WEBVTT - Recapping Every Alien Movie

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<v Speaker 1>Hello.

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<v Speaker 2>I'm Rosie Knight, and today we are diving deep into

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<v Speaker 2>the Alien franchise in anticipation of the newest entry alien formulas.

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<v Speaker 2>Now join me as I jump into the airlock where

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<v Speaker 2>Jason has been busy grinding tape preparing a recap.

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<v Speaker 3>Of all of the previous Alien movies.

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<v Speaker 4>So here we go, Alien Franchise recap in chronological order. Wow,

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<v Speaker 4>fictional chronological order.

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<v Speaker 1>Chronological fictional order, which is our favorite way to do recap.

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<v Speaker 4>We begin with nineteen nineties Predator two. That's right, Predator two.

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<v Speaker 3>Wow, the crowd goes wild.

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<v Speaker 1>Okay, let's precede this by saying that both Jason and

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<v Speaker 1>I shed a deep love for this movie when we

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<v Speaker 1>with children.

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<v Speaker 3>We love this movie, but it is.

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<v Speaker 1>A very problematic movie when you watch it Agenheim.

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<v Speaker 4>Watching it in the modern day, there's it definitely raises

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<v Speaker 4>some red flags. We open in Los Angeles. The year

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<v Speaker 4>is nineteen ninety seven. Los Angeles is slightly furturistic. Los

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<v Speaker 4>Angeles is racked by hyper violent gang violence between two yes,

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<v Speaker 4>very racially problematic depictions of Columbian and Jamaican gangs that

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<v Speaker 4>are at each other's necks. And this violence attracts the

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<v Speaker 4>attentions of a predator who's like, oh, I love violence. Yeah,

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<v Speaker 4>these guys are killing each other, that I will kill

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<v Speaker 4>the ones who are killing the most because I'm a predator.

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<v Speaker 4>That's what I love to do is kill the most dangerous.

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<v Speaker 1>One and yeah, and then I'll be like the best

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<v Speaker 1>killer in downtown LA specifically.

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<v Speaker 4>So the alien, just as racking up bodies, cuts a

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<v Speaker 4>bloody swath through both of these gangs. LAPD Officer Mike

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<v Speaker 4>Harrigan played by Danny Glover.

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<v Speaker 3>Huh, why were you cost in this movie?

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<v Speaker 1>I don't know, but I love it. He is too

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<v Speaker 1>old for this shit in this movie.

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<v Speaker 3>He doesn't want to be able.

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<v Speaker 4>To ashier suits in this than you would expect from

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<v Speaker 4>the Lethal Weapons series. So he's investigating the gang violence

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<v Speaker 4>and he finds himself in pursuit of the predator, and

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<v Speaker 4>of course nobody believes, you know, he's getting all these reports,

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<v Speaker 4>all this like invisible Killer. It's weird. It wasn't a man,

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<v Speaker 4>it was a monster or whatever. Towards the end of

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<v Speaker 4>the film, as Harrigan is in pursuit of this predator,

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<v Speaker 4>the predator goes to its ship that it's hidden and

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<v Speaker 4>as it you know, goes in there to like restock

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<v Speaker 4>on ammo et cetera, and like treat its wounds, and

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<v Speaker 4>we see among the predator's trophies is a xenomorph skull

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<v Speaker 4>on the wall. And let me tell you, in the

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<v Speaker 4>pre Internet era, when I saw this as a kid

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<v Speaker 4>and saw the alien skyll, I was like, my mind

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<v Speaker 4>literally exploded. But it's all I could talk about. You

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<v Speaker 4>don't understand the aliens exist in the Predator universe. I've

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<v Speaker 4>never heard of such a cross This game truly was yeah.

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<v Speaker 1>Literally I think for me this was probably also my

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<v Speaker 1>first crossover movie. And then I think the second one

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<v Speaker 1>was like I don't know, Freddy in Hell.

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<v Speaker 3>If Freddie goes to Hell and at the end he

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<v Speaker 3>like pulls down, I mean that.

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<v Speaker 1>I guess those are the two memories I have of like, oh, ship,

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<v Speaker 1>like something's gonna happen.

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<v Speaker 4>So Harrigan kills the predator with its own like little weapon,

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<v Speaker 4>it's a frisbee weapon. And then a group of predators

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<v Speaker 4>who I guess have been like observing, appear and they

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<v Speaker 4>take their fellow predator's corpse back with them that put

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<v Speaker 4>it on the ship, and they give Harrigan like an

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<v Speaker 4>old Revolutionary War pistol.

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<v Speaker 3>As a good job, all right, shot you peace.

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<v Speaker 4>Next movie Alien Versus Predator two thousand and four of

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<v Speaker 4>the Year is A Year is two thousand and four.

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<v Speaker 4>Charles Whaland played by Lance Henrickson that you played Bishop,

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<v Speaker 4>the synthetic humanoid Bishop in Aliens and other roles which

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<v Speaker 4>we will get to in the Alien franchise, is the

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<v Speaker 4>CEO of Whalen Industries, and he sends a crack team

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<v Speaker 4>of international scientists and mercenaries to a recently discovered pyramid

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<v Speaker 4>which is under the Antarctic ice. Now, the pyramid turns

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<v Speaker 4>out to be a predator like hunting temple, and it

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<v Speaker 4>turns out how they build it because they're the spacefaring

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<v Speaker 4>highly advanced hunters. And it turns out they're just like

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<v Speaker 4>especially the predators. Now, it turns out the predators taught

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<v Speaker 4>human beings how to build pyramids because I guess people

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<v Speaker 4>couldn't like figure out the triangle shape like.

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<v Speaker 3>They were like they were like, this is a two complex?

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<v Speaker 3>What woo baby, I barely just got the wheel going.

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<v Speaker 3>I don't know what's going.

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<v Speaker 4>So predator culture apparently considers the xenomorph like the ultimate prey,

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<v Speaker 4>like like the most dangerous thing you can hunt. Right,

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<v Speaker 4>So every one hundred years, the predator contestants come to

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<v Speaker 4>Earth to hunt the xenomorphs specifically hatched from sacrificial human beings,

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<v Speaker 4>and this alien queen that they have like frozen in

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<v Speaker 4>the pyramid. And this is like the predator version of

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<v Speaker 4>the Olympics, right, It's a big deal. And the scientists

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<v Speaker 4>and the mercenaries get all caught up in this competition

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<v Speaker 4>and they're like, we have to help the pre dators

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<v Speaker 4>win because the aliens if they overrun, you know, the predators,

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<v Speaker 4>they'll like wild on Earth and just kill everybody or

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<v Speaker 4>use them as you know, egg hatching incubators. The predators

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<v Speaker 4>give Arctic guide Lex played by Snale than a spear

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<v Speaker 4>is a gift. And after this is after the predators

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<v Speaker 4>defeat the aliens, uh, they then get in the ship

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<v Speaker 4>with one of their fallen comrades named Scar and they

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<v Speaker 4>take off, and then soon after they take off, an

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<v Speaker 4>alien predator hybrid bursts from the dead predator's chest. Now

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<v Speaker 4>you would after several centuries of dealing with these creatures,

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<v Speaker 4>that the predators would like x ray everybody that they

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<v Speaker 4>decide to take back.

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<v Speaker 1>On with that, I feel like to make sure they

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<v Speaker 1>don't really think, yeah, let me know what these things.

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<v Speaker 4>Do, and you're still like, yeah, yeah, don't even check it.

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<v Speaker 4>Just bring it right on, just.

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<v Speaker 3>Put them on the shed. I definitely didn't get that.

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<v Speaker 4>Brings us to two thousand and sevens Alien Predator Requiem,

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<v Speaker 4>which occurs in the same year as Alien Versus Predator

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<v Speaker 4>thousand four, happens in fact immediately following the events. So

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<v Speaker 4>right after the Predators get in their ship and take

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<v Speaker 4>off to fly back to their home planet, the pred alien,

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<v Speaker 4>which is now hatched, it grows at a fantastic rate,

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<v Speaker 4>as we often see that these creatures do, and immediately

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<v Speaker 4>fucking goes ham and it causes the Predator home ship

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<v Speaker 4>to crash into Gunnis in Colorado. Ah, yes, Gonnis in

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<v Speaker 4>Colorado's poor town doesn't know what it's in for. The

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<v Speaker 4>Xenomorphs then go fucking crazy and they start reproducing using

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<v Speaker 4>humans as hosts. They're fucking going nuts. A Predator champion

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<v Speaker 4>back on the Predator home world, it gets the distress

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<v Speaker 4>signal and is like, fuck this, I'm going there alone.

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<v Speaker 4>He's like, if you want to jump and I'm going

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<v Speaker 4>to wipe out all the xenomorphs on Earth. Now things

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<v Speaker 4>get really chaotic and crazy, so much so that the

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<v Speaker 4>military like immediately gets involved and they decide, we can't

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<v Speaker 4>we can't let this spread any further. Let's nuke Gunnison,

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<v Speaker 4>a thing you've seen in a million movie outbreak, the Blob,

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<v Speaker 4>et cetera. So, but I think it's actually like quite

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<v Speaker 4>a reasonable thing to do in this particular case.

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<v Speaker 3>Jason's like, in this case, then you go to do

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<v Speaker 3>I feel like I feel like they're.

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<v Speaker 1>They're not thinking about the fact that in the canon

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<v Speaker 1>of these kind of movies, if you nuke, some creature usually.

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<v Speaker 3>Just becomes giant.

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<v Speaker 1>So I would definitely be thinking of the Godzilla potentials

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<v Speaker 1>of the mutation.

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<v Speaker 3>But I still understand the intention.

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<v Speaker 4>It's pretty like you must imagine like the president would

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<v Speaker 4>have had to have been briefed. Okay, mister President. So

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<v Speaker 4>what we've got is a parasitic alien race species that

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<v Speaker 4>is reproducing very quickly, and they are also being uh

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<v Speaker 4>fought by a humanoid alien race of hunters. Are you

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<v Speaker 4>getting this, sir.

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<v Speaker 3>To alien species you didn't know about until this.

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<v Speaker 4>The military nukes Gunnison, killing the predator in the Xenomorphs.

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<v Speaker 4>The predator's gun is then gifted to miss Utani, who

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<v Speaker 4>does not have a first name in the movie, who

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<v Speaker 4>is the CEO of a Japanese cybernetics and robotics company,

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<v Speaker 4>the Utani Corporations. Now we have Whyland and Utani in

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<v Speaker 4>the universe.

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<v Speaker 3>Dude, I have to say the movies that are essentially

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<v Speaker 3>like so derived.

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<v Speaker 4>Both these movies are dumb?

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<v Speaker 3>Should I to enjoy? Yeah? They are like so dumb,

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<v Speaker 3>It's so funny. How dedicated they have to say?

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<v Speaker 4>They worked really hard, like can't casting Lands Hendrickson, Yeah,

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<v Speaker 4>you know, being like and they're.

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<v Speaker 3>Like, we're gonna make a cannon manly, you're gonna kid,

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<v Speaker 3>You're gonna care about this. People will be talking about this,

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<v Speaker 3>and it's like, people, these movies are.

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<v Speaker 1>So dumb, But I gotta they commit really hard to

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<v Speaker 1>every single movie having a twist ending that is somehow

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<v Speaker 1>connectionally in law.

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<v Speaker 4>These reveals do have an interesting effect on the overall cannon,

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<v Speaker 4>which we will discuss as we get there. Next up

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<v Speaker 4>twenty twelve's Prometheus. The year is twenty eighty nine. Archaeologist

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<v Speaker 4>Elizabeth Shaw and her boyfriend Charlie discover that many ancient

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<v Speaker 4>human cultures have a very similar foundational myth that involves

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<v Speaker 4>very tall aliens from a distant star system. And these

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<v Speaker 4>tall aliens are the engineers, who I guess so life

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<v Speaker 4>across the galaxy or something. Peter Whyland, who is very

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<v Speaker 4>very very very very old and about to die, like

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<v Speaker 4>any second, he's about to die, about to go. It's

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<v Speaker 4>happening as his like video recording is being played to

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<v Speaker 4>this science team that he's put together. He's like, I'm

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<v Speaker 4>not by the time you watch this, I'm gone. So

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<v Speaker 4>heros an ambitious mission to a moon in that particular

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<v Speaker 4>star system that they matched to the cave paintings and

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<v Speaker 4>different pieces of art from all those human cultures, and

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<v Speaker 4>so they're going to this moon called LVY two twenty

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<v Speaker 4>three because he thinks the engineers are there, and mister

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<v Speaker 4>Whalan wants the engineers to tell him how he can

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<v Speaker 4>like avoid dying.

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<v Speaker 3>Which is such a fucking come on, just asassin thing

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<v Speaker 3>to do.

