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Speaker 1: Hi, I'm Kristin Davis, and I want to know are

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Speaker 1: you a Charlotte? Hello, everybody, welcome back to are you

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Speaker 1: a Charlotte?

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Speaker 2: How's it going?

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Speaker 1: I am here today with producer Easton.

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Speaker 3: Hi.

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Speaker 4: Thank you meack wow.

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Speaker 1: I mean, look, you're here all the time, as I know,

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Speaker 1: but I'm really happy to have you on camera with

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Speaker 1: me and or on the mic, whichever way you guys

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Speaker 1: are are you know what do you call it?

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Speaker 3: Uh?

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Speaker 1: Thank you? Thank you already such a huge help. Thank you.

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Speaker 1: So today we are rewatching episode two o seven of

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Speaker 1: Sex and City is called the Chicken Dance. This is

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Speaker 1: kind of a famous.

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Speaker 4: Episode, yes, an iconic episode.

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Speaker 1: People talk a lot about this episode and it's been

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Speaker 1: very interesting to rewatch it because it is very very

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Speaker 1: different than what I remember, like very different. But I

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Speaker 1: will share my memories in a second. But also I

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Speaker 1: wanted to update you guys on something. When Chloe mal

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Speaker 1: was on last week, we were talking about some fashion

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Speaker 1: She is the editor of Vogue dot com and one

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Speaker 1: of the things that I can't honestly remember if we

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Speaker 1: got to it or not, but one of the things

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Speaker 1: that we were going to talk about at least was

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Speaker 1: sir Jessica Carrie re wearing a kind of vintage Chanelle

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Speaker 1: blouse that she wore in the first episode about first

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Speaker 1: show Sex and City, and then she wore and just

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Speaker 1: like that. And there's been a lot of you know, conjecture,

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Speaker 1: is it the same bluss? Is it not the same bluss?

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Speaker 1: Was she wearing it frontways and then she wore it

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Speaker 1: back ways? Did the colors fade over time? Many questions

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Speaker 1: out there in the world. Which is so adorable that

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Speaker 1: people pay attention? But I get it because obviously Carrie

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Speaker 1: has an incredible style and incredible wardrobe. So I texted

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Speaker 1: Sarah last week and I said, hey, you know, did

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Speaker 1: you get this out of the storage? You know, the

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Speaker 1: where she has Sir, Jessica keeps everything very incredibly impeccably stored.

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Speaker 2: Everything is catalog.

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Speaker 1: It's like a very impressive storage situation that I could

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Speaker 1: never live up to. I said, did you go into

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Speaker 1: your your storage to get out the Chanelle? And she

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Speaker 1: said no, she did not that Mollie had found it.

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Speaker 1: So then at the time that I asked Molly last week,

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Speaker 1: she was in a fitting with Ann Hathaway for devil

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Speaker 1: Ware's product too. It felt really bad I know, bro.

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Speaker 1: It was like, where did you get that Shanelle vintage book?

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Speaker 1: And she was like, get back to you, get right

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Speaker 1: back to you, babe, because you know she is. And

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Speaker 1: so she did. She got back to me after we

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Speaker 1: had recorded last week's episode and she told me, and

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Speaker 1: I love this story so much because it just goes

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Speaker 1: to show kind of the level of attention and care

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Speaker 1: that Mollie puts into her job, her work, and how

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Speaker 1: great she is. So there was a vintage door called

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Speaker 1: No Mad Vintage in New York and they were having

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Speaker 1: a sale of Karen Elson, who is a really beautiful,

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Speaker 1: incredible famous model red hair. If you ever saw her picture,

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Speaker 1: you would know exactly what I'm talking about. She was

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Speaker 1: selling some of her vintage clothes at No Mad Vintage,

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Speaker 1: and I guess they sent Mollie up some pictures of

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Speaker 1: the clothes and in the bottom of a suitcase these

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Speaker 1: are Molly's words. She saw this Chanelle top that she

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Speaker 1: recognized from Sex and City, what twenty years ago or whatever,

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Speaker 1: twenty five years ago, So it is not, in fact

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Speaker 1: the same top. I do think it's a different colorway

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Speaker 1: and it was Karen Elson's. I do think Sarah ware's

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Speaker 1: a backwards but is it was Karen Elson's top, probably

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Speaker 1: from the same year that Carrie wore it on the

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Speaker 1: original Sex and the City and now it was reworn

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Speaker 1: on and just like that, which is a really cool story.

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Speaker 4: That's like more magical than if it had been the

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Speaker 4: same blouse.

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Speaker 1: No, that is true, and also, like I think, and

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Speaker 1: I don't know for sure, it's possible that both were samples.

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Speaker 1: Because they only make things sometimes for the runway, right,

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Speaker 1: and because they lend things to us, which is so wonderful.

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Speaker 1: Sarah Jessica might not even have it in storage. She

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Speaker 1: didn't go look because she's too busy, but it might be,

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Speaker 1: you know, that Karen had a sample and Sir Jessica

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Speaker 1: Carrie got a sample. Carrie might have returned her Sir

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Speaker 1: Jesska might have returned the sample. So it's all really

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Speaker 1: interesting but kind of just amazing that Molly found it.

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Speaker 1: This is why we love Molly. There's no one like

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Speaker 1: Molly and Danny and I just love it when they get,

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Speaker 1: you know, credit for their incredible creativity.

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Speaker 2: And I don't know, have.

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Speaker 1: You seen the little shorts that they're doing about costumes

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Speaker 1: behind the scenes.

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Speaker 4: I have not seen those yet they're fun. Got it's

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Speaker 4: really fun.

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Speaker 1: I think they're on social media and maybe they come

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Speaker 1: on after the show on guess what we get to

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Speaker 1: call it HBO. You guys, it's so exciting. As of

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Speaker 1: this week, your apps are going to change back to

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Speaker 1: say HBO Max. I believe I could get that wrong,

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Speaker 1: but I think it's HBO Max.

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Speaker 4: All right.

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Speaker 1: I know HBO was in the title again and on

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Speaker 1: your little app on your iPad or whatever you're watching,

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Speaker 1: which is that's what I watch. But I'm very excited

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Speaker 1: and very exciting. And I oh, I should have worn

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Speaker 1: my hat today. I got at HBO Max hat that

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Speaker 1: I wore at the front open when we were doing

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Speaker 1: all of our like funny little spots for HBO about it,

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Speaker 1: which I think they're being really hysterical about it. Yeah,

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Speaker 1: and obviously right, and we love it.

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Speaker 4: We love it.

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Speaker 1: We couldn't be more happy. People are like, you're happy,

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Speaker 1: I'm like a no joke, We're happy? Are you kidding? Like,

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Speaker 1: like it was so painful to have to not say

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Speaker 1: HBO like it, it's so so strange. So we obviously

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Speaker 1: love HBO and.

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Speaker 2: We're very hard.

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Speaker 4: Yeah, it's not TV, it's HBO.

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Speaker 1: I know, And then wait, did you see No Wiley?

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Speaker 1: He did a really funny little spot for the pit

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Speaker 1: where he's like, and it's not TV, but maybe it

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Speaker 1: is TV, but no, no, actually it's not actually really

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Speaker 1: TV anymore. Like it's pretty funny because.

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Speaker 2: Yeah, what is it now? It's streaming?

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Speaker 1: Yeah, but that's not that's like a weird thing to say,

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Speaker 1: it is, right, Like what are we supposed to say?

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Speaker 4: I don't know.

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Speaker 2: I don't know either.

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Speaker 4: Yeah, streaming does feel weird, right, but yeah, I don't know.

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Speaker 4: There's gonna be another word, right, I mean, whatever it.

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Speaker 2: Is, let's just call it HBO.

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Speaker 4: It's HBO.

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Speaker 1: Okay, great, all right, now, okay, here we go to

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Speaker 1: the episode. So now, Easton tell me you've been producing

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Speaker 1: my podcast since the beginning, which is a joy. You're

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Speaker 1: incredible share. Jessica is a big fan and Easton was

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Speaker 1: not supposed to be talking to me today. We had

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Speaker 1: a wonderful guest who got sick and I'm hoping he

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Speaker 1: will he will ever soon and beyond soon, and we

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Speaker 1: love them, very excited to have him. But Easton's filling in,

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Speaker 1: so I appreciate that so much, But this would I

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Speaker 1: want to say. I think one of the reasons that

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Speaker 1: when you do the podcast, and that one of the

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Speaker 1: things I love about the podcast is that you know,

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Speaker 1: almost everyone that we know has seen the show at

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Speaker 1: some point or at least some of the show. Right

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Speaker 1: So for me, because I hadn't rewatched it since we

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Speaker 1: made it, you know, way back, I have memories about

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Speaker 1: filming it, and I have vague memories about that episode, like,

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Speaker 1: for instance, this Chicken Dance episode. I have vague memories

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Speaker 1: of the thematics of it. I have a lot of

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Speaker 1: memories of the filming of it, but when I rewatch

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Speaker 1: it, it's so different than what I remember. And that's what

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Speaker 1: I love about it is that, you know, the show

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Speaker 1: has seeped into the consciousness kind of of you know,

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Speaker 1: our generation certainly. I mean I'm older than you, but

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Speaker 1: you know, like it's in your consciousness though you might

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Speaker 1: not remember the details, but I don't mind that.

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Speaker 2: I think that's what's interesting.

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Speaker 1: Right, Yes, because you when I got here, you quoted

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Speaker 1: a line from it, so you have a line in

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Speaker 1: your tell us it's a days off, yeah, so today,

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Speaker 1: just so you know, I have a lot of memories

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Speaker 1: about this episode of filming this episode. This episode is

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Speaker 1: kind of up there in the pantheon, a very very

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Speaker 1: difficult episodes to film. Interesting, Yes, and when I rewatched it,

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Speaker 1: you don't really see that on camera. And I do

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Speaker 1: remember that around this time of the second season, we

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Speaker 1: would be working literally all night, Like there is a

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Speaker 1: twenty four hour day in this episode, twenty four hours

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Speaker 1: straight of filming.

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Speaker 2: I will get to that, but it.

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Speaker 1: Was the time when I remember thinking like, because here

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Speaker 1: we are trying to look glamorous, trying to wear these

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Speaker 1: glamorous clothes and have our makeup in our hair just perfect.

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Speaker 1: But it's you know, five am, six am, seven am,

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Speaker 1: where we've been working since seven am the day before,

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Speaker 1: and I remember just thinking there should just be a little.

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Speaker 2: Cry on against the bottom of the screen.

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Speaker 1: Please forgive these actors.

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Speaker 2: They have been up for twenty four hours.

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Speaker 3: You know.

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Speaker 1: But there you can't do that, right. Yeah, And back

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Speaker 1: in the day, we always felt like we didn't want

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Speaker 1: to complain or talk about that kind of stuff too much,

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Speaker 1: so we didn't. So when everyone was like, isn't it fun,

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Speaker 1: we'd be like, yes, it's so fun, But really we

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Speaker 1: were just like delirious.

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Speaker 4: You know, that's something whenever I watch a movie or

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Speaker 4: TV show that takes place at night, especially, I have

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Speaker 4: to remind myself. I'm like, it's probably like three in

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Speaker 4: the morning at this point, I'd be going all night.

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Speaker 4: Oh yeah, all day.

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Speaker 1: Oh if you've got the night shoots, Yeah, it's rough.

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Speaker 1: It's rough and for us. So basically this episode, largely,

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Speaker 1: this is about lovely Carrie Preston comes on and she's

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Speaker 1: going to be a guest hopefully you guys. I love

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Speaker 1: her so much, and she plays this character Madeline Dunn.

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Speaker 1: We're going to go in order. She is Miranda's interior

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Speaker 1: des enter because Miranda has bought an apartment, which is

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Speaker 1: so impressive and exciting, and she ends up getting married

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Speaker 1: in the episode, and it's very funny in how it happens,

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Speaker 1: and we her wedding takes place at the Plaza. And

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Speaker 1: the funny thing about the Plaza, you know, it's very

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Speaker 1: very famous hotel in New York City, right on the

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Speaker 1: edge of Central Park South.

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Speaker 2: We just did our junket there for.

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Speaker 1: And just like that, and it looks so different now

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Speaker 1: that when I first started watching The Chicken Dais, I thought, wait, wait, wait,

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Speaker 1: this must not be the one that's at the Plaza.

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Speaker 1: Because it looks so small. It looks small and like

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Speaker 1: super old fashioned.

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Speaker 2: I thought like, I must be thinking.

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Speaker 1: Of a different episode that happened at the Plaza. But

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Speaker 1: then luckily they do say we're in the Plaza, and

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Speaker 1: then we show a room and it looks more familiar.

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Speaker 1: But I mean they've really redone it and it looks

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Speaker 1: way posh now, so it was kind of funny to

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Speaker 1: it looks the very eighties.

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Speaker 4: Oh yeah, this episode is just a few years after

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Speaker 4: Home Alone two, which was a big plaza. Oh my god, yes, yeah, I.

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Speaker 1: Bet it's identical. We should look at that. Oh my god,

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Speaker 1: I forgot.

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Speaker 2: That's crazy. That's crazy to think about it.

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Speaker 4: Big a couple of years for the Plaza.

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Speaker 1: Big couple of years for the Plaza. They had their

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Speaker 1: PR people working hardcore. I think for us it was

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Speaker 1: a very big deal to get that location because it's

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Speaker 1: only our second season. I don't think we had a

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Speaker 1: ton of money, so I think that the Plaza must

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Speaker 1: have been, you know, giving incentives to to come and

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Speaker 1: film there, and good for them.

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Speaker 2: Okay, we're going to go in order.

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Speaker 3: Now.

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Speaker 1: This is so cute and funny. There's so many funny

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Speaker 1: things about this. This episode is directed by Victoria Hakberg

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Speaker 1: and written by Cindy Schupak, who ends up being one

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Speaker 1: of our executive producers. Incredible, incredible writer. She was with

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Speaker 1: us for from this point in the second episode through

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Speaker 1: the end of the show. She's gonna come on. I

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Speaker 1: can't wait. We love her so much, Cindy, Cindy, Cindy.

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Speaker 2: This is her first.

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Speaker 1: One, the Chicken Dance, and we've got the incredible Cary

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Speaker 1: Preston in it, who is so great and has been

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Speaker 1: on so many things, which what I think of Carry Preston,

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Speaker 1: I really think of True Blood. Yes, and that was

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Speaker 1: so much fun to watch. Also in HBO not that

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Speaker 1: long after US possibly overlapped US, I can't remember, but like,

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Speaker 1: she's such a great actress and so funny, and she's

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Speaker 1: so herself when I watch this, like, it's so like

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Speaker 1: what we love about Carrie Preston.

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Speaker 2: She's so beautifully cast as Charlotte's friend.

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Speaker 1: I might add, though literally I do not think that

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Speaker 1: we talk the entire episode, which is weird, but they say,

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Speaker 1: like the voiceover I believe says, you know, Miranda has

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Speaker 1: hired Charlotte's friend Madeline to decorate her apartment, and she

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Speaker 1: has some questionable things she brings in.

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Speaker 2: She brings in these dancing.

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Speaker 1: Frogs, very questionable, very questionable statue. Sorry if anyone has

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Speaker 1: it out there, but it's big, and I have to say,

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Speaker 1: I feel like I grew up with some of these

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Speaker 1: things around me in the South. Like I don't think

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Speaker 1: my mom had this, but I mean it didn't look

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Speaker 1: foreign to me. It looked like very familiar. It's kind

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Speaker 1: of a Southern looking thing. So we begin with the adorable, adorable,

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Speaker 1: adorable Carrie Preston and she is she got this. It

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Speaker 1: also cracked me up the beigeness of this episode, Like

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Speaker 1: you know, when we look back and like I tech technically,

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Speaker 1: I just forget what things look like back then, right,

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Speaker 1: I remember living through it, and I remember that sometimes

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Speaker 1: things now seem familiar to back then. But also there's

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Speaker 1: just so much beige, Like it's bad beige too, it's

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Speaker 1: like really down. Like this guy Jeremy, who's this guy

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Speaker 1: who Cynthia has a crush on, who's been living in England.

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Speaker 1: He only dresses in beige until he gets married and

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Speaker 1: he's wearing a tux. And then the couch that we

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Speaker 1: begin the episode on that Carrie Preston is getting from Miranda.

