v Speaker 2>I was just like, maybe they're dumb enough to think

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<v Speaker 2>that like nineteen ninety means that I'm of age, right,

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<v Speaker 2>And they did, and they.

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<v Speaker 1>Gave me over eighteen's wristbands, and I was like.

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<v Speaker 3>Because they thought she wouldn't be showing me this if

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<v Speaker 3>it proved that she was.

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<v Speaker 2>So that was cool and also gave me a lot

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<v Speaker 2>of like newfound cred with like all of these new

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<v Speaker 2>people I was just meeting because I was like, Hey,

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<v Speaker 2>this is what I did.

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<v Speaker 1>I've got a wristband, I'm getting the drinks and then yeah,

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<v Speaker 1>it was just.

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<v Speaker 2>Like I'd never i'd never been around like all that

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<v Speaker 2>music before, and you know, it had like it was

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<v Speaker 2>one of those festivals with lots of different tents and

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<v Speaker 2>so you're just like up and close people are on

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<v Speaker 2>stages and playing.

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<v Speaker 1>Instruments, and I was like, whoa.

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<v Speaker 2>And there was this girl at my high school. Her

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<v Speaker 2>name is Holiday Sidewinder.

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<v Speaker 3>Oh, she's think Alex Cameron's pad.

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<v Speaker 2>Yes, yeah, So she was at my high school and

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<v Speaker 2>I thought she was I mean, she is she's really

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<v Speaker 2>cool and I am friends with her now, but at

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<v Speaker 2>the time she was like at my new high school.

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<v Speaker 2>I thought, she is the coolest person that I've ever

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<v Speaker 2>seen in the world, and I must impress her.

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<v Speaker 1>Like I wanted her to like me so badly.

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<v Speaker 2>And so she was at the festival because she was

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<v Speaker 2>playing with her first band, Bridezilla, which was also so

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<v Speaker 2>crazy to me, the fact that I knew someone who

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<v Speaker 2>went to my high school who's playing at a music festival.

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<v Speaker 1>I was just like, what is this world that I

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<v Speaker 1>have entered into?

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<v Speaker 2>And yeah, so I kind of just I remember watching

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<v Speaker 2>Lee Scratch Perry right, and I was with Holiday, and

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<v Speaker 2>I was like, how can I impress her? Like how

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<v Speaker 2>can I get in? And I was like I have

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<v Speaker 2>to get on the stage, like I must get on

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<v Speaker 2>this stage and she will think I'm the coolest person

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<v Speaker 2>that has ever existed as well. So I just took

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<v Speaker 2>a time. I took a moment. I jumped over the fence.

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<v Speaker 3>How drunk were you at this point?

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<v Speaker 1>Pretty drunk?

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<v Speaker 2>Okay, but not crazy drunk, because I remember the whole

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<v Speaker 2>thing and I was still like agile and like I

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<v Speaker 2>wasn't like you know, teenage, you know, sloppy mess. I

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<v Speaker 2>was had my together. I just had a few drinks

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<v Speaker 2>of courage in me, and so I jumped over the

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<v Speaker 2>fence and then the security guards like pulled me back.

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<v Speaker 2>But then Lise Scratch Perry looked at me and he

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<v Speaker 2>was like, no, let her on stage, And so I

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<v Speaker 2>got on stage and me and Lisa Gerry held hands.

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<v Speaker 1>Oh.

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<v Speaker 2>He sang this song It's and then he was singing

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<v Speaker 2>and I just remember it started raining and maybe imagining

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<v Speaker 2>this dream dream I know, but this is how.

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<v Speaker 1>Crazy this festival was for me.

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<v Speaker 2>It started raining and then he was like, let's sing

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<v Speaker 2>a song to stop the rain, and he started singing

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<v Speaker 2>this song about lifting the rain up.

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<v Speaker 1>And I was standing on stage with Lease Coach pray

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<v Speaker 1>and there's like thousands.

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<v Speaker 2>Of people and I'm like lifting the rain up with

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<v Speaker 2>him and then it stopped raining.

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<v Speaker 3>When you're stood there holding hands and you're singing this right,

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<v Speaker 3>this rain song? Can you see Holiday signed Wine from

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<v Speaker 3>where you are? Is that how you're looking at You're

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<v Speaker 3>thinking the whole time? She can she see? Is she?

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<v Speaker 3>What does she think of this? What's what's her face doing?

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<v Speaker 2>All I cared was that she was present and she

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<v Speaker 2>was looking at what was going on. Okay, and yeah,

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<v Speaker 2>she probably is so funny. I should ask her about

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<v Speaker 2>this because she would not remember this at all.

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<v Speaker 3>I don't know. I think she probably would. I think

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<v Speaker 3>she would. Did you so after the after the set,

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<v Speaker 3>how long were you up there for? Did you was it?

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<v Speaker 3>Did you just climb back down get back into the

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<v Speaker 3>crowd kind of thing?

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<v Speaker 2>Yeah?

0:11:30.480 --> 0:11:31.520
<v Speaker 3>Yeah, okay, it.

0:11:31.400 --> 0:11:34.680
<v Speaker 1>Was like probably like probably like a full song.

0:11:35.280 --> 0:11:35.600
<v Speaker 3>Okay.

0:11:35.880 --> 0:11:36.080
<v Speaker 1>Yeah?

0:11:36.240 --> 0:11:39.880
<v Speaker 3>And what did your friends and particularly Holiday someone? What

0:11:39.920 --> 0:11:42.679
<v Speaker 3>does she think? What did they think of that you

0:11:42.720 --> 0:11:46.160
<v Speaker 3>were like a hero right the king? And did she

0:11:46.200 --> 0:11:47.640
<v Speaker 3>then think you were like super cool?

0:11:48.160 --> 0:11:52.679
<v Speaker 1>Ah? Maybe maybe not? I don't know, Like it definitely.

0:11:52.320 --> 0:11:54.640
<v Speaker 3>Helped she was thinking I should have done I bet

0:11:54.679 --> 0:11:57.720
<v Speaker 3>everyone knows what's coming ship. I should have done that.

0:11:57.720 --> 0:11:58.280
<v Speaker 3>That's cool.

0:11:58.440 --> 0:12:00.400
<v Speaker 1>Yeah, no, it probably it probably helped.

0:12:00.880 --> 0:12:03.560
<v Speaker 2>I don't know if it like solidified my coolness for

0:12:03.640 --> 0:12:06.000
<v Speaker 2>like the whole school year, Like I had to do

0:12:06.040 --> 0:12:07.240
<v Speaker 2>a few other things.

0:12:08.440 --> 0:12:09.559
<v Speaker 3>What else did you have to do?

0:12:10.160 --> 0:12:12.480
<v Speaker 1>Like nothing, I don't know. I think that was actually

0:12:12.520 --> 0:12:13.480
<v Speaker 1>the I think I peaked.

0:12:13.679 --> 0:12:15.839
<v Speaker 3>Yeah, that's kind of you can't really follow.

0:12:15.600 --> 0:12:19.680
<v Speaker 1>That, And then it was a bit downhill from there. Yeah. No,

0:12:19.760 --> 0:12:21.560
<v Speaker 1>I definitely wasn't like the coolest person.

0:12:23.000 --> 0:12:28.160
<v Speaker 3>I can see why. I can now see why that

0:12:28.280 --> 0:12:30.280
<v Speaker 3>was the best first two days of your life.

0:12:30.880 --> 0:12:32.120
<v Speaker 1>Yeah, like it was.

0:12:32.600 --> 0:12:35.280
<v Speaker 3>That story reminds me of the story you told me

0:12:35.760 --> 0:12:41.400
<v Speaker 3>about being young, probably younger than that. I imagine when you

0:12:42.200 --> 0:12:45.440
<v Speaker 3>wanted to show to people that you could sing, and

0:12:45.480 --> 0:12:48.400
<v Speaker 3>you'd put your headphones on and start singing really loudly

0:12:48.720 --> 0:12:51.960
<v Speaker 3>as a small girl, and with the idea of taking

0:12:52.000 --> 0:12:53.679
<v Speaker 3>them off and saying, oh, sorry, was I singing out

0:12:53.679 --> 0:12:55.520
<v Speaker 3>loud then? And that'd be like, you've got such an

0:12:55.520 --> 0:12:59.160
<v Speaker 3>incredible voice. Yes, that kind of reminds me of that.

0:12:59.240 --> 0:13:01.880
<v Speaker 3>Like it sounds like as a young person you're quite

0:13:02.880 --> 0:13:06.160
<v Speaker 3>kind of fearless, or you just would kind of do

0:13:06.200 --> 0:13:11.120
<v Speaker 3>anything to get people to think you were cool. And

0:13:11.200 --> 0:13:12.760
<v Speaker 3>I knew that with the greatest respect.

0:13:13.000 --> 0:13:15.920
<v Speaker 1>Yeah, that's funny. You say that because this is this

0:13:16.000 --> 0:13:18.520
<v Speaker 1>is not well, this doesn't reflect well on me. I

0:13:18.559 --> 0:13:19.000
<v Speaker 1>don't think.

0:13:19.080 --> 0:13:22.480
<v Speaker 2>I remember standing in the line to get food at

0:13:22.480 --> 0:13:29.400
<v Speaker 2>that festival and I I was singing a song like

0:13:30.000 --> 0:13:33.360
<v Speaker 2>an Angus and Julia's Stone song, and I just remember

0:13:33.640 --> 0:13:36.439
<v Speaker 2>and I was. I remember singing in this line, being like, oh,

0:13:36.480 --> 0:13:40.040
<v Speaker 2>I'm just casually singing. But I also was like, maybe

0:13:40.080 --> 0:13:42.040
<v Speaker 2>like someone will notice how good I am at singing.