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<v Speaker 1>Like so many of the decisions in these movies are

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<v Speaker 1>so terrible, and it's really funny because once we you know,

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<v Speaker 1>we are doing this in fictional chronological order. So at

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<v Speaker 1>this point, by the time you get to Prometheus. The

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<v Speaker 1>movie is essentially like an MCU filled easter egg for

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<v Speaker 1>the previous alien movies that were released. But at this

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<v Speaker 1>point chronologically, you're just like, my friend, what are you doing,

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<v Speaker 1>Like you.

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<v Speaker 3>Have to spend this much money.

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<v Speaker 1>I'm sure you could just find a side I mean

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<v Speaker 1>to hear this instead of going in the real world.

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<v Speaker 4>PayPal founder Peter Thiel, you know, investor in tech and

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<v Speaker 4>all around right wing nut job, has It's been credibly

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<v Speaker 4>reported that he injects himself with like the human blood

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<v Speaker 4>of like young healthy people.

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<v Speaker 3>So yeah, yeah, you know.

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<v Speaker 4>They're doing crazy shits in the real world, So yeah, okay.

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<v Speaker 4>The journey take to LV two twenty three takes them

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<v Speaker 4>four years. They're in cryo sleep the whole time.

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<v Speaker 3>Cash.

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<v Speaker 4>While they're in cryo sleep, they're watched over by David,

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<v Speaker 4>who is a synthetic uh humanoid that was designed by

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<v Speaker 4>mister Whyland. On LV two twenty three, the team finds

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<v Speaker 4>like a ton of artifacts from the engineers, including all

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<v Speaker 4>these jars of like black goo that turns out to

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<v Speaker 4>be a bio weapon.

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<v Speaker 1>David takes like a drop played very creepily by Michael

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<v Speaker 1>Fastbat takes a drop of the.

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<v Speaker 4>Black goo, and he infects Charlie with it. Charlie then

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<v Speaker 4>has sex with Elizabeth and impregnates her unknowingly with this

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<v Speaker 4>very fast growing alien fetus, just as David wanted. She asks, yeah,

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<v Speaker 4>as it's growing, like she's in more and more physical distress,

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<v Speaker 4>and they do a scan and he's like says, very creepy,

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<v Speaker 4>oh you've got this alien in you. And she's like, well,

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<v Speaker 4>let's get it out. He's like, well, we don't have

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<v Speaker 4>the stuff, we don't have any way to do that here, and.

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<v Speaker 3>We yeah, yeah, yeah, bat, let's just see take you home. Okay,

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<v Speaker 3>seems like nothing.

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<v Speaker 4>Instead, Elizabeth breaks into Charlie's thron's cabin on the ship

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<v Speaker 4>and uses her advanced like medical machine of which only

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<v Speaker 4>a dozen were made, and she does like an abortion

0:13:58.480 --> 0:14:04.840
<v Speaker 4>on herself. Moving cz this like wriggling squid like Alien.

0:14:04.920 --> 0:14:06.520
<v Speaker 4>It's really gross, it's really great.

0:14:06.559 --> 0:14:09.200
<v Speaker 3>It's super So can we just say you mentioned Shaly's

0:14:09.240 --> 0:14:09.480
<v Speaker 3>there on.

0:14:09.559 --> 0:14:13.520
<v Speaker 1>This movie has like a wild cast Idris Elba, Charlie's

0:14:13.600 --> 0:14:17.040
<v Speaker 1>then Michael Fassbender, like wem Ridley Scott said he was

0:14:17.080 --> 0:14:19.160
<v Speaker 1>coming back, the original director of Alien.

0:14:19.240 --> 0:14:22.360
<v Speaker 3>Everyone was like, I'm jumping on that ship. Like, there's

0:14:22.400 --> 0:14:23.320
<v Speaker 3>some very.

0:14:23.560 --> 0:14:27.600
<v Speaker 1>Iconic images from this movie, like Idris Alba smoking a

0:14:27.680 --> 0:14:31.200
<v Speaker 1>Christmas tree that I feel actually have almost more longevity

0:14:31.280 --> 0:14:31.840
<v Speaker 1>than the movie.

0:14:32.120 --> 0:14:33.960
<v Speaker 3>It did inspire many important memes.

0:14:34.040 --> 0:14:37.600
<v Speaker 4>So we learned that LV two twenty three was an

0:14:37.720 --> 0:14:42.440
<v Speaker 4>engineer like bioweapon facility, they were making this bioweapon, and

0:14:42.560 --> 0:14:46.120
<v Speaker 4>that they had planned to release it on Earth. Non

0:14:46.360 --> 0:14:51.680
<v Speaker 4>canon sources, namely Ridley Scotty, directed this film says that

0:14:52.240 --> 0:14:56.040
<v Speaker 4>in his mind, they wanted to send the goo. They

0:14:56.080 --> 0:14:57.720
<v Speaker 4>made the decision to send the good to Earth like

0:14:57.760 --> 0:15:01.000
<v Speaker 4>two thousand years ago, and it was because the humans

0:15:01.320 --> 0:15:04.840
<v Speaker 4>had killed their emissary, the engineer emissary that sent to

0:15:04.920 --> 0:15:06.560
<v Speaker 4>Earth to tell them to like chill out and stop

0:15:06.640 --> 0:15:11.240
<v Speaker 4>being so violent, and that was Jesus. So Jesus was

0:15:11.280 --> 0:15:13.760
<v Speaker 4>an engineer, but then he didn't really put it in

0:15:14.080 --> 0:15:18.360
<v Speaker 4>so that credible kind of like the under that's the

0:15:18.560 --> 0:15:21.840
<v Speaker 4>subtext man. That's straight from Ridley scott The movie is

0:15:22.160 --> 0:15:26.720
<v Speaker 4>very heavily invested in the religious and God, and part

0:15:26.760 --> 0:15:29.000
<v Speaker 4>of the reason that Elizabeth even goes on it is

0:15:29.080 --> 0:15:31.280
<v Speaker 4>because she's religious and she wants to meet God.

0:15:31.480 --> 0:15:34.240
<v Speaker 3>She wants to understand faith and where she comes from.

0:15:34.600 --> 0:15:37.240
<v Speaker 1>That is incredible and I had no idea that was

0:15:37.240 --> 0:15:38.920
<v Speaker 1>part of the canon, So thank you for that one,

0:15:39.000 --> 0:15:40.320
<v Speaker 1>Redly Scott and Jason.

0:15:40.920 --> 0:15:43.240
<v Speaker 4>And now we mentioned that mister Oylan was like really

0:15:43.280 --> 0:15:46.200
<v Speaker 4>really old and about to die, and by the time

0:15:46.240 --> 0:15:48.240
<v Speaker 4>they land on LV tw twenty three, everbody thought he

0:15:48.280 --> 0:15:52.080
<v Speaker 4>was dead. But surprise, he's actually alive, and David goes

0:15:52.160 --> 0:15:54.440
<v Speaker 4>to get him from wherever he was. He was like

0:15:54.560 --> 0:15:56.600
<v Speaker 4>hiding in the in the ship the whole time.

0:15:57.360 --> 0:16:00.560
<v Speaker 3>He had like a secret cabin, a secret at.

0:16:00.440 --> 0:16:03.360
<v Speaker 4>A false bottom, like in a desk or something. So

0:16:03.520 --> 0:16:07.240
<v Speaker 4>they get him out and David, you know, goes with him,

0:16:07.280 --> 0:16:10.760
<v Speaker 4>and Charlie's then sorry, Meredith Vickers, I'll call him very

0:16:10.880 --> 0:16:14.800
<v Speaker 4>character name, and Elizabeth and I go to the engineership

0:16:15.200 --> 0:16:18.560
<v Speaker 4>and then David wakes up an engineer and he can

0:16:18.640 --> 0:16:20.720
<v Speaker 4>talk to them because he's been studying proto into a

0:16:20.800 --> 0:16:25.480
<v Speaker 4>European this ancient language, and so he translates for mister

0:16:25.560 --> 0:16:28.600
<v Speaker 4>Whyland and basically says, hey, I know we just woke

0:16:28.680 --> 0:16:31.080
<v Speaker 4>you up, but like my boss wants to know how

0:16:31.120 --> 0:16:33.760
<v Speaker 4>he cannot die, And the engineer is like, you came

0:16:33.920 --> 0:16:36.160
<v Speaker 4>all the way here for this, and he goes crazy.

0:16:36.240 --> 0:16:39.320
<v Speaker 4>He rips David's head off. He's so passed off. He's like,

0:16:41.120 --> 0:16:44.480
<v Speaker 4>he rips David's head off. He bashes mister Whyland in

0:16:44.600 --> 0:16:48.600
<v Speaker 4>the head with David's head and then you know it goes.

0:16:49.280 --> 0:16:53.520
<v Speaker 4>He tries to take off, but Elizabeth, you know, radios

0:16:53.600 --> 0:16:55.920
<v Speaker 4>to Adris Elba and is like, we need to crash

0:16:56.000 --> 0:16:59.280
<v Speaker 4>the ship or else, like he's gonna send the blackpoop

0:16:59.320 --> 0:17:02.880
<v Speaker 4>to Earth. The ship crashes. Now the engineer is like

0:17:03.080 --> 0:17:07.400
<v Speaker 4>chasing Elizabeth. It chases her through the human ship, where

0:17:08.160 --> 0:17:11.560
<v Speaker 4>all of a sudden, Elizabeth's xenomorph baby that looks like

0:17:11.680 --> 0:17:16.840
<v Speaker 4>now like a huge squid math subdues the engineer and

0:17:17.000 --> 0:17:21.520
<v Speaker 4>impregnates it, like puts its like egg overpositor into the

0:17:21.640 --> 0:17:24.639
<v Speaker 4>Engineer's mouth, which is like super super gross. Elizabeth then

0:17:24.760 --> 0:17:29.159
<v Speaker 4>recovers David's head and body and is like, Hey, I

0:17:29.280 --> 0:17:32.080
<v Speaker 4>want to go to the engineer homeworld. I need answers.

0:17:32.160 --> 0:17:33.840
<v Speaker 4>I want to find out why they're going to wipe

0:17:33.880 --> 0:17:38.159
<v Speaker 4>out humanity with the black goo and will you take me?

0:17:38.280 --> 0:17:42.040
<v Speaker 4>And David's like, you know what, fuck it, let's do it.

0:17:45.400 --> 0:17:49.840
<v Speaker 4>After this a xenomorph not a full alien as we

0:17:50.000 --> 0:17:52.960
<v Speaker 4>know from like alien and aliens, but like more kind

0:17:53.000 --> 0:17:57.720
<v Speaker 4>of like certainly one that looks like it's getting there.

0:17:58.320 --> 0:18:02.359
<v Speaker 4>It bursts out of the engine Year's chest and then

0:18:02.560 --> 0:18:05.879
<v Speaker 4>later off. This is kind of like this is not

0:18:06.000 --> 0:18:08.120
<v Speaker 4>in the movie, but it's part of like the off

0:18:08.240 --> 0:18:12.680
<v Speaker 4>Cannon and other fictional materials. Whaland Industries goes bankrupt because

0:18:13.440 --> 0:18:16.399
<v Speaker 4>mister Whalen put all his money. They flopped back to

0:18:16.520 --> 0:18:19.280
<v Speaker 4>just Comedia's mission and it is then acquired by the

0:18:19.400 --> 0:18:23.840
<v Speaker 4>Utani Corporation, creating the Whaland Utani Corporation that brings us

0:18:23.880 --> 0:18:28.400
<v Speaker 4>too Alien Covenant. The year is twenty one oh four.

0:18:30.080 --> 0:18:34.919
<v Speaker 4>The Whaland Utani ship Covenant, carrying several thousand space colonists,

0:18:35.320 --> 0:18:39.400
<v Speaker 4>is on its way to Oregie six. Walter and Advanced

0:18:39.560 --> 0:18:44.600
<v Speaker 4>Synth using the David format but with all of David's

0:18:44.680 --> 0:18:48.359
<v Speaker 4>like creative abilities that human beings found like really disconcerting

0:18:49.040 --> 0:18:52.800
<v Speaker 4>removed manages things during the long cryo sleep of the

0:18:52.920 --> 0:18:55.800
<v Speaker 4>crew and all the colonists. But then tragedy strike. There's

0:18:55.840 --> 0:18:59.840
<v Speaker 4>this neutrino burst and Walter has to wake everybody up

0:19:00.440 --> 0:19:01.960
<v Speaker 4>to get them out of their tubes because the ship

0:19:02.040 --> 0:19:05.080
<v Speaker 4>is damaged. But Captain James Franco sadly dies in his

0:19:05.200 --> 0:19:05.879
<v Speaker 4>cryo tube.

0:19:06.200 --> 0:19:09.720
<v Speaker 3>Rip to that, captain, Rip to him.

