1 00:00:01,760 --> 00:00:04,800 Speaker 1: Hey discos, need a little more Disgraceland in your life, 2 00:00:05,160 --> 00:00:08,039 Speaker 1: just to touch to get you through. Yeah me too. 3 00:00:08,760 --> 00:00:12,000 Speaker 1: This is the podcast that comes after the podcast. Welcome 4 00:00:12,000 --> 00:00:30,680 Speaker 1: to Disgraceland, the after Party. Welcome to the Disgraceland bonus episode, 5 00:00:30,760 --> 00:00:33,120 Speaker 1: a little thing we like to call the after party. 6 00:00:33,440 --> 00:00:35,520 Speaker 1: This is the show after the show, the party after 7 00:00:35,520 --> 00:00:37,360 Speaker 1: the party. The bridge to get you from one full 8 00:00:37,400 --> 00:00:40,440 Speaker 1: episode or Disgraceland to the other. The backyard to dig 9 00:00:40,520 --> 00:00:43,000 Speaker 1: into the dirt, our mission to uncover the truth, to 10 00:00:43,000 --> 00:00:46,360 Speaker 1: confront the myths, to reclaim the story. On this bonus episode, 11 00:00:46,440 --> 00:00:49,560 Speaker 1: we're giving a brief history of gun violence from music's past, 12 00:00:49,920 --> 00:00:52,680 Speaker 1: digging into the music that you listen to to lift 13 00:00:52,720 --> 00:00:55,640 Speaker 1: you up. Rewinding back from the Doctor John shooting to 14 00:00:55,680 --> 00:00:59,600 Speaker 1: the potential Martin Scorsese shooting, previewing next week's episode on 15 00:00:59,680 --> 00:01:02,440 Speaker 1: the and we get into your voicemails, text, dms, and 16 00:01:02,600 --> 00:01:05,640 Speaker 1: as always a whole lot of rosie. This is the 17 00:01:05,640 --> 00:01:08,840 Speaker 1: podcast for the musically obsessed, the outsiders, the independent thinkers 18 00:01:08,880 --> 00:01:11,280 Speaker 1: who know that the best history is the history that 19 00:01:11,319 --> 00:01:14,160 Speaker 1: gets buried. Disgrace Lands, where I tell the stories they 20 00:01:14,160 --> 00:01:16,840 Speaker 1: didn't want told, the kind you'll end up telling someone else. 21 00:01:16,840 --> 00:01:33,680 Speaker 1: All right, disc goes, let's get into it. Last night 22 00:01:33,680 --> 00:01:36,559 Speaker 1: I saw the trailer for a new documentary on HBO 23 00:01:36,680 --> 00:01:42,360 Speaker 1: called Thoughts and Prayers. The film examines active shooter preparedness 24 00:01:42,400 --> 00:01:46,000 Speaker 1: in modern American life, and it got me thinking about 25 00:01:46,040 --> 00:01:49,880 Speaker 1: all the rock stars who've lived and died by the gun, 26 00:01:49,920 --> 00:01:54,520 Speaker 1: by what Steve Earle called the devil's right hand. My 27 00:01:54,680 --> 00:01:57,480 Speaker 1: first pistol was a cap and ball colt shoot as 28 00:01:57,520 --> 00:02:00,640 Speaker 1: fast as lightning, but it loads of mtes slow, loads 29 00:02:00,640 --> 00:02:03,600 Speaker 1: of mites slow. As I soon found out, it can 30 00:02:03,640 --> 00:02:06,000 Speaker 1: get you into trouble, but it can't get you out. 31 00:02:06,560 --> 00:02:08,760 Speaker 1: So then I went and bought myself a cult forty 32 00:02:08,800 --> 00:02:12,320 Speaker 1: five called a peacemaker. But I never knew why. I 33 00:02:12,400 --> 00:02:16,280 Speaker 1: never knew why. I didn't understand. Mama said, the pistol 34 00:02:16,680 --> 00:02:21,920 Speaker 1: is the devil's right hand. Music history is outlaw history, 35 00:02:22,520 --> 00:02:26,760 Speaker 1: and this history is fascinating, something more kin to a 36 00:02:26,800 --> 00:02:30,280 Speaker 1: Scorsese movie than what was inside those history books that 37 00:02:30,280 --> 00:02:32,800 Speaker 1: they gave us in high school. So in this bonus episode, 38 00:02:33,160 --> 00:02:37,320 Speaker 1: let's dive into a brief history of violence gun violence 39 00:02:37,560 --> 00:02:41,120 Speaker 1: from music's past. We start with one of the most 40 00:02:41,280 --> 00:02:44,040 Speaker 1: influential musicians of the twentieth century and artist whose name 41 00:02:44,080 --> 00:02:48,600 Speaker 1: is almost completely lost to history because of a bullet. 42 00:02:49,280 --> 00:02:54,120 Speaker 1: James Pinetop Smith, a piano player whose boogie woogie style 43 00:02:54,240 --> 00:02:57,160 Speaker 1: back in the nineteen twenties led to the creation of 44 00:02:57,320 --> 00:03:01,360 Speaker 1: rock and roll. Pinetop literally invented the term boogie woogie, 45 00:03:01,560 --> 00:03:04,480 Speaker 1: and his style and even some of his lyrics can 46 00:03:04,520 --> 00:03:08,919 Speaker 1: be heard in those excellent Ray Charles Atlantic recordings from 47 00:03:08,960 --> 00:03:11,880 Speaker 1: early in Ray's career, songs like mess Around and What 48 00:03:12,000 --> 00:03:15,840 Speaker 1: I Say. Pinetop's future was wide open when he was 49 00:03:15,880 --> 00:03:18,680 Speaker 1: playing back in the late twenties, but a stray bullet 50 00:03:18,720 --> 00:03:21,480 Speaker 1: at a Chicago house party cut him down, ending his 51 00:03:21,560 --> 00:03:25,280 Speaker 1: career and his life at the age of just twenty five. 52 00:03:26,280 --> 00:03:30,760 Speaker 1: This was a decade after blues musician Led Belly shot 53 00:03:30,840 --> 00:03:34,160 Speaker 1: Will Stafford between the eyes and killed the man over 54 00:03:34,200 --> 00:03:37,080 Speaker 1: an argument. Led Belly did about eight years a hard 55 00:03:37,120 --> 00:03:39,440 Speaker 1: time before he was released on a pard in The 56 00:03:39,480 --> 00:03:42,640 Speaker 1: Texas governor at the time was reportedly moved enough by 57 00:03:42,640 --> 00:03:47,600 Speaker 1: a Led Belly performance to grant the musician and killer clemency. 58 00:03:48,320 --> 00:03:51,680 Speaker 1: On Christmas Day nineteen fifty four, R and B singer 59 00:03:51,760 --> 00:03:54,920 Speaker 1: Johnny Yace accidentally put a bullet in his head while 60 00:03:54,960 --> 00:03:59,600 Speaker 1: playing Russian Roulette by himself. In nineteen sixty three in 61 00:03:59,760 --> 00:04:03,440 Speaker 1: the Juke Joint, James Brown nearly shot Otis Redding, who 62 00:04:03,480 --> 00:04:05,680 Speaker 1: was on stage performing at the time. Now Otis wasn't 63 00:04:05,680 --> 00:04:09,280 Speaker 1: the target. Singer Joe Tex, who James Brown hated he 64 00:04:09,400 --> 00:04:12,760 Speaker 1: was the target. Both survived, but the legend of this 65 00:04:12,840 --> 00:04:16,160 Speaker 1: incident still looms as an example of the violent Chitlin 66 00:04:16,279 --> 00:04:19,680 Speaker 1: circuit from back in the day. In nineteen seventy two, 67 00:04:20,240 --> 00:04:23,880 Speaker 1: in one of Manhattan's East Village dives, jazz trumpeter Lee 68 00:04:24,000 --> 00:04:27,440 Speaker 1: Morgan was shot and killed by his wife, Helen, who, 69 00:04:27,800 --> 00:04:31,479 Speaker 1: after nursing her husband back from a debilitating heroin addiction, 70 00:04:32,160 --> 00:04:37,039 Speaker 1: was none too happy with Lee Morgan's flagrant philandering. Lee 71 00:04:37,080 --> 00:04:40,160 Speaker 1: Morgan could have survived his wife's bullet were it not 72 00:04:40,360 --> 00:04:44,520 Speaker 1: for the raging snowstorm outside Slugs Saloon, where he lay 73 00:04:44,560 --> 00:04:47,640 Speaker 1: bleeding out. The ambulance arrived too late to save the 74 00:04:47,640 --> 00:04:51,160 Speaker 1: horn player. And this story is friggin wild. I could 75 00:04:51,160 --> 00:04:54,560 Speaker 1: talk about this all day. More details on this coming 76 00:04:54,640 --> 00:04:57,320 Speaker 1: up for you guys in the exclusive all access