0:13:43.480 --> 0:13:45.280
<v Speaker 1>And then this woman turns around, She's like, You've got

0:13:45.320 --> 0:13:48.240
<v Speaker 1>a really beautiful voice, and I was like, oh gosh,

0:13:48.440 --> 0:13:55.800
<v Speaker 1>was I even was I singing? Yeah?

0:13:55.880 --> 0:13:59.560
<v Speaker 2>I mean, the starry eyedness of being seventeen can never

0:13:59.600 --> 0:14:00.680
<v Speaker 2>be repeated.

0:14:00.880 --> 0:14:04.080
<v Speaker 3>Yeah, And I'm actually mourn that quite a lot. Me too,

0:14:04.320 --> 0:14:09.319
<v Speaker 3>because I especially like working in music and being a

0:14:09.400 --> 0:14:14.000
<v Speaker 3>music fan. I resent the fact that nothing, however much

0:14:14.080 --> 0:14:16.720
<v Speaker 3>I love something, now, if I hear something, even if

0:14:16.720 --> 0:14:18.360
<v Speaker 3>it's like an old thing that I've never heard before,

0:14:18.440 --> 0:14:20.360
<v Speaker 3>I'm never gonna love. It's never going to mean as

0:14:20.440 --> 0:14:21.920
<v Speaker 3>much to me as I did when I was seventeen.

0:14:22.080 --> 0:14:23.040
<v Speaker 1>Ever, I know.

0:14:23.240 --> 0:14:25.760
<v Speaker 3>You're never going to idolize those people in the same way,

0:14:26.080 --> 0:14:29.120
<v Speaker 3>and that I think is unfair. That's why I actually

0:14:29.720 --> 0:14:31.920
<v Speaker 3>that's kind of the thing I miss most about being

0:14:31.960 --> 0:14:36.640
<v Speaker 3>young totally and being like a kind of hopelessly romantically

0:14:36.680 --> 0:14:40.120
<v Speaker 3>walking around the streets listening to music on the way

0:14:40.160 --> 0:14:42.760
<v Speaker 3>home from a party or whatever. Oh, and you can't

0:14:42.840 --> 0:14:45.400
<v Speaker 3>replicate that hard. It's sad, I know.

0:14:45.480 --> 0:14:48.160
<v Speaker 2>And I find that I have like like a little

0:14:48.160 --> 0:14:50.480
<v Speaker 2>glimpse of it here and there, and I chase that.

0:14:51.440 --> 0:14:55.080
<v Speaker 2>I chase it so hard, but it never hits you

0:14:55.120 --> 0:14:55.880
<v Speaker 2>in the same way.

0:14:55.960 --> 0:14:56.240
<v Speaker 1>You know.

0:14:56.640 --> 0:15:00.160
<v Speaker 3>Do you revisit them, the songs that used to do

0:15:00.240 --> 0:15:02.560
<v Speaker 3>that to you? Do you listen to them a lot

0:15:02.600 --> 0:15:04.000
<v Speaker 3>now or occasionally now?

0:15:04.360 --> 0:15:05.120
<v Speaker 1>I do?

0:15:05.280 --> 0:15:07.800
<v Speaker 2>I do, And I tend to do this a lot

0:15:07.840 --> 0:15:10.240
<v Speaker 2>when I'm on the tour, and especially coming towards an

0:15:10.320 --> 0:15:14.960
<v Speaker 2>end of tour, where I'm feeling old and sad and

0:15:15.000 --> 0:15:21.200
<v Speaker 2>missing home, which is how I always get when I.

0:15:20.560 --> 0:15:25.040
<v Speaker 3>Yeah, that's me most days. That's my constant stage.

0:15:25.400 --> 0:15:26.120
<v Speaker 1>Regular life.

0:15:26.120 --> 0:15:26.760
<v Speaker 3>That's life.

0:15:27.160 --> 0:15:30.080
<v Speaker 2>Yeah, Like I think just at this point where I

0:15:30.160 --> 0:15:33.320
<v Speaker 2>just I feel just you know, not to complain too much,

0:15:33.360 --> 0:15:35.600
<v Speaker 2>I'm very I'm just very exhausted, because it's just like

0:15:35.600 --> 0:15:38.080
<v Speaker 2>a lot of plain travel and just like a lot

0:15:38.080 --> 0:15:43.840
<v Speaker 2>of exposure. You're just constantly like around people and constantly like,

0:15:43.880 --> 0:15:49.000
<v Speaker 2>you know, I don't mind being photographed by people I trust,

0:15:49.280 --> 0:15:54.360
<v Speaker 2>but I don't. I don't like it most of the time.

0:15:54.960 --> 0:15:57.200
<v Speaker 2>And so just having that kind of stuff every day

0:15:57.640 --> 0:16:00.000
<v Speaker 2>just really wears me down. It just makes me feel

0:16:00.840 --> 0:16:03.160
<v Speaker 2>like I'm not very exposed, very expossed.

0:16:03.600 --> 0:16:07.240
<v Speaker 1>So it's in those moments that I really tend to

0:16:08.400 --> 0:16:09.360
<v Speaker 1>go back to that music.

0:16:09.360 --> 0:16:13.160
<v Speaker 2>And yesterday, when I was like driving through the beautiful

0:16:13.760 --> 0:16:16.600
<v Speaker 2>like countryside of Portugal, I just had like my head

0:16:16.680 --> 0:16:20.320
<v Speaker 2>down and I was listening to let Go Ari Leven.

0:16:21.920 --> 0:16:23.240
<v Speaker 1>And I was just thinking, like.

0:16:24.800 --> 0:16:26.960
<v Speaker 2>I was trying to remember what it felt like when

0:16:27.000 --> 0:16:28.800
<v Speaker 2>I first heard Complicated.

0:16:29.280 --> 0:16:32.600
<v Speaker 3>That's the tune, isn't it. That's the sothing that isn't

0:16:32.640 --> 0:16:34.520
<v Speaker 3>that the song that you said that wasn't that the

0:16:34.560 --> 0:16:37.120
<v Speaker 3>song you tried to impress your dad with singing complicated?

0:16:37.160 --> 0:16:43.360
<v Speaker 1>Oh? Was it complicated? Yes, yep, it was. Yeah, there's

0:16:43.360 --> 0:16:43.760
<v Speaker 1>a song.

0:16:43.920 --> 0:16:46.680
<v Speaker 2>There's also a song called I'm with You on that album,

0:16:46.800 --> 0:16:47.760
<v Speaker 2>which I also.

0:16:48.560 --> 0:16:50.200
<v Speaker 3>That's also like a ballad one.

0:16:50.320 --> 0:16:54.720
<v Speaker 1>Yeah, it's like, yeah, standing on a bridge. I'm waiting

0:16:54.800 --> 0:16:57.800
<v Speaker 1>in the dark. Is anybody I know?

0:16:59.600 --> 0:17:04.880
<v Speaker 6>Because things going right and everything's a mess.

0:17:03.640 --> 0:17:06.439
<v Speaker 2>Like none like listening back, like I thought, it was

0:17:06.480 --> 0:17:09.120
<v Speaker 2>so profound, poetic, so poetic.

0:17:09.520 --> 0:17:12.160
<v Speaker 1>I mean, she's really not saying anything specific.

0:17:13.440 --> 0:17:16.919
<v Speaker 2>At all, just listing things, just kind of giving a

0:17:17.040 --> 0:17:21.959
<v Speaker 2>vague idea of where she is and that no one

0:17:22.000 --> 0:17:22.520
<v Speaker 2>else is there.

0:17:24.480 --> 0:17:29.680
<v Speaker 1>But yeah, I was listening to those songs, and yeah,

0:17:30.119 --> 0:17:34.120
<v Speaker 1>I just remember feeling so much like I remembering my.

0:17:34.160 --> 0:17:38.639
<v Speaker 2>Room and I had my like JVC CD player and

0:17:38.720 --> 0:17:41.840
<v Speaker 2>I would just turn that up so loud, just like

0:17:41.960 --> 0:17:46.119
<v Speaker 2>line my bed, just like thinking I would die of feelings.

0:17:47.800 --> 0:17:48.960
<v Speaker 1>I would literally dissolve.

0:17:49.160 --> 0:17:52.160
<v Speaker 3>And I missed that feeling.

0:17:52.400 --> 0:17:52.760
<v Speaker 1>I know.

0:17:52.920 --> 0:17:55.360
<v Speaker 3>But I suppose at the time, you probably, I mean

0:17:55.400 --> 0:17:57.520
<v Speaker 3>at the time, I can't do you think at the

0:17:57.520 --> 0:18:01.639
<v Speaker 3>time you felt you enjoyed that feeding. I think I

0:18:01.720 --> 0:18:03.960
<v Speaker 3>think I probably did in a weird way.

0:18:04.400 --> 0:18:06.200
<v Speaker 2>I think it was just so intense that it was

0:18:06.320 --> 0:18:11.560
<v Speaker 2>just like this incredible mix of beauty and tragedy, you know,

0:18:11.760 --> 0:18:12.159
<v Speaker 2>like it.

0:18:12.400 --> 0:18:13.600
<v Speaker 1>I think I really.

0:18:13.600 --> 0:18:16.560
<v Speaker 2>Enjoyed it, mostly even if even if it felt really sad,

0:18:16.600 --> 0:18:20.560
<v Speaker 2>because just like being super sad felt good. And then

0:18:20.560 --> 0:18:23.040
<v Speaker 2>you listened to like other sad teenage music and you're

0:18:23.040 --> 0:18:24.400
<v Speaker 2>just like, we're all in this together.