0:19:10.440 --> 0:19:13.720
<v Speaker 4>Now, the crew, while it's fixing the ship, gets a

0:19:13.840 --> 0:19:16.960
<v Speaker 4>distress signal from a nearby planet called planet four, and

0:19:17.440 --> 0:19:21.360
<v Speaker 4>the new captain, Captain Orum, is like, let's go investigate.

0:19:21.400 --> 0:19:24.320
<v Speaker 4>So they investigate and they find out that this distress signal,

0:19:24.640 --> 0:19:26.760
<v Speaker 4>which came in the form of take Me Home, Country

0:19:26.840 --> 0:19:31.360
<v Speaker 4>Roads by John Denver in Christ, is from a planet

0:19:31.840 --> 0:19:36.359
<v Speaker 4>planet four that is like completely like earthlike it can

0:19:36.600 --> 0:19:39.879
<v Speaker 4>it's got like water. They could live there. And so

0:19:40.040 --> 0:19:42.840
<v Speaker 4>the whole crew is like, you know what, we just

0:19:42.880 --> 0:19:45.520
<v Speaker 4>saw the captain like get burned alive in his tube.

0:19:46.200 --> 0:19:49.679
<v Speaker 4>Nobody wants to get back on sleep for seven years?

0:19:50.400 --> 0:19:52.600
<v Speaker 4>What if this is the answer to all our problems?

0:19:52.640 --> 0:19:56.040
<v Speaker 4>We just like do this, We just like stay here. Daniels,

0:19:56.119 --> 0:20:00.399
<v Speaker 4>who is James Franco's widow now and is the second command,

0:20:00.560 --> 0:20:03.120
<v Speaker 4>is like, wait, wait, wait, it seems a little too perfect,

0:20:03.200 --> 0:20:05.719
<v Speaker 4>doesn't it, Like why didn't we ever we do all

0:20:05.800 --> 0:20:08.479
<v Speaker 4>these scans, which is how we found six, But now

0:20:08.560 --> 0:20:11.280
<v Speaker 4>there's this closer planet and we never saw it and

0:20:11.400 --> 0:20:15.360
<v Speaker 4>it's like perfect, Like this doesn't seem any weird anybody

0:20:15.640 --> 0:20:18.320
<v Speaker 4>and everybody's like shut up, no. So they go to

0:20:18.760 --> 0:20:23.680
<v Speaker 4>investigator and these are the dumbest fucking scientists ever. So

0:20:24.280 --> 0:20:26.639
<v Speaker 4>they go down to investigate this earth like planet and

0:20:27.200 --> 0:20:32.480
<v Speaker 4>they go with like literally no ppe, no helmets, no breathers,

0:20:32.960 --> 0:20:36.560
<v Speaker 4>nothing that we can just breath. Well, I guess they're

0:20:36.640 --> 0:20:38.920
<v Speaker 4>just like sitting on stuff and touching things, and like

0:20:39.640 --> 0:20:41.719
<v Speaker 4>you don't see them drink the water, but they might

0:20:41.800 --> 0:20:43.800
<v Speaker 4>as well be because they're just like breathing the air.

0:20:44.440 --> 0:20:49.320
<v Speaker 4>They're raw dogging this fucking planet and shocking Goose because

0:20:49.440 --> 0:20:55.040
<v Speaker 4>what they get infected by like sports the black goo, right,

0:20:56.240 --> 0:21:00.879
<v Speaker 4>and of course they then become hosts for xeno morphs.

0:21:01.240 --> 0:21:01.440
<v Speaker 3>Yeh.

0:21:01.600 --> 0:21:04.040
<v Speaker 4>By the way, we also see that this there's a

0:21:04.119 --> 0:21:06.399
<v Speaker 4>city here and it's full of like dead engineers. This

0:21:06.520 --> 0:21:09.760
<v Speaker 4>is like the engineer home World. So one of the

0:21:10.080 --> 0:21:13.520
<v Speaker 4>infected team members gets taken back aboard the ship the Covenant,

0:21:13.560 --> 0:21:15.640
<v Speaker 4>which is crazy. You just bring him back on he's

0:21:15.680 --> 0:21:16.880
<v Speaker 4>got he's sick with why.

0:21:16.840 --> 0:21:17.320
<v Speaker 1>Would you do it?

0:21:17.800 --> 0:21:20.240
<v Speaker 3>Every time they are not following. It's kind of a

0:21:20.440 --> 0:21:24.720
<v Speaker 3>theme like just keep him in quarantine. They were not prepared.

0:21:24.800 --> 0:21:27.760
<v Speaker 1>Whoever put together this team of colonists and they were

0:21:27.800 --> 0:21:29.400
<v Speaker 1>not prepared to be colonizrable.

0:21:29.960 --> 0:21:32.600
<v Speaker 4>The rest of the group like remains on the planet's

0:21:32.600 --> 0:21:35.760
<v Speaker 4>surface with another infected guy. They then get attacked by

0:21:35.960 --> 0:21:39.159
<v Speaker 4>the xeno morphs that were one of which was born

0:21:39.359 --> 0:21:42.760
<v Speaker 4>from the infected person. But then they're saved by David.

0:21:43.000 --> 0:21:47.240
<v Speaker 4>David's here Dun dun du. It turns out he's David

0:21:47.640 --> 0:21:50.760
<v Speaker 4>wiped out all the engineers by like dropping their black

0:21:50.840 --> 0:21:54.800
<v Speaker 4>goo bombs on them, and he's spent all the time,

0:21:55.040 --> 0:21:58.560
<v Speaker 4>like whatever it is eleven years later or something, trying

0:21:58.640 --> 0:22:02.040
<v Speaker 4>to perfect the perfect because he loves making things.

0:22:03.440 --> 0:22:08.920
<v Speaker 3>He just loves making you get some deeply wild moments.

0:22:09.000 --> 0:22:11.920
<v Speaker 1>I remember sitting in the movie theater in Long Beach,

0:22:12.600 --> 0:22:14.960
<v Speaker 1>where I believe I went with people from my old

0:22:15.119 --> 0:22:18.159
<v Speaker 1>comic shop that used to be on the waterfront at

0:22:18.280 --> 0:22:21.440
<v Speaker 1>Long Beach, and we went there and there is like

0:22:21.520 --> 0:22:24.480
<v Speaker 1>a five minute scene in this movie where one of

0:22:24.560 --> 0:22:30.400
<v Speaker 1>the Michael Fastbenders is like playing yeah and then they're

0:22:30.560 --> 0:22:33.920
<v Speaker 1>like gonna kiss and like it is legitimately one of

0:22:34.000 --> 0:22:37.359
<v Speaker 1>the weirdest movies. Jason's Fantastic Recap has always is just

0:22:37.520 --> 0:22:40.040
<v Speaker 1>zooming through this, making it seem far more action packed

0:22:40.080 --> 0:22:40.440
<v Speaker 1>than it is.

0:22:40.760 --> 0:22:43.040
<v Speaker 3>This is like such a weirdly.

0:22:43.119 --> 0:22:49.400
<v Speaker 1>Long, atmospheric like gothic movie, and the two Michael fastbenders

0:22:49.440 --> 0:22:51.320
<v Speaker 1>are just having the wildest part.

0:22:51.520 --> 0:22:55.639
<v Speaker 4>So David then kills Walter in the scene that Rosie

0:22:55.720 --> 0:22:57.920
<v Speaker 4>was just talking about. Yeah, the flute scene basically tricks

0:22:57.960 --> 0:23:00.680
<v Speaker 4>and like rips something out of his neck and fucking

0:23:00.760 --> 0:23:05.040
<v Speaker 4>drops him dead. But Walter is a significantly upgraded model

0:23:05.040 --> 0:23:07.320
<v Speaker 4>and he like fixes himself somehow off camera and comes

0:23:07.359 --> 0:23:12.440
<v Speaker 4>back and he takes out David Walter Daniels again. James

0:23:12.480 --> 0:23:15.680
<v Speaker 4>Franco's widow then flee back to the Covenant ship. But

0:23:15.760 --> 0:23:19.720
<v Speaker 4>then it turns out that the xenomorph hatched out of

0:23:19.880 --> 0:23:22.440
<v Speaker 4>the sick guy that they brought into the fucking ship

0:23:22.840 --> 0:23:28.720
<v Speaker 4>is now loose on the ship. So David Daniels and

0:23:29.440 --> 0:23:33.840
<v Speaker 4>Danny McBride worked together to kill the alien. Hey, and

0:23:35.040 --> 0:23:39.320
<v Speaker 4>as Daniels is being put back into cryo sleep by this.

0:23:39.560 --> 0:23:43.480
<v Speaker 1>Bit is actually genuinely terrifying and I still think about

0:23:43.480 --> 0:23:44.560
<v Speaker 1>how impact this and.

0:23:45.640 --> 0:23:48.720
<v Speaker 4>Was fucking great. So Daniels has been put back into

0:23:48.760 --> 0:23:52.800
<v Speaker 4>cry sleep by Walter and she says, hey, will you

0:23:52.840 --> 0:23:55.320
<v Speaker 4>help me build my log cabin? Earlier in the movie

0:23:55.600 --> 0:23:58.320
<v Speaker 4>of building a log cabin and he doesn't get the reference,

0:23:58.359 --> 0:24:02.000
<v Speaker 4>and she realizes with horror that it's actually David, that's

0:24:02.160 --> 0:24:05.840
<v Speaker 4>not Walter, and she but she can't do anything now

0:24:05.960 --> 0:24:08.359
<v Speaker 4>because the go to sleep gases are filling the tube,

0:24:08.400 --> 0:24:12.239
<v Speaker 4>and she goes to fucking sleep. David then throws up

0:24:12.600 --> 0:24:17.280
<v Speaker 4>to face huggers like in little plastic cash pill capsules,

0:24:17.600 --> 0:24:22.000
<v Speaker 4>puts them in the human embryo freezer, and then radio's

0:24:22.040 --> 0:24:25.440
<v Speaker 4>mission control back on Earth and says, hey, sorry, everybody died,

0:24:26.040 --> 0:24:27.840
<v Speaker 4>and I'm trying to carry out the machine on my own.

0:24:28.320 --> 0:24:30.400
<v Speaker 4>We'll be back in just a moment after a word

0:24:30.520 --> 0:24:34.520
<v Speaker 4>from our friends at whalen Utani. Whalen Utani making the

0:24:34.600 --> 0:24:53.040
<v Speaker 4>galaxy better, and we're back. That brings us too.

0:24:54.040 --> 0:24:54.240
<v Speaker 3>Yeah.

0:24:54.400 --> 0:24:59.719
<v Speaker 4>Alien nineteen seventy nine's Alien, the movie that's started at

0:24:59.760 --> 0:25:04.560
<v Speaker 4>all here. The year is twenty one, twenty two. The

0:25:04.600 --> 0:25:08.520
<v Speaker 4>Wayland Utanni mining ship Nostromo receives a distress signal from

0:25:08.560 --> 0:25:11.560
<v Speaker 4>planet LV four twenty six. They go to investigate. They

0:25:11.600 --> 0:25:15.240
<v Speaker 4>find an alien ship. On the ship. There is a

0:25:15.359 --> 0:25:17.920
<v Speaker 4>long dead engineer still in a jump seat with like

0:25:18.080 --> 0:25:23.200
<v Speaker 4>the trademark burst out of its chest. A face hugger

0:25:23.280 --> 0:25:28.359
<v Speaker 4>hatches and attaches itself to the face of one of

0:25:28.440 --> 0:25:32.360
<v Speaker 4>the crew members named Kane, who is then taken back

0:25:32.440 --> 0:25:36.439
<v Speaker 4>aboard the ship by the fucking Captain Dallas played by

0:25:36.480 --> 0:25:38.440
<v Speaker 4>Tom Scarrett. I will say this is the most effective

0:25:38.600 --> 0:25:42.479
<v Speaker 4>like breaking quarantine scene because Ripley Ellen Ripley played by

0:25:42.480 --> 0:25:46.240
<v Speaker 4>Scourney Weaver, the hero of the film, is like, you don't.

0:25:46.400 --> 0:25:50.080
<v Speaker 3>It's like hard no, she has the safety office, that doesn't.