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Speaker 1: It's like the dullest looking beige thing and it's a

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Speaker 1: pull out sofa or whatever. And Carrie is like, nice sofa,

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Speaker 1: but she doesn't look that excited. But I mean it's

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Speaker 1: really interesting to me I was unaware of, Like, at

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Speaker 1: some point we shifted to a more white, you know,

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Speaker 1: kind of modern look, which you know I'm down with.

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Speaker 4: Yeah, yeah, I'm gonna say goodbye to bege.

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Speaker 1: I mean we really need to say goodbye to beige.

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Speaker 2: I think, you know.

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Speaker 4: And now we have the millennial beige is a big

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Speaker 4: home trend that thankfully is going away. Oh but that

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Speaker 4: is another shade of beige. Oh no, we I want

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Speaker 4: to do too deep of a dive on beige here,

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Speaker 4: But it's.

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Speaker 1: Was it like the millennial pink?

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Speaker 4: Yes?

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Speaker 1: Like very muted?

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Speaker 4: Yes, Oh, very similar to that.

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Speaker 1: What's up with that?

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Speaker 4: I don't know? It's interesting. But when you rewatch this again,

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Speaker 4: this is nineteen ninety nine, So rich heavy, it's.

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Speaker 1: Nineteen ninety nine, you guys. Is that crazy to say?

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Speaker 1: I think it's crazy to say. But we were filming,

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Speaker 1: we were filming this stuff a long time ago and

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Speaker 1: I think it's really funny when people really want to

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Speaker 1: argue in my comments about different plot points, and I'm like, Okay,

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Speaker 1: give us just a little bit of a break, because

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Speaker 1: it's nineteen ninety nine, and you know, it's interesting to

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Speaker 1: look at and I have a lot of different feelings

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Speaker 1: sometimes about it, Like one of my feelings in this

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Speaker 1: I should go in order, but one of my feelings

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Speaker 1: in this as a couple times in the second season,

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Speaker 1: I'm like, thank goodness, big as adorable, and like, just

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Speaker 1: as soon as I have that thought, he'll do something

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Speaker 1: supernal and I'll be like, no, no. But at this

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Speaker 1: point at least I'm fluctuating, right, Whereas the first season

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Speaker 1: I was just like, oh no, but now I'm more like, oh, adorable,

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Speaker 1: and then I'm like, oh, but I guess that's how

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Speaker 1: the audience felt at the time.

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Speaker 4: Yeah. Maybe, yeah, that's how I remember feeling when.

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Speaker 1: I really Okay, great, that's helpful.

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Speaker 4: I watched the first four seasons on DVD, like all

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Speaker 4: at once, kind of like I got into it in

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Speaker 4: season four and my.

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Speaker 1: First four seasons at once. Yes, that's amazing.

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Speaker 4: My stepmom had the DVDs.

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Speaker 1: Wait, how old are you?

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Speaker 4: I was. I was like, fourteen, No way, Yeah.

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Speaker 1: Oh my gosh, what did you think? Like women are crazy? Like,

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Speaker 1: what did you think?

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Speaker 4: No, I loved it, Okay. I started watching it because

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Speaker 4: I was desperate to see boobs. I knew that that was.

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Speaker 1: You did you get enough boobs in the show?

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Speaker 4: I started watching it because I knew that it's HBO,

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Speaker 4: the word sex is and the title ye boobs here.

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Speaker 4: And then I watched like the second episode and I

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Speaker 4: was like, I can't wait to see what carries up

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Speaker 4: to next.

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Speaker 1: I was like, so into you got pulled into the plot.

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Speaker 4: I really did. Like these professional women living in New

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Speaker 4: York City, dating, navigating so many different parts of life,

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Speaker 4: things that are so different from my life as a

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Speaker 4: fourteen year old living in in California. Yeah, and I

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Speaker 4: just got so pulled in.

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Speaker 1: Wow, but I love it.

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Speaker 4: I do remember being annoyed with Big at this point.

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Speaker 1: No way, fantastic, That's fantastic. That's a great thing to hear,

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Speaker 1: because some people get very upset with me when I'm

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Speaker 1: annoyed with Big, and I'm like, this is super interesting,

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Speaker 1: But you know, this is a great thing. It's a

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Speaker 1: fictional situation with fictional characters. Which I think people also

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Speaker 1: forget right, yes, and it is. Everyone's allowed to have

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Speaker 1: their own feelings about it, you know, and discuss really

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Speaker 1: and I don't judge anybody, Like if you're pro big cool, yeah,

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Speaker 1: pro big, you know what I'm saying, right, Like, if

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Speaker 1: you're pro aid and cool. I don't know if anyone

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Speaker 1: is right now, but you know, maybe I don't know.

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Speaker 1: A lot is going on with Aiden in the current show,

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Speaker 1: but that's okay, we're not gonna we don't have to

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Speaker 1: talk about that, right all right, here we are. Let's

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Speaker 1: go back to Miranda. She's in this adorable no apartment.

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Speaker 1: She's got adorable, adorable Madeline trying to help her. Then,

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Speaker 1: so we discussed this Jeremy guy, and he is living

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Speaker 1: in London and he seems like a very cool journalist

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Speaker 1: and he's really cute. So she's kind of excited he's

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Speaker 1: coming to stay. This is why she got the pullout sofa,

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Speaker 1: because they've just been friends, but she feels like he's

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Speaker 1: been flirting on the phone. Now. The thing that I

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Speaker 1: found interesting about this episode, and I understand why it's

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Speaker 1: a thematic thing, but it weirdly seems in the beginning

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Speaker 1: that Miranda really wants to get married. Yes, oh I

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Speaker 1: don't remember this. I was like, what, since when does

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Speaker 1: Miranda really care so much about getting married?

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Speaker 4: Yeah?

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Speaker 1: It's odd, It's very odd, right, But I do think

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Speaker 1: that when people around you all start to get married

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Speaker 1: or all start to have babies, you suddenly feel like, well,

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Speaker 1: why not me?

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Speaker 2: Or should I be doing that? Or what is happening?

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Speaker 1: I think it's like a symptom of kind of like

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Speaker 1: the time of life where this kind of starts to happen.

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Speaker 2: Do you feel that way?

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Speaker 1: Okay?

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Speaker 2: So I think it must be that because I was like,

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Speaker 2: I don't remember.

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Speaker 1: Though, right right? I mean, and also, you know, because

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Speaker 1: we know what happens later. Obviously she wasn't like, oh yes, Steve,

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Speaker 1: I'm pregnant, let's get married.

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Speaker 2: She was like, oh oh god, all right? But then

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Speaker 2: it worked out.

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Speaker 1: But you know, then it didn't, as we know, because

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Speaker 1: life is complicated. Okay. So we see Miranda very excited

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Speaker 1: that she's going to have this you know guy come

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Speaker 1: who's adorable, going to come from London, and she's very

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Speaker 1: hopeful that it's going to go great. Then we go

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Speaker 1: to Carrie at Biggs, and again I thought he was

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Speaker 1: super charming. Big is super charming, and she says, can

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Speaker 1: I borrow a toothbrush? Which is kind of funny, and

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Speaker 1: he looks at her all silly, and then you know,

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Speaker 1: he pulls out this adorable little toothbrush head that's pink

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Speaker 1: and gives it to your out at the top of

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Speaker 1: the part that holds his electric toothbrush and gets out

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Speaker 1: a little toothbur I don't remember that I never had

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Speaker 1: one of those.

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Speaker 2: It's very interesting.

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Speaker 1: So she's very excited. It's a little pink toothbrush to

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Speaker 1: go with his little blue toothbrush, and she literally says

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Speaker 1: that she had never felt better about them. I think

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Speaker 1: that this is quoted somewhere in my notes? Is it

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00:18:19,440 --> 00:18:22,600
Speaker 1: quoted somewhere in my notes? She basically says, single most

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Speaker 1: encouraging moments so far in our relationship, which is so adorable,

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Speaker 1: and she's happy and you just want to very happy.

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Speaker 4: That's all we want.

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Speaker 1: And he's cute, he's funny.

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Speaker 4: A cute, big moment, right, he.

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Speaker 1: Kisses her on the forehead. It's cute as anything. So

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Speaker 1: then we go to Miranda's Jeremy has arrived and he

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Speaker 1: basically says, I'm tired of dating. I'm ready to get married,

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Speaker 1: and she looks like kind of excited.

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Speaker 2: It's interesting.

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Speaker 1: And then Madeline arrives with his end table, No, with

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Speaker 1: the end table for Miranda, and then Jeremy's like, well,

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Speaker 1: I like that end table, and then the two of

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Speaker 1: them just kind of stare at each other. Miranda's like, uh,

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Speaker 1: we're going to dinner, and he's like, hey, do you

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Speaker 1: want to come.

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Speaker 2: To adorable Carrie Preston?

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Speaker 1: Who wouldn't And she's like yes, and she kind of

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Speaker 1: bats her eyes, and Miranda looks a little bit perturbed.

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Speaker 2: And I feel for Miranda.

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Speaker 1: I really feel for Miranda at this point, but I

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Speaker 1: do have to say, Jeremy, I don't think Jeremy and

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Speaker 1: Miranda would have worked out anyway. No, no, no, no no.

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Speaker 1: So it's all very interesting. But anyway, should I go ahead?

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Speaker 2: Yes, we're at the date.

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Speaker 1: Good they go to a date. It's so sad. Miranda's

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Speaker 1: the third wheel. They're not even looking at her. Carrie

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00:19:29,600 --> 00:19:33,879
Speaker 1: Preston's just giggling as her character Madeline, and then Jeremy's

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Speaker 1: just looking at her all moony eyed, and you know,

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00:19:36,960 --> 00:19:39,399
Speaker 1: then they're like, yeah, go ahead and go home, Miranda,

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Speaker 1: and it was it sad?

438
00:19:41,359 --> 00:19:42,199
Speaker 2: I felt sad?

439
00:19:42,320 --> 00:19:45,080
Speaker 1: And it starts Miranda saying this thing that I do

440
00:19:45,200 --> 00:19:48,399
Speaker 1: remember being a bit of an interesting through line with her,

441
00:19:48,440 --> 00:19:50,520
Speaker 1: where she says she feels like no one sees her.

442
00:19:51,000 --> 00:19:52,879
Speaker 1: And do you remember later on she has a thing

443
00:19:52,920 --> 00:19:55,000
Speaker 1: where she's trying to get the water to turn on

444
00:19:55,080 --> 00:19:58,040
Speaker 1: in a sink and it won't turn on, yes, and

445
00:19:58,040 --> 00:20:00,240
Speaker 1: she feels like the water you know this, I think,

446
00:20:00,560 --> 00:20:04,120
Speaker 1: like activation or whatever, it doesn't see her.

447
00:20:04,359 --> 00:20:04,600
Speaker 4: Yes.

448
00:20:04,760 --> 00:20:07,720
Speaker 1: It's an interesting Miranda theme. And also the thing that's

449
00:20:07,720 --> 00:20:10,200
Speaker 1: funny about Miranda, which of course she doesn't know about herself.

450
00:20:10,359 --> 00:20:14,320
Speaker 1: She's incredibly strong present she's how could you never notice Miranda?

451
00:20:14,600 --> 00:20:15,240
Speaker 2: You know what I'm saying.

452
00:20:15,280 --> 00:20:17,920
Speaker 1: It would never happen that you wouldn't notice Miranda, right,

453
00:20:18,200 --> 00:20:20,440
Speaker 1: But that's not how she feels, you know, which we

454
00:20:20,480 --> 00:20:22,760
Speaker 1: can all relate to, you know. It's so sweet. So

455
00:20:22,880 --> 00:20:24,600
Speaker 1: this is her through the whole episode.

456
00:20:24,640 --> 00:20:25,439
Speaker 2: She's like, no one.

457
00:20:25,320 --> 00:20:29,480
Speaker 1: Sees me, so sad. Okay. So then cut to she's

458
00:20:29,520 --> 00:20:32,080
Speaker 1: throwing Jeremy a party at going away party and he

459
00:20:32,119 --> 00:20:34,959
Speaker 1: says something like, oh I got the hint, Miranda, and

460
00:20:35,000 --> 00:20:38,639
Speaker 1: then he, like you know, says something vaguely like you know,

461
00:20:38,760 --> 00:20:40,679
Speaker 1: madelineus must have had a lot to drink because she

462
00:20:40,720 --> 00:20:41,679
Speaker 1: just said she'd marry me.

463
00:20:41,680 --> 00:20:44,160
Speaker 2: And everybody's like yeah. I was like, oh my god,

464
00:20:44,240 --> 00:20:46,480
Speaker 2: how bizarre. Like the whole thing is so interesting.

465
00:20:46,480 --> 00:20:51,800
Speaker 1: I'm bizarre, and Miranda does not look happy, so I'm

466
00:20:51,840 --> 00:20:52,720
Speaker 1: of course very excited.

467
00:20:52,800 --> 00:20:53,679
Speaker 2: Charlotte's very excited.

468
00:20:53,800 --> 00:20:57,239
Speaker 1: Charlotte is all pro everything to do with marriage, you

469
00:20:57,240 --> 00:21:00,159
Speaker 1: know what I mean. So then we go outside, we

470
00:21:00,200 --> 00:21:03,480
Speaker 1: have a scene on the stoop, and I literally thought

471
00:21:03,840 --> 00:21:06,160
Speaker 1: I gonna say that we should all be each other's soulmates,

472
00:21:06,320 --> 00:21:08,720
Speaker 1: because that's what it looks like. Does that we're in

473
00:21:08,760 --> 00:21:11,919
Speaker 1: like the same configuration. I feel like maybe Miranda's on

474
00:21:11,960 --> 00:21:13,879
Speaker 1: the other side of me. Then when we say we

475
00:21:13,880 --> 00:21:16,040
Speaker 1: should all be whole soul mates. Also, I think we're

476
00:21:16,160 --> 00:21:19,000
Speaker 1: very cold because Cynthia is kind of clinging to me,

477
00:21:19,240 --> 00:21:22,639
Speaker 1: which is very unusual to make me. I mean, Miranda's

478
00:21:22,720 --> 00:21:27,199
Speaker 1: just having a sensitive episode, okay, Cynthia slash. Miranda is

479
00:21:27,240 --> 00:21:30,120
Speaker 1: sitting kind of on my knee, you know, like down

480
00:21:30,280 --> 00:21:33,560
Speaker 1: down one step or two, and she's like on my

481
00:21:33,760 --> 00:21:36,600
Speaker 1: body and I'm petting her. And then later we walk

482
00:21:36,640 --> 00:21:41,160
Speaker 1: down the street and hold hands and I'm like what's happening.

483
00:21:41,560 --> 00:21:44,679
Speaker 1: It's so adorable though, and so me and Cynthia, I

484
00:21:44,720 --> 00:21:46,920
Speaker 1: think is really what it is. But also I think

485
00:21:46,960 --> 00:21:51,600
Speaker 1: we're very cold because it's nighttime, and it's probably wasn't

486
00:21:51,600 --> 00:21:53,520
Speaker 1: one of those super hot New York summers like we're

487
00:21:53,520 --> 00:21:55,439
Speaker 1: having right now. It's a super hot New York summer,

488
00:21:55,600 --> 00:21:58,119
Speaker 1: but sometimes it wasn't. And we would start filming in February,

489
00:21:58,160 --> 00:22:00,240
Speaker 1: which I think I've said before, we would begin the

490
00:22:00,280 --> 00:22:02,720
Speaker 1: season in February because we came on in June, so

491
00:22:02,760 --> 00:22:06,119
Speaker 1: we would the first couple episodes it's literally with winter

492
00:22:06,359 --> 00:22:08,399
Speaker 1: like Nightmare and winter New York. But we're in our

493
00:22:08,440 --> 00:22:11,320
Speaker 1: small dresses anyway, and then you know, like you can

494
00:22:11,359 --> 00:22:14,560
Speaker 1: sometimes see we're like, you know so and sometimes you

495
00:22:14,560 --> 00:22:15,359
Speaker 1: can see our breath.

496
00:22:15,880 --> 00:22:17,480
Speaker 4: Oh yeah, I have noticed that.

497
00:22:17,720 --> 00:22:21,280
Speaker 1: Always a situation, all right, and like how do you

498
00:22:21,320 --> 00:22:23,280
Speaker 1: fix that? How do you fix that? There's really no

499
00:22:23,320 --> 00:22:25,080
Speaker 1: way to fix that. So I think it's one of those.

