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Speaker 1: So we, obviously from our dear listeners, get a bunch

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Speaker 1: of a bunch like hundreds, if not thousands, of really

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Speaker 1: awesome emails, and producer Jensen, husband of this podcast, goes

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Speaker 1: through them all painstakingly reads every single one, sends us

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Speaker 1: the ones that are you know, great, that kind of stuff.

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Speaker 1: And we got one last week that changed writer in

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Speaker 1: my life a little bit. And I just want to

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Speaker 1: talk about it because they're so excited where Wizards of

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Speaker 1: the Coast saw us playing magic the gathering and want

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Speaker 1: to send us a whole bunch of magic.

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Speaker 2: Cards, free stuff. This is why we do this, ladies

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Speaker 2: and gentlemen, why we do I was like, what else

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Speaker 2: can we talk about? What else can do an episode about?

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Speaker 2: Till I get freeze?

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Speaker 3: I want to go on the record, send Will and

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Speaker 3: Writer all the stuff you want. Keep your away from me.

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Speaker 2: You don't want like I want your products? No, I don't.

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Speaker 2: I don't usually care about stuff. I don't like stuff

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Speaker 2: in general. Cards Are you kidding me? Like, if I'm

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Speaker 2: going to get any sort of access to Wizards of

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Speaker 2: the Coast, the makers of dungeons and dragons, Yes, that

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Speaker 2: is like the one thing and the other thing let's

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Speaker 2: see what.

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Speaker 3: I would send a pillow and because I'm a sleeper,

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Speaker 3: so it's the greatest. I love my pillow cube. I

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Speaker 3: don't know what I would do without my pillow cube.

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Speaker 3: As a matter of fact, traveling has become so uncomfortable

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Speaker 3: for me because the pillows everywhere we go stink.

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Speaker 1: Is it actually like a cube?

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Speaker 3: A little bit? It is cube because I'm a side sleeper,

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Speaker 3: and so this to fill the space between your shoulder

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Speaker 3: and your neck. Round pillows don't make a lot of sense,

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Speaker 3: and you end up kind of squishing them and trying

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Speaker 3: to get it. This is it's perfect. It is perfect.

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Speaker 1: It fills in the nook of my neck.

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Speaker 3: Amazing, not an ad. I just love the pillow cube.

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Speaker 3: But they did send it to me. And so if

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Speaker 3: you have anything, Oh and I also my imask.

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Speaker 2: Okay, so there's stuff more slip.

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Speaker 3: Stuff, if there's any. If you have if you make melowtonin,

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Speaker 3: if you make just you, if you make castlets, I

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Speaker 3: would take one. If you if you sell plots of

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Speaker 3: for where to be buried, if you sell plots of

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Speaker 3: land grapes, Oh.

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Speaker 1: My god. This is so different than magic, the gathering

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Speaker 1: cards and by the way, I'll take all.

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Speaker 2: They and we'll never throw it away.

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Speaker 1: Oh no, And even if it's stuff that has it's

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Speaker 1: like it means nothing to anybody, but I will still

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Speaker 1: take it out.

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Speaker 2: I get the books. I get books because I did

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Speaker 2: literary Disco for two cares some I'm on some publishing

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Speaker 2: lists and it's amazing. Oh yeah, you know, half the time,

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Speaker 2: it's not something I'm really that interested, right, But I

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Speaker 2: do get a lot of books, which is great. Yeah.

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Speaker 2: I don't know what else I would want, because I

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Speaker 2: don't really like having too much stuff in life. I'm

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Speaker 2: magic cards are great.

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Speaker 1: Magic is a great way to start, and I'm just

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Speaker 1: so curious as to what cards they're gonna send, Like

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Speaker 1: are we gonna get boxes? Like, oh my god, I'm

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Speaker 1: I won't even be able to fall asleep on a

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Speaker 1: pillow cube thinking about this all night, of the cards

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Speaker 1: we're going to get.

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Speaker 3: You would if you had a pillow cube and a

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Speaker 3: Manta Iye sleep mask and a unis and a melotonin.

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Speaker 2: Really, what is the best thing that you've ever been given?

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Speaker 1: I don't know what's the best thing I've ever been given,

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Speaker 1: because I've been given some cool stuff, but I've never

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Speaker 1: not to the extent of like companies going, we want

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Speaker 1: to give you stuff.

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Speaker 2: Well, but when you've done your characters like voices, don't

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Speaker 2: you get like the character toys and all.

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Speaker 1: That if you go buy them they? I mean, very

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Speaker 1: very rarely, dude. I mean there's times where I would go,

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Speaker 1: I go through the drive through McDonald's and you can

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Speaker 1: just buy the toys. I don't. I'd often get a

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Speaker 1: burger as well, but you can just get the toys.

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Speaker 1: And it was like I'd get to two sets of

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Speaker 1: Kim Possible toys because you'd want to open one and

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Speaker 1: display it and keep the other one nice and packed away.

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Speaker 1: Kim Possible was in McDonald's. Oh yeah, we did Kim Possible.

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Speaker 1: Batman Beyond was in McDonald's. Let's Guardians of the Galaxy

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Speaker 1: did a McDonald's toy. So can you do.

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Speaker 3: Another one that's in McDonald's now so that I can participate.

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Speaker 1: I think there might be one coming out that's yeah, okay,

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Speaker 1: don't talk about it yet, but but yes, it's it's

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Speaker 1: so oh my god. Somebody once gave me like hundreds

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Speaker 1: of dollars worth of I think it was McDonald's heard

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Speaker 1: that I was a big fan and I got like

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Speaker 1: hundreds of dollars with McDonald's gift cards.

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Speaker 2: That was amazing. I think the best perks still is

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Speaker 2: the Disneyland access. Yea, when we were on the show

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Speaker 2: and we could have like the ability to go to

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Speaker 2: Disney World and Disneyland and not have to wait in

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Speaker 2: the line. That still is like the coolest thing in

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Speaker 2: the world because it feels like you you just feel

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Speaker 2: like you're in the coolest club. You're like, oh my gosh,

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Speaker 2: I am at the happiest place on earth with all

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Speaker 2: this fun stuff, and like I'm behind the scenes and

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Speaker 2: like getting to skip the line and you it's so,

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Speaker 2: do you think we can wrangle a Disney World trip

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Speaker 2: like that?

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Speaker 1: Because I'm still o to freaking Disney World trip. I

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Speaker 1: honestly possible.

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Speaker 3: We should do one. We should just do one, even

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Speaker 3: if we don't do it for we should do for

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Speaker 3: the podcast. We should do a pod meets disney World

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Speaker 3: meets Disney World, and we can do podcasts from there,

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Speaker 3: and we should take our families.

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Speaker 2: So what do we do? We just we just walk

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Speaker 2: around Disney World with a.

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Speaker 3: Similar to the way we did the Sleepover week. We

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Speaker 3: would do a Disney World things that you know, focus

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Speaker 3: around those, do some minisodes around Disney World, and and we're.

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Speaker 2: Gonna want us to do this.

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Speaker 3: They're not gonna. They're not gonna be involved.

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Speaker 2: If they call them.

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Speaker 1: They could call us and say come and we'll back

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Speaker 1: door you and do everything and do your show here.

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Speaker 2: They could do that.

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Speaker 3: They do not want to get back there, but they keep.

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Speaker 1: You go back and the rides crazy people.

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Speaker 2: Keep it, keep it, keep it, can do get back

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Speaker 2: our hands in the in the cement that they did

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Speaker 2: it multiple times and they never kept her months.

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Speaker 1: No, it's great because they what you do is you

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Speaker 1: put your hands in, which then seals your hands in.

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Speaker 1: You are completely and totally trapped, and then they backdoor you.

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Speaker 2: Disney the way that we're not care about us. We

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Speaker 2: are too old.

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Speaker 1: They're like, what, please please stop contacting us.

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Speaker 2: Just call Sabrina Carpenter and she'll do it if she can.

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Speaker 2: If she does it with us, Disney will pay for everything.

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Speaker 2: I'm just sure her. It'll be like, we'll just have

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Speaker 2: her on the podcast and.

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Speaker 4: They might want us there where Disney old school, they

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Speaker 4: might want us.

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Speaker 1: I know it's gonna cost for Disney thousands of dollars.

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Speaker 2: They don't even know we exist anymore.

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Speaker 1: It's gonna cost us each ten thousand dollars to get

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Speaker 1: five minishows for this world.

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Speaker 3: But will will feel good about myself.

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Speaker 1: What's in my life?

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Speaker 2: You must work for Disney all the time? Still will

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Speaker 2: write for voiceover stuff.

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Speaker 1: Yeah, I do some Disney stuff. And we did the

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Speaker 1: we got the perk for d twenty three. Remember we

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Speaker 1: went with Indy and it was a ton of fun

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Speaker 1: and Daniel couldn't make it and we had We had

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Speaker 1: a blast.

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Speaker 3: And they don't as a director. They don't care you're

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Speaker 3: an old person yet they like, no one cares about

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Speaker 3: the director. No one's going to be stopping the director.

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Speaker 2: So didn't you just go to Disneyland?

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Speaker 3: I did? Yeah, And we just did it like Normis,

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Speaker 3: just like Pleaves civilian. Yeah, we just we just had

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Speaker 3: tickets and we I wore a hat and took pictures

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Speaker 3: with people in the restroom and we sweated all over as.

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Speaker 1: Every time, do they know you're taking pictures of them

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Speaker 1: in the restroom anymore? Because that was the thing he

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Speaker 1: used to do. Are you still do they know that

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Speaker 1: you're clicking pictures of them in the restroom? What's favorite

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Speaker 1: thing back in the day. It is just taking random

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Speaker 1: pictures of people in restorps.

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Speaker 5: No never.

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Speaker 2: Loves the back door.

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Speaker 1: Is guaranteeing We're never going to Disney property. Ever, we

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Speaker 1: were there.

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Speaker 3: We found out we were there on the same day

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Speaker 3: as Nicholas Cage, and apparently Nicholas Cage hads of security.

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Speaker 2: I was I was just wandering walking around, going on

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Speaker 2: the matter horn.

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Speaker 1: We were doing Rider and I were doing our Nick

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Speaker 1: Cage impressions of him at Disney yesterday, just at your party,

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Speaker 1: just going like, yeah, trying to find a happy kingdom

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Speaker 1: like stuff.

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Speaker 2: Dude, is awful impression.

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Speaker 1: That was great.

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Speaker 3: Welcome to Pod Meets World. I'm Daniel fishl.

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Speaker 1: I'm Rider Strong, and I'm Wilfordell.

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Speaker 3: Today we are recapping season five, episode five, The Witches

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Speaker 3: of Penbrook. It originally aired October thirty, first, nineteen ninety seven.

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Speaker 3: Episode The synopsis Jack puts girls in front of a

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Speaker 3: friendship when he falls for a girl named Millie. Eric

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Speaker 3: soon discovers that the girl is a witch, but Jack

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Speaker 3: is in too deep to see the truth. This puts

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Speaker 3: the two at odds. Meanwhile, to Panga overcomes her fear

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Speaker 3: of flying when she and Corey travel to Pittsburgh. It

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Speaker 3: was directed by Alan Myerson. It was written by Stephen Hibbert.

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Speaker 3: Uh overall thoughts before I jump into our guest cast.

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Speaker 2: I don't know what this show is. I don't know,

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Speaker 2: you don't know. I just don't know what what Boyban's

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Speaker 2: world is anymore. I'm so lost. I no idea what

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Speaker 2: to expect it.

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Speaker 1: You liked it just because it's a romp. It was fun.

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Speaker 1: There were actually funny moments, so it was like, finally

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Speaker 1: I was laughing again, So it was like, okay, yeah, yeah,

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Speaker 1: me too. I laughed. I thought I thought you were

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Speaker 1: really funny in this episode. Rider Frankly, Oh, I know

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Speaker 1: you really were. Yeah, so sure.

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Speaker 2: But I just I just had no idea. I'm just like,

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Speaker 2: what is this show?

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Speaker 3: What is?

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Speaker 1: Where are we who? It's a weird Halloween show, That's

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Speaker 1: all it was.

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Speaker 2: Yeah, I guess I'm just so lost. I'm so confused

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Speaker 2: by And.

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Speaker 1: A lot of memes came from this episode. Really, yeah,

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Speaker 1: there's several memes from this episode, So that that was.

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Speaker 2: You know, what did you think, Danielle?

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Speaker 3: I did laugh a couple of times. I thought there

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Speaker 3: were a few moments where of course. Will really made

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Speaker 3: me laugh, Like Will said writer, I thought, you're you're

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Speaker 3: very much like, yeah, of course she's a witch. I'm

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Speaker 3: gonna go help the coven. I thought that part was

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Speaker 3: very funny. Confident Sean and knowing absolutely, like reading the

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Speaker 3: room really well and being like, oh yeah, but we're

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Speaker 3: just in for it. Cool, it's witches. I thought that

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Speaker 3: was very funny. Did Ben have finals in this way?

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Speaker 1: He must have, And in his first scene it's like

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Speaker 1: someone had just handed him the scene.

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Speaker 3: I know it was. I was thinking, like, it feels

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Speaker 3: very for him to be for us to be the

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Speaker 3: b storyline, and then for it to be you know,

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Speaker 3: well we die, we you know, we die in the episode.

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Speaker 3: Obviously we never have seen again after a plane goes down.

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Speaker 2: Only two scenes, right, I think no more than that?

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Speaker 3: Three maybe three?

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Speaker 1: Three yeah, maybe three, because they have her flying the

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Speaker 1: real guys to Pittsburgh, Like is that a well, yeah,

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Speaker 1: from Philly to pitt I mean you could. They'd have

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Speaker 1: these little puddle jumpers which would be like a size yeah,

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Speaker 1: be the it'd be the thirty or forty five minute

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Speaker 1: flight for business people or whatever. I think that's probably

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Speaker 1: a regular thing.

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Speaker 2: I just don't understand. No, what is happening? What does

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Speaker 2: this have to do with the show?

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Speaker 1: Shows different? The show's different now, and we just have

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Speaker 1: to go don't.

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Speaker 2: Know anybody, I really don't. I don't know.

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Speaker 1: We're all different. We're all different. Yeah, like literally, we're

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Speaker 1: all different. It's very weird. Something happened between four and.

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Speaker 2: Five, and it's just trying so unfocused compared and I

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Speaker 2: guess what is so What was always so great about

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Speaker 2: the last four seasons is the intense focus The Boy

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Speaker 2: Meets World has for a sitcom, you know, for a

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Speaker 2: children's comedy show. We were always so focused and so

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Speaker 2: driven by character, and we just aren't in this season,

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Speaker 2: like I mean, I guess there was the attempt with

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Speaker 2: the Jack storyline that was really intense and like lots

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Speaker 2: of drama, and then ever since, it's just been I

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Speaker 2: don't know where we are, I don't know who anybody is.

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Speaker 2: It's a it's a disorienting feeling.

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Speaker 3: I completely agree with you about all the episodes for

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Speaker 3: season five. The one thing I'll say for this episode

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Speaker 3: is it is the Halloween episode. Halloween, and obviously they

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Speaker 3: had stunt casting between Candice Cameron and Melissa Joan Hart,

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Speaker 3: and so they built a Halloween themed ROMP around them

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Speaker 3: and then just filled in for other stuff. So I

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Speaker 3: think this episode is one that technically we should be

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Speaker 3: able to remove from the rest of them and say,

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Speaker 3: let this one stand on its own, like.

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Speaker 1: A Scream episode.

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Speaker 2: We did the Scream episode this same season, right, so

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Speaker 2: this was the Halloween episode, but we all sort of

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Speaker 2: associate the Scream with corrupt Halloween.

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Speaker 1: I think the next episode is also we go to

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Speaker 1: World War two in the next episode, so we're just

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Speaker 1: we're we are. It's kind of off the rails a

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Speaker 1: little bit and against no focus. This would have been

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Speaker 1: a really fun one off romp. If the first four

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Speaker 1: episodes we saw were regular boy MutS world focused episodes,

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Speaker 1: then this would have been like, oh my god, great

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Speaker 1: breath of fresh air, and exactly it was just fun

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Speaker 1: and crazy. But it's another just kind of strange episode.

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Speaker 5: Again.

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Speaker 1: I liked it because at least it was funny, but.

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Speaker 2: I wonder how much of it is because the show

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Speaker 2: was like finally kind of a hit. Like I wonder

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Speaker 2: if if our writers were just sort of like, we

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Speaker 2: kind of fun now we don't have to like marry stories.

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Speaker 3: It's also interesting that after the first season the boy

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Speaker 3: of Boy Meuts World was very much Ben Savage, Season two, three,

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Speaker 3: and four were very much about Eric and Sean, and

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Speaker 3: then and Eric and Sean, and now season five is Jack.

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Speaker 3: Like every episode is focused on focused on some relation

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Speaker 3: to Jack.

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Speaker 2: Is that true?

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Speaker 1: No?

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Speaker 3: I mean, yeah, the first two episodes are about the brothers,

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Speaker 3: your relationship to Jack and this new brother, and then the.

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Speaker 2: Last two with the Dean stuff, as you know, that

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Speaker 2: was more driven by Will Brewer.

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Speaker 3: Yes, sure, but their friendship is kind of the focus

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Speaker 3: of that of the of that main storyline, and now

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Speaker 3: this one the girlfriend is a girlfriend of Jack and Will. Yeah,

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Speaker 3: and Will's the kind of the Yeah. I don't know.

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Speaker 3: It's just interesting. It just seems like so much focus

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Speaker 3: on season five on this new Jack.