section 77 00:04:57,440 --> 00:04:58,800 Speaker 1: of this after parties out, then I are going to 78 00:04:58,800 --> 00:05:01,200 Speaker 1: get into it over there, so stick around. You'll hear 79 00:05:01,240 --> 00:05:06,840 Speaker 1: that Sam Cook shot and killed Marvin Gay, shot and 80 00:05:06,920 --> 00:05:12,080 Speaker 1: killed John Lennon, Kurt Cobain, Tupac, Biggie Selena, jam Master, 81 00:05:12,200 --> 00:05:14,880 Speaker 1: j die Back, Darryl. The list of musicians who died 82 00:05:14,920 --> 00:05:19,240 Speaker 1: by the gun goes on and on and on. The 83 00:05:19,360 --> 00:05:23,880 Speaker 1: eras change, the scenes changed, the style of music may change, 84 00:05:24,000 --> 00:05:29,480 Speaker 1: but the gun remains. Spade Cooley, Phil Spector, take K 85 00:05:29,680 --> 00:05:35,560 Speaker 1: forty seven, Jim Gordon, Roger Troutman, maybe Jerry Lelewis. All 86 00:05:35,600 --> 00:05:38,000 Speaker 1: these dudes, I'm not saying Jerry Lewis, but all the 87 00:05:38,040 --> 00:05:40,800 Speaker 1: other dudes, they all used the devil's right hand, as 88 00:05:40,839 --> 00:05:44,720 Speaker 1: Steve Earl said, to kill Doctor John this week's full 89 00:05:44,760 --> 00:05:47,800 Speaker 1: episode subject of Disgrace, and was nearly killed in a gunfight. 90 00:05:48,120 --> 00:05:49,919 Speaker 1: His hand was shot up and he was forced to 91 00:05:49,920 --> 00:05:52,160 Speaker 1: give up playing guitar and to become a piano player. 92 00:05:52,440 --> 00:05:55,400 Speaker 1: Perhaps that was something good that came from gun violence. 93 00:05:55,800 --> 00:05:59,000 Speaker 1: You can make that argument, I guess. Martin Scorsese, the 94 00:05:59,000 --> 00:06:01,840 Speaker 1: subject of our next rewind episode, not a musician, but 95 00:06:02,200 --> 00:06:04,440 Speaker 1: arguably the most rock and roll filmmaker of all time. 96 00:06:04,839 --> 00:06:07,040 Speaker 1: He had to be talked out of shooting his producer 97 00:06:07,120 --> 00:06:10,880 Speaker 1: on taxi driver by none other than Steven Spielberg, and 98 00:06:11,200 --> 00:06:14,159 Speaker 1: that story, as incredible as it is, Like the doctor 99 00:06:14,200 --> 00:06:19,160 Speaker 1: John story is revelatory, but neither story. They're not hard 100 00:06:19,200 --> 00:06:23,600 Speaker 1: to believe because the gun in gun violence has been 101 00:06:23,760 --> 00:06:27,279 Speaker 1: at the center of music history going back over one 102 00:06:27,360 --> 00:06:30,600 Speaker 1: hundred years. It's as much a part of the American 103 00:06:30,640 --> 00:06:34,240 Speaker 1: soundtrack as boogie woogie piano playing and jazz trumpets and 104 00:06:34,320 --> 00:06:36,839 Speaker 1: Otis Redding and Marvin Gay and all the rest. Because 105 00:06:37,279 --> 00:06:42,480 Speaker 1: music history is outlaw history, and personally, I can't get 106 00:06:42,600 --> 00:06:45,920 Speaker 1: enough of it. I'll be back after this with your calls, texts, 107 00:06:45,960 --> 00:07:13,840 Speaker 1: emails and more. All right, good people, of disgrace and 108 00:07:14,040 --> 00:07:17,320 Speaker 1: disc goes across the United States of America and beyond. 109 00:07:17,720 --> 00:07:21,120 Speaker 1: We are here hanging on the telephone, back in the 110 00:07:21,120 --> 00:07:25,000 Speaker 1: saddle again in the after party and talking about Doctor John. 111 00:07:25,200 --> 00:07:29,440 Speaker 1: This week's full episode subject of Disgraceland Doctor John the 112 00:07:29,480 --> 00:07:32,800 Speaker 1: Great mac Reveneck prompted the question of the week, which 113 00:07:32,920 --> 00:07:38,000 Speaker 1: was what music heals you? What music do you put 114 00:07:38,040 --> 00:07:41,520 Speaker 1: on to pull yourself out of those dark places that 115 00:07:41,680 --> 00:07:45,640 Speaker 1: James Elroy warned us about. Let's check out Ben from 116 00:07:45,680 --> 00:07:46,440 Speaker 1: the five four to one. 117 00:07:47,200 --> 00:07:49,800 Speaker 2: Hey, Jake, this is Ben from the five four to one. 118 00:07:50,160 --> 00:07:52,920 Speaker 2: I'm a counselor and I love music and art, and 119 00:07:53,200 --> 00:07:57,640 Speaker 2: I definitely use music to help my mood. But I 120 00:07:57,720 --> 00:08:01,080 Speaker 2: have different ones, like when i'm really and I just 121 00:08:01,160 --> 00:08:03,640 Speaker 2: I don't know what to do. I'm it's feeling really low. 122 00:08:04,040 --> 00:08:06,040 Speaker 2: I love to listen to old Delta blues like let 123 00:08:06,080 --> 00:08:09,120 Speaker 2: Belly and Son House up to like Muddy Water, So 124 00:08:09,320 --> 00:08:12,680 Speaker 2: I love that that genre right there. And then if 125 00:08:12,720 --> 00:08:15,400 Speaker 2: I'm angry, I want to listen I want to listen 126 00:08:15,440 --> 00:08:18,720 Speaker 2: to Rage against the Machine. I want to listen to Tool, 127 00:08:19,640 --> 00:08:21,000 Speaker 2: you know, I want to listen to things that kind 128 00:08:21,000 --> 00:08:23,840 Speaker 2: of get that aggression out. But when I'm happy, man, 129 00:08:23,920 --> 00:08:26,000 Speaker 2: I want to listen to Grateful Bed. I want to 130 00:08:26,040 --> 00:08:30,800 Speaker 2: listen to Sublime. I want to listen to Shoot Hank 131 00:08:30,840 --> 00:08:34,760 Speaker 2: Williams Junior or Dolly Parton. I mean, it's the vibe 132 00:08:34,760 --> 00:08:36,920 Speaker 2: of the person, this the vibe of the band more 133 00:08:36,920 --> 00:08:39,439 Speaker 2: than the genre when it comes to being happy. I've 134 00:08:39,440 --> 00:08:41,360 Speaker 2: been listening to you since your first episode. 135 00:08:41,360 --> 00:08:41,560 Speaker 3: Man. 136 00:08:41,600 --> 00:08:45,400 Speaker 2: I found you just based on the picture on the 137 00:08:45,440 --> 00:08:49,240 Speaker 2: iTunes there, and I hadn't heard anybody produced show like you. 138 00:08:49,600 --> 00:08:52,080 Speaker 2: I didn't anybody tell a story like you with the 139 00:08:52,160 --> 00:08:55,120 Speaker 2: music and the beat and the man I've been hooked 140 00:08:55,120 --> 00:08:56,600 Speaker 2: ever since. Brother, you're doing a great job. 141 00:08:57,720 --> 00:09:02,680 Speaker 1: Ben. You and I have the exact pop approach, and 142 00:09:02,760 --> 00:09:07,400 Speaker 1: in regards to calibrating our emotions with music, it looks 143 00:09:07,400 --> 00:09:13,320 Speaker 1: like you reinforce the emotion with your music selection. I 144 00:09:13,400 --> 00:09:15,240 Speaker 1: kind of do the opposite when I'm when I'm sad, 145 00:09:15,280 --> 00:09:18,040 Speaker 1: at least I don't. I don't listen to sad music. 146 00:09:18,080 --> 00:09:20,680 Speaker 1: It just I just I want to go totally opposite. 147 00:09:20,760 --> 00:09:22,800 Speaker 1: I want to listen to Casey in the Sunshine Band, 148 00:09:22,880 --> 00:09:24,360 Speaker 1: Like I mentioned, I want to listen to listen to 149 00:09:24,480 --> 00:09:27,480 Speaker 1: Chic by the Way. The just you know this is 150 00:09:27,480 --> 00:09:30,640 Speaker 1: an unpaid endorsement here, but the Studio fifty four station 151 00:09:30,960 --> 00:09:35,559 Speaker 1: on Sirius is mine and Zes' new obsession. It's really 152 00:09:35,600 --> 00:09:38,880 Speaker 1: hard to find for me anyways. For some of you 153 00:09:38,920 --> 00:09:40,720 Speaker 1: it won't be hard, but for me it's it's hard 154 00:09:40,760 --> 00:09:44,280 Speaker 1: to find obscure disco on the fly. I mean, I 155 00:09:44,320 --> 00:09:46,760 Speaker 1: know it's out there, I'm not a connoisseur of it. 156 00:09:47,120 --> 00:09:48,760 Speaker 1: And if I go to any of the streamers and 157 00:09:48,800 --> 00:09:51,760 Speaker 1: I and I try to search for disco that I like, 158 00:09:51,880 --> 00:09:54,760 Speaker 1: that's maybe new to me that I haven't heard. That's soulful. 