1 00:00:00,080 --> 00:00:13,399 Speaker 1: M all right. This is a brand new I Am 2 00:00:13,520 --> 00:00:16,599 Speaker 1: Rapper Boys Tereo podcast. My name is Michael rapport A k. 3 00:00:16,800 --> 00:00:20,200 Speaker 1: The Gringo man Dingle. On today's episode, we are celebrating 4 00:00:20,720 --> 00:00:24,239 Speaker 1: Joe Pesci. It was Joe Pesci's birthday. We are not 5 00:00:24,440 --> 00:00:26,840 Speaker 1: taking this guy for granted. He's one of the greats, 6 00:00:26,960 --> 00:00:30,400 Speaker 1: one of the most original actors of the last thirty years. 7 00:00:30,400 --> 00:00:37,600 Speaker 1: Happy birthday. Everybody loves Joe. The final word on the Grammys. 8 00:00:38,360 --> 00:00:40,480 Speaker 1: I will stick by what I said last week because 9 00:00:40,479 --> 00:00:43,360 Speaker 1: I had to watch him perform again. Travis Scott is 10 00:00:43,440 --> 00:00:48,800 Speaker 1: not don't I explain. Plus, two thousand nineteen is not 11 00:00:48,840 --> 00:00:51,760 Speaker 1: the Year the Dragon. It's not the year of the Monkey. 12 00:00:52,400 --> 00:00:56,480 Speaker 1: Two thousand nineteen is the year of black face. It 13 00:00:56,600 --> 00:00:59,280 Speaker 1: is the year of the black face. More black face 14 00:00:59,360 --> 00:01:03,320 Speaker 1: controversy is Katie Perry. You know Katie Perry. I kissed 15 00:01:03,320 --> 00:01:05,600 Speaker 1: the girl and I liked it. With the chapstick and 16 00:01:05,600 --> 00:01:08,040 Speaker 1: all that dumb ship. She tried to put out some 17 00:01:08,120 --> 00:01:11,560 Speaker 1: black face shoes. I don't get it. I don't want 18 00:01:11,560 --> 00:01:14,040 Speaker 1: to get it. All that and more. On a Banging, 19 00:01:14,120 --> 00:01:18,000 Speaker 1: Big Body, Hard Body Karate I Am Rappaport Stereo podcast, 20 00:01:18,160 --> 00:01:20,960 Speaker 1: Miles Jordan's let make it something real nice, something real proper, 21 00:01:21,080 --> 00:01:24,679 Speaker 1: but most importantly, oh yeah, something real plunky. I am 22 00:01:24,760 --> 00:01:37,560 Speaker 1: Rapport Stereo Podcast. Let's go all right, brand new banging. 23 00:01:37,920 --> 00:01:46,240 Speaker 1: I am Rappaport Stereo Podcast Live from the gloom toon 24 00:01:46,319 --> 00:01:50,080 Speaker 1: of New York City. I am in New York City, 25 00:01:51,800 --> 00:01:57,400 Speaker 1: where the weather actually gets freezing fucking cold. Um, it's 26 00:01:57,400 --> 00:02:00,800 Speaker 1: not even freezing cold here. I have just my blood 27 00:02:00,920 --> 00:02:05,640 Speaker 1: is thinned um from being in the Los Angeles so much. 28 00:02:06,440 --> 00:02:13,560 Speaker 1: And I'm gonna be honest. I don't miss the cold ever, never, ever, 29 00:02:13,639 --> 00:02:19,560 Speaker 1: ever do I ever miss the cold? Um? Ever, I 30 00:02:19,639 --> 00:02:21,919 Speaker 1: don't miss it. I don't think about it, I don't 31 00:02:22,120 --> 00:02:25,960 Speaker 1: uh yearn for it. Um. I miss my friends. I 32 00:02:26,000 --> 00:02:29,800 Speaker 1: miss my family here, um, but I'm happy to wait 33 00:02:29,840 --> 00:02:35,160 Speaker 1: to see them in the spring, summer, fall, and early winter. 34 00:02:35,400 --> 00:02:38,520 Speaker 1: I don't like the fucking cold. New York is a 35 00:02:38,560 --> 00:02:42,840 Speaker 1: walking city. New York is a go about town city, 36 00:02:43,240 --> 00:02:47,080 Speaker 1: and when it's fucking freezing, you don't want to go anywhere. 37 00:02:48,600 --> 00:02:54,160 Speaker 1: But I'm here. I am gearing up to host the 38 00:02:54,280 --> 00:02:59,200 Speaker 1: Wendy Williams Show Tomorrow. I will be hosting the Wendy 39 00:02:59,320 --> 00:03:05,480 Speaker 1: Williams Show February. I assume that most of the Iron 40 00:03:05,560 --> 00:03:09,000 Speaker 1: Rap Reports stereo podcast fans do not record the Wendy 41 00:03:09,040 --> 00:03:15,440 Speaker 1: Williams show. UM, I suggest you record Wednesday, which would 42 00:03:15,440 --> 00:03:19,359 Speaker 1: be tomorrow in real time, UM, and check it out 43 00:03:19,440 --> 00:03:23,119 Speaker 1: because I'm going to be on their live I had 44 00:03:23,200 --> 00:03:28,360 Speaker 1: a pre production meeting with them, and the not cursing 45 00:03:28,880 --> 00:03:32,760 Speaker 1: conversation came up, not once, but twice, a total of 46 00:03:33,440 --> 00:03:37,520 Speaker 1: three conversations with me about not cursing. And I have 47 00:03:37,600 --> 00:03:41,320 Speaker 1: no problem with that. I said, you, guys, could you 48 00:03:41,320 --> 00:03:44,520 Speaker 1: could have this conversation while we're taping during commercial breaks? 49 00:03:45,040 --> 00:03:49,560 Speaker 1: You know, they have a teleprompter. It's not a teleprompter. 50 00:03:49,680 --> 00:03:52,360 Speaker 1: It's a thing in your ear. Forgot what that the 51 00:03:52,480 --> 00:03:54,000 Speaker 1: term is. But you have a thing in your ear 52 00:03:54,040 --> 00:03:58,040 Speaker 1: when you're doing these live shows. All these hosts they 53 00:03:58,040 --> 00:04:00,760 Speaker 1: have these things in their ears saying go to break 54 00:04:01,160 --> 00:04:06,240 Speaker 1: call for a commercial. UM asked him about his experience. Uh, 55 00:04:06,520 --> 00:04:09,160 Speaker 1: in this, you know when they're doing interviews and and 56 00:04:09,160 --> 00:04:12,400 Speaker 1: and they could remind me during this teleprompter it's not 57 00:04:12,440 --> 00:04:14,280 Speaker 1: a teleprompter to you, I don't know what it's called. 58 00:04:14,320 --> 00:04:17,400 Speaker 1: I'm sorry. I said you could you could remind me 59 00:04:17,480 --> 00:04:20,200 Speaker 1: every five minutes live while we're on live television. Not 60 00:04:20,279 --> 00:04:24,240 Speaker 1: to curse. I do not I do not have a 61 00:04:24,279 --> 00:04:28,600 Speaker 1: problem with it, and I totally understand. I will say 62 00:04:30,360 --> 00:04:36,000 Speaker 1: the only in fraction I ever had was about I 63 00:04:36,040 --> 00:04:41,680 Speaker 1: don't know, six years ago, I was on UM some 64 00:04:41,760 --> 00:04:46,159 Speaker 1: show on ESPN with me and Jamal Hill, and I 65 00:04:46,279 --> 00:04:52,440 Speaker 1: referred to the way Bill Belichick was answering questions from 66 00:04:52,520 --> 00:04:56,400 Speaker 1: the media as retarded. I said, I don't know why 67 00:04:56,440 --> 00:05:00,400 Speaker 1: he's doing that, retarded this or something like that. UM, 68 00:05:00,440 --> 00:05:02,479 Speaker 1: and this is it might even been seven years ago. 69 00:05:02,920 --> 00:05:04,599 Speaker 1: It seems like it was a while ago because it 70 00:05:04,680 --> 00:05:06,320 Speaker 1: was before I had Twitter, I know that, and it 71 00:05:06,360 --> 00:05:08,359 Speaker 1: was before Twitter was bumping off the way it is 72 00:05:09,000 --> 00:05:11,680 Speaker 1: now where you could say that now and then be 73 00:05:11,839 --> 00:05:16,120 Speaker 1: yanked off of live television UM, thrown down some sort 74 00:05:16,120 --> 00:05:20,479 Speaker 1: of shoot and never heard from again. So the point 75 00:05:20,600 --> 00:05:23,200 Speaker 1: is is that I can control myself now what we're 76 00:05:23,240 --> 00:05:28,720 Speaker 1: doing the Iron Rapports stereo podcast, this award winning championship 77 00:05:28,880 --> 00:05:32,919 Speaker 1: podcast that you're listening listening to, I could say whatever 78 00:05:32,960 --> 00:05:37,280 Speaker 1: the fuck I want, whenever the fuck I wanted. And 79 00:05:37,320 --> 00:05:41,359 Speaker 1: this is how I prefer to speak openly, honestly and 80 00:05:41,440 --> 00:05:49,159 Speaker 1: not curb my a language okay, But that being said, 81 00:05:49,200 --> 00:05:51,520 Speaker 1: I I'm not a savage and I know how to 82 00:05:51,560 --> 00:05:53,440 Speaker 1: do it. The point is is that I will be 83 00:05:53,520 --> 00:05:58,240 Speaker 1: on the Wendy Williams Show of February, and it's going 84 00:05:58,279 --> 00:06:01,479 Speaker 1: to be magical. I could just it. It's going to 85 00:06:01,560 --> 00:06:07,279 Speaker 1: be a magical, non cursing, shit talking extravaganzascy. I pride 86 00:06:07,320 --> 00:06:09,960 Speaker 1: myself and the fact that I could still talk shit 87 00:06:10,120 --> 00:06:17,880 Speaker 1: without having to say shit and so on and so on. Um. 88 00:06:17,920 --> 00:06:20,760 Speaker 1: A couple of days late, uh, it was this weekend. 89 00:06:21,320 --> 00:06:26,800 Speaker 1: But everybody loves Joe Pesci. Everybody loves Joe. Joe Pesci 90 00:06:26,839 --> 00:06:35,160 Speaker 1: just turned seventy five years old, Joe p And I 91 00:06:35,200 --> 00:06:39,560 Speaker 1: was just thinking about Joe Pesci, um and how unique 92 00:06:40,080 --> 00:06:45,360 Speaker 1: and how original of an actor he is, and how 93 00:06:45,480 --> 00:06:51,160 Speaker 1: um he brought such a specific special thing um, which 94 00:06:51,200 --> 00:06:56,359 Speaker 1: is why he stands out. Um. Nobody gets angry the 95 00:06:56,400 --> 00:07:01,880 Speaker 1: way Joe Pesci gets angry. Nobody is as funny being 96 00:07:01,960 --> 00:07:07,280 Speaker 1: angry as Joe Pesci. Um. His work speaks for itself. 