0:18:26.640 --> 0:18:30.000
<v Speaker 3>Around that time, would you be listening to the Stroke

0:18:30.080 --> 0:18:33.200
<v Speaker 3>song that you've just covered, Yeah, Someday was that part

0:18:33.240 --> 0:18:35.520
<v Speaker 3>of that because that would have come out when you

0:18:35.560 --> 0:18:40.720
<v Speaker 3>were like eleven eleven. Yeah, that's a great cover you started.

0:18:40.760 --> 0:18:43.240
<v Speaker 3>You did that cover a while ago, originally right on

0:18:43.320 --> 0:18:43.919
<v Speaker 3>a Yeah.

0:18:43.800 --> 0:18:45.040
<v Speaker 1>It was like two and a half years ago.

0:18:45.119 --> 0:18:47.280
<v Speaker 3>Okay, what made you put it out recently?

0:18:47.960 --> 0:18:50.399
<v Speaker 2>I think just Triple J finally got with the times

0:18:51.280 --> 0:18:52.160
<v Speaker 2>put on Spotify.

0:18:52.200 --> 0:18:54.480
<v Speaker 1>There was no Yeah, a few people were like, wow,

0:18:54.680 --> 0:18:57.320
<v Speaker 1>why did you finally decide to put it out? Actually, nothing,

0:18:57.920 --> 0:18:59.320
<v Speaker 1>they just put it out.

0:18:59.520 --> 0:19:01.159
<v Speaker 3>We should explain to people listening to this is a

0:19:01.200 --> 0:19:03.159
<v Speaker 3>cover of Someday by the Strokes that you did for

0:19:03.240 --> 0:19:06.359
<v Speaker 3>a radio station called Triple J. Triple J is like

0:19:06.520 --> 0:19:09.000
<v Speaker 3>Australia's like cool radio station, right, It's.

0:19:08.840 --> 0:19:15.960
<v Speaker 2>Like it's yeah, yeah, it's like our mainstream youth radio.

0:19:16.119 --> 0:19:17.840
<v Speaker 3>Okay, right right right, Well.

0:19:17.920 --> 0:19:21.400
<v Speaker 1>Like yeah, it's not mainstream.

0:19:21.480 --> 0:19:26.160
<v Speaker 3>It's not like it's like is it like six music here, yeah,

0:19:26.200 --> 0:19:29.480
<v Speaker 3>which is like it's mainstream, but it plays bands, it

0:19:29.520 --> 0:19:33.600
<v Speaker 3>plays like alternative sort of stuff. Who was your favorite

0:19:33.640 --> 0:19:35.960
<v Speaker 3>Stroke when you're eleven, who is your favorite member?

0:19:36.520 --> 0:19:38.719
<v Speaker 1>Well, it's funny.

0:19:39.960 --> 0:19:41.800
<v Speaker 2>A lot of the bands I loved at that time,

0:19:42.800 --> 0:19:44.399
<v Speaker 2>like I had no idea what they looked like.

0:19:45.320 --> 0:19:46.760
<v Speaker 1>That was a totally So.

0:19:46.800 --> 0:19:49.840
<v Speaker 3>You were a fan of the Strokes without seeing them. Yeah,

0:19:49.920 --> 0:19:53.199
<v Speaker 3>I mean that's quite amazing that I'm a big Strokes

0:19:53.200 --> 0:19:55.440
<v Speaker 3>fan as well. And I would say that the music

0:19:55.480 --> 0:19:58.480
<v Speaker 3>stands up without looking at them, but to look at them.

0:19:58.400 --> 0:20:00.000
<v Speaker 1>As well, Yeah, very beautiful.

0:20:00.160 --> 0:20:01.879
<v Speaker 3>It's like it was a moment.

0:20:02.640 --> 0:20:06.760
<v Speaker 2>Well, it's funny because this is gonna, this is this

0:20:06.880 --> 0:20:08.720
<v Speaker 2>is it ended up going to sound like a bunch

0:20:08.800 --> 0:20:10.320
<v Speaker 2>of old blokes.

0:20:10.000 --> 0:20:14.879
<v Speaker 1>Like Raven about it the good old days. But you know,

0:20:14.960 --> 0:20:15.520
<v Speaker 1>but at that.

0:20:15.560 --> 0:20:19.320
<v Speaker 2>Time, it was like my connection with music was all

0:20:19.359 --> 0:20:22.000
<v Speaker 2>like all you would go off was like the CD

0:20:22.160 --> 0:20:24.720
<v Speaker 2>cover right like I didn't, or if you bought like

0:20:24.760 --> 0:20:27.160
<v Speaker 2>a magazine and they were like the pull out poster

0:20:27.440 --> 0:20:30.600
<v Speaker 2>or okay, like there was a band in Australia called

0:20:30.600 --> 0:20:34.480
<v Speaker 2>Grinspurn which were like I loved Grinspoon and.

0:20:34.480 --> 0:20:36.120
<v Speaker 1>Grinspoon was my first concept.

0:20:36.840 --> 0:20:38.480
<v Speaker 2>You know. I just remember walking out that concept when

0:20:38.480 --> 0:20:40.720
<v Speaker 2>I was thirteen, just been like I think I just

0:20:40.760 --> 0:20:47.359
<v Speaker 2>like found god like it was just I had never Yeah,

0:20:47.440 --> 0:20:51.920
<v Speaker 2>it was just it was mind blowing to me, and

0:20:51.920 --> 0:20:52.719
<v Speaker 2>and I was obsessed.

0:20:52.760 --> 0:20:55.040
<v Speaker 1>I listened to all their records. I just like loved it.

0:20:55.119 --> 0:20:57.000
<v Speaker 2>I knew every word, but I know, I didn't know

0:20:57.000 --> 0:20:59.560
<v Speaker 2>what they looked like. And I remember going to the

0:20:59.600 --> 0:21:03.159
<v Speaker 2>Ari because my dad worked for like a supermarket, and

0:21:03.240 --> 0:21:05.600
<v Speaker 2>they got like three tickets, and the Aris is like

0:21:05.640 --> 0:21:07.240
<v Speaker 2>our Grammys, I guess right.

0:21:07.760 --> 0:21:10.480
<v Speaker 1>And I remember standing at the Red Carpet.

0:21:10.320 --> 0:21:15.200
<v Speaker 2>When I was like, yeah, twelve or thirteen, and this

0:21:15.200 --> 0:21:17.960
<v Speaker 2>this band like pulls up in a Cadillac and I

0:21:18.160 --> 0:21:18.720
<v Speaker 2>just with my.

0:21:18.640 --> 0:21:21.240
<v Speaker 1>Squeaky twelve year old voice, I'm like, hew are you?

0:21:22.320 --> 0:21:25.280
<v Speaker 1>And the guy and the land singer Phil was like, oh,

0:21:25.400 --> 0:21:28.000
<v Speaker 1>we're a band called Grinspoon.

0:21:28.000 --> 0:21:31.600
<v Speaker 2>And I just like screamed, like I screamed my head off,

0:21:31.920 --> 0:21:33.760
<v Speaker 2>but like I which was funny because.

0:21:33.560 --> 0:21:36.520
<v Speaker 3>What did they look like? Did they look how you

0:21:36.600 --> 0:21:38.640
<v Speaker 3>imagine they look cool? Were they young guys?

0:21:38.720 --> 0:21:38.920
<v Speaker 2>Yeah?

0:21:38.960 --> 0:21:39.160
<v Speaker 3>Yeah?

0:21:39.640 --> 0:21:39.920
<v Speaker 4>Young?

0:21:40.000 --> 0:21:41.800
<v Speaker 2>And they had it was they were kind of like

0:21:43.160 --> 0:21:46.960
<v Speaker 2>they had that like sweeping side fringe yeah yeah, situation.

0:21:47.040 --> 0:21:49.400
<v Speaker 3>So it would have been quite heartbreaking if they were

0:21:49.440 --> 0:21:53.600
<v Speaker 3>like fifty year old, yeah, olding fat men, who are

0:21:53.680 --> 0:21:57.280
<v Speaker 3>you and like we grinsman, You're like, oh no.

0:21:56.640 --> 0:22:02.639
<v Speaker 2>Oh no, yeah, but anyway, yeah, I like, I don't

0:22:02.680 --> 0:22:04.880
<v Speaker 2>remember the Strokes. It wasn't like there are a bunch

0:22:04.920 --> 0:22:07.240
<v Speaker 2>of cute boys. I think it was. But then again,

0:22:07.760 --> 0:22:11.240
<v Speaker 2>I was introduced to the Strokes by a bunch of cute.

0:22:11.040 --> 0:22:16.479
<v Speaker 3>Boys, right, Okay, that's helped. Yeah, So we had a

0:22:16.480 --> 0:22:19.000
<v Speaker 3>friend of yours on the podcast at the beginning of

0:22:19.000 --> 0:22:23.720
<v Speaker 3>the year. Stella dominally came that podcast you it was,

0:22:23.880 --> 0:22:28.520
<v Speaker 3>it would have been before the before Tricks came out.

0:22:29.320 --> 0:22:32.840
<v Speaker 3>The song that you co directed the video for. Is

0:22:32.880 --> 0:22:35.720
<v Speaker 3>that the first video you've directed other than your own?

0:22:37.280 --> 0:22:41.440
<v Speaker 3>H yes, Yeah, it's cool. It's it's got you can

0:22:41.560 --> 0:22:44.119
<v Speaker 3>kind of tell. I would say, you can kind of

0:22:44.160 --> 0:22:47.480
<v Speaker 3>tell that you and Nick made it. It's got your

0:22:47.560 --> 0:22:50.320
<v Speaker 3>feel to it. There's lots of dancing around the streets,

0:22:51.440 --> 0:22:52.760
<v Speaker 3>running around suburbia.