500
00:22:25,119 --> 00:22:27,560
Speaker 1: But I don't think it's bitter February. I think it's

501
00:22:27,600 --> 00:22:31,120
Speaker 1: just chilly summer, right, Chili spring, I guess, because we're

502
00:22:31,200 --> 00:22:33,320
Speaker 1: what is this episode seven, so it would have been

503
00:22:33,680 --> 00:22:35,840
Speaker 1: it would have been probably June that we were filming this.

504
00:22:36,080 --> 00:22:38,560
Speaker 1: The trees are in bloom, so it's beautiful, but I

505
00:22:38,600 --> 00:22:41,280
Speaker 1: think it's cold, so we're we're on those stupid We

506
00:22:41,320 --> 00:22:43,520
Speaker 1: do not say the Soulmates thing, but I thought we

507
00:22:43,520 --> 00:22:46,119
Speaker 1: were going to because it's very beautifully lit, like that

508
00:22:46,280 --> 00:22:49,399
Speaker 1: scene that's coming in a season or two when we

509
00:22:49,440 --> 00:22:50,480
Speaker 1: say the soulmates.

510
00:22:51,000 --> 00:22:51,720
Speaker 2: But it's adorable.

511
00:22:51,720 --> 00:22:53,600
Speaker 1: So we're not there yet, are we.

512
00:22:53,920 --> 00:22:54,919
Speaker 2: No, we're not.

513
00:22:55,119 --> 00:22:57,680
Speaker 1: We're still in the party. We're in the party. I'm

514
00:22:57,760 --> 00:22:59,800
Speaker 1: very excited. Oh no. Now we go to the s

515
00:23:00,440 --> 00:23:06,000
Speaker 1: and then we're all mad about the proposal, except for Charlotte,

516
00:23:06,000 --> 00:23:10,159
Speaker 1: of course. And then we discuss the theme of the episode,

517
00:23:10,280 --> 00:23:14,280
Speaker 1: which is do we believe in love at first sight?

518
00:23:14,640 --> 00:23:17,959
Speaker 1: Which is so great. It's a great topic, and of

519
00:23:17,960 --> 00:23:21,680
Speaker 1: course Charlotte believes in it, yes, and I think it's encouraging.

520
00:23:21,760 --> 00:23:24,840
Speaker 1: Charlotte said, I think it's encouraging, and I agree, And

521
00:23:24,840 --> 00:23:27,800
Speaker 1: then of course Samantha does not agree. Samantha, and I

522
00:23:27,840 --> 00:23:30,600
Speaker 1: think she's right as well. She believes in lest at

523
00:23:30,640 --> 00:23:32,159
Speaker 1: first sight, and I think that's.

524
00:23:32,040 --> 00:23:32,600
Speaker 2: A good point.

525
00:23:33,160 --> 00:23:34,600
Speaker 1: And sometimes you don't.

526
00:23:34,359 --> 00:23:35,400
Speaker 2: Know which one.

527
00:23:35,600 --> 00:23:38,000
Speaker 1: It could seem like Leston, it could turn into love

528
00:23:38,080 --> 00:23:38,800
Speaker 1: or whatever.

529
00:23:39,160 --> 00:23:40,280
Speaker 2: Right right.

530
00:23:50,960 --> 00:23:52,880
Speaker 1: Do you Easton believe in love at first sight?

531
00:23:54,200 --> 00:23:54,879
Speaker 4: I do not.

532
00:23:56,119 --> 00:23:57,920
Speaker 2: I do you ever?

533
00:24:00,320 --> 00:24:01,480
Speaker 4: I know I don't think I did.

534
00:24:01,640 --> 00:24:05,000
Speaker 1: Okay, do you feel like this is a male thing

535
00:24:05,240 --> 00:24:06,760
Speaker 1: or just like a practical thing?

536
00:24:07,560 --> 00:24:11,639
Speaker 4: I think I think it's a practical thing. I believe

537
00:24:11,640 --> 00:24:17,440
Speaker 4: in lust at first sight, sure, and I think those

538
00:24:17,480 --> 00:24:22,080
Speaker 4: feelings can be so intense that they sometimes get misinterpreted.

539
00:24:23,160 --> 00:24:23,680
Speaker 1: Totally.

540
00:24:24,480 --> 00:24:29,000
Speaker 4: If my lovely wife Allison is listening, yes, immediately that

541
00:24:29,040 --> 00:24:31,520
Speaker 4: I was in love with you from the first moment,

542
00:24:33,560 --> 00:24:38,640
Speaker 4: but I yes, specific case, yes, But I don't generally

543
00:24:38,640 --> 00:24:40,879
Speaker 4: as a concept, I don't like to believe.

544
00:24:41,160 --> 00:24:42,520
Speaker 1: I like, it's a nice idea.

545
00:24:42,560 --> 00:24:43,399
Speaker 4: It's a nice idea.

546
00:24:43,440 --> 00:24:46,040
Speaker 1: It's a very nice idea, and I mean, in my mind,

547
00:24:46,240 --> 00:24:49,000
Speaker 1: I don't know that it matters if it's lest your love.

548
00:24:49,240 --> 00:24:53,119
Speaker 1: I think that the danger of believing in love at

549
00:24:53,160 --> 00:24:56,080
Speaker 1: first sight is that you're somehow always looking for that

550
00:24:56,240 --> 00:24:58,720
Speaker 1: and you don't think other things are good enough. Yes,

551
00:24:58,840 --> 00:25:01,040
Speaker 1: that would be bad. And I do think that women

552
00:25:01,119 --> 00:25:04,600
Speaker 1: do that sometimes because we have been kind of fed

553
00:25:04,640 --> 00:25:08,360
Speaker 1: this thing from film and television, but mostly film, that

554
00:25:08,480 --> 00:25:10,520
Speaker 1: there is this thing called love at first sight. And

555
00:25:10,600 --> 00:25:13,480
Speaker 1: so then if let's say you meet somebody and it's

556
00:25:13,520 --> 00:25:16,000
Speaker 1: like a slow burn, you might think that that's not

557
00:25:16,040 --> 00:25:17,879
Speaker 1: good enough, that you need the love at first sight,

558
00:25:18,000 --> 00:25:21,080
Speaker 1: and that person might be fantastic, Yes, right, So you

559
00:25:21,119 --> 00:25:25,439
Speaker 1: don't want to be holding up this impossible bar that

560
00:25:25,480 --> 00:25:28,639
Speaker 1: you're trying to match or meet or whatever. You know

561
00:25:28,880 --> 00:25:31,280
Speaker 1: that that's the only thing that we'll do, because that

562
00:25:31,560 --> 00:25:34,760
Speaker 1: is definitely problematic, right, Yes, And so I think it's

563
00:25:34,840 --> 00:25:36,680
Speaker 1: nice that we have Charlotte who's on the one side

564
00:25:36,720 --> 00:25:39,160
Speaker 1: going like, yes, I believe in this, and very soon

565
00:25:39,359 --> 00:25:41,760
Speaker 1: Trey is going to come, which is kind of like

566
00:25:41,840 --> 00:25:44,360
Speaker 1: love slash whatever you want to call it. I don't

567
00:25:44,400 --> 00:25:47,440
Speaker 1: think it's lest. I think it's more than that, it's depth.

568
00:25:47,760 --> 00:25:50,960
Speaker 1: I also think that there's just like a in my mind,

569
00:25:51,840 --> 00:25:55,720
Speaker 1: I think I probably do believe in love at first sight. A.

570
00:25:56,680 --> 00:25:59,879
Speaker 1: I'm really gonna regret saying it, but I have experienced

571
00:26:00,040 --> 00:26:03,200
Speaker 1: some things similar to this, but it wasn't like lust, right,

572
00:26:03,359 --> 00:26:05,680
Speaker 1: like I believe fully in love at first sight.

573
00:26:06,160 --> 00:26:07,400
Speaker 2: Sorry, lust at first sight.

574
00:26:07,480 --> 00:26:11,360
Speaker 1: See now I'm turning into Charlotte. I also think that's

575
00:26:11,400 --> 00:26:13,080
Speaker 1: part of the reason sometimes I can't say the swear

576
00:26:13,080 --> 00:26:15,159
Speaker 1: words just because we talk about Charlotte and it like

577
00:26:15,280 --> 00:26:16,440
Speaker 1: starts to overcome me.

578
00:26:16,520 --> 00:26:17,720
Speaker 2: The Charlotte and stuff at all.

579
00:26:19,040 --> 00:26:22,600
Speaker 1: I felt lust, you know when you see someone, because

580
00:26:22,600 --> 00:26:25,320
Speaker 1: it's like a visual thing lust. Right, But then I

581
00:26:25,400 --> 00:26:28,639
Speaker 1: met someone one time quite quite some time ago, and

582
00:26:28,720 --> 00:26:32,560
Speaker 1: it wasn't like lust. It was more odd like like

583
00:26:33,960 --> 00:26:36,639
Speaker 1: just like a pull towards that person, but not like

584
00:26:36,720 --> 00:26:39,640
Speaker 1: a lust, like I just wanted to be near that person.

585
00:26:39,680 --> 00:26:41,800
Speaker 2: I didn't want to walk away from that person.

586
00:26:42,000 --> 00:26:45,240
Speaker 4: Is it like you start imagining like, oh that, what

587
00:26:45,240 --> 00:26:46,640
Speaker 4: would it be like if we got married or would

588
00:26:46,640 --> 00:26:49,639
Speaker 4: be like No, I'm not like that. Those aren't flashing

589
00:26:49,720 --> 00:26:50,040
Speaker 4: your mind.

590
00:26:50,160 --> 00:26:52,920
Speaker 1: No, No, I'm not like that. I'm not like Charlotte

591
00:26:53,080 --> 00:26:56,199
Speaker 1: at all, like literally at all. No, not like that

592
00:26:56,280 --> 00:27:02,480
Speaker 1: at all. No, more like the sun shine brighter, do

593
00:27:02,520 --> 00:27:05,080
Speaker 1: you know what I mean? Like this person just had

594
00:27:05,160 --> 00:27:10,399
Speaker 1: like this energy that I just was drawn to from

595
00:27:10,520 --> 00:27:14,959
Speaker 1: the moment I met him in a parking lot where

596
00:27:15,240 --> 00:27:21,400
Speaker 1: I just wanted to be with him and do whatever

597
00:27:21,480 --> 00:27:25,240
Speaker 1: he said. He was in charge of this situation that

598
00:27:25,280 --> 00:27:28,040
Speaker 1: I met him in, and my team was with me,

599
00:27:28,400 --> 00:27:31,159
Speaker 1: Amy was there, and they were looking at me like

600
00:27:31,280 --> 00:27:32,680
Speaker 1: what who are you?

601
00:27:32,880 --> 00:27:33,960
Speaker 2: Like what is happening?

602
00:27:34,200 --> 00:27:36,520
Speaker 1: Because I was just like okay, like whatever he said.

603
00:27:36,520 --> 00:27:41,080
Speaker 1: I was like, yes, okay, okay, You're just like, that's

604
00:27:41,240 --> 00:27:45,120
Speaker 1: not the Christ that we know. And I just was very.

605
00:27:46,560 --> 00:27:49,760
Speaker 2: Drawn, you know, to him. It wasn't lustful.

606
00:27:50,119 --> 00:27:52,280
Speaker 1: It was more just like I just want to be

607
00:27:52,359 --> 00:27:56,119
Speaker 1: there where he is and just look at him and

608
00:27:56,240 --> 00:27:59,080
Speaker 1: listen to him. Just sit there and feel the energy,

609
00:27:59,160 --> 00:28:01,320
Speaker 1: do you know what I mean? It radiates from him.

610
00:28:01,760 --> 00:28:04,840
Speaker 1: And then time went on, I was friendly with him,

611
00:28:04,880 --> 00:28:07,080
Speaker 1: I was not involved with him for quite some time,

612
00:28:07,640 --> 00:28:12,399
Speaker 1: and we would text professionally. And one time in the

613
00:28:12,440 --> 00:28:15,399
Speaker 1: wee hours, one night filming, I was with Sir Jessica

614
00:28:16,080 --> 00:28:20,920
Speaker 1: and it was later like it was later sometime, possibly

615
00:28:20,960 --> 00:28:24,280
Speaker 1: a movie, and it was the wee hours. Were on

616
00:28:24,320 --> 00:28:27,359
Speaker 1: the corner outside somewhere, and this person texted me and

617
00:28:27,400 --> 00:28:29,720
Speaker 1: see the smile on your face. I was smiling texting,

618
00:28:29,720 --> 00:28:32,320
Speaker 1: you know, and you're smiling texting, and so just was like,

619
00:28:32,320 --> 00:28:34,880
Speaker 1: what is this? What is this? And I was like, oh, no,

620
00:28:35,119 --> 00:28:37,359
Speaker 1: I've been caught. I was like, it's nothing, it's nothing,

621
00:28:37,400 --> 00:28:40,640
Speaker 1: it's nothing. I don't even know this person's situation. I

622
00:28:41,000 --> 00:28:43,080
Speaker 1: just know this person professionally. And she was like, well,

623
00:28:43,120 --> 00:28:47,280
Speaker 1: tell me more, and I was like I did you know?

624
00:28:47,440 --> 00:28:50,600
Speaker 1: And you know, I can't lie to Sir Jesica. It's impossible, right.

625
00:28:50,640 --> 00:28:52,360
Speaker 1: So then I was like, you know, it's just me.

626
00:28:52,640 --> 00:28:55,600
Speaker 1: It's not him, it's just me. I don't know, you

627
00:28:55,640 --> 00:28:57,680
Speaker 1: know how he feels. We just have this professional relationship.

628
00:28:57,680 --> 00:28:59,280
Speaker 1: I don't want to ruin it, blah blah blah.

629
00:28:59,320 --> 00:29:02,520
Speaker 2: And she was like, well, you know, let me ruin

630
00:29:02,600 --> 00:29:03,040
Speaker 2: it for you.

631
00:29:03,080 --> 00:29:06,320
Speaker 1: And I'm like, oh God, anyway, that's my story. I'm

632
00:29:06,320 --> 00:29:09,480
Speaker 1: not going to tell the rest of it. But I

633
00:29:09,520 --> 00:29:12,840
Speaker 1: do believe when I look back on that that it

634
00:29:12,880 --> 00:29:14,920
Speaker 1: was it was pretty close to love at first sight.

635
00:29:15,080 --> 00:29:16,959
Speaker 4: Wow, that's incredible.

636
00:29:17,160 --> 00:29:18,080
Speaker 1: Yeah, it was good.

637
00:29:18,360 --> 00:29:19,120
Speaker 2: It's good.

638
00:29:19,480 --> 00:29:20,320
Speaker 4: It's possible.

639
00:29:20,680 --> 00:29:23,800
Speaker 1: I do think it's possible. I mean, look, I also

640
00:29:23,840 --> 00:29:27,560
Speaker 1: feel like, what if situations were different, you know, I

641
00:29:27,600 --> 00:29:29,719
Speaker 1: could have never I could have just kept it in

642
00:29:29,720 --> 00:29:32,720
Speaker 1: my mind as like a good feeling.

643
00:29:32,600 --> 00:29:33,440
Speaker 2: You know what I'm saying.

644
00:29:33,800 --> 00:29:37,440
Speaker 1: But it was pretty powerful and it did it did

645
00:29:37,520 --> 00:29:42,280
Speaker 1: last for quite so many years, but it didn't ultimately

646
00:29:42,440 --> 00:29:44,719
Speaker 1: like work out. I don't. I think that's the problem

647
00:29:44,800 --> 00:29:46,760
Speaker 1: is if you think that that means it's going to

648
00:29:46,840 --> 00:29:50,200
Speaker 1: all work out, that's a problem, yes, because that does

649
00:29:50,200 --> 00:29:51,560
Speaker 1: not mean it's all going to work out.

650
00:29:51,720 --> 00:29:56,080
Speaker 4: No, Sadly, those feelings can happen, but it's not going

651
00:29:56,080 --> 00:29:57,560
Speaker 4: to You're not going to ride off into the sunset

652
00:29:57,560 --> 00:29:58,680
Speaker 4: together like Prince Charming.