97 00:07:07,279 --> 00:07:11,160 Speaker 1: Of course. He he had his big break in my 98 00:07:11,280 --> 00:07:14,320 Speaker 1: favorite movie of all time, Raging Bowl. But did you 99 00:07:14,400 --> 00:07:19,720 Speaker 1: know Joe Pesci he was a child actor, which is weird. 100 00:07:19,760 --> 00:07:21,360 Speaker 1: But when he was a kid, he he was on 101 00:07:21,440 --> 00:07:25,320 Speaker 1: some show I never saw it, Uh, the Lucy Show, 102 00:07:25,800 --> 00:07:28,800 Speaker 1: which I don't think it was a very successful show. Um. 103 00:07:28,880 --> 00:07:31,840 Speaker 1: But he he was on television shows when he when 104 00:07:31,840 --> 00:07:34,760 Speaker 1: he was a kid. Um. And then of course he 105 00:07:34,840 --> 00:07:39,680 Speaker 1: got discovered by Scorsese and de Niro through I believe 106 00:07:39,800 --> 00:07:43,360 Speaker 1: the great Frank Vincent, the late great Frank Vincent who 107 00:07:43,400 --> 00:07:46,880 Speaker 1: passed away. Um, who's the actor who was in Raging 108 00:07:46,920 --> 00:07:53,840 Speaker 1: Bowl and Goodfellas and Sopranos with the beautiful thick gray hair. Um. 109 00:07:53,880 --> 00:07:56,840 Speaker 1: And he was a singer and as anyway, Joe Pesci 110 00:07:57,200 --> 00:08:00,840 Speaker 1: just turned and and let's not tell him for granted 111 00:08:01,040 --> 00:08:04,600 Speaker 1: the work that he has done and the skill that 112 00:08:04,640 --> 00:08:07,120 Speaker 1: he has, because I think somebody like Joe Pesci who 113 00:08:07,760 --> 00:08:09,680 Speaker 1: makes it look so easy and you're like, you know, 114 00:08:09,760 --> 00:08:12,640 Speaker 1: he's kind of like that in real life that's never 115 00:08:12,680 --> 00:08:16,400 Speaker 1: the case. Whether somebody is kind of like it a 116 00:08:16,440 --> 00:08:19,880 Speaker 1: lot like it, Uh comes from that and plays mobsters 117 00:08:19,880 --> 00:08:23,680 Speaker 1: and he new Mobsters. Joe Pesci is a highly skilled, 118 00:08:24,040 --> 00:08:31,880 Speaker 1: highly talented, totally unique actor who who brought a specific energy, 119 00:08:31,920 --> 00:08:36,960 Speaker 1: a specific sort of uh cadence, a specific sort of 120 00:08:37,080 --> 00:08:43,280 Speaker 1: genuineness to his performances, all his performances, even the comedies 121 00:08:43,880 --> 00:08:46,640 Speaker 1: like Lethal Weapon, Lethal Weapon Too, I think it was, 122 00:08:47,360 --> 00:08:52,440 Speaker 1: and The Home Alone and my cousin Vinny and and um, 123 00:08:52,920 --> 00:08:56,040 Speaker 1: you know all the obvious stuff, Goodfellas and a Bronx 124 00:08:56,080 --> 00:09:00,600 Speaker 1: Tale and Casino. Um and and he's just one of 125 00:09:00,600 --> 00:09:03,160 Speaker 1: a kind actor. And you know, there's this film coming 126 00:09:03,160 --> 00:09:06,400 Speaker 1: out this year. I think they shot it in two 127 00:09:06,400 --> 00:09:09,680 Speaker 1: thousand seventeen and they finished in two thousand eighteen, The Irishman, 128 00:09:11,040 --> 00:09:14,400 Speaker 1: which is this is gonna be fucking exciting. I'm going 129 00:09:14,640 --> 00:09:20,640 Speaker 1: day one, screaming one to see this The Irishman, which 130 00:09:20,720 --> 00:09:27,280 Speaker 1: is directed by Martin's Corsese. Um and it's starring Al Paccino, 131 00:09:28,559 --> 00:09:33,160 Speaker 1: Robert de Niro, Joe Pesci. I guess Ray Romano is 132 00:09:33,200 --> 00:09:36,320 Speaker 1: in there, which he's he's a pretty good actor. Um. 133 00:09:36,720 --> 00:09:39,599 Speaker 1: And it's gonna be sick. It's gonna Harvey Keitel is 134 00:09:39,600 --> 00:09:42,079 Speaker 1: in it. It's going to be sick. It's a mob 135 00:09:42,160 --> 00:09:46,360 Speaker 1: film based on this book called They Paint Houses, Don't 136 00:09:46,360 --> 00:09:51,000 Speaker 1: They about the Irish Mob and the Irish mobs connection 137 00:09:51,080 --> 00:09:54,760 Speaker 1: with the Italian mob. And it's coming out on Netflix, 138 00:09:54,800 --> 00:09:56,400 Speaker 1: but I know it will be in the movie theater 139 00:09:56,480 --> 00:10:01,080 Speaker 1: for two days, and I will not go. I will 140 00:10:01,120 --> 00:10:03,800 Speaker 1: not be watching that movie for the first time on Netflix. 141 00:10:04,280 --> 00:10:07,280 Speaker 1: I will be in the theater in a the first 142 00:10:07,320 --> 00:10:10,439 Speaker 1: screening and and I'm sure there'll be some other lunatics 143 00:10:10,440 --> 00:10:14,319 Speaker 1: in there the first screening, first day, but I I 144 00:10:14,600 --> 00:10:16,400 Speaker 1: can't wait. The only thing that I'm concerned about the 145 00:10:16,400 --> 00:10:21,120 Speaker 1: irishman um the new Scorsese, De Niro, Pesci and Pacino 146 00:10:21,200 --> 00:10:26,520 Speaker 1: Pacino has never worked with Martin Scorsese um, is that 147 00:10:27,400 --> 00:10:33,319 Speaker 1: they're d aging the actors. And this is a big 148 00:10:33,440 --> 00:10:36,840 Speaker 1: fucking concern to me. They are using some sort of 149 00:10:36,960 --> 00:10:44,720 Speaker 1: c g I process to d age Joe Pesci, Robert 150 00:10:44,720 --> 00:10:50,560 Speaker 1: de Niro, an al Pacino. UM because the film spans time. 151 00:10:51,640 --> 00:10:55,400 Speaker 1: Uh so at one point in the film, uh there 152 00:10:55,440 --> 00:10:58,520 Speaker 1: you know, they the age that they are now and 153 00:10:58,880 --> 00:11:01,800 Speaker 1: at some point in the film him, uh, they're gonna 154 00:11:01,800 --> 00:11:04,400 Speaker 1: be like forty and fifty years old. And I am 155 00:11:04,520 --> 00:11:09,080 Speaker 1: concerned about that, UM because the reason why it concerns 156 00:11:09,080 --> 00:11:12,960 Speaker 1: me about with these guys who are so iconic and 157 00:11:12,960 --> 00:11:16,960 Speaker 1: and specifically myself, but I think everybody we we've watched 158 00:11:17,320 --> 00:11:22,240 Speaker 1: Joe Pesci, we've watched Al Pacino, we've watched de Niro 159 00:11:22,559 --> 00:11:25,920 Speaker 1: as young men, so we know what they look like 160 00:11:26,840 --> 00:11:30,000 Speaker 1: when they were forty fifty, uh, thirty. I don't know 161 00:11:30,000 --> 00:11:34,000 Speaker 1: how fucking how back in time they're taking them. Um, 162 00:11:34,120 --> 00:11:36,600 Speaker 1: but I just if it looks weird or looks fake, 163 00:11:37,160 --> 00:11:40,640 Speaker 1: especially when you watch it on television, because these televisions 164 00:11:40,640 --> 00:11:44,000 Speaker 1: where they're like you could see every blemish, I just 165 00:11:44,160 --> 00:11:45,839 Speaker 1: I just hope it doesn't look weird because that will 166 00:11:45,920 --> 00:11:47,960 Speaker 1: take you out of the movie. If, like Robert DeNiro 167 00:11:48,080 --> 00:11:50,760 Speaker 1: all of a sudden looks thirty and it doesn't look 168 00:11:50,800 --> 00:11:54,400 Speaker 1: like a natural Robert DeNiro at thirty, it could be 169 00:11:54,440 --> 00:11:57,680 Speaker 1: weird that. That's my biggest concern with it. But that's 170 00:11:57,720 --> 00:11:59,920 Speaker 1: why I guess the film is taking so long, because 171 00:12:00,000 --> 00:12:03,360 Speaker 1: they're doing it at the highest level. Blah blah blah 172 00:12:03,400 --> 00:12:06,679 Speaker 1: blah blah. I'll be there day one, screening one, no 173 00:12:06,720 --> 00:12:09,400 Speaker 1: matter what, with my full review, and I believe the 174 00:12:09,440 --> 00:12:13,120 Speaker 1: film is coming out November of two nine, and I'm 175 00:12:13,120 --> 00:12:18,959 Speaker 1: already hyped. What else am I hyped about? The fucking Grammys. 