WEBVTT - Hitler’s Olympics, Part 3: Mustache to Mustache

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<v Speaker 1>Pushkin October thirty first, nineteen thirty five, Park Avenue, mid Taiminhattan.

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<v Speaker 2>A great two friends from the Advertising Club of New

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<v Speaker 2>York City and present another interesting luncheon meeting of this organization.

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<v Speaker 1>The meal is served grilled Boston squad with Chris bacon

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<v Speaker 1>or breaded vealsteak Vienna style, followed by old fashioned strawberry shortcack.

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<v Speaker 1>The plates are cleared away. The president of the club

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<v Speaker 1>introduces the head table, a long row of distinguished gentleman,

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<v Speaker 1>and then the agenda of the day.

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<v Speaker 2>The Olympics to be held in Germany in nineteen thirty six.

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<v Speaker 2>Forgetting the thought of every nation the world over, it

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<v Speaker 2>seemed fitting then that we should go to our guest

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<v Speaker 2>of the day.

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<v Speaker 1>He gestures to a man sitting next to him with

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<v Speaker 1>a fabulous, thriving mustache, Charles Hitchcock Cheryl.

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<v Speaker 2>Why do we call on General Cheryl? First of all,

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<v Speaker 2>he's an athlete himself. He's probably the only man who

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<v Speaker 2>won seven intercillegiate championships while attending jail.

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<v Speaker 1>He lists Cheryl's many accomplishments, his time as a diplomat,

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<v Speaker 1>his training as a lawyer, his service in the New

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<v Speaker 1>York National guard.

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<v Speaker 2>Probably, though I should emphasize above everything else, the fact

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<v Speaker 2>that for fifteen years he's been a member of the

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<v Speaker 2>American Olympic Committee, in a nice little Olympic committee, and

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<v Speaker 2>we've asked him to come here to clear up the

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<v Speaker 2>fall which some feel exists about this nineteen thirty six

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<v Speaker 2>Olympic situation.

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<v Speaker 1>And there is no better man to clear up this

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<v Speaker 1>Olympic situation than Charles Hitchcock. Cheryl, of course, he opens

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<v Speaker 1>his Advertising Club talk with a joke.

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<v Speaker 2>Your president has spoken as though I was dead and

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<v Speaker 2>in a coffin, and he was speaking at the funeral.

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<v Speaker 2>He left out what I think is the most important

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<v Speaker 2>thing that he put and that is that I have

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<v Speaker 2>led the happiest life of anybody you ever met in

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<v Speaker 2>your life.

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<v Speaker 1>He beams, He looks around happily, his eyes twinkle. This

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<v Speaker 1>is his kind of room. He launches into a brief

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<v Speaker 1>and modest account of his sprinting accomplishments at Yale. He

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<v Speaker 1>speaks of his key role in the invention of the

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<v Speaker 1>crouching start on how the press love to talk about it.

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<v Speaker 2>I have a wife at pome So, sir, you've getched

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<v Speaker 2>the myathletic path. She says, why is it that whenever

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<v Speaker 2>you achieve anything, they must sprint half naked pictures of you?

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<v Speaker 1>And then Charles Cheryl tells the assembled group the story

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<v Speaker 1>of how he has rescued the Olympic Games from the

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<v Speaker 1>doubters and the naysayers, not once, but twice. Welcome to

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<v Speaker 1>episode three of Hitler's Olympics, our story about the nineteen

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<v Speaker 1>thirty six Games, the most important games in the history

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<v Speaker 1>of the Olympics. In the previous installment, we met our

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<v Speaker 1>would be hero, Charles Cheryl, who single handedly broken the

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<v Speaker 1>deal in Vienna, promise that he believed would save the

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<v Speaker 1>nineteen thirty six Olympics, a promise from the Nazis not

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<v Speaker 1>to exclude Jewish athletes from the Games. But now the

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<v Speaker 1>deal is imperiled, there are renewed calls for an Olympic boycott,

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<v Speaker 1>and our hero has been compelled once again to come

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<v Speaker 1>to the rescue. All human societies organize themselves into a pyramid,

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<v Speaker 1>with ordinary people at the bottom and elites at the top.

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<v Speaker 1>And the crucial thing about the world Charles Cheryl grew

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<v Speaker 1>up in America in the late nineteenth and early twentieth century,

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<v Speaker 1>is at the top of the pyramid is really really small.

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<v Speaker 1>It's a pinprick. It's basically rich white men. And if

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<v Speaker 1>you were all so handsome and a fraternity brother from Yale,

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<v Speaker 1>so much the better. Charles Cheryl was all those things.

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<v Speaker 1>He was at the very apex of the pinbrick. And

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<v Speaker 1>right from the beginning what distinguished Charles Cheryl was his

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<v Speaker 1>intuitive understanding of the rules that governed the top of

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<v Speaker 1>the pyramid, like, for example, never say a discouraging word

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<v Speaker 1>about another person in that tiny group at the very

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<v Speaker 1>very top. I'm reading to you now from Cheryl's unpublished memoirs,

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<v Speaker 1>where he recounts the story of the time he was

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<v Speaker 1>part of a group visiting the White House and presented

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<v Speaker 1>the first Lady, Grace Coolidge, with a bouquet of roses

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<v Speaker 1>that had been named in her honor. I did this,

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<v Speaker 1>Cheryl writes, with the comment that the presentation of coolidge

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<v Speaker 1>roses to missus Coolidge was but holding the mirror up

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<v Speaker 1>to nature. She replied, not exactly, because the roses are blondes,

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<v Speaker 1>and I am a brunette. Ernest cafalis all round. Rule

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<v Speaker 1>number two. If you are outside this type, little sir,

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<v Speaker 1>at the top of the pyramid, Charles Cheryl doesn't see you.