159 00:09:54,880 --> 00:09:57,120 Speaker 1: That's not just like all the shit we've heard a 160 00:09:57,160 --> 00:09:59,640 Speaker 1: million times. It's it's hard to find that stuff on 161 00:09:59,679 --> 00:10:02,120 Speaker 1: spot and elsewhere. But I got to say the Studio 162 00:10:02,120 --> 00:10:05,040 Speaker 1: fifty four station does a good job with the disco 163 00:10:05,240 --> 00:10:08,960 Speaker 1: choice nugs and it will lift you up out of 164 00:10:09,000 --> 00:10:12,360 Speaker 1: your funk. All right. I'm like the Delta Blues there, Ben, 165 00:10:12,440 --> 00:10:14,880 Speaker 1: I can't. I can't go there when I'm sad, but 166 00:10:14,920 --> 00:10:16,720 Speaker 1: I hear you. You know there was a time when 167 00:10:16,760 --> 00:10:20,680 Speaker 1: I did. Just not anymore. I'm more with you when 168 00:10:20,720 --> 00:10:23,720 Speaker 1: you're feeling happy already and you're putting on the dead 169 00:10:24,000 --> 00:10:25,800 Speaker 1: or when you're you know, you're in the gym and 170 00:10:25,840 --> 00:10:27,920 Speaker 1: you're you're rocking out to rage. I get that. I 171 00:10:27,960 --> 00:10:31,400 Speaker 1: get that, but I can't reinforce the sadness with the 172 00:10:31,400 --> 00:10:34,480 Speaker 1: sad vibes. Nonetheless, thanks for your call, Ben, appreciate you. 173 00:10:34,559 --> 00:10:38,679 Speaker 1: Let's check out Scotty from the three one three. 174 00:10:38,920 --> 00:10:41,640 Speaker 3: Hey, Jacob Scotty from the three one three Yo, What 175 00:10:41,760 --> 00:10:46,600 Speaker 3: up Detroit? I wanted to answer a question regarding music 176 00:10:46,640 --> 00:10:50,080 Speaker 3: that heals you, and I agree with you. You know, 177 00:10:50,160 --> 00:10:52,280 Speaker 3: when I'm feeling like I need to be healed by music, 178 00:10:52,320 --> 00:10:56,400 Speaker 3: it's a lot of upbeat stuff like funk, soul, R 179 00:10:56,440 --> 00:10:59,680 Speaker 3: and B. But I wanted to share with you something 180 00:10:59,720 --> 00:11:00,640 Speaker 3: that healed me in. 181 00:11:00,679 --> 00:11:02,040 Speaker 2: A time when I really needed it. 182 00:11:02,720 --> 00:11:06,520 Speaker 3: Back in two thousand and seven, I was in Afghanistan 183 00:11:06,880 --> 00:11:11,360 Speaker 3: and I discovered a record by Eels. Remember Eels Nova 184 00:11:11,400 --> 00:11:15,120 Speaker 3: came for the soul Well. They had an album called 185 00:11:15,480 --> 00:11:18,920 Speaker 3: Blinking Life and Other Revelations. And this album is very long, 186 00:11:19,559 --> 00:11:22,600 Speaker 3: very underrated, and it is a journey to listen to. 187 00:11:23,320 --> 00:11:27,920 Speaker 3: But towards the probably the second third of the album, 188 00:11:28,360 --> 00:11:31,319 Speaker 3: there's a track on it called hey man, now You're 189 00:11:31,360 --> 00:11:35,640 Speaker 3: really living And I encourage anyone who is listening to 190 00:11:35,679 --> 00:11:41,520 Speaker 3: this to reach out and listen to that track. During 191 00:11:41,520 --> 00:11:44,160 Speaker 3: the many years that I spent in Afghanistan and Iraq, 192 00:11:44,640 --> 00:11:47,840 Speaker 3: anytime I was feeling down, which was a lot of times, 193 00:11:48,160 --> 00:11:52,400 Speaker 3: I would put that particular song on and then I 194 00:11:52,440 --> 00:11:56,000 Speaker 3: would cry, and then I would be somewhat healed. Twenty 195 00:11:56,080 --> 00:11:59,120 Speaker 3: years later, I still listen to that song whenever I 196 00:11:59,200 --> 00:11:59,840 Speaker 3: need a quick pick. 197 00:12:00,679 --> 00:12:03,480 Speaker 1: So thanks for listening, Scotti, Thanks for the call. Man 198 00:12:04,280 --> 00:12:07,720 Speaker 1: love Eels. Don't know this record, I say, I love Eels. 199 00:12:08,080 --> 00:12:10,600 Speaker 1: My relationship with Eels is every time I've ever heard 200 00:12:10,640 --> 00:12:12,440 Speaker 1: a song I've gone like, oh, what's this? This is 201 00:12:12,520 --> 00:12:14,760 Speaker 1: very interesting. I kind of like it a lot, and 202 00:12:14,800 --> 00:12:16,280 Speaker 1: then I find out if it's the Eels, and then 203 00:12:16,320 --> 00:12:19,240 Speaker 1: I don't dig in any deeper. So I'm going to 204 00:12:19,320 --> 00:12:21,840 Speaker 1: take your message here as a prompt to listen to 205 00:12:21,880 --> 00:12:24,280 Speaker 1: this album. I'm going to check it out and to 206 00:12:24,400 --> 00:12:27,960 Speaker 1: check out Hey man, now you're really living as well. 207 00:12:28,600 --> 00:12:32,560 Speaker 1: Appreciate you sharing your story here. Thank you for your service, Scotty. 208 00:12:33,000 --> 00:12:36,440 Speaker 1: Appreciate you. If anyone out there listening right now knows 209 00:12:36,480 --> 00:12:39,600 Speaker 1: Mark from Eels, shoot him this episode. I'm sure he'd 210 00:12:39,600 --> 00:12:42,320 Speaker 1: appreciate hearing what Scotty has to say about his music 211 00:12:42,360 --> 00:12:45,120 Speaker 1: and how it helped him while he was overseas in 212 00:12:45,520 --> 00:12:48,120 Speaker 1: a dark place. Thanks for the message, Scotty. By the way, 213 00:12:48,120 --> 00:12:50,480 Speaker 1: I love the Eels tune that was in Black Rabbit 214 00:12:50,559 --> 00:12:53,200 Speaker 1: recently Prize Fighter. See I know that song. All right, 215 00:12:53,240 --> 00:12:55,720 Speaker 1: Let's check out Chris for the six to one to two. 216 00:12:56,480 --> 00:12:58,439 Speaker 4: Hey, Jake, this is Chris. Call him from the six 217 00:12:58,440 --> 00:13:01,680 Speaker 4: to one to two. That's the question about what band 218 00:13:01,760 --> 00:13:04,680 Speaker 4: or music could revived you and I have an experience 219 00:13:04,720 --> 00:13:07,200 Speaker 4: at the Minnesota Zoo with Government Mule. I had just 220 00:13:07,200 --> 00:13:09,720 Speaker 4: gotten out of jail that morning after a dui. My 221 00:13:09,800 --> 00:13:12,400 Speaker 4: life was not good at all. I was going down 222 00:13:12,480 --> 00:13:14,960 Speaker 4: the wrong track, and it all hit me at once that, 223 00:13:15,040 --> 00:13:17,760 Speaker 4: you know what, Life's pretty simple and all you gotta 224 00:13:17,800 --> 00:13:19,760 Speaker 4: do is go see good music and enjoy the beauty 225 00:13:19,800 --> 00:13:21,720 Speaker 4: that's all around us and do the best you can. 226 00:13:21,760 --> 00:13:24,240 Speaker 4: And uh, that was about twenty five years ago, and 227 00:13:24,280 --> 00:13:27,400 Speaker 4: my life's been stellar ever since and it keeps getting better. 228 00:13:28,080 --> 00:13:29,360 Speaker 4: Thanks Rod, keep doing what you're doing. 