176 00:12:20,160 --> 00:12:27,360 Speaker 1: I don't know why, particularly in hip hop, these young 177 00:12:27,480 --> 00:12:32,440 Speaker 1: rappers even concern themselves with the Grammys and and and 178 00:12:32,480 --> 00:12:35,559 Speaker 1: the funny thing is about the Grammys. Is that all 179 00:12:35,600 --> 00:12:39,800 Speaker 1: these artists, especially hip hop dude, they all say, we 180 00:12:39,840 --> 00:12:43,560 Speaker 1: don't give a funk about the Grammys. Uh, Grammys don't 181 00:12:43,559 --> 00:12:46,800 Speaker 1: mean shit. We don't need the Grammys to validate us 182 00:12:47,040 --> 00:12:51,320 Speaker 1: until they win the Grammy. That's the fucking thing. No 183 00:12:51,400 --> 00:12:54,200 Speaker 1: one cares about the fucking Grammys until they win it. 184 00:12:54,240 --> 00:12:59,160 Speaker 1: Then they're the falling and crying and hyper ventilating and 185 00:12:59,240 --> 00:13:03,080 Speaker 1: all that ship. Um, And you should have just listened 186 00:13:03,120 --> 00:13:07,040 Speaker 1: to Chuck D when he infamously said, and I quote, 187 00:13:07,200 --> 00:13:11,640 Speaker 1: who gives a funk about the goddamn Grammys? That that 188 00:13:11,640 --> 00:13:16,920 Speaker 1: that was? That was right thirty years ago. If you 189 00:13:17,000 --> 00:13:22,880 Speaker 1: remember Will Smith, the Fresh Prince, Chuck D, all the Old, 190 00:13:22,920 --> 00:13:26,240 Speaker 1: the Kid in Play, Salt and Pepper, they all got 191 00:13:26,280 --> 00:13:29,920 Speaker 1: nominated for Grammys for the first time. Um, and then 192 00:13:29,960 --> 00:13:32,600 Speaker 1: the Grammys decided not to show the Best hip Hop 193 00:13:32,640 --> 00:13:34,760 Speaker 1: Song or Best Rap Song or whatever they refer to 194 00:13:34,800 --> 00:13:37,880 Speaker 1: it as and they didn't show up at the Grammys. Now, listen, 195 00:13:38,800 --> 00:13:41,360 Speaker 1: it's easy for me to say, oh, these awards don't 196 00:13:41,360 --> 00:13:43,360 Speaker 1: mean ship, and then when you get them, how exciting 197 00:13:43,440 --> 00:13:48,280 Speaker 1: it is. But regarding hip hop, these awards don't mean shit. 198 00:13:49,679 --> 00:13:52,960 Speaker 1: The fact that they nominate some of the people that 199 00:13:53,000 --> 00:13:57,560 Speaker 1: they even nominate is is a joke. And it just 200 00:13:58,400 --> 00:14:01,720 Speaker 1: it shouldn't be excited. I didn't just because the best 201 00:14:01,760 --> 00:14:06,560 Speaker 1: people aren't even given the awards. The award nominations, Um, 202 00:14:06,640 --> 00:14:10,000 Speaker 1: cardi b one Best Rap Song or Best Rap Record 203 00:14:10,040 --> 00:14:12,640 Speaker 1: and all that stuff. Um. I know, I know I'm 204 00:14:12,679 --> 00:14:14,920 Speaker 1: a rap purist and all that stuff. But when you 205 00:14:14,960 --> 00:14:19,720 Speaker 1: don't acknowledge the album that eminem put out. Um and 206 00:14:19,760 --> 00:14:22,119 Speaker 1: I don't think the Push a T Record was nominated 207 00:14:22,200 --> 00:14:28,120 Speaker 1: for certain who listen, these Grammys are whack as fuck, okay, um, 208 00:14:28,160 --> 00:14:31,800 Speaker 1: and the entire Grammys itself, uh was whack. And I'm 209 00:14:31,840 --> 00:14:34,160 Speaker 1: in New York and I didn't have good cable connection. 210 00:14:34,480 --> 00:14:36,560 Speaker 1: I was trying. I was trying to watch the Warriors 211 00:14:36,640 --> 00:14:39,160 Speaker 1: play the Miami Heat, but I couldn't get a good 212 00:14:39,280 --> 00:14:42,760 Speaker 1: NBA TV connection on my cable, so I just kept 213 00:14:42,760 --> 00:14:46,160 Speaker 1: watching the Grammys. And it's just the show itself is whack. 214 00:14:46,680 --> 00:14:49,160 Speaker 1: And and I said it last week after the Super Bowl, 215 00:14:50,240 --> 00:14:52,360 Speaker 1: and I'll say it again after having to watch him 216 00:14:52,400 --> 00:14:55,800 Speaker 1: two times in a row. Watch this guy two times 217 00:14:55,800 --> 00:15:01,960 Speaker 1: in a row, This dude, Travis Scott, He's not dope. 218 00:15:03,040 --> 00:15:07,040 Speaker 1: I watched him at the super Bowl perform whack, and 219 00:15:07,080 --> 00:15:13,360 Speaker 1: then I watched him perform at the Grammys whack whack, 220 00:15:13,480 --> 00:15:15,480 Speaker 1: and I tweeted something about this, and people like you 221 00:15:15,640 --> 00:15:18,760 Speaker 1: you old black and I'm like, my ears ain't old, 222 00:15:18,800 --> 00:15:21,360 Speaker 1: and I'm not that old. Duke. You're mad because you're 223 00:15:21,400 --> 00:15:28,400 Speaker 1: sitting there humping and gyrating and and you're working out 224 00:15:28,440 --> 00:15:31,920 Speaker 1: to this dude, Travis Scott, that's on you. I watched 225 00:15:32,000 --> 00:15:36,200 Speaker 1: him perform live on two of the biggest platforms ever. 226 00:15:36,360 --> 00:15:39,240 Speaker 1: That means if I'm any hour, any artist, I'm going 227 00:15:39,280 --> 00:15:43,880 Speaker 1: to give the best show I possibly can. You're on 228 00:15:43,920 --> 00:15:48,400 Speaker 1: the super Bowl and you're on the Grammys exactly seven 229 00:15:48,480 --> 00:15:55,560 Speaker 1: days later, and both times you're straight trash. There's nobody 230 00:15:55,600 --> 00:15:58,720 Speaker 1: who can tell me that Travis Scott on the super 231 00:15:58,760 --> 00:16:02,840 Speaker 1: Bowl and Travis Scott on the Grammys is something uh 232 00:16:02,880 --> 00:16:08,240 Speaker 1: to rewatch. Ever, I don't get it at all. Money 233 00:16:08,440 --> 00:16:12,520 Speaker 1: is not dope. He's not dope as a performer. He's 234 00:16:12,560 --> 00:16:16,360 Speaker 1: not dope as a as a song maker. The songs 235 00:16:16,400 --> 00:16:20,160 Speaker 1: are whack and the performances are whack whack plus whack. 236 00:16:20,520 --> 00:16:25,520 Speaker 1: You know what that equals. That's right, whack. It's it's 237 00:16:25,600 --> 00:16:32,720 Speaker 1: basic arithmetic. Whack plus whack always equals whack. Okay, um, 238 00:16:32,960 --> 00:16:40,760 Speaker 1: Lady Gaga, you're panting and whimpering that you do every 239 00:16:40,800 --> 00:16:43,280 Speaker 1: time you win an award, whether it's an award for 240 00:16:43,320 --> 00:16:46,600 Speaker 1: a singer or some of these awards you've won as 241 00:16:46,640 --> 00:16:51,960 Speaker 1: an artist. It's getting old. It's a stick every single 242 00:16:52,080 --> 00:16:55,160 Speaker 1: like I get it when you're new, I get it 243 00:16:55,440 --> 00:16:59,240 Speaker 1: when you you first, But every time she's like okay, 244 00:17:00,440 --> 00:17:06,000 Speaker 1: she's like fucking convulsion and whimpering and panting. Get ahold 245 00:17:06,040 --> 00:17:11,160 Speaker 1: of yourself, Lady Gaga, get a hole of yourself. It's 246 00:17:11,160 --> 00:17:15,000 Speaker 1: a fucking it's an act every single time you when 247 00:17:15,160 --> 00:17:17,359 Speaker 1: you win an award, it's like you're all over the 248 00:17:17,359 --> 00:17:22,520 Speaker 1: fucking place. People were offended that Jennifer Lopez was the 249 00:17:22,640 --> 00:17:27,560 Speaker 1: lead performer in the Motown tribute. I get it, um, 250 00:17:27,600 --> 00:17:31,560 Speaker 1: but not because she's Latin. Because at the core, Jennifer 251 00:17:31,560 --> 00:17:36,919 Speaker 1: Lopez can't sing. And any person that was ever signed 252 00:17:37,000 --> 00:17:39,760 Speaker 1: or performed under the Motown label, the first thing that 253 00:17:39,840 --> 00:17:45,040 Speaker 1: they could do before dancing and performing, The biggest skill 254 00:17:45,080 --> 00:17:48,800 Speaker 1: set had to be singing. Whether it's Marvin Gay, Stevie Wonder, 255 00:17:48,920 --> 00:17:53,600 Speaker 1: Diana Ross and the Supremes. Uh Smokey Robinson, the voices first. 256 00:17:53,680 --> 00:17:58,280 Speaker 1: Everything else was just icing on the Motown performing cake. Now. 257 00:17:58,480 --> 00:18:01,000 Speaker 1: I love Jennifer Lopez just as much as the next person. 258 00:18:01,320 --> 00:18:05,160 Speaker 1: I've always loved there who doesn't love fucking j lo Um. 259 00:18:05,200 --> 00:18:09,879 Speaker 1: But people, uh, we're dissinger because and and this in 260 00:18:10,000 --> 00:18:14,000 Speaker 1: her whole um involvement in a Motown treatment during the 261 00:18:14,040 --> 00:18:17,160 Speaker 1: Great Grammys, because she's Latin, they should be more offensive 262 00:18:17,200 --> 00:18:19,240 Speaker 1: the fact that they put somebody up there that can't 263 00:18:19,280 --> 00:18:23,639 Speaker 1: really sing. She could dance. She's a great performer, but 264 00:18:23,840 --> 00:18:27,159 Speaker 1: singing is in her strong suit. She's a fine singer. 265 00:18:27,680 --> 00:18:31,320 Speaker 1: But you're not gonna prop Jennifer Lopez up to hear 266 00:18:31,359 --> 00:18:35,600 Speaker 1: her sing the national anthem acapella. You're not gonna sit 267 00:18:35,600 --> 00:18:39,040 Speaker 1: there and watch Jennifer Lopez without the bells and whistles 268 00:18:39,080 --> 00:18:42,760 Speaker 1: and the lightning and the the the the backup dancers 269 00:18:42,800 --> 00:18:46,040 Speaker 1: and the big screen behind her. And she needs that, 270 00:18:46,160 --> 00:18:48,280 Speaker 1: And that's fine, that's the kind of performer she is. 271 00:18:50,080 --> 00:18:53,119 Speaker 1: But the Grammys were very clear that there's a huge 272 00:18:53,560 --> 00:18:58,000 Speaker 1: Motown sixtieth anniversary coming up, and I believe March and 273 00:18:58,000 --> 00:19:00,720 Speaker 1: this was just a little precursor and the big guns 274 00:19:00,760 --> 00:19:05,080 Speaker 1: Stevie wonder, Jennifer Hudson, all the uh, the the Motown 275 00:19:05,160 --> 00:19:10,320 Speaker 1: singers that are still alive, and all the badass singers, 276 00:19:10,359 --> 00:19:13,880 Speaker 1: and I'm sure fucking what's his name? What the fund 277 00:19:13,960 --> 00:19:16,760 Speaker 1: is his name? Usher? And all of them are gonna 278 00:19:16,800 --> 00:19:21,600 Speaker 1: be performing at that CBS Grammy sixty anniversary. But most 279 00:19:21,640 --> 00:19:24,240 Speaker 1: people didn't even watch the Grammys. They're just complaining. It's 280 00:19:24,240 --> 00:19:31,000 Speaker 1: this goddamn fucking Twitter, This Twitter. Twitter is like, there 281 00:19:31,000 --> 00:19:33,639 Speaker 1: needs to be a third party. I'm sick of this 282 00:19:33,840 --> 00:19:37,960 Speaker 1: fucking Twitter. They have a stronghold on everything, and they 283 00:19:38,080 --> 00:19:43,280 Speaker 1: create fake news. People are saying people aren't saying shit. 284 00:19:44,280 --> 00:19:47,880 Speaker 1: A couple of people on Twitter tweeted this and they're like, well, 285 00:19:47,920 --> 00:19:51,879 Speaker 1: people are saying people are upset. Give me a fucking 286 00:19:51,920 --> 00:19:55,240 Speaker 1: break with the Twitter ship. I'd be more offended about 287 00:19:55,280 --> 00:19:59,960 Speaker 1: Travis Scott doing Travis Scott than Jennifer Lopez doing Motown. 