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Speaker 1: I think they were really pushing him. He was the

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Speaker 1: hot young teen heart throb and you know there I've

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Speaker 1: seen some publicity photos recently from season five and it's

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Speaker 1: all you know, it's like Matt and then us around

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Speaker 1: him is so they were really trying to launch I

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Speaker 1: think him on our show.

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Speaker 2: It's just it's so interesting because like we've also just

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Speaker 2: aged up so much that it's just like there's no

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Speaker 2: sense of like because in this episode there's really like

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Speaker 2: the educational like life is hard and I'm a boy

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Speaker 2: meeting the world or we're teenager, Like it's just gone.

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Speaker 2: It's just like situation girls. But you know, and I

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Speaker 2: wonder how. I guess that's just the show aged up, right,

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Speaker 2: Like we just got older and it just becomes like normal.

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Speaker 2: I don't know, but I miss the like life lesson

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Speaker 2: in the vibe of like this, you know, and now

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Speaker 2: it's just kind of a sitcom with some characters that

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Speaker 2: maybe are recognizable as the characters that we used to move.

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Speaker 1: It's Daniel's right, though. I think this one in particular,

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Speaker 1: we can kind of take out Achan.

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Speaker 2: And then the next one we can we can also,

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Speaker 2: and then we'll go back and then and then and

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Speaker 2: then we do the Casablanca episode, and then the Scream episode,

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Speaker 2: we can take that. And yeah, there'll be a few, no,

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Speaker 2: I mean, we have to get I mean, this is

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Speaker 2: the season where Trina, you know, so the Shawn.

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Speaker 1: And so hopefully that'll get stared yet and that has

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Speaker 1: to be a.

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Speaker 3: Storyline with real character and focus, so exactly, so I'm

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Speaker 3: looking forward to that me too. So guest starring Melissa

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Speaker 3: jone Hart with a cameo was her iconic character Sabrina

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Speaker 3: Spellman from the TGIF cleanup hit Sabrina the Teenage Witch.

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Speaker 3: She also played the titular character Clarissa and Clarissa Explains

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Speaker 3: It All, starred in the movie Drive Me Crazy, and

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00:16:07,680 --> 00:16:11,000
Speaker 3: appeared in the Britney Spears music video for You Drive

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00:16:11,080 --> 00:16:14,960
Speaker 3: Me Crazy. As the TikTok video says, She's an icon,

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00:16:15,200 --> 00:16:18,200
Speaker 3: She's a legend, and she is the moment. And then

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Speaker 3: we have Candas Cameron as Millie, best known as DJ

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00:16:21,280 --> 00:16:25,600
Speaker 3: on almost two hundred episodes of full House, another legendary

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Speaker 3: ABC family sitcom. She would later reprise the role for

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Speaker 3: Fuller House on Netflix and recently appeared in and produced

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Speaker 3: the movie Unsung Hero. Two Big Time ninety stars in

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Speaker 3: this episode, with ABC getting their synergy on. I assume

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Speaker 3: this was a big episode for Boy Meets World, like

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Speaker 3: the fact that we were going to have both of them.

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Speaker 3: It probably had a lot of buzz.

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Speaker 2: Yeah, it's interesting. I wonder what happened first, Like, because

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Speaker 2: it's a witch themed episode, I would assume that Melissa

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Speaker 2: was the first right get and then they decided to

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Speaker 2: do a witch or was it that they decided to

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Speaker 2: do a witch themed episode and then it was like,

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Speaker 2: oh and we could also get Melissa in here, Like

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Speaker 2: it's I mean, melan.

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Speaker 1: I talked about this. She was there for like five minutes.

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Speaker 1: I mean, came in one time and then bounced, So

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Speaker 1: it's you know, I mean she didn't do audience stuff

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Speaker 1: or anything like that.

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Speaker 3: Where did this fall in your friendship with her? Will?

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Speaker 1: I mean again, we'd known each other for Nickelodeon, since

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Speaker 1: Nickelodeon days, and then we you know, had done had

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Speaker 1: just done a whole bunch of stuff for Disney together.

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Speaker 1: So I mean, yeah, we'd known each other by this

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Speaker 1: point for probably fifteen years, ten ten years years.

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Speaker 2: I wonder how long Sabrina had been on at this point.

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Speaker 2: Was it in its second or third season, because it

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Speaker 2: was after us that it started.

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Speaker 3: Yeah, I don't know, probably probably second or third. Yeah,

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Speaker 3: because it's like.

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Speaker 2: I never I just remember knowing that that show existed,

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Speaker 2: that it was the big hit, and that we were

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Speaker 2: like just barely staying alive. And then I remember like

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Speaker 2: when the cat came on our show, I was like, wait, wait,

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Speaker 2: there's a there's a talking cat on that one right, yes, like, yeah,

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Speaker 2: what is?

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Speaker 1: What is?

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Speaker 2: And I've never so I've never seen an episode of Sabrain.

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Speaker 2: I just remember working with a cat and being like,

378
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Speaker 2: what is what is this show? That's a huge hit.

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00:18:07,080 --> 00:18:09,919
Speaker 3: Sabrina the Teenage Witch started in ninety six, so this

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Speaker 3: is ninety seven. It's maybe it's their second season.

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00:18:12,280 --> 00:18:15,639
Speaker 2: Yeah and there Yeah, so that's a huge hit. Yeah.

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00:18:15,720 --> 00:18:18,879
Speaker 3: So then we have Christopher Wheel as Dexter. He played

383
00:18:19,040 --> 00:18:22,120
Speaker 3: Horny Guy in the movie Can't Hardly Wait and has

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Speaker 3: appeared on TV shows like Jericho, Private Practice, Chicago, Justice,

385
00:18:26,080 --> 00:18:29,439
Speaker 3: and Revenge. He's still working seen just this year on

386
00:18:29,520 --> 00:18:32,680
Speaker 3: the show Going Home, and he wrote a book entitled

387
00:18:32,800 --> 00:18:35,920
Speaker 3: Trying to Walk Like a Man, The Chris Wheel Playbook.

388
00:18:36,280 --> 00:18:39,120
Speaker 3: In two thousand and eight, doctors discovered a brain tumor

389
00:18:39,240 --> 00:18:42,080
Speaker 3: next to the auditory nerve in his right ear, and

390
00:18:42,119 --> 00:18:45,560
Speaker 3: it leaked brain fluid out of his nose and nearly

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Speaker 3: killed him.

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Speaker 6: Oh my god.

393
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Speaker 2: So that's what his book is about.

394
00:18:49,440 --> 00:18:50,359
Speaker 1: That's what his book is about.

395
00:18:50,440 --> 00:18:52,800
Speaker 3: In the book, he tells the story of his difficult

396
00:18:52,920 --> 00:18:56,800
Speaker 3: recovery where he had to learn to walk again, and

397
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Speaker 3: his return to acting and then uncredited as the Dinosaur

398
00:19:04,600 --> 00:19:11,119
Speaker 3: on Phoene's doorstep on Halloween is former child actor Jason Madison.

399
00:19:11,680 --> 00:19:15,280
Speaker 3: Jason has gone on to become a prolific South Central

400
00:19:15,440 --> 00:19:18,879
Speaker 3: LA based music video director who also goes by the

401
00:19:18,920 --> 00:19:22,840
Speaker 3: name j Skills. He's created with rappers like Dom Kennedy

402
00:19:23,080 --> 00:19:26,639
Speaker 3: YG and the late Nipsey Hustle, and he was a

403
00:19:26,720 --> 00:19:30,320
Speaker 3: rapper himself as well. Here is a small snippet Dang,

404
00:19:30,680 --> 00:19:31,240
Speaker 3: I don't.

405
00:19:31,040 --> 00:19:33,520
Speaker 2: Want be to want to complain, but instead of Coppon

406
00:19:33,600 --> 00:19:35,280
Speaker 2: Chains will rather grab me your frame.

407
00:19:35,640 --> 00:19:39,440
Speaker 1: Man. It's saying bottle, pay out the game, don't kick.

408
00:19:39,600 --> 00:19:41,159
Speaker 1: They pushed right in the prame.

409
00:19:41,000 --> 00:19:43,720
Speaker 2: Got a tats for my name, pictures in the pot.

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00:19:43,800 --> 00:19:47,920
Speaker 1: I'm saying I'm theer one. He's toasted. I'm posted riding

411
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Speaker 1: with my loafs on toasted right down.

412
00:19:50,480 --> 00:19:52,280
Speaker 2: Pico might give me a sicko.

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00:19:53,160 --> 00:19:54,560
Speaker 3: So he was the dinosaur.

414
00:19:57,640 --> 00:20:01,280
Speaker 2: How did we make this connection if he's uncredited, you honestly.

415
00:20:02,800 --> 00:20:06,320
Speaker 3: Didn't spot that child and literally.

416
00:20:06,040 --> 00:20:08,200
Speaker 2: Solid kid and was like I know this.

417
00:20:08,320 --> 00:20:10,920
Speaker 5: Wait, I didn't see the kid and say that's the guy.

418
00:20:11,040 --> 00:20:14,440
Speaker 5: I always run searches for names, even for uncredited actors,

419
00:20:14,480 --> 00:20:16,440
Speaker 5: and he was Nipsey Hustles made.

420
00:20:16,240 --> 00:20:18,760
Speaker 3: How could you run a name for someone uncredited Jensen

421
00:20:18,920 --> 00:20:19,520
Speaker 3: because he was.

422
00:20:19,720 --> 00:20:21,720
Speaker 5: You get all the uncredited as well. I see all

423
00:20:21,720 --> 00:20:23,680
Speaker 5: the actors who were basically on a on a sheet

424
00:20:23,720 --> 00:20:25,160
Speaker 5: to be called Wow.

425
00:20:25,760 --> 00:20:27,119
Speaker 1: By the way, I had not heard of a single

426
00:20:27,160 --> 00:20:29,920
Speaker 1: rapper that you mentioned.

427
00:20:28,560 --> 00:20:35,840
Speaker 7: No, I don't know not yg No, yeah, oh my gosh,

428
00:20:36,200 --> 00:20:39,000
Speaker 7: very very unhipped, I.

429
00:20:39,000 --> 00:20:43,359
Speaker 2: Mean, and nipsey hustle just sounds like some bad like

430
00:20:43,440 --> 00:20:45,399
Speaker 2: surgery that you have to get because you have an

431
00:20:45,400 --> 00:20:53,080
Speaker 2: extra nippler. You know.

432
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Speaker 1: That's a.

433
00:20:57,880 --> 00:21:00,960
Speaker 3: Jumping into our recap. We start in Guy's apartment. Eric

434
00:21:00,960 --> 00:21:04,040
Speaker 3: admires himself in the mirror, yelling out, Jackie, come on,

435
00:21:04,119 --> 00:21:07,000
Speaker 3: we've got a club full of pretty ladies waiting for us.

436
00:21:07,040 --> 00:21:08,800
Speaker 3: I think this is the first time you've called him Jackie.

437
00:21:08,800 --> 00:21:12,720
Speaker 1: I thank her too, Yes, so Jack says, I don't think.

438
00:21:12,720 --> 00:21:15,280
Speaker 1: I don't know. No thing ever happens again.

439
00:21:17,040 --> 00:21:18,880
Speaker 3: Jack says, just go without him. He's not the best

440
00:21:18,920 --> 00:21:22,040
Speaker 3: at clubs. Eric, siye, one word. You're with me. And

441
00:21:22,080 --> 00:21:25,000
Speaker 3: we did this joke already where you say it's a

442
00:21:25,000 --> 00:21:27,760
Speaker 3: certain number of words and it's not that many words.

443
00:21:27,840 --> 00:21:30,200
Speaker 3: So is that a runner? Do you keep doing that?

444
00:21:30,280 --> 00:21:34,040
Speaker 1: Do we? I think we've done that twice. Yeah, okay,

445
00:21:34,119 --> 00:21:36,240
Speaker 1: we'll see. We'll see what happens again. Daniel didn't see

446
00:21:37,080 --> 00:21:38,080
Speaker 1: what did you count? Did?

447
00:21:40,440 --> 00:21:41,120
Speaker 3: I did not see.

448
00:21:42,160 --> 00:21:42,680
Speaker 1: I knew.

449
00:21:44,119 --> 00:21:47,159
Speaker 3: You said, Danielle didn't see. I knew what must have happened.

450
00:21:50,359 --> 00:21:52,320
Speaker 3: Jack knows he's the new guy in town, so he

451
00:21:52,440 --> 00:21:55,000
Speaker 3: just has to tag along. Eric ashers him. You don't

452
00:21:55,080 --> 00:21:58,240
Speaker 3: just tag along, now, get behind me. Jack is uncomfortable

453
00:21:58,240 --> 00:22:01,520
Speaker 3: picking up girls. Eric rubs his hands together, watch and learn.

454
00:22:01,800 --> 00:22:04,040
Speaker 3: Then he gets all up in Jack's face, making a

455
00:22:04,040 --> 00:22:07,240
Speaker 3: goofy face. He's loving him with his eyes. The ladies

456
00:22:07,320 --> 00:22:10,640
Speaker 3: love it. They walk out into the hallway and Jack asks.

457
00:22:10,560 --> 00:22:16,040
Speaker 2: Will in his prime, like, I'm just as everything everything's

458
00:22:16,359 --> 00:22:18,600
Speaker 2: but they're just relying on it so much because there's

459
00:22:18,600 --> 00:22:23,920
Speaker 2: not not much else going on, Just like wind will

460
00:22:24,040 --> 00:22:25,400
Speaker 2: up and let him go.

461
00:22:26,200 --> 00:22:28,680
Speaker 1: I also wish, going back looking at my performance, I

462
00:22:28,720 --> 00:22:31,520
Speaker 1: wish I was picking and choosing my moments a little

463
00:22:31,520 --> 00:22:34,560
Speaker 1: better as opposed to just everything's a bit, you know, It's.

464
00:22:34,400 --> 00:22:36,480
Speaker 2: Like I want, like I said, there's nothing else to do,

465
00:22:36,640 --> 00:22:38,800
Speaker 2: Like there's nothing else going on. There's no comedy in

466
00:22:38,840 --> 00:22:41,639
Speaker 2: this other than making it a funny voice, making it

467
00:22:41,680 --> 00:22:43,719
Speaker 2: a funny face. I mean, think about that bit, Like

468
00:22:44,119 --> 00:22:47,879
Speaker 2: the joke is written as he makes a face. Like

469
00:22:47,880 --> 00:22:49,480
Speaker 2: in the script it says like he makes a face

470
00:22:49,520 --> 00:22:53,160
Speaker 2: to get the ladies, and that's just let's let will

471
00:22:53,160 --> 00:22:55,439
Speaker 2: do something. They don't have an idea, right, that's just

472
00:22:55,440 --> 00:22:57,560
Speaker 2: something they put in the script and let you do it.

473
00:22:57,600 --> 00:23:00,240
Speaker 2: And you probably did it differently every time or own

474
00:23:00,320 --> 00:23:01,120
Speaker 2: spin on it, and you.

475
00:23:01,200 --> 00:23:03,399
Speaker 1: Just yeah, I just wish it was I wish there

476
00:23:03,440 --> 00:23:06,399
Speaker 1: was a little old Eric thrown in with whoever the

477
00:23:06,440 --> 00:23:09,800
Speaker 1: new Eric is. The balance would have been better. Yeah.

478
00:23:09,920 --> 00:23:12,159
Speaker 3: So the guys walk out into the hallway and Jack asks,

479
00:23:12,200 --> 00:23:14,359
Speaker 3: if the ladies love it, why don't you have a girlfriend?

480
00:23:14,600 --> 00:23:16,280
Speaker 3: Eric's eyes, he doesn't know.

481
00:23:16,600 --> 00:23:19,560
Speaker 1: Even that if I just said, I don't know, but

482
00:23:19,640 --> 00:23:22,119
Speaker 1: I didn't, it's I don't know, like it's a whole

483
00:23:22,400 --> 00:23:24,880
Speaker 1: even that has to be a bit. It's like, oh,

484
00:23:24,880 --> 00:23:25,760
Speaker 1: the writer.

485
00:23:25,680 --> 00:23:30,160
Speaker 3: Said, if you said it earnestly, I don't know, it's

486
00:23:30,200 --> 00:23:33,719
Speaker 3: not real funny and I don't know. Yeah, I mean,

487
00:23:33,760 --> 00:23:36,600
Speaker 3: I love they are giving you much.

488
00:23:36,560 --> 00:23:37,080
Speaker 5: But they're not.

489
00:23:37,160 --> 00:23:39,159
Speaker 2: And the writers just loved it, you know, because they

490
00:23:39,200 --> 00:23:41,359
Speaker 2: would write something that they're like, eh, that's a B

491
00:23:41,520 --> 00:23:44,359
Speaker 2: minus and then you would laming it out of the

492
00:23:44,359 --> 00:23:45,760
Speaker 2: park or and run there and they'd be like, oh

493
00:23:45,800 --> 00:23:48,199
Speaker 2: that line works. I can't believe it's an A plus

494
00:23:48,240 --> 00:23:52,240
Speaker 2: now exactly. It's like, well, actually is it? Or is

495
00:23:52,280 --> 00:23:54,360
Speaker 2: it just will sell them the joke?

496
00:23:54,720 --> 00:23:55,440
Speaker 8: Yeah?

497
00:23:55,600 --> 00:23:55,800
Speaker 1: Is it?

498
00:23:55,880 --> 00:23:56,119
Speaker 5: What was?

499
00:23:56,200 --> 00:23:56,840
Speaker 2: What was the old thing?

500
00:23:56,880 --> 00:23:58,280
Speaker 1: I think Michael used to say it to us. It's

501
00:23:58,320 --> 00:24:02,439
Speaker 1: like there's things that are you things that are funny,

502
00:24:02,480 --> 00:24:04,200
Speaker 1: and then funny things you say.