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<v Speaker 1>This is a crucial point. There is a certain kind

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<v Speaker 1>of racist who is racist because he or she harbors

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<v Speaker 1>an obsession with the other. In the Jim Crow South,

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<v Speaker 1>for example, swimming pools were segregated because white people didn't

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<v Speaker 1>want to share the same water as black people. The

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<v Speaker 1>idea that something might wash off black skin and linger

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<v Speaker 1>in the water gross them out. It kept them up

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<v Speaker 1>at night. It was visceral. That's not Charles Cheryl. He

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<v Speaker 1>has plenty of black people in his life. They work

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<v Speaker 1>in the kitchen, they take his coat, but the thought

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<v Speaker 1>that he is sharing his Manhattan townhouse with them does

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<v Speaker 1>not keep him up at night. He has arranged his

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<v Speaker 1>life so that he doesn't have to think about them

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<v Speaker 1>at all. So when it comes to the nineteen thirty

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<v Speaker 1>six Olympics and Jews in Germany, you might be wondering,

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<v Speaker 1>is Cheryl a n anti Semite? Well not like Hitler

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<v Speaker 1>was an anti Semite. Hitler got all worked up about Jews.

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<v Speaker 1>People like Cheryl, on the other hand, kept their voices down.

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<v Speaker 1>What is the attitude of these this kind of person

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<v Speaker 1>in this era towards Jews.

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<v Speaker 3>Let's see where to begin.

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<v Speaker 1>Nick Lemon historian.

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<v Speaker 3>So you're really talking about these sort of upper patrician classes, right.

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<v Speaker 3>So typically these people lived inside a series of institutions

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<v Speaker 3>that were quote unquote restricted, which meant, you know, in

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<v Speaker 3>the broadest sense, only gentlemen could be in them, and

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<v Speaker 3>in this specific sense usually meant no Jews. So this

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<v Speaker 3>would apply to you know, private clubs, neighborhoods that often

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<v Speaker 3>had deed restrictions that you know, no Jews could live there.

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<v Speaker 3>You know, very very often workplaces had rules against Jews

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<v Speaker 3>who's being hired. It was understood that Jews weren't allowed

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<v Speaker 3>in this world of sort of upper class gentlemen and ladies.

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<v Speaker 1>People in Cheryl's class arranged their lives so that they

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<v Speaker 1>didn't have to deal with Jews.

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<v Speaker 3>And I think they would have thought, you know, Jews,

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<v Speaker 3>or course, they're vulgar, they're not gentlemanly, they think about

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<v Speaker 3>money all the time, things like that.

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<v Speaker 1>But they didn't think of Jews. To use one of

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<v Speaker 1>Hitler's favorite words, as Vermin. Cheryl's great friend on the

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<v Speaker 1>International Olympic Committee was the group's president, the Belgian count

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<v Speaker 1>unreaded by La Tour. Remember Latour's wife was the one

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<v Speaker 1>who wrote Hitler a thank you note when he invaded Belgium.

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<v Speaker 1>Now she wouldn't call herself a Nazi. She would say

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<v Speaker 1>that sending a thank you note to your invaders upon

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<v Speaker 1>the occasion of your country's invasion was just good manners,

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<v Speaker 1>like sending a bud cake to the family that moves

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<v Speaker 1>into the mansion across the street. The Count, meanwhile, once

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<v Speaker 1>said of Jews in a letter to a friend that

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<v Speaker 1>he wasn't fond of them. He wrote, the Jews usually

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<v Speaker 1>quote shout before there is reason to do so. The Jews,

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<v Speaker 1>in the view of the cultured men of the European aristocracy,

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<v Speaker 1>were annoying and vulgar and a little bit exasperating. But

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<v Speaker 1>the Count was quite clear that you couldn't ban Jews

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<v Speaker 1>from the Olympics. Just because a particular race was annoying

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<v Speaker 1>and vulgar didn't mean that they couldn't participate in say

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<v Speaker 1>the long Job. People like bay Latour and Charles Cheryl

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<v Speaker 1>liked Jews in theory, but just not in practice, in

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<v Speaker 1>contrast to the Nazis, who didn't like Jews in practice

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<v Speaker 1>or in theory. In nineteen thirty five, that distinction seemed important.

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<v Speaker 1>Oh Ru three from the top of the pyramid. Remember

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<v Speaker 1>when we said in the last episode that another of

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<v Speaker 1>the people Cheryl reminds us of is Candide's pangloss, the

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<v Speaker 1>man who believes that all is necessarily for the best end. Essentially,

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<v Speaker 1>everything happens for a reason, and a good reason at that.

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<v Speaker 1>I mean, how could it not when you're living a

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<v Speaker 1>life like Charles Hitchcock Cheryl.

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<v Speaker 2>I have led the happiest life of anybody you ever

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<v Speaker 2>met in your life.

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<v Speaker 1>That's not just a statement of character and disposition, It's

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<v Speaker 1>an ideological belief. He looks around at those who would

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<v Speaker 1>question the status quo, radicals, communists, suffragette's Jews, and he says,

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<v Speaker 1>what are you complaining about? From where I sit at

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<v Speaker 1>the top of the pyramid, the view is pretty great, Okay,

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<v Speaker 1>final rule of pyramids and maybe the most important. From

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<v Speaker 1>his happy perch high up on the pyramid, Charles Cheryl

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<v Speaker 1>con trucks the following syllogism. If we are really happy

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<v Speaker 1>with things just as they are, then what do we

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<v Speaker 1>make of those at the very top responsible for keeping

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<v Speaker 1>things just as they are? We like them a lot.

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<v Speaker 1>Charles Cheryl's great literary accomplishment, Apart from the books he

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<v Speaker 1>wrote about Stained Glass was an ambitious work of history.

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<v Speaker 1>He told the story of Otto von Bismarck, the nineteenth

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<v Speaker 1>century strong man who unified Germany. Bismarck was a master strategist,

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<v Speaker 1>steely character, enormous, bushy eyebrows, a furious mustache, a jaw

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<v Speaker 1>chiseled from the finest Bavarian granite, a row of medals

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<v Speaker 1>on his crisply starched tunic. They called him the Iron Chancellor,

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<v Speaker 1>and in his treatise Cheryl compared Bismarck with his other

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<v Speaker 1>great man crush, the Italian strong man Benito Mussolini Ilduchack

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<v Speaker 1>vor of modern fascism. Cheryl admired Bismarck, but Mussolini, for

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<v Speaker 1>Il Ducce he had true passion. In the course of

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<v Speaker 1>his research, he would visit Mussolini in his massive office.