288 00:20:00,359 --> 00:20:04,720 Speaker 1: That to me is more offended offensive that Travis Scott 289 00:20:04,800 --> 00:20:07,520 Speaker 1: is considered the biggest most successful rapper artists of two 290 00:20:07,560 --> 00:20:11,960 Speaker 1: thousand and eighteen and he's not a good performer himself. 291 00:20:13,880 --> 00:20:18,320 Speaker 1: What else is called? Katie Perry Katie fucking I swear, 292 00:20:18,440 --> 00:20:23,760 Speaker 1: I do not get how in two thousand nineteen. Two 293 00:20:23,800 --> 00:20:27,240 Speaker 1: thousand nineteen is gonna be the year of the black face. 294 00:20:28,320 --> 00:20:33,080 Speaker 1: I don't get this ship. You got Gucci black face controversy. 295 00:20:33,440 --> 00:20:37,360 Speaker 1: You got those fucking lunatics down in Virginia with their 296 00:20:37,400 --> 00:20:39,400 Speaker 1: black face. One of them dressed up in black face, 297 00:20:39,440 --> 00:20:43,280 Speaker 1: said he's Michael Jackson. The other one said he dressed 298 00:20:43,359 --> 00:20:47,000 Speaker 1: up in black face, said he's Curtis Blow. And now 299 00:20:47,119 --> 00:20:51,159 Speaker 1: Katie Perry, Yeah, that Katie Perry. You know Katie Perry. 300 00:20:51,200 --> 00:20:55,040 Speaker 1: I kissed the girl, Katie Perry. She's in some black 301 00:20:55,080 --> 00:20:59,640 Speaker 1: face controversy about. She has a shoe line and one 302 00:20:59,640 --> 00:21:04,080 Speaker 1: of the signs is called black face, and it's an 303 00:21:04,080 --> 00:21:07,400 Speaker 1: all black shoe with like like like a black face, 304 00:21:07,480 --> 00:21:12,679 Speaker 1: like the the the stereotypical minstrel black face features, not 305 00:21:13,280 --> 00:21:18,880 Speaker 1: totally like over the top bamboozled style. But enough, in 306 00:21:18,920 --> 00:21:22,080 Speaker 1: this fucking climate, the year of the black face usually 307 00:21:22,160 --> 00:21:24,919 Speaker 1: got the year the dragon, the year of the monkey, uh, 308 00:21:25,000 --> 00:21:26,560 Speaker 1: the year of the rhino. This is the year of 309 00:21:26,560 --> 00:21:30,639 Speaker 1: the fucking black face. Um, so she's in the middle 310 00:21:30,640 --> 00:21:35,000 Speaker 1: of the But here's the suggestion for everybody. And I 311 00:21:35,040 --> 00:21:37,600 Speaker 1: don't like to self promote unless you know it's something 312 00:21:37,640 --> 00:21:39,800 Speaker 1: like me hosting Wendy Williams. But in general, I don't 313 00:21:39,800 --> 00:21:46,960 Speaker 1: like to self promote myself. Motherfucker's need to rewatch the 314 00:21:47,040 --> 00:21:50,360 Speaker 1: movie that I did with Spike Lee, not because I'm 315 00:21:50,400 --> 00:21:57,439 Speaker 1: in it. Rewatch Bamboozled. Rewatch fucking bamboos. First of all, 316 00:21:57,480 --> 00:22:01,320 Speaker 1: it's a really good film, but it'll explain everything. It's 317 00:22:01,359 --> 00:22:04,639 Speaker 1: a crash course, a ninety minute I think it's ninety 318 00:22:04,640 --> 00:22:08,919 Speaker 1: minutes or a hundred minutes, A hundred minute crash course 319 00:22:10,080 --> 00:22:15,239 Speaker 1: in the history of black face, why it's offensive, and 320 00:22:15,240 --> 00:22:18,560 Speaker 1: why it would be offensive to have any fucking doings 321 00:22:19,920 --> 00:22:22,800 Speaker 1: with black face. And two thousand nineteen, and that fucking 322 00:22:22,800 --> 00:22:27,320 Speaker 1: movie came out and I think, uh n or two 323 00:22:27,400 --> 00:22:29,159 Speaker 1: thousand and one or two, I don't know when the 324 00:22:29,200 --> 00:22:33,680 Speaker 1: funk it came out. If this was like seven, I 325 00:22:34,000 --> 00:22:36,600 Speaker 1: would understand, Oh, there's all these black face cases and 326 00:22:36,960 --> 00:22:41,600 Speaker 1: it's two thousand nineteen. I'm not saying here saying I'm 327 00:22:41,680 --> 00:22:46,600 Speaker 1: Mr fucking Purity and Mr Perfect and Mr uh you know, 328 00:22:47,640 --> 00:22:52,360 Speaker 1: everything's right and uh kosher, but black face. We took 329 00:22:52,440 --> 00:22:55,600 Speaker 1: him all black face. To quote the great Alan iverson 330 00:22:56,040 --> 00:22:59,000 Speaker 1: black face. Wait a minute, Wait a minute, we talked 331 00:22:59,040 --> 00:23:02,040 Speaker 1: about black face. Y'all got me here talking about black 332 00:23:02,080 --> 00:23:07,760 Speaker 1: face again. To quote the great Allen Iverson's rant about practice, 333 00:23:08,000 --> 00:23:10,600 Speaker 1: Miles Jordan, please play a little bit of that practice rant. 334 00:23:10,800 --> 00:23:13,359 Speaker 1: Were sitting here. I was supposed to be the franchise player, 335 00:23:13,359 --> 00:23:17,200 Speaker 1: and we're in here talking about practice. I mean, listen, 336 00:23:17,280 --> 00:23:20,720 Speaker 1: we're talking about practice. Not a game, not a game, 337 00:23:21,080 --> 00:23:25,640 Speaker 1: not a game. We're talking about practice. Allen Iverson said, practice. 338 00:23:25,960 --> 00:23:29,159 Speaker 1: We're talking about practice, and I said, black face. We're 339 00:23:29,160 --> 00:23:32,320 Speaker 1: talking about black faces. Crazy to me that this continues 340 00:23:32,359 --> 00:23:35,280 Speaker 1: to come up fucking like every day. It's like town 341 00:23:35,320 --> 00:23:45,320 Speaker 1: you the year of the black Face podcast. The new 342 00:23:45,400 --> 00:23:48,119 Speaker 1: year means new resolutions, and we've got one year working 343 00:23:48,119 --> 00:23:53,119 Speaker 1: one twice every single day brushing your teeth and with 344 00:23:53,240 --> 00:23:57,919 Speaker 1: equip Electric toothbrush, sticking to good habits is simple. 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If you go to get quip g 362 00:25:05,960 --> 00:25:09,280 Speaker 1: E t q U I P g E t q 363 00:25:09,560 --> 00:25:12,399 Speaker 1: U I p dot com get quip dot com Forward 364 00:25:12,440 --> 00:25:16,159 Speaker 1: slash I am wrappaport right now you can get your 365 00:25:16,200 --> 00:25:20,679 Speaker 1: first refill for free. That's your first refill pack for 366 00:25:20,840 --> 00:25:26,879 Speaker 1: free at get quip dot com slash I am wrappaport. 367 00:25:26,920 --> 00:25:29,720 Speaker 1: You want to have a good time, you gotta have 368 00:25:30,040 --> 00:25:33,960 Speaker 1: good teeth. Go to get quip dot com now forward 369 00:25:34,000 --> 00:25:50,640 Speaker 1: slash I am wrappaport Kareem Hunts. Kareem Hunt, the Kansas 370 00:25:50,680 --> 00:25:54,760 Speaker 1: City Chief running back, former Kansas City Chief running back 371 00:25:56,000 --> 00:25:59,280 Speaker 1: who got cut by the Chiefs. I don't know what 372 00:25:59,280 --> 00:26:02,000 Speaker 1: we remember what week it was, but because the video 373 00:26:02,760 --> 00:26:06,679 Speaker 1: of him uh fighting in the hallway and pushing the 374 00:26:06,720 --> 00:26:10,879 Speaker 1: girl and then kicking the girl, um came out, they 375 00:26:10,920 --> 00:26:12,879 Speaker 1: cut his ass immediately, which I think is a smart 376 00:26:12,920 --> 00:26:15,639 Speaker 1: thing to do. You can't funk around. They cut his 377 00:26:15,680 --> 00:26:21,400 Speaker 1: ass immediately. He just got picked up by the Cleveland Browns. 378 00:26:22,480 --> 00:26:27,240 Speaker 1: Um his whole case, That whole situation is under investigation. Still, 379 00:26:27,520 --> 00:26:31,800 Speaker 1: I think he's gonna wind up getting ship. They don't 380 00:26:31,800 --> 00:26:36,919 Speaker 1: funk around now. Six six games, eight games? Could he 381 00:26:36,960 --> 00:26:44,639 Speaker 1: possibly miss a whole season? Unless unless Kareem Hunt uses 382 00:26:44,800 --> 00:26:50,640 Speaker 1: the old N word excuse. Oh yeah, Kareem Hunt. If 383 00:26:50,680 --> 00:26:55,560 Speaker 1: you're listening, and he might be listening, We drafted him. 384 00:26:55,600 --> 00:26:58,280 Speaker 1: He was the number one draft pick, and I believe 385 00:26:59,800 --> 00:27:03,320 Speaker 1: the Stern Show he was the number one draft pick 386 00:27:03,320 --> 00:27:05,679 Speaker 1: and one of my fucking fantasy football leagues and he 387 00:27:05,760 --> 00:27:08,000 Speaker 1: was kicking ass. I think he was the number one 388 00:27:08,080 --> 00:27:11,359 Speaker 1: draft pick. Number two. Listen. Kareem Hunt is a fucking beast. 