0:22:53.000 --> 0:22:54.200
<v Speaker 1>I cannot do anything else.

0:22:54.760 --> 0:22:59.640
<v Speaker 2>You want a music video, great, yeah, we do.

0:23:00.280 --> 0:23:04.120
<v Speaker 3>Your brochure of music is option one. Is you run

0:23:04.160 --> 0:23:06.920
<v Speaker 3>around the streets and we film that. Yeah, that's it.

0:23:06.960 --> 0:23:07.879
<v Speaker 3>That's what you get with us.

0:23:07.920 --> 0:23:13.320
<v Speaker 1>A muted color palette dancing suburbia. That's all we can do.

0:23:14.320 --> 0:23:17.640
<v Speaker 3>Did she have some kind of brief. Was there any

0:23:17.720 --> 0:23:19.640
<v Speaker 3>kind of like or did she just say I want

0:23:19.640 --> 0:23:20.960
<v Speaker 3>to make I want you? Can you just make the

0:23:21.040 --> 0:23:21.840
<v Speaker 3>music video? Was that?

0:23:21.880 --> 0:23:22.040
<v Speaker 1>Well?

0:23:22.080 --> 0:23:25.080
<v Speaker 2>The tap dancing thing was just I had that idea

0:23:25.119 --> 0:23:26.280
<v Speaker 2>in my head for years.

0:23:26.480 --> 0:23:28.800
<v Speaker 1>I don't know why. I just had this idea of like,

0:23:29.960 --> 0:23:33.080
<v Speaker 1>I just do you know tap Dogs? Is that like

0:23:33.080 --> 0:23:34.120
<v Speaker 1>a thing over here.

0:23:34.040 --> 0:23:37.920
<v Speaker 3>That rings a bell? Is that like? Is that like stomp? Yeah?

0:23:38.040 --> 0:23:40.320
<v Speaker 2>I guess I think tap Doogs was the original one,

0:23:40.320 --> 0:23:41.720
<v Speaker 2>which came from Australia.

0:23:42.000 --> 0:23:43.920
<v Speaker 1>It was kind of like a tap dancing show.

0:23:44.720 --> 0:23:48.840
<v Speaker 3>They danced with brooms and things. I think that is stomp.

0:23:48.880 --> 0:23:51.560
<v Speaker 2>I think, well, I don't know if the brooms, but it's

0:23:51.640 --> 0:23:58.840
<v Speaker 2>like bloodstones, white singlets, funnel shirts around the waist, jeans.

0:23:58.880 --> 0:24:02.879
<v Speaker 5>Yeah, we've definitely had that tapping on like metal surfaces

0:24:02.880 --> 0:24:04.960
<v Speaker 5>and because I went to Tap Dogs when I was

0:24:05.000 --> 0:24:07.879
<v Speaker 5>like seven years old, and I remember I had to

0:24:07.880 --> 0:24:09.600
<v Speaker 5>wear like industrial earmuffs because it's.

0:24:09.520 --> 0:24:11.800
<v Speaker 1>Very loud, and I loved it.

0:24:13.160 --> 0:24:15.000
<v Speaker 2>So I think I just had that image in my

0:24:15.040 --> 0:24:17.119
<v Speaker 2>head for years, just and I never knew what it

0:24:17.160 --> 0:24:17.840
<v Speaker 2>would stick.

0:24:17.640 --> 0:24:18.440
<v Speaker 1>To, you know what I mean.

0:24:18.520 --> 0:24:22.840
<v Speaker 2>Like someone another Australian band asked me to direct a

0:24:22.920 --> 0:24:24.440
<v Speaker 2>video for them like years ago, and.

0:24:25.359 --> 0:24:27.280
<v Speaker 1>I was like, yeah, tap Dogs.

0:24:27.960 --> 0:24:29.280
<v Speaker 2>But then I just didemed work out because I was

0:24:29.320 --> 0:24:31.919
<v Speaker 2>on tour or something. And then when Stella asked, I

0:24:32.000 --> 0:24:34.080
<v Speaker 2>was just like, this actually might work.

0:24:34.119 --> 0:24:36.920
<v Speaker 1>This might be the tap Dogs finally get rid of

0:24:37.480 --> 0:24:38.040
<v Speaker 1>tap Dogs.

0:24:38.119 --> 0:24:38.720
<v Speaker 3>Yeah dog.

0:24:39.240 --> 0:24:42.800
<v Speaker 2>So yeah, it was just it just all came from

0:24:42.840 --> 0:24:47.280
<v Speaker 2>this bad idea of just having like an irritating guy from.

0:24:47.240 --> 0:24:49.880
<v Speaker 3>Tap Dogs dancing around.

0:24:49.640 --> 0:24:51.919
<v Speaker 1>Dancing around being irritating and.

0:24:52.800 --> 0:24:55.280
<v Speaker 3>Anyone that's not seeing the we'll put a link to

0:24:55.320 --> 0:24:57.840
<v Speaker 3>the video in the description of the podcast, but for

0:24:57.840 --> 0:25:00.720
<v Speaker 3>anyone who hasn't seen yet, that's a good description of it.

0:25:00.800 --> 0:25:04.400
<v Speaker 3>There's an irritating guy. That guy's really good, though. Who

0:25:04.440 --> 0:25:05.000
<v Speaker 3>is that man?

0:25:05.119 --> 0:25:09.000
<v Speaker 1>He's we found him one like star search dot com.

0:25:09.359 --> 0:25:10.760
<v Speaker 3>It's a trained dancer.

0:25:11.840 --> 0:25:16.760
<v Speaker 1>Yeah, yeah, he's like a dance he teaches like I

0:25:16.800 --> 0:25:21.720
<v Speaker 1>think like older people like retire East.

0:25:22.840 --> 0:25:26.360
<v Speaker 3>Because he I don't want to disrespect him because he

0:25:26.400 --> 0:25:29.399
<v Speaker 3>was really good, but I couldn't tell if he was

0:25:30.080 --> 0:25:35.080
<v Speaker 3>like like a really top top end professional dancer who

0:25:35.160 --> 0:25:38.479
<v Speaker 3>was kind of pulling back a little bit to make

0:25:38.520 --> 0:25:41.200
<v Speaker 3>it look like he was like an everyday guy dancing,

0:25:41.880 --> 0:25:43.760
<v Speaker 3>or if he was going flat out, and that was him.

0:25:43.600 --> 0:25:46.719
<v Speaker 1>Going flat Yeah, I think it was.

0:25:47.440 --> 0:25:50.639
<v Speaker 2>I think maybe when he was a bit younger, he was,

0:25:51.160 --> 0:25:53.560
<v Speaker 2>he was there, he was really good.

0:25:53.600 --> 0:25:55.640
<v Speaker 1>It kind of really worked out well as well because

0:25:56.480 --> 0:25:57.240
<v Speaker 1>he looks great.

0:25:57.320 --> 0:26:01.000
<v Speaker 3>It's kind of how I imagine. I like to think

0:26:01.040 --> 0:26:05.040
<v Speaker 3>I dance like that, right, cool, But I don't, you know,

0:26:05.160 --> 0:26:08.720
<v Speaker 3>like at my absolute best, I could pull off maybe

0:26:09.119 --> 0:26:11.600
<v Speaker 3>some of the worst moves he was doing. But in

0:26:11.640 --> 0:26:14.919
<v Speaker 3>my mind, he looked quite free in doing it. It

0:26:14.960 --> 0:26:16.280
<v Speaker 3>looked like a fun shoot to do.

0:26:16.800 --> 0:26:19.200
<v Speaker 1>Yeah, it was really fun. It was super fun. And

0:26:20.280 --> 0:26:24.600
<v Speaker 1>because a music videos are just the worst, like there

0:26:24.600 --> 0:26:25.000
<v Speaker 1>really are.

0:26:25.400 --> 0:26:30.120
<v Speaker 2>They're so stressful and everyone is so stressed around them

0:26:30.320 --> 0:26:33.800
<v Speaker 2>and no one has any money, but everyone needs to

0:26:33.880 --> 0:26:36.480
<v Speaker 2>do them. Everyone needs to do like five for every

0:26:36.520 --> 0:26:41.080
<v Speaker 2>album they make. And I don't know, like I love

0:26:41.160 --> 0:26:44.560
<v Speaker 2>and hate that form so much, that art form. So

0:26:45.680 --> 0:26:48.919
<v Speaker 2>for me, like a music video should not be stressful,

0:26:49.560 --> 0:26:54.000
<v Speaker 2>it should not cost a lot of money. And it's

0:26:54.080 --> 0:26:56.879
<v Speaker 2>like the song is the that's the lead character. Like

0:26:56.920 --> 0:27:01.480
<v Speaker 2>the song is what matters, and we're just creator like visuals.

0:27:01.760 --> 0:27:03.640
<v Speaker 2>That to me, this is what I think to lift

0:27:03.680 --> 0:27:06.920
<v Speaker 2>up the song. You don't want something that like stamps

0:27:06.960 --> 0:27:10.440
<v Speaker 2>on it, or you don't want to add some crazy

0:27:10.520 --> 0:27:11.840
<v Speaker 2>narrative to a song that.

0:27:11.760 --> 0:27:12.919
<v Speaker 1>Already has a narrative for.

0:27:14.680 --> 0:27:16.920
<v Speaker 2>Yeah, I don't know, Like some music videos are just

0:27:17.400 --> 0:27:19.920
<v Speaker 2>so bad, like you just think how much did this cost?