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<v Speaker 1>As he would write, it is a fashion for writers

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<v Speaker 1>upon Mussolini to describe this lofty room, devoid of all decoration,

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<v Speaker 1>as an entirely appropriate background for this forthright statesman. Possibly

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<v Speaker 1>they are right, but I see a wider, bolder background

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<v Speaker 1>for him. Il Ducjay would come striding over, and Cheryl's

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<v Speaker 1>heart would go all a flutter looking back on the memory,

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<v Speaker 1>He wrote, if he has known you several years, the

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<v Speaker 1>greeting is pleasingly cordial, his caesar like features lighting up,

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<v Speaker 1>and those piercing eyes softening into friendliness, and then a

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<v Speaker 1>good manly handscheck. Was Cheryl's Bismarck and Mussolini a good book?

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<v Speaker 1>Probably not. It got a three sentence review in the

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<v Speaker 1>American Journal of Sociology, ending with the line Cheryl's special

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<v Speaker 1>field of competence would appear to be handling and assessing

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<v Speaker 1>columns of marching men. A lesser man would be crippled

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<v Speaker 1>by a sentence like that, but not Charles Cheryl. Because

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<v Speaker 1>when Cheryl sent Mussolini his book, Il Ducce liked it

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<v Speaker 1>so much he gave Cheryl the highest of all Italian

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<v Speaker 1>military and civilian honors. He made him a Knight Grand

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<v Speaker 1>Cross of the Order of the Crown of Italy, a

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<v Speaker 1>gold star, plus a striking right shoulder sash. Mussolini sent

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<v Speaker 1>it in a box to New York, where it arrived

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<v Speaker 1>in time for Cheryl's twenty fifth wedding anniversary, a dinner

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<v Speaker 1>at the Pier Hotel with one hundred and forty two guests,

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<v Speaker 1>where the honor was pinned on Cheryl's chest by the

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<v Speaker 1>Italian Consul General in the presence of the French, Argentine,

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<v Speaker 1>Spanish and Cuban ambassadors and Dutch, Swedish, Greek and Czechoslovak ministers.

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<v Speaker 1>A guess list that all of us have dreamt about

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<v Speaker 1>for our twenty fifth wedding anniversary. Let the assistant professors

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<v Speaker 1>of sociology write what they choose about the book. Our

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<v Speaker 1>hero was now a Knight of the Grand Cross of

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<v Speaker 1>the Order of the Crown of Italy. Now think back

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<v Speaker 1>to Dorothy Thompson, America's most celebrated foreign correspondent, who famously

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<v Speaker 1>interviews Hitler in nineteen thirty one when he is on

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<v Speaker 1>the cusp of power. Thompson's day job is not a

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<v Speaker 1>lot different from Cheryl's. As part of his diplomatic duties

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<v Speaker 1>or his role at the IOC, Cheryl goes around Europe

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<v Speaker 1>meeting with heads of state and aristocrats. As a foreign correspondent,

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<v Speaker 1>Thompson does the same thing. I'm sure they meet some

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<v Speaker 1>of the same people, but she's not at the top

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<v Speaker 1>of the pyramid. She was raised by a struggling preacher.

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<v Speaker 1>Her mother died when Thompson was a child. Her life

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<v Speaker 1>experiences haven't made her comfortable with power or left her

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<v Speaker 1>thinking that the world is just fine the way it is.

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<v Speaker 1>Quite the opposite. When Thompson got out of college, she

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<v Speaker 1>immediately threw herself into the suffrage movement. She spent three

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<v Speaker 1>years on that fight, and when it finally looked like

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<v Speaker 1>women might get the vote, she decides, I want to

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<v Speaker 1>find the next fight, and she buys a ticket on

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<v Speaker 1>an ocean liner, and.

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<v Speaker 4>Then she landed in Europe just as fascism was starting

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<v Speaker 4>to build.

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<v Speaker 1>The historian Sarah Church, well.

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<v Speaker 4>It's actually important that we all remember that that fascism

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<v Speaker 4>was by no means a German phenomenon, especially in the

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<v Speaker 4>nineteen twenties, or uniquely certainly not a uniquely German phenomenon.

0:15:50.240 --> 0:15:53.160
<v Speaker 4>And in the twenties it's Mussolini. Well, of course gives

0:15:53.160 --> 0:15:57.200
<v Speaker 4>it its name. So Thompson traveled to Italy. She encountered

0:15:57.240 --> 0:16:02.840
<v Speaker 4>Italian fascists. She was educating herself about Italian and European fascism.

0:16:03.200 --> 0:16:06.000
<v Speaker 1>She marries a Jew, a Hungarian writer, a radical. She

0:16:06.080 --> 0:16:09.040
<v Speaker 1>meets his crowd, artists, writers, outsiders.

0:16:09.840 --> 0:16:12.880
<v Speaker 4>This was an experience, a relationship that opened her eyes

0:16:13.400 --> 0:16:17.640
<v Speaker 4>and her understanding to political conversations in Eastern Europe around

0:16:18.400 --> 0:16:23.960
<v Speaker 4>the rising tensions and all of the volatility of the

0:16:24.000 --> 0:16:27.680
<v Speaker 4>European political situation at that time. So by the time

0:16:27.760 --> 0:16:29.960
<v Speaker 4>Hitler came into power in nineteen thirty three, she'd spent

0:16:30.040 --> 0:16:32.880
<v Speaker 4>a decade becoming an, you know, pretty expert. Certainly for

0:16:32.880 --> 0:16:36.360
<v Speaker 4>an American, she probably had a more nuanced understanding than

0:16:36.440 --> 0:16:39.440
<v Speaker 4>virtually any other American of her generation, because she'd spent

0:16:39.480 --> 0:16:43.400
<v Speaker 4>the best part of that decade living among Europeans who

0:16:43.480 --> 0:16:47.120
<v Speaker 4>were breathing and debating and arguing and figuring out what

0:16:47.160 --> 0:16:49.400
<v Speaker 4>these new fascist movements were going to mean.