0:25:50.119 --> 0:25:52.159
<v Speaker 4>She says, I'm not letting you in. You have to

0:25:52.240 --> 0:25:53.879
<v Speaker 4>be there for you have to stay in quarantine for

0:25:53.960 --> 0:25:58.040
<v Speaker 4>twenty four hours. But it's Ash the who then turns

0:25:58.080 --> 0:25:59.639
<v Speaker 4>out to be said with a human who, as we

0:25:59.680 --> 0:26:04.119
<v Speaker 4>will learn, has other motives, lets them aboard. Anyway. They

0:26:04.160 --> 0:26:07.840
<v Speaker 4>get a board, and it's horrific. You know, everybody's horrified

0:26:07.840 --> 0:26:10.119
<v Speaker 4>by this face ogre on Kane. But then eventually the

0:26:10.160 --> 0:26:13.320
<v Speaker 4>face oger lets go and dies and everything seems fine, Yeah,

0:26:14.119 --> 0:26:18.520
<v Speaker 4>until they're all having a wonderful dinner before going back

0:26:18.560 --> 0:26:21.280
<v Speaker 4>and cry to sleep, and Kine is all of a

0:26:21.320 --> 0:26:26.399
<v Speaker 4>sudden in immense distressed, and that happens the xenomorph purse

0:26:26.520 --> 0:26:31.400
<v Speaker 4>out of his chest to general screen runs horrifying moment

0:26:32.880 --> 0:26:36.720
<v Speaker 4>and certainly one of the most just an iconic cinema moment.

0:26:36.880 --> 0:26:40.879
<v Speaker 1>Honestly, yeah, this is still just like after watching all

0:26:40.920 --> 0:26:43.639
<v Speaker 1>these movies in this order, when you get here, the

0:26:43.760 --> 0:26:48.600
<v Speaker 1>practice fautful, the gorgeous set, the production designed by H. R. Geige,

0:26:48.720 --> 0:26:52.880
<v Speaker 1>you can just feel how tactile and terrifying it really

0:26:53.040 --> 0:26:55.280
<v Speaker 1>is compared to some of the more modern versions. And

0:26:55.440 --> 0:26:59.639
<v Speaker 1>this scene is still so iconic and so.

0:27:00.359 --> 0:27:03.880
<v Speaker 4>Said enough like this movie. Obviously there's some dated things

0:27:03.960 --> 0:27:08.040
<v Speaker 4>about it, but overall, seen the scene, just like looking

0:27:08.080 --> 0:27:10.560
<v Speaker 4>at them walking through hallways and stuff, it looks as

0:27:10.600 --> 0:27:12.440
<v Speaker 4>good as anything made today.

0:27:12.680 --> 0:27:18.280
<v Speaker 3>It looks absolutely Yeah, and it's also a movie about

0:27:18.440 --> 0:27:19.840
<v Speaker 3>like working classes.

0:27:19.720 --> 0:27:22.040
<v Speaker 4>Yeah, literally about work. It's about blue colors on.

0:27:22.080 --> 0:27:24.680
<v Speaker 3>The ship, like it's about blue collar guys.

0:27:25.000 --> 0:27:28.680
<v Speaker 1>It's so interesting in so many different ways that you

0:27:28.760 --> 0:27:33.000
<v Speaker 1>know this many years last still feel really relevant and cool.

0:27:33.119 --> 0:27:36.240
<v Speaker 4>So the Zenomore quickly grows to this to the size

0:27:36.280 --> 0:27:40.080
<v Speaker 4>of a very large human being, and it begins off

0:27:40.240 --> 0:27:44.879
<v Speaker 4>crewmembers one at a time, including the captain, who volunteers

0:27:44.960 --> 0:27:47.520
<v Speaker 4>himself to go like try and flush this thing out

0:27:47.560 --> 0:27:50.120
<v Speaker 4>of the air ducks because clearly he's feeling like shit

0:27:50.280 --> 0:27:53.440
<v Speaker 4>because this is all his fucking fault. Like he broke

0:27:53.560 --> 0:27:54.040
<v Speaker 4>cort me.

0:27:55.680 --> 0:27:56.440
<v Speaker 3>Just listened.

0:27:57.240 --> 0:28:03.359
<v Speaker 4>Now, Ripley discovers that Ash, the science officer, plans to

0:28:03.440 --> 0:28:06.679
<v Speaker 4>return to Earth with the Xenomorph and had in fact

0:28:07.960 --> 0:28:12.119
<v Speaker 4>been kind of directed to steer them towards this distress signal.

0:28:12.680 --> 0:28:17.000
<v Speaker 4>And because the company Wail and Utani that they all

0:28:17.080 --> 0:28:21.600
<v Speaker 4>work for, really, really, really wants this xenomorph ip for

0:28:21.920 --> 0:28:25.119
<v Speaker 4>like their weapons divisions or like their healthcare division, for

0:28:25.200 --> 0:28:28.080
<v Speaker 4>all sorts of divisions that they have under their banner,

0:28:28.400 --> 0:28:29.159
<v Speaker 4>it really.

0:28:29.200 --> 0:28:32.560
<v Speaker 3>Is a killing machine. And also, I want to say this.

0:28:32.800 --> 0:28:36.919
<v Speaker 1>Is leads to another one of the most terrifying scenes

0:28:36.960 --> 0:28:39.480
<v Speaker 1>when Ash attacks Ripley.

0:28:39.680 --> 0:28:44.320
<v Speaker 4>It's so simple, but I remember being so disconcerted. First

0:28:44.360 --> 0:28:47.960
<v Speaker 4>of all, I saw this scene. I was not allowed

0:28:48.000 --> 0:28:50.960
<v Speaker 4>to watch the movie. I was probably like five, and

0:28:51.280 --> 0:28:53.680
<v Speaker 4>my parents had it on VHS and they were watching it,

0:28:53.800 --> 0:28:55.440
<v Speaker 4>and I watched it from the top of the stairs.

0:28:55.440 --> 0:28:58.320
<v Speaker 4>I watched the whole fucking thing. This scene really bothered

0:28:58.360 --> 0:29:01.800
<v Speaker 4>me because there's something so weird about the way he tries,

0:29:01.960 --> 0:29:04.880
<v Speaker 4>like he rolls up a magazine and tries to stuff

0:29:04.880 --> 0:29:07.080
<v Speaker 4>it in her mouth. And to this day, I've never

0:29:07.120 --> 0:29:09.040
<v Speaker 4>seen somebody try to kill somebody like that. And it

0:29:09.200 --> 0:29:14.440
<v Speaker 4>really just really bothered me. The imagery was so disturbing. Anyway,

0:29:15.080 --> 0:29:17.680
<v Speaker 4>Ash tries to kill Ripley, but then is stopped by

0:29:18.040 --> 0:29:21.320
<v Speaker 4>the surviving crew members, and we discover that Ashes this

0:29:21.840 --> 0:29:24.360
<v Speaker 4>synthetic human with like milky blood.

0:29:25.320 --> 0:29:26.880
<v Speaker 3>Oh so creepy.

0:29:27.320 --> 0:29:30.479
<v Speaker 4>Eventually it gets down to just Ripley because the alien

0:29:30.560 --> 0:29:33.640
<v Speaker 4>kills all these crew members. She and the ship Cat.

0:29:33.800 --> 0:29:36.680
<v Speaker 4>Jones said, the stromo is self destuck, and they get

0:29:36.760 --> 0:29:40.320
<v Speaker 4>on a lifeboat and they launch and the stromo explodes

0:29:40.480 --> 0:29:43.360
<v Speaker 4>and everything's fucking fine. No, it's not because the alien

0:29:43.480 --> 0:29:47.120
<v Speaker 4>is hiding on the lifeboat. They're really smart, these aliens.

0:29:48.640 --> 0:29:54.240
<v Speaker 4>Ripley gets into a spacesuit, she opens the airlock, shoots

0:29:54.320 --> 0:29:57.200
<v Speaker 4>the alien in the chest with a harpoon, sending it

0:29:57.400 --> 0:30:00.000
<v Speaker 4>out of the airlock, and then when it tries to

0:30:00.080 --> 0:30:03.800
<v Speaker 4>to crawl back onto the hull of the ship, it

0:30:04.040 --> 0:30:06.840
<v Speaker 4>ends up like inside one of the engines of the ship,

0:30:06.880 --> 0:30:09.680
<v Speaker 4>and she hits the thruster and it burns up, and

0:30:09.760 --> 0:30:11.520
<v Speaker 4>then she goes in a cry of sleep with Jones

0:30:11.720 --> 0:30:13.720
<v Speaker 4>and everything is happily ever after.

0:30:14.720 --> 0:30:18.840
<v Speaker 3>Right, of course, no problems. She escaped with the cat.

0:30:18.960 --> 0:30:19.720
<v Speaker 3>That's all she needed.

0:30:19.720 --> 0:30:22.960
<v Speaker 4>That brings us to coming to a theater near you. Romulus,

0:30:23.400 --> 0:30:26.680
<v Speaker 4>set between the events of Alien and the next movie

0:30:26.760 --> 0:30:31.240
<v Speaker 4>in the series, Aliens from nineteen eighty Aliens, Now Aliens

0:30:31.320 --> 0:30:33.920
<v Speaker 4>takes place in the year twenty one to seventy nine.

0:30:34.560 --> 0:30:38.720
<v Speaker 4>Ripley has been asleep for fifty seven years when she

0:30:39.240 --> 0:30:42.480
<v Speaker 4>is discovered by a salvage ship. She returns to Earth,

0:30:42.920 --> 0:30:47.200
<v Speaker 4>but all hope of like restarting like a normal life

0:30:47.960 --> 0:30:52.920
<v Speaker 4>are scuttled because her credit score is absolutely fucking shit

0:30:53.040 --> 0:30:59.160
<v Speaker 4>housed because Waylan Utani considers her financially liable unbelievable for

0:30:59.240 --> 0:31:01.560
<v Speaker 4>the destruction of the now Trauma, which she had to do.

0:31:01.640 --> 0:31:03.480
<v Speaker 4>And she tries to tell them, well, there's this fucking alien,

0:31:03.520 --> 0:31:06.280
<v Speaker 4>there's a cenomorph. It killed the whole crew and the

0:31:06.440 --> 0:31:10.520
<v Speaker 4>like shot whatever. We've never heard of anything like that. Meanwhile,

0:31:10.880 --> 0:31:13.840
<v Speaker 4>we know, yeah, what are you talking about? Utani company,

0:31:14.000 --> 0:31:17.520
<v Speaker 4>And separately, both the Whyland and you Tani sides of

0:31:17.600 --> 0:31:22.440
<v Speaker 4>the company have been aware, well aware of the existence

0:31:22.480 --> 0:31:26.560
<v Speaker 4>of xenomorph saying no since that twentieth century, they've known

0:31:26.600 --> 0:31:27.000
<v Speaker 4>about it.

0:31:27.360 --> 0:31:28.800
<v Speaker 3>They've been trying to make one.

0:31:29.120 --> 0:31:30.920
<v Speaker 1>Also, I just want to say, you know, this is

0:31:30.960 --> 0:31:33.680
<v Speaker 1>a huge change from Ridley Scott, the original director. Now

0:31:33.720 --> 0:31:35.960
<v Speaker 1>you've got James Cameron. That's two of the biggest directors

0:31:35.960 --> 0:31:39.440
<v Speaker 1>of all time. But I love that James Cameron respected

0:31:39.560 --> 0:31:42.640
<v Speaker 1>that this needed to at least begin by being a

0:31:42.720 --> 0:31:45.000
<v Speaker 1>movie about a blue collar worker getting sucked over by

0:31:45.040 --> 0:31:48.040
<v Speaker 1>a corporation. He was like, that part is really important,

0:31:48.080 --> 0:31:49.680
<v Speaker 1>even if the rest of the movie is going to

0:31:49.720 --> 0:31:50.560
<v Speaker 1>be totally different.

0:31:50.960 --> 0:31:53.720
<v Speaker 3>I just need people to know I remember that that

0:31:53.960 --> 0:31:55.280
<v Speaker 3>is what made that movies.

0:31:55.320 --> 0:31:58.760
<v Speaker 4>And I got to say, you gotta love James Cameron

0:32:00.120 --> 0:32:04.600
<v Speaker 4>for the Avatar movies before this complete CG revolution that

0:32:04.720 --> 0:32:08.960
<v Speaker 4>he undertook, because here's another movie with the production design,

0:32:09.080 --> 0:32:14.400
<v Speaker 4>the practical effects, the sets that looks so tactile and

0:32:14.560 --> 0:32:18.520
<v Speaker 4>real and lived in and it looks again, it looks

0:32:18.520 --> 0:32:21.040
<v Speaker 4>as good as any movie that will come out like

0:32:21.160 --> 0:32:27.760
<v Speaker 4>it just looks fucking great. Anyway, When Wayland loses contact

0:32:27.800 --> 0:32:32.080
<v Speaker 4>with their colony Hadley's Hope on LV four twenty six.

0:32:33.040 --> 0:32:35.680
<v Speaker 3>Why did they stuck Callingy that guy?

0:32:35.920 --> 0:32:37.280
<v Speaker 4>Well, I think they knew it.

0:32:37.400 --> 0:32:38.120
<v Speaker 1>I think they did that.