503
00:24:04,200 --> 00:24:05,399
Speaker 2: I forget what it was.

504
00:24:05,440 --> 00:24:09,600
Speaker 1: The idea of a joke is a joke, So there's

505
00:24:09,680 --> 00:24:12,480
Speaker 1: things that are said funny and then funny things you say.

506
00:24:12,480 --> 00:24:14,959
Speaker 1: I forget what the actual terminology was, but it was like,

507
00:24:15,400 --> 00:24:17,120
Speaker 1: you know, something's written as a joke, and no matter

508
00:24:17,160 --> 00:24:18,560
Speaker 1: how you say, it's going to be funny because it's

509
00:24:18,560 --> 00:24:20,280
Speaker 1: a joke. And then there's things that aren't written to

510
00:24:20,280 --> 00:24:23,840
Speaker 1: be funny, but they're said funny, so they become funny.

511
00:24:23,920 --> 00:24:27,120
Speaker 1: I'm just saying funny what they were relying on you, right,

512
00:24:27,240 --> 00:24:29,240
Speaker 1: instead of things being funny on the paper.

513
00:24:29,359 --> 00:24:30,600
Speaker 2: So it's that's interesting.

514
00:24:31,080 --> 00:24:34,760
Speaker 3: So coincidentally, a pretty girl, a bleach blonde bob having

515
00:24:34,800 --> 00:24:37,480
Speaker 3: Candice Cameron, walks to the elevator and greets the boys.

516
00:24:37,920 --> 00:24:40,280
Speaker 3: Eric walks up to her and is uncomfortably close move

517
00:24:40,320 --> 00:24:44,440
Speaker 3: and stares right into her eyes. I'm Eric Allison Matthews

518
00:24:44,560 --> 00:24:47,679
Speaker 3: perpace man personal space though my god, I know right

519
00:24:47,760 --> 00:24:50,280
Speaker 3: up in her grill? Do we Is this the first

520
00:24:50,280 --> 00:24:51,840
Speaker 3: time we hear your middle name is Alison?

521
00:24:52,400 --> 00:24:54,760
Speaker 1: I think so, because I think it's also Neil at

522
00:24:54,760 --> 00:24:57,040
Speaker 1: one point, right Neil and then somebody else.

523
00:24:57,040 --> 00:25:00,280
Speaker 3: So yes, okay, So she backs away. You're the and

524
00:25:00,280 --> 00:25:04,360
Speaker 3: we have campus escorts. Eric smiles, Yes, I am. She

525
00:25:04,440 --> 00:25:06,960
Speaker 3: immediately knows who Jack is, claiming she likes to know

526
00:25:07,000 --> 00:25:09,920
Speaker 3: who her neighbors are. She's Milly from three B and

527
00:25:10,040 --> 00:25:13,679
Speaker 3: the runner of Hotties and three B continues. Eric asks,

528
00:25:13,720 --> 00:25:15,720
Speaker 3: we're heading down to o'dooley's. Why don't you join us?

529
00:25:15,920 --> 00:25:18,000
Speaker 3: She admits she's not much of a club person, and

530
00:25:18,119 --> 00:25:21,680
Speaker 3: Jack says me neither. Millie touches Jack's arm. You're cute.

531
00:25:22,160 --> 00:25:25,040
Speaker 3: She suggests that Jack shows her his apartment, and the

532
00:25:25,080 --> 00:25:30,280
Speaker 3: inmates let out a big whoooo and Jack proudly says sure.

533
00:25:31,000 --> 00:25:34,040
Speaker 2: And it turns out to be that she's like, you know,

534
00:25:34,160 --> 00:25:38,480
Speaker 2: targeting him because he's Hunter. But this was really underwritten,

535
00:25:38,520 --> 00:25:40,600
Speaker 2: Like I was like, can we just give her any

536
00:25:40,640 --> 00:25:43,640
Speaker 2: reason to like Jack, like just a he says something

537
00:25:43,680 --> 00:25:47,000
Speaker 2: he's cute, I know, but it's like, but you know

538
00:25:47,200 --> 00:25:49,160
Speaker 2: they both take clubs.

539
00:25:49,520 --> 00:25:52,040
Speaker 3: Yeah, yeah, they both hake club I think there's enough there.

540
00:25:52,480 --> 00:25:54,000
Speaker 3: I think they gave her enough of a reason to

541
00:25:54,160 --> 00:25:54,560
Speaker 3: how much.

542
00:25:54,480 --> 00:25:56,199
Speaker 1: You need to hook up with somebody when you're twenty

543
00:25:56,560 --> 00:25:59,280
Speaker 1: I mean seriously to the fact that they live to

544
00:25:59,280 --> 00:26:01,520
Speaker 1: each other is a night I don't know.

545
00:26:01,560 --> 00:26:06,320
Speaker 2: Just something that makes sense, like behavior, and she thinks

546
00:26:06,840 --> 00:26:09,240
Speaker 2: that's all they needed. Okay, But if the joke is

547
00:26:09,280 --> 00:26:12,280
Speaker 2: that Eric thinks that he can get away with just

548
00:26:12,320 --> 00:26:14,679
Speaker 2: being cute and in her face and that falls flat

549
00:26:14,760 --> 00:26:18,640
Speaker 2: because she's more sophisticated, then you have to have the

550
00:26:18,680 --> 00:26:21,720
Speaker 2: next beat should be Jack, is you know there's something

551
00:26:21,760 --> 00:26:25,439
Speaker 2: to trigger like okay, yes, but instead it's she's just

552
00:26:25,480 --> 00:26:29,400
Speaker 2: as bad as Eric. She falls for it's.

553
00:26:29,200 --> 00:26:32,720
Speaker 3: Like so dumbing, like whatever right away that she's there

554
00:26:32,800 --> 00:26:36,760
Speaker 3: because of the balcony. So it's not like we uncover

555
00:26:36,920 --> 00:26:38,600
Speaker 3: that later. It's pretty much.

556
00:26:38,520 --> 00:26:42,719
Speaker 1: There's no twist. She walks in and goes to the balcony.

557
00:26:43,960 --> 00:26:46,960
Speaker 2: Just just the line, just the line. He says something

558
00:26:47,240 --> 00:26:49,600
Speaker 2: that's like, oh, you know about Oduley's blah blah blah joke,

559
00:26:49,640 --> 00:26:52,520
Speaker 2: and she goes, ah, you're funny. I like you. And

560
00:26:52,520 --> 00:26:56,119
Speaker 2: then we're like, oh, there's there's intrigues, something might happen. Instead,

561
00:26:56,160 --> 00:26:58,880
Speaker 2: it's so flat, it's literally like cut cut.

562
00:26:59,520 --> 00:27:04,680
Speaker 3: Everybody is funny. Not everybody is funny, not everybody large anything,

563
00:27:05,000 --> 00:27:05,520
Speaker 3: just character.

564
00:27:05,760 --> 00:27:06,760
Speaker 2: Does Jack have character?

565
00:27:06,960 --> 00:27:10,359
Speaker 3: He yes that he is a recluse who likes to

566
00:27:10,359 --> 00:27:12,600
Speaker 3: be in his apartment and she is the same way.

567
00:27:12,760 --> 00:27:14,560
Speaker 3: She goes, oh, you like to stay home and not

568
00:27:14,640 --> 00:27:18,359
Speaker 3: go to clubs, me too, Get me inside your apartment.

569
00:27:18,680 --> 00:27:19,000
Speaker 6: Sex.

570
00:27:19,560 --> 00:27:22,159
Speaker 1: That's how it falcony sex, falcony sex.

571
00:27:23,960 --> 00:27:26,879
Speaker 3: So Eric as the elevator doors closed, Eric screams, are

572
00:27:26,920 --> 00:27:29,120
Speaker 3: you kidding me? And we go to a commercial break.

573
00:27:29,160 --> 00:27:31,080
Speaker 3: Then we come back. We're back in the guy's apartment.

574
00:27:31,160 --> 00:27:35,600
Speaker 3: Eric walks in, Hello, Hello, Hello, he's alone. Nobody's home.

575
00:27:35,720 --> 00:27:36,399
Speaker 3: Pants off.

576
00:27:36,600 --> 00:27:38,639
Speaker 1: That is a that's a meme. Bye bye pants is

577
00:27:38,680 --> 00:27:41,200
Speaker 1: a mean by pirka.

578
00:27:42,119 --> 00:27:45,520
Speaker 3: Eric takes off his pants, revealing happy face boxers. He

579
00:27:45,600 --> 00:27:51,960
Speaker 3: pulls up the shades in the apartment for he's in

580
00:27:52,000 --> 00:27:55,720
Speaker 3: his underwear. So, I don't know why I.

581
00:27:55,640 --> 00:27:58,040
Speaker 1: Was about to put on a show. That's what was happening.

582
00:27:59,320 --> 00:28:00,280
Speaker 3: Turning on your web cam.

583
00:28:00,600 --> 00:28:01,920
Speaker 1: Exactly here we go.

584
00:28:04,560 --> 00:28:06,800
Speaker 3: And we see Jack and Milly are making out on

585
00:28:06,840 --> 00:28:09,639
Speaker 3: the balcony. Jack pulls away from his new love interest

586
00:28:09,680 --> 00:28:12,440
Speaker 3: to ask Eric what he's doing home. Eric scoffs, they

587
00:28:12,440 --> 00:28:15,200
Speaker 3: turned O'duley's into a Starbucks. I was into my third

588
00:28:15,280 --> 00:28:17,359
Speaker 3: dance before I noticed, which is a.

589
00:28:17,440 --> 00:28:20,399
Speaker 2: Very nineties joke. I know, like remember when like the

590
00:28:20,720 --> 00:28:23,040
Speaker 2: it was like Starbucks are popping up everyone every co

591
00:28:23,920 --> 00:28:26,920
Speaker 2: Starbucks around the across the street from the other Starbucks.

592
00:28:27,480 --> 00:28:29,399
Speaker 2: Now it's like we just all accept that that's the

593
00:28:29,440 --> 00:28:35,960
Speaker 2: reality that sets the super Targetarbucks.

594
00:28:36,080 --> 00:28:37,639
Speaker 3: There's a Starbucks in the gas station.

595
00:28:39,480 --> 00:28:42,120
Speaker 2: Nobody cares anymore. But that was a big problem.

596
00:28:42,600 --> 00:28:46,720
Speaker 3: It was like yeah, yeah, Jack says he's sorry, Eric

597
00:28:46,760 --> 00:28:49,400
Speaker 3: had a bad night, but he's with Milly. Oh my manners.

598
00:28:49,600 --> 00:28:52,320
Speaker 3: Eric walks outside to say hello, And this is when

599
00:28:52,320 --> 00:28:56,520
Speaker 3: I realized this has to be Ben Finals week. There's

600
00:28:56,600 --> 00:28:59,600
Speaker 3: just it seems like there's no we don't get to

601
00:28:59,640 --> 00:29:02,920
Speaker 3: Ben what you been doing fine years.

602
00:29:02,760 --> 00:29:08,240
Speaker 1: Earlier midterms midterms maybe midterms, but so early in the just.

603
00:29:08,040 --> 00:29:13,280
Speaker 3: Started in August and we went in September, so I

604
00:29:13,280 --> 00:29:13,800
Speaker 3: don't think.

605
00:29:13,640 --> 00:29:17,959
Speaker 2: It was okay, So wait, Candace Cameron was on ABC right?

606
00:29:17,960 --> 00:29:20,719
Speaker 2: Full House was ABC? Was Full House still going at

607
00:29:20,720 --> 00:29:21,320
Speaker 2: this point or.

608
00:29:21,800 --> 00:29:25,360
Speaker 3: In ninety six? Yes, they were on for eight seasons,

609
00:29:25,360 --> 00:29:27,600
Speaker 3: and I think it started in.

610
00:29:27,080 --> 00:29:33,920
Speaker 2: Ninety The network was because, as far as I understand it,

611
00:29:34,000 --> 00:29:37,280
Speaker 2: Matt came to us as a network choice because Brother

612
00:29:37,360 --> 00:29:39,840
Speaker 2: We Love had just been canceled, and so the network

613
00:29:39,920 --> 00:29:42,080
Speaker 2: was like, we want to give Matt Lawrence a job,

614
00:29:42,480 --> 00:29:45,320
Speaker 2: put him on Boy Meets World, and then now we're

615
00:29:45,320 --> 00:29:48,280
Speaker 2: getting Candace Cameron as like a special guest star. Like

616
00:29:48,480 --> 00:29:51,040
Speaker 2: it feels like for whatever reason, either Boy Meets World

617
00:29:51,200 --> 00:29:55,000
Speaker 2: like needed the boost of extra actors like to stay

618
00:29:55,040 --> 00:29:57,040
Speaker 2: like what was I'm so cute. I want to talk

619
00:29:57,040 --> 00:30:02,240
Speaker 2: to like an executive because there's was off the air.

620
00:30:04,600 --> 00:30:07,080
Speaker 2: That's what I think. I think the show had been canceled,

621
00:30:07,120 --> 00:30:09,080
Speaker 2: so they were like, well we got to get candas

622
00:30:09,120 --> 00:30:10,600
Speaker 2: back or you know, like I feel like there was

623
00:30:10,600 --> 00:30:14,200
Speaker 2: a there was a push or some kind of like

624
00:30:14,360 --> 00:30:17,400
Speaker 2: network Yeah, there was like some push to like maybe

625
00:30:17,520 --> 00:30:19,720
Speaker 2: they were developing a new show with just her and

626
00:30:19,720 --> 00:30:22,080
Speaker 2: they wanted her to like have her own episode. It

627
00:30:22,160 --> 00:30:23,120
Speaker 2: feels like a lot of.

628
00:30:24,120 --> 00:30:27,120
Speaker 1: Again, if we go right from this episode to World

629
00:30:27,160 --> 00:30:29,560
Speaker 1: War two, which is the crossover night with the Cat.

630
00:30:29,760 --> 00:30:30,960
Speaker 1: They're trying something.

631
00:30:30,680 --> 00:30:32,760
Speaker 2: That they're trying everything like, and I don't know if

632
00:30:32,760 --> 00:30:36,040
Speaker 2: that's because our numbers were down or our numbers were up,

633
00:30:36,080 --> 00:30:38,520
Speaker 2: and so they were loading us with things with people

634
00:30:38,520 --> 00:30:40,440
Speaker 2: that they wanted to support, like we got to help

635
00:30:40,480 --> 00:30:42,840
Speaker 2: our other show. We gotta, you know, help Candace and

636
00:30:42,880 --> 00:30:44,960
Speaker 2: help Matt Laura. I don't know. It's like a weird,

637
00:30:45,200 --> 00:30:47,920
Speaker 2: but it just doesn't feel like our show. It's just

638
00:30:47,960 --> 00:30:50,280
Speaker 2: like all these other ingredients are coming in.

639
00:30:50,640 --> 00:31:02,640
Speaker 6: Yeah.

640
00:31:02,680 --> 00:31:04,880
Speaker 3: Well, we're out on the balcony now. Eric is still

641
00:31:04,880 --> 00:31:07,320
Speaker 3: in his boxers. He greets Millie. I'm really glad you

642
00:31:07,360 --> 00:31:09,320
Speaker 3: and Jack cooked up. He doesn't have a lot of

643
00:31:09,320 --> 00:31:13,160
Speaker 3: friends here. Millie quickly threatens him, it's very important for

644
00:31:13,240 --> 00:31:16,360
Speaker 3: me to have Jack. Don't get in my way. And

645
00:31:16,400 --> 00:31:21,840
Speaker 3: then we just know, okay, she's bad. Spooky music plays

646
00:31:21,880 --> 00:31:23,880
Speaker 3: as Eric hesitantly nods in agreement.

647
00:31:24,120 --> 00:31:25,280
Speaker 1: We have a romp.

648
00:31:25,880 --> 00:31:29,880
Speaker 3: Then we're still back inside the guy's apartment. Eric and

649
00:31:29,960 --> 00:31:33,600
Speaker 3: Jack are stretching on the floor. Matt is quite limber.

650
00:31:34,720 --> 00:31:39,080
Speaker 3: Excuse me, I very rarely your nose is in your feet,

651
00:31:39,280 --> 00:31:41,240
Speaker 3: But if my horn was at my feet. I could

652
00:31:41,240 --> 00:31:46,120
Speaker 3: have touted it with my tongue. I know, I look,

653
00:31:46,280 --> 00:31:49,240
Speaker 3: look at the glimber you are now. Yeah, I know, unbelievable.

654
00:31:49,680 --> 00:31:51,520
Speaker 1: Yeah, I mean yeah.

655
00:31:52,640 --> 00:31:55,800
Speaker 3: Eric mentions that he's happy Jack met someone, but doesn't

656
00:31:55,800 --> 00:31:59,320
Speaker 3: he find her a little freaky. Jack asks why because

657
00:31:59,320 --> 00:32:01,960
Speaker 3: she chose me out of you. Eric didn't even think

658
00:32:02,000 --> 00:32:05,080
Speaker 3: of that. Then the doorbell buzzes. Come in. We can't move.

659
00:32:05,640 --> 00:32:08,800
Speaker 3: It's Millie carrying a breakfast tray. Jack runs up to

660
00:32:08,800 --> 00:32:10,680
Speaker 3: say hi, and she says she was up all night

661
00:32:10,760 --> 00:32:13,600
Speaker 3: thinking about him. She looks over at Eric. What's he

662
00:32:13,680 --> 00:32:17,640
Speaker 3: doing here? Eric sarcastically responds, gee, I don't know. Mil

663
00:32:17,920 --> 00:32:22,960
Speaker 3: I live here, and now she hates you. You love

664
00:32:23,600 --> 00:32:26,920
Speaker 3: and mill and they love each other. They have keys,

665
00:32:27,160 --> 00:32:30,840
Speaker 3: and this is like on some cult timeline.