0:16:50.480 --> 0:16:52.200
<v Speaker 1>But I was care, I want to go back to

0:16:52.600 --> 0:16:57.680
<v Speaker 1>the thing about she starts with the suffrage movement, and

0:16:57.760 --> 0:17:02.400
<v Speaker 1>I wondered whether that experience kind of permanently sensitizes you

0:17:03.440 --> 0:17:08.960
<v Speaker 1>to the kind of the plight of the powerless in

0:17:09.000 --> 0:17:13.040
<v Speaker 1>a certain way, Like, I might be really hard to

0:17:13.080 --> 0:17:16.320
<v Speaker 1>be pro fascist if you spent your early twenties fighting

0:17:16.320 --> 0:17:17.760
<v Speaker 1>for women suffrage, don't you think?

0:17:18.080 --> 0:17:21.800
<v Speaker 4>Yeah? Absolutely so. She certainly she had a strong sense

0:17:21.880 --> 0:17:26.320
<v Speaker 4>of sympathy and identification with people who saw themselves as

0:17:26.359 --> 0:17:30.080
<v Speaker 4>being an oppressed class and oppressed minority.

0:17:30.760 --> 0:17:34.280
<v Speaker 1>The point is that when Dorothy Thompson thinks of Mussolini,

0:17:34.560 --> 0:17:37.240
<v Speaker 1>it is not to remark on his manly handshake and

0:17:37.359 --> 0:17:40.560
<v Speaker 1>piercing eyes. And when she goes to see Hitler, she

0:17:40.600 --> 0:17:43.200
<v Speaker 1>doesn't defer to him just because he's on the cusp

0:17:43.240 --> 0:17:46.280
<v Speaker 1>of running Germany. She sees him for what he is,

0:17:46.840 --> 0:17:51.960
<v Speaker 1>an angry, vicious demagogue. But if you are Charles Cheryl

0:17:52.600 --> 0:17:56.040
<v Speaker 1>looking at that same man, what do you see? You

0:17:56.080 --> 0:18:11.680
<v Speaker 1>see someone very different. In the summer of nineteen thirty five,

0:18:11.920 --> 0:18:14.560
<v Speaker 1>the deal to save the Games that Cheryl had hammered

0:18:14.560 --> 0:18:18.720
<v Speaker 1>out in Vienna two years before is imperiled. The Germans

0:18:18.960 --> 0:18:22.200
<v Speaker 1>had promised to keep their Olympic team open to Jewish athletes,

0:18:22.840 --> 0:18:27.199
<v Speaker 1>but Nazi anti Semitism is accelerating and people around the

0:18:27.200 --> 0:18:31.879
<v Speaker 1>world are threatening again to boycott the games. Cheryl is

0:18:31.920 --> 0:18:35.639
<v Speaker 1>worried that his diplomatic master stroke will come to nothing.

0:18:36.160 --> 0:18:38.879
<v Speaker 1>He knows he has to act, and now he sees

0:18:38.920 --> 0:18:43.399
<v Speaker 1>the mistake he made back in Vienna he dealt with underlings.

0:18:43.960 --> 0:18:51.360
<v Speaker 1>He realizes it's time to confront Herr Hitler himself. Does

0:18:51.400 --> 0:18:55.680
<v Speaker 1>he go through Putsy Hitler's wagner playing Harvard trained pr men.

0:18:55.960 --> 0:18:59.560
<v Speaker 1>Probably Putsy was always the point of entry for Americans

0:18:59.560 --> 0:19:04.000
<v Speaker 1>want again audience with her Hitler. If Charles Cheryl had

0:19:04.080 --> 0:19:06.440
<v Speaker 1>lived to see how things turned out with the Nazis,

0:19:06.720 --> 0:19:10.680
<v Speaker 1>he would have edited his papers, particularly the Chief Offender

0:19:10.920 --> 0:19:14.119
<v Speaker 1>scrap Book thirty five, that he would have buried in

0:19:14.160 --> 0:19:17.119
<v Speaker 1>the back yard of his estate in the Hamptons, along

0:19:17.160 --> 0:19:19.320
<v Speaker 1>with his Knight Grand Cross of the Order of the

0:19:19.359 --> 0:19:22.360
<v Speaker 1>Crown of Italy. That's what people like Charles Cheryl did

0:19:22.400 --> 0:19:26.680
<v Speaker 1>after the war, cleaned house. But Charles Cheryl died too soon,

0:19:27.280 --> 0:19:31.040
<v Speaker 1>and so there remains in the archives of the New

0:19:31.119 --> 0:19:35.879
<v Speaker 1>York Historical Society a love letter in seven doubles based

0:19:36.280 --> 0:19:43.320
<v Speaker 1>type pages. His Excellency, reich Chancellor Adolf Hitler received me

0:19:43.359 --> 0:19:47.119
<v Speaker 1>at noon August twenty fourth, nineteen thirty five in his

0:19:47.200 --> 0:19:51.680
<v Speaker 1>own private Munich residence. Let me, first of all, frankly

0:19:51.800 --> 0:19:55.399
<v Speaker 1>confess that this will not prove a journalistic interview with

0:19:55.520 --> 0:19:59.760
<v Speaker 1>Germany's chief of state. It merely narrates a foreigner's visit

0:20:00.440 --> 0:20:05.840
<v Speaker 1>to an undeniably great leader. As a gift, Cheryl brings

0:20:05.920 --> 0:20:09.560
<v Speaker 1>Hitler two of his books, his treatise on German Stained

0:20:09.600 --> 0:20:13.640
<v Speaker 1>Glass Windows, and of course his master work comparing Mussolini

0:20:13.960 --> 0:20:18.760
<v Speaker 1>and Bismarck. Then they talked man to man for an

0:20:18.880 --> 0:20:26.439
<v Speaker 1>hour and ten minutes. He wrote, I was immediately struck

0:20:26.480 --> 0:20:30.040
<v Speaker 1>by the fact that Hitler deliberately chose the seat facing

0:20:30.040 --> 0:20:33.320
<v Speaker 1>the window and its bright sunlight. When in nineteen twenty

0:20:33.320 --> 0:20:37.240
<v Speaker 1>one I talked with fifteen European prime ministers plus four

0:20:37.320 --> 0:20:40.840
<v Speaker 1>presidents and two years later nine kings, none of them

0:20:40.920 --> 0:20:44.760
<v Speaker 1>did this, nor have any leading statesman I have since

0:20:44.800 --> 0:20:48.840
<v Speaker 1>then met Charles Cheryl had nothing but respect for a

0:20:48.880 --> 0:20:55.359
<v Speaker 1>man unafraid to sit facing the window he goes on.