0:32:38.360 --> 0:32:42.040
<v Speaker 4>Honestly, I think they did this. They did so they

0:32:42.240 --> 0:32:45.480
<v Speaker 4>strong armed Ripley into going back because she's the only

0:32:45.520 --> 0:32:49.240
<v Speaker 4>person with experience with Xenomorphson. She's like, you'll be a consultant,

0:32:49.280 --> 0:32:51.640
<v Speaker 4>and by the way, you'll be completely safe because we're

0:32:51.760 --> 0:32:56.520
<v Speaker 4>sending you with a squad of heavily armed colonial marines.

0:32:56.560 --> 0:33:01.040
<v Speaker 4>These these men and women are fucking bad ass. They're

0:33:01.320 --> 0:33:04.920
<v Speaker 4>so buff and they go they're fucking professions.

0:33:05.400 --> 0:33:07.680
<v Speaker 3>There's nothing that can happen to them.

0:33:07.760 --> 0:33:14.560
<v Speaker 4>They've kill, kill, kill, and there's nobody better galaxy than them. Well,

0:33:14.640 --> 0:33:16.560
<v Speaker 4>yes there is, because as soon as they land, the

0:33:16.680 --> 0:33:22.040
<v Speaker 4>aliens wipe out the fucking marines like quick, like ten minutes.

0:33:22.520 --> 0:33:26.240
<v Speaker 4>There's only a handful of marines and this thrust Ripley,

0:33:26.560 --> 0:33:30.040
<v Speaker 4>a surviving colonist, this little girl named Nude, and a

0:33:30.400 --> 0:33:34.920
<v Speaker 4>rag tag James collection of marines and one company hack

0:33:35.040 --> 0:33:38.560
<v Speaker 4>named Carter Burke into a struggle to survive. They come

0:33:38.680 --> 0:33:42.200
<v Speaker 4>up with a plan to nuke the There's just like,

0:33:42.280 --> 0:33:43.440
<v Speaker 4>let's get back on our ship.

0:33:43.960 --> 0:33:44.920
<v Speaker 3>And fucking nuke it.

0:33:45.120 --> 0:33:46.560
<v Speaker 1>Like what you know.

0:33:47.240 --> 0:33:51.760
<v Speaker 4>Now, Company Hack Burke disagrees in Gunnisan, Company hack Burke

0:33:51.960 --> 0:33:55.880
<v Speaker 4>is like, now, hold on. This installation holds a significant

0:33:56.040 --> 0:34:00.760
<v Speaker 4>dollar value to the stockholders, not to mention the potential

0:34:01.360 --> 0:34:04.040
<v Speaker 4>gains to be made from the alien ip They're like,

0:34:04.120 --> 0:34:06.880
<v Speaker 4>shut the fuck up, bitch, shut up where nuked.

0:34:07.480 --> 0:34:10.520
<v Speaker 3>They're like, this is the problem. This is where the

0:34:10.600 --> 0:34:13.160
<v Speaker 3>problem comes from. You're not taking an alien home. It's

0:34:13.239 --> 0:34:14.040
<v Speaker 3>not Jurassic Park.

0:34:15.239 --> 0:34:17.680
<v Speaker 4>Again, it must be said they've been trying to take

0:34:17.719 --> 0:34:20.319
<v Speaker 4>an alien back to Earth for like one hundred years

0:34:20.360 --> 0:34:24.120
<v Speaker 4>at this point anyway, So they ignore him and they

0:34:24.280 --> 0:34:27.680
<v Speaker 4>proceed with nuke from orbit plan, which requires them to

0:34:27.880 --> 0:34:31.920
<v Speaker 4>escape back to their ship. But the aliens fucking go crazy.

0:34:32.000 --> 0:34:34.720
<v Speaker 4>They kill company Hack, Carter Burke, and a bunch of others.

0:34:35.360 --> 0:34:40.480
<v Speaker 4>Ripley eventually escapes with Newt and a Bishop the new

0:34:40.600 --> 0:34:44.279
<v Speaker 4>Synth played by Lance Henrickson, who you know Ripley has

0:34:44.280 --> 0:34:47.719
<v Speaker 4>been struggling to kind of trust up until this time. Yeah,

0:34:47.840 --> 0:34:50.480
<v Speaker 4>they get back on board their ship and they are

0:34:50.520 --> 0:34:53.520
<v Speaker 4>gonna nuke it from orbit. But then guess what. It

0:34:53.600 --> 0:34:57.960
<v Speaker 4>turns out that the alien queen who Ripley had previously

0:34:58.120 --> 0:35:00.319
<v Speaker 4>burned up all the eggs, all the alien and face

0:35:00.400 --> 0:35:02.680
<v Speaker 4>hugger eggs in front of the queen. It made the

0:35:02.760 --> 0:35:06.520
<v Speaker 4>queen super angry. Now she's so pissed she attached herself

0:35:06.560 --> 0:35:08.440
<v Speaker 4>to their jump ship and like was hiding in the

0:35:08.440 --> 0:35:11.240
<v Speaker 4>wheel well and now she appears. She tears Bishop in half,

0:35:11.520 --> 0:35:14.400
<v Speaker 4>but then Ripley in one of the most iconic scenes

0:35:14.520 --> 0:35:19.799
<v Speaker 4>in movies. Yeah, legendary scene, puts on a loader suit

0:35:19.960 --> 0:35:23.040
<v Speaker 4>basically a mech suit and beats the shit out of

0:35:23.080 --> 0:35:24.399
<v Speaker 4>the queen get away.

0:35:25.400 --> 0:35:31.360
<v Speaker 3>Ye bitch, how you bitch? Also just need to say, like,

0:35:31.920 --> 0:35:33.640
<v Speaker 3>the Queen design is so sick.

0:35:34.400 --> 0:35:38.240
<v Speaker 1>It's really hard to come from a movie like Alien

0:35:39.040 --> 0:35:42.279
<v Speaker 1>where you have someone's literal nightmares. In hl Gey Goot

0:35:42.360 --> 0:35:44.520
<v Speaker 1>coming to life as the x Anomorph, it shocked people.

0:35:44.600 --> 0:35:46.919
<v Speaker 1>We had no idea of what an alien could look

0:35:47.040 --> 0:35:49.200
<v Speaker 1>like before that. Before it had always been the you know,

0:35:49.360 --> 0:35:53.040
<v Speaker 1>the the Gray Men kind of trope. And then to

0:35:53.160 --> 0:35:56.120
<v Speaker 1>have to find a new way to scare people in

0:35:56.280 --> 0:35:59.480
<v Speaker 1>the new movie is so well done. Even though this

0:35:59.560 --> 0:36:01.920
<v Speaker 1>is definitely more of an action than a sci fi horror,

0:36:02.040 --> 0:36:04.880
<v Speaker 1>I do think the Queen design goes.

0:36:04.719 --> 0:36:06.680
<v Speaker 3>Down as like one of the most badass designs.

0:36:06.800 --> 0:36:10.960
<v Speaker 4>And it must be said Cameron has created two of

0:36:11.120 --> 0:36:15.879
<v Speaker 4>the greatest sequels of all time T two and Aliens. Ever,

0:36:16.960 --> 0:36:20.400
<v Speaker 4>you know, it's like Godfather too of T two Aliens,

0:36:20.480 --> 0:36:23.839
<v Speaker 4>that's like the triumvirate of the greatest sequels of all time,

0:36:23.920 --> 0:36:26.880
<v Speaker 4>and James Cameron has made two of them. So Ripley

0:36:27.200 --> 0:36:31.560
<v Speaker 4>Jettison's the queen out into space. She puts Hicks into

0:36:31.640 --> 0:36:34.920
<v Speaker 4>cryo sleep, she puts Nude into cryosleep, she puts herself

0:36:34.960 --> 0:36:39.239
<v Speaker 4>into cryo sleep. And they won. That's it, that's it,

0:36:39.400 --> 0:36:39.759
<v Speaker 4>we've won.

0:36:39.880 --> 0:36:43.120
<v Speaker 3>We're going back to the problems. She's got a nice

0:36:43.160 --> 0:36:46.000
<v Speaker 3>little baby when everything would do that. She's a kid

0:36:46.200 --> 0:36:47.000
<v Speaker 3>like nude.

0:36:48.520 --> 0:36:50.960
<v Speaker 4>That brings us to Alien three from nineteen ninety two.

0:36:51.040 --> 0:36:53.000
<v Speaker 4>The year is twenty one seventy nine.

0:36:53.600 --> 0:36:54.439
<v Speaker 3>Dun Dun Dum.

0:36:54.880 --> 0:36:59.880
<v Speaker 4>After a fire aboard the marine intergalactic ship causes the

0:37:00.080 --> 0:37:05.239
<v Speaker 4>lifeboat to be launched, which contains the cryo tubes of Hicks, Ripley, Newt,

0:37:05.600 --> 0:37:10.480
<v Speaker 4>and Bishop. The lifeboat then crashes on a prison planet

0:37:10.600 --> 0:37:16.200
<v Speaker 4>inhabited by all male inmates. Only Ripley survives no scratch.

0:37:16.320 --> 0:37:20.160
<v Speaker 4>That a face hugger, a face that was aboard the

0:37:20.239 --> 0:37:24.120
<v Speaker 4>ship also survives. The face hugger then hug wild one

0:37:24.160 --> 0:37:27.040
<v Speaker 4>of the inmates dogs, and the dog quickly gives birth

0:37:27.120 --> 0:37:30.960
<v Speaker 4>to a really bad looking xenomorph Alien hybrid.

0:37:31.200 --> 0:37:33.760
<v Speaker 3>Yeah, really ugly dog xenom of hybrid.

0:37:33.800 --> 0:37:35.840
<v Speaker 1>Okay, I just want to stop us that because in

0:37:35.960 --> 0:37:38.120
<v Speaker 1>one of the original scripts this movie was written like

0:37:38.440 --> 0:37:40.319
<v Speaker 1>four or five times before it was made.

0:37:41.200 --> 0:37:44.759
<v Speaker 3>It was originally going to be a cow instead of

0:37:44.800 --> 0:37:47.120
<v Speaker 3>a dog, which I would have loved to see.

0:37:47.520 --> 0:37:52.680
<v Speaker 1>Also, this movie is one of my favorite almost movie scripts,

0:37:52.680 --> 0:37:56.279
<v Speaker 1>which was the original Alien three script was that it

0:37:56.360 --> 0:37:59.320
<v Speaker 1>was going to be set on a planet of monks,

0:37:59.600 --> 0:38:03.600
<v Speaker 1>and the planet was entirely wooden, and inside the wooden

0:38:03.640 --> 0:38:05.600
<v Speaker 1>planet were all these tunnels, and you kind of get

0:38:05.640 --> 0:38:07.400
<v Speaker 1>to see a little instead of monkst you get the

0:38:07.480 --> 0:38:10.239
<v Speaker 1>prisoners who are religious fanatics, and you get some of

0:38:10.280 --> 0:38:13.000
<v Speaker 1>those tunnels still going through the prison planet. But it's

0:38:13.120 --> 0:38:15.480
<v Speaker 1>not in any way as wild as that would have been.

0:38:15.560 --> 0:38:19.160
<v Speaker 1>This movie had true production hell it went.

0:38:19.080 --> 0:38:23.080
<v Speaker 4>Through And this is David Fincher's feature film debut. David

0:38:23.160 --> 0:38:27.280
<v Speaker 4>Fincher was by this time a very accomplished music video

0:38:27.680 --> 0:38:32.800
<v Speaker 4>and commercial director, some really like iconic music videos for

0:38:33.360 --> 0:38:37.440
<v Speaker 4>Madonna and many many other notables, and you did a

0:38:37.480 --> 0:38:40.360
<v Speaker 4>lot of ad campaigns for like Levi's Nike, et cetera.

0:38:41.200 --> 0:38:43.000
<v Speaker 4>But this is his first movie and he has since

0:38:43.000 --> 0:38:44.239
<v Speaker 4>he disowned the movie.

0:38:44.680 --> 0:38:46.040
<v Speaker 3>Yes all three.

0:38:46.719 --> 0:38:49.120
<v Speaker 1>He doesn't like the work print, he doesn't like the

0:38:49.239 --> 0:38:52.560
<v Speaker 1>theatrical print. He doesn't like the special edition, he said,

0:38:52.640 --> 0:38:55.000
<v Speaker 1>not for me. I find that also, this movie really

0:38:55.160 --> 0:38:59.600
<v Speaker 1>feels like it was heavily influenced by like a French

0:38:59.680 --> 0:39:03.400
<v Speaker 1>cinema at the time, like The City of Lost Children.

0:39:04.160 --> 0:39:06.600
<v Speaker 4>You Have Lost Children, kind of like the breakout film

0:39:06.800 --> 0:39:09.799
<v Speaker 4>of the director who directed Alien Resurrection in the next film.