389 00:27:12,440 --> 00:27:14,679 Speaker 1: But if you're out there listening Kareem Hunt, and you 390 00:27:14,760 --> 00:27:17,240 Speaker 1: want to try to fight for your career and your 391 00:27:18,000 --> 00:27:21,800 Speaker 1: your professional career, you need to pull out the old 392 00:27:22,240 --> 00:27:26,439 Speaker 1: N word excuse because if you watch the videotape, the 393 00:27:26,480 --> 00:27:29,560 Speaker 1: woman that he's in the little altercation with, and I 394 00:27:29,600 --> 00:27:33,119 Speaker 1: say little not to demean it. Cannot put your fucking 395 00:27:33,160 --> 00:27:35,159 Speaker 1: hands on woman, You can't put your feet on women. 396 00:27:35,760 --> 00:27:40,160 Speaker 1: Don't do it. So I'm not in any way, uh 397 00:27:40,359 --> 00:27:43,480 Speaker 1: making it smaller than it was by saying little. Just 398 00:27:43,520 --> 00:27:45,600 Speaker 1: going off the cuff here, I'm talking my ship. But 399 00:27:46,040 --> 00:27:50,680 Speaker 1: Kareem Hunt, if you want to fight this case, you're 400 00:27:50,680 --> 00:27:53,320 Speaker 1: gonna get suspending no matter what. But it could be 401 00:27:53,320 --> 00:27:57,160 Speaker 1: a matter of an entire season suspension, eight games suspension. 402 00:27:57,160 --> 00:28:00,520 Speaker 1: They might spend this motherfucker ten games. Who knows. You 403 00:28:00,680 --> 00:28:05,520 Speaker 1: better pull out the old N word excuse, yo. I 404 00:28:05,720 --> 00:28:10,439 Speaker 1: fucked up. I shouldn't have done what I did. I 405 00:28:10,600 --> 00:28:14,080 Speaker 1: blacked out because when she called me the N word, 406 00:28:14,640 --> 00:28:17,119 Speaker 1: I had never been called that before in my life, 407 00:28:17,359 --> 00:28:23,479 Speaker 1: and I bugged out again. I apologize I was wrong. 408 00:28:24,119 --> 00:28:26,919 Speaker 1: I take all the suspension that you're gonna give me. 409 00:28:27,440 --> 00:28:32,480 Speaker 1: I'll seek counseling, I'll do community service, I'll donate money, 410 00:28:32,840 --> 00:28:38,440 Speaker 1: But I did blackout when she called me the N word, 411 00:28:38,520 --> 00:28:42,960 Speaker 1: Kareem Hunt. That is your only fucking thing. It's the 412 00:28:43,040 --> 00:28:46,440 Speaker 1: only excuse that you have to soften the blow which 413 00:28:46,440 --> 00:28:49,200 Speaker 1: you're inevitably gonna face, and you should fucking face it 414 00:28:51,240 --> 00:28:54,400 Speaker 1: out there fighting with girls, pushing girls, arguing with girls 415 00:28:54,400 --> 00:28:59,280 Speaker 1: in the hallway. Come on, man, that's dumb ship. That's 416 00:28:59,320 --> 00:29:03,000 Speaker 1: real fucking umphtion. That's not just dumb shit, that's real 417 00:29:03,080 --> 00:29:07,960 Speaker 1: dumb ship. The NBA is I said this before, I 418 00:29:07,960 --> 00:29:11,280 Speaker 1: I need a break. I need an All Star break myself, 419 00:29:11,400 --> 00:29:16,280 Speaker 1: like I need a complete like no basketball, no drama, 420 00:29:16,760 --> 00:29:22,200 Speaker 1: no Anthony Davis, no Lebron James, no LaVar Ball, no, no, 421 00:29:22,200 --> 00:29:23,880 Speaker 1: none of it. And those are really the only people 422 00:29:23,960 --> 00:29:28,640 Speaker 1: that's that's the drama, the dramas Lebron James, Anthony Davis, 423 00:29:28,640 --> 00:29:33,680 Speaker 1: Anthony Davis's father, and LaVar Ball pretty much everybody like 424 00:29:33,840 --> 00:29:37,960 Speaker 1: Kyrie's in and out, he's flash, he flashes. But in general, 425 00:29:38,720 --> 00:29:42,760 Speaker 1: it's really Lebron James and the Lakers. And when you 426 00:29:42,800 --> 00:29:46,840 Speaker 1: think about it, all the drama, the Lebron James drama, 427 00:29:47,160 --> 00:29:50,360 Speaker 1: it's pretty fucking sad. And you know, I talked my 428 00:29:50,360 --> 00:29:54,040 Speaker 1: ship about Lebron James, and when he's not in the NBA, 429 00:29:54,120 --> 00:29:58,560 Speaker 1: the NBA is gonna have to Phil avoid because as 430 00:29:58,600 --> 00:30:02,240 Speaker 1: great as Steph, as great as Kevin Durant is, as 431 00:30:02,280 --> 00:30:05,480 Speaker 1: great as Kyrie is, as great as the Greek freak 432 00:30:05,680 --> 00:30:10,320 Speaker 1: is um, as great as Luca don Keke could possibly 433 00:30:10,360 --> 00:30:14,760 Speaker 1: become who I didn't realize fucking nineteen years old, that 434 00:30:14,840 --> 00:30:17,760 Speaker 1: kid on the Dallas Mavericks. I always think those Europeans 435 00:30:17,760 --> 00:30:20,360 Speaker 1: are like thirty, because that's in the old days. That's 436 00:30:20,360 --> 00:30:24,840 Speaker 1: where the old days fuck old days. Uh, that's how 437 00:30:24,880 --> 00:30:26,280 Speaker 1: old they were. They'd come over here when they were 438 00:30:26,320 --> 00:30:29,280 Speaker 1: twenty seven and twenty nine and all that ship. He 439 00:30:29,480 --> 00:30:33,920 Speaker 1: fucking kids nineteen. Um. I don't know what gave me 440 00:30:33,920 --> 00:30:35,800 Speaker 1: the impression he was twenty five. Maybe it's the way 441 00:30:35,800 --> 00:30:38,200 Speaker 1: he plays or the way he carries himself, but he's 442 00:30:38,240 --> 00:30:42,239 Speaker 1: that motherfucker is good. But him, um um, you know, 443 00:30:42,320 --> 00:30:49,280 Speaker 1: the Cozma's, the Donovan Mitchell's and all of them. Nobody 444 00:30:50,120 --> 00:30:56,920 Speaker 1: is as transcendent. Nobody is as polarizing for good or 445 00:30:57,000 --> 00:31:02,120 Speaker 1: for bad, uh, for ship talking, for envy, for uh, 446 00:31:02,160 --> 00:31:08,320 Speaker 1: you know, goat talk as Lebron James. But this motherfucker 447 00:31:08,400 --> 00:31:13,600 Speaker 1: takes up all the fucking air in every conversation. I'm 448 00:31:13,640 --> 00:31:19,920 Speaker 1: listening to my guys Skip and Shannon. Last week Lebron, Lebron, Lebron, Lebron, Lebron, 449 00:31:20,200 --> 00:31:24,000 Speaker 1: I'm listening to Chris boussard Um fill in for Skipp 450 00:31:24,040 --> 00:31:30,840 Speaker 1: and Shannon. Uh. This morning, Lebron, Lebron, Lebron, Lebron, Lakers, Lakers, Lakers, Lakers. 451 00:31:30,840 --> 00:31:35,440 Speaker 1: I'm like, yo, Russell Westbrook is averaging a triple double 452 00:31:35,760 --> 00:31:38,080 Speaker 1: right now for the third season in the row if 453 00:31:38,080 --> 00:31:40,720 Speaker 1: he if he continues, it'll be three seasons in a row. 454 00:31:40,920 --> 00:31:45,400 Speaker 1: I have my problems and my skeptical skepticism about his 455 00:31:45,640 --> 00:31:50,240 Speaker 1: triple double averaging. But the facts are the facts. Jonics 456 00:31:50,320 --> 00:31:53,400 Speaker 1: is a fucking badass. That kid down in Dallas is nineteen. 457 00:31:54,480 --> 00:31:57,200 Speaker 1: They should be saying that every day homeboy down in Dallas, 458 00:31:57,240 --> 00:32:01,080 Speaker 1: that dunking fuck and and I'm gonna hate on him 459 00:32:01,120 --> 00:32:04,000 Speaker 1: now just by association of porzingis I'm gonna I'm never 460 00:32:04,040 --> 00:32:07,800 Speaker 1: gonna really be able to love him. It's sad. I'm 461 00:32:07,840 --> 00:32:10,760 Speaker 1: letting you know to right now. I'm never going to 462 00:32:10,840 --> 00:32:14,800 Speaker 1: really be able to love uh Donkey Uh and appreciate Donkey. 463 00:32:14,880 --> 00:32:18,280 Speaker 1: I'm always going to associate him with fucking Porzingis Um. 464 00:32:18,280 --> 00:32:21,080 Speaker 1: But Donovan Mitchell Kuzma, while you can't even talking about 465 00:32:21,200 --> 00:32:24,560 Speaker 1: he's a Laker. Um. All the great things that are 466 00:32:24,600 --> 00:32:28,160 Speaker 1: going on in the NBA, and there's plenty of fucking talent, Uh, 467 00:32:28,200 --> 00:32:31,600 Speaker 1: the emergence of Dearon Fox as a second year, really 468 00:32:31,640 --> 00:32:35,280 Speaker 1: good player, He's improved, all the good things. Ben Simmons, 469 00:32:35,400 --> 00:32:38,400 Speaker 1: Joe Allenbi all these None of these fucking guys um 470 00:32:38,480 --> 00:32:42,400 Speaker 1: get even the smidge of shine, whether you love him, 471 00:32:42,480 --> 00:32:46,160 Speaker 1: hate him or everything in between, that Lebron gets. And 472 00:32:46,240 --> 00:32:49,600 Speaker 1: when he goes, there's going to be a big discussion 473 00:32:50,280 --> 00:32:53,800 Speaker 1: that is gonna be missing because before Lebron, it was 474 00:32:53,920 --> 00:32:57,960 Speaker 1: Kobe UH and Alan Iverson Uh and that whole crew, 475 00:32:58,360 --> 00:33:01,200 Speaker 1: and that that covered a lot and shock you know, 476 00:33:01,760 --> 00:33:03,880 Speaker 1: d Wade and then you know it was d Wade 