229 00:13:29,360 --> 00:13:30,160 Speaker 2: I appreciate it. 230 00:13:30,440 --> 00:13:33,560 Speaker 1: Chris my man, you're calling in from your your own 231 00:13:33,600 --> 00:13:37,760 Speaker 1: episode of disgrace THEND here. Brother, You're absolutely right. Life 232 00:13:37,920 --> 00:13:41,120 Speaker 1: is pretty simple. Just listen to the music, happy to 233 00:13:41,160 --> 00:13:43,040 Speaker 1: hear that music set you straight and that you are 234 00:13:43,080 --> 00:13:48,120 Speaker 1: doing well. Six one seven nine six six six three eight. Guys, 235 00:13:48,200 --> 00:13:51,439 Speaker 1: you can hit us up anytime voicemail and text. Let 236 00:13:51,480 --> 00:13:53,679 Speaker 1: us know how you're doing, let us know what you're 237 00:13:53,760 --> 00:13:55,800 Speaker 1: up to, give us your thoughts on the question of 238 00:13:55,800 --> 00:13:59,400 Speaker 1: the week eager leave a voicemail like Chris and Scottie 239 00:13:59,440 --> 00:14:03,040 Speaker 1: and Ben who we just heard from, Or you can 240 00:14:03,360 --> 00:14:06,960 Speaker 1: send us a text like the seven seven five who 241 00:14:07,000 --> 00:14:10,120 Speaker 1: writes in, Hey, Jake, your cadence feels a little higher 242 00:14:10,559 --> 00:14:13,840 Speaker 1: in the doctor John episode. Was this a conscious decision 243 00:14:13,920 --> 00:14:20,160 Speaker 1: or pure accident? Uh? Interesting, I didn't catch that, not 244 00:14:20,200 --> 00:14:23,800 Speaker 1: on purpose. One thing that has changed recently in the 245 00:14:23,840 --> 00:14:25,480 Speaker 1: last couple of months is I switched up the way 246 00:14:25,480 --> 00:14:28,360 Speaker 1: I record. For the last couple of years, I've been 247 00:14:28,400 --> 00:14:31,000 Speaker 1: standing up in a booth doing it. Prior to that, 248 00:14:31,040 --> 00:14:33,480 Speaker 1: I was sitting down. I'm back to sitting down. And 249 00:14:33,520 --> 00:14:35,160 Speaker 1: not only am I sitting down, I'm sitting down at 250 00:14:35,200 --> 00:14:38,040 Speaker 1: my desk as opposed to sitting down in a booth. 251 00:14:38,680 --> 00:14:41,000 Speaker 1: And maybe it's freed me up a little. I don't know, 252 00:14:41,240 --> 00:14:46,120 Speaker 1: but a high cadence doesn't indicate me being freed, indicates 253 00:14:46,120 --> 00:14:48,360 Speaker 1: me being kind of cooped up. So I have no idea, 254 00:14:49,120 --> 00:14:53,000 Speaker 1: but I appreciate the text. Thanks seven seven five five 255 00:14:53,080 --> 00:14:55,680 Speaker 1: to one two writes saying, Hey Jake, this is Nathan 256 00:14:55,800 --> 00:14:58,000 Speaker 1: from Houston via five to one two. You asked where 257 00:14:58,040 --> 00:15:00,000 Speaker 1: we listened to the podcast, and I thought you might. 258 00:15:00,000 --> 00:15:02,600 Speaker 1: I appreciate that. I did a small road trip across 259 00:15:02,640 --> 00:15:06,400 Speaker 1: half of Texas. It was listening to the podcast while 260 00:15:06,400 --> 00:15:08,720 Speaker 1: I was going to a fencing tournament and coming back. 261 00:15:08,760 --> 00:15:10,920 Speaker 1: It made the four hour drive go a lot easier. 262 00:15:11,120 --> 00:15:13,480 Speaker 1: With the all access membership, I still hear your voice 263 00:15:13,520 --> 00:15:16,720 Speaker 1: as much, but now it's the mini episodes instead of commercials. 264 00:15:16,760 --> 00:15:18,880 Speaker 1: Makes life a little bit easier. Thank you well, thank 265 00:15:18,920 --> 00:15:21,200 Speaker 1: you five to one to two. Thanks Nathan, appreciate you. 266 00:15:21,400 --> 00:15:24,160 Speaker 1: Appreciate you being an All Access member. Guys, super easy 267 00:15:24,160 --> 00:15:27,000 Speaker 1: to become an All Access member and here our episodes 268 00:15:27,160 --> 00:15:30,160 Speaker 1: ad free and to hear exclusive content. Just go to 269 00:15:30,160 --> 00:15:33,200 Speaker 1: disgrace lampod dot com. Sign up for five bucks a month. 270 00:15:33,240 --> 00:15:39,120 Speaker 1: You got until December tenth. I believe to sign up 271 00:15:39,160 --> 00:15:41,000 Speaker 1: for five bucks a month and then it's going up. 272 00:15:41,160 --> 00:15:44,360 Speaker 1: Price is going up, as they say. Got a message 273 00:15:44,360 --> 00:15:48,160 Speaker 1: here from the six to two three speaking of All Access. 274 00:15:48,320 --> 00:15:51,160 Speaker 1: This is a little support desk. Don't usually do this, 275 00:15:51,320 --> 00:15:53,800 Speaker 1: but I've got a couple of these emails six to 276 00:15:53,840 --> 00:15:55,480 Speaker 1: two three rights and hey, I was wondering if you 277 00:15:55,520 --> 00:15:59,480 Speaker 1: guys know the non subscriber editions keep showing up for 278 00:15:59,520 --> 00:16:04,160 Speaker 1: subscribe and there isn't a subscriber edition of the same episodes, 279 00:16:04,360 --> 00:16:06,960 Speaker 1: so we are having to listen to the commercials. I'm 280 00:16:06,960 --> 00:16:10,800 Speaker 1: not exactly sure what's going on. Six' two three email. 281 00:16:10,880 --> 00:16:12,600 Speaker 1: Us you can find our email on the site and 282 00:16:12,640 --> 00:16:14,160 Speaker 1: we will sort it. OUT i know that there's a 283 00:16:14,160 --> 00:16:16,800 Speaker 1: way to manage YOUR rss feed has to do With apple, 284 00:16:16,840 --> 00:16:19,880 Speaker 1: subscriptions has to do With. Patreon i'm not exactly sure 285 00:16:19,920 --> 00:16:21,520 Speaker 1: WHAT i know that this has come out for people 286 00:16:21,520 --> 00:16:23,080 Speaker 1: in the. PAST i want to sort it out for. 287 00:16:23,160 --> 00:16:25,840 Speaker 1: You the bottom, line if you are a, subscriber you 288 00:16:25,920 --> 00:16:29,680 Speaker 1: should absolutely be getting these episodes ad, free and if you're, 289 00:16:29,720 --> 00:16:32,040 Speaker 1: not get in touch and we will figure it out for. 290 00:16:32,080 --> 00:16:34,760 Speaker 1: You six one five rights and my husband AND i 291 00:16:34,840 --> 00:16:36,920 Speaker 1: are watching a documentary on Led, zeppelin And i'm going 292 00:16:36,960 --> 00:16:39,600 Speaker 1: to make a highly unpopular. STATEMENT i thought most of 293 00:16:39,640 --> 00:16:42,680 Speaker 1: their songs were, boring not, all but most six one. 294 00:16:42,840 --> 00:16:48,800 Speaker 1: FIVE i couldnt disagree more, strongly BUT i appreciate, the, 295 00:16:49,360 --> 00:16:52,720 Speaker 1: uh just the confidence in your dislike of Led. Zeppelin, 296 00:16:52,800 --> 00:16:55,280 Speaker 1: yeah go for, it especially because you wrote. Later he 297 00:16:55,360 --> 00:16:57,760 Speaker 1: wrote back in he said you Like Thin lizzy And 298 00:16:57,880 --> 00:17:02,200 Speaker 1: bto a lot more AND i dig that. Too way to. 299 00:17:02,200 --> 00:17:04,640 Speaker 1: GO i thought The zeppelin documentary was, boring, Though i'll 300 00:17:04,640 --> 00:17:08,800 Speaker 1: tell you that that's what happens sometimes when the the 301 00:17:08,920 --> 00:17:12,960 Speaker 1: artists are fully, cooperating as they, say with the. Filmmakers, 302 00:17:13,400 --> 00:17:16,640 Speaker 1: anyhow six one seven nine oh six six six three, 303 00:17:16,680 --> 00:17:17,959 Speaker 1: eight you wanta hit me up on VOICEMAD i want 304 00:17:17,960 --> 00:17:20,560 Speaker 1: to hit me on, text get at. It next week 305 00:17:20,920 --> 00:17:25,720 Speaker 1: Is thanksgiving, week so we are giving you Our thanksgiving, 306 00:17:25,760 --> 00:17:27,400 Speaker 1: episode you, know the, one the one on the band 307 00:17:27,400 --> 00:17:30,720 Speaker 1: in The Last, waltz and, uh you know you should 308 00:17:30,720 --> 00:17:33,400 Speaker 1: also fire up The Last waltz next. WEEK i tend 309 00:17:33,400 --> 00:17:35,840 Speaker 1: to do this every. Year for, sure the Greatest thanksgiving 310 00:17:35,880 --> 00:17:38,840 Speaker 1: concert film, Ever and after you watch, it hit us 311 00:17:38,920 --> 00:17:40,840 Speaker 1: up six one seven nine oh six six sixty three, 312 00:17:40,880 --> 00:17:43,800 Speaker 1: eight and let us know what your favorite concert film 313 00:17:43,840 --> 00:17:46,520 