0:39:10.680 --> 0:39:13.320
<v Speaker 1>Yeah, and it really feels to me like this was

0:39:13.480 --> 0:39:16.760
<v Speaker 1>influenced I agree with you by that by Delicatessen.

0:39:16.840 --> 0:39:19.920
<v Speaker 3>It has this kind of weird it's incredibly.

0:39:21.239 --> 0:39:25.680
<v Speaker 1>Monotone like the Yeah, it has like these monotone kind

0:39:25.719 --> 0:39:29.520
<v Speaker 1>of like and it's very slow compared to you know, Aliens.

0:39:29.880 --> 0:39:33.239
<v Speaker 1>And yes, the Dog's animal hybrid is notoriously bad in

0:39:33.320 --> 0:39:36.440
<v Speaker 1>this and it actually has there's a very famous scene

0:39:36.520 --> 0:39:39.000
<v Speaker 1>with it's just Hans and some black leather gloves and

0:39:39.040 --> 0:39:41.520
<v Speaker 1>they just come down on the screen and everyone's like,

0:39:41.600 --> 0:39:43.760
<v Speaker 1>no human acts.

0:39:43.719 --> 0:39:46.719
<v Speaker 4>CG for it. And this is nineteen ninety two, and

0:39:47.040 --> 0:39:48.880
<v Speaker 4>you know, by this point it's like the state of

0:39:48.960 --> 0:39:52.000
<v Speaker 4>the art for this kind of CG was again probably

0:39:52.120 --> 0:39:55.959
<v Speaker 4>T two And what's the James catn.

0:39:56.000 --> 0:39:57.520
<v Speaker 3>Which, by the way was also at the time the

0:39:57.600 --> 0:39:59.200
<v Speaker 3>most expensive.

0:39:59.120 --> 0:40:02.799
<v Speaker 4>Underwater Oh, the Abyss so you know, at this time,

0:40:02.880 --> 0:40:04.440
<v Speaker 4>the state of the art for this kind of effects

0:40:04.520 --> 0:40:07.040
<v Speaker 4>was probably like T two and The Abyss, both by

0:40:07.120 --> 0:40:08.680
<v Speaker 4>James Cameron. By the way, the Dog.

0:40:08.680 --> 0:40:12.960
<v Speaker 3>Alian Dog alias Let's go with them were.

0:40:12.280 --> 0:40:18.840
<v Speaker 4>They gave it this kind of green machen which I

0:40:18.960 --> 0:40:21.399
<v Speaker 4>think what they were intending to do was to make

0:40:21.440 --> 0:40:26.040
<v Speaker 4>it stand out from these very gray Stone Hallway backgrounds

0:40:26.080 --> 0:40:28.759
<v Speaker 4>and stand out from the shadows. But the issue is

0:40:28.800 --> 0:40:33.319
<v Speaker 4>it made it look completely not realistic to the way

0:40:33.520 --> 0:40:34.240
<v Speaker 4>light works.

0:40:34.560 --> 0:40:37.400
<v Speaker 3>Yeah, in any way, so it just looks really anyway,

0:40:38.080 --> 0:40:38.880
<v Speaker 3>I will say as well.

0:40:38.920 --> 0:40:41.320
<v Speaker 1>Another interesting thing I learned because I watched this on

0:40:41.480 --> 0:40:44.080
<v Speaker 1>laser disc, so I was like, oh, maybe the laser

0:40:44.120 --> 0:40:46.439
<v Speaker 1>disc version is a different cut, because I've seen many

0:40:46.480 --> 0:40:48.640
<v Speaker 1>different cuts of the first Alien movie because there were

0:40:48.719 --> 0:40:52.000
<v Speaker 1>just so many. No, But what I did learn is

0:40:52.080 --> 0:40:54.360
<v Speaker 1>that how they did the CG on this so they

0:40:54.400 --> 0:40:56.759
<v Speaker 1>could see what it looked like was they would take

0:40:56.800 --> 0:40:58.840
<v Speaker 1>a laser disc version of the dailies and.

0:40:58.880 --> 0:41:03.200
<v Speaker 3>Then overlay the cig on top of the movie see

0:41:03.239 --> 0:41:05.080
<v Speaker 3>what it would look like. Yeah, that's how they were

0:41:05.080 --> 0:41:07.400
<v Speaker 3>making it. So laser disk actually very important part and

0:41:07.520 --> 0:41:09.240
<v Speaker 3>making of this movie.

0:41:09.680 --> 0:41:11.759
<v Speaker 1>But yeah, it does look like the CG was done

0:41:11.800 --> 0:41:14.239
<v Speaker 1>with laser disc so that did not actually surprise me.

0:41:15.560 --> 0:41:19.600
<v Speaker 4>Ripley forms a bond with Clemmens. The prison doctor played

0:41:19.640 --> 0:41:21.759
<v Speaker 4>by Charles Dance aka Tywon.

0:41:21.520 --> 0:41:23.680
<v Speaker 3>Lanister Taiwan Lannie.

0:41:23.840 --> 0:41:28.000
<v Speaker 4>Dog alien goes on a fucking hot streak like killing Spury,

0:41:28.040 --> 0:41:30.920
<v Speaker 4>it's just killing. He kills the warden while the warden

0:41:31.000 --> 0:41:34.440
<v Speaker 4>is giving kills the warden while the warden is giving

0:41:34.880 --> 0:41:37.240
<v Speaker 4>like a speech about how no one should be worried

0:41:37.239 --> 0:41:39.200
<v Speaker 4>about like the people who have been dying recently in

0:41:39.280 --> 0:41:42.360
<v Speaker 4>any rumor that there's like a dragon running around the

0:41:42.880 --> 0:41:46.520
<v Speaker 4>killing people's nature. The dog alien like reaches down from

0:41:46.560 --> 0:41:50.520
<v Speaker 4>the fucking ceiling and cling and just like choose him up.

0:41:51.400 --> 0:41:55.680
<v Speaker 4>But it doesn't kill Ripley because guess why, huh, oh man,

0:41:56.239 --> 0:41:58.640
<v Speaker 4>I wonder why it could be with an alien The

0:41:58.800 --> 0:42:03.719
<v Speaker 4>face hugger got her in the oh man so and

0:42:03.840 --> 0:42:06.080
<v Speaker 4>so remember it bummed out about this and she's like, well,

0:42:06.120 --> 0:42:08.520
<v Speaker 4>I'm gonna kill myself. I want to die. And the

0:42:08.600 --> 0:42:12.120
<v Speaker 4>inmates are like, no more, you die. You have to

0:42:12.200 --> 0:42:15.439
<v Speaker 4>help us beat this thing because you've one. You've done

0:42:15.480 --> 0:42:19.520
<v Speaker 4>it twice. Now we can't. We need you, We need

0:42:19.600 --> 0:42:21.680
<v Speaker 4>your help, you say, and then you can kill yourself.

0:42:21.680 --> 0:42:23.600
<v Speaker 4>And she's like okay. So that she comes up with

0:42:23.640 --> 0:42:25.560
<v Speaker 4>a plan to like lure it, because they have no

0:42:25.680 --> 0:42:29.920
<v Speaker 4>weapons on this prison facility, lure it into it like

0:42:29.960 --> 0:42:33.279
<v Speaker 4>a furnace facility that they have where they can dump

0:42:33.480 --> 0:42:35.880
<v Speaker 4>like molten metal on it and kill it. And so

0:42:35.920 --> 0:42:37.879
<v Speaker 4>they managed to do that. They dumped the molten metal

0:42:37.960 --> 0:42:42.040
<v Speaker 4>on it, and then just like Terminator Too, they like

0:42:42.120 --> 0:42:45.440
<v Speaker 4>spray it with water which has this like rapid temperature

0:42:45.520 --> 0:42:50.040
<v Speaker 4>shift and it it like shatters. Okay again, just you

0:42:50.200 --> 0:42:52.400
<v Speaker 4>think this must be one of the things that bothers.

0:42:52.440 --> 0:42:54.480
<v Speaker 4>Fincher too is like, but they did. They did it

0:42:54.560 --> 0:42:56.600
<v Speaker 4>in Terminator too, and then we're doing it at the

0:42:56.719 --> 0:42:59.560
<v Speaker 4>end of the MOE. So then Ripley is about to

0:42:59.640 --> 0:43:03.120
<v Speaker 4>jump in a furnace mission accomplished. She wants wants to

0:43:03.200 --> 0:43:05.600
<v Speaker 4>kill this turns out she's an alien queen in her chest.

0:43:06.080 --> 0:43:11.400
<v Speaker 4>But then a whaling Utani rescue team arrives, led by

0:43:11.880 --> 0:43:17.359
<v Speaker 4>mister Bishop, the human creator of Bishop the Synth. He's

0:43:18.000 --> 0:43:21.800
<v Speaker 4>Hendrick is back and there and whaling Utani must be thinking, finally,

0:43:21.840 --> 0:43:25.120
<v Speaker 4>this is it. We've got it, We've it actually did

0:43:25.320 --> 0:43:27.719
<v Speaker 4>w it's we've been trying to do this for two

0:43:27.800 --> 0:43:30.920
<v Speaker 4>hundred years, and now we finally got a human with

0:43:31.080 --> 0:43:33.400
<v Speaker 4>a with the aliens, and it's an alien queen. We

0:43:33.560 --> 0:43:37.160
<v Speaker 4>got to get this thing back to Earth. But it

0:43:37.280 --> 0:43:40.480
<v Speaker 4>doesn't work. And even though mister Bishop is very very

0:43:40.960 --> 0:43:43.439
<v Speaker 4>I might have been persuaded by mister Bishop, he really

0:43:43.520 --> 0:43:45.360
<v Speaker 4>puts the charm on. He's like, Ripley, what are you?

0:43:45.800 --> 0:43:50.800
<v Speaker 4>Don't you want to go home? It's gonna be great.

0:43:51.000 --> 0:43:55.839
<v Speaker 4>You think we could great part of the whalen Utani.

0:43:55.640 --> 0:43:58.840
<v Speaker 1>Family, Like, don't do that, And she's like, well, my

0:43:59.280 --> 0:44:02.960
<v Speaker 1>adopted door is dead and I'm pregnant with the alien baby, so.

0:44:03.040 --> 0:44:06.520
<v Speaker 3>I'm just gonna jump into this CG molten metal like.

0:44:06.680 --> 0:44:10.200
<v Speaker 4>Jumps into the CG molten metal just like Jesus Christ,

0:44:11.080 --> 0:44:14.640
<v Speaker 4>just as the alien queen burst out of her chest

0:44:14.840 --> 0:44:18.719
<v Speaker 4>like and she's like, ye like a baby, and they hit,

0:44:18.800 --> 0:44:21.960
<v Speaker 4>they hit the metal and they burn up, and that's it. Happily.

0:44:22.000 --> 0:44:22.920
<v Speaker 4>Ever after that's it.

0:44:23.120 --> 0:44:26.120
<v Speaker 1>We just have to take a break to go and

0:44:26.520 --> 0:44:30.160
<v Speaker 1>insert the alien eggs into our human sacrifices so we

0:44:30.239 --> 0:44:33.440
<v Speaker 1>can have xenomorphs ready for you after this message.

0:44:52.000 --> 0:44:53.600
<v Speaker 3>And we're back.

0:44:53.920 --> 0:44:57.680
<v Speaker 1>Finally, Ripley is free from the aliens, nothing else could happen.

0:44:58.400 --> 0:45:04.240
<v Speaker 4>Alien Resurrection nineteen ninety seven. It's been two hundred years.

0:45:04.360 --> 0:45:06.320
<v Speaker 4>Directed by Jean Pierre Jeunette.

0:45:06.480 --> 0:45:09.360
<v Speaker 3>I still haven't done it. They still haven't.

0:45:09.600 --> 0:45:14.080
<v Speaker 4>Directed by French weirdo Jean Pierre Jeanne of Omily fame

0:45:14.600 --> 0:45:15.040
<v Speaker 4>and the.

0:45:15.120 --> 0:45:18.200
<v Speaker 3>City of City of Lost Children, City of Lost Children.