0:20:56.760 --> 0:21:01.000
<v Speaker 1>His photographers do him grave injustice in two Guards. They

0:21:01.040 --> 0:21:03.520
<v Speaker 1>do not show enough the strength of his upper head

0:21:03.960 --> 0:21:07.199
<v Speaker 1>above the expressive eyes, and give no hint of the

0:21:07.280 --> 0:21:10.560
<v Speaker 1>engaging human being he can be when he wants to be.

0:21:11.800 --> 0:21:15.560
<v Speaker 1>Dorothy Thompson, remember, looked into those same eyes and found

0:21:15.920 --> 0:21:20.840
<v Speaker 1>the peculiar shine which often distinguishes Genius's alcoholics and hysterics.

0:21:21.440 --> 0:21:27.800
<v Speaker 1>It's like they're meeting a different man. Thompson found Hitler formless, cartilaginous,

0:21:28.040 --> 0:21:32.520
<v Speaker 1>ill poised, and insecure, but Cheryl finds himself drawn to

0:21:32.600 --> 0:21:37.480
<v Speaker 1>Hitler's famously short mustache. It's not like Cheryl's mustache, which

0:21:37.520 --> 0:21:40.320
<v Speaker 1>of course is full and luxuriant and suggestive of all

0:21:40.359 --> 0:21:45.320
<v Speaker 1>manner of daring and panash. But something this concise yet

0:21:45.720 --> 0:21:51.920
<v Speaker 1>emphatic for the fur totally works. It suits Hitler's face

0:21:52.000 --> 0:21:56.960
<v Speaker 1>while speaking, because revealing all of the expression around the mouth.

0:21:58.200 --> 0:22:02.040
<v Speaker 1>Welcome to the top of the pyramid, my little mustachioed friend.

0:22:04.800 --> 0:22:08.200
<v Speaker 1>So what do the two men talk about? Here's Cheryl again.

0:22:09.040 --> 0:22:12.399
<v Speaker 1>Because I am a member of the International Olympic Committee,

0:22:12.520 --> 0:22:16.320
<v Speaker 1>we naturally spoke of our nineteen thirty six games schedule

0:22:16.400 --> 0:22:22.520
<v Speaker 1>for Berlin. In these he expressed keen interest. Then Cheryl

0:22:22.560 --> 0:22:26.399
<v Speaker 1>brings up what he calls the unfortunate Jewish question. Not

0:22:26.480 --> 0:22:29.840
<v Speaker 1>the Nazis' anti Semitic policies writ large, of course, but

0:22:29.960 --> 0:22:33.280
<v Speaker 1>the annoying controversy over Jews of the German Olympic team

0:22:33.840 --> 0:22:38.600
<v Speaker 1>and how it's threatening to derail the games. Cheryl has

0:22:38.640 --> 0:22:42.159
<v Speaker 1>a proposal for Hitler, a simple way to calm the

0:22:42.200 --> 0:22:46.160
<v Speaker 1>waters back in the United States. Just put a Jew

0:22:46.160 --> 0:22:49.400
<v Speaker 1>on the Olympic team. One will do. Cheryl even has

0:22:49.440 --> 0:22:53.040
<v Speaker 1>someone in mind, a fencer named Helene Mayer. Mayor is

0:22:53.119 --> 0:22:55.840
<v Speaker 1>German and living in Los Angeles. She's one of the

0:22:55.840 --> 0:22:59.840
<v Speaker 1>greatest fencers of all time. Technically she's only half Jewish

0:23:00.080 --> 0:23:02.919
<v Speaker 1>since her mom is a proper Arian. Cheryl thinks that

0:23:02.960 --> 0:23:06.960
<v Speaker 1>fact will help persuade Hitler. Plus mayor is blonde and

0:23:07.040 --> 0:23:11.560
<v Speaker 1>blue eyed and really looks the part. Hitler pushes back,

0:23:11.920 --> 0:23:14.919
<v Speaker 1>so Cheryl brings up the Vienna Declaration that it hammered

0:23:14.960 --> 0:23:19.120
<v Speaker 1>out two years previously at the Hotel Imperial Germany's agreement

0:23:19.200 --> 0:23:23.840
<v Speaker 1>in principle not to exclude Jews. Hitler says he's never

0:23:23.920 --> 0:23:28.080
<v Speaker 1>heard of the Vienna deal. Cheryl is shocked, what how

0:23:28.160 --> 0:23:32.679
<v Speaker 1>is that even possible? He doubles down. Hitler responds, German

0:23:32.800 --> 0:23:37.280
<v Speaker 1>sports are for arians only. Cheryl comes at him again.

0:23:37.440 --> 0:23:40.000
<v Speaker 1>It's back and forth, back and forth. Later, in a

0:23:40.040 --> 0:23:43.960
<v Speaker 1>note to Frank and Roosevelt's private secretary, Cheryl describes the

0:23:44.000 --> 0:23:49.320
<v Speaker 1>scene my book. Bismarck and Mussolini lay before him, and

0:23:49.400 --> 0:23:53.480
<v Speaker 1>he faced a fine limback portrait of Bismarck. It was

0:23:53.520 --> 0:23:55.919
<v Speaker 1>a last chance, so I went right at him with

0:23:55.960 --> 0:24:01.320
<v Speaker 1>a question, what would Bismarck, master of foreigner's psychology do today?

0:24:02.720 --> 0:24:07.040
<v Speaker 1>He was polite but showed nothing. Had My appeal won

0:24:08.040 --> 0:24:11.960
<v Speaker 1>no sign. Two titans duking it out at the top

0:24:12.000 --> 0:24:17.840
<v Speaker 1>of the pyramid. Mustache to mustache. It was dreadful nerve

0:24:17.920 --> 0:24:20.320
<v Speaker 1>for me to tackle him in his own Munich home.