666
00:32:31,280 --> 00:32:31,560
Speaker 8: It is.

667
00:32:32,400 --> 00:32:37,080
Speaker 1: I think anytime there's cults or witches involved, time moves differently.

668
00:32:37,480 --> 00:32:39,480
Speaker 1: We need to know that, yeah, okay.

669
00:32:39,320 --> 00:32:43,680
Speaker 2: Or alcohol or alcohol full on drug out, alcoholic within.

670
00:32:44,400 --> 00:32:46,560
Speaker 1: I've never seen those episodes, so I can't wait to

671
00:32:46,600 --> 00:32:48,840
Speaker 1: see those as my first time ever seeing those. I

672
00:32:48,840 --> 00:32:51,960
Speaker 1: didn't watch it. I wasn't in blah blah blah.

673
00:32:51,960 --> 00:32:56,080
Speaker 3: Min Millie suggests Jack and her eat the breakfast she

674
00:32:56,160 --> 00:32:58,520
Speaker 3: made out on the balcony. Eric jumps in, too bad,

675
00:32:58,640 --> 00:33:00,880
Speaker 3: so sad, You're gonna be eaten all by yourself. The

676
00:33:00,920 --> 00:33:02,560
Speaker 3: two of them already have plans to run up the

677
00:33:02,640 --> 00:33:05,440
Speaker 3: Rocky steps today. Milly turns to Jack. But I planned

678
00:33:05,480 --> 00:33:09,520
Speaker 3: the rest of your life. I mean day. I thought

679
00:33:09,520 --> 00:33:11,440
Speaker 3: we'd take a walk and then come back and sit

680
00:33:11,480 --> 00:33:14,440
Speaker 3: outside and wait for dark. She kisses him in an

681
00:33:14,440 --> 00:33:17,760
Speaker 3: attempt to ensorcell. Eric yell, stop, stop stop that we've

682
00:33:17,800 --> 00:33:20,800
Speaker 3: been stretching for this jog since September. We're finally limber.

683
00:33:21,280 --> 00:33:24,240
Speaker 3: Milly asks Jack, why is he attacking me? Jack warns

684
00:33:24,320 --> 00:33:26,320
Speaker 3: Eric he's upsetting Milly and tells her I'd love to

685
00:33:26,320 --> 00:33:28,200
Speaker 3: spend the day with you. Eric mocks him in a

686
00:33:28,320 --> 00:33:31,480
Speaker 3: ridiculous tone. Just then, Sean rushes into the living room.

687
00:33:31,520 --> 00:33:33,120
Speaker 3: He wanted to give them a big send off before

688
00:33:33,160 --> 00:33:35,680
Speaker 3: the jog, and he pulls out Rocky beanies for them.

689
00:33:36,200 --> 00:33:44,840
Speaker 2: Eric Sean going on the jog beanies, it's a very interesting.

690
00:33:45,680 --> 00:33:47,480
Speaker 2: I love it, Like I actually kind of love that, Sean,

691
00:33:49,200 --> 00:33:52,000
Speaker 2: But like why, like why am I know? Like why

692
00:33:52,000 --> 00:33:54,000
Speaker 2: didn't I come out in a jogging? Like why am

693
00:33:54,040 --> 00:33:55,760
Speaker 2: I not part of the trio. I don't get it,

694
00:33:55,840 --> 00:33:56,600
Speaker 2: Like because you're.

695
00:33:56,480 --> 00:33:57,400
Speaker 1: Still in high school.

696
00:33:57,640 --> 00:34:00,320
Speaker 3: You're still in high school, and they're worried going to

697
00:34:00,360 --> 00:34:02,120
Speaker 3: be that. People are going to think, are Corey and

698
00:34:02,160 --> 00:34:06,080
Speaker 3: Sean not friends anymore? Like you belong to Corey, So

699
00:34:06,160 --> 00:34:10,560
Speaker 3: even though you are friends with the college guys, but

700
00:34:10,800 --> 00:34:11,200
Speaker 3: you're not.

701
00:34:12,520 --> 00:34:13,960
Speaker 6: We do.

702
00:34:15,960 --> 00:34:18,399
Speaker 3: Come on, we already talked about that.

703
00:34:18,680 --> 00:34:20,920
Speaker 1: Yeah, I'm going to talk about it again.

704
00:34:22,280 --> 00:34:24,000
Speaker 3: Eric thanks him and places one on his head, and

705
00:34:24,040 --> 00:34:26,920
Speaker 3: then reveals Jack is no longer going. He chows Milly

706
00:34:27,000 --> 00:34:29,560
Speaker 3: over him. Don't you see what she's doing to you, Jack,

707
00:34:29,840 --> 00:34:33,040
Speaker 3: hugging you, holding you, kissing you. It's just wrong. Eric

708
00:34:33,120 --> 00:34:35,840
Speaker 3: storms out, and Jack introduces Milly to Sean. Milly is

709
00:34:35,880 --> 00:34:39,200
Speaker 3: pleasantly surprised to meet another hunter. She loves their balcony.

710
00:34:39,719 --> 00:34:41,160
Speaker 3: The doorbell buzzes and Millie says.

711
00:34:41,040 --> 00:34:43,400
Speaker 1: She's great, we have a balcony.

712
00:34:43,640 --> 00:34:43,880
Speaker 3: I know.

713
00:34:43,920 --> 00:34:44,800
Speaker 1: That was so funny.

714
00:34:45,960 --> 00:34:47,400
Speaker 3: And then later when they come over, they want.

715
00:34:47,239 --> 00:34:48,879
Speaker 1: To see it. He goes to see it too.

716
00:34:48,960 --> 00:34:52,640
Speaker 3: Yeah, yeah, they want to see The doorbell buzzes and

717
00:34:52,680 --> 00:34:55,000
Speaker 3: Milly says it's her roommates. They want to see the balcony.

718
00:34:55,040 --> 00:34:57,160
Speaker 3: She lets in a group of girls all dressed in black,

719
00:34:57,239 --> 00:34:58,640
Speaker 3: like nineties goths, and.

720
00:34:59,040 --> 00:35:00,960
Speaker 2: This is one of those times we you're like, just

721
00:35:01,040 --> 00:35:03,480
Speaker 2: let them have lines. The fact that they can't signack.

722
00:35:03,880 --> 00:35:06,760
Speaker 2: They're clearly extras who are like and I'm like hey,

723
00:35:06,800 --> 00:35:11,000
Speaker 2: and they're like and it's like, it's so awkward. Just no,

724
00:35:11,840 --> 00:35:14,520
Speaker 2: just pay them the extra five hundred dollars or whatever

725
00:35:14,600 --> 00:35:16,799
Speaker 2: so they can be bumped up to sag actors and

726
00:35:16,920 --> 00:35:19,560
Speaker 2: just let them in, like come on, wow.

727
00:35:19,960 --> 00:35:22,239
Speaker 3: They file in, and Sean perks up, Hey, I want

728
00:35:22,239 --> 00:35:25,440
Speaker 3: to see it too, And then we're still in the

729
00:35:25,480 --> 00:35:29,840
Speaker 3: guy's apartment. Eric is lunching on popcorn watching Halloween Part nine.

730
00:35:30,440 --> 00:35:31,560
Speaker 3: Every time is it?

731
00:35:31,760 --> 00:35:31,960
Speaker 6: Yeah?

732
00:35:31,960 --> 00:35:33,040
Speaker 1: Another screamy one? Yep?

733
00:35:33,239 --> 00:35:36,239
Speaker 2: Isn't this funny? Because at this point Halloween nine like

734
00:35:36,280 --> 00:35:38,640
Speaker 2: that was a joke, like the idea that there would

735
00:35:38,640 --> 00:35:40,960
Speaker 2: be nine Halloween movies because they were probably only up

736
00:35:41,040 --> 00:35:43,400
Speaker 2: to four or five, But of course there's actually like

737
00:35:43,440 --> 00:35:46,560
Speaker 2: twelve now, yeah, fourteen, now, that's sure.

738
00:35:47,239 --> 00:35:50,880
Speaker 1: I'm pretty sure the voiceover that's Jackie. I think, Oh,

739
00:35:50,920 --> 00:35:53,600
Speaker 1: I'm pretty sure that's Jackie. Who did that? That's so fun?

740
00:35:53,680 --> 00:35:54,280
Speaker 2: That's awesome.

741
00:35:54,520 --> 00:35:54,719
Speaker 1: Yeah.

742
00:35:54,920 --> 00:35:57,239
Speaker 3: Eventually Millie walks in and Eric screams at her too.

743
00:35:57,640 --> 00:35:59,319
Speaker 3: Eric asks how she was able to get in, and

744
00:35:59,360 --> 00:36:01,760
Speaker 3: she reveals that Jack made her a set of keys.

745
00:36:02,080 --> 00:36:02,319
Speaker 2: Bug.

746
00:36:02,440 --> 00:36:05,279
Speaker 3: Yeah. Jack appears to greet her as Eric says he

747
00:36:05,280 --> 00:36:08,160
Speaker 3: needs to talk to him. Millie responds, fine, talk to him.

748
00:36:08,200 --> 00:36:10,960
Speaker 3: He belongs to me. Now I do not understand that

749
00:36:11,000 --> 00:36:15,560
Speaker 3: line at all. I don't get it. Fine, talk to him.

750
00:36:15,840 --> 00:36:16,880
Speaker 3: He belongs to me.

751
00:36:17,040 --> 00:36:23,279
Speaker 1: Now about Jack, So she says it to Eric.

752
00:36:23,480 --> 00:36:23,680
Speaker 5: Eric.

753
00:36:24,160 --> 00:36:28,440
Speaker 3: She says it looking at Jack, but she, I guess

754
00:36:28,480 --> 00:36:33,759
Speaker 3: is addressing Eric. Right, Fine, talk to him. He belongs

755
00:36:33,840 --> 00:36:34,080
Speaker 3: to me.

756
00:36:34,200 --> 00:36:36,640
Speaker 1: Now Jack belongs to What she's saying is you can

757
00:36:36,680 --> 00:36:37,759
Speaker 1: talk to him as much as she.

758
00:36:39,360 --> 00:36:42,640
Speaker 2: Threatened. Yeah, but then the whole scene is always about

759
00:36:42,640 --> 00:36:43,560
Speaker 2: her being threatened by.

760
00:36:43,840 --> 00:36:46,640
Speaker 3: Right, Okay. So I just I was like, do we

761
00:36:46,840 --> 00:36:48,160
Speaker 3: it's magic? Yeah?

762
00:36:48,160 --> 00:36:49,400
Speaker 6: Okay, true.

763
00:36:50,000 --> 00:36:52,440
Speaker 3: So she makes her way to the balcony. Jack remarks,

764
00:36:52,560 --> 00:36:56,000
Speaker 3: she sure loves it on that balcony. And I noticed

765
00:36:56,040 --> 00:37:01,759
Speaker 3: now the pizza art above the kitchen sink has been

766
00:37:01,840 --> 00:37:06,360
Speaker 3: replaced good with an image of a bagel looking dish

767
00:37:06,560 --> 00:37:08,120
Speaker 3: that has broccoli.

768
00:37:07,680 --> 00:37:08,280
Speaker 1: On the side.

769
00:37:08,520 --> 00:37:11,200
Speaker 2: Yeah, they were like something.

770
00:37:14,040 --> 00:37:16,760
Speaker 3: By the way, the broccoli is covered in a sauce.

771
00:37:16,880 --> 00:37:19,280
Speaker 3: It doesn't look It doesn't look like a healthy dish.

772
00:37:19,560 --> 00:37:22,160
Speaker 3: It also doesn't really fully look like a bagel. It

773
00:37:22,200 --> 00:37:25,040
Speaker 3: looks like it could be like a chicken.

774
00:37:25,719 --> 00:37:27,799
Speaker 2: Joke that our art department was doing. We're just gonna

775
00:37:27,840 --> 00:37:28,840
Speaker 2: keep swapping.

776
00:37:28,480 --> 00:37:31,600
Speaker 3: Different I think the food art is going to change

777
00:37:31,600 --> 00:37:34,000
Speaker 3: because I think that might save the season for us.

778
00:37:36,960 --> 00:37:40,479
Speaker 3: Eric asks, you made her keys. Jack says yes, she's

779
00:37:40,520 --> 00:37:44,360
Speaker 3: his girlfriend. Eric fires back, what's her last name? Jack, stumped,

780
00:37:44,440 --> 00:37:47,000
Speaker 3: gets defensive, I don't have to answer that. Eric has

781
00:37:47,040 --> 00:37:49,040
Speaker 3: trouble finding the words as to why he doesn't like her,

782
00:37:49,080 --> 00:37:51,720
Speaker 3: but then he throws out mean, creepy, evil, cold hearted,

783
00:37:51,880 --> 00:37:53,600
Speaker 3: and he finds that once you get started, they really

784
00:37:53,640 --> 00:37:56,160
Speaker 3: just roll right off the tongue. Jack doesn't get it.

785
00:37:56,200 --> 00:37:59,120
Speaker 3: He's happy. Eric shouts, you are not happy. You're just

786
00:37:59,200 --> 00:38:01,919
Speaker 3: a sweet farm kid who picked up with the first

787
00:38:01,960 --> 00:38:04,920
Speaker 3: pretty girl who flashed him a smile. Jack says he's

788
00:38:04,960 --> 00:38:08,359
Speaker 3: from New York City and Eric retorts that town ain't

789
00:38:08,440 --> 00:38:08,920
Speaker 3: so tough.

790
00:38:09,840 --> 00:38:10,960
Speaker 1: Eric, that was cute.

791
00:38:11,920 --> 00:38:13,759
Speaker 3: Eric reminds him he's just trying to look out for

792
00:38:13,880 --> 00:38:16,480
Speaker 3: Jack and be a good friend. Jack responds, if your

793
00:38:16,520 --> 00:38:18,400
Speaker 3: idea of being my friend is to stop me from

794
00:38:18,440 --> 00:38:21,040
Speaker 3: having a girlfriend. Maybe you should just stick to being

795
00:38:21,080 --> 00:38:25,200
Speaker 3: my roommate. They yell fine at each other a few

796
00:38:25,200 --> 00:38:27,319
Speaker 3: times before Eric sits back on the couch and Jack

797
00:38:27,400 --> 00:38:30,000
Speaker 3: leaves to join his girlfriend on the balcony. Eric screams

798
00:38:30,040 --> 00:38:34,120
Speaker 3: at the movie again and again. This relationship now has

799
00:38:34,160 --> 00:38:37,640
Speaker 3: been so rushed through these first we're now supposed to

800
00:38:37,760 --> 00:38:43,399
Speaker 3: care a lot that they are deep friends as opposed

801
00:38:43,480 --> 00:38:45,560
Speaker 3: to just roommates.

802
00:38:46,360 --> 00:38:48,720
Speaker 1: Well, at this point they have spent more time together

803
00:38:48,760 --> 00:38:49,640
Speaker 1: than him and Marsden.

804
00:38:50,680 --> 00:38:51,960
Speaker 3: Yeah, sure that is.

805
00:38:52,239 --> 00:38:54,440
Speaker 1: I mean, in the first five episodes, they're trying you

806
00:38:54,520 --> 00:38:58,360
Speaker 1: now and no longer with Sean, like they've already pivoted

807
00:38:58,400 --> 00:38:59,280
Speaker 1: off Sean.

808
00:38:59,360 --> 00:39:02,319
Speaker 2: And the difference is when we met Marsden, he was

809
00:39:02,320 --> 00:39:05,319
Speaker 2: an established character in Eric's life. We literally watched Eric

810
00:39:05,400 --> 00:39:10,279
Speaker 2: and Jack meet, you know, so I think it's just like, yeah,

811
00:39:10,320 --> 00:39:12,839
Speaker 2: but it's it's fine. I guess if the opening had

812
00:39:12,880 --> 00:39:15,799
Speaker 2: been what's weird is like the idea of the two

813
00:39:15,840 --> 00:39:20,080
Speaker 2: of you doing the run to the rocky steps is

814
00:39:20,120 --> 00:39:23,080
Speaker 2: a better way to start, because that is like, oh,

815
00:39:23,080 --> 00:39:25,720
Speaker 2: we had a plan as friends and it gets ruined

816
00:39:25,719 --> 00:39:28,600
Speaker 2: by a girl, Whereas, like you literally opened the scene,

817
00:39:28,760 --> 00:39:31,640
Speaker 2: we're going to get ladies. We're gonna go meet girls,

818
00:39:31,680 --> 00:39:34,440
Speaker 2: and then he meets a girl and then it's a conflict.

819
00:39:34,520 --> 00:39:36,680
Speaker 2: It's like, wait, like that you should have had some

820
00:39:36,800 --> 00:39:40,040
Speaker 2: like guys night plan or some fun friendship thing and

821
00:39:40,040 --> 00:39:42,120
Speaker 2: that would have established like oh, and then it's getting

822
00:39:42,200 --> 00:39:44,799
Speaker 2: ruined by this. Really, but it's just so funny in

823
00:39:44,840 --> 00:39:50,080
Speaker 2: the world of boy meets World, how quickly any relationship

824
00:39:50,160 --> 00:39:54,160
Speaker 2: ruins male male friendship. It's just it's a threat. It's

825
00:39:54,160 --> 00:39:56,719
Speaker 2: a threat to the order of life that a guy

826
00:39:56,840 --> 00:39:58,840
Speaker 2: is going to get into a relationship with a woman

827
00:39:58,920 --> 00:40:01,600
Speaker 2: and she is going to It's so it's such a

828
00:40:01,640 --> 00:40:04,680
Speaker 2: trope that we hit on over and over, and it's

829
00:40:04,719 --> 00:40:06,920
Speaker 2: from season one. It's always been a thing and I

830
00:40:07,520 --> 00:40:10,040
Speaker 2: can't Yeah, I guess it just made sense to us

831
00:40:10,080 --> 00:40:10,960
Speaker 2: all at the time. Yeah.