Speaker 1: of all time? Is is it The Last? Waltz it's 314 00:17:46,520 --> 00:17:48,919 Speaker 1: gotta be. Right is there even a close? SECOND i 315 00:17:48,920 --> 00:17:50,320 Speaker 1: have a close, Second but you're gonna have to wait 316 00:17:50,320 --> 00:17:52,440 Speaker 1: to next week's after party to hear my. Choice six 317 00:17:52,520 --> 00:17:55,239 Speaker 1: one seven nine oh six six six three. Eight if 318 00:17:55,280 --> 00:17:57,200 Speaker 1: you want to hit me, up leave a. Voicemail maybe 319 00:17:57,200 --> 00:17:59,720 Speaker 1: you'll hear yourself on the after party next. Week send 320 00:17:59,760 --> 00:18:02,480 Speaker 1: me a, text Maybe i'll read. It get the voicemails 321 00:18:02,520 --> 00:18:04,879 Speaker 1: and the text in quick. Though if you're hearing this 322 00:18:04,920 --> 00:18:09,240 Speaker 1: after party on A thursday on A, friday call me 323 00:18:09,280 --> 00:18:13,600 Speaker 1: out right, away because we are recording next week's bonus 324 00:18:13,640 --> 00:18:17,119 Speaker 1: episodes super early because of the, holiday and we're not 325 00:18:17,160 --> 00:18:19,280 Speaker 1: going to be around next. Week so there you. Go 326 00:18:19,760 --> 00:18:21,440 Speaker 1: get at. Me can't wait to hear from. You i'll 327 00:18:21,440 --> 00:18:23,280 Speaker 1: be back in a flash with your. Emails been a 328 00:18:23,280 --> 00:18:25,520 Speaker 1: minute Since i've read some, Emails so here they come 329 00:18:25,800 --> 00:18:43,120 Speaker 1: right after this all, right disc. Goes we often do 330 00:18:43,280 --> 00:18:46,040 Speaker 1: recommendations here in the after. Party i've been doing them 331 00:18:46,040 --> 00:18:51,200 Speaker 1: for a, while AND i really love giving book, recommendations movie, 332 00:18:51,240 --> 00:18:55,920 Speaker 1: recommendations music. RECOMMENDATIONS i know you guys like the. Recommendations 333 00:18:55,920 --> 00:18:58,959 Speaker 1: they become very. Popular get a lot of, feedback you, 334 00:18:58,960 --> 00:19:01,919 Speaker 1: guys send me your rat it's. Great here's what, happens, 335 00:19:01,920 --> 00:19:07,119 Speaker 1: THOUGH i get two lost in the, recommendations and it 336 00:19:07,119 --> 00:19:10,040 Speaker 1: eats up a lot of, time specifically in these after. 337 00:19:10,080 --> 00:19:13,480 Speaker 1: Parties it makes the eff phras go way. Long so 338 00:19:13,920 --> 00:19:15,720 Speaker 1: but then THEN i, GO i can't do, this, OKAY 339 00:19:15,760 --> 00:19:17,400 Speaker 1: i just got like and THEN i don't do any 340 00:19:17,440 --> 00:19:19,240 Speaker 1: recommendations for like a month or two or something like. 341 00:19:19,280 --> 00:19:21,960 Speaker 1: That so it's JUST i think WHAT i want to. 342 00:19:21,960 --> 00:19:23,840 Speaker 1: Do i'm gonna do this thing in every. Episode i'm 343 00:19:23,840 --> 00:19:25,480 Speaker 1: gonna try to do this thing where from now, On, 344 00:19:25,760 --> 00:19:31,400 Speaker 1: Okay i'm gonna do a quick recommendation segment one, book one, 345 00:19:31,480 --> 00:19:34,960 Speaker 1: record one. Documentary i'm gonna try and tie them to 346 00:19:36,160 --> 00:19:39,800 Speaker 1: whatever episodes we're talking about this. Week, Okay we've got 347 00:19:39,840 --> 00:19:43,800 Speaker 1: A scorsese episode coming up in the rewind slot this, 348 00:19:43,800 --> 00:19:46,080 Speaker 1: week and then we've got the Last waltz episode coming 349 00:19:46,119 --> 00:19:48,879 Speaker 1: up next. Week So scorsese is gonna be the theme 350 00:19:49,480 --> 00:19:53,320 Speaker 1: of my recommendations this. Week AND i know that the 351 00:19:53,400 --> 00:19:59,040 Speaker 1: New scorsese Doc Mister scorsese On apple is not an 352 00:19:59,160 --> 00:20:02,879 Speaker 1: unknown commodity for you. Guys but if for some, reason 353 00:20:03,040 --> 00:20:05,280 Speaker 1: you guys have not any of you are A scorsese, 354 00:20:05,359 --> 00:20:08,080 Speaker 1: fan you haven't seen this, Yet Paul, Prue i'm talking to. 355 00:20:08,119 --> 00:20:14,879 Speaker 1: You run, okay don't. Walk it's, incredible it's, so, so so. 356 00:20:15,119 --> 00:20:20,280 Speaker 1: Good so that's the doc, recommendation Mister. Scorsese for the 357 00:20:20,320 --> 00:20:23,679 Speaker 1: book That i'm, Recommending It's Made, men which is the 358 00:20:23,720 --> 00:20:28,080 Speaker 1: story of the making Of, goodfellas Which zeth asked me about, 359 00:20:28,160 --> 00:20:31,040 Speaker 1: Yesterday and turns Out i've read it AND i just 360 00:20:31,119 --> 00:20:32,840 Speaker 1: FORGOT i read. IT i read it so long. Ago 361 00:20:33,280 --> 00:20:35,680 Speaker 1: but there's information in this book THAT i forgot about 362 00:20:35,720 --> 00:20:39,159 Speaker 1: That zeth reminded me of about the songs That scorsese 363 00:20:39,359 --> 00:20:43,520 Speaker 1: chose to be in the soundtrack For. Goodfellas it didn't 364 00:20:43,520 --> 00:20:45,880 Speaker 1: make it into that film that's in that. Book it's 365 00:20:45,880 --> 00:20:48,200 Speaker 1: a great reason to read the, book among many other 366 00:20:48,240 --> 00:20:50,080 Speaker 1: reasons made men by good. Fellaws But i'm gonna talk 367 00:20:50,080 --> 00:20:52,000 Speaker 1: more about. That that little piece of info there on 368 00:20:52,040 --> 00:20:54,480 Speaker 1: The scorsese soundtrack in a bit put a pin in. 369 00:20:54,520 --> 00:21:00,200 Speaker 1: That my, recommendation my music, recommendation my, record my album 370 00:21:00,240 --> 00:21:06,440 Speaker 1: recommendation Is jericho by The. Band, now this album has 371 00:21:06,440 --> 00:21:09,680 Speaker 1: nothing to do With Martin. Scorsese Martin Scorsese's Cocaine Buddy 372 00:21:09,720 --> 00:21:12,680 Speaker 1: Robbie robertson isn't even on this. Album it came out 373 00:21:12,720 --> 00:21:17,080 Speaker 1: in the, nineties again Without Robbie. Robertson, however it's a great, 374 00:21:17,119 --> 00:21:21,959 Speaker 1: record and it has a, scorching scorching version of the 375 00:21:22,000 --> 00:21:26,960 Speaker 1: band Doing Bruce Springsteen's Atlantic city and it's a great. 376 00:21:27,040 --> 00:21:29,000 Speaker 1: Version but it's not even the best version of the 377 00:21:29,000 --> 00:21:30,840 Speaker 1: band doing this is a live version that you can 378 00:21:30,880 --> 00:21:33,800 Speaker 1: find of them doing this tune that is also. FANTASTIC 379 00:21:33,920 --> 00:21:36,679 Speaker 1: i think it's From Austin City limits or something like. 380 00:21:36,680 --> 00:21:39,240 Speaker 1: That don't quote me on that, piece but, anyways just 381 00:21:39,320 --> 00:21:43,080 Speaker 1: check Out jericho by The. Band it's. Fantastic it's early nineties, 382 00:21:43,200 --> 00:21:45,840 Speaker 1: record really really. Good all, right those are my recks 383 00:21:46,240 --> 00:21:52,119 Speaker 1: for this, week Mister scorsese for Documentary Made, men the 384 00:21:52,160 --> 00:21:55,080 Speaker 1: book about the making Of, goodfellas that's my Book, wreck 385 00:21:55,240 --> 00:21:58,880 Speaker 1: And jericho by the band is my Album. Wreck if 386 00:21:58,960 --> 00:22:01,480 Speaker 1: you guys want to recommend one, book one, record or 387 00:22:01,480 --> 00:22:03,520 Speaker 1: one documentary or anything else to, me hit me up 388 00:22:03,520 --> 00:22:06,960 Speaker 1: six one seven nine oh six six'. Six. THREE okay 389 00:22:07,000 --> 00:22:08,640 Speaker 1: i gotta bring you guys up to speed on. Something 