477 00:33:03,920 --> 00:33:06,000 Speaker 1: and Lebron and the big thing. But it wasn't just 478 00:33:06,240 --> 00:33:12,000 Speaker 1: solely Lebron. Every fucking day it's Lebron, and now it's 479 00:33:12,080 --> 00:33:15,440 Speaker 1: it's it's magic. Something happened. I don't even know where 480 00:33:15,480 --> 00:33:19,120 Speaker 1: it started from or how this happened. It's whack as fuck, 481 00:33:20,000 --> 00:33:26,000 Speaker 1: but apparently Ben Simmons asked Elton Brand. Shout out to 482 00:33:26,040 --> 00:33:29,480 Speaker 1: my man, Elton Brand, who's the GM of the seventies sixers, 483 00:33:29,960 --> 00:33:33,200 Speaker 1: if in the off season he could work out with 484 00:33:33,320 --> 00:33:38,920 Speaker 1: Magic Johnson. And I'm thinking of myself, my man, why 485 00:33:38,960 --> 00:33:41,240 Speaker 1: would you even bring that up if you're a Philadelphia 486 00:33:41,320 --> 00:33:46,000 Speaker 1: sent Like, why would you even why would you even 487 00:33:46,040 --> 00:33:48,000 Speaker 1: bring that up? To to to the sixties? Like, I 488 00:33:48,480 --> 00:33:53,240 Speaker 1: know you're from Australia, um, but you know better. That's 489 00:33:53,280 --> 00:33:57,120 Speaker 1: just some dumb ship. Like I love the fact that 490 00:33:57,160 --> 00:33:59,800 Speaker 1: the Greek freak is not fucking with anybody, but the 491 00:33:59,800 --> 00:34:03,760 Speaker 1: more Walkee Bucks. He's not on boats, he's not down 492 00:34:03,760 --> 00:34:06,960 Speaker 1: in Miami, he's not working out, he's not hanging hanging 493 00:34:07,000 --> 00:34:12,120 Speaker 1: around with anybody other than his teammates. And of course 494 00:34:12,160 --> 00:34:14,880 Speaker 1: these guys are friends. They play they grew up together, 495 00:34:14,920 --> 00:34:18,920 Speaker 1: they played college together. Uh, they have endorsement deals together. 496 00:34:18,960 --> 00:34:22,040 Speaker 1: There's Nike dudes, there's under Armored dudes. There's a Data dude, 497 00:34:22,360 --> 00:34:28,640 Speaker 1: there's now Pony Puma dudes, there's Converse dudes. All that ship. 498 00:34:28,960 --> 00:34:33,840 Speaker 1: I get it, you do commercials together. But like I 499 00:34:33,960 --> 00:34:38,160 Speaker 1: was saying a couple of days ago about lebron Um, 500 00:34:38,200 --> 00:34:41,920 Speaker 1: you know, uh, singing slow jams Ka Kyrie, give the 501 00:34:41,960 --> 00:34:44,120 Speaker 1: fans half respect for the fans. To give us the 502 00:34:44,120 --> 00:34:48,760 Speaker 1: illusion that you don't like each other. You know this 503 00:34:49,040 --> 00:34:52,120 Speaker 1: friends and family hanging out in the d m s, 504 00:34:53,120 --> 00:34:55,799 Speaker 1: you know, laughing and and and and commenting on other 505 00:34:55,840 --> 00:34:59,000 Speaker 1: people's Instagram. Save all that ship. Do it in private. 506 00:35:00,640 --> 00:35:03,160 Speaker 1: Give us the illusion that when push comes to shove, 507 00:35:03,400 --> 00:35:09,120 Speaker 1: you're gonna fucking clothesline anybody that's not on your team. 508 00:35:09,239 --> 00:35:12,520 Speaker 1: We deserved that, his fans. We deserve that illusion, even 509 00:35:12,560 --> 00:35:16,920 Speaker 1: though we know it's not really true. Please, it's getting 510 00:35:16,920 --> 00:35:19,480 Speaker 1: out of control. Why the funk are you asking Magic 511 00:35:19,560 --> 00:35:23,080 Speaker 1: Johnson who's fifty six years old or some ship? If 512 00:35:23,120 --> 00:35:24,680 Speaker 1: he's gonna work out with you, Why where the fund 513 00:35:24,760 --> 00:35:26,759 Speaker 1: is Magic gonna teach you anyway? He can't run and 514 00:35:26,840 --> 00:35:31,120 Speaker 1: jump and do all that ship anymore, Ben Simmons, you 515 00:35:31,120 --> 00:35:33,600 Speaker 1: want to learn from Magic Johnson? Watch his old tapes. 516 00:35:35,400 --> 00:35:37,439 Speaker 1: He's not playing on anymore, fucking boy. And why would 517 00:35:37,480 --> 00:35:41,360 Speaker 1: he teach the point guard of one of the lakers 518 00:35:41,400 --> 00:35:48,600 Speaker 1: greatest historical rivals anything? Why would he teach you that? Duke? 519 00:35:48,800 --> 00:35:50,960 Speaker 1: The fund? Is you doing? Asking? And then Magic's got 520 00:35:51,040 --> 00:35:54,040 Speaker 1: to defend himself. Magic's already got mixed up in a 521 00:35:54,080 --> 00:35:57,439 Speaker 1: tampering thing. He got fined two dred fifty live. Don't 522 00:35:57,480 --> 00:36:01,560 Speaker 1: talk to Magic and that Magic Gil stop being nice 523 00:36:01,560 --> 00:36:08,160 Speaker 1: of these dudes. Take away LaVar balls, access to anything special. 524 00:36:09,760 --> 00:36:13,879 Speaker 1: At the Staples Center. He talked greasy about you the ship. 525 00:36:14,040 --> 00:36:17,720 Speaker 1: He was saying about you Magic last week in public. 526 00:36:18,920 --> 00:36:21,160 Speaker 1: I hope you've got something lined up, real nice and 527 00:36:21,280 --> 00:36:24,640 Speaker 1: real proper for a Lonzo Ball. I know Magic is 528 00:36:24,640 --> 00:36:27,600 Speaker 1: not gonna get caught up in his emotions, and he's 529 00:36:27,600 --> 00:36:29,880 Speaker 1: gonna do it's best for the Lakers and do the 530 00:36:29,920 --> 00:36:32,480 Speaker 1: best business decision. But but I hope he's got a 531 00:36:32,520 --> 00:36:35,560 Speaker 1: little cherry on top. Or your father was talking Ship 532 00:36:35,840 --> 00:36:38,759 Speaker 1: now funk that. If you can't control your father, I 533 00:36:38,760 --> 00:36:42,840 Speaker 1: don't know what it's gonna be. But you need to 534 00:36:42,880 --> 00:36:46,160 Speaker 1: take control. Stop smiling all the time, Magic, Stop laughing 535 00:36:46,160 --> 00:36:47,840 Speaker 1: at Ship all the time. You need to get fucking 536 00:36:47,880 --> 00:36:52,959 Speaker 1: mean out there be a mean GM just a little 537 00:36:52,960 --> 00:36:56,319 Speaker 1: bit because things are out of control. The other thing 538 00:36:56,360 --> 00:36:58,960 Speaker 1: that's out of control with the sports media and I 539 00:36:59,520 --> 00:37:02,440 Speaker 1: and Ski been shanning. Those are my dudes, Broussard, all 540 00:37:02,440 --> 00:37:06,600 Speaker 1: those guys, I love them all. Stephen A. Smith, I 541 00:37:06,680 --> 00:37:08,799 Speaker 1: love all these guys. I'm a fan before, before I 542 00:37:08,840 --> 00:37:15,840 Speaker 1: was rocking this. This conversation about whether Tom Brady is 543 00:37:15,920 --> 00:37:19,279 Speaker 1: more of a goat, greatest of all time, or a 544 00:37:19,320 --> 00:37:23,719 Speaker 1: better winner than Michael Jordan's or a better winner then 545 00:37:23,800 --> 00:37:31,960 Speaker 1: Lebron James is dumb as fuck, dumb a f I 546 00:37:32,040 --> 00:37:34,560 Speaker 1: don't think I need to explain why comparing a football 547 00:37:34,560 --> 00:37:40,279 Speaker 1: player to a basketball player is stupid, Okay, And I 548 00:37:40,320 --> 00:37:42,880 Speaker 1: wish I was more articulate than just calling it stupid, 549 00:37:43,239 --> 00:37:50,920 Speaker 1: But it's stupid. It's real fucking dumb. He's a football player, 550 00:37:51,120 --> 00:37:54,879 Speaker 1: these are basketball players. There are two different sports. One 551 00:37:54,960 --> 00:37:57,560 Speaker 1: sport has five men on the court. The other sport 552 00:37:57,719 --> 00:38:01,000 Speaker 1: has eleven men on the court playing offense, and eleven 553 00:38:01,040 --> 00:38:05,440 Speaker 1: men on the field. I always said court playing defense. Okay, 554 00:38:06,680 --> 00:38:10,440 Speaker 1: it's oh, Tom Brady's got six rings and and Michael 555 00:38:10,480 --> 00:38:13,520 Speaker 1: Jordan's got six rings, and no one discusses Kareem abdul Jabbar, 556 00:38:13,760 --> 00:38:19,560 Speaker 1: who's also got six rings and was unstoppable. Kareem abdul 557 00:38:19,640 --> 00:38:22,480 Speaker 1: Jabbar was a scoring machine and he would be a 558 00:38:22,480 --> 00:38:25,840 Speaker 1: scoring machine in this NBA because the motherfucker could skyhook 559 00:38:27,600 --> 00:38:31,240 Speaker 1: from the three point line. Go watch some Kareem Abdul 560 00:38:31,320 --> 00:38:34,239 Speaker 1: Jabbar Lou all Cinder highlights. If you don't believe me, 561 00:38:34,440 --> 00:38:37,320 Speaker 1: the motherfucker was sky hooking from all over the court 562 00:38:38,640 --> 00:38:42,799 Speaker 1: when you could hand check push shove, and he's in 563 00:38:42,920 --> 00:38:46,799 Speaker 1: a karate movie with Bruce Lee. They just disrespect cat. 564 00:38:48,120 --> 00:38:51,520 Speaker 1: But but the conversation of who's a greater winner, who's 565 00:38:51,520 --> 00:38:55,600 Speaker 1: the real goat is just it's just dumb, and I 566 00:38:55,680 --> 00:38:57,600 Speaker 1: get it. People like it. I guess it's a debate 567 00:38:57,640 --> 00:39:00,680 Speaker 1: that people like. Okay, let's have it one time. Why 568 00:39:00,760 --> 00:39:04,960 Speaker 1: is this being discussed every day every week on all 569 00:39:04,960 --> 00:39:10,279 Speaker 1: the sports shows. It's fucking ridiculous. Is Serena Williams a 570 00:39:10,320 --> 00:39:16,600 Speaker 1: greater winner than Joe Montana? What what are you talking about? Oh, 571 00:39:16,640 --> 00:39:23,000 Speaker 1: it's Hussein Bolt a greater winner then Lawrence Taylor? What 572 00:39:23,000 --> 00:39:24,640 Speaker 1: what are we see? What are we talking about? Here? 573 00:39:26,560 --> 00:39:28,960 Speaker 1: All right, and now we're gonna get to the sick 574 00:39:29,239 --> 00:39:35,280 Speaker 1: Fox of the Week. But before we play the now remixed, 575 00:39:35,320 --> 00:39:38,440 Speaker 1: reimagined Sick Funk of the Week theme song, I would 576 00:39:38,480 --> 00:39:42,239 Speaker 1: love to hear people's opinions of the Sick Funk of 577 00:39:42,239 --> 00:39:45,719 Speaker 1: the Week theme song. Um, there's gonna be less d 578 00:39:45,920 --> 00:39:48,239 Speaker 1: m NG. I'll say it again. There's going to be 579 00:39:48,360 --> 00:39:54,239 Speaker 1: less d m ng more emailing. Okay, that's because I 580 00:39:55,640 --> 00:39:59,680 Speaker 1: we we just can't keep up with the amount of 581 00:39:59,760 --> 00:40:03,239 Speaker 1: d ms. It's just too much. So yeah, if you 582 00:40:03,360 --> 00:40:06,520 Speaker 1: d m me UM, hopefully I'll be able to respond 583 00:40:06,560 --> 00:40:11,839 Speaker 1: to it. But the quicker, most guaranteed way two correspond 584 00:40:12,400 --> 00:40:17,560 Speaker 1: with us, uh me, Myles Jordan's and the think tank 585 00:40:17,600 --> 00:40:19,800 Speaker 1: at the Iron rap Pors Stereo podcast is the emails. 586 00:40:19,880 --> 00:40:23,200 Speaker 1: I am Rapp Report podcast at gmail dot com. I'll 587 00:40:23,200 --> 00:40:27,799 Speaker 1: say it again, I am Wrapp Report Podcast at gmails 588 00:40:27,960 --> 00:40:31,839 Speaker 1: dot com. Okay, now, the reason why I'm asking your 589 00:40:31,880 --> 00:40:34,920 Speaker 1: opinions on the new remixed reimagined Sick Funk of the 590 00:40:34,960 --> 00:40:37,880 Speaker 1: Week theme song is because one person uh said to 591 00:40:37,920 --> 00:40:42,719 Speaker 1: me he didn't like the remixed version of the Iron 592 00:40:42,800 --> 00:40:45,360 Speaker 1: rap Port Stereo podcast award winning six Funk of the 593 00:40:45,360 --> 00:40:48,200 Speaker 1: Week theme song. He said that he didn't like the 594 00:40:48,280 --> 00:40:51,600 Speaker 1: chicken and he didn't like the screaming UM, and I 595 00:40:51,640 --> 00:40:55,520 Speaker 1: have to say I I disagree Um, as you can 596 00:40:55,600 --> 00:40:59,200 Speaker 1: hear in the remixed reimagined Sick Funk of the Week 597 00:40:59,280 --> 00:41:03,000 Speaker 1: theme song. UM, I am asking why are you doing 598 00:41:03,040 --> 00:41:05,120 Speaker 1: that to the chicken? You're not supposed to be doing 599 00:41:05,160 --> 00:41:08,759 Speaker 1: that to a chicken. And um, I don't believe it's screaming. 600 00:41:08,840 --> 00:41:13,400 Speaker 1: I believe it's a chicken yelling for its life. Okay, 601 00:41:13,480 --> 00:41:15,879 Speaker 1: so we listen to the sick Funk of the Week 602 00:41:15,960 --> 00:41:19,440 Speaker 1: theme song. Um, and let's get into it. This is 603 00:41:19,440 --> 00:41:22,120 Speaker 1: the Iron Wrap or Stereo podcast sick Funck of the 604 00:41:22,120 --> 00:41:29,520 Speaker 1: Week segment. This is an award that is earned, not given, earned, 605 00:41:29,920 --> 00:41:33,160 Speaker 1: not given. It's called the sick the fust of the 606 00:41:33,320 --> 00:41:37,040 Speaker 1: I'm sick, She's really fucking sick, man, she just fucking 607 00:41:37,120 --> 00:41:40,520 Speaker 1: whack line. Make them You smell like a sick funck. 608 00:41:40,920 --> 00:41:43,560 Speaker 1: You look like a six supposed to be on a plane. 609 00:41:43,560 --> 00:41:46,880 Speaker 1: You sick you doing? Hey man, leave that chicken alone, 610 00:41:47,160 --> 00:41:49,680 Speaker 1: Leave the chicken alone? What are you doing to the 611 00:41:49,840 --> 00:41:57,920 Speaker 1: chicken that doesn't belong in? A chicken? Alright? Alright? This 612 00:41:58,000 --> 00:42:02,359 Speaker 1: is an award is given out weekly on the Iron 613 00:42:02,440 --> 00:42:05,880 Speaker 1: raphor stereo podcast. Is an award that is given out weekly. 614 00:42:06,120 --> 00:42:10,840 Speaker 1: It is earned. However, it is earned. It isn't given 615 00:42:11,000 --> 00:42:15,880 Speaker 1: to anybody doing anything. It's going out to the certain 616 00:42:16,280 --> 00:42:21,800 Speaker 1: certain kind of sick funck with a a flair, a flair, 617 00:42:21,800 --> 00:42:26,520 Speaker 1: a certain charismatic quality. The French call it, um, I 618 00:42:26,600 --> 00:42:29,399 Speaker 1: forget my French is not good? A certain genesi qua. 619 00:42:31,360 --> 00:42:36,320 Speaker 1: Now the first sick funck is hailing from the state 620 00:42:37,239 --> 00:42:43,840 Speaker 1: of Florida. Um. And although we said that the Arizona 621 00:42:44,040 --> 00:42:47,560 Speaker 1: nurse who impregnated the woman who has been in a 622 00:42:47,640 --> 00:42:51,279 Speaker 1: vegetable state for years was going to be the sick 623 00:42:51,320 --> 00:42:57,160 Speaker 1: funk of the year, low and behold, low and behold, somehow, 624 00:42:57,320 --> 00:43:06,680 Speaker 1: some way, that guy may have met his match. Oh man, Florida, 625 00:43:06,760 --> 00:43:14,399 Speaker 1: you never ever ever disappoint WILLIAMS. Shorter, a sick funk 626 00:43:14,440 --> 00:43:19,920 Speaker 1: of the week named William Shorter, a caregiver, was arrested 627 00:43:22,280 --> 00:43:30,440 Speaker 1: for impregnating a client with the mental capacity of a 628 00:43:30,680 --> 00:43:36,440 Speaker 1: small child. Fifty eight year old sick fucking Willie Shorter 629 00:43:38,040 --> 00:43:42,520 Speaker 1: worked at the Woodsmere Estate group home in Rockledge, Florida, 630 00:43:42,600 --> 00:43:45,279 Speaker 1: where he was responsible for caring of a group of 631 00:43:45,320 --> 00:43:50,600 Speaker 1: people with developmental disabilities. Apparently, there has been an investigation 632 00:43:50,640 --> 00:43:55,440 Speaker 1: that has been going on since January of two thousand fifteen, 633 00:43:55,440 --> 00:44:01,160 Speaker 1: when this woman gave birth to a baby who is 634 00:44:01,239 --> 00:44:06,720 Speaker 1: incapacitated and again it has the capabilities the mental capacity 635 00:44:06,800 --> 00:44:09,839 Speaker 1: of a small child of a small child. After a 636 00:44:09,880 --> 00:44:16,640 Speaker 1: four year investigation, DNA samples voluntary involuntary, this, that, and 637 00:44:16,719 --> 00:44:22,600 Speaker 1: the third. Williams Shorter has been arrested. He was arrested 638 00:44:22,640 --> 00:44:28,120 Speaker 1: a few days ago for impregnating a disabled person with 639 00:44:28,200 --> 00:44:32,040 Speaker 1: the mental capacity of a small child. We will be 640 00:44:32,080 --> 00:44:35,880 Speaker 1: following this closely, very closely at the I M Rapports 641 00:44:35,880 --> 00:44:40,799 Speaker 1: stereo podcast Sick Funk of the Week, Think Tank the 642 00:44:41,080 --> 00:44:44,479 Speaker 1: next Sick Funk of the Week. And I'm surprised there's 643 00:44:44,480 --> 00:44:48,000 Speaker 1: not more. Actually, there's good people out there, um and 644 00:44:48,080 --> 00:44:53,400 Speaker 1: Staten Island. They are hard working, good, strong, solid New Yorkers. 645 00:44:53,400 --> 00:44:59,719 Speaker 1: It's just a ship hole Staten Island. Staten Island too. 646 00:45:00,040 --> 00:45:06,879 Speaker 1: That An Island men have been arrested for beating their 647 00:45:06,960 --> 00:45:11,000 Speaker 1: drug buddy. These are all junkies. Three junkies. Two of 648 00:45:11,040 --> 00:45:15,400 Speaker 1: these junkies beat their drug buddy to death with a 649 00:45:15,480 --> 00:45:21,719 Speaker 1: baseball bat and then stashed his dead body, which was 650 00:45:21,800 --> 00:45:27,000 Speaker 1: essentially a rotten corpse, in their garage for six months. 651 00:45:28,440 --> 00:45:33,640 Speaker 1: Then took the rotting corpse slash dead body and buried 652 00:45:33,680 --> 00:45:39,520 Speaker 1: it into the near by woods. Now, needless to say, 653 00:45:39,560 --> 00:45:46,680 Speaker 1: these two junkie cocksuckers, um they they obviously aren't that smart. 654 00:45:46,760 --> 00:45:49,440 Speaker 1: I think they were on that meth or that glass. 655 00:45:49,880 --> 00:45:53,279 Speaker 1: But Troy Williams and Stephen Mizzli have been charged with 656 00:45:53,480 --> 00:45:58,280 Speaker 1: killing their fifty year old ex con drug addict friend, 657 00:45:58,560 --> 00:46:06,320 Speaker 1: Mandel Harvey in a drug related robbery. Um, they robbed 658 00:46:06,400 --> 00:46:09,520 Speaker 1: him of some of his crack while he was sleeping 659 00:46:09,520 --> 00:46:11,760 Speaker 1: and beat him to death. Blah blah blah blah blah, 660 00:46:12,120 --> 00:46:14,160 Speaker 1: stashed the body and then said, oh, you know, this 661 00:46:14,200 --> 00:46:18,839 Speaker 1: probably isn't gonna work out, and then uh wind up 662 00:46:18,880 --> 00:46:22,040 Speaker 1: putting the body in the woods, and they got busted. 