832
00:40:11,000 --> 00:40:13,160
Speaker 1: It also though one of the things I'm realizing, and

833
00:40:13,200 --> 00:40:15,160
Speaker 1: I think I kind of realized that as we were watching,

834
00:40:15,480 --> 00:40:17,760
Speaker 1: as we were doing the show, but I'm really realizing

835
00:40:17,760 --> 00:40:19,720
Speaker 1: it now, and I'm really realizing that it was actually

836
00:40:19,920 --> 00:40:23,120
Speaker 1: a detriment to the character is there is no reason

837
00:40:23,440 --> 00:40:24,319
Speaker 1: for Jack and Shawn to.

838
00:40:24,320 --> 00:40:26,080
Speaker 2: Be brothers none.

839
00:40:26,600 --> 00:40:29,440
Speaker 1: And if they didn't make them brothers, it could have

840
00:40:29,480 --> 00:40:33,120
Speaker 1: been interesting to bring him into the world via Eric

841
00:40:34,080 --> 00:40:38,000
Speaker 1: to then establish that relationship. That's what that relationship.

842
00:40:38,080 --> 00:40:41,640
Speaker 2: Imagine. Also, if if you take away that he's Sean's brother,

843
00:40:42,480 --> 00:40:45,160
Speaker 2: when you introduce him, you have to create a character

844
00:40:45,640 --> 00:40:47,759
Speaker 2: because it's like, then he has a reason to be

845
00:40:47,840 --> 00:40:51,840
Speaker 2: he's the rich guy or the smart guy or anything instead,

846
00:40:51,920 --> 00:40:54,480
Speaker 2: because they relied on the Sean thing. It's like he

847
00:40:54,520 --> 00:40:56,680
Speaker 2: has a reason to be there, and there's no character.

848
00:40:57,160 --> 00:40:59,080
Speaker 2: Matt Lawrence has just given nothing.

849
00:40:59,600 --> 00:41:01,680
Speaker 1: Yeah, but there's just no reason for you guys to

850
00:41:01,680 --> 00:41:03,000
Speaker 1: be brothers, no, no, whatsoever.

851
00:41:03,760 --> 00:41:06,400
Speaker 3: Well, then we're finally out of that set. We're in

852
00:41:06,440 --> 00:41:09,440
Speaker 3: the Matthew's kitchen. To Panga and Corey, Yeah the b

853
00:41:09,640 --> 00:41:12,520
Speaker 3: story to Panga and Corey walk downstairs and to Panga

854
00:41:12,600 --> 00:41:16,080
Speaker 3: is excited You me and a weekend in Pittsburgh. Can

855
00:41:16,160 --> 00:41:19,360
Speaker 3: you think of anything more romantic? Corey admits, Yeah, a

856
00:41:19,400 --> 00:41:22,600
Speaker 3: weekend in Pittsburgh without your parents. Topenga says they'll have

857
00:41:22,640 --> 00:41:25,360
Speaker 3: plenty of time alone. On their intimate drive up, Corey

858
00:41:25,400 --> 00:41:27,640
Speaker 3: reveals there's not going to be any driving, and he

859
00:41:27,719 --> 00:41:30,680
Speaker 3: throws two airplane tickets to steal Town on the counter.

860
00:41:31,080 --> 00:41:34,279
Speaker 3: They'll be kissing twenty thousand feet above the ground to

861
00:41:34,360 --> 00:41:36,840
Speaker 3: Penga is shocked. She hands the tickets back to Corey.

862
00:41:37,040 --> 00:41:39,560
Speaker 3: There's no way I can fly. I'm morally opposed to it.

863
00:41:39,880 --> 00:41:44,040
Speaker 3: Corey is surprised flying to Penga stutters, Oh, I thought

864
00:41:44,080 --> 00:41:45,360
Speaker 3: you said hunting whales.

865
00:41:46,200 --> 00:41:48,480
Speaker 1: I thought that was actually funny. That made me laugh.

866
00:41:48,760 --> 00:41:52,440
Speaker 2: Totally know what's happening, though, in order to see somebody

867
00:41:52,560 --> 00:41:56,480
Speaker 2: was like the pitches to Penga's scared of flying, right,

868
00:41:57,320 --> 00:41:59,560
Speaker 2: so we have to create a situation where they're flying.

869
00:42:01,160 --> 00:42:04,360
Speaker 3: Is Topanga and Corey You're going away for the weekend.

870
00:42:04,560 --> 00:42:08,880
Speaker 3: Topanga's excited for a romantic weekend with Corey, but Corey

871
00:42:08,920 --> 00:42:10,960
Speaker 3: is saying there's not enough time to be romantic on

872
00:42:11,000 --> 00:42:13,520
Speaker 3: the drive because her parents are there. So he takes

873
00:42:13,520 --> 00:42:15,279
Speaker 3: her flying. But the problem is to Pang is afraid

874
00:42:15,320 --> 00:42:16,719
Speaker 3: of flying, Like.

875
00:42:16,880 --> 00:42:19,839
Speaker 2: You think about the convolutions, the twists that you have

876
00:42:19,880 --> 00:42:21,719
Speaker 2: to do to get to that, and.

877
00:42:21,760 --> 00:42:23,080
Speaker 1: Then for what scene?

878
00:42:23,440 --> 00:42:26,040
Speaker 2: What is the joke? I know to Penga's okay with flying,

879
00:42:26,040 --> 00:42:27,360
Speaker 2: and Corey like, I just don't know.

880
00:42:27,520 --> 00:42:30,080
Speaker 3: Well, the joke is that we die at the end.

881
00:42:30,480 --> 00:42:34,360
Speaker 3: That's the whole thing is about conquering your episode to

882
00:42:34,480 --> 00:42:37,480
Speaker 3: Panga flies the plane into the ground.

883
00:42:38,719 --> 00:42:41,760
Speaker 1: About it's about conquering your fears. She has to conquer

884
00:42:41,840 --> 00:42:44,000
Speaker 1: her fear to get there. That's what it is. And

885
00:42:44,080 --> 00:42:48,439
Speaker 1: like any good bee story, it starts on page twenty.

886
00:42:48,080 --> 00:42:50,480
Speaker 2: Like with a totally natural setup.

887
00:42:50,920 --> 00:42:53,120
Speaker 1: Yeah, totally totally natural.

888
00:42:53,160 --> 00:42:56,359
Speaker 2: Two high schoolers weekend get away on the plane, Yeah,

889
00:42:56,440 --> 00:42:57,480
Speaker 2: to see one of.

890
00:42:57,440 --> 00:43:01,719
Speaker 3: The high school's parents who lives in the away. So

891
00:43:01,800 --> 00:43:05,719
Speaker 3: Corey realizes she's afraid to fly to Panga first denies it,

892
00:43:05,760 --> 00:43:07,880
Speaker 3: but admits she's actually never been on a plane before.

893
00:43:07,960 --> 00:43:10,960
Speaker 3: Corey doesn't believe it. Even horses go on planes.

894
00:43:12,160 --> 00:43:15,839
Speaker 2: That's a funny line, and the hunting whales thing is

895
00:43:15,880 --> 00:43:19,319
Speaker 2: it's also the more non secretary lines are.

896
00:43:19,480 --> 00:43:22,520
Speaker 3: Yeah, Tapanga tells him, I'd appreciate it if you wouldn't

897
00:43:22,560 --> 00:43:25,480
Speaker 3: make fun of me. Corey apologizes, then asks to discuss

898
00:43:25,480 --> 00:43:27,799
Speaker 3: her fear of flying over dinner unless she's afraid of

899
00:43:27,840 --> 00:43:33,839
Speaker 3: restaurants too, how dare he to? Pega pushes back, if

900
00:43:33,840 --> 00:43:36,080
Speaker 3: you want to be insensitive, then you can eat alone.

901
00:43:36,360 --> 00:43:39,560
Speaker 3: Corey reminds her, you used to think I was funny.

902
00:43:39,880 --> 00:43:42,560
Speaker 3: Then we're back in the guy's apartment. Thank god, I

903
00:43:42,680 --> 00:43:43,080
Speaker 3: missed it.

904
00:43:43,239 --> 00:43:45,000
Speaker 2: Yeah, get us back to the coven.

905
00:43:46,920 --> 00:43:49,160
Speaker 3: Millie is out on the balcony, candles all around her.

906
00:43:49,239 --> 00:43:52,360
Speaker 3: She's waving scarves in the air as creepy music plays.

907
00:43:52,680 --> 00:43:56,360
Speaker 3: She chants, Lord of Darkness, Ruler of the anguished, on

908
00:43:56,480 --> 00:43:59,439
Speaker 3: all hallows eve, your work will be done. But there

909
00:43:59,520 --> 00:44:03,200
Speaker 3: is one who stands in the way. Out of nowhere.

910
00:44:03,320 --> 00:44:05,879
Speaker 3: Eric taps her on the shoulder. Hey, Millie, man, am

911
00:44:05,920 --> 00:44:07,759
Speaker 3: I the one who's standing in the way. I thought

912
00:44:07,760 --> 00:44:10,919
Speaker 3: that was very funny, funny. Milly asks how much he heard,

913
00:44:10,960 --> 00:44:13,800
Speaker 3: and Eric shrugs, I heard you talking to Satan, which

914
00:44:13,840 --> 00:44:16,920
Speaker 3: is also very funny. It's been very direct, which I appreciate.

915
00:44:17,480 --> 00:44:20,720
Speaker 3: We hear Jack from inside. He's got pizza. Millie thinks

916
00:44:20,719 --> 00:44:23,399
Speaker 3: fast and slaps Eric, just as Jack walks out onto

917
00:44:23,400 --> 00:44:26,040
Speaker 3: the balcony. Eric shrieks in pain, and Millie shrieks he

918
00:44:26,120 --> 00:44:28,759
Speaker 3: tried to kiss me. Jack calls Eric a creep and

919
00:44:28,840 --> 00:44:31,400
Speaker 3: runs over to console her. Eric tells him she was

920
00:44:31,400 --> 00:44:32,200
Speaker 3: talking to Satan.

921
00:44:33,080 --> 00:44:36,399
Speaker 2: Seemed insanely intense to anybody else, I know, like first

922
00:44:36,440 --> 00:44:42,160
Speaker 2: of all, slapping and then accusing him of like assaulting her,

923
00:44:42,200 --> 00:44:46,799
Speaker 2: and Jack just okay, that's happened. You're a creep, like, no,

924
00:44:46,960 --> 00:44:48,200
Speaker 2: call the cops like.

925
00:44:48,920 --> 00:44:50,920
Speaker 1: You just what? Yeah?

926
00:44:50,960 --> 00:44:57,320
Speaker 3: Also, though, yeah, there's too much to unpack. It's too much.

927
00:44:57,800 --> 00:44:58,799
Speaker 3: It's just too much.

928
00:44:59,719 --> 00:45:00,560
Speaker 1: Yeah Okay.

929
00:45:00,840 --> 00:45:03,319
Speaker 3: Eric is sirious. He thinks Milly is a witch, and

930
00:45:03,360 --> 00:45:06,080
Speaker 3: not a good witch like Glinda, but a bad witch

931
00:45:06,200 --> 00:45:09,000
Speaker 3: like with the monkeys. Milly asks if Jack is going

932
00:45:09,080 --> 00:45:10,600
Speaker 3: to allow him to talk to her like this.

933
00:45:10,680 --> 00:45:12,680
Speaker 2: Wait, I don't get that reference with the monkeys, what

934
00:45:12,680 --> 00:45:13,080
Speaker 2: does it mean?

935
00:45:13,200 --> 00:45:19,279
Speaker 3: Like from Wizard of Oz last the Flying Monkeys got

936
00:45:19,400 --> 00:45:24,080
Speaker 3: Jay pretties. Jack doesn't believe Eric. For the first time,

937
00:45:24,160 --> 00:45:26,799
Speaker 3: he's doing something without him and he can't handle it.

938
00:45:27,120 --> 00:45:29,560
Speaker 3: Eric assures him she doesn't belong to you, Jack, she

939
00:45:29,680 --> 00:45:34,360
Speaker 3: belongs to Elda, which was an actual laugh out loud

940
00:45:35,640 --> 00:45:38,640
Speaker 3: moment in our house, So very funny.

941
00:45:38,800 --> 00:45:39,240
Speaker 1: Okay.

942
00:45:39,760 --> 00:45:41,839
Speaker 3: Eric says Jack has to make a choice. It's either

943
00:45:41,960 --> 00:45:44,719
Speaker 3: him or Milly. Eric cheeses it up. After he makes

944
00:45:44,760 --> 00:45:48,280
Speaker 3: the ultimatum, Jack says Eric is just his roommate. Milly

945
00:45:48,480 --> 00:45:53,440
Speaker 3: is much much more. Eric oblivious says, we're waiting. Millie

946
00:45:53,440 --> 00:45:56,480
Speaker 3: gives him a death glare. He chose me, Eric asks,

947
00:45:56,600 --> 00:46:00,279
Speaker 3: when after catching the drift, he states, I'm not moving out.

948
00:46:00,480 --> 00:46:03,399
Speaker 3: Millie responds, it's up to you because I'm moving in.

949
00:46:04,000 --> 00:46:06,320
Speaker 1: Whoa yeah from.

950
00:46:06,200 --> 00:46:11,280
Speaker 2: Sexual assault roommates swapping. This is the levels.

951
00:46:10,840 --> 00:46:13,000
Speaker 3: Of like this episode has it all it does.

952
00:46:13,440 --> 00:46:15,279
Speaker 1: It's a banan episode.

953
00:46:15,480 --> 00:46:22,799
Speaker 3: It's the witch Halloweenween episode. Lighten up, thunder those outside

954
00:46:24,080 --> 00:46:25,759
Speaker 3: take a gummy or something.

955
00:46:27,600 --> 00:46:29,759
Speaker 2: Here's what this episode should have been. Just Will in

956
00:46:29,800 --> 00:46:33,440
Speaker 2: a room doing funny voices. Just just put Will, just

957
00:46:33,480 --> 00:46:36,080
Speaker 2: put Eric in a room. The whole episode should have

958
00:46:36,080 --> 00:46:39,040
Speaker 2: been a bottle episode of him watching Halloween nine and

959
00:46:39,120 --> 00:46:42,520
Speaker 2: doing his scream and being funny and saying the room.

960
00:46:42,800 --> 00:46:44,440
Speaker 2: And he could have done He could have played all

961
00:46:44,440 --> 00:46:50,520
Speaker 2: these characters himself. Way better, Yes, so much better.

962
00:46:51,000 --> 00:46:54,840
Speaker 3: Well, we're still in the guy's apartment. In case you

963
00:46:54,880 --> 00:46:56,320
Speaker 3: were wondering, poor.

964
00:46:56,640 --> 00:46:59,480
Speaker 2: Poor Will, I can't believe. Did you do you remember

965
00:46:59,600 --> 00:47:01,960
Speaker 2: enjoy this episode? Will do you remember? Yes?

966
00:47:02,000 --> 00:47:04,120
Speaker 1: He does? I do? I do I remember?

967
00:47:04,160 --> 00:47:07,279
Speaker 2: Because you should have just yeah, because the whole thing

968
00:47:07,320 --> 00:47:10,760
Speaker 2: is you're carrying everything. None of that makes any sense.

969
00:47:11,160 --> 00:47:14,360
Speaker 2: Nobody's doing anything except you just keep being funny.

970
00:47:15,400 --> 00:47:18,440
Speaker 1: If I did what if I saw myself do one more?

971
00:47:18,760 --> 00:47:21,799
Speaker 1: Just mugging to the camera like or kind of thing

972
00:47:21,880 --> 00:47:24,279
Speaker 1: I was gonna punch myself in the face, but it was.

973
00:47:24,360 --> 00:47:25,840
Speaker 2: Only for this episode.

974
00:47:25,880 --> 00:47:30,399
Speaker 4: Man, what else we have the b story? We got

975
00:47:30,400 --> 00:47:31,640
Speaker 4: a great airlines story.

976
00:47:31,760 --> 00:47:35,760
Speaker 3: Gosh. Okay, So Jack is helping Millie move in boxes

977
00:47:35,840 --> 00:47:39,359
Speaker 3: is Eric judgmentally watches on sitting in the sink. Jack says,

978
00:47:39,400 --> 00:47:41,080
Speaker 3: she's only staying for a few days.

979
00:47:41,120 --> 00:47:45,239
Speaker 1: I'm sorry, I look like I'm taking a dump. That's

980
00:47:45,520 --> 00:47:47,799
Speaker 1: all that it looks like is for some reason, I

981
00:47:47,840 --> 00:47:50,520
Speaker 1: am just dropping some kids off right in the middle

982
00:47:50,520 --> 00:47:53,040
Speaker 1: of the sink. Like no, It's like, what the hell?

983
00:47:53,520 --> 00:47:56,120
Speaker 1: What kind of blocking is that? Will take a crap

984
00:47:56,120 --> 00:47:58,040
Speaker 1: in the sink the rest of you standing? I mean,

985
00:47:58,120 --> 00:48:03,640
Speaker 1: my god, it looks what he doing?

986
00:48:03,800 --> 00:48:04,520
Speaker 2: Is he city in?