653
00:29:58,720 --> 00:30:05,000
Speaker 1: You know, right, damn it? I know right. Yes, Okay,

654
00:30:05,120 --> 00:30:07,440
Speaker 1: let's get back to the episode. That was our deep

655
00:30:07,440 --> 00:30:11,520
Speaker 1: personal conversation of the episode. Now here we go. Okay,

656
00:30:11,520 --> 00:30:14,400
Speaker 1: So then, okay, then this is kind of funny and

657
00:30:14,400 --> 00:30:16,720
Speaker 1: this was the storyline that you remembered from the episode.

658
00:30:16,920 --> 00:30:19,200
Speaker 1: So a handsome man walks up while we're all on

659
00:30:19,240 --> 00:30:23,760
Speaker 1: the stoop and basically kind of flirts with Samantha roughly

660
00:30:23,840 --> 00:30:25,720
Speaker 1: and says like, are you leaving? Are you guys going

661
00:30:25,760 --> 00:30:27,800
Speaker 1: back in? And she says, well, I left the party

662
00:30:27,800 --> 00:30:31,200
Speaker 1: because there were no handsome single men there. Obviously this

663
00:30:31,240 --> 00:30:33,840
Speaker 1: guy is a handsome single man, and so she gets

664
00:30:33,880 --> 00:30:38,400
Speaker 1: all interested and basically leaves, and Miranda says, oh, I

665
00:30:38,440 --> 00:30:40,160
Speaker 1: get it. My apartment is going to be lucky for

666
00:30:40,240 --> 00:30:44,520
Speaker 1: everybody but me. So sad and also very Miranda, right,

667
00:30:44,600 --> 00:30:47,320
Speaker 1: very Miranda. And then she complains that she's invisible at

668
00:30:47,320 --> 00:30:50,080
Speaker 1: her own apartment because when they try to go back

669
00:30:50,080 --> 00:30:53,360
Speaker 1: in the apartment, the door man doesn't recognize her. Which

670
00:30:53,520 --> 00:30:57,880
Speaker 1: really hurts. Oh my gosh. So then we go we

671
00:30:57,920 --> 00:31:00,760
Speaker 1: go to Carrie's apartment. Carrie goes home from this. This

672
00:31:00,840 --> 00:31:03,560
Speaker 1: is what I love about the episode. This event of

673
00:31:03,600 --> 00:31:06,200
Speaker 1: these two falling in love so quickly and getting engaged

674
00:31:06,240 --> 00:31:08,880
Speaker 1: so quickly stirs all of us up in different ways.

675
00:31:08,960 --> 00:31:12,160
Speaker 1: And I do find that very relatable because sometimes you

676
00:31:12,200 --> 00:31:13,960
Speaker 1: can just be fine. You think you're fine, you think

677
00:31:14,000 --> 00:31:16,320
Speaker 1: everything's fine in your life, and then something happens to

678
00:31:16,360 --> 00:31:18,959
Speaker 1: one of your friends and it makes you doubt everything

679
00:31:19,000 --> 00:31:19,400
Speaker 1: about your.

680
00:31:19,360 --> 00:31:22,920
Speaker 4: Life, yes completely, A marriage, a baby, a new job.

681
00:31:23,160 --> 00:31:25,840
Speaker 4: Just something happens and it shakes up everybody's confidence.

682
00:31:25,600 --> 00:31:27,320
Speaker 1: Right, and you think, like, am I doing the wrong thing?

683
00:31:27,360 --> 00:31:30,160
Speaker 1: Am I not where I should be? Should be fuller,

684
00:31:30,520 --> 00:31:32,760
Speaker 1: further along? So I think for Carrie, she gets home

685
00:31:32,760 --> 00:31:34,720
Speaker 1: and she feels like I need to call Big, even

686
00:31:34,720 --> 00:31:36,640
Speaker 1: though the last time we saw her with Big, she's

687
00:31:36,680 --> 00:31:39,080
Speaker 1: the happiest she's ever been with Big. Yes, right, the

688
00:31:39,120 --> 00:31:41,240
Speaker 1: most settled or whatever you want to say, like the

689
00:31:41,280 --> 00:31:43,080
Speaker 1: most encouraged. I believe that's the word she used. So

690
00:31:43,160 --> 00:31:45,720
Speaker 1: she goes home. She calls Big. He answers on his

691
00:31:45,840 --> 00:31:49,120
Speaker 1: cute landline by his bed. He's asleep, it's all very

692
00:31:49,120 --> 00:31:52,600
Speaker 1: funny and adorable and old fashioned. And she basically asks

693
00:31:52,680 --> 00:31:54,600
Speaker 1: him if he believes in love at first sight, and

694
00:31:54,640 --> 00:31:57,040
Speaker 1: of course he says no, because he's.

695
00:31:56,840 --> 00:31:57,880
Speaker 2: Big and he's a guy.

696
00:31:58,120 --> 00:32:00,840
Speaker 1: I mean, I need to know if there are any

697
00:32:00,840 --> 00:32:02,800
Speaker 1: men listening, if you guys believe in love it first sight,

698
00:32:02,800 --> 00:32:05,560
Speaker 1: because I don't know any men who would probably be like, yes,

699
00:32:05,600 --> 00:32:08,040
Speaker 1: I believe in love it, except for possibly Matthew Broderick,

700
00:32:08,200 --> 00:32:11,800
Speaker 1: because Matthew Brodrey tells a very adorable story about seeing

701
00:32:11,840 --> 00:32:13,960
Speaker 1: Sir Jessica for the first time walking down the street

702
00:32:13,960 --> 00:32:16,280
Speaker 1: towards him and that he thought, yes, that's it.

703
00:32:17,080 --> 00:32:18,960
Speaker 4: I love them so much.

704
00:32:18,880 --> 00:32:22,480
Speaker 1: Right, is not so adorable? And thank god he's on

705
00:32:22,520 --> 00:32:24,280
Speaker 1: the record talking about this so that I can talk

706
00:32:24,280 --> 00:32:27,880
Speaker 1: about it as well. Anyway, back to Carrie and Big,

707
00:32:27,920 --> 00:32:31,080
Speaker 1: So she calls him and she basically says, you know

708
00:32:31,760 --> 00:32:34,000
Speaker 1: that she's shocked that they got engaged so quickly, and

709
00:32:34,040 --> 00:32:38,040
Speaker 1: then he says something like, you know, what's so surprising

710
00:32:38,080 --> 00:32:41,040
Speaker 1: about that or whatever? He's so weird, Big, And then

711
00:32:41,040 --> 00:32:44,520
Speaker 1: he asked her what she's wearing, which for me, I'm like, yes, Big,

712
00:32:44,560 --> 00:32:47,000
Speaker 1: And then I'm like no, Big, because he does it

713
00:32:47,040 --> 00:32:53,520
Speaker 1: with such a like such an egg sounded like, I ow,

714
00:32:53,720 --> 00:32:56,480
Speaker 1: that was very good Easton. But yes, I'm just like,

715
00:32:56,520 --> 00:32:58,640
Speaker 1: oh big, why do you have to ruin things like this?

716
00:32:59,120 --> 00:33:02,840
Speaker 1: So then she's like, no, I'm wearing a tube top.

717
00:33:02,880 --> 00:33:05,120
Speaker 1: I don't know Denham and he's like oh, and you

718
00:33:05,120 --> 00:33:06,719
Speaker 1: can tell he's making fun of her a little bit.

719
00:33:06,800 --> 00:33:10,240
Speaker 1: I didn't like that. Then Carrie starts to wonder because

720
00:33:10,240 --> 00:33:13,440
Speaker 1: she's writing, and because she's Carrie, she wonders in a

721
00:33:13,520 --> 00:33:16,520
Speaker 1: city as cynical as New York, is it still possible

722
00:33:16,560 --> 00:33:19,440
Speaker 1: to believe in love at first sight? And that's great,

723
00:33:19,760 --> 00:33:22,200
Speaker 1: It's so great. And then we cut to this dude

724
00:33:22,320 --> 00:33:24,200
Speaker 1: on the street. We have a montage of people talking

725
00:33:24,200 --> 00:33:26,800
Speaker 1: to the camera, which crazy. I didn't think we're still

726
00:33:26,800 --> 00:33:27,040
Speaker 1: doing this.

727
00:33:27,200 --> 00:33:30,560
Speaker 4: Yeah, this was This is a nice interesting return, right,

728
00:33:30,720 --> 00:33:31,520
Speaker 4: I mean, did you like it?

729
00:33:31,560 --> 00:33:32,080
Speaker 1: You liked it?

730
00:33:32,160 --> 00:33:34,600
Speaker 4: I thought it was fun because cool like when people

731
00:33:34,600 --> 00:33:35,880
Speaker 4: talk about this all the time, but like when you

732
00:33:35,960 --> 00:33:37,320
Speaker 4: watch the whole show and then you go back to

733
00:33:37,360 --> 00:33:38,760
Speaker 4: season one, you're like, oh, yeah, they used to do

734
00:33:38,840 --> 00:33:39,440
Speaker 4: this talking hits.

735
00:33:39,480 --> 00:33:41,880
Speaker 1: Oh yeah, it's intense. Well, we also used to do

736
00:33:41,920 --> 00:33:43,840
Speaker 1: a lot more of it. This I liked because it

737
00:33:43,880 --> 00:33:45,680
Speaker 1: was a little it was fewer people, and it was

738
00:33:45,680 --> 00:33:47,800
Speaker 1: a little bit more in depth, you know what I'm saying,

739
00:33:47,840 --> 00:33:52,600
Speaker 1: Like they say more sentences, which is great. So a

740
00:33:52,640 --> 00:33:56,520
Speaker 1: guy says, love it. First sight is for Carmen Elektra

741
00:33:56,600 --> 00:34:00,800
Speaker 1: and Dennis Rodman too flaky for New York His Terrechal

742
00:34:02,360 --> 00:34:05,360
Speaker 1: takes me totally totally. I don't know if people know

743
00:34:05,400 --> 00:34:08,200
Speaker 1: who these people are, but at the time Dennis Rodman

744
00:34:08,320 --> 00:34:11,000
Speaker 1: was playing I believe for the Lakers or the Bulls.

745
00:34:11,239 --> 00:34:16,240
Speaker 1: Maybe the Bulls. Oh Easton knows the Basketball and Carmen Electra.

746
00:34:16,840 --> 00:34:19,720
Speaker 1: I don't remember how come we came to know Carmen Electra,

747
00:34:19,920 --> 00:34:22,200
Speaker 1: but I feel like she was everywhere. She's a very

748
00:34:22,320 --> 00:34:27,680
Speaker 1: nice person, very beautiful. She was just everywhere in the nineties.

749
00:34:28,000 --> 00:34:29,440
Speaker 4: I believe I had a poster of her on my

750
00:34:29,520 --> 00:34:31,560
Speaker 4: wall as I watched this episode.

751
00:34:31,200 --> 00:34:35,160
Speaker 1: For the That's adorable. Anyway, they got in love and

752
00:34:35,200 --> 00:34:36,680
Speaker 1: I guess had love at first sight, and I think

753
00:34:36,719 --> 00:34:38,719
Speaker 1: got married. I don't really remember all of it, but

754
00:34:38,760 --> 00:34:39,760
Speaker 1: I think it was dramatic.

755
00:34:39,800 --> 00:34:42,520
Speaker 4: They were the couple for what they were, the in couple, you.

756
00:34:42,520 --> 00:34:48,080
Speaker 1: Guys, Oh my god, kind of like Timoday and Kylie. Yes, yes,

757
00:34:48,680 --> 00:34:53,200
Speaker 1: but older, yes, but hot.

758
00:34:53,520 --> 00:34:53,880
Speaker 4: Yeah.

759
00:34:53,960 --> 00:34:59,160
Speaker 1: Yeah, anyway, he got me reminiscing. Okay, I'm back. So

760
00:34:59,560 --> 00:35:04,080
Speaker 1: Carrie's got her question, her single question now. Oh my gosh.

761
00:35:04,239 --> 00:35:07,040
Speaker 1: We oh and a woman says, how can you believe

762
00:35:07,040 --> 00:35:09,319
Speaker 1: in love at first sight when people jerk off on

763
00:35:09,360 --> 00:35:11,760
Speaker 1: you in the subway? It really made me laugh because

764
00:35:12,320 --> 00:35:14,360
Speaker 1: every woman I know, and I don't know if this

765
00:35:14,440 --> 00:35:17,000
Speaker 1: is still true. So anyone police who has anything to

766
00:35:17,000 --> 00:35:19,000
Speaker 1: say about this, come on the Instagram and tell me.

767
00:35:19,560 --> 00:35:23,680
Speaker 1: This used to very much happen, very frequently in the subways.

768
00:35:24,040 --> 00:35:27,960
Speaker 1: Like I don't know anyone who hasn't had someone expose

769
00:35:28,040 --> 00:35:29,840
Speaker 1: themselves to them on the subway.

770
00:35:29,960 --> 00:35:30,560
Speaker 4: It's terrible.

771
00:35:30,840 --> 00:35:33,920
Speaker 1: Yeah, it's insane. Yeah, I do feel I have a

772
00:35:34,000 --> 00:35:38,160
Speaker 1: vague sense that it's less happening now, but I really

773
00:35:38,160 --> 00:35:41,239
Speaker 1: could be wrong. But I remember that, and this is

774
00:35:41,280 --> 00:35:42,840
Speaker 1: when I was living in Hoboken, so I think for

775
00:35:42,920 --> 00:35:45,960
Speaker 1: me it was on the path training, okay, but also

776
00:35:46,080 --> 00:35:47,799
Speaker 1: people on the I mean I think it.

777
00:35:47,800 --> 00:35:48,560
Speaker 2: Was probably both.

778
00:35:48,680 --> 00:35:52,400
Speaker 1: To tell you the truth, I remember never seeing cops

779
00:35:52,719 --> 00:35:55,160
Speaker 1: in the subway back then, and now I think there's

780
00:35:55,400 --> 00:35:59,360
Speaker 1: very much cop presence, a police presence in the subways,

781
00:35:59,400 --> 00:36:02,120
Speaker 1: like on the not necessarily in the cars, but on

782
00:36:02,160 --> 00:36:04,520
Speaker 1: the stations. But it would be late at night, if

783
00:36:04,520 --> 00:36:06,359
Speaker 1: you had to take a subway somewhere late at night,

784
00:36:06,520 --> 00:36:09,839
Speaker 1: there would be some questionable drunk person who would be

785
00:36:09,960 --> 00:36:13,799
Speaker 1: doing some questionable things involving their private parts, and you

786
00:36:13,800 --> 00:36:16,399
Speaker 1: would just try to exit as soon as you can

787
00:36:16,680 --> 00:36:20,160
Speaker 1: and potentially to a different car, and try to find

788
00:36:20,160 --> 00:36:22,560
Speaker 1: some people so that you weren't alone, because it was ick.

789
00:36:22,840 --> 00:36:25,879
Speaker 1: It's scary, but this was pretty common, pretty common thing,

790
00:36:26,440 --> 00:36:39,360
Speaker 1: so that made me laugh. We're at the planning meeting

791
00:36:39,520 --> 00:36:43,800
Speaker 1: where Carrie has to go to poor Matt. She says,

792
00:36:43,840 --> 00:36:45,880
Speaker 1: when someone's getting married in a month, you don't have

793
00:36:45,920 --> 00:36:48,760
Speaker 1: a choice but to see them at their wedding planning session.

794
00:36:49,000 --> 00:36:51,800
Speaker 2: So she's at the plaza and they're planning, and she's.

795
00:36:51,600 --> 00:36:54,839
Speaker 1: Talking about how all the bridesmaids will carry different flowers,

796
00:36:55,200 --> 00:36:57,520
Speaker 1: and all of them, we find out later from Charlotte,

797
00:36:57,520 --> 00:37:00,000
Speaker 1: get to pick their own dresses, which is a very

798
00:37:00,280 --> 00:37:03,120
Speaker 1: cool and I think also kind of a harbinger of

799
00:37:03,120 --> 00:37:05,920
Speaker 1: what's to come in terms of when Charlotte does finally

800
00:37:06,000 --> 00:37:08,640
Speaker 1: get herself a wedding, and she makes Carrie wear a

801
00:37:08,760 --> 00:37:11,560
Speaker 1: very beige dress. I might add Charlotte is part of

802
00:37:11,600 --> 00:37:13,960
Speaker 1: the Beige Paba with you guys, and as I have

803
00:37:14,080 --> 00:37:17,440
Speaker 1: previously said, you know the Sarah ju Justica is still

804
00:37:17,480 --> 00:37:19,239
Speaker 1: mad at me about this, which is of course not true.