390 00:22:08,680 --> 00:22:12,399 Speaker 1: here one of my favorite things on the planet is 391 00:22:12,880 --> 00:22:18,440 Speaker 1: the convergence of great music, and film and we talk 392 00:22:18,480 --> 00:22:20,679 Speaker 1: about it, a lot not in any formal sort, of 393 00:22:20,680 --> 00:22:23,440 Speaker 1: way though it's tangential to the music history and true 394 00:22:23,440 --> 00:22:28,199 Speaker 1: crime conversation that we're having on an. Ongoing, basis however 395 00:22:28,400 --> 00:22:31,000 Speaker 1: You know i'm a huge. Film nerd you know who my. 396 00:22:31,040 --> 00:22:33,960 Speaker 1: Guys are you know the Same about Zeth, so ZETH and, 397 00:22:34,040 --> 00:22:37,520 Speaker 1: i thought why don't we do this. New show we'll 398 00:22:37,520 --> 00:22:39,480 Speaker 1: do it, For fun we'll. Do it we'll do it 399 00:22:39,520 --> 00:22:42,879 Speaker 1: for our all, access members and it will be just 400 00:22:42,920 --> 00:22:46,640 Speaker 1: about the greatest music in the greatest movies of, all 401 00:22:46,680 --> 00:22:50,800 Speaker 1: time all the, great soundtracks the great, needle drops the, 402 00:22:51,040 --> 00:22:55,719 Speaker 1: incredible scores the albums that get by with super weird, 403 00:22:55,880 --> 00:23:00,920 Speaker 1: minimal scores anywhere music meets film in an. Interesting way 404 00:23:01,400 --> 00:23:03,520 Speaker 1: that's what we're going to talk about in. This podcast 405 00:23:03,560 --> 00:23:06,600 Speaker 1: we're going to talk about one film, per episode and 406 00:23:06,600 --> 00:23:09,400 Speaker 1: we're going to talk about the music in. That film 407 00:23:09,840 --> 00:23:13,360 Speaker 1: the new podcast is a. Video podcast it's called this 408 00:23:13,480 --> 00:23:17,240 Speaker 1: film Should Be, played loud which is a obvious reference 409 00:23:17,320 --> 00:23:21,000 Speaker 1: to the very first frame of the. Last waltz you 410 00:23:21,080 --> 00:23:23,600 Speaker 1: see in, huge letters this film should be, played loud 411 00:23:23,720 --> 00:23:25,880 Speaker 1: come across, the screen and you know to buckle up 412 00:23:26,119 --> 00:23:29,679 Speaker 1: and to turn your television up. To eleven so the 413 00:23:29,760 --> 00:23:33,480 Speaker 1: first episode, we filmed we did this, last night was 414 00:23:33,600 --> 00:23:37,040 Speaker 1: on The. Movie, goodfellas okay now you Can imagine goodfellas 415 00:23:37,119 --> 00:23:40,359 Speaker 1: is like the greatest. Soundtrack ever there's a lot of 416 00:23:40,880 --> 00:23:45,879 Speaker 1: interesting footnotes music footnotes in. That movie SONGS like i 417 00:23:45,880 --> 00:23:48,360 Speaker 1: mentioned before that didn't make it into the Film that 418 00:23:48,440 --> 00:23:52,919 Speaker 1: scorsese wanted in, the film actual musicians who are in, 419 00:23:52,960 --> 00:23:55,560 Speaker 1: the film relatives of musicians who are in. The film 420 00:23:55,720 --> 00:23:59,439 Speaker 1: the way In which scorsese uses music in this film is, 421 00:23:59,560 --> 00:24:03,280 Speaker 1: completely novel and it's gone on, to influence, you know 422 00:24:03,880 --> 00:24:06,439 Speaker 1: all of my favorite filmmakers, after that, pretty much not all, 423 00:24:06,440 --> 00:24:09,760 Speaker 1: of them but A lot the Music in goodfellas is 424 00:24:10,320 --> 00:24:14,200 Speaker 1: groundbreaking in so many, different ways and we spent about 425 00:24:14,240 --> 00:24:16,960 Speaker 1: forty five minutes talking about it. Last night we, could 426 00:24:17,080 --> 00:24:19,480 Speaker 1: honestly we could have spent three hours talking. About it 427 00:24:19,480 --> 00:24:21,160 Speaker 1: we had a lot of fun in the, lead up 428 00:24:21,960 --> 00:24:24,960 Speaker 1: sort of sharing, our notes talking about our, favorite scenes, 429 00:24:24,960 --> 00:24:26,200 Speaker 1: et cetera and a lot of that is going to 430 00:24:26,280 --> 00:24:28,760 Speaker 1: come across. On screen so that is going to be 431 00:24:28,760 --> 00:24:31,359 Speaker 1: available for you guys in a couple weeks in the Middle. 432 00:24:31,359 --> 00:24:33,560 Speaker 1: Of december it's going to be part of Our all. 433 00:24:33,760 --> 00:24:37,560 Speaker 1: Access offering you can. Get that go to disgrace lampod 434 00:24:37,760 --> 00:24:39,840 Speaker 1: dot com to. Sign up it's only gonna be Available 435 00:24:39,880 --> 00:24:42,560 Speaker 1: for patreon members. At first we might might find a 436 00:24:42,560 --> 00:24:45,800 Speaker 1: way to make the audio Available for apple subscribers at, 437 00:24:45,800 --> 00:24:48,600 Speaker 1: some point but, right now if You're, on patreon you're 438 00:24:48,600 --> 00:24:51,879 Speaker 1: in for something cool coming your. Way soon if you're 439 00:24:51,920 --> 00:24:54,600 Speaker 1: just a free follower of Ours, on patreon now is 440 00:24:54,640 --> 00:24:57,280 Speaker 1: the time to. Sign up this film should be played 441 00:24:57,280 --> 00:24:59,960 Speaker 1: loud'll be released monthly. And again the first episode is 442 00:25:00,040 --> 00:25:01,760 Speaker 1: coming your way in a couple weeks in the Middle. 443 00:25:01,760 --> 00:25:05,320 Speaker 1: Of december go to disgraceampod dot com to. Sign Up all. 444 00:25:05,359 --> 00:25:07,760 Speaker 1: Access members you guys also know you get these. MINI 445 00:25:07,760 --> 00:25:10,320 Speaker 1: episodes i hope you dug the one this Week On 446 00:25:10,720 --> 00:25:15,760 Speaker 1: Doctor john escaping The psych ward. Just fascinating for those 447 00:25:15,800 --> 00:25:18,239 Speaker 1: of you who Are Not all, access members here is. 448 00:25:18,320 --> 00:25:30,040 Speaker 1: A taste here is a taste of what. You're Missing 449 00:25:46,000 --> 00:25:51,399 Speaker 1: The good doctor had seen, it, all, vengeance violence drug. 450 00:25:51,400 --> 00:25:54,720 Speaker 1: Addled depravity he once watched a kid from the neighborhood 451 00:25:54,720 --> 00:25:58,320 Speaker 1: get his. Eyeshot out he himself looked down the Barrel 452 00:25:58,480 --> 00:26:01,960 Speaker 1: are blakie's, nine Millimeter which art pulled on him when 453 00:26:01,960 --> 00:26:04,200 Speaker 1: he was caught sneaking through the drummer's place at night 454 00:26:04,400 --> 00:26:07,639 Speaker 1: on the hunt. For dope art's little girl was there when, 455 00:26:07,680 --> 00:26:10,480 Speaker 1: it happened and she looked at her daddy, and, said 456 00:26:10,520 --> 00:26:14,800 Speaker 1: well are you gonna? Shoot him, not Yet Came art. Blakey's, 457 00:26:14,800 --> 00:26:20,320 Speaker 1: reply naturally being a creature Of The new, orleans underground 458 00:26:20,400 --> 00:26:23,320 Speaker 1: where the musicians were on the level, with, junkies pimps, 459 00:26:23,320 --> 00:26:27,000 Speaker 1: And Whores The good doctor had seen that woman down 460 00:26:27,040 --> 00:26:32,040 Speaker 1: At The Blue cat lounge who fucked a zebra actually was, 461 00:26:32,080 --> 00:26:34,680 Speaker 1: a mule but they painted the beast to look like, 462 00:26:34,720 --> 00:26:38,399 Speaker 1: a zebra thus ensuring that the spectacle was not just 463 00:26:38,760 --> 00:26:42,080 Speaker 1: regular all kinds of, fucked up but exotically all kinds 464 00:26:42,080 --> 00:26:46,679 Speaker 1: of fucked. UP too i, guess this, of course was 465 00:26:46,760 --> 00:26:50,439 Speaker 1: before That Meddling Da jim garrison got himself obsessed with 466 00:26:50,520 --> 00:26:53,879 Speaker 1: the Assassination