987
00:48:07,120 --> 00:48:09,800
Speaker 1: It is the weirdest blocking. It's like, what the hell?

988
00:48:11,440 --> 00:48:14,560
Speaker 3: Okay, so we just established that she's moving in and

989
00:48:14,600 --> 00:48:17,080
Speaker 3: that came out of nowhere. Jack did not say that

990
00:48:17,120 --> 00:48:19,359
Speaker 3: to her. She just said it out loud. And then

991
00:48:19,440 --> 00:48:22,000
Speaker 3: in the scene, Jack says she's only staying for a

992
00:48:22,000 --> 00:48:24,799
Speaker 3: few days because she's just having some trouble with her roommates.

993
00:48:25,280 --> 00:48:28,640
Speaker 3: Eric sarcastically asks, what's the problem. They don't like evil.

994
00:48:29,280 --> 00:48:31,960
Speaker 3: Eric tries to convince Jack again she is a witch,

995
00:48:32,200 --> 00:48:34,839
Speaker 3: but Jack tells him to stop calling your names. Just then,

996
00:48:34,960 --> 00:48:37,600
Speaker 3: Millie places a cauldron on their kitchen counter, but Jack

997
00:48:37,640 --> 00:48:41,480
Speaker 3: explains it's Halloween. It sets the mood. Nearby, Sean asks

998
00:48:41,480 --> 00:48:44,680
Speaker 3: one of the other witches. So, Rosemary, how's the baby?

999
00:48:44,800 --> 00:48:46,200
Speaker 3: She walks away in disgusted.

1000
00:48:52,080 --> 00:48:52,759
Speaker 1: So I just.

1001
00:48:52,880 --> 00:48:57,080
Speaker 4: Random and weird and funny and yeah.

1002
00:48:57,239 --> 00:48:59,560
Speaker 3: Jack tells Eric we're going to be living together. Let's

1003
00:48:59,600 --> 00:49:02,920
Speaker 3: at least try to get along. Eric sarcastically asks where's

1004
00:49:02,960 --> 00:49:06,520
Speaker 3: she gonna sleep her beloved balcony and Jack admits actually yes.

1005
00:49:07,440 --> 00:49:09,960
Speaker 3: Eric is angry. I thought we were friends. I guess

1006
00:49:10,000 --> 00:49:13,120
Speaker 3: I was wrong. I'm just another name on your lease.

1007
00:49:13,360 --> 00:49:16,160
Speaker 3: He storms out, and Jack walks over to Sean in disbelief.

1008
00:49:16,280 --> 00:49:19,160
Speaker 3: He can't believe Eric is calling Milly a witch. Sean's

1009
00:49:19,160 --> 00:49:22,120
Speaker 3: surprised she's not. I assumed she was, at least that's

1010
00:49:22,120 --> 00:49:24,080
Speaker 3: what he's heard. Anyway, He's gonna go help the rest

1011
00:49:24,080 --> 00:49:24,560
Speaker 3: of the coven.

1012
00:49:25,120 --> 00:49:25,319
Speaker 1: True.

1013
00:49:25,800 --> 00:49:28,600
Speaker 3: He grabs a box. Oh, there's something breathing in here,

1014
00:49:29,000 --> 00:49:32,759
Speaker 3: which is very funny, super funny. Jack walks out to

1015
00:49:32,800 --> 00:49:35,160
Speaker 3: the balcony, where Milly is waving her arms around in

1016
00:49:35,200 --> 00:49:38,120
Speaker 3: a spooky fashion. He confronts her. I don't know your

1017
00:49:38,200 --> 00:49:39,880
Speaker 3: last name, and I'm okay with that, but there is

1018
00:49:39,920 --> 00:49:42,560
Speaker 3: something I need to know. Are you a witch? Milly

1019
00:49:42,640 --> 00:49:46,600
Speaker 3: calmly responds, I am. Does that bother you? Jack's never

1020
00:49:46,680 --> 00:49:49,239
Speaker 3: dated a witch before. Millie reminds him this isn't the

1021
00:49:49,280 --> 00:49:52,839
Speaker 3: sixteenth century witchcraft isn't spooky. It's just a belief. We

1022
00:49:52,880 --> 00:49:55,480
Speaker 3: do a lot of good. For instance, our Pittsburgh chapter

1023
00:49:55,560 --> 00:49:58,360
Speaker 3: works within her city kids. Jack's size and relief. He

1024
00:49:58,400 --> 00:50:02,000
Speaker 3: didn't realize that, Milli agro well, then maybe you should check,

1025
00:50:02,320 --> 00:50:05,160
Speaker 3: and then she quickly turns sweet again. You do what

1026
00:50:05,200 --> 00:50:07,200
Speaker 3: you have to do. Just know that no one will

1027
00:50:07,200 --> 00:50:08,839
Speaker 3: ever feel about you the way that I do.

1028
00:50:09,480 --> 00:50:09,879
Speaker 1: No one.

1029
00:50:10,760 --> 00:50:14,680
Speaker 3: Jack coos, I love you. Millie smiles, I know you do.

1030
00:50:15,280 --> 00:50:18,120
Speaker 3: Creepy music begins to play as Millie looks into his eyes.

1031
00:50:18,440 --> 00:50:21,719
Speaker 3: Tomorrow is October thirty, first Halloween. We're going to have

1032
00:50:21,760 --> 00:50:23,840
Speaker 3: a party. I'm going to introduce you to all of

1033
00:50:23,880 --> 00:50:27,400
Speaker 3: your new friends. We're going to have fun. Jack obviously

1034
00:50:27,480 --> 00:50:33,919
Speaker 3: hypnotized nods fun. That's a scene. That's a scene, that's

1035
00:50:33,920 --> 00:50:34,960
Speaker 3: a scene, that's what happens.

1036
00:50:35,160 --> 00:50:37,160
Speaker 2: Have fun. Just enjoy it.

1037
00:50:37,239 --> 00:50:42,279
Speaker 3: Didn't you there's gunnies and like booze. You know, I

1038
00:50:42,280 --> 00:50:42,760
Speaker 3: know you don't.

1039
00:50:42,640 --> 00:50:44,520
Speaker 2: Drink yellow or just hate yourself in the head a

1040
00:50:44,520 --> 00:50:46,879
Speaker 2: few times. That'll be nice if you hold your breath

1041
00:50:46,920 --> 00:50:50,800
Speaker 2: and spin around. The scene is amazing, it's so funny.

1042
00:50:50,920 --> 00:50:51,960
Speaker 2: It's so funny.

1043
00:50:52,600 --> 00:50:55,919
Speaker 3: Relax. Then we're on a tiny airplane, which I'll take.

1044
00:50:56,239 --> 00:50:57,200
Speaker 2: It's just a kids show.

1045
00:50:57,200 --> 00:51:00,480
Speaker 3: Stop taking seriously, you know those other eighty EPISO. He's

1046
00:51:00,520 --> 00:51:04,120
Speaker 3: covered that. We're good. They don't all have to be

1047
00:51:04,160 --> 00:51:08,560
Speaker 3: like that. No, it's good enough enough.

1048
00:51:09,239 --> 00:51:11,959
Speaker 1: I have literally nothing to say.

1049
00:51:12,840 --> 00:51:15,360
Speaker 3: Then we're on a tiny airplane to Penga is terrified.

1050
00:51:15,560 --> 00:51:17,400
Speaker 3: Please tell me this is the shuttle that takes us

1051
00:51:17,440 --> 00:51:19,799
Speaker 3: to the real plane. Corey assures her it's a real

1052
00:51:19,840 --> 00:51:22,200
Speaker 3: plane and a real airline. She asks how much she

1053
00:51:22,200 --> 00:51:24,520
Speaker 3: paid for the tickets, and he says twelve dollars. It's

1054
00:51:24,520 --> 00:51:27,400
Speaker 3: a good deal because they just got out of bankruptcy.

1055
00:51:27,520 --> 00:51:30,560
Speaker 1: I'm sorry this entire time because Danielle and I are

1056
00:51:30,760 --> 00:51:34,160
Speaker 1: are airline buddies. We sure are riders in the back

1057
00:51:34,320 --> 00:51:37,320
Speaker 1: with the luggage on a connecting flight from a different airplike.

1058
00:51:37,840 --> 00:51:42,719
Speaker 8: Well, I have connect exactly on the Red Eye in

1059
00:51:42,760 --> 00:51:45,040
Speaker 8: the back I got I was able to actually read

1060
00:51:45,040 --> 00:51:48,640
Speaker 8: in the bathroom, and so Danielle.

1061
00:51:48,719 --> 00:51:51,239
Speaker 1: I was just thinking the entire time that I'm you

1062
00:51:51,880 --> 00:51:54,680
Speaker 1: in this scene. This plane's too small.

1063
00:51:54,680 --> 00:51:57,920
Speaker 3: I don't have to Will's hand when there's turbulence. I

1064
00:51:57,960 --> 00:52:02,120
Speaker 3: see him make the sign of the cross.

1065
00:52:03,680 --> 00:52:05,759
Speaker 1: Yeah, it's the thing. But this is what I was

1066
00:52:05,760 --> 00:52:08,480
Speaker 1: thinking about the entire time. I know she's seen.

1067
00:52:08,320 --> 00:52:11,920
Speaker 3: This, I've seen this part before. She reminds him that

1068
00:52:11,960 --> 00:52:15,080
Speaker 3: this is her first fight. Please don't make jokes. Corey

1069
00:52:15,120 --> 00:52:17,400
Speaker 3: tries to ease her worries. A good plane is like

1070
00:52:17,440 --> 00:52:20,279
Speaker 3: a fine wine. It only gets better with age. The

1071
00:52:20,360 --> 00:52:25,040
Speaker 3: captain walks in, introducing himself as Captain Dexter Jorgensen. He explains,

1072
00:52:25,080 --> 00:52:27,239
Speaker 3: because of the nature of these smaller airplanes, he's going

1073
00:52:27,280 --> 00:52:29,240
Speaker 3: to have to redistribute some of the weight for takeoff.

1074
00:52:29,440 --> 00:52:31,719
Speaker 3: He tells Tapega she's perfect where she is, but needs

1075
00:52:31,760 --> 00:52:33,520
Speaker 3: Corey to move to a different part of the plane.

1076
00:52:34,400 --> 00:52:37,239
Speaker 3: Then we're still in the airplane. We're now in the air.

1077
00:52:37,320 --> 00:52:41,200
Speaker 3: Topanga is talking herself into a happy place. Bunnies, cute

1078
00:52:41,200 --> 00:52:44,520
Speaker 3: little bunnies, cute little bunnies and tiny crushing planes. Corey,

1079
00:52:44,520 --> 00:52:47,200
Speaker 3: please get over here. Now, Corey reminds her he has

1080
00:52:47,239 --> 00:52:50,000
Speaker 3: to wait for the ding. The Captain then remembers oh ding,

1081
00:52:50,440 --> 00:52:53,279
Speaker 3: which is also very very funny, so as he moves

1082
00:52:53,320 --> 00:52:55,839
Speaker 3: next to Topanga, he says, we've definitely learned one thing.

1083
00:52:56,000 --> 00:52:58,440
Speaker 3: You are not a good flyer. Tapega shoots back, and

1084
00:52:58,480 --> 00:53:01,040
Speaker 3: you are going to make a very insaneitive husband for

1085
00:53:01,120 --> 00:53:05,240
Speaker 3: somebody else. Tapanga puts on headphones to distract herself. Meanwhile,

1086
00:53:05,239 --> 00:53:08,319
Speaker 3: the Captain turns to Corey. You're Eric Matthews's brother. I

1087
00:53:08,360 --> 00:53:09,319
Speaker 3: went to school with Eric.

1088
00:53:09,480 --> 00:53:10,200
Speaker 1: Say hi to him.

1089
00:53:10,520 --> 00:53:13,320
Speaker 3: Corey asks the captain if he meant he was Eric's teacher.

1090
00:53:13,680 --> 00:53:17,280
Speaker 3: The captain laughs, no, Eric used to tutor me smart kids.

1091
00:53:17,320 --> 00:53:19,800
Speaker 3: Your brother. I wish I had his brains. I wouldn't

1092
00:53:19,800 --> 00:53:23,759
Speaker 3: be doing this good bit. Corey and Topanga are both horrified,

1093
00:53:35,719 --> 00:53:38,800
Speaker 3: and then we're outside Phoene's house. Morgan, dressed in a

1094
00:53:38,840 --> 00:53:41,480
Speaker 3: princess outfit, is trick or treating with friends. She begs

1095
00:53:41,480 --> 00:53:43,520
Speaker 3: Pheene for a piece of candy, but he's decided to

1096
00:53:43,560 --> 00:53:45,920
Speaker 3: hold his basket in the air, preventing them from grabbing

1097
00:53:45,960 --> 00:53:49,359
Speaker 3: any Say, trick or treat, it's the rules, Morgan half

1098
00:53:49,400 --> 00:53:52,000
Speaker 3: heartedly says it and Phoene says, say it with vigor,

1099
00:53:52,239 --> 00:53:55,680
Speaker 3: like you mean it. Morgan gives her most enthusiastic trick

1100
00:53:55,719 --> 00:53:58,640
Speaker 3: or treat, and Phoenie finally lets down the basket. He

1101
00:53:58,680 --> 00:54:01,440
Speaker 3: gives them each a pocket for the sas the kid's boo,

1102
00:54:01,560 --> 00:54:05,560
Speaker 3: so Phoenie adds and some candy. The kids happily run along.

1103
00:54:05,600 --> 00:54:07,719
Speaker 3: As Eric appears, he asks if he can crash at

1104
00:54:07,719 --> 00:54:11,839
Speaker 3: Phoene's tonight. Phoene says no, why he's sure Phoene's heard

1105
00:54:11,840 --> 00:54:14,160
Speaker 3: it a million times. Jack's girlfriend is a witch. She

1106
00:54:14,239 --> 00:54:16,719
Speaker 3: speaks to the devil and apparently I'm standing between her

1107
00:54:16,800 --> 00:54:20,160
Speaker 3: and the doorway to hell. Eric complains that it's Halloween,

1108
00:54:20,239 --> 00:54:22,960
Speaker 3: the one holiday that's supposed to bring loved ones together.

1109
00:54:23,320 --> 00:54:25,920
Speaker 3: Phoene assures him that their friendship is strong enough for this,

1110
00:54:26,200 --> 00:54:28,600
Speaker 3: but Eric argues that girls aren't supposed to get in

1111
00:54:28,640 --> 00:54:31,000
Speaker 3: the middle of friendships. He doesn't know why he's letting

1112
00:54:31,000 --> 00:54:34,520
Speaker 3: the spug him so much. Phoene says, if Jack was

1113
00:54:34,760 --> 00:54:37,040
Speaker 3: just his roommate, he wouldn't be there talking to him.

1114
00:54:37,360 --> 00:54:39,000
Speaker 3: He needs to think of some way to get Jack

1115
00:54:39,080 --> 00:54:41,960
Speaker 3: to hear him. Eric is impressed he didn't even break

1116
00:54:41,960 --> 00:54:45,239
Speaker 3: a sweat on this one. Phoene sarcastically remarks, I hate

1117
00:54:45,239 --> 00:54:47,760
Speaker 3: to see people fight on the one holiday that brings

1118
00:54:47,760 --> 00:54:51,080
Speaker 3: loved ones together. He hands Eric athosaurus and some candy,

1119
00:54:51,120 --> 00:54:54,759
Speaker 3: and Eric wishes him a merry Halloween before running off,

1120
00:54:55,320 --> 00:54:59,520
Speaker 3: and then Phoene's cordless phone rings and it's Corey on

1121
00:54:59,640 --> 00:55:00,000
Speaker 3: the plane.

1122
00:55:00,719 --> 00:55:04,680
Speaker 2: He's on our first boys world self on a flip phone.

1123
00:55:05,160 --> 00:55:10,040
Speaker 3: Yes he appears to be phones. Yes, he appears to

1124
00:55:10,080 --> 00:55:12,920
Speaker 3: be going through some serious turbulence. He needs Phoenie to

1125
00:55:12,960 --> 00:55:15,920
Speaker 3: look up someone named Dexter Jorgensen in the school records.

1126
00:55:16,239 --> 00:55:19,279
Speaker 3: Phoenie reminds him those are confidential. Why does he need them.

1127
00:55:19,560 --> 00:55:23,160
Speaker 3: Corey responds, he's my pilot. Phoene's eyes get wide. Whatever

1128
00:55:23,200 --> 00:55:26,520
Speaker 3: you do, don't get on that plane. The plane begins

1129
00:55:26,520 --> 00:55:29,319
Speaker 3: to rattle again. In corey whimper's goodbye, mister Feoenie, I

1130
00:55:29,360 --> 00:55:32,480
Speaker 3: love you very much. Phoene responds, I'm sure you'll be fine,

1131
00:55:32,760 --> 00:55:36,000
Speaker 3: before hanging up, and then we're back on the airplane.

1132
00:55:36,160 --> 00:55:38,600
Speaker 3: Corey tries to tell Tapanga that he lost Phoenie, but

1133
00:55:38,600 --> 00:55:41,920
Speaker 3: he can't find her. He's lost her too. Then Topanga

1134
00:55:41,960 --> 00:55:44,600
Speaker 3: turns around from the cockpit she's wearing a captain's hat

1135
00:55:44,640 --> 00:55:48,239
Speaker 3: and she's flying the plane. She says, pilot Dexter heard

1136
00:55:48,280 --> 00:55:50,200
Speaker 3: she was afraid and it was her first time flying,

1137
00:55:50,239 --> 00:55:53,560
Speaker 3: and unlike Corey, he cared. So now she's facing her

1138
00:55:53,560 --> 00:55:57,879
Speaker 3: fears and flying the plane. Topanga enthusiastically asks Dexter if

1139
00:55:57,920 --> 00:56:00,480
Speaker 3: she can test what this bird can do, and he

1140
00:56:00,600 --> 00:56:02,759
Speaker 3: excitedly tells his co pilot.