0:45:18.280 --> 0:45:21.880
<v Speaker 4>Super weird, really fun movie. I'm not sure he was

0:45:21.920 --> 0:45:25.640
<v Speaker 4>the correct choice for this film, but regardless, Rail and

0:45:25.760 --> 0:45:29.239
<v Speaker 4>Utani scientists aborder ship named the Ariga clone Ripley from

0:45:29.239 --> 0:45:33.160
<v Speaker 4>a blood sample and they combine it with xenomorphine Clone

0:45:33.200 --> 0:45:37.560
<v Speaker 4>Ripley and then grows up to like adult Ripley in

0:45:37.680 --> 0:45:39.520
<v Speaker 4>a very short period of time, because you know how

0:45:39.520 --> 0:45:42.640
<v Speaker 4>the aliens do that, They just grow up and Clone

0:45:42.719 --> 0:45:47.000
<v Speaker 4>Ripley yeah, super strong, has acid blood and also has

0:45:47.040 --> 0:45:50.600
<v Speaker 4>a very weird psychic link to the aliens. And also

0:45:50.760 --> 0:45:54.640
<v Speaker 4>because I guess the xenomorphs have like a genetic memory,

0:45:55.360 --> 0:45:58.160
<v Speaker 4>they chair the memory of like other I don't know

0:45:58.239 --> 0:46:02.080
<v Speaker 4>how it works, but whatever, Ripley also somehow she has

0:46:02.280 --> 0:46:06.080
<v Speaker 4>memories of herself, but they're from the perspective of the

0:46:06.200 --> 0:46:11.480
<v Speaker 4>aliens that like fought her wild so are the aliens psychic? Like,

0:46:11.600 --> 0:46:14.239
<v Speaker 4>how do they get the memory is?

0:46:14.440 --> 0:46:16.720
<v Speaker 3>I think maybe it's like a hive mind.

0:46:17.040 --> 0:46:18.040
<v Speaker 4>This is very venerable.

0:46:18.239 --> 0:46:23.000
<v Speaker 3>They all are experience, very very very this is the

0:46:23.160 --> 0:46:25.800
<v Speaker 3>next video, I say, how Alien Resurrection shaped.

0:46:28.400 --> 0:46:31.400
<v Speaker 4>Okay, So mercenaries arrive on the Arega. They're here to

0:46:31.480 --> 0:46:34.560
<v Speaker 4>deliver prisoners that are going to be used as incubators

0:46:34.640 --> 0:46:38.800
<v Speaker 4>for the alien eggs for to create more aliens. Annelie

0:46:38.960 --> 0:46:43.080
<v Speaker 4>Call played by Winona Ryder, decides like, Hey, this is

0:46:43.160 --> 0:46:46.000
<v Speaker 4>a really fucked up thing that's happening here. They're using

0:46:46.080 --> 0:46:50.240
<v Speaker 4>humans to get they're using aliens. And also the aliens

0:46:50.239 --> 0:46:52.880
<v Speaker 4>are like a super weapon and if they get out,

0:46:52.920 --> 0:46:54.600
<v Speaker 4>it would be really crazy. We can't let this happen.

0:46:55.200 --> 0:46:58.719
<v Speaker 4>But of course, eventually the aliens escape from where they're

0:46:58.800 --> 0:47:02.400
<v Speaker 4>being research and actually this way, I thought, this is

0:47:02.480 --> 0:47:04.040
<v Speaker 4>kind of like my favorite part of the movie is like,

0:47:04.320 --> 0:47:06.640
<v Speaker 4>so they've got these two aliens, they were running tests

0:47:06.680 --> 0:47:09.040
<v Speaker 4>on them, and then the aliens can't get out because

0:47:09.080 --> 0:47:11.120
<v Speaker 4>like every time they approach the glass or approach the walls,

0:47:11.160 --> 0:47:13.520
<v Speaker 4>like they get shot with this like very very cold

0:47:13.719 --> 0:47:16.680
<v Speaker 4>like gas. And so one of the aliens. The aliens

0:47:16.719 --> 0:47:19.320
<v Speaker 4>are really smart guys, how often do we have to

0:47:19.360 --> 0:47:21.640
<v Speaker 4>say it? They're like, wait a second, we have acid blood,

0:47:22.000 --> 0:47:24.560
<v Speaker 4>and they one of the aliens kills the other one

0:47:24.680 --> 0:47:27.760
<v Speaker 4>who just like lets itself get killed, and the blood

0:47:28.600 --> 0:47:31.640
<v Speaker 4>builts the floor and then it jumps through the floor

0:47:31.719 --> 0:47:34.040
<v Speaker 4>and gets out into the of the facility. Now we

0:47:34.080 --> 0:47:38.680
<v Speaker 4>should mention again, whalen u Tani has been researching these

0:47:38.719 --> 0:47:40.480
<v Speaker 4>aliens for two centuries.

0:47:41.360 --> 0:47:44.080
<v Speaker 3>They know about acid blood. I feel like it should

0:47:44.120 --> 0:47:47.360
<v Speaker 3>be like having a guy the acid blood melted.

0:47:47.560 --> 0:47:54.360
<v Speaker 4>Guys, you know about the acid blood, really, you definitely know. Anyway,

0:47:55.480 --> 0:47:59.839
<v Speaker 4>a queen alien containing some of Ripley's human DNA gives

0:48:00.719 --> 0:48:03.440
<v Speaker 4>birth human like birth because it has like a uterus

0:48:03.560 --> 0:48:10.280
<v Speaker 4>like a human to a almost funny looking human alien

0:48:10.480 --> 0:48:12.920
<v Speaker 4>hundred that looks like Rosie.

0:48:13.000 --> 0:48:13.320
<v Speaker 1>I don't know.

0:48:13.400 --> 0:48:15.920
<v Speaker 4>Do you agree with me on this looks like Pumpkinhead.

0:48:16.040 --> 0:48:20.719
<v Speaker 4>I do agree Pumpkinhead from the titular villain from Pumpkinhead,

0:48:20.800 --> 0:48:27.680
<v Speaker 4>the film, which also stars alien star Dun Dunn Lance Henrickson.

0:48:28.960 --> 0:48:29.479
<v Speaker 3>He's back.

0:48:30.000 --> 0:48:34.120
<v Speaker 1>He's connected six degrees of Lance Emrickson in the alien universe.

0:48:34.320 --> 0:48:38.560
<v Speaker 1>It does look like Pumpkinhead. They did not deliver the

0:48:38.800 --> 0:48:42.520
<v Speaker 1>new cool Alien design when it came to that little guy. Also,

0:48:42.960 --> 0:48:44.759
<v Speaker 1>I feel like maybe this is one of those like

0:48:44.920 --> 0:48:49.480
<v Speaker 1>weird social Internet constructs, but I swear to God, Like

0:48:49.520 --> 0:48:51.959
<v Speaker 1>when I was a kid, I thought when Ona Ryder

0:48:52.080 --> 0:48:55.480
<v Speaker 1>was like her door or something in this movie, or

0:48:55.600 --> 0:48:58.560
<v Speaker 1>her or something, And then when I rewatched it, I

0:48:58.719 --> 0:49:02.640
<v Speaker 1>was like, that is definitely so like if you get

0:49:03.000 --> 0:49:08.280
<v Speaker 1>fire five vibes from the Mercenaries and from like the design.

0:49:09.040 --> 0:49:13.000
<v Speaker 4>That might be because Joss Whedon wrote this terrible fucking

0:49:13.080 --> 0:49:18.160
<v Speaker 4>script this movie. It's so bad, but it's the worst

0:49:18.239 --> 0:49:21.200
<v Speaker 4>looking of the Alien movies by far.

0:49:21.680 --> 0:49:23.040
<v Speaker 3>At least Alien three.

0:49:23.280 --> 0:49:26.040
<v Speaker 1>Every few years with Alien three, hence why I own

0:49:26.080 --> 0:49:28.560
<v Speaker 1>it on bloomin laser disc that I just bought recently

0:49:28.600 --> 0:49:32.839
<v Speaker 1>from a meeba in la It's like every few years

0:49:32.920 --> 0:49:37.120
<v Speaker 1>I reconsider it because there's it's like a visual, there's

0:49:37.160 --> 0:49:41.160
<v Speaker 1>a visual, a choice that David Fincher made. It's very strange,

0:49:41.239 --> 0:49:44.319
<v Speaker 1>it's very dreary, it's slow burn. It has this weird

0:49:45.000 --> 0:49:48.680
<v Speaker 1>religious kind of subtext to it. But it is, I

0:49:48.800 --> 0:49:53.080
<v Speaker 1>have to say, sadly, quite a boring movie. But at

0:49:53.160 --> 0:49:57.000
<v Speaker 1>least it has vibes. Alien four Resurrection does not have

0:49:57.160 --> 0:49:59.400
<v Speaker 1>vibes and does not live up to a movie that

0:49:59.480 --> 0:50:00.920
<v Speaker 1>has both Gorney Weaver, and.

0:50:01.280 --> 0:50:05.480
<v Speaker 4>It looks sadly like a very cheap film. It does

0:50:05.600 --> 0:50:09.320
<v Speaker 4>not look expensive or good at all. It does have

0:50:10.239 --> 0:50:12.080
<v Speaker 4>what I consider to be one of the most iconic

0:50:12.160 --> 0:50:15.399
<v Speaker 4>basketball scenes in movies in which the Mercenaries.

0:50:15.760 --> 0:50:19.440
<v Speaker 3>This is the Mercenaries encounter with the cat super Ripley.

0:50:19.520 --> 0:50:22.680
<v Speaker 4>So super Ripley again, remember has the alien DNA, and

0:50:22.880 --> 0:50:26.680
<v Speaker 4>she's like practicing basketball and her game is like Peau

0:50:26.800 --> 0:50:29.400
<v Speaker 4>Charles Barkley, Like she just like drives to the hoop

0:50:29.440 --> 0:50:34.320
<v Speaker 4>of dunks, that's what. And then of course there's this

0:50:34.520 --> 0:50:38.080
<v Speaker 4>really amazing shot where she's like walking away from the

0:50:38.120 --> 0:50:40.800
<v Speaker 4>basket and she shoots a basket over her head and

0:50:40.920 --> 0:50:44.200
<v Speaker 4>it goes in and she actually made that shot. That's

0:50:44.320 --> 0:50:47.319
<v Speaker 4>like the take that's in the ideas for actually.

0:50:47.040 --> 0:50:50.640
<v Speaker 3>Making the shot is so good you can't believe it.

0:50:50.680 --> 0:50:53.600
<v Speaker 1>It's like that Catwoman scene with Michelle Pipa where she

0:50:53.840 --> 0:50:57.080
<v Speaker 1>gets all the heads off with the whips. It's one

0:50:57.120 --> 0:50:59.960
<v Speaker 1>of those things where it just becomes a legendary scene

0:51:00.160 --> 0:51:02.839
<v Speaker 1>that you never believe was done without cg And yeah,

0:51:02.880 --> 0:51:05.600
<v Speaker 1>it was Sigourney Weave. I continue, you can go queen,

0:51:06.000 --> 0:51:06.680
<v Speaker 1>I'm the queen.

0:51:06.920 --> 0:51:10.800
<v Speaker 4>Go on YouTube and see like the outtake. It's not

0:51:10.880 --> 0:51:15.200
<v Speaker 4>an outtake, it's Ron Perlman like reacts the way any

0:51:15.280 --> 0:51:17.719
<v Speaker 4>person would react to that by just going, oh my god.

0:51:18.320 --> 0:51:22.600
<v Speaker 4>And he thought for a second that he had ruined

0:51:22.680 --> 0:51:24.759
<v Speaker 4>the take because he says it like right after it

0:51:24.840 --> 0:51:27.640
<v Speaker 4>goes in, But there was enough space there for them

0:51:27.680 --> 0:51:30.440
<v Speaker 4>to like cut anyway, go watch it on YouTube. It's

0:51:30.480 --> 0:51:30.839
<v Speaker 4>really funny.

0:51:30.880 --> 0:51:31.439
<v Speaker 1>It's cool.

0:51:31.520 --> 0:51:36.960
<v Speaker 4>So Ripley manages to launch the alien queen into space

0:51:37.280 --> 0:51:39.400
<v Speaker 4>by melting a window with her acid blood.

0:51:40.440 --> 0:51:43.239
<v Speaker 3>Of course, again Acid.

0:51:43.760 --> 0:51:46.719
<v Speaker 4>Thought about, like, we gotta ask improve this entire facility.

0:51:48.880 --> 0:51:53.879
<v Speaker 4>The mercenaries and Ripley escaped the Orega, which crashes into Earth.

0:51:54.800 --> 0:51:58.759
<v Speaker 4>Oh but it does explode, so maybe like all the

0:51:58.880 --> 0:52:04.400
<v Speaker 4>aliens and alien research are fine. And then the mercenaries

0:52:04.400 --> 0:52:07.080
<v Speaker 4>are like, where should we go? And then Ripley is like,

0:52:07.800 --> 0:52:10.480
<v Speaker 4>you know, I don't know. I'm like two weeks old. Yeah,

0:52:10.480 --> 0:52:13.160
<v Speaker 4>I don't, like, I don't know anything, and then the

0:52:13.239 --> 0:52:16.880
<v Speaker 4>movie's over. The movie is so fucking dumb. It's so dumb,

0:52:18.640 --> 0:52:23.920
<v Speaker 4>and that brings us to the chronological end of the

0:52:24.120 --> 0:52:29.600
<v Speaker 4>alien universe. As we know it now again. Alien Romulus

0:52:29.880 --> 0:52:33.360
<v Speaker 4>coming to theaters near you soon coming takes place between

0:52:33.719 --> 0:52:37.600
<v Speaker 4>Alienen and Alienens, So that'll be very interesting to see.