0:27:19.960 --> 0:27:22.280
<v Speaker 2>Like this costs like one hundred thousand dollars and it

0:27:22.520 --> 0:27:25.960
<v Speaker 2>just like I don't know, I just don't think in

0:27:26.080 --> 0:27:29.000
<v Speaker 2>music videos like money doesn't the more money you have

0:27:29.119 --> 0:27:30.199
<v Speaker 2>doesn't mean anything.

0:27:30.440 --> 0:27:34.720
<v Speaker 3>Yours were really good the fantastic furniture for one for

0:27:34.760 --> 0:27:37.000
<v Speaker 3>fucking round and it's one of my favorite videos of

0:27:37.040 --> 0:27:39.800
<v Speaker 3>last yet it's great, right, it's so good. It's running

0:27:39.840 --> 0:27:44.520
<v Speaker 3>around streets in Subbia, but it's in slow motions a twist.

0:27:45.560 --> 0:27:49.080
<v Speaker 3>It's a twist, but it's really good. It's so simple.

0:27:49.119 --> 0:27:51.840
<v Speaker 3>It's like and head alone. It's got a great video.

0:27:52.119 --> 0:27:53.640
<v Speaker 3>Again you are running down the street.

0:27:53.480 --> 0:27:56.920
<v Speaker 1>Running down speed in Subia.

0:27:57.119 --> 0:27:59.720
<v Speaker 3>But that's what I want from a Julia Jackline video.

0:28:00.760 --> 0:28:05.160
<v Speaker 3>But they always look good because of the lights. Always good.

0:28:05.440 --> 0:28:07.920
<v Speaker 3>That's kind of a really stupid thing to say, but

0:28:08.040 --> 0:28:10.360
<v Speaker 3>because they're in Australia and it looks.

0:28:10.280 --> 0:28:14.840
<v Speaker 2>The light colors and is everything about those clips as well,

0:28:14.880 --> 0:28:18.520
<v Speaker 2>Like obviously it's the performance, But we filmed head alone

0:28:18.640 --> 0:28:22.800
<v Speaker 2>and fucking Rolling in like a few takes between the

0:28:22.880 --> 0:28:26.280
<v Speaker 2>hours of like you know, six and seven in Golden Hour,

0:28:27.040 --> 0:28:28.880
<v Speaker 2>like you know, it takes an It took an hour

0:28:29.160 --> 0:28:30.600
<v Speaker 2>to make both of those clips each.

0:28:35.160 --> 0:28:38.040
<v Speaker 3>So Crushing came out when we did the cover feature.

0:28:38.040 --> 0:28:41.320
<v Speaker 3>It was like it was a good two or two

0:28:41.360 --> 0:28:45.640
<v Speaker 3>months to four months before it was coming out. How

0:28:45.920 --> 0:28:48.760
<v Speaker 3>did it go from then to releasing? How was releasing

0:28:48.840 --> 0:28:52.160
<v Speaker 3>and it feels like it went It's all gone really well.

0:28:52.160 --> 0:28:55.000
<v Speaker 3>It's been received incredibly well from what can tell from

0:28:55.000 --> 0:28:55.560
<v Speaker 3>the outside.

0:28:55.960 --> 0:28:59.080
<v Speaker 2>Yeah, no, it's been really it's been really nice, really

0:28:59.120 --> 0:28:59.680
<v Speaker 2>really great.

0:29:00.200 --> 0:29:02.520
<v Speaker 3>One of the things we spoke about when we were

0:29:02.560 --> 0:29:07.040
<v Speaker 3>talking about Don't Let the Kids Win and the process

0:29:07.200 --> 0:29:11.520
<v Speaker 3>of what you learned from that whole campaign, touring that record,

0:29:12.400 --> 0:29:16.040
<v Speaker 3>and then when going to write Crushing, one of the

0:29:16.040 --> 0:29:18.960
<v Speaker 3>things you mentioned was how, by the end of touring

0:29:18.960 --> 0:29:23.200
<v Speaker 3>the first record, you've kind of felt like weird about

0:29:23.360 --> 0:29:25.880
<v Speaker 3>singing these songs you'd written so long ago, and they

0:29:25.880 --> 0:29:28.800
<v Speaker 3>were all quite personal and emotional songs, and you felt

0:29:28.840 --> 0:29:31.720
<v Speaker 3>like you kind of turned into this cabaret version of yourself.

0:29:33.760 --> 0:29:35.560
<v Speaker 3>And that was obviously before you put out crushing and

0:29:35.560 --> 0:29:39.320
<v Speaker 3>started touring it. Now you've spent like solidly been touring

0:29:39.320 --> 0:29:42.320
<v Speaker 3>it hard. How do you feel about the songs now

0:29:42.360 --> 0:29:44.680
<v Speaker 3>and singing those kind of really because it's such an

0:29:44.680 --> 0:29:48.120
<v Speaker 3>emotional record, How does it feel well doing that?

0:29:48.240 --> 0:29:50.560
<v Speaker 2>It's been much better this time because I mean the

0:29:50.560 --> 0:29:53.880
<v Speaker 2>first record, I'd written those songs years prior, and like

0:29:53.920 --> 0:29:56.360
<v Speaker 2>in the three years leading up to recording it, I

0:29:56.400 --> 0:29:58.000
<v Speaker 2>recorded it, I didn't put it out for a year

0:29:58.000 --> 0:30:00.720
<v Speaker 2>and a half after I recorded it, and then, you know,

0:30:00.840 --> 0:30:03.440
<v Speaker 2>because it was my first record, it like started slowly

0:30:03.640 --> 0:30:06.920
<v Speaker 2>and slowly built momentum, so it was a much longer process.

0:30:06.960 --> 0:30:10.960
<v Speaker 2>Whereas this record, like I still feel these feelings. None

0:30:11.000 --> 0:30:15.280
<v Speaker 2>of these songs yet have become like, oh this is awkward,

0:30:15.640 --> 0:30:16.920
<v Speaker 2>Like this is not how I feel anymore.

0:30:16.920 --> 0:30:19.520
<v Speaker 1>So that's that's kind of really good for me. Even

0:30:19.560 --> 0:30:21.400
<v Speaker 1>if it's like a bit hard to perform, It's like

0:30:22.080 --> 0:30:26.320
<v Speaker 1>at least I'm present, I'm present. But yeah, it's been

0:30:26.360 --> 0:30:26.760
<v Speaker 1>really great.

0:30:26.800 --> 0:30:33.000
<v Speaker 2>Like the release period was not very fun, I found, yeah,

0:30:33.040 --> 0:30:36.960
<v Speaker 2>which is you know, gosh, everything you say just feels

0:30:37.000 --> 0:30:38.680
<v Speaker 2>like you're being a big winder.

0:30:39.640 --> 0:30:41.800
<v Speaker 3>But it just wasn't fun about that.

0:30:42.560 --> 0:30:44.120
<v Speaker 1>I just felt very.

0:30:45.800 --> 0:30:48.600
<v Speaker 2>I love playing this record so much, but I found

0:30:48.680 --> 0:30:54.600
<v Speaker 2>that the press lead up was it just made me

0:30:54.640 --> 0:30:58.440
<v Speaker 2>feel really icky, like talking about these songs before I

0:30:58.600 --> 0:31:01.959
<v Speaker 2>had a chance to perform them. M Like it was

0:31:02.000 --> 0:31:04.640
<v Speaker 2>like I had to explain the whole record before it

0:31:04.640 --> 0:31:07.360
<v Speaker 2>I understood it myself or had even like played it live,

0:31:07.600 --> 0:31:10.600
<v Speaker 2>like really felt what it felt like to perform these.

0:31:10.440 --> 0:31:11.360
<v Speaker 1>Songs to a crowd.

0:31:11.480 --> 0:31:15.040
<v Speaker 2>And and I don't know, it was just like I

0:31:15.080 --> 0:31:17.520
<v Speaker 2>did a lot of press and I kind of talked

0:31:17.560 --> 0:31:20.640
<v Speaker 2>to my manager and stuff after and I was like,

0:31:20.920 --> 0:31:24.720
<v Speaker 2>I we don't have to say yes to everything, you know,

0:31:24.880 --> 0:31:29.520
<v Speaker 2>Like I did a lot of press, and there were

0:31:29.560 --> 0:31:31.600
<v Speaker 2>some really great interviews, like I really liked it when

0:31:31.600 --> 0:31:33.840
<v Speaker 2>we did, and you know, there was ones where it

0:31:33.880 --> 0:31:37.240
<v Speaker 2>felt more conversational and where people had really done some

0:31:37.280 --> 0:31:39.920
<v Speaker 2>deep thinking or I had really listened to the record.

0:31:40.040 --> 0:31:43.400
<v Speaker 2>But most of the which is the nature of press,

0:31:43.440 --> 0:31:46.520
<v Speaker 2>I get that, but the heavy topics and people were

0:31:46.560 --> 0:31:49.720
<v Speaker 2>kind of coming at them was pretty in a pretty

0:31:49.720 --> 0:31:52.480
<v Speaker 2>heavy way, not thinking about like that I have to

0:31:52.480 --> 0:31:55.440
<v Speaker 2>talk about this for weeks on end, just being like.

0:31:55.480 --> 0:31:58.360
<v Speaker 1>So tell us, like, have you been sexually assaulted?

0:31:58.480 --> 0:32:03.520
<v Speaker 2>Is this what the you know what Spear would ask that, yeah, totally,

0:32:03.560 --> 0:32:06.880
<v Speaker 2>and like, oh, so body like is that a true story?