With PRESIDENT. John f kennedy and had nothing 467 00:26:53,880 --> 00:26:56,040 Speaker 1: better to do than to harass the Clientele Of new 468 00:26:56,160 --> 00:26:58,639 Speaker 1: orleans nightclubs and put a lot of hard working cats out. 469 00:26:58,680 --> 00:27:02,120 Speaker 1: Of Work The good doctor, Or INCLUDED but. I digress 470 00:27:03,800 --> 00:27:06,280 Speaker 1: my point is That The good doctor had seen so 471 00:27:06,400 --> 00:27:09,720 Speaker 1: many things in, his life but twenty eight year Old 472 00:27:09,800 --> 00:27:14,119 Speaker 1: mac rebinac Aka doctor john had never seen. This Before 473 00:27:15,200 --> 00:27:21,679 Speaker 1: ella fitzgerald working as a nurse in a Psych word, all, 474 00:27:21,760 --> 00:27:24,440 Speaker 1: right guys disgrace sandpod dot com to sign up to 475 00:27:24,440 --> 00:27:26,600 Speaker 1: become An all access member today and support. The show 476 00:27:26,640 --> 00:27:30,160 Speaker 1: we really. Appreciate it your support helps us make all 477 00:27:30,240 --> 00:27:33,000 Speaker 1: kinds of cool new content like this film should be. 478 00:27:33,000 --> 00:27:35,560 Speaker 1: Played loud come in your way. SOON now I promised 479 00:27:35,600 --> 00:27:39,440 Speaker 1: i would read you guys. Some Emails daniel shay writes, 480 00:27:39,480 --> 00:27:43,280 Speaker 1: into us and the subject Reads the Fish. From, Vermont, 481 00:27:43,720 --> 00:27:46,840 Speaker 1: hey jake as a member Of the fish community since nineteen, 482 00:27:46,920 --> 00:27:49,800 Speaker 1: NINETY four i have, to say you. NAILED it i 483 00:27:49,880 --> 00:27:52,280 Speaker 1: was terrified you were going to trash them but in 484 00:27:52,320 --> 00:27:55,520 Speaker 1: the Best disgrace sland, style possible you really tied everything 485 00:27:55,520 --> 00:27:59,560 Speaker 1: together and created a. GREAT episode i personally can't stand 486 00:27:59,640 --> 00:28:01,920 Speaker 1: the night at shows and think it really puts a 487 00:28:02,000 --> 00:28:04,280 Speaker 1: dark vibe on. The scene lots of folks, love IT 488 00:28:04,320 --> 00:28:06,760 Speaker 1: but i think it's a scourge on, the community especially 489 00:28:06,840 --> 00:28:11,040 Speaker 1: the absolute mess left behind. AFTER shows i personally don't 490 00:28:11,080 --> 00:28:13,480 Speaker 1: Think the nitress is going anywhere due to the stacks of. 491 00:28:13,560 --> 00:28:16,080 Speaker 1: CASH available i think it would be amazing if you 492 00:28:16,160 --> 00:28:17,920 Speaker 1: checked out A live fish show to be able to 493 00:28:17,960 --> 00:28:21,440 Speaker 1: witness the mostly amazing community. In Action hopefully i'll see 494 00:28:21,480 --> 00:28:24,600 Speaker 1: you on lot this summer OR at msg for The 495 00:28:24,640 --> 00:28:27,680 Speaker 1: Annual new. Year's run keep up the. Great work by, 496 00:28:27,680 --> 00:28:31,320 Speaker 1: the Way the Fish from vermont phrase comes From Newsman. 497 00:28:31,440 --> 00:28:34,120 Speaker 1: Peter jennings he announced them that way During the millennium, 498 00:28:34,160 --> 00:28:36,640 Speaker 1: NEWS coverage abc cuts to a live Feed At, big 499 00:28:36,680 --> 00:28:38,959 Speaker 1: cypress and that's how he. Introduced them it's been a 500 00:28:39,000 --> 00:28:41,880 Speaker 1: fan pha and joke, ever since and as a good 501 00:28:41,920 --> 00:28:43,600 Speaker 1: example of how the band likes to mess with. The 502 00:28:43,600 --> 00:28:46,760 Speaker 1: mainstream trade told the festival crowd to chant CHEESECAKE when 503 00:28:46,800 --> 00:28:49,320 Speaker 1: abc went live and to say say it like. You're 504 00:28:49,400 --> 00:28:52,760 Speaker 1: pissed it made. The broadcast people. So Confused as, zappa 505 00:28:52,840 --> 00:28:56,360 Speaker 1: said humor belongs. To music ROCK a rolla, Great, email daniel. 506 00:28:56,360 --> 00:28:59,600 Speaker 1: Appreciate you AND here i am thinking that we invented 507 00:28:59,720 --> 00:29:05,080 Speaker 1: the but It Was peter jennings. All Along disgrace sampod 508 00:29:05,120 --> 00:29:07,520 Speaker 1: at Gmail dot, comfish fans you want to get in 509 00:29:07,520 --> 00:29:10,640 Speaker 1: touch or, anybody else hit. Us Up matt robertson writes 510 00:29:10,680 --> 00:29:14,240 Speaker 1: in Subject matter radiohead. Episode, Suggestion, hey jake love the 511 00:29:14,240 --> 00:29:16,640 Speaker 1: podcast and the, Bonus episode so a suggestion For a 512 00:29:16,720 --> 00:29:19,800 Speaker 1: radiohead Episode is in, twenty twelve there was a stage 513 00:29:19,800 --> 00:29:22,640 Speaker 1: Collapse in toronto that killed a drum tech and afterwards 514 00:29:22,680 --> 00:29:25,600 Speaker 1: there was a long drawn out core battle with lots of. Finger, 515 00:29:25,640 --> 00:29:28,280 Speaker 1: Pointing anyhow i'm A big radiohead fan and thought this 516 00:29:28,360 --> 00:29:30,280 Speaker 1: might work, for you might be a Way and matt 517 00:29:30,320 --> 00:29:32,400 Speaker 1: appreciate you out there in the two zero four hitting? Us, 518 00:29:32,480 --> 00:29:35,520 Speaker 1: UP yeah i. LIKE this i. Like this maybe it's 519 00:29:35,520 --> 00:29:36,880 Speaker 1: a way to get into the sort of the sort 520 00:29:36,880 --> 00:29:41,520 Speaker 1: of paranoia Vibes. Of Radiohead disgrace lampod at gmail. Dot 521 00:29:41,560 --> 00:29:43,640 Speaker 1: com you guys want to hit? Us up matt prepped 522 00:29:43,680 --> 00:29:45,840 Speaker 1: that old buzzer beater, for me? Will you this is 523 00:29:46,160 --> 00:29:49,760 Speaker 1: the Sixty Second sports Ran and under thirty seconds and 524 00:29:50,080 --> 00:29:52,760 Speaker 1: is once again sponsored By Five hour Energies New pumpkin, 525 00:29:52,800 --> 00:29:55,000 Speaker 1: spice flavor your favorite fall drinking and. Energy shot you 526 00:29:55,040 --> 00:29:57,000 Speaker 1: can pick Up A pumpkin Spice Five Hour energy shot 527 00:29:57,040 --> 00:30:00,560 Speaker 1: available online at Five hour Energy dot Com. Or amazon, 528 00:30:00,680 --> 00:30:03,440 Speaker 1: You know i'm not one of these sports fans who 529 00:30:03,480 --> 00:30:06,120 Speaker 1: thinks he, knows everything who's right all. The TIME though 530 00:30:06,520 --> 00:30:08,560 Speaker 1: i am right more often, THAN not i, will SAY 531 00:30:08,600 --> 00:30:10,880 Speaker 1: but i do on occasion get, it wrong as we. 532 00:30:10,920 --> 00:30:12,600 Speaker 1: All do and when it comes to my thoughts on 533 00:30:12,600 --> 00:30:14,920 Speaker 1: the lack of moves made By the patriots's, TRADE deadline 534 00:30:14,960 --> 00:30:18,640 Speaker 1: I think i was. Dead wrong sure they could use another, 535 00:30:18,720 --> 00:30:20,600 Speaker 1: edge rusher but it looks Like the pats knew exactly 536 00:30:20,640 --> 00:30:22,800 Speaker 1: what they had in house with Running Back. Travon henderson 537 00:30:22,840 --> 00:30:25,320 Speaker 1: and my rent a couple of weeks ago bitching About 538 00:30:25,320 --> 00:30:28,600 Speaker 1: how rabel in the front office whift on bringing backfield 539 00:30:28,600 --> 00:30:31,800 Speaker 1: depth in was. Well Wrong this henderson kid looks like 540 00:30:31,800 --> 00:30:33,360 Speaker 1: the second Coming get tony dor set. Out there he 541 00:30:33,400 --> 00:30:35,760 Speaker 1: can do it, all power, breakaway speed he, can, catch 542 00:30:35,960 --> 00:30:39,080 Speaker 1: block and and it appears he can do all of 543 00:30:39,120 --> 00:30:42,600 Speaker 1: that while holding onto. The football what a. NOVEL idea i. Was, 544 00:30:42,640 --> 00:30:44,680 Speaker 1: WRONG there i. SAID it i. Was wrong LET'S hope 545 00:30:44,680 --> 00:30:46,920 Speaker 1: i continue to be wrong and this running back continues 546 00:30:46,960 --> 00:30:49,200 Speaker 1: to shine And the patriots can ride him all the 547 00:30:49,280 --> 00:30:51,360 Speaker 1: way To The. Super, bowl matt HOW did i do 548 00:30:51,440 --> 00:30:53,280 Speaker 1: my friend forty nine seconds? 