0:24:21.000 --> 0:24:23.679
<v Speaker 1>But I am only a private citizen and he can't

0:24:23.720 --> 0:24:28.439
<v Speaker 1>eat me. Cheryl leaves the meeting, has his bold gambit worked,

0:24:28.760 --> 0:24:32.680
<v Speaker 1>daring her Hitler to put himself in autovon Bismarck's shoes

0:24:33.119 --> 0:24:37.760
<v Speaker 1>WWBD What would Bismarck do? Cheryl dashes off a letter

0:24:37.800 --> 0:24:42.520
<v Speaker 1>to his friend by latour. Prepare yourself, he says, for

0:24:42.600 --> 0:24:46.159
<v Speaker 1>the very real possibility that all of my brilliant diplomatic

0:24:46.160 --> 0:24:50.440
<v Speaker 1>stratagems in Vienna two years ago have come to Nod,

0:24:51.400 --> 0:24:55.159
<v Speaker 1>please speak to him. Cheryl pleads, we need Hitler to

0:24:55.200 --> 0:25:00.040
<v Speaker 1>compromise for the sake of the games. He writes, It

0:25:00.080 --> 0:25:03.800
<v Speaker 1>will be a trying test for even your remarkable tact

0:25:03.800 --> 0:25:06.520
<v Speaker 1>in Savo Affaire, and the sooner you meet the situation,

0:25:07.000 --> 0:25:10.359
<v Speaker 1>the better the hope for your success instead of a

0:25:10.400 --> 0:25:20.840
<v Speaker 1>destructive explosion. Did our hero endure a sleepless night in

0:25:20.880 --> 0:25:24.399
<v Speaker 1>his agonies? Did he turn the essential question on himself?

0:25:25.160 --> 0:25:28.320
<v Speaker 1>W w b D. What would Bismarck do if, say,

0:25:28.600 --> 0:25:32.720
<v Speaker 1>Mussolini renegged on an agreement, but then he gets a

0:25:32.760 --> 0:25:35.960
<v Speaker 1>note in the mail. It's there in the famous scrap

0:25:36.040 --> 0:25:40.000
<v Speaker 1>book thirty five, a little embossed card inviting him to

0:25:40.040 --> 0:25:44.840
<v Speaker 1>the Nuremberg Rally in mid September, the annual propaganda festival

0:25:45.119 --> 0:25:47.920
<v Speaker 1>put on by the Nazi Party. I'm sure you've seen

0:25:47.960 --> 0:25:52.840
<v Speaker 1>film clips, thousands of soldiers marching in lockstep, chanting Hyle Hitler.

0:25:53.760 --> 0:25:58.280
<v Speaker 1>Cheryl lives for moments such as these. Remember, even the

0:25:58.320 --> 0:26:01.480
<v Speaker 1>American Journal of Sociology has noted his taste when it

0:26:01.520 --> 0:26:05.520
<v Speaker 1>comes to columns of marching men. So he accepts the

0:26:05.560 --> 0:26:09.320
<v Speaker 1>invitation from the Nazi Party. He packs an overnight bag.

0:26:09.520 --> 0:26:11.480
<v Speaker 1>They offer him a ride on Hitler's train.

0:26:11.960 --> 0:26:17.840
<v Speaker 5>He says yes, And then in his scrap book there

0:26:17.880 --> 0:26:24.280
<v Speaker 5>then follows many pages of press coverage Schwastika's Nazi propaganda

0:26:24.320 --> 0:26:25.000
<v Speaker 5>that he collected.

0:26:25.240 --> 0:26:28.399
<v Speaker 1>Mccullague bend Adaf Haffrey reporting on what he found in

0:26:28.480 --> 0:26:31.480
<v Speaker 1>Cheryl's papers at the New York Historical Society.

0:26:31.640 --> 0:26:35.119
<v Speaker 5>There's an amazing photo of him at the Nuremberg Rally

0:26:35.200 --> 0:26:39.640
<v Speaker 5>at some official events surrounding it, with all these medals

0:26:39.840 --> 0:26:43.919
<v Speaker 5>on his tuxedo jacket, sort of gazing up at the

0:26:43.960 --> 0:26:46.600
<v Speaker 5>ceiling in awe, because you imagine he's in some vast

0:26:46.600 --> 0:26:51.080
<v Speaker 5>hall surrounded by just they look, there's such prototypical Nazis.

0:26:51.480 --> 0:26:55.159
<v Speaker 5>So it's just this man kind of daphly wandering around

0:26:55.280 --> 0:26:59.119
<v Speaker 5>this grand hall, surrounded by these deeply evil people, and

0:26:59.200 --> 0:27:02.760
<v Speaker 5>completely unaware of the historical significance of what he's witnessing,

0:27:02.920 --> 0:27:05.600
<v Speaker 5>other than that it's a very important event and therefore

0:27:05.720 --> 0:27:07.399
<v Speaker 5>must be prepared for his scrapbook.

0:27:12.520 --> 0:27:16.000
<v Speaker 1>The nineteen thirty five Nuremberg rally is where Hitler announced

0:27:16.040 --> 0:27:19.680
<v Speaker 1>the so called Blood Laws, outlawing marriage between Arians and

0:27:19.760 --> 0:27:23.840
<v Speaker 1>Jews and stripping German Jews of their citizenship. It was

0:27:23.880 --> 0:27:28.000
<v Speaker 1>the clearest articulation yet of the Nazis' murderous anti Semitism,

0:27:28.240 --> 0:27:31.119
<v Speaker 1>and for many Americans, Nuremberg put the conundrum of the

0:27:31.160 --> 0:27:34.840
<v Speaker 1>games into sharp focus. If that's who these people are,

0:27:35.240 --> 0:27:38.520
<v Speaker 1>can we really go there? But that's not how Cheryl

0:27:38.600 --> 0:27:39.000
<v Speaker 1>sees it.

0:27:40.560 --> 0:27:44.520
<v Speaker 5>So what does he do at the Nuremberg rally? He

0:27:45.080 --> 0:27:50.360
<v Speaker 5>collects signatures he and his scrap book has autographs from

0:27:50.400 --> 0:27:54.320
<v Speaker 5>people he met at the Nuremberg rallies that are scrawled

0:27:54.320 --> 0:27:58.760
<v Speaker 5>on this one of the brochures from it, describing what's

0:27:58.760 --> 0:28:01.760
<v Speaker 5>going to happen on September in nineteen thirty five and

0:28:01.800 --> 0:28:04.520
<v Speaker 5>then there's all these pencil signatures from what I can

0:28:04.520 --> 0:28:07.359
<v Speaker 5>only assume it's prominent members of the party.