0:52:37.800 --> 0:52:39.560
<v Speaker 3>Yes, very interesting.

0:52:39.640 --> 0:52:42.800
<v Speaker 1>And it's Fetti Alvarez, who's like a don't Breathe the

0:52:42.880 --> 0:52:44.800
<v Speaker 1>Evil Dad remake. That man knows how to make a

0:52:44.800 --> 0:52:48.920
<v Speaker 1>scary movie. So I'm excited to see what happens.

0:52:49.239 --> 0:52:51.160
<v Speaker 4>One question I have for you that I think is,

0:52:52.280 --> 0:52:55.640
<v Speaker 4>listen this to your point, they did do a surprising

0:52:55.719 --> 0:52:59.680
<v Speaker 4>amount of like lore building in this and specifically in

0:52:59.760 --> 0:53:03.920
<v Speaker 4>like the Alien versus President, really wild. Yeah, the overall

0:53:04.080 --> 0:53:06.759
<v Speaker 4>like world building is quite spotty. Like there's a lot

0:53:06.800 --> 0:53:08.520
<v Speaker 4>of un answered questions, and there's a lot of things

0:53:08.560 --> 0:53:10.520
<v Speaker 4>that don't line up. And here's one of my biggest ones,

0:53:10.840 --> 0:53:13.279
<v Speaker 4>and we don't really ever get the answer. Why were

0:53:13.320 --> 0:53:16.120
<v Speaker 4>the engineers gonna wipe out Earth other than the Jesus?

0:53:16.120 --> 0:53:17.040
<v Speaker 3>Other than Jesus.

0:53:19.640 --> 0:53:21.759
<v Speaker 1>Well, I do think you make a good point. I'm

0:53:21.840 --> 0:53:24.400
<v Speaker 1>sure that Ridley Scott was planning to make the Jesus

0:53:24.480 --> 0:53:27.960
<v Speaker 1>think canon for some reason. These old directors from this

0:53:28.239 --> 0:53:30.080
<v Speaker 1>error of Action, they love Jesus.

0:53:30.920 --> 0:53:33.240
<v Speaker 3>Poor Verhoven's the same, he loves Jesus.

0:53:33.400 --> 0:53:39.000
<v Speaker 1>If you watch his very entertaining lesbian nonsplitation movie Benedetta.

0:53:39.360 --> 0:53:40.840
<v Speaker 3>It's about like a nun.

0:53:40.840 --> 0:53:44.600
<v Speaker 1>In eighteenth Centuary Rome, you know, who begins having these visions.

0:53:44.760 --> 0:53:47.080
<v Speaker 1>But when she has visions of Jesus, she's having visions

0:53:47.120 --> 0:53:50.800
<v Speaker 1>of like Hunky like Action Star honest Watch, Neega Jesus.

0:53:50.920 --> 0:53:52.680
<v Speaker 1>It's like some of the most outrageous stuff. I don't

0:53:52.680 --> 0:53:54.919
<v Speaker 1>know why they love Jesus, but why were they gonna

0:53:54.920 --> 0:53:58.200
<v Speaker 1>wipe us out? Probably, you know, some kind of like

0:53:58.719 --> 0:54:02.640
<v Speaker 1>Godzilla esque. The engineers saw that we were destroying the Earth,

0:54:03.000 --> 0:54:05.839
<v Speaker 1>and they decided the best thing to do, or they

0:54:05.920 --> 0:54:09.520
<v Speaker 1>wanted to terraform Earth and take it over and use

0:54:09.560 --> 0:54:12.719
<v Speaker 1>it as a breeding ground for these aliens, which would

0:54:12.719 --> 0:54:15.680
<v Speaker 1>become like weapons if they wanted to take over other planets.

0:54:15.880 --> 0:54:18.480
<v Speaker 1>But I think Prometheus kind of messes us up because

0:54:18.480 --> 0:54:23.239
<v Speaker 1>Prometheus adds in the lore of like they are the creators,

0:54:23.360 --> 0:54:26.000
<v Speaker 1>they are where the god mythology comes from. So then

0:54:26.040 --> 0:54:28.840
<v Speaker 1>that takes on a lot of a heavier weight of

0:54:29.000 --> 0:54:31.759
<v Speaker 1>kind of why they would want to destroy us.

0:54:32.480 --> 0:54:34.600
<v Speaker 4>I guess part of me wonders so that you find

0:54:34.640 --> 0:54:38.279
<v Speaker 4>out that the planet that they go to in Prometheus,

0:54:38.400 --> 0:54:42.080
<v Speaker 4>like or at least, the supposition from our science friends

0:54:42.680 --> 0:54:46.240
<v Speaker 4>in the story is that this is like a bioweapons facility,

0:54:46.320 --> 0:54:49.680
<v Speaker 4>so maybe like, yeah, maybe it's like the two ingredients

0:54:49.760 --> 0:54:54.439
<v Speaker 4>of the weapon, like Earth is where the incubators are human,

0:54:54.560 --> 0:54:58.200
<v Speaker 4>they have the actual weapons stuff. Honestly, that would be

0:54:58.280 --> 0:55:00.919
<v Speaker 4>the smartest way to do it, seeing how Ireland this yeah,

0:55:01.320 --> 0:55:03.640
<v Speaker 4>these this weapon is is to like have them separate

0:55:03.680 --> 0:55:06.880
<v Speaker 4>and then combine them later at some other place somewhere.

0:55:07.160 --> 0:55:09.840
<v Speaker 4>Would they be fighting? Yeah, why would they need this weapon?

0:55:10.000 --> 0:55:12.000
<v Speaker 4>I guess that's the other thing, Like who were they

0:55:12.160 --> 0:55:15.480
<v Speaker 4>scared of? Like the predators, But like the predators don't

0:55:15.520 --> 0:55:18.840
<v Speaker 4>really feel like that's big a threat, not really a

0:55:18.960 --> 0:55:22.560
<v Speaker 4>formidable threat killing one engineer, Like the engineers could just

0:55:22.719 --> 0:55:25.719
<v Speaker 4>like step on or like kill like one engineers like

0:55:25.800 --> 0:55:26.640
<v Speaker 4>big fucking deal.

0:55:27.040 --> 0:55:30.200
<v Speaker 1>Yeah. Also as well, the predators, I feel like they're

0:55:30.239 --> 0:55:33.040
<v Speaker 1>always just willing to like team up with someone thanks

0:55:33.120 --> 0:55:34.960
<v Speaker 1>to the later law. So I feel like the energy

0:55:35.160 --> 0:55:37.719
<v Speaker 1>engineers could have just been like, let's not be beefing, bro, Like,

0:55:37.920 --> 0:55:41.160
<v Speaker 1>let's just be cool. I won't make a bioweapon to

0:55:41.239 --> 0:55:43.719
<v Speaker 1>kill you if you just chill out a bit. But

0:55:43.880 --> 0:55:45.960
<v Speaker 1>you know what, that's the interesting thing. I've been thinking

0:55:46.000 --> 0:55:49.520
<v Speaker 1>a lot about prequels because of House the Dragon, which

0:55:49.560 --> 0:55:51.560
<v Speaker 1>I believe is currently up there for me for like

0:55:51.840 --> 0:55:54.040
<v Speaker 1>one of the greatest prequels that we've ever gotten, the

0:55:54.080 --> 0:55:56.560
<v Speaker 1>way that the TV series decided to adapt Fire and Blood.

0:55:57.280 --> 0:56:00.680
<v Speaker 1>And actually, like, prequels are so complex because you do

0:56:01.000 --> 0:56:04.200
<v Speaker 1>start to build in all this law that was never

0:56:04.360 --> 0:56:08.000
<v Speaker 1>intended in the original films, you know, so with Alien

0:56:08.120 --> 0:56:12.360
<v Speaker 1>versus Predator, in these movies that are so far away

0:56:12.440 --> 0:56:15.440
<v Speaker 1>from really being connected to like the original Alien, but

0:56:15.640 --> 0:56:19.440
<v Speaker 1>because they start technically before you are watching a prequel,

0:56:19.480 --> 0:56:21.600
<v Speaker 1>and if you're a nerd like us, you can't help

0:56:21.640 --> 0:56:24.680
<v Speaker 1>connecting those things together. So you do start asking these

0:56:24.800 --> 0:56:28.279
<v Speaker 1>questions about how these things all connect. And I do

0:56:28.440 --> 0:56:33.000
<v Speaker 1>still think with Alien and Predator now both under the

0:56:33.160 --> 0:56:37.600
<v Speaker 1>Disney banner after the twentieth Century Fox acquisition, I do

0:56:37.800 --> 0:56:40.239
<v Speaker 1>think that we will probably get another Alien Predator movie

0:56:40.360 --> 0:56:43.200
<v Speaker 1>in our time that is more concerned with the Ridley

0:56:43.280 --> 0:56:48.800
<v Speaker 1>Scott style law, because it's just such an enjoyable matchup.

0:56:49.080 --> 0:56:50.280
<v Speaker 3>But you make a good.

0:56:50.120 --> 0:56:53.120
<v Speaker 1>Point that really, in general, the Predators, I think the

0:56:53.200 --> 0:56:55.440
<v Speaker 1>reason they focus on humans is because they're not actually

0:56:55.480 --> 0:56:59.600
<v Speaker 1>that good peoples like they could go to the engineers,

0:56:59.640 --> 0:57:01.320
<v Speaker 1>but in that they're like, oh, I'll just see what

0:57:01.360 --> 0:57:03.440
<v Speaker 1>happens if I kill a human, Like, I'm.

0:57:03.280 --> 0:57:07.520
<v Speaker 4>Sure that's so far? Are they like the predators trophies

0:57:07.560 --> 0:57:11.440
<v Speaker 4>that they give like humans? It's always like a flintlock pistol,

0:57:11.560 --> 0:57:14.160
<v Speaker 4>a spirit? Can I get something from elsewhere in the

0:57:14.200 --> 0:57:16.080
<v Speaker 4>get like give me an alien weapon?

0:57:16.320 --> 0:57:17.640
<v Speaker 3>Yeah? Could I have?

0:57:17.880 --> 0:57:19.880
<v Speaker 4>I mean yeah, like, could you get something like a

0:57:20.520 --> 0:57:22.800
<v Speaker 4>gun or something? This is what I could fucking go

0:57:22.880 --> 0:57:23.440
<v Speaker 4>to a museum.

0:57:24.200 --> 0:57:26.760
<v Speaker 1>But no, they dude, they don't want to give it

0:57:26.800 --> 0:57:28.640
<v Speaker 1>to you because then you could kill them because they're

0:57:28.680 --> 0:57:31.280
<v Speaker 1>not that good they're gonna give you Like they're like,

0:57:31.440 --> 0:57:32.960
<v Speaker 1>make sure you give them up and that's at least

0:57:32.960 --> 0:57:34.480
<v Speaker 1>one hundred and fifty years old, or he might be

0:57:34.560 --> 0:57:35.360
<v Speaker 1>able to take us out.

0:57:35.680 --> 0:57:38.720
<v Speaker 4>See well, Alien Romulus comes out August sixteenth. Will be

0:57:38.760 --> 0:57:39.439
<v Speaker 4>covering that movie.

0:57:40.320 --> 0:57:43.600
<v Speaker 1>Stay tuned, os Enamo if we continues tomorrow when I'm

0:57:43.680 --> 0:57:46.080
<v Speaker 1>joined by super producer comment to that about a time

0:57:46.200 --> 0:57:49.360
<v Speaker 1>before Rickley, Whilon Utani, and David.

0:57:49.640 --> 0:57:52.080
<v Speaker 3>The origins of the Alien franchise.

0:57:53.000 --> 0:58:01.760
<v Speaker 4>Bye X ray Vision is hosted by Jason Concepcion and

0:58:01.960 --> 0:58:06.040
<v Speaker 4>Rosie Knight and is a production of iHeart Podcasts. Our

0:58:06.120 --> 0:58:10.360
<v Speaker 4>executive producers are Joelle Smith and Aaron Kaufman. Our supervising

0:58:10.400 --> 0:58:15.120
<v Speaker 4>producer is a Boo Zafar. Our producers are Carmen Laurent

0:58:15.880 --> 0:58:19.440
<v Speaker 4>and Mia Taylor. Our theme song is by Brian Basquez.

0:58:20.000 --> 0:58:24.280
<v Speaker 1>Special thanks to Soul Rubin and Chris Laude, Kenny Goodman

0:58:24.640 --> 0:58:25.200
<v Speaker 1>and Heidi.

0:58:25.520 --> 0:58:26.680
<v Speaker 3>Our disco Moderata