0:32:06.920 --> 0:32:08.959
<v Speaker 1>Tell us? Is that your ex boyfriend? Who is your

0:32:08.960 --> 0:32:12.800
<v Speaker 1>ex boyfriend? And oh tell us?

0:32:12.840 --> 0:32:16.040
<v Speaker 2>Like what a you know, you're a woman in the

0:32:16.120 --> 0:32:18.880
<v Speaker 2>music industry, Like tell us how to fix it?

0:32:18.920 --> 0:32:19.080
<v Speaker 3>You know.

0:32:19.120 --> 0:32:23.720
<v Speaker 2>It's just like so many intense questions, really invasive questions,

0:32:23.720 --> 0:32:27.520
<v Speaker 2>and this kind of this idea that like because I'd

0:32:27.520 --> 0:32:30.120
<v Speaker 2>written a personal record that therefore I was also just

0:32:30.160 --> 0:32:32.360
<v Speaker 2>like this open book to talk about anything. So I

0:32:32.440 --> 0:32:35.400
<v Speaker 2>found it just really like I was just constantly like

0:32:35.560 --> 0:32:39.800
<v Speaker 2>trying to be polite, like dodging, and I yeah, I'm

0:32:39.840 --> 0:32:42.520
<v Speaker 2>a lot more even even that that was what six

0:32:42.560 --> 0:32:44.720
<v Speaker 2>months ago, and I'm like so much more confident now,

0:32:44.760 --> 0:32:46.200
<v Speaker 2>Like if someone asked me a question.

0:32:46.000 --> 0:32:49.280
<v Speaker 1>That I don't answer, I'm like nope, Yeah.

0:32:49.600 --> 0:32:52.160
<v Speaker 2>But then I was trying really hard because I didn't

0:32:52.160 --> 0:32:54.200
<v Speaker 2>know how the record was going to be received, and

0:32:55.040 --> 0:32:58.200
<v Speaker 2>you know, I wanted I wanted good press and whatever,

0:32:58.320 --> 0:33:00.880
<v Speaker 2>so I was trying to answer people questions as best

0:33:00.880 --> 0:33:03.840
<v Speaker 2>I could, but it ended up I just spread myself

0:33:03.880 --> 0:33:08.000
<v Speaker 2>so thin that by like release day, I was just

0:33:08.880 --> 0:33:11.160
<v Speaker 2>I was like, I don't want to do this. I

0:33:11.160 --> 0:33:13.480
<v Speaker 2>don't want to release this record, like I'm so tired

0:33:13.520 --> 0:33:16.040
<v Speaker 2>of myself and I felt I just felt like I

0:33:16.080 --> 0:33:19.960
<v Speaker 2>said too many awkward, bad things and which you know,

0:33:20.040 --> 0:33:22.480
<v Speaker 2>anyone listening to this will be like, dude, I read

0:33:22.480 --> 0:33:25.440
<v Speaker 2>like one interview with yours, Like, you know, the press

0:33:25.480 --> 0:33:28.360
<v Speaker 2>has spread so far around the different areas, but when

0:33:28.400 --> 0:33:30.280
<v Speaker 2>you're doing it yourself and you're doing it back to

0:33:30.320 --> 0:33:33.120
<v Speaker 2>back every day, yeah, you just feel like you're just

0:33:33.160 --> 0:33:37.600
<v Speaker 2>this loud mouth person that's just screaming there very like

0:33:37.760 --> 0:33:41.800
<v Speaker 2>loose opinions across the universe for everybody to hear and judge.

0:33:41.880 --> 0:33:47.240
<v Speaker 2>And yeah, I don't know, Like I'm relatively articulate and

0:33:47.360 --> 0:33:50.400
<v Speaker 2>I think I have strong opinions on things. But on

0:33:50.440 --> 0:33:54.000
<v Speaker 2>the other hand, I'm also I write songs because that's

0:33:54.040 --> 0:33:57.960
<v Speaker 2>where I can express myself and where I can formulate ideas.

0:33:59.360 --> 0:34:01.600
<v Speaker 2>So I don't always have the best way to actually

0:34:01.640 --> 0:34:04.480
<v Speaker 2>explain these things. That's why I write songs. So it's

0:34:04.600 --> 0:34:06.400
<v Speaker 2>like people are asking me questions.

0:34:06.200 --> 0:34:08.560
<v Speaker 1>I'm like, well, it's kind of in the song, and.

0:34:08.560 --> 0:34:11.480
<v Speaker 2>I don't want to, like, I don't want to dismantle

0:34:11.560 --> 0:34:15.880
<v Speaker 2>the song. Yeah, and ruin the magic of what music

0:34:16.080 --> 0:34:19.120
<v Speaker 2>is by telling you like everything, like where that song

0:34:19.160 --> 0:34:21.000
<v Speaker 2>came from, and like how I wrote it and where

0:34:21.040 --> 0:34:25.560
<v Speaker 2>I wrote it, and yeah, I just and also just

0:34:25.600 --> 0:34:27.960
<v Speaker 2>because it was a personal record and I am kind

0:34:27.960 --> 0:34:31.160
<v Speaker 2>of having to skirt around actual people who are in

0:34:31.200 --> 0:34:34.160
<v Speaker 2>my life and I'm talking it just felt I just

0:34:34.239 --> 0:34:37.920
<v Speaker 2>felt a bit sick about that too, Like, you know,

0:34:38.520 --> 0:34:41.440
<v Speaker 2>it's I don't really mind singing about it, but when

0:34:41.480 --> 0:34:43.279
<v Speaker 2>I have to talk about it, it just feels a

0:34:43.280 --> 0:34:48.240
<v Speaker 2>little cheap, like I'm cheapening. I'm just using these experiences

0:34:48.320 --> 0:34:53.240
<v Speaker 2>to like get famous, get paid.

0:34:53.400 --> 0:34:56.279
<v Speaker 1>You know, which is I guess in some ways true,

0:34:56.280 --> 0:34:57.640
<v Speaker 1>but not really.

0:34:57.320 --> 0:35:02.640
<v Speaker 3>Like do you find like the thing you were saying

0:35:02.680 --> 0:35:07.040
<v Speaker 3>about how the emotions in those songs are still in you,

0:35:07.120 --> 0:35:09.520
<v Speaker 3>like not enough time has passed for that to not

0:35:09.600 --> 0:35:13.040
<v Speaker 3>be be the case. Do you find it? Does that

0:35:13.080 --> 0:35:17.480
<v Speaker 3>make it harder to perform them every night? Does that

0:35:17.520 --> 0:35:20.319
<v Speaker 3>make it more draining? Or is it more training to

0:35:20.400 --> 0:35:23.560
<v Speaker 3>go out there and pretend like you were at the

0:35:23.640 --> 0:35:24.719
<v Speaker 3>end of the last two US?

0:35:25.080 --> 0:35:26.640
<v Speaker 1>Oh way more training to pretend.

0:35:26.920 --> 0:35:27.240
<v Speaker 3>Yeah.

0:35:27.320 --> 0:35:30.880
<v Speaker 2>Yeah, which is probably surprising to some people because I

0:35:30.920 --> 0:35:34.200
<v Speaker 2>get that a question a lot, being like, oh my gosh,

0:35:34.239 --> 0:35:38.839
<v Speaker 2>it must be so emotionally draining every night with your

0:35:38.840 --> 0:35:41.080
<v Speaker 2>emotions out there on the stage, and I'm like, no,

0:35:41.160 --> 0:35:42.640
<v Speaker 2>it's not because a.

0:35:42.920 --> 0:35:45.759
<v Speaker 1>Like I'm not relieving these experiences.

0:35:45.920 --> 0:35:49.080
<v Speaker 2>It's just that I still have those feelings within me,

0:35:49.160 --> 0:35:52.680
<v Speaker 2>and it therefore means it makes performing them meaningful in

0:35:53.400 --> 0:35:55.839
<v Speaker 2>and it makes touring easier because I feel like I'm

0:35:55.840 --> 0:36:00.080
<v Speaker 2>actually doing something that means something to me, and I

0:36:00.120 --> 0:36:02.520
<v Speaker 2>think that then translates for people in the crowd.

0:36:02.840 --> 0:36:07.120
<v Speaker 3>So have you got a kind of a plan for

0:36:07.239 --> 0:36:11.719
<v Speaker 3>this for promoting this record, like of a point that

0:36:11.760 --> 0:36:14.359
<v Speaker 3>you will just say when those are the shows done,

0:36:14.400 --> 0:36:16.759
<v Speaker 3>when you feel like the shows that you when you

0:36:16.760 --> 0:36:19.200
<v Speaker 3>feel like you are starting to pretend or that you're

0:36:19.239 --> 0:36:21.279
<v Speaker 3>just done, are you just going to be like done,

0:36:21.280 --> 0:36:22.800
<v Speaker 3>I'm going to have to go and make another record.

0:36:23.880 --> 0:36:26.479
<v Speaker 1>I hope. So, I really hope. So it's really hard

0:36:26.480 --> 0:36:28.719
<v Speaker 1>with this business because it's like things just keep coming

0:36:28.800 --> 0:36:32.279
<v Speaker 1>up and you get touring opportunities, and it's kind of

0:36:32.320 --> 0:36:33.720
<v Speaker 1>like this big culture.

0:36:33.360 --> 0:36:39.640
<v Speaker 6>Of like take everything because soon you'll be irrelevant. Soon

0:36:39.680 --> 0:36:42.160
<v Speaker 6>you'll be over the hill and no will care. So like,

0:36:42.560 --> 0:36:45.439
<v Speaker 6>just work yourself to the bone while you're young and like.

0:36:45.560 --> 0:36:46.920
<v Speaker 1>Still relatively attractive.