805
00:37:19,280 --> 00:37:21,319
Speaker 1: And I was kidding to all the people who wrote

806
00:37:21,320 --> 00:37:23,520
Speaker 1: headlines about that she is not, in fact still mad

807
00:37:23,520 --> 00:37:25,480
Speaker 1: at me about this, though at the time she was

808
00:37:25,520 --> 00:37:29,040
Speaker 1: displeased because she wanted to wear something cooler. And look,

809
00:37:29,080 --> 00:37:33,000
Speaker 1: she's right, I made them all wear like champagne color things.

810
00:37:33,040 --> 00:37:33,600
Speaker 2: Not everybody.

811
00:37:33,600 --> 00:37:35,960
Speaker 1: It looks good in this What a crazy thought. And

812
00:37:36,000 --> 00:37:37,840
Speaker 1: I also think pat Field was like, oh, it is

813
00:37:38,000 --> 00:37:41,399
Speaker 1: very boring, but that is what Charlotte would want, right.

814
00:37:41,520 --> 00:37:44,600
Speaker 1: But Maddelie is in some ways much cooler than Charlotte.

815
00:37:44,640 --> 00:37:49,680
Speaker 1: She's got one bridesmaid carrying gerber daisies, which is hysterical, right,

816
00:37:50,239 --> 00:37:53,040
Speaker 1: So that made me laugh. That made me laugh.

817
00:37:53,280 --> 00:37:54,680
Speaker 2: Then we go out to lunch.

818
00:37:54,760 --> 00:37:58,520
Speaker 1: Now we still don't have the coffee shop set, but

819
00:37:58,680 --> 00:38:02,239
Speaker 1: this is a set with these wood slats behind it

820
00:38:02,480 --> 00:38:04,880
Speaker 1: that I think we would carry around and use. Like

821
00:38:04,920 --> 00:38:06,920
Speaker 1: if we had a restaurant that we had the location

822
00:38:07,040 --> 00:38:09,960
Speaker 1: of for one day or whatever it was, we would

823
00:38:10,040 --> 00:38:13,799
Speaker 1: dress it differently to pretend it's two different restaurants, right, Yeah,

824
00:38:13,840 --> 00:38:15,920
Speaker 1: because we couldn't. We didn't have the budget and we

825
00:38:15,920 --> 00:38:18,080
Speaker 1: didn't have the you know, like we had to film

826
00:38:18,120 --> 00:38:20,759
Speaker 1: so quickly at this point that like let's say we

827
00:38:20,800 --> 00:38:23,920
Speaker 1: would use it for another restaurant, we would also film simultaneously,

828
00:38:23,920 --> 00:38:26,960
Speaker 1: as we were talking about earlier. So this director, Victoria Hotberg,

829
00:38:27,160 --> 00:38:29,480
Speaker 1: was doing two episodes at once. That was the only

830
00:38:29,520 --> 00:38:32,359
Speaker 1: way we could get these locations is to crossboard it, right.

831
00:38:32,760 --> 00:38:37,359
Speaker 1: So that's also why sometimes as an actor, like this

832
00:38:37,440 --> 00:38:40,320
Speaker 1: last season event, just like that, we did not film

833
00:38:40,360 --> 00:38:44,279
Speaker 1: an order of the episodes because Michael Patrick directed the

834
00:38:44,320 --> 00:38:47,640
Speaker 1: first two, which means he does pre production, production, then

835
00:38:47,680 --> 00:38:52,160
Speaker 1: post production, then he directed after that, but someone directed

836
00:38:52,200 --> 00:38:55,279
Speaker 1: in between. But then in reality when you're watching the show,

837
00:38:55,320 --> 00:38:58,520
Speaker 1: he directed one, two, three, and four. And then as

838
00:38:58,560 --> 00:39:00,560
Speaker 1: an actor, you have to remember, way, what do I

839
00:39:00,640 --> 00:39:01,080
Speaker 1: know now?

840
00:39:01,160 --> 00:39:02,480
Speaker 2: What do I not know now?

841
00:39:02,800 --> 00:39:05,560
Speaker 1: Where am I emotionally now? What has already happened, what

842
00:39:05,600 --> 00:39:08,040
Speaker 1: hasn't happened. But we've always had a little of that

843
00:39:08,080 --> 00:39:10,520
Speaker 1: because we've always had two at once. Yeah, and then

844
00:39:10,560 --> 00:39:12,640
Speaker 1: sometimes it gets way messed up.

845
00:39:13,400 --> 00:39:16,200
Speaker 4: This is a naive thing. Every time I see you

846
00:39:16,200 --> 00:39:18,799
Speaker 4: guys like in a restaurant or a coffee shop or something.

847
00:39:18,800 --> 00:39:22,040
Speaker 4: I assumed you were on location somewhere, and like you

848
00:39:22,080 --> 00:39:23,839
Speaker 4: shut a restaurant down and filmed in there.

849
00:39:23,880 --> 00:39:26,920
Speaker 1: And I think back then, we are because we don't

850
00:39:26,920 --> 00:39:29,800
Speaker 1: have our set built yet. Okay, But eventually we build

851
00:39:29,800 --> 00:39:32,480
Speaker 1: the coffee shop at Silver Cup, which was the studio

852
00:39:32,520 --> 00:39:35,319
Speaker 1: that we filmed all of the show at. And the

853
00:39:35,400 --> 00:39:38,719
Speaker 1: reason that it was great was because as time went on,

854
00:39:38,800 --> 00:39:41,080
Speaker 1: we got more days to film, we got a bigger

855
00:39:41,120 --> 00:39:44,120
Speaker 1: budget and more days to film, and the coffee shop

856
00:39:44,320 --> 00:39:46,879
Speaker 1: would be an entire eighteen hour day.

857
00:39:47,280 --> 00:39:47,840
Speaker 4: Wow.

858
00:39:47,960 --> 00:39:55,640
Speaker 1: Yes, it wasn't always our favorite day because it's a

859
00:39:55,760 --> 00:39:56,759
Speaker 1: challenging thing.

860
00:39:56,880 --> 00:39:57,520
Speaker 2: Those scenes.

861
00:39:57,600 --> 00:39:59,799
Speaker 1: You know, you have a lot of dialogue depending on

862
00:40:00,040 --> 00:40:03,600
Speaker 1: your storyline that time, and you have to keep it snappy.

863
00:40:03,719 --> 00:40:05,680
Speaker 1: You got to keep it moving right. There's always a

864
00:40:05,719 --> 00:40:08,840
Speaker 1: lot of props involved. There's waiters, there's food, there's eating.

865
00:40:09,080 --> 00:40:11,719
Speaker 1: You have to match your continuity to the eating. You

866
00:40:11,840 --> 00:40:17,040
Speaker 1: have to you know, please the director right, meaning you know, faster, funnier,

867
00:40:17,040 --> 00:40:17,560
Speaker 1: whatever it.

868
00:40:17,480 --> 00:40:18,439
Speaker 2: Is that they want, right.

869
00:40:19,000 --> 00:40:21,200
Speaker 1: But the good thing of building the set was that

870
00:40:21,239 --> 00:40:23,680
Speaker 1: we could light it beautifully, so by the end of

871
00:40:23,680 --> 00:40:27,480
Speaker 1: the show, it was like this white capsule. It looked

872
00:40:27,520 --> 00:40:30,600
Speaker 1: like a like a space station. We would have white

873
00:40:30,880 --> 00:40:33,400
Speaker 1: sheets on the floor, we would have white on the

874
00:40:33,400 --> 00:40:35,040
Speaker 1: table because it reflects up at you.

875
00:40:35,360 --> 00:40:36,120
Speaker 2: We would have just.

876
00:40:36,120 --> 00:40:39,799
Speaker 1: Surrounded by a light like it was so gorgeous. But

877
00:40:39,880 --> 00:40:41,919
Speaker 1: in the early days, we didn't have that much light.

878
00:40:41,960 --> 00:40:44,200
Speaker 1: And at a certain point we all started learning about

879
00:40:44,239 --> 00:40:47,320
Speaker 1: light and we would do this thing. You know, when

880
00:40:47,360 --> 00:40:50,400
Speaker 1: you're working, you get like a tiny little half a page.

881
00:40:50,440 --> 00:40:52,680
Speaker 1: That's the sides. We call them the sides, and that's

882
00:40:52,680 --> 00:40:55,120
Speaker 1: what you're filming that day. So in the olden days,

883
00:40:55,120 --> 00:40:57,120
Speaker 1: it would be kind of thick. The sides would be thick, right,

884
00:40:57,160 --> 00:40:59,799
Speaker 1: we'd have a lot of pages to do. And let's

885
00:40:59,800 --> 00:41:01,960
Speaker 1: say that you got to a setting and you didn't

886
00:41:02,000 --> 00:41:07,000
Speaker 1: necessarily feel like there was enough light. Occasionally, a few

887
00:41:07,040 --> 00:41:09,160
Speaker 1: of us, I don't want to name the other person,

888
00:41:09,640 --> 00:41:11,560
Speaker 1: we would take our sides and we would just hold

889
00:41:11,600 --> 00:41:17,440
Speaker 1: it under our face like anybody anybody paying attention, anyone

890
00:41:17,440 --> 00:41:23,680
Speaker 1: paying attention to how good this bounce looks. So that

891
00:41:23,840 --> 00:41:25,680
Speaker 1: was our little trick we did. And and now we just

892
00:41:25,719 --> 00:41:28,400
Speaker 1: say like, hey, could I get some bounce, could I

893
00:41:28,480 --> 00:41:30,760
Speaker 1: get some film? Could we move this light, you know whatever.

894
00:41:30,880 --> 00:41:34,000
Speaker 1: But our crew obviously knows what we like anyway. But

895
00:41:34,120 --> 00:41:36,320
Speaker 1: if we're in a different situation, we would do that. Okay,

896
00:41:36,400 --> 00:41:39,080
Speaker 1: So we're at the at the at the outer lunch

897
00:41:39,120 --> 00:41:40,680
Speaker 1: as we as we say in our thing.

898
00:41:40,560 --> 00:41:41,120
Speaker 2: Out to lunch.

899
00:41:41,160 --> 00:41:43,480
Speaker 1: Oh this is so good. So Carrie tells us all

900
00:41:43,480 --> 00:41:46,359
Speaker 1: that she has to write a poem. Madeline, I love

901
00:41:46,400 --> 00:41:48,920
Speaker 1: this poem so much, and I had totally forgotten about

902
00:41:48,920 --> 00:41:51,960
Speaker 1: this whole thing. I mean, this is when I started

903
00:41:51,960 --> 00:41:54,719
Speaker 1: having like flashback not flashback, because I was watching the

904
00:41:54,719 --> 00:41:56,359
Speaker 1: beginning of the episode. I was like, I don't think

905
00:41:56,400 --> 00:41:58,440
Speaker 1: this is the one that I'm thinking. Is there a

906
00:41:58,480 --> 00:42:01,080
Speaker 1: different wedding that happens at the p And I'm like, no, no, no,

907
00:42:01,120 --> 00:42:04,560
Speaker 1: it's totally the one I'm thinking. So then Samantha tells

908
00:42:04,640 --> 00:42:09,799
Speaker 1: us the sad news that she that she figured out

909
00:42:10,200 --> 00:42:12,560
Speaker 1: in the middle of having sex with the dude that

910
00:42:12,600 --> 00:42:15,640
Speaker 1: she met on the stoop that she had previously had

911
00:42:15,680 --> 00:42:19,160
Speaker 1: sex with him, and she calls it a deja fuck,

912
00:42:19,239 --> 00:42:23,080
Speaker 1: which is pretty funny. But then Charlotte, I say, how

913
00:42:23,120 --> 00:42:27,080
Speaker 1: could you possibly forget? And then she's and then I

914
00:42:27,120 --> 00:42:31,600
Speaker 1: think Carrie says, Dorothy, I don't think we're in single

915
00:42:31,640 --> 00:42:34,719
Speaker 1: digits or whatever. Is that right? Thank you so much,

916
00:42:34,760 --> 00:42:36,759
Speaker 1: I got it right. Yes, yes, it's pretty funny. It's

917
00:42:36,800 --> 00:42:37,320
Speaker 1: pretty funny.

918
00:42:37,320 --> 00:42:37,960
Speaker 2: I'm pretty good.

919
00:42:38,360 --> 00:42:42,080
Speaker 1: And then doesn't Charlotte say she keeps a list, yes,

920
00:42:42,120 --> 00:42:46,120
Speaker 1: which is so Charlotte, very adorable, very adorable. And then

921
00:42:46,120 --> 00:42:49,279
Speaker 1: Samantha's just like, ah, but it's also funny to me

922
00:42:50,239 --> 00:42:55,120
Speaker 1: that Samantha is so disturbed by this, like what's the

923
00:42:55,120 --> 00:42:57,360
Speaker 1: big deal? But then she does say to the guy like,

924
00:42:57,400 --> 00:42:59,839
Speaker 1: why didn't you tell me? And he said, I thought

925
00:42:59,880 --> 00:43:02,480
Speaker 1: you were just playing the sexy stranger game, which is

926
00:43:02,600 --> 00:43:05,000
Speaker 1: kind of funny, great, Like I thought it was kind

927
00:43:05,040 --> 00:43:07,960
Speaker 1: of charming. But I guess for Samantha, she doesn't like that.

928
00:43:08,040 --> 00:43:09,919
Speaker 1: I don't know why, though, well, like, why does she care?

929
00:43:09,920 --> 00:43:11,000
Speaker 2: I don't know. It was interesting.

930
00:43:11,440 --> 00:43:13,600
Speaker 1: So then I tell them all that I'm very excited

931
00:43:13,600 --> 00:43:17,920
Speaker 1: about my bridesmaid's dress that is satin and backlist, and

932
00:43:18,000 --> 00:43:20,200
Speaker 1: I pound my fist on the table and I say,

933
00:43:20,360 --> 00:43:22,600
Speaker 1: this time people are gonna look at me, which is

934
00:43:22,960 --> 00:43:23,640
Speaker 1: really funny.

935
00:43:23,680 --> 00:43:25,040
Speaker 2: And I didn't remember this at all.

936
00:43:25,239 --> 00:43:28,760
Speaker 1: Wow, But I like that Charlotte is feeling more confident,

937
00:43:29,080 --> 00:43:32,680
Speaker 1: and I do remember the stress about this dress, and

938
00:43:32,760 --> 00:43:38,080
Speaker 1: the kind of like you know, consternation from Pat about

939
00:43:38,120 --> 00:43:39,120
Speaker 1: like what would she wear?

940
00:43:39,200 --> 00:43:39,799
Speaker 2: But she did.

941
00:43:39,880 --> 00:43:42,440
Speaker 1: Pat really did want to break Charlotte out because at

942
00:43:42,440 --> 00:43:46,279
Speaker 1: this point, also we haven't really got the budget going on,

943
00:43:46,520 --> 00:43:48,279
Speaker 1: you know, so like I think at one point in

944
00:43:48,320 --> 00:43:52,800
Speaker 1: the beginning, I'm wearing some like department store suit. I

945
00:43:52,800 --> 00:43:55,000
Speaker 1: don't know what the heck I'm wearing, right, Like, I

946
00:43:55,000 --> 00:43:57,200
Speaker 1: don't remember these clothes. I didn't keep these clothes. I

947
00:43:57,200 --> 00:43:59,600
Speaker 1: don't know what they are. You can definitely tell we

948
00:43:59,600 --> 00:44:01,480
Speaker 1: don't have a budget yet. But then if there was

949
00:44:01,520 --> 00:44:04,799
Speaker 1: a big scene coming, like the wedding, you know, that's

950
00:44:04,840 --> 00:44:06,399
Speaker 1: when Pat would be like, we have to get something

951
00:44:06,440 --> 00:44:08,640
Speaker 1: fabulous for them to wear. And I remember this dress

952
00:44:08,719 --> 00:44:11,239
Speaker 1: is by Ani Molinary, the dress that I wear, which

953
00:44:11,320 --> 00:44:14,600
Speaker 1: also is who Sarah Jessica wore to our first Emmys.