1141
00:56:02,480 --> 00:56:03,560
Speaker 1: To go for it.

1142
00:56:04,120 --> 00:56:06,200
Speaker 3: They all lean forward and we get a shot of

1143
00:56:06,239 --> 00:56:09,520
Speaker 3: the tiny plane mid air, also doing a nose dives.

1144
00:56:09,880 --> 00:56:11,759
Speaker 3: Corey screams, no.

1145
00:56:12,760 --> 00:56:17,160
Speaker 1: It doesn't it doesn't seem safe, just for the record.

1146
00:56:16,840 --> 00:56:18,759
Speaker 3: To be never seen again.

1147
00:56:20,400 --> 00:56:22,719
Speaker 1: That's it. Well, that's a good beast. Story goes from

1148
00:56:22,719 --> 00:56:25,800
Speaker 1: page twenty to page twenty four, and that is it,

1149
00:56:25,960 --> 00:56:27,319
Speaker 1: and then we're out.

1150
00:56:28,200 --> 00:56:30,200
Speaker 3: So then did you miss it? We're back in the

1151
00:56:30,200 --> 00:56:33,680
Speaker 3: guy's apartment. The house is decorated like the Osborne family's

1152
00:56:33,719 --> 00:56:35,840
Speaker 3: house for the Halloween party, and Jack stands in the

1153
00:56:35,880 --> 00:56:39,120
Speaker 3: middle of the living room, looking extremely uncomfortable, as Milly

1154
00:56:39,160 --> 00:56:42,320
Speaker 3: and the rest of her coven wave their arms around him, chanting.

1155
00:56:42,880 --> 00:56:45,160
Speaker 3: Millie tells Jack to chant with them and open his

1156
00:56:45,280 --> 00:56:47,479
Speaker 3: soul so the spirit can take him to the place

1157
00:56:47,520 --> 00:56:50,920
Speaker 3: where darkness reigns. Jack nervously asks if they could just

1158
00:56:51,320 --> 00:56:53,880
Speaker 3: I don't know, Bob for apples. Sean runs into the

1159
00:56:53,960 --> 00:56:57,239
Speaker 3: room happily thanking whoever provided the shrouds. His is a

1160
00:56:57,239 --> 00:56:59,360
Speaker 3: little snug, though, would anyone like to trade him for

1161
00:56:59,400 --> 00:57:03,440
Speaker 3: a large You're great, You're so great.

1162
00:57:03,440 --> 00:57:05,440
Speaker 1: I'm sorry you're in this episode.

1163
00:57:05,840 --> 00:57:08,640
Speaker 3: Jack asks Millie why everyone's wearing the same costume, and

1164
00:57:08,680 --> 00:57:11,040
Speaker 3: Milly angrily responds back in a demon.

1165
00:57:10,800 --> 00:57:12,360
Speaker 1: Voice, it's not a costume.

1166
00:57:13,120 --> 00:57:15,520
Speaker 3: The coven continues to chant, and she was trying to

1167
00:57:15,600 --> 00:57:16,560
Speaker 3: keep your voice.

1168
00:57:16,760 --> 00:57:18,720
Speaker 1: No. I think they put like an auto tuney type

1169
00:57:18,760 --> 00:57:21,080
Speaker 1: thing on it. I kind of remember her doing that

1170
00:57:21,360 --> 00:57:23,640
Speaker 1: on the set. I think that was her.

1171
00:57:24,080 --> 00:57:25,840
Speaker 2: I kind of remember her doing it too. But when

1172
00:57:25,880 --> 00:57:27,240
Speaker 2: I watch it, I was like, there's.

1173
00:57:27,080 --> 00:57:29,880
Speaker 1: Something there's it puts something to it. But she was

1174
00:57:29,880 --> 00:57:31,680
Speaker 1: pretty close on the set to do something.

1175
00:57:31,720 --> 00:57:33,720
Speaker 2: Wouldn't be surprised if she was doing something on the

1176
00:57:33,760 --> 00:57:36,520
Speaker 2: set and then they had looped it with somebody else,

1177
00:57:36,560 --> 00:57:38,640
Speaker 2: like maybe Jackie looped it actually if she already was

1178
00:57:38,680 --> 00:57:42,400
Speaker 2: doing voices, because it's it's just different enough that I'm like, oh,

1179
00:57:42,440 --> 00:57:43,720
Speaker 2: that's that doesn't sound.

1180
00:57:43,840 --> 00:57:45,720
Speaker 3: I know there is something on it. There's like a

1181
00:57:45,720 --> 00:57:47,440
Speaker 3: little extra spin on it. But I know that she

1182
00:57:47,560 --> 00:57:50,080
Speaker 3: must have done like a deeper, you know, demon voice

1183
00:57:50,320 --> 00:57:52,840
Speaker 3: type thing. The coven starts to chant and Sean is

1184
00:57:52,840 --> 00:57:55,000
Speaker 3: trying to keep up. He asks, can we try that

1185
00:57:55,040 --> 00:57:57,240
Speaker 3: one over again? Because I wasn't ready. He counts them

1186
00:57:57,240 --> 00:58:01,440
Speaker 3: down three, two, one, and they all chant in unison.

1187
00:58:02,000 --> 00:58:06,080
Speaker 3: Sean is having the absolute time of his life. The

1188
00:58:06,120 --> 00:58:09,000
Speaker 3: doorbell buzzes and Millie answers it it's trick or treaters.

1189
00:58:09,280 --> 00:58:11,200
Speaker 3: She gives the kids a piece of candy, except the

1190
00:58:11,200 --> 00:58:14,320
Speaker 3: one wearing a witch costume, because you mock us. She

1191
00:58:14,480 --> 00:58:17,760
Speaker 3: slams the door shut and announces it's time. Sean laughs

1192
00:58:17,760 --> 00:58:20,520
Speaker 3: and starts the spooky chant again. Jack tells Milly he

1193
00:58:20,520 --> 00:58:21,439
Speaker 3: wants way if.

1194
00:58:21,360 --> 00:58:23,720
Speaker 1: You notice though, So, I don't know if you remember

1195
00:58:23,760 --> 00:58:28,400
Speaker 1: this rider. They the extras just wouldn't start the woo

1196
00:58:28,480 --> 00:58:31,760
Speaker 1: again like you were. It was supposed to be them starting,

1197
00:58:31,840 --> 00:58:34,600
Speaker 1: and they wouldn't do it, and so you had to

1198
00:58:34,600 --> 00:58:36,560
Speaker 1: start it every time, and you're like, you see why

1199
00:58:36,600 --> 00:58:39,320
Speaker 1: you're looking at them like are you guys going to

1200
00:58:39,400 --> 00:58:41,520
Speaker 1: do this or not? And so then you're like, okay,

1201
00:58:42,000 --> 00:58:43,840
Speaker 1: so you started because they just couldn't get it, no

1202
00:58:43,920 --> 00:58:45,680
Speaker 1: matter how you couldn't get it.

1203
00:58:45,800 --> 00:58:48,680
Speaker 3: Yep, that's probably why you laugh right before you do it.

1204
00:58:49,360 --> 00:58:52,520
Speaker 3: Jack tells Millie he wants to break up. Millie blankly responds,

1205
00:58:52,600 --> 00:58:56,400
Speaker 3: I'm not Milly, I'm Ushcar, Queen of Malevolent's daughter of evil.

1206
00:58:57,000 --> 00:58:59,960
Speaker 3: Jack's voice gets high pitched and scared as he repeats, USh,

1207
00:59:00,520 --> 00:59:05,160
Speaker 3: I want to break ups. Also funny, Millie slash card

1208
00:59:05,160 --> 00:59:08,280
Speaker 3: as a twirl and reveals it's time for the Sacred lightbeam.

1209
00:59:08,760 --> 00:59:11,320
Speaker 3: Jack tells Sean they're in trouble, but Sean brushes it off.

1210
00:59:11,360 --> 00:59:14,240
Speaker 3: How fun It's a Halloween party, which I feel like

1211
00:59:14,360 --> 00:59:22,360
Speaker 3: is writer speaking to us in the future. Now funisode.

1212
00:59:24,880 --> 00:59:27,960
Speaker 1: I think this entire season is a one off. I'm

1213
00:59:27,960 --> 00:59:29,560
Speaker 1: calling it right now, going to be.

1214
00:59:32,440 --> 00:59:33,320
Speaker 2: It's just its own.

1215
00:59:33,840 --> 00:59:38,080
Speaker 3: This one will call it a Hibbert rump. Yes, then

1216
00:59:38,280 --> 00:59:41,520
Speaker 3: we optical flip. Jack and Jean are tied to the banister.

1217
00:59:41,920 --> 00:59:44,280
Speaker 3: Jack says she lied and asks why she turned him

1218
00:59:44,280 --> 00:59:48,840
Speaker 3: and Eric against each other. Where did she lie? She

1219
00:59:48,960 --> 00:59:53,360
Speaker 3: just she pretty pretty clearly said I am a witch.

1220
00:59:53,480 --> 00:59:54,080
Speaker 1: Does that bother?

1221
00:59:54,320 --> 00:59:57,000
Speaker 2: She lied when she said that Eric tried to kiss her.

1222
00:59:57,480 --> 01:00:01,800
Speaker 1: Oh but wait, how would he doesn't know how that

1223
01:00:01,840 --> 01:00:04,560
Speaker 1: he just because you had been saying, no, I didn't

1224
01:00:04,560 --> 01:00:08,280
Speaker 1: try and kiss her. She was a witch, but he believed.

1225
01:00:08,320 --> 01:00:11,200
Speaker 3: He cuts together when she when he realizes she really

1226
01:00:11,280 --> 01:00:18,080
Speaker 3: is a witch, you know, right, But he did flat

1227
01:00:18,120 --> 01:00:22,400
Speaker 3: out ask her, but she said, it's not the sixteenth century.

1228
01:00:22,400 --> 01:00:25,480
Speaker 1: It's just a belief. It's nothing spooky, and that's what

1229
01:00:26,840 --> 01:00:28,400
Speaker 1: she's literally going to be. That's what it is.

1230
01:00:28,600 --> 01:00:30,480
Speaker 3: Yeah, this this episode is what it is. I'm realizing

1231
01:00:30,520 --> 01:00:34,120
Speaker 3: it's too deep for me. It's just what you're.

1232
01:00:35,480 --> 01:00:35,600
Speaker 1: Right.

1233
01:00:36,200 --> 01:00:39,400
Speaker 3: Well, Millie scoffs, we need your apartment, you fool. She

1234
01:00:39,520 --> 01:00:42,880
Speaker 3: pulls the blinds to the balcony, revealing two large Spencer

1235
01:00:43,000 --> 01:00:47,640
Speaker 3: Pratt like crystals. From this exact spot, Vlaris will come

1236
01:00:47,680 --> 01:00:51,320
Speaker 3: into alignment and Satan's tale will appear, sending a light

1237
01:00:51,400 --> 01:00:55,720
Speaker 3: beam through the crystal of death, ensuring are immortality and

1238
01:00:55,760 --> 01:00:58,120
Speaker 3: obliterating you what you did.

1239
01:00:58,960 --> 01:00:59,960
Speaker 1: She's gonna kill you both.

1240
01:01:00,800 --> 01:01:06,960
Speaker 3: The Steaks, who are those people who are like, you

1241
01:01:07,000 --> 01:01:09,400
Speaker 3: know what I want immortality?

1242
01:01:09,440 --> 01:01:12,000
Speaker 2: Have you ever read a vampire book? They're miserable, They're

1243
01:01:12,040 --> 01:01:12,840
Speaker 2: always miserable.

1244
01:01:14,920 --> 01:01:17,920
Speaker 1: Dress really well, I mean they're like gorgeous, yeah, and

1245
01:01:18,000 --> 01:01:20,400
Speaker 1: beautiful so I want that.

1246
01:01:20,800 --> 01:01:22,400
Speaker 3: I just don't want to live forever.

1247
01:01:22,720 --> 01:01:24,440
Speaker 1: I don't want to live forever, but I wouldn't mind

1248
01:01:24,480 --> 01:01:26,880
Speaker 1: living like one hundred and fifty years, Like that'd be

1249
01:01:26,960 --> 01:01:29,320
Speaker 1: kind of cool if your quality of life is good,

1250
01:01:29,880 --> 01:01:31,600
Speaker 1: having a long lifespan would be cool.

1251
01:01:31,640 --> 01:01:32,280
Speaker 2: But not forever.

1252
01:01:32,320 --> 01:01:34,439
Speaker 1: But you know, a couple hundred years, that'd be fun.

1253
01:01:34,920 --> 01:01:39,200
Speaker 3: Yeah, Sean chance along with the other witches. Jack gives

1254
01:01:39,240 --> 01:01:41,200
Speaker 3: him a look, and Sean defends himself. It's starting to

1255
01:01:41,200 --> 01:01:46,120
Speaker 3: get fun again again. It's very funny, Millie continues. It's

1256
01:01:46,120 --> 01:01:49,080
Speaker 3: said in this very spot, a hunter will be sacrificed.

1257
01:01:49,240 --> 01:01:52,240
Speaker 3: Two hunters, or even sweeter. One of the cloaked witches

1258
01:01:52,280 --> 01:01:55,880
Speaker 3: pulls down their hood. It's Eric. How about two hunters

1259
01:01:55,880 --> 01:02:00,360
Speaker 3: and a Matthew's. Jack's ecstatic that Eric came to save them,

1260
01:02:00,400 --> 01:02:03,520
Speaker 3: but Milly assures them he wouldn't know how to save you.

1261
01:02:03,760 --> 01:02:05,960
Speaker 3: Eric mocks, oh yeah. He holds up a book. I

1262
01:02:06,000 --> 01:02:08,920
Speaker 3: went to the bookstore last night, picked this up. Milly

1263
01:02:08,960 --> 01:02:12,240
Speaker 3: reads the cover, The Bridges of Madison County. Eric tosses

1264
01:02:12,280 --> 01:02:16,280
Speaker 3: the book before pulling out Witchcraft for dumb dumbs. He says,

1265
01:02:16,320 --> 01:02:18,480
Speaker 3: there's a counter spell in here. Somewhere and he flips

1266
01:02:18,520 --> 01:02:21,520
Speaker 3: through the pages. A clock chimes and Millie tells Eric

1267
01:02:21,560 --> 01:02:25,120
Speaker 3: it's too late. It's time for the sacrificial beam. Eric

1268
01:02:25,160 --> 01:02:27,120
Speaker 3: is still flipping through the book. Yep, just hold on

1269
01:02:27,160 --> 01:02:32,200
Speaker 3: a second there, ish Tar, thank you called me after this.

1270
01:02:32,280 --> 01:02:34,160
Speaker 1: He's like, you said, Ishtar, I'm like, yep, sure, it

1271
01:02:34,200 --> 01:02:35,360
Speaker 1: did so funny.

1272
01:02:35,800 --> 01:02:38,320
Speaker 3: Happy brothers, watch along with you where you are in

1273
01:02:38,360 --> 01:02:38,920
Speaker 3: the podcast.

1274
01:02:39,120 --> 01:02:42,920
Speaker 1: My brother had not air when it aired. When it aired,

1275
01:02:43,040 --> 01:02:46,280
Speaker 1: Oh yeah, my brother Gary had seen an episode in

1276
01:02:46,400 --> 01:02:50,440
Speaker 1: Forever when this aired. I mean he stopped watching at

1277
01:02:50,440 --> 01:02:52,320
Speaker 1: season one and he called. He's like, you're actually funning

1278
01:02:52,320 --> 01:02:54,880
Speaker 1: this one's kay? Thanks, that's cute.

1279
01:02:55,440 --> 01:02:58,200
Speaker 3: She ignores him and yells prepare to die. The Death

1280
01:02:58,200 --> 01:03:01,080
Speaker 3: of a thousand deaths. Eric exclaims, ha, here it is,

1281
01:03:01,160 --> 01:03:03,880
Speaker 3: but then a laser beams into the room and burns Eric.

1282
01:03:04,040 --> 01:03:05,480
Speaker 1: Oh hot, hot, hot, hot hot.

1283
01:03:05,960 --> 01:03:08,760
Speaker 3: Milly is stunned. That's impossible. The light beam hit you

1284
01:03:08,760 --> 01:03:13,120
Speaker 3: when you're alive. Eric proudly says, yep, sunscreen SPF forty

1285
01:03:13,120 --> 01:03:16,440
Speaker 3: five plus a little zinc oxide on my bum. He

1286
01:03:16,560 --> 01:03:20,040
Speaker 3: yells to the coven maybe next time, Satan. Sorry, guys.

1287
01:03:20,840 --> 01:03:24,680
Speaker 3: The followers are disappointed, Eric forces everyone out. Satan's children

1288
01:03:24,760 --> 01:03:27,960
Speaker 3: be gone. On her way out, Millie stops at Jack.

1289
01:03:28,880 --> 01:03:31,560
Speaker 3: It's too bad. You're cute, you're sweet. You'd have been

1290
01:03:31,600 --> 01:03:36,440
Speaker 3: the perfect sacrifice. Jack responds, I appreciate that. Eric stops

1291
01:03:36,480 --> 01:03:38,600
Speaker 3: her before she can walk out and asks for the keys.

1292
01:03:38,960 --> 01:03:41,560
Speaker 3: She hands them over, and Eric gets extremely close to her.