0:36:47.080 --> 0:36:52.600
<v Speaker 2>Before the music industry because you're like, you know, gosh

0:36:52.760 --> 0:36:53.760
<v Speaker 2>over thirty or something.

0:36:54.160 --> 0:36:54.600
<v Speaker 1>I'm sure.

0:36:54.640 --> 0:36:58.600
<v Speaker 2>I'm pretty sure I gave like some big statements like

0:36:58.640 --> 0:37:01.960
<v Speaker 2>probably to you and probably to many people after my

0:37:02.000 --> 0:37:07.440
<v Speaker 2>first album, like next tour, gonna call the shots and

0:37:07.480 --> 0:37:09.600
<v Speaker 2>I'm gonna put my foot down and I'm going to

0:37:09.680 --> 0:37:11.640
<v Speaker 2>do this. And then I'm like at the end of

0:37:11.680 --> 0:37:14.800
<v Speaker 2>about six months of touring and be like, Okay, well,

0:37:15.280 --> 0:37:17.560
<v Speaker 2>next time I will call the shuts.

0:37:18.040 --> 0:37:22.200
<v Speaker 3>You feel like you've relapsed into but you're.

0:37:21.719 --> 0:37:23.360
<v Speaker 1>Like, I'm learning, I'm getting.

0:37:23.560 --> 0:37:25.920
<v Speaker 3>And also it's one of those things like that's not

0:37:26.040 --> 0:37:28.200
<v Speaker 3>That is one thing that we did talk about, and

0:37:28.280 --> 0:37:32.840
<v Speaker 3>you were saying how you were learning on the first

0:37:32.960 --> 0:37:38.200
<v Speaker 3>album that you were kind of wanting to please everyone

0:37:38.239 --> 0:37:40.759
<v Speaker 3>all the time and like do things. It meant that

0:37:40.800 --> 0:37:42.480
<v Speaker 3>you ended up doing certain things you didn't really want

0:37:42.520 --> 0:37:46.200
<v Speaker 3>to do, and that was changing and you were not

0:37:46.480 --> 0:37:48.279
<v Speaker 3>kind of going to do that anymore. If you don't

0:37:48.280 --> 0:37:49.759
<v Speaker 3>want to do something, you would say, and you know,

0:37:49.920 --> 0:37:51.719
<v Speaker 3>you just let people know you didn't have to be

0:37:51.719 --> 0:37:54.120
<v Speaker 3>happy every day or didn't have to feel like that pressure.

0:37:54.520 --> 0:37:56.640
<v Speaker 3>But that's gonna take ages, isn't it for that to

0:37:56.719 --> 0:38:00.280
<v Speaker 3>become the normal. The fact that you're kind of already

0:38:00.280 --> 0:38:10.879
<v Speaker 3>aware of it is yeah, like chance you're going to be.

0:38:06.600 --> 0:38:14.360
<v Speaker 1>So yeah, even be there, I'll be nasty. Yeah, that's true.

0:38:14.480 --> 0:38:17.239
<v Speaker 1>And I don't know. I'm also I'm also I do

0:38:17.320 --> 0:38:19.480
<v Speaker 1>this to myself and I love working.

0:38:20.280 --> 0:38:21.080
<v Speaker 3>I am.

0:38:21.360 --> 0:38:25.040
<v Speaker 2>I enjoy just running around doing things all the time.

0:38:27.239 --> 0:38:29.759
<v Speaker 2>Like I say, I want time off, and then as

0:38:29.760 --> 0:38:32.920
<v Speaker 2>soon as like I you know, I'm like, guys, I can't.

0:38:32.680 --> 0:38:33.400
<v Speaker 1>Do this anymore.

0:38:33.440 --> 0:38:35.839
<v Speaker 2>I'm just going to collapse and never get up again,

0:38:35.960 --> 0:38:38.440
<v Speaker 2>Like please, I need some time off. And then I

0:38:38.480 --> 0:38:42.239
<v Speaker 2>get time off and I'm like three days in Okay,

0:38:43.800 --> 0:38:46.799
<v Speaker 2>Like yeah, I had I had ten days off by

0:38:46.840 --> 0:38:51.440
<v Speaker 2>myself in Butte, Montana this year, like a month ago,

0:38:52.120 --> 0:38:54.560
<v Speaker 2>and I was so looking forward to it, like I.

0:38:54.480 --> 0:38:57.520
<v Speaker 3>Was you were on your own now, yeah, And I.

0:38:57.440 --> 0:38:59.120
<v Speaker 2>Was just like this is going to be the best

0:38:59.160 --> 0:39:01.720
<v Speaker 2>ten days of my life. Like I've just been touring

0:39:01.760 --> 0:39:04.120
<v Speaker 2>so hard and like I'm just gonna be in Montana.

0:39:04.200 --> 0:39:05.879
<v Speaker 1>That's gonna be trees, it will just be me.

0:39:05.960 --> 0:39:09.120
<v Speaker 2>And myself, and like it was kind of cool that, yeah,

0:39:09.160 --> 0:39:11.520
<v Speaker 2>I have a few days. I was like, Okay, not

0:39:11.600 --> 0:39:13.480
<v Speaker 2>as cool as I thought.

0:39:14.440 --> 0:39:17.160
<v Speaker 1>Lonely a bit lonely, a lot of time in my

0:39:17.200 --> 0:39:19.560
<v Speaker 1>own head. Not much going on.

0:39:19.520 --> 0:39:22.440
<v Speaker 3>In this place, and you really should have done this

0:39:22.480 --> 0:39:23.040
<v Speaker 3>in New York.

0:39:23.239 --> 0:39:26.200
<v Speaker 2>Yeah. So I've also got to be aware that I

0:39:26.360 --> 0:39:32.879
<v Speaker 2>self sabotage with working hard and that I I yeah,

0:39:32.960 --> 0:39:37.360
<v Speaker 2>I really, I always take on a lot, and so

0:39:37.880 --> 0:39:43.600
<v Speaker 2>it's kind of it's not everybody else's fault, it's also

0:39:43.680 --> 0:39:43.960
<v Speaker 2>my own.

0:39:44.600 --> 0:39:47.320
<v Speaker 3>What are you going to do for your birthday? That's

0:39:47.320 --> 0:39:49.640
<v Speaker 3>at the end of the month, right, Yeah, how are

0:39:49.680 --> 0:39:52.720
<v Speaker 3>you gonna Are you going to celebrate? Do you celebrate birthdays?

0:39:52.840 --> 0:39:53.720
<v Speaker 1>I love birthday?

0:39:53.800 --> 0:39:54.080
<v Speaker 2>Do you?

0:39:54.440 --> 0:39:56.319
<v Speaker 1>I'm a big birthday That's good.

0:39:56.400 --> 0:39:58.800
<v Speaker 3>I'm trying to get back there. I feel like I

0:39:59.160 --> 0:40:02.080
<v Speaker 3>felt like I always and then I just stopped not

0:40:02.160 --> 0:40:04.440
<v Speaker 3>I do celebrate my birthday, but I don't feel like

0:40:04.480 --> 0:40:09.759
<v Speaker 3>I kind of really tell many people have like I

0:40:09.800 --> 0:40:14.799
<v Speaker 3>don't arrange something, and I feel like I'm not going

0:40:14.880 --> 0:40:16.799
<v Speaker 3>to have them forever. I'm going to I'm running out.

0:40:16.880 --> 0:40:18.600
<v Speaker 3>But I feel like I'm running out of birthdays now.

0:40:18.600 --> 0:40:20.799
<v Speaker 3>I need to start doing it. What do you what

0:40:20.880 --> 0:40:22.760
<v Speaker 3>do you have? Do you have anything planned?

0:40:23.280 --> 0:40:25.680
<v Speaker 1>Yeah? Like so, let me just give you a quick

0:40:25.719 --> 0:40:26.560
<v Speaker 1>take on birthdays.

0:40:27.400 --> 0:40:29.520
<v Speaker 2>For my hot take, because I'm always trying to figure

0:40:29.520 --> 0:40:31.399
<v Speaker 2>out like people like you who are like I don't

0:40:31.400 --> 0:40:33.640
<v Speaker 2>really like birthdays and I don't really tell.

0:40:33.480 --> 0:40:33.879
<v Speaker 1>Me to people.

0:40:33.920 --> 0:40:36.239
<v Speaker 2>I'm always like, okay, I'm trying to get to the

0:40:36.280 --> 0:40:38.080
<v Speaker 2>depths of where that comes from. I'm like, is it

0:40:38.120 --> 0:40:40.920
<v Speaker 2>because you don't like your attention or is it because

0:40:41.040 --> 0:40:43.040
<v Speaker 2>you are worried about like rejection.

0:40:43.280 --> 0:40:46.040
<v Speaker 3>That's another thing about no one coming about.

0:40:45.800 --> 0:40:47.040
<v Speaker 1>Like no one caring enough.

0:40:47.120 --> 0:40:51.400
<v Speaker 2>You know that if you put secure that then so

0:40:51.480 --> 0:40:54.239
<v Speaker 2>then because I think a lot of people are like,

0:40:54.239 --> 0:40:56.279
<v Speaker 2>oh I don't care about birthdays, like oh whatever, because

0:40:56.280 --> 0:40:58.200
<v Speaker 2>they just worry that like people won't show up for them,

0:40:58.239 --> 0:40:59.480
<v Speaker 2>you know, and then we're disappointed.

0:41:00.120 --> 0:41:00.560
<v Speaker 3>That's it.

0:41:01.000 --> 0:41:03.560
<v Speaker 1>Yeah, And so with my friends, like.