954
00:44:14,920 --> 00:44:18,760
Speaker 1: It's a beautiful yellow very much would be in today.

955
00:44:18,880 --> 00:44:20,480
Speaker 1: I don't know if she still has it in storage.

956
00:44:20,520 --> 00:44:22,600
Speaker 1: She could go get it and wear it today and

957
00:44:22,600 --> 00:44:24,720
Speaker 1: be at the top of the town in the butter

958
00:44:24,800 --> 00:44:29,440
Speaker 1: yellow you know situation, beautiful sequined dress she wore to

959
00:44:29,840 --> 00:44:32,279
Speaker 1: our very first Emmys, which would have been the next year.

960
00:44:33,400 --> 00:44:37,040
Speaker 1: That was third season that we got nominated, and aunt

961
00:44:37,040 --> 00:44:40,040
Speaker 1: A Mollinary is kind of a very cool designer who's

962
00:44:40,080 --> 00:44:43,040
Speaker 1: not discussed very much, and I think, like wrongly not

963
00:44:43,040 --> 00:44:45,520
Speaker 1: discussed very much, but I also don't think making clothes

964
00:44:45,520 --> 00:44:49,399
Speaker 1: still possibly, So I got this very cool Autmullinary dress,

965
00:44:49,440 --> 00:44:53,160
Speaker 1: and I believe I'm wearing Potfield's own Gucci shoes that

966
00:44:53,280 --> 00:44:56,600
Speaker 1: had a metal heel, which I think has now come back,

967
00:44:56,880 --> 00:45:01,359
Speaker 1: and I remember they were incredibly painful. You're walking on

968
00:45:01,440 --> 00:45:05,080
Speaker 1: like a metal you know rod basically under your foot.

969
00:45:05,280 --> 00:45:06,319
Speaker 4: It looks so cool, but.

970
00:45:06,760 --> 00:45:09,239
Speaker 1: Totally it looks so cool, I know, but we didn't

971
00:45:09,239 --> 00:45:10,920
Speaker 1: care at that point. We didn't care at all. And

972
00:45:11,000 --> 00:45:12,799
Speaker 1: I think I was also very excited to wear this

973
00:45:12,880 --> 00:45:15,280
Speaker 1: dress because I did feel good in it, which was nice,

974
00:45:15,480 --> 00:45:18,759
Speaker 1: Like it was much more you know, I felt like

975
00:45:18,800 --> 00:45:20,200
Speaker 1: I was one of them, you know what I mean,

976
00:45:20,280 --> 00:45:22,200
Speaker 1: Like I got to wear a cool outfit, which was

977
00:45:22,200 --> 00:45:25,359
Speaker 1: super exciting. Okay, now we go, oh, now we go.

978
00:45:25,560 --> 00:45:28,920
Speaker 1: Wait is this when Big shows up? Oh? No, this

979
00:45:28,960 --> 00:45:31,040
Speaker 1: is when they're in bed and Big is making fun

980
00:45:31,040 --> 00:45:33,040
Speaker 1: of Carrie that she's trying to write the poem and

981
00:45:33,080 --> 00:45:37,200
Speaker 1: he's talking about you know, rhyming words and really making

982
00:45:37,239 --> 00:45:39,400
Speaker 1: fun of her, and then she goes, well, what do

983
00:45:39,440 --> 00:45:41,600
Speaker 1: you care You're not going to be there, and he goes, oh,

984
00:45:41,680 --> 00:45:44,200
Speaker 1: yes i am. And you're like, oh, Big wants to

985
00:45:44,200 --> 00:45:44,720
Speaker 1: go to the wedding.

986
00:45:44,760 --> 00:45:45,400
Speaker 2: What a shock?

987
00:45:45,760 --> 00:45:47,560
Speaker 1: And you kind of have some hope. It's like such

988
00:45:47,640 --> 00:45:50,520
Speaker 1: those moments where you're like up down, up, up down.

989
00:45:50,880 --> 00:45:53,879
Speaker 1: So then she seems to think that this might be.

990
00:45:53,920 --> 00:45:55,960
Speaker 2: Good, that he wants to go to the wedding with her.

991
00:45:56,719 --> 00:46:02,520
Speaker 1: Then we cut to him arriving and wow, he looks incredible,

992
00:46:02,600 --> 00:46:04,919
Speaker 1: And all I could think about was.

993
00:46:06,320 --> 00:46:07,800
Speaker 2: The wedding in the first movie.

994
00:46:08,520 --> 00:46:09,160
Speaker 1: It's so.

995
00:46:11,840 --> 00:46:12,360
Speaker 2: Charged.

996
00:46:12,480 --> 00:46:14,279
Speaker 1: And that's one of the things I love so much

997
00:46:14,320 --> 00:46:18,080
Speaker 1: about rewatching the show is you forget all of the

998
00:46:18,160 --> 00:46:21,440
Speaker 1: moments and where they end up going, and how we

999
00:46:21,520 --> 00:46:23,160
Speaker 1: know about where they end up going.

1000
00:46:23,640 --> 00:46:24,480
Speaker 2: You know what I'm saying.

1001
00:46:24,880 --> 00:46:30,760
Speaker 1: It's super interesting and really makes me feel good about

1002
00:46:31,160 --> 00:46:34,400
Speaker 1: the complexities, you know, of the show and the movies

1003
00:46:34,440 --> 00:46:37,520
Speaker 1: and the new show and the relationships and all the details.

1004
00:46:37,680 --> 00:46:37,920
Speaker 2: You know.

1005
00:46:38,400 --> 00:46:41,120
Speaker 1: So they kind of pan up Big in his tucks

1006
00:46:41,120 --> 00:46:44,799
Speaker 1: looking fantastic, and Carrie, you know, it's like wow, and

1007
00:46:44,840 --> 00:46:48,160
Speaker 1: then you're having this moment of wow, right, and then

1008
00:46:48,239 --> 00:46:51,480
Speaker 1: she walks into her apartment. She's not quite ready, and

1009
00:46:52,000 --> 00:46:55,080
Speaker 1: she's wearing a fantastic Donna Cairen dress. I also think

1010
00:46:55,120 --> 00:46:57,800
Speaker 1: this might be her own dress. I could check. Maybe

1011
00:46:57,840 --> 00:46:59,799
Speaker 1: we could have afforded a Donna Cairen dress.

1012
00:47:00,000 --> 00:47:00,520
Speaker 2: I'm not sure.

1013
00:47:01,680 --> 00:47:04,799
Speaker 1: And apparently she's wearing flats, which honestly I didn't even

1014
00:47:04,840 --> 00:47:07,719
Speaker 1: really notice. But possibly she's wearing flats, I don't know.

1015
00:47:07,920 --> 00:47:09,960
Speaker 1: She goes in and she says, you didn't send the card,

1016
00:47:10,120 --> 00:47:11,960
Speaker 1: like super casual, And he's like, well, why would I

1017
00:47:12,000 --> 00:47:14,279
Speaker 1: send the card? And she goes, oh, because your name

1018
00:47:14,360 --> 00:47:16,399
Speaker 1: was on the invitation? And he goes, well, why would

1019
00:47:16,520 --> 00:47:18,600
Speaker 1: I my name be on the invitation? Who gave them

1020
00:47:18,600 --> 00:47:21,319
Speaker 1: my name? And you can tell one hundred percent she's

1021
00:47:21,400 --> 00:47:23,799
Speaker 1: lying when she's like, well, I don't know, I don't know.

1022
00:47:23,960 --> 00:47:25,759
Speaker 1: You know, she cut her hems and haws, and I

1023
00:47:25,880 --> 00:47:29,040
Speaker 1: just feel so bad for her, Like it's not good.

1024
00:47:29,280 --> 00:47:31,479
Speaker 1: So after the wonderful moment of seeing him in the tucks,

1025
00:47:31,560 --> 00:47:34,799
Speaker 1: now you're like, uugh, right, like he doesn't want his

1026
00:47:35,040 --> 00:47:39,799
Speaker 1: name on the invitation boo and boo and boo boo

1027
00:47:39,880 --> 00:47:42,239
Speaker 1: boo boo. So I feel for her, all right. They

1028
00:47:42,280 --> 00:47:45,960
Speaker 1: go to the wedding. And now, first of all, Samantha

1029
00:47:46,000 --> 00:47:51,000
Speaker 1: looks incredible. She's wearing this very like Rita Hayworth type

1030
00:47:51,239 --> 00:47:54,799
Speaker 1: forties dress in this beautiful color, and her hair, Oh

1031
00:47:54,880 --> 00:47:57,320
Speaker 1: my god. Everything about how she looks I thought was incredible.

1032
00:47:57,480 --> 00:47:59,080
Speaker 1: And you could tell that Pat really was like, this

1033
00:47:59,160 --> 00:48:01,960
Speaker 1: is what we're gonna do. Pat was always into the

1034
00:48:02,080 --> 00:48:04,160
Speaker 1: you know, kind of movie star from the forties hair.

1035
00:48:05,080 --> 00:48:07,600
Speaker 1: And poor Miranda has to be in charge of the

1036
00:48:07,640 --> 00:48:08,360
Speaker 1: guest book.

1037
00:48:08,520 --> 00:48:09,320
Speaker 2: Oh god.

1038
00:48:09,600 --> 00:48:12,160
Speaker 1: And then Samantha looks down at the guestbook and realizes

1039
00:48:12,239 --> 00:48:15,360
Speaker 1: that her rerun is here and runs off. I'm like,

1040
00:48:15,480 --> 00:48:18,200
Speaker 1: this is so not Samantha. I think the wedding just

1041
00:48:18,200 --> 00:48:22,360
Speaker 1: brings out weirdness in everyone. You know, everyone so and

1042
00:48:22,640 --> 00:48:24,600
Speaker 1: we're in like the weird part of the plaza, like

1043
00:48:24,640 --> 00:48:26,600
Speaker 1: with the staircase and stuff. I'm like, what part of

1044
00:48:26,640 --> 00:48:36,480
Speaker 1: the plaza is this? It's really interesting and odd. Hi.

1045
00:48:36,520 --> 00:48:39,440
Speaker 3: I'm Nicole Phelps, Global director of Vogue Runway and Vogue

1046
00:48:39,440 --> 00:48:43,120
Speaker 3: Business and host of the run Through podcast. Every Tuesday,

1047
00:48:43,200 --> 00:48:45,640
Speaker 3: join me for the latest fashion news, like the shakeups

1048
00:48:45,640 --> 00:48:49,080
Speaker 3: of Balenciaga and Dior and what's trending in Paris and Milan.

1049
00:48:49,680 --> 00:48:53,200
Speaker 3: You'll also hear interviews with top designers from Mark Jacobs

1050
00:48:53,280 --> 00:48:56,759
Speaker 3: and Rick Owens to Daniel Roseberry, Sarah Burton, and many more.

1051
00:48:57,280 --> 00:49:00,080
Speaker 3: On Thursdays, Chloe mal editor of Vogue dot Com, and

1052
00:49:00,160 --> 00:49:03,600
Speaker 3: Choman Nati, head of editorial content at British Vogue, take

1053
00:49:03,640 --> 00:49:05,840
Speaker 3: you behind the scenes at Vogue and share their thoughts

1054
00:49:05,920 --> 00:49:09,240
Speaker 3: on fashion through the lens of culture. You'll hear interviews

1055
00:49:09,280 --> 00:49:12,600
Speaker 3: with some of your favorite stars like Julianne Moore, Pharrell Williams,

1056
00:49:12,640 --> 00:49:16,200
Speaker 3: and celebrity stylist law Roach. Join us to get your

1057
00:49:16,239 --> 00:49:18,600
Speaker 3: fashion and culture news twice a week. Listen to the

1058
00:49:18,680 --> 00:49:21,719
Speaker 3: run Through with Vogue every Tuesday and Thursday wherever you

1059
00:49:21,760 --> 00:49:22,960
Speaker 3: get your podcasts.

1060
00:49:25,920 --> 00:49:28,480
Speaker 1: Carrie tells Miranda that she's unhappy about Big Nutt wanting

1061
00:49:28,520 --> 00:49:30,640
Speaker 1: to sign the card, which I get. Then I come

1062
00:49:30,640 --> 00:49:33,520
Speaker 1: in my very cool dress and then I meet this

1063
00:49:33,520 --> 00:49:37,240
Speaker 1: guy Martin. I meet him like halfway through the episode

1064
00:49:37,280 --> 00:49:40,000
Speaker 1: at least right, and just like that other weird time

1065
00:49:40,000 --> 00:49:41,839
Speaker 1: that I meet someone like halfway through and then I'm

1066
00:49:41,920 --> 00:49:44,120
Speaker 1: dating them by the end of episode, Like Charlotte moves

1067
00:49:44,160 --> 00:49:47,480
Speaker 1: so fast sometimes it's crazy. So I was like, wait,

1068
00:49:47,560 --> 00:49:49,880
Speaker 1: I meet a guy I don't remember this part, and

1069
00:49:49,920 --> 00:49:52,480
Speaker 1: he's very nice. He seems very nice in the beginning

1070
00:49:52,480 --> 00:49:56,839
Speaker 1: of especially and I'm like, weird, Okay, interesting, I don't

1071
00:49:56,880 --> 00:50:01,120
Speaker 1: remember this. So I do remember the I remember the shoes,

1072
00:50:01,120 --> 00:50:06,040
Speaker 1: but I don't remember the guy. Then we were in

1073
00:50:06,120 --> 00:50:08,360
Speaker 1: the wedding. Luckily we do not have to see the wedding,

1074
00:50:08,600 --> 00:50:11,799
Speaker 1: thank god. We're in the reception and there's a lot

1075
00:50:11,840 --> 00:50:14,840
Speaker 1: of flowers. Now, this is what's funny to me. I

1076
00:50:14,880 --> 00:50:18,960
Speaker 1: have a very visual memory, and I remember what it

1077
00:50:19,120 --> 00:50:22,400
Speaker 1: was like, at least what I thought it was like.

1078
00:50:22,800 --> 00:50:25,279
Speaker 1: And this makes me doubt my very visual memory because

1079
00:50:25,280 --> 00:50:27,840
Speaker 1: when I watched the episode, it looks super different. But

1080
00:50:27,880 --> 00:50:30,000
Speaker 1: we all know that when you film, you only film

1081
00:50:30,080 --> 00:50:31,759
Speaker 1: certain parts a certain way. You can only get the

1082
00:50:31,800 --> 00:50:34,760
Speaker 1: camera certain parts, So my viewpoint might be very different

1083
00:50:34,760 --> 00:50:37,680
Speaker 1: than what you guys would see. Right. But I remember

1084
00:50:37,680 --> 00:50:40,480
Speaker 1: that there's a big ballroom, but it doesn't look at

1085
00:50:40,480 --> 00:50:42,560
Speaker 1: all like there's a big ballroom though there are a

1086
00:50:42,560 --> 00:50:46,279
Speaker 1: lot of people in there. Right, So maybe maybe I

1087
00:50:46,280 --> 00:50:50,360
Speaker 1: feel like we had different corners of the big ballroom

1088
00:50:50,480 --> 00:50:51,880
Speaker 1: set up in different ways.

1089
00:50:52,120 --> 00:50:54,080
Speaker 2: Okay, you know, to try to make use.

1090
00:50:53,960 --> 00:50:55,759
Speaker 1: Of it, right, So, like we've got the bride and

1091
00:50:55,800 --> 00:50:59,440
Speaker 1: groom behind this like basically just like a wall of flowers,

1092
00:50:59,520 --> 00:51:02,120
Speaker 1: like up kind of high behind like a wall of flowers.

1093
00:51:02,120 --> 00:51:04,200
Speaker 1: And then there's like a little stage area where Carrie

1094
00:51:04,200 --> 00:51:06,840
Speaker 1: reads her poem and she's so good in the scene,

1095
00:51:07,200 --> 00:51:09,960
Speaker 1: and in the middle of it, she looks over and

1096
00:51:10,000 --> 00:51:12,840
Speaker 1: BIG's phone is ringing and he's answering it, and he

1097
00:51:12,880 --> 00:51:16,120
Speaker 1: gets up and leaves, and then she gets old Terry

1098
00:51:16,200 --> 00:51:19,000
Speaker 1: reading the poem about love and has to try to

1099
00:51:19,040 --> 00:51:20,760
Speaker 1: play it off that is for the bride and groom,

1100
00:51:20,840 --> 00:51:24,840
Speaker 1: which is just so heartbreaking and sad and in her mind,

1101
00:51:24,880 --> 00:51:26,920
Speaker 1: which she says later, she's thinking, he doesn't even care.