549 00:30:53,320 --> 00:30:53,400 Speaker 3: This? 550 00:30:53,440 --> 00:30:55,880 Speaker 1: Week buddy not? Too bad there. You go maybe we 551 00:30:55,920 --> 00:30:59,080 Speaker 1: need more trade deadline help. Around here get me to 552 00:30:59,120 --> 00:31:02,640 Speaker 1: produce these under the deadline? More often? All right that 553 00:31:02,720 --> 00:31:05,680 Speaker 1: was a sports ransponsor By Five hour energies new pumpkin. 554 00:31:05,760 --> 00:31:08,440 Speaker 1: Spice flavor These New pumpkin spice Five hour energy shots 555 00:31:08,480 --> 00:31:11,440 Speaker 1: are fall in a bottle and bring that classic pumpkin 556 00:31:11,480 --> 00:31:13,640 Speaker 1: spice flavor that we all know, and love our favorite, 557 00:31:13,640 --> 00:31:15,760 Speaker 1: fall drink and an. Energy shot you can pick Up 558 00:31:15,840 --> 00:31:19,360 Speaker 1: A pumpkin spice Five hour energy shot available online at 559 00:31:19,360 --> 00:31:22,400 Speaker 1: Five hour energy dot Com. Or, amazon, so guys as 560 00:31:22,440 --> 00:31:26,440 Speaker 1: you may recall back IN the, b block we're definitely 561 00:31:26,440 --> 00:31:28,680 Speaker 1: doing an Episode of disgrace And On lee morgan at, 562 00:31:28,680 --> 00:31:32,479 Speaker 1: some point and that story has always intrigued ME and 563 00:31:32,560 --> 00:31:35,160 Speaker 1: i could have spent twenty minutes talking about it. HERE 564 00:31:35,560 --> 00:31:38,760 Speaker 1: earlier i held Back because ZETH and i are going 565 00:31:38,800 --> 00:31:41,640 Speaker 1: to get into the details with a little, more fullness 566 00:31:42,080 --> 00:31:45,760 Speaker 1: a little, more descriptiveness a little more of an info 567 00:31:45,880 --> 00:31:49,920 Speaker 1: dive on this crazy story that will eventually Be a disgrace. Sand, 568 00:31:49,960 --> 00:31:52,320 Speaker 1: episode however we're going to kind of pregame, it here 569 00:31:52,520 --> 00:31:55,440 Speaker 1: do a little research and development in the exclusive section 570 00:31:55,600 --> 00:31:58,800 Speaker 1: of this year. After party if you're Not A all 571 00:31:58,960 --> 00:32:02,160 Speaker 1: access member and you want to hear this exclusive content 572 00:32:02,320 --> 00:32:05,680 Speaker 1: and all kinds of exclusive content just, like it like our. 573 00:32:05,680 --> 00:32:09,200 Speaker 1: Mini episodes we want our ad free, listening experience just 574 00:32:09,240 --> 00:32:26,280 Speaker 1: Go to disgrace andpod dot com and. Sign up okay 575 00:32:26,480 --> 00:32:29,840 Speaker 1: Otis Reading, James, Brown spade cooley in a, ton more 576 00:32:29,880 --> 00:32:33,480 Speaker 1: too many, to mention basically every artist we mentioned IN the, 577 00:32:33,520 --> 00:32:36,800 Speaker 1: b block there's a there's an Episode of disgrace and 578 00:32:36,880 --> 00:32:39,880 Speaker 1: ON take k, Forty Seven. John lennon it just goes 579 00:32:39,920 --> 00:32:41,479 Speaker 1: on and on. And on matt will put the information 580 00:32:41,560 --> 00:32:43,920 Speaker 1: to a couple of these episodes like he does every 581 00:32:43,920 --> 00:32:47,720 Speaker 1: week in the, show notes so you can just dive 582 00:32:47,720 --> 00:32:50,120 Speaker 1: into the show notes and, you know you can navigate 583 00:32:50,120 --> 00:32:53,800 Speaker 1: to these stories in our massive archive fairly quickly two 584 00:32:53,920 --> 00:32:56,840 Speaker 1: hundred and fifty five episodes plus and growing. Every, Week 585 00:32:56,880 --> 00:32:59,760 Speaker 1: guys okay archive can be hard to Navigate around matt's 586 00:32:59,760 --> 00:33:03,480 Speaker 1: gonna hook. You up, let's recap. Shall we, Number one 587 00:33:03,520 --> 00:33:07,400 Speaker 1: this week's full episode On mac Rebinack Aka doctor john 588 00:33:07,440 --> 00:33:09,520 Speaker 1: is available for you. Right now number two new mini 589 00:33:09,560 --> 00:33:12,680 Speaker 1: episode For all access Members On Doctor john escaping a. 590 00:33:12,720 --> 00:33:14,800 Speaker 1: Psych ward you're gonna want to. Hear that that's available 591 00:33:14,800 --> 00:33:17,920 Speaker 1: for our patrons And our apple. Subscription listeners number three 592 00:33:17,960 --> 00:33:21,080 Speaker 1: rewind episode on the most rock and roll of all, 593 00:33:21,160 --> 00:33:23,880 Speaker 1: Film Directors. Martin scorsese that's coming your way at the 594 00:33:23,960 --> 00:33:26,400 Speaker 1: end of. This week right after this next week Comes 595 00:33:26,440 --> 00:33:29,520 Speaker 1: our thanksgiving Episode, On Scorsese the band And The Last 596 00:33:29,600 --> 00:33:33,080 Speaker 1: waltz fives that gives You Those hollywood land vibes In 597 00:33:33,120 --> 00:33:36,160 Speaker 1: The Hollywood. Lamb podcast make sure you. Are subscribed six 598 00:33:36,280 --> 00:33:38,520 Speaker 1: one seven nine oh six six six. Three eight your 599 00:33:38,600 --> 00:33:40,520 Speaker 1: voice keeps us digging into the dark corners of. Music 600 00:33:40,600 --> 00:33:43,320 Speaker 1: history so keep calling text and with your answers to 601 00:33:43,360 --> 00:33:45,600 Speaker 1: this week's question of, the week or with whatever else 602 00:33:45,600 --> 00:33:47,440 Speaker 1: you want to. Talk about and don't forget. This goes 603 00:33:47,640 --> 00:33:50,400 Speaker 1: this isn't. Just content it's, a community a community of. 604 00:33:50,440 --> 00:33:53,640 Speaker 1: The obsessed no one cares, about, music, books records and 605 00:33:53,680 --> 00:33:55,680 Speaker 1: the crime and grime that ties them all together like. 606 00:33:55,680 --> 00:33:58,440 Speaker 1: You do and well that's, a disgrace. All Right doctor 607 00:33:58,560 --> 00:34:02,440 Speaker 1: john was Shot on december, twenty fourth nineteen, sixty one 608 00:34:02,760 --> 00:34:05,440 Speaker 1: in an event that changed the trajectory of his career 609 00:34:05,520 --> 00:34:09,279 Speaker 1: and arguably in a. Positive way and this Is what 610 00:34:09,480 --> 00:34:12,880 Speaker 1: america was listening to on, that day according To The. 611 00:34:12,920 --> 00:34:18,680 Speaker 1: Billboard charts, Number One The Lion, Sleeps Tonight the tokens 612 00:34:19,120 --> 00:34:24,799 Speaker 1: last week one weeks on, chart fifteen peak, position one, 613 00:34:25,160 --> 00:34:30,000 Speaker 1: Number two Run, To HIM. Bobby v last week three 614 00:34:30,200 --> 00:34:35,640 Speaker 1: weeks on, chart fifty peak, position two, Number Three The 615 00:34:35,680 --> 00:34:42,440 Speaker 1: Twist chubby Chas last darren weeks on, chartings thirty peak position, 616 00:34:42,840 --> 00:34:47,200 Speaker 1: number one peak position, Number Four Twists. Goodbye World james 617 00:34:47,320 --> 00:34:53,160 Speaker 1: darris last week six weeks on charts, in seventeen peak position, 618 00:34:53,360 --> 00:34:58,960 Speaker 1: peak three, Number Five Walk. Gone by people at last 619 00:35:11,040 --> 00:35:13,560 Speaker 1: quit talking and. Start mixing