0:41:03.600 --> 0:41:05.920
<v Speaker 2>If they say like they're like birthdays, I'm like, I

0:41:06.360 --> 0:41:09.000
<v Speaker 2>will respect you. I will respect that decision if it's

0:41:09.000 --> 0:41:12.160
<v Speaker 2>because you genuinely do not want, like I don't want

0:41:12.160 --> 0:41:14.520
<v Speaker 2>to be someone who's like bringing a cake to your

0:41:14.600 --> 0:41:17.080
<v Speaker 2>workplace and being like I'll be a birthday too.

0:41:17.719 --> 0:41:21.160
<v Speaker 1>If you're just like, no, this is embarrassing. I hate this.

0:41:21.640 --> 0:41:25.680
<v Speaker 2>So but for people like like you, like my like

0:41:25.719 --> 0:41:27.759
<v Speaker 2>my bass player Ben recently had a birthday and he

0:41:27.840 --> 0:41:30.480
<v Speaker 2>was all like, oh no, that's not really saying I don't.

0:41:30.280 --> 0:41:32.480
<v Speaker 1>Really tell anyone, blah blah blah. I knew it was

0:41:32.520 --> 0:41:35.000
<v Speaker 1>because like he just didn't want make a fuss about himself.

0:41:35.040 --> 0:41:37.279
<v Speaker 3>Hmmm. I think it's more that. I think it's just

0:41:37.320 --> 0:41:39.360
<v Speaker 3>more like, oh, I don't want to like put you

0:41:39.400 --> 0:41:41.480
<v Speaker 3>don't want to put people out. I don't want to

0:41:41.520 --> 0:41:43.319
<v Speaker 3>make a fuss about it unless it's a big one.

0:41:43.360 --> 0:41:46.399
<v Speaker 3>Unless it's like a zero or a five on the end.

0:41:46.440 --> 0:41:49.239
<v Speaker 3>You can get away with a five. Yeah, but you know,

0:41:49.360 --> 0:41:51.759
<v Speaker 3>if it's just not I but I knew.

0:41:51.840 --> 0:41:54.719
<v Speaker 2>I just with Ben, we like had a really nice

0:41:54.719 --> 0:41:56.680
<v Speaker 2>dinner and I got him a cake on tour and

0:41:56.719 --> 0:41:59.040
<v Speaker 2>I sang in a Casey Musgrave some of the loves

0:41:59.040 --> 0:42:02.160
<v Speaker 2>on stage.

0:42:00.960 --> 0:42:04.680
<v Speaker 1>Because I was like, you just you're gotta love the attention.

0:42:05.360 --> 0:42:07.839
<v Speaker 3>It's any one day. I suppose it's your special day.

0:42:08.200 --> 0:42:10.839
<v Speaker 2>And I think as well that there's also this thing

0:42:10.920 --> 0:42:13.239
<v Speaker 2>was becoming an adult that it's like I've heard some

0:42:13.280 --> 0:42:16.640
<v Speaker 2>people who are adults who are like, oh, no one.

0:42:16.480 --> 0:42:18.920
<v Speaker 1>Cares about my birthday. So I'm like, well, why would they?

0:42:18.960 --> 0:42:22.479
<v Speaker 1>You're an adult, Like, the only the only reason people

0:42:22.480 --> 0:42:24.920
<v Speaker 1>are going to care about your birthday really is if

0:42:25.040 --> 0:42:25.920
<v Speaker 1>you care about.

0:42:25.680 --> 0:42:28.880
<v Speaker 2>Your birthday, That's what I think. So I care about

0:42:28.880 --> 0:42:30.280
<v Speaker 2>my birthday, okay.

0:42:30.480 --> 0:42:32.680
<v Speaker 1>But also it's just like it's an excuse to like

0:42:32.840 --> 0:42:33.880
<v Speaker 1>hang out with your friends.

0:42:34.000 --> 0:42:34.520
<v Speaker 3>That's true.

0:42:34.560 --> 0:42:36.560
<v Speaker 1>It doesn't all have to be like let's praise me

0:42:36.719 --> 0:42:38.000
<v Speaker 1>and the day I was born.

0:42:38.200 --> 0:42:40.880
<v Speaker 2>It can just be like, hey, this isn't this is

0:42:40.880 --> 0:42:44.160
<v Speaker 2>a time. It's all like hang out and you know.

0:42:45.000 --> 0:42:45.560
<v Speaker 1>Just be together.

0:42:45.920 --> 0:42:48.360
<v Speaker 3>Sure for an occasion. I know I am going to

0:42:49.160 --> 0:42:51.520
<v Speaker 3>I'm going to start good.

0:42:51.640 --> 0:42:52.240
<v Speaker 1>I think you should.

0:42:52.360 --> 0:42:54.600
<v Speaker 3>I'm going to start again. It's only been the last

0:42:54.600 --> 0:42:57.000
<v Speaker 3>five years or so that I haven't. And maybe it's

0:42:57.000 --> 0:42:58.560
<v Speaker 3>just my age, maybe because I'm a bit older, I

0:42:58.560 --> 0:43:00.360
<v Speaker 3>mean seven.

0:43:01.040 --> 0:43:03.160
<v Speaker 1>Why you say you don't have many birthdays left? What's

0:43:03.200 --> 0:43:06.800
<v Speaker 1>your well?

0:43:07.120 --> 0:43:09.440
<v Speaker 2>But I feel that you're getting into like the good birthday,

0:43:09.719 --> 0:43:13.680
<v Speaker 2>do you well? Like I reckon forty, forty, fifty, sixty,

0:43:13.719 --> 0:43:17.000
<v Speaker 2>they're like big, they're big celebrations.

0:43:17.120 --> 0:43:19.440
<v Speaker 3>That's like I don't want to be I don't want

0:43:19.440 --> 0:43:22.120
<v Speaker 3>to be thinking about my sixty at thirsday now.

0:43:22.719 --> 0:43:23.280
<v Speaker 1>Yeah. True.

0:43:24.320 --> 0:43:26.840
<v Speaker 3>But also as I say, those end in like zero,

0:43:26.920 --> 0:43:28.719
<v Speaker 3>so that big one, so you have to do something

0:43:28.719 --> 0:43:32.280
<v Speaker 3>for forty If you're still alive at fifty then yeah

0:43:32.440 --> 0:43:33.160
<v Speaker 3>and sixty.

0:43:33.239 --> 0:43:37.799
<v Speaker 1>Yeah anyway, Sorry, back to plans. I am going I

0:43:37.840 --> 0:43:40.520
<v Speaker 1>already this is my this is the plan.

0:43:41.080 --> 0:43:44.360
<v Speaker 2>I'm going out with some friends to this bar so

0:43:44.440 --> 0:43:48.000
<v Speaker 2>I can drink my teenies. Yeah, because that's just something

0:43:48.040 --> 0:43:50.440
<v Speaker 2>I like now that I'm like in my late twenties. Okay,

0:43:50.640 --> 0:43:53.359
<v Speaker 2>there's just something very like cool I think. I mean,

0:43:53.400 --> 0:43:55.560
<v Speaker 2>it's not like cool, but it makes me feel very

0:43:55.600 --> 0:44:00.080
<v Speaker 2>sophisticated and like I'm some sort of like mysterious like

0:44:00.760 --> 0:44:04.160
<v Speaker 2>male author from like the fifties, sitting in a bar

0:44:04.360 --> 0:44:09.359
<v Speaker 2>like drinking and dirty martini or on No Sex and City.

0:44:09.400 --> 0:44:12.480
<v Speaker 1>They didn't drink my teenie or anything. Anyway, it just

0:44:12.480 --> 0:44:13.080
<v Speaker 1>feels cool.

0:44:13.160 --> 0:44:16.480
<v Speaker 2>And then we're going to watch Crossroads, which is what

0:44:16.600 --> 0:44:18.160
<v Speaker 2>I did last year for my twenty eighth.

0:44:18.320 --> 0:44:20.960
<v Speaker 3>It's Crossroads the Britney Spears felt nice.

0:44:21.239 --> 0:44:23.080
<v Speaker 1>It's kind of I think that's gonna be my thing

0:44:23.120 --> 0:44:23.800
<v Speaker 1>for a few years.

0:44:23.920 --> 0:44:27.040
<v Speaker 3>Okay, you've seen it before? Ously how many times have

0:44:27.080 --> 0:44:27.480
<v Speaker 3>you seen that?

0:44:27.480 --> 0:44:28.399
<v Speaker 1>F couldn't count?

0:44:28.480 --> 0:44:30.000
<v Speaker 3>Okay, is it good?

0:44:32.080 --> 0:44:32.879
<v Speaker 1>I think it is.

0:44:33.520 --> 0:44:36.080
<v Speaker 3>Did you see it when it came out as a kid?

0:44:36.360 --> 0:44:38.080
<v Speaker 2>I mean I don't think it you know, it's not

0:44:38.120 --> 0:44:41.760
<v Speaker 2>critically acclaimed, and I definitely at my twenty eighth birthday,

0:44:41.920 --> 0:44:45.840
<v Speaker 2>everyone who was there was like, Julia, this sucks. And

0:44:45.880 --> 0:44:48.560
<v Speaker 2>I was just like raging drunk, being like shut up,

0:44:49.400 --> 0:44:52.120
<v Speaker 2>and I'm just like saying every word and it was

0:44:52.160 --> 0:44:56.200
<v Speaker 2>like totally obnoxious. But yeah, no, it's just kind of,

0:44:56.680 --> 0:45:00.840
<v Speaker 2>you know, it grounds me. It takes me back the

0:45:00.840 --> 0:45:11.680
<v Speaker 2>good old days when life was simple. Anyway, good night,