1102
00:51:27,000 --> 00:51:29,239
Speaker 1: He doesn't even care. You know, he's here, but he

1103
00:51:29,280 --> 00:51:32,279
Speaker 1: doesn't care, which is just an awful feeling. Doesn't want

1104
00:51:32,280 --> 00:51:34,440
Speaker 1: to be wanted to right, he wanted to come, but

1105
00:51:34,480 --> 00:51:36,319
Speaker 1: he didn't want to be on the invite. Then he's

1106
00:51:36,320 --> 00:51:38,439
Speaker 1: sitting there, then he gets up and leaves like he's

1107
00:51:38,520 --> 00:51:41,520
Speaker 1: just so much mixed messages. It's just awful and she

1108
00:51:41,560 --> 00:51:45,080
Speaker 1: deserves better, as we know, but there you go. Then

1109
00:51:45,280 --> 00:51:47,600
Speaker 1: this is what's adorable to me, and what is so

1110
00:51:47,719 --> 00:51:51,520
Speaker 1: great about Sir Jessica and her smartness about how to

1111
00:51:51,560 --> 00:51:55,080
Speaker 1: play things she goes back, you see her tears, you

1112
00:51:55,239 --> 00:51:57,440
Speaker 1: as the audience knows why she's having those tears.

1113
00:51:57,680 --> 00:51:58,200
Speaker 2: He's gone.

1114
00:51:58,320 --> 00:51:59,960
Speaker 1: He comes back and he's like what did I mean?

1115
00:52:00,640 --> 00:52:04,120
Speaker 1: And she goes my poem and then very sweetly, they

1116
00:52:04,120 --> 00:52:06,839
Speaker 1: start playing a slow song and she says like, hey,

1117
00:52:06,960 --> 00:52:09,120
Speaker 1: you know, how about a slow dance? Like with so

1118
00:52:09,239 --> 00:52:13,319
Speaker 1: much charm and like wit, you know what I'm saying,

1119
00:52:13,320 --> 00:52:17,040
Speaker 1: Like she really she is so agile in terms of

1120
00:52:17,120 --> 00:52:19,880
Speaker 1: like I can recover. I'm going to recover and try

1121
00:52:19,880 --> 00:52:23,000
Speaker 1: to you know, remedy this. I'm going to try to repair. Right,

1122
00:52:23,160 --> 00:52:25,320
Speaker 1: let's have a slow dance. And then he's like no

1123
00:52:25,640 --> 00:52:28,799
Speaker 1: or whatever he says, which is just so annoying. And

1124
00:52:28,840 --> 00:52:31,840
Speaker 1: also it reminds me wasn't it two episodes ago that

1125
00:52:31,880 --> 00:52:35,160
Speaker 1: they slow dance at the end and you're like yes, yes,

1126
00:52:35,680 --> 00:52:37,200
Speaker 1: and so what is wrong with him?

1127
00:52:38,320 --> 00:52:41,000
Speaker 4: And that's why I this is why I like Big

1128
00:52:41,080 --> 00:52:44,920
Speaker 4: because he is so he's so hard to feel one

1129
00:52:44,960 --> 00:52:46,560
Speaker 4: way or and at least for me, yeah, I'm like,

1130
00:52:46,600 --> 00:52:49,440
Speaker 4: oh's he can be in this episode, Jess. He can

1131
00:52:49,480 --> 00:52:52,719
Speaker 4: be so sweet, give me so terrible, and he's not

1132
00:52:52,960 --> 00:52:55,840
Speaker 4: one thing and that makes him a very interesting character.

1133
00:52:55,920 --> 00:52:58,319
Speaker 1: No, joke, no joke, And that's why she's also really

1134
00:52:58,360 --> 00:53:01,719
Speaker 1: interesting with him, Yes, you know, to see how she

1135
00:53:01,960 --> 00:53:07,480
Speaker 1: can kind of recover, but also you feel for her

1136
00:53:07,560 --> 00:53:09,439
Speaker 1: that she has to work that hard. Yeah, but also

1137
00:53:09,600 --> 00:53:11,319
Speaker 1: she's just so good, you know what I mean, and

1138
00:53:11,360 --> 00:53:14,640
Speaker 1: he's so good. They're so good obviously together. But you're right,

1139
00:53:14,680 --> 00:53:19,200
Speaker 1: it does. It holds our interest as an audience because

1140
00:53:19,239 --> 00:53:22,120
Speaker 1: you don't know, right, it can be frustrating, but why

1141
00:53:22,200 --> 00:53:24,000
Speaker 1: how else would it have lasted as long?

1142
00:53:24,640 --> 00:53:24,799
Speaker 3: You know?

1143
00:53:24,920 --> 00:53:25,120
Speaker 2: Yet?

1144
00:53:25,200 --> 00:53:29,359
Speaker 1: Totally Okay, So then we cut to poor Miranda, who

1145
00:53:29,400 --> 00:53:33,600
Speaker 1: has to take the gifts to the van. Horrible job.

1146
00:53:33,920 --> 00:53:36,920
Speaker 1: Horrible job. And this is when my memory I have

1147
00:53:36,960 --> 00:53:39,839
Speaker 1: a lot of memories about this section of things. Well,

1148
00:53:39,960 --> 00:53:41,759
Speaker 1: actually no, there's one more part that I don't have

1149
00:53:41,800 --> 00:53:44,440
Speaker 1: any memory of it at all, which is that me

1150
00:53:44,520 --> 00:53:48,919
Speaker 1: and this dude weirdly go up to the bridal suite

1151
00:53:49,680 --> 00:53:54,480
Speaker 1: and we take silly string. Okay, what have you ever

1152
00:53:54,520 --> 00:53:57,759
Speaker 1: heard of this? Anyone in this room? Silly string on

1153
00:53:57,960 --> 00:54:00,800
Speaker 1: the bed of the bride and groom anyone?

1154
00:54:01,040 --> 00:54:03,280
Speaker 4: Yes, I've never heard of this happening.

1155
00:54:04,480 --> 00:54:06,799
Speaker 1: I don't know. It's like Halloween when you're ten.

1156
00:54:07,200 --> 00:54:08,080
Speaker 4: What is happening?

1157
00:54:08,560 --> 00:54:12,000
Speaker 1: The rose petals that Charlotte brings. Yes, yes, also weird

1158
00:54:12,040 --> 00:54:15,040
Speaker 1: that this is our job, but okay, but the dude

1159
00:54:15,160 --> 00:54:19,200
Speaker 1: has silly string and sprang it and apparently it's romantic

1160
00:54:19,239 --> 00:54:22,440
Speaker 1: to Charlotte. Though the rose petals I think are romantic, Charlotte,

1161
00:54:22,440 --> 00:54:24,719
Speaker 1: because you remember when I get married, we're in a

1162
00:54:25,280 --> 00:54:28,120
Speaker 1: sea of rose pearls walking out of the church. But

1163
00:54:28,360 --> 00:54:31,160
Speaker 1: so we go up with the silly string. Again. I

1164
00:54:31,200 --> 00:54:33,880
Speaker 1: don't know where this came from. Anyone, please tell me

1165
00:54:34,200 --> 00:54:36,280
Speaker 1: if they've ever heard of this in the comments, because

1166
00:54:36,400 --> 00:54:37,960
Speaker 1: I've never heard of this.

1167
00:54:38,280 --> 00:54:39,279
Speaker 2: But what do I know.

1168
00:54:39,600 --> 00:54:41,839
Speaker 1: So we've got silly string, We've got rose petals, we

1169
00:54:41,880 --> 00:54:46,759
Speaker 1: go up, we end up having sex. Oh my god, Charlotte, Charlotte,

1170
00:54:47,120 --> 00:54:50,840
Speaker 1: Charlotte insane. And then my hair is not even in

1171
00:54:50,880 --> 00:54:52,920
Speaker 1: that pretty bun that it was in. It's in like

1172
00:54:52,960 --> 00:54:56,960
Speaker 1: a wacky ponytail. And I'm somehow still gonna go back

1173
00:54:57,000 --> 00:55:04,120
Speaker 1: down there, which is super fascinating, Like Charlotte is interestingly,

1174
00:55:04,640 --> 00:55:08,800
Speaker 1: Uh game, Yeah, you know, it's weird.

1175
00:55:09,239 --> 00:55:11,960
Speaker 4: The romance of the wedding is just she's caught up and.

1176
00:55:12,040 --> 00:55:16,080
Speaker 1: It totally everybody's in their own place. The wedding throws

1177
00:55:16,120 --> 00:55:18,719
Speaker 1: everyone into their own place, and Charlotte, I mean, but

1178
00:55:18,760 --> 00:55:20,839
Speaker 1: the thing that's scary is she's really thinking this could

1179
00:55:20,840 --> 00:55:23,839
Speaker 1: be the guy, Like, what the heck, Oh my god,

1180
00:55:24,040 --> 00:55:28,480
Speaker 1: Charlotte get a grip, so then we have sex on

1181
00:55:28,560 --> 00:55:30,400
Speaker 1: their bed, which is also gross.

1182
00:55:30,440 --> 00:55:31,040
Speaker 2: I'm sorry.

1183
00:55:31,160 --> 00:55:34,200
Speaker 1: I had so many thoughts and also no memory. I

1184
00:55:34,239 --> 00:55:35,759
Speaker 1: have no memory. I did to tell my daughter I

1185
00:55:35,800 --> 00:55:38,360
Speaker 1: was watching this before she's going to bed, and I

1186
00:55:38,400 --> 00:55:40,040
Speaker 1: was like, yeah, I was watching myself kiss some guy

1187
00:55:40,080 --> 00:55:43,160
Speaker 1: I don't remember, Like, what a weird job I have? Okay,

1188
00:55:43,560 --> 00:55:45,680
Speaker 1: And I remember back in the day, there'd be like

1189
00:55:45,760 --> 00:55:48,000
Speaker 1: one a week, like a new guy every week I

1190
00:55:48,000 --> 00:55:50,920
Speaker 1: had to kiss? What on earth weird?

1191
00:55:51,320 --> 00:55:53,040
Speaker 4: The weirdest job you could possibly have.

1192
00:55:54,360 --> 00:55:57,719
Speaker 1: I mean, it's not the hardest job, Like, there's a

1193
00:55:57,760 --> 00:56:01,040
Speaker 1: million jobs that are harder. It's just a saw odd.

1194
00:56:01,320 --> 00:56:03,120
Speaker 1: And then when people are like, I can't believe those

1195
00:56:03,120 --> 00:56:05,600
Speaker 1: people had an affair, Well, the people have affairs because

1196
00:56:05,600 --> 00:56:07,799
Speaker 1: you break down all these normal boundaries that you would

1197
00:56:07,800 --> 00:56:11,200
Speaker 1: normally be having. It makes everything easier. Though of course

1198
00:56:11,640 --> 00:56:15,040
Speaker 1: I don't even remember this guy, so I'm sorry. I'm sorry.

1199
00:56:15,400 --> 00:56:18,160
Speaker 1: No reflection on you, A reflection of the fact that

1200
00:56:18,800 --> 00:56:20,799
Speaker 1: the twenty four hour day that I'm talking.

1201
00:56:20,600 --> 00:56:22,040
Speaker 2: About is this day.

1202
00:56:22,320 --> 00:56:26,200
Speaker 1: It is in the plaza. So basically we've got the plaza.

1203
00:56:26,600 --> 00:56:28,960
Speaker 1: I don't think we had it probably for as many

1204
00:56:29,040 --> 00:56:31,200
Speaker 1: days as we needed it, because we couldn't afford it.

1205
00:56:31,239 --> 00:56:34,239
Speaker 1: And also probably it was overly ambitious. That was the

1206
00:56:34,280 --> 00:56:37,239
Speaker 1: whole narrative of everything to do with Sex and City,

1207
00:56:37,239 --> 00:56:39,160
Speaker 1: the movies, the show and done just like that.

1208
00:56:39,239 --> 00:56:41,960
Speaker 2: We're always overly ambitious.

1209
00:56:42,239 --> 00:56:46,000
Speaker 1: We write too much, we have too much going on

1210
00:56:46,480 --> 00:56:49,719
Speaker 1: to ever fit into an episode or to even be filmable.

1211
00:56:50,040 --> 00:56:53,440
Speaker 1: Like we still go through this where like at the

1212
00:56:53,560 --> 00:56:56,080
Speaker 1: end we call it the boneyard. We've got like a

1213
00:56:56,120 --> 00:56:59,000
Speaker 1: big fat schedule with all the scenes, and then at

1214
00:56:59,040 --> 00:57:02,319
Speaker 1: the end it said to be scheduled, and there's a

1215
00:57:02,440 --> 00:57:06,439
Speaker 1: bunch of scenes where you're like, who's gonna cut them?

1216
00:57:06,920 --> 00:57:09,440
Speaker 1: Who's gonna break it to Michael Patrick King that we

1217
00:57:09,560 --> 00:57:12,040
Speaker 1: cannot film these scenes. No one.

1218
00:57:12,480 --> 00:57:14,359
Speaker 2: Everyone Everyone's like.

1219
00:57:14,320 --> 00:57:16,840
Speaker 1: We'll do it, Michael, We're gonna find a way. We're

1220
00:57:16,840 --> 00:57:20,120
Speaker 1: gonna find a way, and sometimes miraculously we do.

1221
00:57:20,440 --> 00:57:22,600
Speaker 2: But sometimes just something's got to get cut.

1222
00:57:22,640 --> 00:57:25,560
Speaker 1: But no one wants to cut anything ever, right, So

1223
00:57:25,600 --> 00:57:27,880
Speaker 1: it's a situation, but back then this was true as well.

1224
00:57:27,920 --> 00:57:30,760
Speaker 1: So we've got the plaza, We've got it. It's an

1225
00:57:30,800 --> 00:57:35,280
Speaker 1: expensive location. They got rooms for the actors upstairs, so

1226
00:57:35,360 --> 00:57:37,320
Speaker 1: we would go upstairs and we would go to sleep

1227
00:57:37,960 --> 00:57:40,800
Speaker 1: and or get our makeup touched up right. That's how

1228
00:57:40,840 --> 00:57:43,240
Speaker 1: many nights we filmed overnight, like maybe two three nights.

1229
00:57:43,240 --> 00:57:44,920
Speaker 1: I can't remember how many days we were there, but

1230
00:57:45,040 --> 00:57:48,840
Speaker 1: the final day is the twenty four hour day. Our crew,

1231
00:57:49,240 --> 00:57:52,160
Speaker 1: god bless them, did not have rooms upstairs because we

1232
00:57:52,160 --> 00:57:54,920
Speaker 1: could not afford that. So by the end of the

1233
00:57:54,960 --> 00:57:57,680
Speaker 1: wedding for Charlotte, this was the final scene that we

1234
00:57:57,680 --> 00:57:59,880
Speaker 1: filmed at the plaza, was when I danced with the

1235
00:58:00,120 --> 00:58:03,920
Speaker 1: guy's dad. So we have sex upstairs, we walk downstairs,

1236
00:58:04,600 --> 00:58:08,200
Speaker 1: the voiceover says, And then the wonderful thing for Charlotte

1237
00:58:08,240 --> 00:58:10,440
Speaker 1: happened where he said, do you want to meet my parents?

1238
00:58:10,520 --> 00:58:13,000
Speaker 1: And she's like yes, and she's thinking, like this is

1239
00:58:13,040 --> 00:58:17,280
Speaker 1: it And she meets mom and dad of the groomsman

1240
00:58:17,760 --> 00:58:21,880
Speaker 1: whatever his name is, and the dad says, you know, oh,

1241
00:58:21,960 --> 00:58:22,760
Speaker 1: let's have a dance.

1242
00:58:23,320 --> 00:58:25,400
Speaker 4: Is Martin is the yes?