0:28:07.720 --> 0:28:09.200
<v Speaker 1>He's fan blowing the Nazi Party.

0:28:09.560 --> 0:28:11.560
<v Speaker 5>It's but it's like that, yeah, he's he was not

0:28:11.640 --> 0:28:14.880
<v Speaker 5>even Yeah. I don't think that Charles Cheryl would approve

0:28:15.119 --> 0:28:18.360
<v Speaker 5>of a campaign to exterminate the Jews. I think he

0:28:18.480 --> 0:28:23.000
<v Speaker 5>all he can recognize is force, wilfulness and power, and

0:28:23.040 --> 0:28:25.080
<v Speaker 5>so he understands that this will be a good one

0:28:25.119 --> 0:28:28.639
<v Speaker 5>for the scrap book or the after dinner toast. But

0:28:28.680 --> 0:28:33.440
<v Speaker 5>there's something about that the autographs thing I found very

0:28:33.840 --> 0:28:37.560
<v Speaker 5>It's it's really chilling, and there's like, is there has

0:28:37.600 --> 0:28:40.200
<v Speaker 5>to be a it's it feels like a different category

0:28:40.240 --> 0:28:43.480
<v Speaker 5>than the banality of evil. It's like the there there,

0:28:43.520 --> 0:28:46.680
<v Speaker 5>we have to invent a new term for the relationship.

0:28:46.760 --> 0:28:49.720
<v Speaker 5>Charles Cheryl bears to this evil.

0:28:50.120 --> 0:28:53.400
<v Speaker 1>I'm with you. He's so, he's he's got he's just

0:28:53.680 --> 0:28:58.160
<v Speaker 1>he's just, he's he's just unbelievable. At the end, a

0:28:58.240 --> 0:29:02.360
<v Speaker 1>top Nazi official pulls him and tells him her, Cheryl,

0:29:02.840 --> 0:29:05.200
<v Speaker 1>we have good news for you. We are inviting the

0:29:05.240 --> 0:29:09.200
<v Speaker 1>half Jew Helene Mayer to join the German Olympic team.

0:29:09.880 --> 0:29:16.480
<v Speaker 1>Mission accomplished, he sails for home on the S S. Normandy,

0:29:16.880 --> 0:29:20.640
<v Speaker 1>the largest and fastest passenger ship of its day. He

0:29:20.720 --> 0:29:24.560
<v Speaker 1>steps off the boat and is mobbed by reporters. I

0:29:24.640 --> 0:29:27.600
<v Speaker 1>am more convinced than ever that America should take part

0:29:27.680 --> 0:29:30.960
<v Speaker 1>in the Olympics, he says, and I'm probably the best

0:29:30.960 --> 0:29:35.880
<v Speaker 1>friend the Jews have in America. Then he makes a threat.

0:29:37.240 --> 0:29:41.400
<v Speaker 1>I'm not here to stop any antisemitic waves, but I

0:29:41.560 --> 0:29:45.520
<v Speaker 1>warn of the danger of such a development. If five

0:29:46.120 --> 0:29:49.600
<v Speaker 1>million Jews in the United States can make one hundred

0:29:49.640 --> 0:29:54.120
<v Speaker 1>and twenty five million Americans pull the chestnuts out of

0:29:54.160 --> 0:29:58.560
<v Speaker 1>the fire for the Jews in Germany, Jews Cheryl is

0:29:58.600 --> 0:30:02.800
<v Speaker 1>saying shouldn't complain about anti Semitism because that will cause

0:30:03.440 --> 0:30:08.320
<v Speaker 1>anti Semitism. Besides, having not given you exactly what she wanted.

0:30:08.760 --> 0:30:12.400
<v Speaker 1>Helene Mayer a brilliant fencer and a Jewish, or at

0:30:12.480 --> 0:30:14.640
<v Speaker 1>least the daughter of a Jew, which ought to count

0:30:14.640 --> 0:30:19.080
<v Speaker 1>for something. Right, aren't you happy now? Charles Cheryl chose

0:30:19.120 --> 0:30:22.520
<v Speaker 1>to resolve the dilemma of the pure competition in an

0:30:22.520 --> 0:30:27.360
<v Speaker 1>impure place by layering a flimsy piece of wallpaper over

0:30:27.440 --> 0:30:30.760
<v Speaker 1>the menace that was the Nazi regime and hoping no

0:30:30.800 --> 0:30:35.880
<v Speaker 1>one will look underneath. Remember Dorothy Thompson's taxonomy of who

0:30:35.920 --> 0:30:39.840
<v Speaker 1>goes Nazi? Mister b It's like she was writing with

0:30:40.000 --> 0:30:43.640
<v Speaker 1>Charles Cheryl in mind. His code is not his own,

0:30:43.840 --> 0:30:46.440
<v Speaker 1>it is that of his class. No worse, no better.

0:30:46.960 --> 0:30:50.800
<v Speaker 1>He fits easily into whatever pattern is successful. That is

0:30:50.880 --> 0:30:56.720
<v Speaker 1>his sole measure of value. Success. Nazism as a minority

0:30:56.760 --> 0:31:00.040
<v Speaker 1>movement would not attract him. As a movement likely to

0:31:00.160 --> 0:31:05.840
<v Speaker 1>attain power, it would. He goes home to his Manhattan townhouse,

0:31:06.320 --> 0:31:09.160
<v Speaker 1>rests his weary head in triumph, and a week later

0:31:09.680 --> 0:31:12.640
<v Speaker 1>takes the stage at the Advertising Club of New York City,

0:31:13.120 --> 0:31:14.320
<v Speaker 1>where he will say.

0:31:15.840 --> 0:31:18.600
<v Speaker 2>I have led the happiest life of anybody you ever

0:31:18.680 --> 0:31:37.840
<v Speaker 2>met in your life.

0:31:38.000 --> 0:31:40.680
<v Speaker 1>Charles Cheryl will not live to see the Berlin Olympics.