663 00:46:22,080 --> 00:46:25,319 Speaker 1: These are these are junkie cocksuckers, and uh, this is 664 00:46:25,320 --> 00:46:28,760 Speaker 1: what happens when you're a junkie cock sucking sick fuck 665 00:46:30,480 --> 00:46:35,680 Speaker 1: again in the Five Burrows, a Brooklyn man who was 666 00:46:35,840 --> 00:46:42,319 Speaker 1: locked up in Riker's Island. Okay, he's already arrested and 667 00:46:42,400 --> 00:46:47,719 Speaker 1: locked up and being tried for the attempted attempted murder 668 00:46:48,200 --> 00:46:52,719 Speaker 1: of his half brother. Okay, so the case hadn't been 669 00:46:52,760 --> 00:46:57,879 Speaker 1: to court yet. This cocksucker tried to hire a hit 670 00:46:57,960 --> 00:47:04,680 Speaker 1: man for five thousand dollars to finish the fucking job. 671 00:47:05,280 --> 00:47:07,960 Speaker 1: And I gotta be honest with you. I have to 672 00:47:08,000 --> 00:47:10,279 Speaker 1: be really honest with you. At some point we need 673 00:47:10,320 --> 00:47:12,560 Speaker 1: to say, well, what the fund did his half brother 674 00:47:12,680 --> 00:47:15,040 Speaker 1: do to him because he tried to kill him himself 675 00:47:15,360 --> 00:47:19,360 Speaker 1: didn't do it? And then while locked up on the island, 676 00:47:19,760 --> 00:47:23,840 Speaker 1: nobody is smiling on the island. Look up, Coolgi wrap. 677 00:47:23,920 --> 00:47:27,880 Speaker 1: Shout out to coolgi wrap. Ain't no smiling on Rikers Island. 678 00:47:29,080 --> 00:47:34,000 Speaker 1: Anthony Tajita was caught on a record a recorded phone 679 00:47:34,000 --> 00:47:39,759 Speaker 1: call talking to a firearms, alcohol and tobacco agent, an 680 00:47:39,800 --> 00:47:44,719 Speaker 1: undercover guy that he believed was a hit man, and 681 00:47:44,719 --> 00:47:47,759 Speaker 1: he was saying, quote unquote, I definitely need that situation 682 00:47:47,800 --> 00:47:53,120 Speaker 1: taking care of YadA, YadA, YadA. The undercover cops said 683 00:47:53,160 --> 00:47:57,120 Speaker 1: you want him dead, like dead dead, and he said, yes, 684 00:47:57,640 --> 00:48:02,399 Speaker 1: I wasn't trying to bullshit you. Yes. Now, this guy 685 00:48:02,440 --> 00:48:04,960 Speaker 1: obviously is a sick fuck. But at some point we 686 00:48:05,000 --> 00:48:09,560 Speaker 1: need to question why is this guy going so far 687 00:48:09,680 --> 00:48:14,600 Speaker 1: out of his way, adding insult to injury to get 688 00:48:14,600 --> 00:48:20,040 Speaker 1: his half brother killed a k A whacked Next up 689 00:48:21,920 --> 00:48:27,680 Speaker 1: in Virginia. This is a good one. This is this 690 00:48:27,760 --> 00:48:33,040 Speaker 1: is a really good one. Antonio small Wood was arrested 691 00:48:33,080 --> 00:48:38,839 Speaker 1: the other day for allegedly. I don't know why they 692 00:48:38,880 --> 00:48:41,000 Speaker 1: have to use this word allegedly. I guess nobody wants 693 00:48:41,000 --> 00:48:43,320 Speaker 1: to get sued. Everybody's trying to sue everybody, even a 694 00:48:43,440 --> 00:48:47,880 Speaker 1: sick fuck I can get a lawsuit on you. But 695 00:48:48,160 --> 00:48:53,759 Speaker 1: Antonio small Wood, it was forty one years old, was 696 00:48:53,920 --> 00:48:56,640 Speaker 1: arrested the other day for allegedly I'll say allegedly too, 697 00:48:56,640 --> 00:48:59,960 Speaker 1: because I don't want anybody coming after me for pretty 698 00:49:00,000 --> 00:49:06,880 Speaker 1: objecting a porno on his garage door for his neighbors 699 00:49:06,920 --> 00:49:10,120 Speaker 1: to see. He got out the projector and put up 700 00:49:10,160 --> 00:49:14,040 Speaker 1: a no no in the middle of the fucking day. 701 00:49:14,360 --> 00:49:16,719 Speaker 1: He put a porno on during the middle of the 702 00:49:16,840 --> 00:49:21,360 Speaker 1: day that projected on his garage door. This guy, this 703 00:49:21,520 --> 00:49:25,279 Speaker 1: see this guy, This guy is every single thing that 704 00:49:25,360 --> 00:49:28,879 Speaker 1: you think of when you think of that certain genesee kua, 705 00:49:29,719 --> 00:49:32,239 Speaker 1: that it factor. I don't know what the fuss was 706 00:49:32,280 --> 00:49:36,480 Speaker 1: going on, but police were called. An officer arrived. They 707 00:49:36,480 --> 00:49:40,680 Speaker 1: saw a movie involving sexual activity being uh projected on 708 00:49:40,719 --> 00:49:44,680 Speaker 1: the garage and so forth and so on. Who knows 709 00:49:44,719 --> 00:49:47,560 Speaker 1: who also saw it? Kids in the neighborhood, old ladies, 710 00:49:47,560 --> 00:49:50,160 Speaker 1: you can give somebody a heart attack. Uh. We're gonna 711 00:49:50,160 --> 00:49:52,120 Speaker 1: be following this story closer, because this is a guy 712 00:49:52,160 --> 00:49:55,160 Speaker 1: that could sneak into the top ten just for when 713 00:49:55,160 --> 00:49:57,799 Speaker 1: you think about it. Well, what what are you doing, duke? 714 00:49:58,320 --> 00:50:01,880 Speaker 1: You want to watch a no no on the garage 715 00:50:01,920 --> 00:50:03,960 Speaker 1: door out in public? Are you trying to get back 716 00:50:03,960 --> 00:50:06,600 Speaker 1: at somebody? What the funk are you doing? Duke? That's 717 00:50:06,600 --> 00:50:09,760 Speaker 1: the question. Um, Speaking of heart attacks, you know everybody 718 00:50:09,760 --> 00:50:14,040 Speaker 1: out there fucking with that legal weed and you think 719 00:50:14,120 --> 00:50:18,560 Speaker 1: it is sweet because weeks legalizes and all that, and 720 00:50:18,600 --> 00:50:21,160 Speaker 1: you think shit is sweet. Working with these these these 721 00:50:21,480 --> 00:50:25,359 Speaker 1: these lollipops and these candies and these chocolates and all that. 722 00:50:25,880 --> 00:50:30,840 Speaker 1: Ship is not sweet. Okay, My brother almost caught a 723 00:50:30,880 --> 00:50:33,240 Speaker 1: heart attack fucking with this ship. He wounds up in Bellevue. 724 00:50:33,280 --> 00:50:36,520 Speaker 1: Remember I told you about that story. Well, a seventy 725 00:50:36,600 --> 00:50:42,200 Speaker 1: year old man suffered a heart attack after scoring some 726 00:50:42,320 --> 00:50:46,640 Speaker 1: quote unquote killer bud Duke was working around with those 727 00:50:46,680 --> 00:50:53,399 Speaker 1: baked lollipops which have ninety milligrams of th HC in them, 728 00:50:53,440 --> 00:50:55,600 Speaker 1: and money caught a heart attack. Thank god, the seven 729 00:50:55,680 --> 00:50:59,600 Speaker 1: year old guy didn't die. Um, but he had smoked 730 00:50:59,600 --> 00:51:02,560 Speaker 1: marijuana in his life. But them candies ain't like that. Listen. 731 00:51:03,680 --> 00:51:08,239 Speaker 1: That's a lot of weed to having a lollipop to 732 00:51:08,360 --> 00:51:11,200 Speaker 1: begin with. But you never know when you could have 733 00:51:12,160 --> 00:51:13,920 Speaker 1: you suck on or chew on the part of the 734 00:51:13,960 --> 00:51:16,480 Speaker 1: lollipop that has all the weed. That's that's the danger 735 00:51:16,560 --> 00:51:19,680 Speaker 1: with this ship. You gotta go slow with those edibles. 736 00:51:20,360 --> 00:51:24,480 Speaker 1: Trust me, Trust me. I'll share my experience with them again, 737 00:51:25,080 --> 00:51:28,080 Speaker 1: and I'll tell you about my brother's experience. He wound 738 00:51:28,120 --> 00:51:32,520 Speaker 1: up in Bellevue, Duke, he wound up in motherfucking Bellevue, 739 00:51:32,520 --> 00:51:36,920 Speaker 1: my brother, Professor Rappaport, fucking with those candies. Alright, So 740 00:51:37,200 --> 00:51:41,520 Speaker 1: fortunately this guy lived. But yo, don't get gassed up 741 00:51:41,560 --> 00:51:45,480 Speaker 1: and hyped up on those edibles and think them ships 742 00:51:45,480 --> 00:51:49,440 Speaker 1: are like Eminem's and skills. They're not. And if you 743 00:51:49,480 --> 00:51:51,680 Speaker 1: get a bad batch, you two could wind up in 744 00:51:51,719 --> 00:51:55,920 Speaker 1: the hospital. I'm done, fucking done, za, I am rapport 745 00:51:56,000 --> 00:52:00,200 Speaker 1: stereo podcasting. Okay, my name is the Green on me 746 00:52:00,200 --> 00:52:02,680 Speaker 1: in and go a K A White Mike, a k 747 00:52:02,840 --> 00:52:06,360 Speaker 1: A the White CHOCOLATEO a k A Mr White Folks 748 00:52:06,360 --> 00:52:09,279 Speaker 1: a K milk and someone and so forth. I'm gonna 749 00:52:09,280 --> 00:52:10,719 Speaker 1: ask Miles in Jordan to take us out of here 750 00:52:10,760 --> 00:52:13,280 Speaker 1: with something real nice, something real proper, but most importantly, 751 00:52:13,360 --> 00:52:32,400 Speaker 1: oh yeah, something real funky.