1243
00:58:25,600 --> 00:58:29,600
Speaker 1: Is the character got it Martin's parents. So then the

1244
00:58:29,640 --> 00:58:32,800
Speaker 1: final scene that was filmed of this whole wedding sequence

1245
00:58:33,240 --> 00:58:37,080
Speaker 1: was me dancing with the dad at the wedding, and

1246
00:58:37,120 --> 00:58:41,959
Speaker 1: the director is First of all, everyone's delirious. My point

1247
00:58:42,000 --> 00:58:45,320
Speaker 1: of view is that number one, I have to dance

1248
00:58:45,360 --> 00:58:48,400
Speaker 1: with this older man who is going to feel my butt,

1249
00:58:48,680 --> 00:58:54,680
Speaker 1: which I'm mortified about. Okay. Number two, everyone is beyond exhausted.

1250
00:58:54,920 --> 00:58:58,760
Speaker 1: It's the final thing. When I look out towards, you know,

1251
00:58:59,400 --> 00:59:02,880
Speaker 1: the camera, all I can see is a row of

1252
00:59:02,960 --> 00:59:06,680
Speaker 1: crew members sleeping on the bottom of this like you know,

1253
00:59:06,800 --> 00:59:08,880
Speaker 1: you'd have like a half wall that would go around

1254
00:59:09,160 --> 00:59:12,040
Speaker 1: a dance floor. It's like a half wall, and so

1255
00:59:12,160 --> 00:59:14,520
Speaker 1: the camera can't see them, you know, obviously, but they've

1256
00:59:14,560 --> 00:59:17,360
Speaker 1: just passed out. So there's just a row of sad

1257
00:59:17,480 --> 00:59:20,600
Speaker 1: crew members sleeping on the floor that I'm just like,

1258
00:59:20,680 --> 00:59:23,200
Speaker 1: God bless them, God bless them. They just are just

1259
00:59:23,280 --> 00:59:26,440
Speaker 1: they just couldn't stay up anymore, you know, like twenty

1260
00:59:26,480 --> 00:59:30,840
Speaker 1: four hours. It's crazy, right, and we're delirious, and the

1261
00:59:30,920 --> 00:59:34,400
Speaker 1: Victoria director is just yelling at this man. She's far

1262
00:59:34,440 --> 00:59:36,920
Speaker 1: away across the room, and I feel like she might

1263
00:59:36,920 --> 00:59:40,680
Speaker 1: have had a bullharm. She's like, hard, harder, bigger, grab

1264
00:59:40,720 --> 00:59:44,560
Speaker 1: her ass, grab her ass, and I'm just like God,

1265
00:59:44,960 --> 00:59:48,480
Speaker 1: the humiliation factor God is so high, and there's like

1266
00:59:48,640 --> 00:59:54,240
Speaker 1: close up of him grabbing my butt. How embarrassing. So

1267
00:59:54,920 --> 00:59:57,880
Speaker 1: then I'm mad. And you can see when I tell

1268
00:59:57,960 --> 01:00:00,240
Speaker 1: the dude, you know, because right after that he that's

1269
01:00:00,280 --> 01:00:02,400
Speaker 1: in I'm my care dad, just right it past me.

1270
01:00:02,520 --> 01:00:04,640
Speaker 1: And that's my real mad face, as you know who

1271
01:00:04,720 --> 01:00:06,240
Speaker 1: if you watch the show in the movies, you know

1272
01:00:06,280 --> 01:00:09,120
Speaker 1: my real mad face. I am mad because I'm mad

1273
01:00:09,120 --> 01:00:10,560
Speaker 1: that I had to do it. You know, I'm mad

1274
01:00:10,600 --> 01:00:14,080
Speaker 1: that this man I'd grab my butt. It's like mortifying,

1275
01:00:14,320 --> 01:00:17,760
Speaker 1: you know eh. Anyway, that's what I remember, and I

1276
01:00:17,760 --> 01:00:20,640
Speaker 1: remember thinking, like, man, we got a crazy show, a

1277
01:00:20,760 --> 01:00:24,800
Speaker 1: crazy show up all night long for twenty four hours,

1278
01:00:24,840 --> 01:00:26,280
Speaker 1: trying to make this craziness.

1279
01:00:26,920 --> 01:00:29,000
Speaker 4: Wow, this is how we wrap it up.

1280
01:00:29,320 --> 01:00:33,360
Speaker 1: This is how we wrapped it up, you know exactly.

1281
01:00:33,560 --> 01:00:34,680
Speaker 2: That was a polite way of saying it.

1282
01:00:34,720 --> 01:00:38,520
Speaker 1: I also remember that Chris had gone out that night

1283
01:00:38,640 --> 01:00:40,480
Speaker 1: because he didn't think they were going to get to

1284
01:00:40,560 --> 01:00:43,720
Speaker 1: the scene of he and Carrie when he says, what's

1285
01:00:43,800 --> 01:00:46,280
Speaker 1: wrong right now. The funny thing is that in my

1286
01:00:46,480 --> 01:00:50,720
Speaker 1: mind I remember that scene as them breaking up. I

1287
01:00:50,720 --> 01:00:53,080
Speaker 1: don't know why I remember that because they walk off together.

1288
01:00:53,160 --> 01:00:55,160
Speaker 1: They do not break up. But in my mind, it

1289
01:00:55,200 --> 01:00:57,920
Speaker 1: was like a big come to Jesus moment between Big

1290
01:00:57,960 --> 01:00:59,440
Speaker 1: and Carry. But I think that's because I was so

1291
01:00:59,800 --> 01:01:01,880
Speaker 1: you know, related to her and what she was going through,

1292
01:01:01,880 --> 01:01:03,720
Speaker 1: and that he didn't even watch her read her poem

1293
01:01:03,960 --> 01:01:06,320
Speaker 1: that she wrote, like you know, that was so awful, right,

1294
01:01:06,640 --> 01:01:08,520
Speaker 1: And they don't break up, but they do have kind

1295
01:01:08,600 --> 01:01:12,360
Speaker 1: of a come to Jesus moment or whatever where she's like,

1296
01:01:12,400 --> 01:01:13,960
Speaker 1: you didn't even care about my poem? You know, why

1297
01:01:14,000 --> 01:01:17,240
Speaker 1: do you want would be here? But Chris had gone upstairs.

1298
01:01:17,320 --> 01:01:20,760
Speaker 1: He had gone out, I think.

1299
01:01:20,640 --> 01:01:21,280
Speaker 2: To his restaurant.

1300
01:01:21,280 --> 01:01:23,160
Speaker 1: He had a restaurant at one point, and I think

1301
01:01:23,200 --> 01:01:26,480
Speaker 1: he'd gone out or his anyway, he'd gone out, he'd

1302
01:01:26,520 --> 01:01:28,280
Speaker 1: come back. He didn't think they were going to get

1303
01:01:28,280 --> 01:01:29,600
Speaker 1: to it. They were like, we're going to get to it.

1304
01:01:29,640 --> 01:01:31,240
Speaker 1: We are going to get to that scene. And so

1305
01:01:31,280 --> 01:01:33,400
Speaker 1: we went upstairs this room. He fell asleep. They had

1306
01:01:33,400 --> 01:01:34,840
Speaker 1: to go up and wake him up and be like

1307
01:01:34,880 --> 01:01:37,000
Speaker 1: get down there and do it right now. And he

1308
01:01:37,080 --> 01:01:39,160
Speaker 1: did and he's really good, you know what I mean.

1309
01:01:39,200 --> 01:01:42,760
Speaker 1: And it's probably four or five in the morning. I

1310
01:01:42,760 --> 01:01:45,120
Speaker 1: think I got my butt grabbed at like seven in

1311
01:01:45,160 --> 01:01:47,040
Speaker 1: the morning. Do you know what I mean? Before they

1312
01:01:47,120 --> 01:01:51,040
Speaker 1: kicked us out of there or whatever. Anyway, I digress,

1313
01:01:51,120 --> 01:01:56,400
Speaker 1: I digress. So she says to him, She Carrie says

1314
01:01:56,400 --> 01:01:59,440
Speaker 1: to Big, I'm afraid we don't want the same things.

1315
01:01:59,840 --> 01:02:01,920
Speaker 1: I want someone who's going to be with me until

1316
01:02:01,960 --> 01:02:05,040
Speaker 1: the end. And then there's a pause and she says

1317
01:02:05,080 --> 01:02:09,160
Speaker 1: of the wedding, And I was like, but the nice

1318
01:02:09,240 --> 01:02:12,200
Speaker 1: thing is that they are together the end. It's just

1319
01:02:12,320 --> 01:02:16,200
Speaker 1: his end and not her end. It's sad to think about,

1320
01:02:16,400 --> 01:02:18,280
Speaker 1: do you know what I mean? But it's also really

1321
01:02:18,360 --> 01:02:20,439
Speaker 1: kind of sweet. And then they do leave together, which

1322
01:02:20,440 --> 01:02:23,520
Speaker 1: I totally did not remember. I thought that this was

1323
01:02:23,600 --> 01:02:27,520
Speaker 1: one of the breakups me. It's a very interesting episode.

1324
01:02:27,960 --> 01:02:32,000
Speaker 1: I mean interesting in so many ways, and I can't

1325
01:02:32,000 --> 01:02:33,840
Speaker 1: wait to see the next one because at this point

1326
01:02:33,840 --> 01:02:36,440
Speaker 1: I feel like I'm I have my memories right, and

1327
01:02:36,520 --> 01:02:38,720
Speaker 1: I do remember that people would say to me like, oh,

1328
01:02:38,760 --> 01:02:40,840
Speaker 1: the chicken dance when they throw the bouquet at your

1329
01:02:40,840 --> 01:02:42,680
Speaker 1: feet and none of you pick it up, which is

1330
01:02:42,720 --> 01:02:44,439
Speaker 1: so great. I forgot to talk about that they throw

1331
01:02:44,480 --> 01:02:46,360
Speaker 1: the bouquet at our feet and they doesn't carry to

1332
01:02:46,360 --> 01:02:49,560
Speaker 1: say something like, okay, see you guys tomorrow. It walks

1333
01:02:49,560 --> 01:02:52,200
Speaker 1: off and we literally there's no thought that we would

1334
01:02:52,240 --> 01:02:55,760
Speaker 1: pick it up, which not even Charlotte. And also I'm

1335
01:02:55,760 --> 01:02:59,160
Speaker 1: wearing some guy's jacket, which is weird and mysterious. Whose

1336
01:02:59,200 --> 01:03:01,160
Speaker 1: jackets did I put on? I'm sure it was because

1337
01:03:01,200 --> 01:03:04,200
Speaker 1: I was cold, but it's weird and bizarre. But like,

1338
01:03:04,240 --> 01:03:07,360
Speaker 1: we're so united at that point. We've gone through all

1339
01:03:07,400 --> 01:03:09,880
Speaker 1: of our different feelings. Each four of us have had

1340
01:03:10,320 --> 01:03:13,840
Speaker 1: obviously different feelings throughout the course of the wedding, the

1341
01:03:13,840 --> 01:03:15,800
Speaker 1: planning of the wedding, and then the wedding, and now

1342
01:03:15,800 --> 01:03:18,160
Speaker 1: we're all full united and like we don't want this,

1343
01:03:18,800 --> 01:03:21,920
Speaker 1: let's go. And I love that so much. And I

1344
01:03:21,920 --> 01:03:24,400
Speaker 1: think that's partly why people remember this one.

1345
01:03:24,320 --> 01:03:26,480
Speaker 4: Such a great sex in the city moment something like that.

1346
01:03:26,560 --> 01:03:30,400
Speaker 1: It really is, and I thought it was. I thought

1347
01:03:30,400 --> 01:03:33,560
Speaker 1: that that was earlier and at a different wedding in

1348
01:03:33,600 --> 01:03:35,280
Speaker 1: my mind, like because your memory is not going to

1349
01:03:35,360 --> 01:03:38,640
Speaker 1: be accurate obviously, you know, I remember moments, but I

1350
01:03:38,640 --> 01:03:40,920
Speaker 1: don't remember that entirety, right, And I thought there was

1351
01:03:40,960 --> 01:03:43,120
Speaker 1: another wedding, and I do think there are other weddings

1352
01:03:43,160 --> 01:03:45,960
Speaker 1: coming that aren't mine. I think right, But I mean,

1353
01:03:46,040 --> 01:03:47,880
Speaker 1: I can't wait to see you got it. I can't

1354
01:03:47,920 --> 01:03:50,840
Speaker 1: wait to see I don't really know. Thank you so much,

1355
01:03:50,880 --> 01:03:51,600
Speaker 1: producer Eve.

1356
01:03:52,160 --> 01:03:53,840
Speaker 4: Thank you so much for having me. This is so fun.

1357
01:03:54,000 --> 01:03:56,040
Speaker 1: It was fun. Thank you for your insights. It's good

1358
01:03:56,080 --> 01:03:56,760
Speaker 1: to have a male.

1359
01:03:56,600 --> 01:04:00,880
Speaker 4: Perspective anytime you need it. I'm here only speak if

1360
01:04:00,920 --> 01:04:01,440
Speaker 4: invited to.

1361
01:04:02,240 --> 01:04:05,360
Speaker 1: You're always invited to. All right, thanks you guys, until

1362
01:04:05,360 --> 01:04:05,919
Speaker 1: next time.

1363
01:04:06,120 --> 01:04:09,120
Speaker 2: Bye. Oh wait, have we ever asked Easton if he's

1364
01:04:09,160 --> 01:04:11,920
Speaker 2: a Charlotte? Did we?

1365
01:04:12,440 --> 01:04:14,080
Speaker 1: I don't tell us.

1366
01:04:14,520 --> 01:04:17,200
Speaker 4: I am definitely a Charlotte.

1367
01:04:17,320 --> 01:04:21,240
Speaker 1: Yes, wait, are you Charlotte mixed with anyone else?

1368
01:04:22,600 --> 01:04:26,080
Speaker 4: I think that I'm I'm a Charlotte with a carry rising.

1369
01:04:26,280 --> 01:04:28,280
Speaker 1: That's what I would say. That's how I perceive myself

1370
01:04:28,320 --> 01:04:30,760
Speaker 1: as well. Or maybe a Carrie with a Charlotte rising.

1371
01:04:30,840 --> 01:04:31,000
Speaker 4: Yeah.

1372
01:04:31,160 --> 01:04:34,040
Speaker 1: Never sure, depends on the day, I guess. But yes, yes, yes, yes,

1373
01:04:34,080 --> 01:04:35,960
Speaker 1: I relate. I relate to that, and I dig it.

1374
01:04:36,560 --> 01:04:38,400
Speaker 4: And I'm not just trying to kiss your ass here.

1375
01:04:38,440 --> 01:04:41,120
Speaker 4: But when I watched the show, Charlotte was my favorite character.

1376
01:04:41,440 --> 01:04:43,480
Speaker 4: Identified with her so much because I wanted so many

1377
01:04:43,480 --> 01:04:46,040
Speaker 4: the same things as Charlotte wanted. He did yes, and

1378
01:04:46,440 --> 01:04:49,120
Speaker 4: I just I loved her. I love Charlotte, I continue

1379
01:04:49,120 --> 01:04:51,200
Speaker 4: to love Charlotte, and I will always love Charlotte.

1380
01:04:51,320 --> 01:04:55,120
Speaker 1: Thank you. I appreciate that. I love Charlotte too, I

1381
01:04:55,240 --> 01:04:58,720
Speaker 1: really do. And thank goodness, you know, because it's been

1382
01:04:58,760 --> 01:05:01,959
Speaker 1: a long time playing our, but she's really evolved. Yes,

1383
01:05:02,000 --> 01:05:04,320
Speaker 1: I mean it's interesting to look back, you know, it's

1384
01:05:04,360 --> 01:05:08,120
Speaker 1: really really interesting and I love to see like the

1385
01:05:08,160 --> 01:05:10,560
Speaker 1: little moments like when I pound on the table, you know,

1386
01:05:10,600 --> 01:05:13,520
Speaker 1: because certainly we're way more there now that she's a mom,

1387
01:05:14,000 --> 01:05:15,760
Speaker 1: you know what I mean. Like she's very I think

1388
01:05:15,760 --> 01:05:18,840
Speaker 1: also Harry has you know, given her the confidence to

1389
01:05:19,160 --> 01:05:21,640
Speaker 1: be more of herself or whatever, you know, to come

1390
01:05:21,640 --> 01:05:24,360
Speaker 1: out of her shell. I think very hard to be objective, though,

1391
01:05:24,480 --> 01:05:27,400
Speaker 1: I will say that's my take on it. Good good.

1392
01:05:27,400 --> 01:05:28,800
Speaker 1: If you agree, then then I feel better