0:31:40.880 --> 0:31:43.000
<v Speaker 1>He will die of a heart attack at his Paris

0:31:43.040 --> 0:31:46.600
<v Speaker 1>townhouse the following June, a few weeks before the spectacle

0:31:46.640 --> 0:31:50.080
<v Speaker 1>of the opening ceremonies in Berlin. That is a shame.

0:31:50.800 --> 0:31:54.360
<v Speaker 1>Few would have enjoyed that bit of fascist pageantry more

0:31:54.400 --> 0:31:59.480
<v Speaker 1>than Charles Hitchcock Cheryl. So the Advertising Club speech is

0:31:59.680 --> 0:32:02.440
<v Speaker 1>really the last time we will see him in his element,

0:32:03.040 --> 0:32:05.520
<v Speaker 1>and he has a message for the world that day.

0:32:06.160 --> 0:32:10.680
<v Speaker 1>It's about the Jews. They are violating the rules of

0:32:10.720 --> 0:32:14.080
<v Speaker 1>the pyramid. People are supposed to be nice to each other.

0:32:14.440 --> 0:32:16.960
<v Speaker 1>People are supposed to accept the world as it is,

0:32:17.360 --> 0:32:20.520
<v Speaker 1>be glad for it. People at the bottom are supposed

0:32:20.560 --> 0:32:24.440
<v Speaker 1>to stay out of sight, and everyone should revere the

0:32:24.480 --> 0:32:27.240
<v Speaker 1>people at the top. But ever since he stepped off

0:32:27.280 --> 0:32:30.440
<v Speaker 1>the normandy and said that bit about how Jews shouldn't

0:32:30.480 --> 0:32:34.640
<v Speaker 1>really complain about antisemitism because that will cause antisemitism, people

0:32:35.040 --> 0:32:39.640
<v Speaker 1>had been mean to him. This is what he wanted

0:32:39.680 --> 0:32:42.560
<v Speaker 1>to tell the August members of the Advertising Club of

0:32:42.600 --> 0:32:45.600
<v Speaker 1>New York. He has been wronged.

0:32:47.840 --> 0:32:51.400
<v Speaker 2>After all my years of arding a square deal for Jews.

0:32:52.760 --> 0:32:58.080
<v Speaker 2>They called me andy Jewish. Many questions have been asked

0:32:58.120 --> 0:33:03.920
<v Speaker 2>me by telephone a letter about the type of communication

0:33:04.880 --> 0:33:08.960
<v Speaker 2>that have been coming in since my arrival from abroad

0:33:09.760 --> 0:33:14.800
<v Speaker 2>ten days ago. In the first place, almost all the

0:33:14.880 --> 0:33:19.480
<v Speaker 2>Jewish letters, I'm sorry to say, have been either abusive

0:33:20.240 --> 0:33:20.840
<v Speaker 2>or threatening.

0:33:21.320 --> 0:33:26.000
<v Speaker 1>He goes on and on. He is aggrieved, heavy hangs

0:33:26.040 --> 0:33:27.920
<v Speaker 1>the head, the worse the crown.

0:33:28.880 --> 0:33:32.400
<v Speaker 2>This force is me, and I say it with deef emotion.

0:33:33.840 --> 0:33:36.400
<v Speaker 2>So there's this from those friendly efforts in the future.

0:33:37.560 --> 0:33:41.400
<v Speaker 2>But neither that incident nor the torrent of Jewish abuse

0:33:41.720 --> 0:33:46.600
<v Speaker 2>recently poured upon me can succeed in making me Auntie Jules.

0:33:47.240 --> 0:33:50.000
<v Speaker 1>He doesn't hate the Jews, he's trying to say, but

0:33:50.040 --> 0:33:53.040
<v Speaker 1>he will not stand with them again because his feelings

0:33:53.080 --> 0:33:57.680
<v Speaker 1>have been hurt. And then our wounded lion raises his

0:33:57.760 --> 0:33:59.400
<v Speaker 1>heavy head and says.

0:34:00.160 --> 0:34:05.200
<v Speaker 2>Enough, everybody has a perfect right to have an opinion

0:34:05.640 --> 0:34:09.759
<v Speaker 2>on this much discussed question. But now that decision to

0:34:09.880 --> 0:34:13.600
<v Speaker 2>go to Berlin has been definitely made by the only

0:34:14.440 --> 0:34:16.680
<v Speaker 2>American group having the right of decision.

0:34:17.520 --> 0:34:20.920
<v Speaker 1>That would be people like Charles Hitchcock Cheryl, the people

0:34:21.280 --> 0:34:22.400
<v Speaker 1>at the top of the pyramid.

0:34:23.440 --> 0:34:26.759
<v Speaker 2>It would be well to remember General Grant saying the

0:34:26.880 --> 0:34:31.960
<v Speaker 2>close of our civil war, let us have tea.

0:34:31.440 --> 0:34:35.960
<v Speaker 1>And with that the room rises in loud agreement on

0:34:36.480 --> 0:34:37.040
<v Speaker 1>to Berlin.

0:34:37.800 --> 0:34:42.000
<v Speaker 6>General cherfls, you have quickened our democratic faith by telling

0:34:42.080 --> 0:34:46.279
<v Speaker 6>us of that global international democracy, the Olympic Gay and

0:34:46.440 --> 0:34:49.920
<v Speaker 6>let us run with patients. The race that is set.

0:34:49.719 --> 0:35:07.520
<v Speaker 1>Before religion's history is produced by ben Na daph Haffrey,

0:35:07.960 --> 0:35:12.200
<v Speaker 1>Tolly Emlin and Nina Bird Lawrence. Our editor is Sarah Nix.

0:35:12.760 --> 0:35:18.160
<v Speaker 1>Fact checking by Arthur Gomperts and JAYL Goldfein. Original scoring

0:35:18.440 --> 0:35:22.400
<v Speaker 1>by Luis Garra, mastering by Flawan Williams, Sarah Buger and

0:35:22.480 --> 0:35:27.560
<v Speaker 1>Jake Gorsky. Engineering by Nina Bird Lawrence. Our executive producer

0:35:27.680 --> 0:35:33.280
<v Speaker 1>is Jacob Smith. Special thanks to Karen Chakerji. I'm Malcolm

0:35:33.280 --> 0:35:40.720
<v Speaker 1>Gladwell