1293
01:03:41,680 --> 01:03:43,480
Speaker 3: It's a shame he didn't fall from me. It could

1294
01:03:43,520 --> 01:03:45,760
Speaker 3: have been good. She leaves without saying an other words.

1295
01:03:45,760 --> 01:03:46,760
Speaker 1: He's still hitting on her.

1296
01:03:47,000 --> 01:03:49,680
Speaker 3: He's still hitting on her. Eric unties the boys, and

1297
01:03:49,760 --> 01:03:52,280
Speaker 3: Jack asks if that light beam was real. Eric looks

1298
01:03:52,320 --> 01:03:54,920
Speaker 3: off into the distance and dramatically says, maybe it was,

1299
01:03:55,320 --> 01:03:58,880
Speaker 3: Maybe it wasn't. There are some things just too big

1300
01:03:58,920 --> 01:04:02,320
Speaker 3: for our puny heads to comprehend. Eric reminds them it's

1301
01:04:02,320 --> 01:04:04,720
Speaker 3: still Halloween. He's got to find another party to go to.

1302
01:04:05,000 --> 01:04:07,800
Speaker 3: He encourages Jack to come along. Jack is shocked that

1303
01:04:07,920 --> 01:04:10,560
Speaker 3: Eric would still invite him, considering all the awful things

1304
01:04:10,600 --> 01:04:13,920
Speaker 3: he said. Eric calls Jack his friend, and Jack realizes

1305
01:04:14,200 --> 01:04:16,280
Speaker 3: he's a pretty lucky guy. They walk out of the

1306
01:04:16,320 --> 01:04:18,920
Speaker 3: apartment while Sean is still tied to the banister, still

1307
01:04:19,120 --> 01:04:22,840
Speaker 3: happy as a clam. You gotta love Halloween. It really

1308
01:04:22,880 --> 01:04:27,880
Speaker 3: brings people together. And then we go to the tag,

1309
01:04:27,960 --> 01:04:32,400
Speaker 3: which is in that's right, the guy's apartment. Guy Eric

1310
01:04:32,520 --> 01:04:34,600
Speaker 3: is hugging a girl on the balcony and he's blocking

1311
01:04:34,640 --> 01:04:37,480
Speaker 3: her face. Whoever she is. She says she really likes

1312
01:04:37,520 --> 01:04:41,240
Speaker 3: the balcony. Eric nervously asks you do. She reveals her

1313
01:04:41,280 --> 01:04:43,560
Speaker 3: face and tells him it's got a great view of

1314
01:04:43,600 --> 01:04:47,600
Speaker 3: the river. Hey, everyone, it's Melissa Joan Hart. The audience

1315
01:04:47,680 --> 01:04:50,000
Speaker 3: lets out a big cheer. It's a very nice reveal.

1316
01:04:50,600 --> 01:04:52,680
Speaker 3: She also points out that you can see a guy

1317
01:04:52,720 --> 01:04:55,920
Speaker 3: watching TV in his underwear. Eric asks, I was just

1318
01:04:55,960 --> 01:04:59,320
Speaker 3: wondering if seeing Valeris did anything for you. She's confused.

1319
01:04:59,600 --> 01:05:02,840
Speaker 3: Is that the underwear man's name? She asks Eric why

1320
01:05:02,840 --> 01:05:05,200
Speaker 3: he's so nervous, and he admits, well, his buddy just

1321
01:05:05,240 --> 01:05:08,920
Speaker 3: came off of a spooky relationship. He was dating a witch.

1322
01:05:09,600 --> 01:05:12,520
Speaker 3: Sabrine asks what's so spooky about that. We get some

1323
01:05:12,600 --> 01:05:14,840
Speaker 3: upbeat music and she leads him back into the apartment.

1324
01:05:15,000 --> 01:05:15,600
Speaker 1: What's next?

1325
01:05:16,040 --> 01:05:17,960
Speaker 3: Eric figures that they'll just go get something to eat.

1326
01:05:18,240 --> 01:05:20,840
Speaker 3: He peeks into Shawn's room, asking if he'd like anything,

1327
01:05:21,240 --> 01:05:24,080
Speaker 3: and then we cut to a frog who looks a

1328
01:05:24,120 --> 01:05:27,800
Speaker 3: bit like a watermelon who says no thanks. I'm feeling

1329
01:05:27,840 --> 01:05:29,960
Speaker 3: a little bloated in Shawn's.

1330
01:05:29,600 --> 01:05:37,320
Speaker 2: Voice, seriously, like, did you guys remember this?

1331
01:05:37,680 --> 01:05:38,200
Speaker 1: I didn't know.

1332
01:05:38,600 --> 01:05:41,480
Speaker 2: I never remember this. No, I'm a frog.

1333
01:05:43,360 --> 01:05:48,760
Speaker 3: The weirdest didn't do it because you were still left

1334
01:05:48,840 --> 01:05:51,560
Speaker 3: like to beat you on the balcony bear.

1335
01:05:52,840 --> 01:05:55,400
Speaker 1: I'm seriously, I am just glad you both saw the

1336
01:05:55,400 --> 01:06:00,800
Speaker 1: frog too, because I was. I did kicked in at

1337
01:06:00,800 --> 01:06:01,400
Speaker 1: that point.

1338
01:06:01,920 --> 01:06:02,360
Speaker 2: It was like.

1339
01:06:06,400 --> 01:06:09,560
Speaker 3: Eric and Sabrina leave the apartment and Eric Yill's goodbye

1340
01:06:09,640 --> 01:06:13,080
Speaker 3: to Sean still as a watermelon frog?

1341
01:06:15,160 --> 01:06:16,480
Speaker 2: Did we make this prop?

1342
01:06:16,720 --> 01:06:16,880
Speaker 1: Like?

1343
01:06:17,360 --> 01:06:19,480
Speaker 2: Did we have a frog puppet? Was this in the

1344
01:06:19,520 --> 01:06:21,720
Speaker 2: disneya frog guy? We had a frog?

1345
01:06:22,200 --> 01:06:24,120
Speaker 1: I want to know who he was?

1346
01:06:24,160 --> 01:06:25,320
Speaker 3: A one armed frog guy.

1347
01:06:25,440 --> 01:06:28,840
Speaker 2: It is horrific like this just there's that. Why didn't

1348
01:06:28,880 --> 01:06:30,160
Speaker 2: we just get a real frog?

1349
01:06:31,120 --> 01:06:34,480
Speaker 1: I this is this where the episode lost you.

1350
01:06:35,960 --> 01:06:44,720
Speaker 2: This sunscreen fig hilarious, totally, but the frog? Could the

1351
01:06:44,760 --> 01:06:48,080
Speaker 2: frog be a little more realistic? I really just I

1352
01:06:48,120 --> 01:06:50,680
Speaker 2: didn't believe it. I didn't quite believe the frog guys.

1353
01:06:50,840 --> 01:06:57,120
Speaker 3: Yeah so frog, Sean continues, you gotta love Halloween. I

1354
01:06:57,200 --> 01:07:00,200
Speaker 3: just I still can't believe corne Banga died in this episode.

1355
01:07:01,200 --> 01:07:07,680
Speaker 1: It and the next episode will be grounded in reality.

1356
01:07:06,800 --> 01:07:09,400
Speaker 3: Yeah, that's what I have faith. I have faith the

1357
01:07:09,440 --> 01:07:10,080
Speaker 3: next one.

1358
01:07:10,240 --> 01:07:12,800
Speaker 1: The next one will get us back on tracks.

1359
01:07:12,840 --> 01:07:18,920
Speaker 2: Are other TV shows this like, uh like swinging this

1360
01:07:19,080 --> 01:07:22,800
Speaker 2: dramatically like our show really does like completely break reality

1361
01:07:22,880 --> 01:07:26,880
Speaker 2: and just be so silly. But then also really you know,

1362
01:07:27,200 --> 01:07:33,520
Speaker 2: alcohol Parkhole right, like really serious serious stuff, Like does

1363
01:07:33,680 --> 01:07:35,680
Speaker 2: any other show swing that dramatical?

1364
01:07:35,680 --> 01:07:35,800
Speaker 1: Well?

1365
01:07:35,920 --> 01:07:39,440
Speaker 3: What I what I wonder is is this whole season

1366
01:07:40,080 --> 01:07:44,200
Speaker 3: gonna be a season of one off feeling like everything

1367
01:07:44,320 --> 01:07:47,320
Speaker 3: just swinging all over the place, and then it either

1368
01:07:47,800 --> 01:07:51,320
Speaker 3: does not go well and they go back. Then is

1369
01:07:51,360 --> 01:07:53,520
Speaker 3: some of the stuff you're thinking of with the alcohol

1370
01:07:53,800 --> 01:07:55,920
Speaker 3: and some of the more like, hey, let's get to

1371
01:07:56,040 --> 01:07:58,280
Speaker 3: real team issues? Is that season six?

1372
01:07:58,480 --> 01:07:58,560
Speaker 4: Well?

1373
01:07:58,600 --> 01:08:01,160
Speaker 2: I mean I don't know, my dad does guys like

1374
01:08:01,520 --> 01:08:04,320
Speaker 2: you know, the the Sean and Angela, Corey into Panga

1375
01:08:04,360 --> 01:08:07,960
Speaker 2: get married, like we do tackle serious stuff later though,

1376
01:08:08,120 --> 01:08:10,680
Speaker 2: But it's just so it's just I don't know, Like

1377
01:08:10,720 --> 01:08:14,720
Speaker 2: I know that shows have like one off like crazy episodes,

1378
01:08:15,000 --> 01:08:17,240
Speaker 2: but like we have one off crazy episodes and then

1379
01:08:17,320 --> 01:08:20,840
Speaker 2: also have their special serious episodes. I just can't. I

1380
01:08:20,880 --> 01:08:22,800
Speaker 2: just don't, you know, Will can you think of another

1381
01:08:22,840 --> 01:08:24,720
Speaker 2: TV show that does this kind of a.

1382
01:08:24,680 --> 01:08:27,000
Speaker 1: Swing, not to this big, not to this extent, and

1383
01:08:27,040 --> 01:08:29,000
Speaker 1: because you think about you know, Friends did one off

1384
01:08:29,040 --> 01:08:30,960
Speaker 1: ones where there were flashbacks where Monica was in the

1385
01:08:30,960 --> 01:08:33,120
Speaker 1: fat suit or anything, but they're all still on character.

1386
01:08:33,960 --> 01:08:36,160
Speaker 1: So the kind of the the only thing I can

1387
01:08:36,200 --> 01:08:38,200
Speaker 1: think of that kind of went this far, but they

1388
01:08:38,240 --> 01:08:41,240
Speaker 1: do it on purpose was one episode every season of

1389
01:08:41,320 --> 01:08:44,400
Speaker 1: news Radio they would do something wacky just and it

1390
01:08:44,400 --> 01:08:48,120
Speaker 1: would always start with Phil Hartman addressing the camera going, hey, everybody,

1391
01:08:48,120 --> 01:08:50,920
Speaker 1: for this episode news Radio takes place in space, and

1392
01:08:50,960 --> 01:08:52,559
Speaker 1: then they do one where it takes place in space.

1393
01:08:52,600 --> 01:08:55,479
Speaker 2: But like rkle would like they were all the time

1394
01:08:55,520 --> 01:08:58,240
Speaker 2: because he made show always kind of crazy, like they

1395
01:08:58,320 --> 01:09:00,080
Speaker 2: never had like like.

1396
01:09:00,360 --> 01:09:03,840
Speaker 1: A special episodes too, like dramatic stuff and things like that.

1397
01:09:03,880 --> 01:09:05,559
Speaker 1: But we really are kind.

1398
01:09:05,400 --> 01:09:10,439
Speaker 3: Of this has anything to do with syndication being in

1399
01:09:10,479 --> 01:09:16,160
Speaker 3: the grasp of our show episode we're getting close to

1400
01:09:16,200 --> 01:09:19,400
Speaker 3: reaching one hundred episodes. It feels like a network.

1401
01:09:19,000 --> 01:09:20,439
Speaker 1: Note to me where it's like you guys have to

1402
01:09:20,520 --> 01:09:22,879
Speaker 1: lighten up your show. I mean, it's such a change

1403
01:09:22,920 --> 01:09:24,559
Speaker 1: from the last episode I think.

1404
01:09:24,400 --> 01:09:27,320
Speaker 2: There's new network executives and they are throwing stuff out it.

1405
01:09:27,400 --> 01:09:29,800
Speaker 2: I swear, I swear the network said you have to

1406
01:09:29,800 --> 01:09:31,840
Speaker 2: have Mett Lawrence on your show, you have to have

1407
01:09:31,880 --> 01:09:35,400
Speaker 2: Cannae Cameron special episode, or I think they're throwing this

1408
01:09:35,520 --> 01:09:38,599
Speaker 2: at us, and our writers are just kind of we.

1409
01:09:38,560 --> 01:09:40,639
Speaker 1: Need an ABC rep. We need an ABC rep from

1410
01:09:40,640 --> 01:09:43,080
Speaker 1: the nineties to come on something to us because something

1411
01:09:43,439 --> 01:09:47,120
Speaker 1: it's so different. I mean, it's so different, and it's

1412
01:09:47,160 --> 01:09:50,599
Speaker 1: not different season one to season two, where it's hey,

1413
01:09:50,640 --> 01:09:52,080
Speaker 1: you can tell they had to age it up a bit,

1414
01:09:52,160 --> 01:09:54,599
Speaker 1: it's going to be more in high school. The tone

1415
01:09:54,760 --> 01:09:57,080
Speaker 1: was kind of still the same. This is like a hole.

1416
01:09:57,240 --> 01:10:00,679
Speaker 2: We get a whole director for this entire thing happened

1417
01:10:00,880 --> 01:10:03,720
Speaker 2: like something. And what's weird is like, if we were

1418
01:10:03,760 --> 01:10:06,720
Speaker 2: a hit coming out of season four, you'd think that

1419
01:10:06,920 --> 01:10:10,040
Speaker 2: the mentality would be keep it going, do what's working right,

1420
01:10:10,120 --> 01:10:12,960
Speaker 2: because it really did work. But instead, it seems like

1421
01:10:13,120 --> 01:10:16,000
Speaker 2: somebody either within our production or on the network side,

1422
01:10:16,080 --> 01:10:19,800
Speaker 2: was like, change everything, change it all up, because it's different.

1423
01:10:19,800 --> 01:10:23,840
Speaker 2: We're changing everything. The director's different, the whole tone, we're

1424
01:10:24,160 --> 01:10:27,200
Speaker 2: I have a new cast member who has it's just

1425
01:10:27,280 --> 01:10:29,959
Speaker 2: like it's so I want to know the story.

1426
01:10:30,320 --> 01:10:32,639
Speaker 1: I also, we're now what four or five episodes into

1427
01:10:32,680 --> 01:10:34,760
Speaker 1: season five, when do Corey.

1428
01:10:34,520 --> 01:10:36,559
Speaker 2: And Tapanga takeover as being kind of the leads of

1429
01:10:36,560 --> 01:10:39,000
Speaker 2: the show. That has I thought maybe that happened already

1430
01:10:40,280 --> 01:10:43,800
Speaker 2: Betsy and Rust here not in this episode now the beginning.

1431
01:10:43,880 --> 01:10:46,040
Speaker 1: Bill is barely in the episode. They're kind of just

1432
01:10:46,120 --> 01:10:49,479
Speaker 1: using him sporadically now, but that'll change when he becomes

1433
01:10:49,479 --> 01:10:53,439
Speaker 1: the dean of the school again. So yeah, it's it's different.

1434
01:10:54,240 --> 01:10:56,000
Speaker 3: Thank you all for joining us for this episode of

1435
01:10:56,000 --> 01:10:58,920
Speaker 3: Pod Meets World. Our next episode recap will be season

1436
01:10:59,000 --> 01:11:03,400
Speaker 3: five episode six, No Guts, No Corey, which originally aired

1437
01:11:03,439 --> 01:11:06,920
Speaker 3: November seventh, nineteen ninety seven. As always, you can follow

1438
01:11:07,000 --> 01:11:09,160
Speaker 3: us on Instagram pod Meets World Show. You can send

1439
01:11:09,240 --> 01:11:12,200
Speaker 3: us your emails podmeets World show at gmail dot com,

1440
01:11:12,280 --> 01:11:13,639
Speaker 3: and we have merch.

1441
01:11:14,320 --> 01:11:15,639
Speaker 1: It's a rump merch.

1442
01:11:16,680 --> 01:11:19,639
Speaker 3: Podmeetsworldshow dot com will send us out.

1443
01:11:20,000 --> 01:11:24,160
Speaker 1: We love you all, pod dismissed. Podmeets World is nheart

1444
01:11:24,200 --> 01:11:28,000
Speaker 1: podcast producer and hosted by Danielle Fischel, Wilfordell and Ryder Strong.

1445
01:11:28,320 --> 01:11:31,840
Speaker 1: Executive producers Jensen Karp and Amy Sugarman. Executive in charge

1446
01:11:31,880 --> 01:11:36,320
Speaker 1: of production, Danielle Romo, producer and editor, Tara Sudbachsch producer,

1447
01:11:36,400 --> 01:11:39,599
Speaker 1: Maddie Moore, engineer and Boy Meets World super fan Easton Allen.

1448
01:11:39,840 --> 01:11:42,000
Speaker 1: Our theme song is by Kyle Morton of Typhoon and

1449
01:11:42,040 --> 01:11:44,519
Speaker 1: you can follow us on Instagram at Podmeets World Show

1450
01:11:44,760 --> 01:11:49,360
Speaker 1: or email us at Podmets Worldshow at gmail dot com